Search Catalogues

Call No: 79THI LEW
Author: Lewis, Claire; Davis, Kelly
CorpAuthor: Granada Television International
Place: London
Publisher: Network Books
PubDate: 1991
PhysDes: 160 p. : ill., ports. ; 25 cm
Subject: [THIRTY-FIVE] 35 UP (UK, Michael Apted, 1991)
ISBN: 0563362022 (pbk) : ª4.99
LON: 7924457

Author: Thompsosn, Rick
PhysDes: Article
Subject: [FIFTY-TWO] 52 PICK-UP (US, John Frankenheimer, 1986)
Summary: Review; Credits

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: TITLE CLIPPINGS FILE; KEEPING UP WITH JONESES (US, Greg Mottola, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: KEEPING UP WITH JONESES (US, Greg Mottola, 2016)
Summary: Review of the film KEEPING UP WITH THE JONESES
Rating: 2 out of 5 stars

Call No: 733.3 AFT
Edition: 2021
Place: Detroit, Michigan
Publisher: Wayne State University Press
PubDate: 2021
PhysDes: xviii, 362 pages : illustrated ; 23 cm
Series: Contemporary approaches to film and media series
Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978)
ISBN: 9780814346747

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: AIR UP THERE, THE (US, Paul Michael Glaser, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL DRESSED UP WITH NO PLACE TO GO (US, Peter Schwartz, 1996)

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; MAKE-UP ARTISTS; MAD MAX II (AT, George Miller, 1981); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982)
Summary: Article on the importance of makeup and special effects in cinema and what Australia must do to improve.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARMISTEAD MAUPIN IS A MAN I DREAMT UP (UK, Kate Meynell, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARTISTS UP FRONT (AT, Raymond Des Kootji, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEE YOU UP THERE [AU REVOIR LA-HAUT] (FR/CN, Albert Dupontel, 2017)

Call No: TITLE CLIPPINGS FILE; MAN UP (UK/FR, Ben Palmer, 2015)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: MAN UP (UK/FR, Ben Palmer, 2015)
Summary: Poor film review of MAN UP
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BACK-UP PLAN, THE (US, Alan Poul, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEYOND THE LINE-UP (AT, Paul Francis, 2007)

Call No: TITLE CLIPPINGS FILE; COOPED UP (AT, Kane Guglielmi, 2016)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: COOPED UP (AT, Kane Guglielmi, 2016)
Summary: Interview with Kane Guglielmi about the film he has directed and financed COOPED UP and on why he mortgaged his family home to make the film

PhysDes: Article
Subject: BOTTOMS UP! (UK, Mario Zampi, 1960)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAK-UP THE (US, Peyton Reed, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAKING UP (AT, Kathy Mueller, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: BRINGING UP BABY (US, Howard Hawks, 1938)

Call No: 79 BRI HAW
Author: Hawks, Howard; Mast, Gerald
Source: US
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1988
PhysDes: 320 pages : illustrations ; 21 cm
Series: Rutgers films in print ; v. 10.
Subject: BRINGING UP BABY (US, Howard Hawks, 1938)
Summary: "Bringing Up Baby (1938) is the essence of thirties screwball comedy. It is also quintessential Howard Hawks, treating many of the director's favorite themes, particularly the loving war between the sexes. Bringing Up Baby features Katharine Hepburn as a flaky heiress and Cary Grant as an absentminded paleontologist, roles in which they come into their own as stars and deliver particularly fine comic performances. Pauline Kael has called the film the "American movies' closest equivalent to Restoration comedy." The comparison is based on the quick repartee and witty dialogue, a hallmark of Hawks's work and well conveyed here by Gerald Mast's transcription from the screen." - taken from back cover
Notes: Series numbering mistakenly omitted in publishing -- Hawks Filmography 1926-1970: pages 315-318 -- Bibliography: pages [319]-320
ISBN: 0813513413
Contents: [Introduction] "Everything's Gonna Be All Right" : The Making of Bringing Up Baby -- Howard Hawks: A Biographical Sketch -- [Bringing Up Baby] Credits and Cast -- The Continuity Script -- Script Variations -- "Bringing Up Baby," by Hagar Wilde -- [Interview, Reviews, and Commentaries] Interview with Joseph McBride -- [Reviews] New York Times, Frank S. Nugent -- Variety, "Wear" -- The New Republic, Otis Ferguson -- [Commentaries] The Auteur Theory, Peter Wollen -- Leopards in Connecticut, Stanley Cavell -- Bringing Up Baby, Gerald Mast -- [Filmography and Bibliography] Hawks Filmography, 1926-1970 -- Selected Bibliography

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BUSTED UP (CN, Conrad E. Palmisano, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CATCH-UP, THE [TV] (AT, David Summons, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAUGHT UP (US, Darin Scott, 1998)

Call No: 71(94) (=1-81) DEB
Author: Debenham, Jennifer
Edition: 2020
Place: Oxford
Publisher: Peter Lang
PubDate: 2020
PhysDes: xv, 230 pages : illustrated
Series: Documentary Film Cultures; 2
Subject: ABORIGINAL AUSTRALIANS AND THE CINEMA; DOCUMENTARIES; ANTHROPOLOGY AND THE CINEMA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; DESERT PEOPLE (AT, Ian Dunlop, 1967); NINGLA A-NA (AT, Alessandro Cavadini, 1972); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); LINK-UP DIARY (AT, David MacDougall, 1987); WHISPERING IN OUR HEARTS THE MOWLA BLUFF MASSACRE (AT, Mitch Torres, 2001); WE DON'T NEED A MAP (AT, Warwick Thornton, 2017)
Notes: How did Australia’s Aboriginal and Torres Strait Islander population go from being the objectified subjects of documentary films to the directors and producers in the digital age? What prompted these changes and how and when did this decolonisation of documentary film production occur? Taking a long historical perspective, this book is based on a study of a selection of Australian documentary films produced by and about Aboriginal peoples since the early twentieth century. The films signpost significant shifts in Anglo-Australian attitudes about Aboriginal and Torres Strait Islanders and trace the growth of the Indigenous filmmaking industry in Australia. Used as a form of resistance to the imposition of colonialism, filmmaking gave Aboriginal people greater control over their depiction on documentary film and the medium has become an avenue to contest widely held assumptions about a peaceful colonial settlement. This study considers how developments in camera and film stock technologies along with filmic techniques influenced the depiction of Aboriginal and Torres Strait Islanders. The films are also examined within their historical context, employing them to gauge how social attitudes, access to funding and political pressures influenced their production values. The book aims to expose the course of race relations in Australia through the decolonisation of documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation. -- publisher's web site
ISBN: 9781789974782
Contents: Acknowledgements -- Cultural Warning and Acknowledgement -- Abbreviations -- Introduction -- Aboriginalities -- Media Ecology -- The Longue Durée -- Decolonising the Documentary Film in Australia -- Stages of the Journey -- Part I Exotic Subjects, 1901–1966 -- Chapter 1 The Last of Their Kind: Aboriginal Life in Central Australia (1901) -- Chapter 2 Physical Traits: Life in Central Australia (1931) -- Chapter 3 Benign and Iconic: Aborigines of the Sea Coast (1950) -- Chapter 4 The “Last” of Their Kind, Again: Desert People (1967) -- Part II Voices for Change, 1957–1972 -- Chapter 5 Not Dying Out Quietly: Warburton Aborigines (1957) -- Chapter 6 A Discomforting Assimilation: The Change At Groote (1968) -- Chapter 7 Challenging White Indifference: Ningla-A-Na (Hungry for Our Land) (1972) -- Part III Counting the Cost, 1978–1987 -- Chapter 8 Telling My Story My Way: My Survival As An Aboriginal (1978) -- Chapter 9 On Being Stolen: Lousy Little Sixpence (1983) -- Chapter 10 Picking Up the Broken Pieces: Link-Up Diary (1987) -- Part IV Digital Directors: Decolonising Documentary Film, 2002–2017 -- Chapter 11 Setting the Records Straight: Whispering in Our Hearts: The Mowla Bluff Massacre (2002) -- Chapter 12 The Sounds of Spaces Between: Willaberta Jack (2007) -- Chapter 13 Breaking the Drought at the Sydney Film Festival: We Don’t Need a Map (2017), Occupation Native (2017), In My Own Words (2017)and Connecting to Country (2017) -- Bibliography -- Index

Call No: TITLE CLIPPINGS FILE; STEP UP TO THE PLATE [ENTRE LES BRAS] (FR, Paul Lacoste, 2012)
Author: Mirosch, Natascha
PhysDes: Clippings File Article
Subject: STEP UP TO THE PLATE [ENTRE LES BRAS] (FR, Paul Lacoste, 2012)
Summary: The cult food film, STEP UP TO THE PLATE is being shown at Cinema Nova, Melbourne as part of Good Food Month 2015.

Call No: 753.131-053.2 CHI
Author: Street, Douglas
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1983
PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; CHILDREN AND THE CINEMA; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951); ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972); CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973); HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977); HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977); ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964); KIDNAPPED (UK, Delbert Mann, 1971); KIM (US, Victor Saville, 1950); LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979); LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981); LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936); LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Mervyn LeRoy, 1948); PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940); PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969); PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969); RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970); SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949); SOUNDER (US, Martin Ritt, 1972); TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960); TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951); TREASURE ISLAND (US, Victor Fleming, 1934); TREASURE ISLAND (US, Byron Haskin, 1950); TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972); WATERSHIP DOWN (UK, Martin Rosen, 1978); WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURB
Notes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290
ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95
LON: 83014816; 2808775

Call No: TITLE CLIPPINGS FILE; VAXXED: FROM COVER-UP TO CATASTROPHE (US, Andrew Wakefield, 2016)
Author: Spooner, Rania -- Calligeros, Marissa
PhysDes: Clippings File Article
Subject: VAXXED: FROM COVER-UP TO CATASTROPHE (US, Andrew Wakefield, 2016)
Summary: Report of chiropractors in Melbourne upset that the anti-vaccination film VAXXED was screened at a Middle Park chiropractors clinic and tickets for the screening were sold via the Australian Vaccination Skeptics Network

Call No: 63 STE
Author: Stephenson, Ralph; Debrix, J. R.
CorpAuthor: Penguin
Edition: Revised edition, reprint
Place: Harmondsworth
Publisher: Penguin
PubDate: 1969
PhysDes: 270 p., [32] p. of plates ; 18 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; EDITING; CINEMATOGRAPHY; SOUND; COSTUMES; MAKE-UP; COLORIZATION; LIGHTING
Summary: “The cinema as art”, to those brought up on the “movie show and bubblegum” image, must look like a pretentious contradiction in terms. As this book demonstrates, however, the cinema stands for an art form which is almost unique in immediacy and scope. The authors explain, with over 300 examples taken from films of every country and period, the stages by which a director isolates what is mentally and emotionally significant in a situation. The reader is shown, from the inside, how the director may achieve this end by exploiting any or all of the cinematic techniques from script-planning to final editing, from camera movement to costume from sound to soft-focus. [Taken from back cover.]
Notes: Illustrated. Includes index.
Donation: Donated by La Trobe University Library

Call No: 735.7 GAR
Author: Garcia, Maria
Edition: 2015
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: 2015
PhysDes: 274 pages ; illustrations ; 24 cm
Subject: PICTURE OF DORIAN GRAY, THE (US, Albert Lewin, 1945); SEARCHERS, THE (US, John Ford, 1956); DEER HUNTER, THE (US, Michael Cimino, 1978); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); BRINGING UP BABY (US, Howard Hawks, 1938); LADY EVE, THE (US, Preston Sturges, 1941); SECRET OF ROAN INISH, THE (US, John Sayles, 1994); NATURAL, THE (US, Barry Levinson, 1984); MONEYBALL (US, Bennet Miller, 2011); FAT GIRL (FR/IT/SP, Catherine Breillat, 2000) SEE A MA SOEUR; BREILLAT, CATHERINE; BRESSON, ROBERT
Summary: Whether embodied in literature, theater, or film, an enduring theme of many artistic works has been the protagonist’s search for identity. Such quests are typically psychological or spiritual journeys and depicted on the screen in a variety of manifestations—endeavors embarked upon to address an emotional trauma or to overcome an obstacle in the hero’s life. Using Jean Cocteau’s La Belle et La Bête as a leitmotif, these pursuits are discussed by author Maria Garcia as encounters with the “Beast.” At the end of their quests, heroes are reborn into their new identities, while the Beast disappears, transforms, or dies. In Cinematic Quests for Identity: The Hero’s Encounter with the Beast, Garcia examines the cinematic conventions of the male and female search for individuation across several genres. After discussing La Belle et La Bête, the author looks at a number of films including three iconic male journeys—The Picture of Dorian Gray, The Searchers, and The Deer Hunter. Additional chapters focus on The Silence of the Lambs, Bringing Up Baby, The Lady Eve, The Secret of Roan Inish, The Natural, and Moneyball. The book concludes with a consideration of the three fairy tale films by Catherine Breillat—Fat Girl, Bluebeard, and The Sleeping Beauty—and the female characters in several Robert Bresson films, including The Trial of Joan of Arc. Providing a unique and original perspective on films throughout the world, this provocative book draws upon Jungian thought, as well as several literary traditions including fairy tales, epic poetry, and Greek and Celtic mythology. Aimed at scholars of film and film theory, Cinematic Quests for Identity will also appeal to movie fans interested in a deeper understanding of films that explore a character’s struggle to live a conscious life. -- publisher's web site
ISBN: 9781442246973

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CLEAN-UP SQUAD, THE (CN, Claude Fournier, 1980?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLOSE UP (UK, Peter Gidal, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COLORS STRAIGHT UP (US, Michele Ohayon, 1997)

Author: McNaughton, Bruce
PhysDes: Article
Subject: CITY'S CHILD, A (AT, Brian Kavanagh, 1971); CINEMATOGRAPHY. AUSTRALIA; MAKE-UP; SET DESIGNING; TECHNICAL DEVELOPMENTS. AUSTRALIA
Summary: Director of photography discusses the cinematography and creation of mise-en-scene in the 1971 film A City's Child (Brian Kavanagh)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMING UP ROSES (UK, Stephen Bayly, 1987)

Call No: TITLE CLIPPINGS FILE; UP FOR LOVE [HOMME A LA HAUTEUR, UN] (FR, Laurent Tirard, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: UP FOR LOVE [HOMME A LA HAUTEUR, UN] (FR, Laurent Tirard, 2016)
Summary: Review of the film UP FOR LOVE (French title: UN HOMME A LA HAUTEUR)
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COOPED UP (AT, Kane Guglielmi, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRACKING UP (US, Matt Mitler, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DENISE CALLS UP (US, Hal Salwen, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WAKE UP LOVE [DESPABILATE AMOR] (AG, Eliseo Subiela, 1996)

PhysDes: Article
Subject: HUNGER, THE (US, Tony Scott, 1983); Metro-Goldwyn-Mayer; BOWIE, DAVID; DENEUVE, CATHERINE; MAKE-UP; MAKE-UP ARTISTS
Summary: Article on make-up artist Dick smith being signed-on to do make-up for 'The Hunger'.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIXIE CHICKS: SHUT UP AND SING (US, Barbara Kopple & Cecilia Peck, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: ENGLISHMAN WHO WENT UP A HILL, BUT CAME DOWN A MOUNTAIN, THE (UK, Christopher Monger, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STEP UP TO THE PLATE [ENTRE LES BRAS] (FR, Paul Lacoste, 2012)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE; MAN UP (UK/FR, Ben Palmer, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: MAN UP (UK/FR, Ben Palmer, 2015)
Summary: Lake Bell stars in romantic comedy MAN UP.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIA [VARIOUS]; FESTIVALS. AUSTRALIA. SIDE ON AUSTRALIA NETFEST; FESTIVALS. AUSTRALIA. SHORTS OUTBACK; FESTIVALS. AUSTRALIA. SCI-FI; FESTIVALS. AUSTRALIA. SITCOM; FESTIVALS. AUSTRALIA. SNOWYFEST; FESTIVALS. AUSTRALIA. SUNSCREEN INDEPENDENT MUSIC VIDEO; FESTIVALS. AUSTRALIA. TRASHARAMA A-GO-GO; FESTIVALS. AUSTRALIA. WHAT'S UP SKIP; FESTIVALS. AUSTRALIA. LA SCALA OPERA SERIES; FESTIVALS. AUSTRALIA. HOPE AWARDS; FESTIVALS. AUSTRALIA. IN THE BIN; FESTIVALS. AUSTRALIA. OPTUS SCHOOL STUDENT; FESTIVALS. BLUE MOUNTAINS. SHORT FILM; FESTIVALS. BATHURST; FESTIVALS. BUNINYONG

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIFTY-TWO] 52 PICK-UP (US, John Frankenheimer, 1986)

Call No: 67(04) FIL
Author: Schickel, Richard (ed); Simon, John (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PubDate: c1968
PhysDes: 320 p. ; 22 cm
Subject: ACCIDENT (UK, Joseph Losey, 1967); BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966); BEDAZZLED (US, Stanely Donen, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); CHAPPAQUA (US, Conrad Rooks, 1966); COMEDIANS, THE (US, Peter Glenville, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967); DIRTY DOZEN, THE (US, Robert Aldrich, 1967); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); DUTCHMAN (UK, Anthony Harvey, 1967); EL DORADO (SP/FR, Carlos Saura, 1988); ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967); DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967); FAMILY WAY, THE (UK, Ray Boultng, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); HOW I WON THE WAR (UK, Richard Lester, 1967); HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966); HURRY SUNDOWN (US, Otto Preminger, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); IN LIKE FLINT (US, Gordon Douglas, 1967); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); JOKERS, THE (UK, Michael Winner, 1967); ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); LUV (US, Clive Donner, 1967); MARAT/SADE (UK, Peter Brook, 1967); PERSONA (SW, Ingmar Bergman, 1966); POINT BLANK (US, John Boorman, 1967); PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967); PRIVILEGE, THE (UK, Peter Watkins, 1967); STRANGER, THE (US/AG, Adolfo Aristarain, 1987); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); TO SIR, WITH LOVE (UK, James Clavell, 1967); TRIP, THE (US, Roger Corman, 1967); ULYSSES (UK/US, Joseph Strick, 1967); UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967); WAR GAME, THE (UK, Peter Watkins, 1966); WHISPERERS, THE, (UK, Byan Forbes, 1967); YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966); YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967)
Summary: Review of films produced in 1966-1967
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley Kauffmann
ID2: 277

Call No: 67(04) FIL
Author: Alpert, Hollis (ed); Sarris, Andrew (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PhysDes: 281 p. ; 22 cm
Subject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); FOR LOVE OF IVY (US, Daniel Mann, 1968); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BULLITT (US, Peter Yates, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CHARLIE BUBBLES (UK, Albert Finney, 1967); FACE OF WAR, A (US, Eugene S. Jones, 1968); MERCENARIES, THE (UK/US, Jack Cardiff, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); VARGTIMMEN (SW, Ingmar Bergman, 1967); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); INSIDE NORTH VIETHAM (US, Felix Greene, 1967); JOANNA (UK, Michael Same, 1968); ODD COUPLE, THE (US, Gene Saks, 1968); OLIVER (UK, Carol Reed, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PETULIA (US, Richard Lester, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); RACHEL, RACHEL (US, Paul Newman, 1968); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); SKAMMEN (SW, Ingmar Bergman, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); TARGETS (US, Peter Bogdanovich, 1968); TELL ME LIES (UK/US, Peter Brook, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); UP TIGHT! (US, Jules Dassin, 1968); WEEK-END (FR/IT, Jean-Luc Godard, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968); TANTE ZITA (FR, Robert Enrico, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); STAR (US, Robert Wise, 1968)
Summary: Review of Films produced in the years 1968-69
Notes: Includes index
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris

Call No: 226.5 BUC
Author: Buchman, Herman
Place: New York
Publisher: Watson-Guptill Publications
PubDate: [1973]
PhysDes: 223 p. illus. (part col.) 29 cm
Subject: MAKE-UP
ISBN: 0823017842
LON: 108373

Call No: TITLE CLIPPINGS FILE; VAXXED: FROM COVER-UP TO CATASTROPHE (US, Andrew Wakefield, 2016)
Author: Spooner, Rania
PhysDes: Clippings File Article
Subject: FESTIVALS. AUSTRALIA. CASTLEMAINE LOCAL AND INTERNATIONAL FILM; CONTROVERSIAL ISSUES IN FILMS; VAXXED: FROM COVER-UP TO CATASTROPHE (US, Andrew Wakefield, 2016)
Summary: Report on the uproar caused by the documentary VAXXED, which links the use of vaccinations with autism. The documentary is to be screened at the Castlemaine Local and International Film Festival. The festival director David Thrussell talks about the reasons why the festival is showing the film and President of the Australian Medical Association says why the film should be banned

Call No: 744.7(94) WOM
Author: Women's film fund of the Australian film commission
Source: AT
Place: Marrickville, NSW
Publisher: Southwood Press
PubDate: 1984
PhysDes: 39 pages : illustrations ; 21cm. + bulletin number 1 (1985) and bulletin number 2 (1986)
Subject: WOMENS FILM FUND; AUSTRALIAN FILM COMMISSION. WOMEN'S FILM FUND; AGE BEFORE BEAUTY (AT, Sarah Gibson, 1980); AUSTRALIAN WOMEN COMPOSERS (AT, Adele Sztar, 1983); BREAD AND DRIPPING (AT, Wendy Brady & Donna Foster & Margot Nash & Elizabeth Schaffer & Vic Smith, 1982); CLIMBERS (AT, Rosalind Gillespie, 1979?); CONSOLATION PRIZE (AT, Rivka Hartman, 1979); EATING YOUR HEART OUT (AT, Chris Warner, 1984); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FLAMINGO PARK (AT, Clytie Jessop, 1980); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); KEEP MOVING (AT,Ronesia Hamilton Metcalfe, 1984); MUM'S THE WORD (AT, Carol Kostanish, 1982); NED WEATHERED (AT, Lee Whitmore, 1984); ON GUARD (AT, Susan Lambert, 1984); PINS AND NEEDLES (AT, Barbara A. Chobocky, 1980); ROMA (AT, Jane Oehr, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); TISSUE (AT, Ros Horin, 1982); TIGHTROPE WATER (AT, Annie Duncan & Anna Kannava, 1983); WOODEN FOREST, THE (AT, Penne West, ?); WORKING UP (AT, Chris Warner & Maureen McCarthy, 1979)
Summary: "This booklet brings together the titles of completed films now in circulation which have recieved women's film fund funding." -- FROM INTRODUCTION
Notes: There are two copies (second copy in clippings file) -- Includes film index
ISBN: 0642959595
Language: EN
Donation: Megan McMurchy
Contents: Introduction -- Age Before Beauty -- As a Matter of Fact -- Australian Women Composers -- Awake and Aware -- Bread and Dripping -- Changing Places -- Climers -- Consolation Prize -- Eating Your Heart Out -- Every Day, Every Night -- Flamingo Park -- For Love or Money -- Greetings from Wollongong -- Just Friends -- Keep Moving -- Loyal Tub Thumper -- Mum's the Word -- Ned Wethered -- On Guard -- Pins and Needles -- Roll Call -- Roma - Serious Undertakings -- Small Changes -- Tissue -- Tight Rope Water -- The Wooden Forrest -- Women, Aid and Development -- Working Up -- Directory of Distributers.

Call No: 81HAW WIL
Author: Willis, Donald C.
Place: Metuchen, NJ
Publisher: Scarecrow Press
PubDate: 1975
PhysDes: viii, 235 p. : ill. ; 22 cm.
Subject: HAWKS, HOWARD; BRINGING UP BABY (US, Howard Hawks, 1938); HIS GIRL FRIDAY (US, Howard Hawks, 1940); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); MONKEY BUSINESS (US, Howard Hawks, 1952); TWENTIETH CENTURY (US, Howard Hawks, 1934); BALL OF FIRE (US, Howard Hawks, 1942); SONG IS BORN, A (US, Howard Hawks, 1947); FIG LEAVES (US, Howard Hawks, 1926); MAN'S FAVORITE SPORT? (US, Howard Hawks, 1963); RED RIVER (US, Howard Hawks, 1948); RIO BRAVO (US, Howard Hawks, 1959); RIO LOBO (US, Howard Hawks, 1970); EL DORADO (US, Howard Hawks, 1966); BIG SKY, THE (US, Howard Hawkes, 1952); BIG SLEEP, THE (US, Howard Hawkes, 1946); ONLY ANGELS HAVE WINGS (US, Howard Hawks, 1939); CEILING ZERO (US, Howard Hawks, 1936); CROWD ROARS, THE (US, Howard Hawks, 1932); GIRL IN EVERY PORT, A (US, Howard Hawks, 1928); TIGER SHARK (US, Howard Hawks, 1932); BARBARY COAST (US, Howard Hawks, 1935); COME AND GET IT (US, Howard Hawks and William Wyler, 1936); SCARFACE (US, Howard Hawks, 1932); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); CRIMINAL CODE, THE (US, Howard Hawks, 1931); LAND OF THE PHARAOHS (US, Howard Hawks, 1955); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); AIR FORCE (US, Howard Hawks, 1943); SARGEANT YORK (US, Howard Hawks, 1941); ROAD TO GLORY, THE (US, Howard Hawks, 1936)
Summary: The films of Howard Hawks are organised by genre and reviewed to give a sense of the director as auteur.
Notes: Includes bibliographical references and index.
ISBN: 0810808609

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FIRED UP (US, Will Gluck, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIVE] 5 FLIGHTS UP, (US, Richard Loncraine, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [FORTY-NINE] 49 UP [TV] (UK, Michael Apted, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [FORTY-TWO] 42 UP (UK, Michael Apted, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: FRAME UP (AT, Irina Dunn & Nick Power & Graha Double, 1983)

Author: Conomos, John
PhysDes: Article
Subject: FRAME UP (AT, Irina Dunn & Nick Power & Graha Double, 1983)

Author: Semmens, Sally
PhysDes: Article
Subject: FRAME UP (AT, Irina Dunn & Nick Power & Graha Double, 1983)
Summary: Review; Ill.

PhysDes: Article
Subject: FRAME UP (AT, Irina Dunn & Nick Power & Graha Double, 1983)

Call No: 79SIN MIL
Author: Miller, Frank; Rodriguez, Roger
Source: US
Place: [United States]
Publisher: Troublemaker Publishing
PubDate: c2005
PhysDes: 267 pages : illustrations ; 23 x 29 cm
Subject: ADAPTATIONS; ADVERTISING FOR FILMS; ART AND THE CINEMA; ART DIRECTION; AUTOMOBILES IN FILMS; COMIC STRIPS AND THE CINEMA; COMPUTER GENERATED IMAGERY; COSTUME DESIGNING; COSTUMES; MAKE-UP; MERCHANDISING; POSTERS; PRE-PRODUCTION; PRODUCTION; SCRIPTS; SET DESIGNING; SPECIAL EFFECTS; MILLER, FRANK; RODRIGUEZ, ROBERT; SIN CITY (US, Frank Miller and Robert Rodriguez, 2005)
Summary: "With contributions from creators, cast, and crew, FRANK MILLER'S SIN CITY: THE MAKING OF THE MOVIE covers the production, from page to screen and everything in between. Featuring Rodriguez's screenplay adaptation of the original graphic novels, exclusive behind-the-scenes photos, never before seen art and conceptual designs, interviews and commentary, this is the perfect companion to both the original graphic novels and the movie."
Notes: Includes poster art and promotional material for the film; Includes photo credits
ISBN: 1933104007; 9781933104003
Donation: Simon Wincer
Contents: Introduction by Frank Miller -- The origins of Sin City -- Approaching Sin City -- Troublemaker Digital on previsualization -- The Hard Goodbye -- Props -- KNB -- The Big Fat Kill -- Frank Miller's sketchbook -- Wardrobe -- Cars -- That Yellow Bastard -- Poster art -- Crew -- Photo credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRONT UP [TV] (AT, 1993- )

Call No: TITLE CLIPPINGS FILE; 5 FLIGHTS UP (US, Richard Loncraine, 2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: FREEMAN, MORGAN; Keaton, Diane; 5 FLIGHTS UP (US, Richard Loncraine, 2015)
Summary: Review of the film, 5 Flights Up.
Rating: 3 out of 5 stars

Call No: 236GOL SER
Author: Serkis, Andy
Source: UK
Place: London [England]
Publisher: HarperCollins
PubDate: c2003
PhysDes: 119 p. : ill (col). ; 25 cm
Subject: SPECIAL EFFECTS; PRODUCTION TECHNOLOGY; MAKE-UP; SOUND EFFECTS; SERKIS, ANDREW; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003)
Notes: " A behind- the- scenes guide to the epic New Line Cinema trilogy [cover at head of title Lord of the Rings] Filmed in New Zealand. Film tie-in
ISBN: 0007170572
Donation: donated by the family of Wayne Levy, 2006
Contents: -- introduction : to begin at the beginning -- chapter 1: 'It's mine. My own. It came to me!' -- chapter 2 : welcome to planet middle-earth -- chapter 3 : another world -- chapter 4 : motion capture -- chapter 5 : muttering and gurgling -- chapter 6 : the taming of Smeagol -- chapter 7 : 'Give us that, Deagol, my love' -- chapter 8 : morgul vale -- chapter 9 : escape from middle-earth -- chapter 10 : the changing face of Gollum -- chapter 11 : 'Nobody likes you...' -- chapter 12 : 'the two towers -- chapter 13 : the return of the king -- epilogue : the good, the bad... and the precious --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I GOT THE HOOK UP (US, Michael Martin, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GROWING UP COY (US, Eric Juhola, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GROWING UP GAYBY (AT, Maya Newell, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GROWING UP GRACEFULLY [TV] (AT, 2017 - )

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GROWING UP IN AMERICA (CN, Morley Markson, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HANGING UP (US, Diane Keaton, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HASTA CIERTO PUNTO (CU, Tomas Gutierrez Alea, 1983); UP TO A CERTAIN POINT (CU, Tomas Gutierrez Alea, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UP DOWN FRAGILE [HAUT BAS FRAGILE] (FR/SZ, Jacques Rivette, 1995)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HELD UP (US, Steve Rash, 2000)

Call No: 737(73) GIL
Author: Gilman, Owen W.
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: 2018
PhysDes: x, 252 pages ; 24 cm
Subject: WAR AND THE CINEMA; WAR AND THE CINEMA. USA; WAR FILMS. USA; WAR IN FILMS. AFGHANISTAN; WAR IN FILMS. IRAQ; AMERICAN SNIPER (US, Clint Eastwood, 2014); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); AVATAR (US, James Cameron, 2009); BILLY LYNN'S LONG HALFTIME WALK (CC/UK/US, Ang Lee, 2016); BODY OF LIES (US, Ridley Scott, 2008); BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007); DA VINCI CODE, THE (US, Ron Howard, 2006); DEER HUNTER, THE (US, Michael Cimino, 1978); [DOCTOR] DR STRANGE (US, Scott Derrickson, 2016); FAHRENHEIT 9/11 (US, Michael Moore, 2004); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GRACE IS GONE (US, James C. Strouse, 2007); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); GREEN ZONE (FR/US/UK/SP, Paul Greengrass, 2010); HARRY POTTER AND THE HALF BLOOD PRINCE (UK/US, David Yates, 2009); HARRY POTTER AND THE ORDER OF THE PHOENIX (UK/US, David Yates, 2007); HURT LOCKER, THE (US, Kathryn Bigelow, 2008); JARHEAD (US, Sam Mendes, 2005); INFERNO (US/JA/TU/HU, Ron Howard, 2016); MULAN (US, Barry Cook & Tony Bancroft, 1998); REDACTED (US, Brian De Palma, 2007); UP (US, Pete Docter and Bob Peterson, 2009); WHISKEY TANGO FOXTROT (US, Glenn Ficarra & John Requa, 2016); ZERO DARK THIRTY (US, Kathryn Bigelow, 2012)
Notes: Includes bibliographical references and index.
ISBN: 9781496815767
Contents: The Long Arc of War Experience for Americans. A Brief Introduction: Veterans Face the Challenge of American Fantasyland at War -- On Going to War the American Way -- America's Recent War Experience Comes Home in Imaginative Texts. The Efforts of Journalists and Writers of Creative Nonfiction to Deliver War for Readers at Home -- The Contribution of Films, from The Hurt Locker to American Sniper with Many Films Ignored -- Poets Capture War in Brief for a Small Audience -- American Fiction (and Hellish Truth) from Wars in Afghanistan and Iraq -- Veterans Lost as Distractions Rule in Fantasyland America. American Fantasyland in Time of War: the Hell Veterans Face at Home -- America and Future Wars: Fantasyland Ready for More War.

Call No: 71(73) STE
Author: Steen, Mike
Source: US
Place: New York
Publisher: G.P. Putnam's Sons
PubDate: 1974
PhysDes: 379 p. ; 21 cm
Subject: FILM WORKERS; ACTORS; ACTING; CHARACTER ACTORS; SCRIPTWRITERS; SCRIPTWRITING; DIRECTION; PRODUCERS; PRODUCING; PRODUCTION MANAGERS; PRODUCTION MANAGING; ASSISTANT DIRECTORS; CINEMATOGRAPHERS; CINEMATOGRAPHY; ART DIRECTION; ART DIRECTORS; SET DESIGNING; SET DESIGNERS; COSTUME DESIGNERS; COSTUME DESIGNING; MAKE-UP ARTISTS; MAKE-UP; SPECIAL EFFECTS DESIGNERS; SPECIAL EFFECTS; MUSICALS; CHOREOGRAPHY; EDITING; EDITORS; SOUND; MUSIC IN FILMS; PRE-PRODUCTION; CASTING; PRODUCTION, TV; FONDA, HENRY; RUSSELL, ROSALIND; MOOREHEAD, AGNES; CANNON, DAVID; STERN, STEWART; WELLMAN, WILLIAM; BERMAN, PANDRO S.; PRATT, JAMES; MOONJEAN, HANK; HENDERSON, RANDELL; HOWE, JAMES WONG; AMES, PRESTON; KRAMS, ARTHUR; HEAD, EDITH; WESTMORE, PERC; MANLEY, NELLIE; GILLESPIE, A. ARNOLD; BERKELEY, BUSBY; SMITH, FREDERICK Y.; FREERICKS, BERNARD; GREEN, JOHN; LAWRENCE, CATALINA; BURCH, RUTH; ROACH, HAL; MCCLEERY, ALBERT
Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)
ISBN: 39911162X
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UP FOR LOVE [HOMME A LA HAUTEUR, UN] (FR, Laurent Tirard, 2016)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: UP FOR LOVE [HOMME À LA HAUTEUR, UN] (FR, Laurent Tirard, 2016)
Cross Reference: UP FOR LOVE [HOMME À LA HAUTEUR, UN]

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Posters; Press kit; Clippings
Subject: HONEY, I BLEW UP THE KID (US, Randal Kleiser, 1992)

Author: Schwartz, Eric
PhysDes: Article
Subject: COMING UP FROM DOWN UNDER, THE KOALA THAT ROARED (U.S Merilee Leonard)

Call No: 67(04) ROT
Author: Rothman, William
Place: Cambridge [England] New York
Publisher: Cambridge University Press
PubDate: 1988
PhysDes: xix, 210 p. : ill. ; 24 cm
Series: Cambridge studies in film
Subject: USA; THEATRE AND THE CINEMA; ADAPTATIONS; EROTICISM IN FILMS; MELODRAMA; GRIFFITH, DAVID WARK; RENOIR, JEAN; BOGART, HUMPHREY; CHAPLIN, CHARLES; GRANT, CARY; HAWKS, HOWARD; HITCHCOCK, ALFRED; GUZZETTI, ALFRED; BACALL, LAUREN; ASTOR, MARY; JUDITH OF BETHULIA (US, David Wark Griffith, 1913); CITY LIGHTS (US, Charles Chaplin, 1931); RED DUST (US, Victor Fleming, 1932); STELLA DALLAS (US, King Vidor, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); RIVER, THE (II/US, Jean Renoir, 1951); FAMILY PORTRAIT SITTINGS (US, Alfred Guzzetti, 1976); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); TRUE HEART SUSIE (US, David Wark Griffith, 1919); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VERTIGO (US, Alfred Hitchcock, 1958)
Notes: Includes index; Bibliography: p. xviii-xix
ISBN: 0521368286 (pbk.); 052136048X
LON: 5831391

Call No: 81FOR SIN
Author: Sinclair, Andrew
Source: UK
Place: London
Publisher: Allen and Unwin
PubDate: 1979
PhysDes: xii, 305 p. [32] p. of plates : ill., ports. ; 24 cm
Subject: FORD, JOHN; IRON HORSE, THE (UK, John Ford, 1924); MEN WITHOUT WOMEN (US, John Ford, 1929); UP THE RIVER (US, John Ford, 1930); PILGRIMAGE (US, John Ford, 1933); LOST PATROL, THE (US, John Ford, 1934); JUDGE PRIEST (US, John Ford, 1934); WHOLE TOWN'S TALKING, THE (US, John Ford, 1935); WEE WILLIE WINKIE (US, John Ford, 1937); STAGECOACH (US, John Ford, 1939); YOUNG MR. LINCOLN (US, John Ford, 1939); TOBACCO ROAD (US, John Ford, 1941); HOW GREEN WAS MY VALLEY (US, John Ford, 1941); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); RIO GRANDE (US, John Ford, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); MOGAMBO (US, John Ford, 1953); WINGS OF EAGLES, THE (US, John Ford, 1956); LAST HURRAH, THE (US, John Ford, 1958); HORSE SOLDIERS, THE (US, John Ford, 1959); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); YOUNG CASSIDY (UK, Jack Cardiff, 1965); SEVEN WOMEN (US, John Ford, 1965)
Summary: Andrew Sinclair uses his access to the papers and photographs of John Ford, and to his work colleagues, ranging from actors to camera and stuntmen, to build a complete picture of the man. He shows John Ford to be a very successful director, from 1917, the period of silent movies, to 1966, a time when movies had become an important means of entertainment. He shows John Ford as a cantankerous, wily and brave man, who had a big influence on American cinema, and American social history, as a person who opposed McCarthyism, and who was wounded in the Second World War making documentary and propaganda films [Taken from the cover of the book]
Notes: Also published : New York : Dial Press, 1979; Includes index; Filmography: p.229- 291
ISBN: 0047910380

Call No: 81FOR SAR
Author: Sarris, Andrew
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: 1975
PhysDes: 192 p. ; 26 cm
Series: Cinema One
Subject: FORD, JOHN; SARRIS, ANDREW; MEN WITHOUT WOMEN (US, John Ford, 1929); UP THE RIVER (US, John Ford, 1930); ARROWSMITH (US, John Ford, 1931); AIRMAIL (US, John Ford, 1932); PILGRIMAGE (US, John Ford, 1933); LOST PATROL, THE (US, John Ford, 1934); JUDGE PRIEST (US, John Ford, 1934); WHOLE TOWN'S TALKING, THE (US, John Ford, 1935); INFORMER, THE (US, John Ford, 1935); STEAMBOAT ROUND THE BEND (US, John Ford, 1935); PRISONER OF SHARK ISLAND (US, John Ford, 1936); WEE WILLIE WINKIE (US, John Ford, 1937); HURRICANE, THE (US, John Ford, 1937); STAGECOACH (US, John Ford, 1939); YOUNG MR. LINCOLN (US, John Ford, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); LONG VOYAGE HOME, THE (US, John Ford, 1940); HOW GREEN WAS MY VALLEY (US, John Ford, 1941); BATTLE OF MIDWAY, THE (US, John Ford, 1942); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); WAGON MASTER (US, John Ford, 1950); RIO GRANDE (US, John Ford, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); SUN SHINES BRIGHT, THE (US, John Ford, 1953); MOGAMBO (US, John Ford, 1953); LONG GRAY LINE, THE (US, John Ford, 1954); SEARCHERS, THE (US, John Ford, 1956); WINGS OF EAGLES, THE (US, John Ford, 1956); RISING OF THE MOON, THE (IE/US, John Ford, 1957); LAST HURRAH, THE (US, John Ford, 1958); GIDEON'S DAY (UK, John Ford, 1958); HORSE SOLDIERS, THE (US, John Ford, 1959); SERGEANT RUTLEDGE (US, John Ford, 1960); TWO RODE TOGETHER (US, John Ford, 1961); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); DONOVAN'S REEF (US, John Ford, 1963); SEVEN WOMEN (US, John Ford, 1965)
ISBN: 0253331676
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KEEPING UP WITH JONESES (US, Greg Mottola, 2016)

Call No: S KEE
Author: Field, Noel
PubDate: [1980?]
PhysDes: 46 leaves
Subject: KEEPING UP WITH JONESES (AT, Rob Brow, 1980)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KEEPING UP WITH THE STEINS (US, Scott Marshall, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KNOCKED UP (US, Judd Apatow, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FROM UP ON POPPY HILL [KOKURIKO-ZAKA KARA] (JA, Gorô Miyazaki, 2011)
Notes: Simon import_190718

Call No: TITLE CLIPPINGS FILE; MAN UP (UK/FR, Ben Palmer, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: MAN UP (UK/FR, Ben Palmer, 2015)
Summary: McDonald reviews MAN UP. He makes comparisons between American romantic comedy Sleeping With Other People .

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LIGHT IT UP (US, Craig Bolotin, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LINK-UP DIARY (AT, David MacDougall, 1987)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LISTEN UP PHILIP (US, Alex Ross Perry, 2014)
URL status: URL: 'http://file://Q:/T/LISTEN_UP_PHILIP.zip' Checked: 31/08/2021 1:34:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LISTEN UP: THE LIVES OF QUINCEY JONES (US, Ellen Weissbrod, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOCK UP (US, John Flynn, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOCKED UP (AT, Mike Willesse, 1984) [TV]

Call No: 67(41) MOO
Author: Moore, Suzanne
Source: UK
Place: London
Publisher: Serpent's Tail
PubDate: 1991
PhysDes: ix, 305 pages ; 20 cm
Subject: CRITICISM; FEMINISM AND THE CINEMA; JAMES BOND IN FILMS; POPULAR CULTURE AND THE CINEMA; ALWAYS (US, Steven Spielberg, 1989); BIRD (US, Clint Eastwood, 1988); BLACK RAIN (US, Ridley Scott, 1989); BLUE STEEL (US, Kathryn Bigelow, 1989); BROKEN NOSES (US, Bruce Weber, 1987); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); DEAD RINGERS (CN, David Cronenberg, 1988); DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988); DO THE RIGHT THING (US, Spike Lee, 1989); FAMILY VIEWING (CN, Atom Egoyan, 1987); FAREWELL TO THE KING (US, John Milius, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GOOD MOTHER, THE (US, Leonard Nimoy, 1988); JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989); KAMIKAZE HEARTS (US, Juliet Bashore, 1986); KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988); LONGTIME COMPANION (US, Norman Rene, 1990); MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991); MARUSA NO ONNA (JA, Juzo Itami, 1987); PARIS BY NIGHT (UK, David Hare, 1989); PATTY HEARST (US, Paul Schrader, 1988); ROGER AND ME (US, Michael Moore, 1989); SCANDAL (UK, Michael Caton-Jones, 1989); SERPENT AND THE RAINBOW (US, Wes Craven, 1988); SHE-DEVIL (US, Susan Seidelman, 1989); SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987); SKIN DEEP (US, Blake Edwards, 1989); SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989); SWEETIE (AT, Jane Campion, 1989); TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); THIRTYSOMETHING [TV] (US, 1987-91); TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990) SEE ATAME!; TORCH SONG TRILOGY (US, Paul Bogart, 1988); TOTAL RECALL (US, Paul Verhoeven, 1990); TUCKER (US, Francis Ford Coppola, 1988); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); UNHOLY, THE (US, Camilio Vila, 1988); WAR OF THE ROSES, THE (US, Danny DeVito, 1989); WIRED (US, Larry Peerce, 1989); WORLD APART, A (UK, Chris Menges, 1988); BAUDRILLARD, JEAN; TARKOVSKY, ANDREI; WINDSOR, BARBARA
Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.
Notes: Contains bibliography
ISBN: 1852422424
Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.
ID2: 291

Call No: 732 SEN
Author: Sennett, Ted
Place: New Rochelle, N.Y.
Publisher: Arlington House
PubDate: [1973]
PhysDes: 368 p. illus. 24 cm
Subject: COMEDIES; STURGES, PRESTON; AWFUL TRUTH, THE (US, Leo McCarey, 1937); BRINGING UP BABY (US, Howard Hawks, 1938); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); YOU CAN'T TAKE IT WITH YOU (US, Frank Capra, 1938); HAIL THE CONQUERING HERO (US, Preston Sturges, 1943)
Notes: Bibliography: p. [355]-356
ISBN: 0870001965
LON: 506387

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAKE ME UP (UK, Rachel McLean, 2018)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MAKE UP
ID2: 12

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MAKE-UP ARTISTS