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ADAPTATIONS. WILDE, OSCAR
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BEACH RED : (US, Cornel Wilde, 1968)
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BEACH RED : (US, Cornel Wilde, 1968)
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book
The best American movie writing 1998 / George Plimpton, editor New York: St. Martin's Griffin, 1998.
Call No: 67(04) BESAuthor: Plimpton, George Place: New YorkPublisher: St. Martin's GriffinPubDate: 1998PhysDes: xvi, 265 p. ; 21 cmSubject: PRODUCERS ; CAMP ; CENTENARY OF CINEMA ; HOMOSEXUALITY AND THE CINEMA ; SCORSESE, MARTIN ; FRY, STEPHEN ; CAMPION, JANE ; BEATTY, WARREN ; STABILE, SALVATORE ; POLANSKI, ROMAN ; DANDRIDGE, DOROTHY ; HITCHCOCK, ALFRED ; STREISAND, BARBRA ; WATERS, JOHN (US) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-) ; MIRROR HAS TWO FACES, THE (US, Barbra Streisand, 1996) LON: abn98329398; 14168026
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BOOKSMART : (US, Olivia Wilde, 2019) Digital clippings file available
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journal article
Broccoli, producer of James Bond films receives Thalberg Award in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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DON'T WORRY DARLING : (US, Olivia Wilde, 2020) Digital clippings file available
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EMMA : (UK, Autumn de Wilde, 2020)
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book
Film/literature/heritage : a sight and sound reader / edited by Ginette Vincendeau London: British Film Institute, 2001.
Call No: 753 FILAuthor: Vincendeau, Ginette, 1948 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 284p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. LEONARD, ELMORE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. THOMPSON, JIM ; HISTORICAL FILMS ; LITERATURE AND THE CINEMA ; ARMSTRONG, GILLIAN ; BASS, RON ; TARANTINO, QUENTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; BEACH, THE (US, Danny Boyle, 1999) ; BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992) ; BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; CARRINGTON (UK/FR, Christopher Hampton, 1995) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; CRASH (CN, David Cronenberg, 1996) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; EDWARD II (UK, Derek Jarman, 1991) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; GERMINAL (FR, Claude Berri, 1993) ; GRIFTERS, THE (US, Stephen Frears, 1990) ; HOWARDS END (UK, James Ivory, 1992) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LOLITA (US, Adrian Lyne, 1997) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994) ; MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992) ; MANSFIELD PARK (UK/US, Patricia Rozema, 1999) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MISERABLES, LES (FR, Claude Lelouch, 1995) ; MRS BROWN (UK, John Madden, 1997) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; RIDICULE (FR, Patrice Leconte, 1996) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; THREE MUSKETEERS, THE (US, Stephen Herek, 1993) ; TITUS (US, Julie Taymor, 1999) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURBISBN: 0851708420; 0851708412(pbk.) : ¦13.99LON: 22285912
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Movie parade / by Paul Rotha London New York: The Studio, ld. The Studio publications, inc, [1936].
Call No: 70 ROTAuthor: Rotha, Paul Place: London New YorkPublisher: The Studio, ld. The Studio publications, incPubDate: [1936]PhysDes: ix,142 p. : illus. ; 30 cmSubject: ADVENTURE FILMS ; AVANT-GARDE FILMS ; COMEDIES ; CRIME FILMS ; DOCUMENTARIES ; INSTRUCTIONAL FILMS ; EPIC FILMS ; FANTASTIC FILMS ; HISTORICAL FILMS ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; INSTRUCTIONAL FILMS ; MELODRAMA ; MUSICALS ; ROMANIES IN FILM ; SATIRE IN FILMS ; WAR FILMS ; WESTERNS ; BIG PARADE, THE (US, King Vidor, 1925) ; CHYORTOVO KOLESO (UR, Grigori Kozintsev & Leonid Trauberg, 1926) ; [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; GENERAL, THE (UK, John Boorman, 1998) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; IRON HORSE, THE (UK, John Ford, 1924) ; LOST PATROL, THE (US, John Ford, 1934) ; OUR HOSPITALITY (US, Buster Keaton & John Blystone, 1923) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; QUICK MILLIONS (US, Rowland Brown, 1931) ; SON OF KONG (US, Ernest B. Schoedsack, 1933) ; SPEEDY (US, Ted Wilde, 1928) ; TABU (US, Friedrich Wilhelm Murnau, 1931) ; TESTAMENT DES DOKTOR MABUSE, DAS (G, Fritz Lang, 1933) ; WINGS (US, William Wellman, 1927) ; WOMAN OF PARIS, A (US, Charles Chaplin, 1923) Notes: Title on two leaves; "Pictorial survey ... some 600 stills ... from all parts of the world."--p. [iv]LON: 1376838
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title clippings file
NAKED PREY, THE : (US/SA, Cornell Wilde, 1965)
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OSCAR WILDE : (UK, Gregory Ratoff, 1960)
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OSCAR WILDE'S THE NIGHTINGALE AND THE ROSE : (AT, Del Kathryn Barton and Brendan Fletcher, 2015)
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journal article
Patrick Wilde on Get Real in Movie Trader (Mar 2000) p.8
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newspaper article
Romance and the rose in Sydney Morning Herald [Spectrum] (21/03/2015) p.1
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newspaper article
Short Cuts : Boost for Australian short in The Age [Arts & Entertainment] (26/03/2015) p.30
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SPEEDY : (US, Ted Wilde, 1928) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; ArticleSubject: SPEEDY (US, Ted Wilde, 1928) URL status: URL: 'http://file://Q:/T/SPEEDY.zip'
Checked: 31/08/2021 1:17:39 PM
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Details: Failed to send HTTP request (WinHttpSendRequest)
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Swordsmen of the screen : from Douglas Fairbanks to Michael York / Jeffrey Richards London: Routledge & Kegan Paul, 1977.
Call No: 741.3 RICAuthor: Richards, Jeffrey Source: UKPlace: LondonPublisher: Routledge & Kegan PaulPubDate: 1977PhysDes: 296 p. : ill. ; 25 cmSeries: Cinema and societySubject: WEAPONS IN FILMS ; MASKS IN FILMS ; ROBIN HOOD IN FILMS ; THREE MUSKETEERS IN FILMS ; COLUMBIA PICTURES ; ADAPTATIONS. DUMAS, ALEXANDRE ; CAVENS, FRED ; DANIELL, HENRY ; FAIRBANKS, DOUGLAS ; FLYNN, ERROL ; GREENE, RICHARD ; HAYWARD, LOUIS ; POWER, TYRONE ; WILDE, CORNEL ; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938) ; CAPTAIN BLOOD (US, Michael Curtiz, 1935) ; SEA HAWK, THE (US, Michael Curtiz, 1940) ; THREE MUSKETEERS, THE (US, Fred Niblo, 1921) Summary: Examines the swashbuckling genre by looking at the main people involved in these productions and also at the principal subjects in swashbuckling films - pirates, highwaymen, cavaliers and knights.ISBN: 0710084781
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TRIALS OF OSCAR WILDE, THE : (UK, Ken Hughes, 1960)
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book
Vamps & tramps : new essays / Camille Paglia London: Penguin, 1995, c1994.
Author: Paglia, Camille Place: LondonPublisher: PenguinPubDate: 1995, c1994PhysDes: xxv, 532 p. : ill. ; 21 cmSubject: HOMOSEXUALITY AND THE CINEMA ; PORNOGRAPHIC FILMS ; POPULAR CULTURE AND THE CINEMA ; SEX IN FILMS ; TRANSVESTISM ; FOUCAULT, MICHEL ; GARLAND, JUDY ; GREER, GERMAINE ; LACAN, JACQUES ; MONROE, MARILYN ; REYNOLDS, DEBBIE ; STREISAND, BARBRA ; WILDE, OSCAR Notes: "First published in the USA by Vintage Books, 1994"
Includes bibliographical references and indexISBN: 014024825
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WILDE : (UK/US/JA/GG, Brian Gilbert, 1997)
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book
Wilde / Introduction by Stephen Fry : Screenplay and afterword by Julian Mitchell London: Orion Media, 1997.
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personality microfilm collection
WILDE, CORNEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: WILDE, CORNEL
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WILDE GIRLS, THE [TV] : (US, Del Shores, 2001)
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WILDE MAUS : (AU/GG, Josef Hader, 2017)
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WILDE, OLIVIA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: WILDE, OLIVIA
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personality microfilm collection
WILDE, PATRICK
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: WILDE, PATRICK
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title clippings file
WILDE'S DOMAIN : (AT, Charles 'Bud' Tingwell, 1982)
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newspaper article
Wilde's Oscar in Sydney Morning Herald [Arts & Entertainment] (26/03/2015) p.30
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