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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHOJIKU KIDAN SAZAN KUROSU [TV] (JA, 1984); SUPER DIMENSION FORTRESS MACROSS [TV] (JA, 1984)

PhysDes: Article
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Summary: Production report

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills; Press kit
Subject: FORTRESS (AT/US, Stuart Gordon, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FORTRESS (AT, Arch Nicholson, 1985)

Author: Drouyn, Tony
PhysDes: Article
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Summary: Review of "Fortress"; Credits

Call No: SC FOR : 4
Author: DeRoche, Everett
Edition: Draft [4th of 8 versions in catalogue]
Place: AT
PubDate: [1984]
PhysDes: 110 leaves : 30 cm
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Notes: Unpublished script -- Annotations in pen and pencil -- Includes handwritten cover note indicating: 1st draft and incomplete script
Donation: Gift of Crawford Productions
ID2: 58

Call No: SC FOR : 5
Author: DeRoche, Everett
Edition: Draft [5th of 8 versions in catalogue]
Place: AT
PubDate: [1984]
PhysDes: 119 leaves : 30 cm
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Notes: Unpublished script -- Annotations in pencil -- Includes handwritten covernotes indicating: 2nd draft, pages missing, re-writes and 'American Version'
Donation: Gift of Crawford Productions
ID2: 59

Call No: SC FOR : 1
Author: DeRoche, Everett
Edition: 1st Draft [1st of 9 versions in catalogue]
Place: AT
PubDate: 1984 Feb. 21
PhysDes: 100 leaves : 30 cm
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Notes: Unpublished script [Identified as a screenplay]
Donation: Gift of Crawford Productions
ID2: 60

Call No: SC FOR : 2
Author: DeRoche, Everett
Edition: 1st Draft [2nd of 9 versions in catalogue]
Place: AT
PubDate: 1984 Mar. 28
PhysDes: 108 leaves : 30cm
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Notes: Unpublished script -- Includes annotations in pencil [Identified as a screenplay]
Donation: Gift of Crawford Productions
ID2: 60

Call No: SC FOR : 3
Author: DeRoche, Everett
Edition: Draft [3rd of 9 versions in catalogue]
Place: AT
PubDate: 1984 Jun. 7
PhysDes: 113 leaves : 28 cm
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Notes: Unpublished script -- Includes cover note from writer to producer and director (1 leaf)
Donation: Gift of Crawford Productions
ID2: 60

Call No: SC FOR : 6
Author: DeRoche, Everett
Edition: Final Draft Script [6th of 9 versions in catalogue]
Place: AT
PubDate: 1984 Jul. 2
PhysDes: 128 leaves : 30 cm
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Notes: Unpublished script -- Annotations in pencil -- 2 copies -- duplicate material, similarly annotated, held in storage.
Donation: Gift of Crawford Productions
ID2: 60

Call No: SC FOR : 7
Author: DeRoche, Everett
Edition: Final Draft Script [7th of 9 versions in catalogue]
Place: AT
PubDate: 1984 Jul. 2
PhysDes: 128 leaves : 30 cm
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Notes: Unpublished script -- Amended script, this is an amended version of annotations made to the 6th version.
Donation: Gift of Crawford Productions
ID2: 60

Call No: SC FOR : 8
Author: DeRoche, Everett
Edition: Final Draft Script Revised [8th of 9 versions in catalogue]
Place: AT
PubDate: 1985 Feb. 7
PhysDes: 145 leaves : 30 cm
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Notes: Unpublished script
Donation: Gift of Crawford Productions
ID2: 60

Call No: SC FOR : 9
Author: DeRoche, Everett
Edition: Final draft script revised [9th of 9 versions in catalogue]
Place: AT
PubDate: 1985 Feb. 28
PhysDes: 142 leaves ; 30 cm
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Notes: Unpublished script
Donation: Gift of Crawford Productions

Call No: SC FOR : 0
Author: Schreck, Peter
Place: AT
PubDate: c1983
PhysDes: 3 v. ; 33 cm
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Notes: Three different drafts of a treatment for the telemovie Fortress -- accompanied by memos discussing the treatments and suggested amendments to them (11 leaves)
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FORTRESS 2 (US/LU, Geoff Murphy, 1999)

Call No: CRAWFORD STILL FOR
Source: AT
PubDate: [1985?]
PhysDes: 9 photographs (contact sheets) : col. ; 21 X 26 cm. + 20 photographs : col. ; 15 X 10 cm. + 2 filmstrips (35mm) : col. + 59 filmstrips (35mm) : b&w.
Subject: CRAWFORD PRODUCTIONS; FORTRESS (AT, Arch Nicholson, 1985)
Summary: Proof sheets, photographs and negatives relating to Fortress.
Notes: Collection of proof sheets and photographs (possibly a record of wardrobe and costume) -- Collection of 61 colour and black & white 35 mm negatives film strips all filed in negative sleeves-- Colour negatives labelled and dated 'Pre-publicity shots 11/2/85' -- Black and white negatives labelled F1-F59 -- Photographer unknown -- positive digital scan copies have been made from the negatives (see AFI Research Collection crawfords folder)
Donation: Gift of Crawford Productions

Call No: CRAWFORD STILL FOR
Source: AT
PubDate: [1985?]
PhysDes: 31 photographs : col. ; 15 X 10 cm.
Subject: CRAWFORD PRODUCTIONS; FORTRESS (AT, Arch Nicholson, 1985)
Summary: Magnetic photo album containing wardrobe and costume images from the film Fortress.
Notes: Digital scan copies have been made of all these images (see AFI Research Collection crawfords folder) -- Archival and conservation status is unsuitable, but unable to remove the photographs without damaging them
Donation: Gift of Crawford Productions

Call No: MC FOR
Place: AT
PubDate: [1985?]
PhysDes: 16 strips : col. ; 35 mm
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Notes: Various lengths of film stock strips with one longer length on a spool -- Stored in original box labelled 'Fortress work print'
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FORTRESS OF AMERIKKKA (US, Eric Louzil, 1989)

Call No: CRAWFORD PUBLICITY FOR
PhysDes: 2 archival pockets ; 43 x 33 cm
Subject: ACTORS EQUITY AUSTRALIA; FORTRESS (AT, Arch Nicholson, 1985)
Notes: Press clippings ( 69 leaves), colour brochure, 3 press kits
Donation: Gift of Crawford Productions
Contents: Press Clippings about the telemovie Fortress and the dispute with Actors' Equity -- Promotional material for Fortress produced by Crawford Productions
ID2: 269

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Roadshow Film Distributors (distributor)
PhysDes: 4 photographs : b&w ; 18 x 13 cm
Subject: LAMBERT, CHRISTOPHE; SMITH, KURTWOOD; FORTRESS (AT/US, Stuart Gordon, 1993)
Summary: Four black and white photographs of Christopher Lambert from the science-fiction adventure film Fortress

PhysDes: Article
Subject: FORTRESS (AT, Arch Nicholson, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FORTRESS, THE [NAMHANSANSEONG] (KO, Hwang Dong-hyuk, 2017)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMISTA, IL (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); FIVE EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS. . . OF THE CIVIL DEAD (AT, John Hillcoat, 1988); ANGST DES TORMANNS BEIM ELFMETER, DIE (GW/AU, Wim Wenders, 1972); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS[TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

PhysDes: Article
Subject: FORTRESS (AT, Arch Nicholson, 1985)
Summary: UIP acquires theatrical rights for overseas distribution of "Fortress"