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Beyond formula : American film genres / Stanley J. Solomon New York: Harcourt Brace Jovanovich, 1976.
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Great Hollywood movies / Ted Sennett New York: Abradale Press/H.N. Abrams, 1986.
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Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01(73) JEFAuthor: Jeffords, Susan, 1953 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: 212 p. : ill. ; 23 cmSubject: Reagan, Ronald ; POLITICS AND THE CINEMA. USA ; MEN IN FILMS. USA ; COLD WAR AND THE CINEMA. USA ; COLD WAR FILMS. USA ; HERO IN FILMS ; FAMILY IN FILMS. USA ; NATIONAL IDENTITY IN FILMS. USA ; TECHNOLOGY AND THE CINEMA. USA ; BODY IN FILMS. USA ; UNFORGIVEN (US, Clint Eastwood, 1992) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; BATMAN (US, Tim Burton, 1989) ; BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991) ; CASUALITIES OF WAR (US, Brian De Palma, 1989) ; DIE HARD (US, John McTiernan, 1988) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; KINDERGARTEN COP (US, Ivan Reitman, 1990) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; MISSISSIPPI BURNING (US, Alan Parker, 1988) ; RAMBO [...] (US, 1982-1988) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and indexISBN: 0813520029; 0813520037 (pbk.)LON: 9874831
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The hell of war comes home : imaginative texts from the conflicts in Afghanistan and Iraq / Owen W. Gilman Jr. Jackson: University Press of Mississippi, 2018.
Call No: 737(73) GILAuthor: Gilman, Owen W. Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: 2018PhysDes: x, 252 pages ; 24 cmSubject: WAR AND THE CINEMA ; WAR AND THE CINEMA. USA ; WAR FILMS. USA ; WAR IN FILMS. AFGHANISTAN ; WAR IN FILMS. IRAQ ; AMERICAN SNIPER (US, Clint Eastwood, 2014) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; AVATAR (US, James Cameron, 2009) ; BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016) ; BODY OF LIES (US, Ridley Scott, 2008) ; BOURNE ULTIMATUM, THE (US, PAUL GREENGRASS, 2007) ; DA VINCI CODE THE (US, Ron Howard, 2006) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DOCTOR STRANGE (US, Scott Derrickson, 2016) ; FAHRENHEIT 9/11 (US, Michael Moore, 2004) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GRACE IS GONE (US, James C. Strouse, 2007) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010) ; HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009) ; HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; JARHEAD (US, Sam Mendes, 2005) ; INFERNO (US/JA/TU/HU, Ron Howard, 2016) ; MULAN (US, Barry Cook & Tony Bancroft, 1998) ; REDACTED (US, Brian De Palma, 2007) ; UP (US, Pete Docter and Bob Peterson, 2009) ; WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016) ; ZERO DARK THIRTY (US, Kathryn Bigelow, 2012) Notes: Includes bibliographical references and index.ISBN: 9781496815767Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.
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Hollywood goes to war : films and American society, 1939-1952 / Colin Shindler London Boston: Routledge & K. Paul, 1979.
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The Hollywood war film : critical observations from World War I to Iraq / Daniel Binns Bristol, UK ; Chicago, USA: Intellect Books, 2017.
Call No: 737(73) BINAuthor: Binns, Daniel Edition: 2017Place: Bristol, UK ; Chicago, USAPublisher: Intellect BooksPubDate: 2017PhysDes: 172 pages : illustrated ; 23 cmSubject: WAR FILMS. USA ; VIETNAM WAR FILMS. USA ; WORLD WAR II FILMS. USA ; VIDEO GAMES ; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; COPPOLA, FRANCIS FORD ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; M*A*S*H (US, Robert Altman, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; STEEL HELMET, THE (US, Samuel Fuller, 1951) Notes: Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon.
Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity’s most difficult, but far too common, realities. -- publisher's web siteISBN: 9781783207541Contents: Acknowledgements and dedication -- Introduction: war and cinema -- For glory: World Wars I and II -- Fear and frustration: Korea and Vietnam -- Live from the front line: conflict in the Middle East -- Extended discourse: cross-platform war -- Conclusion: cycles of violence, repeat performances -- Bibliography -- Index.
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The movies : the sixty-year story of the world of Hollywood from pre-nickelodeon days to the present / by Richard Griffith and Arthur Mayer London: Spring Books, c1957.
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The perils of patriotism : the Hollywood war film as generic and cultural discourse / by Steven James Fore [Ann Arbor, Mich]: [University Microfilms International], 1986.
Call No: 737 FORAuthor: Fore, Steven James Source: USPlace: [Ann Arbor, Mich]Publisher: [University Microfilms International]PubDate: 1986PhysDes: viii, 364 p.Subject: WAR AND THE CINEMA ; WAR AND THE CINEMA. USA ; WAR FILMS ; WAR FILMS. USA Notes: This is a Dissertation presented to the Faculty of the Graduate School of the University of Texas at Austin in partial fulfilment of the requirements for the degree of Doctor of Philosophy.Contents: -- chapter 1: film genre and the war film -- chapter two: Battleground (1949) -- chapter three: The Steel Helmet (1951) -- chapter four: One minute to zero (1952) -- chapter five: Men in War (1957) and Hell is for heroes (1962) -- chapter six: The Dirty Dozen (1967) and Ulzana's Raid (1972) -- chapter 7: Southern Comfort (1981) -- chapter 8: Uncommon Valor (1983) -- chapter nine: conclusion -- appendix: cast and credits of key films -- selected bibliography --
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subject clippings file
WAR FILMS. USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: WAR FILMS. USA
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journal article
What Price Glory? in Montage (June 1965) p.6-7
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