journal article
Aussies in Asia [co-productions] in Encore (December 2007) vol.26 iss.12 p.24-5
PhysDes: ArticleSubject: COPRODUCTION. CHINA ; BARNARD, ANTONIA ; PAINTED VEIL, THE (C/US, John Curran, 2006) Summary: A series of short articles that refer to the Australian co-production treaty. Tracey Prisk reports on co-productions with China and Singapore with comments from AFC's Catherine Waters. Producer Antonia Barnard, THE PAINTED VEIL and Flying Bark Productions also comment on their experience of being involved in co-productions in Asia.
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newspaper article
Building a bridge on the big screen in The Australian (27/04/2017) p.14
Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIAAuthor: Callick, Rowan PhysDes: Clippings File ArticleSubject: COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA Summary: Report on how Australia and China are planning to undertake numerous film coproductions together. Quotes from Lily Li, Mark Lazarus from Arclight Films, Screen Australia, Ausfilm, Tim White from Southern Light Films, Song Weinan from Sydney Films
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newspaper article
Canberra filmmakers' deal with China company 'coup' in Canberra Times (26/06/2015) p.8
Call No: TITLE CLIPPINGS FILE in production; AODALIYA GOLD [AUSTRALIA GOLD] in productionAuthor: - PhysDes: Clippings File ArticleSubject: COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA ; AODALIYA GOLD [AUSTRALIA GOLD] in production Summary: Film based upon Australia's sole Chinese bushranger is to go into production in Canberra. It is being funded by the Canberra companies JIA Films and SilverSun Pictures, and the Chinese comapny Yuezhong Pictures
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China's influence on Hollywood growing in Weekend Australian (16/07/2016) p.34
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Chinese connection has its limits in The Australian (25/11/2015) p.16
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book
Coproducing Asia : locating Japanese-Chinese regional film and media / Stephanie DeBoer Minneapolis; London: University of Minnesota Press, [2014].
Call No: 212.1 (5-012) DEBAuthor: DeBoer, Stephanie Source: US/UKPlace: Minneapolis; LondonPublisher: University of Minnesota PressPubDate: [2014]PhysDes: 244 pages : illustrations ; 23 cmSubject: COPRODUCTION. CHINA ; COPRODUCTION. JAPAN Summary: Based on rare archival research as well as interviews with producers, Coproducing Asia provides compelling frames for understanding the significance of film and media coproduction in East AsiaISBN: 9780816689507Contents: Introduction: coproduction and the new East Asia -- The bright Asian market place: regional specters of connection and desire -- Collaboration decentered: technology transfer and the Hong Kong copy -- Sino/Japanese techno-friendship: location, presence, and memory's displacement -- Tokyo on the move: omnibus Asia, media capital, and the limits of the link -- Working through China: scale, place, and new Asian coproduction -- Conclusion. Scaling the frame: genealogies of coproduction and the Asian frontier.
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newspaper article
A reel deal for cultural change in The Australian (5/04/2017) p.14
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Short cuts : Chinese visit in Sydney Morning Herald [Arts and Entertainment] (28/05/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA ; AUSFILM Summary: Brief article discussing a Chinese industry tour of Australian studios and film houses organised by Ausfilm, in the hope of encouraging co-production between the two countries
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newspaper article
Short cuts : Chinese film industry eyes Australia in The Age (28/05/2015) p.28
Call No: SUBJECT CLIPPINGS FILE; COPRODUCTION. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: AUSFILM ; COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA Summary: Snippet on a Chinese film delegation visiting Australia. The tour was organised by Ausfilm, who hope that this may spark further Australia/China co-productions
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newspaper article
Short cuts : screen funding in Sydney Morning Herald (24/12/2015) p.26
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Short cuts : Funnel webs signal movies afoot in The Age (21/4/216) p.20
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Short cuts : China's cinema expands Down Under in The Age (21/4/2016) p.20
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newspaper article
Short cuts : East meets West to bring dream to screen in Sydney Morning Herald (8/12/2016) p.20
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newspaper article
Short cuts : follow the great wall of China in The Age (08/12/2016) p.26
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book
Sinophone cinemas / edited by Audrey Yue and Olivia Khoo London ; New York: Palgrave Macmillan, 2014.
Call No: 408.1-054(=951) SINAuthor: Yue, Audrey (editor) ; Khoo, Olivia (editor) Source: AUPlace: London ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xvi, 231 pages : illustrations ; 23 cmSubject: CHINA IN FILMS ; COPRODUCTION ; COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA ; CULTURE AND THE CINEMA. CHINA ; CULTURE AND THE CINEMA ; LANGUAGE AND THE CINEMA ; MASCULINITY IN FILMS ; NATIONAL IDENTITY AND THE CINEMA ; SHORT FILMS ; SINGAPORE ; TAIWAN ; TRANSNATIONAL CHINESE CINEMA ; TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; SHIH, SHU-MEI ; CHILDREN OF THE SILK ROAD, THE (AT/CC/GE, Roger Spottiswoode, 2007) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; FLIGHT OF THE RED BALLOON [VOYAGE DU BALLON ROUGE, LE] (FR, Hsiao-hsien Hou, 2008) Summary: "Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China. Showcasing a variety of new and fascinating case studies from Britain, Hong Kong, Taiwan, Singapore and Australia, and canvassing a range of formats including commercial co-productions, short films, documentaries and independent films, the book highlights the contemporary screen cultures of Chinese-language communities situated on the margins of China and Chineseness. It engages new sites of localisation, multilingualism and differences that have emerged in Chinese film studies, ones that are not easily contained by the notion of diaspora. The chapters cover a number of historical periods, geographical locations, and critical and methodological perspectives, such as the political economy of Sinophone film production, distribution, consumption and regulation; cinematic practices of Chinese and non-Chinese language resistance, complicity and transformation; and Sinophone communities as sites of cultural production and visual economies." - BOOK BLURBNotes: Contains list of figures and notes on Chinese names and film titles -- Includes filmography, bibliographic references and indexISBN: 9781137311191Contents: Part 1: Theorising Sinophone cinemas -- Framing Sinophone cinemas / Audrey Yue and Olivia Khoo -- Genealogies of four critical paradigms in Chinese-language film studies / Sheldon H. Lu -- Alter-centring Sinophone cinema / Yiman Wang -- Festivals, censorship and the canon: the making of Sinophone cinemas / Yifen T. Beus -- The voice of the Sinophone / Song Hwee Lim -- Singapore, Sinaphone, nationalism: sounds of language in the films of Tan Pin Pin / Olivia Khoo; Part 2: Contemporary Sinophone cinemas -- Mandarin pop-culture meets Tokyo jazz: gender and popular youth culture in late-1960s Hong Kong musicals / Jennifer Feeley -- Sinophone libidinal economy in the age of neoliberalization and mainlandization: masculinities in Hong Kong SAR and New Wave cinema / Mirana M. Szeto -- Singlish and the Sinophone: non-standard (Chinese/English) languages in recent Singaporean cinema / Alison M. Groppe -- British Chinese short films: challenging the limits of the Sinophone / Felicia Chan and Andy Willis -- Contemporary Sinophone cinema: Australia-China coproductions / Audrey Yue
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newspaper article
Wildbear hails opportunity for closer bonds with China in Canberra Times (02/03/2016) p.5
Call No: SUBJECT CLIPPINGS FILE; WILDBEARAuthor: Lawson, Kirsten PhysDes: Clippings File ArticleSubject: WILDBEAR ; COPRODUCTION. AUSTRALIA ; COPRODUCTION. CHINA Summary: Interview with Michael Tear, the CEO of Canberra based production company Wildbear. He discusses the importance of strong business links between Australia and China and talks of Wildbear's success in getting co-productions up with China
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