Search Catalogue

Call No: DVD RESEARCH FOLDER
Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999)
Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.

Call No: (03)(-109.5) PED
Author: Pedler, Garth; Wyatt, David; Moules, Patrick; Brownlow, Kevin
Edition: 2020
Place: Kibworth Beauchamp
Publisher: Matador
PhysDes: x, 1136 pages : illustrated ; 29cm
Subject: HOME EQUIPMENT; HOME EXHIBITION
Language: English; French

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: September 1998
Subject: VIDEO PHOTOGRAPHY; TECHNICAL DEVELOPMENTS; EQUIPMENT; PRODUCTION TECHNOLOGY

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: April 1999
Subject: VIDEO PHOTOGRAPHY; TECHNICAL DEVELOPMENTS; EQUIPMENT; PRODUCTION TECHNOLOGY

Call No: JOURNAL SHELVES. AMERICAN CINEMATOGRAPHER SPECIAL ISSUES
PubDate: April 1998
Subject: VIDEO PHOTOGRAPHY; TECHNICAL DEVELOPMENTS; EQUIPMENT; PRODUCTION TECHNOLOGY

PhysDes: Article
Subject: ATLAB; SOUND EDITING; SOUND EFFECTS; SOUND EQUIPMENT; TECHNOLOGY AND THE CINEMA
Summary: Article on the technological updates at Atlab Australia, particularly in their sound department.

Call No: F(017)(73)291CAM
CorpAuthor: [Camera Mart Inc.]
Edition: 1972
Place: New York
Publisher: [Camera Mart Inc.]
PubDate: 1972
PhysDes: 52 p. ; 29 cm
Subject: CAMERAS; EQUIPMENT; INDUSTRY, FILM

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; EQUIPMENT; PROJECTION; PROJECTIONISTS; PROJECTS, FILM. AUSTRALIA
Summary: Article on the success of Entertainment Services, a Brisbane based cinema equipment company.

Call No: 761 SPE
Author: Spence, Louise; Navarro, Vinicius
Source: US/UK
Place: New Brunswick, NJ
Publisher: Rutgers University Press
PubDate: c2011
PhysDes: x, 281 p. : ill. ; 26 cm
Subject: AESTHETICS; AUTHORSHIP; BIOGRAPHICAL FILMS; CINEMATOGRAPHY; COMMENTARY; CONSTRUCTIVISM; CONTINUITY; CINEMA-DIRECT; DOCUMENTARIES; DOCUMENTARY FILMS; EDITING; ETHNOGRAPHIC FILMS; HISTORY AND THE CINEMA; INTERVIEWING; INTERVIEWS IN FILMS; LIGHTING; LOCATION SHOOTING; MEMORY IN FILMS; MUSIC IN FILMS; NARRATIVE IN FILMS; NON-FICTION FILMS; PALESTINE; PHOTOGRAPHY AND THE CINEMA; REALISM IN FILMS; SOUND; SOUND EQUIPMENT; THEORY; TRUTH IN FILMS; VOICE OVER; WORLD WAR II AND THE CINEMA; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992); GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974); FAR FROM POLAND (US, Jill Godmilow, 1984); HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995); HANDSWORTH SONGS (UK, John Akomfrah, 1986); HEARTS AND MINDS (US, Peter Davis, 1974); JOYCE AT 34 (US, Joyce Chopra, 1972); LESSONS OF DARKNESS (GG, Werner Herzog, 1992); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); TIES THAT BIND, THE (US, Su Friedrich, 1984); TITICUT FOLLIES (US, Frederick Wiseman, 1967); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions? Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURB
ISBN: 9780813549033
Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority -- Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries -- Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --
ID2: 90

PhysDes: Article
Subject: GREATER UNION; EQUIPMENT; INDUSTRY, FILM
Summary: Article on the new GS-7 processor by Greater Union Theatre Supplies Pty. Ltd.

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: INDUSTRY, FILM. AUSTRALIA; FILM WORKERS. AUSTRALIA; EQUIPMENT
Summary: Discusses current trends for major grip companies and individual grips.

Call No: 761 GIL
Author: Gillezeau, Marcus
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1997
PhysDes: 25 p. ; 30cm
Subject: DOCUMENTARY FILMS. AUSTRALIA; TECHNOLOGY AND THE CINEMA. AUSTRALIA; DIGITAL TECHNOLOGY. AUSTRALIA; EQUIPMENT; FILMMAKING; CAMERAS; SOUND; SOUND RECORDING; PRODUCTION; POST-PRODUCTION; EDITING
Summary: "This paper outlines production and post-production paths for low budget documentaries with budgets ranging from $20,000 to $100,000. It explores both digital and analogue methods. It includes pointers on what needs to be considered during pre-production and the shoot which will result in time and cost savings during post-production." -- TAKEN FROM INTRODUCTION TO REPORT
LON: abn98003903; 13617349

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: HOME EQUIPMENT

Author: Altman, Rick; Abel, Richard
PhysDes: Article; Bibliography; Illustration(s)
Subject: HISTORY OF CINEMA. SOUND PERIOD; SOUND EQUIPMENT; SYNCHRONIZATION; JAZZ SINGER, THE (US, Alan Crosland, 1927)
Summary: Introduction to the 'Special domitor Issue: global experiments in early synchronous sounds'.

Call No: 220 LIP
Author: Lipton, Lenny, 1940; Roaman, Chet, 1939
Place: New York
Publisher: Simon and Schuster
PubDate: c1979
PhysDes: 223 p. : ill. ; 24 cm
Subject: EQUIPMENT; TECHNICAL DEVELOPMENTS; SUPER-8 MM FILMS; 16 MM FILMS; 3-D FILMS; PROJECTION
ISBN: 0671244272; 0671247913 (pbk.)
LON: 1346106

PhysDes: Article
Subject: INDUSTRY, FILM; EQUIPMENT; FILMMAKING
Summary: Article on new Eastman high-speed colour negative film from Kodak which excells in low lighting and when filming high-speed action.

Call No: DVD RESEARCH FOLDER
Author: Klinger, Barbara
Subject: HOME VIDEO MARKETING; HOME EXHIBITION; HOME EQUIPMENT
Summary: Looks at the Home Theatre Expereince, which does not only attempt to replicate the cinema but also creates a new way to view films.

Call No: SUBJECT CLIPPINGS FILE; ANIMATION. AUSTRALIA
Author: Griffith, Chris
PhysDes: Clippings File Article
Subject: ANIMATION; ANIMATION. AUSTRALIA; ANIMATION EQUIPMENT; ANIMAL LOGIC; WETA WORKSHOP
Summary: Review of new animation software Adobe Character Animator and a discussion with notable Australian animators about the technological developments and how it has impacted on their work.

Call No: 633.2 ALT
Author: Alton, John
Source: US
Place: New York
Publisher: Macmillan
PubDate: 1949
PhysDes: 191 p. ; 24 cm
Subject: CINEMATOGRAPHY; LIGHTING; CLOSE-UPS; EQUIPMENT
Donation: donated by the family of Wayne Levy, 2006
Contents: 1. Hollywood photography; 2. Motion picture illumination; 3. Mystery lighting; 4. Special illumination; 5. The Hollywood closeup; 6. Outdoor photography; 7. Symphony in snow; 8. Ocean voyage; 9. Visual music; 10. The portrait studio; 11. The laboratory; 12. Day and light, ladies, watch your light; 13. Motion picture theatres; 14. The world is a huge television studio and we are all photographers.

Call No: 23 WHE
Author: Wheeler, Leslie J.
Source: UK
Place: London
Publisher: Fountain Press
PubDate: 1953
PhysDes: 472 p. : ill. ; 22 cm
Subject: CINEMATOGRAPHY; EQUIPMENT; PROJECTION; SOUND; CAMERAS; STOCK
Donation: donated by the family of Wayne Levy, 2006

Author: Castaldi, Andre; McDonald, Nathan
PhysDes: Article; Illustration(s)
Subject: EQUIPMENT
Summary: Discusses the production equipment required to shoot feature films with budgets from $100,000 to $5 million.

Author: Lond, Harley W.
PhysDes: Article
Subject: SOUND; SOUND EQUIPMENT; TECHNOLOGY AND THE CINEMA
Summary: Review of various new sound systems availble for theatres

Call No: 22(07) MAT
Author: Matzkin, Myron A
Source: US
Place: New York
Publisher: Focal Press
PubDate: 1976
PhysDes: x, 298 p. : ill ; 23 cm
Subject: FILMMAKING; CAMERAS; SOUND EQUIPMENT; LIGHTING; EDITING; PROJECTION; ANIMATION; CLOSE-UPS; SPECIAL EFFECTS
Summary: This comprehensive guide both to the technical and to the creative sides of modern Super 8 mm cinematography gives special emphasis to the hardware in use. [Taken from inside front cover.]
ISBN: 024050755X
Donation: donated by the family of Wayne Levy, 2006

Call No: 410.82 NUG
Author: Nugent, Michael
CorpAuthor: Macquarie University
Source: AT
Place: Sydney, N.S.W.
Publisher: Macquarie University
PubDate: 2014
PhysDes: 59 pages ; 30 cm
Subject: VIDEO RECORDERS; VIDEO, FILMS ON. AUSTRALIA; VIEWERS. AUSTRALIA; HOME EXHIBITION. AUSTRALIA; HOME EQUIPMENT; HOME VIDEO. AUSTRALIA
Summary: "This thesis is to serve as a history of the Video Cassette Recorder (VCR) in Australia. It has been done because while there are numerous histories relating to other aspects of Australian media, the history of the VCR itself remains little more than an aspect of narratives focused on other phenomena. This was done through extensive examination of discursive sources, such as popular magazines, newspapers and trade journals. By reading these publications over the course of several years, I have been able to identify several trends unfolding over time, noting how popular conceptions of the technology have changed. By comparing these with work done on the history of home video in other countries, it allows for a greater understanding of what is unique to Australia’s history with the VCR. Perhaps the most significant finding is that the idea of what a VCR can offer is perpetually changing. What began as a simple means to record and playback programmes from television broadcasts quickly became a key part of commercial film distribution fundamentally altered the way in which people experience their television sets. As such, a struggle for position by producers, distributors and consumers erupted, as it irrevocably changed media in Australia." FROM ABSTRACT
Notes: Thesis paper -- ringbound -- includes acknowledgements and bibliography
Contents: Chapter 1. Introduction -- Chapter 2. The VCR in the public sphere -- Chapter 3. The VCR in the domestic sphere -- Chapter 4. The legacy of the VCR