Dennis Hopper and The Last Movie
Lumiere (October, 1972) iss.17 p.9-13 PhysDes: Article Subject: LAST MOVIE, THE (US, Dennis Hopper, 1971); HOPPER, DENNIS Summary: Interview with Dennis Hopper on his latest release THE LAST MOVIE. Cinema International Corporation hold the rights for Australian distribution but at the time of printing had no plans of releasing it. More info
Explorations in national cinemas : editors, Ben Lawton, Janet Staiger ... et al. , contributors, Marc Glasser ... et al
Pleasantville, N.Y.: Redgrave, 1977.
Call No: 62(04) EXP Author: Staiger, Janet; Lawton, Ben; Glasser, Marc Source: US Place: Pleasantville, N.Y. Publisher: Redgrave PubDate: 1977 PhysDes: 160 p Series: Film studies annual ; 1977 ; 1 Subject: AESTHETICS; DIALOGUE; VERTOV, DZIGA; BARRY LYNDON (UK, Stanley Kubrick, 1975); CLOWNS, I (IT/FR/GW, Federico Fellini, 1970); EDVARD MUNCH (SW/NO, Peter Watkins, 1974); FORT APACHE (US, John Ford, 1948); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); LAST MOVIE, THE (US, Dennis Hopper, 1971); MEDIUM COOL (US, Haskell Wexler, 1969); SALAMANDRE, LA (SZ, Alain Tanner, 1971); SCEICCO BIANCO, LO (IT, Federico Fellini, 1951) Notes: Papers from the 1977 Purdue University Conference on Film Order Received: 2000 Order Type: Donation LON: 4015698 More info
Hopper : a savage American journey / Tom Folsom
New York: It Books, 2013.
Call No: 10667 Author: Folsom, Tom Edition: 2013 Place: New York Publisher: It Books PubDate: 2013 PhysDes: 306 pages : illustrated ; 23 cm Subject: HOPPER, DENNIS; BRANDO, MARLON; DEAN, JAMES; FONDA, PETER; NICHOLSON, JACK; STOCKWELL, DEAN; WOOD, NATALIE; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BLUE VELVET (US, David Lynch, 1986); EASY RIDER (US, Dennis Hopper, 1969); LAST MOVIE, THE (US, Dennis Hopper, 1971); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) Notes: Easy Rider. Apocalypse Now. Blue Velvet. Rebel Without a Cause.
An unflinching adventure through American pop culture, Hopper is a wild ride amid the many lives of Hollywood outlaw Dennis Hopper-mentored by James Dean, a collaborator with Andy Warhol, a confidant of Elvis Presley, a favorite of Charles Manson. Hopper races full speed ahead to the decadent heights of fame as the visionary director of Easy Rider crashes and burns in drug-addled madness in the desert . . . only to reemerge in one of the greatest Hollywood comebacks of all time. -- publisher's web site ISBN: 9780062206954 Donation: Megan McMurchy More info
Interview with Kit Carson : director of The American Dreamer
Interview vol.2 iss.3 p.22-23 Author: Colaciello, Robert PhysDes: Article Subject: CARSON, L.M. KIT; HOPPER, DENNIS; AMERICAN DREAMER, THE (US, Lawrence Schiller & L.M. Kit Carson, 1971); LAST MOVIE, THE (US, Dennis Hopper, 1971) Summary: Robert Colaciello interviews Kit Carson on how he got involved with Dennis Hopper, what happened during filming "The American Dreamer", and the distribution of that film through EYR (college distributor) Notes: Illustration More info
title clippings file
LAST MOVIE, THE : (US, Dennis Hopper, 1971)
The limits of auteurism : case studies in the critically constructed New Hollywood / Nicholas Godfrey
New Brunswick: Rutgers University Press, 2018.
Call No: 11339 Author: Godfrey, Nicholas Edition: 2018 Place: New Brunswick Publisher: Rutgers University Press PubDate: 2018 PhysDes: xii, 270 pages : illustrated ; 24 cm Subject: AUTEUR THEORY; EASY RIDER (US, Dennis Hopper, 1969); FIVE EASY PIECES (US, Bob Rafelson, 1970); TWO-LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); LITTLE FAUSS AND BIG HALSY (US, Sydney J. Furie, 1970); ADAM AT SIX AM (US, Robert Scheerer, 1970); DIRTY HARRY (US, Don Siegel, 1971); FRENCH CONNECTION, THE (US, William Friedkin, 1971); LAST MOVIE, THE (US, Dennis Hopper, 1971); HIRED HAND, THE (US, Peter Fonda, 1971) Summary: The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema.
The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production. -- publisher's web site ISBN: 9780813589145 More info