Search Catalogue | AFI Research Collection

38 results out of 38

Old collection book		Australian feature (fiction) films written, directed and produced by women 1970-1995 / Lisa French 1995. Call No: 462-02 (94) FRE v.2 Author: French, Lisa Source: AT PubDate: 1995 PhysDes: p. 123-135. ; 30 cm Subject: FILM WORKERS AUSTRALIA; FILM WORKERS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; PRODUCERS. AUSTRALIA; SCRIPTWRITERS. AUSTRALIA; DIRECTORS. AUSTRALIA; AUSTRALIA. 1970's; AUSTRALIA. 1980's; AUSTRALIA. 1990's; FILMOGRAPHIES. AUSTRALIA Notes: 'This data base was prepared by Lisa French as an appendix to the thesis 'Do Contemporary Australian Women Filmmakers Share A Feminist Perspective In Their Work?' More info
book		Comprehensive Annenberg report on diversity in entertainment : inclusion or invisibility? / Stacy L. Smith, PhD, Marc Choueiti, Katherine Pieper, PhD with assistance from Adriana Case and Artur Tofan. USC Anneberg School of Communication and Journalism, Feb 22 2016. Call No: 461 COM Author: Smith, Stacy L.; Choueiti, Marc; Pieper, Katherine Source: US Publisher: USC Anneberg School of Communication and Journalism PubDate: Feb 22 2016 Subject: WOMEN FILM WORKERS; ETHNIC GROUPS AND THE CINEMA; RACE AND THE CINEMA; FILM WORKERS; INDUSTRY, FILM Summary: The Comprehensive Annenberg Report on Diversity examines inclusion from CEO to every speaking character across film, television and digital content in America. This report was developed by The Media, Diversity, & Social Change (MDSC) Initiative at USC's Annenberg School for Communication and Journalism dedicated to addressing issues of inequality in entertainment. "The Comprehensive Annenberg Report on Diversity (CARD) assesses inclusion on screen and behind the camera in fictional films, TV shows, and digital series distributed by 10 major media companies (21st Century Fox, CBS, Comcast NBC Universal, Sony, The Walt Disney Company, Time Warner, Viacom, Amazon, Hulu, and Netflix). Movies theatrically released in 2014 by the major studios or their art house divisions were included in the sample, provided they met a certain threshold of domestic box office performance (see Appendix A).¹ Prime-time first run scripted series as well as digital offerings airing from September 1st 2014 to August 31st 2015 were sampled on broadcast, popular basic cable, premium channels or streaming services associated with the companies listed above (see Appendix B).² In total, the sample included 414 stories or 109 motion pictures and 305 broadcast, cable, and digital series. The major unit of analysis was the speaking or named character.³ Each speaking character was assessed for role, demographics, domesticity, and hypersexualization.4 Behind the camera, the gender of directors and writers of each film and every episode within a sampled series was evaluated. Race/ethnicity was assessed for directors of movies as well as those helming the season premiere episode of television/digital programs. Finally, the gender composition of CEOs, members of executive suites, boards of directors, and employees at the Executive" [Taken from the executive summary included in the report] Notes: Available at: http://annenberg.usc.edu/pages/~/media/MDSCI/CARDReport%20FINAL%2022216.ashx More info
book		Continuity girl : a story of film production / Martha Robinson London: Geoffrey Cumberlege, Oxford University Press, 1946. Call No: 97 ROB Author: Robinson, Martha Source: UK Place: London Publisher: Geoffrey Cumberlege, Oxford University Press PubDate: 1946 PhysDes: 181 p. : ill. ; 20 cm Subject: CONTINUITY; WOMEN FILM WORKERS Summary: Authored by an experienced film worker in continuity this is a fictionalised account of how a young woman interested in the film industry becomes a continuity girl Donation: donated by the family of Wayne Levy, 2006 More info
book		Don't shoot darling! : women's independent filmmaking in Australia / edited by Annette Blonski, Barbara Creed, Freda Freiberg Richmond, Vic.: Greenhouse, 1987. Call No: 462-02(94) DON Copy Management: Copy 1; Copy 2 Author: Blonski, Annette; Creed, Barbara; Freiberg, Freda Place: Richmond, Vic. Publisher: Greenhouse PubDate: 1987 PhysDes: 400 p. : ill., facsims., ports. ; 28 cm Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; INDEPENDENT FILMMAKERS. AUSTRALIA; INDEPENDENT FILMS. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; ADDIS, ERIKA; ANSARA, MARTHA; ASH, EVE; CANTRILL, ARTHUR & CORINNE; FISKE, PAT; GIBSON, SARAH; GRACE, HELEN; LAMBERT, SUSAN; HARTMAN, RIVKA; HOASS, SOLRUN; KEARNEY, BRIANN; KELLY, GABRIELLE; ROLLE, DI; SCHWARZ, MONIQUE; THORNLEY, JENI; TILSON, ALISON; ARMSTRONG, GILLIAN; CAMPION, JANE; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986); WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984) Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back cover Notes: Includes bibliographical references and indexes ISBN: 0864360584 : price unknown LON: anb86436058; 5042996 Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis More info
book		Exploring the Barriers and Opportunities for Independent Women Filmmakers / research by Stacy L. Smith, Katherine Pieper, Marc Choueiti University of Southern California, 2013. Call No: 451-02 SMI Author: Pieper, Katherine; Choueiti, Marc; Smith, Stacy L. Source: US Publisher: University of Southern California PubDate: 2013 PhysDes: 43p. : ill. ; 30cm Subject: WOMEN FILM WORKERS; WOMEN FILMMAKERS; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN, FILMS MADE BY Summary: "The purpose of this research is to examine how females are faring in American independent film. Studies have been conducted in the past on women in the mainstream U.S film industry, but little research has yet been done in the U.S independent film arena. To this end, we developed a research strategy with a two-prong approach. First, we quantitatively document the involvement of female content creators of U.S films at the Sundance Film Festival, assessing the gender of 11,197 directors, writers, producers, cinematographers, and editors across 820 films classified as U.S narratives (534 films) or documentaries (286 films) between 2002 and 2012. The second prong documents the qualitative experiences of female filmmakers through interviews with emerging and seasoned content creators as well as key industry gate-keepers. Here, we surveyed 51 individuals to unpack the specific obstacles that face female directors and producers in the independent film arena. We also assessed participants' perceptions of opportunities that may increase women's involvement behind the camera" -- taken from the Executive Summary Notes: This research was commissioned by the Sundance Insitute and Women in Film Los Angeles thorugh their 'Women Filmmakers Initiative'. Contents: -- pages 3-4: case statement: Independent Women Filmmakers: setting the agenda for change -- page 5: allied organizations list -- page 7: 2012-2013 mentorship program participants -- pages 9-11: research study executive summary -- pages 13-33: research study: exploring the barriers and opportunities for independent women filmmakers -- page 34: acknowledgments -- pages 35-43: works cited and notes -- More info
newspaper article		Film gender gap slow to close in Sydney Morning Herald (8/08/2017) p.11 Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS Author: Quinn, Karl PhysDes: Clippings File Article Subject: GENDER MATTERS; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; SCREEN AUSTRALIA Summary: Reports on the gender balance of filmmaking in Australia and how recent measures put into place by Screen Australia have helped equalise opportunities for women and men filmmakers. However there is still some way to go before women have achieved equal opportunity More info
newspaper article		Gender agenda in Weekend Australian [Review] (16/01/2016) p.1 Call No: SUBJECT CLIPPINGS FILE; WOMEN FILMMAKERS. AUSTRALIA Author: Neill, Rosemary PhysDes: Clippings File Article Subject: WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; ARMSTRONG, GILLIAN Summary: Article about the lack of women filmmakers in Australia and in key roles in theatre. Quotes from Gillian Armstrong, Courtney Gibson, Fiona Cameron, Sue Maslin, Bruce Beresford, Kate Cherry, Lee Lewis, and WITS founders Maryann Wright and Lizze Schebesta More info
newspaper article		Getting equal in Sydney Morning Herald [Spectrum] (15/10/2016) p.14 Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS Author: Maddox, Garry PhysDes: Clippings File Article Subject: GENDER MATTERS; WOMEN AND THE CINEMA. AUSTRALIA; WOMEN AND TV. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA Summary: Report on the Gender Matters initiative by Screen Australia, which is looking to give women in Australian film and tv a fastrack to creating productions that feature womens stories and talent behind the scenes. Interviewed are Bruna Papandrea, Graeme Mason, Imogen Banks, and Sarah Snook More info
newspaper article		Give her some credits in The Australian (08/12/2015) p.14 Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIA Author: Westwood, Matthew PhysDes: Clippings File Article Subject: SCREEN AUSTRALIA; WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN, FILMS MADE BY. AUSTRALIA Summary: Report on the new Screen Australia program called Gender Matters, which looks to redress the gender imbalance of women making feature films in Australia. Details of the fund are listed in the article More info
book		The impact of new media technologies on women in film, TV, video and related media industries : a research report with policy recommendations / commissioned by WIFT Australia ; researched and produced by J.C. Wisdom-Hill [Canberra: Office for the Status of Women], 1995. Call No: 462-02(94) WIS Author: Wisdom-Hill, J. C. (Jan Claire) CorpAuthor: Australia. Office of the Status of Women; Women in Film and Television (Australia) Place: [Canberra Publisher: Office for the Status of Women] PubDate: 1995 PhysDes: 66 p. ; 30 cm Subject: WOMEN FILM WORKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; WOMEN IN FILM AND TELEVISION (WIFT); MULTIMEDIA. AUSTRALIA Notes: Cover title; Bibliography: p. 62-66 Order Received: 2000 Order Type: Donation LON: 12345061 More info
book		In production : conference papers / Women in Film & Television ; [editor/compiler Louise Melov] Surry Hills, NSW: Women in Film & Television, 1993. Call No: 462-02(94) INP Author: Melov, Louise CorpAuthor: Women in Film and Television (Australia) Place: Surry Hills, NSW Publisher: Women in Film & Television PubDate: 1993 PhysDes: 68 p. : ill., ports. ; 1993 Subject: CONFERENCES. AUSTRALIA. WOMEN IN FILM AND TELEVISION; WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA Notes: Papers given at a conference held at the Australian Film, Television and Radio School, Sydney 26-27 September, 1992 ISBN: 0646130676 LON: 9721426 More info
book		Jane Campion : cinema, nation, identity / edited by Hilary Radner, Alistair Fox and Irene Bessiere Detroit, Mich: Wayne State University Press, 2009. Call No: 81CAM JAN Author: Radner, Hilary; Fox, Alistair; Bessiere, Irene Place: Detroit, Mich Publisher: Wayne State University Press PubDate: 2009 PhysDes: xiv, 329 p. : ill. ; 23 cm Series: Contemporary approaches to film and television Subject: CAMPION, JANE; DIRECTORS; WOMEN FILM WORKERS. AUSTRALIA; WOMEN AND THE CINEMA; PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) Notes: Includes bibliographical references, filmography and index ISBN: 9780814334324 Contents: Introduction: an antipodean filmmaker in an international context / Alistair Fox and Hilary Radner -- Subjectivities and the construction of identity in Jane Campion's films. "In extremis": Jane Campion and the woman's film / Hilary Radner -- Her-land: Jane Campion's cinema, or another poetic of the inner sense / Muriel Andrin -- The Campions indulge in the audition / Harriet Margolis -- Campion-Keitel Connections, a.k.a. "We are the piano" / Chris Holmlund -- Jane Campion and her sources. "I can really see myself in her story": Jane Campion's adaptation of Janet Frame's autobiography / Lawrence Jones -- Puritanism and the erotics of transgression: the New Zealand influence in Jane Campion's thematic imaginary / Alistair Fox -- Portraits of a woman: Jane Campion and Henry James / Irene Bessiere -- Jane Campion: adaptation, signature, autobiography / Kathleen A. McHugh -- Jane Campion's "Geographies". Jane Campion and the international theme: from The portrait of a lady to An angel at my table / Jean Bessiere -- The suburb in Jane Campion's films / Rochelle Simmons -- From antipodean cinema to international art cinema / Raphaelle Moine -- Viewers respond to Jane Campion. "Comme une invitation au voyage": French reception of Jane Campion, An angel at my table, and The piano / Simon Sigley -- "The piano is mine. It's mine." My (free association with) Jane Campion, or, the child in the spectator / Sue Gillett -- Jane Campion and the moral occult / Ann Hardy -- On viewing Jane Campion as an antipodean / Annabel Cooper More info
newspaper article		Lights, camera and more action for women in Saturday Age [General News] (07/11/2015) p.21 Call No: SUBJECT CLIPPINGS FILE; WOMEN FILM WORKERS Author: Quinn, Karl PhysDes: Clippings File Article Subject: WOMEN FILM WORKERS Summary: Paula Wagner is the the headline guest at the 2015 Screen Forever conference. She talks about the changing role of women in Hollywood and addresses the issues about why there are not more women writing, producing and directing. More info
newspaper article		Lights, camera, women in action in Sunday Age (2/07/2017) p.10 Call No: SUBJECT CLIPPINGS FILE; CINEMATOGRAPHY. AUSTRALIA Author: Quinn, Karl PhysDes: Clippings File Article Subject: WOMEN FILM WORKERS. AUSTRALIA; CINEMATOGRAPHY. AUSTRALIA; ELLIOT, BONNIE; KERRIGAN, JUSTINE; WALKER, MANDY; WEGNER, ARI Summary: Looking at women cinematographers in Australia. Quotes from Ari Wegner, Bonnie Elliot, Justine Kerrigan, Mandy Walker More info
newspaper article		Mogul vows to cut the sexism out of movies in The Australian [International News] (29/02/2016) p.8 Call No: SUBJECT CLIPPINGS FILE; WOMEN FILM WORKERS PhysDes: Clippings File Article Subject: WOMEN FILM WORKERS; RACE AND THE CINEMA Summary: An article about the treatment of women and ethnicity in the film industry, referencing the 2016 Acadmeny Awards and Amy Pascal resignation as co-chairwoman of Sony Pictures. More info
newspaper article		Reel time : Carol leads pack in international AACTAs in The Australian (06/01/2016) p.12 Call No: SUBJECT CLIPPINGS FILE; SCREEN QUEENSLAND Author: Bodey, Michael PhysDes: Clippings File Article Subject: SCREEN QUEENSLAND; WOMEN FILM WORKERS; WOMEN FILMMAKERS. AUSTRALIA Summary: Snippet on Screen Queensland's moves to promote women in creative roles in cinmea More info
book		Reel women : working in film and television / Julie James Bailey Sydney: Australian Film, Television and Radio School, 1999. Call No: 462-02(94) BAI Author: James Bailey, Julie Place: Sydney Publisher: Australian Film, Television and Radio School PubDate: 1999 PhysDes: xii, 408 p. : ports. ; 21 cm Subject: WOMEN FILM WORKERS. AUSTRALIA; KENNY, JAN; THORNBURN, GRETCHEN; COCKSEDGE, ANNIE; BILCOCK, JILL; PRYOR, SALLY; DEVINE, KIT; ARMSTRONG, GILLIAN; MCKIMMIE, JACKIE; BROWNE, DINA; PHILLIPSON, MARGOT; MURPHY, BRONWYN; KERR, SUE; SHEEHAN, ANNABELLE; TYSON-CHEW, NERIDA; COOPER, DANY; SMITH, MANDY; GAYNOR, HELEN; REID, CAROLYN; WOOD, SUSAN; BENNETT, SARA; CARTWRIGHT, LYNNE; RUDD, CAMILLA; GIL, GLENYS Notes: Includes bibliographical references (p. [391]-394) and index ISBN: 1876351047 LON: 20169058 More info
journal article		Reel women in If magazine (Feb-Mar 2000) iss.21 p.22 Author: Alexander, Katy PhysDes: Book review; Illustration(s) Subject: WOMEN FILM WORKERS. AUSTRALIA More info
newspaper article		Reeltime : Directors Guild calls for female funding quota in The Australian [Arts & Entertainment] (28/10/2015) p.15 Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA 2015 Author: Bodey, Michael PhysDes: Clippings File Article Subject: WOMEN FILM WORKERS. AUSTRALIA; FUNDING. AUSTRALIA; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS Summary: This article contains snippets on the following topics: The Australian Director's Guild has called for a quoto to increase the number of films directed by women; nominations for AACTA awards announced soon; Entries open for 63rd Sydney bFilm Festival; Sherpa has won the award for best documentary at BFI London film festival More info
newspaper article		Setting the scene for more women in The Age (07/12/2015) p.11 Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIA Author: Quinn, Karl PhysDes: Clippings File Article Subject: SCREEN AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015) Summary: Report on the new Screen Australia initiative to encourage funding of films made by and for women. Quotes from the producer of the film THE DRESSMAKER, Sue Maslin, who talks of the difficulty to obtain funding for the film due to the large female presence and themes in the film More info
book		Shooting women : behind the camera, around the world / by Harriet Margolis, Alexis Krasilovsky, and Julia Stein Bristol, U.K. ; Chicago, USA: Intellect, c2015. Call No: 451-02 MAR Author: Margolis, Harriet; Krasilovsky, Alexis; Stein, Julia Source: UK/US Place: Bristol, U.K. ; Chicago, USA Publisher: Intellect PubDate: c2015 PhysDes: xxvii, 338 pages ; 23 cm Subject: WOMEN FILM WORKERS; WOMEN TV WORKERS; WOMEN FILMMAKERS; CINEMATOGRAPHY; PRODUCTION; CAMERAS; WOMEN AND THE CINEMA; DOCUMENTARIES; WOMEN, FILMS MADE BY Summary: "Shooting Women takes readers around the world to explore the lives of camerawomen working in features, TV news, and documentaries. From first-world pioneers like African American camerawoman Jessie Maple Patton who got her job only after suing the union to China's first camerawomen who traveled with Mao, to rural India where poor women have learned camerawork as a means of empowerment, Shooting Women reveals a world of women working with courage and skill in the male-dominated film and televsion industries." -- BOOK BACK COVER BLURB Notes: Includes bibliographical references and index LON: 9781783205066 Contents: -- acknowledgments -- prefaces -- from Alex Krasilovsky -- from Harriet Margolis-- ch: 1 How do women become camerawomen? -- Learning on the Job -- Still Photography -- Film School -- Training Programs -- Two Examples of Feminist Groups: Women in Film and Behind the Lens -- Women-Supportive Workshops and Production Groups -- Filming in the Service of Social Activism: Video SEWA and Aina -- Collectives -- Rental Houses -- ch: 2 How hard can it be? -- Gender Discrimination -- Unions and Guilds -- When Cameras Were Heavy -- Helpful Men -- Ssh! (Secret Sexual Harassment) -- Sabotage -- Getting Paid Jobs -- Breaking Out of Isolation -- Rising through the Ranks -- Budgets and Glass Ceilings -- ch: 3 Documentary: A good and satisfying career choice that is statistically friendlier to women than feature fiction filmmaking -- Filming History Being Made in China -- Documentary: Historical and Personal -- ch: 4 Hollywood, Bollywood, independents, and short forms -- Hollywood -- Indian Cinema -- The Freedom of Independent Films -- Music Videos -- Commercials and Such -- Experimental/Avant-Garde Films and Videos -- Art Films and Videos -- Shooting Special Material: Birth -- ch: 5 Special skills and creativity -- Handheld Camerawork -- Cranes -- Underwater -- Helicopters -- Special Effects -- Lighting as a Cinematographer's Dream Job -- Digital Technology -- Style -- ch: 6 Shooting around the world -- Erika Addis on Beginning her Career -- Arlene Burns on Filming in the Kuril Islands -- Young-Joo Byun on Filming Comfort Women in Korea -- Nancy Durham on Filming the Balkan War -- Jolanta Dylewska on Filming in Kazakhstan -- Sabeena Gadihoke on Filming Three Women and a Camera -- Rozette Ghadery on Filming in Kurdistan -- Sue Gibson on Filming in Jordan -- Joan Giummo on Filming Homeless Women in New York -- Agnes Godard Pays Homage to Beauty -- Marina Goldovskaya on Filming History Being Made in Russia -- Ellen Kuras on Pivotal Moments in Shooting -- Heather MacKenzie on Filming Romanian Orphans -- Sandi Sissel on Filming Salaam Bombay! -- Agnes Varda on Filming the Human Body -- Liz Ziegler on Filming Eyes Wide Shut (1999) for Stanley Kubrick -- ch: 7 Can camerawomen also be women? -- Parents -- Fathers -- Mothers -- Friends and Extended Family -- Husbands -- A Happy Marriage -- Pregnancy -- Children and Childcare -- Daughters -- ch: 8 What's it really like? -- A Typical Day -- Where Do Camerawomen Go? -- What Do Camerawomen Wear? -- Working with the Crew -- Working with Directors and Producers -- Acting Like Men to Fit In -- The Advantages of Being Female -- ch: 9 Magic moments, worst moments -- Satisfactions -- Worst Moments, Dangers, and Risking One's Life -- ch: 10 What do camerawomen see? -- Representation and Gender -- Ethics -- Camerawomen Teaching -- "Just Do It" -- Aspirations for the Future -- List of camerawomen whose interviews are included in this book -- bibliography -- index -- More info
newspaper article		Short cuts : strong push for a female quota in Sydney Morning Herald (08/10/2015) p.20 Call No: SUBJECT CLIPPINGS FILE; WOMEN DIRECTORS. AUSTRALIA Author: Maddox, Garry PhysDes: Clippings File Article Subject: QUOTA. AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; FUNDING. AUSTRALIA; SCREEN AUSTRALIA Summary: Snippet on the Australian Directors Guild's push to get Screen Australia to enforce a quota on film funding that makes it 50 percent for female and male filmmakers More info
book		Some significant women in Australian film : a celebration and a cautionary tale : Longford Lyell lecture 2002 / Jan Chapman Australia: Screen sound Australia, 2002. Call No: 721.02 (94) CHA Author: Chapman, Jan Edition: 1st ed. Source: Australia Place: Australia Publisher: Screen sound Australia PubDate: 2002 PhysDes: 1 v ; 20.5 cm, b&w ill. Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3 Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS; WOMEN ON TV. AUSTRALIA; WOMEN, FILMS FOR; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; FEMINISM AND TV; CHAPMAN, JAN; ARMSTRONG, GILLIAN; CAMPION, JANE; LYELL, LOTTIE; BARRETT, SHIRLEY; MILLIKEN, SUE; Lovell, Patricia; ROBB, JILL; SCOTT, JANE; LONG, JOAN; FINK, MARGARET; DAVIS, JUDY; LEVY, SANDRA; GRIFFITHS, RACHEL; BLANCHETT, CATE; KIDMAN, NICOLE; COLLETTE, TONI; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); ON OUR SELECTION (AT, Raymond Longford, 1920); SHOWTIME (AT, Jan Chapman, 1978); SWEET AND SOUR [TV] (AT, 1984); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976); BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988); MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); WELL, THE (AT, Samantha Lang, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986); LITTLE WOMEN (US, Gillian Armstrong, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001); PIANO, THE (AT, Jane Campion, 1993); GIRL'S OWN STORY, A (AT, Jane Campion, 1983) Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane Campion ISBN: 0642365172 More info
book		Victoria, making Australian film and television exciting : film and video resource kit / edited and compiled by Sally Semmens [Melbourne]: Film Victoria, 1984. Call No: 036(945) SEM Author: Semmens, Sally CorpAuthor: Film Victoria Place: [Melbourne] Publisher: Film Victoria PubDate: 1984 PhysDes: 25 p. ; 30 cm Subject: AUSTRALIAN FILM INSTITUTE; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION; AUSTRALIAN FILM AND TELEVISION SCHOOL; DISTRIBUTION. AUSTRALIA; FILM VICTORIA; FILMOGRAPHIES. AUSTRALIA; PRODUCTION. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA Summary: "This resource kit is designed to outline the breadth and scope of film activity in Victoria. The first section lists some of the production taking place in Victoria this year. The list is not meant to be comprehensive but gives a fair sample of the range of production. The films listed are funded by a variety of sources including the Australian Film Commission, Film Victoria, and private investors. The list does not include the huge number of commercials, documentaries nor trade and training films which will be produced in this State this year. THe second section includes profile information on film and video organisations in Victoria. These organisations form an important part in the dissemination of films and information and contribute to Victoria's diverse and expanding film culture." - INTERIOR BLURB More info
newspaper article		We need to see more women on film and behind the camera in Sydney Morning Herald (28/10/2015) p.16 Call No: SUBJECT CLIPPINGS FILE; WOMEN FILM WORKERS. AUSTRALIA Author: Maslin, Sue PhysDes: Clippings File Article Subject: WOMEN FILMMAKERS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; MASLIN, SUE Summary: In this article, Sue Maslin describes the challenges faced by female filmmakers and the need for and benefits of increasing the number of women in leadership roles in the screen industry. More info
book		Women and film : a bibliography / by Rosemary Ribich Kowalski Metuchen, NJ: Scarecrow Press, Inc., 1976. Call No: REFERENCE SECTION; 014 KOW Author: Kowalski, Rosemary Ribich Source: US Place: Metuchen, NJ Publisher: Scarecrow Press, Inc. PubDate: 1976 PhysDes: ix, 278 p. ; 23 cm Subject: WOMEN AND THE CINEMA; WOMEN FILM WORKERS; WOMEN IN FILMS Notes: Includes index. ISBN: 0810809745 Contents: -- Introduction -- 1: Women as performers: A. Reference and historical works B: Specific works -- 2: Women as filmmakers: A. Reference and historical works B. Catalogues C. Specific works -- 3. Images of women A. Reference and historical works B. Catalogues C. Specific works -- 4. Women columnists and critics -- Subject index More info
book		Women directors : the emergence of a new cinema / Barbara Koenig Quart New York: Praeger, 1988. Call No: 802.253 QUA Author: Quart, Barbara Place: New York Publisher: Praeger PubDate: 1988 PhysDes: xvi, 268 p. : ill. ; 25 cm Subject: WOMEN FILM WORKERS; GUY-BLACHE, ALICE; WEBER, LOIS; ARZNER, DOROTHY; Lupino, Ida; WERTMULLER, LINA; SILVER, JOAN MICKLIN; WEILL, CLAUDIA; SEIDELMAN, SUSAN; COOLIDGE, MARTHA; DEITCH, DONNA; STREISAND, BARBRA; HAWN, GOLDIE; TROTTA, MARGARETHE VON; DORRIE, DORIS; VARDA, AGNES; KURYS, DIANE; GORRIS, MARLEEN; MESZAROS, MARTA; SEPIT'KO, LARISA; HOLLAND, AGNIESZKA; PALCY, EUZHAN; HUI, ANN; BEMBERG, MARIA LUISA Notes: Includes index; Bibliography: p. [259]-262 ISBN: 0275929620 (alk. paper) LON: 5689031 More info
book		Women do animate : Interviews with 10 Australian animators / Marian Quigley Mentone, Vic.: Insight, 2005. Call No: 246 QUI Author: Quigley, Marian Place: Mentone, Vic. Publisher: Insight PubDate: 2005 PhysDes: vi, 160 p. : ill. ; 22 cm + 1 DVD Subject: WOMEN FILM WORKERS; WOMEN AND TV. AUSTRALIA; WOMEN AND TV; DIRECTORS; ANIMATION; ANIMATORS; JOLLIFFE, ANNE; CARTER-HANSEN, JILL; WHITMORE, LEE; STARKIEWICZ, ANTOINETTE; SHENFIELD, ANN; CLUTTERBUCK, LUCINDA; SMITH, KATHY; CHANDLER, WENDY; PARKER, SHARON LEE; KIM, SUSAN Summary: This work presents the story of Australian women animators. It introduces the work and views of independent women animators in Australia and the factors that have contributed to their emergence, growth and development. -Libraries Australia ISBN: 1-921088-14-1 Contents: Acknowledgements -- glossary -- chapter : Introduction by Marian Quigley -- Interviews and filmographies -- Chapter 2: Anne Jollife -- Chapter 3: Jill Carter-Hansen -- Chapter 4: Lee Whtimore -- Chapter 5: Antoinette Starkiewicz -- Chapter 6: Ann Shenfield -- Chapter 7: Lucinda Clutterbuck -- Chapter 8: Kathy Smith -- Chapter 9: Wendy Chandler -- Chapter 10: Sharon Lee Parker -- Chapter 11: Susan Kim -- Resources More info
subject clippings file		WOMEN FILM WORKERS Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: WOMEN FILM WORKERS More info
subject clippings file		WOMEN FILM WORKERS. AUSTRALIA Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: WOMEN FILM WORKERS. AUSTRALIA More info
book		Women in American Theatre: careers, images, movements : an illustrated anthology and sourcebook / edited by Helen Krich Chinoy and Linda Walsh Jenkins New York: Crown Publishers, Inc, c1981. Call No: 61:792-02 WOM Author: Chinoy, Helen Krich (ed.); Jenkins, Linda Walsh (ed.) Edition: First edition Source: US Place: New York Publisher: Crown Publishers, Inc PubDate: c1981 PhysDes: xi, 370 p., [16] leaves of plates : ill. ; 24 cm Subject: ACTING; WOMEN FILM WORKERS; USA Summary: "This collection of essays, illustrations, and sources is the first attempt to put together the story of women in American theatre" -- BOOK JACKET Notes: "A Herbert Michelman book."; Includes index; Bibliography: p. 357-364 ISBN: 051753729X Contents: -- preface -- acknowledgments -- introduction: art versus business: the role of women in American theatre -- 1: female rites -- 2: the actress -- 3: where are the women playwrights? --4: if not an actress, what...? -- 5: images -- 6: feminist theatre -- sourcebook -- text notes -- references and resources -- index -- More info
book		Women in Australian film production / Penny Ryan, Margaret Eliot, Gil Appleton North Sydney: Women's Film Fund : Australian Film and Television School, 1983. Call No: 462-02(94) RYA Copy Management: Copy 1; Copy 2 Author: Ryan, Penny; Eliot, Margaret; Appleton, Gil CorpAuthor: Australian Film Commission. Women's Film Fund; Australian Film and Television School Place: North Sydney Publisher: Women's Film Fund : Australian Film and Television School PubDate: 1983 PhysDes: viii, 43 p. ; 26 cm Subject: WOMEN FILM WORKERS. AUSTRALIA ISBN: 0642925496 : price unknown LON: abn83193885; 2987755 More info
book		Women in the arts : a study by the Research Advisory Group of the Women and Arts Project, Sydney, December 1982 / [edited by Gil Appleton] North Sydney, N.S.W.: Policy and Planning, Australia Council, 1983. Call No: 462-02(94) WOM Copy Management: Copy 1; Copy 2 Author: Appleton, Gil CorpAuthor: Women and Arts Project (N.S.W.). Research Advisory Group; Australia Council. Policy and Planning Division Place: North Sydney, N.S.W. Publisher: Policy and Planning, Australia Council PubDate: 1983 PhysDes: 122 p. : ill., ports. ; 25 cm Subject: WOMEN FILM WORKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA Notes: Bibliography: p. [94]-106 ISBN: 0908024614 (pbk.) : $9.95 LON: abn83198737; 2998909 More info
book		Women in the arts : a strategy for action North Sydney: Australia Council, 1984]. Call No: 462-02(94) WOM CorpAuthor: Australia Council. Policy and Planning Division Place: North Sydney Publisher: Australia Council PubDate: 1984] PhysDes: 22, 5, 8 p. ; 25 cm Subject: WOMEN FILM WORKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA Notes: Prepared by the Policy and Planning Division of the Council to follow up Women in the arts : report. North Sydney : Australia Council, 1983; Cover title; Includes bibliographical references ISBN: 0908024711 : price unknown LON: abn84141915; 3261356 More info
book		Women in the Victorian film, television and relation industries : research report / prepared by Associate Professor Lisa French 2012. Call No: 462-02(94) FRE Author: French, Lisa Source: AT PubDate: 2012 PhysDes: 62 p. ; 30 cm Subject: WOMEN FILM WORKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; WORKING CONDITIONS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA Summary: Report investigating the 'quality of the working lives of Victorian women in the film. television and related industries (including digital media and games).' Quote from report p.4 More info
book		Women's Cinema, World Cinema : projecting contemporary feminisms / by Patricia White Durham; London: Duke University Press, c2015. Call No: 626:396 WHI Author: White, Patricia Source: UK Place: Durham; London Publisher: Duke University Press PubDate: c2015 PhysDes: ix, 270 pages : illustrations ; 24 cm Subject: WOMEN DIRECTORS; WOMEN FILM WORKERS; WOMEN FILMMAKERS; WOMEN IN FILMS; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA Summary: "In Women's Cienma, World Cinema the author explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights. Women's Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture." -- BACK COVER BOOK BLURB Notes: Formerly CIP; Also issued online; Includes filmography; Includes bibliographical references (pages 235-246) and index ISBN: 9780822358053 Contents: -- acknowledgments -- introduction -- To each her own cinema : world cinema and the woman cineaste : Jane Campion's Cannes connections; Lucrecia Martel's vertiginous authorship; Samira Makhmalbaf's sororal cinema -- Framing feminisms : women's cinema as art cinema : Deepa Mehta's elemental feminism; Iranian diasporan women directors and cultural capital -- Feminist film in the age of the chick flick : global flows of women's cinema : engendering new Korean cinema in Jeong Jae-eun's Take care of my cat; Nadine Labaki's celebrity -- Network narratives : Asian women directors two-timing the system in Nia Dinata's Love for share -- Zero Chou and the spaces of Chinese lesbian film -- Is the whole world watching? Fictions of women's human rights : Sabiha Sumar's Democratic cinema; Jasmila Zbanic´'s Grbavica and Balkan cinema's incommensurable gazes; Claudia Llosa's Trans/national address -- afterword -- notes -- bibliography -- filmography -- index -- More info
Interim book		WOMENVISION : WOMEN and the MOVING IMAGE in AUSTRALIA / Lisa French (ed.) Melbourne, Australia: Damned Publishing, 2003. Call No: 451-02 WOM Author: French, Lisa (ed.) Source: AT Place: Melbourne, Australia Publisher: Damned Publishing PubDate: 2003 PhysDes: 336 p. : ill. ; 24 cm Subject: WOMEN AND THE CINEMA; WOMEN FILM WORKERS; GENDER AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN ABORIGINES AND THE CINEMA; PIANO, THE (AT, Jane Campion, 1993); MOFFATT, TRACEY Summary: Provides an insight into the diversity and breadth of recent women's filmmaking and digital production in australia. Notes: Includes index ISBN: 1876310014 More info
newspaper article		You too? in Weekend Australian [Review] (9/12/2017) p.1 Call No: SUBJECT CLIPPINGS FILE; WORKING CONDITIONS. AUSTRALIA Author: Rosemary Neill PhysDes: Clippings File Article Subject: WORKING CONDITIONS. AUSTRALIA; WORKING CONDITIONS, TV. AUSTRALIA; WOMEN FILM WORKERS; WOMEN TV WORKERS. AUSTRALIA Summary: How the entertainment business enabled a culture of sexual abuse More info

Online resources

Some of our items are now available digitally. On the catalogue they are indicated with an ‘online resource’ label above the thumbnail.

Some items have direct links that you can use if you are eligible. Some items are only available to RMIT staff and students or may be otherwise limited.

Some items are not deliverable directly. Please request these items using the search results form (or contact us) and we will contact you to check eligibility and to arrange delivery. Please note that digital clippings files for films prior to 2020 may have different contents to their physical equivalents and you should check both versions if possible.

Country codes