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Author: Shirley, Graham
PhysDes: Article
Subject: TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA. USA
Summary: Interview with Petro Vlahos, 3-D specialist at the Motion Picture and Television Research Centre.

Call No: SUBJECT CLIPPINGS FILE; ADVERTISING
Author: Lynch, Jared
PhysDes: Clippings File Article
Subject: ADVERTISING; TECHNOLOGICAL DEVELOPMENTS
Summary: Neuroscience is being used by advertisers to examine why some ads are successful and others aren't

Call No: 236ALI SHA
Author: Norton, Bill; Shay, Don
Edition: First edition
Source: UK
Place: London
Publisher: Titan Books
PubDate: 1997
PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cm
Subject: SPECIAL EFFECTS; CINEMATOGRAPHY; TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; COSTUME DESIGNING; SCIENCE-FICTION FILMS; MONSTERS IN FILMS; COMPUTERS AND THE CINEMA; ALIEN (UK, Ridley Scott, 1979); ALIEN 3 (US, David Fincher, 1992); ALIENS (US, James Cameron, 1986)
Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURB
Notes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. verso
ISBN: 1852866950
Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---

Call No: 386.5 KLI
Author: Klinger, Barbara
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2006
PhysDes: xii, 310 pages : illustrations ; 24 cm
Subject: CABLE TV; DVD, FILMS ON; HOME EXHIBITION; INTERNET AND THE CINEMA; PRIVATE CINEMAS; TECHNOLOGICAL DEVELOPMENTS
Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURB
Notes: Formerly CIP.; Includes bibliographical references (p. 281-287) and index
ISBN: 9780520245860
Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures

Call No: 220.1(-5) KEA
Author: Keane, Stephen
Source: US/UK
Place: New York; Basingstoke [England]
Publisher: Palgrave Macmillan
PubDate: 2007
PhysDes: viii, 181 pages ; 22 cm
Subject: TIMECODE (US, Mike Figgis, 2000); MY LITTLE EYE (UK/US/FR, Marc Evans, 2003); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005); SIN CITY (US, Frank Miller and Robert Rodriguez, 2005); RESIDENT EVIL (US, Paul W.S. Anderson, 2002); MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003); FANS; TECHNOLOGICAL DEVELOPMENTS; INTERNET; CONVERGENCE
Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.
Notes: Includes bibliographical references (p. 162-176) and index.
ISBN: 9781403936943
Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.

Call No: 408.3 HAR
Author: Hartley, John (editor)
Source: AT
Place: Malden, MA ; Oxford
Publisher: Blackwell Publishing
PubDate: 2005
PhysDes: xvii, 414 p. ; 23 cm
Subject: CULTURE AND THE CINEMA; ECONOMICS AND THE CINEMA. AUSTRALIA; POPULAR CULTURE AND THE CINEMA; INDUSTRY GAMES. AUSTRALIA; MEDIA; MEDIA; TRADE FAIRS; TECHNOLOGICAL DEVELOPMENTS
Summary: Bringing together ground-breaking essays from across the disciplinary spectrum, "Creative Industries" chronicles how culture is produced, packaged, and circulated in a technology-enabled and globalized world. This is the first systematic analysis of the challenge of the creative industries in a world where innovation and risk are requirements for both economic and cultural enterprise, where knowledge and ideas drive wealth creation and social modernization, and where globalization and new technologies are the material of everyday life and experience. Thirty essays and new contexualizing chapters by leading international scholars cover several domains, including multimedia, publishing, TV production, urban development, and games. Each of the six sections is edited by a specialist, making this a useful, engaging, and thought- provoking collection of the very best scolarship on modern creative culture [ Taken from the back of the book.]
Notes: Includes bibliographical references and index
ISBN: 1405101474; 1405101482 (pbk.)

Call No: 39(94)
Author: Barr, Trevor
Edition: 1985
Source: AT
Place: Melbourne
Publisher: Penguin Books
PubDate: 1985
PhysDes: 20 cm ; 271 p.
Subject: TECHNICAL DEVELOPMENTS. AUSTRALIA; TECHNICAL DEVELOPMENTS; TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND TV; BROADCASTING; SATELLITE BROADCASTING
ISBN: 0140080066
Donation: donated by the family of Wayne Levy, 2006

Author: Beresford, Bruce
PhysDes: Article
Subject: BERESFORD, BRUCE; HISTORY OF CINEMA; TECHNOLOGICAL DEVELOPMENTS; NOUVELLE VAGUE; INDUSTRY, FILM. JAPAN
Summary: Article discussing previous filmmaking techniques, developments and theories (from early cinema, through to the French New Wave and Japanese cinema) that continue to affect modern-day film production, development, and viewership.

Call No: 24 MUR
Author: Murch, Walter
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: Sydney
Publisher: Australian Film, Television & Radio School
PubDate: c1992
PhysDes: viii, 108 p. : 6 col. ports. ; 21 cm
Subject: AUDIENCES; CONTINUITY; EDITING; EMOTION IN FILMS; FILM WORKERS; POST-PRODUCTION; TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA; COPPOLA, FRANCIS FORD; MURCH, WALTER; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988)
Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb]
Notes: Includes bibliographical references and index
ISBN: 0642180377 : price unknown
LON: 9030756 9030756

Call No: 220 OXF
Author: Richardson, John; Gorbman, Claudia; Vernallis, Carol
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: c2013
PhysDes: Oxford University Press
Subject: TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; TECHNICAL DEVELOPMENTS; TECHNOLOGY AND TV; INTERNET; INTERNET AND THE CINEMA; INTERNET AND TV; YOUTUBE; AESTHETICS; ANIMATION; MULTIMEDIA; SOUND REPRODUCTION; MEDIA; SOUND
Summary: This book offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals - producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too - from street to stadium to classroom - would at times be hardly recognizable to the mid-twentieth-century subject. This book provides a definitive cross-section of current ways of thinking about sound and image. Its authors - leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent) - open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image.
Notes: Includes bibliographical references and index.
ISBN: 9780199733866
Contents: Introduction / John Richardson and Claudia Gorbman -- Theoretical pressure points -- Classical music for the posthuman condition / Lawrence Kramer -- Beyond music: mashup, multimedia mentality, and intellectual property / Nicholas Cook -- The audio-logo-visual and the sound of languages in recent film / Michel Chion -- The end of diegesis as we know it? / Anahid Kassabian -- Sounding out film / Steven Connor -- Narrative, genre, meaning: changing times, changing practices -- Audio-visual space in an era of technological convergence / Robynn J. Stilwell -- Title Sequences for contemporary television serials / Annette Davison -- No country for old music / Carter Burwell -- Cue the big theme? the sound of the superhero / Janet K. Halfyard -- Video speech in Latin America / Michael Chanan -- Animated sounds -- Pixar and the animated soundtrack / Daniel Goldmark -- Notes on sound design in contemporary animated films / Randy Thom -- Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music / Lisa Perrott -- Musical moments and transformations -- The mutating musical and The sound of music / Caryl Flinn -- Chinese rock 'n ' roll film and Cui Jian on screen / Ying Xiao -- The neosurrealist metamusical: Tsai's The wayward cloud / John Richardson -- Parties in your head: from the acoustic to the psycho-acoustic / Philip Brophy -- Expanded soundtracks -- Sensory aspects of contemporary cinema / Michel Chion -- The sound of intensified continuity / Jeff Smith -- Extending film aesthetics: audio beyond visuals / K.J. Donnelly -- The audiovisual construction of transgender identity in Transamerica / Susanna Va¨lima¨ki -- Soundscapes of Istanbul in Turkish film soundtracks / Meri Kyto¨ -- Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films / Charles Kronengold -- Emerging audiovisual forms: music video and beyond -- Music video's second aesthetic / Carol Vernallis -- Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" / Stan Hawkins -- The emancipation of music video: YouTube and the cultural politics of supply and demand / Paula Hearsum & Ian Inglis -- Music video transformed / Mathias Bonde Korsgaard -- Video, film, and installation art -- "Betwixt and between" worlds: spatial and temporal liminality in video / Holly Rogers -- Sound events: innovation in projection and installation / Maureen Turim and Michael Walsh -- Gaming -- Contextualizing game audio aesthetics / Rob Bridget -- Implications of interactivity: What does it mean for sound to be "Interactive"? / Karen Collins -- Multi-channel gaming aesthetics of interactive surround / Mark Kerins -- Audiovisuality in performance and daily life -- Sound and vision: the audio/visual economy of musical performance / Philip Auslander -- Foreground flatland / Joseph Lanza -- Remaking the urban: the audio-visual aesthetics of ipod use / Michael Bull -- On soundscape methods and audiovisual sensibility / Helmi Ja¨rviluoma and Noora Vikman -- Leaving something to the imagination: "seeing" new places through a musical lens / Mariko Hara and Tia Denora

Author: Robbins, Ken
PhysDes: Article
Subject: EXHIBITION; TECHNOLOGICAL DEVELOPMENTS; PROJECTION
Summary: Article on the importance of exhibitors having up-to-date equipment in their cinemas, something that the author believes is done well in Australia.

Author: Monton, Vincent
PhysDes: Article
Subject: 16 MM FILMS; TECHNOLOGICAL DEVELOPMENTS; INDUSTRY, FILM. EUROPEAN COUNTRIES; INDUSTRY, FILM. AUSTRALIA
Summary: Article discussing the use of shooting on Super 16 when making films, a particularly common practice in Sweden, and where and how it is being used in Australia.

Call No: 220"313" JON
Author: Jones, Stephen
Edition: 2011
Place: Cambridge, Massachusetts
Publisher: MIT Press
PhysDes: xii,395 p. : illustrated ; 24 cm
Series: Leonardo
Subject: TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA. AUSTRALIA; COMPUTER GRAPHICS. AUSTRALIA; COMPUTERS AND THE CINEMA; BURNS, TIM; CANTRILL, ARTHUR & CORINNE; GLASHEEN, MICHAEL; PERRY, DAVID; THOMS, ALBIE; ULURU (AT, Michael Glasheen, 1978)
Summary: New technologies continually arise, offering repeated opportunities to artists in search of the technologically novel. Stephen Jones calls this phenomenon the "rolling new," and in Synthetics he describes how artists in Australia used new technologies in their art, from the early days of digital computing in the 1950s to a landmark exhibition in 1975. Jones looks at not only the artists and the artworks they produced but also at the evolution of computing technologies and video displays as these new forms of media developed into tools that artists could use. He also examines the collaborations that sprang up between artists and the technologists who taught them how to use these new devices. The process, he finds, was reciprocal: the offerings of the engineer could inspire the artist as much as the needs of the artist could inspire the engineer. Jones discusses the constraints imposed by the limitations of new technologies as they developed and shows that different types of output and display technologies made for the production of very different kinds of images. He explores the development of computer graphics, the use by artists of such new conceptual paradigms as post-object art, and the emergence of video art in the late 1960s and early 1970s. By 1975, the art and technology movement in Australia reached something of a watershed. The work itself became established as an art form just as funding dwindled and a popular and supportive left-wing government left office. And yet, Jones writes, the early electronic artists laid the foundation for today's burgeoning culture of new media art in Australia. -- publisher's web site
ISBN: 9780262014960
Donation: Megan McMurchy