A companion to Wong Kar-wai / edited by Martha P. Nochimson
Chichester, West Sussex ; Malden, MA: Wiley-Blackwell, 2016.
Call No: 81WONG COM Source: US Place: Chichester, West Sussex ; Malden, MA Publisher: Wiley-Blackwell PubDate: 2016 PhysDes: xvi, 627 pages : illustrations ; 25 cm Series: Wiley Blackwell Companions to Film Directors Subject: CHINA; HONG KONG; WONG KAR WAI; AS TEARS GO BY (HK, Wong Kar-Wai, 1989); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/C , Wong Kar Wai, 2013); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007); 2046 (HK, Wong Kar-Wai, 2004) Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violence Notes: Includes bibliographical references (pages 586-599) and index.
Filmography: pages 558-561 ISBN: 9781118424247 Donation: donated by Senses of Cinema Contents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index More info
title clippings file
DUOLUO TIANSHI : (HK, Wong Kar-Wai, 1995)
Pop fiction : The song in cinema / edited by Steve Lannin and Matthew Caley
Porland, Oregon: Intellect, 2005.
Call No: 634.6 POP Author: Lannin, Steve; Caley, Matthew Source: UK Place: Bristol, UK; Porland, Oregon Publisher: Intellect PubDate: 2005 PhysDes: 173 p. : 23 cm Subject: POP MUSIC AND THE CINEMA; POP MUSIC IN FILMS; MUSIC AND THE CINEMA; MUSIC IN FILMS; ADVERTISING FOR FILMS; COHEN, LEONARD; MORETTI, NANNI; DOORS, THE; COPPOLA, FRANCIS FORD; SOGGY BOTTOM BOYS; COEN, JOEL & ETHAN; PFEIFFER, MICHELLE; Damon, Matt; KLOVES, STEVE; MINGHELLA, ANTHONY; VALLI, FRANKIE; CIMINO, MICHAEL; RIGHTEOUS BROTHERS; ZUCKER, JERRY; REED, LOU; BOYLE, DANNY; STEALERS WHEEL; Tarantino, Quentin; BAKER, CHET; WEBER, BRUCE; WINGS; ARMITAGE, GEORGE; COLLINS, PHIL; BRICKMAN, PAUL; MASSIVE ATTACK; WONG KAR WAI; CARO DIARIO (IT/FR, Nanni Moretti, 1993); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); DEER HUNTER, THE (US, Michael Cimino, 1978); GHOST (US, Jerry Zucker, 1990); TRAINSPOTTING (UK, Danny Boyle, 1996); RESERVOIR DOGS (US, Quentin Tarantino, 1992); LET'S GET LOST (US, Bruce Weber, 1988); GROSSE POINTE BLANK (US, George Armitage, 1997); RISKY BUSINESS (US, Paul Brickman, 1983); DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture.
"The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover) Notes: Includes index ISBN: 184150078X More info
WKW : the cinema of Wong Kar Wai / Wong Kar Wai, John Powers
New York: Rizzoli, 2016.
Call No: 81WON POW; FOLIO Author: Kar Wai, Wong; Powers, John Source: US Place: New York Publisher: Rizzoli PubDate: 2016 PhysDes: 303 pages : illustrations (colour), portraits ; 32 cm Subject: WONG KAR-WAI; HONG KONG CINEMA; LEUNG, TONY; CHEUNG, LESLIE; CHEUNG, MAGGIE; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000); FA YEUNG NIN WA [IN THE MOOD FOR LOVE] (HK, Wong Kar-Wai, 2000); AS TEARS GO BY (HK, Wong Kar-Wai, 1989); WONG GOK KA MOON (HK, Wong Kar-Wai, 1988); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); AH FEI ZHENG ZHUANG (HK, Wong Kar-Wei, 1991); CHUNGKING EXPRESS (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); DUNG CHE SAI DUK (HK, Wong Kar-Wai, 1994); HAPPY TOGETHER (HK, Wong Kar-Wai, 1997); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); 2046 (HK, Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE (HK/C , Wong Kar Wai, 2013); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/C , Wong Kar Wai, 2013); MY BLUEBERRY NIGHTS (HK/C/FR, Kar Wai Wong, 2007); LOST IN TRANSLATION (US, Sofia Coppola, 2003) Summary: "The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes. The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shot In the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong’s eleven films, the conversations also explore Wong’s trademark themes of time, nostalgia, and beauty, and their roots in his personal life. This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, WKW: The Cinema of Wong Kar Wei is as evocative as walking into one of Wong’s lush films." [Publisher's website] ISBN: 9780847846177 Contents: Perhaps, perhaps, perhaps / 37 views of Wong Kar Wai -- Six conversations -- Conversation one : Amarcord -- Conversation two : not Hitchcock -- Conversation three : Hong Kong nocturne -- Conversation four : Perfidia -- Conversation five : Pan-American highway -- Conversation six : North, South, East and West -- Captions -- Timeline -- Acknowledgments More info
Wong Kar-wai / Peter Brunette
Urbana: University of Illinois Press, 2005.
Call No: 81KAR BRU Author: Brunette, Peter Source: US Place: Urbana Publisher: University of Illinois Press PubDate: 2005 PhysDes: xviii, 149 p. : ill. ; 21cm. Series: Contemporary Film Directors Subject: HONG KONG; DIRECTORS. CHINA; WONG KAR WAI; DOYLE, CHRISTOPHER; LEUNG, TONY; CHEUNG, MAGGIE; WONG GOK KA MOON (HK, Wong Kar-Wai, 1988); AH FEI ZHENG ZHUANG (HK, Wong Kar-Wei, 1991); DUNG CHE SAI DUK (HK, Wong Kar-Wai, 1994); CHONGQING SENLIN (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS (HK, Wong Kar-Wai, 1994); DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995); CHEUN GWONG TSA SIT (HK, Wong Kar-Wai, 1997); HAPPY TOGETHER (HK, Wong Kar-Wai, 1997); FA YEUNG NIN WA (HK, Wong Kar-Wai, 2000); 2046 (HK, Wong Kar-Wai, 2004) Summary: Taken from backcover: This book traces film director, Wong Kar-wai's themes of time, love, and loss, and examines the political implications of his films, especially concerning the handover of Hong Kong to the People's Republic of China. Notes: Includes transcripts of interviews with Wong Kar-wai.
Filmography: p. - 141.
Includes bibliography and index. ISBN: 9780252072376 More info