book
The chess players : and other screenplays / [Satyajit Ray]; Andrew Robinson (ed.) London: Faber and Faber, 1989.
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book
The cinema of Satyajit Ray / Chidananda Das Gupta New Delhi: National Book Trust, India, 1994.
Call No: 81RAY DASAuthor: Das Gupta, Chidananda Edition: rev. and enl. ed.Place: New DelhiPublisher: National Book Trust, IndiaPubDate: 1994PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cmSubject: Ray, Satyajit ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; APARAJITO (II, Satyajit Ray, 1957) ; PARASH PATHAR (II, Satyajit Ray, 1958) ; JALSAGHAR (II, Satyajit Ray, 1958) ; APUR SANSAR (II, Satyajit Ray, 1958) ; DEVI (II, Satyajit Ray, 1960) ; TEEN KANYA (II, Satyajit Ray, 1961) ; RABINDRANATH TAGORE (ii, Satyajit Ray, 1961) ; KANCHENJUNGHA (II, Satyajit Ray, 1962) ; ABHIJAN (II, Satyajit Ray, 1962) ; MAHANAGAR (II, Satyajit Ray, 1963) ; CHARULATA (II, Satyajit Ray, 1964) ; TWO (II, Satyajit Ray, 1964) ; KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965) ; NAYAK (II, Satyajit Ray, 1966) ; CHIRIAKHANA (II, Satyajit Ray, 1967) ; GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; JANA ARANYA (II, Satyajit Ray, 1975) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; GHARE BAIRE (IT, Satyajit Ray, 1984) ; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990) ; AGANTUK (II, Satyajit Ray, 1991) ; INNER EYE, THE (II, Satyajit Ray, 1972) ; ASANI SANKET (II, Satyajit Ray, 1973) ; SONAR KELLA (II, Satyajit Ray, 1975) ; BALA (II, Satyajit Ray, 1976) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HIRAK RAJAR DESHE (II, Satyajit Ray, 1980) ; PIKOO (II, Satyajit Ray, 1980) ; SADGATI (II, Satyajit Ray, 1981) ; SUKUMAR RAY (II, Satyajit Ray, 1988) ; GANASHATRU (II, Satyajit Ray, 1989) Notes: Includes bibliographical references (p. [201]-204)ISBN: 8123707533Donation: donated by the family of Wayne Levy, 2006
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book
Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Levy Collection
book
Hours in the dark : essays on cinema / T.G. Vaidyanathan Delhi: Oxford University Press, 1996.
Call No: 62 VAIAuthor: Vaidyanathan, T.G. Source: IIPlace: DelhiPublisher: Oxford University PressPubDate: 1996PhysDes: 289 p ; 22cmSubject: CRITICISM ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; ROSELAND (US, James Ivory, 1977) ; PADRE PADRONE (IT, Paolo Taviani & Vittorio Taviani, 1977) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; CAPE FEAR (US, Martin Scorsese, 1991) ; GANDHI (UK/II, Richard Attenborough, 1982) ; JUNOON (II, Shyam Benegal, 1979) ; TRIKAL (II, Shyam Benegal, 1986) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; NAYAK (II, Satyajit Ray, 1966) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) Summary: " T. G Vaidyanathan has been the reviewer most film-makers, critics and movie-goers have always paid attention to. This collection of essays covers nearly three decades of film criticism by him. The book gathers together his essays on individual films in several languages, both Indian and foreign. The essays are energetic and acerbic, often partisan, but never dull. Written in an approachable style, they bring alive years of movie-watching in a manner neither entirely journalistic nor academic. The films discussed range from the Taviani brothers' Padre Padrone to Jonathon Demme's The Silence of the lambs and Benegal's Trikaal. There is a special section on Satyajit Ray, general pieces on the concerns of modern cinema in India, as well as accounts of Vaidyanathyan's encounters with directors such as Roman Polanski and Tomas Gutierrez Alea. The book includes an annotated bibliography with suggestions for further reading" - BOOK JACKETNotes: Includes bibliographical references (p. [279]-289)ISBN: 019563764XDonation: donated by the family of Wayne Levy, 2006Contents: preface -- perspectives from the west -- 1. towards a century of cinema -- 2 -- denouement in the modern film -- 3 --- western or anti-western ? -- 4 -- the Welles charisma -- 5 -- fassbinder: breaking the heart without betraying the mind -- 6 -- Bergman's swan song -- 7 -- Michelangelo Antonioni, Blow-up (1966) -- 8 -- Costa-Gavras, Z (1969) -- 9 -- Milos Foreman, One Flew Over the Cuckoo's Nest (1975) -- 10 -- Francis Ford Coppola, Godfather Part II (1975) -- 11 -- James Ivory, Roseland (1977) -- 12 -- Vittorio and Paulo Taviani, PAdre Padrone (1977) -- 13 -- Steven Spielberg, Close Encounters of the Third Kind (1977) -- 14 -- Hugh Hudson, Chariots of Fire (1981) -- 15 -- Jordan Demme, The Silence of the Lambs (1991) -- 16 -- Martin Scorcese, Cape Fear (1991) -- Some aspects of Modern Indian Cinema: -- 1 --- The problems of post-colonial cinema -- 2 -- art and commerce: is there a choice? -- 3 -- films from literature -- 4 -- Richard Attenborough, Gandhi (1982) -- 5 -- Aparna Sen, 36 Chowinghee Lane (1981) -- 6 -- Aparna Sen, Paroma (1985) -- Shyam Benegal, Junoon (1978) -- 8 -- Shyam Benegal, Trikaal (1985) -- Satyajit Ray: Artist and craftsman -- 1 -- The humanism of Ray -- 2 -- Pather Panchali (1955) -- 3 -- Death in the Apu trilogy -- 4 -- Nayak (1966) -- 5 -- Seemabaddha (1971) -- 6 -- Shantranj Ke Khiladi (1977) -- A view of the south -- 1 -- Kannada cinema: an overview -- 2 -- the cinema of girish Kasaravalli -- 3 -- Girish Kasaravalli, Tabrana KAthe (1987) -- 4 -- Girish Kasaravalli, Bannada Vesha (1988) -- 5 -- Girish Karnad, B.V Karanth, Vamsha Vrisksha (1971) -- 6 -- B.V Karanth, Chomana Dudi (1975) -- 7 -- Pattabhi Rama Reddy, Chanda Marutha (1977) -- 8 -- Prema Karanth, Phiyamma (1982) -- 9 -- Baragur Ramachandrappa, Kote (1989) -- 10 -- Adoor Gopalakrishnan, Swayamvaram (1972) -- 11 M. T Vasudevan Nair, Nirmalayam (1973) -- 12 -- P. Madhavan, Mythological Syndrome in Tamil Cinema -- 13 -- K. Balachander, Arangetram (1973) -- 14 -- J. Mahendran, Udhiri Pookal (1979) -- Conversations -- 1 -- Alea and the Cuban revolution -- 2 -- a portrait of Polanski -- 3 -- Youssef Chahine, 'Lilli Marlene' and the El Alamain Battle -- 4 -- Marianne Ahrne and the Invarare -- annotated bibliography --URL status: URL: 'http://-'
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National identity in Indian popular cinema, 1947-1987 / Sumita S. Chakravarty Austin: University of Texas Press, 1993.
Call No: 71(540) CHAAuthor: Chakravarty, Sumita S Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1993PhysDes: 341 p. : ill. ; 24 cmSeries: Texas film studies seriesSubject: INDIA ; NATIONAL IDENTITY IN FILMS. INDIA ; MYTH AND THE CINEMA. INDIA ; REALISM IN FILMS. INDIA ; Ray, Satyajit ; KAPOOR, RAJ ; BACHCHAN, AMITABH ; AWAARA (II, Raj Kapoor, 1952) ; HUM DONO (II, Amar Jeet, 1962) ; BHARAT MATA (II, Mehboob, 1957) ; MUGHAL-E-AZAM (II, Kariim Asif, 1952) ; SAHIB BIBI AUR GHULAM (II, Abrar Alvi, 1962) ; GANDHI (UK/II, Richard Attenborough, 1982) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) Notes: Includes bibliographical references (p. 325-333) and indexISBN: 0292711565 (pbk. : alk. paper); 0292755511 (alk. paper)LON: 93016985; 9957067
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clippings file
SHATRANJ KE KHILARI : (II, Satyajit Ray, 1977)
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