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Australian feature (fiction) films written, directed and produced by women 1970-1995 / Lisa French 1995.
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Comprehensive Annenberg report on diversity in entertainment : inclusion or invisibility? / Stacy L. Smith, PhD, Marc Choueiti, Katherine Pieper, PhD with assistance from Adriana Case and Artur Tofan. USC Anneberg School of Communication and Journalism, Feb 22 2016.
Call No: 461 COMAuthor: Smith, Stacy L. ; Choueiti, Marc ; Pieper, Katherine Source: USPublisher: USC Anneberg School of Communication and JournalismPubDate: Feb 22 2016Subject: WOMEN FILM WORKERS ; ETHNIC GROUPS AND THE CINEMA ; RACE AND THE CINEMA ; FILM WORKERS ; INDUSTRY, FILM Summary: The Comprehensive Annenberg Report on Diversity examines inclusion from CEO to every speaking character across film, television and digital content in America. This report was developed by The Media, Diversity, & Social Change (MDSC) Initiative at USC's Annenberg School for Communication and Journalism dedicated to addressing issues of inequality in entertainment.
"The Comprehensive Annenberg Report on Diversity (CARD) assesses inclusion on screen and behind the camera in fictional films, TV shows, and digital series distributed by 10 major media companies (21st Century Fox, CBS,
Comcast NBC Universal, Sony, The Walt Disney Company, Time Warner, Viacom, Amazon, Hulu, and Netflix). Movies theatrically released in 2014 by the major studios or their art house divisions were included in the sample,
provided they met a certain threshold of domestic box office performance (see Appendix A).¹ Prime-time first run scripted series as well as digital offerings airing from September 1st 2014 to August 31st 2015 were sampled on
broadcast, popular basic cable, premium channels or streaming services associated with the companies listed above (see Appendix B).² In total, the sample included 414 stories or 109 motion pictures and 305 broadcast,
cable, and digital series.
The major unit of analysis was the speaking or named character.³ Each speaking character was assessed for role, demographics, domesticity, and hypersexualization.4 Behind the camera, the gender of directors and writers of
each film and every episode within a sampled series was evaluated. Race/ethnicity was assessed for directors of movies as well as those helming the season premiere episode of television/digital programs. Finally, the gender
composition of CEOs, members of executive suites, boards of directors, and employees at the Executive" [Taken from the executive summary included in the report]Notes: Available at: http://annenberg.usc.edu/pages/~/media/MDSCI/CARDReport%20FINAL%2022216.ashx
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Continuity girl : a story of film production / Martha Robinson London: Geoffrey Cumberlege, Oxford University Press, 1946.
Call No: 97 ROBAuthor: Robinson, Martha Source: UKPlace: LondonPublisher: Geoffrey Cumberlege, Oxford University PressPubDate: 1946PhysDes: 181 p. : ill. ; 20 cmSubject: CONTINUITY ; WOMEN FILM WORKERS Summary: Authored by an experienced film worker in continuity this is a fictionalised account of how a young woman interested in the film industry becomes a continuity girlDonation: donated by the family of Wayne Levy, 2006
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Don't shoot darling! : women's independent filmmaking in Australia / edited by Annette Blonski, Barbara Creed, Freda Freiberg Richmond, Vic.: Greenhouse, 1987.
Call No: 462-02(94) DONCopy Management: Copy 1; Copy 2Author: Blonski, Annette ; Creed, Barbara ; Freiberg, Freda Place: Richmond, Vic.Publisher: GreenhousePubDate: 1987PhysDes: 400 p. : ill., facsims., ports. ; 28 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; INDEPENDENT FILMS. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; FEMINISM AND THE CINEMA. AUSTRALIA ; ADDIS, ERIKA ; ANSARA, MARTHA ; ASH, EVE ; CANTRILL, ARTHUR & CORINNE ; FISKE, PAT ; GIBSON, SARAH ; GRACE, HELEN ; LAMBERT, SUSAN ; HARTMAN, RIVKA ; HOASS, SOLRUN ; KEARNEY, BRIANN ; KELLY, GABRIELLE ; ROLLE, DI ; SCHWARZ, MONIQUE ; THORNLEY, JENI ; TILSON, ALISON ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987) ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986) ; WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984) Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back coverNotes: Includes bibliographical references and indexesISBN: 0864360584 : price unknownLON: anb86436058; 5042996Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis
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Exploring the Barriers and Opportunities for Independent Women Filmmakers / research by Stacy L. Smith, Katherine Pieper, Marc Choueiti University of Southern California, 2013.
Call No: 451-02 SMIAuthor: Pieper, Katherine ; Choueiti, Marc ; Smith, Stacy L. Source: USPublisher: University of Southern CaliforniaPubDate: 2013PhysDes: 43p. : ill. ; 30cmSubject: WOMEN FILM WORKERS ; WOMEN FILMMAKERS ; WOMEN AND THE CINEMA ; WOMEN DIRECTORS ; WOMEN, FILMS MADE BY Summary: "The purpose of this research is to examine how females are faring in American independent film. Studies have been conducted in the past on women in the mainstream U.S film industry, but little research has yet been done in the U.S independent film arena. To this end, we developed a research strategy with a two-prong approach.
First, we quantitatively document the involvement of female content creators of U.S films at the Sundance Film Festival, assessing the gender of 11,197 directors, writers, producers, cinematographers, and editors across 820 films classified as U.S narratives (534 films) or documentaries (286 films) between 2002 and 2012.
The second prong documents the qualitative experiences of female filmmakers through interviews with emerging and seasoned content creators as well as key industry gate-keepers. Here, we surveyed 51 individuals to unpack the specific obstacles that face female directors and producers in the independent film arena. We also assessed participants' perceptions of opportunities that may increase women's involvement behind the camera" -- taken from the Executive SummaryNotes: This research was commissioned by the Sundance Insitute and Women in Film Los Angeles thorugh their 'Women Filmmakers Initiative'.Contents: -- pages 3-4: case statement: Independent Women Filmmakers: setting the agenda for change -- page 5: allied organizations list -- page 7: 2012-2013 mentorship program participants -- pages 9-11: research study executive summary -- pages 13-33: research study: exploring the barriers and opportunities for independent women filmmakers -- page 34: acknowledgments -- pages 35-43: works cited and notes --
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newspaper article
Film gender gap slow to close in Sydney Morning Herald (8/08/2017) p.11
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Gender agenda in Weekend Australian [Review] (16/01/2016) p.1
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Getting equal in Sydney Morning Herald [Spectrum] (15/10/2016) p.14
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Give her some credits in The Australian (08/12/2015) p.14
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The impact of new media technologies on women in film, TV, video and related media industries : a research report with policy recommendations / commissioned by WIFT Australia ; researched and produced by J.C. Wisdom-Hill [Canberra: Office for the Status of Women], 1995.
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In production : conference papers / Women in Film & Television ; [editor/compiler Louise Melov] Surry Hills, NSW: Women in Film & Television, 1993.
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Jane Campion : cinema, nation, identity / edited by Hilary Radner, Alistair Fox and Irene Bessiere Detroit, Mich: Wayne State University Press, 2009.
Call No: 81CAM JANAuthor: Radner, Hilary ; Fox, Alistair ; Bessiere, Irene Place: Detroit, MichPublisher: Wayne State University PressPubDate: 2009PhysDes: xiv, 329 p. : ill. ; 23 cmSeries: Contemporary approaches to film and televisionSubject: CAMPION, JANE ; DIRECTORS ; WOMEN FILM WORKERS. AUSTRALIA ; WOMEN AND THE CINEMA ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) Notes: Includes bibliographical references, filmography and indexISBN: 9780814334324Contents: Introduction: an antipodean filmmaker in an international context / Alistair Fox and Hilary Radner -- Subjectivities and the construction of identity in Jane Campion's films. "In extremis": Jane Campion and the woman's film / Hilary Radner -- Her-land: Jane Campion's cinema, or another poetic of the inner sense / Muriel Andrin -- The Campions indulge in the audition / Harriet Margolis -- Campion-Keitel Connections, a.k.a. "We are the piano" / Chris Holmlund -- Jane Campion and her sources. "I can really see myself in her story": Jane Campion's adaptation of Janet Frame's autobiography / Lawrence Jones -- Puritanism and the erotics of transgression: the New Zealand influence in Jane Campion's thematic imaginary / Alistair Fox -- Portraits of a woman: Jane Campion and Henry James / Irene Bessiere -- Jane Campion: adaptation, signature, autobiography / Kathleen A. McHugh -- Jane Campion's "Geographies". Jane Campion and the international theme: from The portrait of a lady to An angel at my table / Jean Bessiere -- The suburb in Jane Campion's films / Rochelle Simmons -- From antipodean cinema to international art cinema / Raphaelle Moine -- Viewers respond to Jane Campion. "Comme une invitation au voyage": French reception of Jane Campion, An angel at my table, and The piano / Simon Sigley -- "The piano is mine. It's mine." My (free association with) Jane Campion, or, the child in the spectator / Sue Gillett -- Jane Campion and the moral occult / Ann Hardy -- On viewing Jane Campion as an antipodean / Annabel Cooper
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Lights, camera and more action for women in Saturday Age [General News] (07/11/2015) p.21
Call No: SUBJECT CLIPPINGS FILE; WOMEN FILM WORKERSAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: WOMEN FILM WORKERS Summary: Paula Wagner is the the headline guest at the 2015 Screen Forever conference. She talks about the changing role of women in Hollywood and addresses the issues about why there are not more women writing, producing and directing.
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Lights, camera, women in action in Sunday Age (2/07/2017) p.10
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Mogul vows to cut the sexism out of movies in The Australian [International News] (29/02/2016) p.8
Call No: SUBJECT CLIPPINGS FILE; WOMEN FILM WORKERSPhysDes: Clippings File ArticleSubject: WOMEN FILM WORKERS ; RACE AND THE CINEMA Summary: An article about the treatment of women and ethnicity in the film industry, referencing the 2016 Acadmeny Awards and Amy Pascal resignation as co-chairwoman of Sony Pictures.
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Reel time : Carol leads pack in international AACTAs in The Australian (06/01/2016) p.12
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Reel women : working in film and television / Julie James Bailey Sydney: Australian Film, Television and Radio School, 1999.
Call No: 462-02(94) BAIAuthor: James Bailey, Julie Place: SydneyPublisher: Australian Film, Television and Radio SchoolPubDate: 1999PhysDes: xii, 408 p. : ports. ; 21 cmSubject: WOMEN FILM WORKERS. AUSTRALIA ; KENNY, JAN ; THORNBURN, GRETCHEN ; COCKSEDGE, ANNIE ; BILCOCK, JILL ; PRYOR, SALLY ; DEVINE, KIT ; ARMSTRONG, GILLIAN ; MCKIMMIE, JACKIE ; BROWNE, DINA ; PHILLIPSON, MARGOT ; MURPHY, BRONWYN ; KERR, SUE ; SHEEHAN, ANNABELLE ; TYSON-CHEW, NERIDA ; COOPER, DANY ; SMITH, MANDY ; GAYNOR, HELEN ; REID, CAROLYN ; WOOD, SUSAN ; BENNETT, SARA ; CARTWRIGHT, LYNNE ; RUDD, CAMILLA ; GIL, GLENYS Notes: Includes bibliographical references (p. [391]-394) and indexISBN: 1876351047LON: 20169058
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Reel women in If magazine (Feb-Mar 2000) iss.21 p.22
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Reeltime : Directors Guild calls for female funding quota in The Australian [Arts & Entertainment] (28/10/2015) p.15
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Setting the scene for more women in The Age (07/12/2015) p.11
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Shooting women : behind the camera, around the world / by Harriet Margolis, Alexis Krasilovsky, and Julia Stein Bristol, U.K. ; Chicago, USA: Intellect, c2015.
Call No: 451-02 MARAuthor: Margolis, Harriet ; Krasilovsky, Alexis ; Stein, Julia Source: UK/USPlace: Bristol, U.K. ; Chicago, USAPublisher: IntellectPubDate: c2015PhysDes: xxvii, 338 pages ; 23 cmSubject: WOMEN FILM WORKERS ; WOMEN TV WORKERS ; WOMEN FILMMAKERS ; CINEMATOGRAPHY ; PRODUCTION ; CAMERAS ; WOMEN AND THE CINEMA ; DOCUMENTARIES ; WOMEN, FILMS MADE BY Summary: "Shooting Women takes readers around the world to explore the lives of camerawomen working in features, TV news, and documentaries. From first-world pioneers like African American camerawoman Jessie Maple Patton who got her job only after suing the union to China's first camerawomen who traveled with Mao, to rural India where poor women have learned camerawork as a means of empowerment, Shooting Women reveals a world of women working with courage and skill in the male-dominated film and televsion industries." -- BOOK BACK COVER BLURBNotes: Includes bibliographical references and indexLON: 9781783205066Contents: -- acknowledgments -- prefaces -- from Alex Krasilovsky -- from Harriet Margolis-- ch: 1 How do women become camerawomen? -- Learning on the Job -- Still Photography -- Film School -- Training Programs -- Two Examples of Feminist Groups: Women in Film and Behind the Lens -- Women-Supportive Workshops and Production Groups -- Filming in the Service of Social Activism: Video SEWA and Aina -- Collectives -- Rental Houses -- ch: 2 How hard can it be? -- Gender Discrimination -- Unions and Guilds -- When Cameras Were Heavy -- Helpful Men -- Ssh! (Secret Sexual Harassment) -- Sabotage -- Getting Paid Jobs -- Breaking Out of Isolation -- Rising through the Ranks -- Budgets and Glass Ceilings -- ch: 3 Documentary: A good and satisfying career choice that is statistically friendlier to women than feature fiction filmmaking -- Filming History Being Made in China -- Documentary: Historical and Personal -- ch: 4 Hollywood, Bollywood, independents, and short forms -- Hollywood -- Indian Cinema -- The Freedom of Independent Films -- Music Videos -- Commercials and Such -- Experimental/Avant-Garde Films and Videos -- Art Films and Videos -- Shooting Special Material: Birth -- ch: 5 Special skills and creativity -- Handheld Camerawork -- Cranes -- Underwater -- Helicopters -- Special Effects -- Lighting as a Cinematographer's Dream Job -- Digital Technology -- Style -- ch: 6 Shooting around the world -- Erika Addis on Beginning her Career -- Arlene Burns on Filming in the Kuril Islands -- Young-Joo Byun on Filming Comfort Women in Korea -- Nancy Durham on Filming the Balkan War -- Jolanta Dylewska on Filming in Kazakhstan -- Sabeena Gadihoke on Filming Three Women and a Camera -- Rozette Ghadery on Filming in Kurdistan -- Sue Gibson on Filming in Jordan -- Joan Giummo on Filming Homeless Women in New York -- Agnes Godard Pays Homage to Beauty -- Marina Goldovskaya on Filming History Being Made in Russia -- Ellen Kuras on Pivotal Moments in Shooting -- Heather MacKenzie on Filming Romanian Orphans -- Sandi Sissel on Filming Salaam Bombay! -- Agnes Varda on Filming the Human Body -- Liz Ziegler on Filming Eyes Wide Shut (1999) for Stanley Kubrick -- ch: 7 Can camerawomen also be women? -- Parents -- Fathers -- Mothers -- Friends and Extended Family -- Husbands -- A Happy Marriage -- Pregnancy -- Children and Childcare -- Daughters -- ch: 8 What's it really like? -- A Typical Day -- Where Do Camerawomen Go? -- What Do Camerawomen Wear? -- Working with the Crew -- Working with Directors and Producers -- Acting Like Men to Fit In -- The Advantages of Being Female -- ch: 9 Magic moments, worst moments -- Satisfactions -- Worst Moments, Dangers, and Risking One's Life -- ch: 10 What do camerawomen see? -- Representation and Gender -- Ethics -- Camerawomen Teaching -- "Just Do It" -- Aspirations for the Future -- List of camerawomen whose interviews are included in this book -- bibliography -- index --
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Short cuts : strong push for a female quota in Sydney Morning Herald (08/10/2015) p.20
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Some significant women in Australian film : a celebration and a cautionary tale : Longford Lyell lecture 2002 / Jan Chapman Australia: Screen sound Australia, 2002.
Call No: 721.02 (94) CHAAuthor: Chapman, Jan Edition: 1st ed.Source: AustraliaPlace: AustraliaPublisher: Screen sound AustraliaPubDate: 2002PhysDes: 1 v ; 20.5 cm, b&w ill.Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3Subject: WOMEN AND THE CINEMA. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA ; WOMEN FILMMAKERS. AUSTRALIA ; WOMEN IN FILMS ; WOMEN ON TV. AUSTRALIA ; WOMEN, FILMS FOR ; WOMEN, FILMS MADE BY ; FEMINISM AND THE CINEMA ; FEMINISM AND TV ; CHAPMAN, JAN ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; LYELL, LOTTIE ; BARRETT, SHIRLEY ; MILLIKEN, SUE ; Lovell, Patricia ; ROBB, JILL ; SCOTT, JANE ; LONG, JOAN ; FINK, MARGARET ; DAVIS, JUDY ; LEVY, SANDRA ; GRIFFITHS, RACHEL ; BLANCHETT, CATE ; KIDMAN, NICOLE ; COLLETTE, TONI ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SHOWTIME (AT, Jan Chapman, 1978) ; SWEET AND SOUR [TV] (AT, 1984) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976) ; BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988) ; MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; WELL, THE (AT, Samantha Lang, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; TWO FRIENDS [TV] (AT, Jane Campion, 1986) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001) ; PIANO, THE (AT, Jane Campion, 1993) ; GIRL'S OWN STORY, A (AT, Jane Campion, 1983) Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane CampionISBN: 0642365172
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Victoria, making Australian film and television exciting : film and video resource kit / edited and compiled by Sally Semmens [Melbourne]: Film Victoria, 1984.
Call No: 036(945) SEMAuthor: Semmens, Sally CorpAuthor: Film VictoriaPlace: [Melbourne]Publisher: Film VictoriaPubDate: 1984PhysDes: 25 p. ; 30 cmSubject: AUSTRALIAN FILM INSTITUTE ; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; DISTRIBUTION. AUSTRALIA ; FILM VICTORIA ; FILMOGRAPHIES. AUSTRALIA ; PRODUCTION. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA Summary: "This resource kit is designed to outline the breadth and scope of film activity in Victoria. The first section lists some of the production taking place in Victoria this year. The list is not meant to be comprehensive but gives a fair sample of the range of production. The films listed are funded by a variety of sources including the Australian Film Commission, Film Victoria, and private investors. The list does not include the huge number of commercials, documentaries nor trade and training films which will be produced in this State this year. THe second section includes profile information on film and video organisations in Victoria. These organisations form an important part in the dissemination of films and information and contribute to Victoria's diverse and expanding film culture." - INTERIOR BLURB
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newspaper article
We need to see more women on film and behind the camera in Sydney Morning Herald (28/10/2015) p.16
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Women and film : a bibliography / by Rosemary Ribich Kowalski Metuchen, NJ: Scarecrow Press, Inc., 1976.
Call No: REFERENCE SECTION; 014 KOWAuthor: Kowalski, Rosemary Ribich Source: USPlace: Metuchen, NJPublisher: Scarecrow Press, Inc.PubDate: 1976PhysDes: ix, 278 p. ; 23 cmSubject: WOMEN AND THE CINEMA ; WOMEN FILM WORKERS ; WOMEN IN FILMS Notes: Includes index.ISBN: 0810809745Contents: -- Introduction -- 1: Women as performers: A. Reference and historical works B: Specific works -- 2: Women as filmmakers: A. Reference and historical works B. Catalogues C. Specific works -- 3. Images of women A. Reference and historical works B. Catalogues C. Specific works -- 4. Women columnists and critics -- Subject index
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Women directors : the emergence of a new cinema / Barbara Koenig Quart New York: Praeger, 1988.
Call No: 802.253 QUAAuthor: Quart, Barbara Place: New YorkPublisher: PraegerPubDate: 1988PhysDes: xvi, 268 p. : ill. ; 25 cmSubject: WOMEN FILM WORKERS ; GUY-BLACHE, ALICE ; WEBER, LOIS ; ARZNER, DOROTHY ; Lupino, Ida ; WERTMULLER, LINA ; SILVER, JOAN MICKLIN ; WEILL, CLAUDIA ; SEIDELMAN, SUSAN ; COOLIDGE, MARTHA ; DEITCH, DONNA ; STREISAND, BARBRA ; HAWN, GOLDIE ; TROTTA, MARGARETHE VON ; DORRIE, DORIS ; VARDA, AGNES ; KURYS, DIANE ; GORRIS, MARLEEN ; MESZAROS, MARTA ; SEPIT'KO, LARISA ; HOLLAND, AGNIESZKA ; PALCY, EUZHAN ; HUI, ANN ; BEMBERG, MARIA LUISA Notes: Includes index; Bibliography: p. [259]-262ISBN: 0275929620 (alk. paper)LON: 5689031
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Women do animate : Interviews with 10 Australian animators / Marian Quigley Mentone, Vic.: Insight, 2005.
Call No: 246 QUIAuthor: Quigley, Marian Place: Mentone, Vic.Publisher: InsightPubDate: 2005PhysDes: vi, 160 p. : ill. ; 22 cm + 1 DVDSubject: WOMEN FILM WORKERS ; WOMEN AND TV. AUSTRALIA ; WOMEN AND TV ; DIRECTORS ; ANIMATION ; ANIMATORS ; JOLLIFFE, ANNE ; CARTER-HANSEN, JILL ; WHITMORE, LEE ; STARKIEWICZ, ANTOINETTE ; SHENFIELD, ANN ; CLUTTERBUCK, LUCINDA ; SMITH, KATHY ; CHANDLER, WENDY ; PARKER, SHARON LEE ; KIM, SUSAN Summary: This work presents the story of Australian women animators. It introduces the work and views of independent women animators in Australia and the factors that have contributed to their emergence, growth and development. -Libraries AustraliaISBN: 1-921088-14-1Contents: Acknowledgements -- glossary -- chapter : Introduction by Marian Quigley -- Interviews and filmographies -- Chapter 2: Anne Jollife -- Chapter 3: Jill Carter-Hansen -- Chapter 4: Lee Whtimore -- Chapter 5: Antoinette Starkiewicz -- Chapter 6: Ann Shenfield -- Chapter 7: Lucinda Clutterbuck -- Chapter 8: Kathy Smith -- Chapter 9: Wendy Chandler -- Chapter 10: Sharon Lee Parker -- Chapter 11: Susan Kim -- Resources
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subject clippings file
WOMEN FILM WORKERS
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subject clippings file
WOMEN FILM WORKERS. AUSTRALIA
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Women in American Theatre: careers, images, movements : an illustrated anthology and sourcebook / edited by Helen Krich Chinoy and Linda Walsh Jenkins New York: Crown Publishers, Inc, c1981.
Call No: 61:792-02 WOMAuthor: Chinoy, Helen Krich (ed.) ; Jenkins, Linda Walsh (ed.) Edition: First editionSource: USPlace: New YorkPublisher: Crown Publishers, IncPubDate: c1981PhysDes: xi, 370 p., [16] leaves of plates : ill. ; 24 cmSubject: ACTING ; WOMEN FILM WORKERS ; USA Summary: "This collection of essays, illustrations, and sources is the first attempt to put together the story of women in American theatre" -- BOOK JACKETNotes: "A Herbert Michelman book."; Includes index; Bibliography: p. 357-364ISBN: 051753729XContents: -- preface -- acknowledgments -- introduction: art versus business: the role of women in American theatre -- 1: female rites -- 2: the actress -- 3: where are the women playwrights? --4: if not an actress, what...? -- 5: images -- 6: feminist theatre -- sourcebook -- text notes -- references and resources -- index --
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Women in Australian film production / Penny Ryan, Margaret Eliot, Gil Appleton North Sydney: Women's Film Fund : Australian Film and Television School, 1983.
Call No: 462-02(94) RYACopy Management: Copy 1; Copy 2Author: Ryan, Penny ; Eliot, Margaret ; Appleton, Gil CorpAuthor: Australian Film Commission. Women's Film Fund; Australian Film and Television SchoolPlace: North SydneyPublisher: Women's Film Fund : Australian Film and Television SchoolPubDate: 1983PhysDes: viii, 43 p. ; 26 cmSubject: WOMEN FILM WORKERS. AUSTRALIA ISBN: 0642925496 : price unknownLON: abn83193885; 2987755
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Women in the arts : a study by the Research Advisory Group of the Women and Arts Project, Sydney, December 1982 / [edited by Gil Appleton] North Sydney, N.S.W.: Policy and Planning, Australia Council, 1983.
Call No: 462-02(94) WOMCopy Management: Copy 1; Copy 2Author: Appleton, Gil CorpAuthor: Women and Arts Project (N.S.W.). Research Advisory Group; Australia Council. Policy and Planning DivisionPlace: North Sydney, N.S.W.Publisher: Policy and Planning, Australia CouncilPubDate: 1983PhysDes: 122 p. : ill., ports. ; 25 cmSubject: WOMEN FILM WORKERS. AUSTRALIA ; WOMEN TV WORKERS. AUSTRALIA Notes: Bibliography: p. [94]-106ISBN: 0908024614 (pbk.) : $9.95LON: abn83198737; 2998909
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Women in the arts : a strategy for action North Sydney: Australia Council, 1984].
Call No: 462-02(94) WOMCorpAuthor: Australia Council. Policy and Planning DivisionPlace: North SydneyPublisher: Australia CouncilPubDate: 1984]PhysDes: 22, 5, 8 p. ; 25 cmSubject: WOMEN FILM WORKERS. AUSTRALIA ; WOMEN TV WORKERS. AUSTRALIA Notes: Prepared by the Policy and Planning Division of the Council to follow up Women in the arts : report. North Sydney : Australia Council, 1983; Cover title; Includes bibliographical referencesISBN: 0908024711 : price unknownLON: abn84141915; 3261356
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Women in the Victorian film, television and relation industries : research report / prepared by Associate Professor Lisa French 2012.
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Women's Cinema, World Cinema : projecting contemporary feminisms / by Patricia White Durham; London: Duke University Press, c2015.
Call No: 626:396 WHIAuthor: White, Patricia Source: UKPlace: Durham; LondonPublisher: Duke University PressPubDate: c2015PhysDes: ix, 270 pages : illustrations ; 24 cmSubject: WOMEN DIRECTORS ; WOMEN FILM WORKERS ; WOMEN FILMMAKERS ; WOMEN IN FILMS ; WOMEN, FILMS MADE BY ; FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA Summary: "In Women's Cienma, World Cinema the author explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights. Women's Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture." -- BACK COVER BOOK BLURBNotes: Formerly CIP; Also issued online; Includes filmography; Includes bibliographical references (pages 235-246) and indexISBN: 9780822358053Contents: -- acknowledgments -- introduction -- To each her own cinema : world cinema and the woman cineaste : Jane Campion's Cannes connections; Lucrecia Martel's vertiginous authorship; Samira Makhmalbaf's sororal cinema -- Framing feminisms : women's cinema as art cinema : Deepa Mehta's elemental feminism; Iranian diasporan women directors and cultural capital -- Feminist film in the age of the chick flick : global flows of women's cinema : engendering new Korean cinema in Jeong Jae-eun's Take care of my cat; Nadine Labaki's celebrity -- Network narratives : Asian women directors two-timing the system in Nia Dinata's Love for share -- Zero Chou and the spaces of Chinese lesbian film -- Is the whole world watching? Fictions of women's human rights : Sabiha Sumar's Democratic cinema; Jasmila Zbanic´'s Grbavica and Balkan cinema's incommensurable gazes; Claudia Llosa's Trans/national address -- afterword -- notes -- bibliography -- filmography -- index --
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Interim
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WOMENVISION : WOMEN and the MOVING IMAGE in AUSTRALIA / Lisa French (ed.) Melbourne, Australia: Damned Publishing, 2003.
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newspaper article
You too? in Weekend Australian [Review] (9/12/2017) p.1
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