Search Catalogue

Call No: 771.1(73) JAM
Author: James, David E., 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1989
PhysDes: xiii, 388 p. : ill. ; 26 cm
Subject: UNDERGROUND FILMS; POLITICAL FILMS; BLACK POWER FILMS; WOMEN AND THE CINEMA; ART CINEMA. USA; VIETNAM WAR FILMS; BRAKHAGE, STAN; ANGER, KENNETH; WARHOL, ANDY; MEKAS, JONAS; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974); EASY RIDER (US, Dennis Hopper, 1969)
Notes: Includes index; Bibliography: p. 362-377
ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)
LON: 5820741
Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --

Call No: 408.1(94) AUS
Author: Tulloch, John, 1942; Turner, Graeme
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1989
PhysDes: xv, 204 p. ; 22 cm
Series: Australian cultural studies
Subject: TELEVISION. AUSTRALIA; NATIONAL CULTURE AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; GAMES SHOWS. AUSTRALIA; SOAP OPERAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; HISTORY OF TV. AUSTRALIA; PERFECT MATCH [TV] (AT, 1984-89?); PRISONER [TV] (AT, 1979-86); COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); LAST PLACE ON EARTH, THE [TV] (AT, 1987); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987)
Notes: Includes bibliographies and index
ISBN: 0043800300 (pbk.) : price unknown
LON: 6398616

Call No: 409(73) RYA
Copy Management: Copy 1; Copy 2
Author: Ryan, Michael, 1951; Kellner, Douglas, 1943
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1988
PhysDes: xiii, 328 p. : ill. ; 25 cm
Subject: DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; ETHNIC GROUPS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982)
Notes: Includes index; Bibliography: p. 321-324
ISBN: 0253313341
LON: 5193671

Call No: 81MAR ACT
Author: Alter, Nora M.
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: 2006
PhysDes: xv, 205 p. : ill., ports, ; 21 cm
Series: Contemporary film directors
Subject: MARKER, CHRIS; NUIT ET BROUILLARD (FR, Alain Resnais, 1955); JETEE, LA (FR, Chris Marker, 1963); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); LOIN DU VIETNAM (FR, Joris Ivens & William Klein, 1967); PRIME TIME IN THE CAMPS (FR, Chris Marker, 1994)
Summary: Alter's careful study includes previously uncollected and untranslated interviews with the director and investigates the core themes and motivations behind an often unpredictable and transnational cinematic practice that defies easy classification [taken from back cover]
Notes: Formerly CIP. Includes bibliographical references and index
ISBN: 0252073169

Call No: 737.49(94) GOR
Author: Gorman, Lyn
CorpAuthor: National Film and Sound Archive (Australia)
Place: [Canberra
Publisher: National Film and Sound Archive
PubDate: 1997]
PhysDes: 40 p. : 30 cm
Subject: NATIONAL FILM AND SOUND ARCHIVE; VIETNAM WAR FILMS; KOREAN WAR FILMS; COLD WAR FILMS. AUSTRALIA; COLD WAR AND THE CINEMA. AUSTRALIA
Notes: Cover title
LON: abn97374817; 13541695

Call No: 408.1(5) COL
Author: Dissanayake, Wimal
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1994
PhysDes: xxix, 224 p. ; 25 cm
Subject: IMPERIALISM AND THE CINEMA. ASIAN COUNTRIES; NATIONAL IDENTITY IN FILMS. ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; JAPAN; CITY OF SADNESS, A [; TAIWAN; KOREA; THAILAND; INDONESIA; INDIA; SRI LANKA; VIETNAM; INDUSTRY, FILM. AUSTRALIA; HONG GAOLIANG (CC, Zhang Yimou, 1988); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977)
Notes: Includes bibliographical references and index
ISBN: 0253208955 (pbk. : alk. paper); 0253318041 (alk. paper)
LON: 10720440
URL status: URL: 'http://-' Checked: 31/08/2021 12:35:19 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 408.1(5) COL
Author: Dissanayake, Wimal
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1994
PhysDes: xxix, 224 p. ; 25 cm
Subject: IMPERIALISM AND THE CINEMA. ASIAN COUNTRIES; NATIONAL IDENTITY IN FILMS. ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; JAPAN; CITY OF SADNESS, A [; TAIWAN; KOREA; THAILAND; INDONESIA; INDIA; SRI LANKA; VIETNAM; INDUSTRY, FILM. AUSTRALIA; HONG GAOLIANG (CC, Zhang Yimou, 1988); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977)
Notes: Includes bibliographical references and index
ISBN: 0253208955 (pbk. : alk. paper); 0253318041 (alk. paper)
LON: 10720440
URL status: URL: 'http://-' Checked: 31/08/2021 1:09:25 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 71(5) CON
Source: UK
Place: Oxford
Publisher: Berg
PubDate: 2006
PhysDes: vi, 250 p. ; 24 cm
Series: Asian Cinema
Subject: ASIAN COUNTRIES; INDONESIA; MALAYSIA; SINGAPORE; VIETNAM; THAILAND; PHILIPPINES; INDIA; SRI LANKA; BANGALADESH; KOREA; CITY OF SADNESS, A [; TAIWAN; JAPAN
Summary: This book presents the most authoritative assessment of contemporary Asian cinema available. Each chapter describes the cultural aspects of popular film production, analyzing key films in the context of the national, the regional and the global. Topics covered include: film theory and Asian cinema, popular film genres, major industry figures, the "art film", connections between the state and commercial interests, cultural policies, representations of national identity, trends in international co-production, and more.
ISBN: 1845202376
ISSN: 17448719
Contents: -- Introduction to popular Asian cinema, with acknowledgements / Anne T. Ciecko; -- 1 Theorizing Asian cinema(s) / Anne T. Ciecko -- 2 Philippines : cinema and its hybridity / Jose B. Capino -- 3 Vietnam : chronicles of old and new / Panivong Norindr -- 4 Thailand : revival in an age of globalization / Anchalee Chaiworaporn and Adam Knee -- 5 Singapore : developments, challenges, and projections / Jan Uhde and Yvonne Ng Uhde -- 6 Malaysia : melodramatic drive, rural discord, urban heartaches / William van der Heide -- 7 Indonesia : screening a nation in the post-new order / Krishna Sen -- 8 Sri Lanka : art, commerce, and cultural modernity / Wimal Dissanayake -- 9 Bangladesh : native resistance and nationalist discourse / Zakir Hossain Raju -- 10 India : Bollywood's global coming of age / Jyotika Virdi and Corey K. Creekmur -- 11 Mainland China : public square to shopping mall and the new entertainment film / Augusta Lee Palmer -- 12 Taiwan : popular cinema's disappearing act / Emilie Yueh-yu Yeh -- 13 Hong Kong : cinematic cycles of grief and glory / Anne T. Ciecko -- 14 South Korea : film on the global stage / Hyangjin Lee -- 15 Japan : cause for (cautious) optimism / Darrell William Davis.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FLAME OVER VIETNAM [CRUZ EN EL INFIERNO, UNA] (SP, José María Elorrieta, 1957)

PhysDes: Article
Subject: LOIN DU VIETNAM (FR, Joris Ivens & William Klein, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DEAR AMERICA: LETTERS HOME FROM VIETNAM (US, Bill Couturie, 1987)

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: vi, 332 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; COMPILATION FILMS; DOCUMENTARY FILMS. US; DOCUMENTARY FILMS. USSR; VIETNAM WAR IN FILMS; CINEMA-DIRECT; CINEMA VERITE; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; GRIERSON, JOHN; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes index; Bibliography: p. [297]-311
ISBN: 0195018354 : $10.95
LON: 74079618; 462942

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Edition: 2nd rev. ed
Place: New York
Publisher: Oxford University Press
PubDate: 1993
PhysDes: 400 p. : ill. ; 21 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes bibliographical references (p. [361]-375) and index
ISBN: 0195078985 (pbk. : acid-free paper) : $10.95
LON: 9430204

Call No: 761 BAR
Author: Barnouw, Eric
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: 332 p. ; 24 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
ISBN: 0195018354
Donation: donated by the family of Wayne Levy, 2006
Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. VIETNAM INTERNATIONAL FILM

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1970
PhysDes: 286 p. ; 22 cm
Subject: INDUSTRY, FILM. USA; MUSICALS; VIETNAM WAR IN FILMS; POLITICS IN FILMS; PORNOGRAPHY AND THE CINEMA; FELLINI, FEDERICO; STREISAND, BARBRA; WAYNE, JOHN; CHE! (US, Richard Fleischer, 1969); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); IF... (UK, Lindsay Anderson, 1968); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); INTIMNI OSVETLENI (CZ, Ivan Passer, 1969); GURU, THE (US/II, James Ivory, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); PUTNEY SWOPE (US, Robert Downey, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); ANGEL LEVINE, THE (US, Jan Kadar, 1970); IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968); HIGH SCHOOL (US, Frederick Wiseman, 1969); ISADORA (UK, Karel Reisz, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968)
Summary: Critical reviews of films produced 1969/1970
Notes: Includes index
ISBN: 671-20608-7
Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel

Call No: 64GEN FIL
Author: Grant, Barry Keith, 1947
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1995
PhysDes: viii, 581 p. : ill. ; 24 cm
Subject: GENRES; WESTERNS; GANGSTER FILMS; FILM NOIR; DISASTER FILMS; EPIC FILMS; HORROR FILMS; MELODRAMA; COMEDIES; TRANSVESTISM; WOMEN IN FILMS; VIETNAM WAR FILMS; MUSICALS; ETHNIC GROUPS IN FILMS; CANADA; AUTEUR THEORY; NARRATIVE IN FILMS; DETECTIVE FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HISTORICAL FILMS; PHILOSOPHY AND THE CINEMA; PORNOGRAPHY AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; SCIENCE-FICTION FILMS; SEMIOLOGY; STRUCTURALISM; HITCHCOCK, ALFRED; MICHEAUX, OSCAR; CRONENBERG, DAVID; FORD, JOHN; PENN, ARTHUR; SIRK, DOUGLAS; CAVELL, STANLEY; CHANDLER, RAYMOND; FRYE, NORTHROP; MINNELLI, VINCENTE; TODOROV, TZVETAN; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987); SOME LIKE IT HOT (US, Billy Wilder, 1959); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949); YENTL (US, Barbara Streisand, 1983); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MY DARLING CLEMENTINE (US, John Ford, 1946); STAGECOACH (US, John Ford, 1939); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); THING, THE (US, Christian Nyby, 1951); [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957); VICTOR VICTORIA (UK, Blake Edwards, 1982); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); FLY, THE (US, David Cronenberg, 1986); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); CHINATOWN (US, Roman Polanski, 1974); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); CHINATOWN (US, Roman Polanski, 1974)
Notes: Includes bibliographical references (p. [495]-559) and index
ISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)
LON: 11563059

Call No: 71(59) FIL
Author: Hanan, David
Source: V
Place: Hanoi
Publisher: South East Asia-Pacific Audio Visual Archive Association
PubDate: 2001
PhysDes: 320 p. : ill. ; 24 cm
Subject: ASIAN COUNTRIES; AUSTRALIA; CAMBODIA; INDONESIA; MALAYSIA; NEW ZEALAND; PHILIPPINES; SINGAPORE; THAILAND; VIETNAM; SIHANOUK, NORODOM
ISBN: 0642705127

Call No: 409 PAL
Author: Palmer, William J.
Source: US
Place: Carbondale
Publisher: Southern Illinois University Press
PubDate: 1993
PhysDes: xv, 335 pages : illustrations ; 24 cm
Subject: HISTORY OF CINEMA. 1980's; SOCIETY AND THE CINEMA; VIETNAM WAR IN FILMS; WAR AND THE CINEMA; NUCLEAR WARFARE IN FILMS; TERRORISM AND THE CINEMA; FEMINISM AND THE CINEMA
Summary: "In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the 'holograph of history' that originated from the New Historicist theories of Hayden White and Dominick LaCaprra. In the eighties,such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780809320295
Contents: The holograph of history -- The Vietnam War as film text -- The "coming home" films -- The terrorism film texts -- The nuclear war film texts -- From the "evil empire" to Glasnost -- The feminist farm crisis and other neoconservative feminist texts -- The yuppie texts -- Film in the holograph of new history

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOOD MORNING, VIETNAM (US, Barry Levinson, 1987)

Call No: 49:930.2 HOL
Author: Rollins, Peter C.
Source: US
Place: Lexington, Ky.
Publisher: University Press of Kentucky
PubDate: 1983
PhysDes: x, 276 p. : ill. ; 24 cm.
Subject: HISTORY AND THE CINEMA. USA; FOX STUDIOS; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CITY LIGHTS (US, Charles Chaplin, 1931); MODERN TIMES (US, Charles Chaplin, 1936); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); GRAPES OF WRATH, THE (US, John Ford, 1940); WILSON (US, Henry King, 1944); NEGRO SOLDIER, THE (US, Frank Capra, 1944); SNAKE PIT (US, Anatole Litvak, 1948); CULTURE AND THE CINEMA. USA; ON THE WATERFRONT (US, Elia Kazan, 1954); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ADAPTATiONS. CONRAD, JOSEPH; CHAPLIN, CHARLES; VIETNAM WAR IN FILMS; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); CENSORSHIP. USA; RIVER, THE (US, Lorentz Pare, 1937)
Notes: Includes bibliographical references.
ISBN: 0813101549 (pbk.)

Call No: 737(73) ADA
Author: Adair, Gilbert
Place: London New York, N.Y. New York, N.Y.
Publisher: Proteus Pub. Co. Distributed by Scribner Book Co.
PubDate: 1981
PhysDes: 190 p. : ill. ; 27 cm
Subject: VIETNAM WAR FILMS; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); EASY RIDER (US, Dennis Hopper, 1969); COMING HOME (US, Hal Ashby, 1978); DEER HUNTER, THE (US, Michael Cimino, 1978); APOCALYPSE NOW (US, Francis Ford Coppola, 1979)
Notes: Includes index; Filmography: p. 169-190
ISBN: 0906071860 : ª7.95
LON: 2093047

Call No: 737(73) BIN
Author: Binns, Daniel
Edition: 2017
Place: Bristol, UK ; Chicago, USA
Publisher: Intellect Books
PubDate: 2017
PhysDes: 172 pages : illustrated ; 23 cm
Subject: WAR FILMS. USA; VIETNAM WAR FILMS. USA; WORLD WAR II FILMS. USA; VIDEO GAMES; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); COPPOLA, FRANCIS FORD; FULL METAL JACKET (UK, Stanley Kubrick, 1987); HURT LOCKER, THE (US, Kathryn Bigelow, 2008); M*A*S*H (US, Robert Altman, 1969); PATTON (US, Franklin J. Schaffner, 1970); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); STEEL HELMET, THE (US, Samuel Fuller, 1951)
Notes: Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon. Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity’s most difficult, but far too common, realities. -- publisher's web site
ISBN: 9781783207541
Contents: Acknowledgements and dedication -- Introduction: war and cinema -- For glory: World Wars I and II -- Fear and frustration: Korea and Vietnam -- Live from the front line: conflict in the Middle East -- Extended discourse: cross-platform war -- Conclusion: cycles of violence, repeat performances -- Bibliography -- Index.

Call No: 737.9:959.7 AUS
Author: Auster, Albert; Quart, Leonard
Place: New York
Publisher: Praeger
PubDate: 1988
PhysDes: xv, 171 p. : ill. ; 24 cm
Subject: VIETNAM WAR FILMS; VIETNAM WAR IN FILMS; APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DEER HUNTER, THE (US, Michael Cimino, 1978); KILLING FIELDS, THE (UK, Roland Joffe, 1984); RAMBO [...] (US, 1982-1988); ASHES AND EMBERS (US, Haile Gerima, 1982); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957); SMALL CIRCLE OF FRIENDS, A (US, Robert Cohen, 1980); STEEL HELMET, THE (US, Samuel Fuller, 1951); UNCOMMON VALOR (US, Ted Kotcheff, 1983)
Notes: Includes index; Bibliography: p. [157]-161
ISBN: 0275923835 (alk. paper); 0275924793 (pbk. : alk. paper)
LON: 5685995

Call No: 761 HAM
Author: Hammond, Charles Montgomery
Place: New York
Publisher: Hastings House
PubDate: c1981
PhysDes: 285 p. : ports. ; 25 cm
Series: Communication arts books; Studies in public communication
Subject: CBS; DOCUMENTARIES; KENNEDY FAMILY ON TV; NBC TELEVISION NETWORK; NEWS PROGRAMMES; NIXON [RICHARD M.] ON TV; NON-FICTION PROGRAMMES; POLITICS AND TV; SOCIAL PROBLEMS ON TV; VIETNAM WAR ON TV
Summary: "During the volatile years of 1965-1975, television emerged as the single most potent medium for bringing truth to the American public. Unforgettably vivid images and thought-provoking, soul-stirring commentary came right into the living room, creating a new and exciting awareness of world events. Documentary became a form of television that could best speak the truth. The Image Decade describes the evolution of commercial network relevision news and theme documentary during those turbulent years, offering theory, criticism, history, and practical illustrations. Provocative analyses of the work of outstanding documentary producers and reporters at NBC, CBS and ABC are provided, revealing how these men and women brought the great domestic issues, scientific advances and space explorations, war stories from Vietnam, the Middle East and Northern Ireland, and the successive power struggles in Washington into the American home. Throughout this period, events both wonderful and terrible took place all over the world. Television was there to capture them, with the result that newsgathering became an essential public service offered by the networks. Television documentary took this service one step further by presenting an innovative visual manifestation of history. With its lively descriptions and informative appraisals, The Image Decade sheds a bright light on the major part television news and documentary has played in our lives." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 267-269
ISBN: 0803834322 (pbk.); 0803834314
LON: 1892916
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:45 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 40(04)(94) CUN
Author: Cunningham, Stuart
Place: St Lucia, Qld
Publisher: University of Queensland Press
PubDate: 2008
PhysDes: xxxix, 294 p. ; 23 cm
Subject: CULTURE AND THE CINEMA. AUSTRALIA; IMPERIALISM AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; BAXTER, JOHN; MURDOCH, RUPERT; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984); IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933); LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984); LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986); MAD MAX (AT, George Miller, 1979); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); NEIGHBOURS [TV] (AT, 1985-); OVERLANDERS, THE (UK, Harry Watt, 1946); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987)
Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisher
Notes: Includes bibliographical references and index
ISBN: 9780702236709

Author: Mathews, J. and Maudson, C.
PhysDes: Article
Subject: SPRY, ROBIN; VIETNAM WAR IN FILMS
Summary: Interview with director Robin Spry about his film "Prologue", as well as how he began his career, and his influences as a filmmaker. Reproduced from 'Cinemantics', edited in London by John Mathews and Chris Maudson.

Author: LaBrasea, Bob
PhysDes: Article
Subject: EL SALVADOR: ANOTHER VIETNAM (US, Glenn Silber and Tete Vasconcellos, 1981)
Summary: Review

Author: Jones, Dave
PhysDes: Article
Subject: ART AND THE CINEMA; ASIANS IN FILMS. AUSTRALIA; CINEMATOGRAPHY; DOCUMENTARY FILMS. AUSTRALIA; INDONESIA; POLITICAL FILMS. AUSTRALIA; VIETNAM; RAY, SATYAJIT; RUBBO, MICHAEL
Summary: Interview with filmmaker Michael Rubbo on the development of his career and his thoughts on art and the cinema
Notes: Article by Dave Jones on his personal view of Michael Rubbo's films p. 8-9

Call No: 451-054(=95) HAM
Author: Hamamoto, Darrell Y
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1994
PhysDes: xiii, 311 p. ; 24 cm
Subject: ASIAN AMERICANS ON TV; ASIANS ON TV. USA; RACIAL ISSUES ON TV. USA; WAR ON TV. USA; VIETNAM WAR ON TV; CHUNG, CONNIE; HESTON, CHARLTON; LUKE, KEYE; MILTON BERLE SHOW, THE (US, 1954-56); GUNSMOKE [TV] (US, 1955-75); CHINA BEACH [TV] (US, 1988-91); VIETNAM : A TELEVISION HISTORY (US/UK/FR, 1983); TROUBLED PARADISE (US, 1992); TOUR OF DUTY (US, 1987, 1989); MIDNIGHT CALLER (US, 1988-92); KUNG FU (US, 1972-75?); HOW THE WEST WAS WON (US, 1978-79?)
Notes: Includes bibliographical references (p. 255-291) and index
ISBN: 0816623686 (acid-free paper); 0816623694 (pbk. : acid-free paper)
LON: 10581491

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONCE UPON A TIME IN VIETNAM (V, Dustin Nguyen, 2013)

Call No: 403 MAR
Author: Martin, Adrian
Place: Ringwood, Vic.
Publisher: McPhee Gribble
PubDate: 1994
PhysDes: xii, 212 p. ; 21 cm
Subject: POPULAR CULTURE AND THE CINEMA; POPULAR CULTURE AND TV; VIETNAM WAR FILMS; THRILLERS; MYTH AND THE CINEMA; COMEDIES; BLOCKBUSTERS; SURREALISM AND THE CINEMA; YOUNG PEOPLE IN FILMS; CITIES IN FILMS; ENDINGS OF FILMS; CAPRA, FRANK; EDWARDS, BLAKE; SCORSESE, MARTIN; THIRTYSOMETHING [TV] (US, 1987-91); JFK (US, Oliver Stone, 1991); BENNY HILL SHOW, THE [TV] (UK, 1979); DUNLEAVY [TV] (US, 1992?); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946)
Notes: Includes index; CIP confirmed; Subtitle on cover: The dreams and desires at the heart of our popular culture; Bibliography: p. 199-201
ISBN: 0869142917 (pbk.)
LON: 10669030

Author: Phelan, Martin
PhysDes: Review
Subject: SPRY, ROBIN; VIETNAM WAR IN FILMS. USA
Summary: Review of Robin Spry's anti-Vietnam protest film "Prologue", discussing the characters' backgrounds and motivations.

Call No: 745 CHR
Author: Christensen, Terry
Place: Oxford New York
Publisher: Blackwell
PubDate: 1987
PhysDes: x, 244 p. : ill. ; 24 cm
Subject: POLITICAL FILMS. USA; WORLD WAR II FILMS; FASCISM AND THE CINEMA; COMMUNISM AND THE CINEMA; VIETNAM WAR FILMS; WORKERS IN FILMS; NUCLEAR ISSUES IN FILMS; REVOLUTIONARY THEMES IN FILMS; WAR AND THE CINEMA; POLITICAL PERSONALITIES IN FILMS; FONDA, HENRY; FORD, JOHN; GRIFFITH, DAVID WARK; REDS (US, Warren Beatty, 1981); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); CITIZEN KANE (US, Orson Welles, 1941); CASABLANCA (US, Michael Curtiz, 1942); CANDIDATE, THE (US, Michael Ritchie, 1972); FRONT, THE (US, Martin Ritt, 1976); ADVISE AND CONSENT (US, Otto Preminger, 1962); STATE OF THE UNION (US, Frank Capra, 1948); SISTERS (US, Brian De Palma, 1972)
Notes: Includes index; Bibliography: p.[224]-227
ISBN: 0631158448 : $24.95 (U.S.)
LON: 5549737

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EL SALVADOR: ANOTHER VIETNAM (US, Glenn Silber and Tete Vasconcellos, 1981)

Call No: 45:2 SCR
Author: Ostwalt, Conrad Eugene, 1959; Martin, Joel W., 1956
Place: Boulder
Publisher: Westview Press
PubDate: c1995
PhysDes: x, 193 p. ; 24 cm
Subject: MYTH AND THE CINEMA. USA; RELIGION AND THE CINEMA. USA; IDEOLOGY AND THE CINEMA. USA; DISASTERS IN FILMS; ALLEGORY IN FILMS; WOMEN IN FILMS; HERO IN FILMS; RACIAL ISSUES AND THE CINEMA; ALIENS IN FILMS; VIETNAM WAR IN FILMS; NINE 1/2 WEEKS (US, Adrian Lyne, 1986); PSYCHO (US, Alfred Hitchcock, 1960); BLOOD SIMPLE (US, Joel Coen, 1984); PLATOON (US, Oliver Stone, 1986); STAR WARS (US, George Lucas, 1977); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ROCKY (US, John G. Avildsen, 1976); IRONWEED (US, Hector Babenco, 1987); BLUE VELVET (US, David Lynch, 1986)
Notes: Includes bibliographical references (p. 161-182) and index
ISBN: 0813388295 (alk. paper); 0813388309 (pbk. : alk. paper)
LON: 11259176

Call No: 761 RAB
Author: Rabinowitz, Paula
Place: London New York
Publisher: Verso
PubDate: 1994
PhysDes: xi, 264 p. : ill. ; 24 cm
Subject: CINEMA VERITE; CLASS AND THE CINEMA; DOCUMENTARIES; DOCUMENTARY DRAMAS; ETHNOGRAPHIC FILMS; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; MASCULINITY IN FILMS; NATIONALISM AND THE CINEMA; POLITICS AND THE CINEMA; PSYCHOLOGICAL EFFECTS OF FILMS; PSYCHOLOGY AND THE CINEMA; SOCIAL PROBLEMS IN FILMS; VIETNAM WAR IN FILMS; VOYEURISM AND THE CINEMA; BENJAMIN, WALTER; FREUD, SIGMUND; FAR FROM POLAND (US, Jill Godmilow, 1984)
Summary: "They must be represented examines documentary in print, photography, television and film from the 1930s through the 1980s, using the lens of recent feminist film theory as well as scholarship on race, class and gender emerging from the new interdisciplinary approach of American cultural studies. Paula Rabinowitz discusses the ways in which these four media shaped truth-claims and political agency over the decades: in the 1930s about poverty, labor and popular culture during the depression; in the 1960s, about the Vietnam War, racism, work and the counterculture; and in the 1980s, about feminist and gay critiques of gender, history, narrative and cinema...Rabinowitz argues that the gendering ov vision that occurs when narratives conform to conventional genres profoundly affects the relation of documentarian to subject. She goes on to define this gendering of vision in documentary as an ethnographic process. Ultimately, this polemical study challenges the construction of the spectato in psychoanalytic film theory, and articulates a new model for theorizing power relations in culture and history." -- taken from back cover.
Notes: Includes bibliographical references (p. 221-251) and index
ISBN: 1859849253; 1859840256 (pbk.)
LON: bnc85984925; 11201643
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Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: VIETNAM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIETNAM: A TELEVISION HISTORY [TV] (US/UK/FR, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIETNAM: AFTER THE FIRE (UK, Video Education Australasia, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIETNAM: AN AMERICAN JOURNEY [TV] (US, Robert Richter, 198?)

Author: Lehman, Peter & Kirihara, David (eds)
PhysDes: Article
Subject: INDUSTRY, FILM. ASIAN COUNTRIES; INDUSTRY, TV.; VIETNAM WAR FILMS
Summary: Issue on Vietnamese film and television productions. Articles look at the representation of women, and of war.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIETNAM EXPERIENCE, THE (US, Daniel Keller & Country Joe McDonald, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIETNAM SYMPHONY [TV] (AT, Tom Zubrycki, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIETNAM: THE FINAL MISSION [TV] (US, [prod. Leslie Donaldson], 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIETNAM : THE LAST BATTLE (UK, David Munro, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987)

Call No: 71(5)
Place: Frankfurt
Publisher: Frankfurter Bund fur Volksbildung
PubDate: 1963
PhysDes: 44 p. ; illus. ; 30 cm
Subject: SRI LANKA; INDIA; INDONESIA; JAPAN; KOREA; PAKISTAN; USSR; VIETNAM; CITY OF SADNESS, A [
Language: German