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Call No: 81KIA
CorpAuthor: Iran Heritage Foundation
Source: UK
Place: London, UK
PubDate: 2005
PhysDes: 33 p ; 21 cm
Subject: KIAROSTAMI, ABBAS; TA' M E GUILASS (IR, Abbas Kiarostami, 1997); [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989)
Summary: Abbas Kiarostami is the most internationally celebrated Iranian cultural figure of the past and current century. He is a prolific and critically-acclaimed filmmaker, artist, photographer and poet; his work is visually simple and conceptually complex. [Taken from programme notes].
Notes: Programme booklet

Call No: 81KIA SAE
Author: Saeed-Vaffa, Mehrnaz; Rosenbaum, Jonathan
Source: US
Place: Urbana, Ill ; Chicago
Publisher: University of Illinois
PubDate: 2003
PhysDes: ix, 151 p. : ill. ; 22 cm
Series: Contemporary film directors
Subject: IRAN; DOCUMENTARY DRAMAS; KIAROSTAMI, ABBAS; Rosenbaum, Jonathan; SAEED-VAFFA, MEHRNAZ; ABC AFRICA (IR, Abbas Kiarostami, 2001); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); MASHGH-E SHAB (IR, Abbas Kiarostami, 1989); ZENDEGI VA DIGAR HICH (IR, Abbas Kiarostami, 1992); TA' M E GUILASS (IR, Abbas Kiarostami, 1997); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999)
Summary: Connected by discussions between the authors on topics including the ethical dimensions of Kiarostami's style and the political implications of his films, this series of linked essays includes American and Iranian readings of his features and shorts. [taken from back cover]
ISBN: 0252071115

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFAIRS OF MAUPASSANT, THE (US, Henry Koster, 1938); TAGEBUCH DER GELIEBTEN (AU, Hermann Kosterlitz, 1935)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "Tagebuch Der Geliebten" was the original 1935 release of this Austrian film (when director Henry Koster was known as Hermann Kosterlitz). "The Affairs of Maupassant" was the English subtitled 1938 US release of the film

Call No: TITLE CLIPPINGS FILE; TABLE 19 (FI/US, Jeffrey Blitz. 2017)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: TABLE 19 (FI/US, Jeffrey Blitz. 2017)
Summary: Review of the film TABLE 19
Rating: 3.5 out of 5 stars

Call No: 756(5) TEO
Author: Teo, Stephen
Source: UK
Place: Oxford [Oxfordshire] ; New York
Publisher: Routledge
PubDate: 2013
PhysDes: xv, 269 p. : ill., ports. ; 24 cm
Series: Media, culture and social change in Asia ; 30
Subject: INDIAN CINEMA; CITY OF SADNESS, A [; JAPAN; KOREA; TAIWAN; THAILAND; SINGAPORE; MALAYSIA; IRAN; BOLLYWOOD; POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; NATIONALISM AND THE CINEMA; THEORY; ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; WORLD CINEMA; BLOCKBUSTERS; ANIMATION; HORROR FILM; GHOST FILMS; EROTIC FILMS; EROTIC FILMS. ASIA
Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURB
Notes: Includes bibliographic references and index; Includes filmography
ISBN: 9781138815780
Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.

Call No: 71(5) LEN
Author: Lent, John A., 1936-
Place: Bromley
Publisher: Christopher Helm
PubDate: 1990
PhysDes: x, 309 p., [8] p. of plates : ill. ; 23 cm
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; CITY OF SADNESS, A [; JAPAN; TAIWAN; KOREA; PHILIPPINES; MALAYSIA; SINGAPORE; INDONESIA; THAILAND; BURMA; INDIA; PAKISTAN; BANGALADESH; SRI LANKA
Notes: Asia. Film industries (BNB/PRECIS); Includes index; Bibliography: p. 279-292
ISBN: 0747020000
LON: 6874060

Author: Campi, Michael
PhysDes: Article
Subject: ICHIKAWA, JUN; TAIHEIYO HITORI-BOCHI (JA, Kon Ichikawa, 1963); TOKYO OLYMPIAD (JA, Kon Ichikawa, 1965); YUKINOJO HENGE (JA, Kon Ichikawa, 1964)
Summary: Essay gives a detailed and analytical filmography of Kon Ichikawa's work.

Call No: TITLE CLIPPINGS FILE; ANH'S BRUSH WITH FAME [TV](AT, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: DO, ANH; SZUBANSKI, MAGDA; ANH'S BRUSH WITH FAME [TV](AT, 2016)
Summary: Positive review of the TV show ANH'S BRUSH WITH FAME, with the focus on the opening episode that features Anh Do painting a portrait of actor Magda Szubanski

Call No: 732(94) JOH
Author: Johnson, Rob, 1969; Smiedt, David
Place: Rydalmere, N.S.W.
Publisher: Hodder Headline Australia
PubDate: 1999
PhysDes: viii, 376 p. : ill., ports. ; 24 cm
Subject: COMEDIES. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; COMEDIENNES. AUSTRALIA; ADAMS, PHILLIP; GLEISNER, TOM; MCDERMOTT, PAUL; O'DONOGHUE, RORY; BAILEY, BERT; BOND, GRAHAME; BOURNE, SHANE; BROWN, NOELINE; CILAURO, SANTO; CHATER, GORDON; CREYTON, BARRY; DENTON, ANDREW; FAHEY, MARYANNE; FERGUSON, TIM; GILLIES, MAX; GRILLS, LUCKY; GYNGELL, KIM; HALL, KEN G.; HARMER, WENDY; HOGAN, PAUL; HUMPHRIES, BARRY; KENNEDY, GRAHAM; LAMOND, TONI; MCDONALD, GARRY; QUANTOCK, ROD; RAYE, CAROL; REILLY, GARY; SITCH, ROB; SORRENTI, VINCE; SZUBANSKI, MAGDA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); FRONTLINE [TV] (AT, 1994- ); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); AUNTY JACK SHOW, THE [TV] (AU, 1972-73); COMEDY COMPANY, THE [TV] (AT, 1988-1990); D-GENERATION [TV] (AT, 1986-?); FAST FORWARD [TV] (AT, 1988-1989?)
Notes: Includes index; "An Allison Pressley book."
ISBN: 0733609384 : $24.95
LON: 14529909

Call No: TITLE CLIPPINGS FILE; T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Author: Roach, Vicky
PhysDes: Clippings
Subject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Summary: Vicky Roach reports on the fall out and reconcilation between director Danny Boyle and actor Ewan McGregor.

PhysDes: Article
Subject: TABLE FOR FIVE (US, Robert Lieberman, 1983); CHARITY APPEALS AND THE CINEMA
Summary: Article on the fundraiser screening of 'Table for Five'

Call No: 511(439.1) BFS BUD
CorpAuthor: Hungarofilm
Source: HU
Place: Budapest, Hungary
Publisher: Interpress
PubDate: [1982?]
PhysDes: 39p. ; illus. ; 26cm.
Subject: HUNGARY; CINEMA VERITE; ELEK, JUDIT; EMBER, JUDIT; DARDAY, ISTVAN; GAZDAG, GYULA; Schiffer, Pal; Szalai, Gyorgyi; Vitezy, Laszlo
Notes: Includes filmographies
ISSN: 00187798
Language: English

Call No: 71(51) CAT
Author: Wong Ain-ling (ed)
CorpAuthor: Hong Kong Film Archive
Place: Hong Kong
Publisher: Hong Kong Film Archive
PubDate: 2002
PhysDes: 414p ; 26 cm
Subject: CHINA IN FILMS; CITY OF SADNESS, A [; TAIWAN; GENRES; ASIAN COUNTRIES; SINGAPORE; GENDER AND THE CINEMA. CHINA; MASCULINITY IN FILMS; STUDIO SYSTEM; SHAW BROTHERS
Summary: The productions of Cathay / MP & GI have themselves become a myth of Hong Kong cinema. What accounts for its radiance and elegance? And why was the audience broken-hearted to see its decline? The Cathay Story may offer a little clue.... 400 pages thick with 16 colour pages.
ISBN: 9628050168
Language: Chinese and English

Call No: 71(51) CEN
CorpAuthor: Hong Kong Film Archive
Source: HK
Place: Hong Kong
Publisher: Leisure and Cultural Services Department
PubDate: 2001
PhysDes: 56 p. : b&w ill. ; 25 cm
Subject: CITY OF SADNESS, A [; CHINA IN FILMS; TAIWAN
Summary: Analytical essays of 25 classic Chinese films from the last century, written by notable film critics and directors such as Gordon Chan, Evans Chan and Eddie Fong; critic Reeve Wong, and Hu Ke. In Chinese and English. Taken from http://www.lcsd.gov.hk/CE/CulturalService/HKFA/english/newsletter/nl16_2.html
ISBN: 9628050117

Call No: 71(51) BER
Author: Berry, Chris
Place: New York
Publisher: Columbia University Press
PubDate: 2006
PhysDes: xi, 313 p. ; 23 cm
Series: Film and Culture
Subject: CITY OF SADNESS, A [; TAIWAN; MASCULINITY IN FILMS; FAMILY IN FILMS; INDUSTRY, FILM. CHINA; HISTORICAL FILMS. CHINA; WOMEN IN FILMS. CHINA; REALISM IN FILMS. CHINA; OPERA IN FILMS; LEE, ANG; LINGYU, RUAN
Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.
ISBN: 0231137079
Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational

Call No: 71(51) CHI
Source: US
Place: Philadelphia
Publisher: Temple University Press
PubDate: 2009
PhysDes: vii, 311 p. : ill. ; 23 cm
Subject: CITY OF SADNESS, A [; TAIWAN
ISBN: 9781592132683
Donation: donated by Senses of Cinema, 2012
Contents: False consciousness and double consciousness: race, virtual reality, and the assimilation of Hong Kong action cinema in The matrix / Peter X. Feng -- The par-Asian cinematic imaginary in Olivier Assayas's Irma Vep / Grace An -- The HK venture: the Francophone cine-logocentric nexus / Aaron Han Joon Magnan-Park -- Wong Fei-Hung in da house: Hong Kong martial-arts films and hip-hop culture / Frances Gateward -- Same difference: racial masculinity in Hong Kong and cop-buddy "hybrids" / Gayle Wald -- American popular music and neocolonialism in the films of Edward Yang / Emilie Yueh-yu Yeh -- Hollywood and Taiwan: connections, countercurrents, and Ang Lee's Hulk / Gina Marchetti -- Becoming Hollywood? Hong Kong cinema in the new century / Chuck Kleinhans -- "From behind the wall": the representation of gender and sexuality in modern Chinese film / Zhou Xuelin -- Beyond the western gaze: Orientalism, feminism, and the suffering woman in nontransnational Chinese cinema / Andrew Grossman -- Disappearing faces: bisexuality and transvestism in two Hong Kong comedies / Helen Hok-Sze Leung -- Staging gay life in China: Zhang Yuan and East palace, west palace / Chris Berry -- Whose fatal ways: mapping the boundary and consuming the other in border crossing films / Li-Mei Chang -- Asian martial-arts cinema, dance, and the cultural languages of gender / Aaron D. Anderson -- Singapore as a society of strangers: Eric Khoo's Mee pok man, 12 storeys, and Be with me / Tan See-Kam -- Chinese cinema revisits the city: Beijing trilogy and global urbanism of the 1990s / Jenny Kwok-Wah Lau -- Taiwan fever? Tsai Ming-Liang and the everyday postnation / Peter Hitchcock -- The spirits of capital and haunting sounds: translocal historicism in victim (1999) / Esther C.M. Yau -- Zhang Yimou's hero: the temptations of fascism / Evans Chan

Call No: 71(51) CHI
Author: Berry, Chris
Edition: Second Edition
Source: UK
Place: Basingstoke [England] ; New York
Publisher: British Film Institute/Palgrave Macmillan
PubDate: 2008
PhysDes: 287 pages : illustrations ; 24 cm
Subject: CITY OF SADNESS, A [; TAIWAN; CULTURE AND THE CINEMA. CHINA; [FIFTEEN] 15 (SI, Royston Tan, 2003); BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002); DA WAN (HK/CC, Feng Xiaogang, 2002); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); MANG JING (CC/G/HK, Yang Li, 2003); BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003); BOAT PEOPLE (HK, Ann Hui, 1982); TOU-PEN NU-HAI (HK, Ann Hui, 1982); CENTER STAGE (HK, Stanley Kwan, 1991); RUAN LINGYU (HK, Stanley Kwan, 1991); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993); GODDESS, THE (C, Yonggang Wu, 1934); HERO (HK/C, Yimou Zhang, 2002); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YELLOW EARTH (CC, Chen Kaige, 1985); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000)
Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURB
Notes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titles
ISBN: 9781844572373
Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li

Call No: TITLE CLIPPINGS FILE; T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Author: Mathieson, Craig
PhysDes: Clippings
Subject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Summary: Review of T2 TRAINSPOTTING
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE; T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Author: Byrnes, Paul
PhysDes: Clippings
Subject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Summary: Film review of T2 TRAINSPOTTING
Notes: This review was also published in the Canberra times
Rating: 4 out of 5 stars

Call No: 62 DEL
Author: Deleuze, Gilles
Place: Minneapolis
Publisher: University of Minnesota
PubDate: 1986-c1989
PhysDes: 2 v. ; 23 cm
Subject: SYMBOLISM IN FILMS; THEORY; MONTAGE; IMAGE ANALYSIS
Notes: Translation of: Cinema; Vol. 2 translated by Hugh Tomlinson and Robert Galeta; Includes bibliographies and indexes
ISBN: 0816616760 (v. 2); 0816616779 (pbk. ; v. 2); 0816613990 (v. 1) : $29.50; 0816614008 (pbk. : v. 1) : $13.95
LON: 85028898; 4390071
ID2: 343
URL status: URL: 'http://-' Checked: 31/08/2021 12:39:19 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 DEL
Author: Deleuze, Gilles; Tomlinson, Hugh; Galeta, Robert
Source: UK
Place: London
Publisher: The Athlone Press
PubDate: 1989
PhysDes: xviii, 344 pages : illustrations ; 21 cm.
Series: Cinema ; v. 2
Subject: SYMBOLISM IN FILMS; THEORY; MONTAGE; IMAGE ANALYSIS
Summary: "Cinema II continues the reassessment of cinema begun in Deleuze's 'Cinema I: the movement image'. Each volume can be read on its own as dealing with a separate aspect of cinema: classical and modern, pre- and post-war, movement and time. In this second volume Deleuze is concerned with the representation of time in film and with the cinematic treatment of memory, thought and speech. Drawing on the philosophy of Henri Bergson, Deleuze provides a theoretical framework within which he analyses and classifies the time-image and traces the history of its emergence, focusing on the cinema of post-war neo-realism." -- BOOK BLURB
Notes: (originally in French 'Cinema 2, L'Image-Temps,' 1985); Preface to the English edition; Translators intoductoin; Notes; Glossary; Index
ISBN: 0485120704
Language: English
Donation: Adrian Miles
Contents: 1. Beyond the Movement-Image -- 2. Recapitulation of Images and Signs -- 3. From Recollections to Dreams: Third Commentary on Bergson -- 4. The Crystals of Time -- 5. Peaks of Present and Sheets of Past: Fourth Commentary on Bergson -- 6. The Powers of the False -- 7. Thought and Cinema -- 8. Cinema, Body and Brain,Thought -- 9. The Components of the Image -- 10. Conclusions.
ID2: 343

Call No: 71 (52) CIN; RARE BOOK; FOLIO
Place: Tokyo
Publisher: Kokusai Bunka Shinkokai (The Society for International Cultural Relations)
PubDate: 1938
PhysDes: 82 p. : ill., ports. ; 32cm
Subject: JAPAN; NATIONAL CULTURE AND THE CINEMA; PERIODICALS, FILM; ORGANIZATIONS; NEWSREELS; KOREA; SHOCHIKU; TOHO; NIKKATSU; KAZE NO NAKA NO KODOMO (JA, Hiroshi Shimizu, 1937); KOJO NO TSUKI (JA, Keisuke Sasaki, 1937); HANA-KAGO NO UTA (JA, Heinosuke Gosho, 1937); ASAKUSA NO HI (JA, Yasujiro Shimazu, 1937); SOBO (JA, Hisatora Kumagai, ?); TABIJI (JA, Ri Keikwan, ?); ATARASHIKI TSUCHI (JA, Mansaku Itami, 1937); HADAKA NO MACHI (JA, Tomu Uchida, 1937); SHINSEN GUMI (JA, Sotoji Kimura, 1937); SHINJITSU ICHIRO (JA, Tomotaka Tasaka, 1937); SHUKUJO WA NANI O WASURETA KA (JA, Yasujiro Ozu, 1937); OSAKA NATSU NO JIN (JA, Teinosuke Kinugasa, 1937); AI EN KYO (JA, Kenji Mizoguchi, 1937); WAKAI HITO (JA, Shiro Toyoda, 1937); KAGIRINAKI ZENSHIN (JA, Tomu Uchida, 1937)

Call No: 634 CIN
Author: Brophy, Philip
CorpAuthor: Australian Film, Television and Radio School
Place: North Ryde, N.S.W.
Publisher: Australian Film, Television & Radio School
PubDate: 1999
PhysDes: vii, 266 p. : ill. ; 21 cm
Subject: SOUND; COMPOSING; SHORE, HOWARD; COEN, JOEL & ETHAN; SPEECH; MUSIC, FILM; ROBBE-GRILLET, ALAIN; FASSBINDER, RAINER WERNER; BURWELL, CARTER; RABEN, PEER; HISTORY OF CINEMA. SOUND PERIOD; CAREFUL (CN, Guy Maddin, 1992); VOICES; VOYEURISM AND THE CINEMA; WELLES, ORSON; WOMEN IN FILMS; SYNCHRONIZATION
Notes: Includes index
ISBN: 187635108X
LON: 20110282
Contents: Part 1: Issues in film scores and sound design -- Composing with a very wide palette: Howard Shore in conversation -- Music for the films of Joel and Ethan Coen: Carter Burwell in conversation -- From analogue to digital: Yasunori Honda in conversation ; Part 2: Sensations of voice and speech -- I scream in silence: cinema, sex and the sound of women dying -- Eavesdropping: an aural analogue of voyeurism? / Elisabeth Wies -- Genre talk / Sarah Kozloff -- Threads of voice / Adrian Martin ; Part 3: Excursions in music and modernism -- Reelin' in the years: cinematic documentation of American vernacular music / David Sanjek -- The legacy of modernism: Peer Raben, film music and political aftershock / Caryl Flinn -- Sound music in the films of Alain Robbe-Grillet / Royal S Brown -- Part 4: Histories of song and sound -- Ornament, Entrance and the theme song / Will Straw -- The raw and the coded: sound conventions and the transition of talkies / Alan Williams -- Nickelodeons and popular song / Rick Altman

Call No: 751.0 (5) JON
Author: Jones, Andrew F.
Edition: 2020
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2020
PhysDes: ix, 274 pages : illustrated
Subject: CHINOISE, LA (FR, Jean-Luc Godard, 1967); CITY OF SADNESS, A [; TAIWAN; DYLAN, BOB; MUSIC IN FILMS; SHAW BROTHERS
Summary: What did Mao’s China have to do with the music of youth revolt in the 1960s? And how did the mambo, the Beatles, and Bob Dylan sound on the front lines of the Cold War in Asia? In Circuit Listening, Andrew F. Jones listens in on the 1960s beyond the West, and suggests how transistor technology, decolonization, and the Green Revolution transformed the sound of music around the globe. Focusing on the introduction of the transistor in revolutionary China and its Cold War counterpart in Taiwan, Circuit Listening reveals the hidden parallels between music as seemingly disparate as rock and roll and Maoist anthems. It offers groundbreaking studies of Mandarin diva Grace Chang and the Taiwanese folk troubadour Chen Da, examines how revolutionary aphorisms from the Little Red Book parallel the Beatles’ “Revolution,” uncovers how U.S. military installations came to serve as a conduit for the dissemination of Anglophone pop music into East Asia, and shows how consumer electronics helped the pop idol Teresa Teng bring the Maoist era to a close, remaking the contemporary Chinese soundscape forever. Circuit Listening provides a multifaceted history of Chinese-language popular music and media at midcentury. It profiles a number of the most famous and best loved Chinese singers and cinematic icons, and places those figures in a larger geopolitical and technological context. Circuit Listening’s original research and far-reaching ideas make for an unprecedented look at the role Chinese music played in the ’60s pop musical revolution. -- publisher's web site
ISBN: 9781517902070
Contents: Contents -- Acknowledgments -- Introduction. The East is Red: Towards a Sonic History of the 1960s -- 1. Circuit Listening at the Dawn of the Chinese 1960s -- 2. Quotation Songs: Media Infrastructure and Pop Song Form in Mao’s China -- 3. Fugitive Sounds of the Taiwanese Musical Cinema -- 4. Pirates of the China Seas: Vinyl Records and the Military Circuit -- 5. Folk Circuits: Rediscovering Chen Da -- 6. Teresa Teng and the Network Trace -- Appendix: “Listening to Songs in the Streets of Taipei” -- Hsu Tsang-Houei -- Notes -- Index

Call No: CRAWFORD STILL CLU
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1992?]
PhysDes: 60 photographs : col. ; 16 x 11 cm - 10 x 9 cm + 1 photographic sheet : b&w ; 26 x 21 cm + 2 negatives ; 26 x 21 cm + 18 transparencies : col. ; 120 mm + 115 negatives : b&w and col. ; 35 mm
Subject: DADDO, ANDREW; PAULL, NICKI; BADLER, JANE; MCFADYEN, IAN; TAFT, DAVID; MORROW, GEOFF; MOLONEY, PAUL; SUMNER, PETER; CLUEDO [TV] (AT, 1992 - 1993)
Summary: Photographs and negatives relating to Cluedo
Notes: Arrangement: Images are arranged by record type (photographs, 26 x 21 cm negatives, 120 mm transparencies then 35 mm negatives -- Negatives consist of 36 strips of photographic negatives
Donation: Gift of Crawford Productions

Call No: 408.1(5) COL
Author: Dissanayake, Wimal
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1994
PhysDes: xxix, 224 p. ; 25 cm
Subject: IMPERIALISM AND THE CINEMA. ASIAN COUNTRIES; NATIONAL IDENTITY IN FILMS. ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; JAPAN; CITY OF SADNESS, A [; TAIWAN; KOREA; THAILAND; INDONESIA; INDIA; SRI LANKA; VIETNAM; INDUSTRY, FILM. AUSTRALIA; HONG GAOLIANG (CC, Zhang Yimou, 1988); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977)
Notes: Includes bibliographical references and index
ISBN: 0253208955 (pbk. : alk. paper); 0253318041 (alk. paper)
LON: 10720440
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Call No: 408.1(5) COL
Author: Dissanayake, Wimal
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1994
PhysDes: xxix, 224 p. ; 25 cm
Subject: IMPERIALISM AND THE CINEMA. ASIAN COUNTRIES; NATIONAL IDENTITY IN FILMS. ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; JAPAN; CITY OF SADNESS, A [; TAIWAN; KOREA; THAILAND; INDONESIA; INDIA; SRI LANKA; VIETNAM; INDUSTRY, FILM. AUSTRALIA; HONG GAOLIANG (CC, Zhang Yimou, 1988); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977)
Notes: Includes bibliographical references and index
ISBN: 0253208955 (pbk. : alk. paper); 0253318041 (alk. paper)
LON: 10720440
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Call No: 71(5) CON
Source: UK
Place: Oxford
Publisher: Berg
PubDate: 2006
PhysDes: vi, 250 p. ; 24 cm
Series: Asian Cinema
Subject: ASIAN COUNTRIES; INDONESIA; MALAYSIA; SINGAPORE; VIETNAM; THAILAND; PHILIPPINES; INDIA; SRI LANKA; BANGALADESH; KOREA; CITY OF SADNESS, A [; TAIWAN; JAPAN
Summary: This book presents the most authoritative assessment of contemporary Asian cinema available. Each chapter describes the cultural aspects of popular film production, analyzing key films in the context of the national, the regional and the global. Topics covered include: film theory and Asian cinema, popular film genres, major industry figures, the "art film", connections between the state and commercial interests, cultural policies, representations of national identity, trends in international co-production, and more.
ISBN: 1845202376
ISSN: 17448719
Contents: -- Introduction to popular Asian cinema, with acknowledgements / Anne T. Ciecko; -- 1 Theorizing Asian cinema(s) / Anne T. Ciecko -- 2 Philippines : cinema and its hybridity / Jose B. Capino -- 3 Vietnam : chronicles of old and new / Panivong Norindr -- 4 Thailand : revival in an age of globalization / Anchalee Chaiworaporn and Adam Knee -- 5 Singapore : developments, challenges, and projections / Jan Uhde and Yvonne Ng Uhde -- 6 Malaysia : melodramatic drive, rural discord, urban heartaches / William van der Heide -- 7 Indonesia : screening a nation in the post-new order / Krishna Sen -- 8 Sri Lanka : art, commerce, and cultural modernity / Wimal Dissanayake -- 9 Bangladesh : native resistance and nationalist discourse / Zakir Hossain Raju -- 10 India : Bollywood's global coming of age / Jyotika Virdi and Corey K. Creekmur -- 11 Mainland China : public square to shopping mall and the new entertainment film / Augusta Lee Palmer -- 12 Taiwan : popular cinema's disappearing act / Emilie Yueh-yu Yeh -- 13 Hong Kong : cinematic cycles of grief and glory / Anne T. Ciecko -- 14 South Korea : film on the global stage / Hyangjin Lee -- 15 Japan : cause for (cautious) optimism / Darrell William Davis.

Call No: 81MAN ALV
Author: Alvarez, Max
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: 324 pages ; 24 cm
Subject: CRIME FILMS; FILM NOIR; MANN, ANTHONY; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942); STRANGERS IN THE NIGHT (US, Anthony Mann, 1944); TWO O'CLOCK COURAGE (US, Anthony Mann, 1945); GREAT FLAMARION, THE (US, Anthony Mann, 1945); STRANGE IMPERSONATION (US, Anthony Mann, 1946); DESPERATE (US, Anthony Mann, 1947); RAILROADED! (US, Anthony Mann, 1947); T-MEN (US, Anthony Mann, 1947); RAW DEAL (US, Anthony Mann, 1948); HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948); FOLLOW ME QUIETLY (US, Richard Fleischer, 1949); BORDER INCIDENT (US, Anthony Mann, 1949); SIDE STREET (US, Anthony Mann, 1950); TALL TARGET, THE (US, Anthony Mann, 1951)
Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIA
Notes: Includes bibliographical references, filmography and index
ISBN: 9781617039249
Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --

Call No: 81DEH FRE
Author: Freebury, Jane
Source: AT
Place: Straberry Hills, NSW
Publisher: Currency Press
PubDate: 2015
PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cm
Subject: DE HEER, ROLF; TAIL OF THE TIGER (AT, Rolf de Heer, 1984); INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988); DINGO (AT/FR, Rolf de Heer, 1991); BAD BOY BUBBY (AT, Rolf de Heer, 1993); EPSILON (AT/IT, Rolf de Heer, 1995); QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996); DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); TRACKER (AT, Tina Dalton & Gary Steer, 1996); ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003); TEN CANOES (AT, Rolf De Heer, 2006); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007); KING IS DEAD, THE (AT, Rolf de Heer, 2012); CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013)
Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]
Notes: Includes bibliographical references (pages 287-348)
ISBN: 9781925005585
Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : col. ; 9 x 13 cm
Subject: SULLIVAN, LEO; TAIT, PAUL; DARLING RIVER KIDS (AT, Nick Torrens and Werner Mayer, 1986)
Summary: Two colour photographs taken during the filming of Darling river kids

PhysDes: Article
Subject: SZABADITS MEG A GONOSZTOL (HU, Pal Sandor, 1978)
Summary: Review

Call No: 737(5-012) DIV
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: 2016
PhysDes: viii, 331 pages : illustrations ; 24 cm
Subject: WAR AND THE CINEMA; WAR FILMS; WORLD WAR II AND THE CINEMA; WORLD WAR II FILMS; WORLD WAR II FILMS. JAPAN; WORLD WAR II FILMS. USA; WORLD WAR II FILMS. CHINA; KOREAN WAR FILMS; SECOND SINO-JAPANESE WAR FILMS; TAIWAN; MANGA; VIDEO GAMES; COMPUTER GAMES; NATIONALISM AND THE CINEMA; ETHNIC GROUPS IN FILMS; [TWO THOUSAND AND NINE] 2009: LOST MEMORIES [2009 IOSEUTEU MAEMORIJEU] (KO, Si-myung Lee, 2002); BAMBOO HOUSE OF DOLLS [NU JIZHONGYING] (HK, Kuei Chih-Hung, 1973); CHILDREN OF HUANG SHI, THE (AT/CC/GE, Roger Spottiswoode, 2007); FRIENDS (JP/KO, 2002); SCARLET ROSE: THE GODDESSES OF JINLING [XUESE MEIGUI: JINLING NUSHEN] [TV](CC, Yu Liqing, 2007)
Summary: Exploring how the years of 1931-1953 have been recreated and negotiated in cinema. This period saw conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War and events such as the Rape of Nanjing, Pearl harbor, the Battle of Iwo Jima, and the bomibings of Hiroshina and Nagasaki. The films relating to the experiences of the countries China, Japan, Taiwan, Korea, and other Far East countries, as well as the United States of America are examined. - partially taken from cover
Notes: Formerly CIP. -- Includes bibliographical references (pages 291-305), filmography, television and video game lists (pages 281-290) and index
ISBN: 9780824851514
Donation: donated by Senses of Cinema
Contents: Acknowledgments -- Introduction: Divided Lenses / Michael Berry -- Part I : screen histories of war in East Asia -- War, history, and remembrance in Chinese cinema / Yingjin Zhang -- Of female spies and national heroes : a brief history of anti-Japanese films in Taiwan from the 1950s to the 1970s / Wenchi Lin -- The "division blockbuster" in South Korea: the evolution of cinematic representations of war and division / Hyangjin Lee -- Under the flag of the rising sun: imagining and reimagining the Pacific war in the Japanese cinema / David Desser -- Japanese manga and anime on the Asia-Pacific war experience / Kyu Hyun Kim -- Continuity and change in Hollywood's representations of American-Asian relations in war and peace / Robert Brent Toplin -- Part II : reading war trauma -- Oscillating histories : representations of comfort women from Bamboo House of Dolls to Imperial Comfort Women / Lily Wong -- Shooting the enemy : photographic attachment in The Children of Huang Shi and Scarlet Rose / Michael Berry -- War and nationalism in recent Japanese cinema : Yamato, trauma, and forgetting the postwar / Aaron Gerow -- The promise and limits of "pop culture diplomacy" in East Asia : contexts-texts-reception / Chiho Sawada -- History and its alternatives : war games as social form / Eric Hayot

Call No: 761 BEA
Author: Beattie, Keith
Source: UK
Place: Houndmills, Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2004
PhysDes: 276 p ; 21cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; IMPERIALISM AND THE CINEMA; CINEMA VERITE; CINEMA-DIRECT; JOURNALISTS, FILM; POPULAR CULTURE AND TV; REALITY TV; TABLOID JOURNALISM; POPULAR CULTURE AND THE CINEMA; AUSTRALIAN BROADCASTING CORPORATION; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; NATIONAL FILM BOARD OF CANADA; NATIONAL INDIGENOUS DOCUMENTARY FUND; NBC TELEVISION NETWORK; PUBLIC BROADCASTING SERVICE; NETWORK TEN; VIDEODISCS; GRANADA; IMAX; INDEPENDENT TELEVISION COMMISSION; INTERACTIVE TV; MUSIC TELEVISION; TELEVISION JOURNALISTS; BUERK, MICHEAL; CAVADINI, ALESSANDRO; DE ANTONIO, EMILE; DREW, ROBERT; DYLAN, BOB; FLAHERTY, ROBERT; GRIERSON, JOHN; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT; MAYSLES, DAVID; MCELWEE, ROSS; MOORE, MICHAEL; MORIN, EDGAR; O'ROURKE, DENNIS; PENNEBAKER, D. A.; PILGER, JOHN; ROUCH, JEAN; RUTTMAN, WALTER; TAJIRI, REA; VERTOV, DZIGA; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982); CHEQUER-BOARD [TV] (AT, 1969-1975); [FOUR] 4 CORNERS [TV] (AT, 1961-); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); BIG BROTHER [TV] (AT, 2001-); BIGGIE AND TUPAC (US, Nick Broomfield, 2001); BILL, THE [TV] (UK, 1984-); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002); BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999); CAMBODIA: YEAR ZERO (AT, John Pilger, 1989); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); CANNIBAL TOURS (AT, Dennis O'Rourke, 1987); CATHY COME HOME (UK, Ken Loach, 1966); COPS AND ROBBERSONS (US, Michael Ritchie, 1994); CROCODILE DUNDEE (AT, Peter Faiman, 1986); CUNNAMULLA (AT, Dennis O'Rourke, 2000); DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MONTEREY POP (US, D. A. Pennebaker, 1968); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); POLICE STATE (AT, Chris Noonan, 1989); SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993); WALKING WITH DINOSAURS[TV] (UK, 1999); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].
ISBN: 033374117X
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Call No: 81DEH STA
Author: Starrs, D. Bruno
Source: G
Place: Saarbrucken, Germany
Publisher: VDM, Verlag Dr Muller
PubDate: 2009
PhysDes: 105 p. ; 23 cm
Subject: AUTEUR THEORY; DE HEER, ROLF; TAIL OF THE TIGER (AT, Rolf de Heer, 1984); INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988); DINGO (AT/FR, Rolf de Heer, 1991); BAD BOY BUBBY (AT, Rolf de Heer, 1993); EPSILON (AT/IT, Rolf de Heer, 1995); QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996); DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); TRACKER, THE (AT, Rolf de Heer, 2002); ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003); TEN CANOES (AT, Rolf De Heer, 2006); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007)
Summary: " 'Dutch Tilt, Aussie Auteur: the Films of Rolf De Heer' is an auteur analysis of the twelve feature films directed (mostly written and produced) by Holland-born Australian Rolf De Heer. From the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger "(1984), to his break-out cult sensation " Bad Boy Bubby" (1993) which "tore Venice apart," to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the AFI awards and won the Special Jury prize at Cannes Film Festival, de Heer has been consistently unpredictable. However, Starr's close study of his work suggests that Australia's most innovative and respected Arthouse film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, de Heer's "Dutch tilt" is very much non-mainstream Hollywood, but is nevertheless representative of a typically Australian world-view." -- BOOK BLURB
Notes: Includes bibliographical references (p. 90-104)
ISBN: 9783639168341

Call No: TITLE CLIPPINGS FILE; T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Author: Byrnes, Paul
PhysDes: Clippings
Subject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Summary: Film review of T2 TRAINSPOTTING
Notes: This review was also published in the Sydney Morning Herald
Rating: 4 out of 5 stars

Call No: 71(51) ENC
Author: Yingjin Zhang; Zhiwei Xiao
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: 465 p. ; 25 cm
Subject: CITY OF SADNESS, A [; TAIWAN
Summary: This reference work is designed to provide, first of all, a comprehensive coverage of Chinese film in its historical, cultural, geopolitical, generic, thematic and textual aspects; and, secondly, a critical guide to assist the reader to navigate through these multiple aspects and to locate the exact information needed. In addition to the main body of entries on film people, film synopses, genres and subjects presented in alphabetical order, this book also containes: six historcal essays on Chinese, Hong Kong and Taiwan cinemas; classified contents list; cross-referencing throughout; further reading; bibliography; title index; name index; and glossary. [Edited from To The Reader]
ISBN: 0415151686

Call No: 721.1(391) ROB
Author: Robinson, Felicity
Edition: 1st ed.
Source: Australia
Place: Sydney
Publisher: Murdoch Books
PubDate: 2005
PhysDes: 192 p. : b+w ill. ; 22cm
Series: Australian Memories
Subject: NEWSREELS; AUSTRALIA; CINESOUND STUDIOS; FASHION AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; NOSTALGIA IN FILMS; HISTORICAL FILMS. AUSTRALIA; TABBERER, MAGGIE
Summary: The second title in the Australian Memories series, Fashion is a collection of film stills taken from the Cinesound and Movietone newsreels, which played in Australian cinemas from 1933 to 1975. Over the decades the newsreels covered women’s fashions in parades at nightclubs and restaurants, department stores, on the beach and in the streets. Informative captions and excerpts from the original voice-overs are accompanied by succinct and witty essays outlining the history of fashion during this period. [Taken from back cover]
ISBN: 1740456084

Author: Campi, Michael
PhysDes: Review
Subject: SZABO, ISTVAN; HUNGARY
Summary: Review of Istvan Szabo's "Apa" (Father), with comparisons to previous films "Age of Day Dreaming" and "You".

Author: Wollen, Peter
PhysDes: Article
Subject: SYMBOLIC ORDER; PATRIARCHAL DISCOURSE; SEMIOTICS; LANGUAGE AND THE CINEMA; GENDER AND THE CINEMA; WOMEN IN FILMS; AMY! (UK, Laura Mulvey & Peter Wollen, 1980); PENTHESILEA (UK, Laura Mulvey & Peter Wollen, 1974); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977)
Summary: A lengthy essay/article by Peter Wollen on semiotics and its relationship to a dominant patriarchal symbolic order within film. He explores the problematic of filmmakers attempting to counter patriarchal discourse. Wollen notes that one cinematic path is to avoid verbal language altogether and instead focus on icons, indices, images, and traces. However, Wollen rejects this option as ineffective as he places both verbal and visual language as crucial to the composition of films, in terms of both signifier and signified. Wollen also comments that in his counter-language projects with Laura Mulvey ("Amy!", "Penthesilea", and "Riddles of the Sphinx"), films where women's voices predominate in various modes, a fractured body of language has resulted

Call No: 736.35 TEO
Author: Teo, Stephen
PhysDes: 262 p ; 29 cm
Subject: TAIWAN; CITY OF SADNESS, A [; GENRES; HU, KING; CHANG, CHEH
Summary: This dissertation is a history of the wuxia genre demonstrating how it has underpinned the development of three Chinese cinemas: Shanghai, Hong Kong and Taiwan. [Taken from thesis summary.]
Notes: PhD thesis

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Call No: 67(04) FIL
Source: US
Place: Indianapolis ; New York
Publisher: Bobbs-Merrill Company
PubDate: 1974
PhysDes: xl, 369 p. ; 23 cm.
Subject: THEATRE AND THE CINEMA; POLICE IN FILMS; MASCULINITY IN FILMS; WOMEN IN FILMS; POLITICS IN FILMS; MONROE, MARILYN; FORD, JOHN; GRAPES OF WRATH, THE (US, John Ford, 1940); WEDDING IN WHITE (CN, William Fruet, 1972); KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971); KID BLUE (US, James Frawley & Dennis Hopper, 1973); PULP (US/UK, Mike Hodges, 1972); DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968); JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973); GODSPELL (US, David Greene, 1973); DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973); ICEMAN COMETH, THE (US, John Frankenheimer, 1980); SLITHER (US, Howard Zieff, 1973); TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973); WALKING TALL (US, Phil Karlson, 1973); LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973); BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975); DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973); YEAR OF THE WOMAN (US, Sandra Hochman, 1973); NYBYGGARNA (SW, Jan Troell, 1972); PAYDAY (US, Daryl Duke, 1972); NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973); ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972); STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970); SZERELEM (HU, Karoly Makk, 1971); SANMA NO AJI (JA, Yasujiro Ozu, 1962); O LUCKY MAN! (UK, Lindsay Anderson, 1973); LONG GOODBYE, THE (US, Robert Altman, 1973); AMERICAN GRAFFITI (US, George Lucas, 1973); MEAN STREETS (US, Martin Scorsese, 1973); BANG THE DRUM SLOWLY (US, John Hancock, 1973); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SISTERS (US, Brian De Palma, 1972); PAPER MOON (US, Peter Bogdanovich, 1973); WAY WE WERE, THE (US, Sydney Pollack. 1973); SAVE THE TIGER (US, John G. Avildsen, 1973); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); BLUME IN LOVE (US, Paul Mazursky, 1973); DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973); I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972); BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973); SCARECROW (US, Jerry Schatzberg, 1973); STING, THE (US, George Roy Hill, 1973); PAPILLON (US, Franklin J. Schaffner, 1973); DEEP THROAT (US, Jerry Gerard, 1972); LIVE AND LET DIE (US, Guy Hamilton, 1973); TANG SHAN DA XIONG (HK, Lo Wei, 1971); SERPICO (US, Sidney Lumet, 1973); MAGNUM FORCE (US, Ted Post, 1973); SEVEN-UPS, THE (US, Philip D'Antoni, 1973); HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973); CHARLEY VARRICK (US, Donald Siegel, 1973); SLEEPER (US, Woody Allen, 1973); PLAYTIME (FR, Jacques Tati, 1967); KING IN NEW YORK (US, Charles Chaplin, 1957); TOUCH OF CLASS, A (UK, Melvin Frank, 1973); EXORCIST, THE (US, William Friedkin, 1973); JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973); DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973)
Summary: Collection of essays of films that were released in America in 1973/1974.
Notes: Includes index.
ISBN: 0672519895
Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew Sarris
ID2: 291

Call No: 63 RAN
Author: Rancier, Jacques; Battista, Emiliano
Source: FR/US
Place: New York
Publisher: Berg Publishers
PubDate: 2006
PhysDes: viii, 196 pages ; 24 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; AUTEUR THEORY; CINEMATOGRAPHY; DOCUMENTARY FILMS; HISTORY AND THE CINEMA; HISTORY OF CINEMA; NARRATIVE IN FILMS; PHILOSOPHY AND THE CINEMA; SYMBOLISM IN FILMS; BRESSON, ROBERT; DELEUZE, GILLES; EPSTEIN, JEAN; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; LANG, FRITZ; MANN, ANTHONY; MARKER, CHRIS; MEDVEKIN, ALEXANDER; MURNAU, FRIEDRICH WILHELM; YASUJIRO OZU; RAY, NICHOLAS; ROSSELLINI, ROBERTO; VERTOV, DZIGA; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FAUST (G, Friedrich Wilhelm Marnau, 1926); WHILE THE CITY SLEEPS (US, Fritz Lang, 1955)
Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."
Notes: Includes index
ISBN: 9781845201685
ID2: 291

Call No: 802.253 RED
Author: Redding, Judith M; Brownworth, Victoria A
Place: Seattle
Publisher: Seal Press
PubDate: 1997
PhysDes: 293 p. : ill. ; 24 cm
Subject: DIRECTORS; CAMPION, JANE; LIGHT, ALLIE; PARMAR, PRATIBHA; Lupino, Ida; PARKERSON, MICHELLE; SAALFIELD, CATHERINE; HAMMER, BARBARA; FRIEDRICH, SU; TRINH, T. MINH-HA; NEGRON-MUNTANER, FRANCES; MOHABEER, MICHELLE; TAIT, MARGARET; WELBON, YVONNE; AYOKA, CHENZIRA; BENNING, SADIE; BORDEN, LIZZIE; SEIDELMAN, SUSAN; NAIR, MIRA; GORRIS, MARLEEN; ANDERS, ALLISON; DASH, JULIE; ROZEMA, PATRICIA; PORTILLO, LOURDES; DAVIS, ZEINABU IRENE; DEITCH, DONNA; BHARADWAJ, RADHA; OXENBERG, JAN; MEHTA, VIJAYA; BALLETBO-COLL, MARTA; ZIMMERMAN, DEBRA; VACHON, CHRISTINE; GRIFFIN, ADA GAY; GRIER, BARBARA
Notes: Filmography: p; Includes bibliographical references
ISBN: 1878067974
LON: 97029205; 13395017

Author: Zaagsma, Frank
PhysDes: Article
Subject: INDUSTRY, FILM. EUROPEAN COUNTRIES; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); CSEND ES KIALTAS (HU, Miklos Jancso, 1968)
Summary: Zaagsma interviews Hungarian filmmaker Miklos Jancso on Hungarain cinema and his films.

Call No: 71(439.1) ZSU
Author: Zsugan, Istvan
Publisher: [Brochures of Information]
PhysDes: 42 p. ; 17 cm
Subject: FABRI, ZOLTAN; JANCSO, MIKLOS; KOVACS, ANDRAS; SZABO, ISTVAN; KOSA, FERENC; HUNGARY
Summary: Interivews with Zoltan Fabri, Miklos Jancso, Andras Kovacks, Istvan Szabo, and Ferenc Kosa

Call No: 30(51) WAN
Publisher: Rowman and Littlefield
PubDate: 2003
PhysDes: 234 cm ; 23 cm
Subject: CITY OF SADNESS, A [; DISTRIBUTION; PIRACY; COPYRIGHT; TAIWAN
Summary: Framing Piracy examines film distribution - both legal and illegal - in the largest, mostly untapped market in the world: Greater China. Tracing networks of optical disc (VCD, DVD) and online piracy, this book tackles issues of politics, globalization, and technology. It features a wealth of original research, new distribution data, and interviews with film distributors, government officials, and film pirates. With changes afoot in China upon its entry into the World Trade Organization, this timely book shows that such transformations have far-reaching implications for policy, theory and practice. [Taken form back cover].
ISBN: 072519805

Call No: 465(94) GEN
Author: Taylor, Anthea; McIntyre, Joanna
Edition: 2021
Place: Oxon
Publisher: Routledge
PubDate: 2021
PhysDes: 236 pages ; 24 cm
Subject: GENDER AND THE CINEMA. AUSTRALIA; HARRIS, ROLF; CROWE, RUSSELL; GADSBY, HANNAH; SPICER, TRACEY; CARLOTTA; SZUBANSKI, MAGDA; KEDDIE, ASHER; OFFSPRING [TV] (AT, 2010); ME TOO
Summary: This intellectually vibrant volume is the first collection to deal with Australian celebrity in ways that account for both cultural and gendered specificities, demonstrating how gendered ways of imagining Australia are reinforced and contested in celebrity representations and self-presentations. Gender and Australian Celebrity Culture engages with celebrities across a diverse range of fields – actors, journalists, athletes, comedians, writers, and television personalities – and in doing so critically reflects upon different forms of Australian fame and the media platforms and practices that sustain them. Authors in this volume engage directly with pertinent issues relating to gender and sexuality, including celebrity feminism and the generative capacity of feminist rage; normative femininity and its instability; hegemonic masculinities; and queerness and its (in)visibility. Contributors also intervene in a number of ongoing debates in media and cultural studies more broadly, including those around the politics and affordances of digital media; whiteness and Australia’s colonial histories; celebrity labour; and methodologies for celebrity studies. This timely collection urges scholars of celebrity to attend further both to the gendered nature of celebrity culture and to local conditions of production and consumption. This book will be of key interest to researchers and graduate students in cultural studies, television and film studies, digital media studies, critical race and whiteness studies, gender and sexuality studies, and literary studies. -- publisher's web site
ISBN: 9781138366220
Contents: Introduction: ‘Gendering Australian celebrity’, Anthea Taylor and Joanna McIntyre Part I - Celebrity masculinities and settler colonialism -- Chapter One: ‘From mild colonial boy to Jake the Paed: Rolf Harris and Australian celebrity masculinity in the UK’, Tanya Serisier -- Chapter Two: ‘The manly whiteness of Russell Crowe’, Sean Redmond -- Chapter Three: ‘Johnathan Thurston, Indigeneity, and technologies of masculinity in Australian sporting celebrity culture’, Holly Randell-Moon Part II - Feminist politics and celebrity feminisms -- Chapter Four: ‘Celebritised anger: Theorising feminist rage, voice, and affective injustice through Hannah Gadsby’s Nanette’, Jilly Kay Boyce -- Chapter Five: ‘Clementine Ford, online misogyny, and the labour of celebrity feminism’, Anita Brady -- Chapter Six: "Good" girl turned "bad": Tracey Spicer’s memoir, celebrity feminist journalism, and #MeToo activism in Australia’, Anthea Taylor Part III - Queer celebrity and marginalised subjectivities -- Chapter Seven: ‘Interviewing a queer national celebrity: Carlotta as an "outsider within" Australian celebrity culture’, Joanna McIntyre -- Chapter Eight: ‘"It was nice for me watching that, because [Magda Szubanski] was very calming": LGBTIQ+ Australians respond to marriage equality activism’, Lucy Watson Part IV - Self-presentation and celebrity femininities -- Chapter Nine: ‘"I can call myself Australian if I want to": Natalie Tran and Asian Australian femininity on YouTube’, Sara Tomkins -- Chapter Ten: ‘Disarming femininity: Annabel Crabb, celebrity, politics and culture’, Frances Bonner -- Chapter Eleven: ‘"Australian TV’s golden girl": Asher Keddie, Offspring, and the celebrity motherhood narrative’, Renee Middlemost

Call No: 62 JAM
Author: Jameson, Fredric
Place: Bloomington London
Publisher: Indiana University Press BFI Pub.
PubDate: 1992
PhysDes: xvi, 220 p. : ill. ; 23 cm
Subject: POSTMODERNISM AND THE CINEMA; SOCIETY AND THE CINEMA; CONSPIRACY FILMS; AESTHETICS; MEDIA; NARRATIVE IN FILMS; TECHNOLOGY AND THE CINEMA; THIRD WORLD; GODARD, JEAN-LUC; RENOIR, JEAN; TARKOVSKY, ANDREI; TAHIMIK, KIDLAT; GIDE, ANDRE; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); BLOWOUT (US, Brian De Palma, 1981); PARALLAX VIEW, THE (US, Alan J. Pakula, 1974); PASSION (FR/SZ, Jean-Luc Godard, 1982); SALVADOR (US, Oliver Stone, 1986); VIDEODROME (CN, David Cronenberg, 1983); K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986); UNDER FIRE (US, Roger Spottiswoode, 1983)
Notes: Includes bibliographical references and index
ISBN: 0253330939 (U.S.); 0851703119 (England)
LON: 8458641

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 20 x 25 cm
Subject: SZEPS, HENRI; DUGGAN, GERRY; NOYCE, PHIL; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976)
Summary: Three black and white photographs relating to the film 'God knows why, but it works'

Call No: 79 HEY HEY
Source: AT
Place: Elwood, Vic.
Publisher: Bridgewater Books
PubDate: 1988
PhysDes: 96 p. : col. ill. ; 28 cm
Subject: COMEDY PROGRAMMES. AUSTRALIA; LIGHT ENTERTAINMENT. AUSTRALIA; TELEVISION. AUSTRALIA; HEY HEY IT'S SATURDAY [TV] (AT, 1971-1999); SOMERS, DARYL; SYMONS, RED
Summary: "In this fast world we live in, televisions shows come and go. Hey Hey It's Saturday is just taking a little longer than most. So, in time to come, you can be assured that, in this book, you have purchased a rare memento of unparalleled trivia that, like an old bottle of wine (and some of our crew), should be laid down and completely forgotten." - FOREWORD
Notes: Dedicated to the late Ricky May
ISBN: 0864362056

Call No: 71(439.1) PET
Author: Petrie, Graham
Edition: 2nd ed
Place: [Budapest]
Publisher: Corvina KiadGo
PubDate: 1981
PhysDes: viii, 284 p., [28] leaves of plates : ill. ; 19 cm
Subject: HUNGARY; SZABO, ISTVAN; JANCSO, MIKLOS
Notes: Includes index; Bibliography: p. [249]-251; Filmography: p. [252]-276
ISBN: 9631313042
LON: 2342173

Author: Street, Sarah
PhysDes: Serial
Subject: SYMBOLISM IN FILMS; FEMININITY IN FILMS; HITCHCOCK, ALFRED; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); REAR WINDOW (US, Alfred Hitchcock, 1954); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); MARNIE (US, Alfred Hitchcock, 1964)
Summary: Looks at the symbolism of the "feminine object" of the handbag in Hitchcock's films; most notably in "Dial M for Murder", "Rear Window", "Vertigo", "Psycho", and "Marnie." Discusses the representation of femininity and the ways in which it can be used in a powerful, resourceful and often subversive manner in the context of the patriarchal, pre-second-wave-feminism society in which Hitchcock's films were made.

Call No: PERSONALITY CLIPPINGS FILE; REFERENCE SECTION; 058 INT "1982"
Author: Cowie, Peter
Place: London
Publisher: Tantivy Press
PubDate: 1981
PhysDes: v.
Subject: SCHLONDORFF, VOLKER; SEN, MRINAL; SZABO, ISTVAN; REISZ, KAREL; PIALAT, MAURICE
ISBN: 0498025683

Author: Altman, Rick; Abel, Richard
PhysDes: Article; Bibliography; Illustration(s)
Subject: HISTORY OF CINEMA. SOUND PERIOD; SOUND EQUIPMENT; SYNCHRONIZATION; JAZZ SINGER, THE (US, Alan Crosland, 1927)
Summary: Introduction to the 'Special domitor Issue: global experiments in early synchronous sounds'.

Author: Ivan Bakonyi
Subject: BANDE A PART (FR, Jean-Luc Godard, 1964); REPETITION IN FILMS; SYMBOLISM IN FILMS
Summary: Notes the formal construction of Godard's "Bande a part", based around repetition and alternating scenes, also the depiction of the figure "13". In French.

Call No: 71(94)(=1-81) SYR
Author: Kearney, Briann; Syron, Brian
Source: AT
Place: [United States of America]
Publisher: Lulu Inc
PubDate: c2007
PhysDes: 1 vol. [unpaged] ; 28x21 cm
Subject: ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS ON TV; SYRON, BRIAN; KEARNEY, BRIANN
Summary: "A history of Indigenous filmmakers from 1968-1993 including non Indigenous films for and about Indigenous people" - Libraries Australia
Notes: Includes bibliographical references and index.; Originally published: Sydney, Donobri International Communications, 1996.
ISBN: 9781847993649
Contents: -- Early days -- chapter 2: the sixties -- chapter 3: the seventies -- 1970 -- 1971 -- 1972 -- 1973 -- 1974 -- 1975 -- 1976 -- 1977 --1978 -- 1979 -- chapter 4: the eighties -- 1980 -- 1981 -- 1982 -- 1983 -- 1984 -- 1985 -- 1986 -- 1987 -- 1988 -- 1989 -- chapter five: the nineties -- 1990 -- 1991 -- 1992 -- 1993 -- reference listings -- feature films -- short films -- series/mini series -- documentaries --

Author: Williams, Ross
PhysDes: Article; Review
Subject: JOE (US, John G. Avildsen, 1970); TRUFFAUT, FRANCOIS; ROHMER, ERIC; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); GODARD, JEAN-LUC; ANDRADE, JOAQUIM PEDRO DE; SKOLIMOWSKI, JERZY; KUROSAWA AKIRA; TRISTANA (SP/IT/FR, Luis Bunuel, 1970); BUNUEL, LUIS; FAUTE DE L'ABBE MOURET, LA (FR/IT, Georges Franju, 1970); FRANJU, GEORGES; KES (UK, Kenneth Loach, 1970); LOACH, KENNETH; SZABO, ISTVAN
Summary: Review of the highlights of the 1971 Melbourne Film Festival.
ID2: 291

Call No: 753 MOD
Author: Horton, Andrew S.; Magretta, Joan
Source: US
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1981
PhysDes: xiv, 383 p. : ill. ; 22 cm
Subject: ADAPTATIONS; EUROPEAN CINEMA; BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977); CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960); TWO WOMEN (IT/FR, Vittorio De Sica, 1960); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); DECAMERON, THE [DECAMERON, IL] (IT/FR/GW, Pier Paolo Pasolini, 1971); EFFI BRIEST (GW, Rainer Werner Fassbinder, 1974); FALSCHE BEWEGUNG (GW, Wim Wenders, 1975); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); FEMME DOUCE, UNE (FR, Robert Bresson, 1969); HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974); DIARY OF A COUNTRY PRIEST [; JULES ET JIM (FR, Francois Truffaut, 1962); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1960); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); RONDE, LA (FR, Max Ophuls, 1950); SUZANNE SIMONIN, LA RELIGIEUSE DE DIDEROT (FR, Jacques Rivette, 1967 [prod. 1965]); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975); LOST HONOUR OF KATHARINA BLUM, THE (GW, Volker Schlondorff & Margarethe von Trotta, 1975); WILDENTE, DIE (GW/AU, Hans W. Geissendorfer, 1976); WILD DUCK, THE (GW/AU, Hans W. Geissendorfer, 1976); ZAZIE DANS LE METRO (FR, Louis Malle, 1960); MARQUIS OF O..., THE (GW/FR, Erich Rohmer, 1975)
Summary: Adaptation as an art in itself is the theme of these original essays by leading film scholars and critics. Starting with some of the finest European films produced since World War II, they investigate the literary source of each. But their emphasis is on film, and their writing challenges the conventional assumption that a great book must inevitably make an inferior movie. It is the editors' premise that adaptation, especially in the hands of a gifted director, can be a lively and creative art. The essays offer a fresh perspective on both films and their directors - among them Antonioni, Bertolucci, Bunuel, Fassbinder, Godard, Ophuls, Truffaut. The genesis of films such as Blow-Up, The Conformist, and Jules et Jim is explored often frame-by-frame, for a fuller understanding of the creative process of filmmaking." - BOOK BLURB
Notes: Includes index; Bibliography: p. [369]-371; Filmography: p. [357]-367
ISBN: 0804424039 : $14.95; 0804462771 (pbk.) : $6.95
LON: 79048073; 1813405
Contents: Delannoy's La Symphonie Pastorale (1946) from the novel by Andre Gide / Dudley Andrew -- Bresson's Diary of a Country Priest (1951) from the novel by Georges Bernanos / Dudley Andrew -- Ophul's La Ronde (1959) from the play by Arthur Schnitzler / Alan Williams -- Vadim's Les Liaisons Dangereuses 1960 (1959) from the novel by Pierre Choderlos de Laclos / John F. Fell -- Malle's Zazie dans le Metro (1960) from the novel by Raymond Queneau / Andrew Horton -- De Sica's Two Women (1961) from the novel by Alberto Moravia / Ruth Prigozy -- Truffaut's Jules et Jim (1961) from the novel by Henri-Pierre Roche / Stuart Y. MacDougal -- Godard's Le Mepris (1963) from the novel A Ghost at Noon by Alberto Moravia / Marsha Kinder -- Rivette's Le Religieuse (1966) from the novel by Denis Diderot / Ira Konigsberg -- Antonioni's Blow-Up (1966) from the short story by Julio Cortazar / Neil D. Isaacs -- Fellini Satyricon (1969) from the "novel" by Petronius / Bernard F. Dick -- Bresson's Une Femme Douce (1969) from the story "The Gentle Creature" by Fyodor Dostoevsky / Lindley Hanlon -- Bunuel's Tristana (1970) from the novel by Benito Perez Galdos / Charles Eidsvik -- Wender's The Goalie's Anxiety at the Penalty Kick (1971) from the novel by Peter Handke / Peter Brunette -- Pasolini's Decameron (1971) from The Decameron by Giovanni Boccaccio / Ben Lawton -- Bertolucci's The Conformist (`97`) from the novel by Alberto Moravia / T. Jefferson Kline -- Tavernier's The Clockmaker (1973) from the novel The Clockmaker of Everton by Georges Simenon / William R. Magretta and Joan Magretta -- Fassbinder's Effi Briest (1974) from the novel by Theodore Fontane / William R. Magretta -- Wender's Wrong Movement (1974) freely based on Wilhelm Meister's Apprenticeship by Johann Wolfgang Goethe / Peter Harcourt -- Schlondorff & von Trotta's The Lost Honor of Katharina Blum (1975) from the novel by Heinrich Boll / William R. Magretta and Joan Magretta -- Geissendorfer's The Wild Duck (1976) from the play by Henrik Ibsen / Birgitta Steene -- Rohmer's The Marquise of O... (1976) from the story by Heinrich von Kliest / Alan Spiegel -- Bunuel's That Obscure Object of Desire (1977) from the novel The Woman and the Puppet by Pierre Louys / Michael Wood

Call No: 70 ROT
Author: Rotha, Paul
Place: London New York
Publisher: The Studio, ld. The Studio publications, inc
PubDate: [1936]
PhysDes: ix,142 p. : illus. ; 30 cm
Subject: ADVENTURE FILMS; AVANT-GARDE FILMS; COMEDIES; CRIME FILMS; DOCUMENTARIES; INSTRUCTIONAL FILMS; EPIC FILMS; FANTASTIC FILMS; HISTORICAL FILMS; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; INSTRUCTIONAL FILMS; MELODRAMA; MUSICALS; ROMANIES IN FILM; SATIRE IN FILMS; WAR FILMS; WESTERNS; BIG PARADE, THE (US, King Vidor, 1925); CHYORTOVO KOLESO (UR, Grigori Kozintsev & Leonid Trauberg, 1926); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); GENERAL, THE (UK, John Boorman, 1998); GOLD RUSH, THE (US, Charles Chaplin, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); IRON HORSE, THE (UK, John Ford, 1924); LOST PATROL, THE (US, John Ford, 1934); OUR HOSPITALITY (US, Buster Keaton & John Blystone, 1923); PUBLIC ENEMY, THE (US, William Wellmen, 1931); QUICK MILLIONS (US, Rowland Brown, 1931); SON OF KONG (US, Ernest B. Schoedsack, 1933); SPEEDY (US, Ted Wilde, 1928); TABU (US, Friedrich Wilhelm Murnau, 1931); TESTAMENT DES DOKTOR MABUSE, DAS (G, Fritz Lang, 1933); WINGS (US, William Wellman, 1927); WOMAN OF PARIS, A (US, Charles Chaplin, 1923)
Notes: Title on two leaves; "Pictorial survey ... some 600 stills ... from all parts of the world."--p. [iv]
LON: 1376838

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR/IT, Claude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 71(5) MUL
Source: US
Place: Philadelphia PA
Publisher: Temple University Press
PubDate: 2003
PhysDes: 250 p. ; 25 cm
Subject: ASIAN COUNTRIES; GLOBALISATION; CITY OF SADNESS, A [; TAIWAN; JAPAN; KOREA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; NATIONAL IDENTITY AND THE CINEMA; GENDER AND THE CINEMA. CHINA; KWOK WAH LAU JENNY
Summary: Multiple Modernities explores the cultural terrain of East Asia. Arguing that becoming modern happens differently in different places, the contributors examine popular culture – most notably cinema and television – to see how modernization, as both a response to the West and a process that is unique in its own right in the region, operates on a mass level. Included in this collection are significant explorations of popular culture in East Asia, including Chinese new cinema and rock music, Korean cinema, and Taiwanese television, as well as discussions of alternative arts in general. While each essay focuses on specific nations or cinemas, the collective effect of reading them is to offer a comprehensive, in-depth picture of how popular culture in East Asia operates to both generate and reflect the immense change this significant region of the world is undergoing. [Taken from back cover.]
ISBN: 1566399866

Author: Hodsdon, Bruce
PhysDes: Article
Subject: JANCSO, MIKLOS; IGY JOTTEM (HU, Miklos Jancso, 1964); SZEGENYLEGENYEK (HU, Miklos Jancso, 1966)
Summary: Article discusses how Jancso's interest in politics and history are expressed in his films.

Call No: 71(51) NEW
Author: Browne, Nick
Edition: New ed
Publisher: Cambridge University Press
PubDate: 1995
PhysDes: [275] p. : ill. ; 23 cm
Subject: CITY OF SADNESS, A [; TAIWAN; POLITICS AND THE CINEMA. CHINA; MELODRAMA. CHINA; XIE, JIN; HOU HSIAO-HSIEN; HUANG, JIANXIN; NILOUHE NUER (TZ, Hou Hsiao-Hsien, 1988); CUO WEI (CC, Huang Jianxin, 1987); SI SHUI LIU NIAN (HK/CC, Yim Ho, 1984); TIANYUNSHAN CHUANQI (CC, Xie Jin, 1980); SHENG GANG QI BING (HK, Johnny Mak, 1985); K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986); LUN HUI (CC, Huang Jianxin, 1989); DO MA DAN (HK, Tsui Hark, 1986); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987)
Notes: I. FILM IN THE PEOPLE'S REPUBLIC: 1. Spatiality and subjectivity in Xie Jin's film melodrama of the new period -- 2. Society and subjectivity: on the political evonomy of Chinese melodrama -- 3. Huang Jianxin and the notion of postsocialism -- 4. Neither one thing nor another: toward a study of the viewing subject and Chinese cinema of the 1980s -- II. FILM IN TAIWAN AND HONG KONG: 5. Remapping Taipei -- 6. The ideology of initiation: the films of Hou Hsiao-hsien -- 7. The return of the father: Hong Kong new wave and its Chinese context in the 1980s -- 8. Border crossing: mainland China's presence in Hong Kong cinema -- 9. Two films from Hong Kong: parody and allegory
ISBN: 0521448778 (pbk)
LON: 11806054

PhysDes: Article
Subject: ROADSIDE PROPHETS (US, Abbe Wool, 1992); EMBASSY ROADSHOW; TABLE FOR FIVE (US, Robert Lieberman, 1983); CLINIC, THE (AT, David Stevens, 1982); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); HIGH ROAD TO CHINA (US, Brian G. Hutton, 1983)
Summary: Film news from Roadshow

Call No: TITLE CLIPPINGS FILE; T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Summary: Review of the film T2: TRAINSPOTTING
Rating: 2.5 out of 5 stars

Call No: 771.1 OTH
Author: Cornwell, Regina, 1941
CorpAuthor: American Federation of Arts
Place: New York, N.Y.
Publisher: The Federation
PubDate: c1983
PhysDes: 91 p. : ill. ; 23 cm
Subject: AVANT-GARDE FILMS. EUROPEAN COUNTRIES; HEIN, BIRGIT & WILHEIM; KREN, KURT; NEKES, WERNER; POTTER, SALLY; SCHROETER, WERNER; STRAUB, JEAN-MARIE; HUILLET, DANIELE; TAIT, MARGARET; Wenders, Wim; ZWARTJES, FRANS; WELSBY, CHRIS; WYBORNY, KLAUS; SMITH, JOHN; LEGGETT, MIKE; LE GRICE, MALCOM; MOMMARTZ, LUTZ; O., DORE; GOTOVAC, TOMISLAV; KRISTL, VLADO; NOOIJER, PAUL DE; BODY, GABOR; BOLTANSKI, CHRISTIAN; BARUCHELLO, GIANFRANCO
Notes: Bibliography: p. 88-89; Includes filmographies
ISBN: 0917418743 (pbk.)
LON: 3032991

Call No: PERSONALITY CLIPPINGS FILE
Author: Verghis, Sharon
PhysDes: Clippings File Article
Subject: WOMEN ON TV. AUSTRALIA; FRANCIS, JEANNETTE; TAGUCHI, KUMI; SAMPSON, YVONNE
Summary: Profile on three Australian female TV show presenters

Author: Coleman, Lindsay
PhysDes: Article
Subject: LEGEND OF BEN HALL, THE (AT, Matthew Holmes, 2016); SZILVESTER, PETER
Summary: Cinematographer Peter Szilvester talks about working on the Australian bushranger film The Legend of Ben Hall. He talks about shooting a period film and working on location among other things.

Call No: 71(51) PER
Author: Berry, Chris
Place: London
Publisher: BFI Pub.
PubDate: 1991
PhysDes: vii, 234 p. : ill. ; 23 cm
Subject: CITY OF SADNESS, A [; PEOPLE'S REPUBLIC OF CHINA; TAIWAN; NATIONAL CULTURE IN FILMS; MOVEMENTS AND STYLES IN FILM HISTORY; SOCIAL GROUPS IN FILMS; GENDER AND THE CINEMA; ANIMATED FILMS; ZHUANGZHUANG, TIAN; JUNZHAO, ZHANG; YIGONG, WU; WAN, LAIMING; WAN, GUCHAN; WAN, DIHUAN; WAN, CHAOCHEN; CHUSHENG, CAI; KAIGE, CHEN; HSIAO-HSIEN, HOU; MEI, HU; BAN, LU; DONGSHAN, SHI; HUA, SHUI; YU, SUN; TIANMING, WU; YIGONG, WU; JIN, XIE; YANG, EDWARD; JUNZHAO, ZHANG; YIMOU, ZHANG; JUNLI, ZHENG; LI SHUANG SHUANG (CC, Lu Ren, 1962) SEE LI SHUANGSHUANG; XI YING MEN, (CC, Zhao Huanzhang, 1982); HUANG TUDI (CC, Chen Kaige, 1984); HONG GAOLIANG (CC, Zhang Yimou, 1987)
Notes: First published 1985; Includes bibliographical references, short biographies of major directors, chronology and indexes of names and film titles
ISBN: 0851702716; 0851702724 (pbk.)
LON: 7777062 7777062

Call No: 203(51) CUR
Author: Curtin, Michael
Source: US
Place: Berkeley, California
Publisher: University of California Press
PubDate: 2007
PhysDes: x, 341 p. : ill. ; 24 cm
Subject: CITY OF SADNESS, A [; TAIWAN; SINGAPORE; GLOBALISATION
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780520251342
Contents: Introduction : media capital in Chinese film and television -- 1. The Pan-Chinese studio system and capitalist paternalism -- 2. Independent studios and the golden age of Hong Kong cinema -- 3. Hyperproduction erodes overseas circulation -- 4. Hollywood takes charge in Taiwan -- 5. The globalization of Hong Kong television -- 6. Strange bedfellows in cross-strait drama production -- 7. Market niches and expanding aspirations in Taiwan -- 8. Singapore : from state paternalism to regional media hub -- 9. Reterritorializing star TV in the PRC -- 10. Global satellites pursuing local audiences and panregional efficiencies -- 11. The promise of broadband and the problem of content -- 12. From movies to multimedia : connecting infrastructure and content -- Conclusion : structural adjustment and the future of Chinese media.

Call No: 802 PRO v.4 1/2
Author: Boorman, John, 1933; Donohue, Walter
CorpAuthor: Positif
Place: London
Publisher: Faber and Faber
PubDate: 1995
PhysDes: vii, 312 p. : ill., ports. ; 24 cm
Subject: Keaton, Buster; ALTMAN, ROBERT; ASSAYAS, OLIVIER; WARHOL, ANDY; BOORMAN, JOHN; COEN, JOEL & ETHAN; PRICE, VINCENT; LANG, FRITZ; EASTWOOD, CLINT; FREARS, STEPHEN; FULLER, SAMUEL; ALLEN, WOODY; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; REISZ, KAREL; VON STROHEIM, ERICH; RUIZ, RAUL; SEN, MRINAL; TAVERNIER, BERTRAND; ALMEREYDA, MICHAEL; JARMAN, DEREK; LOWENSTEIN, RICHARD; POTTER, SALLY; ROUSSELOT, PHILIPPE; TOLKIN, MICHAEL; WARD, VINCENT; ZINNEMANN, FRED; ANGELOPOULOS, THEO; AVATI, PUPI; MARVIN, LEE; BREILLAT, CATHERINE; BRISSEAU, JEAN-CLAUDE; CAVALIER, ALAIN; CHABROL, CLAUDE; BUGIN, HARRY; COMENCINI, LUIGI; DE FILIPPO, EDUARDO; CORMAN, ROGER; CORNEAU, ALAIN; DEVILLE, MICHEL; DIEGUES, CARLOS; EGOYAN, ATOM; MACKENDRICK, ALEXANDER; GAAL, ISTVAN; GREENAWAY, PETER; HARRIS, JAMES B.; HELLMAN, MONTE; IOSELIANI, OTAR; BARNET, BORIS; KAZAN, ELIA; KEZDI-KOVACS, ZSOLT; KIAROSTAMI, ABBAS; KLOPCIC, MATJAZ; A TOUT ALLURE (FR, Robert Kramer, 1982); LATTUADA, ALBERTO; LECONTE, PATRICE; LEIGH, MIKE; LOACH, KENNETH; MAKAVEJEV, DUSAN; PEREIRA DOS SANTOS, NELSON; MINGOZZI, GIANFRANCO; MONICELLI, MARIO; PARRISH, ROBERT; PENN, ARTHUR; PINTILIE, LUCIAN; POLANSKI, ROMAN; RIPSTEIN, ARTURO; RISI, DINO; RISSIENT, PIERRE; ROHMER, ERIC; ROSI, FRANCESCO; RUDOLPH, ALAN; SARMIENTO, VALERIA; SAUTET, CLAUDE; SCHATZBERG, JERRY; SCHRADER, PAUL; SIJAN, SLOBODAN; STEVENIN, JEAN-FRANCIS; TAVIANI, PAOLO & VITTORIO; VARDA, AGNES; YANG, EDWARD; ZANUSSI, KRZYSZTOF; ZULAWSKI, ANDREJ; KERRIGAN, LODGE; LINKLATER, RICHARD; RIDLEY, PHILIP; ROBERTS, JULIA; RUSSELL, DAVID O.; SHERMAN, VINCENT; DAVIS, BETTE; SIEGEL, DAVID; MCGEHEE, SCOTT; SODERBERGH, STEVEN; TOBACK, JAMES; BABY DOLL (US, Elia Kazan, 1956); TEOREMA (IT, Pier Paolo Pasolini, 1968); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); HUSTLER, THE (US, Robert Rossen, 1961); MIRAGE (US, Edward Dmytryk, 1965); BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964); POSITIF
Notes: "In association with Positif."; "Centenary edition"--P. vii
ISBN: 0571176097
LON: abn96057645; 12129416

Call No: 802 PRO v.7
Author: Boorman, John, 1933; Donohue, Walter
Place: London
Publisher: Faber & Faber
PubDate: 1997
PhysDes: x, 301 p. : ill., ports. ; 24 cm
Subject: SCORSESE, MARTIN; CAPRA, FRANK; BARRON, BEBE; DORMAEL, JACO VAN; SCHOONMAKER, THELMA; DE NIRO, ROBERT; FORD, JOHN; ROCHA, GLAUBER; BERTOLUCCI, BERNARDO; RENOIR, JEAN; OPHULS, MAX; MASTROIANNI, MARCELLO; FERRARA, ABEL; ASSAYAS, OLIVIER; CURTIS, JAMIE LEE; LEIGH, JANET; BURNS, LILLIAN; GIRARDOT, HIPPOLYTE; MCDORMAND, FRANCES; MITCHUM, ROBERT; HODGSON, PIERRE; COX, BRIAN; CARON, LESLIE; SYMS, SYLVIA; WRIGHT, TERESA; COPPOLA, FRANCIS FORD; DE PALMA, BRIAN; SPIELBERG, STEVEN; LUCAS, GEORGE; Tarantino, Quentin; WALSH, RAOUL; HUSTON, JOHN; MCCAREY, LEO; Lupino, Ida; CASSAVETES, JOHN; WELLES, ORSON; HITCHCOCK, ALFRED; WOO, JOHN [pseud. of Wu Yusen]; DAFOE, WILLEM; SIRK, DOUGLAS; ALMEREYDA, MICHAEL; BOORMAN, JOHN; BAD LIEUTENANT (US, Abel Ferrara, 1992); CASINO (US, Martin Scorsese, 1995); TAXI DRIVER (US, Martin Scorsese, 1976); MEAN STREETS (US, Martin Scorsese, 1973); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); RAGING BULL (US, Martin Scorsese, 1980); KING OF COMEDY, THE (US, Martin Scorsese, 1983); GOODFELLAS (US, Martin Scorsese, 1990); CAPE FEAR (US, Martin Scorsese, 1991); MANHUNTER (US, Michael Mann, 1986); L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962); VICTIM (UK, Basil Dearden, 1961); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); DEAD MAN (US, Jim Jarmusch, 1995); CAHIERS DU CINEMA
Notes: Filmography: p. 300-301
ISBN: 0571190332
LON: abn97280608; 13386768

Call No: 802 PRO v.15
Author: Cowie, Peter; Edelmann, Pascal
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2007
PhysDes: xxxii, 356 pages : illustrations ; 21 cm
Subject: DOGMA; EUROPEAN CINEMA; FILMMAKING; FILM STUDY AND RESEARCH; HOMOSEXUALITY AND THE CINEMA; INDEPENDENT FILMS; INDUSTRY, FILM. EUROPEAN COUNTRIES; ALMODOVAR, PEDRO; ANGELOPOULOS, THEO; BARDEM, JAVIER; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; CANTET, LAURENT; DARDENNE, JEAN-PIERRE & LUC; HOLLAND, AGNIESZKA; JACOB, IRENE; LOACH, KENNETH; MAKAVEJEV, DUSAN; MOREAU, JEANNE; DE OLIVEIRA, MANOEL; OZON, FRANCOIS; RIKLIS, ERAN; STORARO, VITTORIO; STEEN, PAPRIKA; SZABO, ISTVAN; TANOVIC, DANIS; THOMAS, JEREMY; ULLMANN, LIV; Wenders, Wim; WINTERBOTTOM, MICHAEL; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997)
Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurb
Notes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film Academy
ISBN: 9780571235292
Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA

PhysDes: Article
Subject: SZEGENYLEGENYEK (HU, Miklos Jancso, 1966)
Summary: interview; synopsis

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Article
Subject: TAIPEI STORY [QING MEI ZHU MA] (TZ, Edward Yang, 1985)
Notes: Simon Strong import 14_Oct2019

Author: Fresno-Calleja, Paloma
PhysDes: Article
Subject: CULTURAL IMPERIALISM; WOMEN IN FILMS; LIANG, ROSEANNE; TAKE 3 (NZ, Roseanne Liang, 2008)
Summary: This article analyses Roseanne Liang's short film Take 3 (2008), the story of three New Zealand actresses of Chinese descent who attend a number of auditions in which they are expected to perform typical racialized and sexualized roles that continue to prevail in Western imagination and popular media. Liang's work urges the audience to question the prevalence of these popular representations, and rejects ethnic and cultural tokenism, in the context of what I call New Zealand's ‘underdeveloped multiculturalism’, one that, despite the country's evident cultural and demographic diversity, still has to work its way into the fabric of New Zealand society. I look at Liang's work as an example of the artistic and critical interventions into the multicultural debate carried out by artists of diverse Asian backgrounds in recent years. -- Abstract

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA; FIRST BLOOD (US, Ted Kotcheff, 1982); NIGHT SHIFT (US, Ron Howard, 1982); DIVA (FR, Jean-Jacques Beineix, 1981); TABLE FOR FIVE (US, Robert Lieberman, 1983); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); CLINIC, THE (AT, David Stevens, 1982)
Summary: Roadshow films at the Australian box office

PhysDes: Article
Subject: BOX OFFICE. AUSTRALIA; TABLE FOR FIVE (US, Robert Lieberman, 1983); NIGHT SHIFT (US, Ron Howard, 1982); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); BEST FRIENDS (US, Norman Jewison, 1982); FIRST BLOOD (US, Ted Kotcheff, 1982); CLINIC, THE (AT, David Stevens, 1982); BLADE RUNNER (US, Ridley Scott, 1982)
Summary: Roadshow films at the Australian box office.

Call No: 792 SCR
Author: MacDonald, Scott, 1942
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: ix, 339 p. : ill. ; 24 cm
Subject: SCRIPTS; INDEPENDENT FILMS; MULVEY, LAURA; WOLLEN, PETER; SNOW, MICHAEL; TRINH, T. MINH-HA; FRIEDRICH, SU; ONO, YOKO; GREAVES, WILLIAM; BENNING, JAMES; ROSE, PETER; FISHER, MORGAN; FLEMING, ANN MARIE; RAINER, YVONNE; FRAMPTON, HOLLIS; REASSEMBLAGE (US, Trinh T. Minh-ha, 1983); NAKED SPACES (US, Trinh T. Minh-ha, 1985); PRIVILEGE (US, Yvonne Rainer, 1990); NEW SHOES : AN INTERVIEW IN EXACTLY 5 MINUTES (CN?, Ann Marie Fleming, 1990); YOU TAKE CARE NOW (CN?, Ann Marie Fleming, 1989); SYMBIOPSYCHOTAXIPLASM : TAKE ONE (US, William Greaves, 1991 [prod.1967]); ZORNS LEMMA (US, Hollis Frampton, 1970); POETIC JUSTICE (US, Hollis Frampton, 1972); GLORIA! (US, Hollis Frampton, 1979); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); GRAND OPERA (US, James Benning, 1979); HIM AND ME (GW, James Benning, 1982); SO IS THIS (CN, Michael Snow, 1982); PLEASURES OF THE TEXT (US, Peter Rose, 1985); SECONDARY CURRENTS (US, Peter Rose, 1983); STANDARD GAUGE (US, Morgan Fisher, 1985?); GENTLY DOWN THE STREAM (US, Su Friedrich, 1983); SINK OR SWIM (US, Su Friedrich, 1981)
Notes: Includes bibliographical references (p. 337-339)
ISBN: 0520080246 (cloth : alk. paper); 0520080254 (pbk. : alk. paper)
LON: 9335490

Call No: 451-02 FIS
Author: Fischer, Lucy
Place: Basingstoke
Publisher: Macmillan Education
PubDate: 1989
PhysDes: xii, 348 p. : ill. ; 22 cm
Subject: FEMINISM AND THE CINEMA; WOMEN, FILMS MADE BY; ROMANTIC FILMS; MUSICALS; HOMOSEXUALITY IN FILMS; MYTH AND THE CINEMA; DOUBLES IN FILMS; TWINS IN FILMS; ROSE, KATHY; GORRIS, MARLEEN; FLICKORNA (SW, Mai Zetterling, 1968); TAKE OFF (US, Gunvor Nelson, 1973); MITTEN INS HERZ (GW, Doris Dorrie, 1983); RECITAL (?, Stephanie Beroes, 1978); DANCE, GIRL, DANCE (US, Dorothy Arzner, 1940); COBRA WOMAN (US, Robert Siodmak, 1943); ANNEES 80, LES (FR/BE/SZ, Chantal Akerman, 1983); STOLEN LIFE, A (UK, Paul Czinner, 1939); DARK MIRROR, THE (US, Robert Siodmak, 1946); BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); DAMES (US, Ray Enright, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); PERSONA (SW, Ingmar Bergman, 1966); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); SCHWESTERN, ODER DIE BALANCE DES GLUCKS (GW, Margarethe von Trotta, 1979); RICH AND FAMOUS (US, George Cukor, 1981); GIRLFRIENDS (US, Claudia Weill, 1978); SOTTO...SOTTO...STRAPAZZATO DA ANOMALA PASSIONE (IT, Lina Wertmuller, 1984); LIANNA (US, John Sayles, 1983); VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978); MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985)
Notes: Cinema films. Women directors (BNB/PRECIS); Cinema films. - Feminist viewpoints (BNB/PRECIS); Includes bibliographical references and index
ISBN: 0333480600 (cased) : ¦30.00; 0333480619 (pbk.) : ¦8.95
LON: bnb33348060; 6147621

Call No: 408.1-054(=951) SIN
Author: Yue, Audrey (editor); Khoo, Olivia (editor)
Source: AU
Place: London ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xvi, 231 pages : illustrations ; 23 cm
Subject: CHINA IN FILMS; COPRODUCTION; COPRODUCTION. AUSTRALIA; COPRODUCTION. CHINA; CULTURE AND THE CINEMA. CHINA; CULTURE AND THE CINEMA; LANGUAGE AND THE CINEMA; MASCULINITY IN FILMS; NATIONAL IDENTITY AND THE CINEMA; SHORT FILMS; SINGAPORE; TAIWAN; TRANSNATIONAL CHINESE CINEMA; TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; SHIH, SHU-MEI; CHILDREN OF THE SILK ROAD, THE (AT/CC/GE, Roger Spottiswoode, 2007); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); FLIGHT OF THE RED BALLOON [VOYAGE DU BALLON ROUGE, LE] (FR, Hsiao-hsien Hou, 2008)
Summary: "Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China. Showcasing a variety of new and fascinating case studies from Britain, Hong Kong, Taiwan, Singapore and Australia, and canvassing a range of formats including commercial co-productions, short films, documentaries and independent films, the book highlights the contemporary screen cultures of Chinese-language communities situated on the margins of China and Chineseness. It engages new sites of localisation, multilingualism and differences that have emerged in Chinese film studies, ones that are not easily contained by the notion of diaspora. The chapters cover a number of historical periods, geographical locations, and critical and methodological perspectives, such as the political economy of Sinophone film production, distribution, consumption and regulation; cinematic practices of Chinese and non-Chinese language resistance, complicity and transformation; and Sinophone communities as sites of cultural production and visual economies." - BOOK BLURB
Notes: Contains list of figures and notes on Chinese names and film titles -- Includes filmography, bibliographic references and index
ISBN: 9781137311191
Contents: Part 1: Theorising Sinophone cinemas -- Framing Sinophone cinemas / Audrey Yue and Olivia Khoo -- Genealogies of four critical paradigms in Chinese-language film studies / Sheldon H. Lu -- Alter-centring Sinophone cinema / Yiman Wang -- Festivals, censorship and the canon: the making of Sinophone cinemas / Yifen T. Beus -- The voice of the Sinophone / Song Hwee Lim -- Singapore, Sinaphone, nationalism: sounds of language in the films of Tan Pin Pin / Olivia Khoo; Part 2: Contemporary Sinophone cinemas -- Mandarin pop-culture meets Tokyo jazz: gender and popular youth culture in late-1960s Hong Kong musicals / Jennifer Feeley -- Sinophone libidinal economy in the age of neoliberalization and mainlandization: masculinities in Hong Kong SAR and New Wave cinema / Mirana M. Szeto -- Singlish and the Sinophone: non-standard (Chinese/English) languages in recent Singaporean cinema / Alison M. Groppe -- British Chinese short films: challenging the limits of the Sinophone / Felicia Chan and Andy Willis -- Contemporary Sinophone cinema: Australia-China coproductions / Audrey Yue

Call No: 80(41) SIX
Author: McFarlane, Brian, 1934
CorpAuthor: British Film Institute; Monash University
Place: London Melbourne
Publisher: BFI Monash University
PubDate: 1992
PhysDes: xii, 260 p. : ports. ; 25 cm
Subject: UNITED KINGDOM; Attenborough, Richard; BALL, VINCENT; BOGARDE, DIRK; BOX, BETTY E.; CRAIG, MICHAEL; FORBES, BRYAN; GILBERT,LEWIS; GORING, MARIUS; GRANGER, STEWART; GUINNESS, ALEC; HAMILTON, GUY; HILLER, WENDY; HOBSON, VALERIE; HORDERN, MICHAEL; Kerr, Deborah; LEE, JACK; LOM, HERBERT; MCCALLUM, JOHN; MCKENNA, VIRGINIA; MILLS, JOHN; NEAME, RONALD; SINDEN, DONALD; SYMS, SYLVIA; TRAVERS, BILL; USTINOV, PETER; WITHERS, GOOGIE; WOOLF, JOHN; ANDERSON, JEAN; ANNAKIN, KEN; ASHERSON, RENEE; BAKER, ROY WARD; BOULTING, ROY; BOX, MURIEL; BRYAN, DORA; BYRON, KATHLEEN; CALVERT, PHYLLIS; CARMICHAEL, IAN; COLE, GEORGE; COLE, SYDNEY; DAVIS, JOHN; DENISON, MICHAEL; GRAY, DULCIE; FARRAR, DAVID; FOWLER, HARRY; FRENCH, HAROLD; GUEST, VAL; HAVELOCK-ALLAN, ANTHONY; HUNTLEY, RAYMOND; JACKSON, GORDON; JACKSON, PAT; JOHN, ROSAMUND; JUSTIN, JOHN; KENT, JEAN; LEACOCK, PHILIP; MILES, BERNARD; OWEN, BILL; PAVLOW, MURIEL; PILBEAM, NOVA; RELPH, MICHAEL; SCOTT, MARGARETTA; SHERIDAN, DINAH; THOMAS, RALPH; TODD, ALAN; TODD, RICHARD; WALSH, KAY
Notes: Includes index
ISBN: 0851703534; 0851703496 (pbk.)
LON: 9302871

Call No: 802.25 (51) BER
Author: Berry, Michael
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2005
PhysDes: x, 568 p. : ill. ; 24 cm
Series: Global Chinese culture
Subject: DIRECTORS. CHINA; DIRECTORS.TAIWANESE; DIRECTORS. HONG KONG; CITY OF SADNESS, A [; TAIWAN; CHEN, KAIGE; XIE, JIN; TIAN, ZHUANGZHUANG; ZHANG, YIMOU; ZHANG, YUAN; WANG, XIAOSHUAI; JIA, ZHANG KE; LI, YANG; HOU HSIAO-HSIEN; CHU, TIEN-WEN; YANG, EDWARD; WU, NIEN-JEN; LEE, ANG; TSAI, MING LIANG; CHANG, TSO-CHI; HUI, ANN; KWAN, STANLEY; CHAN, FRUIT; HO-SUN CHAN, PETER; CHAN, EVANS
ISBN: 9780231133319
Contents: Foreword / Martin Scorsese -- Introduction : speaking in images -- Pt. I. Voices from China -- Xie Jin : six decades of cinematic innovation -- Tian Zhuangzhuang : stealing horses and flying kites -- Chen Kaige : historical revolution and cinematic rebellion -- Zhang Yimou : flying colors -- Zhang Yuan : working up a sweat in a celluloid sauna -- Wang Xiaoshuai : banned in China -- Jia Zhangke : capturing a transforming reality -- Li Yang : the future of Chinese cinema? -- Pt. II. Voices from Taiwan -- Hou Hsiao-hsien with Chu T'ien-wen : words and images -- Edward Yang : luckily unlucky -- Wu Nien-jen : writing Taiwan in the shadows of cultural colonialism -- Ang Lee : freedom in film -- Tsai Ming-liang : trapped in the past -- Chang Tso-chi : shooting from the margins -- Pt. III. Voices from Hong Kong -- Ann Hui : living through films -- Stanley Kwan : from spectral nostalgia to corporeal desire -- Fruit Chan : Hong Kong independent -- Peter Ho-sun Chan : pioneering Pan-Asian cinema -- Evans Chan : the last of the Chinese

Call No: CRAWFORD STILL SPE
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 105 photographs : b&w ; 16 x 26 cm - 21 x 26 cm
Subject: ALDENHOVEN, LISA; MAGUIRE, GERARD; QUAST, PHILLIP; WOOD, JOHN; DUNCAN, CARMEN; FINCH, STUART; LESLEY, LORNA; SMILLIE, JIM; DIEDRICH, JOHN; SYMONS, RED; HOLDEN, FRANKIE J.; HAWKINS, ANTHONY; LANDIS, NINA; GILLING, REBECCA; TABOR, KEVIN; JAYME, DEBORAH; KERR, BRUCE; MCKAY, KERRY; ANDREWS, GAEL; CHILVERS, SIMON; REDSHAW, MARIE; BRYON, ANTOINETTE; SPECIAL SQUAD [TV](AT, 1984-1985)
Summary: Photographs relating to the TV series 'Special Squad'
Notes: Album 2 contains photographs from the following episodes of Special Squad: 'The Wurzburg Link', 'Same Time Friday', 'Duel', 'The Set-Up' and , 'Golden Run',
Donation: Gift of Crawford Productions

Call No: 632.2 THO
Author: Thompson, Kristin
Edition: 1st ed.
Source: USA
Place: Cambridge, Massachusetts
Publisher: Harvard University Press
PubDate: 2003
PhysDes: 172 p ; 20cm + b&w ill.
Subject: ADAPTATIONS; ADVERTISING; CHARACTERS ON TV; DRAMAS; INTERNET; SCRIPTWRITING; SYMBOLISM ON TV; NARRATIVE IN FILMS; NARRATIVE IN TV; SEQUELS; SERIALS; SITUATION COMEDY; SOAP OPERAS; MERCHANDISING; BORDWELL, DAVID; CLEESE, JOHN; FROST MARK; KAEL, PAULINE; LYNCH, DAVID; NEWCOMB, HORACE; WILLIAMS, RAYMOND; WODEHOUSE, P.G; AVENGERS, THE [TV] (UK, 1961-69); BAD GIRLS [TV] (UK, 1999-); BLUE VELVET (US, David Lynch, 1986); BOB NEWHART SHOW, THE [TV] (US, 1961-62); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); HILL STREET BLUES [TV] (US, 1980-87); MURPHY BROWN [TV] (US, 1988-); ROYLE FAMILY, THE [TV] (UK, 1998-2000); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); SOPRANOS, THE [TV] (US, 1999); STAR WARS (US, George Lucas, 1977); YES MINISTER [TV] (UK, 1980-84)
Summary: Author Kristin Thompson analyses the narrative workings of television and film, looking at the narrative techniques the two media share. Thomson then focuses on the specific challenges that series television presents and the tactics writers have devised to meet them – tactics that sustain interest and maintain sense across multiple plots and subplots and in spite of frequent interruptions as well as weeklong and seasonal breaks. [Taken from back cover].
ISBN: 0674010876

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SYME HOME VIDEO

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SYMMONS, KATHRYN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SYMONS, EMILY

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SYMONS, RED

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 12 x 17 cm ; 1 photograph : col. ; 13 x 9 cm
Subject: SYMPHONIE FANTASTIQUE (AT, Klaus Jaritz, 1975)
Summary: 1 black and white photograph of a naked man holding a football in the air in front of a religious statue and 1 colour photograph of Jesus statue by a burning industrial tower.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946)

Call No: TITLE CLIPPINGS FILE
Subject: SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SYMPHONY FOR A SINNER (US, George Kuchar, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: SYMPHONY OF SORTS, A (AT, Sharon Shostak, 1989)

Call No: TITLE CLIPPINGS FILE
Subject: SYMPTOMS (UK,Joseph Larraz, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SYMPTOMS (UK,Joseph Larraz, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SYNECDOCHE, NEW YORK (US, Charlie Kaufman, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SYNGENOR (US, George Elanjian, Jr., 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SYNTHETIC PLEASURES (US, Iara Lee, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SYRIANA (US, Stephen Gaghan, 2005)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SYRMIS, VICTOR

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SYWAK, VERONICA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SZABADITS MEG A GONOSZTOL (HU, Pal Sandor, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SZABADSAG, SZERELEM (HU, Krisztina Goda, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SZABLA OD KOMENDANTA (PL, Jan Jakub Kolski, 1996)

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SZABO, ISTVAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SZAMANKA (PL, Andrzej Kulawski, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SZAMARKOHOGES (HU, Peter Gardos, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); ROUND UP, THE [SZEGENYLEGENYEK] (HU, Miklos Jancso, 1966)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings
Subject: SZEPS, HENRI

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Publicity; Stills; Press kit
Subject: SZERELEM (HU, Karoly Makk, 1971)
URL status: URL: 'http://file://Q:/T/SZERELEM.zip' Checked: 31/08/2021 1:03:57 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SZERELMESFILM (HU, Istvan Szabo, 1970); LOVEFILM (HU, Istvan Szabo, 1970)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: SZERENCSES DANIEL (HU, Pal Sandor, 1983)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SZOMJAS, GYORGY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Stills
Subject: SZORENY, REZSO

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SZORNYEK EVADJA (HU, Miklos Jancso, 1987)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SZUBANSKI, MAGDA
URL status: URL: 'http://file://Q:/P/SZUBANSKI,_MAGDA.zip' Checked: 31/08/2021 12:54:25 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: T.A.M.I. SHOW, THE (US, Steve Binder, 1964)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: T ERROR (US, Lyric R. Cabral & David Felix Sutcliffe, 2015)
URL status: URL: 'http://file://Q:/T/T_ERROR.zip' Checked: 31/08/2021 1:42:41 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: T-MEN (US, Anthony Mann, 1947)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: T-REX: BACK TO THE CRUSTACEOUS (US, Brett Leonard, 1998)

Call No: TITLE CLIPPINGS FILE; T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
PhysDes: Clippings
Subject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017)
Summary: Film review of T2 TRAINSPOTTING
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: T2 TRAINSPOTTING (UK, Danny Boyle, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TA' M E GUILASS (IR, Abbas Kiarostami, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAB HUNTER CONFIDENTIAL (US, Jeffrey Schwarz, 2015)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TABLE 19 (FI/US, Jeffrey Blitz. 2017)
URL status: URL: 'http://file://Q:/T/TABLE_NINETEEN.zip' Checked: 31/08/2021 1:50:20 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: TABLE FOR FIVE (US, Robert Lieberman, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: TABLE TOURNANTE, LA (FR, Paul Grimault, 1988)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: TABLOID (US, Errol Morris, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TABOO [TV] (UK, 2017 - )

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TABU (US, Friedrich Wilhelm Murnau, 1931)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TABU (PO, Miguel Gomes, 2012)

Call No: P TAB
PhysDes: 1 poster : black & white ; 100 x 70 cm
Subject: TABU (PO, Miguel Gomes, 2012)
Summary: Image: Isabel Munoz Cardoso and Ana Moreira, shoulder to shoulder in embrace, looking into distance. Image is black & white. Text: "Aurora had a farm in Africa, at the foot of Mount Tabu..."
Notes: Large tear at top of poster

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TABUTTA ROVASATA (TU, Dervis Zaim, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TACKLE HAPPY (AT, Mick Molloy, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TACKLING PEACE (AT, Marc Radomsky, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TADPOLE (US, Gary Winick, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAEGUKGI HWINALRIMYED (KO, Kang Je-gyu, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAG (US, Jeff Tomsic, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAGEBUCH EINER VERLORENEN (G, Georg Wilhelm Pabst, 1929)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: TAGGART, PATRICK

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: TAGLIONI, ALICE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: TAHIMIK, KIDLAT

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAI FU (AT, Justin McMillan, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAI-PAN (US, Daryl Duke, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAIGA (GG, Ulrike Ottinger, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TAIGIK CHEUNG SAM-FUNG (HK, Yuen Woo-Ping, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAIHEIYO HITORI-BOCHI (JA, Kon Ichikawa, 1963)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: TAIL OF THE TIGER (AT, Rolf de Heer, 1984)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : col. ; 9 x 13 cm
Subject: TAIL OF THE TIGER (AT, Rolf de Heer, 1984)
Summary: Colour photograph of young boy talking to an old man in an old plane.

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: TAILINGS, THE [WEB SERIES] (AT, 2020)
Cross Reference: TAILINGS, THE [WEB SERIES] (AT, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAILOR MADE (AT, Diarmid Heidenreich, 2007)

Author: Russell Edwards
PhysDes: Article
Subject: RUSH, GEOFFREY; TAILOR OF PANAMA, THE (US/IE, John Boorman, 2001)
Summary: Review of The Tailor of Panama

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TAILOR OF PANAMA, THE (US/IE, John Boorman, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-Rom press kit
Subject: TAIS-TOI! (FR/IT, Francis Veber, 2003)
ID2: 248

Call No: P TAI
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: TAIS-TOI! (FR/IT, Francis Veber, 2003)
Summary: Image: Photo of Jean Reno covering Gerard Depardieu's mouth with one hand and holding a gun in the other.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: TAIT, VIOLA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: TAIWAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAIYO NO HAKABA (JA, Oshima Nagisa, 1960)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: TAIYO O NUSUNDA OTOKO (JA, Kazuhiko Hasegawa, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Lobby cards; Publicity
Subject: TAJNA NIKOLE TESLE (YU, Krsto Papic, 1980)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: TAKABAYASHI, YOICHI

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: TAKAMOTO, IWAO

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAKE 5 [TV] (AT, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: TAKE A HARD RIDE (US/IT, Anthony M. Dawson [pseud. of Antonio Margheriti], 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: TAKE A STRONG LINE (AT, Ron V. Brown, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings; Publicity
Subject: TAKE AWAY (AT, Marc Gracie, 2002)

Call No: S TAK
Author: O'Neil, Dave; O'Toole, Mark
PubDate: 2002
PhysDes: 102 p.
Subject: TAKE AWAY (AT, Marc Gracie, 2002)
Notes: Unpublished script; Donated by the Australian Film Institute

Author: Matt Coyte
PhysDes: Article
Subject: TAKE AWAY (AT, Marc Gracie, 2002)
Summary: Review of Take Away

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAKE EVERY WAVE: THE LIFE OF LAIRD HAMILTON (US, Rory Kennedy, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAKE IT EASY (DK, Jesper Hom, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAKE ME HIGH (UK, David Askey, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAKE ME HOME: THE JOHN DENVER STORY (US, Jerry London, 2000)

Call No: 720(5) TAR
Author: Mark Pilkington
PubDate: 2004
PhysDes: 17 cm ; 58 p
Subject: HORROR FILMS. HONG KONG; HORROR FILMS; CITY OF SADNESS, A [; KOREA; JAPAN; TAIWAN; GENRES; THAILAND
Summary: With titles such as Hard Boiled, Kwaidan and Onibaba, Tartan delivered the best and most provocative cinema from the East. But when Ring and Audition were unleashed upon unsuspecting audiences nationwide it became apparent that the appetite for such outrageous fare was massive, and it made sense to let people know where to find it. Thus, Asia Extreme was born. Films such as Battle Royale and Infernal Affairs continue to satisfy the ever increasing hunger for astounding cinematic style and outrageous shock moments, while a swathe of even newer titles – like Oldboy and Koma – wait in the wings for their chance to leave audiences breathless. Now, it seems inconceivable that, once upon a time, Asia Extreme didn’t exist at all. Heres the story of the origin and development of the most exciting and unique of all contemporary genres. [Taken from back cover].

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: TAKE MY EYES [TE DOY MIS OJOS] (SP, Iciar Bollain, 2003)
Notes: Simon Strong import_191126

Call No: TITLE CLIPPINGS FILE; TABLE 19 (FI/US, Jeffrey Blitz. 2017)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: TABLE 19 (FI/US, Jeffrey Blitz. 2017)
Summary: Review of the film TABLE 19
Notes: I
Rating: 2 out of 5 stars

Call No: 408.1 THE
Author: Vitali, Valentina; Willemen, Paul
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute, London
PubDate: 2006
PhysDes: 326 p. ill. : 24 cm
Subject: ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA; JAPAN; KOREA; REPUBLIC OF IRELAND; LATIN AMERICAN COUNTRIES; KRACAUER, SIEGFRIED; BURCH, NOEL; RUSSIA; FRANCE; TAIWAN; PALESTINE; ARAB COUNTRIES; INDIA; ASIAN COUNTRIES; EUROPEAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA; NATIONAL CULTURE IN FILMS; NATIONAL IDENTITY AND THE CINEMA; NATIONAL IDENTITY IN FILMS; GLOBALISATION
Summary: Why do we think of clusters of films as a 'national cinema'? Why has the relationship between the nation and film become so widely and uncritically accepted? Theorising National Cinema is a major contribution to work on national cinemas, by many of the leading scholars in the filed. It addresses the knotty and complex relationships between cinema and national identity, showing that the nationality of a cinema production company, and of the films it made, have not always been seen as pertinent. The volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation, and it goes on to chart the parallel developments of national film industries and the idea of the nation state in countries as diverse as Japan, South Korea, Russia, France and Italy. The issue of a 'national cinema' for nation states of contested status, with disputed borders or displaced peoples, is discussed in relation to film-making in Taiwan, Ireland and Palestine. The contributors also consider the future of national cinema in an age of transnational cultural flows, exploring issues of national identity and cinema in Latin America, Asia, the Middle-East, India, Africa and Europe.
ISBN: 1844571203

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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Call No: 631 LIM
Author: Lim, Song Hwee
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: 2014
PhysDes: xv, 217 pages : illustrations ; 23 cm
Subject: TAIWANESE CINEMA; TEMPORALITY IN FILM; CINEPHILIA; AESTHETICS; TSAI, MING LIANG; SKYWALK IS GONE, THE [TIAN QIAO BU JIAN LE] (TZ/FR, Tsai Ming-liang, 2002); VIVE L'AMOUR [AI QING WAN SUI] (TZ, Tsai Ming-liang, 1994); WAYWARD CLOUD, THE [TIAN BIAN YI DUO YUN] (TZ/FR, Tsai Ming-liang, 2005)
Summary: "Providing a critical investigation into questions of temporality, materiality, and aesthetics, and examining concepts of authorship, cinephilia, and nostalgia, Song Hee Lim offers insight into cinematic slowness through the films of the Malaysian-born, Taiwan based director Tsai ming-liang. Through detailed analysis of aspects of stillness and silence in cinema, Lim delineates the strategies by which slowness in film can be constructed. By drawing on writings on cinephilia and the films of directors such as Abbas Kiarostami, Hou Hsiao-hsien, and Nuri Bilge Ceylan, he makes a passionate case for a slow cinema that calls for renewed attention to the image and to the experience of time in film." -- BOOK BLURB
ISBN: 9780824836849

Call No: 81REE REE
Author: Reed, Rex
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1977
PhysDes: 271 p. : ill. ; 18 cm
Subject: STARS; REED, REX; TAYLOR, ELIZABETH; LOREN, SOPHIA; HEPBURN, AUDREY; SYMS, SYLVIA; KNEF, HILDEGARD; FLETCHER, LOUISE; BAILEY, PEARL; BURNS, GEORGE; MERCOURI, MELINA; RITT, MARTIN; HELLMAN, LILLIAN; SUSANN, JACQUELINE; DAVIS, BETTE; MERCER, MABEL; CHANNING, CAROL; ROGERS, GINGER; GOODMAN, DODY; BAKER, CARROLL; FITZGERALD, GERALDINE; MATTHAU, WALTER; SMITH, ALEXIS; HOLDEN, WILLIAM; EVANS, ROBERT; PERRINE, VALERIE; JACKSON, GLENDA; BRIDGES, JEFF; LADD, DIANE; HAMLISCH, MARVIN; SCHEIDER, ROY; BURSTYN, ELLEN; ROSS, KATHARINE; KAHN, MADELINE; BUJOLD, GENEVIEVE; GIANNINI, GIANCARLO; BOWIE, DAVID; REDFORD, ROBERT
ISBN: 0440193591

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 9 x 14 - 21 x 26 cm
Subject: SZEPS, HENRI; STEPHENS, BARBARA; WARMING UP (AT, Bruce Best, 1984)
Summary: 4 black and white photos showing scenes from 'Warming Up'
ID2: 232

Author: Michael Adams
PhysDes: Article
Subject: DANNY DECKCHAIR (AT, Jeff Balsmeyer, 2002); RAGE IN PLACID LAKE, THE (AT, Tony McNamara, 2003); TAKE AWAY (AT, Marc Gracie, 2002); BAD EGGS (AT, Tony Martin, 2002)
Summary: A look at recent Australian comedies including interviews with cast members