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Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Author: Wlaschin, Ken
PhysDes: Article
Subject: CAVALCADE (U.S, Frank Lloyd, 1933)
Summary: Review; ill

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ABOMINABLE (C/US, Jill Culton, 2019)
Notes: Simon_Batch 17_191210

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA : ACT
Author: Winchester, Bree
PhysDes: Clippings File Article
Subject: FILM DISTILLERY, THE; LOCATION SHOOTING. AUSTRALIA: A.C.T.; INDUSTRY, FILM. AUSTRALIA : ACT
Summary: Interview with two businessmen from Canberra who are part of the Lighthouse Business Innovation Centre's Festival of Ambitious Ideas. Andrew Marriott from The Film Distillery talks of making Canberra a thriving film industry centre

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 733.3 AFT
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: xviii, 362 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978)
ISBN: 9780814346747

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ALASKA (US, Fraser C. Heston, 1996)
ID2: 62

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL IS LOST (US, J. C. Chandor, 2013)

Call No: 792INF MAR
Author: Marchetti, Gina
Source: HK
Place: Hong Kong
Publisher: Hong Kong University Press
PubDate: 2007
PhysDes: xii, 210 pages : illustrations ; 19 cm
Series: The New Hong Kong Cinema
Subject: HONG KONG CINEMA; INFERNAL AFFAIRS (HK, Andrew Lau & Alan Mak, 2002); INFERNAL AFFAIRS 2 (HK/C/SI, Andrew Lau & Alan Mak, 2003); INFERNAL AFFAIRS 3 (HK/C, Andrew Lau & Alan Mak, 2003)
Summary: "Infernal Affairs has received journalistic, popular and corporate notice but little vigorous critical attention. In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism has crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema." -- BOOK BLURB
Notes: Includes bibliographical references
ISBN: 9789622098015
Contents: 1. Introduction: The New Wave and the Generic Abyss -- Forgotten Times; Music, Memory, Time, and Space -- 3. Allegories of Hell: Moral Tales and National Shadows -- 4. Postmodern Allegory: The Globl Economy and New Technologies -- 5. Identity as Static: Surveillance, Psychoanalysis, and Performance -- 6. Thieves and Pirates: Beyond "Auteur" Cinema

Call No: TITLE CLIPPINGS FILE; KUNG FU PANDA 3 (US/C, Alessandro Carloni, Jennifer Yuh Nelson, 2016)
PhysDes: Clippings File Article
Subject: KUNG FU PANDA 3 (US/C, Alessandro Carloni, Jennifer Yuh Nelson, 2016)
Summary: Film review of animation Kung Fu Panda 3
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANYANGDE GUER (C, CHAO WANG, 2001)

Call No: 735.2 ANN
Author: Annan, David
Source: US
Place: New York
Publisher: Bounty Books
PubDate: 1975
PhysDes: 93 p., [4] p. of plates : ill. (some col.) ; 26 cm
Subject: FANTASTIC FILMS; KING KONG (NZ/US, Peter Jackson, 2005); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933)
Summary: "Man has come a long way from his earliest predecessor, the Ape, yet his dreams are still haunted by nightmares of giant gorillas plundering, smashing and destroying. Through two hundred stills, full colour poster reproductions, line drawings, and an intensely researched text, this fascinating volume studies the mass cinema ape-fantasies from pre-history to the amazingly successful "Planet of the Apes" series. It delves deeply into the most famous ape of all- King Kong- and into the split between his nature and man's. What exactly did King Kong represent? Was he a brute or a lover? Was King Kong the personification of destruction and lust, or was he man's hopeless pursuit of the woman in white? By studying such movies as King Kong, Beauty and the Beast, Blonde Venus, The Return of the Ape Man, Circus of Horrors, Gorilla at Large, Morgan and many others, this exciting cinematic history illuminates that dark place where the beast still snarls in man."- BOOK JACKET
Notes: Published by Lorrimer under title, Ape; the kingdom of Kong.
ISBN: 0517521563
Donation: donated by the family of Wayne Levy, 2006
Contents: Contents-- Descent of Ape: page 7 -- Making of Kong: page 27 -- Kin of Kong: page:53 -- Ape Dreams: page 77

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARCHIE SHEPP: JE SUIS JAZZ...C'EST MA VIE (FR, Frank Cassenti, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARCTIC JUSTICE [ARCTIC DOGS] (II/UK/C/CN/JA/KO/US, Aaron Woodley, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARCTIC JUSTICE [ARCTIC DOGS] (II/UK/C/CN/JA/KO/US, Aaron Woodley, 2019)

Call No: 802.3 MAL
Author: Maltin, Leonard
Edition: Dover
Source: CN
Place: Toronto
Publisher: General Publishing Company
PubDate: 1978
PhysDes: 140 p. : ill. ; 28 cm
Subject: CINEMATOGRAPHY; MOHR, HAL; BALLARD, LUCIEN; HALL, CONRAD; MILLER, ARTHUR C.; ROSSON, HAL
Notes: An enlarged ed of: Behind the Camera : the cinematographer's art.; First ed. published: New York: New American Library, 1971.; Includes index.
ISBN: 0486236862

Call No: 81FIE EVE
Author: Everson, William K
Place: London
Publisher: Allen & Unwin
PubDate: 1968
PhysDes: [12], 232 p. illus., ports. 27 cm
Subject: FIELDS, W.C.
ISBN: 047910178
LON: 72396561; 474635

Call No: 81FIE EVE
Author: Everson, William K.
Source: US
Place: New York
Publisher: Bonanza Books
PubDate: c1967
PhysDes: 232 p. : ill. ; 26 cm
Subject: FIELDS, W.C.
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: COPRODUCTION. CHINA; BARNARD, ANTONIA; PAINTED VEIL, THE (C/US, John Curran, 2006)
Summary: A series of short articles that refer to the Australian co-production treaty. Tracey Prisk reports on co-productions with China and Singapore with comments from AFC's Catherine Waters. Producer Antonia Barnard, THE PAINTED VEIL and Flying Bark Productions also comment on their experience of being involved in co-productions in Asia.

Call No: 71(94) REA
Author: Reade, Eric, 1912-1978
Place: [Melbourne]
Publisher: Lansdowne
PubDate: 1970]
PhysDes: 192 p. : ill. ; 29 cm
Subject: AUSTRALIA. 1895-1930; CINEMAS. AUSTRALIA; SMITH'S WEEKLY; SPENCER, CHARLES COZENS; PERRY, JOSEPH; HURLEY, FRANK; LONGFORD, RAYMOND; SMITH, BEAUMONT; CARBASSE, LOUISE; RICKARDS, HARRY; WEST, T.J.; WILLIAMSON, J.C.; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
ISBN: 0701803207
LON: 74876255; 376334

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: AVENTURE DE CATHERINE C. (FR/IT, Pierre Beuchot, 1990)

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Miramax films
PubDate: c. 1993
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993); CHEUNG, LESLIE
Summary: Lesley Cheung as a Peking opera performer.
Notes: Slight scratching on surface of photograph; Adhesive label attached to reverse of photograph

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Miramax films
PubDate: c. 1993
PhysDes: 1 photograph : b&w ; 18 x 13 cm.
Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993); CHEUNG, LESLIE; KAIGE, CHEN
Summary: Lesli Cheung with black hair pushed back and wearing a Chinese jacket with a mandarin collar. There is a light source behind him with the light reflecting off his shiny hair. This image also has a soft focus.
Notes: Label on the reverse erroneously labels the actor as Zhang Fengyi; Slight finger prints on photograph; Adhesive label on reverse of photograph

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Miramax films
PubDate: c. 1993
PhysDes: 1 photograph : b&w ; 18 x 13 cm.
Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993); LI, GONG; KAIGE, CHEN
Summary: Gong Li wearing a qi-pao stares off into the distance with intent, she has her hair parted and pulled back revealing drop pearl ear rings. The image shoes a soft focus leading the woman to have a glowing effect
Notes: Minor abrasions on the bottom right corner; Adhesive label on reverse of the photograph

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD MOMS 2, A [BAD MOMS CHRISTMAS, A] (US/C, Jon Lucas & Scott Moore, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BAWANG BIEJI (HK, Chen Kaige, 1993); FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993); BA WANG BIE JI (C/HK, Kaige Chen, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAR, THE (US, Richard C. Sarafian, 1984)

Call No: 44(410) BEH
Source: UK
Place: London
Publisher: BFI book published by Palgrave Macmillan
PubDate: 2012
PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cm
Subject: CENSORSHIP. UK; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); SNAKE PIT (US, Anatole Litvak, 1948); CAPE FEAR (US, J. Lee Thompson, 1961); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); PARASITE MURDERS, THE (CN, David Cronenberg, 1975); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); LICENCE TO KILL (UK/US, John Glen, 1989); LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002); [NINE] 9 SONGS (UK, Michael Winterbottom, 2004); HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005)
Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.
Notes: Includes bibliographical references and index.
ISBN: 9781844574766
Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOODSHOT (US/C, Dave Wilson, 2020)
Cross Reference: BLOODSHOT (US/C, Dave Wilson, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOYS IN COMPANY C, THE (HK, Sidney J. Farie, 1978)

PhysDes: Article
Subject: DAMNED, THE (U.K Joseph Losey 1961)
Summary: Film review

PhysDes: Article
Subject: BROKEN JOURNEY (UK, Ken Annakin & Michael C Chorlton, 1948)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BULLET VANISHES, THE (C/HK, Lo Chi-Leung, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity; Press kit
Subject: C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992); MAN BITES DOG (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992)
ID2: 79

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: C`EST LA VIE PROSE (GW, Hans-Christof Stenzel, 1977)

PhysDes: Article
Subject: C'EST PAS MOI C'EST LUI (FR, Pierre Richard 1979)
Summary: Interview with director/writer Pierre Richard

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: C'ETAIT UN RENDEZ-VOUS (FR, Claude Lelouch, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: C.H.U.D (US, Douglas Cheek, 1984)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: C.K., LOUIS

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: SEEK YOU TOO [C Q TWO] (FR/CN, Carole Laure, 2004)
Notes: Simon Strong import_191126

Call No: 67(44) CAH
Source: UK/US
Place: London; New York
Publisher: Routledge, British Film Institute
PubDate: 2000
PhysDes: xi, 323 p. ; 24 cm
Series: Cahiers du Cinema selections
Subject: CULTURE AND THE CINEMA; POLITICS AND THE CINEMA; IDEOLOGY AND THE CINEMA; HISTORY AND THE CINEMA; THEORY; CRITICISM; CAHIERS DU CINEMA; ALAOUIE, BORHAN; ALLIO, RENE; DOUGLAS, JOHN; FERRO, MARC; GODARD, JEAN-LUC; HUILLET, DANIELE; A TOUT ALLURE (FR, Robert Kramer, 1982); LITTIN, MIGUEL; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975); DERSU UZALA (UR/JA, Akira Kurosawa, 1975); INDIA SONG (FR, Marguerite Duras, 1975); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); KAFR KASSEM (LE/SY, Borhan Alaouié, 1973); MILESTONES (US, Robert Kramer & John Douglas, 1975); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974); STAR WARS (US, George Lucas, 1977); SIX FOIS DEUX (FR, Jean-Luc Godard, 1976); TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973); XALA (SG, Ousmane Sembene, 1974)
Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]
ISBN: 0415029880
Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s

Call No: 735.2 PRA
Author: Prawer, S. S. (Siegbert Salomon), 1925
Place: Oxford New York
Publisher: Oxford University Press
PubDate: 1980
PhysDes: 307 p., [8] leaves of plates : ill. ; 22 cm
Subject: HORROR FILMS; HAMMER FILM PRODUCTIONS; FISHER, TERENCE; KARLOFF, BORIS; LANG, FRITZ; LEWTON ,VAL; MURNAU, FRIEDRICH WILHELM; FRANKENSTEIN (US, James Whale, 1931); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920)
Notes: Includes indexes; Bibliography: p. [283]-292
ISBN: 019217584X : ª6.95
LON: 1491474

Call No: SUBJECT CLIPPINGS FILE; LOCATION SHOOTING. AUSTRALIA: A.C.T.
Author: Thomson, Phillip
PhysDes: Clippings File Article
Subject: LOCATION SHOOTING. AUSTRALIA: A.C.T.; CODE, THE [TV] (AT, 2014); SECRET CITY [TV] (AT, 2016)
Summary: Report on how Canberra is facing the problem of having two major tv political dramas shooting at the same time, and how this may drive growth in Canberra's production industry. The shows shooting are THE CODE and SECRET CITY

Call No: SUBJECT CLIPPINJGS FILE; STATE AND THE CINEMA. AUSTRALIA: A.C.T.
Author: -
PhysDes: Clippings File Article
Subject: STATE AND THE CINEMA. AUSTRALIA: A.C.T.; STATE AND TV. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: A.C.T.
Summary: The Australian Capital Territory government has pledged an extra $250,000 to film and television production in Canberra

PhysDes: Article
Subject: CAUGHT IN THE FOG (U.S, Howard Bretherton, 1928)
Summary: Credits; short synopsis

Call No: 81DEM HIG
Author: Higham, Charles
Source: US
Place: New York
Publisher: Da Capo Press
PubDate: 1973
PhysDes: xii, 335 p. : ill. ; 23 cm
Subject: PARAMOUNT STUDIOS; Metro-Goldwyn-Mayer; DEMILLE, CECIL B.; ZUKOR, ADOLPH; MACPHERSON, JEANIE; LASKY, JESSE; KING OF KINGS (US, Cecil B. De Mille, 1927); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914); SIGN OF THE CROSS, THE (US, Cecil B. DeMille, 1932)
Notes: Reprint of the ed. published by Scribner, New York. "Cecil B. DeMille pictures": p. 315-322. Includes index.
ISBN: 0306801310
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Programme
Subject: CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHI BI (C, John Woo, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CHI C'E C'E (IT, Piero Natoli, 1987)

Call No: 71(51) CHI
Author: Berry, Chris
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2003
PhysDes: viii, 216 p.. ill.. 24 cm.
Subject: CITY OF SADNESS, A [; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); TOU-PEN NU-HAI (HK, Ann Hui, 1982); BOAT PEOPLE (HK, Ann Hui, 1982); BULLET IN THE HEAD, A (CN, Attila Bertalan, 1990); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); WO HU ZANG LONG (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Summary: "As Chinese films have stormed the international cinema, they have stimulated a wide range of vigorous debate and insightful scholarship. 'Chinese Films in Focus: 25 New Takes' consists of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and other parts of the diaspora are all included and historical coverage ranges from the 1930s to the present." [Taken from the back cover]
Notes: Includes bibliographical references and index
ISBN: 0851709869. v. pbk.
ID2: 150

Call No: 71(51) CHI
Author: Berry, Chris
Edition: Second Edition
Source: UK
Place: Basingstoke [England] ; New York
Publisher: British Film Institute/Palgrave Macmillan
PubDate: 2008
PhysDes: 287 pages : illustrations ; 24 cm
Subject: CITY OF SADNESS, A [; TAIWAN; CULTURE AND THE CINEMA. CHINA; [FIFTEEN] 15 (SI, Royston Tan, 2003); BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002); DA WAN (HK/CC, Feng Xiaogang, 2002); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); MANG JING (CC/G/HK, Yang Li, 2003); BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003); BOAT PEOPLE (HK, Ann Hui, 1982); TOU-PEN NU-HAI (HK, Ann Hui, 1982); CENTER STAGE (HK, Stanley Kwan, 1991); RUAN LINGYU (HK, Stanley Kwan, 1991); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993); GODDESS, THE (C, Yonggang Wu, 1934); HERO (HK/C, Yimou Zhang, 2002); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YELLOW EARTH (CC, Chen Kaige, 1985); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000)
Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURB
Notes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titles
ISBN: 9781844572373
Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHISTLEBLOWER, THE [CHUI SHAO REN] (AT/C, Xiaolu Xue, 2019)
Notes: Simon_Batch 17_191210

Call No: 747.2(47) CIN
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: c2010
PhysDes: x, 331 p. ; 23 cm
Subject: CHILDREN AND THE CINEMA; FAMILY IN FILMS; MASCULINITY IN FILMS; MEN AND THE CINEMA; NATIONAL CULTURE AND THE CINEMA. RUSSIA; RUSSIA; RUSSIA IN FILMS; USSR; U.S.S.R IN FILMS
Summary: "This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl', Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. Several chapters focus on the difficulties of fulfilling the paternal function, while others show how vertical and horizontal male bonds are repeatedly strained by the pressure of redefining an embattled masculinity in a shifting political landscape." - BOOK BLURB
Notes: Includes index.
ISBN: 9780253221872
Contents: Preface -- Introduction - Cinepaternity: the psyche and its heritage --; Part One: Thaw, stagnation, perestroika -- The myth of the great family in Marlen Khutsiev's Lenin's Guard and Mark Osep'ian's Three Days of Viktor Chernyshev: Alexander Prokhorov -- Mending the rupture: the war trope and the return of the imperial father in 1970s cinema: Elena Prokhorova -- Models of male kinship in perestroika cinema: Seth Graham --; Part two: war in the post-Soviet dialogue with paternity -- The fathers' war through the sons' lens: Tatiana Smorodinskaya -- War as the family value: failing fathers and monstrous sons in My Stepbrother Frankenstein: Mark Lipovetsky -- A surplus of surrogates: Mashkov's fathers: Helena Goscilo --; Part three: Reconceiving filial bonds -- Resurrected fathers and resuscitated sons: homosocial fantasies in The Return and Koktebel: Yana Hashamova -- The forces of kinship: Timur Bekmambetov's Night Watch cinematic trilogy: Vlad Stukov -- Fathers, sons and brothers: redeeming patriarchal authority in The Brigade: Brian James Baer --; Four: Auteurs and the psychological/philosophical -- Fraught filiation: Andrei Tarkovsky's transformations of personal trauma: Helena Goscilo -- Vision and blindness in Sokurov's Father and Son: Jose Alaniz

Call No: 81DEN MAY
Author: Mayne, Judith
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: 2005
PhysDes: xiv, 167 p. : ill., ports ; 21 cm
Series: Contemporary film directors
Subject: DENIS, CLAIRE; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); S'EN FOUT LA MORT (FR/GW, Claire Denis, 1990); U.S. GO HOME (US, Claire Denis, 1994); NENETTE ET BONI (FR, Claire Denis, 1996); J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); VENDREDI SOIR (FR, Claire Denis, 2002)
Summary: Denis has proven herself to be a key figure in the development of contemporary French cinema beyond its New Wave background and into new directions that explore race, sexuality, desire, postcoloniality, urban life, and everyday culture. [taken from back cover]
Notes: Filmography: p147-153. Includes bibliographical references and index
ISBN: 0252072383

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CLARKE, ARTHUR C.

Call No: TITLE CLIPPINGS FILE; MAN FROM U.N.C.L.E., THE (US, Guy Ritchie, 2015)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: RITCHIE, GUY; MAN FROM U.N.C.L.E., THE (US, Guy Ritchie, 2015)
Summary: A review of the film The Man From U.N.C.L.E., directed by Guy Ritchie.
Rating: 2.5 out of 5 stars

Call No: 227.01(73) CLO
Place: UK
Publisher: Edinburgh University Press
PubDate: 2018
Series: International film stars
Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOODBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.
Notes: Includes bibliographical references and index.
ISBN: 9781474417006
Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.
ID2: 362

PhysDes: Article
Subject: GRANDVIEW, U.S.A. (US, Randal Kleiser, 1984); CURTIS, JAMIE LEE; SWAYZE, PATRICK; HOWELL, C. THOMAS
Summary: Plot summary and actor bios for 'Grandview USA'

Author: Ogilive, George
PhysDes: Article
Subject: COMEDIES; COMEDIES. AUSTRALIA; THEATRE AND THE CINEMA; AUDIENCE RECEPTION; FIELDS, W.C.; LEWIS, JERRY; Keaton, Buster; LAUREL, STAN; HARDY, OLIVER; CHAPLIN, CHARLES
Summary: Transcript of a talk given by George Ogilive of the Melbourne Theatre Company, where he discusses basic aspects of comedy including rhythm and timing, as well as criticising the work of Jerry Lewis in his films "Three on a Couch" and "The Patsy.

Call No: 81WONG COM
Source: US
Place: Chichester, West Sussex ; Malden, MA
Publisher: Wiley-Blackwell
PubDate: 2016
PhysDes: xvi, 627 pages : illustrations ; 25 cm
Series: Wiley Blackwell Companions to Film Directors
Subject: CITY OF SADNESS, A [; WONG KAR WAI; AS TEARS GO BY (HK, Wong Kar-Wai, 1989); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004)
Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violence
Notes: Includes bibliographical references (pages 586-599) and index. Filmography: pages 558-561
ISBN: 9781118424247
Donation: donated by Senses of Cinema
Contents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: COMPLICITY (JA/C/FR, Kei Chikaura, 2018)
Cross Reference: COMPLICITY (JA/C/FR, Kei Chikaura, 2018)

Call No: TITLE CLIPPINGS FILE; PEOPLE PLACES THINGS (US, James C. Strouse, 2015)
Author: Bisley, Alexander
PhysDes: Clippings File Article
Subject: CLEMENT, JEMAINE; PEOPLE PLACES THINGS (US, James C. Strouse, 2015)
Summary: Jemaine Clement talks about his role in People Place Things

PhysDes: Article
Subject: CONVENTION GIRL (U.S, Luther Reed, 1935)

Call No: TITLE CLIPPINGS FILE; JURASSIC WORLD (US/C, Colin Trevorrow, 2015)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: JURASSIC WORLD (US/C, Colin Trevorrow, 2015)
Summary: Review
Rating: 2.5 out of 5 stars

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: COOMBS, H.C. "NUGGET"

Call No: TITLE CLIPPINGS FILE; MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014)
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014)
Summary: Film review of 'A Most Violent Year'.
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; MOST VIOLENT YEAR, A
Author: Gibbs, Ed
PhysDes: Clippings File Article
Subject: MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014)
Summary: Film review of A Most Violent Year
Rating: 4.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: D.C. CAB (US, Joel Schumacher, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: D.U.I. (US, Spike Stewart & Cathleen Doyle, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MONKEY KING [DA NAO TIAN GONG] (C/HK, Pou-Soi Cheang, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAI SI GIN (HK/C, Johnny To, 2004); BREAKING NEWS (HK/C, Johnny To, 2004
ID2: 170

Call No: 79 DAM RID
Author: Riddle, Nick
Source: UK
Place: Leighton Buzzard
Publisher: Auteur Publishing
PubDate: 2019
PhysDes: 120 pages : illustrations ; 19 cm.
Series: Constallations
Subject: DAMNED, THE (U.K Joseph Losey 1961)
Summary: The Damned (1963) is the most intriguing of director Joseph Losey's British “journeyman” films. A sci-fi film by a director who hated sci-fi; a Hammer production that sat on the shelf for over two years before being released with almost no publicity as the second half of a double bill. Losey was a director vocal in his dislike of depictions of physical violence, but he often made films that radiate an energy produced by a violent clash of elements. The Damned catches a series of collisions — some of them inadvertent — and traps them as if in amber. Its volatile elements include Losey, the blacklisted director; Hammer, the erratic British studio, Oliver Reed, the 'dangerous' young actor, and radioactive children. This book concentrates on historical and cultural context, place, genre, and other themes in order to try to make sense of a fascinating, underappreciated film. -- publisher's web site
ISBN: 9781911325529
Contents: Introduction -- Chapter 1: The Journeyman -- Chapter 2: The House of Sci-Fi: Hammer and Science Fiction -- Chapter 3: ‘Forward into Battle, Dear Chaps’: The Production -- Chapter 4: ‘When The Time Comes’: The Damned and British Cold War Culture -- Chapter 5: Landscape, Seascape, Manscape -- Chapter 6: Damned Kids -- Chapter 7: Creating Woman, Falling Man -- Chapter 8: The Living, The Dead and the Damned -- Chapter 9: The Heart of Darkness -- Chapter 10: Violent Reactions and Absurd Heroics -- Chapter 11: After-Effects

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: DARK WHISPERS (AT, Megan Riakos &c, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEF JAM'S HOW TO BE A PLAYER (US, Lionel C. Martin, 1997)

Call No: TITLE CLIPPINGS FILE in production; BLUE WORLD ORDER in production
Author: Burgess, Katie
PhysDes: Clippings File Article
Subject: LOCATION SHOOTING. AUSTRALIA: A.C.T.; BLUE WORLD ORDER (AT, Ché Baker/Dallas Bland, 2017)
Summary: Report on the production of the film BLUE WORLD ORDER, shot in Canberra

PhysDes: Article
Subject: DEVIL'S HOLIDAY, THE (U.S, Edmund Goulding 1930)

PhysDes: Article
Subject: DEVIL'S MISTRESS, THE (U.S Orville Wanzer, 1966)

Call No: 71 (47) DIR
Author: Beumers, Birgit
Place: Bristol, UK ; Chicago
Publisher: Intellect.
PubDate: 2011
PhysDes: 333 p. : ill. ; 25 cm.
Series: Directory of world cinema, 2040-7971 ; v.4 Directory of world cinema ; v. 4.
Subject: RUSSIA; RUSSIA IN FILMS; RUSSIANS IN FILMS; U.S.S.R.; U.S.S.R. IN FILMS; SOVIET UNION; BAUER, EVGENII; EISENSTEIN, SERGEI; VERTOV, DZIGA; TARKOVSKII, ANDREI; MIKHALKOV, NIKITA; SOKUROV, ALEKSANDR; WOLFY; VOLCHOK; KINOTAVR
Summary: Analysis of Russian films over the last hundred plus years through the lens of genre (alien to Soviet film culture, which perceived genre as a low-culture, capitalist mass product). Each chapter begins with a broad overview of the films categorised within a particular genre and a description of the political and cultural context in which these films were produced. Films are then individually summarised and critiqued. Preliminary chapters discuss 2009 Film of the Year,Vasilii Sigarev's Wolfy; film production in Russia; Russian directors; and the concept of genre in Russia.
Notes: Includes bibliographical references and filmography.
ISBN: 9781841503721 (pbk.) 184150372X (pbk.)
Donation: Senses of Cinema
Contents: Film of the year : Vasilii Sigarev's Wolfy (2009) -- Interview : Vasilii Sigarev and Iana Troianova -- Film production in Russia : an industry? -- Festival focus : Kinotavr -- What does zhanr mean in Russian -- Directors : Evgenii Bauer, Sergei Eisenstein, Dziga Vertov, Andrei Tarkovskii, Nikita Mikhalkov, Aleksandr Sokurov -- Historical film : Essay ; Reviews -- War film : Essay ; Reviews -- Comedy and musical comedy : Essay ; Reviews -- Melodrama : Essay ; Reviews -- Literary adaptation : Essay ; Reviews -- Biopic : Essay ; Reviews -- Action/ Red Western : Essay ; Reviews -- Children's films : Essay ; Reviews -- Animation : Essay ; Reviews -- Documentary : Essay ; Reviews -- Recommended reading : Russian Cinema Online.
URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=632577' Checked: 31/08/2021 1:25:43 PM Status: Moved Details: HTTP status 302 - Moved temporarily

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DISASTER ON THE COASTLINER (US, Richard C. Sarafian, 1979)

Call No: 761 JAC
Author: Jacobs, Lewis, comp
Edition: 2nd ed
Place: New York
Publisher: W. W. Norton
PubDate: c1979
PhysDes: 594 p. : ill. ; 24 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS. USSR; HISTORY OF CINEMA; NEWSREELS; FLAHERTY, ROBERT; GRIERSON, JOHN; VERTOV, DZIGA; RIEFENSTAHL, LENI; LEACOCK, RICHARD; WISEMAN, FREDERICK; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); MOANA (US, Robert Flaherty, 1926); RAIN (US, Louis Milestone, 1932); STARK LOVE (US, Karl Brown, 1927); TURKSIB (US, Victor A. Turin, 1929); DRIFTERS (SW, John Grierson, 1929); A PROPOS DE NICE (FR, Jean Vigo, 1930); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); SONG OF CEYLON, THE (UK, Basil Wright, 1934); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940); RIVER, THE (US, Pare Lorentz, 1938); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); LAND, THE (US, Robert Flaherty, 1942); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); NEGRO SOLDIER, THE (US, Frank Capra, 1944); DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); TITICUT FOLLIES (US, Frederick Wiseman, 1967); MARRIED COUPLE, A (CN, Allan King, 1969); WOODSTOCK (US, Michael Wadleigh, 1970); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); HEARTS AND MINDS (US, Peter Davis, 1974); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976)
Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 577-579
ISBN: 0393950425
LON: 1437994
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 81FIE DRA
Author: Fields, W. C. (William Claude), 1879-1946; Anobile, Richard J. (Richard Joseph), 1947- ed
Place: New York
Publisher: World Pub. Co
PubDate: 1968]
PhysDes: 128 p. illus. 29 cm
Subject: FIELDS, W.C.
LON: 68056966; 8776

Call No: 735.2 DRE
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1996
PhysDes: xv, 456 p. : ill. ; 24 cm
Series: Texas film studies series
Subject: HORROR FILMS; GENDER AND THE CINEMA; SLASHER FILMS; DRACULA IN FILMS; ARGENTO, DARIO; CRONENBERG, DAVID; ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN 3 (US, David Fincher, 1992); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); CARRIE (US, Brian De Palma, 1976); CAT PEOPLE (US, Jacques Tourneur, 1942); CAT PEOPLE (US, Paul Schrader, 1982); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); STEPFATHER, THE (US, Joseph Ruben, 1986); LEVRES ROUGES, LES (BE/FR/GW, Harry Kumel, 1971); FATAL ATTRACTION (US, Adrian Lyne, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968)
Notes: Includes bibliographical references (p. 433-438) and index
ISBN: 0292727941 (pbk : alk. paper); 0292727933 (hc : alk. paper)
LON: 12195767

Call No: TITLE CLIPPINGS FILE; MERMAID, THE [MEI REN YU] (C, Stephen Chow, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: MERMAID, THE [MEI REN YU] (C, Stephen Chow, 2016)
Summary: Jake Wilson reviews the Chinese film THE MERMAID
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SABATA [EHI AMICO C'E SABATA HAI CHIUSO] (IT, Gianfranco Parolini, 1969)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ENSEMBLE C'EST TOUT (FR, Claude Berri, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ESCALIER C (FR, Jean-Charles Tachella, 1985)

PhysDes: Article
Subject: ETERNAL PROBLEM (U.S.S.R Kalje Kiisk 19??)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EYE OF THE TIGER (US, Richard C. Sarafian, 1986)

Call No: 732.4 ROS
Author: Roscoe, Jane; Hight, Craig
Place: Manchester ; New York
Publisher: Manchester University Press ; New York : Distributed exclusively in the U.S.A. by Palgrave, 2001
PubDate: 2001
PhysDes: ix, 222 p. : ill. ; 23 cm
Subject: DOCUMENTARIES; DOCUMENTARY DRAMAS; DOCUMENTARY FILMS; FALLS, THE (UK, Peter Greenaway, 1980); ZELIG (US, Woody Allen, 1983); RUTLES, THE (US, Eric Idle, 1978); BOB ROBERTS (US, Tim Robbins, 1992); THIS IS SPINAL TAP (US, Rob Reiner, 1984); C'EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux/Andre Bonzel/Benoit Poelvoorde, 1992)
Summary: "This book offers the first major study of mock-documentary. The authors examine the relatively new form along with the association between factual codes and conventions, and the discourses which underpin the genre. The analysis includes detailed explorations of Woody Allen's Zelig, Peter Greenaway's The Falls, the Beatles' spoof The Rutles as well as Bob Roberts, This is Spinal Tap, and Man Bites Dog."
Notes: Includes bibliographical references (p. [206]-216) and index. Filmography: p. [190]-205
ISBN: 0719056411
Contents: 1. Factual discourse and the cultural placing of documentary -- 2. Recent transformations of the documentary genre -- 3. A cousin for the drama-documentary: Situating the mock-documentary -- 4. Building a mock-documentary schema -- 5. A suggested genealogy -- 6. Degree one: parody -- 7. Degree two: critique and hoax -- 8. Degree three: deconstruction Conclusion

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: FIELDS, W.C.

PhysDes: Article
Subject: FIGHTING CHANCE, THE (U.S Charles Maigne, 1920)
Summary: Short synopsis; credits

Call No: 745.1 MAC
Author: MacBean, James Roy
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1975
PhysDes: viii, 339 p. : ill. ; 29 cm
Subject: REVOLUTIONARY THEMES IN FILMS; MARXISM AND THE CINEMA; REVOLUTION AND THE CINEMA; GORIN, JEAN-PIERRE; GODARD, JEAN-LUC; METZ, CHRISTIAN; VERTOV, DZIGA; WEEK-END (FR/IT, Jean-Luc Godard, 1968); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969); PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); MADE IN U.S.A. (FR, Jean-Luc Godard, 1966); ICE (US, Robert Kramer, 1970); CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971); LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968)
Notes: Includes bibliographical references and index
ISBN: 0253321891; 0253201918(pbk.)
LON: 737743
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:42 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Anson, Steve
PhysDes: Article
Subject: ALICE (US, Laura Johnson); C/U (US, Don Cirillo)
Summary: Synopsis and reviews of student films from NY University Institute of Film and Television
Notes: Reviews. - illus.

Call No: 736 TUS
Author: Tuska, Jon
Edition: 1st ed
Place: Garden City, N.Y.
Publisher: Doubleday
PubDate: 1976
PhysDes: xx, 588 p., [1] leaf of plates : ill. ; 27 cm
Subject: WESTERNS; AUTRY, GENE; HAWKS, HOWARD; FORD, JOHN; Peckinpah, Sam; WAYNE, JOHN; JONES, BUCK; PLAINSMAN, THE (US, Cecil B. DeMille, 1936); STAGECOACH (US, John Ford, 1939); DUEL IN THE SUN (US, King Vidor, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); BATTLE OF ELDERBUSH GULCH, THE (US, David Wark Griffith, 1913); LAW AND ORDER (US, Edwin L. Cahn, 1932); BILLY THE KID (US, King Vidor, 1930); UNION PACIFIC (US, Cecil B. Demille, 1939)
Notes: Includes index
ISBN: 0385031157 : $14.95
LON: 387748

Call No: 81FIE DES
Author: Deschner, Donald
Edition: [1st ed.]
Place: New York
Publisher: Citadel Press
PubDate: 1966
PhysDes: 192 p. : ill., ports., 29 cm
Subject: FIELDS, W.C.
Notes: Includes index
LON: 66024223; 713602

Call No: 802.41 OLD
Author: Oldham, Gabriella
Place: Berkeley
Publisher: University of California Press
PubDate: c1992
PhysDes: ix, 417 p. ; 24 cm
Subject: EDITING; EDITORS; COATES, ANNE; LITTLETON, CAROL; ROLF, TOM; HIRSCH, PAUL; LEVIN, SID; MARKS, RICHARD; HEIM, ALAN; KAHN, SHELDON; PAINE, EMILY; HANEKE, TOM; KRESS, HAROLD F.; KRESS, CARL; BARTZ, GEOF; BARNES, PAUL; PANKOW, BILL; CAMBERN, DONN; LOTTMAN, EVAN; FRANK, PETER C.; DUNNING, JOHN; WINTERBURN, TED; WORTH, MERLE; MALKIN, BARRY; FEHR, RUDI
Notes: Includes bibliographical references (p. 403-404) and index
ISBN: 0520075889 (pb.); 0520075862 (alk. paper)
LON: 8667391

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FORBIDDEN KINGDOM, THE (US/C, Rob Minkoff, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRANK MCKLUSKY C.I. (US, Arlene Sanford, 2002)

Call No: 81AST THO
Author: Thompson, Howard
Source: US
Place: New York
Publisher: Falcon Enterprises
PubDate: 1970
PhysDes: 154 p . ill.
Subject: MUSICALS. USA; ASTAIRE, FRED; DADDY LONG LEGS (US, Jean Negulesco, 1955); DAMSEL IN DISTRESS, A (US, George Stevens, 1937); GAY DIVORCEE, THE (US, Mark Sandrich, 1934); NOTORIOUS (US, Alfred Hitchcock, 1946); SECOND CHORUS (US, H.C. Potter, 1941); SHALL WE DANCE (US, Mark Sandrich, 1937); SILK STOCKINGS (US, Rouben Mamoulian, 1957); SWING TIME (US, George Stevens, 1936); TOP HAT (US, Mark Sandrich, 1935); YOU WERE NEVER LOVELIER (US, William A. Seiter, 1942)
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; PIXELS (US/C/CN, Chris Columbus, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: PIXELS (US/C/CN, Chris Columbus, 2015)
Summary: Michelle Monaghan and her role in Pixels.

Call No: TITLE CLIPPINGS FILE; PIXELS (US/C/CN, Chris Columbus, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: PIXELS (US/C/CN, Chris Columbus, 2015)
Summary: Film review of Pixels, directed by Chris Columbus
Rating: 2.5 out of 5 stars

Call No: 71(430) GER
Author: Rentschler, Eric
Place: New York
Publisher: Methuen
PubDate: 1986
PhysDes: x, 385 p. : ill. ; 24 cm
Subject: GERMANY; ADAPTATIONS. GERMANY; STUDENT VON PRAG, DER (G, Stellan Rye, 1913); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); LIEBELEI (G, Max Ophuls, 1933); LEBENZEICHEN (GW, Werner Herzog, 1968); LOTTE IN WEIMAR (GE, Egon Gunther, 1975); LINKSHANDIGE FRAU, DIE (GW, Peter Handke, 1977); EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980); BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980); HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); HAUPTMANN VON KOPENICK, DER (GW, Helmut Kautner, 1956); JUNGE TORLESS, DER (GW, Volker Schlondorff, 1966); WOZZECK (G, Georg C. Klaren, 1947); UNTERTAN, DER (GE, Wolfgang Staudte, 1951); FRAULEIN VON BARNHELM, DAS (G, Hans Schweikart, 1940); ZERBROCHENE KRUG, DER (G, Gustav Ucicky, 1937)
Notes: Includes index; Bibliography: p. [366]-378
ISBN: 0416603416 (pbk.); 0416603319
LON: 4216378

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997)

Call No: 79HER GLO
Source: UK
Place: Oxon
Publisher: Routledge
PubDate: 2010
PhysDes: xxvi, 226 p. ; 25 cm
Series: Routledge Media, Culture and Social Change in Asia
Subject: CITY OF SADNESS, A [; INDUSTRY, FILM. CHINA; LEUNG, TONY; YIMOU, ZHANG; YING XIONG (HK/C, Yimou Zhang, 2002); HERO (HK/C, Yimou Zhang, 2002)
ISBN: 97880415453158
Donation: donated by Stephanie Hemelryk Donald, 2010
Contents: Changing discourse of national identities and heroism. The political narrative(s) of Hero / GARY D. RAWNSLEY Recycled heroes, invented tradition and transformed identity / YINGJIE GUO The emperor and the assassin: China's national Hero and the myth of state origins / YIYAN WANG The king, the musician and the village idiot: images of manhood / KAM LOUIE Transformations of cultural perception, genre and stardom. Twenty-first century women warriors: variations on a traditional theme / LOUISE EDWARDS On "Tian Xia (All under heaven)" in Zhang Yimou's Hero / XIZOMING CHEN and MING-YEH T. RAWNSLEY Hero: rewriting the Chinese martial arts film genre / HAIZHOU WANG AND MING-YEH T. RAWNSLEY "Would you rather spend more time making serious cinema?": Hero and Tony Leung's polysemic masculinity / MARK GALLAGHER Fifteen minutes of fame: transient/transnational female stardom in Hero / OLIVIA KHOO Local vs. global: deconstructing global Chinese blockbusters. Camp pleasure in an era of Chinese blockbusters: internet reception of Hero in mainland China / SABRINA QIONG YU North American reception of Zhang Yimou's Hero / WENDY LARSON Heroic music: from Hunan to Hollywood and back / KATY GOW Visual effects magic: Hero's Sydney connection / MARY FARQUHAR Towards a global blockbuster: the political economy of Hero's nationalism / ANTHONY FUNG AND JOSEPH M. CHAN.

PhysDes: Article
Subject: GLORIOUS BETSY (U.S, Alan Grosland, 1928)

PhysDes: Article
Subject: GOIN' TO TOWN (U.S, Leslie Goodwins, 1944)

PhysDes: Article
Subject: GOLD RACKET (U.S, Louis Gasnier, 1937)

PhysDes: Article
Subject: GOLDEN LADY, THE (U.K, Jose Larraz, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GRACE IS GONE (US, James C. Strouse, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GRANDVIEW, U.S.A. (US, Randal Kleiser, 1984)

Call No: 71(45) VER
Author: Vermilye, Jerry
Place: Secaucus, N.J.
Publisher: Carol Pub. Group
PubDate: 1994
PhysDes: 254 p. : ill. ; 28 cm
Subject: ITALY; RISO AMARO (IT, Guiseppe de Santis, 1949); BELLISSIMA (IT, Luchino Visconti, 1951); AIDA (IT, Clemente Fracassi, 1953); SENSO (IT, Luchino Visconti, 1954); STRADA, LA (IT, Federico Fellini, 1954); CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960); CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); AMARCORD (IT/FR, Frederico Fellini, 1973); PANE E CIOCCOLATA (IT, Franco Brusati, 1974); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); INNOCENTE, L' (IT/FR, Luchino Visconti, 1976); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986); GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986); OTELLO (IT, Franco Zeffirelli, 1986); LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); FABIOLA (IT, Alessandro Blasetti, 1947); ROMA ORE 11 (IT, Giuseppe De Santis, 1951); AMICI PER LA PELLE (IT, Franco Rossi, 1955); BIG DEAL ON MADONNA STREET [SOLITI IGNOTI, I] (IT, Mario Monicelli, 1958); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); TOSCA [TV] (IT, 1992); STANNO TUTTI BENE (IT/FR, Guiseppe Tornatore, 1990)
Notes: "A Citadel Press book."
ISBN: 0806514809 (pbk.) : $17.95
LON: 93045771; 10646564

Call No: 451-015 MAL
Author: Maltin, Leonard
Place: New York
Publisher: Crown Publishers
PubDate: 1978
PhysDes: xvii, 238 p. : ill. ; 26 cm
Subject: COMEDIANS; CHAPLIN, CHARLES; ARBUCKLE, ROSCOE "FATTY"; LLOYD, HAROLD; ROGERS, WILL; FIELDS, W.C.; THREE STOOGES; HOPE, BOB; KAYE, DANNY; SKELTON, RED; LEWIS, JERRY; ALLEN, WOODY; LAUREL, STAN; HARDY, OLIVER; NORMAND, MABEL; LANGDON, HARRY; CHASE, CHARLEY [psued. of Charles Parrott]; GRIFFITH, RAYMOND; DRESSLER, MARIE; BROWN, JOE E.; MARX BROTHERS; COSTELLO, LOU
Notes: Includes filmographies and index
ISBN: 0517532417
LON: 77020233; 1040069

Call No: 93 JAK
Author: Jakubowski, Maxim; Van Der Meer, Ron
Place: London
Publisher: Ebury Press
PubDate: 1987
PhysDes: [10] p. : col. ill. ; 28 cm
Subject: KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); HIGH NOON (US, Fred Zinnemann, 1952); GONE WITH THE WIND (US, Victor Fleming, 1939); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); CASABLANCA (US, Michael Curtiz, 1942)
Summary: "Open up and see favorite actors and classic movies scenes come alive. King Kong, High Noon, Gone With The Wind, The Seven Year Itch, Casablanca. See and hear Sam play it again! Discover the hidden facts about the history of the movies" -- BOOK BLURB
Notes: It's a pop-up book!
ISBN: 0852236565
Donation: donated by the family of Wayne Levy, 2006
Contents: -- King Kong -- High Noon -- Gone With The Wind -- The Seven Year Itch -- Casablanca --

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GREYHOUND (US/CN/C, Aaron Schneider, 2020)
Cross Reference: GREYHOUND (US/CN/C, Aaron Schneider, 2020)

PhysDes: Article
Subject: GRUMPY (US, William C. de Mille, 1923)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUAN YUN CHANG (C/HK, Felix Chong/Alan Mak, 2011) LOST BLADESMAN, THE (C/HK, Felix Chong/Alan Mak, 2011)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GUNST, ANDREW C.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HALL, MICHAEL C

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOUNTAIN CRY [HAN SHAN] (C, Larry Yang, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HATE U GIVE, THE (US, George Tillman Jr., 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEI YAN QUAN (MY/C/TZ/FR/AU, Ming-Liang Tsia, 2006)

Call No: 737(73) GIL
Author: Gilman, Owen W.
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: 2018
PhysDes: x, 252 pages ; 24 cm
Subject: WAR AND THE CINEMA; WAR AND THE CINEMA. USA; WAR FILMS. USA; WAR IN FILMS. AFGHANISTAN; WAR IN FILMS. IRAQ; AMERICAN SNIPER (US, Clint Eastwood, 2014); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); AVATAR (US, James Cameron, 2009); BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016); BODY OF LIES (US, Ridley Scott, 2008); BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007); DA VINCI CODE, THE (US, Ron Howard, 2006); DEER HUNTER, THE (US, Michael Cimino, 1978); [DOCTOR] DR STRANGE (US, Scott Derrickson, 2016); FAHRENHEIT 9/11 (US, Michael Moore, 2004); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GRACE IS GONE (US, James C. Strouse, 2007); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010); HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009); HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007); HURT LOCKER, THE (US, Kathryn Bigelow, 2008); JARHEAD (US, Sam Mendes, 2005); INFERNO (US/JA/TU/HU, Ron Howard, 2016); MULAN (US, Barry Cook & Tony Bancroft, 1998); REDACTED (US, Brian De Palma, 2007); UP (US, Pete Docter and Bob Peterson, 2009); WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016); ZERO DARK THIRTY (US, Kathryn Bigelow, 2012)
Notes: Includes bibliographical references and index.
ISBN: 9781496815767
Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HELLZAPOPPIN' (US, H.C. Potter, 1941)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: HIGH NOTE, THE (US/UK/C, Nisha Ganatra, 2020)
Cross Reference: HIGH NOTE, THE (US/UK/C, Nisha Ganatra, 2020)

Call No: SUBJECT CLIPPINGS FILE; ROSS, WARWICK
Author: Murray, Lisa
PhysDes: Clippings File Article
Subject: ROSS, WARWICK; RED OBSESSION (AT/C/FR/UK/HK, David Roach & Warwick Ross, 2013)
Summary: Interview with Australian producer/director Warwick Ross, and discussion about his recent film, Red Obession, and about the restaurant the interview is taking place

Call No: 802.3(73) HIG
Author: Higham, Charles
Source: UK
Place: London
Publisher: Thames and Hudson in association with the British Film Institute
PubDate: 1970
PhysDes: 176 p. : illus., ports. ; 20 cm
Series: Cinema One
Subject: CINEMATOGRAPHY; DANIELS, WILLIAM; STRUSS, KARL; MILLER, ARTHUR C.; HOWE, JAMES WONG; SHAMROY, LEON; GARMES, LEE
ISBN: 0500480141

Call No: 802.27(084.2) KOB
Author: Kobal, John
Edition: 1st Quill ed.
Source: US
Place: New York
Publisher: Quill
PubDate: c1981
PhysDes: 159 p. : col. ill. ; 30cm
Subject: ACTORS; PHOTOGRAPHY; PHOTOGRAPHY AND THE CINEMA; FIELDS, W.C.; WEST, MAE; COLBERT, CLAUDETTE; DIETRICH, MARLENE; LAMOUR, DOROTHY; SWANSON, GLORIA; SOTHERN, ANN; MACDONALD, JEANETTE; Stewart, James; YOUNG, LORETTA; COOPER, GARY; LEIGH, VIVIEN; TURNER, LANA; GARLAND, JUDY; ROONEY, MICKEY; MONTEZ, MARIA; DE HAVILLAND, OLIVIA; FONTAINE, JOAN; FAIRBANKS, DOUGLAS; DAVIS, BETTE; BOGART, HUMPHREY; LAMARR, HEDY; SHERIDAN, ANN; TIERNEY, GENE; LAKE, VERONICA; LADD, ALAN; CAGNEY, JAMES; BERGMAN, INGRID; GODDARD, PAULETEE; WAYNE, JOHN; GRABLE, BETTY; COOPER, GARY; TAYLOR, ROBERT; POWER, TYRONE; HUTTON, BETTY; ASTAIRE, FRED; DARNELL, LINDA; SINATRA, FRANK; ROGERS, ROY; TRIGGER (Horse); PAL (Canine actor); BACALL, LAUREN; LANCASTER, BURT; SCOTT, LIZABETH; DOUGLAS, KIRK; MIRANDA, CARMEN; JONES, JENNIFER; FORD, GLENN; BALL, LUCILLE; OBERON, MERLE; PECK, GREGORY; DIETRICH, MARLENE; GRAHAME, GLORIA; GRANT, CARY; HAYWORTH, RITA; VALLI, ALIDA; JOURDAN, LOUIS; TAYLOR, ELIZABETH; ROBERT, RYAN; MITCHUM, ROBERT; CHARISSE, CYD; BARKER, LEX; RUSSELL, JANE; GARBO, GRETA; CLIFT, MONTGOMERY; GARDNER, AVA; TURNER, LANA; MONROE, MARILYN; CRAWFORD, JOAN; DEAN, JAMES; NOVAK, KIM; MANSFIELD, JAYNE; PRESLEY, ELVIS; BRANDO, MARLON
Summary: "John Kobal, the world's foremost film archivist, has amassed an unrivaled photographic treasure of Hollywood glamour portraits. As an author and noted film historian, he has also been a major force behind the tremendous revival of interest in the work of the great studio photographers such as George Hurrell, Ted Allan, Lazlo Willinger, and Clarence Sinclair Bull. The selection of photographs in this book extends from the mid-1930s to the 1950s, the period in which color photography became established in Hollywood, and contains 74 spectacular images of the major stars." -- BOOK JACKET
Notes: Includes bibliographical references (p. 17); Book contains pictures of various Hollywood actors
ISBN: 0688007538

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HOLMES, JOHN C.

Call No: 735.2 HOR
Author: Gelder, Ken, 1955
Place: New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xiii, 414 p. ; 25 cm
Subject: CANNIBALISM IN FILMS; DRACULA IN FILMS; ETHNOGRAPHIC FILMS; FAN MAGAZINES; FANTASTIC FILMS; GENDER AND THE CINEMA; GHOST FILMS; HOMOSEXUALITY AND THE CINEMA; HORROR FILMS; HORROR FILMS. HONG KONG; HORROR FILMS. ITALY; HORROR FILMS. USA; IMPERIALISM AND THE CINEMA; MONSTERS IN FILMS; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SERIAL KILLERS IN FILMS; SLASHER FILMS; THEORY; VAMPIRE FILMS; WOMEN AND THE CINEMA; ARGENTO, DARIO; BAVA, MARIO; CASTLE, TERRY; CHEUNG, LESLIE; CORMAN, ROGER; CRONENBERG, DAVID; TODOROV, TZVETAN; AMERICAN GOTHIC (US, John Hough, 1987); CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); FRANKENSTEIN (US, James Whale, 1931); FRIDAY THE 13TH (US, Sean S. Cunningham, 1980); HALLOWEEN (US, John Carpenter, 1978); HAUNTING, THE (US, Robert Wise, 1963); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); OPERA (IT, Dario Argento, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968); PSYCHO (US, Alfred Hitchcock, 1960); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SUSPIRIA (IT, Dario Argento, 1977); YANZHI KOU (HK, Stanley Kwan, 1987)
Notes: Includes bibliographical references and index
ISBN: 041521355X (HB : alk. paper); 0415213568 (PB : alk. paper)
LON: 21262689

Author: Borst, Ron
PhysDes: Article
Subject: HOUSE OF DRACULA (US, Erle C. Kenton, 1945)
Summary: Credits, short description

Author: Borst, Ron
PhysDes: Article
Subject: HOUSE OF FRANKENSTEIN (US, Erle C. Kenton, 1944)
Summary: Credits, short description

Author: Schwartz, Eric
PhysDes: Article
Subject: COMING UP FROM DOWN UNDER, THE KOALA THAT ROARED (U.S Merilee Leonard)

Call No: 81GLE BAC
Author: Bacon, James
Source: US
Place: New York
Publisher: St. Martin's Press
PubDate: 1985
PhysDes: xvi, 214 p., [32] p. of plates : ill., ports. ; 22cm
Subject: GLEASON, JACKIE; HUSTLER, THE (US, Robert Rossen, 1961); SKIDOO (US, Otto Preminger, 1968); DON'T DRINK THE WATER [TV] (US, Woody Allen, 1994); SMOKEY AND THE BANDIT (US, Hal Needham, 1977); SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983); SMOKEY AND THE BANDIT II (US, Hal Needham, 1980); TOY, THE (US, Richard Donner, 1982); STING II, THE (US, Jeremy Paul Kagan, 1983); HELLZAPOPPIN' (US, H.C. Potter, 1941)
Summary: The book deals with Jackie Gleason's success as a movie and tv star; his story is told by such people as Paul Newman, Burt Reynolds, and Bob Hope
Notes: Includes index
ISBN: 0312902298

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HOWELL, C. THOMAS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUNTER'S BLOOD (US, Robert C. Hughes, 1986)

PhysDes: Article
Subject: IDLE RICH, THE (US,William C. de Mille, 1929)

Call No: 735 CLA
Author: Clarens, Carlos
Edition: First Da Capo Press edition
Source: US
Place: New York, NY
Publisher: Da Capo Press
PubDate: 1997
PhysDes: xxi, 256 pages, [48] pages of plates : illustrations ; 21 cm
Subject: SCIENCE-FICTION FILMS; HORROR FILM; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LEWTON ,VAL; FRANKENSTEIN (US, James Whale, 1931); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); DRACULA (US, Tod Browning, 1931)
Summary: "In this book Carlos Clarens, author of Crime Movies (also available from Da Capo Press), George Cukor, and many articles in film magazines, brings his encyclopedic knowledge of films and filmmakers to the subject of horror and science-fiction films of the classic era. Whether discussing the erotic aspects of King Kong, examining the works of Val Lewton, contrasting the director's attitude toward the monster in Frankenstein and The Bride of Frankenstein, accounting for the special genius of Lon Chaney, or comparing the various versions of Dr. Jekyll and Mr. Hyde, Clarens entertains as he enlightens. Supplemented with a new introduction by J. Hoberman, Village Voice film critic and coauthor of Midnight Movies (also available from Da Capo Press), and an extensive filmography listing complete credits for over 300 films, this fascinating study illuminates both the genre and the reasons for its popularity." -- taken from back cover
Notes: Originally published: An illustrated history of the horror film. New York : Putnam, 1967. -- Includes index.
ISBN: 0306808005
Contents: 1. The Wizard of Montreuil: Paris, 1895-1913 -- 2. Doubles, Demons, and the Devil Himself: Germany 1913-1932 -- 3. A Silent Conspiracy of Terror: America, 1900-1928 -- 4. Children of the Night: Hollywood, 1928-1947 -- 5. The Dead Next Door -- 6. Horror, The Soul of the Plot -- 7. "Keep Watching the Sky!" -- 8. Horror Around the World -- 9. No End Title -- App. Cast and Credits of Relevant Films Mentioned in the Text.

Call No: 761 MAC
Author: Macdonald, Kevin, 1967-; Cousins, Mark
Place: London
Publisher: Faber and Faber
PubDate: 1996
PhysDes: xii, 400 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; CINEMA VERITE; CINEMA-DIRECT; GENOCIDE IN FILMS; NEWSREELS; PROPAGANDA FILMS; SOCIAL PROBLEMS IN FILMS; WAR IN FILMS; VERTOV, DZIGA; ROUCH, JEAN; IMAMURA, SHOHEI; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; Grierson, John; HUSTON, JOHN; ANDERSON, LINDSAY; BUNUEL, LUIS; ALVAREZ, SANTIAGO; ANTONIO, EMILE DE; BALAZS, BELA; BLUE, JAMES; BROOMFIELD, NICK; CAVALCANTI, ALBERTO; COLINA, JOSE DE LA; COOPER, MERIAN C.; DIETRICH, MARLENE; FLAHERTY, ROBERT; IVENS, JORIS; IWASAKI, AKIRA; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; KAUL, MANI; LANZMANN, CLAUDE; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; MORRIS, ERROL; RIEFENSTAHL, LENI; SCHELL, MAXIMILIAN; SHUB, ESTHER; TSUCHIMOTO, NORIAKI; WISEMAN, FREDERICK; WRIGHT, BASIL; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919); PHANTOM INDIA [INDE FANTOME, L'] [TV] (FR, Louis Malle, 1969); LET THERE BE LIGHT (US, John Huston, 1946); MARLENE (GW, Maximilian Schell, 1984); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); REGEN (NE, Joris Ivens, 1929); SONG OF CEYLON (UK, Basil Wright, 1934); SPANISH EARTH, THE (US, Joris Ivens, 1937); THIN BLUE LINE, THE (US, Errol Morris, 1988); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); A PROPOS DE NICE (FR, Jean Vigo, 1930); CRUMB (US, Terry Zwigoff, 1994); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987); FIRST LOVE (US, Joan Darling, 1977); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); HOOP DREAMS (US, Steve James, 1994); LAS HURDES (SP, Luis Bunuel, 1932)
Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITE
Notes: Includes bibliographical references and index; Faber book of the documentary
ISBN: 0571177239
LON: 13068333
Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning Question
ID2: 47

Subject: KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933)
Summary: Complete issue on King Kong, 1933 and 1976 versions.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INCREDIBLE JESSICA JAMES, THE (US, James C. Strouse, 2017)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INFERENCE NOTES (C, Zhang Tianhui, 2017)
Notes: Simon import_20/06/19

Call No: 403 (5/9) POP
Author: Popescu, Stefan Octavian
Publisher: The Pennsylvania State University Press
PubDate: 2019
PhysDes: 119 pages, illustrations, 23cm
Series: Journal of Asia-Pacific pop culture; 4.1 (2019)
Subject: ASIAN COUNTRIES; SEN, IVAN; GOLDSTONE (AT, Ivan Sen, 2016); OTHERLIFE (AT, Ben C. Lucas, 2017); HITCHCOCK, ALFRED; ARGENTO, DARIO; DE PALMA, BRIAN
ISSN: 00787469
Contents: Mediations of Xinjiang: For an Aesthetic Politics, Sean Cubitt -- Dronopoetics: Unmanned Aerial Cinematography and Ivan Sen's Goldstone, Daniel Binns -- Becoming Caregivers: Companion Robots and Instructions for Use, Catherine Barbara Caudwell -- Pleated Time and Posthuman Temporalities in OtherLife, Steen Christiansen -- The Part is Greater Than the Whole: Montage as Fragment in Hitchcock, Argento and De Palma, Bruce Isaacs -- Faith and Spirituality in Naoko Takeuchi's Bishojo Senshi Sera Mun, Francesca Puglia

Call No: TITLE CLIPPINGS FILE; WOLF TOTEM (C/FR, Jean-Jacques Annaud, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: WOLF TOTEM (C/FR, Jean-Jacques Annaud, 2015)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932)

Call No: TITLE CLIPPINGS FILE; JURASSIC WORLD (US/C, Colin Trevorrow, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: JURASSIC WORLD (US/C, Colin Trevorrow, 2015)
Summary: Review

Call No: SUBJECT CLIPPINGS FILE; SCREEN ACT
Author: Raggatt, Matthew
PhysDes: Clippings File Article
Subject: STATE AND THE CINEMA. AUSTRALIA: A.C.T.; STATE AND TV. AUSTRALIA; SCREEN ACT
Summary: Report on the $250,000 dollar funding to film and tv production in the A.C.T. by the territory's government. Mention made of recent productions in the ACT including SECRET CITY and THE CODE

Call No: 64NEO MAR
Author: Marcus, Millicent Joy
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1986
PhysDes: xix, 443 p. : ill. ; 23 cm
Subject: NEOREALISM; HISTORY OF CINEMA. ITALY; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); RISO AMARO (IT, Guiseppe de Santis, 1949); UMBERTO D. (IT, Vittorio De Sica, 1952); STRADA, LA (IT, Federico Fellini, 1954); SENSO (IT, Luchino Visconti, 1954); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); TEOREMA (IT, Pier Paolo Pasolini, 1968); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); FILM D'AMORE E D'ANARCHIA (IT/FR, Lina Wertmuller, 1973); CRISTO SI E FERMATO A EBOLI (IT, Francesco Rosi, 1979); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittorio Taviani, 1982); C'ERAVAMO TANTO AMATI (IT, Ettore Scola, 1974)
Notes: Includes index; Bibliography: p. [423]-436
ISBN: 0691054894 (alk. paper) : $48.00; 0691102082 (pbk.) : $17.50
LON: 86091473; 4757222

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JIANYU (C, Chao-Pin Su, 2010)

Call No: 81FOR MCB
Author: McBride, Joseph; Wilmington, Michael
Edition: 1st American ed.
Source: US
Place: New York
Publisher: Da Capo Press
PubDate: 1975
PhysDes: 234 p. : ill. ; 21 cm
Series: A Da Capo paperback
Subject: FORD, JOHN; STAGECOACH (US, John Ford, 1939); WAGON MASTER (US, John Ford, 1950); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); QUIET MAN, THE (US/IR, John Ford, 1952); RISING OF THE MOON, THE (IE/US, John Ford, 1957); SUN SHINES BRIGHT, THE (US, John Ford, 1953); SEARCHERS, THE (US, John Ford, 1956); SERGEANT RUTLEDGE (US, John Ford, 1960); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); SEVEN WOMEN (US, John Ford, 1965); STRAIGHT SHOOTING (U.S, John Ford, 1917); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); CIVIL WAR, THE (US, John Ford, 1962)
Summary: "McBride and Wilmington examine key Ford films, from his first feature-length film, the recently discovered Straight Shooting, to his last, the controversial Seven Women, pointing out recurring Fordian themes and ideals and relating each film to others of the same genre. A filmography gives the vital statistics for each of Ford's Films. " -- BOOK BLURB
Notes: Filmography: p. 213-226; Bibliography: p. 227-233
ISBN: 0306800160
Contents: -- bringing in the sheaves -- half genius, half Irish -- himself -- the noble outlaw: Straight Shooting, Stagecoach, Wagon Master -- men at war: they were expendable , my darling clementine, fort apache -- ireland: the quiet man, the rising of the moon -- rebels: ther sun shines bright -- the searchers -- what really happened: segeant rutledge, the man who shot liberty valance, the civil war -- the last place on earth: seven women -- filmography -- bibliography -- acknowledgements --

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: CITY OF WAR THE STORY OF JOHN RABE [JOHN RABE] (FR/C/G, Florian Gallenberger, 2009)
Notes: Simon Strong import_191126

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KARATE KID, THE (C/US, Harold Zwart, 2010)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933)
URL status: URL: 'http://file://Q:/T/KING_KONG.zip' Checked: 31/08/2021 1:05:09 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 175 KIS
Source: AT
Place: Brisbane
Publisher: Queensland Art Gallery
PubDate: 2005
PhysDes: 127 p. : ill. ; 25 cm
Subject: AUSTRALIAN CINEMATHEQUE; MONSTERS IN FILMS; ANIMALS IN FILMS; PREHISTORIC ANIMALS IN FILM; LOST WORLD, THE (US, Willis O'Brian, 1925); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); FRANKENSTEIN (US, James Whale, 1931); BLONDE VENUS (US, Josef von Sternberg, 1932); MUMMY, THE (US, Karl Freund, 1932); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); SON OF KONG (US, Ernest B. Schoedsack, 1933); TARZAN AND HIS MATE (US, Cedric Gibbons, 1934); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); BRIDE OF THE GORILLA (US, Curt Siodmok, 1951); CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954); HSING HSING WANG (HK, Meng-Hwa Ho, 1977)
Summary: Kiss of the Beast: From Paris Salon to King Kong explores images of gorillas, wild beasts and monsters in art, film, science, literature and popular culture from the late nineteenth century to today. It examens humanity's highly charged relationship with primates and draws connections between debates about evolution, race, aesthetics and sex - from satirical cartoons of gorillas in Punch! to HR Hopp's famous World War One recruiting poster Destroy this mad brute: enlist, which shows Kaiser Wilhelm as a large ape. Many incarnations of the Beauty and the Beast tale in art and film unfold in Kiss of the Beast - from French artist Emmanuel Fremiet's sculptures of a gorilla carrying off a woman of 1859 and 1887, to the classic 1933 image o Fay Wray in the grip of King Kong. Early short films and animations; groundbreaking expeditionary documentaries; iconic 'monster' movies from 130s to 1950s Hollywood; and some of the many versions of the Kong story from America, Japan and Hong Kong are also featured. Kiss of the Beast: From Paris Salon to King Kong is richly illustrated with film stills from many famous big ape and monster movies - including King Kong, Frankenstein and Creature from the Black Lagoon - as well as posters, sculptures, painting, prints and rare books. This book was published in conjunction with 'Kiss of the Beast', an integrated exhibition and film program presented by the Australian Cinematheque, Queensland Art Gallery.
ISBN: 1876509082
Donation: Australian Cinematheque, Queensland Art Gallery

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONE MILE ABOVE [KORA] (C/TZ, Jiayi Du, 2011)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRY WOMAN [KU QI DE NU REN] (KO/FR/CN/C, Liu Bingjan, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KUNG FU PANDA 3 (US/C, Alessandro Carloni, Jennifer Yuh Nelson, 2016)

PhysDes: Article
Subject: LADY SURRENDERS, THE (U.S John Syahl, 1930)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OLD WELL, THE [LAO JING] (C, Tian-Ming Wu, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIAN AI YU YI WU (C, Wancang Bu, 1931)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIBERTAS - OKUPACIJA U 26 SLIKA (YU, Lordan Zafranovich, 1978)

Call No: 11339
Author: Godfrey, Nicholas
Edition: 2018
Place: New Brunswick
Publisher: Rutgers University Press
PubDate: 2018
PhysDes: xii, 270 pages : illustrated ; 24 cm
Subject: AUTEUR THEORY; EASY RIDER (US, Dennis Hopper, 1969); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); TWO-LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); LITTLE FAUSS AND BIG HALSY (US, Sydney J. Furie, 1970); ADAM AT SIX AM (US, Robert Scheerer, 1970); DIRTY HARRY (US, Don Siegel, 1971); FRENCH CONNECTION, THE (US, William Friedkin, 1971); LAST MOVIE, THE (US, Dennis Hopper, 1971); HIRED HAND, THE (US, Peter Fonda, 1971)
Summary: The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production. -- publisher's web site
ISBN: 9780813589145

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WANDERING EARTH, THE [LIU LANG DI QIU] (C, Frant Gwo, 2019)
Notes: Simon-Batch 16B_Nov 26, 2019

Call No: N79LON TEN
Author: Tennant, Kylie
Source: AT
Place: Sydney
Publisher: Associated General Publications
PubDate: 1954
PhysDes: 207 p., [4] leaves of col. plates : ill. ; 23 cm
Subject: TREASURE ISLAND (US, Fraser C. Heston, 1990)
Summary: Young Jim Hawkins is caught up with the pirate Long John Silver in search of the buried treasure of the buccaneer Captain Flint, in this adaptation of the classic novel by Robert Louis Stevenson

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOOPER (US/C, Rian Johnson, 2012)

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); TOPO, EL (MX, Alexandro Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE AND A .45 (US, C.M. Talkington, 1994)

Call No: 747.5 EVE
Author: Everson, William K.
Source: US
Place: Seacaucus
Publisher: Citadel Press
PubDate: 1979
PhysDes: 251 p. : ill. ; 29 cm
Subject: ALGIERS (US, John Cromwell, 1938); ANNIE HALL (US, Woody Allen, 1977); BERKELEY SQUARE (US, Frank Lloyd, 1933); BRIEF ECSTASY (UK, Edmond T. Greville, 1937); BRIEF ENCOUNTER (UK, David Lean, 1945); CONRAD IN QUEST WITH HIS YOUTH (US, William C. DeMille, 1920); DADDY LONG LEGS (US, Jean Negulesco, 1955); DESIRE (US, Frank Borzage, 1936); DON JUAN (US, Alan Crosland, 1926); ECSTASY [EKSTASE] (CZ/AU, Gustav Machaty, 1933); FIRST LOVE (US, Henry Koser, 1939); HALLELUJAH I'M A BUM (US, Lewis Milestone, 1933); HOT SATURDAY (US, William A. Seiter, 1932); I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); LOST HORIZON (US, Frank Capra, 1937); MADONNA OF THE SEVEN MOONS (UK, Arthur Crabtree, 1944)
ISBN: 080650644X
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I LOVE YOU, DADDY (US, Louis C.K., 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LUNG MIN (HK, Jacob C.L. Cheung, 1993)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MA RAINEY'S BLACK BOTTOM (US, George C. Wolfe, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADE IN U.S.A. (FR, Jean-Luc Godard, 1966)

Call No: 79MAD GOD
Author: Godard, Jean-Luc, 1930
Place: London
Publisher: Lorrimer Publishing Ltd
PubDate: 1967
PhysDes: 87 p. illus. 21 cm
Subject: MADE IN U.S.A. (FR, Jean-Luc Godard, 1966)
Notes: Filmography: p. 83-87
ISBN: 090085507X
LON: 563422

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MADEMOISELLE C (FR, Fabien Constant, 2013)

Author: McGurl, Mark
PhysDes: Article
Subject: RADIO AND THE CINEMA; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933)
Summary: McGurl suggests that the motion picture "King Kong" be read as a confessional text, an entry of sorts in the spiritual diary of the corporation. He comments on various aspects of "King Kong," including picturing the radio age in the film, the use of skyscrapers in the film and possible allusions of "King Kong" to Huey Long. --abstract provided by publisher
Notes: TITLE CLIPPINGS FILE; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933)

Call No: 79KIN GOL
Author: Goldner, Orville; Turner, George E.
Source: US UK
Place: New Jersey; London
Publisher: A.S. Barnes & Co.; Tantivy Press
PubDate: 1975
PhysDes: 271 p., [8] leaves of plates : ill. ; 29 cm
Subject: KING KONG; MONSTERS IN FILMS; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933)
Summary: An in depth look at the making of King Kong, the original movie made in 1933
ISBN: 0498015106
Donation: donated by the family of Wayne Levy, 2006

Author: Roscoe, Jane
PhysDes: Article; Illustration(s)
Subject: C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992); DOCUMENTARY FILMS
Summary: Discusses the mock documentary Man Bites Dog and how it critiques documentary films, in particular the look of documentaries.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MAN CHENG JIN DAI HUANG JIN JIA (HK/C, Yimou Zhang, 2006)

Call No: TITLE CLIPPINGS FILE; MAN FROM U.N.C.L.E., THE (US, Guy Ritchie, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: MAN FROM U.N.C.L.E., THE (US, Guy Ritchie, 2015)
Summary: Review of the film, The man from U.N.C.L.E., directed by Guy Ritchie
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; MAN FROM U.N.C.L.E., THE (US, Guy Ritchie, 2015)
Author: Hawker, Phillipa
PhysDes: Clippings File Article
Subject: ACTION FILMS; RITCHIE, GUY; MAN FROM U.N.C.L.E., THE (US, Guy Ritchie, 2015)
Summary: Review of the film, The man from U.N.C.L.E., directed by Guy Ritchie
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN FROM U.N.C.L.E., THE (US, Guy Ritchie, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLIND DETECTIVE [MAN TAM] (HK/C, Johnnie To, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAO TSETUNG (C, 1983)

Call No: 751 MAP
Author: Iversen, Gunnar; MacKenzie, Scott
Edition: 2021
Place: Edinburgh
Publisher: Edinburgh University Press
PhysDes: 3587 pages : illustrated ; 24 cm
Series: Traditions in world cinema
Subject: ROCK FILMS; DOCUMENTARIES; MONTEREY POP (US, D. A. Pennebaker, 1968); ROLLING STONES; MADONNA; DIXIE CHICKS: SHUT UP AND SING (US, Barbara Kopple & Cecilia Peck, 2006); DYLAN, BOB; U2 RATTLE AND HUM (US, Phil Joanou, 1988); RUDE BOY (UK, David Mingay, 1980); LONG STRANGE TRIP (US, Amir Bar-Lev, 2017); CAVE, NICK; MC5 - A TRUE TESTIMONIAL (US, David C Thomas, 2002)
Summary: Mapping the Rockumentary: Images of Sound and Fury is the first anthology to explore the rockumentary as a central component of both the documentary and world cinema. The book includes case studies of bands and performers such as The Beatles, The Rolling Stones, Bob Dylan, The Clash, Madonna and Metallica and performers from Asia, Europe and the Americas, making the case for rockumentaries as part of an established and ever-evolving cinematic tradition. With an international and transdisciplinary approach, and addressing rocumentaries in film, television and on the internet, the book explores the form’s rich history from the 1950s to the present day – and beyond. -- publisher's web site
ISBN: 9781474478021
Contents: Notes on Contributors -- Introduction: Images of Sound and Fury / Gunnar Iversen and Scott MacKenzie. Part One: Histories -- Music Makers of the Blue Ridge / Greil Marcus -- ‘I Don’t Make Culture, I Sell It!’: The Early History of Music Documentation, 1920s-1970s / Laura Niebling -- Monterey Pop and the Maturation of the Concert Film / Laurel Westrup -- The Sound of Rockumentary: A Consideration of the Documentary Soundtrack / Michael Baker -- False Endings / Scott MacKenzie. Part Two: Gender -- ‘Start Me Up’: The Place and Displacement of Women in the Cinema of Rolling Stones / Catherine Strong and Stephen Gaunson -- Madonna on Film: Geopolitics, Globalization, and Gender Politics / Anna Westerstahl Stenport -- The Freedom to Speak: The Dixie Chicks, Observational Documentary, and Shut Up & Sing / Heather McIntosh -- Rock ‘n’ Roll Family Romances: Rockumentary as Male Melodrama / Gunnar Iversen -- Performing Dylan: The Many Lives of Bob Dylan in I’m Not There / Magdalena Fu¨rnkranz. Part Three: Aesthetics and Politics -- U2’s Rattle and Hum: God, Sex, Rock and Roll and God Again / Karine Bertrand -- Punk City Symphony: The Clash and Rude Boy / Celine Bell -- Listening from the Empty Booth: Performing the Grateful Dead Community in Long Strange Trip / Randolph Jordan -- Minimum and Maximum Rock ‘n’ Roll: Nick Cave & the Bad Seeds, and Rockumentary Form / Anthony Kinik -- ‘Everything Was Stories’: The Aesthetic Imaginaries of Searching for the Wrong-Eyed Jesus / Asbjørn Grønstad and Øyvind Vågnes. Part Four: Counter-Cultures -- Chile: The Rock of Political Culture and the Hard Place of Cultural Policy / Jorge Saavedra Utman and Toby Miller -- Psychedelia and Rebelliousness in Times of Dictatorship: Argentinian Rockumentaries (1973-1983) / Javier Campo and Tomás Crowder-Taraborrelli -- Harmonium in California: Musically Imagined Communities and the Rockumentary Form / Eric Fillion -- Stations of the Crass: Counter-Culture and the Anarcho-Punk Movement / Asbjørn Tiller -- Cars and Guitars, or, Detroit and the MC5: On Representations of Music and Place in MC5: A True Testimonial / Lindsey Eckenroth. Part Five: Futures -- Unknowable Dogs / Gary Kibbins -- ‘This is a F**king Business’: The Concert Tour in the 1970s Fiction Film / Julie Lobalzo Wright -- Live from the Cineplex: The Concert Film as Event Cinema since the 2000s / Ian Robinson -- Documenting Deities: Touch and K-pop Fandom on YouTube / Eric Chalfant and Ali Na -- Ritual in Transfigured Time / Greil Marcus.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARGIN CALL (US, J.C. Chandor, 2011)

Call No: 736.35 RAN
Author: Rance, P.T.J
Source: UK
Place: London
Publisher: Virgin Books
PubDate: 2005
PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cm
Subject: HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949); TU-PEI TAO (HK, Chang Cheh, 1967); LUNG-MEN K'O CHAN (TZ, King Hu, 1966); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977); A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983); WONG FEI-HUNG (HK, Tsui Hark, 1991); WO HU ZANG LONG (HK, Ang Lee, 2000); YING XIONG (HK/C, Yimou Zhang, 2002); HERO (HK/C, Yimou Zhang, 2002); SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004); HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004); KARATE KID, THE (US, John G. Avildsen, 1984); KICKBOXER (US, Mark DiSalle & David Worth, 1989); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967); HWASAN GO (KO, Kim Tae-Gyun, 2002); ONG-BAK (TH, Prachya Pinkaew, 2003); GREEN HORNET, THE (US, Norman Foster, 1966); WATER MARGIN, THE (TV) (JP/C, 1976-78); SAIYUKI (TV) (JA, 1978-80); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.
Notes: Includes, bibliographic references, index and index of quotations ERATA: ISBN on verso not correct. See back cover.
ISBN: 0753510782
ID2: 150

Author: Eyles, Allen
PhysDes: Article
Subject: MARX BROTHERS; MARX, GROUCHO; CHAPLIN, CHARLES; TATI, JACQUES; FIELDS, W.C.; WEST, MAE; COMEDIANS; SATIRE IN FILMS
Summary: Essay explores the work of the Marx Brothers as examples of important comic personalities who used satire to convey their views of the modern world.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MC5 - A TRUE TESTIMONIAL (US, David C Thomas, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MERMAID, THE [ MEI REN YU] (C, Stephen Chow, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEILI XIN SHIJIE (C/TZ, Runjiu Shi, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEISHI JIE (C, Ou Ning, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEMORIAL VALLEY MASSACRE (US, Robert C. Hughes, 1989)

Call No: 735.2 CLO
Author: Clover, Carol J., 1940
Place: London
Publisher: B.F.I. Publishing
PubDate: 1992
PhysDes: 260 p. : ill. ; 25 cm
Subject: HORROR FILMS; SLASHER FILMS; CRIME IN FILMS; AUDIENCES; DEVIL IN FILMS; ENDINGS OF FILMS; EXPLOITATION FILMS; FAMILY IN FILMS; LOOK IN FILMS; HOMOSEXUALITY IN FILMS; IDENTIFICATION; REPRODUCTION IN FILMS; SADISM / MASOCHISM IN FILMS; SUPERNATURAL IN FILMS; ACCUSED, THE (US, Jonathan Kaplan, 1988); ALIEN [...] (UK/US, 1979-92); DELIVERANCE (US, John Boorman, 1972); EXORCIST, THE (US, William Friedkin, 1973); FRIDAY THE 13TH [...] (US, 1980-); HALLOWEEN (US, John Carpenter, 1978); HILLS HAVE EYES, THE (US, Wes Craven, 1978); HUNTER'S BLOOD (US, Robert C. Hughes, 1986); MS 45 (US, Abel Ferrara, 1981); PEEPING TOM (UK, Michael Powell, 1960); POLTERGEIST (US, Tobe Hooper, 1982); PSYCHO (US, Alfred Hitchcock, 1960); SCANNERS (CN, David Cronenberg, 1981); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); WITCHBOARD (US, Kevin S. Tenney, 1987)
Notes: Includes bibliographical references (p. [237]-253) and index
ISBN: 0851704190 (pbk.); 0851703313
LON: 8882059

Call No: 81 BAY KOE
Author: Koepnick, Lutz P. (Lutz Peter), (author.)
Source: US
Place: Urbana, Illinois
Publisher: University of Illinois Press
PubDate: c2018
PhysDes: 192 pages : illustrations ; 21 cm
Series: Contemporary Film Directors
Subject: BAY, MICHAEL; ACTION FILMS; BAD BOYS (US, Michael Bay, 1995); ROCK, THE (US, Michael Bay, 1996); ARMAGEDDON (US, Michael Bay, 1998); PEARL HARBOR (US, Michael Bay, 2001); BAD BOYS II (US, Michael Bay, 2003); ISLAND, THE (US, Michael Bay, 2005); TRANSFORMERS (US, Michael Bay, 2007); TRANSFORMERS: REVENGE OF THE FALLEN (AT, Michael Bay, 2009); TRANSFORMERS: DARK OF THE MOON (US, Michael Bay, 2011); PAIN & GAIN (US, Michael Bay, 2013); TRANSFORMERS: AGE OF EXTINCTION (US/C, Michael Bay, 2014); [THIRTEEN] 13 HOURS (US, Michael Bay, 2016); TRANSFORMERS: THE LAST KNIGHT (US/C/CN, Michael Bay, 2017)
Summary: "If size counts for anything, Michael Bay towers over his contemporaries. His ability to mastermind breathtaking spectacles of action, mayhem, and special effects continually pushes the movie industry as much as the medium of film toward new frontiers. Lutz Koepnick engages the bigness of works like Armageddon and the Transformers movies to explore essential questions of contemporary filmmaking and culture. Combining close analysis and theoretical reflection, Koepnick shows how Bay's film, knowingly or not, address profound issues about what it means to live in the late twentieth and early twenty-first centuries. According to Koepnick's astute readings, no one eager to understand the state of cinema today can ignore Bay's work. Bay's cinema of world-making and transnational reach not only exemplifies interlocking processes of cultural and economic globalization, it urges us to contemplate the future of moving images, of memory, matter, community, and experience, amid a time of rampant political populism and ever-accelerating technological change." -- BOOK BLURB
Notes: Includes bibliographical references and index Includes filmography
ISBN: 9780252083204
Donation: Senses of Cinema
Contents: World Cinema in the Age of Populism -- Cinema -- Action -- Time -- Matter -- Sound -- Politics -- Interviews -- Filmography -- Bibliography -- Index.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIDWAY (US/C/HK/CN, Roland Emmerich, 2019)

Call No: RACING EXTINCTION (US/C/HK/IO/MX/UK, Louie Psihoyos, 2015); TITLE CLIPPINGS FILE
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: RACING EXTINCTION (US/C/HK/IO/MX/UK, Louie Psihoyos, 2015)
Summary: Racing Extinction screens at MIFF 2015. New film by Louie Psihoyos, a personal and political documentary about the dissappeareance of species at 1000 times the normal rate of extinction over the Earth's history.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MINGRI TIANYA (C/FR, Lik-Wai Yu, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THAT DEMON WITHIN [MO JING] (HK/C, Dante Lam, 2014)

Call No: TITLE CLIPPINGS FILE; WHAT'S IN THE DARKNESS [HEI CHU YOU SEN ME] (C, Yichun Wang, 2015)
Author: Woodhead, Cameron
PhysDes: Clippings File Article
Subject: WHAT'S IN THE DARKNESS [HEI CHU YOU SEN ME] (C, Yichun Wang, 2015)
Summary: Jake Wilson reviews the chinese film WHAT'S IN THE DARKNESS screening at the 2016 Melbourne Film Festival.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MONSTERS, INC. (U S, Peter Docter & David Silverman, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOST VIOLENT YEAR, A (US, J.C.Chandor, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MOUNTAIN CRY (C, Larry Yang, 2015)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SHAN HE GU REN [MOUNTAINS MAY DEPART] (C/FR/JP, Zhangke Jia, 2015)
Cross Reference: SHAN HE GU REN [MOUNTAINS MAY DEPART] (C/FR/JP, Zhangke Jia, 2015)

Call No: 236 BRO
Author: Brosnan, John
Source: UK
Place: London
Publisher: Abacus
PubDate: 1977
PhysDes: 207 p. : ill. ; 20 cm
Subject: SPECIAL EFFECTS; HORROR FILMS; SCIENCE-FICTION FILMS; FANTASTIC FILMS; DISASTER FILMS; MODEL WORK; MONSTERS IN FILMS; WAR FILMS; ANIMATION; MONSTER DESIGN; MINIATURE WORK; OPTICAL EFFECTS; MATTES; FRONT PROJECTION; CINEMATOGRAPHY; HIGH-SPEED CINEMATOGRAPHY; MAKE-UP; SPLIT SCREEN; STOP-MOTION TECHNIQUE; STUNTS; CAMERAS; TRAVELLING MATTE; EXPLOSIONS IN FILMS; HARRYHAUSEN, RAY; PAL, GEORGE; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); POSEIDON ADVENTURE, THE (US, Ronald Neame, 1972)
Notes: first published in Great Britain by Macdonald and Jane's 1974; Includes: Appendix with Academy Awards winners and nominees for Engineering Effects/Special Effects from 1927-8 to 1975-6; References; Bibliography; Index of Names; Index of Film Titles; Index of Subjects and Techniques
ISBN: 0349103682
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; PIXELS (US/C/CN, Chris Columbus, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: PIXELS (US/C/CN, Chris Columbus, 2015)
Summary: Film review of Pixels.
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; ALL IS LOST (US, J. C. Chandor, 2013)
Author: Street, Andrew P
PhysDes: Clippings File Article
Subject: ALL IS LOST (US, J. C. Chandor, 2013)
Summary: Review
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007)

Call No: 97 WAG
Author: Wager, Walter
Source: UK
Place: London
Publisher: W.H. Allen
PubDate: 1977
PhysDes: 119p. ; 18cm
Subject: LITERATURE AND THE CINEMA; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933)
ISBN: 0352397314

Call No: N79 MYS BOR
Author: Borer, Mary Cathcart
Source: UK
Place: London
Publisher: Pitman
PubDate: 1952
PhysDes: vii, 102 p. : ill. ; 20 cm
Subject: MYSTERIOUS POACHER, THE (UK, Don Chaffey, 1950); LONE CLIMBER, THE (UK, William C. HAMMOND, 1950)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: N'TTURUDU (GV/FR, Umban U'sket, 1985)

Call No: TITLE CLIPPINGS FILE
Subject: SECLUDED, NEAR WOODS [NA SAMOUTE U LESA] (CS, Jiri Menzel, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SECLUDED, NEAR WOODS [NA SAMOUTE U LESA] (CS, Jiri Menzel, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WILD GOOSE LAKE [NAN FANG CHE ZHAN DE JU HUI] (C/FR, Yi'nan Diao, 2019)
Notes: Simon_Batch 17_191210

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NANJING 1937 (C, Ziniu Wu, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NE ZHA BIRTH OF THE DEMON CHILD [NE ZHA ZHI MO TONG JIANG SHI ] (C, Yu Yang, 2019)
Notes: Simon_Batch 17_191210

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: NEEDFUL THINGS (US, Fraser C. Heston, 1993)

Author: Gardner, Geoffrey
PhysDes: Review
Subject: C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); LEONE, SERGIO
Summary: Review of Sergio Leone's film "Once Upon a Time in the West", acknowledging his unique directorial style.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ASSASSIN, THE [NIE YIN NIANG] (TW/C/HK/FR, Hsiao-Hsien Hou, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIGHT IN RODANTHE (US, George C. Wolfe, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIGHTFLYERS (US, T. C. Blake pseudonym for Robert Collector, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIGHTS IN RODANTHE (US, George C. Wolfe, 2008)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: NING, STEPHEN C.

PhysDes: Article
Subject: CUVAR PLAZE U ZIMSKOM PERIODU (YU, Goran Paskaljevic, 1976); BEACH GUARD IN WINTER (YU, Goran Paskaljevic, 1976)
Summary: Describes aspects of the film 'Beach Guard in Winter'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: O. C. AND STIGGS (US, Robert Altman, 1985 [prod. 1983])

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: 721.210.4(73) TAY
Author: Taylor, Charles
Source: US
Place: New York
Publisher: Bloomsbury
PubDate: 2017
PhysDes: 199 pages ; 22 cm.
Subject: VANISHING POINT (UK, Richard C. Sarafian, 1971); HICKEY AND BOGGS (US, Robert Culp, 1972); TWO LANE BLACKTOP (US, Monte Hellman, 1971); COFFY (US, Jack Hill, 1973); FOXX, JAMIE; ULZANA'S RAID (US, Robert Aldrich, 1972); AMERICAN HOT WAX (US, Floyd Mutrux, 1978); HARD TIMES (US, Walter Hill, 1975); CITIZEN'S BAND (US, Jonathan Demme, 1977); WINTER KILLS (US, Bill Richert, 1979); EYES OF LAURA MARS (US, Irvin Kershner, 1978); BRING ME THE HEAD OF ALFREDO GARCIA (MX/US, Sam Peckinpah, 1974)
Summary: When we think of '70s cinema, we think of classics like The Godfather, Taxi Driver, and The Wild Bunch . . . but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times." Celebrated film critic Taylor pays homage to the trucker vigilantes, meat magnate pimps, blaxploitation "angel avengers," and taciturn factory workers of grungy, unartful B films such as Prime Cut, Foxy Brown, and Eyes of Laura Mars. He creates a compelling argument for what matters in moviemaking and brings a pivotal American era vividly to life in all its gritty, melancholy complexity." - Book jacket
ISBN: 9781632868183
Contents: Prevues of coming attractions -- On the hoof, on the barrel: Prime Cut -- The challenger: Vanishing Point -- Farewell to the first golden era: Cisco Pike -- Bebop/ silence: Hickey & Boggs -- Shut down, volume 2: Two-land Blacktop -- A queen without a throne: Coffy and Foxy Brown -- White man's burden: Ulzana's Raid -- Aloha and good night, two by Floyd Mutrux: Aloha, Bobby and Rose and American Hot Wax -- Stranger in town: Hard Times -- E pluribus loonum: Citizens Band -- The goosing of the President: Winter Kills -- Eye of the beholders: Eyes of Laura Mars -- Even the losers: Bring Me the Head of Alfredo Garcia -- When the lights go up
ID2: 343

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ORGY OF THE DEAD (US A.C. Stephens, 1965)

Author: O'hara, Ashley
PhysDes: Article
Subject: FIGHTING COWBOY, THE (U.S, Denver Dixon, 1933)
Summary: Selection of B-grade and lower films with credits and synopsis.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OTHERLIFE (AT, Ben C. Lucas, 2017)

Call No: TITLE CLIPPINGS FILE EVEREST (US/UK, Baltasar Kormakur, 2015)
Author: Stratton, David
PhysDes: Clippings
Subject: EVEREST (US/UK, Baltasar Kormakur, 2015); PEOPLE PLACES THINGS (US, James C. Strouse, 2015); LIFE (US, Anton Corbijn, 2015); AMERICAN ULTRA (US, Nima Nourizadeh, 2015)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: OVER THE MOON (C/US, Glen Keane, 2020)

Call No: TITLE CLIPPINGS FILE; ME AND MY MATES VS THE ZOMBIE APOCALYPSE (AT, Declan Shrubb, 2015)
Author: Colley, Clare
PhysDes: Clippings File Article
Subject: LOCATION SHOOTING. AUSTRALIA: A.C.T.; ME AND MY MATES VS THE ZOMBIE APOCALYPSE (AT, Declan Shrubb, 2015)
Summary: A producer of ME AND MY MATES VS THE ZOMBIE APOCALYPSE (Christian Dolan) discusses the film's production and why he thinks it was great for the Canberra film industry

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: P C U (US, Hart Bochner, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PAINTED VEIL, THE (C/US, John Curran, 2006)

Call No: 71(540) GAR
CorpAuthor: India. Directorate of Advertising and Visual Publicity
Place: [New Delhi
Publisher: The Directorate
PubDate: 1969]
PhysDes: [80] p. : ill. ; 26 cm
Subject: ACCHUT KANYA (II, Franz Osten, 1936); INDIA; DO BIGHA ZAMIN (II, Bimal Roy, 1953); PATHER PANCHALI (II, Satyajit Ray, 1955); APARAJITO (II, Satyajit Ray, 1957); BHARAT MATA (II, Mehboob, 1957); SAHIB BIBI AUR GHULAM (II, Abrar Alvi, 1962); CHEMMEEN (II, Ramu Kariat, 1966); APUR SANSAR (II, Satyajit Ray, 1958); SAGAR SANGAME (II, Debaki Bose, 1959); KALPANA (II, Uday Shankar, 1948); ACCHUT KANYA (II, Franz Osten, 1936); KUNKU (II, V. Shantaram, 1937); PRESIDENT (II, Nitin Bose, 1937); DEVDAS (II, P.C. Barua, 1935); PREM SANYAS (II, Franz Osten, 1926)
Notes: Cover title
LON: 377470

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PEOPLE PLACES THINGS (US, James C. Strouse, 2015)
URL status: URL: 'http://file://Q:/T/PEOPLE_PLACES_THINGS.zip' Checked: 31/08/2021 1:35:36 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index