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Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud London; New York: Routledge, British Film Institute, 2000.
Call No: 67(44) CAHSource: UK/USPlace: London; New YorkPublisher: Routledge, British Film InstitutePubDate: 2000PhysDes: xi, 323 p. ; 24 cmSeries: Cahiers du Cinema selectionsSubject: CULTURE AND THE CINEMA ; POLITICS AND THE CINEMA ; IDEOLOGY AND THE CINEMA ; HISTORY AND THE CINEMA ; THEORY ; CRITICISM ; CAHIERS DU CINEMA ; ALAOUIE, BORHAN ; ALLIO, RENE ; DOUGLAS, JOHN ; FERRO, MARC ; GODARD, JEAN-LUC ; HUILLET, DANIELE ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LITTIN, MIGUEL ; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975) ; DERSU UZALA (UR/JA, Akira Kurosawa, 1975) ; INDIA SONG (FR, Marguerite Duras, 1975) ; KING KONG (US, John Guillermin, 1976) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; KAFR KASSEM (LE/SY, Borhan Alaouié, 1973) ; MILESTONES (US, Robert Kramer & John Douglas, 1975) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; STAR WARS (US, George Lucas, 1977) ; SIX FOIS DEUX (FR, Jean-Luc Godard, 1976) ; TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973) ; XALA (SG, Ousmane Sembene, 1974) Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]ISBN: 0415029880Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s
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The films of Jean-Luc Godard : seeing the invisible / David Sterritt Cambridge: Cambridge University Press, 1999.
Call No: 81GOD STEAuthor: Sterritt, David Source: UK/USPlace: CambridgePublisher: Cambridge University PressPubDate: 1999PhysDes: xiv, 297 p. : ill. ; 23 cmSeries: Cambridge film classicsSubject: CRITICISM ; AESTHETICS ; NOUVELLE VAGUE ; POSTMODERNISM AND THE CINEMA ; MODERNISM AND THE CINEMA ; GODARD, JEAN-LUC ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; MY LIFE TO LIVE (FR, Jean-Luc Godard, 1962)
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VIVRE SAVIE ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985)
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JE VOUS SALUE MARIE ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) Summary: "The films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's revolutionary New Wave movement in the early 1960s, through a period of drastic political experimentation in the late 1960s and 1970s, to a current introspective period in which he explores issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, Godard's work defies easy categorization. In this study, David Sterritt offers an introductory overview of Godard's work as a filmmaker, critic, and video artist. He then traces Godard's visionary ideas through six of his key films: Breathless, My Life to Live, Weekend, Numero deux, Hail Mary, and Nouvelle Vague. Also included is a concise analysis of his work in video, television, and mixed-media formats. Linking works by Godard to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the last half century. " -- BOOK BLURBNotes: Filmography: p. 281-290
Includes bibliographical references (p. 279-280) and indexISBN: 0521589711Contents: -- list of illustrations -- acknowledgments -- 1. Introduction -- 2. Breathless -- 3. My Life to Live -- 4. Weekend -- 5. Numero deux -- 6. Hail Mary -- 7. Nouvelle Vague -- 8. Video and Television -- notes -- select bibliography -- filmography -- index --
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Godard : images, sounds, politics / Colin MacCabe ; text, Colin MacCabe with Mick Eaton and Laura Mulvey ; interviews, Jean-Luc Godard. London: Macmillan, 1980.
Call No: 81GODAuthor: MacCabe, Collin Source: UKPlace: LondonPublisher: MacmillanPubDate: 1980PhysDes: 175 p. : ill. ; 23 cmSeries: British Film Institute cinema seriesSubject: AVANT-GARDE FILMS ; THEORY ; POLITICS AND THE CINEMA ; GODARD, JEAN-LUC ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PRAVDA (FR, Jean-Luc Godard, 1970) Notes: "Check list of Godard's work in film and television": p. 169-173.
Bibliography: p. 174-175.ISBN: 0333290747Language: English
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Jean-Luc Godard / by Douglas Morrey Manchester and New York: Manchester University Press, 2005.
Call No: 81GOD MORAuthor: Morrey, Douglas Source: UK/USPlace: Manchester and New YorkPublisher: Manchester University PressPubDate: 2005PhysDes: 271 p : ill. ; 22 cmSeries: French film directorsSubject: CRITICISM ; FRANCE ; THEORY ; GODARD, JEAN-LUC ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; PRAVDA (FR, Jean-Luc Godard, 1970) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983) ; HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997) ; ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001) Summary: "This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the early successes of the French New Wave, through the political works of the late 1960s and 1970s and the difficult films of the 1980s, to the recent triumphs of Histoire(s) du cinema and Eloge de l'amour. Drawing on a wide range of literary, filmic and philosophical texts, the book places Godard's work within its intellectual context in France, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films. At the same time, numerous sequences from Godard's films are singled out for close analysis in order to demonstrate how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right - a machine for thinking. The book will be useful to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought. " -- BOOK BLURBNotes: Formerly CIP; Filmography: p. [244]-262; Includes bibliographical references (p. [263]-264) and indexISBN: 0719067596Contents: -- list of plates -- series editors' foreword -- acknowledgments -- 1. necessity or contingency: Godard as film critic, 1950-59 -- 2. scenes from domestic life: 1960-65 -- 3. outside: 1960-62 -- 4. end of the beginning/beginning of the end: 1966-67 -- 5. schooling: 1968-72 -- 6. home movies: 1974-78 -- 7. love and work: 1979-84 -- 8. smiling with regret: 1984-90 -- 9. the sense of an ending: 1991-96 -- 10. old man river: 1998- -- conclusion -- filmography -- select bibliography -- index --
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title clippings file
NUMERO DEUX : (FR, Jean-Luc Godard, 1975)
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Speaking about Godard / Kaja Silverman and Harun Farocki ; with a foreword by Constance Penley New York: New York University Press, 1998.
Call No: 81GOD SILAuthor: Silverman, Kaja ; Farocki, Harun Place: New YorkPublisher: New York University PressPubDate: 1998PhysDes: xiii, 243 p. : ill. ; 24 cmSubject: GODARD, JEAN-LUC ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) Notes: Includes bibliographical references (p. 229-243)ISBN: 0814780652 (hardcover : alk. paper); 0814780660 (pbk. : alk. paper)LON: 98012701; 13699849
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