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Call No: 771(94) HOO
Author: Hooton, Fiona
Place: Saarbru¨cken, Germany
Publisher: VDM
PubDate: 2009
PhysDes: 174 p. : ill. ; 22 cm.
Subject: EXPERIMENTAL FILMS. AUSTRALIA; THOMS, ALBIE; BERESFORD, BRUCE; UBU FILM GROUP; NEWSFRONT (AT, Phillip Noyce, 1978); AWARDS. AUSTRALIAN FILM INSTITUTE; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976); CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973); MORA, PHILIPPE; NOYCE, PHIL
Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURB
Notes: Includes bibliographical references.
ISBN: 9783639115932
Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- Bibliography
ID2: 343

Call No: 408 CUL
CorpAuthor: Australian Unesco Seminar (1972 : Australian National University)
Source: AT
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1974
PhysDes: 172 pages ; 30 cm
Subject: CULTURE AND THE CINEMA. AUSTRALIA; CULTURE AND TV. AUSTRALIA; CRITICISM. AUSTRALIA; FLAUS, JOHN; WEIR, PETER; THOMS, ALBIE
Donation: Henry Mayer Collection
Contents: Introduction / Miss Angela Moore -- Part 1: Papers of the seminar -- Opening Lecture / Mr John English -- Youth and Theatre / Mr George Whaley -- Counter-Culture as a life style / Mr Michael Rudd, Mr Doug Anders, Mr Graeme Dunstan -- The chances of survival of music's traditional forms / Mr D. Ahern, Dr C Hill -- Is patronage a blight on experimental art? / Mr Rodney Hall, Mr John Hopkins, Mr Ron Watkins, Dr G. Pont, Mr J. Phillips -- The Visual and plastic arts - points of view / Mr Patrick McCaughey -- Public Lecture / Mr John English -- Which Culture Counter What? / Mr A. Bear -- The Electric Humanities - Film and Television / Mr J. Flaus, Mr K. Guyatt, Mr Peter Weir, Mr Albie Thoms -- Writing / Mr Frank Moorhouse, Dr Norman Talbot -- Part II: Proceedings -- Workshop Reports -- Visual Arts / Mr Edward Snell -- T.V. / Mr Peter Weir -- Drama / Mr Mike Morris -- Music / Mr David Aherd -- Part III - Appendixes -- Appendix I - Seminar Program -- Appendix II - Seminar Planning Committee -- Appendix III - List of participants

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 16 photographs : b&w ; 18 x 13 cm - 29 x 23 cm + 1 postcard : col. ; 11 x 15 cm
Subject: BROWN, BRYAN; YOUNG, NAT; BROWN, KENNETH; THOMS, ALBIE; PALM BEACH (AT, Albie Thoms, 1979)
Summary: Sixteen black and white photographs and one colour postcard relating to the film 'Palm Beach'
Notes: Contains duplicates. One photograph is a bit damaged with blue ink on it.

Call No: 771 THO
Author: Thoms, Albie, 1941
Place: Glebe, N.S.W.
Publisher: Wild & Woolley
PubDate: 1978
PhysDes: 427p. ; 21cm
Subject: EXPERIMENTAL FILMS; AUSTRALIA. 1970's; SURFING FILMS; SYDNEY FILMMAKERS CO-OPERATIVE; CANTRILL, ARTHUR & CORINNE; KUCHAR, MIKE; THOMS, ALBIE; MEKAS, JONAS; HALL, KEN G.; NED KELLY (UK, Tony Richardson, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); VIOLENCE IN THE CINEMA (AT, George Miller, 1972); ROLLING HOME (AT, David Lourie & Paul Witzig, 1975)
Notes: Index; Includes bibliographical references
ISBN: 0909331588 : $11.66 Aust; 0909331596 (Paperback) : $6.95 Aust
LON: 1473377

Call No: 771 THO
Author: Thoms, Albie
Place: Sydney
Publisher: Wild and Woolley
PubDate: 1978
PhysDes: 427 p. ; 21 cm
Subject: EXPERIMENTAL FILMS; AUSTRALIA. 1970's; SURFING FILMS; SYDNEY FILMMAKERS CO-OPERATIVE; CANTRILL, ARTHUR & CORINNE; KUCHAR, MIKE; THOMS, ALBIE; MEKAS, JONAS; HALL, KEN G.; NED KELLY (UK, Tony Richardson, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); VIOLENCE IN THE CINEMA (AT, George Miller, 1972); ROLLING HOME (AT, David Lourie & Paul Witzig, 1975)
Notes: Partial collection of previously published articles. Includes bibliographical references and index.
ISBN: 0909331596

PhysDes: Article
Subject: LIBIDO (AT, John B. Murray & others, 1973); ANDROMEDA STRAIN, THE (US, Robert Wise, 1971); DIRTY LITTLE BILLY (US, Stan Dragoti, 1972); DUEL (US, Steven Spielberg, 1972); SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); THOMS, ALBIE
Summary: Reviews of LIBIDO, SUNSHINE CITY, THE ANDROMEDA STRAIN, EVERYTHING YOU'VE ALWAYS WANTED TO KNOW ABOUT SEX, DIRTY LITTLE BILLY, DUEL, SLAUGHTERHOUSE-FIVE, and DORIAN GRAY.

Call No: 220"313" JON
Author: Jones, Stephen
Edition: 2011
Place: Cambridge, Massachusetts
Publisher: MIT Press
PhysDes: xii,395 p. : illustrated ; 24 cm
Series: Leonardo
Subject: TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA. AUSTRALIA; COMPUTER GRAPHICS. AUSTRALIA; COMPUTERS AND THE CINEMA; BURNS, TIM; CANTRILL, ARTHUR & CORINNE; GLASHEEN, MICHAEL; PERRY, DAVID; THOMS, ALBIE; ULURU (AT, Michael Glasheen, 1978)
Summary: New technologies continually arise, offering repeated opportunities to artists in search of the technologically novel. Stephen Jones calls this phenomenon the "rolling new," and in Synthetics he describes how artists in Australia used new technologies in their art, from the early days of digital computing in the 1950s to a landmark exhibition in 1975. Jones looks at not only the artists and the artworks they produced but also at the evolution of computing technologies and video displays as these new forms of media developed into tools that artists could use. He also examines the collaborations that sprang up between artists and the technologists who taught them how to use these new devices. The process, he finds, was reciprocal: the offerings of the engineer could inspire the artist as much as the needs of the artist could inspire the engineer. Jones discusses the constraints imposed by the limitations of new technologies as they developed and shows that different types of output and display technologies made for the production of very different kinds of images. He explores the development of computer graphics, the use by artists of such new conceptual paradigms as post-object art, and the emergence of video art in the late 1960s and early 1970s. By 1975, the art and technology movement in Australia reached something of a watershed. The work itself became established as an art form just as funding dwindled and a popular and supportive left-wing government left office. And yet, Jones writes, the early electronic artists laid the foundation for today's burgeoning culture of new media art in Australia. -- publisher's web site
ISBN: 9780262014960
Donation: Megan McMurchy

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings; Publicity
Subject: THOMS, ALBIE

Call No: 771.3(94) MUD
Author: Mudie, Peter
Place: Sydney
Publisher: UNSW Press
PubDate: 1997
PhysDes: 287 p. : ill. some col. ; 28 cm
Subject: EXPERIMENTAL FILMS. AUSTRALIA; UNDERGROUND FILMS. AUSTRALIA; POLITICS AND THE CINEMA. AUSTRALIA; THOMS, ALBIE; PERRY, CLARK; READ, AGGY; CLARK, JOHN
Notes: Includes index; Bibliography and filmography: p. 274-279
ISBN: 0868405124 : $44.95
LON: abn97156178; 13202483