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A BOUT PORTANT : (FR, Fred Cavaye, 2010)
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Crime wave : the filmgoers' guide to the great crime movies / written by Howard Hughes London: I.B.Taurus, 2006.
Call No: 734 HUGAuthor: Hughes, Howard Edition: 1st ed.Source: UKPlace: LondonPublisher: I.B.TaurusPubDate: 2006PhysDes: xxviii, 236 p. : ill., ports. ; 25 cmSubject: GANGSTER FILMS ; DETECTIVE FILMS ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MALTESE FALCON, THE (US, John Huston, 1941) ; WHITE HEAT (US, Raoul Walsh, 1949) ; ASPHALT JUNGLE, THE (US, John Huston, 1950) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; BIG COMBO (US, Joseph H. Lewis, 1955) ; POINT BLANK (US, John Boorman, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969) ; GET CARTER (UK, Mike Hodges, 1971) ; SHAFT (US, Gordon Parks Jr., 1971) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; CHINATOWN (US, Roman Polanski, 1974) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984) ; LETHAL WEAPON (US, Richard Donner, 1987) ; GOODFELLAS (US, Martin Scorsese, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; OCEAN'S ELEVEN (US, Steven Soderbergh, 2001) Summary: "Crime movies inhabit dark and desperate worlds, yet they account for many of Hollywood's most triumphant successes. In full acknowledgement of this achievement, Crime Wave offers an authoritative and informative, stimulating and entertaining guide to the crime movie phenomenon, from its early days to the present, charting its history and celebrating the people who have given it a special and enduring place in cinema goers' affections. Chapters focus on landmark Hollywood films - from 1931's The Public Enemy, through The Maltese Falcon, Point Blank, Dirty Harry, The Godfather trilogy and Goodfellas, to LA Confidential and Oceans 11 - telling their stories and on the way discussing many more crime movies, both major and lesser known." "Crime Wave represents and investigates gangster and heist movies, blaxploitation and noir, murder mysteries, vehicles for vigilante or buddy cops, even a gangster love story. It features biographies and filmographies detailing the key participants and background details of the film's making, locations and sets. It also explores each film's sources and influences, its impact on the crime genre and current fashion, including spin-offs, copies and sequels. It examines the films' themes, style and box office fortunes."--BOOK JACKET.Notes: Includes bibliographical references (p. 221-224) and index; Includes bibliographical references (p. 221-224) and index; Filmography: p. 213-220ISBN: 9781845112196Donation: Donated by Senses Of Cinema, 2009
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Defining a new genre/ part 1 : The road movie in Lumiere (October, 1973) iss.28 p.22-25
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Film 67/68 : An anthology by the National Society of Film Critics / edited by Richard Schickel and John Simon Indianapolis [etc.]: Bobbs-Merrill Co. [etc.], c1968.
Call No: 67(04) FILAuthor: Schickel, Richard (ed) ; Simon, John (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PubDate: c1968PhysDes: 320 p. ; 22 cmSubject: ACCIDENT (UK, Joseph Losey, 1967) ; BATTAGLIA DI ALGERI (IT/AE, Gillo Pontecorvo, 1966) ; BEDAZZLED (US, Stanely Donen, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967) ; CHAPPAQUA (US, Conrad Rooks, 1966) ; OSTRE SLEDOVANE VLAKY (CS, Jiri Menzel, 1966) ; COMEDIANS, THE (US, Peter Glenville, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967) ; DIRTY DOZEN, THE (US, Robert Aldrich, 1967) ; DOCTOR DOLITTLE (US, Richard Fleischer, 1967) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; EL DORADO (SP/FR, Carlos Saura, 1988) ; ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967) ; DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967) ; CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966) ; FAMILY WAY, THE (UK, Ray Boultng, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; CAZA, LA (SP, Carlos Saura, 1966) ; HURRY SUNDOWN (US, Otto Preminger, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; IN LIKE FLINT (US, Gordon Douglas, 1967) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; JOKERS, THE (UK, Michael Winner, 1967) ; ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966) ; GUERRE EST FINIE, LA (FR/SW, Alain Resnais, 1966) ; LUV (US, Clive Donner, 1967) ; MARAT/SADE (UK, Peter Brook, 1967) ; PERSONA (SW, Ingmar Bergman, 1966) ; POINT BLANK (US, John Boorman, 1967) ; PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967) ; PRIVILEGE, THE (UK, Peter Watkins, 1967) ; STRANGER, THE (US/AG, Adolfo Aristarain, 1987) ; TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967) ; TO SIR, WITH LOVE (UK, James Clavell, 1967) ; TRIP, THE (US, Roger Corman, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) ; WHISPERERS, THE, (UK, Byan Forbes, 1967) ; YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966) ; YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967) Summary: Review of films produced in 1966-1967ISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley KauffmannID2: 277
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Films and values / Peter Malone MSC [Melbourne]: Chevalier Press, [1979].
Call No: 412.53 MALAuthor: Malone, Peter Edition: [1979]Place: [Melbourne]Publisher: Chevalier PressPubDate: [1979]PhysDes: 192 pages ; 20 cmSubject: ETHICS IN FILMS ; ETHICS AND THE CINEMA ; POINT BLANK (US, John Boorman, 1967) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; M*A*S*H (US, Robert Altman, 1969) ; CADUTA DEGLI DEI, LA (IT/SZ, Luchino Visconti, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968) ISBN: 0869400169Donation: SFC LibraryContents: A study of what the author terms high quality entertainment films, which provide some ethical and moral challenges for audiences whilst also being popular. An essay from the author where he examines a number of ideas pertaining to: Christianinty, religion, Athienists, Humanism, and Future Shock preceeds the film reviewsAFIRC Location: Stacks
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On Point Blank in Melbourne Film Bulletin (April 1970) iss.12 p.41-42
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POINT BLANK : (US, John Boorman, 1967)
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Point Blank in Melbourne Film Bulletin (June 1968) iss.3 p.29-30
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