title clippings file
CANDIDATE, THE : (US, Michael Ritchie, 1972)
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The cinema of John Frankenheimer / by Gerald Pratley London: A. Zwemmer; A.S. Barnes, 1969.
Call No: 81FRA PRAAuthor: Pratley, Gerald Source: UKPlace: LondonPublisher: A. Zwemmer; A.S. BarnesPubDate: 1969PhysDes: 240 p. : illus., ports. ; 16 cm.Series: International Film Guide SeriesSubject: FRANKENHEIMER, JOHN ; BIRDMAN OF ALCATRAZ (US, John Frankenheimer, 1962) ; ALL FALL DOWN (US, John Frankenheimer, 1962) ; YOUNG STRANGER, THE (US, John Frankenheimer, 1957) ; YOUNG SAVAGES, THE (US, John Frankenheimer, 1961) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; SEVEN DAYS IN MAY (US, John Frankenheimer, 1963) ; TRAIN, THE (US/FR/IT, John Frankenheimer, 1964) ; SECONDS (US, John Frankenheimer, 1966) ; GRAND PRIX (US, John Frankenheimer, 1966) ; FIXER, THE (US, John Frankenheimer, 1968) ; GYPSY MOTHS, THE (US, John Frankenheimer, 1969) ; EXTRAORDINARY SEAMAN, THE (US, John Frankenheimer, 1969) ISBN: 0302020004Language: English
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The dream life : movies, media and the mythology of the sixties / by J. Hoberman New York: New Press, 2005.
Call No: 71"196"(73) HOBAuthor: Hoberman, J. Source: USPlace: New YorkPublisher: New PressPubDate: 2005PhysDes: 461 p. ; 20 cmSubject: USA ; USA. 1960's ; POLITICS AND THE CINEMA ; POLITICS AND THE CINEMA. USA ; CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA. USA ; HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. USA ; SPARTACUS (US, Stanley Kubrick, 1960) ; ALAMO, THE (US, John Wayne, 1960) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; SEVEN DAYS IN MAY (US, John Frankenheimer, 1963) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; CHASE, THE (US, Arthur Penn, 1966) ; EASY RIDER (US, Dennis Hopper, 1969) ; COOGAN'S BLUFF (US, Don Siegel, 1968) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; PATTON (US, Franklin J. Schaffner, 1970) ; DIRTY HARRY (US, Don Siegel, 1971) ; SHAMPOO (US, Hal Ashby, 1975) Summary: "Here is a major new cultural history of the Sixties. J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one. This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate - as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose" (A.O Scott), Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop-culture events. With entertaining reinterpretations of key Hollywood movies such as Bonnie and Clyde, The Wild Bunch, and Shampoo, and meditations on personages ranging from John Wayne and Patty Hearst to Jane Fonda, Ronald Reagan, and Che Guevara. Hoberman reconstructs the hidden poltical history of 1960s cinema and the spectacular formation of America's mass-mediated politics" -- BOOK BLURBNotes: Originally published: 2003ISBN: 1565849787Contents: -- acknowledgments -- introduction: "suddenly...It's 1960!" -- I. Making pre-history, A.D. 1960 -- Enter the Hollywood Freedom fighter -- sputnik and the Spector of communist earth control -- when Superman came to the supermarket -- october 1960: Spartacus vs. The Alamo -- the year's best western: the new frontier and The Magnificent Seven -- II. Glamour and anxiety: The Kennedy scenario, 1961-63 -- camelot year one: into the twilight zone -- camelot year two: the president's double lives -- The Manchurian Candidate = the secret agent of history -- camelot down: thinking about the unthinkable -- coups d'etat:four days in November, Seven Days in May -- Dr. Strangelove's Prescription -- III. South by southwest: Lyndon Johnson's trip, 1964-66 -- jet-age bronco busters and twilight westerns -- the cowboy election of 1964 -- Major Dundee - great society abroad -- The Chase -- great society at home -- vietnam: "an oriental western" -- gathering the tribes: diggers, panthers, outlaws -- IV. Born to be wild: Outlaws of America, 1967-69 -- if you are a Bonnie-and-Clyder...: the birth of radical chic -- spring 1968": shooting Easy Rider, going Wild in the Streets -- creating our own reality: The Green Berets and the Battle of Chicago -- the election: calling Coogan's Bluff -- No future: the Children of Bonnie and Clyde -- V. Nixon time: The war at home, 1969-71 -- the end of the sixties -- America's Night of the Living Dead (My Lai, manson, Myra Breckinridge) -- spring 1970: Patton over Cambodia -- generational war in the dream life: hey Joe (where you goin' with that gun in your hand?) -- the last round-up: counterculture psychodrama and hippie westerns, 1971 -- the legal vigilante: Dirty Harry and Tricky Dick -- VI. After the orgy, from blowup to blow out -- flash forward to 1968: Shampoo -- the 1972 campaign: Warren, George, Jane, and The Candidate -- the Nixon Western -- Cine paranoia: conspiracies unmasked, 1973-75 -- freedomland 1981: Ronald Reagan and the Last Sixties Movie -- source notes -- index --
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Film remakes, adaptations and fan productions : remake/remodel / edited by Kathleen Loock and Constantine Verevis Basingstoke, England: Palgrave Macmillan, 2012.
Call No: 753.81 FILAuthor: Loock, Kathleen (ed.) ; Verevis, Constantine (ed.) Source: UK/USPlace: Basingstoke, EnglandPublisher: Palgrave MacmillanPubDate: 2012PhysDes: xiii, 252 p. : ill. ; 23 cmSubject: ADAPTATIONS ; FANS ; FILM ; REMAKES ; ADVENTURES OF MERLIN, THE [TV] (UK, 2008-) ; ALL THE KINGS MEN (US, Robert Rossen, 1949) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; INVASION OF THE BODY SNATCHERS (US, Philip Kaufman, 1978) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004) ; SHERLOCK HOLMES (US/G, Guy Ritchie, 2009) ; STEPFORD WIVES, THE (US, Bryan Forbes, 1975) ; STEPFORD WIVES, THE (US, Frank Oz, 2004) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WUTHERING HEIGHTS (US, William Wyler, 1939) ; WUTHERING HEIGHTS (UK/US, Peter Kosminsky, 1992) ; WUTHERING HEIGHTS (UK, Robert Fuest, 1970) ; WUTHERING HEIGHTS (UK, Andrea Arnold, 2011) Summary: " This book provides a dynamic investigation of processes of cultural reproduction - remaking and remodelling - in film, television and new media. Drawing on a wide variety of Hollywood and other examples, this impressive group of contributors considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives. Their case studies discuss new versions of popular texts such as The Manchurian Candidate, Invasion of the Body Snatchers and The Stepford Wives. They provide new perspectives on the unlimited cultural production of classics like The Wizard of Oz, Wuthering Heights and The Adventures of Sherlock Holmes, and they analyze the groundbreaking work of fan appropriations, including Batman and Spiderman fanvids, and fanfic trailer revisions for The Shining and television's The Adventures of Merlin." -- BOOK BLURBNotes: Includes bibliographical references and index; Tertiary/Undergraduate, PostgraduateISBN: 9781137263346Contents: -- list of illustrations -- acknowledgments -- notes on contributors -- introduction: remake,remodel / Kathleen Loock and Constantine Verevis -- pt. I Adapt -- 1: Toto, I Think We're in Oz Again' (and Again and Again) remakes and popular seriality / Frank Kelleter -- 2: Guy Ritchie's Sherlock Bond, the Deerstalker and Remediation / Stephanie Sommerfeld -- 3: a battle on two fronts: Wuthering Heights and adapting the adaptation / Amy Martin -- 4: of political visions and visionary politicians: Adapting All the King's Men to the Big Screen / Birte Otten -- pt. II Remake -- 5: remaking The Stepford Wives, remodeling feminism / Kathryn Schweishelm -- 6: The Return of the Pod People: remaking cultural anxieties in Invasion of the Body Snatchers / Kathleen Loock -- 7: Cyber-noia? remaking The Manchurian Candidate in a global age / Sonja Georgi -- 8: a personal matter: H Story / Constantine Verevis -- pt. III Remodel -- 9: Remaking Texts, Remodeling Scholarship / Robin Anne Reid -- 10."Prince Arthur Spotted Exiting Buckingham Palace!": the re-imagined worlds of fanfic trailers / Sibylle Machat -- 11:you'll never see this on the silver screen: the film trailer as a template for the appropriation and transformation of Hollywood Movies / Lili Hartwig -- 12: spoofin' spidey---rebooting the bat: immersive story worlds and the narrative complexities of video spoofs in the era of the superhero blockbuster / Daniel Stein -- index --
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Jonathan Demme : interviews / edited by Robert E. Kapsis Jackson, Miss.: University Press of Mississippi, c2009.
Call No: 81DEMME JONSource: USPlace: Jackson, Miss.Publisher: University Press of MississippiPubDate: c2009PhysDes: l, 183 p. : port. ; 24 cmSeries: Conversations with filmmakers seriesSubject: DEMME, JONATHAN ; CORMAN, ROGER ; AGRONOMIST, THE (US, Jonathan Demme, 2003) ; BELOVED (US, Jonathan Demme, 1998) ; CITIZEN'S BAND (US, Jonathan Demme, 1977) ; HANDLE WITH CARE (US, Jonathan Demme, 1977) ; MARRIED TO THE MOB (US, Jonathan Demme, 1988) ; MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004) ; PHILADELPHIA (US, Jonathan Demme, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SOMETHING WILD (US, Jonathan Demme, 1986) ; STOP MAKING SENSE (US, Jonathan Demme, 1984) ; SWING SHIFT (US, Jonathan Demme, 1984) ; NEIL YOUNG: HEART OF GOLD (US, Jonathan Demme, 2006) ISBN: 9781604731187Donation: donated by Senses of Cinema, 2013Contents: Demme's Monde: A B-Movie Maker Makes the Grade / TOM ALLEN -- Demme Monde / CARLOS CLARENS -- Director Continues Small-Town Romance / JOANNA CONNORS -- Jonathan Demme: On the Line / MICHAEL SRAGOW -- Start Making Sense: An Interview with Jonathan Demme / MICHAEL DARE -- Could This Also Be the Start of Something Big? / HARRY HAUN -- Something Wilder / J. HOBERMAN -- Kael and Demme: Meeting of Two American Film Heavies / ROB NELSON -- Interview with Jonathan Demrne / MICHAEL HENRY AND HUBERT NIOGRET -- Identity Check / GAVIN SMITH -- Demme's Monde / AMY TAUBIN -- Still Burning -- Demme's Philadelphia Story / ANN KOLSON -- The Rolling Stone Interview: Jonathan Demme / ANTHONY DECURTIS -- The Guardian/ NFT Interview: Jonathan Demme / ADRIAN WOOTTON -- Breaking the Rules for Beloved / ERIC HARRISON -- A Conversation with Director Jonathan Demme / CHARLIE ROSE -- Young Director Tells a Veteran How He Did It / ROB SCHMIDT AND JONATHAN DEMME -- The Onion A.V. Club Interview: Jonathan Demme / SCOTT TOBIAS -- An Interview with Jonathan Demme / THEAGRONOMIST.COM -- Film-makers on Film: Jonathan Demme on Jared Hess's Napoleon Dynamite / SHEILA JOHNSTON -- Mind Control / DAVID THOMPSON -- Interview: Singer Neil Young and Director Jonathan Demme / TERRY GROSS
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The literature/film reader : issues of adaptation / edited by James M. Walsh and Peter Lev Maryland: Scarecrow Press, 2007.
Call No: 753(04) WELAuthor: Walsh, James M. ; Lev, Peter Source: USPlace: MarylandPublisher: Scarecrow PressPubDate: 2007PhysDes: xxviii, 361p. ; 23cmSubject: ADAPTATIONS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; MOBY DICK (UK, John Huston, 1956) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; HOUSE OF MIRTH, THE (UK, Terence Davies, 2000) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; VERTIGO (US, Alfred Hitchcock, 1958) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004) ; QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957) ; RIDE WITH THE DEVIL (US, Ang Lee, 1999) Summary: From examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history—often a separate category of film study—can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies.
Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology.
Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies.Notes: Includes index and bibliographic referencesISBN: 9780810859494Contents: Introduction: Issues of screen adaptation : what is truth? / James M. Welsh -- It wasn't like that in the book-- / Brian McFarlane -- Literature vs. literacy : two futures for adaptation studies / Thomas M. Leitch -- Adaptation studies and the history of ideas : the case of Apocalypse now / Donald M. Whaley -- Adaptation studies revisited : purposes, perspectives, and inspiration / Sarah Cardwell -- The Cold War's "undigested apple-dumpling" : imaging Moby-Dick in 1956 and 2001 / Walter C. Metz -- Trying harder : probability, objectivity, and rationality in adaptation studies / David L. Kranz -- What is a "Shakespeare film," anyway? / James M. Welsh -- Returning to Naples : seeing the end in Shakespeare film adaptation / Yong Li Lan -- Pop goes the Shakespeare : Baz Luhrmann's William Shakespeare's Romeo and Juliet / Elsie Walker -- Reframing adaptation : representing the invisible (on The house of mirth, directed by Terence Davies, 2000) / Wendy Everett -- Sucking Dracula : mythic biography into fiction into film, or Why Francis Ford Coppola's Dracula is not really Bram Stoker's Dracula or Wallachia's Dracula / James M. Welsh -- Vertigo, novel and film / Peter Lev -- Heinlein, Verhoeven, and the problem of the real : Starship troopers / J. P. Telotte -- Literary hardball : the novel-to-screen complexities of The Manchurian candidate / Linda Constanzo Cahir -- The oak : a balancing act from page to screen / Odette Caufman-Blumenfeld -- Adaptation and the Cold War : Mankiewicz's The quiet American / Brian Neve -- All the quiet Americans / C. Kenneth Pellow -- Camille Claudel : biography constructed as melodrama / Joan Driscoll Lynch -- W. C. Handy goes uptown : Hollywood constructs the American blues musician / John C. Tibbetts -- Memoir and the limits of adaptation / William Mooney -- Getting it right : the Alamo on film / Frank Thompson -- "Plains" speaking : sound, sense, and sensibility in Ang Lee's Ride with the devil / John C. Tibbetts -- Where are we going, where have we been? / Thomas M. Leitch -- The future of adaptation studies / Peter Lev.
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A little solitaire : John Frankenheimer and American Film / edited by Murray Pomerance and R. Barton Palmer New Brunswick, NJ: Rutgers University Press, c2011.
Call No: 81FRA LITAuthor: Palmer, R. Barton(ed) ; Pomerance, Murray(ed) Source: USPlace: New Brunswick, NJPublisher: Rutgers University PressPubDate: c2011PhysDes: ix, 312 p. : ill. ; 24 cmSubject: FILM. USA ; FRANKENHEIMER, JOHN ; ALL FALL DOWN (US, John Frankenheimer, 1962) ; BIRDMAN OF ALCATRAZ (US, John Frankenheimer, 1962) ; FIXER, THE (US, John Frankenheimer, 1968) ; GYPSY MOTHS, THE (US, John Frankenheimer, 1969) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; RONIN (US, John Frankenheimer, 1998) ; SECONDS (US, John Frankenheimer, 1966) Summary: "Think about some commercially successful film masterpieces - The Manchurian Candidate, Seven Days in May, Seconds. Then consider some lesser known, yet equally compelling cinematic achievements- The Fixer, The Gypsy Moths, Path to War. These triumphs are the work of the best known and most highly regarded Hollywood driector to emerge from live TV drama in the 1950s- five-time Emmy award-winner John Frankenheimer. Although Frankenheimer was a pioneer in the genre of political thrillers, who embraced the antimodernist critique of contemporary society, some of his later films did not receive the attention they deserved. Many critics claimed that at a midpoint in his career he lost his touch. World-renowned film scholars put this myth to rest in A Little Solitaire, which offers the only multidisciplinary critical account of Frankenheimer's oeuvre. They emphasize his deep and passionate engagement- not only with national politics and people's irrepressible need to assert their rights against those who would reduce them to silence and anonymity, but also with a mise-en-scene filmd from just the right angles. " -- BOOK BLURBNotes: Includes bibliographical references (p. 287-298), filmography (p. 279-286) and indexISBN: 9780813550602Contents: -- acknowledgments -- Introduction : why don't you pass the time by playing a little solitaire? / R. Barton Palmer and Murray Pomerance -- Thrills. Murdered souls, conspiratorial cabals: Frankenheimer's paranoia films / David Sterritt -- The Manchurian candidate: compromised agency and uncertain causality / Charles Ramirez Berg -- Stealth, sexuality, and cult status in The Manchurian candidate and Seconds / Rebecca Bell-Metereau -- The train: John Frankenheimer's "Rape of Europa" / Matthew H. Bernstein -- Action and abstraction in Ronin / Stephen Prince -- Politics. "Late Frankenheimer/political Frankenheimer" / Douglas McFarland -- John Frankenheimer's "War on terror" / Corey K. Creekmur -- The burning season: environmentalism versus progress? / Robin L. Murray -- Pictures and prizes: Le Grand Prix de Rome and Grand Prix / Victoria Duckett -- Families. Crashing in: Birdman of Alcatraz / Tom Conley -- Walking the line with the fille-fatale / Linda Ruth Williams -- Live TV, filmed theater, and the new Hollywood: John Frankenheimer's The Iceman cometh / James Morrison -- Ashes, ashes: structuring emptiness in All fall down / Murray Pomerance -- Secrets. An American in Paris: John Frankenheimer's impossible object / Jerry Mosher -- Shot from the sky: The gypsy moths and the end of something / Dennis Bingham -- Frankenheimer and the science fiction/horror film / Christine Cornea -- -- The fixer: a Jew who could be any man, any time, anywhere / R. Barton Palmer -- Jonah / Bill Krohn -- John Frankenheimer's Directorial Career: a chronology -- works cited and consulted -- contributors -- index --
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The Manchurian candidate / George Axelrod Eye Suffolk: ScreenPress Publishing Limited, c.1962.
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Interim
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The Manchurian candidate / by Greil Marcus London: bfi Publishing, 2002.
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MANCHURIAN CANDIDATE, THE : (US, John Frankenheimer, 1962) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Stills; Clippings; Press kit; Publicity; ArticleSubject: MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) URL status: URL: 'http://file://Q:/T/MANCHURIAN_CANDIDATE,_THE.zip'
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MANCHURIAN CANDIDATE, THE : (US, Jonathon Demme, 2004)
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MATILDA CANDIDATE, THE : (AT, Curtis Levy, 2009)
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PERFECT CANDIDATE, THE : (SU/GG, Haifaa Al-Mansour, 2019)
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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Placing movies : the practice of film criticism / Jonathan Rosenbaum Berkeley: University of California Press, 1995.
Call No: 67(081) PLAAuthor: Rosenbaum, Jonathan Place: BerkeleyPublisher: University of California PressPubDate: 1995PhysDes: ix, 337 p. ; 24 cmSubject: CRITICISM ; GODARD, JEAN-LUC ; BARTHES, ROLAND ; CASSAVETES, JOHN ; TATI, JACQUES ; WELLES, ORSON ; RESNAIS, ALAIN ; RUIZ, RAUL ; ALLEN, WOODY ; ANTONIONI, MICHELANGELO ; FARBER, MANNY ; TARR, BELA ; RIVETTE, JACQUES ; GERTRUD (DK, Carl Th. Dreyer, 1964) ; OHAYO (JA, Ozu Yasujiro, 1959) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; OTHELLO (MR, Orson Welles, 1951) ; MELO (FR, Alain Resnais, 1986) ; HARDLY WORKING (US, Jerry Lewis, 1980) ; AMOR DE PERDICAO (PO, Manoel de Oliveira, 1979) ; BIRD (US, Clint Eastwood, 1988) ; WHITE DOG (US, Samuel Fuller, 1982) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975) ; SPEAKING DIRECTLY: SOME AMERICAN NOTES (US, Jon Jost, 1974) ; RAMEAU'S NEPHEW BY DIDEROT (THANX TO DENNIS YOUNG) BY WILMA SCHOEN (CN, Michael Snow, 1974) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; DEEP COVER (US, Bill Duke, 1992) ; PANAMA DECEPTION, THE (US, Barbara Trent, 1992) ; SAGA OF ANATAHAN, THE (JA, Josef von Sternberg, 1953) ; BARTON FINK (US, Joel Cohen, 1991) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) ; KING LEAR (US/SZ, Jean-Luc Godard, 1987) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) Notes: Includes bibliographical references (p. 315-321) and indexISBN: 0520086325 (alk. paper); 0520086333 (pbk. : alk. paper)LON: 93042954; 10612641ID2: 291
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Politics and cinema / Andrew Sarris New York: Columbia University Press, 1978.
Call No: 45:32 SARAuthor: Sarris, Andrew Place: New YorkPublisher: Columbia University PressPubDate: 1978PhysDes: 215 p. : ill. ; 24 cmSubject: POLITICS AND THE CINEMA ; FASCISM AND THE CINEMA ; VIOLENCE IN FILMS ; PORNOGRAPHY AND THE CINEMA ; CENSORSHIP ; SEMIOLOGY ; AVANT-GARDE FILMS ; MONROE, MARILYN ; MAILER, NORMAN ; FAIRBANKS, DOUGLAS ; RIEFENSTAHL, LENI ; SONTAG, SUSAN ; PROMISED LANDS (FR, Susan Sontag, 1974) ; MON ONCLE ANTOINE (CN, Claude Jutra, 1971) ; SACCO E VANZETTI (IT/FR, Giuliano Montaldo, 1971) ; MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972) ; DOG DAY AFTERNOON (US, Sidney Lumet, 1975) ; FRONT, THE (US, Martin Ritt, 1976) ; LENNY (US, Bob Fosse, 1974) ; CASO DOS IRMAOS NAVES, O (BL, Luiz Sergio Person, 1967) ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; MAN, THE (US, Joseph Sargent, 1972) ; CANDIDATE, THE (US, Michael Ritchie, 1972) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; ASSASSINATION OF TROTSKY, THE (UK/FR/IT, Joseph Losey, 1972) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; HEARTS AND MINDS (US, Peter Davis, 1974) Notes: Includes indexISBN: 0231040342LON: 1221130
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Projecting the shadow : the cyborg hero in American film / Janice Hocker Rushing, Thomas S. Frentz Chicago: University of Chicago Press, 1995.
Call No: 735.14 HOCAuthor: Rushing, Janice Hocker ; Frentz, Thomas S Place: ChicagoPublisher: University of Chicago PressPubDate: 1995PhysDes: x, 261 p. : ill. ; 24 cmSeries: New practices of inquirySubject: ROBOTS IN FILMS ; MYTH AND THE CINEMA ; JAWS (US, Steven Spielberg, 1975) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; BLADE RUNNER (US, Ridley Scott, 1982) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) Notes: Includes bibliographical references (p. 222-244) and indexISBN: 0226731677 (paper : alk. paper); 0226731669 (cloth : alk. paper)LON: 95030431; 11723431
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Reel politics : American political movies from Birth of a nation to Platoon / Terry Christensen Oxford New York: Blackwell, 1987.
Call No: 745 CHRAuthor: Christensen, Terry Place: Oxford New YorkPublisher: BlackwellPubDate: 1987PhysDes: x, 244 p. : ill. ; 24 cmSubject: POLITICAL FILMS. USA ; WORLD WAR II FILMS ; FASCISM AND THE CINEMA ; COMMUNISM AND THE CINEMA ; VIETNAM WAR FILMS ; WORKERS IN FILMS ; NUCLEAR ISSUES IN FILMS ; REVOLUTIONARY THEMES IN FILMS ; WAR AND THE CINEMA ; POLITICAL PERSONALITIES IN FILMS ; FONDA, HENRY ; FORD, JOHN ; GRIFFITH, DAVID WARK ; REDS (US, Warren Beatty, 1981) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CITIZEN KANE (US, Orson Welles, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; CANDIDATE, THE (US, Michael Ritchie, 1972) ; FRONT, THE (US, Martin Ritt, 1976) ; ADVISE AND CONSENT (US, Otto Preminger, 1962) ; STATE OF THE UNION (US, Frank Capra, 1948) ; SISTERS (US, Brian De Palma, 1972) Notes: Includes index; Bibliography: p.[224]-227ISBN: 0631158448 : $24.95 (U.S.)LON: 5549737
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REINO, EL [REALM, THE / CANDIDATE, THE] : (SP/FR, Rodrigo Sorogoyen, 2018)
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Violent America : the movies 1946-1964 / Lawrence Alloway New York: Museum of Modern Art, 1971.
Call No: 730.3(73) ALLAuthor: Alloway, Lawrence Edition: 1971Place: New YorkPublisher: Museum of Modern ArtPubDate: 1971PhysDes: 96 pages : illustrated ; 24 cmSubject: ACTION FILMS ; VIOLENCE IN FILMS. USA ; KILLERS, THE (US, Don Siegel, 1964) ; KILLERS, THE (US, Robert Siodmak, 1946) ; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) Notes: distributed by New York Graphic Society, Greenwich, Conn.ISBN: 9780870706226Donation: Megan McMurchy
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