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A.V.A. holds second convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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Angus & Robertson video library at two Visionhire branches in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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Aust. movie giant, Roadshow Film Dist., launch Roadshow Home Video in Australasian Cinema (28/5/1982) vol.11 iss.9 p.7
PhysDes: ArticleSubject: DISTRIBUTION. AUSTRALIA ; VIDEO, FILMS ON. AUSTRALIA ; MAD MAX (AT, George Miller, 1979) ; ENDLESS LOVE (US, Franco Zeffirelli, 1981) ; ATLANTIC CITY, USA (CN/FR, Louis Malle, 1980) ; VILLAGE ROADSHOW Summary: Article on the Roadshow announcement of the new subdivision, Roadshow Home Video, which will distribute films on VHS and BETA across Australia.
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Australian video censorship classifications 88 Richmond North, Vic.: General Magazine Co., 1988.
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Bad news for video pirates : Address to Bundaberg Convention by Ray Stevenson, Director Australian Film Secuirty Office in Australasian Cinema (13/5/1983) vol.12 iss.8 p.2
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Big role for Australian Film Producers' Assoc. in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3
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Blow to the video vendors : Import duty up from 2 to 37 per cent in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
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Jolly Rogers furled again! in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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Magistrate says penalties ludicrous for pirating videotapes in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.4
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More successful raids on video "pirates" in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1
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Interim
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New player : Australia/film/version 1.0 / Tim Richards Melbourne: Ematic Pty Ltd, 1999.
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New video deal set up by Video Classics in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: VIDEO CLASSICS ; DISTRIBUTION. AUSTRALIA ; VIDEO, FILMS ON. AUSTRALIA ; UNITED INTERNATIONAL PICTURES ; PARAMOUNT STUDIOS ; UNIVERSAL PICTURES ; UNITED ARTISTS ; Metro-Goldwyn-Mayer ; ROCKY III (US, Sylvester Stallone, 1982) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; THING, THE (US, John Carpenter, 1982) ; SHOGUN ASSASSIN (US, Robert Huston, 1980) ; GREASE 2 (US, Patricia Birch, 1982) ; POLTERGEIST (US, Tobe Hooper, 1982) ; URBAN COWBOY (US, James Bridges, 1980) Summary: Article on deal struck between Video Classics and United International Pictures wherein Video Classics has exclusive rights to distributing numerous blockbusters on video in Australia through their VidAustralia outlet.
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Pirate movies shown in country and suburban hotels : "Movies and Booze" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.28
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Publishing & Broadcasting Video and SAFC announce major video distribution deal in Australasian Cinema (18/6/1982) vol.11 iss.10 p.2
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Roadshow Home Video launches into Brisbane in Australasian Cinema (18/6/1982) vol.11 iss.10
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Roadshow to release Disney Home Video in Australia in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.2
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Submission to the Senate Select Committee on Video Material / by the Research Branch of the Australian Broadcasting Tribunal [North Sydney: The Tribunal], 1985.
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Toni Hamilton appointed nat'l. marketing manager of Roadshow Home Video in Australasian Cinema (12/11/1982) vol.11 iss.20 p.2
PhysDes: ArticleSubject: VIDEO, FILMS ON. AUSTRALIA ; ADVERTISING FOR FILMS ; INDUSTRY, FILM. AUSTRALIA ; MAD MAX (AT, George Miller, 1979) ; CALIGULA (IT, Giovanni Tinto Brass, 1979) ; LOVE AT FIRST BITE (US, Stan Dragoti, 1979) Summary: Article on the success of Roadshow Home Video, and the announcement of their new marketing manager, Toni Hamilton.
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book
Video cassette revolution : The VCR in Australia / Michael Nugent Sydney, N.S.W.: Macquarie University, 2014.
Call No: 410.82 NUGAuthor: Nugent, Michael CorpAuthor: Macquarie UniversitySource: ATPlace: Sydney, N.S.W.Publisher: Macquarie UniversityPubDate: 2014PhysDes: 59 pages ; 30 cmSubject: VIDEO RECORDERS ; VIDEO, FILMS ON. AUSTRALIA ; VIEWERS. AUSTRALIA ; HOME EXHIBITION. AUSTRALIA ; HOME EQUIPMENT ; HOME VIDEO. AUSTRALIA Summary: "This thesis is to serve as a history of the Video Cassette Recorder (VCR) in Australia. It has been done because while there are numerous histories relating to other aspects of Australian media, the history of the VCR itself remains little more than an aspect of narratives focused on other phenomena. This was done through extensive examination of discursive sources, such as popular magazines, newspapers and trade journals. By reading these publications over the course of several years, I have been able to identify several trends unfolding over time, noting how popular conceptions of the technology have changed. By comparing these with work done on the history of home video in other countries, it allows for a greater understanding of what is unique to Australia’s history with the VCR. Perhaps the most significant finding is that the idea of what a VCR can offer is perpetually changing. What began as a simple means to record and playback programmes from television broadcasts quickly became a key part of commercial film distribution fundamentally altered the way in which people experience their television sets. As such, a struggle for position by producers, distributors and consumers erupted, as it irrevocably changed media in Australia." FROM ABSTRACTNotes: Thesis paper -- ringbound -- includes acknowledgements and bibliographyContents: Chapter 1. Introduction -- Chapter 2. The VCR in the public sphere -- Chapter 3. The VCR in the domestic sphere -- Chapter 4. The legacy of the VCR
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journal article
Video counterfeiters convicted in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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Video piracy takes another blow in Australasian Cinema (Francesca Gregorini) vol.11 iss.20 p.2
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Visioncare's first national contract in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.4
Subject: VIDEO, FILMS ON. AUSTRALIA Summary: Article on Syme Media Developments and Videolink having chosen Visioncare as their national installation group
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