Search Catalogue

Call No: DVD RESEARCH FOLDER
Subject: DVD; DVD, FILMS ON; HOME EQUIPMENT; HOME EXHIBITION; PRESERVATION OF FILMS; CRITERION COLLECTION; MANGA; BROOKER, WILL; AROSTEGUY, SUSAN; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); FIGHT CLUB (US, David Fincher, 1999)
Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.

Call No: N79TAL DIC
Author: Dickens, Charles, 1812-1870
Place: Woodchester, England
Publisher: Arthur's Press
PubDate: (193-?)
PhysDes: 64 p. : ill. ; 22 cm
Subject: TALE OF TWO CITIES, A (US, Jack Conway, 1935)
Notes: "With illustrations from the M.G.M. Film"

Call No: S TWO
Author: Stein, Todd
Edition: Shooting Script
Place: AT/US
PubDate: 2015 Feb. 18
PhysDes: 101 leaves ; 30 cm.
Subject: [TWO TWENTY-TWO] 2:22 (AT/US, Paul Currie, 2017)
Summary: "A clever, roller-coaster thriller that centers on Dylan an air traffic controller who is given a jolt when he narrowly escapes being responsible for a mid air collision between two passenger planes. Caused by a mysterious blinding light that happened at 2:22, these strange occurrences continue and lead Dylan to meet Sarah, with whom he feels inexplicably linked. Together the two discover uncanny similarities with their current predicament and a double murder committed a generation ago. With a grim fate looming, Dylan must solve the mystery of 2:22 to preserve a love whose second chance has finally come." Written by AnonymousB - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: S 237
Author: Thalluri, Murali K
Place: AT
PubDate: [2006]
PhysDes: 96 leaves
Subject: TWO THIRTY SEVEN 2:37 (AT, Murali K. Thalluri, 2006)
Notes: Includes separate final transcript including ADR; Production script; Donated by the Australian Film Institute

Author: Thompsosn, Rick
PhysDes: Article
Subject: [FIFTY-TWO] 52 PICK-UP (US, John Frankenheimer, 1986)
Summary: Review; Credits

Call No: P FIF
PhysDes: 1 poster : col. ; 100 x 70
Subject: [FIFTY-TWO] 52 TUESDAYS (AT, Sophie Hyde, 2013)
Summary: Image: a woman's face, other, smaller faces; a couple kisssing, a couple hugging, girl taking a photo with a camera, and a watch. Text: one day a week, every week for a year.
Notes: -- "Winner Directing Award World Cinema Dramatic Sundance Film Festival 2014", "Winner Crystal Bear Berlin International Film Festival"
Donation: Cinema Nova
ID2: 140

Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: P TWO
Place: AT
PubDate: 1969
PhysDes: 1 poster : colour ; 76 x 34 cm
Subject: TWO THOUSAND WEEKS (AT, Tim Burstall, 1969)
Summary: Text: "Suitable only for adults" "Now is the Time... For WILL - The Dreamer - To Choose Between An Idyll or Reality" "Sarah... First Love" "Jackie... New Love" Image: At the top of the poster, there is a green coloured image of a man and woman looking into each others' faces with their arms on each others' shoulders. In the middle of the poster are two facial shots; one of a woman named Sarah who looks disgusted and the other of a woman named Jackie who looks concerned.
Notes: Folded in two places, creases.

Call No: 79TWO KRA
Author: Kramer, Peter
Source: UK
Place: London
Publisher: Palgrave Macmillan
PubDate: 2010
PhysDes: 116 pages : colour illustrations ; 20 cm
Series: BFI film classics
Subject: [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Summary: "Stanley Kubrick's 2001: A Space Odyssey is widely regarded as one of the best films ever made. Based on new research in the recently opened Stanley Kubrick Archive, this study challenges many of the widely held assumptions about the film, addressing how such a seemingly radical project managed to gain studio funding and why the film took the shape it finally did. Kramer also explores the film's close links to many of the most successful trends in Hollywood filmmaking across the 1950s and 60s, and to public debates about the space race and the search for extra-terrestrial intelligence. After examining what was described at the time as one of MGM's biggest ever promotional campaigns, Kramer documents the film's enormous and ever growing success with both critics and audiences across the late 1960s and early 70s, and its longterm impact on Hollywood's output of Science Fiction movies"-- [extract taken from the back of the book]
Notes: Includes bibliographical references.
ISBN: 9781844572861
Contents: Contents: Introduction -- Production Context -- Production Process -- Form, Style and Theme -- Marketing and Reception -- Cultural Setting -- Conclusion.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [NINE OH TWO ONE OH] 90210 [TV] (US, 2008-2013)

Call No: 451-054(=1-81) JEN
Author: Jennings, Karen Una
CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication Programme
PubDate: 1987
PhysDes: iv, 167 leaves ; 30 cm
Subject: ABORIGINAL AUSTRALIAN CINEMA; AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977); ELIZA FRASER (AT, Tim Bustall, 1976); MANGANINNIE (AT, John Honey, 1980); BACKLASH (AT, Bill Bennett, 1986); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975)
Notes: Bibliography: p. 153-67
LON: abn89090906; 9151758

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABROAD WITH TWO YANKS (US, Allan Dwan, 1944)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 71-053.6 HER
Author: Herche, Victoria
Edition: 2021
Place: Heidelberg
Publisher: Universitatsverlag Winter
PubDate: 2021
PhysDes: 252 pages : illustrated; 26 cm
Series: Anglistische Forschungen; 465
Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA; AUSTRALIA; TEEN FILMS; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; TOOMELAH (AT, Ivan Sen, 2011); BENEATH CLOUDS (AT, Ivan Sen, 2001); STONE BROS. (AT, Richard Frankland, 2009); LUCKY MILES (AT, Michael James Rowland, 2007); MOTHER FISH (AT, Khoa Do, 2010); TWO HANDS (AT, Gregor Jordan, 1999); AUSTRALIAN RULES (AT, Paul Goldman, 2002); DROWN (AT, Dean Francis, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); SOMERSAULT (AT, Cate Shortland, 2004); ADORATION (AT/FR, Anne Fontaine, 2013); SAPPHIRES, THE (AT, Wayne Blair, 2012); BRAN NUE DAE (AT, Rachel Perkins 2009)
Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme. Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web site
ISBN: 9783825369187

Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Call No: 735.1 KUH
Author: Kuhn, Annette
Place: London New York
Publisher: Verso
PubDate: 1999
PhysDes: 308 p. : ill. ; 20 cm
Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index
ISBN: 1859842593 (paper); 1859847463 (cloth)
LON: 20466609

Call No: TITLE CLIPPINGS FILE; [ELEVEN. TWENTY-TWO. SIXTY-THREE] 11.22.63 [TV] (US, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: [ELEVEN TWENTY-TWO SIXTY-THREE] 11.22.63 [TV] (US, 2016)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AND BABY MAKES TWO (US, Judy Katz & Oren Rudavsky, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGRY BIRDS TWO (FI/US, Thurop Van Orman, 2019)
Notes: Import_Simon_batch12_190919

Call No: 725.221 (-091) RAS
Author: Raskin, Richard
Source: US
Place: North Carolina
Publisher: McFarland & Company Inc.
PubDate: 2002
PhysDes: 184 p. : ill. ; 27 cm
Subject: SHORT FILMS; TWO MEN AND A WARDROBE (PL, Roman Polanski, 1957); DWAJ LUDZIE Z SZAFA (PL, Roman Polanski, 1957); COFFEE AND CIGARETTES (US, Jim Jarmusch, 1986); CAT'S CRADLE (AT, Liz Hughes, 1992)
Summary: A close study of Polanski Two Men and A Wardrobe, Jarmusch Coffee and Cigarettes, Lawlor Sunday, Hughes Cat's Cradle, Sletaune Eating Out, Ulrichsen Come, Ivanyi Wind, McGann Possum and Mimica The War is Over. The book also describes a new coneptual model, derived from the nine films, useful for both analyzing the ways in which a short fiction film tells its story and as a set of guidelines for students writing their own screenplays.
Notes: Includes contact information for obtaining copies of the films Includes other highly recommended short fiction films Includes bibliography Includes index
ISBN: 078641183x

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: ARTHUR [TWO] 2: ON THE ROCKS (US, Bud Yorkin, 1988)

Call No: 81HEP MAY
Author: Maychick, Diana
Source: UK
Place: London
Publisher: Pan Books
PubDate: 1994
PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cm
Subject: HEPBURN, AUDREY; ROMAN HOLIDAY (US, William Wyler, 1953); SABRINA (US, Billy Wilder, 1954); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CHILDREN'S HOUR, THE (US, William Wyler, 1961); MY FAIR LADY (US, George Cukor, 1964); TWO FOR THE ROAD (UK, Stanley Donen, 1966); BLOODLINE (US, Terence Young, 1979); THEY ALL LAUGHED (US, Peter Bogdanovich, 1981); NUN'S STORY, THE (US, Fred Zinneman, 1958)
Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]
Notes: First published ; London; Sidgwick & Jackson, 1993
ISBN: 0330333976

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: BALLET FOUR TWO TWO [BALLET 422] (US, Jody Lee Lipes, 2014)
Cross Reference: BALLET FOUR TWO TWO [BALLET 422]

Call No: 67(04) BAZ
Author: Bazin, Andre, 1918-1958; Cardullo, Bert
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: xvi, 252 p. : ill. ; 24 cm
Subject: STALIN [J.] IN FILMS; RELIGIOUS FILMS; SPECIAL EFFECTS; SUPERNATURAL IN FILMS; CINEMASCOPE; MARXISM AND THE CINEMA; USSR; ADAPTATIONS; WYLER, WILLIAM; PAGNOL, MARCEL; CAYATTE, ANDRE; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SCARFACE (US, Howard Hawks, 1932); STRADA, LA (IT, Federico Fellini, 1954); DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948); M. RIPOIS (FR, Rene Clemont, 1954); DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951); TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951); WHY WE FIGHT SERIES (US, 1942-44); BATTLE OF THE RAILS [; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956); BIDONE, IL (IT, Federico Fellini, 1955); BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); CITIZEN KANE (US, Orson Welles, 1941); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977)
Notes: Includes bibliographical references and index
ISBN: 0415900174 (hb); 0415900182 (pb)
LON: 12242179
Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTY [NUMBER TWO] #2 (US, Andy Warhol, 1965)
ID2: 350

Call No: 67(04) BES
Author: Plimpton, George
Place: New York
Publisher: St. Martin's Griffin
PubDate: 1998
PhysDes: xvi, 265 p. ; 21 cm
Subject: PRODUCERS; CAMP; CENTENARY OF CINEMA; HOMOSEXUALITY AND THE CINEMA; SCORSESE, MARTIN; FRY, STEPHEN; CAMPION, JANE; BEATTY, WARREN; STABILE, SALVATORE; POLANSKI, ROMAN; DANDRIDGE, DOROTHY; HITCHCOCK, ALFRED; STREISAND, BARBRA; WATERS, JOHN (US); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WIZARD OF OZ, THE (US, Victor Fleming, 1939); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996)
LON: abn98329398; 14168026

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BETWEEN TWO FERNS: THE MOVIE (US, Scott Aukerman, 2019)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BETWEEN TWO WORLDS [TV] (AT, 2019)
Cross Reference: BETWEEN TWO WORLDS [TV] (AT, 2019)

Call No: 81WIL DIC
Author: Dick, Bernard F.
Source: US
Place: Boston
Publisher: Twayne Publishers
PubDate: 1980
PhysDes: 188 p. : ill. ; 21 cm
Series: Twayne's Theatrical Arts Series
Subject: WILDER, BILLY; APARTMENT, THE (US, Billy Wilder, 1960); AVANTI (US, Billy Wilder, 1972); ACE IN THE HOLE (US, Billy Wilder, 1951); DOUBLE INDEMNITY (US, Billy Wilder, 1944); FEDORA (GW/FR, Billy Wilder, 1978); [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943); FORTUNE COOKIE, THE (US, Billy Wilder, 1966); FRONT PAGE, THE (US, Billy Wilder, 1974); IRMA LA DOUCHE (US, Billy Wilder, 1963); KISS ME, STUPID (US, Billy Wilder, 1964); LOST WEEKEND, THE (US, Billy Wilder, 1945); LOVE IN THE AFTERNOON (US, Billy Wilder, 1957); MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970); SABRINA (US, Billy Wilder, 1954); SOME LIKE IT HOT (US, Billy Wilder, 1959); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957); STALAG 17 (US, Billy Wilder, 1952); SUNSET BOULEVARD (US, Billy Wilder, 1950); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957)
Notes: Includes index. Bibliography: p. 173-174. Filmography: p. 175-183.
ISBN: 0805792740
Donation: donated by the family of Wayne Levy, 2006

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BLACK PANTHER TWO (US, Ryan Coogler, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAD FACTORY, A [PART ONE & PART TWO] (US, Patrick Wang, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAD FACTORY, A [PART ONE & PART TWO] (US, Patrick Wang, 2018)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BUSINESS BEHIND BARS - PART TWO: AUSTRALIA (AT, Catherine Scott, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: SEEK YOU TOO [C Q TWO] (FR/CN, Carole Laure, 2004)
Notes: Simon Strong import_191126

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHAPTER TWO (US, Robert Moore, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHILDREN OF TWO COUNTRIES [TV] (AT/CC, Terry Ohlsson, 1984)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: CHRISTMAS CHRONICLES TWO (US, Chris Columbus, 2020)

Author: Lawson, Sylvia; Rosser, Edward
PhysDes: Article
Subject: CRITICISM; GODARD, JEAN-LUC; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); QUEEN OF DESTINY (UK, Herbert Wilcox, 1938)
Summary: Reviews of Two or Three Things I Know About Her (FR, Jean-Luc Godard, 1967) and Sixty Glorious Years (UK, Herbert Wilcox, 1938)
Notes: Sixty Glorious Years has been renamed Queen of Destiny

Call No: 633.22 COA
Author: Coates, Paul
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2010
PhysDes: 178 p. : col. ill. ; 26 cm.
Subject: COLOUR; COLORIZATION; FRENCH CANCAN (FR/IT, Jean Renoir, 1955); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); SOLARIS (UR, Andrei Tarkovsky, 1972); STELLET LICHT (MX/FR/NE/G, Carlos Reygadas, 2007); BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); EUROPA (DK/FR/GG, Lars Von Trier, 1991); THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972)
Summary: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell. Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz. [Taken from publishers website]
Notes: Includes bibliographical references and index
ISBN: 9781844573141
Contents: Vertigo and yellow -- Guillermo del Toro and the dialectics of yellow and green -- Grief and green: Solaris, I lvira Madigan -- Natural camouflage: Joseph Losey's The Boy With Green Hair -- Green unseen: the poetics of absence in The Flight of the Red Ballon -- From yellow to green (via black): The Double Life of Veronique -- From yellow to blue: three Colours: Blue -- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia -- The painter's primaries and totality: le Mepris -- le Mepris 2: the triumph of blue -- Blue angel, blue devil: Goya in Bordeaux -- Trapped in blue: la Religieuse -- C. TOUR/OF FOUR D'AMRIQUE -- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni -- Introduction -- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain -- Coupling and uncoupling colours: Une femme est une femme -- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) -- A note on melodrama and modernism -- Melodrama, realism and All That Heaven Allows -- Modernist melodrama? The Oberwald Mystery

Call No: 71(93) CIN
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2007
PhysDes: xiii, 259 p. : ill. ; 24 cm.
Series: 24 Frames
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.
Notes: Includes filmography. Includes bibliography and index.
ISBN: 9781904764960

Call No: 81RAY DAS
Author: Das Gupta, Chidananda
Edition: rev. and enl. ed.
Place: New Delhi
Publisher: National Book Trust, India
PubDate: 1994
PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cm
Subject: Ray, Satyajit; PATHER PANCHALI (II, Satyajit Ray, 1955); APARAJITO (II, Satyajit Ray, 1957); PARASH PATHAR (II, Satyajit Ray, 1958); JALSAGHAR (II, Satyajit Ray, 1958); APUR SANSAR (II, Satyajit Ray, 1958); DEVI (II, Satyajit Ray, 1960); TEEN KANYA (II, Satyajit Ray, 1961); RABINDRANATH TAGORE (ii, Satyajit Ray, 1961); KANCHENJUNGHA (II, Satyajit Ray, 1962); ABHIJAN (II, Satyajit Ray, 1962); MAHANAGAR (II, Satyajit Ray, 1963); CHARULATA (II, Satyajit Ray, 1964); TWO (II, Satyajit Ray, 1964); KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965); NAYAK (II, Satyajit Ray, 1966); CHIRIAKHANA (II, Satyajit Ray, 1967); GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); SEEMABADDHA (II, Satyajit Ray, 1971); JANA ARANYA (II, Satyajit Ray, 1975); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977); JOI BABA FELUNATH (II, Satyajit Ray, 1978); HOME AND THE WORLD, THE [; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990); AGANTUK (II, Satyajit Ray, 1991); INNER EYE, THE (II, Satyajit Ray, 1972); ASANI SANKET (II, Satyajit Ray, 1973); SONAR KELLA (II, Satyajit Ray, 1975); BALA (II, Satyajit Ray, 1976); JOI BABA FELUNATH (II, Satyajit Ray, 1978); HIRAK RAJAR DESHE (II, Satyajit Ray, 1980); PIKOO (II, Satyajit Ray, 1980); SADGATI (II, Satyajit Ray, 1981); SUKUMAR RAY (II, Satyajit Ray, 1988); GANASHATRU (II, Satyajit Ray, 1989)
Notes: Includes bibliographical references (p. [201]-204)
ISBN: 8123707533
Donation: donated by the family of Wayne Levy, 2006

Call No: 220.1(-5) KEA
Author: Keane, Stephen
Source: US/UK
Place: New York; Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2007
PhysDes: viii, 181 pages ; 22 cm
Subject: TIMECODE (US, Mike Figgis, 2000); MY LITTLE EYE (UK/US/FR, Marc Evans, 2003); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005); SIN CITY (US, Frank Miller and Robert Rodriguez, 2005); RESIDENT EVIL (US, Paul W.S. Anderson, 2002); MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003); FANS; TECHNOLOGICAL DEVELOPMENTS; INTERNET; CONVERGENCE
Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.
Notes: Includes bibliographical references (p. 162-176) and index.
ISBN: 9781403936943
Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004); [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004)

PhysDes: Article
Subject: CIRCLE OF TWO (US, Jules Dassin, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CITY WITH TWO VOICES, A (AT, Daniel Jameison, 2012)

Call No: 81EAS THO
Author: Thompson, Douglas
Source: UK
Place: London
Publisher: Warner
PubDate: 1993
PhysDes: vii, 231 p., [8]p of plates : ill., ports ; 18cm
Subject: ACTORS. USA; ACTORS AS DIRECTORS; DIRECTORS. USA; WARNER BROS.; BOGART, HUMPHREY; BURTON, RICHARD; EASTWOOD, CLINT; COOPER, GARY; HOLDEN, WILLIAM; LOCKE, SONDRA; NEWMAN, PAUL; REYNOLDS, BURT; SIEGEL, DON; ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); BEGUILED, THE (US, Don Siegel, 1971); BIRD (US, Clint Eastwood, 1988); BREEZY (US, Clint Eastwood, 1973); BRONCO BILLY (US, Clint Eastwood, 1980); CITY HEAT (US, Richard Benjamin, 1984); DIRTY HARRY (US, Don Siegel, 1971); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); HONKYTONK MAN (US, Clint Eastwood, 1982); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PINK CADILLAC (US Buddy van Horn, 1989); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); WHERE EAGLES DARE (US, Brian G. Hutton, 1969)
Notes: First published London : Smith Graphon, 1992; Filmography: p 215-224.; Includes index.
ISBN: 0751503878
Donation: donated by the family of Wayne Levy, 2006

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: COMING TWO AMERICA (US, Craig Brewer, 2021)

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: 81WONG COM
Source: US
Place: Chichester, West Sussex ; Malden, MA
Publisher: Wiley-Blackwell
PubDate: 2016
PhysDes: xvi, 627 pages : illustrations ; 25 cm
Series: Wiley Blackwell Companions to Film Directors
Subject: CITY OF SADNESS, A [; WONG KAR WAI; AS TEARS GO BY (HK, Wong Kar-Wai, 1989); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); ASHES OF TIME REDUX (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004); FALLEN ANGELS [DUOLUO TIANSHI] (HK, Wong Kar-Wai, 1995); GRANDMASTER, THE [YI DAI ZONG SHI] (HK/CC, Wong Kar Wai, 2013); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); MY BLUEBERRY NIGHTS (HK/C/FR, Wong Kar-Wai, 2007); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004)
Summary: Contains 26 essays addressing numerous topics including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong's portrayal of violence
Notes: Includes bibliographical references (pages 586-599) and index. Filmography: pages 558-561
ISBN: 9781118424247
Donation: donated by Senses of Cinema
Contents: (from table of contents) Part One. Introduction. Wong Kar-wai: Invoking the universal and the local / Martha P. Nochimson -- Part two. Mapping Wong's liminality. 1. Transnational Wong / Ken Provencher -- 2. It is a restless moment: Wong Kar-wai and the phenomenology of flow / Joseph G. Kickasola -- 3. Wong Kar-wai and his jiang hu / Be´re´nice Reynaud -- Part three. Thresholds of texture and mood. 4. Wong Kar-wai's cinema of repetition / Ackbar Abbas -- 5. Wong Kar-wai: The optics of the virtual / Angelo Restivo -- 6. Color design in the cinema of Wong Kar-wai / Shohini Chaudhuri -- 7. The value of re-exports: Wong Kar-wai's use of pre-existing soundtracks / Giorgio Biancorosso -- Part four. In the corridors of history and culture. 8. Wong's ladies from Shanghai / Gina Marchetti -- 9. The Sinophone cinema of Wong Kar-wai / Audrey Yue -- 10. New queer angles on Wong Kar-wai / Helen Hok-Sze Leung -- 11. "Pity about the furniture": Violence, Wong Kar-wai style / Karen Fang -- 12. In the mood for food: Wong Kar-wai's culinary imaginary / Mike Ingham and Matthew Kwok-kin Fung -- 13. "Chungking Express", Tarantino, and the making of a reputation / David Desser -- Part five. Close-up of Wong's inflections of time and space. "Chungking Express": Slow - images - ahead / Raymond Bellour ; translated by Allyn Hardyck -- 15. Wong Kar-wai: The actor, framed / Joe McElhaney -- 16. Infidelity and the obscure object of history / Vivian P.Y. Lee -- 17. Metonymy, mneme, and anamnesis in Wong Kar-wai / Thorsten Botz-Bornstein -- Part six. Focus on individual films. 18. Serial, sequelae, and postcolonial nostalgia: Wong Kar-wai's 1960s Hong Kong trilogy / Yiman Wang -- 19. We can't go on not meeting like this: "Fallen angels" and Wong's intertextuality / Martha P. Nochimson -- 20. The third reality: "In the mood for love" / Michel Chion ; translated by Claudia Gorbman -- 21. Cinephiliac engagement and the disengaged gaze in "In the mood for love" / Yomi Braester -- 22. Wong's America, North and South: "My blueberry nights" and "Happy together" / Ken Provencher -- 23. Queer utopias in Wong Kar-wai's "Happy together" / Carlos Rojas -- 24. Wong Kar-wai's genre practice and romantic authorship: The cases of "Ashes of time redux" and "The grandmaster" / Stephen Teo -- 25. Wong Kar-wai, auteur and adaptor: "Ashes of time" and "In the mood for love" / Wai-ping Yau -- Filmography -- Appendix I. Wong works in television / Chih-ting Chen -- Appendix II. Wong works in advertising / Chih-ting Chen -- Selected bibliography -- Index

Call No: 81FOR CAR
Author: Carey, Harry Jr.
Source: US/UK
Place: Metuchen, NJ
Publisher: Scarecrow Press, Inc
PubDate: 1994
PhysDes: 218 p. : 23cm
Series: Filmmakers no.42
Subject: WESTERNS; FILMMAKING; INDUSTRY, FILM; INDUSTRY, FILM. USA; FORD, JOHN; CAREY, HARRY JR.; SHE WORE A YELLOW RIBBON (US, John Ford, 1949); WAGON MASTER (US, John Ford, 1950); RIO GRANDE (US, John Ford, 1950); LONG GRAY LINE, THE (US, John Ford, 1954); SEARCHERS, THE (US, John Ford, 1956); TWO RODE TOGETHER (US, John Ford, 1961); CHEYENNE AUTUMN (US, John Ford, 1964); [THREE] 3 GODFATHERS (US, John Ford, 1948); [MISTER] MR ROBERTS (US, John Ford & Mervyn Le Roy, 1955)
Summary: "When Harry Carey, Sr. died in 1947, director John Ford cast Carey's 26 year-old son, Harry Jr. in the role of The Abilene Kid in 3 Godfathers. Ford and the elder Carey had filmed an earlier version of the story, and Ford dedicated the Technicolor remake to his memory. Company of heroes is the story of the making of that film, as well as the eight subsequent Ford classics. In it, Harry Carey, Jr. casts a remarkably observant eye on the process of filming Westerns by one of the true masters of the form. " -- BOOK JACKET
ISBN: 0810828650
Contents: -- in the beginning-- 3 Godfathers -- Myself When Young With Cowboys and Navajos -- She Wore a Yellow Ribbon -- Paul Fix, the OSS, and Merry Christmas -- Wagonmaster -- Rio Grande -- The Long Gray Line -- Mister Roberts -- The Searchers -- Two Rode Together -- Cheyenne Autumn -- So Long, But Not Good-bye -- Harry Carey, Jr.'s Appearances in John Ford Films -- index --

Call No: 722-053.2(94) POT
Author: Potter, Anna
Edition: 2015
Place: Bristol ; Chicago
Publisher: Intellect
PubDate: 2015
PhysDes: xii, 200 pages : illustrations ; 24 cm
Subject: CHILDREN, PROGRAMMES FOR. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012); AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION; BRITISH BROADCASTING CORPORATION; IRWIN, BINDI; DANCE ACADEMY [TV] (AT, 2010); DISNEY CHANNEL; GURLS WURLD, A [TV](AT/G/SI, 2011); H [TWO OH] 2O [TV] (AT, 2006-); HIGH SCHOOL MUSICAL (US, Kenny Ortega, 2007); MAKO MERMAIDS [MAKO:ISLAND OF SECRETS] [TV] (AT, 2013- ); MY PLACE [TV] (AT, Kim Daiton, 2009); SCREEN AUSTRALIA
Summary: Since the late 1970s, Australia has nurtured a creative and resilient children’s television production sector with a global reputation for excellence. Providing a systematic analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children’s television for digital regimes, Creativity, Culture and Commerce charts the complex new settlements in children’s television that developed from 2001 to 2014 and describes the challenges inherent in producing culturally specific screen content for global markets. It also calls for new public debate around the provision of high-quality screen content for children, arguing that the creation of public value must sit at the centre of these discussions. -- publisher's web site
ISBN: 9781783204410
Contents: Introduction -- Chapter 1: Understanding Children’s Television During the Digital Transition -- Chapter 2: Shaping the Foundations: Establishing an Australian Children’s Television Production Industry -- Chapter 3: A Very Special Audience: Children and Television -- Chapter 4: The National Context: Australian Broadcasters, Children’s Television and Public Value -- Chapter 5: It’s a Small World After All: The Internationalization of Australian Children’s Television -- Chapter 6: Policing the Settlement: Policy and Public Value in Children’s Television -- Chapter 7: Producing Children’s Television for Digital Regimes: Case Studies from the Production Sector -- Chapter 8: New Settlements in Children’s Television: Key Trends and Future Outlook -- References -- Index

Call No: 81MAN ALV
Author: Alvarez, Max
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: 324 pages ; 24 cm
Subject: CRIME FILMS; FILM NOIR; MANN, ANTHONY; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942); STRANGERS IN THE NIGHT (US, Anthony Mann, 1944); TWO O'CLOCK COURAGE (US, Anthony Mann, 1945); GREAT FLAMARION, THE (US, Anthony Mann, 1945); STRANGE IMPERSONATION (US, Anthony Mann, 1946); DESPERATE (US, Anthony Mann, 1947); RAILROADED! (US, Anthony Mann, 1947); T-MEN (US, Anthony Mann, 1947); RAW DEAL (US, Anthony Mann, 1948); HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948); FOLLOW ME QUIETLY (US, Richard Fleischer, 1949); BORDER INCIDENT (US, Anthony Mann, 1949); SIDE STREET (US, Anthony Mann, 1950); TALL TARGET, THE (US, Anthony Mann, 1951)
Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIA
Notes: Includes bibliographical references, filmography and index
ISBN: 9781617039249
Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: D [TWO] 2: THE MIGHTY DUCKS (US, Sam Weisman, 1994)
ID2: 165

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO IS A FAMILY [DEMAIN TOUT COMMENCE] (FR/ UK, Hugo Gélin, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWO] 2 AUTUMNS, 3 WINTERS [2 AUTOMNES, 3 HIVERS] (FR, Sebastien Betbeder, 2013); [TWO] 2 AUTUMNS, 3 WINTERS [2 AUTOMNES, 3 HIVERS] (FR, Sebastien Betbeder, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [TWO] 2 DADS AND ONE MOM [2 PAPAS ET LA MAMAN, LES] (FR, Jean-Marc Longval, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971)

Call No: TITLE CLIPPING FILE
Subject: TWO MEN IN MANHATTAN [DEUX HOMMES DANS MANHATTAN] (FR, Jean-Pierre Melville, 1959)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: TWO DAYS ONE NIGHT [DEUX JOURS, UNE NUIT ] (BE/FR/IT, Jean-Pierre Dardenne, Luc Dardenne, 2014)
Cross Reference: TWO DAYS ONE NIGHT [DEUX JOURS, UNE NUIT ]
ID2: 368

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
Subject: [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967)

Call No: 753DIC ZAM
Author: Zambrano, A. L
Place: New York
Publisher: Gordon Press
PubDate: 1976
PhysDes: 442 pages : illustrations ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; LITERATURE AND THE CINEMA; MUSICALS; SURREALISM AND THE CINEMA; THEATRE AND THE CINEMA; GRIFFITH, DAVID WARK; EISENSTEIN, SERGEI M.; DAVID COPPERFIELD (US, George Cukor, 1935); GREAT EXPECTATIONS (UK, David Lean, 1946); GREAT EXPECTATIONS (UK, Joseph Hardy, 1975); OLIVER TWIST (UK, David Lean, 1948); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); TALE OF TWO CITIES, A (US, Jack Conway, 1935)
Summary: This book discusses the works of Charles Dickens that has been adapted into film up until the mid 1970s. It discusses Dickens's relationship to the theatre (cinema's closest ancestor), the Victorian values of Dickens's work, the cinematic elements of Dickens's writing, and modern filmic adaptations of his work.
Notes: Includes filmography -- collection's copy is fragile, handle with care
ISBN: 0879684569
LON: 76016479; 174074

Call No: 737(5-012) DIV
Source: US
Place: Honolulu
Publisher: University of Hawai'i Press
PubDate: 2016
PhysDes: viii, 331 pages : illustrations ; 24 cm
Subject: WAR AND THE CINEMA; WAR FILMS; WORLD WAR II AND THE CINEMA; WORLD WAR II FILMS; WORLD WAR II FILMS. JAPAN; WORLD WAR II FILMS. USA; WORLD WAR II FILMS. CHINA; KOREAN WAR FILMS; SECOND SINO-JAPANESE WAR FILMS; TAIWAN; MANGA; VIDEO GAMES; COMPUTER GAMES; NATIONALISM AND THE CINEMA; ETHNIC GROUPS IN FILMS; [TWO THOUSAND AND NINE] 2009: LOST MEMORIES [2009 IOSEUTEU MAEMORIJEU] (KO, Si-myung Lee, 2002); BAMBOO HOUSE OF DOLLS [NU JIZHONGYING] (HK, Kuei Chih-Hung, 1973); CHILDREN OF HUANG SHI, THE (AT/CC/GE, Roger Spottiswoode, 2007); FRIENDS (JP/KO, 2002); SCARLET ROSE: THE GODDESSES OF JINLING [XUESE MEIGUI: JINLING NUSHEN] [TV](CC, Yu Liqing, 2007)
Summary: Exploring how the years of 1931-1953 have been recreated and negotiated in cinema. This period saw conflicts such as the Sino-Japanese War, the Pacific War, and the Korean War and events such as the Rape of Nanjing, Pearl harbor, the Battle of Iwo Jima, and the bomibings of Hiroshina and Nagasaki. The films relating to the experiences of the countries China, Japan, Taiwan, Korea, and other Far East countries, as well as the United States of America are examined. - partially taken from cover
Notes: Formerly CIP. -- Includes bibliographical references (pages 291-305), filmography, television and video game lists (pages 281-290) and index
ISBN: 9780824851514
Donation: donated by Senses of Cinema
Contents: Acknowledgments -- Introduction: Divided Lenses / Michael Berry -- Part I : screen histories of war in East Asia -- War, history, and remembrance in Chinese cinema / Yingjin Zhang -- Of female spies and national heroes : a brief history of anti-Japanese films in Taiwan from the 1950s to the 1970s / Wenchi Lin -- The "division blockbuster" in South Korea: the evolution of cinematic representations of war and division / Hyangjin Lee -- Under the flag of the rising sun: imagining and reimagining the Pacific war in the Japanese cinema / David Desser -- Japanese manga and anime on the Asia-Pacific war experience / Kyu Hyun Kim -- Continuity and change in Hollywood's representations of American-Asian relations in war and peace / Robert Brent Toplin -- Part II : reading war trauma -- Oscillating histories : representations of comfort women from Bamboo House of Dolls to Imperial Comfort Women / Lily Wong -- Shooting the enemy : photographic attachment in The Children of Huang Shi and Scarlet Rose / Michael Berry -- War and nationalism in recent Japanese cinema : Yamato, trauma, and forgetting the postwar / Aaron Gerow -- The promise and limits of "pop culture diplomacy" in East Asia : contexts-texts-reception / Chiho Sawada -- History and its alternatives : war games as social form / Eric Hayot

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: [DOCTOR] DR STRANGE TWO (US, Sam Raimi, 2022)

Author: May, Anthony
PhysDes: Article
Subject: TWO ROADS TO HELIDON (AT, Anthony Mullins & Kris Kneen, 2000?)
Summary: Discussion of the ethnographic filmmaking style of a documentary about the religious community Magnificat Meal Movement for SBS's Space Stories series.

Author: Shirley, Graham
PhysDes: Article
Subject: TRUMBULL, DOUGLAS; SPECIAL EFFECTS; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Summary: Interview with photographic effects expert Douglas Trumbull. Special attention is payed to his special effects work on 2001: A SPACE ODYSSEY.

Call No: TITLE CLIPPINGS FILE; TWO DAYS, ONE NIGHT (BE/FR/IT, Jean- Pierre Dardenne & Luc Dardenne, 2014)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: TWO DAYS, ONE NIGHT (BE/FR/IT, Jean- Pierre Dardenne & Luc Dardenne, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO FRIENDS [DUE AMICI] (IT, Spiro Scimone/Francesco Sframeli, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO EVIL EYES [DUE OCCHI DIABOLICI] (IT, George A. Romero and Dario Argento, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DUYEOJA IYAGI (KO, Lee Jung-Cook, 1994); STORY OF TWO WOMEN, THE (KO, Lee Jung-Cook, 1994)

Call No: TITLE CLIPPINGS FILE
Subject: TWO MEN BEG TO REPORT [DVA MUZI HLASI PRICHOD] (CS, Vaclav Vorlicek, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO MEN BEG TO REPORT [DVA MUZI HLASI PRICHOD] (CS, Vaclav Vorlicek, 1975)

Call No: TITLE CLIPPINGS FILE
Subject: TWO OF THEM, THE [DWOJE] (PL, Piotr Szpakowicz, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO OF THEM, THE [DWOJE] (PL, Piotr Szpakowicz, 1975)

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Call No: 675.1 FAV
Place: New York
Publisher: Macmillan Publishing Co., Inc.
PubDate: 1973
PhysDes: 301 p. ; 25 cm.
Subject: CRITICISM; CRITICS; ANTONIONI, MICHELANGELO; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); SEARCHERS, THE (US, John Ford, 1956); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); LAWRENCE OF ARABIA (UK, David Lean, 1962); THIRD MAN, THE (UK, Carol Reed, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); FRENCH CANCAN (FR/IT, Jean Renoir, 1955); CASABLANCA (US, Michael Curtiz, 1942); FILM PORTAIT (US, Jerome Hill, 1972); MADAME DE... (FR, Max Ophuls, 1953); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); GONE WITH THE WIND (US, Victor Fleming, 1939); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); PSYCHO (US, Alfred Hitchcock, 1960); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); HATARI! (US, Howard Hawks, 1961); DOCKS OF NEW YORK, THE (US, Josef von Sternberg, 1928)
Summary: Twenty-seven film critics respond to the question of what are their favorite films, and also write about their experiences in their profession.
Notes: Includes index.
Contents: -- My favorite movies / Dwight Macdonald -- Favorite directors / Peter Bogdanovich -- On The Searchers / Jay Cocks -- The private world of Fahrenheit 451 / Josheph McBride -- On not playing favorites / John Simon -- Ugetsu: a meditation on Mizoguchi / Andrew Sarris -- These are a few of my favorite things / William Pechter -- Lean and Lawrence: the alst adventurers / Stephen Farber -- Night World / David Denby -- The Rules Of The Game / Richard Roud -- French Cancan / Roger Greenspun -- Some nights in Casablanca / Richard Schickel -- A few notes on Jerome Hill's Film Portrait / Jonas Mekas -- Madame De: a musical passage / Molly Haskell -- My favorite movie - Madame De / Peter Harcourt -- The seaweed-gatherer / Robin Wood -- My adventure / Charles Thomas Samuels -- Antonioni: more from less / Richard Gilman -- "War!" said Scarlett. "Don't you men think about anything important?" / Ellen Willis -- Ask me know questions and I'll tell you... / Judith Crist -- Tokyo Story: the virtues of mannered simplicity / Francis X. J. Coleman -- Psycho therapy / Richard Carliss -- Looking backward at the film 2001 / Colin L. Westerbeck, Jr. -- The inevitable movie / Parker tyler -- TV favorites / Howard Thompson -- Auteurism, Hawks, Harari! and me / Stuart Byron -- Docks Of New York / Martin Rubin

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FERRARI THREE ONE TWO B (IT, Ardrea Marini, 2017)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIFTY-TWO] 52 PICK-UP (US, John Frankenheimer, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIFTY-TWO] 52 TUESDAYS (AT, Sophie Hyde, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIRL CUT IN TWO, THE [FILLE COUPEE EN DEUX, LA] (FR/GG, Claude Chabrol, 2007)

Call No: 67(04) FIL
Author: Alpert, Hollis (ed); Sarris, Andrew (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PhysDes: 281 p. ; 22 cm
Subject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); FOR LOVE OF IVY (US, Daniel Mann, 1968); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BULLITT (US, Peter Yates, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CHARLIE BUBBLES (UK, Albert Finney, 1967); FACE OF WAR, A (US, Eugene S. Jones, 1968); MERCENARIES, THE (UK/US, Jack Cardiff, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); VARGTIMMEN (SW, Ingmar Bergman, 1967); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); INSIDE NORTH VIETHAM (US, Felix Greene, 1967); JOANNA (UK, Michael Same, 1968); ODD COUPLE, THE (US, Gene Saks, 1968); OLIVER (UK, Carol Reed, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PETULIA (US, Richard Lester, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); RACHEL, RACHEL (US, Paul Newman, 1968); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); SKAMMEN (SW, Ingmar Bergman, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); TARGETS (US, Peter Bogdanovich, 1968); TELL ME LIES (UK/US, Peter Brook, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); UP TIGHT! (US, Jules Dassin, 1968); WEEK-END (FR/IT, Jean-Luc Godard, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968); TANTE ZITA (FR, Robert Enrico, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); STAR (US, Robert Wise, 1968)
Summary: Review of Films produced in the years 1968-69
Notes: Includes index
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1971
PhysDes: 319 p. ; 22 cm
Subject: WAR FILMS; REVOLUTION AND THE CINEMA; MUSIC AND THE CINEMA; POLITICS IN FILMS; ADAPTATIONS; MUSICALS; PORNOGRAPHY AND THE CINEMA; DISASTERS IN FILMS; BERGMAN, INGMAR; ANTONIONI, MICHELANGELO; Keaton, Buster; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); JOE (US, John G. Avildsen, 1970); LITTLE BIG MAN (US, Arthur Penn, 1970); HUSBANDS (US, John Cassavetes, 1970); PATTON (US, Franklin J. Schaffner, 1970); M*A*S*H (US, Robert Altman, 1969); CATCH 22 (US, Mike Nichols, 1970); SOLDIER BLUE (US, Ralph Nelson, 1970); MOLLY MAGUIRES, THE (US, Martin Ritt, 1969); BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970); ICE (US, Robert Kramer, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); DIARY OF A MAD HOUSEWIFE (US, Frank Perry, 1970); OWL AND THE PUSSYCAT, THE (US, Herbert Ross, 1970); LOVE STORY (US, Arthur Hiller, 1970); QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970); WINTER WIND (HU, Miklos Jancso, 1969); SIROKKO (HU, Miklos Jancso, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); MISSISSIPPI MERMAID (FR/IT, Francois Truffaut, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GREAT WHITE HOPE, THE (US, Martin Ritt, 1970); BOYS IN THE BAND, THE (US, William Friedkin, 1970); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); SCROOGE (UK, Ronald Neame, 1970); TORA! TORA! TORA! (US/JA, Richard Fleischer, 1970); RYAN'S DAUGHTER (UK, David Lean, 1970); AIRPORT (US, George Seaton, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); ANGEL LEVINE, THE (US, Jan Kadar, 1970); CONFESSION, THE (FR/IT, Costa-Gavras, 1970); AVEU, L' (FR/IT, Costa-Gavras, 1970)
Summary: A cross section of critical opinion on the most interesting films of the year, reflections on emerging trends, genres and moods, and a sampling of the work of individual critics [editorial note]
Notes: Includes index
ISBN: 671210483
Contents: -- Five Easy Pieces / Jacob Brackman, Harold Clurman, John Simon -- Joe / Gary Arnold, Penelope Gilliatt -- Loving / Pauline Kael -- The Ballad Of Cable Hogue / Joseph Morgenstern -- Little Big Man / Stefan Kanfer, David Denby -- Husbands / Paul D.Zimmerman, Jacob Brackman -- Patton / Pauline Kael -- M*A*S*H / Jospeh Morgenstern, David Denby, Brad Darrach -- Catch - 22 / Arthur Schlesinger Jr., Stefan Kanfer, Hollis Alpert, Jacob Brackman -- Soldier Blue / Hollis Alpert -- The Molly Maguires / Arthur Schlesinger Jr. -- Getting Straight / Jacob Brackman -- The Strawberry Statement and Getting Straight / David Denby -- The Revolutionary / Jay Cocks, Bruce Williamson -- Ice / Pauline Kael -- Woodstock / Jay Cocks, Joseph Morgenstern -- Gimme Shelter / Arthur Schlesinger Jr. -- Performance / Jay Cocks -- My Night at Maud's / Penelope Gilliatt -- Diary Of A Mad Housewife / Paul D.Zimmerman, John Simon -- The Owl And The Pussycat / Gary Arnold -- Love Story / Gary Arnold, Arthur Knight, Philip T.Hartung -- Burn / Pauline Kael -- The Confession and Investigation Of A Citizen Above Suspicion / Robert Hatch -- Winter Wind / Stanley Kauffmann -- The Passion Of Anna / Penelope Gilliatt, Richard Schikel -- Zabriskie Point / Arthur Schlesinger Jr., Andrew Sarris -- Fellini Satyricon / Stefan Kanfer, Robert Hatch -- The Damned / Robert Hatch, Brad Darrach -- Zabriskie Point, Fellini Satyricon and The Damned / Richard Schickel -- Mississippi Mermaid / Gary Arnold -- The Wild Child / Robert Hatch, David Denby -- The Rise Of Louis XIV / Stanley Kauffmann, Bruce Williamson -- Two Or Three Things I Know About Her / Penelope Gilliatt -- Sympathy For The Devil / Jay Cocks -- Le Gai Savoir / Bruce Williamson -- Tristana / Harold Clurman -- Women In Love / Arthur Schlesinger Jr., Bruce Williamson -- The Virgin And The Gypsy / Penelope Gilliatt, Stanley Kauffmann -- The Great White Hope / Andrew Sarris -- I Never Sang For My Father / Arthur Knight -- The Angel Levine / Arthur Knight -- The Boys In The Band / Hollis Alpert -- On A Clear Day You Can See Forever / Jospeh Morgenstern -- Scrooge and Song Of Norway / Philip T.Hartung -- Scrooge / Jay Cocks -- Darling Lili / Arthur Knight -- Tora! Tora! Tora! / Gary Arnold -- Ryan's Daughter / Hollis Alpert, John Simon -- Airport / Gary Arnold -- Myra Breckinridge / Jospeh Morgenstern -- Beyond The Valley Of The Dolls / Paul D. Zimmerman -- Buster Keaton / Penelope Gilliatt -- Porn and man at Yale / Richard Schickel -- Numbing the audience / Pauline Kael -- Bang! Apocolypse for sale / Jospeh Morgenstern

Call No: 745.1 MAC
Author: MacBean, James Roy
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1975
PhysDes: viii, 339 p. : ill. ; 29 cm
Subject: REVOLUTIONARY THEMES IN FILMS; MARXISM AND THE CINEMA; REVOLUTION AND THE CINEMA; GORIN, JEAN-PIERRE; GODARD, JEAN-LUC; METZ, CHRISTIAN; VERTOV, DZIGA; WEEK-END (FR/IT, Jean-Luc Godard, 1968); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969); PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); MADE IN U.S.A. (FR, Jean-Luc Godard, 1966); ICE (US, Robert Kramer, 1970); CLASSE OPERAIA VA IN PARADISO, LA (IT, Elio Petri, 1971); LETTER TO JANE (FR, Jean-Luc Godard & Jean-Pierre Gorin, 1972); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968)
Notes: Includes bibliographical references and index
ISBN: 0253321891; 0253201918(pbk.)
LON: 737743
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Author: Beja, Morris
Source: US
Place: New York
Publisher: Longman
PubDate: 1979
PhysDes: 335 p. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. GREENE, GRAHAM; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. MANN, THOMAS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; GRAPES OF WRATH, THE (US, John Ford, 1940); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CITIZEN KANE (US, Orson Welles, 1941); MALTESE FALCON, THE (US, John Huston, 1941); HENRY V (UK, Laurence Olivier, 1944); GREAT EXPECTATIONS (UK, David Lean, 1946); HAMLET (UK, Laurence Olivier, 1948); THIRD MAN, THE (UK, Carol Reed, 1949); RASHOMON (JA, Akira Kurosawa, 1950); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); PSYCHO (US, Alfred Hitchcock, 1960); INNOCENTS, THE (UK, Jack Clayton, 1962); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); JULES ET JIM (FR, Francois Truffaut, 1962); LOLITA (US, Stanley Kubrick, 1962); PROCES, LE (FR/IT/GW, Orson Welles, 1962); PAWNBROKER, THE (US, Sidney Lumet, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.
Notes: Includes glossary, list of film distributors, bibliographic references and index; Collection holds two copies of this item
ISBN: 058228094X
Donation: donated by the family of Wayne Levy, 2006

Call No: 753 BEJ
Copy Management: Copy 1; Copy 2
Author: Beja, Morris
Source: US
Place: New York
Publisher: Longman
PubDate: 1979
PhysDes: xv, 335 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. GREENE, GRAHAM; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. MANN, THOMAS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; LITERATURE AND THE CINEMA; GRAPES OF WRATH, THE (US, John Ford, 1940); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CITIZEN KANE (US, Orson Welles, 1941); MALTESE FALCON, THE (US, John Huston, 1941); HENRY V (UK, Laurence Olivier, 1944); GREAT EXPECTATIONS (UK, David Lean, 1946); HAMLET (UK, Laurence Olivier, 1948); THIRD MAN, THE (UK, Carol Reed, 1949); RASHOMON (JA, Akira Kurosawa, 1950); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); PSYCHO (US, Alfred Hitchcock, 1960); INNOCENTS, THE (UK, Jack Clayton, 1962); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); JULES ET JIM (FR, Francois Truffaut, 1962); LOLITA (US, Stanley Kubrick, 1962); PROCES, LE (FR/IT/GW, Orson Welles, 1962); PAWNBROKER, THE (US, Sidney Lumet, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.
Notes: Includes index; Bibliography: p. 319-327; Collection holds two copies of this item
ISBN: 058228094X
Order Received: 2000
Order Type: Donation
LON: 78026167; 1314099

Call No: 79 TWO GED
Author: Geduld, Carolyn
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: 1973
PhysDes: 87 p. ; 21 cm
Series: Indiana University Press Filmguide Series
Subject: [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Notes: Includes a Kubrick filmography; Bibliography: pp. 81-87
ISBN: 025339306X

Call No: 412.53 MAL
Author: Malone, Peter
Edition: [1979]
Place: [Melbourne]
Publisher: Chevalier Press
PubDate: [1979]
PhysDes: 192 pages ; 20 cm
Subject: ETHICS IN FILMS; ETHICS AND THE CINEMA; POINT BLANK (US, John Boorman, 1967); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); EASY RIDER (US, Dennis Hopper, 1969); M*A*S*H (US, Robert Altman, 1969); DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
ISBN: 0869400169
Donation: SFC Library
Contents: A study of what the author terms high quality entertainment films, which provide some ethical and moral challenges for audiences whilst also being popular. An essay from the author where he examines a number of ideas pertaining to: Christianinty, religion, Athienists, Humanism, and Future Shock preceeds the film reviews
AFIRC Location: Stacks

Call No: 735.1 JOH
Source: US
Place: Englewood Cliffs, NJ
Publisher: Prentice Hall
PubDate: 1972
PhysDes: 182 p. ; 21 cm
Series: Film Focus
Subject: SCIENCE-FICTION FILMS; MELIES, GEORGES; SIEGEL, DON; TIME MACHINE, THE (US, George Pal, 1960); FRAU IM MOND, DIE (G, Fritz Lang, 1929); THINGS TO COME (UK, William Cameron Menzies, 1936); [DOCTOR] DR CYCLOPS (US, Ernest B. Schoedsack,1940); DESTINATION MOON (US, Irving Pichel, 1950); WHEN WORLDS COLLIDE (US, Rudolph Maté, 1951); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); TIME MACHINE, THE (US, George Pal, 1960); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
ISBN: 0137951612
Donation: donated by the family of Wayne Levy, 2006

Call No: 81LOR LEV
Author: Levy, Alain
Source: UK
Place: London
Publisher: Magnum
PubDate: 1979
PhysDes: xii, 227 p., [16] p. of plates : ill., ports. ; 20 cm
Subject: LOREN, SOPHIA; PONTI, CARLO; TWO WOMEN (IT/FR, Vittorio De Sica, 1960); CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960); GIRASOLI, I (IT/UR, Vittorio De Sica, 1970); SUNFLOWER (IT/UR, Vittorio De Sica, 1970)
Summary: Journalist Alan Levy tells the inside story of Sophia Loren, from childhood in the slums of Naples to international fame, critical recognition and personal fulfilment.
ISBN: 0417055005
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [FORTY-TWO] 42 UP (UK, Michael Apted, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: [FOUR] 4 MONTHS, [THREE] 3 WEEKS AND [TWO] 2 DAYS [PATRU LUNI TREI SAPTAMANI SI DOUA ZILE] (RM/BE, Cristian Mungiu, 2007)
ID2: 82

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: [FOURTEEN NINETY-TWO] 1492: CONQUEST OF PARADISE (UK/SP/FR, Ridley Scott, 1992)

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: [1992?]
PhysDes: 1 photograph : b&w ; 26 X 21 cm.
Subject: [FOURTEEN NINETY-TWO] 1492: CONQUEST OF PARADISE (UK/SP/FR, Ridley Scott, 1992); DEPARDIEU, GERARD
Summary: Gerard Depardieu and Tcheky Karyo in costume riding horses.
Notes: Slight creases on corners; Image surrounded by white border; Adhesive label attached to reverse of photograph; Pencil annotation on reverse of photograph

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: [1992?]
PhysDes: 1 photograph : b&w ; 26 x 21 cm.
Subject: [FOURTEEN NINETY-TWO] 1492: CONQUEST OF PARADISE (UK/SP/FR, Ridley Scott, 1992); DEPARDIEU, GERARD
Summary: Silhouette shot of Gered depardieu with a sword at his hip with two men behind him on a beach. In the background is a sail boat
Notes: White border surrounds image with production information below the image

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: [1992?]
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: [FOURTEEN NINETY-TWO] 1492: CONQUEST OF PARADISE (UK/SP/FR, Ridley Scott, 1992); SCOTT, RIDLEY
Summary: Ridley Scott wearing a t-shirt and a floppy hat stands on a beach with a ship in the background and a movie camera immediately behind him.
Notes: Adhesive label attached to reverse of photograph; Writing in pencil on reverse of photograph; White border surrounds image

Call No: 81OZO ASI
Author: Asibong, Andrew
Source: UK
Place: Manchester, UK
Publisher: Manchester University Press
PubDate: c2008
PhysDes: viii, 157 p. : ill. ; 21 cm
Series: French Film Directors
Subject: DIRECTORS. FRANCE; OZON, FRANCOIS; SITCOM (FR, Francois Ozon, 1998); REGARDE LA MER (FR, Francois Ozon, 1997); GOUTTES D'EAU SUR PIERRES BRULANTES (FR, Francois Ozon, 2000); SOUS LE SABLE (FR, Francois Ozon, 2000); SWIMMING POOL (FR/UK, Francois Ozon, 2003); [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004)
Summary: "This book is the first full-length study of the films of Francios Ozon. From his clutch of provocative and award-winning shorts in the mid-1990s to his increasingly celebrated features, including Swimming Pool, Les Amants criminels, and 5x2, as well as the star-studded, millenial classic of high camp, 8 femmes, Ozon's films have remaned silmultaneously seductive and experimental, playful and gruesome. What emerges from Andrew Asibong's passionate and highly engaged scrutiny of Ozon's cinema, however, is the extent to which the director's breezily confrontational work throws up urgent and unavoidable questions about the cinematic representation of pyschic, familial, social, and even ontological transformation. Asibong considers how Ozon's apparently subversive explorations of feminine and 'queer' desire, as well as his ongoing fascination with sadomasochistic power relations, all operate at a far more ambivalent psychoanalytic and political level than either Ozon's champions or detractors seem willing to admit. He then goes on to suggest that what may be at stake in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary human relationships on film." BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [150]-151) and index; Includes filmography
ISBN: 9780719074233
Contents: -- list of plates -- series editors' foreword -- acknowledgements -- -- family filmmaker: an introduction to Francois Ozon -- 1: desire unlimited: sexualities on the move? -- 2: master and servant: society, spectacle and sadomasochistic cinema -- 3: shadow of the spectre: cinema beyond relation? -- 4: blood, tears, and song: genre and the shock of over-stimulation -- a drop in the ocean: concluding remarks -- filmography -- select biography -- index --

Call No: 79LOR THO
Author: Thompson, Kristin
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2007
PhysDes: xxi, 399 p. : ill. ; 24 cm
Subject: CRITICISM; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002)
Summary: "In writing The Frodo Franchise: "The Lord of the Rings" and Modern Hollywood, Kristin Thompson enjoyed unprecedented access to the project's insiders. She interviewed seventy-six people - from Peter Jackson to fan webmasters to producers of the video games to directors of the DVD supplements to tour operators in New Zealand, among many others. She spent weeks on site while the third part of the trilogy was being finished - the ultimate inside vantage point - and the resulting book captures the full dimensions of the struggle to get Rings to the screen." "Thompson examines the movie's scripting and design as well as the new technologies deployed to produce the films and the all-important videogames and DVDs. She recounts how Jackson, then a little-known director with no hits to his credit, made the startling suggestion of shooting all three epic parts of J. R. R.Tolkien's classic simultaneously and how Jackson then, in realizing his vision, enormously expanded a few small companies into a world-class filmmaking complex. She profiles the fans whose websites provided the film with a wealth of free publicity. Thompson's own enthusiasm - she is a longtime devotee of the novels - and her expertise as a respected film historian underlie her discussion of the impact Rings has had on the companies that made the film and its related products, on the fantasy genre, on New Zealand, and, surprisingly, on independent cinema."--BOOK JACKET.
Notes: Includes bibliographic references and index
ISBN: 9780520247741
Language: English
Contents: Introduction : sequel-itis -- Pt. 1. The film -- 1. Prudent aggression -- 2. Not your father's Tolkien -- 3. Handcrafting a blockbuster -- Pt. 2. Building the franchise -- 4. Flying billboards and FAQs -- 5. Click to view trailer -- 6. Fans on the margins, pervy Hobbit fanciers, and partygoers -- Pt. 3. Beyond the movie -- 7. Licenses to print money -- 8. Interactive Middle-earth -- Pt. 4. The lasting power of the rings -- 9. Fantasy come true -- 10. Right in your own backyard.

Call No: 79LOR FRO
Author: Mathijs, Ernest and Pomerance, Murray (eds.)
Source: US
Place: Amsterdam, NY
Publisher: Rodopi B.V.
PubDate: 2006
Series: Contemporary Cinema, no.3
Subject: AUDIENCE RECEPTION; ADAPTATIONS. TOLKEIN, J.R.R.; MERCHANDISING; ADVERTISING FOR FILMS; SOCIAL ISSUES IN FILMS; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003)
Summary: Collected essays on Peter Jackson's film adapatations of Tolkein's Lord of the Rings trilogy.
Notes: includes index and bibliography
ISBN: 9789042020627
ISSN: 15723070
Language: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FROZEN TWO (US, Chris Buck/Jennifer Lee, 2019)
Notes: Simon_Batch 17_191210

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GARFIELD: A TALE OF TWO KITTIES [GARFIELD: A TAIL OF TWO KITTIES] (UK/US, Tim Hill, 2006); GARFIELD: A TALE OF TWO KITTIES [GARFIELD: A TAIL OF TWO KITTIES] (UK/US, Tim Hill, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GENESIS [TWO POINT OH] 2.0 (SZ/CC/RU/KO/US, Christian Frei, 2018)

Call No: 733 MAR
Author: Marcantonio, Carla
Edition: 2015
Place: Basingstoke
Publisher: Palgrave Macmillan
PhysDes: xii, 190 ; 23 cm
Subject: MELODRAMA; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002); SKIN I LIVE IN, THE (SP, Pedro Almodovar, 2011); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004); BUBBLE (US, Steven Soderbergh, 2005); BABEL (US/MX/FR, Alejandro Gonzalez Ioarritu, 2006); GRAVITY (US/UK, Alfonso Cuaron, 2013); JUVENTUDE EM MARCHA [COLOSSAL YOUTH] (PO/FR/SZ, Pedro Costa, 2006); SHIJIE [WORLD, THE] (CN/JP/FR, Zhangke Jia, 2004)
Notes: Global Melodrama is the first booklength work to investigate melodrama in a specifically twenty-first century setting across regional and national boundaries, analyzing film texts from a variety of national contexts in the wake of globalization. -- publisher's blurb
ISBN: 9781137530615

Call No: 236GOL SER
Author: Serkis, Andy
Source: UK
Place: London [England]
Publisher: HarperCollins
PubDate: c2003
PhysDes: 119 p. : ill (col). ; 25 cm
Subject: SPECIAL EFFECTS; PRODUCTION TECHNOLOGY; MAKE-UP; SOUND EFFECTS; SERKIS, ANDREW; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003)
Notes: " A behind- the- scenes guide to the epic New Line Cinema trilogy [cover at head of title Lord of the Rings] Filmed in New Zealand. Film tie-in
ISBN: 0007170572
Donation: donated by the family of Wayne Levy, 2006
Contents: -- introduction : to begin at the beginning -- chapter 1: 'It's mine. My own. It came to me!' -- chapter 2 : welcome to planet middle-earth -- chapter 3 : another world -- chapter 4 : motion capture -- chapter 5 : muttering and gurgling -- chapter 6 : the taming of Smeagol -- chapter 7 : 'Give us that, Deagol, my love' -- chapter 8 : morgul vale -- chapter 9 : escape from middle-earth -- chapter 10 : the changing face of Gollum -- chapter 11 : 'Nobody likes you...' -- chapter 12 : 'the two towers -- chapter 13 : the return of the king -- epilogue : the good, the bad... and the precious --

Call No: S GRA
Author: Hampton, Christopher
PubDate: 2012
PhysDes: 100 leaves ; 30 cm
Subject: TWO MOTHERS (FR/BE, Anne Fontaine, 2013)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GREGORY'S TWO GIRLS (UK/GG, Bill Forsyth, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUMRAH: THE LOVE AND HONOUR OF TWO BROTHERS (IR, A. Wahed Nazari, 2002)

Call No: S H2O
Author: King, Joss
Edition: Release script
Place: AT
PubDate: 2008 Aug. 22
PhysDes: 34 leaves
Subject: H [TWO OH] 2O [TV] (AT, 2006-)
Notes: Unpublished script -- copyright Jonathan M. Shiff Productions Pty Ltd 2008 -- Script editor: Chris Roache, Story producer: Joss King, Associate Story Producer: Chris Roache, Original Concept by Jonathan M. Shiff
Donation: Australian Film Institute

Call No: S H2O
Author: Butters, Simon
Edition: Release script
Place: AT
PubDate: 2008 Sep. 13
PhysDes: 32 leaves
Subject: H [TWO OH] 2O [TV] (AT, 2006-)
Notes: Unpublished script -- copyright Jonathan M. Shiff Productions Pty Ltd 2008 -- Script Editor: Chris Roache, Story Producer: Joss King, Associate Story Producer: Chris Roache, Original Concept by Jonathan M. Shiff
Donation: Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; CD-Roms (2)
Subject: H [TWO OH] 2O [TV] (AT, 2006-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAPPY FEET TWO (AT, George Miller, 2011)

Author: Smith, Edward
PhysDes: Article; Stills Review
Subject: KUBRICK, STANLEY; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); TECHNOLOGY AND THE CINEMA
Summary: Essay analyses Kubrick's "2001: A Space Odyssey" according to the director's themes of discovery and man's relationship with technology.

Author: Durston, Joy
PhysDes: Article
Subject: [ONE HUNDRED AND TWO] 102 MATURE: THE ART OF HARRY LIEBERMAN (US, Irving Sarraf, 1983)
Summary: Short film appraisals

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: INCREDIBLY TRUE ADVENTURES OF TWO GIRLS IN LOVE, THE (US, Maria Maggenti, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT: CHAPTER TWO (CN/US, Mark Savage, 2019)
Notes: Import_Simon_batch12_190919

Call No: 67(04) WAL
Author: Walker, Alexander
Source: UK
Place: London
Publisher: Headline Book Publishing
PubDate: 1989
PhysDes: viii, [312] p., [16] leaves of plates : ill., ports. ; 18 cm
Subject: CRITICISM; FESTIVALS. CANNES; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GODFATHER, THE (US, Francis Ford Coppola, 1972); SHINING, THE (UK, Stanley Kubrick, 1980); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); BOGARDE, DIRK; BURTON, RICHARD; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; COOPER, GARY; Crawford, Joan; CRAWFORD, NOEL; DAVIS, BETTE; EVANS, EDITH; Fellini, Federico; FORBES, BRYAN; GARBO, GRETA; GIELGUD, JOHN; GRANT, CARY; GREENE, GRAHAM; HARVEY, LAURENCE; HEPBURN, KATHARINE; HITCHCOCK, ALFRED; HOWARD, TREVOR; HUSTON, JOHN; KAZAN, ELIA; KUBRICK, STANLEY; Lean, David; LEIGH, VIVIEN; LOSEY, JOSEPH; Shakespeare, William; TRACY, SPENCER; TYNAN, KENNETH; VON STERNBERG, JOSEF; WELLES, ORSON; ZINNEMANN, FRED
ISBN: 0747230218
Contents: -- "Do you mean to say they pay you to go to the movies?" -- "Name the six best films you've ever seen" -- Charlie's Angel and the Culture Minister's walking stick -- A day in the hard-playing hard-working life of a far from mad old woman -- Cary Grant and the Harry Lime connection -- The soft words of Mr Rattigan - the hard blows of Mr Russell --- Even Hollywood princesses don't always live happy ever after -- No need to bribe a film festival jury; it can do that for itself -- What made Marlon Brando stop running and find peace at last -- The girl who blew in with the Boston winds -- Peter O'Toole meets himself, two feet tall and blue-eyed, coming back from a trip abroad -- Random thoughts on the Englishness (or otherwise) of English film actors -- Inexactly expressed sentiments about the most private person I know -- "Why this one and not that one, why one event and not the other?"

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: IT TAKES TWO (US, Andy Tennant, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT TAKES TWO (US, David Beaird, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IT TAKES TWO [TV] (AT, 2006)

Call No: 151 (73) ITA
Author: [not given]
Edition: [1952?]
Place: Place of publication not identified
Publisher: Publisher not identified
PubDate: [1952?]
Subject: CAPPOTTO, IL [OVERCOAT, THE] (IT, Alberto Lattuada, 1952); ALTRI TEMPI [TIMES GONE BY] [IT, Alessandro Blasetti, 1952); UMBERTO D (IT, Carlo Battisti, 1952); ANNA (IT, Alberto Lattuada, 1952); THE LITTLE WORLD OF DON CAMILLO (IT, Julien Duvivier, 19652); EUROPE '51 (IT, Roberto Rossellini, 1952); DUE SOLDI DI SPERANZA [TWO CENTS WORTH OF HOPE] (IT, Renato Catellani, 1952); RAGAZZE DI PIAZZE DI SPAGNA [GIRLS OF PIAZZA SPAGNA] (IT, Luciano Emmer, 1952); PROCESSO ALLA CITTA [A CITY ON TRIAL] (IT, Luigi Zampa, 1952); BELLISSIMA (IT, Luchino Visconti, 1951); FESTIVALS. USA [VARIOUS]; ITALY
Notes: 33 cm folder with 12 inserts. One for each of ten films plus a programme and an introduction.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JACKASS NUMBER TWO (US, Jeff Tremaine, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JANGHWA HONGRYEON (KO, Ji-Wun Kim, 2003); TALE OF TWO SISTERS, A (KO, Ji-Wun Kim, 2003)
CrossTag: 1
ID2: 81

Call No: 81GOD JEA
Source: UK
Place: New York
Publisher: Museum of Modern Art : Distributed by H.N. Abrams
PubDate: c1992
PhysDes: 240 p. : ill. (some col.) ; 32 cm
Subject: NOUVELLE VAGUE; CAHIERS DU CINEMA; POLITICS AND THE CINEMA; SPECTATORSHIP; THEORY; PSYCHOANALYSIS AND THE CINEMA; TELEVISION AND THE ARTS; AUTEUR THEORY; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); BANDE A PART (FR, Jean-Luc Godard, 1964); FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); WEEK-END (FR/IT, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968); ONE A.M. (FR/US, Jean-Luc Godard, 1968); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); PRAVDA (FR, Jean-Luc Godard, 1970); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); WEEK-END (FR/IT, Jean-Luc Godard, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); PASSION (FR/SZ, Jean-Luc Godard, 1982); JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983)
Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso. Filmography: p. 232-235. Includes bibliographical references (p. 236-238) Some articles translated from the French.
ISBN: 0810961148
Language: English

Call No: 81FOR SAR
Author: Sarris, Andrew
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: 1975
PhysDes: 192 p. ; 26 cm
Series: Cinema One
Subject: FORD, JOHN; SARRIS, ANDREW; MEN WITHOUT WOMEN (US, John Ford, 1929); UP THE RIVER (US, John Ford, 1930); ARROWSMITH (US, John Ford, 1931); AIRMAIL (US, John Ford, 1932); PILGRIMAGE (US, John Ford, 1933); LOST PATROL, THE (US, John Ford, 1934); JUDGE PRIEST (US, John Ford, 1934); WHOLE TOWN'S TALKING, THE (US, John Ford, 1935); INFORMER, THE (US, John Ford, 1935); STEAMBOAT ROUND THE BEND (US, John Ford, 1935); PRISONER OF SHARK ISLAND (US, John Ford, 1936); WEE WILLIE WINKIE (US, John Ford, 1937); HURRICANE, THE (US, John Ford, 1937); STAGECOACH (US, John Ford, 1939); YOUNG MR. LINCOLN (US, John Ford, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); LONG VOYAGE HOME, THE (US, John Ford, 1940); HOW GREEN WAS MY VALLEY (US, John Ford, 1941); BATTLE OF MIDWAY, THE (US, John Ford, 1942); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); WAGON MASTER (US, John Ford, 1950); RIO GRANDE (US, John Ford, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); SUN SHINES BRIGHT, THE (US, John Ford, 1953); MOGAMBO (US, John Ford, 1953); LONG GRAY LINE, THE (US, John Ford, 1954); SEARCHERS, THE (US, John Ford, 1956); WINGS OF EAGLES, THE (US, John Ford, 1956); RISING OF THE MOON, THE (IE/US, John Ford, 1957); LAST HURRAH, THE (US, John Ford, 1958); GIDEON'S DAY (UK, John Ford, 1958); HORSE SOLDIERS, THE (US, John Ford, 1959); SERGEANT RUTLEDGE (US, John Ford, 1960); TWO RODE TOGETHER (US, John Ford, 1961); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); DONOVAN'S REEF (US, John Ford, 1963); SEVEN WOMEN (US, John Ford, 1965)
ISBN: 0253331676
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: JULIA HAS TWO LOVERS (US, Bashar Shbib, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: KING OF THE TWO DAY WONDER, THE (AT, Kevin Anderson, 1979)

Call No: 634.6 BAZ
Author: Bazelon, Irwin
Source: US/UK/CN//AT
Place: New York -- Toronto -- London -- Melbourne
Publisher: Van Nostrand Reinhold Co
PubDate: 1975
PhysDes: 352 pages : illustrations ; 25 cm
Subject: COMPOSING; MUSIC AND THE CINEMA; MUSIC IN FILMS; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); THIS SPORTING LIFE (UK, Lindsay Anderson, 1963); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PATTON (US, Franklin J. Schaffner, 1970); WOMAN OF THE DUNES [SUNA NO ONNA] (JA, Hiroshi Teshigahara, 1964); PSYCHO (US, Alfred Hitchcock, 1960); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); VIVA ZAPATA (US, Elia Kazan, 1952); MIRACLE WORKER, THE (US, Paul Aaron, 1979)
Summary: "Everyone knows film music exists, but few people know anything about it. And yet film music is the extra dimension that points up motivations, adds nuances, and even suggests plot developments, moods, and feelings that contradict the visual image. This book will make you aware of the affective power of music in films and how it can enhance or detract from your involvement in the film." - taken from the dust jacket
Notes: Includes index
ISBN: 0442205945
Contents: Preface : opening music cue -- Film music and composer -- Film music : a short history -- The contemporary concert composer in films -- The technique of film scoring -- Film moments : what does music actually do? -- Closing music cue -- Personal appearances : interviews with composers [interviews with Elmer Bernstein, Leonard Rosenman, Jerry Goldsmith, John Williams, Richard Rodney Bennett, Alex North, Lalo Schifrin, Bernard Herrmann, David Raksin, Bernard Sega´ll, Laurence Rosenthal, Johnny Mandel, Paul Glass, John Barry, and Gail Kubik]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KUBO AND THE TWO STRINGS (US, Travis Knight, 2016)

Call No: DIGITAL FILE
Author: Haimes, Marc; Butler, Chris; Tindle, Shannon
PubDate: 5/01/2016
PhysDes: 93 leaves
Subject: KUBO AND THE TWO STRINGS (US, Travis Knight, 2016)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: 79TWO CHI
Author: Chion, Michel
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 196p. : ill. ; 24 cm
Subject: KUBRICK, STANLEY; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999)
ISBN: 0851708404; 0851708390(pbk.) : ¦14.99
LON: 22295588

Author: Leech, Charles
PhysDes: Article; Bibliography; Illustration(s)
Subject: MUSIC IN FILMS; POPULAR CULTURE AND THE CINEMA; KUBRICK, STANLEY; STRAUSS, RICHARD; SIMPSONS, THE [TV] (US, 1989-); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Summary: Explores Kubrick's legacy to popular culture, in particular his use of Strauss' music in "2000: a space oddyssey."

Call No: REFERENCE SECTION; 02 WOL
Author: Wolf, William; Wolf, Lillian Kramer
Place: London
Publisher: Paddington Press
PubDate: 1979
PhysDes: 429 p. : ill. ; 25 cm
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: incl. index
ISBN: 0709208758
LON: vtb00270168; 10429365

Call No: 79LAS GAR
Author: Garner, Helen, 1942
Place: Ringwood, Vic.
Publisher: McPhee Gribble
PubDate: 1992
PhysDes: xii, 225 p. ; 20 cm
Subject: LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986)
ISBN: 0869141228 (pbk.) : $14.95 (est.)
LON: 8560752

Call No: 737.66 (94) (=1-81) DUT
Author: Dutto, Matteo
Edition: 2019
Place: Oxford
Publisher: Peter Lang
PubDate: 2019
PhysDes: x, 244 pages : illustrated ; 23cm
Series: Australian studies: interdisciplinary perspectives
Subject: ABORIGINAL AUSTRALIAN CINEMA; INDIGENOUS; FIRST AUSTRALIANS, THE [TV] (AT, Beck Cole, Rachel Perkins, 2008); PEMULWUY: A WAR OF TWO LAWS (AT, Grant Leigh Saunders, 2010); JANDAMARRA'S WAR (AT, Mitch Torres, 2011); KEEPERS OF THE STORY: JANDAMARRA (AT, Mitch Torres, 2010); CONFESSIONS OF A HEADHUNTER (AT, Sally Riley, 2000); YAGAN (AT, Kelrick Martin, 2013)
Summary: This book explores the ways in which Australian Indigenous filmmakers, performers and writers work within their Indigenous communities to tell the stories of early Indigenous resistance leaders who fought against British invaders and settlers, thus keeping their legacies alive and connected to community in the present. It offers the first comprehensive and trans-disciplinary analysis of how the stories of Pemulwuy, Jandamarra and Yagan (Bidjigal, Bunuba and Noongar freedom fighters, respectively) have been retold in the past forty years across different media. Combining textual and historical analysis with original interviews with Indigenous cultural producers, it foregrounds the multimodal nature of Indigenous storytelling and the dynamic relationship of these stories to reclamations of sovereignty in the present. It adds a significant new chapter to the study of Indigenous history-making as political action, while modelling a new approach to stories of frontier resistance leaders and providing a greater understanding of how the decolonizing power of Indigenous screen, stage and text production connects past, present and future acts of resistance. -- publisher's web site
ISBN: 9781788745413
Contents: Contents -- Acknowledgements -- Introduction Story One Pemulwuy -- Chapter 1 Pemulwuy as a pan-Aboriginal hero -- Chapter 2 Legacies of resistance in Rachel Perkins’ First Australians and Grant Leigh Saunders’ Pemulwuy: A War of Two Laws Story Two Jandamarra -- Chapter 3 The three lives of Jandamarra: Archivists, copycats and custodians -- Chapter 4 Performing resistance -- Chapter 5 “Keeping story alive”: Screening the voice of Bunuba Country in Mitch Torres’ Jandamarra’s War and Keepers of the Story Story Three Yagan -- Chapter 6 Defacing colonial sovereignty in Sally Riley’s Confessions of a Headhunter -- Chapter 7 Breaching into the settler colonial city: Re-enacting crosshatch history in Kelrick Martin’s Yagan -- Conclusion Reflections from Yagan Square -- Bibliography -- Index

Call No: S LET
Author: Haythornthwaite, David
Place: AT
PubDate: [1980?]
PhysDes: 53 leaves
Subject: LET'S TALK ABOUT IT: PART TWO - TOWARDS MATURITY [TV] (AT, David Haythornthwaite, 1980)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: LIKE TWO MOUNTAINEERS (AT, Education Department of Victoria, 1980)

Call No: 11339
Author: Godfrey, Nicholas
Edition: 2018
Place: New Brunswick
Publisher: Rutgers University Press
PubDate: 2018
PhysDes: xii, 270 pages : illustrated ; 24 cm
Subject: AUTEUR THEORY; EASY RIDER (US, Dennis Hopper, 1969); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); TWO-LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); LITTLE FAUSS AND BIG HALSY (US, Sydney J. Furie, 1970); ADAM AT SIX AM (US, Robert Scheerer, 1970); DIRTY HARRY (US, Don Siegel, 1971); FRENCH CONNECTION, THE (US, William Friedkin, 1971); LAST MOVIE, THE (US, Dennis Hopper, 1971); HIRED HAND, THE (US, Peter Fonda, 1971)
Summary: The New Hollywood era of the late 1960s and early 1970s has become one of the most romanticized periods in motion picture history, celebrated for its stylistic boldness, thematic complexity, and the unshackling of directorial ambition. The Limits of Auteurism aims to challenge many of these assumptions. Beginning with the commercial success of Easy Rider in 1969, and ending two years later with the critical and commercial failure of that film’s twin progeny, The Last Movie and The Hired Hand, Nicholas Godfrey surveys a key moment that defined the subsequent aesthetic parameters of American commercial art cinema. The book explores the role that contemporary critics played in determining how the movies of this period were understood and how, in turn, strategies of distribution influenced critical responses and dictated the conditions of entry into the rapidly codifying New Hollywood canon. Focusing on a small number of industrially significant films, this new history advances our understanding of this important moment of transition from Classical to contemporary modes of production. -- publisher's web site
ISBN: 9780813589145

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOCK, STOCK AND TWO SMOKING BARRELS (UK, Guy Ritchie, 1998)

Call No: 79LOR SIB
Author: Sibley, Brian
Source: UK
Place: London
Publisher: HarperCollins
PubDate: 2002
PhysDes: 191 p. : ill. ; 28 cm
Subject: LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001)
Notes: Foreword by Sir Ian McKellen
ISBN: 000713567x

Call No: 79LOR LOR
Source: UK
Place: Great Britain
Publisher: Wallflower Press
PubDate: 2006
PhysDes: xvii, 341 p. : ill. ; 25 cm
Subject: POPULAR CULTURE AND THE CINEMA; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001)
Summary: The Lord of the Rings: Popular culture in Global Context takes the release of the film trilogy as a point of departure for an overview of the international impact of The Lord of the Rings in a range of cultural environments (the US, the UK, Europe, and New Zealand). This anthology analyses the merchandising, box office figures, distribution, critical reception, fan following and cult status of the films, ands focuses on how the differrent faces of the phenomenon, like the trailers, DVD editions, websites, computer games, music, location tours and even its unlikely erotic spin-offs contricuted to making The Lord of the Rings the most publibly recognised brand image of the twenty-first century so far.- BOOK JACKET
ISBN: 1904764827
Contents: Foreword : the extraordinary escape of The lord of the rings / Brian Silbey -- Popular culture in global context : The lord of the rings phenomenon / Ernest Mathijs -- More than just rings : merchandise for them all / Janet Wasko and Govind Shanadi -- 'On the brink of a new threshold of opportunity' : The lord of the rings and New Zealand cultural policy / Jennifer Lawn and Bronwyn Beatty -- Making Middle Earth sound real : The lord of the rings and the cultural politics of the BBC radio edition / Martin Barker -- Blockbusters and/as events : distributing and launching The lord of the rings / Daniel Biltereyst and Philippe Meers -- Following the money : The lord of the rings and the culture of box office figures / Warren Buckland and Christopher Long -- 'Wellywood' and Peter Jackson : the local reception of The lord of the rings in Wellington, New Zealand / Davinia Thornley -- Reviews, previews and premieres : the critical reception of The lord of the rings in the United Kingdom / Ernest Mathijs -- 'Apocalypse now in Middle Earth' : 'genre' in the critical reception of The lord of the rings in Germany / Susanne Eichner, Lothar Mikos and Michael Wedel -- Realising the cult blockbuster : The lord of the rings fandom and residual/emergent cult status in 'the mainstream' / Matt Hills -- The lord of the rings online blockbuster fandom : pleasure and commerce / Kirsten Pullen -- 'This is what it must look like' : The lord of the rings fandom and media literacy / Judith E. Rosenbaum -- Sacred viewing : emotional responses to The lord of the rings / Anne Jerslev -- Framing tolkien : trailers, high concept and the ring / Erik Hedling -- Bonus material : the DVD layering of The lord of the rings / Jonathan Gray -- Playing the ring : intermediality and ludic narratives in the Lord of the rings games / Jonathan Dovey and Helen W. Kennedy -- Cooperation versus violence : an ethnographical analysis of the Return of the king video game / Mariano Longo -- Fixing a heritage : inscribing Middle Earth onto New Zealand / Stan Jones -- Musical Middle Earth / K. J. Donnelly -- Tolkien dirty / I. Q. Hunter.

Call No: 79 LOR BRO
Author: Brodie, Ian
Edition: Extended ed.
Source: NZ
Place: Auckland, NZ
Publisher: Harper Collins
PubDate: 2004
PhysDes: 176 p. : ill., col. maps, col. ports ; 23 cm
Subject: LOCATION SHOOTING. NEW ZEALAND; NEW ZEALAND; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); TOURISM AND THE CINEMA
Summary: The book contains movie, and location photographs, maps, location, directions, touring information, and internet addresses from around New Zealand, and directly connected to the filming of The Lord of the Rings trilogy
ISBN: 1869505301

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002)

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); TOPO, EL (MX, Alexandro Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: 67(04) KAE
Author: Kael, Pauline
Place: London
Publisher: Cape
PubDate: 1966
PhysDes: ix, 365 p. ; 22 cm.
Subject: CRITICISM; GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); SCIUSCIA (IT, Vittorio De Sica, 1946); SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); WEST SIDE STORY (US, Robert Wise, 1961); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); MARK, THE (UK, Guy Green, 1961); INNOCENTS, THE (UK, Jack Clayton, 1962); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); TASTE OF HONEY, A (UK, Tony Richardson, 1961); VICTIM (UK, Basil Dearden, 1961); LOLITA (US, Stanley Kubrick, 1962); JULES ET JIM (FR, Francois Truffaut, 1962); NOBI (JA, Kon Ichikawa, 1959); BILLY BUDD (UK, Peter Ustinov, 1962); YOJIMBO (JA, Akira Kurosawa, 1961); DEVI (II, Satyajit Ray, 1960); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963)
Summary: A collection of Kael's writings on cinema including reviews mostly from 1961-1963.
Notes: Includes index.
LON: nun00460852; 4159070

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAGNIFICENT TWO, THE (UK, Cliff Owen, 1967)

Call No: 79 TWO MAK
Author: Agel, Jerome
Source: US
Place: New York
Publisher: New American library
PubDate: 1970
PhysDes: 367 pages : illustrations, portraits. ; 18 cm
Series: Signet film series
Subject: [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968)
Summary: "The Making of Kubrick's 2001 takes you behind the sets and scenes of the most controversial film of the decade. Here is the inside story of a monumental achievement conceded even by its enemies to mark a turning point in the art of the cinema."
Notes: Includes bibliographical references. -- A Signet book, W4205. -- 451-W4205-150

Author: Gardner, Geoffrey
PhysDes: Article
Subject: TWO THOUSAND WEEKS (AT, Tim Burstall, 1969); BURSTALL, TIM; AUSTRALIA IN FILMS; AUSTRALIA; BIOGRAPHICAL FILMS
Summary: Interview with Australian filmmaker Tim Burstall, concerning the making of his film "Two Thousand Weeks", and his views on the comparison between his autobiographical film and Fellini's "8 1/2" as well as the existence of a national cinema in Australia.

Call No: 81ALM ALM
Author: Almendros, Nestor
Source: US
Place: London
Publisher: Faber
PubDate: 1985
PhysDes: viii, 306 p. : ill. ; 23 cm
Subject: CINEMATOGRAPHY; PHOTOGRAPHY; ALMENDROS, NESTOR; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984); COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969); WILD CHILD (US/UK/FR, Nick Moore, 2008); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971); GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974); GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975); COCKFIGHTER (US, Monte Hellman, 1974); STORY OF ADELE H, THE (FR, Francois Truffaut, 1975); MAITRESSE (FR, Barbet Schroeder, 1976); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); DAYS OF HEAVEN (US, Terrence Malick, 1978); MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978); KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978); MADAME ROSA (FR, Moshe Mizrahi, 1977); GOIN' SOUTH (US, Jack Nicholson, 1978); PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978); LOVE ON THE RUN (FR, Francois Truffaut, 1979); AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); BLUE LAGOON, THE (US, Randal Kleiser, 1980); CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983); LAST METRO, THE (FR, Francois Truffaut, 1980); DERNIER METRO, LE (FR, Francois Truffaut, 1980); PAULINE A LA PLAGE (FR, Eric Rohmer, 1983); PAULINE AT THE BEACH (FR, Eric Rohmer, 1983); STILL OF THE NIGHT (US, Robert Benton, 1982); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982)
Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]
Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304
ISBN: 0571135897 (pbk.)
LON: abn85231033; 3994651

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN WITH TWO BRAINS, THE (US, Carl Reiner, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MCLIBEL: TWO WORLDS COLLIDE (UK, Franny Armstrong, 1999)

Call No: 403(73) MIL
Place: Jefferson, North Carolina
Publisher: McFarland & Company, Inc., Publishers
PubDate: 2014
PhysDes: viii, 207 pages ; 23 cm
Subject: HOMOSEXUALITY AND TV. USA; GLEE [TV] (US, Ryan Murphy, 2009); [NINE OH TWO ONE OH] 90210 [TV] (US, 2008-2013); SECRET LIFE OF THE AMERICAN TEENAGER, THE [TV] (US, 2009-2013); PRETTY LITTLE LIARS [TV] (US, 2010-2017); [TWO] 2 BROKE GIRLS [TV] (US, 2011-2017); MINDY PROJECT, THE [TV] (US, 2012-2017)
Summary: "This collection of new essays first situates the millennials within their historical context and then proceeds to an examination of specific characteristics--as addressed in the television and film narratives created about them, including their relationship to work, technology, family, religion, romance and history" - taken from back cover
Notes: Includes bibliographical references and index
ISBN: 9780786478804
Contents: Introduction: the twenty-first century generation / Betty Kaklamanidou and Margaret Tally -- Secrets and lies: gender and generation in the ABC Family brand / Caryn Murphy -- Lavender identity and representation in the media: the portrayal of gays and lesbians in popular television / Sean Robinson and Bernice Alston -- Exploring discourses of engagement in 2 Broke Girls / Alison N. Novak -- The Mindy Show: south asians and television multiculturalism / Janani Subramanian -- The Big Bang Theory: nerds and kidults / Janice Shaw -- The emotional power of technology, community and morality in The Vampire Diaries / Margo Collins -- Generational conflict, twenty-first century horror films and The cabin in the woods / Karen J. Renner -- The scream of a generation: "Generation Me" in Scream 4 / Sotiris Petridis -- "Comedy Natives": generations, humor and the question of why smart + funny is the new rock and roll / Margaret Tally -- The romantico-sexual narrative and intertextuality in Friends with benefits and No strings attached / Betty Kaklamanidou -- Labor narratives and The Devil wears Prada / Christoph Bettner.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity; Press kit
Subject: MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996)
ID2: 81

Call No: 753 MOD
Author: Horton, Andrew S.; Magretta, Joan
Source: US
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1981
PhysDes: xiv, 383 p. : ill. ; 22 cm
Subject: ADAPTATIONS; EUROPEAN CINEMA; BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977); CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960); TWO WOMEN (IT/FR, Vittorio De Sica, 1960); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); DECAMERON, THE [DECAMERON, IL] (IT/FR/GW, Pier Paolo Pasolini, 1971); EFFI BRIEST (GW, Rainer Werner Fassbinder, 1974); FALSCHE BEWEGUNG (GW, Wim Wenders, 1975); FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969); FEMME DOUCE, UNE (FR, Robert Bresson, 1969); HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974); DIARY OF A COUNTRY PRIEST [; JULES ET JIM (FR, Francois Truffaut, 1962); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1960); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); RONDE, LA (FR, Max Ophuls, 1950); SUZANNE SIMONIN, LA RELIGIEUSE DE DIDEROT (FR, Jacques Rivette, 1967 [prod. 1965]); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); TRISTANA (SP/IT/FR, Luis Bunuel, 1970); VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975); LOST HONOUR OF KATHARINA BLUM, THE (GW, Volker Schlondorff & Margarethe von Trotta, 1975); WILDENTE, DIE (GW/AU, Hans W. Geissendorfer, 1976); WILD DUCK, THE (GW/AU, Hans W. Geissendorfer, 1976); ZAZIE DANS LE METRO (FR, Louis Malle, 1960); MARQUIS OF O..., THE (GW/FR, Erich Rohmer, 1975)
Summary: Adaptation as an art in itself is the theme of these original essays by leading film scholars and critics. Starting with some of the finest European films produced since World War II, they investigate the literary source of each. But their emphasis is on film, and their writing challenges the conventional assumption that a great book must inevitably make an inferior movie. It is the editors' premise that adaptation, especially in the hands of a gifted director, can be a lively and creative art. The essays offer a fresh perspective on both films and their directors - among them Antonioni, Bertolucci, Bunuel, Fassbinder, Godard, Ophuls, Truffaut. The genesis of films such as Blow-Up, The Conformist, and Jules et Jim is explored often frame-by-frame, for a fuller understanding of the creative process of filmmaking." - BOOK BLURB
Notes: Includes index; Bibliography: p. [369]-371; Filmography: p. [357]-367
ISBN: 0804424039 : $14.95; 0804462771 (pbk.) : $6.95
LON: 79048073; 1813405
Contents: Delannoy's La Symphonie Pastorale (1946) from the novel by Andre Gide / Dudley Andrew -- Bresson's Diary of a Country Priest (1951) from the novel by Georges Bernanos / Dudley Andrew -- Ophul's La Ronde (1959) from the play by Arthur Schnitzler / Alan Williams -- Vadim's Les Liaisons Dangereuses 1960 (1959) from the novel by Pierre Choderlos de Laclos / John F. Fell -- Malle's Zazie dans le Metro (1960) from the novel by Raymond Queneau / Andrew Horton -- De Sica's Two Women (1961) from the novel by Alberto Moravia / Ruth Prigozy -- Truffaut's Jules et Jim (1961) from the novel by Henri-Pierre Roche / Stuart Y. MacDougal -- Godard's Le Mepris (1963) from the novel A Ghost at Noon by Alberto Moravia / Marsha Kinder -- Rivette's Le Religieuse (1966) from the novel by Denis Diderot / Ira Konigsberg -- Antonioni's Blow-Up (1966) from the short story by Julio Cortazar / Neil D. Isaacs -- Fellini Satyricon (1969) from the "novel" by Petronius / Bernard F. Dick -- Bresson's Une Femme Douce (1969) from the story "The Gentle Creature" by Fyodor Dostoevsky / Lindley Hanlon -- Bunuel's Tristana (1970) from the novel by Benito Perez Galdos / Charles Eidsvik -- Wender's The Goalie's Anxiety at the Penalty Kick (1971) from the novel by Peter Handke / Peter Brunette -- Pasolini's Decameron (1971) from The Decameron by Giovanni Boccaccio / Ben Lawton -- Bertolucci's The Conformist (`97`) from the novel by Alberto Moravia / T. Jefferson Kline -- Tavernier's The Clockmaker (1973) from the novel The Clockmaker of Everton by Georges Simenon / William R. Magretta and Joan Magretta -- Fassbinder's Effi Briest (1974) from the novel by Theodore Fontane / William R. Magretta -- Wender's Wrong Movement (1974) freely based on Wilhelm Meister's Apprenticeship by Johann Wolfgang Goethe / Peter Harcourt -- Schlondorff & von Trotta's The Lost Honor of Katharina Blum (1975) from the novel by Heinrich Boll / William R. Magretta and Joan Magretta -- Geissendorfer's The Wild Duck (1976) from the play by Henrik Ibsen / Birgitta Steene -- Rohmer's The Marquise of O... (1976) from the story by Heinrich von Kliest / Alan Spiegel -- Bunuel's That Obscure Object of Desire (1977) from the novel The Woman and the Puppet by Pierre Louys / Michael Wood

Call No: 236 BRO
Author: Brosnan, John
Source: UK
Place: London
Publisher: Abacus
PubDate: 1977
PhysDes: 207 p. : ill. ; 20 cm
Subject: SPECIAL EFFECTS; HORROR FILMS; SCIENCE-FICTION FILMS; FANTASTIC FILMS; DISASTER FILMS; MODEL WORK; MONSTERS IN FILMS; WAR FILMS; ANIMATION; MONSTER DESIGN; MINIATURE WORK; OPTICAL EFFECTS; MATTES; FRONT PROJECTION; CINEMATOGRAPHY; HIGH-SPEED CINEMATOGRAPHY; MAKE-UP; SPLIT SCREEN; STOP-MOTION TECHNIQUE; STUNTS; CAMERAS; TRAVELLING MATTE; EXPLOSIONS IN FILMS; HARRYHAUSEN, RAY; PAL, GEORGE; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); POSEIDON ADVENTURE, THE (US, Ronald Neame, 1972)
Notes: first published in Great Britain by Macdonald and Jane's 1974; Includes: Appendix with Academy Awards winners and nominees for Engineering Effects/Special Effects from 1927-8 to 1975-6; References; Bibliography; Index of Names; Index of Film Titles; Index of Subjects and Techniques
ISBN: 0349103682
Donation: donated by the family of Wayne Levy, 2006

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR/IT, Claude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 735.2 NEW
Author: Newman, Kim
Edition: The new ed
Place: London
Publisher: Bloomsbury
PubDate: 1988
PhysDes: xiii, 255 p. : ill. ; 25 cm
Subject: CRITICISM; HORROR FILMS; ADAMSON, AL; ANTONIONI, MICHELANGELO; ALLEN, NANCY; ARGENTO, DARIO; BAVA, MARIO; CAINE, MICHAEL; CARPENTER, JOHN; CARRADINE, JOHN; COHEN, LARRY; CRONENBERG, DAVID; DE PALMA, BRIAN; FULCI, LUCIO; HARPER, JESSICA; HITCHCOCK, ALFRED; HOOPER, TOBE; KING, STEPHEN; LEE, CHRISTOPHER; LEWIS, HERSCHELL GORDON; LYNCH, RICHARD; LUCAS, GEORGE; Perkins, Anthony; PLEASENCE, DONALD; ROMERO, GEORGE; WARHOL, ANDY; WATERS, JOHN (US); ALIEN (UK, Ridley Scott, 1979); ALONE IN THE DARK (US, Jack Sholder, 1982); AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981); AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984); DAY OF THE WOMAN (US, Meir Zarchi, 1978); HALLOWEEN (US, John Carpenter, 1978); JAWS (US, Steven Spielberg, 1975); LAST HOUSE ON THE LEFT (US, Wes Craven, 1972); LOST BOYS, THE (US, Joel Schumacher, 1987); NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990); ROSEMARY'S BABY (US, Roman Polanski, 1968); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); SHIVELS (CA, David Cronenberg, 1975); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THING, THE (US, John Carpenter, 1982); TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974); TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88); THING, THE (US, John Carpenter, 1982)
Notes: Includes bibliographical references (p. 216-217) and index
ISBN: 0747502951

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [NINETEEN TWENTY-TWO] 1922 (US, Zak Hilditch, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: L.A. [NINETY-TWO] 92 (US, Daniel Lindsay / T.J. Martin, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [NINETY-TWO] 92 IN THE SHADE (US, Thomas McGuane, 1975)

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONE DOWN, TWO TO GO (US, Fred Williamson, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [ONE HUNDRED AND TWO] 102 DALMATIONS (US, Kevin Lima, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONE, TWO, THREE (US/GW, Billy Wilder, 1961)

Call No: 721.210.4(73) TAY
Author: Taylor, Charles
Source: US
Place: New York
Publisher: Bloomsbury
PubDate: 2017
PhysDes: 199 pages ; 22 cm.
Subject: VANISHING POINT (UK, Richard C. Sarafian, 1971); HICKEY AND BOGGS (US, Robert Culp, 1972); TWO LANE BLACKTOP (US, Monte Hellman, 1971); COFFY (US, Jack Hill, 1973); FOXX, JAMIE; ULZANA'S RAID (US, Robert Aldrich, 1972); AMERICAN HOT WAX (US, Floyd Mutrux, 1978); HARD TIMES (US, Walter Hill, 1975); CITIZEN'S BAND (US, Jonathan Demme, 1977); WINTER KILLS (US, Bill Richert, 1979); EYES OF LAURA MARS (US, Irvin Kershner, 1978); BRING ME THE HEAD OF ALFREDO GARCIA (MX/US, Sam Peckinpah, 1974)
Summary: When we think of '70s cinema, we think of classics like The Godfather, Taxi Driver, and The Wild Bunch . . . but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times." Celebrated film critic Taylor pays homage to the trucker vigilantes, meat magnate pimps, blaxploitation "angel avengers," and taciturn factory workers of grungy, unartful B films such as Prime Cut, Foxy Brown, and Eyes of Laura Mars. He creates a compelling argument for what matters in moviemaking and brings a pivotal American era vividly to life in all its gritty, melancholy complexity." - Book jacket
ISBN: 9781632868183
Contents: Prevues of coming attractions -- On the hoof, on the barrel: Prime Cut -- The challenger: Vanishing Point -- Farewell to the first golden era: Cisco Pike -- Bebop/ silence: Hickey & Boggs -- Shut down, volume 2: Two-land Blacktop -- A queen without a throne: Coffy and Foxy Brown -- White man's burden: Ulzana's Raid -- Aloha and good night, two by Floyd Mutrux: Aloha, Bobby and Rose and American Hot Wax -- Stranger in town: Hard Times -- E pluribus loonum: Citizens Band -- The goosing of the President: Winter Kills -- Eye of the beholders: Eyes of Laura Mars -- Even the losers: Bring Me the Head of Alfredo Garcia -- When the lights go up
ID2: 343

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FOUR] 4 MONTHS, [THREE] 3 WEEKS AND [TWO] 2 DAYS [PATRU LUNI TREI SAPTAMANI SI DOUA ZILE] (RM/BE, Cristian Mungiu, 2007)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PET SEMATARY TWO (US, Mary Lambert, 1992)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: PETER RABBIT TWO (AT/II/US/UK/CN, Will Gluck, 2021)

Call No: 626 PHI
Author: Freeland, Cynthia A; Wartenberg, Thomas E
Place: New York
Publisher: Routledge
PubDate: 1995
PhysDes: 258 p. ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; FEMINISM AND THE CINEMA; FILM NOIR; HORROR FILMS; ETHNIC GROUPS IN FILMS; LEE, SPIKE; SEA OF LOVE (US, Harold Becker, 1989); CASABLANCA (US, Michael Curtiz, 1942); GHOST (US, Jerry Zucker, 1990); WHITE PALACE (US, Luis Mandoki, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); EUROPA, EUROPA (FR/GW, Agnieszka Holland, 1990); PERSONA (SW, Ingmar Bergman, 1966)
Notes: Includes bibliographical references and index
ISBN: 0415909201; 041590921X (pbk.)
LON: 11213335

Author: Kalina, Paul
PhysDes: Article
Subject: [FIFTY-TWO] 52 PICK-UP (US, John Frankenheimer, 1986)
Summary: Review

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: QUIET PLACE PART TWO, A (US, John Krasinski, 2020)
Cross Reference: QUIET PLACE PART TWO, A (US, John Krasinski, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: REC TWO (SP, Jaume Balagueró/Paco Plaza, 2009)
Notes: Simon Strong import_191126

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RING TWO, THE (US, Hideo Nakata, 2005)

Call No: 754.11 WIL
Author: Williams, Mark
Place: New York
Publisher: Proteus Publishing Co.
PubDate: 1982
PhysDes: 127 p. : ill. ; 27 cm
Subject: ROAD MOVIES; BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BONNIE AND CLYDE (US, Arthur Penn, 1967); CAR, THE (US, Elliott Silverstein, 1977); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); DRIVER, THE (US, Walter Hill, 1978); DUEL (US, Steven Spielberg, 1972); EASY RIDER (US, Dennis Hopper, 1969); LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973); MAD MAX [...] (AT, 1979-85); ROAD MOVIE (US, Joseph Strick, 1973); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); SALAIRE DE LA PEUR, LE (FR/IT, Henri-Georges Clouzot, 1953); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); TWO-LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WILD ANGELS, THE (US, Roger Corman, 1966)
ISBN: 0862760542
LON: abn89130147; 6396315

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [ROAD TWO HUNDRED YEARS LONG, A] (UR, Vitaly Ilyashenko, 1988)

Call No: 71(411) MAR
Author: Martin-Jones, David
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c2010
PhysDes: ix, 254 p. : ill., ports. ; 24 cm
Subject: UNITED KINGDOM : SCOTLAND; SCOTLAND IN FILMS; LOCATION SHOOTING. SCOTLAND; LANDSCAPES IN FILMS. SCOTLAND; AE FOND KISS (UK, Ken Loach, 2004); AMERICAN COUSINS (UK, Don Coutts, 2003); BEAUTIFUL CREATURES (UK, Bill Eagles, 2000); CARLA'S SONG (UK/GG/SP, Kenneth Loach, 1996); DANNY THE DOG (FR/UK/US, Louis Leterrier, 2004); UNLEASHED (FR/UK/US, Louis Leterrier, 2004); DOG SOLDIERS (UK/LU, Neil Marshall, 2001); FESTIVAL (UK, Annie Griffin, 2005); GOVERNESS, THE (US, Sandra Goldbacher, 1998); GREGORY'S TWO GIRLS (UK/GG, Bill Forsyth, 1999); KANDUKONDIAN KANDUKONDAIN (II, Rajiv Menon, 2000); KUCH KUCH HOTA HAI (II, Karan Johar, 1998); LOCH NESS (UK, John Henderson, 1996); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); PYAAR ISHQ AUR MOHABBAT (II, Rajiv Raj, 2001); RED ROAD (UK/DK, Andrea Arnold, 2006); SECRET OF THE LOCH, THE (UK, Milton Rosmer, 1934); SOFT TOP HARD SHOULDER (UK, Stefan Schwartz, 1993); TICKETS (UK/IT/IR, Abbas Kiarostomi/Ken Loach/Ermanno Olmi, 2005); WATER HORSE: LEGEND OF THE DEEP, THE (US/UK, Jay Russell, 2007); WILD COUNTRY (UK, Craig Strachan, 2005); WOMEN TALKING DIRTY (US, Coky Giedroyc, 1999); YOUNG ADAM (UK/FR, David Mackenzie, 2003)
Summary: 'Scotland: Global cinema is the first book to focus on the explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmkers from all over the world - including Scotland, England, France, the United States, and India who braved the weather to shoot in Scotland. This book provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema.' - TAKEN FROM BACK COVER
ISBN: 9780748633920
Donation: donated by Senses of Cinema, 2013
Contents: 1. Comedy: Global/Local Identities / Gregory's Two Girls (1999), Festival (2005) -- 2. Road Movie: Scotland in the World / Soft Top, Hard Shoulder (1993), Carla's Song (1996), Tickets (2005) -- 3. Bollywood: Non-Resident Indian-Scotland / Kuch Kuch Hota Hai (1998), Kandukondain Kandukondain (2000), Pyaar Ishq aur Mohabbat (2001), Nina's Heavenly Delights (2006) -- 4. (Loch Ness) Monster Movie: A Return to Primal Scotland / The Secret of the Loch (1934), Loch Ness (1996), The Water Horse (2007) -- 5. Horror Film: History Hydes in the Highlands / Dog Soldiers (2002), Wild Country (2005) -- 6. Costume Drama: From Men in Kilts to Developing Diasporas / The Governess (1998), 7. Gangster Film: Glasgow's Transnational Identities / American Cousins (2003), Danny the Dog (2005) -- 8. Social Realist Melodrama: Middle-class Minorities and Floundering Fathers / Ae Fond Kiss (2004), On a Clear Day (2005) -- 9. Female Friendship/US Indie: Women Talking / Women Talking Dirty (1999), Beautiful Creatures (2000) -- 10. Art Cinema: The Global Limits of Cinematic Scotland / Red Road (2006), Young Adam (2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SCREEN TWO: THE CORMORANT (UK, Peter Markham, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SECRET LIFE OF PETS TWO, THE (FR/JP/US, Chris Renaud, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SERVING TWO MASTERS (US, Edward Tim Lewis, 1987)

Call No: 632.8 AFF
Author: Affron, Charles; Affron, Mirella Jona, 1937
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1995
PhysDes: xiv, 252 p. : ill. ; 27 cm
Subject: ART DIRECTION; SET DESIGNING; NARRATIVE IN FILMS; SETS; AWARDS. ACADEMY; ACADEMY OF MOTION PICTURE ARTS AND SCIENCES; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935); FRANKENSTEIN (US, James Whale, 1931); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CABIRIA (IT, Giovanni Pastrone, 1914); GREAT ZIEGFELD, THE (US, Robert Z. Leonard, 1936); HAMLET (UK, Laurence Olivier, 1948); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942)
Notes: Includes bibliographical references (p. 235-238) and indexes
ISBN: 0813521602 (cloth); 0813521610 (pbk.)
LON: 94039443; 11258783

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIXTY TWO SLEEPS (AT, Erin White, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SKINFORD: CHAPTER TWO (AT, Nik Kacevski, 2018)

Call No: 721.02 (94) CHA
Author: Chapman, Jan
Edition: 1st ed.
Source: Australia
Place: Australia
Publisher: Screen sound Australia
PubDate: 2002
PhysDes: 1 v ; 20.5 cm, b&w ill.
Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS; WOMEN ON TV. AUSTRALIA; WOMEN, FILMS FOR; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; FEMINISM AND TV; CHAPMAN, JAN; ARMSTRONG, GILLIAN; CAMPION, JANE; LYELL, LOTTIE; BARRETT, SHIRLEY; MILLIKEN, SUE; Lovell, Patricia; ROBB, JILL; SCOTT, JANE; LONG, JOAN; FINK, MARGARET; DAVIS, JUDY; LEVY, SANDRA; GRIFFITHS, RACHEL; BLANCHETT, CATE; KIDMAN, NICOLE; COLLETTE, TONI; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); ON OUR SELECTION (AT, Raymond Longford, 1920); SHOWTIME (AT, Jan Chapman, 1978); SWEET AND SOUR [TV] (AT, 1984); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976); BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988); MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); WELL, THE (AT, Samantha Lang, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986); LITTLE WOMEN (US, Gillian Armstrong, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); CHARLOTTE GRAY (GG/UK/AT, Gillian Armstrong, 2001); PIANO, THE (AT, Jane Campion, 1993); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane Campion
ISBN: 0642365172

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SONIC THE HEDGEHOG TWO (US/JP, Jeff Fowler, 2022)

Call No: 749.2 WAL
Author: Waldrep, Shelton
Edition: 2021
Place: New York
Publisher: Bloomsbury
PubDate: 2021
PhysDes: 294 pages : illustrated ; 24 cm
Subject: [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999); FULL METAL JACKET (UK, Stanley Kubrick, 1987); KUBRICK, STANLEY; PORNOGRAPHIC FILMS; CANYONS, THE (US, Paul Schrader, 2013); MAGIC MIKE (US, Steven Soderbergh, 2012); SAVAGES (US, Oliver Stone, 2012); NYMPHOMANIAC [VOL. I AND VOL. II] (DK/G/BE/UK/FR, Lars von Trier, 2013); LOVE (FR/BE, Gaspar Noe, 2015); JAMES BOND IN FILMS
Summary: As film and television become ever more focused on the pornographic gaze of the camera, the human body undergoes a metamorphosis, becoming both landscape and building, part of an architectonic design in which the erotics of the body spread beyond the body itself to influence the design of the film or televisual shot. The body becomes the mise-en-scène of contemporary moving imagery. Opening The Space of Sex, Shelton Waldrep sets up some important tropes for the book: the movement between high and low art; the emphasis on the body, looking, and framing; the general intermedial and interdisciplinary methodology of the book as a whole. The Space of Sex's second half focuses on how sex, gender, and sexuality are represented in several recent films, including Paul Schrader's The Canyons (2013), Oliver Stone's Savages (2012), Steven Soderbergh's Magic Mike (2012), Lars Von Trier's Nymphomaniac (2013), and Joseph Gordon-Levitt's Don Jon (2013). Each of these mainstream or independent movies, and several more, are examined for the ways they have attempted to absorb pornography, if not the pornography industry specifically, into their plot. According to Waldrep, the utopian elements of seventies porn get reprocessed in a complex way in the twenty-first century as both a utopian impulse-the desire to have sex on the screen, to re-eroticize sex as something positive and lacking in shame-with a mixed feeling about pornography itself, with an industry that can be seen in a dystopian light. In other words, sex, in our contemporary world, still does not come without compromise. -- publisher's web site
ISBN: 9781501333057
Contents: Introduction -- Part One: Topographies of Desire -- 1.Framing the Image: The Female Body in Late Kubrick -- 2.The Spy Who Loved Me: Bond and the Playboy Aesthetic -- Part Two: The Pornographic Imaginary -- 3.Theorizing Pornography -- 4.Body of Art -- Part Three: The Space of Sex in Contemporary Film and Television -- 5.Porn as Form and Content -- 6.Spatializing Desire -- Bibliography -- Index

Call No: TITLE CLIPPINGS FILE; TWO DAYS, ONE NIGHT (BE/FR/IT, Jean- Pierre Dardenne & Luc Dardenne, 2014)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: TWO DAYS, ONE NIGHT (BE/FR/IT, Jean- Pierre Dardenne & Luc Dardenne, 2014)
Summary: Stratton reviews TWO DAYS, ONE NIGHT
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SUPER SIZE ME TWO HOLY CHICKEN (US, Morgan Spurlock, 2017)
Notes: Import Simon Strong_Batch 8

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAKEN [TWO] 2, (FR, Olivier Megaton, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAKING OF PELHAM ONE TWO THREE, THE (US, Joseph Sargent, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TALE OF TWO PEOPLES, THE (AT, Richard Frankland & Laurence Abou-Khater, 2001)

Call No: 79 LOR AST
Author: Astin, Sean and Layden, Joe
Source: AT
Place: Crows Nest, NSW
Publisher: Allen & Unwin
PubDate: 2004
PhysDes: 326p. ; col.ill : 24cm.
Subject: LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003); ASTIN, SEAN
Notes: Includes index
ISBN: 1741145112
Language: English

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: THIRTY-TWO SHORT FILMS ABOUT GLENN GOULD (CN, Francois Girard, 1993)

Call No: 81 MCD SAY
Author: Sayer, Mandy
Edition: 2022
Place: Sydney
Publisher: NewSouth Publishing
PubDate: 2022
PhysDes: xii, 321 pages, illustrated
Subject: HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; MCDONAGH, ISABEL; MCDONAGH, PAULETTE; MCDONAGH, PHYLLIS; THOSE WHO LOVE (AT, Paulette McDonagh, 1926); FAR PARADISE, THE (AT, Paulette McDonagh, 1928); CHEATERS, THE (AT, Paulette McDonagh, 1930); CHEATERS, THE (AT, Paulette McDonagh, 1930); TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933)
Summary: The trailblazing McDonagh sisters were the first women in Australia to form their own film production company. Between 1926 and 1933, while they were in their mid-twenties, these sassy sisters produced four feature films and a number of documentaries. The youngest, Paulette, was one of only five women film directors in the world. Phyllis produced, art directed, and conducted publicity. And the eldest, Isabel, under her stage name Marie Lorraine, acted superbly in all the female leads. Together, the sisters transformed Australian cinema’s preoccupations with the outback and the bush – and what they mocked as ‘haystack movies’ – into a thrilling, urban modernity. Their private lives were equally adventurous, and their suitors included a famous magician, a wealthy rubber broker, a defrocked Anglican priest, and a number of silent film stars. In Those Dashing McDonagh Sisters, Mandy Sayer reveals the sisters’ remarkable story, from daughters of a respected Sydney surgeon with a love of theatre and the arts, to their first feature film, Those Who Love (1926), an instant hit, and their controversial final film, Two Minutes Silence (1933). Today, their most famous feature, The Cheaters, is frequently screened at international film festivals around the world, most notably in New York and London, to rapturous reviews. -- publisher's web site
ISBN: 9781742237435

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THREE O ONE, THREE O TWO] 301, 302 (KO, Park Chul-soo, 1995)

Call No: TITLE CLIPPINGS TITLE; TWO LITTLE BOYS (NZ, Robert Sarkies, 2012)
Author: Williams, Evan
PhysDes: Clippings File Article
Subject: TWO LITTLE BOYS (NZ, Robert Sarkies, 2012)
Summary: Film Review of Two Little Boys
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO PEOPLE [TO] (DK, Palle Kjaerullf-Schmidt, 1964)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TRACK TWO (CN, Harry Sutherland, 1982)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO HEARTS [TUHACHEU ] (KO, 2019)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SUMMER OF SEVENTY-TWO [TUSCALOOSA ] (US, Philip Harder, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWENTY-TWO] 22 JULY (NO/IC/US, Paul Greengrass, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWENTY-TWO] 22 JUMP STREET (US, Phil Lord & Christopher Miller, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWILIGHT SAGA, THE: BREAKING DAWN PART [TWO] 2 (US, Bill Condon, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWO] 2 ASIAN DUDES [MOM] (AT, Ly Zhang/Carl Zhang, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWO] 2 DAYS IN NEW YORK (FR/G/BE, Julie Delpy, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: [TWO] 2 DAYS IN PARIS (FR/G, Julie Delpy, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [TWO] 2 DAYS IN THE VALLEY (US, John Herzfeld, 1996)
ID2: 62

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: [TWO] 2 FAST, 2 FURIOUS [FAST & FURIOUS 2] (US, John Singleton, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWO] 2 GUNS (US, Baltasar Kormakur, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWO] 2BY4 (US, Jimmy Smallhorne, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO AND A HALF MEN [TV]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO BITS (US, James Foley, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO BOB MERMAID (AT, Darlene Johnson, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO BOOBS IN A BALLOON (US LLOYD FRENCH 1935)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Study guide; Press kit
Subject: TWO BROTHERS (FR/UK, Jean-Jacques Annaud, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: TWO BROTHERS RUNNING (AT, Ted Robinson, 1987)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 21 x 26 cm.
Subject: TWO BROTHERS RUNNING (AT, Ted Robinson, 1987); CONTI, TOM
Summary: Black and white photograph relating to the film Two Brothers Running

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO DEATHS (US, Nicholas Roeg, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO-DOOR MANSION (AT, David Rechtman, 2006)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TWO FACES OF JANUARY, THE (US//UK/FR, Hossein Amini, 2014)
URL status: URL: 'http://file://Q:/T/TWO_FACES_OF_JANUARY.zip' Checked: 31/08/2021 1:31:19 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO FAMILY HOUSE (US, Raymond De Felitta, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO FISTS, ONE HEART (AT, Shawn Seet, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO FISTS, ONE HEART (AT, Shawn Seet, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO FOR JOY (UK, Tom Beard, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO FOR THE MONEY (US, D.J. Caruso, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO FOR THE ROAD (UK, Stanley Donen, 1966)