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book		100 westerns / Edward Buscombe London: British Film Institute, 2006. Call No: 736.1 BUS Author: Buscombe, Edward CorpAuthor: BFI Source: UK Place: London Publisher: British Film Institute PubDate: 2006 PhysDes: 248 p. : 17 cm Series: BFI Screen Guides Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.] ISBN: 1844571122 More info
journal article		The 1933 show in NFT (Sep-Oct 1983) p.10-15 Author: Wlaschin, Ken PhysDes: Article Subject: CAVALCADE (U.S, Frank Lloyd, 1933) Summary: Review; ill More info
title clippings file		ABOMINABLE : (C/US, Jill Culton, 2019) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: ABOMINABLE (C/US, Jill Culton, 2019) Notes: Simon_Batch 17_191210 More info
newspaper article		Access lightbulb moments on tap in Canberra Times (26/10/2016) p.2 Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA : ACT Author: Winchester, Bree PhysDes: Clippings File Article Subject: FILM DISTILLERY, THE; LOCATION SHOOTING. AUSTRALIA: A.C.T.; INDUSTRY, FILM. AUSTRALIA : ACT Summary: Interview with two businessmen from Canberra who are part of the Lighthouse Business Innovation Centre's Festival of Ambitious Ideas. Andrew Marriott from The Film Distillery talks of making Canberra a thriving film industry centre More info
book		Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005. Call No: 753.1 ADA Author: Harrison, Stephanie Edition: First edition Source: US Place: New York Publisher: Three Rivers Press PubDate: c2005 PhysDes: xix, 619 p. : ill. ; 24 cm Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET. Notes: Also issued online ISBN: 1400053145 Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus -- More info
book		After "happily ever after" : romantic comedy in the post-romantic age / edited by Maria San Filippo; foreword by Tamar Jeffers McDonald Detroit, Michigan: Wayne State University Press, 2021. Call No: 733.3 AFT Edition: 2021 Place: Detroit, Michigan Publisher: Wayne State University Press PubDate: 2021 PhysDes: xviii, 362 pages : illustrated ; 23 cm Series: Contemporary approaches to film and media series Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978) ISBN: 9780814346747 More info
title clippings file		ALASKA : (US, Fraser C. Heston, 1996) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: ALASKA (US, Fraser C. Heston, 1996) ID2: 62 More info
title clippings file		ALL IS LOST : US, J. C. Chandor, 2013 Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: ALL IS LOST (US, J. C. Chandor, 2013) More info
book		Andrew Lau and Alan Mak's Infernal Affairs - the trilogy / Gina Marchetti Hong Kong: Hong Kong University Press, 2007. Call No: 792INF MAR Author: Marchetti, Gina Source: HK Place: Hong Kong Publisher: Hong Kong University Press PubDate: 2007 PhysDes: xii, 210 pages : illustrations ; 19 cm Series: The New Hong Kong Cinema Subject: HONG KONG CINEMA; INFERNAL AFFAIRS (HK, Andrew Lau & Alan Mak, 2002); INFERNAL AFFAIRS 2 (HK/C/SI, Andrew Lau & Alan Mak, 2003); INFERNAL AFFAIRS 3 (HK/C, Andrew Lau & Alan Mak, 2003) Summary: "Infernal Affairs has received journalistic, popular and corporate notice but little vigorous critical attention. In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism has crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema." -- BOOK BLURB Notes: Includes bibliographical references ISBN: 9789622098015 Contents: 1. Introduction: The New Wave and the Generic Abyss -- Forgotten Times; Music, Memory, Time, and Space -- 3. Allegories of Hell: Moral Tales and National Shadows -- 4. Postmodern Allegory: The Globl Economy and New Technologies -- 5. Identity as Static: Surveillance, Psychoanalysis, and Performance -- 6. Thieves and Pirates: Beyond "Auteur" Cinema More info
newspaper article		Animated fun that's more than a panda can bear in Sunday Telegraph [Insider] (20/03/2016) p.121 Call No: TITLE CLIPPINGS FILE; KUNG FU PANDA 3 (US/C, Alessandro Carloni, Jennifer Yuh Nelson, 2016) PhysDes: Clippings File Article Subject: KUNG FU PANDA 3 (US/C, Alessandro Carloni, Jennifer Yuh Nelson, 2016) Summary: Film review of animation Kung Fu Panda 3 Rating: 3 out of 5 stars More info
title clippings file		ANYANGDE GUER : (C, CHAO WANG, 2001) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: ANYANGDE GUER (C, CHAO WANG, 2001) More info
book		Ape : monster of the movies / David Annan New York: Bounty Books, 1975. Call No: 735.2 ANN Author: Annan, David Source: US Place: New York Publisher: Bounty Books PubDate: 1975 PhysDes: 93 p., [4] p. of plates : ill. (some col.) ; 26 cm Subject: FANTASTIC FILMS; KING KONG (NZ/US, Peter Jackson, 2005); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) Summary: "Man has come a long way from his earliest predecessor, the Ape, yet his dreams are still haunted by nightmares of giant gorillas plundering, smashing and destroying. Through two hundred stills, full colour poster reproductions, line drawings, and an intensely researched text, this fascinating volume studies the mass cinema ape-fantasies from pre-history to the amazingly successful "Planet of the Apes" series. It delves deeply into the most famous ape of all- King Kong- and into the split between his nature and man's. What exactly did King Kong represent? Was he a brute or a lover? Was King Kong the personification of destruction and lust, or was he man's hopeless pursuit of the woman in white? By studying such movies as King Kong, Beauty and the Beast, Blonde Venus, The Return of the Ape Man, Circus of Horrors, Gorilla at Large, Morgan and many others, this exciting cinematic history illuminates that dark place where the beast still snarls in man."- BOOK JACKET Notes: Published by Lorrimer under title, Ape; the kingdom of Kong. ISBN: 0517521563 Donation: donated by the family of Wayne Levy, 2006 Contents: Contents-- Descent of Ape: page 7 -- Making of Kong: page 27 -- Kin of Kong: page:53 -- Ape Dreams: page 77 More info
title clippings file		ARCHIE SHEPP: JE SUIS JAZZ...C'EST MA VIE : (FR, Frank Cassenti, 1984) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: ARCHIE SHEPP: JE SUIS JAZZ...C'EST MA VIE (FR, Frank Cassenti, 1984) More info
title clippings file		ARCTIC DOGS [ARCTIC JUSTICE] : (II/UK/C/CN/JA/KO/US, Aaron Woodley, 2019) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: ARCTIC JUSTICE [ARCTIC DOGS] (II/UK/C/CN/JA/KO/US, Aaron Woodley, 2019) More info
title clippings file		ARCTIC JUSTICE : (II/UK/CC/CN/JA/K/US, Aaron Woodley, 2019) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: ARCTIC JUSTICE [ARCTIC DOGS] (II/UK/C/CN/JA/KO/US, Aaron Woodley, 2019) More info
Interim book		The art of the cinematographer : a survey and interviews with five masters / Leonard Maltin Toronto: General Publishing Company, 1978. Call No: 802.3 MAL Author: Maltin, Leonard Edition: Dover Source: CN Place: Toronto Publisher: General Publishing Company PubDate: 1978 PhysDes: 140 p. : ill. ; 28 cm Subject: CINEMATOGRAPHY; MOHR, HAL; BALLARD, LUCIEN; HALL, CONRAD; MILLER, ARTHUR C.; ROSSON, HAL Notes: An enlarged ed of: Behind the Camera : the cinematographer's art.; First ed. published: New York: New American Library, 1971.; Includes index. ISBN: 0486236862 More info
book		The art of W. C. Fields / by William K. Everson London: Allen & Unwin, 1968. Call No: 81FIE EVE Author: Everson, William K Place: London Publisher: Allen & Unwin PubDate: 1968 PhysDes: [12], 232 p. illus., ports. 27 cm Subject: FIELDS, W.C. ISBN: 047910178 LON: 72396561; 474635 More info
book		The art of W.C. Fields / William K. Everson New York: Bonanza Books, c1967. Call No: 81FIE EVE Author: Everson, William K. Source: US Place: New York Publisher: Bonanza Books PubDate: c1967 PhysDes: 232 p. : ill. ; 26 cm Subject: FIELDS, W.C. Donation: donated by the family of Wayne Levy, 2006 More info
journal article		Aussies in Asia [co-productions] in Encore (December 2007) vol.26 iss.12 p.24-5 PhysDes: Article Subject: COPRODUCTION. CHINA; BARNARD, ANTONIA; PAINTED VEIL, THE (C/US, John Curran, 2006) Summary: A series of short articles that refer to the Australian co-production treaty. Tracey Prisk reports on co-productions with China and Singapore with comments from AFC's Catherine Waters. Producer Antonia Barnard, THE PAINTED VEIL and Flying Bark Productions also comment on their experience of being involved in co-productions in Asia. More info
book		Australian silent films : a pictorial history of silent films from 1896 to 1929 [Melbourne]: Lansdowne, 1970]. Call No: 71(94) REA Author: Reade, Eric, 1912-1978 Place: [Melbourne] Publisher: Lansdowne PubDate: 1970] PhysDes: 192 p. : ill. ; 29 cm Subject: AUSTRALIA. 1895-1930; CINEMAS. AUSTRALIA; SMITH'S WEEKLY; SPENCER, CHARLES COZENS; PERRY, JOSEPH; HURLEY, FRANK; LONGFORD, RAYMOND; SMITH, BEAUMONT; CARBASSE, LOUISE; RICKARDS, HARRY; WEST, T.J.; WILLIAMSON, J.C.; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ISBN: 0701803207 LON: 74876255; 376334 More info
title clippings file		AVENTURE DE CATHERINE C. : (FR/IT, Pierre Beuchot, 1990) Call No: TITLE CLIPPINGS FILE PhysDes: Publicity Subject: AVENTURE DE CATHERINE C. (FR/IT, Pierre Beuchot, 1990) More info
still		[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a Peking opera performer in costume with elaborate head-dress and fan] Miramax films, c. 1993. Call No: TITLE STILL INTERNATIONAL Source: AT Publisher: Miramax films PubDate: c. 1993 PhysDes: 1 photograph : b&w ; 13 x 18 cm. Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993); CHEUNG, LESLIE Summary: Lesley Cheung as a Peking opera performer. Notes: Slight scratching on surface of photograph; Adhesive label attached to reverse of photograph More info
still		[Ba wang bie ji : Leslie Cheung as Cheng Dieyi a young man who is a performer in the Peking opera] Miramax films, c. 1993. Call No: TITLE STILL INTERNATIONAL Source: AT Publisher: Miramax films PubDate: c. 1993 PhysDes: 1 photograph : b&w ; 18 x 13 cm. Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993); CHEUNG, LESLIE; KAIGE, CHEN Summary: Lesli Cheung with black hair pushed back and wearing a Chinese jacket with a mandarin collar. There is a light source behind him with the light reflecting off his shiny hair. This image also has a soft focus. Notes: Label on the reverse erroneously labels the actor as Zhang Fengyi; Slight finger prints on photograph; Adhesive label on reverse of photograph More info
still		[Ba weng bei ji : Gong Li as Juxian a young lady in 20th century China.] Miramax films, c. 1993. Call No: TITLE STILL INTERNATIONAL Source: AT Publisher: Miramax films PubDate: c. 1993 PhysDes: 1 photograph : b&w ; 18 x 13 cm. Subject: BA WANG BIE JI (C/HK, Kaige Chen, 1993); LI, GONG; KAIGE, CHEN Summary: Gong Li wearing a qi-pao stares off into the distance with intent, she has her hair parted and pulled back revealing drop pearl ear rings. The image shoes a soft focus leading the woman to have a glowing effect Notes: Minor abrasions on the bottom right corner; Adhesive label on reverse of the photograph More info
title clippings file		BAD MOMS 2, A : (US/C, Jon Lucas & Scott Moore, 2017) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: BAD MOMS 2, A [BAD MOMS CHRISTMAS, A] (US/C, Jon Lucas & Scott Moore, 2017) More info
title clippings file		BAWANG BIEJI : (HK, Chen Kaige, 1993) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: BAWANG BIEJI (HK, Chen Kaige, 1993); FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993); BA WANG BIE JI (C/HK, Kaige Chen, 1993) More info
title clippings file		BEAR, THE : (US, Richard C. Sarafian, 1984) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: BEAR, THE (US, Richard C. Sarafian, 1984) More info
book		Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012. Call No: 44(410) BEH Source: UK Place: London Publisher: BFI book published by Palgrave Macmillan PubDate: 2012 PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cm Subject: CENSORSHIP. UK; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); SNAKE PIT (US, Anatole Litvak, 1948); CAPE FEAR (US, J. Lee Thompson, 1961); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); PARASITE MURDERS, THE (CN, David Cronenberg, 1975); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); LICENCE TO KILL (UK/US, John Glen, 1989); LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002); [NINE] 9 SONGS (UK, Michael Winterbottom, 2004); HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover. Notes: Includes bibliographical references and index. ISBN: 9781844574766 Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix. More info
Online resource digital clippings file		BLOODSHOT : (US/C, Dave Wilson, 2020) Digital clippings file available Call No: DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: BLOODSHOT (US/C, Dave Wilson, 2020) Cross Reference: BLOODSHOT (US/C, Dave Wilson, 2020) More info
title clippings file		BOYS IN COMPANY C, THE : (HK, Sidney J. Farie, 1978) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: BOYS IN COMPANY C, THE (HK, Sidney J. Farie, 1978) More info
journal article		British film in Movie (1962) iss.1 p.10-11 PhysDes: Article Subject: DAMNED, THE (U.K Joseph Losey 1961) Summary: Film review More info
journal article		Broken Journey in Film Index iss.28 p.78-79 PhysDes: Article Subject: BROKEN JOURNEY (UK, Ken Annakin & Michael C Chorlton, 1948) More info
title clippings file		BULLET VANISHES, THE : (C/HK, Lo Chi-Leung, 2012) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: BULLET VANISHES, THE (C/HK, Lo Chi-Leung, 2012) More info
title clippings file		C`ERA UNA VOLTA IL WEST : (IT/FR, Sergio Leone, 1968) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Publicity Subject: C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) More info
title clippings file		C`EST ARRIVE PRES DE CHEZ VOUS : (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992) Call No: TITLE CLIPPINGS FILE PhysDes: Stills; Clippings; Publicity; Press kit Subject: C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992); MAN BITES DOG (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992) ID2: 79 More info
title clippings file		C`EST LA VIE PROSE : (GW, Hans-Christof Stenzel, 1977) Call No: TITLE CLIPPINGS FILE PhysDes: Publicity; Stills Subject: C`EST LA VIE PROSE (GW, Hans-Christof Stenzel, 1977) More info
journal article		C'est pas moi c'est lui in Cinema Francais (1980) vol.33 p.12-16 PhysDes: Article Subject: C'EST PAS MOI C'EST LUI (FR, Pierre Richard 1979) Summary: Interview with director/writer Pierre Richard More info
title clippings file		C'ETAIT UN RENDEZ-VOUS : (FR, Claude Lelouch, 2003) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: C'ETAIT UN RENDEZ-VOUS (FR, Claude Lelouch, 2003) More info
title clippings file		C.H.U.D : (US, Douglas Cheek, 1984) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: C.H.U.D (US, Douglas Cheek, 1984) More info
personality clippings file		C.K., LOUIS Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: C.K., LOUIS More info
title clippings file		C Q TWO [SEEK YOU TOO] : (FR/CN, Carole Laure, 2004) Call No: TITLE CLIPPINGS FILE PhysDes: Press kit Subject: SEEK YOU TOO [C Q TWO] (FR/CN, Carole Laure, 2004) Notes: Simon Strong import_191126 More info
book		Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud London; New York: Routledge, British Film Institute, 2000. Call No: 67(44) CAH Source: UK/US Place: London; New York Publisher: Routledge, British Film Institute PubDate: 2000 PhysDes: xi, 323 p. ; 24 cm Series: Cahiers du Cinema selections Subject: CULTURE AND THE CINEMA; POLITICS AND THE CINEMA; IDEOLOGY AND THE CINEMA; HISTORY AND THE CINEMA; THEORY; CRITICISM; CAHIERS DU CINEMA; ALAOUIE, BORHAN; ALLIO, RENE; DOUGLAS, JOHN; FERRO, MARC; GODARD, JEAN-LUC; HUILLET, DANIELE; A TOUT ALLURE (FR, Robert Kramer, 1982); LITTIN, MIGUEL; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975); DERSU UZALA (UR/JA, Akira Kurosawa, 1975); INDIA SONG (FR, Marguerite Duras, 1975); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); KAFR KASSEM (LE/SY, Borhan Alaouié, 1973); MILESTONES (US, Robert Kramer & John Douglas, 1975); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974); STAR WARS (US, George Lucas, 1977); SIX FOIS DEUX (FR, Jean-Luc Godard, 1976); TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973); XALA (SG, Ousmane Sembene, 1974) Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.] ISBN: 0415029880 Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s More info
book		Caligari's children : the film as tale of terror / S. S. Prawer Oxford New York: Oxford University Press, 1980. Call No: 735.2 PRA Author: Prawer, S. S. (Siegbert Salomon), 1925 Place: Oxford New York Publisher: Oxford University Press PubDate: 1980 PhysDes: 307 p., [8] leaves of plates : ill. ; 22 cm Subject: HORROR FILMS; HAMMER FILM PRODUCTIONS; FISHER, TERENCE; KARLOFF, BORIS; LANG, FRITZ; LEWTON ,VAL; MURNAU, FRIEDRICH WILHELM; FRANKENSTEIN (US, James Whale, 1931); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) Notes: Includes indexes; Bibliography: p. [283]-292 ISBN: 019217584X : ª6.95 LON: 1491474 More info
newspaper article		Canberra becomes the city of TV thrillers in Canberra Times (25/08/2015) p.5 Call No: SUBJECT CLIPPINGS FILE; LOCATION SHOOTING. AUSTRALIA: A.C.T. Author: Thomson, Phillip PhysDes: Clippings File Article Subject: LOCATION SHOOTING. AUSTRALIA: A.C.T.; CODE, THE [TV] (AT, 2014); SECRET CITY [TV] (AT, 2016) Summary: Report on how Canberra is facing the problem of having two major tv political dramas shooting at the same time, and how this may drive growth in Canberra's production industry. The shows shooting are THE CODE and SECRET CITY More info
newspaper article		Canberra ready for its close up in The Australian (06/06/2016) p.2 Call No: SUBJECT CLIPPINJGS FILE; STATE AND THE CINEMA. AUSTRALIA: A.C.T. Author: - PhysDes: Clippings File Article Subject: STATE AND THE CINEMA. AUSTRALIA: A.C.T.; STATE AND TV. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: A.C.T. Summary: The Australian Capital Territory government has pledged an extra $250,000 to film and television production in Canberra More info
journal article		Caught in the fog in FIR (May 1979) p.279 PhysDes: Article Subject: CAUGHT IN THE FOG (U.S, Howard Bretherton, 1928) Summary: Credits; short synopsis More info
book		Cecil B. Demille / Charles Higham New York: Da Capo Press, 1973. Call No: 81DEM HIG Author: Higham, Charles Source: US Place: New York Publisher: Da Capo Press PubDate: 1973 PhysDes: xii, 335 p. : ill. ; 23 cm Subject: PARAMOUNT STUDIOS; Metro-Goldwyn-Mayer; DEMILLE, CECIL B.; ZUKOR, ADOLPH; MACPHERSON, JEANIE; LASKY, JESSE; KING OF KINGS (US, Cecil B. De Mille, 1927); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914); SIGN OF THE CROSS, THE (US, Cecil B. DeMille, 1932) Notes: Reprint of the ed. published by Scribner, New York. "Cecil B. DeMille pictures": p. 315-322. Includes index. ISBN: 0306801310 Donation: donated by the family of Wayne Levy, 2006 More info
title clippings file		CHANG : (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Publicity; Programme Subject: CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) More info
title clippings file		CHI BI : (C, John Woo, 2008) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: CHI BI (C, John Woo, 2008) More info
title clippings file		CHI C`E C`E : (IT, Piero Natoli, 1987) Call No: TITLE CLIPPINGS FILE PhysDes: Publicity Subject: CHI C'E C'E (IT, Piero Natoli, 1987) More info
Interim book		Chinese films in focus : 25 new takes / Chris Berry ed. London: British Film Institute, 2003. Call No: 71(51) CHI Author: Berry, Chris CorpAuthor: BFI Source: UK Place: London Publisher: British Film Institute PubDate: 2003 PhysDes: viii, 216 p.. ill.. 24 cm. Subject: CITY OF SADNESS, A [; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); TOU-PEN NU-HAI (HK, Ann Hui, 1982); BOAT PEOPLE (HK, Ann Hui, 1982); BULLET IN THE HEAD, A (CN, Attila Bertalan, 1990); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); WO HU ZANG LONG (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: "As Chinese films have stormed the international cinema, they have stimulated a wide range of vigorous debate and insightful scholarship. 'Chinese Films in Focus: 25 New Takes' consists of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and other parts of the diaspora are all included and historical coverage ranges from the 1930s to the present." [Taken from the back cover] Notes: Includes bibliographical references and index ISBN: 0851709869. v. pbk. ID2: 150 More info
book		Chinese films in focus II / editged by Chris Berry Basingstoke [England] ; New York: British Film Institute/Palgrave Macmillan, 2008. Call No: 71(51) CHI Author: Berry, Chris Edition: Second Edition Source: UK Place: Basingstoke [England] ; New York Publisher: British Film Institute/Palgrave Macmillan PubDate: 2008 PhysDes: 287 pages : illustrations ; 24 cm Subject: CITY OF SADNESS, A [; TAIWAN; CULTURE AND THE CINEMA. CHINA; [FIFTEEN] 15 (SI, Royston Tan, 2003); BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002); DA WAN (HK/CC, Feng Xiaogang, 2002); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); MANG JING (CC/G/HK, Yang Li, 2003); BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003); BOAT PEOPLE (HK, Ann Hui, 1982); TOU-PEN NU-HAI (HK, Ann Hui, 1982); CENTER STAGE (HK, Stanley Kwan, 1991); RUAN LINGYU (HK, Stanley Kwan, 1991); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993); GODDESS, THE (C, Yonggang Wu, 1934); HERO (HK/C, Yimou Zhang, 2002); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YELLOW EARTH (CC, Chen Kaige, 1985); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000) Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURB Notes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titles ISBN: 9781844572373 Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li More info
title clippings file		CHUI SHAO REN [WHISTLEBLOWER, THE] : (AT/C, Xiaolu Xue, 2019) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: WHISTLEBLOWER, THE [CHUI SHAO REN] (AT/C, Xiaolu Xue, 2019) Notes: Simon_Batch 17_191210 More info
book		Cinepaternity : fathers and sons in Soviet and post-Soviet film / edited by Helena Goscilo and Yana Hashamova Bloomington IN: Indiana University Press, c2010. Call No: 747.2(47) CIN Source: US Place: Bloomington IN Publisher: Indiana University Press PubDate: c2010 PhysDes: x, 331 p. ; 23 cm Subject: CHILDREN AND THE CINEMA; FAMILY IN FILMS; MASCULINITY IN FILMS; MEN AND THE CINEMA; NATIONAL CULTURE AND THE CINEMA. RUSSIA; RUSSIA; RUSSIA IN FILMS; USSR; U.S.S.R IN FILMS Summary: "This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl', Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. Several chapters focus on the difficulties of fulfilling the paternal function, while others show how vertical and horizontal male bonds are repeatedly strained by the pressure of redefining an embattled masculinity in a shifting political landscape." - BOOK BLURB Notes: Includes index. ISBN: 9780253221872 Contents: Preface -- Introduction - Cinepaternity: the psyche and its heritage --; Part One: Thaw, stagnation, perestroika -- The myth of the great family in Marlen Khutsiev's Lenin's Guard and Mark Osep'ian's Three Days of Viktor Chernyshev: Alexander Prokhorov -- Mending the rupture: the war trope and the return of the imperial father in 1970s cinema: Elena Prokhorova -- Models of male kinship in perestroika cinema: Seth Graham --; Part two: war in the post-Soviet dialogue with paternity -- The fathers' war through the sons' lens: Tatiana Smorodinskaya -- War as the family value: failing fathers and monstrous sons in My Stepbrother Frankenstein: Mark Lipovetsky -- A surplus of surrogates: Mashkov's fathers: Helena Goscilo --; Part three: Reconceiving filial bonds -- Resurrected fathers and resuscitated sons: homosocial fantasies in The Return and Koktebel: Yana Hashamova -- The forces of kinship: Timur Bekmambetov's Night Watch cinematic trilogy: Vlad Stukov -- Fathers, sons and brothers: redeeming patriarchal authority in The Brigade: Brian James Baer --; Four: Auteurs and the psychological/philosophical -- Fraught filiation: Andrei Tarkovsky's transformations of personal trauma: Helena Goscilo -- Vision and blindness in Sokurov's Father and Son: Jose Alaniz More info
book		Claire Denis / Judith Mayne Urbana: University of Illinois Press, 2005. Call No: 81DEN MAY Author: Mayne, Judith Source: US Place: Urbana Publisher: University of Illinois Press PubDate: 2005 PhysDes: xiv, 167 p. : ill., ports ; 21 cm Series: Contemporary film directors Subject: DENIS, CLAIRE; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); S'EN FOUT LA MORT (FR/GW, Claire Denis, 1990); U.S. GO HOME (US, Claire Denis, 1994); NENETTE ET BONI (FR, Claire Denis, 1996); J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); VENDREDI SOIR (FR, Claire Denis, 2002) Summary: Denis has proven herself to be a key figure in the development of contemporary French cinema beyond its New Wave background and into new directions that explore race, sexuality, desire, postcoloniality, urban life, and everyday culture. [taken from back cover] Notes: Filmography: p147-153. Includes bibliographical references and index ISBN: 0252072383 More info
personality clippings file		CLARKE, ARTHUR C. Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: CLARKE, ARTHUR C. More info
newspaper article		Classy retro style upstages the action in Sunday Age [M Magazine] (16/08/2015) p.15 Call No: TITLE CLIPPINGS FILE; MAN FROM U.N.C.L.E., THE (US, Guy Ritchie, 2015) Author: Mathieson, Craig PhysDes: Clippings File Article Subject: RITCHIE, GUY; MAN FROM U.N.C.L.E., THE (US, Guy Ritchie, 2015) Summary: A review of the film The Man From U.N.C.L.E., directed by Guy Ritchie. Rating: 2.5 out of 5 stars More info
book		Close up : great cinematic performances. Volume 1, American / edited by Murray Pomerance and Kyle Stevens UK: Edinburgh University Press, 2018. Call No: 227.01(73) CLO Place: UK Publisher: Edinburgh University Press PubDate: 2018 Series: International film stars Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOODBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927) Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover. Notes: Includes bibliographical references and index. ISBN: 9781474417006 Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index. ID2: 362 More info
journal article		Co-stars selected for Grandview USA in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.17 PhysDes: Article Subject: GRANDVIEW, U.S.A. (US, Randal Kleiser, 1984); CURTIS, JAMIE LEE; SWAYZE, PATRICK; HOWELL, C. THOMAS Summary: Plot summary and actor bios for 'Grandview USA' More info
journal article		Comedy in the Movies: Two : Practically Funny in Melbourne Film Bulletin (September 1968) iss.5 p.10-20 Author: Ogilive, George PhysDes: Article Subject: COMEDIES; COMEDIES. AUSTRALIA; THEATRE AND THE CINEMA; AUDIENCE RECEPTION; FIELDS, W.C.; LEWIS, JERRY; Keaton, Buster; LAUREL, STAN; HARDY, OLIVER; CHAPLIN, CHARLES Summary: Transcript of a talk given by George Ogilive of the Melbourne Theatre Company, where he discusses basic aspects of comedy including rhythm and timing, as well as criticising the work of Jerry Lewis in his films "Three on a Couch" and "The Patsy. More info
book		A companion to Wong Kar-wai / edited by Martha P. Nochimson Chichester, West Sussex ; Malden, MA: Wiley-Blackwell, 2016. Call No: 81WONG COM Source: US Place: Chichester, West Sussex ; Malden, MA Publisher: Wiley-Blackwell PubDate: 2016 PhysDes: xvi, 627 pages : illustrations ; 25 cm Series: Wiley Blackwell Companions to Film Directors Subject: CITY OF SADNESS, A [; WONG KAR WAI; AS TEARS GO BY (HK, Wong Kar-Wai, 1989); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violence Notes: Includes bibliographical references (pages 586-599) and index. Filmography: pages 558-561 ISBN: 9781118424247 Donation: donated by Senses of Cinema Contents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index More info
Online resource digital clippings file		COMPLICITY : (JA/C/FR, Kei Chikaura, 2018) Digital clippings file available Call No: DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: COMPLICITY (JA/C/FR, Kei Chikaura, 2018) Cross Reference: COMPLICITY (JA/C/FR, Kei Chikaura, 2018) More info
newspaper article		Conchord takes flight in Saturday Age [Spectrum] (29/08/2015) p.18 Call No: TITLE CLIPPINGS FILE; PEOPLE PLACES THINGS (US, James C. Strouse, 2015) Author: Bisley, Alexander PhysDes: Clippings File Article Subject: CLEMENT, JEMAINE; PEOPLE PLACES THINGS (US, James C. Strouse, 2015) Summary: Jemaine Clement talks about his role in People Place Things More info
journal article		Convention Girl in FIR (Mar 1979) p.142 PhysDes: Article Subject: CONVENTION GIRL (U.S, Luther Reed, 1935) More info
newspaper article		Convincing crunch in Sunday Canberra Times [Relax] (14/06/2015) p.20 Call No: TITLE CLIPPINGS FILE; JURASSIC WORLD (US/C, Colin Trevorrow, 2015) Author: Mathieson, Craig PhysDes: Clippings File Article Subject: JURASSIC WORLD (US/C, Colin Trevorrow, 2015) Summary: Review Rating: 2.5 out of 5 stars More info
personality microfilm collection		COOMBS, H.C. 'NUGGET' Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: COOMBS, H.C. "NUGGET" More info
newspaper article		Count down to danger in Saturday Age [Spectrum] (28/02/2015) p.16 Call No: TITLE CLIPPINGS FILE; MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014) Author: Hawker, Philippa PhysDes: Clippings File Article Subject: MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014) Summary: Film review of 'A Most Violent Year'. Rating: 3 out of 5 stars More info
newspaper article		Crime sage makes an offer you can't refuse in Sunday Telegraph [Insider] (22/02/2015) p.118 Call No: TITLE CLIPPINGS FILE; MOST VIOLENT YEAR, A Author: Gibbs, Ed PhysDes: Clippings File Article Subject: MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014) Summary: Film review of A Most Violent Year Rating: 4.5 out of 5 stars More info
title clippings file		D.C CAB : US, Joel Schumacher, 1983 Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: D.C. CAB (US, Joel Schumacher, 1983) More info
title clippings file		D.U.I. : US, Spike Stewart & Cathleen Doyle, 1986 Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: D.U.I. (US, Spike Stewart & Cathleen Doyle, 1986) More info
title clippings file		DA NAO TIAN GONG : (C/HK, Pou-Soi Cheang, 2014) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: MONKEY KING [DA NAO TIAN GONG] (C/HK, Pou-Soi Cheang, 2014) More info
title clippings file		[DAAN GYUN NAAM YU 2 : (HK/C, Johnnie To, 2014) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014) More info
title clippings file		DAI SI GIN : HK/C, Johnny To, 2004 Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: DAI SI GIN (HK/C, Johnny To, 2004); BREAKING NEWS (HK/C, Johnny To, 2004 ID2: 170 More info
book		The Damned / Nick Riddle Leighton Buzzard: Auteur Publishing, 2019. Call No: 79 DAM RID Author: Riddle, Nick Source: UK Place: Leighton Buzzard Publisher: Auteur Publishing PubDate: 2019 PhysDes: 120 pages : illustrations ; 19 cm. Series: Constallations Subject: DAMNED, THE (U.K Joseph Losey 1961) Summary: The Damned (1963) is the most intriguing of director Joseph Losey's British “journeyman” films. A sci-fi film by a director who hated sci-fi; a Hammer production that sat on the shelf for over two years before being released with almost no publicity as the second half of a double bill. Losey was a director vocal in his dislike of depictions of physical violence, but he often made films that radiate an energy produced by a violent clash of elements. The Damned catches a series of collisions — some of them inadvertent — and traps them as if in amber. Its volatile elements include Losey, the blacklisted director; Hammer, the erratic British studio, Oliver Reed, the 'dangerous' young actor, and radioactive children. This book concentrates on historical and cultural context, place, genre, and other themes in order to try to make sense of a fascinating, underappreciated film. -- publisher's web site ISBN: 9781911325529 Contents: Introduction -- Chapter 1: The Journeyman -- Chapter 2: The House of Sci-Fi: Hammer and Science Fiction -- Chapter 3: ‘Forward into Battle, Dear Chaps’: The Production -- Chapter 4: ‘When The Time Comes’: The Damned and British Cold War Culture -- Chapter 5: Landscape, Seascape, Manscape -- Chapter 6: Damned Kids -- Chapter 7: Creating Woman, Falling Man -- Chapter 8: The Living, The Dead and the Damned -- Chapter 9: The Heart of Darkness -- Chapter 10: Violent Reactions and Absurd Heroics -- Chapter 11: After-Effects More info
Online resource digital clippings file		DARK WHISPERS : (AT, Megan Riakos &c, 2019) Digital clippings file available Call No: DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: DARK WHISPERS (AT, Megan Riakos &c, 2019) More info
title clippings file		DEF JAM'S HOW TO BE A PLAYER : (US, Lionel C. Martin, 1997) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: DEF JAM'S HOW TO BE A PLAYER (US, Lionel C. Martin, 1997) More info
newspaper article		DeLorean appearance puts city sci-fi back in spotlight in Canberra Times (27/01/2016) p.6 Call No: TITLE CLIPPINGS FILE in production; BLUE WORLD ORDER in production Author: Burgess, Katie PhysDes: Clippings File Article Subject: LOCATION SHOOTING. AUSTRALIA: A.C.T.; BLUE WORLD ORDER (AT, Ché Baker/Dallas Bland, 2017) Summary: Report on the production of the film BLUE WORLD ORDER, shot in Canberra More info
journal article		The Devil's holiday in Film in review (Mar 1979) p.141 PhysDes: Article Subject: DEVIL'S HOLIDAY, THE (U.S, Edmund Goulding 1930) More info
journal article		The Devil's mistress in Photon iss.19 p.43 PhysDes: Article Subject: DEVIL'S MISTRESS, THE (U.S Orville Wanzer, 1966) More info
Online resource book		Directory of world cinema : Russia Bristol, UK ; Chicago: Intellect., 2011. Available at ProQuest (RMIT login required) Call No: 71 (47) DIR Author: Beumers, Birgit Place: Bristol, UK ; Chicago Publisher: Intellect. PubDate: 2011 PhysDes: 333 p. : ill. ; 25 cm. Series: Directory of world cinema, 2040-7971 ; v.4 Directory of world cinema ; v. 4. Subject: RUSSIA; RUSSIA IN FILMS; RUSSIANS IN FILMS; U.S.S.R.; U.S.S.R. IN FILMS; SOVIET UNION; BAUER, EVGENII; EISENSTEIN, SERGEI; VERTOV, DZIGA; TARKOVSKII, ANDREI; MIKHALKOV, NIKITA; SOKUROV, ALEKSANDR; WOLFY; VOLCHOK; KINOTAVR Summary: Analysis of Russian films over the last hundred plus years through the lens of genre (alien to Soviet film culture, which perceived genre as a low-culture, capitalist mass product). Each chapter begins with a broad overview of the films categorised within a particular genre and a description of the political and cultural context in which these films were produced. Films are then individually summarised and critiqued. Preliminary chapters discuss 2009 Film of the Year,Vasilii Sigarev's Wolfy; film production in Russia; Russian directors; and the concept of genre in Russia. Notes: Includes bibliographical references and filmography. ISBN: 9781841503721 (pbk.) 184150372X (pbk.) Donation: Senses of Cinema Contents: Film of the year : Vasilii Sigarev's Wolfy (2009) -- Interview : Vasilii Sigarev and Iana Troianova -- Film production in Russia : an industry? -- Festival focus : Kinotavr -- What does zhanr mean in Russian -- Directors : Evgenii Bauer, Sergei Eisenstein, Dziga Vertov, Andrei Tarkovskii, Nikita Mikhalkov, Aleksandr Sokurov -- Historical film : Essay ; Reviews -- War film : Essay ; Reviews -- Comedy and musical comedy : Essay ; Reviews -- Melodrama : Essay ; Reviews -- Literary adaptation : Essay ; Reviews -- Biopic : Essay ; Reviews -- Action/ Red Western : Essay ; Reviews -- Children's films : Essay ; Reviews -- Animation : Essay ; Reviews -- Documentary : Essay ; Reviews -- Recommended reading : Russian Cinema Online. URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=632577' Checked: 31/08/2021 1:25:43 PM Status: Moved Details: HTTP status 302 - Moved temporarily More info
title clippings file		DISASTER ON THE COASTLINER : (US, Richard C. Sarafian, 1979) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: DISASTER ON THE COASTLINER (US, Richard C. Sarafian, 1979) More info
book		The documentary tradition / selected arranged, and introduced by Lewis Jacobs New York: W. W. Norton, c1979. Call No: 761 JAC Author: Jacobs, Lewis, comp Edition: 2nd ed Place: New York Publisher: W. W. Norton PubDate: c1979 PhysDes: 594 p. : ill. ; 24 cm Subject: DOCUMENTARIES; DOCUMENTARY FILMS. USSR; HISTORY OF CINEMA; NEWSREELS; FLAHERTY, ROBERT; GRIERSON, JOHN; VERTOV, DZIGA; RIEFENSTAHL, LENI; LEACOCK, RICHARD; WISEMAN, FREDERICK; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); MOANA (US, Robert Flaherty, 1926); RAIN (US, Louis Milestone, 1932); STARK LOVE (US, Karl Brown, 1927); TURKSIB (US, Victor A. Turin, 1929); DRIFTERS (SW, John Grierson, 1929); A PROPOS DE NICE (FR, Jean Vigo, 1930); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); SONG OF CEYLON, THE (UK, Basil Wright, 1934); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940); RIVER, THE (US, Pare Lorentz, 1938); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); LAND, THE (US, Robert Flaherty, 1942); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); NEGRO SOLDIER, THE (US, Frank Capra, 1944); DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); TITICUT FOLLIES (US, Frederick Wiseman, 1967); MARRIED COUPLE, A (CN, Allan King, 1969); WOODSTOCK (US, Michael Wadleigh, 1970); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); HEARTS AND MINDS (US, Peter Davis, 1974); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976) Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURB Notes: Includes index; Bibliography: p. 577-579 ISBN: 0393950425 LON: 1437994 URL status: URL: 'http://-' Checked: 31/08/2021 12:58:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Drat! Being the encapsulated view of life / by W. C. Fields in his own words. Edited by Richard J. Anobile. Introd. by Ed McMahon New York: World Pub. Co, 1968]. Call No: 81FIE DRA Author: Fields, W. C. (William Claude), 1879-1946; Anobile, Richard J. (Richard Joseph), 1947- ed Place: New York Publisher: World Pub. Co PubDate: 1968] PhysDes: 128 p. illus. 29 cm Subject: FIELDS, W.C. LON: 68056966; 8776 More info
book		The dread of difference : gender and the horror film / edited by Barry Keith Grant Austin: University of Texas Press, 1996. Call No: 735.2 DRE Author: Grant, Barry Keith, 1947 Edition: 1st ed Place: Austin Publisher: University of Texas Press PubDate: 1996 PhysDes: xv, 456 p. : ill. ; 24 cm Series: Texas film studies series Subject: HORROR FILMS; GENDER AND THE CINEMA; SLASHER FILMS; DRACULA IN FILMS; ARGENTO, DARIO; CRONENBERG, DAVID; ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN 3 (US, David Fincher, 1992); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); CARRIE (US, Brian De Palma, 1976); CAT PEOPLE (US, Jacques Tourneur, 1942); CAT PEOPLE (US, Paul Schrader, 1982); BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); STEPFATHER, THE (US, Joseph Ruben, 1986); LEVRES ROUGES, LES (BE/FR/GW, Harry Kumel, 1971); FATAL ATTRACTION (US, Adrian Lyne, 1987); ROSEMARY'S BABY (US, Roman Polanski, 1968) Notes: Includes bibliographical references (p. 433-438) and index ISBN: 0292727941 (pbk : alk. paper); 0292727933 (hc : alk. paper) LON: 12195767 More info
newspaper article		Ecological fable global block buster in The Age [Arts & Entertainment] (25/02/2016) p.31 Call No: TITLE CLIPPINGS FILE; MERMAID, THE [MEI REN YU] (C, Stephen Chow, 2016) Author: Wilson, Jake PhysDes: Clippings File Article Subject: MERMAID, THE [MEI REN YU] (C, Stephen Chow, 2016) Summary: Jake Wilson reviews the Chinese film THE MERMAID Rating: 4 out of 5 stars More info
title clippings file		EHI AMICO C'E SABATA HAI CHIUSO [SABATA] : (IT, Gianfranco Parolini, 1969) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: SABATA [EHI AMICO C'E SABATA HAI CHIUSO] (IT, Gianfranco Parolini, 1969) Notes: Simon import_04/07/19 More info
title clippings file		ENSEMBLE C'EST TOUT : (FR, Claude Berri, 2007) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: ENSEMBLE C'EST TOUT (FR, Claude Berri, 2007) More info
title clippings file		ESCALIER C : (FR, Jean-Charles Tachella, 1985) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: ESCALIER C (FR, Jean-Charles Tachella, 1985) More info
journal article		Eternal Problem in Sovietfilm vol.12 iss.78 p.29 PhysDes: Article Subject: ETERNAL PROBLEM (U.S.S.R Kalje Kiisk 19??) More info
title clippings file		EYE OF THE TIGER : (US, Richard C. Sarafian, 1986) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: EYE OF THE TIGER (US, Richard C. Sarafian, 1986) More info
book		Faking it : mock-documentary and the subversion of factuality / Jane Roscoe and Craig Hight Manchester ; New York: Manchester University Press ; New York : Distributed exclusively in the U.S.A. by Palgrave, 2001, 2001. Call No: 732.4 ROS Author: Roscoe, Jane; Hight, Craig Place: Manchester ; New York Publisher: Manchester University Press ; New York : Distributed exclusively in the U.S.A. by Palgrave, 2001 PubDate: 2001 PhysDes: ix, 222 p. : ill. ; 23 cm Subject: DOCUMENTARIES; DOCUMENTARY DRAMAS; DOCUMENTARY FILMS; FALLS, THE (UK, Peter Greenaway, 1980); ZELIG (US, Woody Allen, 1983); RUTLES, THE (US, Eric Idle, 1978); BOB ROBERTS (US, Tim Robbins, 1992); THIS IS SPINAL TAP (US, Rob Reiner, 1984); C'EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux/Andre Bonzel/Benoit Poelvoorde, 1992) Summary: "This book offers the first major study of mock-documentary. The authors examine the relatively new form along with the association between factual codes and conventions, and the discourses which underpin the genre. The analysis includes detailed explorations of Woody Allen's Zelig, Peter Greenaway's The Falls, the Beatles' spoof The Rutles as well as Bob Roberts, This is Spinal Tap, and Man Bites Dog." Notes: Includes bibliographical references (p. [206]-216) and index. Filmography: p. [190]-205 ISBN: 0719056411 Contents: 1. Factual discourse and the cultural placing of documentary -- 2. Recent transformations of the documentary genre -- 3. A cousin for the drama-documentary: Situating the mock-documentary -- 4. Building a mock-documentary schema -- 5. A suggested genealogy -- 6. Degree one: parody -- 7. Degree two: critique and hoax -- 8. Degree three: deconstruction Conclusion More info
personality microfilm collection		FIELDS, W.C. Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: FIELDS, W.C. More info
journal article		The fighting chance in Films in Review (May 1979) p.277 PhysDes: Article Subject: FIGHTING CHANCE, THE (U.S Charles Maigne, 1920) Summary: Short synopsis; credits More info
book		Film and revolution / James Roy MacBean Bloomington: Indiana University Press, c1975. Call No: 745.1 MAC Author: MacBean, James Roy Place: Bloomington Publisher: Indiana University Press PubDate: c1975 PhysDes: viii, 339 p. : ill. ; 29 cm Subject: REVOLUTIONARY THEMES IN FILMS; MARXISM AND THE CINEMA; REVOLUTION AND THE CINEMA; GORIN, JEAN-PIERRE; GODARD, JEAN-LUC; METZ, CHRISTIAN; VERTOV, DZIGA; WEEK-END (FR/IT, Jean-Luc Godard, 1968); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969); PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); MADE IN U.S.A. (FR, Jean-Luc Godard, 1966); ICE (US, Robert Kramer, 1970); CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971); LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968) Notes: Includes bibliographical references and index ISBN: 0253321891; 0253201918(pbk.) LON: 737743 URL status: URL: 'http://-' Checked: 31/08/2021 12:58:42 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
journal article		Film on campus : news and notes from New York University Institute of Film and Television in Interview (1970) vol.1 iss.8 p.5 Author: Anson, Steve PhysDes: Article Subject: ALICE (US, Laura Johnson); C/U (US, Don Cirillo) Summary: Synopsis and reviews of student films from NY University Institute of Film and Television Notes: Reviews. - illus. More info
book		The filming of the West / Jon Tuska Garden City, N.Y.: Doubleday, 1976. Call No: 736 TUS Author: Tuska, Jon Edition: 1st ed Place: Garden City, N.Y. Publisher: Doubleday PubDate: 1976 PhysDes: xx, 588 p., [1] leaf of plates : ill. ; 27 cm Subject: WESTERNS; AUTRY, GENE; HAWKS, HOWARD; FORD, JOHN; Peckinpah, Sam; WAYNE, JOHN; JONES, BUCK; PLAINSMAN, THE (US, Cecil B. DeMille, 1936); STAGECOACH (US, John Ford, 1939); DUEL IN THE SUN (US, King Vidor, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); BATTLE OF ELDERBUSH GULCH, THE (US, David Wark Griffith, 1913); LAW AND ORDER (US, Edwin L. Cahn, 1932); BILLY THE KID (US, King Vidor, 1930); UNION PACIFIC (US, Cecil B. Demille, 1939) Notes: Includes index ISBN: 0385031157 : $14.95 LON: 387748 More info
book		The films of W. C. Fields / by Donald Deschner ; introduction by Arthur Knight New York: Citadel Press, 1966. Call No: 81FIE DES Author: Deschner, Donald Edition: [1st ed.] Place: New York Publisher: Citadel Press PubDate: 1966 PhysDes: 192 p. : ill., ports., 29 cm Subject: FIELDS, W.C. Notes: Includes index LON: 66024223; 713602 More info
book		First cut : conversations with film editors / Gabriella Oldham Berkeley: University of California Press, c1992. Call No: 802.41 OLD Author: Oldham, Gabriella Place: Berkeley Publisher: University of California Press PubDate: c1992 PhysDes: ix, 417 p. ; 24 cm Subject: EDITING; EDITORS; COATES, ANNE; LITTLETON, CAROL; ROLF, TOM; HIRSCH, PAUL; LEVIN, SID; MARKS, RICHARD; HEIM, ALAN; KAHN, SHELDON; PAINE, EMILY; HANEKE, TOM; KRESS, HAROLD F.; KRESS, CARL; BARTZ, GEOF; BARNES, PAUL; PANKOW, BILL; CAMBERN, DONN; LOTTMAN, EVAN; FRANK, PETER C.; DUNNING, JOHN; WINTERBURN, TED; WORTH, MERLE; MALKIN, BARRY; FEHR, RUDI Notes: Includes bibliographical references (p. 403-404) and index ISBN: 0520075889 (pb.); 0520075862 (alk. paper) LON: 8667391 More info
title clippings file		FORBIDDEN KINGDOM, THE : (US/C, Rob Minkoff, 2008) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: FORBIDDEN KINGDOM, THE (US/C, Rob Minkoff, 2008) More info
title clippings file		FRANK MCKLUSKY C.I. : (US, Arlene Sanford, 2002) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: FRANK MCKLUSKY C.I. (US, Arlene Sanford, 2002) More info
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