book
Chinese films in focus II / editged by Chris Berry Basingstoke [England] ; New York: British Film Institute/Palgrave Macmillan, 2008.
Call No: 71(51) CHIAuthor: Berry, Chris Edition: Second EditionSource: UKPlace: Basingstoke [England] ; New YorkPublisher: British Film Institute/Palgrave MacmillanPubDate: 2008PhysDes: 287 pages : illustrations ; 24 cmSubject: CHINA ; HONG KONG ; TAIWAN ; CULTURE AND THE CINEMA. CHINA ; 15 (SI, Royston Tan, 2003) ; BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002) ; DA WAN (HK/CC, Feng Xiaogang, 2002) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; MANG JING (CC/G/HK, Yang Li, 2003) ; BLIND SHAFT (CC/G/HK, Yang Li, 2003) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; CENTER STAGE (HK, Stanley Kwan, 1991) ; RUAN LINGYU (HK, Stanley Kwan, 1991) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS (HK, Wong Kar-Wai, 1994) ; CHONGQING SENLIN (HK, Wong Kar-Wai, 1994) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993) ; FLOWERS OF SHANGHAI (TZ, Hsiao-Hsien Hou, 1998) ; GODDESS, THE (C, Yonggang Wu, 1934) ; HERO (HK/C, Yimou Zhang, 2002) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000) ; YELLOW EARTH (CC, Chen Kaige, 1985) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HAI SHANG HUA (TZ, Hsiao-Hsien Hou, 1998) ; FLOWERS OF SHANGHAI (TZ, Hsiao-Hsien Hou, 1998) ; FU RONG ZHEN (CC, Xie Jin, 1986) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURBNotes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titlesISBN: 9781844572373Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li
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Damon up against it in Chinese epic in Sun Herald [Inside Out] (19/02/2017) p.11
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great wall, the (cc/us, yimou zhang, 2016)
Damon up against it in Chinese epic in Sunday Age [Inside Out] (19/02/2017) p.11
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great wall, the (cc/us, yimou zhang, 2016)
Fantasy epic breaks down international barriers in Sydney Morning Herald [Arts & Entertainment] (16/02/2017) p.19
Call No: TITLE CLIPPINGS FILE; GREAT WALL, THE (CC/US, Yimou Zhang, 2016)Author: Wilson, Jake PhysDes: ClippingsSubject: GREAT WALL, THE (CC/US, Yimou Zhang, 2016) Summary: Jake Wilson reviews THE GREAT WALLNotes: Also published The Age on 16/02/2017Rating: 3.5 out of 5 stars
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Global Chinese cinema : the culture and politics of Hero / edited by Gary D. Rawnsley and Ming-Yeh T. Rawnsley Oxon: Routledge, 2010.
Call No: 79HER GLOSource: UKPlace: OxonPublisher: RoutledgePubDate: 2010PhysDes: xxvi, 226 p. ; 25 cmSeries: Routledge Media, Culture and Social Change in AsiaSubject: ORIENTAL ACTION FILMS ; CHINA ; INDUSTRY, FILM. CHINA ; LEUNG, TONY ; YIMOU, ZHANG ; YING XIONG (HK/C, Yimou Zhang, 2002) ; HERO (HK/C, Yimou Zhang, 2002) ISBN: 97880415453158Donation: donated by Stephanie Hemelryk Donald, 2010Contents: Changing discourse of national identities and heroism. The political narrative(s) of Hero / GARY D. RAWNSLEY
Recycled heroes, invented tradition and transformed identity / YINGJIE GUO
The emperor and the assassin: China's national Hero and the myth of state origins / YIYAN WANG
The king, the musician and the village idiot: images of manhood / KAM LOUIE
Transformations of cultural perception, genre and stardom. Twenty-first century women warriors: variations on a traditional theme / LOUISE EDWARDS
On "Tian Xia (All under heaven)" in Zhang Yimou's Hero / XIZOMING CHEN and MING-YEH T. RAWNSLEY
Hero: rewriting the Chinese martial arts film genre / HAIZHOU WANG AND MING-YEH T. RAWNSLEY
"Would you rather spend more time making serious cinema?": Hero and Tony Leung's polysemic masculinity / MARK GALLAGHER
Fifteen minutes of fame: transient/transnational female stardom in Hero / OLIVIA KHOO
Local vs. global: deconstructing global Chinese blockbusters. Camp pleasure in an era of Chinese blockbusters: internet reception of Hero in mainland China / SABRINA QIONG YU
North American reception of Zhang Yimou's Hero / WENDY LARSON
Heroic music: from Hunan to Hollywood and back / KATY GOW
Visual effects magic: Hero's Sydney connection / MARY FARQUHAR
Towards a global blockbuster: the political economy of Hero's nationalism / ANTHONY FUNG AND JOSEPH M. CHAN.
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GREAT WALL, THE : (CC/US, Yimou Zhang, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: GREAT WALL, THE (CC/US, Yimou Zhang, 2016) URL status: URL: 'http://file://Q:/T/GREAT_WALL,_THE.zip'
Checked: 31/08/2021 1:49:19 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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King of the children and the new Chinese cinema : an introduction / Tony Rayns et al. London: Faber and Faber Limited, 1989.
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MAN CHENG JIN DAI HUANG JIN JIA : (HK/C, Yimou Zhang, 2006)
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Martial arts : virgin film / P.T.J. Rance London: Virgin Books, 2005.
Call No: 736.35 RANAuthor: Rance, P.T.J Source: UKPlace: LondonPublisher: Virgin BooksPubDate: 2005PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cmSubject: MARTIAL ARTS FILMS ; HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949) ; TU-PEI TAO (HK, Chang Cheh, 1967) ; LUNG-MEN K'O CHAN (TZ, King Hu, 1966) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977) ; A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983) ; WONG FEI-HUNG (HK, Tsui Hark, 1991) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; YING XIONG (HK/C, Yimou Zhang, 2002) ; HERO (HK/C, Yimou Zhang, 2002) ; SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004) ; HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004) ; KARATE KID, THE (US, John G. Avildsen, 1984) ; KICKBOXER (US, Mark DiSalle & David Worth, 1989) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) ; ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967) ; HWASAN GO (KO, Kim Tae-gyun, 2002) ; ONG-BAK (TH, Prachya Pinkaew, 2003) ; GREEN HORNET, THE (US, Norman Foster, 1966) ; WATER MARGIN, THE (TV) (JP/C, 1976-78) ; SAIYUKI (TV) (JA, 1978-80) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.Notes: Includes, bibliographic references, index and index of quotations
ERATA: ISBN on verso not correct. See back cover.ISBN: 0753510782ID2: 150
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great wall, the (cc/us, yimou zhang, 2016)
Old fashioned Chinese fantasy a refreshing new step for Hollywood in The Age [Arts & Entertainment] (16/02/2017) p.24
Call No: TITLE CLIPPINGS FILE; GREAT WALL, THE (CC/US, Yimou Zhang, 2016)Author: Wilson, Jake PhysDes: ClippingsSubject: GREAT WALL, THE (CC/US, Yimou Zhang, 2016) Summary: Jake Wilson reviews THE GREAT WALLNotes: Also published Sydney Morning Herald 16/-2/2017Rating: 3.5 out of 5 stars
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Older and a bit less fun in Weekend Australian (18/02/2017) p.14
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Perspectives on Chinese cinema / edited by Chris Berry London: BFI Pub., 1991.
Call No: 71(51) PERAuthor: Berry, Chris Place: LondonPublisher: BFI Pub.PubDate: 1991PhysDes: vii, 234 p. : ill. ; 23 cmSubject: CHINA ; PEOPLE'S REPUBLIC OF CHINA ; TAIWAN ; HONG KONG ; NATIONAL CULTURE IN FILMS ; MOVEMENTS AND STYLES IN FILM HISTORY ; SOCIAL GROUPS IN FILMS ; GENDER AND THE CINEMA ; ANIMATED FILMS ; ZHUANGZHUANG, TIAN ; JUNZHAO, ZHANG ; YIGONG, WU ; WAN, LAIMING ; WAN, GUCHAN ; WAN, DIHUAN ; WAN, CHAOCHEN ; CHUSHENG, CAI ; KAIGE, CHEN ; HSIAO-HSIEN, HOU ; MEI, HU ; BAN, LU ; DONGSHAN, SHI ; HUA, SHUI ; YU, SUN ; TIANMING, WU ; YIGONG, WU ; JIN, XIE ; YANG, EDWARD ; JUNZHAO, ZHANG ; YIMOU, ZHANG ; JUNLI, ZHENG ; LI SHUANG SHUANG (CC, Lu Ren, 1962)
SEE
LI SHUANGSHUANG ; XI YING MEN, (CC, Zhao Huanzhang, 1982) ; HUANG TUDI (CC, Chen Kaige, 1984) ; HONG GAOLIANG (CC, Zhang Yimou, 1987) Notes: First published 1985; Includes bibliographical references, short biographies of major directors, chronology and indexes of names and film titlesISBN: 0851702716; 0851702724 (pbk.)LON: 7777062 7777062
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Ravishing, but hardly great in Sunday Herald Sun [Scene] (19/02/2017) p.2
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A reel deal for cultural change in The Australian (5/04/2017) p.14
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YING XIONG : (HK/C, Yimou Zhang, 2002)
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