personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TAN, ROYSTON
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personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TEZUKA, OSAMU
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/ by Charles Dickens; re-told and edited by C.M. Martin Woodchester, England: Arthur's Press, (193-?).
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2:37 in Empire (Australian Ed.) (February 2007) iss.71 p.107
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The 3-D world of Vlahos in Lumiere (May, 1973) iss.23 p.24-27
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newspaper article
$5k cartoon to save advertisers millions in Sydney Morning Herald [Business news] (3/4/2015) p.23
Call No: SUBJECT CLIPPINGS FILE; ADVERTISINGAuthor: Lynch, Jared PhysDes: Clippings File ArticleSubject: ADVERTISING ; TECHNOLOGICAL DEVELOPMENTS Summary: Neuroscience is being used by advertisers to examine why some ads are successful and others aren't
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10 CONDITIONS OF LOVE, THE : (AT, Jeff Daniels, 2009)
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10 [TEN] : (FR/IR, Abbas Kiarostami, 2002)
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10 [TEN] ITEMS OR LESS : (US, Brad Silberling, 2006)
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20 years from the waist up : tales of a TV news anchor / by Richard Morecroft Sydney: HarperCollins, 2002.
Call No: 81MOR MORAuthor: Morecroft, Richard Source: ATPlace: SydneyPublisher: HarperCollinsPubDate: 2002PhysDes: 285 p., [16]p. of plates : ill. (some col.), ports. (some col.) ; 24 cmSubject: AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; BROADCASTING. AUSTRALIA ; NEWS PRESENTERS. AUSTRALIA ; NEWS PROGRAMMES ; NEWS PROGRAMMES. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; MORECROFT, RICHARD Summary: "Richard Morecroft is a familiar face in Australian homes... from the waist up! Now, in this collection of amusing anecdotes and surprising stories, Richard reveals the lighter side of life for a serious broadcaster. Why does our favourite news anchor have his own halo? Does a baby bat in his shirt help him read the headlines? And what's the worst mistake he's ever made on air? Then there are times when the public and private collide. Beaming into thousands of homes each night guarantees familiarity, but sometimes Richard gets more than he bargains for. Like being hugged and kissed in a lift by a complete stranger...Like being stalked in a car park by senior citizens...Like being accused of having a secret facelift...
Richard Morecroft has been the face of ABC television news for almost two decades. In addition to his familiar nightly news role, he has fronted current affairs and business programs, anchored election broadcasts, written and narrated wildlife and other documentaries, and hosted a range of educational producations.
... and what does he wear under the newsdesk?" -- BOOK BLURBISBN: 0732275105Contents: -- a bit below the belt -- foot in mouth disease -- a little nip and tuck -- the voice of god -- 'is that a flying fox in your pocket...?' -- the ties that blind -- 'im sorry, ill read that again -- getting on famously -- weather...or not -- sound system -- '...and it's good night from him' -- to sleep, perchance to...aargh! -- media exposure -- but I want to be a lion tamer! -- centrefolds and a cold shower -- animal antics -- write off! -- early daze -- twilight zone -- clive hale's eyebrow -- stage fright -- the truth, the whole truth... -- and that's the news to this minute -- richard's bio in brief --
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20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press,
Call No: 19TWE EYMAuthor: Eyman, Scott Edition: 2021Place: New YorkPublisher: Running PressPhysDes: 296 pages : illustrated ; 24 cmSubject: TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; DUNNE, PHILIP ; FORD, JOHN ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; PARAMOUNT STUDIOS ; POWER, TYRONE ; SCHENCK, JOSEPH M. ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; TEMPLE, SHIRLEY ; WAYNE, JOHN ; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web siteISBN: 9780762470938
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$26.7m investment down turn in Oz film and T.V. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.15
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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50 years of TV week Sydney, NSW: ACP Magazines, 2007.
Call No: 915(94) TVSource: ATPlace: Sydney, NSWPublisher: ACP MagazinesPubDate: 2007PhysDes: 94 pages : colour illustrations ; 28 cmSeries: TV WeekSubject: TELEVISION JOURNALISM. AUSTRALIA ; McCune, Lisa ; MCLACHLAN, CRAIG ; NEWTON, BERT ; PARKER, GEORGIE Notes: "Souvenir 50th birthday issue"ISSN: 9313006007005Contents: 50th birthday -- Top 25 cover stars -- Star invterview: Georgie Parker -- Weddings -- The 1950s -- The 1960s -- TV Week memories: Bert and Patti Newton -- The 1970s -- The 1980s -- TV Week memories: Carig McLachlan -- The 1990s -- TV Week memories: Lisa McCune -- The 2000s -- '80s and '90s fashion -- Talkback and TV Week -- 50 years of goss -- Regulars -- Movies on TV -- Your TV listings -- Hot plots: overseas dramas and soaps -- Puzzles -- Overseas goss -- Aussie goss -- Birthday countdown: Amy Mizzi -- Features -- Neighbours: lessons in love -- Dancing with the stars: the final cha cha
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100 American independent films : BFI screen guides / Jason Wood London: bfi Publishing, 2004.
Call No: 71(73)WOOAuthor: Wood, Jason Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: xiii, 263 p. : ill. ; 17 cmSeries: BFI screen guidesSubject: INDEPENDENT FILMS. USA ; FESTIVALS. CANNES ; AWARDS. INDEPENDENT SPIRIT ; FESTIVALS. PARK CITY. SUNDANCE ; BUSCEMI, STEVE ; CASSAVETES, JOHN ; LYNCH, DAVID ; LEE, SPIKE ; SAYLES, JOHN ; SODERBERGH, STEVEN ; SCORSESE, MARTIN ; Tarantino, Quentin ; GODARD, JEAN-LUC ; HARTLEY, HAL ; HOPPER, DENNIS ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; EASY RIDER (US, Dennis Hopper, 1969) Summary: This guide defines and outlines a personal but representative selection of 100 recommneded American independent films. Each entry includes a plot synopsis, a commentary on the film's significance, production and exhibition history and cross-references to other films. [Taken from back cover].Notes: Includes preface by Scott McGehee and David Siegel; Bibliography: p. 245-248.; Includes indexISBN: 1844570061
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newspaper article
$100m boon in TV tax offset hike in Australian Financial Review (20/10/2015) p.11
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA Summary: The Austalian Subscription Television and Radio Association and Screen Producers Australia have quoted a report that states a stronger tax break for Australian television production would boost economic activity in Australia by $100 million dollars
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The 1969 Melbourne Film Festival in Melbourne Film Bulletin (July 1969) iss.9 p.9-19
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THE A LA MENTHE, LE : (FR, Bahloul Bahloul, 1984)
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Abbas Kiarostami : visions of the artist London, UK: 2005.
Call No: 81KIACorpAuthor: Iran Heritage FoundationSource: UKPlace: London, UKPubDate: 2005PhysDes: 33 p ; 21 cmSubject: KIAROSTAMI, ABBAS ; TA' M E GUILASS (IR, Abbas Kiarostami, 1997) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) ; ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994) ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989) Summary: Abbas Kiarostami is the most internationally celebrated Iranian cultural figure of the past and current century. He is a prolific and critically-acclaimed filmmaker, artist, photographer and poet; his work is visually simple and conceptually complex. [Taken from programme notes].Notes: Programme booklet
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Abraham Polonsky : twenty years after - in Sydney University Film Group Bulletin (August 1971) iss.55 p.4 - 6
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An accented cinema : exilic and diaspora filmmaking / Hamid Naficy Princeton, N.J.: Princeton University Press, 2001.
Call No: 462-054.72 NAFAuthor: Naficy, Hamid Source: USPlace: Princeton, N.J.Publisher: Princeton University PressPubDate: 2001PhysDes: v, 374 p. : ill. ; 24 cmSubject: NATIONAL CULTURE AND THE CINEMA ; EMIGRANT FILM WORKERS ; EGOYAN, ATOM ; KHLEIFI, MICHEL ; NAIR, MIRA ; SOLANAS, FERNANDO E. ; AKERMAN, CHANTAL ; NADERI, AMIR ; MEKAS, JONAS ; MARKER, CHRIS ; GITAI, AMOS ; TARKOVSKY, ANDREI Notes: Includes bibliographical references and index.ISBN: 0691043914
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Access video Carlton, Vic.: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative, 1977.
Call No: held v.4, no.1-v.6, no.3 Dec. 1977-June/July 1980 lacks v.5, no.1CorpAuthor: Open Channel Co-operative (Melbourne, Vic.); Paddington Video Resource CentreSource: ATPlace: Carlton, Vic.Publisher: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operativePubDate: 1977PhysDes: v. : ill. ; 29 cmSubject: OPEN CHANNEL ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Notes: Cover title; Continues Access video newsISSN: 0158-989XLON: abn83046910; 2611345
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ACMAsphere Melbourne, Australia: Australian Communications and Media Authority, 2005.
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017.
Call No: 753 ADAAuthor: Kennedy-Karpat, Colleen Place: Cham, SwitzerlandPublisher: Springer International PublishingPubDate: 2017PhysDes: ix, illustrations (colour), 22cmSeries: Palgrave studies in adaptation and visual cultureSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; AUTHORSHIP ; COMIC STRIPS ; CULTURE AND THE CINEMA ; INTERTEXUALITY ; TARANTINO, QUENTIN ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; MUSIC IN FILMS ; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]Notes: Includes indexISBN: 9783319528533Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999.
Call No: 753 ADAAuthor: Cartmell, Deborah ; Whelehan, Imelda Source: US/UKPlace: London New YorkPublisher: RoutledgePubDate: 1999PhysDes: xvii, 247 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ANIMATION ; BATMAN IN FILMS ; TELEVISION AND THE CINEMA ; TELEVISION IN FILMS ; CAMPION, JANE ; BATMAN [TV] (US, 1965-67) ; SCARLET LETTER, THE (US, Roland Joffe, 1995) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BATMAN (US, Tim Burton, 1989) ; [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURBNotes: Includes bibliographical references (p. 226-238) and indexISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)LON: 14255526Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
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Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985.
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The adolescent nation : re-imagining youth and coming of age in contemporary Australian film / Victoria Herche Heidelberg: Universitatsverlag Winter, 2021.
Call No: 71-053.6 HERAuthor: Herche, Victoria Edition: 2021Place: HeidelbergPublisher: Universitatsverlag WinterPubDate: 2021PhysDes: 252 pages : illustrated; 26 cmSeries: Anglistische Forschungen; 465Subject: YOUNG PEOPLE AND THE CINEMA. AUSTRALIA ; AUSTRALIA ; TEEN FILMS ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; TOOMELAH (AT, Ivan Sen, 2011) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; STONE BROS. (AT, Richard Frankland, 2009) ; LUCKY MILES (AT, Michael James Rowland, 2007) ; MOTHER FISH (AT, Khoa Do, 2010) ; TWO HANDS (AT, Gregor Jordan, 1999) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; DROWN (AT, Dean Francis, 2014) ; BEAUTIFUL KATE (AT, Rachel Ward, 2009) ; SOMERSAULT (AT, Cate Shortland, 2004) ; ADORATION (AT/FR, Anne Fontaine, 2013) ; SAPPHIRES, THE (AT, Wayne Blair, 2012) ; BRAN NUE DAE (AT, Rachel Perkins 2009) Summary: Deeply rooted in Australia’s construction as a young nation, ‘coming of age’ has been the defining narrative of Australia’s national cinema. This book provides the first study which systematically explores the ‘coming of age’ theme in Australian feature films produced since the turn of the millennium, foregrounding how films use a range of diverse (his)stories to respond to the centrality of this theme.
Rather than focussing on ‘coming of age’ mainly in its portrayal of a (successful) maturation process, this study explores the possibilities inherent in what is conceived of as a ‘permanently’ transitional ‘coming of age’ process, providing a crucial starting point for the re-definition of national fictions. A range of cinematic genres, including the road movie, crime film, sport film, romance and musical, is used to challenge and (to varying degrees) destabilise the national myth of Australia as a youthful, egalitarian society with a chance and ‘fair go’ for everyone. -- publisher's web siteISBN: 9783825369187
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The aesthetic pleasures of girl teen film / Samantha Colling New York: Bloomsbury Academic, 2017.
Call No: 451-053.6(73) COLAuthor: Colling, Samantha Place: New YorkPublisher: Bloomsbury AcademicPubDate: 2017PhysDes: vii, 167 pages ; 24 cm.Subject: TEEN FILMS ; YOUNG PEOPLE IN FILMS ; MEAN GIRLS (US, Mark Waters, 2004) ; HAIRSPRAY (US, John Waters, 1988) ; HOUSE BUNNY, THE (US, Fred Wolf, 2008) ; WHAT A GIRL WANTS (US, Dennie Gordon, 2003) Notes: Includes bibliographical references and index.ISBN: 9781501349010Contents: Cinderella's pleasures: the power and pleasures of costume -- Celebrity glamour: space, place and visibility -- Sporting pleasures: the body as aesthetic surface -- Musical address: expansion, confinement and kinaesthetic contagion -- Music video aesthetics: the affects of spectacle -- Conclusions and future research.
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serial
The Age green guide AT: Gregory John Taylor for David Syme : Fairfax, 19--?.
Call No: Held Jan.1973 - incompleteSource: ATPlace: ATPublisher: Gregory John Taylor for David Syme : FairfaxPubDate: 19--?Subject: TELEVISION. AUSTRALIA Notes: Issued weekly with Thursday edition of The AgeMissing Issues: Jan. 04 - Jan. 18 1973; Feb. 15 - March 01 1973; March 15 - April 05 1973; April 26 - May 24 1973; June 07 1973; Oct. 25 - Nov. 01 1973; Nov. 22 1973; July 18 1974; Sept. 12 - Oct. 03 1974; Oct. 24 1974; Nov. 28 1974; Dec. 26 1974; Jan. 02 1975; Jan. 16 - Jan. 23 1975; Feb. 13 1975; April 03 1975; April 24 1975; May 29 1975; Aug. 14 - Sept. 04 1975; Aug. 18 - Aug. 25 1975; Nov. 13 1975; Nov. 27 - Dec. 04 1975; Dec. 18 1975; Jan. 01 1976; Feb. 12 1976; March. 25 1976; June 03 - June 10 1976; Aug. 19 1976; Oct. 21 1976; Nov. 04 1976; April 07 1977; Jan. 12 - Jan. 19 1978; March 02 1978; May 11 - May 18 1978; Jan. 01 1981; Nov. 25 1982; March 15 1984; Nov. 11 1984; April 25 1985; May 16 1985; Oct. 24 1985; Aug. 28 1986; Oct. 30 1986; April 23 1987; March 17 1988; Nov. 01 2001; Sept. 18 2003; June 30 2005; Sept. 07 2006; March 15 2007 - March 22 2007ID2: 7
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journal article
Les ailes du desert ou les invisibles surimpressions : Les dix commandements, de Cecile B. De Mille in Vertigo (1991) iss.6/7 p.149-156
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Alien : the special effects / Don Shay and Bill Norton London: Titan Books, 1997.
Call No: 236ALI SHAAuthor: Norton, Bill ; Shay, Don Edition: First editionSource: UKPlace: LondonPublisher: Titan BooksPubDate: 1997PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cmSubject: SPECIAL EFFECTS ; CINEMATOGRAPHY ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGICAL DEVELOPMENTS ; COSTUME DESIGNING ; SCIENCE-FICTION FILMS ; MONSTERS IN FILMS ; COMPUTERS AND THE CINEMA ; ALIEN (UK, Ridley Scott, 1979) ; ALIEN 3 (US, David Fincher, 1992) ; ALIENS (US, James Cameron, 1986) Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURBNotes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. versoISBN: 1852866950Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---
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Alien zone : cultural theory and contemporary science fiction cinema / edited by Annette Kuhn London New York: Verso, 1990.
Call No: 735.1 KUHAuthor: Kuhn, Annette Source: UK/USPlace: London New YorkPublisher: VersoPubDate: 1990PhysDes: viii, 231 p. : ill. ; 24 cmSubject: FEMINISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEX IN FILMS ; TECHNOLOGY IN FILMS ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes bibliographical references (p. 229-231)ISBN: 0860912787; 0860919935 (pbk.)LON: 6923144Contents: -- Introduction : cultural theory and science fiction cinema / Annette Kuhn -- Visions of the future in science fiction films from 1970 to 1982 / H. Bruce Franklin -- The alien messiah / Hugh Ruppersberg -- Commodity futures / Thomas B. Byers -- Technophobia / Michael Ryan and Douglas Kellner -- Making culture into nature / Michael Stern -- Feminism, humanism and science in Alien / James H. Kavanagh -- Feminism and anxiety in Alien / Judith Newton -- Primal conditions and conventions : the genre of science fiction / Daniel Dervin -- The virginity of astronauts : sex and the science fiction film / Vivian Sobchack -- Time travel, primal scene and the critical dystopia / Constance Penley -- Alien and the monstrous-feminine / Barbara Creed -- The doubles of fantasy and the space of desire / J.P. Telotte -- 'You've got to be fucking kidding!' : knowledge, belief and judgement in science fiction / Steve Neale -- Cataract surgery : cinema in the year 2000 / Paul Virilio -- Ramble city : postmodernism and Blade runner / Giuliana Bruno -- Who programs you? : the science fiction of the spectacle / Scott Bukatman -- Gynesis, postmodernism and the science fiction horror film / Barbara Creed -- Feminist futures : a generic study / Anne Cranny-Francis
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Crawford collection
crawford publicity all
[All the way. Publicity material]
Call No: CRAWFORD PUBLICITY ALLPhysDes: 1 box ; 38 x 25 x 9 cmSubject: SMITHERS, JOY ; SUMNER, PETER ; MILLER, DENNIS ; SACKS, MARTIN ; WALLACE, ROWENA ; MCDONALD, DOMINIC ; TAYLOR, GRIGOR ; MENDELSOHN, BEN ; HENSLEY, LISA ; MAMMONE, ROBERT ; ALL THE WAY [TV] (AT, 1988) Summary: Publicity brochure, press kit, promotional material, actors profiles and series credits for 'All the way'Donation: Gift of Crawford ProductionsContents: 1 brochure for 'All the way' -- press kit (23 leaves) -- promotional material (3 leaves) -- actors profiles ( 14 leaves plus duplicates) -- credits (2 folders)
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Ambiguity and film criticism : reasonable doubt / Hoi Lun Law Cham, Switzerland: Palgrave Macmillan, 26/02/2021.
Call No: 620 HOIAuthor: Law, Hoi Lun Edition: 2021Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: 26/02/2021PhysDes: ix, 191 pages : illustratedSeries: Palgrave close readings in film and televisionSubject: CRITICISM ; LATE SPRING [BANSHUN] (JA, Yasujiro Ozu, 1949) ; [TEN] 10 [DIX] (FR/IR, Abbas Kiarostami, 2002) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; FORCE MAJEURE [TURIST] (SW/FR/NO, Ruben Ostlund, 2014) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Summary: This book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask "why is it as it is?" Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism. -- cover blurbISBN: 9783030629472Contents: Introduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Découpage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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American television during a television presidency / edited by Karen McNally Detroit, Michigan: Wayne State University Press, April 2022.
Call No: 49[32](73) AMEAuthor: McNally, Karen Edition: 2022Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: April 2022PhysDes: 336 pages ; 24 cmSeries: Contemporary approaches to film and mediaSubject: TELEVISION. USA ; TRUMP, DONALD ; APPRENTICE, THE [TV] (US, 2004) ; CHERNOBYL [TV] (US/UK, 2019) ; POLITICS AND TV. USA ; GOOD WIFE, THE [TV] (US, 2009) ; BLACKLISTING. USA ; PLOT AGAINST AMERICA (US, 2020) ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; STAR TREK [ GENERAL] ; AMERICAN HORROR STORY [TV] (US, 2011) Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind.
The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era.
Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web siteISBN: 9780814349359Donation: Senses of Cinema
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Special issue
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AMERICAN VIDEOGRAPHER September 1998.
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AMERICAN VIDEOGRAPHER April 1999.
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AMERICAN VIDEOGRAPHER April 1998.
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The Anime art of Hayao Miyazaki / Dani Cavallaro Jefferson, N. C.: McFarland & Company Inc., 2006.
Call No: 81MIY CAVAuthor: Cavallaro, Dani Source: USPlace: Jefferson, N. C.Publisher: McFarland & Company Inc.PubDate: 2006PhysDes: viii, 204p. ; 26cm.Subject: MANGA ; MIYAZAKI, HAYAO ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; ON YOUR MARK (JA, Hayao Miyaki, 1995) ; MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995) ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors.Notes: Includes bibliography and index.
Filmography: p. 181-186.ISBN: 0786423692
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journal article
Announcement from the White House in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2
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Apocalypse-cinema : 2012 and other ends of the world / Peter Szendy; translated by Will Bishop; Foreword by Samuel Webber New York: Fordham University Press, 2015.
Call No: 735.1 SZEAuthor: Szendy, Peter ; Bishop, Will ; Webber, Samuel Edition: 2015Place: New YorkPublisher: Fordham University PressPubDate: 2015PhysDes: xx, 160 p. : illustrations ; 22 cmSeries: French VoicesSubject: APOCALYPSE IN FILMS ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; LAST MAN ON EARTH, THE (US/IT, Ubaldo Ragona, 1964) ; TERMINATOR, THE (US, James Cameron, 1984) ; [TWENTY-TWELVE] 2012 (US/CN, Roland Emmerich, 2009) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; WATCHMEN (US, Zack Snyder, 2009) ; SUNSHINE (UK/US, Danny Boyle, 2007) ; BLADE RUNNER (US, Ridley Scott, 1982) ; [TWELVE] MONKEYS (US, Terry Gilliam, 1995) ; ROAD, THE (US, John Hillcoat, 2009) ; BLOB, THE (US, Chuck Russell, 1988) Summary: Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit.
Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups.
The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing.
In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard. -- publisher's web siteISBN: 9780823264810
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Arnie's return breathes new life into Terminator in Sunday Telegraph (05/07/2015) p.122
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013.
Call No: 756(5) TEOAuthor: Teo, Stephen Source: UKPlace: Oxford [Oxfordshire] ; New YorkPublisher: RoutledgePubDate: 2013PhysDes: xv, 269 p. : ill., ports. ; 24 cmSeries: Media, culture and social change in Asia ; 30Subject: INDIAN CINEMA ; CITY OF SADNESS, A [ ; JAPAN ; KOREA ; TAIWAN ; THAILAND ; SINGAPORE ; MALAYSIA ; IRAN ; BOLLYWOOD ; POPULAR CULTURE AND THE CINEMA ; CULTURE AND THE CINEMA ; NATIONALISM AND THE CINEMA ; THEORY ; ASIAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; WORLD CINEMA ; BLOCKBUSTERS ; ANIMATION ; HORROR FILM ; GHOST FILMS ; EROTIC FILMS ; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781138815780Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990.
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Attitudes to television : a report based on surveys made in Adelaide and Sydney during 1969 and 1970 / Australian Broadcasting Control Board [Melbourne]: Australian Broadcasting Control Board, 1971.
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THE AU HAREM D'ARCHIMEDE, LE : (FR, Mehdi Charef, 1984)
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Audience viewing and reaction survey / conducted by McNair Anderson Associates Pty. Ltd [Sydney]: Special Broadcasting Service, 1982-.
Call No: 410.3(94) AUDCorpAuthor: Australia. Special Broadcasting Service; McNair Anderson AssociatesPlace: [Sydney]Publisher: Special Broadcasting ServicePubDate: 1982-PhysDes: v. ; 22 cmSubject: CHANNEL 0-28 ; TELEVISION. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA Notes: Ethnic broadcasting services. Television programmes. Attitudes of audiences. Australia. Serials (ANB/PRECIS SIN 0734918); Cover titleISSN: 0813-7242LON: abn84058476; 3100332
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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newspaper article
Aura of an era in Australian Financial Review (12/10/2013) p.48
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Australia's national broadcasters in the 1990s : keynote speeches / Australian Film Commission AT: Australian Film Commission, 1990.
Call No: 161(94)AUSPlace: ATPublisher: Australian Film CommissionPubDate: 1990Subject: TELEVISION. AUSTRALIA ; BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; CHANNEL FOUR ; TELEVISION. NEW ZEALAND ; AUSTRALIAN BROADCASTING CORPORATION ; DRAMAS. AUSTRALIA Notes: "A conference organised by the ABC, the Australian Film Commission and the Communications Law Centre. Powerhouse Museum. June 22-23 1990."Contents: Contains full transcription of speeches made at the conference: Australian national broadcasters in the 1990s / Kim Beazley -- The SBS: listening for the sounds of change / Brian Johns -- The programmes we make: culture, costs and quality / Liz Forgan -- Deregulation of broadcasting in New Zealand: realities, myths and the impact on the national broadcasters / Beverley Wakem -- Wire and lights / Michael Tracey -- Community attitudes to the ABC's role, image, and position: highlights of the ANOP 1990 survey findings / Rod Cameron -- ABC Australian drama: culture and excellence / Elizabeth Jacka
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Australian broadcasting : a report on the structure of the Australian broadcasting system, with particular regard to the control, planning, licensing, regulation, funding and administration of the system / [prepared by F. J. Green] Canberra: Australian Government Publishing Service, 1976.
Call No: 201(94) AUSAuthor: Green, F. J. Source: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1976PhysDes: 175, A143 pages ; 25 cmSubject: BROADCASTING. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia"Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications DepartmentISBN: 0642924392Donation: donated by Mick Counihan, 2010
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Australian Broadcasting Tribunal Australian content proposal for commercial television / Australian Broadcasting Tribunal [Australia]: Australian Broadcasting Tribunal, December 1988.
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Australian comedy films of the 1930s : modernity, the urban and the international / Lesley Speed St. Kilda, Vic.: Australian Teachers of Media (ATOM), c2015.
Call No: 732(94) SPEAuthor: Speed, Lesley Source: ATPlace: St. Kilda, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2015PhysDes: 128 pages : illustrations ; 24 cm.Subject: COMEDIES. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA ; EFFTEE STUDIO ; CINESOUND STUDIOS ; HANNA, PAT ; WALLACE, GEORGE ; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931) ; DIGGERS (AT, F.W. Thring, 1931) ; HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931) ; SHOWGIRL'S LUCK (AT, Norman Dawn, 1931) ; SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932) ; ON OUR SELECTION (AT, Ken G. Hall, 1932) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933) ; HARMONY ROW (AT, F.W. Thring, 1933) ; HAYSEEDS, THE (AT, Beaumont Smith, 1933) ; TICKET IN TATTS, A (AT, F.W. Thring, 1934) ; CLARA GIBBINGS (AT, F.W. Thring, 1934) ; STRIKE ME LUCKY (AT, Ken G. Hall, 1935) ; SPLENDID FELLOWS (AT, Beaumont Smith, 1934) ; GRANDAD RUDD (AT, Ken G. Hall, 1935) ; WHITE DEATH (AT, Edwin G. Bowen, 1936) ; RANGLE RIVER (AT, Clarence G. Badger, 1936) ; IT ISN'T DONE (AT, Ken G. Hall, 1937) ; TALL TIMBERS (AT, Ken G. Hall, 1937) ; LET GEORGE DO IT (AT, Ken G. Hall, 1938) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; GONE TO THE GOGS (AT, Ken G. Hall, 1939) ; ANTS IN HIS PANTS (AT, William Freshman, 1939) Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober]ISBN: 9781876467258Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes
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Australian film and television checklist : mini-series/telemovies April 1989.
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Australian film and television finance and investment guide / Australian Film Commission Sydney: Australian Film Commission, 1985.
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Australian film catalogue : television drama / Australian Film Commission [Sydney]: Australian Film Commission, 2000.
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Australian film data : selected film, video and television statistics from the Australian film data base [Sydney]: Australian Film Commission, 1988.
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journal article
Australian Film Industry Trust Fund established in Australasian Cinema (15/7/1983) vol.12 iss.12 p.14
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Australian film investment : Course materials for the seminar, Sheraton Wentworth Hotel, Sydney, 21 April 1983 / presented by the Australian Film Commission, the Australian Society of Accountants, the Institute of Chartered Accountants in Australia North Sydney: Australian Film Commission, 1983.
Call No: 213(94) AUSCorpAuthor: Australian Film Commission; Australian Society of Accountants; Institute of Chartered Accountants in AustraliaPlace: North SydneyPublisher: Australian Film CommissionPubDate: 1983PhysDes: iv, 217 p. : forms ; 31 cmSubject: FINANCING. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; TAXES. AUSTRALIA Notes: Cinema industries. Australia (ANB/PRECIS SIN 0451673); Cover title: Australian film investment; Spiral binding; Bibliography: p. 198-213ISBN: 0642880166 : $15.00 AustLON: abn83066194; 2668728
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Australian films : TV drama & documentaries Woolloomooloo, N.S.W.: Australian Film Commission, 2002.
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Australian films bounce back in The Age [The Shortlist] (18 Sep 15) p.5
Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIAAuthor: Maddox, Garry PhysDes: ClippingsSubject: BOX OFFICE. AUSTRALIA ; ODDBALL (AT, Stuart McDonald, 2015) ; THAT SUGAR FILM (AT, Damon Gameau, 2014) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; CUT SNAKE (AT, Tony Ayres, 2014) ; WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)
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Australian genre film / edited by Kelly McWilliam and Mark David Ryan New York: Routledge,
Call No: 730(94) AUSAuthor: McWilliam, Kelly ; Ryan, Mark David Edition: 2021Place: New YorkPublisher: RoutledgePhysDes: 248 pages : illustrated ; 23 cmSeries: Rutledge advances in film studiesSubject: AUSTRALIA ; GENRES ; BIOGRAPHICAL FILMS ; COMEDIES. AUSTRALIA ; CRIME FILMS. AUSTRALIA ; HORROR FILMS. AUSTRALIA ; MUSICALS. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; TEEN FILMS ; WAR FILMS AUSTRALIA Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.
The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western.
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web siteISBN: 9781138603141Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.
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journal article
Australian laboratory undergous major refit in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.24
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Australian media's treatment of the developing world : how does it rate? / Australian International Development Assistance Bureau Canberra: Australian Government Publishing Service, 1989.
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Australian multicultural policy and television drama in comparative contexts / by Harvey May Queensland: 2003.
Call No: 409(94) MAYAuthor: May, Harvey Source: ATPlace: QueenslandPubDate: 2003PhysDes: xi, 274 p. ; 30 cmSubject: AUSTRALIA ; DRAMAS. AUSTRALIA ; MULTICULTURALISM AND TV. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA ; SOCIETY AND TV ; SOCIETY AND TV. AUSTRALIA ; ETHNIC GROUPS ON TV. AUSTRALIA ; PIZZA [TV] (AT, Paul Fenech, 2000) ; PIZZA [TV] (AT, Paul Fenech, 2000-) Summary: "This thesis examines changes which have occurrred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia's multicultural population. The way in which these actors are portrayed on-screen has also shifted from one of a 'performed' ethnicity, to an 'everyday' portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming." -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2004.
Includes bibliographical references (p. 253-274)Contents: -- glossary of abbreviations -- statement of original authorship -- acknowledgments -- introduction -- chapter one: theory, terms and methodology -- part one: Australian policy environments -- chapter two: the multicultural project -- chapter three: the cultural diversity, television and policy -- part two: international policy and production environments -- chapter four: the United States: affirmative action, 'quotas' and diversity rights. -- chapter five: the United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- chapter six: New Zealand: biculturalism and targeted subsidies -- part three: Australian popular drama: mainstreaming the multicultural -- chapter seven: Australian drama casting and production perspectives -- chapter eight: Australian television programs: texts and contexts -- conclusion -- appendix one -- appendix two -- references --
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still
[Australian summer, an : stills file] AFI Distribution Ltd,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: AFI Distribution LtdPhysDes: 4 photographs : b&w ; 21 x 26 cmSubject: TENNEY, ANNE ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) Summary: 4 black and white photographs of actors posing in various family-related situations.Notes: 1 duplicate of the family standing in front of the car ready to go to the beach.
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Australian taxpayers pay more to subsidise overseas films : press release / statement from Senator Susan Ryan 1982.
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Australian television : programs, pleasures & politics / edited by John Tulloch and Graeme Turner Sydney: Allen & Unwin, 1989.
Call No: 408.1(94) AUSAuthor: Tulloch, John, 1942 ; Turner, Graeme Place: SydneyPublisher: Allen & UnwinPubDate: 1989PhysDes: xv, 204 p. ; 22 cmSeries: Australian cultural studiesSubject: TELEVISION. AUSTRALIA ; NATIONAL CULTURE AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; SOAP OPERAS. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; HISTORY OF TV. AUSTRALIA ; PERFECT MATCH [TV] (AT, 1984-89?) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; LAST PLACE ON EARTH, THE [TV] (AT, 1987) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Notes: Includes bibliographies and indexISBN: 0043800300 (pbk.) : price unknownLON: 6398616
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Interim
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Australian television : a genealogy of great moments / Alan McKee South Melbourne, Vic.: Oxford University Press, 2001.
Call No: 71(94) MCKAuthor: McKee, Alan. Source: ATPlace: South Melbourne, Vic.Publisher: Oxford University PressPubDate: 2001PhysDes: vi, 361 p. : ill., ports. ; 23 cmSubject: TELEVISION. AUSTRALIA ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; FRONTLINE [TV] (AT, 1994- ) ; HOMICIDE [TV] (AT, 1964-1975) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; NEIGHBOURS [TV] (AT, 1985-) ; PRISONER [TV] (AT, 1979-86) ; RETURN TO EDEN [TV] (AT, 1984) ; SULLIVANS, THE [TV] (AT, 1975-1982) Notes: Includes index. Bibliography: p. 319-355.ISBN: 0195512251
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian Television And International Mediascapes in Metro (1997) iss.111 p.77-78
Author: O'Regan, Tom PhysDes: Book review; Bibliography; Illustration(s)Subject: TELEVISION. AUSTRALIA Summary: Review of 'Australian television and international media landscapes', by Stuart Cunningham and Elizabeth Jacka.
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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Australian television drama series 1956-1981 / Albert Moran (compiler) Sydney: Australian Film Television & Radio School, 1989.
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Australian television writers : Ben Elton, Andrew Hansen, Chris Taylor, Chris Liley, Joanna Murray-Smith, Chas Licciardello, Kenneth G. Ross Memphis TN: Books LLC, 2010.
Call No: 802.24 (94) AUSCorpAuthor: Books LLCSource: ATPlace: Memphis TNPublisher: Books LLCPubDate: 2010PhysDes: v, 121 p. ; 23 cmSubject: TELEVISION WORKERS. AUSTRALIA ; SCRIPTWRITERS ; SCRIPTWRITERS. AUSTRALIA Notes: Includes bibliographical references and index.; Also available in an online version. Each author has hyperlinked version to the chapter.ISBN: 9781155613109Donation: Donated by Senses Of Cinema, 2009Contents: -- introduction -- Abe Forsythe -- Andrew Hansen -- Ben Elton -- Betty Quin -- Catherine Deveny -- Charles Firth (comedian) -- Chas Licciardello -- Chris Lilley (comedian) -- Chris Taylor (comedian) -- Christopher Lee (writer) -- Cliff Green -- Craig Reucassel -- Dominic Knight -- G K Saunders -- Gary McCaffrie -- Gary Reilly -- Geoffrey Atherden -- Gordon Wellesley -- Greg Haddrick -- Ian Smith (actor) -- Joanna Murray-Smith -- Julian Morrow -- Kenneth G. Ross -- Lynn Bayonas -- Mal Fletcher -- Marcia Gardner -- Marty Fields -- Patrea Smallacombe -- Peter Kenna -- Rick Kalowski -- Susan Bower -- Tristan Jepson -- Vanessa Yardley -- index
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000.
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Interim
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Australian tv drama & documentary : a catalogue of tv drama & documentary production October 2002.
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Australian tv drama & documentary catalogue March 2006 / Australian Film Commission Sydney: Australian Film Commission, 2006.
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Australian tv drama & documentary catalogue March 2007 / Australian Film Commission Sydney: Australian Film Commission, 2007.
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Australian tv drama & documentary catalogue September 2005 / Australian Film Commission Sydney: Australian Film Commission, 2005.
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Australian tv drama & documentary catalogue September 2006 / Australian Film Commission Sydney: Australian Film Commission, 2006.
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The Australians making magic behind the scenes in The Age (02/01/2017) p.10
Call No: SUBJECT CLIPPINGS FILE; POST-PRODUCTION. AUSTRALIAAuthor: Quinn, Karl PhysDes: Clippings File ArticleSubject: POST-PRODUCTION. AUSTRALIA ; TAXES. AUSTRALIA Summary: Examining the success of Australia's post-production, digital, and visual effects (PDV) industry with mentions of Illoura, Animal Logic, and Rising Sun. Criticism of the taxes offset difference between location shooting (at 16.5%) and PDV (30%) and how an overseas production can only claim one of these offsets
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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Background paper : Australian content inquiry / Australian Broadcasting Tribunal [North Sydney: The Tribunal], 1986.
Call No: 205.36(94) AUSSource: ATPlace: [North SydneyPublisher: The Tribunal]PubDate: 1986PhysDes: 39, [30] pages ; 30 cmSubject: TELEVISION. AUSTRALIA ; NATIONAL CONTENT. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA Summary: Review of the thirty submissions to the Australian Broadcasting Tribunal's call for comment in relation to their revision of the requirements for Australian content on Australian televisionISBN: 0642117381
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Backstory 2 : interviews with screenwriters of the 1940s and 1950s / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1991.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1991PhysDes: viii, 417 p. : ill. ; 24 cmSubject: BRACKETT, LEIGH ; BROOKS, RICHARD ; COMDEN, BETTY ; GREEN, ADOLPH ; KANIN, GARSON ; KINGSLEY, DOROTHY ; LAURENTS, ARTHUR ; MADDOW, BEN ; MAINWARING, DANIEL ; REISCH, WALTER ; SIODMAK, CURT ; STERN, STEWART ; TARADASH, DANIEL ; YORDAN, PHILIP Notes: Includes bibliographical references (p. 391-393) and indexesISBN: 0520209087 (pbk.); 0520071697 (alk. paper)LON: 90011172; 7420735
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Bandstand...and all that! / John Byrell Kenthurst, N.S.W: Kangaroo Press, 1995.
Call No: 79BAN BYRAuthor: Byrell, John Source: ATPlace: Kenthurst, N.S.WPublisher: Kangaroo PressPubDate: 1995PhysDes: 216 p. : ill., ports ; 28 cmSubject: BANDSTAND [TV](AT, 1958-1972) ; LIGHT ENTERTAINMENT. AUSTRALIA ; MUSIC PROGRAMMES. AUSTRALIA ; TELEVISION. AUSTRALIA ; HENDERSON, BRIAN ; 'KEEFE, JOHNNY ; LIMB, BOBBY Summary: This is the story of the period, in which Bandstand, stariring Brian Henderson and Col Joye, began . It is the time of Six OClock Rock with Johnny ' The Wild One'. O'Keefe, Bob Dyer's Pick- A - Box and the first sex serial, Number 96 .Living legends like Sinatra and Nat King Cole and Bassey were sellouts at Sydney Stadium. There was the coming of the Beatles, and it was the heyday of Chequers and sophisticated nightclubs. There are the fights and feuds and feuds and many funny, sometime strange happenings - both on stage and back stage. All of this is recorded by John ' Johnny' Byrell [Taken from the back of the book]Notes: Includes indexISBN: 0864176937Donation: donated by the family of Wayne Levy, 2006
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Barbara Stanwyck / Al DiOrio New York: Berkley Books, 1985, c1983.
Call No: 81STA DIOAuthor: DiOrio, Al Source: USPlace: New YorkPublisher: Berkley BooksPubDate: 1985, c1983PhysDes: 247 p. : ill. ; 18cmSubject: Stanwyck, Barbara ; BROADWAY NIGHTS (US, Jospeph Boyle, 1927) ; LOCKED DOOR, THE (US, George Fitzmaurice, 1929) ; MEXICALI ROSE (US, Erle Kenton, 1929) ; LADIES OF LEISURE (US, Frank Capra, 1930) ; ILLLICIT (US, Archie Mayo, 1931) ; TEN CENTS A DANCE (US, Lionel Barrymore, 1931) ; NIGHT NURSE (US, William Wellman, 1931) ; MIRACLE WOMAN, THE (US, Frank Capra, 1931) ; FORBIDDEN (US, FrankCapra, 1932) ; SHOPWORN (US, Nicholas Grinde, 1932) ; SO BIG (US, William Wellman, 1932) ; PURCHASE PRICE, THE (US, William Wellman, 1932) ; BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933) ; LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933) ; BABYFACE (US, Alfred Green, 1933) ; EVER IN MY HEART (US, Archie Mayo, 1933) Notes: Filmography and credit listing included of all Stanwycks films.ISBN: 0425094553
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BASTILLE DAY : (UK/FR/US, James Watkins, 2015)
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The BBC radiophonic workshop : the first 25 years: the inside story of providing sound and music for television and radio 1958-1983 / remembered by Desmond Briscoe and those whose versatility and unremitting voluntary enthusiasm have made an idea a reality ; realised by Roy Curtis-Bramwell. London: British Broadcasting Corporation, 1983.
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journal article
Beaconsfield in Australian Cinematographer (June 2012) iss.54 p.56-62
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newspaper article
Beautiful story set in horror of war in Sunday Telegraph [Insider] (19/04/2015) p.118
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Becoming Australian : a report on progress toward further representation of Australia's cultural diversity on ABC television / [Australian Broadcasting Corporation] [Australian Broadcasting Corporation], June 1992.
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script
Bedlam : "Barabbas" / Directed by Guy Slater ; Produced by Norman Stone ; Performed by Joss Ackland ; written by Arnold Wesker. UK: [2000].
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Bedlam : "The Centurion" / Directed by Denny Lawrence ; Produced by Norman Stone ; Performed by James Cosmo ; written by Sergio Casci. UK: [2000].
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Bedlam : "The Mourner" / Directed by Norman Stone ; Produced by Norman Stone ; Performed by Eileen Atkins ; written by Murray Watts. UK: [2000].
Call No: S TALAuthor: Watts, Murray Place: UKPubDate: [2000]PhysDes: 19 leavesSubject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000) Summary: A BBC series
The series was released with the title: 'Tales From the Madhouse'
A copy of the script for episode 7.
Stone & Watts revision of Atkins revision - taken from running titleNotes: Unpublished scriptID2: 340
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script
Bedlam : "The Politician's Wife" / Directed by Morag Fullarton ; Produced by Norman Stone ; Performed by Claire Bloom ; written by Nigel Forde. UK: [2000].
Call No: S TALAuthor: Forde, Nigel Place: UKPubDate: [2000]PhysDes: 18 leavesSubject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000) Summary: A BBC series
The series was released with the title: 'Tales From the Madhouse'
A copy of the script for episode 5 released with the title 'Pilate's Wife'
Revised as shot and editedNotes: Unpublished scriptID2: 340
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script
Bedlam : "The Servant Girl" / Directed by David Hayman ; Produced by Norman Stone ; Performed by Helen Baxendale ; written by Ann Marie Di Mambro. UK: [2000].
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Bedlam : "Judas" / Directed by Norman Stone ; Produced by Norman Stone ; Performed by Tony Robinson ; written by Tony Robinson. [2000].
Call No: S TALAuthor: Robinson, Tony PubDate: [2000]PhysDes: 19 leavesSubject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000) Summary: A BBC series
The series was released with the title: 'Tales From the Madhouse'
A copy of the script for episode 2 released with the title 'The Best Friend.'
Version 2Notes: Unpublished scriptID2: 340
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script
Bedlam : "The Thief" / Directed by Norman Stone ; Produced by Norman Stone ; Performed by Jonathan Pryce ; written by Nigel Forde. UK: [2000].
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The Berlin School and its global contexts : a transnational art cinema / edited by Marco Abel and Jaimey Fisher Detroit: Wayne State University Press, 2018.
Call No: 71(430) BERAuthor: Abel, Marco ; Fisher, Jaimey Edition: 2018Place: DetroitPublisher: Wayne State University PressPubDate: 2018PhysDes: viii, 356 pages : illustrated ; 23 cmSeries: Contemporary Approaches to Film and Media SeriesSubject: BERLIN SCHOOL ; ABEL, MARCO ; ADE, MAREN ; WEERASETHAKUL, APICHATPONG ; ARSLAN, THOMAS ; GRISEBACH, VALESKA ; HAUSNER, JESSICA ; HOCHHAUSLER, CHRISTOPH ; KIAROSTAMI, ABBAS ; KOHLER, ULRICH ; PETZOLD, CHRISTIAN ; TARR, BELA Summary: The Berlin School and Its Global Contexts: A Transnational Art-Cinema came about in light of the Museum of Modern Art (MOMA)’s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany’s most important contemporary filmmaking movement. Christoph Hochhäusler, the movement’s keenest spokesperson, stated that "the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain." In response to this "transnational turn," editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School.
The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume, however, also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices.
The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema. -- publisher's web siteISBN: 9780814342008
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Bertrand Tavernier : interviews / edited by Lynn A. Higgins and T. Jefferson Kline Jackson: University Press of Mississippi, 2016.
Call No: 81 TAV TAVAuthor: Tavernier, Bertrand Edition: 2016Place: JacksonPublisher: University Press of MississippiPubDate: 2016PhysDes: xxiv, 205 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: TAVERNIER, BERTRAND ISBN: 9781496840875
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Levy Collection
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The best of Luck : fifth column / Peter Luck Port Melbourne: William Heinemann Australia, 1990.
Call No: 802.281.3 LUCAuthor: Luck, Peter Source: ATPlace: Port MelbournePublisher: William Heinemann AustraliaPubDate: 1990PhysDes: 292 p. : ill. ; 20 cmSubject: TELEVISION JOURNALISM. AUSTRALIA ; TELEVISION JOURNALISTS ; INDUSTRY, TV. AUSTRALIA Summary: "... One of the country's top producers and presenters, Luck also writes the wise and witty '5th Column', which has graced the pages of the Sydney Morning Herald for more than five years.
The Best of Luck comprises Luck's most entertaining television articles fromthe '5th Column'. Luck gives a colourful and humourous view of the people and programmes that make up the Aussie brand of TV."-BOOK BLURBNotes: cartoons by Jenny CoopesISBN: 0535613483Donation: donated by the family of Wayne Levy, 2006ID2: 91
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Beyond the multiplex : cinema, new technologies, and the home / Barbara Klinger Berkeley: University of California Press, 2006.
Call No: 386.5 KLIAuthor: Klinger, Barbara Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: xii, 310 pages : illustrations ; 24 cmSubject: CABLE TV ; DVD, FILMS ON ; HOME EXHIBITION ; INTERNET AND THE CINEMA ; PRIVATE CINEMAS ; TECHNOLOGICAL DEVELOPMENTS Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURBNotes: Formerly CIP.; Includes bibliographical references (p. 281-287) and indexISBN: 9780520245860Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures
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Beyond the screen : emerging cinema and engaging audiences / Sarah Atkinson New York: Bloomsbury Academic, 2014.
Call No: 409(-017.2) ATKAuthor: Atkinson, Sarah Source: USPlace: New YorkPublisher: Bloomsbury AcademicPubDate: 2014PhysDes: xiv, 293 pages ; 24 cm.Subject: AUDIENCES ; DIGITAL MEDIA AND THE CINEMA ; MOBILE AND ONLINE MEDIA ; MOBILE CINEMAS ; POPULAR CULTURE AND THE CINEMA ; SOCIETY AND THE CINEMA ; TECHNOLOGY AND THE CINEMA Summary: This book presents an expanded conceptualization of cinema which encompasses the myriad ways film can be experienced in a digitally networked society where the auditorium is now just one location amongst many in which audiences can encounter and engage with films. It includes considerations of mobile, web, social media and live cinema through numerous examples and case studies of recent and near-future developments. -- taken from the back coverNotes: Includes bibliographical references, filmography and index.ISBN: 9781501308659Donation: donated by Senses of Cinema, 2016Contents: Introduction -- Extending cinema -- Mobile cinema -- Socially layered cinema -- The ethics of emerging cinema -- The business of emerging cinema -- The grammar of emerging cinema -- Epilogue.
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journal article
Big Brother helps again! : New tax guidlines in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; TAXES. AUSTRALIA Summary: Brief article on the recent amendments to Division 10BA. New amendments will make international resources (directors, actor,s etc.) harder to use, and will also abolish the '12-month rule', allowing filmmakers two years to complete a feature.
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Bill of rights in Empire (Australian Ed.) (December 2002) iss.21 p.17
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Birth of the binge : serial TV and the end of leisure Detroit, Michigan: Wayne State University Press, 2019.
Author: Dennis Broe Edition: Broe, DennisSource: USPlace: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2019PhysDes: xiii, 297 pages ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: TELEVISION ; CRITICISM Summary: "Broe's book is scholarship that matters: he diagnoses our addictive era of 'binge TV' while highlighting possibilities for resistance. Connecting multiple aspects of the current television industry--from its pumped-up levels of sex and violence to its influence on neural and relational patterns--to the rise of the neoliberal state, Broe dismantles the illusion that television's 'post-network era' offers new freedom to the consumer. The genius of this book comes in its dizzying sweeps from one medium to another: he convinces us that serial narrative is one of the dominant narrative forms in Western mass culture, charts its aesthetic and industrial complexity, and celebrates television auteurs like Joss Whedon, J.J. Abrams, and Jane Campion, whose progressive serial narratives provide us with 'a more social and more coherent representation of an ever more perilous reality." -- BOOK BLURBNotes: Includes bibliography and indexISBN: 9780814345269Language: EnglishDonation: Senses of CinemaContents: Introduction -- 1. Metaseriality -- 2. Serial specificity -- 3. Serial auteurs and the possibilities of industrial resistance
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newspaper article
Bitter sweet in Weekend Australian [Magazine] (18/02/2017) p.22
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Bloodbath : a memoir of Australian television / Patricia Edgar Carlton, Vic.: Melbourne University Publishing, 2006.
Call No: 722-053.2(94) EDGAuthor: Edgar, Patricia Source: ATPlace: Carlton, Vic.Publisher: Melbourne University PublishingPubDate: 2006PhysDes: xiiI, 466 p. : ill. ; 24 cm.Subject: TELEVISION. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; CHILDREN, PROGRAMMES FOR. AUSTRALIA ; CHILDREN'S TELEVISION FOUNDATION ; AUSTRALIAN BROADCASTING CORPORATION ; AUSTRALIAN BROADCASTING COMMISSION ; GYNGELL, BRUCE ; EDGAR, PATRICIA ; WINNERS (AT, 1984 -) ; ROUND THE TWIST [TV] (AT, 1988-) Summary: This is a candid memoir written by one of Australian television’s most influential policy makers and regulators. Dr Edgar reminisces about her childhood in Mildura and charts her rise in the television industry, particularly as an innovator in Australian children’s television production. She also gives a detailed account of her position as the first woman appointed to the Australian Broadcasting Control Board, and how for over ten years, she fought for more locally produced children’s television content. As a result of this, Dr Edgar helped to establish the Australian Children’s Television Foundation in the early 1980s, and has since gone on to collaborate with the BBC, Disney and Revcom in a series of co-productions. Bloodbath also takes into account the author’s struggles and triumphs in the Australian Television industry, especially with political and economic change, and the impact of the global marketplace.Notes: Includes index.
Bibliography : p. 431-450.ISBN: 9780522852813Language: English
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Bollywood : the Indian cinema story / Nasreen Munni Kabir London: Channel 4 Books, 2001.
Call No: 71(540) KABAuthor: Kabir, Nasreen Munni Source: UKPlace: LondonPublisher: Channel 4 BooksPubDate: 2001PhysDes: 230 p., [8] p. of plates ; 24 cmSubject: BOLLYWOOD ; HEROS IN FILMS ; HEROINES IN FILMS ; MYTH AND THE CINEMA. INDIA ; TELEVISION AND THE CINEMA ; VILLAINS IN FILMS ; AKHTAR, JAVED ; ANAND, DEV ; BACHCHAN, AMITABH ; BHANSALI, SANJAY LEELA ; BURMAN, S.D ; DARSHAN, DHARMESH ; DESAI, MANMOHAN ; DIXIT, MADHURI ; DUTT, GURU ; JOHAR, KARAN ; KAPOOR, RAJ ; KHAN, MENBOOB ; KHAN, SHAHRUKH ; KUMAR, DILIP ; ROY, BIMAL ; SIPPY, RAMESH ; AAN (II, Menboob, 1952) ; BHARAT MATA (II, Mehboob, 1957) ; PYASSA (II, Guru Dutt, 1957) ; RAMAYAMA (II, Ramanand Sagar, 1987-) ; RAJA HINDUSTANI (II, Dharmesh Darshan, 1996) ; SHOLAY (II, Ramesh Sippy, 1975) ISBN: 075221943X
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Both sides of the camera : a souvenir book of television programmes and the people who make them / edited by Marie Donaldson ; designed by Robert Claxton London: Weidenfeld and Nicolson, 1960.
Call No: 71(41) THOAuthor: Donaldson, Marie Place: LondonPublisher: Weidenfeld and NicolsonPubDate: 1960PhysDes: [124] p. : chiefly ill. ; 29 cmSubject: TELEVISION. UK LON: 5182069
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Box of summer fun in Weekend Australian [Review] (24/12/2016) p.19
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIA. 2017Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA Summary: Round-up of TV shows to be broadcast/streamed during the Australian summer holiday period
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Boxed in : the culture of TV / by Mark Crispin Miller Evanston, IL: Northwestern University Press, 1989.
Call No: 62(04)(73) MILAuthor: Miller, Mark Crispin Edition: 3rd ed.Source: USPlace: Evanston, ILPublisher: Northwestern University PressPubDate: 1989PhysDes: 349 p. : ill. ; 23 cmSubject: FILM ; MEDIA ; TELEVISION ; NATIONAL CULTURE AND TV ; USA ; COSBY SHOW, THE [TV] (US, 1984-92) ; SUSPICION (US, Alfred Hitchcock, 1941) Summary: "These twenty essays written over the past decade comprise an unusual study of the American media spectacle. Here are readings of cinema, advertising, rock music, and -above all - television, a force now so pervasive that it almost seems invisible.
The book is divided into four sections. The first and longest - "What's On TV" - is a collection of twelve essays on some of TV's best-known images. The essays in the next section, "Rock Music: A Success Story," define the trajectory of rock and roll from its exhilarating take-off in the Fifties to its eventual descent into just another form of show business. In "The Promise of Cinema" Miller deals variously with the issue of sexism in the movies, then moves on to an analysis of Alfred Hitchcock's particular response to the problem of mass spectatorship. The book ends with "Overviews," two long essays on the elimination of critical consciousness from our culture.
Each pieces not only offers an intensive analysis of some well-known visual moments - a soap commercial, Bill Cosby's face, Darth Vader glimpsed suddenly without his helmet - but also moves far beyond that rich particular to show how it illuminates the larger forces that produced it. Throughout Boxed In Miller sets a critical example - to show we can, and must, think out loud against the universal pressure of TV" -- BOOK BLURBNotes: Includes index; Bibliography: p. 333-335; Includes indexISBN: 080107929Contents: -- list of illustrations -- acknowledgments -- introduction: the hipness unto death -- what's on TV -- massa, coming home -- getting dirty -- "family feud" -- off the prigs -- Cosby knows best -- virtu, inc -- a viewer's campaign diary, 1984 -- sickness on TV -- patriotism without tears -- "the air of expectancy was bursting at the seams" -- black and white -- how TV covers war -- rock music: a success story -- where all the flowers went -- the king -- the promise of cinema -- the lives of the stars -- Tom Mix was a softie -- in memoriam - A.J.H -- Hitchcock's suspicions and Suspicion -- overviews -- the robot in the western mind -- big brother is you, watching -- index --
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Breaking the glass armor : neoformalist film analysis / Kristin Thompson Princeton, N.J.: Princeton University Press, 1988.
Call No: 623.75 THOAuthor: Thompson, Kristin, 1950 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1988PhysDes: x, 361 p., [41] p. of plates : ill. (some col.) ; 25 cmSubject: FORMALISM ; REALISM IN FILMS ; TERROR BY NIGHT (US, Roy William Neill, 1946) ; VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; LAURA (US, Otto Preminger, 1944) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; PLAYTIME (FR, Jacques Tati, 1967) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; LANCELOT DU LAC (FR/IT, Robert Bresson, 1974) ; BANSHU (JA, Ozu Yasujiro, 1949) Notes: Includes bibliographical references and indexISBN: 0691067244 (alk. paper)LON: 5669174ID2: 291
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Brisbane Festival in Lumiere (September, 1973) iss.27 p.28
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British technicolor films / John Huntley London: Skelton Robinson, [1949].
Call No: 71(41) HUNAuthor: Huntley, John, 1921 Place: LondonPublisher: Skelton RobinsonPubDate: [1949]PhysDes: 224 p., [16] p. of plates. : ill (some col.) ; 22 cmSubject: UNITED KINGDOM ; TECHNICOLOR Notes: Includes indexesLON: 1768860
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Interim
book
British Television Drama : A History / Lez Cooke London: bfi Publishing, 2003.
Call No: 71(41) COOAuthor: Cooke, Lez Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2003PhysDes: 227 p.: ill. ; 23cmSubject: TELEVISION. UK ; DRAMAS. UK Notes: Select Bibliography: p. 211
Index: p. 216
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Interim
book
Broadband in Australia : Tales from the frontier / by Marion Jacko Sydney, N.S.W.: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2001.
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Interim
book
Broadcast in colour : cultural diversity and television programming in four countries / by Harvey May Brisbane, Queensland: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2002.
Call No: 205.1 MAYAuthor: May, Harvey Source: ATPlace: Sydney; Brisbane, QueenslandPublisher: Australian Film Commission; Creative Industries Research and Applications Centre; Australian Key Centre for Cultural and Media PolicyPubDate: 2002PhysDes: 72 pages : 30cm.Series: Screen Industry, Culture and Policy Research SeriesSubject: CULTURE AND THE CINEMA ; PROGRAMME POLICY ; TELEVISION. AUSTRALIA ; TELEVISION. UK ; TELEVISION. NEW ZEALAND ; TELEVISION. USA ; ETHNIC GROUPS ON TV. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV Summary: 'Examines the cultural diversity policies and practices and their impact on television programming in the United States of America, the United Kingdom, New Zealand and Australia, with a focus on drama. The study looks at the relationship between multicultural history and policy, and the developments made in the representation of a culturally diverse population on each nation's television screens' - taken from executive summaryNotes: Includes appendix of acronymsISBN: 0958015244Contents: Acknowledgements -- About the author -- Executive summary -- Key findings -- 1. Charting the waters -- 2. The United States: affirmative action, 'quotas' abd diversity rights -- 3. The United Kingdom: policy remits for diversity and an 'everyday' multiculturalism -- 4. New Zealand: Biculturalism and targeted subsidies -- 5. Australia: the shift to cultural diversity -- 6. Conclusion -- Appendix -- About the Screen Industry, Culture and Policy Research series
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Broadcast wars : the money, the ego, the power behind your remote control / written by Michael Bodey Sydney: Hachette Australia, 2011.
Call No: 20(94) BODAuthor: Bodey, Michael Source: ATPlace: SydneyPublisher: Hachette AustraliaPubDate: 2011PhysDes: 327 p. ; 24 cmSubject: BROADCASTING ; BROADCASTING. AUSTRALIA ; PROGRAMME CONTENT. AUSTRALIA ; RATING FOR TV. AUSTRALIA ; RATINGS. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA Summary: "This is an explosive look at the recent tumultuous years in the boardrooms and on the studio floors of Australian television. As the Nine and Seven networks traded blows, new technologies emerged and old personalities and management clung on for dear life, everyone fastened their seatbelts for a bumpy ride. From booze buses to ambulance chasing, mirrorballs to hotplates, from Sunrise to Today, Broadcast Wars gives us a fascinating insight into major media events, boardroom stoushes and fading stars' diva-like demands. Michael Bodey fearlessly analyses the personalities we love (and love to hate), the genres that came and went, and the machinations behind MasterChef, Dancing With The Stars, Underbelly, Packed To The Rafters and all the shows we love to watch and talk about. Broadcast Wars exposes the egos, the money and the powre manipulating our remote controls. ' -- BOOK BLURBNotes: Includes bibliographical references (p. 307- 311) and indexISBN: 9780733627767Contents: -- prologue -- one : Seven on the skids -- two: Reality is king -- three: Sunrise for seven -- four: Seven finally hits an ace -- five: An emperor returns to nine -- six: Eddie arrives -- seven: From Beaconsfield to Lausanne -- eight: The turkey slap -- nine: The war intensifies -- ten: Sea water, cops and dirty Melbourne crims -- eleven: The barbarians grab the remote -- twelve: the format wars -- thirteen: Seven ate nine -- fourteen: Multichanelling -- fifteen: MasterChef and the new nice -- sixteen: Affidavits at ten paces -- author's note -- notes -- bibliography -- acknowledgements -- index --
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Broadcasting in Australia 1989 : the second annual review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
Call No: 201(94) AUS "1989"CorpAuthor: Australian Broadcasting TribunalPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting TribunalPubDate: 1988-1992PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.Notes: Subtitle variesISSN: 1034-8689LON: abn89174413; 6490748 6176346Donation: Jock GivenContents: Foreward / Peter Westerway -- Issues in broadcasting: a turbulent end to the eighties -- The Tribunal: guardian of the public interest -- Programming: the anatomy of the nation -- Financial results: who made the money? -- Ownership and control: the media baron's -- Location of services: covering the country -- Licensing: the sitting tenants -- The national broadcasters - The ABC and SBS
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Broadcasting in Australia 1990 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
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Broadcasting in Australia 1992 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992.
Call No: 260(94) AUS "1992"CorpAuthor: Australian Broadcasting TribunalPlace: North Sydney, N.S.W.Publisher: Australian Broadcasting TribunalPubDate: 1988-1992PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; MEDIA AUSTRALIA ; COMMERCIAL TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; PAY TV. AUSTRALIA ; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees.Notes: Subtitle variesISSN: 1034-8689LON: abn89174413; 6490748 6176346Contents: Foreward / Peter Webb-- Broadcasting issues: the banks take 7 & 10 -- The Tribunal: the broadcasting regulator -- Television Programming: entertainment information and relaxation -- Children's television: Kidz TV -- Radio programming: Gold format dominates again -- Financial results: TV and radio both post losses -- Ownership and control: Black, Packer, Tourang & Fairfax -- Location of services: across this wide brown land -- Licensing: providing a service-- the national broadcasters: The ABC and SBS -- Index of tables and illustrations
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Broadcasting programme standards : determined by the Board in pursuance of the Broadcasting and Television Act 1942-1967 together with certain other information for Commercial Broadcasting Stations / Australian Broadcasting Control Board Canberra: Australian Broadcasting Control Board, 1967.
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Broadway & Hollywood : costumes designed by Irene Sharaff / Irene Sharaff New York: Van Nostrand Reinhold Co., 1976.
Call No: 226.4 SHAAuthor: Sharaff, Irene Place: New YorkPublisher: Van Nostrand Reinhold Co.PubDate: 1976PhysDes: 136 p. : ill. (some col.) ; 24 cmSubject: COSTUMES ; SHARAFF, IRENE ; TAYLOR, ELIZABETH ; ADRIAN, GILBERT ; GREAT WHITE HOPE, THE (US, Martin Ritt, 1970) ; KING AND I, THE (US, Walter Lang, 1956) ; CAN-CAN (US, Walter Lang, 1960) ; JUSTINE (US, George Cukor, 1969) ; PORGY AND BESS (US, Otto Preminger, 1959) ; WEST SIDE STORY (US, Robert Wise, 1961) ; MEET ME IN ST. LOUIS (US, Vincente Minnelli, 1944) ; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951) Notes: Includes indexISBN: 0442275277 : $12.50LON: 747228
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Bruce Bereford : instincts of the heart / Peter Coleman Pymble, N.S.W.: Angus and Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Source: ATPlace: Pymble, N.S.W.Publisher: Angus and RobertsonPubDate: 1992PhysDes: ix, 158 p. : [16] p. of plates : ill. ; 20 cmSubject: BERESFORD, BRUCE ; FILMMAKING. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) Summary: Peter Coleman has used his friendship with Bruce Beresford, and knowledge of the developing Australian film industry to build up an accurate behind the scenes look at the making of the many films of this most self-critical film director (taken from back of the book)ISBN: 0207175268
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Bruce Beresford : instincts of the heart / Peter Coleman Pymble, NSW, Australia New York, NY, USA: Angus & Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Place: Pymble, NSW, Australia New York, NY, USAPublisher: Angus & RobertsonPubDate: 1992PhysDes: 158 p., [16] p. of plates : ill. ; 20 cmSeries: Imprint livesSubject: BERESFORD, BRUCE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MONEY MOVERS (AT, Bruce Beresford, 1978) ; CLUB, THE (AT, Bruce Beresford, 1980) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; CRIMES OF THE HEART (US, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; [MISTER] MR JOHNSON (US, Bruce Beresford, 1990) ISBN: 0207175268LON: abn92179637; 9071070
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journal article
Bruce Beresford makes his U.S. feature debut in Australasian Cinema (10/9/1982) vol.11 iss.16
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newspaper article
A bumper crop makes a rich harvest in Canberra Times [TV Guide] (12/12/2016) p.3
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIAAuthor: Enker, Debi PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA ; DRAMAS. AUSTRALIA Summary: Overview of television productions on Australian TV in 2016. The author was largely compliementary of the Australian shows for the year.Notes: similar article in Sydney Morning Herald - TV Guide, same date, and The Age - Green Guide, Dec 8 2016
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Burton / Hollis Alpert Markham, Ontario: Paperjacks, 1987.
Call No: 81BUR ALPAuthor: Alpert, Hollis Source: CNPlace: Markham, OntarioPublisher: PaperjacksPubDate: 1987PhysDes: 270 p. ; 18 cmSubject: BURTON, RICHARD ; TAYLOR, ELIZABETH ISBN: 0770105459Donation: donated by the family of Wayne Levy, 2006
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Bush tracks to red carpets: directing duo win prestigious award in Sydney Morning Herald (1/12/2017) p.14
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newspaper article
Cab's eye view of capital in The Age (24/12/2015) p.28
Call No: TITLE CLIPPINGS FILE; TAXI (IR, Jafar Panahi, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: TAXI (IR, Jafar Panahi, 2015) Summary: Review for the film TEHRAN TAXINotes: film's original title is TAXIRating: 3.5 out of 5 stars
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newspaper article
Call for tax breaks to put us on the big screen in The Australian (05/01/2016) p.17
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Shanahan, Leo PhysDes: Clippings File ArticleSubject: BANKS, ANDREW ; TAXES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA Summary: Australian movie producer Andrew Banks comments about the tax rebate for films made in Australia, stating that it should be far higher than the current 16.5 percent. Other issues he comments on are about the quality of Australian screenplays, and the complex formula used to state the Australian quota of a film for tax purposes
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The Cambridge companion to Shakespeare on film / edited by Russell Jackson Cambridge, UK New York: Cambridge University Press, 2000.
Call No: 753SHA CAMAuthor: Jackson, Russell, 1949 Source: UKPlace: Cambridge, UK New YorkPublisher: Cambridge University PressPubDate: 2000PhysDes: xiv, 342 p. ; 24 cmSeries: Cambridge companions to literatureSubject: ADAPTATIONS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; BRANAGH, KENNETH ; OLIVIER, LAURENCE ; WELLES, ORSON ; ZEFFIRELLI, FRANCO ; HENRY V (UK, Kenneth Branagh, 1989) ; HENRY V (UK, Laurence Olivier, 1944) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; RICHARD III (US, James Keane, 1912) ; RICHARD III (US, Richard Loncraine, 1995) ; RICHARD III (UK, Laurence Olivier, 1955) ; HAMLET (UK, Laurence Olivier, 1948) ; HAMLET (UK/US, Kenneth Branagh, 1996) ; HAMLET (US, Franco Zeffirelli, 1990) ; MACBETH (US, Orson Welles, 1948) ; MACBETH (US/UK, Roman Polanski, 1971) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; THRONE OF BLOOD (JA, Akira Kurosawa, 1957) ; KING LEAR (UK, Peter Brook, 1953) ; RAN (JA/FR, Akira Kurosawa, 1985) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Leading scholars discuss Shakespearean films from a variety of perspectives - as works of art in their own right, as products of the international movie industry, in relation to cinematic and theatrical genres, and as the work of particular directors from Lawrence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. A guide to further reading and a useful filmography are included." - BOOK BLURBNotes: Filmography: p. 318-324; Includes bibliographical references and index; FilmographyISBN: 0521630231; 0521639751 (pbk.)LON: 21340333Contents: Introduction: Shakespeare, films and the marketplace / Russell Jackson --; Part 1: adaptation and its contexts -- From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michele Willems -- Critical junctures in Shakespeare screen history: the case of Richard III / Harry Keyishian --; Part 2: genres and plays -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history: three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film -- Patricia Tatspaugh --; Part 3: directors -- The Shakespeare films of Lawrence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist: Kenneth Branagh / Samuel Crowl --; Part 4: critical issues -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist: filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988.
Call No: 409(73) RYACopy Management: Copy 1; Copy 2Author: Ryan, Michael, 1951 ; Kellner, Douglas, 1943 Place: Bloomington, Ind.Publisher: Indiana University PressPubDate: 1988PhysDes: xiii, 328 p. : ill. ; 25 cmSubject: DISASTERS IN FILMS. USA ; SOCIAL PROBLEMS IN FILMS. USA ; WORKING CLASS IN FILMS. USA ; ETHNIC GROUPS IN FILMS. USA ; SOUTH IN FILMS. USA ; WOMEN IN FILMS. USA ; BUDDY FILMS. USA ; FAMILY IN FILMS. USA ; VIETNAM WAR IN FILMS ; HORROR FILMS. USA ; VIETNAM WAR FILMS ; POLITICS AND THE CINEMA. USA ; FANTASY FILMS. USA ; UTOPIA IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; TECHNOLOGY AND THE CINEMA. USA ; CONSPIRACY FILMS. USA ; SPIELBERG, STEVEN ; COPPOLA, FRANCIS FORD ; BORDEN, LIZZIE ; CIMINO, MICHAEL ; Peckinpah, Sam ; Reagan, Ronald ; ROMERO, GEORGE ; SCORSESE, MARTIN ; HOOPER, TOBE ; FRIEDKIN, WILLIAM ; BROOKS, JAMES L. ; DE PALMA, BRIAN ; LUCAS, GEORGE ; KUBRICK, STANLEY ; MILIUS, JOHN ; PAKULA, ALAN J. ; SCOTT, RIDLEY ; STAR WARS (US, George Lucas, 1977) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; DEATH WISH (US, Michael Winner, 1974) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; JAWS (US, Steven Spielberg, 1975) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; DIRTY HARRY (US, Don Siegel, 1971) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; KLUTE (US, Alan J. Pakula, 1971) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324ISBN: 0253313341LON: 5193671
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Canberra man captures a revolution on film in Sunday Canberra Times [General News] (8/11/2015) p.3
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Case studies in Australian media management / edited by Elizabeth More, Keith Smith Sydney: Macquarie University, Graduate School of Management, 1992.
Call No: 401(94) CASAuthor: More, Elizabeth ; Smith, Keith (Keith R. A.) CorpAuthor: Australian Film, Television and Radio School; New South Wales Education and Training Foundation; Macquarie University. Graduate School of ManagementPlace: SydneyPublisher: Macquarie University, Graduate School of ManagementPubDate: 1992PhysDes: x, 204 p. : ill., maps ; 21 cmSubject: TELEVISION. AUSTRALIA ; PAY TV. AUSTRALIA ; RATING FOR TV. AUSTRALIA ; MEDIA. AUSTRALIA ; PACKER, KERRY ; BLACK, CONRAD ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) Notes: Published in association with the Australian Film, Television and Radio School and New South Wales Education and Training Foundation; Bibliography: p. 193-204ISBN: 0858377756 (pbk.)LON: 9454276
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Case studies in independent production / edited by John Cruthers [North Ryde, N.S.W.]: Australian Film Television & Radio School and the Australian Film Commission, c1988.
Call No: 210.2(94) TAKAuthor: Cruthers, John CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolPlace: [North Ryde, N.S.W.]Publisher: Australian Film Television & Radio School and the Australian Film CommissionPubDate: c1988PhysDes: 107 p. : ill. ; 30 cmSeries: Taking care of businessSubject: INDEPENDENT FILMS. AUSTRALIA ; MELBOURNE SUPER 8 FILM GROUP ; SUPER-8 MM FILMS. AUSTRALIA ; BROPHY, PHILIP ; CALLAS, PETER ; SCOTT, BILL ; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987) ; PALISADE (AT, Laurie McInnes, 1987) ; HOW THE WEST WAS LOST (AT, David Noakes, 1987) ; TENDER HOOKS (AT, Mary Callaghan, 1988) ; IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987) ; WITH TIME TO KILL (AT, James Clayden, 1986) ISBN: 0642139261LON: 6038265 6487289
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journal article
CBS Prods. in distribution deal with Hoyts in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.17
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Cecil B. Demille / Charles Higham New York: Da Capo Press, 1973.
Call No: 81DEM HIGAuthor: Higham, Charles Source: USPlace: New YorkPublisher: Da Capo PressPubDate: 1973PhysDes: xii, 335 p. : ill. ; 23 cmSubject: PARAMOUNT STUDIOS ; Metro-Goldwyn-Mayer ; DEMILLE, CECIL B. ; ZUKOR, ADOLPH ; MACPHERSON, JEANIE ; LASKY, JESSE ; KING OF KINGS (US, Cecil B. De Mille, 1927) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SQUAW MAN, THE (US, Oscar C. Apfel & Cecil B. DeMille, 1914) ; SIGN OF THE CROSS, THE (US, Cecil B. DeMille, 1932) Notes: Reprint of the ed. published by Scribner, New York. "Cecil B. DeMille pictures": p. 315-322.
Includes index.ISBN: 0306801310Donation: donated by the family of Wayne Levy, 2006
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A certain tendency of the Hollywood cinema, 1930-1980 / Robert B. Ray Princeton, N.J.: Princeton University Press, 1985.
Call No: 71(73) RAYAuthor: Ray, Robert B. (Robert Beverley), 1943 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1985PhysDes: x, 411 p. : ill. ; 25 cmSubject: WESTERNS ; WORLD WAR II FILMS. USA ; CULT FILMS. USA ; FILM NOIR. USA ; MUSICALS. USA ; CASABLANCA (US, Michael Curtiz, 1942) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes index; Bibliography: p. [389]-397ISBN: 0691047278 (alk. paper); 0691101744 (pbk.)LON: 3400531
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Chances. Volume 1 [DVD] [Australia]: Umbrella Entertainment, [2004].
Call No: D Chances volume 1Edition: 2 disc collector's editionPlace: [Australia]Publisher: Umbrella EntertainmentPubDate: [2004]PhysDes: 2 videodiscs (DVD) (ca. 6 hr.) : sd., col. ; 4 3/4 in.Subject: CHANCES [TV] (AT, 1991-92) ; TELEVISION. AUSTRALIA Summary: This containes eight of the series' craziest most insanely delirious episodes. -- Libraries AustraliaNotes: DAVID0334.; Censorship rating: M 15+Contents: Special features : liner notes by Andrew Mercado, author of "The Super Aussie Soap Book"; Original episode previews.; Image gallery.Technical Details: All region, PAL.Credits: Produced by Gwenda Marsh.Standard Number: 9322225023154Performer: Jeremy Sims, Patsy Stephen, John Sheerin, Brenda Addie, Gerard Sont.
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The changing landscape of Australian documentary / Tom Zubrycki Strawberry Hills, N.S.W.: Currency House, 2019.
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Changing standards for Australian content on TV : Proceedings of a workshop hosted by Network Insight, the Australian Film Commission and Allens Arthur Robinson / Edited by Kirsten Harley St Leonards, N.S.W.: Network Insight, RMIT, 2002.
Call No: 205.36 CHAAuthor: Harley, Kirsten Source: ATPlace: St Leonards, N.S.W.Publisher: Network Insight, RMITPubDate: 2002PhysDes: v. 70p. : 30cm.Subject: TELEVISION. AUSTRALIA Notes: Workshop was held on 15th March 2002 in Sydney.ISBN: 0864592027
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Channel Four : television with a difference / Stephen Lambert London: bfi Publishing, 1982.
Call No: 201.24CHA LAMAuthor: Lambert, Stephen Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 1982PhysDes: vi, 178 p. : ill. ; 21 cmSubject: BROADCASTING ; BROADCASTING. UK ; CHANNEL FOUR ; TELEVISION Summary: "This book gives a fascinating account of how Channel Four came to be set up. Stephen Lambert tells in detail the story of the political infighting, the fierce debates over broadcasting philosophies and lobbying by special interest groups which preceded the establishment of the Channel Four Television Company. He explains exactly what is different about the new service, how it is organised and financed, and what the aims and objectives are of those who are running it and those who are making the programmes." -- BOOK BLURBNotes: Includes bibliographical references and index; Used to exist as accession number: 250. Has been now been re-entered on the system as accession number: 8431ISBN: 0851701248Contents: -- acknowledgments -- introduction -- 1: ITV2: competetitive or complementary -- 2: opposition to ITV2: the duopolyunder attack -- 3: compromise: the channel four television compant ltd -- 4: putting the show on the road -- appendicies -- index --
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Charlton Heston : the epic presence / Bruce Crowther London: Columbus Books, 1986.
Call No: 81HES CROAuthor: Crowther, Bruce, 1933 Source: UKPlace: LondonPublisher: Columbus BooksPubDate: 1986PhysDes: 192 p. : ill. ; 25 cmSubject: HESTON, CHARLTON ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; EL CID (US/IT, Anthony Mann, 1961) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; SOYLENT GREEN (US, Richard Fleischer, 1973) Notes: Includes index; Bibliography: p. 178; Filmography: p. 179-190ISBN: 0862872871 (pbk.) : ª7.95LON: 4409901
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poster
[Chaykovskiy : poster]
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newspaper article
Cheap shots in Saturday Age [Spectrum] (15/04/2017) p.15
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newspaper article
Chequebook justice in The Australian (22/04/2016) p.11
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The child in film : tears, fears and fairy tales / Karen Lury New Brunswick, N.J.: Rutgers University Press, 2010.
Call No: 747.2-053.2Author: Lury, Karen Edition: 2010Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2010PhysDes: 210 p. : illustrations ; 22cmSeries: Rutgers Series in Childhood StudiesSubject: CHILDREN AND THE CINEMA ; TEMPLE, SHIRLEY ; IVANOVO DETSTVO (UR, Andrei Tarkovsky, 1962) ; GRUDGE, THE (US/JA, Takashi Shimizu, 2004) ; HONOGURAI MIZUNO SOKOKARA (JA, Hideo Nakata, 2001) ; LOLITA (US, Stanley Kubrick, 1962) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MAN ON FIRE (US, Tony Scott, 2004) ; ZERKALO (UR, Andrei Tarkovsky, 1975) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; EMPIRE OF THE SUN (US, Stephen Spielberg, 1987) ; PAN'S LABYRINTH (MX/SP/US, Guillermo del Toro, 2006) ; BELLISSIMA (IT, Luchino Visconti, 1951) Summary: Ghastly and ghostly children, "dirty little white girls," and the child as witness and as victim have always played an important part in the history of cinema, as have child performers. Yet the disruptive power of the child in films made for an adult audience has been a neglected topic. The Child in Film examines popular films including Taxi Driver, Man on Fire, and contemporary Japanese horror, as well as "art house" productions such as Mirror, La Jeté, and Pan's Labyrinth, and questions why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema.
Karen Lury argues that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions, with far-reaching consequences. She reveals how a child's relationship to time allows it to disturb conventional master-narratives and explores how the concern for and investment in the child actor conceals the reality of film acting and the skills of the child performer. She addresses the expression of child sexuality, and questions existing assumptions as to who children "really are." -- pulisher's web siteISBN: 9780813548968
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The child stars / Norman J. Zierold New York: Coward-McCann, Inc., 1965.
Call No: 802.273 ZIEAuthor: Zierold, Norman J. Source: USPlace: New YorkPublisher: Coward-McCann, Inc.PubDate: 1965PhysDes: 250 pages : illustrations ; 22 cmSubject: STARS ; STARS. USA ; CHILD ACTORS ; COOGAN, JACKIE ; BABY LEROY ; TEMPLE, SHIRLEY ; WITHERS, JANE ; GARLAND, JUDY ; BARTHOLOMEW, FREDDIE ; DURBIN, DEANNA ; ROONEY, MICKEY ; COOPER, JACKIE Summary: A look at successful child actors, their working lives, and their lives when they became adultsLevy Notes: AFI R&I book not yet catalogued - AG 23/10/2017Contents: The trials of Jackie Coogan -- Baby Leroy -- What was Shirley Temple really like? -- Jane Withers: Dixie's dainty dewdrop -- The true Judy -- Little Lord Bartholomew -- Edna Mae Durbin, alias Deanna -- The Mick -- Jackie Cooper -- Where are they now?
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Childhood and cinema / Vicky Lebeau London: Reaktion Books, 2008.
Call No: 720-053 LEBAuthor: Lebeau, Vicky Place: LondonPublisher: Reaktion BooksPubDate: 2008PhysDes: 222 p. : illustrated ; 17 cmSeries: LocationsSubject: CHILDREN IN FILMS ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; ENFANT SAUVAGE, L' (FR, Francois Truffaut, 1970) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; LOLITA (US, Adrian Lyne, 1997) ; LOLITA (US, Stanley Kubrick, 1962) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; TARNATION (US, Jonathan Caouette, 2003) ; WOODSMAN, THE (US, Nicole Kassell, 2004) ; COME AND SEE [IDI I SMOTRI] (UR, Elem Klimov, 1985) Summary: Since its inception the world of cinema has embraced the image of the child and both extended and challenged its representations. Vicky Lebeau explores the complex and ongoing adventure of childhood on screen and examines how the child in film has been used to embody the aspirations and anxieties of modern life. Moving from early to contemporary cinema – a process that includes discussions of films such as Victorian ‘Child Pictures’, The Spirit of the Beehive, L'Enfant sauvage, 400 Blows, Lolita, The Enigma of Kaspar Hauser, Tarnation and The Woodsman – she uncovers the compulsion of film-makers to visualize the child and their need to use childhood as a way of reflecting on sexuality, language, death and difference. By bringing together childhood and cinema as two institutions of modern culture, this book ultimately uses the figure of the child – as image, as narrative, and as myth – to reflect on the form and significance of cinema itself.
Thought-provoking and engaging, Childhood and Cinema is an original and challenging contribution to studies in childhood and visual culture that will be of interest to readers in the fields of literature, film and cultural studies. -- publisher's web siteISBN: 9781861893529
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Children without television : social behaviour in three towns with differing television experience / John P. Murray and Susan Kippax North Ryde, NSW: Macquarie University,
Call No: 410 (94) MURAuthor: Murray, John P. ; Kippax, Susan Place: North Ryde, NSWPublisher: Macquarie UniversityPhysDes: 26 pages : 26 cmSeries: Television and socialisation research reports; TVS-1976/6Subject: TELEVISION. AUSTRALIA Donation: Henry Mayer Collection
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China TV audience up to 2mil in Saturday Age (23/04/2016) p.56
Call No: SUBJECT CLIPPINGS FILE; SPORT ON TV. AUSTRALIAAuthor: Lane, Samantha PhysDes: Clippings File ArticleSubject: TELEVISION. CHINA ; AUSTRALIAN FOOTBALL LEAGUE ; SPORT ON TV. AUSTRALIA Summary: Discussion about the viewing numbers of the Australian Football League match that was broadcasted into China on the China Central Television (CCTV) network and the possible amount of people who watched the match in China
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The Cineaste interviews : on the art and politics of the cinema / Dan Georgakas, Lenny Rubenstein Chicago: Lake View Press, c1983.
Call No: 45:32 CINAuthor: Georgakas, Dan ; Rubenstein, Lenny CorpAuthor: CineasteSource: USPlace: ChicagoPublisher: Lake View PressPubDate: c1983PhysDes: xiv, 396 p., [8] p. of plates : ill. ; 23 cmSubject: BERTOLUCCI, BERNARDO ; CANBY, VINCENT ; COSTA-GAVRAS, CONSTANTIN ; CRITICISM ; FASSBINDER, RAINER WERNER ; FEMINISM AND THE CINEMA ; FONDA, JANE ; GUTIERREZ ALEA, TOMAS ; LITTIN, MIGUEL ; MAKAVEJEV, DUSAN ; PARKS, GORDON ; PETRI, ELIO ; POLITICS AND THE CINEMA ; PONTECORVO, GILLO ; Ray, Satyajit ; ROCHA, GLAUBER ; ROSI, FRANCESCO ; ROSSELLINI, ROBERTO ; SARRIS, ANDREW ; SAYLES, JOHN ; SCHRADER, PAUL ; SCRIPTWRITERS ; SEMBENE, OUSMANE ; TAVERNIER, BERTRAND ; WERTMULLER, LINA ; Writers Guild of America ; VARDA, AGNES ; WAJDA, ANDRZEJ ; ZANUSSI, KRZYSZTOF Notes: Includes bibliographical references and indexISBN: 0941702022 : $25.00LON: 2921398
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Cinema, cross-cultural collaboration, and criticism : filming on an uneven field / Davinia Thornley Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 451-054(=1=81)(71):(93):(94) THOAuthor: Thornley, Davinia Source: UK/USPlace: Houndmills, Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xi, 134 pages : illustrations ; 23 cmSeries: Palgrave pivotSubject: INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; DOCUMENTARIES ; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; TATTOOIST, THE (NZ/SI, Peter Berger, 2007) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; NO. 2 (NZ, Toa Fraser, 2006) ; APRON STRINGS (NZ, Sima Urale, 2008) Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studiesNotes: Formerly CIP -- Includes bibliographical references and index -- Also issued onlineContents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?
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Cinema futures : Cain, Abel or cable?: the screen arts in the digital age / edited by Thomas Elsaesser and Kay Hoffmann Amsterdam: Amsterdam University Press, 1998.
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Cinema futures: Cain, Abel or cable? : The screen arts in the digital age / Thomas Elsaesser
Kay Hoffmann Amsterdam: Amsterdam University Press, 1998.
Call No: 202 CINAuthor: Elsaesser, Thomas
Hoffmann, Kay Place: AmsterdamPublisher: Amsterdam University PressPubDate: 1998PhysDes: 312 pages : ill. ; 25 cmSeries: Film culture and translationSubject: DIGITAL CINEMA ; DIGITAL DISTRIBUTION ; DIGITAL MEDIA AND THE CINEMA ; DIGITAL TELEVISION ; COMPUTERS AND THE CINEMA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE ARTS ; TELEVISION, FILMS SHOWN ON ; VIRTUAL REALITY Summary: "Cinema Futures: Cain, Abel or Cable? presents a careful and forceful argument about predictions that tend to be made when new technologies appear. Examining the complex dynamics of convergence and divergence among the audio-visual media, the authors are realistic in their estimate of the future of the cinema's aesthetic identity, and robustly optimistic that the different social needs audiences bring to the public and domestic media will ensure their distinctiveness, as well as the necessary openness of cultural meaning and creative input" -- BlurbNotes: Includes bibliographical references, notes and indexISBN: 9053563121Donation: Adrien MilesContents: 1. Preface / Thomas Elsaesser and Kay Hoffmann -- Introduction -- 2. Cinema futures: Convergence, divergence, difference / Thomas Elsaesser -- Sectio one: Media archaeologies -- 3. Towards an archaeology of the computer screen / Lev Manovich -- 4. Louis Lumiere - the cinema's first virtualist? / Thomas Elsaesser -- 5. Speed is the mother of cinema / Edgar Reitz -- 6. Fin de Siecle of television / Siegfried Zielinski -- 7. Theseus and Ariadne: For a counter-history of the cinema-television relationship? / Vito Zagarrio -- Section two: Cinema and television -- 8. Scanning the horizon: A film is a film is a film / Conrad Schoeffter -- 9. Television and the close-up: Interference or correspondence? / Pierre Sorlin -- 10. Cinema and television: Laios and Oedipus / John Ellis -- 11. Cinema and television: From Eden to the land of nod? / Michael Eaton -- 12. Fantasy island: Dream logic as production logic / Thomas Elsaesser -- Section three: Documentary: the digital age's first casualty -- 13. 'I See, if I Believe it' - Documentary and the digital / Kay Hoffmann. -- 14. Theatrical and Television Documentary: The sound of one hand clapping / Brian Winston -- 15. On the big screen every doctor gets a Starring Role / Joyce Roodnat -- 16. From butterflies and bees to Roger and me / Stan Lapinski and Rene van Uffelen -- 17. To lie and to act: Cinema and telepresence / Ley Manovich -- Section four: Digital futures for cinema -- 18. Digital cinema: Delivery, event, time / Thomas Elsaesser
19. The television screen: from spoil-sport to game-maker / Ed Tan
20. Random access rules / Grahame Weinbren
21. Electronic cinema: On the way to the digital / Kay Hoffmann
22. The assault of computer-generated worlds on the rest of time / Martin Emele
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Cinema interval / Trinh T. Minh-ha London: Routledge, 1999.
Call No: 81TRI TRIAuthor: Trinh, T. Minh-Ha (Thi Minh-Ha), 1952 Place: LondonPublisher: RoutledgePubDate: 1999PhysDes: xiv, 274 p., [16] p. of plates : ill. (some col.) ; 23 cmSubject: TRINH, T. MINH-HA ; IMPERIALISM AND THE CINEMA ; CHINA IN FILMS ; VOYEURISM AND THE CINEMA ; VERHOEVEN, DEB ; REYNAUD, BERENICE ; SHOOT FOR THE CONTENTS (US, Trinh T. Minh-ha, 1991) ; TALE OF LOVE, A (US, Trinh T. Minh-ha, 1995) Notes: Includes indexISBN: 0415922011(pbk.) : ª14.99; 0415922003(cased) : ª50.00LON: 14606477
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The cinema of Andrei Tarkovsky / Mark Le Fanu London: BFI Pub., 1987.
Call No: 81TAR LEFAuthor: Le Fanu, Mark Place: LondonPublisher: BFI Pub.PubDate: 1987PhysDes: viii, 156 p. : ill. ; 23 cmSubject: TARKOVSKY, ANDREI Notes: Includes bibliographical references and index; Filmography: p. 147-150ISBN: 0851701930; 0851701949 (pbk.)LON: bnb85170193; 5689633
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The cinema of Hayao Miyazaki / Jeremy Mark Robinson (author) Maidstone, Kent: Crescent Moon Publishing, 2011.
Call No: 81MIY ROBAuthor: Robinson, Jeremy Mark Edition: Second editionSource: UKPlace: Maidstone, KentPublisher: Crescent Moon PublishingPubDate: 2011PhysDes: 514 pages ; 24 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; STUDIO GHIBLI ; MIYAZAKI, HAYAO ; ISAO TAKAHATA ; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979) ; RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979) ; NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984)
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KAZE NO TANI NO NAUSHIKA ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987) ; CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986) ; MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988)
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TONARI NO TOTORO ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989)
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MAJO NO TAKK YUBIN ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; PORCO ROSSO (JA, Hayao Miyazaki, 1993)
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KURENAI NO BUTA ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)
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MONONOKE HIME ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SPIRITED AWAY (JA, Hayao Miyazaki, 2001)
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SEN TO CHIHIRO NO KAMIKAKUSHI ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004)
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HAURU NO UGOKU SHIRO ; PONYO (JP, Hayao Miyazaki, 2008)
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GAKE NO EU NO PONYO ; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; ONLY YESTERDAY (JA, Isao Takahata, 1991) ; OMOHIDE PORO PORO (JA. Isao Takhata, 1991) Summary: Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the ‘Japanese Disney’, a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema.
Hayao Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro.
Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius.
What Hayao Miyazaki’s films do is to bring you completely into a fantasy world that is actually instantly recognizable and familiar. It’s as if these fantasy realms have always existed - very much like J.R.R. Tolkien’s Middle-earth or Ursula Le Guin’s Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements , so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees.
To write one hit animation movie is amazing, to write seven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct seven features is almost unheard-of in the world of contemporary commercial animation.
This new study of Hayao Miyazaki considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli; on fellow director Isao Takahata; Miyazaki's influences; his contemporaries and colleagues; his characters; his movies' relation to Western animation (including Disney); his unmade films; and his themes and motifs.
The Cinema of Hayao Miyazaki also explores Japanese animation, its production and style, some classics of anime, and digital animation.
Includes quotes by Miyazaki; fans on Miyazaki; and resources.
Fully illustrated. With filmography, bibliography and notes.
-- PUBLISHERS WEB SITENotes: Need to add the folowing subject terms: ponpoko, my neighboursa the yamadasISBN: 9781861713902Contents: ONE: HAYAO MIYAZAKI -- The Cinema of Hayao Miyazaki -- Hayao Miyazaki's Movies and the Japanese Animation Industry -- Aspects of Hayao Miyazaki's Cinema --
Illustrations --
TWO: THE MOVIES -- The Castle of Cagliostro -- Nausicaa of the Valley of the Wind -- Laputa: Castle In the Sky -- My Neighbor Totoro -- Kiki's Delivery Service -- Porco Rosso -- Princess Mononoke -- Spirited Away -- Howl's Moving Castle -- Ponyo On the Cliff By the Sea -- The Cinema of Isao Takahata -- Studio Ghibli's Other Movies --
Appendix -- Quotes / Hayao Miyazaki -- Thirty Best Moments in Hayao Miyazaki's Cinema -- Resource -- Filmography -- Bibliography
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The cinema of Satyajit Ray / Chidananda Das Gupta New Delhi: National Book Trust, India, 1994.
Call No: 81RAY DASAuthor: Das Gupta, Chidananda Edition: rev. and enl. ed.Place: New DelhiPublisher: National Book Trust, IndiaPubDate: 1994PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cmSubject: Ray, Satyajit ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; APARAJITO (II, Satyajit Ray, 1957) ; PARASH PATHAR (II, Satyajit Ray, 1958) ; JALSAGHAR (II, Satyajit Ray, 1958) ; APUR SANSAR (II, Satyajit Ray, 1958) ; DEVI (II, Satyajit Ray, 1960) ; TEEN KANYA (II, Satyajit Ray, 1961) ; RABINDRANATH TAGORE (ii, Satyajit Ray, 1961) ; KANCHENJUNGHA (II, Satyajit Ray, 1962) ; ABHIJAN (II, Satyajit Ray, 1962) ; MAHANAGAR (II, Satyajit Ray, 1963) ; CHARULATA (II, Satyajit Ray, 1964) ; TWO (II, Satyajit Ray, 1964) ; KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965) ; NAYAK (II, Satyajit Ray, 1966) ; CHIRIAKHANA (II, Satyajit Ray, 1967) ; GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; JANA ARANYA (II, Satyajit Ray, 1975) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HOME AND THE WORLD, THE [ ; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990) ; AGANTUK (II, Satyajit Ray, 1991) ; INNER EYE, THE (II, Satyajit Ray, 1972) ; ASANI SANKET (II, Satyajit Ray, 1973) ; SONAR KELLA (II, Satyajit Ray, 1975) ; BALA (II, Satyajit Ray, 1976) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HIRAK RAJAR DESHE (II, Satyajit Ray, 1980) ; PIKOO (II, Satyajit Ray, 1980) ; SADGATI (II, Satyajit Ray, 1981) ; SUKUMAR RAY (II, Satyajit Ray, 1988) ; GANASHATRU (II, Satyajit Ray, 1989) Notes: Includes bibliographical references (p. [201]-204)ISBN: 8123707533Donation: donated by the family of Wayne Levy, 2006
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Cinema, television : les chaines de la creation : colloque international du 6 au 7 octobre 1983 ... au Goethe Institut ... Paris / [realise par Clara Burckner et al.] Paris: L'Institut, 1983?].
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The Cinema to-day / by D.A. Spencer and H.D. Waley London: Oxford University Press, 1956.
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Cinema unchained : the films of Quentin Tarantino / Simona Brancati Washington, DC: New Academia Publishing, 2014.
Call No: 81TAR BRAAuthor: Brancati, Simona Edition: EnglishSource: USPlace: Washington, DCPublisher: New Academia PublishingPubDate: 2014PhysDes: x, 186 pages : color facsimiles ; 23 cm.Subject: TARANTINO, QUENTIN ; PULP FICTION (US, Quentin Tarantino, 1994) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) ; INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009) ; DJANGO UNCHAINED (US, Quentin Tarantino, 2012) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; TRUE ROMANCE (US, Tony Scott, 1993) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; [FOUR] 4 ROOMS (US, Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino, 1995) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; DEATH PROOF (US, Quentin Tarantino, 2007) Notes: Translated from: Quentin Tarantino : asfalto nero e acciaio rosso sangue, ©2014.; Includes bibliographical references (pages 182-186); Includes filmography (pages 173-181)ISBN: 9780989916981Contents: The event -- A survey of what borders the "Postmodern" -- Metamorphosis of a murder -- The interrogation : reality or 35 mm.? -- The most powerful weapon: Writing -- The find.
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The Cinematic apparatus / edited by Teresa de Lauretis and Stephen Heath London: Macmillan, 1980.
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Cinematic encounters 2 : portraits and polemics / Jonathan Rosenbaum Urbana, Chicago, and Springfield: University of Illinois Press, 2019.
Call No: 670 ROSAuthor: Rosenbaum, Jonathan Edition: 2019Place: Urbana, Chicago, and SpringfieldPublisher: University of Illinois PressPubDate: 2019PhysDes: 312 pages ; 23cmSubject: DIRECTORS ; AKERMAN, CHANTAL ; BROOKS, JAMES L. ; BUNUEL, LUIS ; DEMY, JACQUES ; DREYER, CARL TH. ; GIANVITO, JOHN ; JARMUSCH, JIM ; LEWIS, JERRY ; LINKLATER, RICHARD ; MADDIN, GUY ; MAY, ELAINE ; OLIVEIRA, MANOEL DE ; OLMI, ERMANNO ; YASUJIRO OZU ; POTTER, SALLY ; RAPPAPORT, MARK ; RESNAIS, ALAIN ; RIVETTE, JACQUES ; TARR, BELA ; MING-LIANG, TSAI ; WELLES, ORSON Summary: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self.
Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray. -- publisher's web siteISBN: 9780252084386Contents: Introduction: In Defense of Polemical Criticism -- 1. Chantal Akerman -- 2. James L. Brooks -- 3. Luis Buñuel -- 4. Pedro Costa -- 5. André Delvaux -- 6. Jacques Demy -- 7. Carl Dreyer -- 8. John Gianvito -- 9. Jim Jarmusch -- 10. Jia Zhangke -- 11. Jerry Lewis -- 12. Richard Linklater -- 13. Guy Maddin -- 14. Elaine May -- 15. Manoel de Oliveira -- 16. Ermanno Olmi -- 17. Yasujiro Ozu -- 18. Sally Potter -- 19. Mark Rappaport -- 20. Alain Resnais -- 21. Jacques Rivette -- 22. Béla Tarr -- 23. Tsai Ming-liang -- 24. Orson Welles – Index.
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Cinematic Ethics : exploring ethical experience through film / Robert Sinnerbrink London ; New York: Routledge, 2016.
Call No: 409 SINAuthor: Sinnerbrink, Robert Source: UK/USPlace: London ; New YorkPublisher: RoutledgePubDate: 2016PhysDes: xiii, 216 pages ; 24 cmSubject: ETHICS IN FILMS ; ETHICS AND THE CINEMA ; PHILOSOPHY AND THE CINEMA ; THEORY ; STELLA DALLAS (US, King Vidor, 1937) ; TALK TO HER (SP, Pedro Almodovar, 2002)
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HABLE CON ELLA ; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002) ; BIUTIFUL (MX/SP, Alejandro Inarritu, 2010) Summary: " How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Can movies 'do ethics'? Cinema Ethics : Exploring Ethical Experiences through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional engagement and philosophical thinking. In a clear and engaging manner, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics. " -- BOOK BLURBNotes: Includes bibliographical references, index and filmographyISBN: 9781138826168Contents: -- list of figures -- preface -- overview of this book -- part I --Cinema and/as ethics -- 1: Cinematic ethics: Film as a medium of ethical experience -- part II -- Philosophical approaches to cinematic ethics -- 2: From scepticism to moral perfectionism (Cavell) -- 3: From cinematic belief to ethics and politics (Deleuze) -- 4: Cinempathy: phenomenology, cognitivism, and moving images -- part III Performing cinematic ethics -- 5: The moral melodrama (Stella Dallas, Talk to Her) -- 6: Melodrama, realism, and ethical experience (Biutiful, The Promise) -- 7.Gangster film: Cinematic ethics in The Act of Killing -- conclusion -- appendix 1 -- appendix 2 -- index --
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The cinematic tango : contemporary Argentine film / Tamara L. Falicov London: Wallflower Press, 2007.
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Cinematic urbanism : a history of the modern from reel to real / Nezar Al Sayyad New York : London: Routledge, 2006.
Call No: 756.1-25 SAYAuthor: Sayyad, Nezar Al Source: UK/USPlace: New York : LondonPublisher: RoutledgePubDate: 2006PhysDes: xiii, 256 p. : ill. ; 25 cmSubject: MODERNISM AND THE CINEMA ; ARCHITECTURE AND THE CINEMA ; ARCHITECTURE IN FILMS ; ART AND THE CINEMA ; CITIES IN FILMS ; HISTORY OF CINEMA ; POSTMODERNISM AND THE CINEMA ; THEORY ; ANNIE HALL (US, Woody Allen, 1977) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; BRAZIL (UK, Terry Gilliam, 1985) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; END OF VIOLENCE, THE (US/FR, Wim Wenders, 1997) ; FALLING DOWN (US, Joel Schumacher, 1993) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MANHATTAN (US, Wody Allan, 1979) ; METROPOLIS (GG, Fritz Lang, 1927) ; METROPOLIS (G, Fritz Lang, 1926) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; PLAYTIME (FR, Jacques Tati, 1967) ; PLEASANTVILLE (US, Gary Ross, 1998) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; SLIVER (US, Phillip Noyce, 1993) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) Summary: "Cinematic Urbanism presents an urban history of modernity and postmodernity through the lens of cinema while arguing that urbanism cannot be understood outside the space of the celluloid city." "Nezar AlSayyad traces the dissolution of the boundary between real and reel through time and space via a series of films that represent different modernities. He contrasts the 'rational' European city of early twentieth-century industrial modernity as portrayed by Berlin: Symphony of a Big City (1927) with its American counterpart in Modern Times (1936). He illustrates the different forms of small town life and an urbanizing modernity across the Atlantic as exemplified by Cinema Paradiso (1989) and It's a Wonderful Life (1946). Using Metropolis (1927) and Brazil (1985), he shows how utopian ideals harbour within them their dystopian realities, while Jacques Tati's nostalgia for tradition in Mon Oncle (1958) and Playtime (1967) reveals a cynical modernity and a rebelling against its idealism." "AlSayyad argues that the postmodern city of Blade Runner (1982) and Falling Down (1993) illustrates some of the urban outcomes of a globalizing economy.
Turning to spectacle and surveillance, he examines Rear Window (1954), Sliver (1993), and The End of Violence (1997) as a voyeuristic modernity. To understand the city experienced by individuals of different social backgrounds, he takes Manhattan (1979), Annie Hall (1977), and Taxi Driver (1976), while Do the Right Thing (1989) and My Beautiful Laundrette (1985) are used to explore a modernity of race and ethnicity. Finally, he uses Pleasantville (1998) and The Truman Show (1998) to unpack the hyperreality of exurban postmodernity and to demonstrate how today the real and the reel have become mutually constitutive." "By considering how the real city and the reel city reference each other in an act of mutual representation and definition, this book advances the discussion on cinematic space and theories of the city."--BOOK BLURB.Notes: Formerly CIP; Includes bibliographical references and indexISBN: 0415700493Contents: -- about the author -- preface -- Introduction : the cinematic city and the quest for the modern -- 1. Industrial modernity : the flaneur and the tramp in the early twentieth century city -- 2. Urbanizing modernity : the traditional cinematic small town -- 3. Orwellian modernity : utopia/dystopia and the city of the future past -- 4. Cynical modernity, or the modernity of cynicism -- 5. From postmodern condition to cinematic city -- 6. Voyeuristic modernity : the lens, the screen and the city -- 7. The modernity of the sophisticate and the misfit : the city through different eyes -- 8. An alternative modernity : race, ethnicity and the urban experience -- 9. Exurban postmodernity : utopia, simulacra and hyper-reality -- epilogue -- illustration credits and sources -- selected bibliography -- index --
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CineTech : film, convergence and new media / Stephen Keane Basingstoke [England]: Palgrave Macmillan, 2007.
Call No: 220.1(-5) KEAAuthor: Keane, Stephen Source: US/UKPlace: New York; Basingstoke [England]Publisher: Palgrave MacmillanPubDate: 2007PhysDes: viii, 181 pages ; 22 cmSubject: TIMECODE (US, Mike Figgis, 2000) ; MY LITTLE EYE (UK/US/FR, Marc Evans, 2003) ; [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002) ; STAR WARS: EPISODE II - THE ATTACK OF THE CLONES (US, George Lucas, 2002) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; STAR WARS: EPISODE III - REVENGE OF THE SITH (US, George Lucas, 2005) ; SIN CITY (US, Frank Miller and Robert Rodriguez, 2005) ; RESIDENT EVIL (US, Paul W.S. Anderson, 2002) ; MATRIX, THE [...] (US, Larry Wachowski & Andy Wachowski, 1999-2003) ; FANS ; TECHNOLOGICAL DEVELOPMENTS ; INTERNET ; CONVERGENCE Summary: What does it mean to regard cinema as technology? How do special effects change our experience of contemporary film? How important is the Internet to the film industry and film fans? CineTech explores these debates and examines the important intersection between film and new media. Providing a comprehensive introduction to the digital practices used in film, this book moves from historical perspectives to up-to-date analysis. Applying these debates through specific case studies, examples are drawn from recent Hollywood blockbusters such as the Star Wars prequels and the Matrix trilogy. Case studies, exercises, and suggestions for further study make this an ideal resource for courses and student assignments in both film and media studies.Notes: Includes bibliographical references (p. 162-176) and index.ISBN: 9781403936943Contents: 1. Screens -- 2. Digital film -- 3. Digital special effects -- 4. Films, fans and the Internet -- 5. Films and videogames -- 6. Entering the matrix -- Conclusion.
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Close encounters / Mike Wallace and Gary Paul Gates New York: Berkley Book, 1985.
Call No: 81WAL GATAuthor: Wallace, Mike ; Gates, Gary Paul Source: USPlace: New YorkPublisher: Berkley BookPubDate: 1985PhysDes: vi, 519 p. : [16] p. : ill. ; 18 cmSubject: WALLACE, MIKE ; TELEVISION JOURNALISTS ; [SIXTY] 60 MINUTES [TV] (US, 1968-) Summary: The book look at the career of the hard hitting, and contoversial investigative, tv journalst, Mike Wallace, and the world famous people - Reagan, Begin and Sadat, that he interviewedNotes: First published : William Morrow, 1984
Includes IndexISBN: 0425082695
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Close up : Iranian cinema: past, present and future / Hamid Dabashi New York: Verso, 2001.
Call No: 71(55) DABAuthor: Dabashi, Hamid Source: UK / USPlace: London; New YorkPublisher: VersoPubDate: 2001PhysDes: xii, 302 p. : ill. ; 20 cmSubject: IRAN ; NATIONAL CULTURE IN FILMS. IRAN ; KIAROSTAMI, ABBAS ; MAKHMALBAF, MOHSEN ; FARMANARA, BAHMAN ; BEIZI, BAHRAM ; MIX (IR, Dariush Mehrjui, 2000) ; SHAZDEH EHTEJAB (IR, Bahman Farmanara, 1974) ; VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) ; BOOYE KAFOOR, ATRE YAS (IR, Bahman Farmonara, 2000) ; TAKHTE SIAH (IR/IT, Samira Makhmalbaf, 2000) ; SIB (IR/FR, Samira Makhmalbaf, 1998) ; ZAMANI BARAYE MASTI ASBHA (IR, Bahman Ghobadi, 2000) ; DJOMEH (IR, Hasan Yektapanah, 2000) ; ETERAZ (IR, Massoud Kimiayi, 2000) Notes: Includes filmographies (p. [283]-290).
Includes bibliographical references (p. [291]-297)ISBN: 1859843328
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Clueless : American youth in the 1990s / Lesley Speed Abingdon, Oxon, UK: Routledge, 2018.
Call No: 79 CLU SPEAuthor: Speed, Lesley Edition: 2018Place: Abingdon, Oxon, UKPublisher: RoutledgePubDate: 2018PhysDes: 118 pages : illustrated ; 23 cmSeries: cinema and youth culturesSubject: CLUELESS (US, Amy Heckerling, 1995) ; TEEN FILMS Summary: Clueless: American Youth in the 1990s is a timely contribution to the increasingly prominent academic field of youth film studies. The book draws on the social context to the film’s release, a range of film industry perspectives including marketing, audience reception and franchising, as well as postmodern theory and feminist film theory to assert the cultural and historical significance of Amy Heckerling’s film and reaffirm its reputation as one of the defining teen films of the 1990s.
Lesley Speed examines how the film channels aspects of Anita Loos’ 1925 novel Gentlemen Prefer Blondes, the 1960s television series Gidget and Jane Austen’s Emma, to present a heightened, optimistic view of contemporary American teenage life. Although seemingly apolitical, Speed makes the case for Clueless as a feminist exploration of relationships between gender, comedy and consumer culture, centring on a contemporary version of the ‘dumb blonde’ type. The film is also proved to embrace diversity in its depiction of African American characters and contributing to an increase in gay teenagers on screen. Lesley Speed concludes her analysis by tracking the rise of the Clueless franchise and cult following. Both helped to cement the film in popular consciousness, inviting fans to inhabit its fantasy world through spinoff narratives on television and in print, public viewing rituals, revivalism and vintage fashion. -- publisher's web siteISBN: 9781138681217Contents: Preface to the series.-- Acknowledgements. -- Introduction.-- 1. Building a fantasy that you could live in: production history and initial reception, Director and writer Amy Heckerling. -- Development and Production. -- Clueless sources. -- Production. -- Release and reception. -- 2. ‘A way normal life’: Clueless as a teen film of the 1990s. -- Clueless, the 1990s and youth culture. -- Youth, adulthood and history. -- ‘It looks like the best-tasting bubble gum’: the world of Clueless. -- 3. All the young girls and dudes: gender and sexuality. -- Girls in teen film. -- Feminism, consumer culture and girls. -- Ethnicity. -- Sexuality. -- 4. ‘It’s, like, a famous quote’: Adaptation, franchise and cult film. -- Clueless as adaptation. -- The Clueless franchise. -- Inhabiting the storyworld: Clueless as a cult film. -- Conclusion: Clueless in the popular cultural landscape. -- Bibliography. -- Appendix: The Clueless novelisations. -- Index
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The CNN effect : The myth of news, foreign policy and intervention / Piers Robinson London: Routledge, 2002.
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Colonialism and nationalism in Asian cinema / edited by Wimal Dissanayake Bloomington: Indiana University Press, 1994.
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Color : the film reader / Angela Dalle Vacche (editor) New York, London: Routledge, 2006.
Call No: 633.22 COLAuthor: Dalle Vacche, Angela ; Brian Price Source: USPlace: New York, LondonPublisher: RoutledgePubDate: 2006PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cmSeries: In focus - Routledge film readersSubject: COLOUR ; AESTHETICS ; CINEMATOGRAPHY ; TECHNICOLOR ; BAZIN, ANDRE ; ARNHEIM, RUDOLF ; ROHMER, ERIC ; BATCHELOR, JOHN ; OSHIMA, NAGISA ; BRAKHAGE, JANE ; HITCHCOCK, ALFRED ; ANDERSON, PAUL THOMAS ; HOU HSIAO-HSIEN ; GODARD, JEAN-LUC ; ANTONIONI, MICHELANGELO ; JARMAN, DEREK ; MAMOULIAN, ROUBEN ; SIRK, DOUGLAS ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; GIGI (US, Vincente Minnelli, 1958) ; IMITATION OF LIFE (US, Douglas Sirk, 1959) ; REBECCA (US, Alfred Hitchcock, 1940) ; VERTIGO (US, Alfred Hitchcock, 1958) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]Notes: Bibliography: (p [202]-205); Includes indexISBN: 0415324424; 9780415324427
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The colour photography of A City's Child in Lumiere (July-August 1971) iss.10 p.13-15
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Commercial media in Australia : economics, ownership, technology and regulation / Allan Brown St Lucia, Queensland: University of Queensland Press, 1986.
Call No: 205.2(94) BROAuthor: Brown, Allan Place: St Lucia, QueenslandPublisher: University of Queensland PressPubDate: 1986PhysDes: xii, 240 p. ; 22 cm.Series: University of Queensland Press scholar's librarySubject: MEDIA ; MEDIA AUSTRALIA ; TELEVISION. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; PRESS AND TV ; OWNERSHIP AUSTRALIA ; OWNERSHIP, TV. AUSTRALIA Summary: This book is intended for teachers and students of courses on media and communications at tertiary institutions, as well as for the general reader with an interest in Australian media policy. It revises and updates my PhD thesis, which was submitted at the University of Queensland in 1981. As far as possible the discussion is non-technical, and plain English has been used instead of economic jargon. The study is contained, however, within a theoretical framework which defines the nature of the economic analysis of the Australian media industries and which provides the basis for the examination of policy issues.Notes: Includes indexISBN: 0702218391Contents: 1. Economics of Newspaper Publishing -- 2. The Australian Newspaper Industry -- 3. Economics of Broadcasting -- 4. The Australian Radio Broadcasting Industry -- 5. The Australian Television Broadcasting Industry -- 6. Cross-Media Ownership and Control -- 7. Technological Developments in Television -- 8. Options for ChangeID2: 357
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Commercial television industry code of practice Sydney: Federation of Australian Commercial Television Stations, 1999.
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Communications futures : final report / Bureau of Transport and Communications Economics Canberra: Australian Government Publishing Service, 1995.
Call No: 409.5(94) BURCorpAuthor: Bureau of Transport and Communications EconomicsEdition: 1995Place: CanberraPublisher: Australian Government Publishing ServicePubDate: 1995PhysDes: 157 pages : illustrations ; 25 cm.Subject: TECHNICAL DEVELOPMENTS. AUSTRALIA ; INTERNET. AUSTRALIA ISBN: 9780644431019
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A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required)
Call No: 71(94) COMAuthor: Collins, Felicity ; Columpar, Corinn ; Rutherford, Anne ; Ford, Felicity ; Kelada, Odette ; Clark, Maddee ; Verevis, Constantine ; Goldsmith, Ben ; French, Lisa ; David Marshall, P. ; Bennett, James ; Grace, Helen ; Khoo, Olivia ; Yue, Audrey ; Bye, Susan ; Sandars, Diana ; Stadler, Jane ; Gaunson, Stephen ; Trevisanut, Amanda Malel ; Turnbull, Sue ; McCutcheon, Marion ; Goritsas, Helen ; Tiwary, Ana ; Lambert, Anthony ; Gibson, Ross ; Cunningham, Stuart ; Swift, Adam ; Williams, Deane ; Smaill, Belinda ; Neumark, Norie Source: US/UKPlace: Hoboken, New JerseyPublisher: Wiley-BlackwellPubDate: 2019PhysDes: xxii, 581 pages ; 26 cmSeries: Wiley Blackwell companions to national cinemaSubject: AUSTRALIA ; FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDIGENOUS ; ABORIGINAL AUSTRALIAN CINEMA ; TRANSNATIONAL CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; AUTEUR THEORY ; GENRES ; THEORY ; CAMPION, JANE ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) ; SPEAR (AT, Stephen Page, 2015) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014) ; ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013) ; SERANGOON ROAD [TV] (AT/SI, 2013 -) ; KETTERING INCIDENT, THE [TV](AT, 2015-) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book JacketNotes: Includes bibliographical references and index -- signed by Felicity CollinsISBN: 9781118942529Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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Compendium : Volume II / School of Media and Communication Melbourne: School of Media and Communications, RMIT University, 2019.
Call No: 00(082) COMCorpAuthor: School of Media and CommunicationPlace: MelbournePublisher: School of Media and Communications, RMIT UniversityPubDate: 2019PhysDes: v, 241 pages, illustrations (some colour), 24cm.Subject: SCORSESE, MARTIN ; GULPILIL, DAVID ; GODZILLA IN FILMS ; VIDEO ART ; TELEVISION. INDIA Contents: Introduction: by Lisa French -- Drone panic! On representations of the personal drone by Australian mainstream media: by David Beesley -- Creative vocations and cultural value: by Scott Brook -- Making up: Ten scenes from a Bangkok hotel: by David Carlin -- Unbidden: Settler poetry in the presence of Indigenous sovereignty: by Bonny Cassidy -- Belonging in education: Lessons from the Belonging project: by Bronwyn Clarke, Rachel Wilson, Lucy Morieson, David Carlin and Karli Lukas -- Mojo-MDA: The rise and fall of an Australian advertising nightmare: by Robert Crawford -- Into the canyon: by Sophie Cunningham -- It felt like a kiss: Movies, popular music and Martin Scorsese: by Adrian Danks -- Swanston Street Instagram project: by Gordon Farrer -- David Gulpilil, Aboriginal humour and Australian cinema: by Lisa French -- Boy scouts in the Phillipines: by Robin Hemley -- The art of play: Ethnography and playful interventions with young people: by Larissa Hjorth, William Ealnford, Sharon Greenfield, Lucas Gaspard, Amani Naseem and Tom Penney -- Citizen Godzilla: globalisation, popular culture and the taming of the monster: by Chris Hudson -- Mobile videography: by Seth Keen -- TastyBeats: celebrating heart rate data with a drinkable spectacle: by Rohit Ashok Khot, Jeewon Lee, Larissa Hjorth and Florian 'Floyd' Mueller -- The parallaxis: a game of walking between worlds: by Jess Kilby -- Crowdsourcing, jamming and remixing: a qualitative study of contemporary music production practices in the cloud: by Martin K. Koszolko -- Spirited publics? Postsecularism, enchantment and enterprise on Indian television: by Tania Lewis -- Henry lives! Learning from Lawson fandom: by Brigid Magnar -- Pool: by Rose Michael -- I'm sorry, I don't have a story: a fragmentary essay involving interactive documentary, Bristol and hypertext: by Adrian Miles -- Littanies for the forgetful: by Peta Murray -- Sub rosa: by Francesa Rendle-Short -- Remembering a community's loss and celebrating its enduring spirity: by Toni Roberts -- Images of the world and the inscription of war: by Allan James Thomas -- Mayor statement: by Jenny Weight -- Diversity in the Australian Media: production, content and representation: by Fabianna Weiner, Grace Hardy, Daina Anderson and Yan Ng -- Faune et jeux: by Jessica Wilkinson -- Research overview
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Confidential : Melbourne film a hit in Herald Sun (15/02/2017) p.18
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Conflict leaves its scars in Weekend Australian [Review] (25/04/2015) p.14
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Contemporary Asian cinema : popular culture in a global frame / edited by Anne Teresa Ciecko Oxford: Berg, 2006.
Call No: 71(5) CONSource: UKPlace: OxfordPublisher: BergPubDate: 2006PhysDes: vi, 250 p. ; 24 cmSeries: Asian CinemaSubject: ASIAN COUNTRIES ; INDONESIA ; MALAYSIA ; SINGAPORE ; VIETNAM ; THAILAND ; PHILIPPINES ; INDIA ; SRI LANKA ; BANGALADESH ; KOREA ; CITY OF SADNESS, A [ ; TAIWAN ; JAPAN Summary: This book presents the most authoritative assessment of contemporary Asian cinema available. Each chapter describes the cultural aspects of popular film production, analyzing key films in the context of the national, the regional and the global. Topics covered include: film theory and Asian cinema, popular film genres, major industry figures, the "art film", connections between the state and commercial interests, cultural policies, representations of national identity, trends in international co-production, and more.ISBN: 1845202376ISSN: 17448719Contents: -- Introduction to popular Asian cinema, with acknowledgements / Anne T. Ciecko; -- 1 Theorizing Asian cinema(s) / Anne T. Ciecko -- 2 Philippines : cinema and its hybridity / Jose B. Capino -- 3 Vietnam : chronicles of old and new / Panivong Norindr -- 4 Thailand : revival in an age of globalization / Anchalee Chaiworaporn and Adam Knee -- 5 Singapore : developments, challenges, and projections / Jan Uhde and Yvonne Ng Uhde -- 6 Malaysia : melodramatic drive, rural discord, urban heartaches / William van der Heide -- 7 Indonesia : screening a nation in the post-new order / Krishna Sen -- 8 Sri Lanka : art, commerce, and cultural modernity / Wimal Dissanayake -- 9 Bangladesh : native resistance and nationalist discourse / Zakir Hossain Raju -- 10 India : Bollywood's global coming of age / Jyotika Virdi and Corey K. Creekmur -- 11 Mainland China : public square to shopping mall and the new entertainment film / Augusta Lee Palmer -- 12 Taiwan : popular cinema's disappearing act / Emilie Yueh-yu Yeh -- 13 Hong Kong : cinematic cycles of grief and glory / Anne T. Ciecko -- 14 South Korea : film on the global stage / Hyangjin Lee -- 15 Japan : cause for (cautious) optimism / Darrell William Davis.
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Contemporary Australian television / Stuart Cunningham and Toby Miller Sydney, NSW: UNSW Press, 1994.
Call No: 71(94) CUNAuthor: Cunningham, Stuart ; Miller, Toby Place: Sydney, NSWPublisher: UNSW PressPubDate: 1994PhysDes: viii, 184 p., [4] p. of plates : ill., ports. ; 22 cmSubject: HISTORY AND TV. AUSTRALIA ; HISTORY AND TV ; TELEVISION. AUSTRALIA ; POPULAR CULTURE AND TV ; POPULAR CULTURE AND TV. AUSTRALIA Summary: This book provides the first up-to-date introduction to the shape and style of Australian television in the 1980s, 1990s, and beyond. Traditional formats like news, current affairs, and sport as well as newer genres like tabloid and reality TV are treated in detail. The authors use their expertise in cultural and media studies to take apart the medium in terms of text, genre, audience, antion, culture, policy, industry, and postmodernity. -BlurbISBN: 0-86840-397-0Contents: Terms and debates--Text--Genre--Audience--Nation--Culture--Policy--Industry--Postmodernity--Continuing debates------Electronic forum--News--Current affairs--Mix and match genres--Four Corners and the truth--Trends in reading the genre------Spectacle of sport--Sport for sport's sake--Sport for TV's sake--Language of sports television------Hard copy, soft porn (by David Rowe)--Regulation of sexualised violence--Sex, violence and genre--Hard Copy: subject and structure--Regulating sexualised violence on television------OZ TV goes global--Television international--Cross-cultural textual and audience analysis--Middle range approach--Australian soaps in Britain------Tomorrow's television--Tele-visions of a nation in the 1990s--ABC in Asia--Software wars: Pay TV--Community TV and diversity.
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Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACK CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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The contemporary Hollywood film industry / edited by Paul McDonald and Janet Wasko Carlton, Victoria: Blackwell Publishing, 2008.
Call No: 201.1 (73) CONAuthor: McDonald, Paul ; Wasko, Janet Source: USPlace: Malden, Massachusetts; Oxford, UK; Carlton, VictoriaPublisher: Blackwell PublishingPubDate: 2008PhysDes: 326 p. : ill. ; 25 cmSubject: INDUSTRY, FILM ; STUDIO SYSTEM ; FINANCING ; DISTRIBUTION ; PRODUCTION ; ADVERTISING FOR FILMS ; EXHIBITION ; TELEVISION AND THE CINEMA ; VIDEODISCS ; SOUNDTRACKS ; MUSIC AND THE CINEMA ; LABOUR ; STATE AND THE CINEMA ; GLOBALISATION ; COPYRIGHT ; EXPORT OF FILMS ; UNITED KINGDOM ; FRANCE ; GERMANY ; ITALY ; LATIN AMERICAN COUNTRIES ; ASIAN COUNTRIES ; INDIA ; AUSTRALIA ; NEW ZEALAND ; VIDEO GAMES AND THE CINEMA Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades.
"'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)Notes: Includes indexISBN: 9781405133883URL status: URL: 'http://-'
Checked: 31/08/2021 1:18:10 PM
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Contemporary musical film / edited by K. J. Donnelly and Beth Carroll Edinburgh: Edinburgh University Press, 2019.
Call No: 751.1 CONSource: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2019PhysDes: x, 192 pages : illustrations (black and white) ; 25 cm.Series: Music and the moving image seriesSubject: MUSICALS ; TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004) ; ACROSS THE UNIVERSE (US, Julie Taymor, 2007) ; FROZEN (US, Chris Buck & Jennifer Lee, 2013) ; MAMMA MIA! (UK/US/G, Phyllida Lloyd, 2008) ; MISERABLES, LES (UK, Tom Hooper, 2012) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FAST AND THE FURIOUS, THE (US, Rob Cohen, 2001) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) Summary: In recent years there has been a remarkable resurgence in the success of film musicals. Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have restated the close connections between the stage and screen. This edited collection will look at the breadth and diversity of recent film musicals, including adaptations from the stage such as Mamma Mia! (2008), Tim Burton's Sweeny Todd: The Demon Barber of Fleet Street (2007) and Rock of Ages (2012). This collection will also look at films that owe less of a direct debt to stage musicals, such as Julie Taymor's Across the Universe (2007) and Lars von Trier's Dancer in the Dark (2000).Notes: Includes bibliographical references and index.ISBN: 9781474431682Contents: Machine generated contents note: pt. ONE ORIGINAL MUSICALS --1.Aesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris / Craig Hatch --2.Film and the Twilight of Rock (Rock is Dead and Film Killed It): Post-millennial Rock Musicals / K. J. Donnelly --3.Team America: World Police: Duplicitous Voices of the Socio-political Spy Musical / Jack Curtis Dubowsky --4.The Anti-musical or Generic Affinity: Is there Anything Left to Say? / Beth Carroll --5.`Is This Real Enough For You?': Lyrical Articulation of the Beatles' Songs in Across the Universe / Stephanie Fremaux --6.`Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen / Ryan Bunch --pt. TWO STAGE TO SCREEN --7.Star Quality? Song, Celebrity and the Jukebox Musical in Mamma Mia! / Catherine Haworth --8.Beyond the Barricade: Adapting Les Miserables for the Cinema / Ian Sapiro --pt. THREE MUSICALS BY ANOTHER NAME --Contents note continued: 9.O Brother, Where Art Thou?: The Coen Brothers and the Musical Genre Contamination / Stefano Baschiera --10.Racing in the Beat: Music in the Fast & Furious Franchise / Todd Decker --11.Kill Bill: Quentin Tarantino as a Musical Filmmaker / Geena Brown.
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Contemporary New Zealand cinema : : from new wave to blockbuster / edited by Ian Conrich and Stuart Murray London: I.B. Tauris, 2008.
Call No: 71 (931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart(ed) Place: LondonPublisher: I.B. TaurisPubDate: 2008PhysDes: xiv, 273 p. : ill. ; 24 cmSeries: I.B Taruris world cinema seriesSubject: FEMINISM AND THE CINEMA ; FESTIVALS. NEW ZEALAND ; MAORI CINEMA ; MASCULINITY IN FILMS ; NEW ZEALAND FILM COMMISSION ; NEW ZEALAND IN FILMS ; REALISM IN FILMS ; RELIGION IN FILMS ; BARCLAY, BARRY ; CAMPION, JANE ; CURTIS, CLIFF ; DUFF, ALAN ; DONALDSON, ROGER ; DENNIS, JONATHAN ; Grierson, John ; JACKSON, PETER (NZ) ; LAWRENCE, BRUNO ; MUNE, IAN ; MURPHY, GEOFFREY ; LANGE, DAVID ; MACLEAN, ALISON ; MITA, MERATA ; MORRIESON, RONALD HUGH ; MORRISON, TEMUERA ; MULDOON, ROBERT ; NEILL, SAM ; PRESTON, GAYLENE ; SARGESTON, FRANK ; SARKIES, ROBERT ; TAMAHORI, LEE ; WARD, VINCENT ; BAISE-MOI (FR, Virginie Despentes, 2000) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; CHANNELLING BABY (NZ, Christine Parker, 1999) ; CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995) ; CRUSH (NZ, Alison MacLean, 1992) ; DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000) ; JUBILEE (NZ, Michael Hurst, 2000) ; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003) ; MAGIK AND ROSE (NZ, Vanessa Alexander, 1999) ; NGATI (NZ, Barry Barclay, 1987) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PRICE OF MILK, THE (NZ, Harry Sinclair, 2000) ; QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985) ; RAIN (NZ, Christine Jeffs, 2001) ; SAVING GRACE (NZ, Costa Botes, 1997) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SCARFIES (NZ, Robert Sarkies, 1999) ; SKIN DEEP (NZ, Geoff Steven, 1978) ; SNAKESKIN (NZ, Gillian Ashurst, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; SMASH PALACE (NZ, Roger Donaldson, 1981) ; TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997) ; UTU (NZ, Geoffrey Murphy, 1983) ; VIGIL (NZ, Vincent Ward, 1984) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKETNotes: Filmography: p.[239]-253
Bibliography: p. 255- 258; Includes indexISBN: 9781845118372
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Content will play key role say networks in Sydney Morning Herald (25/10/2016) p.20
Call No: SUBJECT CLIPPINGS FILE; TELECOMMUNICATIONS.AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: TELECOMMUNICATIONS.AUSTRALIA ; OWNERSHIP TV. AUSTRALIA ; MEDIA AUSTRALIA ; OWNERSHIP. USA Summary: Report on the proposed bid of American based telecommunications company AT&T looking to purchase Time Warner and how telecommunications companies are looking to get involved more directly with media companies. Discussion about companies with Australian interests such as Optus and Telstra with quotes from several execuitves from major media companies such as Seven West Media, Prime Media, Network Ten, and Southern CrossNotes: similar reprint in The Age, Australian Financial Review
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[Coolangatta gold, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 20 x 26 cm + 1 photograph : b&w ; 13 x 18 cmSubject: FRIELS, COLIN ; TATE, NICK ; KENNY, GRANT ; COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) Summary: 3 black and white photographs of Grant Kenny preparing for the triaquathon scene, Colin Friels & Nick Tate, and a press release surrounded by newspaper articles about the Coolangatta Gold. 1 image of Joe Lucas (Nick Tate) and son Adam (Colin Friels) cheering.Notes: 1 duplicate of Press release surrounded by newspaper articles about the Coolangatta Gold. 1 image donated by Brian McFarlane
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Copyright, technology and transaction costs in Lumina (Summer 2010) iss.2 p.216-267
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Costume and cinema : dress codes in popular Film / Sarah Street London: Wallflower, 2001.
Call No: 226.4 STRAuthor: Street, Sarah Source: UKPlace: LondonPublisher: WallflowerPubDate: 2001PhysDes: 112 p. : ill. ; 20 cmSeries: Short CutsSubject: COSTUMES ; FASHION AND THE CINEMA ; TITANIC (US, James Cameron, 1997) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; WONDERLAND (UK, Michael Winterbottom, 1999) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) Summary: Presents an overview of the literature on film costume, together with a series of detailed case studies which highlight how costume relates in fundamental ways to the study of film narrative and mise-en-scene, in some cases constituting a language of its own. In particular the book foregrounds the related issues of adaptation and embodiment in a variety of different genres and films.Notes: Glossary: p.105-108
Bibliography: p.109-112ISBN: 1903364183 (pbk.)
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Creative industries / John Hartley (editor) Malden, MA ; Oxford: Blackwell Publishing, 2005.
Call No: 408.3 HARAuthor: Hartley, John (editor) Source: ATPlace: Malden, MA ; OxfordPublisher: Blackwell PublishingPubDate: 2005PhysDes: xvii, 414 p. ; 23 cmSubject: CULTURE AND THE CINEMA ; ECONOMICS AND THE CINEMA. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA ; INDUSTRY GAMES. AUSTRALIA ; MEDIA ; MEDIA ; TRADE FAIRS ; TECHNOLOGICAL DEVELOPMENTS Summary: Bringing together ground-breaking essays from across the disciplinary spectrum, "Creative Industries" chronicles how culture is produced, packaged, and circulated in a technology-enabled and globalized world. This is the first systematic analysis of the challenge of the creative industries in a world where innovation and risk are requirements for both economic and cultural enterprise, where knowledge and ideas drive wealth creation and social modernization, and where globalization and new technologies are the material of everyday life and experience. Thirty essays and new contexualizing chapters by leading international scholars cover several domains, including multimedia, publishing, TV production, urban development, and games. Each of the six sections is edited by a specialist, making this a useful, engaging, and thought- provoking collection of the very best scolarship on modern creative culture [ Taken from the back of the book.]Notes: Includes bibliographical references and indexISBN: 1405101474; 1405101482 (pbk.)
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The crime films of Anthony Mann / by Max Alvarez Jackson, Miss.: University Press of Mississippi, 2014.
Call No: 81MAN ALVAuthor: Alvarez, Max Source: USPlace: Jackson, Miss.Publisher: University Press of MississippiPubDate: 2014PhysDes: 324 pages ; 24 cmSubject: CRIME FILMS ; FILM NOIR ; MANN, ANTHONY ; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942) ; STRANGERS IN THE NIGHT (US, Anthony Mann, 1944) ; TWO O'CLOCK COURAGE (US, Anthony Mann, 1945) ; GREAT FLAMARION, THE (US, Anthony Mann, 1945) ; STRANGE IMPERSONATION (US, Anthony Mann, 1946) ; DESPERATE (US, Anthony Mann, 1947) ; RAILROADED! (US, Anthony Mann, 1947) ; T-MEN (US, Anthony Mann, 1947) ; RAW DEAL (US, Anthony Mann, 1948) ; HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948) ; FOLLOW ME QUIETLY (US, Richard Fleischer, 1949) ; BORDER INCIDENT (US, Anthony Mann, 1949) ; SIDE STREET (US, Anthony Mann, 1950) ; TALL TARGET, THE (US, Anthony Mann, 1951) Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIANotes: Includes bibliographical references, filmography and indexISBN: 9781617039249Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --
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Crisis cinema : the apocalyptic idea in postmodern narrative film / edited by Christopher Sharrett Washington, D.C.: Maisonneuve Press, 1993.
Call No: 64POS CRIAuthor: Sharrett, Christopher Place: Washington, D.C.Publisher: Maisonneuve PressPubDate: 1993PhysDes: 282 p. : ill. ; 24 cmSubject: POSTMODERNISM AND THE CINEMA ; DISASTERS IN FILMS ; DISASTER FILMS ; SEX AND THE CINEMA ; DEATH IN FILMS ; REPO MAN (US, Alex Cox, 1984) ; RUMBLE FISH (US, Francis Ford Coppola, 1983) ; CASANOVA (IT, Federico Fellini, 1976) ; BRAZIL (UK, Terry Gilliam, 1985) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; BLADE RUNNER (US, Ridley Scott, 1982) ; MAD MAX (AT, George Miller, 1979) Notes: Includes bibliographical references and indexISBN: 0944624189 (cloth); 0944624197 (paper)LON: 9605442
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A critical bibliography of research studies of cinema audiences in Australia / Carol Matthews [Melbourne?]: 1982.
Call No: 410(94) CRIAuthor: Matthews, Carol Source: ATPlace: [Melbourne?]PubDate: 1982PhysDes: [106 leaves] ; 33 cmSubject: AUDIENCES. AUSTRALIA ; TELEVISION. AUSTRALIA ; STATISTICS. AUSTRALIA ; CRITICISM. AUSTRALIA Summary: A bibliography for the different resources available on the subject of cinema audiences and cinema going in Australia. There is a section on television audiences within Australia. Includes an essay about cinema going resources and statistics for Australia.LON: abn98335958; 14181471
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Crossing the digital threshold / Scott McQuire Brisbane: Australian Key Centre for Cultural and Media Policy, Faculty of Humanities, Griffith University, 1997.
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Culture, difference and the arts / edited by Sneja Gunew and Fazal Rizvi St Leonards, NSW, Australia: Allen & Unwin, 1994.
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Culture, technology & creativity in the late twentieth century / edited by Philip Hayward London: J. Libbey, 1990].
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[Dad and Dave on our selection : stills file]
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DAEHAKROH : (K, Gee-woong Nam, 2000)
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Dancing to his song : the singular cinema of Rolf de Heer / by Jane Freebury Straberry Hills, NSW: Currency Press, 2015.
Call No: 81DEH FREAuthor: Freebury, Jane Source: ATPlace: Straberry Hills, NSWPublisher: Currency PressPubDate: 2015PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cmSubject: DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER (AT, Tina Dalton & Gary Steer, 1996) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; KING IS DEAD, THE (AT, Rolf de Heer, 2012) ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]Notes: Includes bibliographical references (pages 287-348)ISBN: 9781925005585Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap
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Daring flair not enough to save bare plot in Canberra Times [Panorama] (27/06/2015) p.22
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Dashboard portrayal of Iranian life : Tehran Taxi in The Age (03/08/2015) p.20
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS MELBOURNE. 2015Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: FESTIVALS. MELBOURNE ; TAXI (IR, Jafar Panahi, 2015) Summary: Short, positive review of the film TAXI, screening at the Melbourne International Film FestivalNotes: film title listed in article as TEHRAN TAXI
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Death of Norma Shearer in Australasian Cinema (15/7/1983) vol.12 iss.12 p.20
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Desperately seeking screentime : the Australian guide to a career in television / Bryan Smith Sydney: Simon and Schuster, 1994.
Call No: 209(94)(077) SMIAuthor: Smith, Bryan Source: ATPlace: SydneyPublisher: Simon and SchusterPubDate: 1994PhysDes: 184 p. ; 21 cmSubject: WORKERS IN TV. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: A guide to planning careers within Australian television.Notes: Includes index
CIP confirmed
Bibliography: p. 180ISBN: 0731804198Donation: donated by the family of Wayne Levy, 2006
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Detours and lost highways : a map of neo-noir / Foster Hirsch New York: Limelight Editions, [1999].
Call No: 734.1 HIRAuthor: Hirsch, Foster Edition: [1st Limelight ed.]Place: New YorkPublisher: Limelight EditionsPubDate: [1999]PhysDes: 398 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; FILM NOIR. FRANCE ; FULLER, SAMUEL ; CHANDLER, RAYMOND ; Wenders, Wim ; WOOLRICH, CORNELL ; Tarantino, Quentin ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; CRISS CROSS (US, Robert Siodmak, 1948) ; GETAWAY, THE (US, Sam Peckinpah, 1972) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BETRAYED (US, Constantin Costa-Gavras, 1988) ; BLUE VELVET (US, David Lynch, 1986) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CHINATOWN (US, Roman Polanski, 1974) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; DEATH WISH (US, Michael Winner, 1974) Notes: SEE REPAIRS; Filmography: p. 329-377; Includes bibliographical references (p. 325-327) and indexISBN: 0879102888Order Received: 2000LON: 20214725
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Developing dialogues / Susun Forde, Kerrie Foxwell & Michael Meadows Bristol, UK: Intellect, 2009.
Call No: 201.1-4(94)(=1-81) FORAuthor: Forde, Susan ; Foxwell, Kerrie ; Meadows, Michael Place: Bristol, UKPublisher: IntellectPubDate: 2009PhysDes: 186 p. ; 23 cmSubject: ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS ON TV ; RADIO BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: The audience-producer boundary has collapsed in indigenous and ethnic community broadcasting, and this is the first comprehensive study globally to chart the rise of its new relationship. Based on studies of radio and television audiences in Australia, the authors argue that community radio and television worldwide represents an essential service for indigenous and ethnic audiences. "Developing Dialogues" offers international researchers a new social, cultural and historical perspective on the emergence of the unique Australian community broadcasting sector within the context of other global trends. It will appeal to scholars of media and cultural studies, as well as to industry practitioners and policy makersNotes: includes bibliographical references and indexISBN: 9781841502755
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[Devil's playground : stills file]
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Dickens and film / by A. L. Zambrano New York: Gordon Press, 1976.
Call No: 753DIC ZAMAuthor: Zambrano, A. L Place: New YorkPublisher: Gordon PressPubDate: 1976PhysDes: 442 pages : illustrations ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; LITERATURE AND THE CINEMA ; MUSICALS ; SURREALISM AND THE CINEMA ; THEATRE AND THE CINEMA ; GRIFFITH, DAVID WARK ; EISENSTEIN, SERGEI M. ; DAVID COPPERFIELD (US, George Cukor, 1935) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GREAT EXPECTATIONS (UK, Joseph Hardy, 1975) ; OLIVER TWIST (UK, David Lean, 1948) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; TALE OF TWO CITIES, A (US, Jack Conway, 1935) Summary: This book discusses the works of Charles Dickens that has been adapted into film up until the mid 1970s. It discusses Dickens's relationship to the theatre (cinema's closest ancestor), the Victorian values of Dickens's work, the cinematic elements of Dickens's writing, and modern filmic adaptations of his work.Notes: Includes filmography -- collection's copy is fragile, handle with careISBN: 0879684569LON: 76016479; 174074
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Difficult men : behind the scenes of a creative revolution : from The Sopranos and The Wire to Mad Men and Breaking Bad / Brett Martin New York: Penguin Books, [2013].
Call No: 734-01 MARAuthor: Martin, Brett Source: USPlace: New YorkPublisher: Penguin BooksPubDate: [2013]PhysDes: 303 pages : illustrations ; 22 cmSubject: CRIME DRAMAS ; TELEVISION. USA ; CABLE TV. USA ; HBO ; BREAKING BAD [TV] (US, 2008-2013) ; DEADWOOD [TV] (US, 2004) ; SHIELD, THE [TV] (US, 2002-) ; SOPRANOS, THE [TV] (US, 1999-) ; WIRE, THE [TV] (US, David Simon, 2002) Summary: "In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television's narrative inventiveness, emotional resonance, and artistic ambition. Combining deep reportage with cultural analysis and historical context, Brett Martin recounts the rise and inner workings of a genre that represents not only a new golden age for TV, but also a cultural watershed." - taken from back cover.Notes: Includes bibliographical references (pages 293-295) and index.ISBN: 9780143125693Contents: Prologue -- Part One: Previously On -- One. In This Maligned Medium -- Two. Which Films? -- Three. A Great Notion -- Four. Should We Do This? Can We Do This? -- Part Two: The Beast in He -- Five. Difficult Men -- Six. The Arguer -- Seven. The Magic Hubig's -- Eight. Being The Boss -- Nine. A Big Piece Of Equipment -- Ten. Have A Take. Try Not To Suck -- Part Three: The Inheritors -- Eleven. Shooting The Dog -- Twelve. See You At The Emmys -- Thirteen. The Happiest Room In Hollywood. -- Epilogue
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Directing actors : creating memorable performances for film and television / by Judith Weston Studio City, CA: M. Wiese Productions, c1996.
Call No: 225 WESAuthor: Weston, Judith Source: USPlace: Studio City, CAPublisher: M. Wiese ProductionsPubDate: c1996PhysDes: xiv, 314 p. : ill. ; 21 cmSubject: PRODUCTION ; DIRECTION ; ACTORS ; SCRIPTS ; CASTING ; FILM ; TELEVISION Summary: "Directing Actors is a method for establishing creative, collaborative relationships with actors, getting the most out of rehearsals, troubleshooting poor performances, and giving briefer directions."--BOOK JACKET. "Ms. Weston discusses what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis, how actors work, and the director/actor relationship. This book is based on the author's twenty years of professional acting and eight years of teaching Acting for Directors."--BOOK JACKET.Notes: Includes bibliographical references (p. 311-314); Filmography (p. 308-310)ISBN: 0941188248Contents: -- acknowledgments -- introduction -- I. result direction and quick fixes -- II. moment by moment -- III. listening and talking -- IV. actors' choices -- V. structure: transitions, events and through-lines -- VI. actors' resources and training -- VII. script analysis -- VIII. casting -- IX. rehearsal -- X. shooting -- spp. A. children and nonprofessional actors -- app. B. comedy -- app. C. short list of action verbs sample simple objectives more action verbs -- filmography -- bibliography -- further acknowledgments --
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Director to tell real Everest dream in The Age (17/11/2016) p.26
Call No: TITLE CLIPPINGS FILE in production; TENZIG NORGAY FILM in productionAuthor: - PhysDes: Clippings File ArticleSubject: PEEDOM, JENNIFER ; TENZING HERO OF EVEREST (AT/US?, Jen Peedom, 2021) Summary: Jennifer Peedom, the Australian director of documentary SHERPA, is looking to make a feature film focusing on Tenzig Norgay who was the sherpa who helped Sir Edmund Hilary ascend Mount Everest
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Directory of world cinema : Russia Bristol, UK ; Chicago: Intellect., 2011. Available at ProQuest (RMIT login required)
Call No: 71 (47) DIRAuthor: Beumers, Birgit Place: Bristol, UK ; ChicagoPublisher: Intellect.PubDate: 2011PhysDes: 333 p. : ill. ; 25 cm.Series: Directory of world cinema, 2040-7971 ; v.4
Directory of world cinema ; v. 4.Subject: RUSSIA ; RUSSIA IN FILMS ; RUSSIANS IN FILMS ; U.S.S.R. ; U.S.S.R. IN FILMS ; SOVIET UNION ; BAUER, EVGENII ; EISENSTEIN, SERGEI ; VERTOV, DZIGA ; TARKOVSKII, ANDREI ; MIKHALKOV, NIKITA ; SOKUROV, ALEKSANDR ; WOLFY ; VOLCHOK ; KINOTAVR Summary: Analysis of Russian films over the last hundred plus years through the lens of genre (alien to Soviet film culture, which perceived genre as a low-culture, capitalist mass product). Each chapter begins with a broad overview of the films categorised within a particular genre and a description of the political and cultural context in which these films were produced. Films are then individually summarised and critiqued. Preliminary chapters discuss 2009 Film of the Year,Vasilii Sigarev's Wolfy; film production in Russia; Russian directors; and the concept of genre in Russia.Notes: Includes bibliographical references and filmography.ISBN: 9781841503721 (pbk.)
184150372X (pbk.)Donation: Senses of CinemaContents: Film of the year : Vasilii Sigarev's Wolfy (2009) -- Interview : Vasilii Sigarev and Iana Troianova -- Film production in Russia : an industry? -- Festival focus : Kinotavr -- What does zhanr mean in Russian -- Directors : Evgenii Bauer, Sergei Eisenstein, Dziga Vertov, Andrei Tarkovskii, Nikita Mikhalkov, Aleksandr Sokurov -- Historical film : Essay ; Reviews -- War film : Essay ; Reviews -- Comedy and musical comedy : Essay ; Reviews -- Melodrama : Essay ; Reviews -- Literary adaptation : Essay ; Reviews -- Biopic : Essay ; Reviews -- Action/ Red Western : Essay ; Reviews -- Children's films : Essay ; Reviews -- Animation : Essay ; Reviews -- Documentary : Essay ; Reviews -- Recommended reading : Russian Cinema Online.URL status: URL: 'https://ebookcentral.proquest.com/lib/rmit/detail.action?docID=632577'
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DIS-MOI QUI TUER : (FR, Etienne Perier, 1965)
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Disney culture / John Wills New Jersey: Rutgers University Press, 2017.
Call No: 403(73) WILAuthor: Wills, John Edition: 2017Place: New JerseyPublisher: Rutgers University PressPubDate: 2017PhysDes: v, 159 pages ; 19 cmSeries: Quick takes: movies and popular cultureSubject: DISNEY ; THEME PARKS AND THE CINEMA ; TELEVISION ISBN: 9780813583327
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Do contemporary women filmmakers share a feminist perspective in their work? / submitted by Lisa French 1995.
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Doctor Who : A critical reading of the series London: bfi Publishing, 2005.
Call No: 79DOC NEWAuthor: Kim Newman Place: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 19 cm; 138 cmSeries: BFI TV ClassicsSubject: [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-) ; TELEVISION. UK Summary: From 1963 to 1989, for the most part at teatime on Saturdays on BBC1, Doctor Who was a British TV institution. The series had its roots in British science fiction but grew to take in many other influences: historical drama, Hammer horror, satire, conspiracy thriller, even pantomime. Over the years, it developed a uniquely eccentric style, at once cosily familiar and cosmically terrifying, and many of its characters, creatures and objects have become iconic – the Doctors and his assistants, the TARDIS, the Time Lords, and a panoply of monsters and villains: Cybermen, Ice Warriors, the Master, and, of course, the Daleks…. Kim Newman’s comprehensive study follows the Doctor’s travels through time and space, placing Doctor Who in the context of science-fiction television, and traces the history of the show through its outstanding stories and its recurring themes, from its highs (Jon Pertwee, Tom Baker) to its lows (K-9, Bonnie Langford, and cancellation) and suggests why the programmer has become an enduring television masterpiece and a cultural phenomenon. [Taken from back cover.]ISBN: 1844570908
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Documentary in American television : form, function, method / A. William Bluem New York: Hastings House, [1965].
Call No: 761(73) BLUAuthor: Bluem, A. William Source: USPlace: New YorkPublisher: Hastings HousePubDate: [1965]PhysDes: 311 p. illus., ports. 24 cmSubject: BIOGRAPHICAL FILMS ; DOCUMENTARIES. USA ; JOURNALISM IN THE CINEMA ; PHOTOGRAPHY AND THE CINEMA ; RADIO AND THE CINEMA ; TELEVISION JOURNALISM ; TELEVISION ; TELEVISION. USA ; TRUTH IN FILMS ; WAR AND TV Summary: "The documentary movement in American television is explored critically in this knowledgeable, and often controversial, book. Analyzed here are forms and functions of the television documentary; its heritage in other media (print, still photography, motion pictures, radio, living theatre); its major achievements; the people who have shaped it; the problems and the possibilities of its use in a free society." -- BOOK BLURBNotes: Bibliography: p. 297-301ISBN: 0803815271LON: 646183 8085578URL status: URL: 'http://-'
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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Doing it for the kids in The Australian [Review] (07/07/2012) p.16
Call No: TITLE CLIPPINGS FILE; TED (US, Seth MacFarlane, 2012)Author: David Stratton PhysDes: Clippings File ArticleSubject: TED (US, Seth MacFarlane, 2012) Summary: Mixed review. An amusing film filled with pop-culture jokes and references that unfortunately relies a little too heavily on adolescent humourRating: 3.5 out of 5 stars
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The dollar is just one reason big studios have returned to Australia in Sydney Morning Herald [Arts & Entertainment] (27/10/2015) p.11
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Don't write off free to air and cable television just yet in Australian Financial Review [Companies and markets] (31/8/2015) p.19
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Double exposure : fiction into film / Joy Gould Boyum New York: New American Library, 1985.
Call No: 753.4 BOYAuthor: Boyum, Joy Gould, 1934 Place: New YorkPublisher: New American LibraryPubDate: 1985PhysDes: xiii, 287 p., 8 p. of plates : ill. ; 23 cmSubject: ADAPTATIONS ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; WOMEN IN LOVE (FR, Jacques Doillon, 1988) ; AMOUREUSE, L' (FR, Jacques Doillon, 1988) ; RAGTIME (US, Milos Forman, 1980) ; TESS (FR/UK, Roman Polanski, 1979) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; LORD OF THE FLIES (US, Harry Hook, 1990) ; WISE BLOOD (US/GW, John Huston, 1979) ; DEATH IN VENICE (IT/FR, Luchino Visconti, 1971)
SEE
MORTE A VENEZIA ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; UNDER THE VOLCANO (US, John Huston, 1984) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; SWANN IN LOVE (FR/GW, Volker Schlondorff, 1984)
SEE
AMOUR DE SWANN, UN ; AMOUR DE SWANN, UN (FR/GW, Volker Schlondorff, 1984) Summary: ...Refuting the commonly held view that film adaptations are in most ways inferior to the works on which thay are based, the author contendsthat film is an art eminently capable of translating a novel, not only in plot and theme but in style, technique and effect. And it can also do so without destroying the original work... or emerging as a second-rate version of the printed word.
Providing a close-up study of the ways in which adaptation may serve as a successful, even superlative, interpretation of literature, Double Exposure examines the aesthetics, the history, and the contemporaryresults of moviemakers' use of fiction in film. Here is an eye-opening of contemporary films that succeed, fail, or even transcend their literary source when two parallel art forms join forces at the movie. [taken from BOOK JACKET]Notes: "A Plume book."; Includes index; Bibliography: p. 243-253ISBN: 0452257220 (pbk.) : $10.95LON: 85013848; 4087750
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newspaper article
Dreaming fierce in Daily Telegraph [General News] (9/05/2015) p.70
Call No: PERSONALITY CLIPPINGS FILE; TAPSELL, MIRANDAAuthor: Noone, Richard PhysDes: Clippings File ArticleSubject: TAPSELL, MIRANDA Summary: Tapsell uses her logie speech to call for more indigenous content on Australian television. Summary of her life and career include in article
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newspaper article
Dreaming of a new start in Sydney Morning Herald (22/03/2016) p.16
Call No: PERSONALITY CLIPPINGS FILE; WEERASETHAKUL, APICHATPONGAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: THAILAND ; WEERASETHAKUL, APICHATPONG Summary: Interview with Apichatpong Weerasethakul about his filmmaking philosophies, his career, and why he plans to make films outside of his native Thailand
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Old collection
book
The dumb blonde stereotype : documentation for classroom material / by Richard Dyer London: BFI Education,
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book
Dutch tilt, Aussie auteur : the films of Rolf De Heer / D. Bruno Starrs Saarbrucken, Germany: VDM, Verlag Dr Muller, 2009.
Call No: 81DEH STAAuthor: Starrs, D. Bruno Source: GPlace: Saarbrucken, GermanyPublisher: VDM, Verlag Dr MullerPubDate: 2009PhysDes: 105 p. ; 23 cmSubject: AUTEUR THEORY ; DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) Summary: " 'Dutch Tilt, Aussie Auteur: the Films of Rolf De Heer' is an auteur analysis of the twelve feature films directed (mostly written and produced) by Holland-born Australian Rolf De Heer. From the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger "(1984), to his break-out cult sensation " Bad Boy Bubby" (1993) which "tore Venice apart," to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the AFI awards and won the Special Jury prize at Cannes Film Festival, de Heer has been consistently unpredictable. However, Starr's close study of his work suggests that Australia's most innovative and respected Arthouse film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, de Heer's "Dutch tilt" is very much non-mainstream Hollywood, but is nevertheless representative of a typically Australian world-view." -- BOOK BLURBNotes: Includes bibliographical references (p. 90-104)ISBN: 9783639168341
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journal article
Duvall takes the stage : "Tender Mercies" turns one of America's finest actors into a singer in Australasian Cinema (16/07/1982) vol.11 iss.12 p.13
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Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood / Peter Biskind New York, NY: Simon & Schuster, 1998.
Call No: 71(73) BISAuthor: Biskind, Peter Place: New York, NYPublisher: Simon & SchusterPubDate: 1998PhysDes: 506 p. : ill. ; 25 cmSubject: USA. 1970's ; COLUMBIA PICTURES ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; WARNER BROS. ; ZOETROPE STUDIOS ; ALTMAN, ROBERT ; ASHBY, HAL ; BEATTY, WARREN ; BEGELMAN, DAVID ; BLATTY, WILLIAM PETER ; BOGDANOVICH, PETER ; BRANDO, MARLON ; BROWN, DAVID ; BURSTYN, ELLEN ; CALLEY, JOHN ; CHRISTIE, JULIE ; COPPOLA, ELEANOR ; COPPOLA, FRANCIS FORD ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DILLER, BARRY ; EVANS, ROBERT ; FONDA, PETER ; FRIEDKIN, WILLIAM ; GEFFEN, DAVID ; HAWKS, HOWARD ; HOPPER, DENNIS ; IRVING, AMY ; KAEL, PAULINE ; KIDDER, MARGOT ; LUCAS, GEORGE ; LUCAS, MARCIA ; MILIUS, JOHN ; NEWMAN, DAVID ; NICHOLSON, JACK ; PENN, ARTHUR ; PHILLIPS, JULIA ; PLATT, POLLY ; POLANSKI, ROMAN ; RAFELSON, BOB ; SCHNEIDER, BERT ; SCHRADER, LEONARD ; SCHRADER, PAUL ; SCORSESE, MARTIN ; SHEPHERD, CYBILL ; SIMPSON, DON ; SPIELBERG, STEVEN ; SYLBERT, RICHARD ; TANEN, NED ; TOWNE, ROBERT ; WEINTRAUB, SANDRA ; YABLANS, FRANK ; ZANUCK, RICHARD ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; EASY RIDER (US, Dennis Hopper, 1969) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHINATOWN (US, Roman Polanski, 1974) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; EXORCIST, THE (US, William Friedkin, 1973) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; JAWS (US, Steven Spielberg, 1975) ; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; M*A*S*H (US, Robert Altman, 1969) ; MEAN STREETS (US, Martin Scorsese, 1973) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; PERSONAL BEST (US, Robert Towne, 1982) ; RAGING BULL (US, Martin Scorsese, 1980) ; REDS (US, Warren Beatty, 1981) ; SHAMPOO (US, Hal Ashby, 1975) ; SORCERER (US, William Friedkin, 1977) ; STAR WARS (US, George Lucas, 1977) ; SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974) ; TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448ISBN: 0684809966LON: 98002919; 13698645
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The effects of television / edited by James D. Halloran London: Panther, 1970.
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book
Electronic eros : bodies and desire in the postindustrial age / by Claudia Springer Austin, TX: University of Texas Press, c1996.
Call No: 735.1 SPRAuthor: Springer, Claudia Source: USPlace: Austin, TXPublisher: University of Texas PressPubDate: c1996PhysDes: x, 182 pages : illustrations ; 23 cmSubject: AUTOMOBILES IN FILMS ; BODY IN FILMS ; COMIC STRIPS AND THE CINEMA ; COMPUTERS AND THE CINEMA ; COMPUTERS IN FILMS ; COMPUTERS AND TV ; FEMINISM AND THE CINEMA ; FEMINISM AND TV ; GENDER AND THE CINEMA ; GENDER AND TELEVISION ; POSTMODERNISM AND THE CINEMA ; ROBOTS IN FILMS ; ROBOTS ON TV ; SCIENCE AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEXUALITY AND THE CINEMA ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGY AND TV ; TECHNOLOGY IN FILMS ; TECHNOLOGY ON TV ; VIRTUAL REALITY ; BLADE RUNNER (US, Ridley Scott, 1982) ; EVE OF DESTRUCTION (US, Duncan Gibbins, 1991) ; LAWNMOWER MAN, THE (US, Brett Leonard, 1992) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) Summary: "The love affair between humans and the machines that have made us faster and more powerful has expanded into cyberspace, where computer technology seems to offer both the promise of heightened erotic fulfilment and the threat of human obsolescence. In this pathfinding study, Claudia Springer explores the techno-erotic imagery in recent films, cyberpunk fiction, comic books, television, software, and writing on virtual reality and artificial intelligence to reveal how these futuristic images actually encode current debates concerning gender roles and sexuality." -- BOOK BLURBNotes: Includes indexISBN: 0292776977Donation: M.S. Counihan
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Levy Collection
book
The electronic estate : new communications media and Australia / Trevor Barr Melbourne: Penguin Books, 1985.
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book
The elocution of Benjamin Franklin ; When they send me three and fourpence / by Steve J. Spears Sydney: Currency Press, 1989.
Call No: 79TEL SPEAuthor: Spears, Steve J. Source: ATPlace: SydneyPublisher: Currency PressPubDate: 1989PhysDes: 110 p. : ill. ; 21 cmSubject: TELEPLAY [TV](AT, Richard Wherrett, 1977) Notes: Two plays by Steve J. Spears -- CoverISBN: 0868192171Donation: donated by the family of Wayne Levy, 2006Contents: The elocution of Benjamin Franklin; When they send me three and fourpence
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journal article
'Empty' a steep learning curve for first-time trio in Encore (Dec 2006) vol.24 iss.12 p.42
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book
The end of Japanese cinema : industrial genres, national times, and media ecologies / Alexander Zahlten Durham; London: Duke University Press, 2017.
Call No: 10647Author: Zahlten, Alexander Edition: 2017Place: Durham; LondonPublisher: Duke University PressPubDate: 2017PhysDes: 308 pages : illustrated ; 23 cmSeries: Studies of the Weatherhead East Asian Institute, Columbia UniversitySubject: JAPAN ; EROTIC FILMS. ASIA ; KURAIMUHANTA IKARI NO JUDAN [CRIMEHUNTER - BULLET OF FURY] (JA, Toshimichi Okawa, 1989) ; KUROI YUKI [BLACK SNOW] (JA, Tetsuji Takechi, 1965) ; KINJI FUKASAKU ; TAKECHI TETSUJI ; WAKAMATSU, KOJI Summary: In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. -- publisher's web siteISBN: 9780822369448Contents: Acknowledgments -- Introduction -- 1. Establishing Pink Film -- 2. Pink Times and Pink Spaces -- 3. Kadokawa Film -- 4. The Radicalization of Kadokawa Film -- 5. V-Cinema -- 6. Subgenres: Violence, Finances, Sex, and True Accounts -- Conclusion: Present Histories -- Notes -- Bibliography -- Index.
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book
Ending the affair : the decline of television current affairs in Australia / Graeme Turner Sydney, N.S.W.: UNSW Press, 2005.
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newspaper article
Enticing overload : the sheer quantity of quality drama made 2016 an outstanding year for viewers in Weekend Australian [Review] (17/12/2016) p.27
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Interim
book
The Ernst & Young guide to international film production : an overview of business incentives and tax matters. / by the Tax Partners and Professionals of Ernst & Young LLP New York: Ernst & Young, 1999.
Call No: 205.31 ERNCorpAuthor: Ernst & Young LLPPlace: New YorkPublisher: Ernst & YoungPubDate: 1999PhysDes: 519 p. : 21 cm.Subject: TAXES ; TAXES. AUSTRALIA
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still
[Escape from Jupiter : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 13 x 18 cm - 21 x 26 cmSubject: ROSNIAK, JUSTIN ; TAYLOR, DANIEL ; KANTS, IVAR ; WILKINSON, LINDEN ; BABA, SAEMI ; MUROYAMA, KAZUHIRO ; BISLEY, STEVE ; DIGNAM, ARTHUR ; TENNEY, ANNE ; RADLEY, KEN ; CHOY, ANNA ; ESCAPE FROM JUPITER [TV] (AT/JA, Kate Wood & Fumitaka Tamura, 1994) Summary: Three black and white photographs from the television series Escape from Jupiter
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newspaper article
Eternal youth in Australian Financial Review [Weekend Fin] (24/04/2015) p.51
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Interim
book
European Film Industries / Anne Jackel London: British Film Institute, 2003.
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Interim
book
An evaluation of the use of television by Arts Organisations / Richard J. Rowe & Associates Vic: The Australia Council, 1983.
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newspaper article
Exiles under Main St in Sunday Age [Inside Out] (12/06/2016) p.10
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book
Fahfangoolah! : the despised and indispensable welcome to Woop Woop / Michael Winkler [Melbourne]: [Westbourne Books], May 2016.
Call No: 79 WEL WINAuthor: Winkler, Michael Edition: 2016Place: [Melbourne]Publisher: [Westbourne Books]PubDate: May 2016PhysDes: 158 pages : illustrated ; 22 cmSubject: AUSTRALIA ; TAYLOR, ROD ; SCHAECH, JOHNATHON ; ELLIOTT, STEPHAN ; WELCOME TO WOOP WOOP (AT/UK, Stephan Elliott, 1997) Summary: Welcome to Woop Woop was mocked, knocked and written off like no Australian movie before it. Director Stephan Elliott, riding high from the global success of The Adventures of Priscilla, Queen of the Desert, was a tall poppy. Critics did not just cut him down: they put him and his weird film through the mulcher.
Then a strange thing happened. Over time, the movie derided as crass, unfunny and pointless started to win fans. For some it is a cult entertainment; for others it is a vibrant, visceral satire on old Australia and its values.
Through interviews with stars including Johnathon Schaech, Susie Porter and Maggie Kirkpatrick, and creative powerhouses like Stephan Elliott, Lizzie Gardiner and Mike Molloy, ‘Fahfangoolah!’ examines the film’s bizarre genesis and argues for its place in the Aussie film pantheon. Unforgettable stories of a strange and difficult shoot; a cast of characters that includes Barry Humphries, Rod Taylor and a drunken clown; the mapping of links to other outback movies; and a strong argument for Welcome to Woop Woop’s value as a cultural artefact: this companion is as vibrant, varied and provocative as the film that inspired it. -- author's web siteISBN: 9780994579805
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book
Family fictions : representations of the family in 1980s Hollywood cinema. / Sarah Harwood; foreword by Janet Thumin; consultant editor Jo Camping Houndmills, Basingstoke, Hamps: Macmillan, 1997.
Call No: 747.4 HARAuthor: Harwood, Sarah Source: UKPlace: Houndmills, Basingstoke, HampsPublisher: MacmillanPubDate: 1997PhysDes: x, 265p. ; 23cmSubject: FAMILY IN FILMS ; SOCIAL-REALISM IN FILMS ; SOCIETY AND THE CINEMA ; SOCIOLOGY AND THE CINEMA ; BARRYMORE, DREW ; BRIDGES, LLOYD ; CLOSE, GLENN ; DOUGLAS, MICHAEL ; GRAVES, PETER ; NIELSEN, LESLIE ; WILLIS, BRUCE ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; FLYING HIGH II [ ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) Summary: What do ET, Fatal Attraction and Look Whos Talking have in common? . As well as being amongst the most popular films at the UK box office of recent years all three represent dysfunctional families, families which profoundly transgressed contemporary ideological norms. The eighties were a decade in which the family occupied a pivotal position in an increasinglingly complex social and moral universe and film itself enjoyed a resurgence. Sarah Harwood argues that Hollywood cinema engaged with debates over the' crisis in the family' in intense and complex ways, both feeding and resisting dominant social mythologies In a fascinating analysis of films as diverse as 'Aiplane!' and 'Terms of Endearment' Family Fictions maps the functions, paradoxes and pleasures of familial representations in recent times. These startling analyses shed light on power and gender relations in contemporary cinema as well as on how the films themselves engaged with their broader cultural contextsNotes: Filmography : p. 248-252; Bibliography : p. 253-258; Includes indexISBN: 0333648439 (hbk); 0333648447 (pbk)
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Fantasy and the cinema / edited by James Donald London: BFI Pub., 1989.
Call No: 735 FANAuthor: Donald, James Place: LondonPublisher: BFI Pub.PubDate: 1989PhysDes: 298 p. : ill. ; 24 cmSubject: FANTASTIC FILMS ; FETISHISM IN FILMS ; GERMANY. 1895-1930 ; SLASHER FILMS ; GENDER AND THE CINEMA ; SEX AND THE CINEMA ; FEMINISM AND THE CINEMA ; SURREALISM AND THE CINEMA ; BARTHES, ROLAND ; SVANKMAJER, JAN ; CONDIT, CECELIA ; BAHTIN, MIHAIL ; BORDWELL, DAVID ; DURAS, MARGUERITE ; LYOTARD, JEAN-FRANCOIS ; HITCHCOCK, ALFRED ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BENEATH THE SKIN (US, Cecelia Condit, 1981) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; INDIA SONG (FR, Marguerite Duras, 1975) ; PSYCHO (US, Alfred Hitchcock, 1960) ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; TERMINATOR, THE (US, James Cameron, 1984) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; VAMPYR : DER TRAUM DES ALLAN GRAY (G/FR, Carl Th. Dreyer, 1932) Notes: Includes bibliographical references (p. 287-291) and indexesISBN: 0851702287; 0851702295 (pbk.)LON: 6190057
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Fast times and excellent adventures : the surprising hisory of the '80s teen movie / James King London: Constable, 2018.
Call No: 451-058.6 KINAuthor: King, James Source: UKPlace: LondonPublisher: ConstablePubDate: 2018PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cmSubject: TEEN FILM ; TEEN FILMS ; YOUNG PEOPLE AND THE CINEMA ; YOUNG PEOPLE IN FILMS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; HISTORY OF CINEMA. 1980's ; BACON, KEVIN ; COPPOLA, FRANCIS FORD ; BRODERICK, MATTHEW ; CROWE, CAMERON ; CRUISE, TOM ; DILLON, MATT ; ESTEVEZ, EMILIO ; FOSTER, JODIE ; HECKERLING, AMY ; HUGHES, JOHN (US) ; LEE, SPIKE ; LOWE, ROB ; MUSIC TELEVISION ; PENN, SEAN ; RINGWALD, MOLLY ; TRAVOLTA, JOHN ; ZEMECKIS, ROBERT ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982) ; GREASE (US, Randal Kleisner, 1978) ; GREMLINS (US, Joe Dante, 1984) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PRETTY IN PINK (US, Howard Deutch, 1986) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; RIVER'S EDGE (US, Tim Hunter, 1986) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; SIXTEEN CANDLES (US, John Hughes, 1984) Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . .
Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid?
From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9781472123725
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Featuring film 2 : the sequel / by Peter Cox, Fred Goldsworthy Melbourne: Oxford University Press, 1997.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Source: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1997PhysDes: viii, 215 p. : ill. ; 26 cmSubject: TEACHING MATERIALS ; BABE (AT, Chris Noonan, 1995) ; BRAVEHEART (US, Mel Gibson, 1995) ; CASABLANCA (US, Michael Curtiz, 1942) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HIGH NOON (US, Fred Zinnemann, 1952) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LORENZO'S OIL (US, George Miller, 1992) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; METROPOLIS (G, Fritz Lang, 1926) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; NELL (US, Michael Apted, 1994) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; OUTBREAK (US, Wolfgang Petersen, 1995) ; PIANO, THE (AT, Jane Campion, 1993) ; PROOF (AT, Jocelyn Moorhouse, 1991) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993) ; SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994) ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; SWING KIDS (US, Thomas Carter, 1993) ; THAT EYE THE SKY (AT, John Ruane, 1994) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995) Notes: Includes indexISBN: 0195540190 : $24.95LON: 12914277
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festival catalogue
The fifth celtic film and television festival : Cardiff, Wales, April 1984 / The celtic film and television festival Wales: [s.n.], 1984.
Call No: FESTIVAL CATALOGUE SHELVESPlace: WalesPublisher: [s.n.]PubDate: 1984PhysDes: 1 v. : ill. ; 30 cmSubject: FESTIVALS. WALES ; FOREIGN FILMS
USE: IMPORT OF FILMS ; SHORT FILMS ; TELEVISION AND THE CINEMA. EUROPEAN COUNTRIES ; TELEVISION. UK ; DOCUMENTARY FILMS Notes: The Fifth Celtic Film and Television Festival includes a selection of feature length films, short films, documentaries and television programs. The festival program has an emphasis on film and television from Celtic nations such as Wales, Ireland, Scotland and France. The catalogue also includes numerous black and white stills and film synopses. NB. The festival catalogue is in English, French and Welsh languages.
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book
Film 67/68 : An anthology by the National Society of Film Critics / edited by Richard Schickel and John Simon Indianapolis [etc.]: Bobbs-Merrill Co. [etc.], c1968.
Call No: 67(04) FILAuthor: Schickel, Richard (ed) ; Simon, John (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PubDate: c1968PhysDes: 320 p. ; 22 cmSubject: ACCIDENT (UK, Joseph Losey, 1967) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; BEDAZZLED (US, Stanely Donen, 1967) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967) ; CHAPPAQUA (US, Conrad Rooks, 1966) ; COMEDIANS, THE (US, Peter Glenville, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967) ; DIRTY DOZEN, THE (US, Robert Aldrich, 1967) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; EL DORADO (SP/FR, Carlos Saura, 1988) ; ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967) ; DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967) ; FAMILY WAY, THE (UK, Ray Boultng, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; HUNT, THE [CAZA, LA] (SP, Carlos Saura, 1966) ; HURRY SUNDOWN (US, Otto Preminger, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; IN LIKE FLINT (US, Gordon Douglas, 1967) ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) ; JOKERS, THE (UK, Michael Winner, 1967) ; ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; LUV (US, Clive Donner, 1967) ; MARAT/SADE (UK, Peter Brook, 1967) ; PERSONA (SW, Ingmar Bergman, 1966) ; POINT BLANK (US, John Boorman, 1967) ; PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967) ; PRIVILEGE, THE (UK, Peter Watkins, 1967) ; STRANGER, THE (US/AG, Adolfo Aristarain, 1987) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; TO SIR, WITH LOVE (UK, James Clavell, 1967) ; TRIP, THE (US, Roger Corman, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) ; WHISPERERS, THE, (UK, Byan Forbes, 1967) ; YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966) ; YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967) Summary: Review of films produced in 1966-1967ISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley KauffmannID2: 277
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Film 68/69 : An anthology by the National Society of Film Critics / edited by Hollis Alpert aand Andrew Sarris Indianapolis [etc.]: Bobbs-Merrill Co. [etc.],
Call No: 67(04) FILAuthor: Alpert, Hollis (ed) ; Sarris, Andrew (ed) CorpAuthor: National Society of Film Critics (U.S.)Place: Indianapolis [etc.]Publisher: Bobbs-Merrill Co. [etc.]PhysDes: 281 p. ; 22 cmSubject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; FOR LOVE OF IVY (US, Daniel Mann, 1968) ; BIRTHDAY PARTY, THE (UK, William Friedkin, 1968) ; BULLITT (US, Peter Yates, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) ; FACE OF WAR, A (US, Eugene S. Jones, 1968) ; MERCENARIES, THE (UK/US, Jack Cardiff, 1968) ; FACES (US, John Cassavetes, 1968) ; FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968) ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968) ; INSIDE NORTH VIETHAM (US, Felix Greene, 1967) ; JOANNA (UK, Michael Same, 1968) ; ODD COUPLE, THE (US, Gene Saks, 1968) ; OLIVER (UK, Carol Reed, 1968) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; PETULIA (US, Richard Lester, 1968) ; PRODUCERS, THE (US, Mel Brooks, 1967) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; TARGETS (US, Peter Bogdanovich, 1968) ; TELL ME LIES (UK/US, Peter Brook, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; UP TIGHT! (US, Jules Dassin, 1968) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968) ; TANTE ZITA (FR, Robert Enrico, 1968) ; SULT (DE/NO/SW, Henning Carlsen, 1966) ; STAR (US, Robert Wise, 1968) Summary: Review of Films produced in the years 1968-69Notes: Includes indexISSN: 0071-4860 0015-1076LON: 68019946; 894646Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris
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Film 73/74 : an anthology by the National Society of Film Critics / edited by Jay Cocks and David Denby Indianapolis ; New York: Bobbs-Merrill Company, 1974.
Call No: 67(04) FILSource: USPlace: Indianapolis ; New YorkPublisher: Bobbs-Merrill CompanyPubDate: 1974PhysDes: xl, 369 p. ; 23 cm.Subject: THEATRE AND THE CINEMA ; POLICE IN FILMS ; MASCULINITY IN FILMS ; WOMEN IN FILMS ; POLITICS IN FILMS ; MONROE, MARILYN ; FORD, JOHN ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WEDDING IN WHITE (CN, William Fruet, 1972) ; KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971) ; KID BLUE (US, James Frawley & Dennis Hopper, 1973) ; PULP (US/UK, Mike Hodges, 1972) ; DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968) ; JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973) ; GODSPELL (US, David Greene, 1973) ; DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; SLITHER (US, Howard Zieff, 1973) ; TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973) ; WALKING TALL (US, Phil Karlson, 1973) ; LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973) ; BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975) ; DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973) ; YEAR OF THE WOMAN (US, Sandra Hochman, 1973) ; NYBYGGARNA (SW, Jan Troell, 1972) ; PAYDAY (US, Daryl Duke, 1972) ; NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970) ; SZERELEM (HU, Karoly Makk, 1971) ; SANMA NO AJI (JA, Yasujiro Ozu, 1962) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; MEAN STREETS (US, Martin Scorsese, 1973) ; BANG THE DRUM SLOWLY (US, John Hancock, 1973) ; HEAVY TRAFFIC (US, Ralph Bakshi, 1973) ; SISTERS (US, Brian De Palma, 1972) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; WAY WE WERE, THE (US, Sydney Pollack. 1973) ; SAVE THE TIGER (US, John G. Avildsen, 1973) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973) ; BLUME IN LOVE (US, Paul Mazursky, 1973) ; DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973) ; I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972) ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) ; SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973) ; SCARECROW (US, Jerry Schatzberg, 1973) ; STING, THE (US, George Roy Hill, 1973) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; DEEP THROAT (US, Jerry Gerard, 1972) ; LIVE AND LET DIE (US, Guy Hamilton, 1973) ; TANG SHAN DA XIONG (HK, Lo Wei, 1971) ; SERPICO (US, Sidney Lumet, 1973) ; MAGNUM FORCE (US, Ted Post, 1973) ; SEVEN-UPS, THE (US, Philip D'Antoni, 1973) ; HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973) ; CHARLEY VARRICK (US, Donald Siegel, 1973) ; SLEEPER (US, Woody Allen, 1973) ; PLAYTIME (FR, Jacques Tati, 1967) ; KING IN NEW YORK (US, Charles Chaplin, 1957) ; TOUCH OF CLASS, A (UK, Melvin Frank, 1973) ; EXORCIST, THE (US, William Friedkin, 1973) ; JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973) ; DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973) Summary: Collection of essays of films that were released in America in 1973/1974.Notes: Includes index.ISBN: 0672519895Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew SarrisID2: 291
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Film 1964 / a cura di Vittorio Spinazzola Milano: Feltrinelli, 1964.
Call No: 67(04) FILAuthor: Spinazzola, Vittorio Place: MilanoPublisher: FeltrinelliPubDate: 1964PhysDes: 236 p. 24 plates, 18cm.Subject: BOLOGNINI, MAURO ; DE SICA, VITTORIO ; MONICELLI, MARIO ; ROSI, FRANCESCO ; VISCONTI, LUCHINO ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; NOTTI BIANCHE, LE (IT/FR, Luchino Visconti, 1957) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; SENSO (IT, Luchino Visconti, 1954) ; TERRA TREMA, LA (IT, Luchino Visconti, 1948) Language: Italian
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Interim
book
Film and school : a handbook in moving-picture evaluation / by Helen Rand and Richard Lewis New York; London: D. Appleton-Century Company Incorporated, 1937.
Call No: 51 RANAuthor: Lewis, Richard ; Rand, Helen Source: USPlace: New York; LondonPublisher: D. Appleton-Century Company IncorporatedPubDate: 1937PhysDes: xv. 182p. ; illus. ; 20cm.Subject: FILM STUDY AND RESEARCH ; TEACHING MATERIALS Notes: With the advice and counsel of Edgar Dale and Sarah McLean Mullen; A publication of The National Council of Teachers of English; Includes list of illustrations, source material and index.
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Film and television catalogue / Canal+ Image UK Pinewood Rd, Bucks, Ivers: Canal+ Image UK,
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Film and television in Poland / Jacek Fuksiewicz [s.l.]: Interpress Publishers, [197-].
Call No: 71(438) FUKAuthor: Fuksiewicz, Jacek Place: [s.l.]Publisher: Interpress PublishersPubDate: [197-]PhysDes: 254 p., [20] leaves of plates : ill. ; 20 cmSubject: POLAND ; TELEVISION. POLAND Notes: Translation of Film i telewizja w Polsce; Imprint covered by label mounted on t.p.: W. S. Heinman Imported Books, New YorkLON: 1048338
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The film and television industry and the new tax system / compiled by Gill McKinlay, Jane Corden and Maria Benardis Woolloomooloo, N.S.W.: Australian Film Commission, 2000.
Call No: 205.31 AUSAuthor: McKinlay, Gill ; Corden, Jane ; Benardis, Maria CorpAuthor: Australia. GST Start-Up Assistance Office; Australian Film CommissionSource: ATPlace: Woolloomooloo, N.S.W.Publisher: Australian Film CommissionPubDate: 2000PhysDes: 80 p. ; spiral binding; 30 cmSubject: TAXES. AUSTRALIA ; ACTORS. AUSTRALIA Notes: Funded by the GST Start-Up Assistance OfficeISBN: 0642487170LON: 22111238
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The film and the public / Roger Manvell Harmondsworth, Middlesex: Penguin, 1955.
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newspaper article
Film app brings cinema to the blind in The Australian (13/04/2017) p.15
Call No: SUBJECT CLIPPINGS FILE; DISABLED AND THE CINEMAAuthor: Swan, David PhysDes: Clippings File ArticleSubject: PEOPLE WITH DISABILITIES AND THE CINEMA ; DEMAND.FILM ; TECHNOLOGY AND THE CINEMA Summary: Interview with Demand.Film chief David Doepel about his company's innovation called MovieReading, which allows sight imparied people to have a film's audio and a description of events to be played through a mobile phone appNotes: A
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Film as text in Metro Education (1997) iss.11 p.29 - 33
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Film at the intersection of high and mass culture / Paul Coates Cambridge [England] New York: Cambridge University Press, 1994.
Call No: 408 COAAuthor: Coates, Paul, 1953 Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1994PhysDes: xvii, 201 p. ; 24 cmSeries: Cambridge studies in filmSubject: POPULAR CULTURE AND THE CINEMA ; SCIENCE-FICTION FILMS ; MELODRAMA ; WESTERNS ; FILM NOIR ; ETHNIC GROUPS IN FILMS ; STARS ; GENRES ; HORROR FILMS ; VOICE OVER ; MUSIC TELEVISION ; SIRK, DOUGLAS ; MARKER, CHRIS ; TARKOVSKY, ANDREI ; KIESLOWSKI, KRZYSZTOF ; FRANJU, GEORGES ; STALLONE, SYLVESTER ; VALENTINO, RUDOLPH ; LANG, FRITZ ; LEE, SPIKE ; MADONNA ; MONROE, MARILYN ; POTTER, DENNIS ; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986) ; FLY, THE (US, David Cronenberg, 1986) ; JETEE, LA (FR, Chris Marker, 1963) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) ; ROCKY IV (US, Sylvester Stallone, 1985) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) ; SEARCHERS, THE (US, John Ford, 1956) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; WESELE (PL, Andrzej Wajda, 1972) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; REAR WINDOW (US, Alfred Hitchcock, 1954) Notes: Includes bibliographical references (p. 182-194) and indexISBN: 0521444721 (hardback)LON: 10419843
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The film cultures reader / Graeme Turner (ed.) New York: Routledge, 2002.
Call No: 408 TURAuthor: Graeme Turner (ed.) Place: London; New YorkPublisher: RoutledgePubDate: 2002PhysDes: 524 p. ; 24 cmSubject: CULTURE AND THE CINEMA ; GENRES ; AESTHETICS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA ; SPECTATORSHIP ; AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; SOUND ; THEORY ; CREED, BARBARA ; KUHN, ANNETTE ; NATIONAL CULTURE AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; GLOBALISATION ; USA ; MONROE, MARILYN ; SEX IN FILMS ; HORROR FILMS ; ACTION FILMS ; HOMOSEXUALITY IN FILMS ; THRILLERS ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; PIANO, THE (AT, Jane Campion, 1993) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; TECHNOLOGY AND THE CINEMA ; INDUSTRY, FILM Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.ISBN: 0415252822
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Film expo 80 North Melbourne, Victoria: Cinema Papers Pty Ltd, c.1981.
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Film financing and television programming : a taxation guide Amsterdam, The Netherlands Los Angeles, CA: KPMG KPMG Peat Marwick LLP [distributor], 1996.
Call No: 205.31 FILCorpAuthor: Peat, Marwick, McLintockPlace: Amsterdam, The Netherlands Los Angeles, CAPublisher: KPMG KPMG Peat Marwick LLP [distributor]PubDate: 1996PhysDes: 281 p. ; 21 cmSubject: TAXES. AUSTRALIA ; TAXES ISBN: 9055220264LON: 12305286
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Interim
book
Film in South East Asia : views from the region : - essays on film in 10 South East Asia-Pacific Countries / edited by David Hanan Hanoi: South East Asia-Pacific Audio Visual Archive Association, 2001.
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Film/literature/heritage : a sight and sound reader / edited by Ginette Vincendeau London: British Film Institute, 2001.
Call No: 753 FILAuthor: Vincendeau, Ginette, 1948 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 284p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. JAMES, HENRY ; ADAPTATIONS. LEONARD, ELMORE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. THOMPSON, JIM ; HISTORICAL FILMS ; LITERATURE AND THE CINEMA ; ARMSTRONG, GILLIAN ; BASS, RON ; TARANTINO, QUENTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; BEACH, THE (US, Danny Boyle, 1999) ; BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992) ; BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; CARRINGTON (UK/FR, Christopher Hampton, 1995) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) ; CRASH (CN, David Cronenberg, 1996) ; CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; EDWARD II (UK, Derek Jarman, 1991) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; GERMINAL (FR, Claude Berri, 1993) ; GRIFTERS, THE (US, Stephen Frears, 1990) ; HOWARDS END (UK, James Ivory, 1992) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LOLITA (US, Adrian Lyne, 1997) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994) ; MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992) ; MANSFIELD PARK (UK/US, Patricia Rozema, 1999) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; MASK OF ZORRO (US, Martin Campbell, 1998) ; MISERABLES, LES (FR, Claude Lelouch, 1995) ; MRS BROWN (UK, John Madden, 1997) ; MRS DALLOWAY (US, Marleen Gorris, 1997) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994) ; REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993) ; RIDICULE (FR, Patrice Leconte, 1996) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAKESPEARE IN LOVE (UK, John Madden, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; THREE MUSKETEERS, THE (US, Stephen Herek, 1993) ; TITUS (US, Julie Taymor, 1999) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; WILDE (UK/US/JA/GG, Brian Gilbert, 1997) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURBISBN: 0851708420; 0851708412(pbk.) : ¦13.99LON: 22285912
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The film-maker and his world : a young person's guide / by R. J. Minney London: Victor Gollancz, 1964.
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Film making in schools / Douglas Lowndes London: Batsford, 1968.
Call No: REFERENCE SECTION; 036 LOWAuthor: Lowndes, Douglas Source: UKPlace: LondonPublisher: BatsfordPubDate: 1968PhysDes: 128 p. : ill., facsims. ; 26 cm .Subject: CINEMATOGRAPHY ; TEACHING MATERIALS Summary: " This important new book, by a distinguished British film maker and teacher, serves as a manual for teachers and students engaged in film making - a comprehensive programme which can serve as the practical basis for day-to-day work in the classroom. The author begins by analyzing the role of film in school curricula and its integration with other studies. He then surveys the basic equipment: still cameras; 8mm. and 16 mm. motion picture cameras; and tape recorders- with a project for introducing the functions of each. The equipment section is followed by an extensive series of projects which expose the reader to the essential grammar of the film and its wide range of expressive and technical possibilities, including drama, social comment, documentary, silent and sound films, group work, community studies, etc. The volume concludes with a technical section which defines film terminology; lists and describes equipment in greater technical detail; explains the operation of cameras, light meters, editing equipment, sound equipment, lighting and animation; and provides lists of suppliers on both sides of the atlantic. With the aid of many line drawings and photographs, the author proves convincingly that film making in schools can be exciting, enlightening, and not unduly expensive for the school or for the student. Douglas Lowndes is Senior Lecturer in Film Production at Hornsey College of Art, London, and also lectures in Film and Edcuation for the British Film Institute. " - BOOK JACKETDonation: donated by the family of Wayne Levy, 2006Contents: -- Equipment -- projects -- technical notes --
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Film on Four 1982/1991 : a survey / John Pym London: bfi Publishing, 1992.
Call No: 201.24CHA PYMAuthor: Pym,John Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 1992PhysDes: 224 p. : ill., ports. ; 26 cmSubject: BROADCASTING ; BROADCASTING. UK ; CHANNEL FOUR ; FILM ; FILMS SHOWN ON TV ; TELEVISION Summary: "Channel 4 Television went on air on 2 November 1982. This was also a significant date for the British Film industry, since an important plank in the Channel's programme policy was the financing of theatrical feature films. This book is the first comprehensive survey of this major and highly influential initiative. John Pym describes and assesses every one of the 136 features commissioned and transmitted by Channel 4 in its 'Film on Four' slot between 1982 and 1991. Among the film-makers aided by Channel 4 have been Peter Greenaway, James Ivory, Terence Davies, Colin Gregg and Stephen Frears. Film on Four's successes have included Walter; Paris; Texas; My Beautiful Laundrette; Distant Voices; Still Lives and Another Time, Another Place. In addition to an historical chrononlogy of the 1980s, FILM ON FOUR contains his technical credits, cast lists, budgets and viewing figures of all 136 films - much of which primary information is published or the first time." -- BOOK BLURBNotes: Includes index; Used to be on system as Accession Number 3222. Has been re-entered as 8433 (17/1/13 HM)ISBN: 0851703453Contents: -- introduction -- chapter 1: where are you, pigeon? 1982/1983 -- chapter 2: playing on the sea-shore 1984/1985 -- chapter 3: that's her in a movie 1986/1987 -- chapter 4: off the ration 1988/1989 -- chapter 5: thank you, Adolf! 1990/1991 -- appendix a: budgets -- appendix b: credits -- acknowledgments -- index --
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A film poet between utopia and realism / by Christian Dimitriu Zurich: Pro Helvetia Press, 1991.
Call No: 81TAN DIMAuthor: Dimitriu, Christian Place: ZurichPublisher: Pro Helvetia PressPubDate: 1991PhysDes: 39 p. : illSubject: TANNER, ALAIN Notes: Cover titleOrder Received: 1999Order Type: DonationLON: abn92312963; 9350301
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Film Production Management 101 : management and coordination in a digital age / Deborah Patz Studio City, CA: Michael Wiese Productions, c2010.
Call No: 21 PATAuthor: Patz, Deborah Source: USPlace: Studio City, CAPublisher: Michael Wiese ProductionsPubDate: c2010PhysDes: xviii, 535 p. ; 26 cmSubject: PRODUCTION ; DIRECTION ; FILM ; TELEVISION ; INDUSTRY, FILM ; INDUSTRY, TV. Summary: "Known as "the Swiss Army knife of production management," Film Production Management 101 is actually two books in one - the essential open-on-the-desk guide for Production Managers and Production Coordinators. Patz takes you on a journey from development through pre-visualization to postproduction through the audit, covering everything with detailed insights, humorous production stories, and the inside scoop on working in film and television." -- BOOK BACK COVERNotes: Includes indexISBN: 9781932907773Donation: Donated by Michael SmithContents: -- I: Project development -- 1 Getting hired -- 2 Before official prep -- 3 Budgeting & breakdowns -- 4.Your kit & online resources II: Preproduction 5 Setting up the production office -- 6 Hiring crew -- 7 Crew departments -- 8 Work space organizatiion -- 9 Telephone etiquette -- 10 Setting up a filing system -- 11 Forms, memos, logs, checklists -- 12 Countdown to production III: Production 13 The shoot day & call sheets -- 14 Daily production reports -- 15 Countdown through production IV: More management & money issues 16 Locatiion management -- 17 Production insurance -- 18 Completion bonds -- 19 Petty cash & purchase orders -- 20 Cash flows -- 21 Interim financing -- 22 Official & PM-only cost reports V: More contracting issues 23 Deal memos & long forms -- 24 Cast contracts & immigration -- 25 Supplier agreements -- 26 The special departments VI: More production & coordination issues. 27 Script format & revisions -- 28 Production scheduling -- 29 Credits -- 30 Documentation distribution VII: Ongoing special issues 31 Publicity & the audience -- 32 Couriers & customs -- 33 Script, music & other legal clearances VIII: Postproduction 34, Wrap & wrap party -- 35 Postproduction -- 36. Audit -- closing notes --
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Film rebates 'low and unpredictable' in The Australian (27/06/2016) p.25
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Film Styles : Styles In Filmmaking in Lumiere (July-August 1971) iss.10 p.6-11
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Film technology in post production / Dominic Case Jordan Hill, Oxford: Focal Press, 1997.
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Film world : interviews with cinema's leading directors / Michel Ciment; translated by Julie Rose New York: Berg, 2009.
Call No: 802.25 CIMAuthor: Ciment, Michel Source: USPlace: New YorkPublisher: BergPubDate: 2009PhysDes: viii, 372 p. ; 25 cmSeries: Talking images seriesSubject: BERTOLUCCI, BERNARDO ; BOORMAN, JOHN ; BRESSON, ROBERT ; CAMPION, JANE ; CASSAVETES, JOHN ; CRONENBERG, DAVID ; EGOYAN, ATOM ; FELLINI, FEDERICO ; GODARD, JEAN-LUC ; GREENAWAY, PETER ; HERZOG, WERNER ; HOU HSIAO-HSIEN ; WONG KAR WAI ; KAURISMAKI, AKI ; KIAROSTAMI, ABBAS ; KIESLOWSKI, KRZYSZTOF ; KITANO TAKESHI ; IM KWON-TAEK ; LEIGH, MIKE ; DE OLIVEIRA, MANOEL ; RAY, SATYAJIT ; SCORSESE, MARTIN ; TARKOVSKY, ANDREI ; VON TRIER, LARS ; ZHANG YIMOU Summary: "Film world brings together key interviews with cinema's learing directors. The directors chosen represent many of the most influential film-makers of the last 50 years..." -- Back coverNotes: First published in France, 2003, by Editions Stock as Petite planete cinematographique; Includes indexISBN: 9781845204577Language: English, translated from the FrenchContents: 1. Bernardo Berrolucci -- 2. John Boorman -- 3. Robert Bresson -- 4. Jane Campion -- 5. John Cassavetes -- 6. David Cronenberg -- 7. Atom Egoyan -- 8. Federico Fellini -- 9. Jean-Luc Godard -- 10. Peter Greenaway -- 11. Werner Herzog -- 12. Hou Hsiao-hsien -- 13. Wong Kar-wai -- 14. Aki Kaurismaki -- 15. Abbas Kiarosrami -- 16. Krzyszrof Kieslowski -- 17. Takeshi Kirano -- 18. Im Kwon-taek -- 19. Mike Leigh -- 20. Manoel de Oliveira -- 21. Satyajit Ray -- 22. Marrin Scorsese -- 23. Andrei Tarkovsky -- 24. Lars von Trier -- 25. Zhang Yimou.ID2: 291
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The film yearbook 1985 / edited by Al Clark South Yarra, Vic: Currey O'Neil Ross, 1984.
Call No: 058 FIL "1985"Author: Clark, Al Source: ATPlace: South Yarra, VicPublisher: Currey O'Neil RossPubDate: 1984PhysDes: 208 p.: ill. ; 28 cmSubject: HARGREAVES, JOHN ; HUGHES, WENDY ; SHEPARD, SAM ; CRUISE, TOM ; WOODS, JAMES ; QUAID, DENNIS ; EVERETT, RUPERT ; BEDELIA, BONNIE ; CONTI, TOM ; LITHGOW, JOHN ; HAZLEHURST, NONI ; FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; SUR, EL (SP/FR, Victor Erice, 1983) ; SILKWOOD (US, Mike Nichols, 1983) ; OSTERMAN WEEKEND, THE (US, Sam Peckinpah, 1983) ; TRADING PLACES (US, John Landis, 1983) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) ; UNDER FIRE (US, Roger Spottiswoode, 1983) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; SPLASH (US, Ron Howard, 1984) ; RIGHT STUFF, THE (US, Philip Kaufman, 1983) ; STRANGERS KISS (US, Matthew Chapman, 1983) ; STAYING ALIVE (US, Sylvester Stallone, 1983) ; TOY, THE (US, Richard Donner, 1982) ; KRULL (UK, Peter Yates, 1983) ; SUDDEN IMPACT (US, Clint Eastwood, 1983) ; HONORARY CONSUL, THE (US, John MacKenzie, 1983) ; BRAINSTORM (US, Douglas Trumbull, 1983) ; AGAINST ALL ODDS (US, Taylor Hackford, 1984) ; BREATHLESS (US, Jim McBride, 1983)
LUNE DANS LA CANIVEAU, LA ; YENTL (US, Barbara Streisand, 1983) ; FOOTLOOSE (US, Herbert Ross, 1984) ; MOON IN THE GUTTER, THE (FR/IT, Jean-Jacques Beineix, 1983)
SEE ; GREYSTOKE: THE LEGEND OF TARZAN, LORD OF THE APES (US/UK, Hugh Hudson, 1984) ; PHAR LAP (AT, Simon Wincer, 1983) ; RAZORBACK (AT, Russell Mulcahy, 1984) Summary: The film yearbook contains stills, credits and reviews of all films released betweenJuly 1983 and July1984. In-depth features by the world's leading film critics on the movies they've enjoyed most, the ones they've liked least and the newcomers they think will succeed. Reports from around the world. Articles about the film industry. Quotes of the year. Awards list, box-office charts, reference section... and even more than before. Taken from back cover of the book.Notes: On cover: with special Australian sectionISBN: 0859021548Language: EnglishDonation: donated by the family of Wayne Levy, 2006
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Filmed thought : cinema as reflective form / Robert B. Pippin Chicago: University of Chicago Press, 2020.
Call No: 631.19 PIPAuthor: Pippin, Robert B. Source: USPlace: ChicagoPublisher: University of Chicago PressPubDate: 2020PhysDes: 271 pages : illustrations (some colour) ; 32 cmSubject: PHILOSOPHY AND THE CINEMA ; SPECTATORSHIP ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; CHINATOWN (US, Roman Polanski, 1974) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; THIN RED LINE, THE (US, Terrence Malick, 1998) ; DARDENNE, JEAN-PIERRE & LUC Summary: "In this book, philosopher Robert B. Pippin reveals how films can illuminate, in a concrete manner, core features of shared human life. Filmed Thought examines questions of morality in Almodovar's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All That Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In A Lonely Place and in the Dardenne brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (with an eye to cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9780226672007Contents: Section I: Cinema As Reflective Form 1. Cinematic Reflection -- 2. Cinematic Self-consciousness in Alfred Hitchcock's Rear Window -- Section II: Moral Variations 3. Devils & Angels in Pedro Almodovar's Talk to Her -- 4. Confounding Morality in Alfred Hitchcock's Shadow of a Doubt -- Section III: Social Pathologies 5. Cinematic Tone in Roman Polanski's Chinatown: Can "Life" Itself be "False"? -- 6. Love & Class in Douglas Sirk's All That Heaven Allows -- Section IV: Irony & Mutuality 7. Cinematic Irony: The Strange Case of Nicholas Ray's Johnny Guitar -- 8. Passive & Active Skepticism in Nicholas Ray's In a Lonely Place -- Section V: Agency & Meaning 9. Vernacular Metaphysics: On Terrence Malick's The Thin Red Line -- 10. Psychology Degree Zero? The Representation of Action in the Films of the Dardenne BrothersID2: 343
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Filming the modern Middle East : politics in the cinemas of Hollywood and the Arab world London ; New York: I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2006.
Call No: 71(53) KHAAuthor: Khatib, Lina Source: UKPlace: London ; New YorkPublisher: I.B. Tauris ; New York : Distributed in the USA by Palgrave MacmillanPubDate: 2006PhysDes: viii, 242 p. : ill. ; 24 cmSubject: ARAB COUNTRIES ; MIDDLE EASTERN COUNTRIES ; MIDDLE EASTERN COUNTRIES IN FILMS ; WORLD CINEMA ; POLITICAL FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; TERRORISM AND THE CINEMA ; RELIGION IN FILMS Summary: "Today the world's media have a pressing need to understand and interpret the modern Middle East. In this timely book, Lina Khatib examines how contemporary American cinema and the cinemas of the Arab world contribute to this global preoccupation in their representations of Middle Eastern politics. This examination of Hollywood as the dominant Western interpreter of the Arab World also views the Arab world in terms of how it perceives itself and others through its films." -- BOOK BLURBNotes: Includes bibliographic references and index; Includes filmographyISBN: 9781845111915Contents: Introduction: Orientalism and the Cinematic Middle East --; Chapter I: The Politicized Landscape -- Why space matters -- Hollywood's spatial political stage -- The spatial contradictions of Arab cinemas -- Conclusion --; Chapter II: Gendered Tools of Nationalism -- The changing face of the American male/nation -- The female nations of Arab cinema -- Conclusion --; Chapter III: Conflicts Within and Without: The Arab-Israeli Conflict (and the Gulf War) -- Hollywood's America: world police -- Arab cinemas: nostalgia and resistence -- Conclusion --; Chapter IV: From the Other Outside to the Other Within: Representing Islamic Fundementalism -- Why fundamentalism matters -- Hollywood's fundamentalist terrorists -- Islamic fundamentalism in Egyptian and Algerian cinemas: the Other within -- Conclusion; Epilogue: On Difference, Resistance, and Nationalism -- On difference -- On resistance -- On nationalism -- Beyond the East/West divide
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Filmmakers on filmmaking : the American Film Institute seminars on motion pictures and television. volume 1 / edited by Joseph McBride Los Angeles Boston: J.P. Tarcher Distributed by Houghton Mifflin Co., c1983.
Call No: 802 FIL vol.1Author: McBride, Joseph CorpAuthor: American Film InstituteEdition: 1st edPlace: Los Angeles BostonPublisher: J.P. Tarcher Distributed by Houghton Mifflin Co.PubDate: c1983PhysDes: ports. ; 24 cmSubject: WALLIS, HAL B. ; ZANUCK, RICHARD ; BROWN, DAVID ; BERGMAN, INGMAR ; WILDER, BILLY ; POITIER, SIDNEY ; BALL, LUCILLE ; HOWE, W.J. ; PLATT, POLLY ; BEATTY, WARREN ; BOGDANOVICH, PETER ; SILVER, JOAN MICKLIN ; SPIELBERG, STEVEN ; DIAMOND, I. A. L. ; ROSENMAN, LEONARD ; FIELDS, VERNA ; SYLBERT, ANTHEA ; MENGERS, SUE ; EAST OF EDEN (US, Elia Kazan, 1955) ; JAWS (US, Steven Spielberg, 1975) ; SHAMPOO (US, Hal Ashby, 1975) ; TARGETS (US, Peter Bogdanovich, 1968) Notes: Includes bibliographies and indexesISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)LON: 2606290
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Films about motion pictures and television / compiled by Carolyn Calkins ... [et al.] ; edited by Ann Martin Frederick, MD: University Publications of America, 1981.
Call No: 53 FILAuthor: Martin, Ann ; Calkins, Carolyn CorpAuthor: American Film Institute. Education ServicesEdition: 1st edPlace: Frederick, MDPublisher: University Publications of AmericaPubDate: 1981PhysDes: 54 p. ; 28 cmSeries: Factfile ; 13Subject: TEACHING MATERIALS Notes: "American Film Institute, Educational Services"--Cover; Includes bibliographical references (p. 35-41)ISBN: 0890935718LON: 11543369
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Films about motion pictures and television / compiled by Carolyn Calkins ... [et al.] ; edited by Martin, Ann Washington DC: American Film Institute Education Services, 1981.
Call No: 53 FILAuthor: Martin, Ann Edition: 1stPlace: Washington DCPublisher: American Film Institute Education ServicesPubDate: 1981PhysDes: 54 p. ; 28 cmSeries: Factfile #13Subject: TELEVISION IN FILMS ; FILMS IN FILMS Notes: Includes index.
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Films deliver : teaching creatively with film / Anthony Schillaci and John M. Culkin (eds) New York: Citation Press, 1970.
Call No: 53(035) FILSource: USPlace: New YorkPublisher: Citation PressPubDate: 1970PhysDes: 348 p. : ill. ; 20 cmSubject: TEACHING MATERIALS Summary: Films deliver is a guide to film use in schools. It offers approaches to using film and television in the classroom to spark interest, generate discussion, and develop critical thinking and analytical abilityNotes: Includes title index and appendicesDonation: donated by the family of Wayne Levy, 2006Contents: What films can do for teachers and students - How it's being done today - The nitty-gritty of films in education - Appendices
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Interim
book
Films from Australia: mini-series/telemovies : a checklist of film and television production October 1989.
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Films from Australia: mini-series/telemovies : a checklist of film and television production October 1991.
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Films from Australia: mini-series/telemovies : a checklist of film and television production April 1992.
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Films from Australia: telemovies/mini-series : a checklist of film and television production October 1992.
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Films from Australia: telemovies mini-series series and serials : a checklist of film and television production April 1993.
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Films from Australia: telemovies mini-series series and serials : a checklist of film and television production April 1995.
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Films from Australia: telemovies mini-series series and serials : a checklist of film and television production October 1994.
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Films from Australia: TV drama : a checklist of television production October 1996.
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Films from Australia: TV drama : a checklist of film and television production October 1995.
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Films from Australia: TV drama : a checklist of television production April 1996.
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newspaper article
Films go offshore for tax breaks in Sunday Telegraph (23/04/2017) p.31
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Silmalis, Linda PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; PRODUCTION. AUSTRALIA ; FOX STUDIOS AUSTRALIA Summary: Fox Studios Australia argues that the producer's offset tax break needs to be raised. This was tabled in a submission to the Senate inquiry on the Australian film and TV industryNotes: A
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Films in our lives : an approach to film appreciation / by N.H. Rosenthal Director, Department of Visual Aids, University of Melbourne Melbourne, Australia: F.W. Cheshire, 1953.
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The films of Andrei Tarkovsky : a visual fugue / Vida T. Johnson and Graham Petrie Bloomington: Indiana University Press, 1994.
Call No: 81TAR JOHAuthor: Johnson, Vida T., 1947 ; Petrie, Graham Place: BloomingtonPublisher: Indiana University PressPubDate: 1994PhysDes: xvii, 331 p. : ill. ; 24 cmSubject: TARKOVSKY, ANDREI Notes: Filmography: p. [315]-317; Includes bibliographical references (p. [320]-323) and indexISBN: 0253331374 (alk. paper); 0253208874 (pbk. : alk. paper)LON: 93043589; 10613057
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The films of the eighties : a social history / William J. Palmer Carbondale: Southern Illinois University Press, 1993.
Call No: 409 PALAuthor: Palmer, William J. Source: USPlace: CarbondalePublisher: Southern Illinois University PressPubDate: 1993PhysDes: xv, 335 pages : illustrations ; 24 cmSubject: HISTORY OF CINEMA. 1980's ; SOCIETY AND THE CINEMA ; VIETNAM WAR IN FILMS ; WAR AND THE CINEMA ; NUCLEAR WARFARE IN FILMS ; TERRORISM AND THE CINEMA ; FEMINISM AND THE CINEMA Summary: "In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the 'holograph of history' that originated from the New Historicist theories of Hayden White and Dominick LaCaprra. In the eighties,such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780809320295Contents: The holograph of history -- The Vietnam War as film text -- The "coming home" films -- The terrorism film texts -- The nuclear war film texts -- From the "evil empire" to Glasnost -- The feminist farm crisis and other neoconservative feminist texts -- The yuppie texts -- Film in the holograph of new history
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Finally some navel-gazing in Sydney Morning Herald [TV Guide] (16/02/2015) p.2
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Finding true love, one week at a time in Herald Sun [The Score/Sport] (07/08/2015) p.87
Call No: CLIPPINGS FILE; TALE OF BOSOM MALE FRIEND, THE [TV](CC/AT) in productionAuthor: Gullan, Scott PhysDes: Clippings File ArticleSubject: TALE OF BOSOM MALE FRIEND, THE [TV] (CC/AT, 2015) Summary: An article about Chinese TV series, The tale of bosom male friend, filming on location an AFL match in Melbourne suburb of Coburg. Local film company, AMG Media Productions is the co-producer of the series.
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A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE: THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US/JA, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
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Finidng true love, one week at a time in Herald Sun (07/08/2015) p.87
Call No: TITLE CLIPPINGS FILE in production; TALE OF BOSOM MALE FRIEND, THE [TV](CC/AT) in productionAuthor: Gullan, Scott PhysDes: Clippings File ArticleSubject: TALE OF BOSOM MALE FRIEND, THE [TV] (CC/AT, 2015) Summary: Report on the shooting of an Australian Rules Football match as part of a new Chinese/Australian produced tv show for Chinese audiences called (in english) THE TALE OF BOSOM MALE FRIEND
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Finnish cinema / Peter Cowie Helsinki: VAPK-Pub., 1990.
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Interim
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Finnish cinema / Peter Cowie Cranbury, New Jersey: Tantivy Press, A.S. Barnes & Co., 1976.
Call No: 71(480) COWAuthor: Cowie, Peter Source: UK/USPlace: London; Cranbury, New JerseyPublisher: Tantivy Press; A.S. Barnes & Co.PubDate: 1976PhysDes: 128 p. : ill., ports. ; 18cmSubject: FINLAND ; NATIONAL CULTURE AND THE CINEMA ; TAPIOVAARA, NYRKI ; BLOMBERG, ERIK ; KASSILA, MATTI ; WITIKKA, JACK ; KURKVAARA, MAUNU ; DONNER, JORN ; MOLLBERG, RAUNI ; JARVA, RISTO ; KIVIKOSKI, ERKKO ; NISKANEN, MIKKO ; PAKKASVIRTA, JAAKKO ; MAKINEN, AITO ; VALKOINEN PEURA (FI, Erik Blomberg, 1953) Notes: Includes index; Bibliography, p. 126-127; Published in association with the Finnish Film Foundation, HelsinkiISBN: 0498020126 (USA); 0904208567 (UK)
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Five for Hollywood / John Parker London: Macmillan London, 1989.
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1992.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Place: MelbournePublisher: Oxford University PressPubDate: 1992PhysDes: viii, 184 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; MALCOLM (AT, Nadia Tass, 1986) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; SHAME (AT, Steve Jodrell, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; RADIO DAYS (US, Woody Allen, 1987) ; ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; CRY FREEDOM (UK, Richard Attenborough, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; GALLIPOLI (AT, Peter Weir, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; STREET HERO (AT, Michael Pattinson, 1984) ; STAND BY ME (US, Rob Reiner, 1986) ; DELINQUENTS, THE (AT, Chris Thomson, 1989) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985) ; KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985) ; PLACE AT THE COAST, THE (AT, George Ogilvie, 1987) ; SCALES OF JUSTICE [TV] (AT, 1983) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; MY LEFT FOOT (UK, Jim Sheridan, 1989) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) Notes: Includes index; Bibliography: p. 183ISBN: 019553218XLON: 8815950ID2: 290
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1998.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Edition: 2nd edSource: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1998PhysDes: viii, 248 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BLADE RUNNER (US, Ridley Scott, 1982) ; CITIZEN KANE (US, Orson Welles, 1941) ; CHARACTERIZATION IN FILMS ; CLUELESS (US, Amy Heckerling, 1995) ; COOLBAROO CLUB, THE (AT, Roger Scholes, 1996) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EMMA (UK, Douglas McGrath, 1996) ; FRONTLINE [TV] (AT, 1994- ) ; GALLIPOLI (AT, Peter Weir, 1981) ; GENRES ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991) ; HOUSEKEEPING (US, Bill Forsyth, 1987) ; MITT LIV SOM HUND (SW, Lass Hallestrom, 1985) ; MURIEL'S WEDDING (AT, P.J. Hogan, 1994) ; NARRATIVE IN FILMS ; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; POLICE ON TV ; PROOF (AT, Jocelyn Moorhouse, 1991) ; REALISM IN FILMS ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SECRET GARDEN, THE (US, Agnieszka Holland, 1993) ; SEINFELD [TV] (US, 1990-98) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAME (AT, Steve Jodrell, 1988) ; SHINE (AT/UK, Scott Hicks, 1996) ; SITUATION COMEDY ; STAR WARS (US, George Lucas, 1977) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Notes: BibliographyISBN: 0195506774 : $26.95; 0195506774 (pbk.)LON: 13455821ID2: 290
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still
[Flirting : stills file]
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Focus on the horror film / edited by Roy Huss and T.J. Ross Englewood Cliffs, N.J.: Prentice-Hall, c1972.
Call No: 735.2 FOCAuthor: Ross, T. J. (Theodore J.) ; Huss, Roy, 1927 Place: Englewood Cliffs, N.J.Publisher: Prentice-HallPubDate: c1972PhysDes: vi, 186 p. : ill. ; 21 cmSubject: HORROR FILMS ; VAMPIRE FILMS ; DRACULA IN FILMS ; LEWTON ,VAL ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; REPULSION (UK, Roman Polanski, 1965) ; TARGETS (US, Peter Bogdanovich, 1968) Notes: Bibliography: p. 180-184ISBN: 0133947599; 0133947424 (pbk)LON: 573005
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newspaper article
Foreign crew entry 'not cricket' in The Australian [Media] (16/02/2015) p.25
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journal article
Foreign film tax mooted in South Africa in Encore (Online)
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Four Corners : twenty-five years / Robert Pullan Sydney: ABC Enterprises for the Australian Broadcasting Corporation, 1986.
Call No: 79FOU PULAuthor: Pullan, Robert Source: ATPlace: SydneyPublisher: ABC Enterprises for the Australian Broadcasting CorporationPubDate: 1986PhysDes: 162 p., [27] p. of plates : ports. ; 24 cmSubject: BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA ; [FOUR] 4 CORNERS [TV] (AT, 1961-) Summary: "Four Corners - Twenty-five Years recalls programs which broke new ground for television public affairs and events which made news in their time. The author's incisive style produces images and powerful stories whose strength remains undiminished by the passing years. This book is not an inventory of the subjects the program has tackled, nor does it catalogue all the people who have made Four Corners the extraordinary success story it is. Robert Pullan, himself a journalist and author, went to people who had worked for Four Corners to find his material, to past and present Four Corners journalists who selected highlights of their work. 'No one program has the power by itself to widen the agenda of public debate' Pullan says, 'but it seemed to me that Four Corners had been on the cutting edge of major changes and that it would be interesting to tell the story from this perspective'. " -- BOOK BLURBISBN: 0642527334Donation: Levy collectionContents: -- contents -- introduction -- 'A quality Sunday newspaper' -- the Charlton-Raymond show -- Allan Ashbolt and the RSL -- the invisible execution -- character and the camera -- secret worlds -- sex and sensitivity -- mining the environment -- the big league -- handle with care -- the rainbow warrior and 'branded' -- out of sight, out of mind -- acknowledgements -- presenter/comperes 1961-1986 -- executive producers 1961-1986 --
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The Fox Girls / by James Robert Parish Castle Books, 1972.
Call No: 802.27 PARAuthor: Parish, James Robert Publisher: Castle BooksPubDate: 1972PhysDes: 722 p. : ill. ; 26 cmSubject: ACTORS ; TWENTIETH CENTURY-FOX ; BARA, THEDA ; GAYNOR, JANET ; TEMPLE, SHIRLEY ; FAYE, ALICE ; YOUNG, LORETTA ; HENIE, SONJA ; DARNELL, LINDA ; GRABLE, BETTY ; TIERNEY, GENE ; BAXTER, ANNE ; MIRANDA, CARMEN ; HAVER, JUNE ; CRAIN, JEANNE ; MONROE, MARILYN ; NORTH, SHEREE ; WELCH, RAQUEL Summary: Biographical information and filmographies of sixteen film actresses associated with Twentieth Century Fox.ISBN: 0870001280
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Old collection
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Fragments : Janet Hills 1919-1956 / Janet Hills Stroud: H., M. and C. Hills, [1956].
Call No: F81HIL HILAuthor: Hills, Janet Source: UKPlace: StroudPublisher: H., M. and C. HillsPubDate: [1956]PhysDes: 143 p., [6] leaves of plates : ports. ; 22 cm.Subject: TELEVISION. UK Notes: Poems; newspaper articles; film and television criticism from The Times educational supplement; short storiesLanguage: English
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[Fragments of war: the story of Damien Parer : stills file]
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The franchise era : managing media in the digital economy / edited by James Fleury, Bryan Hikari Hartzheim and Stephen Mamber Edinburgh: Edinburgh University Press, 2020.
Call No: 753.81 FRAAuthor: Fleury, James ; Hartzheim, Bryan Hikari ; Mamber, Stephen Edition: 2020Place: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: xvi, 320 pages : illustratedSubject: FRANCHISES ; ALIEN [...] (UK/US, 1979-92) ; CRITTERS (US, Stephen Herek, 1986) ; DISNEY ; VIDEO GAMES ; STAR WARS [...] (US, 1977-2015) ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; HOW TO TRAIN YOUR DRAGON (US, Dean DeBlois & Chris Sanders, 2010) ; TELEVISION ; MOBILE AND ONLINE MEDIA ; VIRTUAL REALITY Summary: As Hollywood shifts towards the digital era, the role of the media franchise has become more prominent. This edited collection, from a range of international scholars, argues that the franchise is now an integral element of American media culture. As such, the collection explores the production, distribution and marketing of franchises as a historical form of media-making – analysing the complex industrial practice of managing franchises across interconnected online platforms.
Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape. -- publisher's web siteISBN: 9781474477741Contents: List of Illustrations -- Acknowledgements – Foreword / Derek Johnson -- Introduction: The Franchise Era / James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber
PART I THE FRANCHISE: DEFINING AND HISTORICIZING -- The (Im)Perfect Organism: Dissecting the Alien Media Franchise / James Fleury and Stephen Mamber -- Evil Spawn or Good Business? New Line Cinema, Critters, and Film Franchising at the Margins / Daniel Herbert
PART II VIDEO GAMES: SOFTWARE, HARDWARE, AND SPACE -- The Happiest Plays on Earth: Theme Park Franchising in Disneyland Video Games / Heather Lea Birdsall -- ‘Now They’re Playing with Power!’: Nintendo’s Classics and Franchise Legacy Management / Matthew Thomas Payne -- From Cineludic Form to Mise-en-Game: The Ludification of Cinematic Storyworlds in the Star Wars Video Games / Andreas Rauscher
PART III: ANIMATION: ADAPTATION ACROSS NATIONS, INDUSTRIES, AND PLATFORMS -- Ghostly Boundaries: Transnational Tensions and Adapting Animation in the Ghost in the Shell Franchise / Brian Ruh -- How to Animate Your Franchise: DreamWorks Animation and the Franchising of How to Train Your Dragon / Rayna Denison
PART IV: TELEVISION: NEW DIRECTIONS FOR A LEGACY MEDIUM -- TV Brand-casting, SVOD, and OTT at Comcast and Disney / Jennifer Gillan -- Network Streaming: TV Broadcasters in the Digital Space / Monica Sandler
PART V: EMERGENT PLATFORMS: POSSIBLE FUTURES FOR THE MEDIA FRANCHISE -- Transmedia-to-Go: Licensed Mobile Gaming in Japan / Bryan Hikari Hartzheim -- Locating Esports Spectatorship – Studio Audience(ing) and Sites of Speculation / Alexander Champlin -- Hollywood’s VR Vision: New Frontier or Virtually the Same Thing? / James Fleury
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Franju / Raymond Durgnat London: Studio Vista, c1967.
Call No: 81FRA DURAuthor: Durgnat, Raymond Source: UKPlace: LondonPublisher: Studio VistaPubDate: c1967PhysDes: 144 p. : ill. ; 17 cm.Series: Movie paperbacksSubject: DOCUMENTARY FILMS ; POETIC REALISM ; SURREALISM AND THE CINEMA ; AVANT-GARDE FILMS ; FRANJU, GEORGES ; SANG DES BETES, LE (FR, Georges Franju, 1948) ; PREMIERE NUIT, LA (FR, Georges Franju, 1958) ; EN PASSANT PAR LA LORRAINE (FR, Georges Franju, 1951) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; GRAND MELIES, LE (FR, Georges Franju, 1952) ; POUSSIERES, LES (FR, Georges Franju, 1954) ; A PROPOS D'UNE RIVIERE (FR, Georges Franju, 1955) ; NOTRE DAME CATHEDRALE DE PARIS (FR, Georges Franju, 1956) ; TETE CONTRE LES MURS, LA (FR, Georges Franju, 1959) ; YEUX SANS VISAGE, LES (FR/IT, Georges Franju, 1959) ; PLEINS FEUX SUR L'ASSASSIN (FR, Georges Franju, 1960) ; THOMAS L'IMPOSTEUR (FR, Georges Franju, 1965) ; RIDEAUX BLANCS, LES (FR, Georges Franju, 1965) Notes: Bibliography: p. 143-144.ISBN: 0289277973
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Frank Tashlin / edited by Claire Johnston and Paul Willemen [Edinburgh]: Edinburgh Film Festival in association with Screen, the journal of the Society for Education in Film and Television, 1973.
Call No: 81TAS FRAAuthor: Tashlin, Frank ; Johnston, Claire ; Willemen, Paul Place: [Edinburgh]Publisher: Edinburgh Film Festival in association with Screen, the journal of the Society for Education in Film and TelevisionPubDate: 1973PhysDes: 151 p. : ill. ; 17 cmSubject: TASHLIN, FRANK ISBN: 090067606X : ª1.10LON: 75311511; 265521
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newspaper article
Free-to-air fatigue no bar to small-screen pleasures in The Australian (28/11/2016) p.26
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIA. 2016Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA Summary: An overview of the author's tips for the best and worst made (with a focus on local) shows on Australian tv in 2016
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French cinema since 1946 London: Zwemmer : Cranbury (N. J.) : Barnes, 1966-.
Call No: 71(44) ARMAuthor: Armes, Roy, 1937 Place: LondonPublisher: Zwemmer : Cranbury (N. J.) : BarnesPubDate: 1966-PhysDes: 2 v. : 20 plates (incl. ports.) ; 16 cmSubject: FRANCE ; DIRECTORS. FRANCE ; CLAIR, RENE ; RENOIR, JEAN ; CARNE, MARCEL ; OPHULS, MARCEL ; COCTEAU, JEAN ; CLOUZOT, HENRI-GEORGES ; CLEMENT, RENE ; BECKER, JACQUES ; BRESSON, ROBERT ; TATI, JACQUES ; GREMILLON, JEAN ; LEENHARDT, ROGER ; ROUQUIER, GEORGES ; AUTANT-LARA, CLAUDE Notes: Two volumes - Voume 1: the great tradition Volume 2: the personal styleLON: 4021093 4021093
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journal article
Fritz Lang : cinema of nightmare and fable in Sydney University Film Group Bulletin (June 1971) iss.54 p.19 - 21
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From Hollywood : the careers of 15 great American stars / DeWitt Bodeen South Brunswick [N.J.]: A. S. Barnes, c1976.
Call No: 802.27 BODAuthor: Bodeen, DeWitt, Place: South Brunswick [N.J.]Publisher: A. S. BarnesPubDate: c1976PhysDes: 352 p. : ill. ; 26 cmSubject: BARA, THEDA ; FARRAR, GERALDINE ; BARRYMORE, JOHN ; CHANEY, LON ; DANIELS, BEBE ; FAIRBANKS, DOUGLAS ; CLARK, MARGUERITE ; LOCKWOOD, HAROLD ; ALLSION, MAY ; REID, WALLACE ; STEWART, ANITA ; TALMADGE, CONSTANCE ; COSTELLO, DOLORES ; BRADY, ALICE ; COMPSON, BETTY ; DEL RIO, DOLORES ; DIX, RICHARD Notes: Includes filmographies and indexISBN: 0498013464 : $15.00LON: 724351
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From Moscow to Madrid : postmodern cities, european cinema / Ewa Mazierska and Laura Rascaroli London: I.B. Tauris, 2003.
Call No: 71(4) MAZAuthor: Mazierska, Ewa ; Rascaroli, Laura Source: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2003PhysDes: xii, 260 p. : ill. ; 25 cmSubject: CITIES IN FILMS ; EUROPEAN COUNTRIES ; CLASS AND THE CINEMA ; ALMODOVAR, PEDRO ; CHELSOM, PETER ; LUNGIN, PAVEL ; MACHULSKI, JULIUSZ ; MARTONE, MARIO ; MICHELL, KEITH ; MORTE DI UN MATEMATICO NAPOLE TANO [DEATH OF A NEAPOLITAN MATHEMATICIAN] (IT, Mario Martone, 1992) ; AMORE MOLESTO, L' (IT, Mario Martone, 1995) ; BEAUTIFUL PEOPLE (UK, Jasmin Dizdar, 1999) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; BYE-BYE (FR, Karim Dridi, 1995) ; FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995) ; FUNNY BONES (US, Peter Chelsom, 1995) ; GIRL GUIDE (PL, Juliusz Machulski, 1995) ; KIKA (SP, Pedro Almodovar, 1993) ; KILER (PL, Juliusz Machulski, 1997) ; LUNA PARK (RU/FR, Pavel Lungin, 1992) ; MARIUS ET JEANETTE (FR, Robert Guediguian, 1997) ; NENETTE ET BONI (FR, Claire Denis, 1996) ; NOTTING HILL (UK, Roger Michell, 1998) ; SLIDING DOORS (US, Peter Howitt, 1998) ; TAKSI-BLJUZ (UR/FR, Pavel Lungin, 1990) ; TEATRO DI GUERRA (IT, Mario Martone, 1998) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; TWIN TOWN (UK, Kevin Allen, 1997) ; WONDERLAND (UK, Michael Winterbottom, 1999) Summary: Exploring the postmodern city in the context of European cinema.
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From the dark side : survey of the portrayal of Aborigines and Torres Strait Islanders on commercial television / by Lester Bostock North Sydney: Australian Broadcasting Authority, c1993.
Call No: 410.1=1-81 BOSAuthor: Bostock, Lester CorpAuthor: Australian Broadcasting AuthoritySource: ATPlace: North SydneyPublisher: Australian Broadcasting AuthorityPubDate: c1993PhysDes: 38 p ; 30 cmSeries: Monograph (Australian Broadcasting Authority) ; 3 supplementSubject: ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS ON TV ; TELEVISION. AUSTRALIA ; AUSTRALIAN BROADCASTING AUTHORITY Summary: Research arising from the Australian Broadcasting Tribunal study reported in 'The people we see on TV - cultural diversity on television'. This study was commissioned to investigate attitudes of Aborigines and Torres Strait Islanders to their portrayal on national television.Notes: Supplement to monograph 3; At head of title: Kuri Productions Pty. Ltd.ISBN: 0642191905
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journal article
From Vanuatu village to the world : The nation's first film has recieved international praise in The Australian [Arts & entertainment] (5/11/2015) p.15
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journal article
FTPAA welcomes change in film investment in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1
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Funding Australian content on 'small screens': a draft blueprint : A review of Screen Australia's role and objectives in television funding / Screen Australia [Sydney]: Screen Australia, 25 November 2010.
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Funny Frames : the filmic concepts of Michael Haneke / by Oliver C. Speck New York : London: Continuum, 2010.
Call No: 81HAN SPEAuthor: Speck, Oliver C. Source: US/UKPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: viii, 260 p. : ill. ; 24 cmSubject: THEORY ; VIOLENCE IN FILMS ; RACIAL ISSUES IN FILMS ; HANEKE, MICHAEL ; BENNY'S VIDEO (AU/SZ, Michael Haneke, 1992) ; FUNNY GAMES (AT, Michael Haneke, 1997) ; PIANO TEACHER, THE (AU/FR, Michael Haneke, 2001)
SEE
PIANISTE, LA ; PIANO TEACHER, THE [PIANISTE, LA] (AU/FR, Michael Haneke, 2001) ; TIME OF THE WOLF, THE (FR/AU/GG, Michael Hanaeke, 2003)
SEE
TEMPS DU LOUP, LE ; TEMPS DU LOUP, LE (FR/AU/GG, Michael Hanaeke, 2003) ; CACHE (FR/AU/GG/IT, Michael Haneke, 2005) ; WHITE RIBBON, THE (AU/G/FR/IT, Michael Haneke, 2009)
SEE
DAS WEISSE BAND - EINE DEUTSCHE KINDERGESCHICHTE ; WEISSE BAND, DAS - EINE DEUTSCHE KINDERGESCHICHTE (AU/G/FR/IT, Michael Haneke, 2009) Summary: "Taking its cues from the cinematic innovation of the controversial Austrian-born director Michael Haneke, Funny Frames explores how a polical thinking manifests itself in his work. Funny Frames does justice to the intelligence of Haneke films by exploring the permanent adjustment of the frame of reference in these films: the moment when the "looking at" of the viewer is suddenly revealed to be the "looking with" the perspective of a character. The book is divided into two parts. In the first, Oliver C. Speck explores some of Haneke's Deleuzian traits - showing how the theoretical concepts of the virtual, of filmic space and of realism can be useful tools for unlocking the problems that Haneke formulates and solves through filmic means. In the second, Speck discusses a range of topics that appear in all of Haneke's films but that haven't, until now, been fully noticed or analyzed. These chapters demonstrate how Haneke plays the role of "diagnostician of culture," how he reads - for example - madness, suicide and childhood. Like several other contemporary European directors, Haneke addresses topics considered difficult when measures by the standards of commerical cinema: the traumatic effects of violence, racism, and alienation. Funny Frames is an incisive and original contribution to the growing scholarship on one of the most intriguing auteurs of our time. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781441192851Donation: Donated by Senses of Cinema, 2013Contents: acknowledgments -- photo credits -- Introduction: framing Haneke -- The conceptual frame of reference -- shifting frames -- the frames of narratology -- the truth of the perspective -- anti-cinema and the viewer-- a cinema of cruelty -- A movement through Haneke's oeuvre -- films for television -- Fraulein - ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's Video -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- Cache -- Das weibe Band: Eine deutsche Kindergeschichte / The White Ribbon -- A marriage of past and present : the overcoming of Fassbinder -- genre and self-reflexivity: dialogue with past images -- framing and re-framing -- quoting from collective memory -- virtual decisions -- Thinking the event : the virtual in Michael Haneke -- A new order: the method of madness -- Self/aggression: violence in films by Michael Haneke -- suicide and politics -- a state of exception -- auto-aggression -- the paradox of the witness -- The moral of the long take -- The funny frame -- Plot reviews -- Drei Wege zum See / Three paths to the lake -- Lemminge, Teil 1 Arkadien / Lemmings, Part 1 Arcadia and Lemminge, Teil 2 Verletzungen / Lemmings, Part 2 Injuries -- variation -- Wer war Edgar Allan ? / Who was Edgar Allan? -- Fraulein : Ein deutsches Melodram / Fraulein -- Der siebente Kontinent / The Seventh Continent -- Benny's video -- Die Rebellion / Rebellion -- 71 Fragmente einer Chronologie des Zufalls / 71 Fragments of a Chronology of Chance -- Funny Games and Funny Games U.S. -- Lumiere et compagnie / Lumiere and Company -- Das SchloB nach Franz Kafka / The Castle -- Code inconnu: Recit incomplet de divers voyages / Code Unknown -- La Pianiste / The Piano Teacher -- Le temps du loup / The Time of the Wolf -- Cache / Hidden -- Das weiBe Band : Eine deutsche Kindergeschichte / The White Ribbon -- notes -- bibliography -- index --
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Future directions for commercial television : volume 1: report / Department of Communications Canberra: Australian Government Publishing Service, 1985.
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The future of an illusion : film, feminism, and psychoanalysis / Constance Penley London: Routledge, 1989.
Call No: 626:396 PENAuthor: Penley, Constance, 1948 Place: LondonPublisher: RoutledgePubDate: 1989PhysDes: xx, 207 p. : ill. ; 23 cmSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; THEORY ; WOMEN IN FILMS ; DIRECTORS ; AVANT-GARDE FILMS ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978) ; JETEE, LA (FR, Chris Marker, 1963) ; TERMINATOR, THE (US, James Cameron, 1984) ; PEE-WEE'S PLAYHOUSE [TV] (US, 1986-91) Summary: "'The future of an illusion' documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates centre on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism and the implicit male bias in the psychoanalytically oriented film theory." -- BOOK COVERNotes: Women. Portrayal by mass media (BNB/PRECIS); Includes bibliographical references and indexISBN: 0415041546 (pbk) : ª7.95 : CIP confirmedLON: bnb41504154; 6267645Contents: Feminism and the avant-garde: 1. The avant-garde and its imaginary -- 2. The avant-garde: histories and theories --
Feminism and film theory: 3. "A certain refusal of difference": feminism and film theory -- 4. Feminism, film theory, and the bachelor machines --
Feminism and femininity in Godard: 5. Pornography, eroticism (on 'Every man for himself') -- 6. Les enfants de la patrie (on 'France/tour/detour/two children') --
Sexual difference in popular culture -- 7. Time travel, primal scene, and the critical dystopia (on 'The terminator' and 'La jetee') -- 8. The cabinet of Dr. Pee-wee: consumerism and sexual terror --
Feminism and pedagogy: 9. Teaching in your sleep: feminism and psychoanalysis
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Future visions : new technologies of the screen / edited by Philip Hayward & Tana Wollen London: BFI Pub. Arts Council of Great Britain, 1993.
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newspaper article
Gameau sweetens up for 'Sugar Film' in The Age [Arts & Entertainment] (12/02/2015) p.20
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Gender and early television : mapping women's role in emerging US and British media, 1850-1950 / Sarah Arnold London: Bloomsbury Academic, 2021.
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General catalogue : BBC TV programmes 1962.
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Generation multiplex : the image of youth in American Cinema since 1980 / Timothy Shary ; foreword by Stephen Tropiano ; afterword by Catherine Driscoll Austin, Texas: University of Texas Press, 2014.
Call No: 451-053.6(73) SHAAuthor: Shary, Timothy Edition: Revised editionSource: USPlace: Austin, TexasPublisher: University of Texas PressPubDate: 2014PhysDes: xvii, 414 pages : illustrations ; 23 cmSubject: TEEN FILMS ; EDUCATION IN FILMS ; CRIME FILMS. USA ; HORROR FILMS. USA ; ROMANTIC FILMS. USA Summary: "This updated and expanded edition reaffirms the idea that films about youth constitute a legitimate genre worthy of study on its own terms. Identifying four distinct subgenres - school, deliquency, horror, and romance - Timothy Shary explores hundreds of representative films while offering in-depth discussion of movies that constitute key moments in the genre, including Fast Times at Ridgemont High, A Nightmare on Elm Street, The Breakfast Club, Say Anything..., Boyz N the Hood, Scream, American Pie, Napoleon Dynamite, Superbad, The Twilight Saga and The Hunger GamesISBN: 9780292756625Contents: Machine generated contents note: One.Introduction: The Cinematic Image of Youth -- Social Representation and Genre Theory -- The Study of Youth, In and Out of Movies -- Two.Youth in School: Academics and Attitude -- Contexts and Trends in the Subgenre -- School Kids -- Transforming the Nerd -- Delinquents and Their Avenues of Anger -- Resisting Rebels -- The Labor of Being Popular -- The Sensitive Athlete -- Conclusion -- Three.Delinquent Youth: Having Fun, on the Loose, in Trouble -- Contexts and Trends in the Subgenre -- Delinquent Styles -- Deviant Dancing -- Natural Encounters -- Tough Girls -- Crime Until 1999 -- Crime after Columbine -- Conclusion -- Four.The Youth Horror Film: Slashers and the Supernatural -- Contexts and Trends in the Subgenre -- Horror Stories -- The Slasher/Stalker Film -- Supernatural Movies -- Conclusion -- Five.Youth Romance: Falling in Love and the Fallout of Sex -- Contexts and Trends in the Subgenre -- From Adolescent Ardor to Juggling Gender -- Family Matters -- Proms -- Losing Virginity -- Being Queer -- Pregnancy -- Conclusion -- Six.Conclusion: Youth Cinema into a New Century.
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Genre matters : essays in theory and criticism / Garin Dowd, Lesley Stevenson, Jeremy Strong [editors] Bristol, UK: Intellect Books, 2006.
Call No: 622 GENAuthor: Dowd, Garin ; Stevenson, Lesley ; Strong, Jeremy Source: UKPlace: Bristol, UKPublisher: Intellect BooksPubDate: 2006PhysDes: 178 p. ; 23cmSubject: GENRES ; PROGRAMME GENRES ; GENDER AND TELEVISION ; GENDER AND THE CINEMA ; DERRIDA, JACQUES ; TESS (FR/UK, Roman Polanski, 1979) Summary: This collection of new essays addresses a topic of established and expanding critical interest throughout the humanities. It demonstrates that genre matters in a manner not constrained by disciplinary boundaries and includes new work on Genre Theory and applications of thinking about genre from Aristotle to Derrida and beyond. The essays focus on economies of expectation and competency, genre as media form, recent developments in television broadcast genres, translation and genericity, the role played by genre in film publicity, gender and genre, genre in fiction, and the problematics of classification. An introductory essay places the contributions in the context of a wide range of thinking about genre in the arts, media and humanities. [Taken from the back of the book]Notes: Bibliography: p. 169-170; Includes indexISBN: 1841501077Donation: Donated by Senses Of Cinema, 2009Contents: Introduction: Genre Matters in Theory and Criticism/ Garin Dowd -- Genre Theory: Cultural and Historical Motives Engendering Literary Genre/ Brian G Caraher -- Objectivity and Immanence in Genre Theory/ Paul Cobley -- The Genericity of Montage: Derrida and Genre Theory/ Jeff Collins -- Ohio Impromptu, Genre and Beckett on Film/ Garin Dowd -- Translating Genre/ Susan Bassnett -- Tess, Jude and the Problem of Adapting Hardy/ Jeremy Strong -- " Mixing and Matching": the Hybridising Impulse in Today's Factual Television Programming/ Richard Kilborn -- "So What Kind of Film is it?": Genre, Publicity and Critical Practice/ Mike Chopra-Gant -- Three Faces of Ruth Rendell: Feminism, Popular Fiction and the Question of Genre/ Margaret Russett -- The Historical Novel?: Novel, History and the "End of history"/ Martin Ryle -- Contributors' Details
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The geopolitical aesthetic : cinema and space in the world system / Fredric Jameson Bloomington London: Indiana University Press BFI Pub., 1992.
Call No: 62 JAMAuthor: Jameson, Fredric Place: Bloomington LondonPublisher: Indiana University Press BFI Pub.PubDate: 1992PhysDes: xvi, 220 p. : ill. ; 23 cmSubject: POSTMODERNISM AND THE CINEMA ; SOCIETY AND THE CINEMA ; CONSPIRACY FILMS ; AESTHETICS ; MEDIA ; NARRATIVE IN FILMS ; TECHNOLOGY AND THE CINEMA ; THIRD WORLD ; GODARD, JEAN-LUC ; RENOIR, JEAN ; TARKOVSKY, ANDREI ; TAHIMIK, KIDLAT ; GIDE, ANDRE ; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976) ; BLOWOUT (US, Brian De Palma, 1981) ; PARALLAX VIEW, THE (US, Alan J. Pakula, 1974) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; SALVADOR (US, Oliver Stone, 1986) ; VIDEODROME (CN, David Cronenberg, 1983) ; K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986) ; UNDER FIRE (US, Roger Spottiswoode, 1983) Notes: Includes bibliographical references and indexISBN: 0253330939 (U.S.); 0851703119 (England)LON: 8458641
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Gettin' Square director gets cranky in The Age (25/05/2017) p.26
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Giant $10mill. telemovie project PBL Productions and AFC set deal in Australasian Cinema (Friday, 19/8/1983) vol.12 iss.15 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; PACKER, KERRY ; TAXES. AUSTRALIA Summary: Article on the deal struck between the Australian Film Commission and PBL Productions (Kerry Packer's production company) to make eight 'quality' telemovies. they are eligable for tax concessions under Division 10B.
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Global melodramas : nation, body, and history in contemporary film / Carla Marcantonio Basingstoke: Palgrave Macmillan,
Call No: 733 MARAuthor: Marcantonio, Carla Edition: 2015Place: BasingstokePublisher: Palgrave MacmillanPhysDes: xii, 190 ; 23 cmSubject: MELODRAMA ; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002) ; SKIN I LIVE IN, THE (SP, Pedro Almodovar, 2011) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; [TWO THOUSAND AND FORTY-SIX] 2046 (HK, Wong Kar-Wai, 2004) ; BUBBLE (US, Steven Soderbergh, 2005) ; BABEL (US/MX/FR, Alejandro Gonzalez Ioarritu, 2006) ; GRAVITY (US/UK, Alfonso Cuaron, 2013) ; JUVENTUDE EM MARCHA [COLOSSAL YOUTH] (PO/FR/SZ, Pedro Costa, 2006) ; SHIJIE [WORLD, THE] (CN/JP/FR, Zhangke Jia, 2004) Notes: Global Melodrama is the first booklength work to investigate melodrama in a specifically twenty-first century setting across regional and national boundaries, analyzing film texts from a variety of national contexts in the wake of globalization. -- publisher's blurbISBN: 9781137530615
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The glossary of t.v. terms / Brian Armstrong London: Barrie and Jenkins,
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Government reaffirms pledge to Oz film industry in Australasian Cinema (15/4/1983) vol.12 iss.6 p.4
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Graphic violence on the screen / edited by Thomas R. Atkins New York: Monarch Press, c1976.
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Grass roots : Series one / Geoffrey Atherden Sydney: Currency Press, 2002.
Call No: 79GRA ATHAuthor: Geoffrey Atherden ; Katherine Thomson ; Michael Brindley Place: SydneyPublisher: Currency PressPubDate: 2002PhysDes: 24 cm ; 334 pSubject: TELEVISION. AUSTRALIA ; POLITICS AND TV. AUSTRALIA Summary: Welcome to Arcadia Waters, where the beaches are beautiful, the headland pristine, and the local politicians dream and scheme. As the locals do battle over garbage collection, the neighbour's noisy dog and a vexatious demolition order, their representatives in council do battle over, well, everything. Join Col Dunkley, his adversaries and allies, for an entertaining year of local drama and intrigue. The first series of Grass Roots won five AFI Awards, including Best Screenplay in a Television Drama. All eight scripts are published here together with a preface from Leichardt's former mayor, Larry Hand. [Taken from back cover].ISBN: 0868196894
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Greater Union film distributors : Forthcoming Attractions: Independent/ Walt Disney/ Australian/ Thorn EMI Films in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.4-5
PhysDes: ArticleSubject: TERRY FOX STORY, THE (CN/US, Ralph Thomas, 1983) ; CURTAINS (CN, Jonathan Stryker [pseud. of Richard Ciupka & John Vernon], 1983) ; BOOGENS, THE (US, James L. Conway, 1981) ; SNOW WHITE AND THE SEVEN DWARFS (US, Peter Medak, 1983) ; SPLASH (US, Ron Howard, 1984) ; MOLLY (AT, Ned Lander, 1983) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; CROSS CREEK (US, Martin Ritt, 1983) Summary: Lists of up-coming films and their crew details
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Green light for film investors in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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The Gruen Transfer / by Jon Casimir Pymble, N.S.W: ABC Books, 2010.
Call No: 79 GRU CASAuthor: Casimir, Jon CorpAuthor: ABCSource: ATPlace: Pymble, N.S.WPublisher: ABC BooksPubDate: 2010PhysDes: 287 p. ; 26 cmSubject: ADVERTISING ; ADVERTISING. TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; GRUEN TRANSFER, THE [TV] (AT, 2008) Summary: " With it's compelling, fascinating and downright gobsmacking insights into the advertising that surrounds us. The Gruen Transfer lifts the lid on the persuassion business examing how advertising works and how it works on us. " -- BOOK JACKETNotes: Includes bibliographical references (p. 286)ISBN: 9780733327872
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GST: the lowdown on distribution in Encore (Apr 2000) vol.18 iss.3 p.45
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Guerilla television / Michael Shamberg and Raindance Corporation New York: Holt, Rinehart and Winston, 1971.
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Guide to pay TV anti-siphoning provisions / Australian Broadcasting Authority Sydney: Australian Broadcasting Authority, 1996.
Call No: 303.333(94) AUSAuthor: Australian Broadcasting Authority Source: ATPlace: SydneyPublisher: Australian Broadcasting AuthorityPubDate: 1996PhysDes: 31 pages ; 30 cmSubject: PAY TV. AUSTRALIA ; AUSTRALIAN BROADCASTING AUTHORITY ; TELEVISION. AUSTRALIA ; BROADCASTING RIGHTS. AUSTRALIA ; BROADCASTING. AUSTRALIA ; LEGISLATION. AUSTRALIA ; LICENSING LAWS. AUSTRALIA ; SPORT AND TV. AUSTRALIA ; SPORT ON TV. AUSTRALIA Summary: "This guide provides an overview of anti-siphoning provisions contained in the [Broadcasting Services] Act and outlines a number of issues which have arisen since the anti-siphoning list came into force. The Act sets out the rules that are designed to prevent 'siphoning' of certain programs broadcast on national and commercial television (free-to-air television) and gives particular powers to the ABA and to the Minister in relation to the operation of these rules. Siphoning means the obtaining by a pay TV licensee of the exclusive rights (i.e. both free-to-air and pay TV rights) to broadcast an event (or events), such that those events could not be received on free-to-air television and would only be available to subscribers of the pay TV service. Without fettering the Minister's discretion to exercise his powers, this guide indicates how the ABA will approach certain situations. The ABA hopes this will provide guidance to parties wishing to negotiate rights to events that may be broadcast on Australian free-to-air or pay-tv services." - IntroductionContents: Definitions -- Development of guidelines -- Introduction -- Anti-siphoning provisions -- Role of the ABA -- Role of the minister -- Limitations of anti-siphoning list in the case of newly created events -- Other issues arising from the operation of the anti-siphoning list -- Attachements: anti-siphoning list and amendments; extracts Broadcasting Services Act 1992; Directions to the ABA; Consideration of terms and phrases contained in section 115 examples
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HABLE CON ELLA : (SP, Pedro Almodovar, 2002)
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Hail Cesar! : 10 Award winning French Films in National Film Theatre (September/October 1983) p.36-38
Author: Wlaschin, Ken PhysDes: ArticleSubject: DIVA (FR, Jean-Jacques Beineix, 1981) ; GUERRE DU FEU, LA (CN/FR/US, Jean-Jacques Annaud, 1981) ; VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978) ; PROVIDENCE (FR, Alain Resnais, 1977) ; MONSIEUR KLEIN (FR/IT, Joseph Losey, 1976) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; COUSIN, COUSINE (FR, Jean-Charles Tacchella, 1975) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; GARDE A VUE (FR, Claude Miller, 1981) ; TESS (FR/UK, Roman Polanski, 1979) Summary: Short Reviews
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Hamlet study guide in Metro Education (1997) iss.11 p.44-50
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Hands on : new technology in documentary making / by Marcus Gillezeau ; edited by Jane Oehr and Gill McKinlay Sydney: Australian Film Commission, 1997.
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Hands on : A practical guide to production and technology in film, TV and new media / Marcus Gillezeau Sydney: Currency Press, 2004.
Call No: 222(94) GILAuthor: Marcus Gillezeau Place: SydneyPublisher: Currency PressPubDate: 2004PhysDes: 340 p ; 21 cmSubject: PRODUCTION ; PRODUCTION COSTS ; PRODUCTION TECHNOLOGY ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; FINANCING. AUSTRALIA ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; PRE-PRODUCTION. AUSTRALIA ; ADVERTISING FOR FILMS. AUSTRALIA ; DISTRIBUTION. AUSTRALIA Summary: Written specifically for the Australian industry, Hands On is an essential guide to the latest film, video and new-media technology. Hands On defines a cyclical production model that empowers the film-maker and saves time and money. From conception to financing, choosing a screen ratio, a camera or a lawyer, delivering over the web, TV or the cinema, Hands On helps emerging and established practitioners to make informed decisions. This book features budgets, illustrations, charts and a glossary. It also inludes a comprehensive list of industry associations and government bodies with their full contact details. [Taken from back cover].ISBN: 0868196827
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Hard bodies : Hollywood masculinity in the Reagan era / Susan Jeffords New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01(73) JEFAuthor: Jeffords, Susan, 1953 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: 212 p. : ill. ; 23 cmSubject: Reagan, Ronald ; POLITICS AND THE CINEMA. USA ; MEN IN FILMS. USA ; COLD WAR AND THE CINEMA. USA ; COLD WAR FILMS. USA ; HERO IN FILMS ; FAMILY IN FILMS. USA ; NATIONAL IDENTITY IN FILMS. USA ; TECHNOLOGY AND THE CINEMA. USA ; BODY IN FILMS. USA ; UNFORGIVEN (US, Clint Eastwood, 1992) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90) ; BATMAN (US, Tim Burton, 1989) ; BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991) ; CASUALITIES OF WAR (US, Brian De Palma, 1989) ; DIE HARD (US, John McTiernan, 1988) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; KINDERGARTEN COP (US, Ivan Reitman, 1990) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; MISSISSIPPI BURNING (US, Alan Parker, 1988) ; RAMBO [...] (US, 1982-1988) ; ROBOCOP (US, Paul Verhoeven, 1987) ; TWINS (US, Ivan Reitman, 1988) Notes: Includes bibliographical references (p. [205]-208) and indexISBN: 0813520029; 0813520037 (pbk.)LON: 9874831
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[Hard word, the : stills file]
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The haunted screen : expressionism in the German cinema and the influence of Max Reinhardt / [by] Lotte H. Eisner [translated from the French by Roger Greaves] London: Thames & Hudson, 1969.
Call No: 71(430) EISAuthor: Eisner, Lotte H Place: LondonPublisher: Thames & HudsonPubDate: 1969PhysDes: 360 p. illus. 25 cmSubject: GERMANY ; EXPRESSIONISM ; LUBITSCH, ERNST ; BRECHT, BERTOLT ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; METROPOLIS (G, Fritz Lang, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; SCHATZ, DER (G, Georg Wilhelm Pabst, 1923) ; TARTUFF (G, Friedrich Wilhelm Murnau, 1926) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) Notes: Originally published as L'Ecran demoniaque, revised ed. Paris, Bonne, 1965; List of films p. 348-354; Bibliography: p. 346-347ISBN: 0500500010LON: 110813 110813
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The haunted screen : expressionism in the German cinema and the influence of Max Reinhardt / by Lotte H. Eisner Berkeley: University of California Press, 1973, c1969.
Call No: 71(430) EISAuthor: Eisner, Lotte H Edition: 1st California pbk. edPlace: BerkeleyPublisher: University of California PressPubDate: 1973, c1969PhysDes: 360 p. : ill., portsSubject: GERMANY ; EXPRESSIONISM ; LUBITSCH, ERNST ; BRECHT, BERTOLT ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; METROPOLIS (G, Fritz Lang, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; SCHATZ, DER (G, Georg Wilhelm Pabst, 1923) ; TARTUFF (G, Friedrich Wilhelm Murnau, 1926) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) Notes: Translation of: L'ecran demoniaque; Bibliography: p. 346-347; Filmography: p. 348-354ISBN: 0520024796LON: 8931538
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Have gun-will travel / by Gaylen Studlar Detroit: Wayne State University Press, c2015.
Call No: 79HAV STUAuthor: Studlar, Gaylyn Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2015PhysDes: viii, 194 pages : black and white illustrations, portraits ; 18 cmSeries: TV Milestones seriesSubject: TELEVISION ; WESTERNS ; HAVE GUN WILL TRAVEL [TV] (US, Herb Meadow and Sam Rolfe, 1957–1963) Summary: "A smart, illuminating, and entertaining return to this memorable TV show. Along the way, Gaylyn Studlar situates the landmark series' hero in multiple fascinating contexts ranging from the lone Westerner to the Victorian dandy to the postwar playboy bachelor, just as she traces the overlapping layers of cultural history, past and present, which the show draws upon. " -- Steven Cohan (back of the book)ISBN: 9780814339763Donation: Senses of CinemaContents: -- acknowledgments -- introduction -- 1: Making the Dandy Mythic -- 2: Kisses for My Paladin -- 3: Corpses Enough for Shakespeare -- 4: Liberalism, Gradualism, and the Failure of Human Solidarity -- 5: Auteurism, Aesthetics, and the Cinematic Impulse -- legacy -- notes works cited -- index --
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He Died With A Falafel In His Hand in Empire (Australian Ed.) (September 2001) iss.6 p.41
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[Healthy, wealthy and wise : stills file] / Greg Noakes
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'Heart of a Champion' is a winner in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.2
PhysDes: ArticleSubject: TERRY FOX STORY, THE (CN/US, Ralph Thomas, 1983) ; CANADA Summary: Synopsis of 'The Terry Fox Story' (sometimes refered to as 'Heart of a Champion'), including details of its Sydney premier at the Lyceum Theatre which is a charity fundraiser for the Wesley Central Mission.
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Hearths of darkness : the family in the American horror film / Tony Williams Jackson: University Press of Mississippi, c2014.
Call No: 735.2 WILAuthor: Williams, Tony Edition: Updated ed.Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: c2014PhysDes: Tony WilliamsSubject: ADAPTATIONS. KING, STEPHEN ; FAMILY IN FILMS ; HORROR FILMS. USA ; PSYCHO (US, Alfred Hitchcock, 1960) ; POLTERGEIST (US, Tobe Hooper, 1982) ; POLTERGEIST II: THE OTHER SIDE (US, Brian Gibson, 1986) ; NIGHTMARE ON ELM STREET (US, Wes Craven, 1984) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) Summary: Hearths of Darkness traces the origins of the 1970s family horror subgenre
to certain aspects of American culture and classical Hollywood cinema. Far
from being an ephemeral and shortlived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It’s Alive, God Told Me, Carrie, The Exorcist, Exorcist 2, and The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Tony Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s.
After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.-[taken from publishers site]Notes: Includes bibliographical references (pages 333-346) and indexISBN: 9781628461909Contents: Introduction: family assault in the American horror film -- Classical shapes of rage: universal and beyond -- Lewton or "the ambiguities" -- To Psycho and beyond: the Hitchcock connection -- Return of the native: the satanic assaults -- Far from Vietnam: the family at war -- Sacrificial victims -- Chain saw massacres: the apocalyptic dimension -- The return of Kronos -- Poltergeist and Freddy's nightmares -- The King adaptations -- Into the nineties -- Postscript.
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Hector : the story of Hector Crawford and Crawford Productions North Melbourne, Victoria: ARCADIA, the general books' imprint of Australian Scholarly Publishing, 2015.
Call No: 81CRA BAZAuthor: Bazzani, Rozzi Source: ATPlace: North Melbourne, VictoriaPublisher: ARCADIA, the general books' imprint of Australian Scholarly PublishingPubDate: 2015PhysDes: xvii, 331 pages, 34 unnumbered pages of plates : illustrations, portraits, photographs ; 24 cmSubject: TELEVISION ; AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; INDUSTRY, TELEVISION. AUSTRALIA ; PRODUCERS ; PRODUCING. AUSTRALIA ; DIRECTORS ; BROADCASTING ; CRAWFORD PRODUCTIONS ; CRAWFORD, HECTOR ; HOMICIDE [TV] (AT, 1964-1975) ; BOX, THE [TV] (AT, 1974-77) ; BOX, THE [TV] (AT, 1974-77) ; SULLIVANS, THE [TV] (AT, 1975-1982) ; CARSON'S LAW [TV] (AT, 1983) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) Summary: "Hector Crawford - the name remains synonymous with Australian television.The tag line 'This has been a Crawford Production' still resonates with generations of Australians who grew up with his cops, the Sullivan family or any of the long line of productions that flowed from his legendary company. His public facade is part of our collective memory but the man behind it, and how his passion and determination changed Australian culture forever is revealed in 'Hector'. Rozzi Bazzani recounts vividly how, as Crawford's influence grew, the off-screen politics employed by the TV networks and rivals to diminish his company's power became as exciting as any of his on-screen dramas." -- BOOK BACK COVER BLURBNotes: Incudes bibliographical references (pages 303-315) and indexISBN: 9781925003734Contents: -- part one -- the high seas -- the first family -- choir of angels -- sweet inspiration -- young lives -- searching Hart's heart -- 'music for the people' -- music changes everything -- war torn -- words and music -- no place like home -- classical gas -- heartache and hope -- the first big talent show -- testing times -- love and marriage -- sneak preview -- nuts and bolts -- the spoken word -- the boys in blue -- an identity crisis -- the big picture -- the lobbyist -- game rules -- part two -- television reality -- down to business -- quiz bang -- dirty dancing -- television tease -- all out -- was I dreaming? -- it's an emergency -- all in the family -- overshadowed -- pushing the limit -- fizzled -- the little yellow booklet -- political art -- olderfleet building -- consider it done -- new horizons -- loss and gain -- the bid -- the decision -- back to the drawing board -- homicide -- family business -- a new podium -- pioneering pictures -- forward push -- a sister's heartbreak -- striking a balance -- hunting all over -- 'divvy four' -- fighting words -- head on -- variety is the spice -- new faces -- the art of tennis -- up, up and away -- the bush on television -- drawing power -- actors act : tv: make it Australian -- a sparkling piano man to the rescue -- acting out -- hollywood on the Yarra -- a new way -- a seniors film moment -- hands across the ocean -- hoist on his petard -- sex, lies and videotape -- the flood gates open -- boys' toys -- the box -- local features feature -- the empire strikes back -- last of the Australians -- where to from here? -- everybody wants to get in on the act -- slip sliding away -- a friend in deed -- the axe falls hard -- blockade -- the comeback -- a family in war: the Sullivans -- interlude -- leaving home -- part three -- together at last -- repeat with movement -- no new tricks -- all the rivers run -- carson's law -- the flying doctors -- da capo -- palace coup -- the last act of a mogul --
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HEKAYAT-E DARYA [TALE OF THE SEA] : (IR, Bahman Farmanara, 2018)
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Hey hey it's Saturday : volume III Elwood, Vic.: Bridgewater Books, 1988.
Call No: 79 HEY HEYSource: ATPlace: Elwood, Vic.Publisher: Bridgewater BooksPubDate: 1988PhysDes: 96 p. : col. ill. ; 28 cmSubject: COMEDY PROGRAMMES. AUSTRALIA ; LIGHT ENTERTAINMENT. AUSTRALIA ; TELEVISION. AUSTRALIA ; HEY HEY IT'S SATURDAY [TV] (AT, 1971-1999) ; SOMERS, DARYL ; SYMONS, RED Summary: "In this fast world we live in, televisions shows come and go. Hey Hey It's Saturday is just taking a little longer than most. So, in time to come, you can be assured that, in this book, you have purchased a rare memento of unparalleled trivia that, like an old bottle of wine (and some of our crew), should be laid down and completely forgotten." - FOREWORDNotes: Dedicated to the late Ricky MayISBN: 0864362056
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High anxiety : catastrophe, scandal, age & comedy / Patricia Mellencamp Bloomington: Indiana University Press, 1992.
Call No: 632.46 MELAuthor: Mellencamp, Patricia Place: BloomingtonPublisher: Indiana University PressPubDate: 1992PhysDes: xvi, 414 p. : ill. ; 25 cmSeries: Arts and politics of the everydaySubject: POPULAR CULTURE AND TV ; IMPERIALISM AND TV ; COMMERCIALS, TV ; GOVERNMENT CONTROL. USA ; PSYCHOANALYSIS AND TV ; DISASTERS ON TV ; LAWSUITS ; NARRATIVE IN TV ; SEX AND TV ; SITUATION COMEDY ; GULF WAR ON TV ; WOMEN ON TV ; TALK SHOWS. USA ; RIVERA, GERALDO ; DURAS, MARGUERITE ; BALL, LUCILLE ; BENSON, SUSAN PORTER ; RIVERS, JOAN ; ARNOLD, ROSEANNE ; BURNS, GEORGE ; DONAHUE, PHIL ; FAGIN, STEVE ; WAGNER, JANE ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; GEORGE BURNS AND GRACIE ALLEN SHOW, THE [TV] (US, 1950-1958?) ; ETERNAL FRAME [MM] (US, 1975?) ; OPRAH WINFREY SHOW, THE [TV] (US, 1986- ) ; ROSEANNE [TV] (US, 1988- ) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; YOUNG AND THE RESTLESS, THE [TV] (US, 1973- ) ; MURDER, SHE WROTE [TV] (US, 1984- ) ; MAJOR DAD [TV] (US, 1989- ) ; I LOVE LUCY [TV] (US, 1951-57) ; CURRENT AFFAIR, A [TV] (US, 1986- ) Notes: Includes bibliographical references (p. [381]-408) and indexISBN: 0253207355 (pbk.); 0253337445 (alk. paper)LON: 8666545
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High contrast : race and gender in contemporary Hollywood film / Sharon Willis Durham, N.C.: Duke University Press, 1997.
Call No: 451-054(73) WILAuthor: Willis, Sharon Place: Durham, N.C.Publisher: Duke University PressPubDate: 1997PhysDes: 266 p. ; 24 cmSubject: RACIAL ISSUES AND THE CINEMA ; ACTION FILMS ; GENDER AND THE CINEMA. USA ; MEN IN FILMS ; WOMEN IN FILMS ; LEE, SPIKE ; LYNCH, DAVID ; TARANTINO, QUENTIN ; DIE HARD (US, John McTiernan, 1988) ; LETHAL WEAPON [...] (US, Richard Donner, 1987-92) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WILD AT HEART (US, David Lynch, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) Summary: In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin TarantinoNotes: Includes bibliographical references (p. [217]-257) and indexISBN: 0822320290 (cloth : acid-free paper); 082232041X (pbk. : acid-free paper)LON: 97013147; 13158378Contents: Part 1. Battles of the sexes -- 1. Mutilated Masculinties and Their Prostheses: Die Hards and Lethal Weapons -- 2. Insides Out: Public and Private Exchanges from Fatal Attraction to Basic Instinct -- 3. Combative Femininity: Thelma and Louise and Terminator 2 -- Part II. Ethnographies of the "White" Gaze -- 4. Do the Wrong Thing: David Lynch's Perverse Style -- 5. Tell the Right Story: Spike Lee and the Politics of Representative Style -- 6. Borrowed "Style": Quentin Tarantino's Figures of Masculinity
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newspaper article
High-quality glut about to peak in Sydney Morning Herald (04/01/2016) p.4
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. USAAuthor: - PhysDes: Clippings File ArticleSubject: TELEVISION. USA ; FX NETWORKS Summary: Discussion about the 'high-quality' tv phenomenon and predictions that the amount of these types of shows are close to peaking
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A history of films / John Fell New York: Holt, Rinehart and Winston, 1979.
Call No: 70 FELAuthor: Fell, John Source: USPlace: New YorkPublisher: Holt, Rinehart and WinstonPubDate: 1979PhysDes: 588 p. : ill. ; 23 cmSubject: HISTORY AND THE CINEMA ; PRODUCTION ; ALEXANDROV, GROGORIO ; ANTONIONI, MICHELANGELO ; BRECHT, BERTHOLD ; CAPRA, FRANK ; CHAPLIN, CHARLES ; DE SICA, VITTORIO ; COCTEAU, JEAN ; DEMILLE, CECIL B. ; DREYER, CARL TH. ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FRANJU, GEORGES ; LANG, FRITZ ; MURNAU, FRIEDRICH WILHEL ; Pasolini, Pier Paolo ; PAUL, ROBERT ; PORTER, EDWIN S. ; PUDOVKIN, VSEVELOD ; RENOIR, JEAN ; RESNAIS, ALAIN ; ROSSELLINI, ROBERTO ; THALBERG, IRVING ; TRUFFAUT, FRANCOIS ; VERTOV, DZIGA ; VIGO, JEAN ; VISCONTI, LUCHINO ; ZAVATTINI, CESARE ; WELLES, ORSON ; WYLER, WILLIAM ; ZUKOR, ADOLPH ; L'AGE D'OR (FR, Luis Bruñell, 1930) ; L'ATALANTE (FR, Jean Vigo, 1930) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; METROPOLIS (G, Fritz Lang, 1926) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) Notes: Bibliography: p.546-548
Includes indexISBN: 0030363160Donation: donated by the family of Wayne Levy, 2006
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A history of regional commercial television in Australia / Michael Thurlow Switzerland: Palgrave Macmillan,
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The Hollywood cage / Charles Hamblett New York: Hart Publishing Company, 1969.
Call No: 46(794) HAMAuthor: Hamblett, Charles Source: USPlace: New YorkPublisher: Hart Publishing CompanyPubDate: 1969PhysDes: 435 p. : ill., ports ; 24 cmSeries: Includes indexSubject: Metro-Goldwyn-Mayer ; TYPE CHARACTERS IN FILMS ; TWENTIETH CENTURY-FOX ; WARNER BROS. ; ANDERSON, ERNIE ; ARMSTRONG, LOUIS ; BACALL, LAUREN ; BARRYMORE, JOHN ; BOGART, HUMPHREY ; BRANDO, MARLON ; BURTON, RICHARD ; CLIFT, MONTGOMERY ; DAVIS, SAMMY, Jr. ; DEAN, JAMES ; FLYNN, ERROL ; GABLE, CLARK ; HATHAWAY, HENRY ; HUSTON, JOHN ; LOREN, SOPHIA ; MONROE, MARILYN ; MILLER, ARTHUR ; NOVAK, KIM ; PECK, GREGORY ; PONTI, CARLO ; SENNETT, MACK ; SINATRA, FRANK ; TAYLOR, ELIZABETH ; THALBERG, IRVING ; WARNER, JACK L. ; WAYNE, JOHN ; WOOD, NATALIE ; WOODWARD, JOANNE Donation: donated by the family of Wayne Levy, 2006
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Hollywood color portraits / by John Kobal, Introduction by Carlos Clarens New York: Quill, c1981.
Call No: 802.27(084.2) KOBAuthor: Kobal, John Edition: 1st Quill ed.Source: USPlace: New YorkPublisher: QuillPubDate: c1981PhysDes: 159 p. : col. ill. ; 30cmSubject: ACTORS ; PHOTOGRAPHY ; PHOTOGRAPHY AND THE CINEMA ; FIELDS, W.C. ; WEST, MAE ; COLBERT, CLAUDETTE ; DIETRICH, MARLENE ; LAMOUR, DOROTHY ; SWANSON, GLORIA ; SOTHERN, ANN ; MACDONALD, JEANETTE ; Stewart, James ; YOUNG, LORETTA ; COOPER, GARY ; LEIGH, VIVIEN ; TURNER, LANA ; GARLAND, JUDY ; ROONEY, MICKEY ; MONTEZ, MARIA ; DE HAVILLAND, OLIVIA ; FONTAINE, JOAN ; FAIRBANKS, DOUGLAS ; DAVIS, BETTE ; BOGART, HUMPHREY ; LAMARR, HEDY ; SHERIDAN, ANN ; TIERNEY, GENE ; LAKE, VERONICA ; LADD, ALAN ; CAGNEY, JAMES ; BERGMAN, INGRID ; GODDARD, PAULETEE ; WAYNE, JOHN ; GRABLE, BETTY ; COOPER, GARY ; TAYLOR, ROBERT ; POWER, TYRONE ; HUTTON, BETTY ; ASTAIRE, FRED ; DARNELL, LINDA ; SINATRA, FRANK ; ROGERS, ROY ; TRIGGER (Horse) ; PAL (Canine actor) ; BACALL, LAUREN ; LANCASTER, BURT ; SCOTT, LIZABETH ; DOUGLAS, KIRK ; MIRANDA, CARMEN ; JONES, JENNIFER ; FORD, GLENN ; BALL, LUCILLE ; OBERON, MERLE ; PECK, GREGORY ; DIETRICH, MARLENE ; GRAHAME, GLORIA ; GRANT, CARY ; HAYWORTH, RITA ; VALLI, ALIDA ; JOURDAN, LOUIS ; TAYLOR, ELIZABETH ; ROBERT, RYAN ; MITCHUM, ROBERT ; CHARISSE, CYD ; BARKER, LEX ; RUSSELL, JANE ; GARBO, GRETA ; CLIFT, MONTGOMERY ; GARDNER, AVA ; TURNER, LANA ; MONROE, MARILYN ; CRAWFORD, JOAN ; DEAN, JAMES ; NOVAK, KIM ; MANSFIELD, JAYNE ; PRESLEY, ELVIS ; BRANDO, MARLON Summary: "John Kobal, the world's foremost film archivist, has amassed an unrivaled photographic treasure of Hollywood glamour portraits. As an author and noted film historian, he has also been a major force behind the tremendous revival of interest in the work of the great studio photographers such as George Hurrell, Ted Allan, Lazlo Willinger, and Clarence Sinclair Bull.
The selection of photographs in this book extends from the mid-1930s to the 1950s, the period in which color photography became established in Hollywood, and contains 74 spectacular images of the major stars." -- BOOK JACKETNotes: Includes bibliographical references (p. 17); Book contains pictures of various Hollywood actorsISBN: 0688007538
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Hollywood down under : Australians at the movies, 1896 to the present day / Diane Collins North Ryde, N.S.W.: Angus & Robertson, 1987.
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Hollywood in the age of television / edited by Tino Balio Boston: Unwin Hyman, 1990.
Call No: 71(73) HOLAuthor: Balio, Tino Place: BostonPublisher: Unwin HymanPubDate: 1990PhysDes: 428 p. ; 24 cmSubject: USA ; TELEVISION AND THE CINEMA Notes: Includes bibliographical references and indexISBN: 0044458371; 0044458363 (pbk.)LON: 7164383
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Hollywood in the information age : beyond the silver screen / Janet Wasko Cambridge, U.K.: Polity Press, 1994.
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Hollywood limelight to shine in Australia in The Age (26/12/2016) p.8
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Bowden, Ebony -- Maddox, Garry PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; PRODUCTION. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; AUSFILM Summary: Looking to 2017 production schedules for Hollywood films that are being shot in Australia. Comments by Ausfilm CEO Debra Richards about how Australia's location offset tax is very low compared to the rest of the world and this puts the country at a disadvantage to attract more overseas productions to make their films in Australia
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The Hollywood Reporter. A Special Report on Location in Australia in The Hollywood Reporter (05/01/1988) vol.300 iss.27 p.s1-s128
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Hollywood's children : an inside account of the child star era / Diana Serra Cary Boston: Houghton Mifflin, 1979.
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The Hollywood sequel : history & form, 1911 - 2010 / Stuart Henderson Houndmills, Basingstoke, Hampshire New York, NY: Palgrave Macmillan on behalf of the British Film Institute, 2014.
Call No: 753.83(73) HENAuthor: Henderson, Stuart Source: US/UKPlace: Houndmills, Basingstoke, Hampshire New York, NYPublisher: Palgrave Macmillan on behalf of the British Film InstitutePubDate: 2014PhysDes: viii, 220 pages : illustrations ; 24 cmSubject: SEQUELS ; INDUSTRY, FILM. USA ; STARS ; GENRES ; NARRATIVE IN FILMS ; INTERTEXUALITY ; TARZAN IN FILMS Summary: "This illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The Son of a Sheik (1926) to Toy Story 3 (2010), this book provides a comprehensive history of this critically-neglected yet commercially-dominant art form"--Notes: A BFI book.
Formerly CIP.
Includes bibliographical references (pages 204-207) and indexISBN: 9781844576524Contents: 'Here we go again ... and again' : introducing the Hollywood sequel -- Early sequels, 1911-28 -- Sequels in the factory, 1929-54 -- The uncertainty principles, 1955-77 -- 4. The end is just the beginning, 1978-2010 -- No end in sight : the classical narrative paradigm and the sequel -- The McClane principle : intertextuality, stardom and character in the sequel -- A formula of formula : genre and the aequel -- Conclusion : the Hollywood sequel : a story complete in itself
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Hollywood utopia : ecology in contemporary American cinema / Pat Brereton Bristol, UK: Intellect Books, 2004.
Call No: 738.1 BREAuthor: Brerton, Pat Source: UKPlace: Bristol, UKPublisher: Intellect BooksPubDate: 2004PhysDes: 270 p. ; 24 cmSubject: NATURE IN FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; WESTERNS ; LANDSCAPES IN FILMS ; ROAD MOVIES ; CONSPIRACY FILMS ; ANDROMEDA STRAIN, THE (US, Robert Wise, 1971) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BLADE RUNNER (US, Ridley Scott, 1982) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; EASY RIDER (US, Dennis Hopper,1969) ; INCREDIBLE SHRINKING MAN, THE (US, Jack Arnold, 1957) ; JAWS (US, Steven Spielberg, 1975) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; MEN IN BLACK (US, Barry Sonnenfeld, 1997) ; SOYLENT GREEN (US, Richard Fleischer, 1973) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TITANIC (US, James Cameron, 1997) ; YEARLING, THE (US, Clarence Brown, 1947) Summary: "Hollywood Utopia applies a range of interdisciplinary strategies to trace the evolution of ecological representations in Hollywood film from 1950s to the present. Popular science fiction, westerns, nature and road movies are extensively analysed while privileging ecological moments of sublime expression often dramatized in the closing moments of these films. "Notes: Bibliography: p. 241-267
Filmography: p. 9-10ISBN: 1841501174Donation: donated by Senses of Cinema, 2009
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[Home and away : stills file] / Julia Morrell The Seven Network,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: The Seven NetworkPhysDes: 16 photographs : b&w ; 22 x 17 cm - 20 x 25 cmSubject: BRUMMER, DIETER ; FISHER, ISLA ; COARD, DENNIS ; AMMANN, SHANE ; GEORGE, MELISSA ; DECKERT, TEMPANY ; CRAIG, DIANE ; AMALM, DANIEL ; TESTONI, NIC ; QUILTER, NICOLA ; LEE, ADRIAN ; GLAISTER, COREY ; HOME AND AWAY [TV] (AT, 1988 -) Summary: Sixteen black and white photographs, including a number of publicity stills, for 'Home and away'
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Home is a way south for actor in Daily Telegraph (30/09/2017) p.24
Call No: PERSONALITY CLIPPINGS FILE; TAYLOR, JEREMY LINDSAYAuthor: Jonathan Chancellor PhysDes: Clippings File ArticleSubject: TAYLOR, JEREMY LINDSAY Summary: Kiama backyard for Taylor's family Former Home And Away star Jeremy Lindsay Taylor and wife Marnie have moved from Curl Curl to the Illawarra, buying a house on the outskirts of Kiama.
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Home truths come from taxi's front seat in Sydney Morning Herald (07/01/2016) p.27
Call No: TITLE CLIPPINGS FILE; TAXI (IR, Jafar Panahi, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: TAXI (IR, Jafar Panahi, 2015) Summary: Review of the film TEHRAN TAXIRating: 3.5 out of 5 stars
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The Honeymooners / by David Sterritt Detroit: Wayne State University Press, c2009.
Call No: 79HON STEAuthor: Sterritt, David Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2009PhysDes: vii, 107 p. : ill. ; 18 cmSeries: TV milestones; Contemporary approaches to film and television series. TV milestonesSubject: TELEVISION ; TELEVISION. USA ; SOCIETY AND TV ; SOCIETY AND TV. USA ; HONEYMOONERS, THE [TV] (US, Frank Satenstein, 1955-1956) Summary: "The Honeymooners chronicles the lives of New York City bus driver Ralph Kramden and his wife, Alice, as they search for domestic happiness inside a confining Brooklyn apartment. As a stand-alone television program, it ran for just thirty-nine weeks from 1955 to 1956, but its characters appeared in long-running sketches on Cavalcade of Stars and The Jackie Gleason Show and the program has lived on for generations in reruns and home video releases. David Sterritt investigates The Honeymooners as an enduring and valuable index of societal norms and televisual tastes in the 1950s - a project made all the more intriguing by the diverse ways in which The Honeymooners both reaffirms and diverges from the typical broadcast idioms of its day."-- LIBRARIES AUSTRALIANotes: Contemporary approaches to film and television series.; TV milestonesISBN: 9780814333969Donation: This book donated by Senses of Cinema, 2013Contents: -- Introduction: "better living through TV" -- 1: "Principle of the thing": The honeymooners and postwar America -- 2: "Opportunity knocks, but": social and cultural issues -- 3: "Unconventional behavior": psychological perspectives -- 4: "You're in the picture": Honeymooners aesthetics -- Conclusion: "please leave the premises" -- notes -- bibliography -- videography -- index --
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Hot air : all talk, all the time / by Howard Kurtz New York: BasicBooks, 1997.
Call No: 759.7 KURAuthor: Kurtz, Howard Source: USPlace: New YorkPublisher: BasicBooksPubDate: 1997PhysDes: viii, 423 p. ; 21 cmSubject: TALK SHOWS ; TALK SHOWS. USA Summary: "America is awash in talk. Loud talk. Angry talk. Conspiratorial talk. This cacophony of rumor, opinion, and invective has produced a high-decibel revolution that is transforming the nature of politics and journalism. How these television and radio talk shows have become so powerful and why we should be concerned about them is the subject of Howard Kurtz's fascinating and maddening new book, Hot Air. With the penetrating analysis that has distinguished him as one of the nation's most influential media journalists, Kurtz goes behind the scenes to explore the allure and impact of America's biggest mouths: Rush Limbaugh, Phil Donahue, Michael Kinsley and Don Imus.
Kurtz also goes backstage at Nightline and Larry King Live, two outposts of sanity, and describes how such programs are put together. He takes an amusing tour of the airwaves with provocateur Howard Stern and a corps of influential local hosts. He explores the bizarre world of daytime talk and explains why civilized conversation has given way to a procession of freaks and food fights. Along the way, Kurtz shows how journalism is threatened by some of these shows and illustrates how the inherent negativity of talk on the airwaves corrodes the political process...." -- IntroductionNotes: Includes bibliographical references (p. 391-405) and indexISBN: 0465030742Contents: 1. The talkathon culture -- 2. The art of the blurt -- 3. Daytime dysfunction -- 4. The king of schmooze -- 5. Caught in the crossfire -- 6. Toe to toe with Ted -- 7. Video verite -- 8. Sunday ritual -- 9. Talking for dollars -- 10. The rush hour -- 11. Radio rebels -- 12. The influence game -- 13. Blurring the lines -- 14. A personal odyssey -- 15. The future of talk
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How Disney's tax bill was McDucked in Australian Financial Review [General News] (12/12/2014) p.1
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How I Learned to Stop Worrying : (And Love Colin Bennett!) Part 2 in Montage (September 1970) p.9-13
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Humor in Middle Eastern cinema / edited by Gayatri Devi and Najat Rahman Detroit: Wayne State University Press, c2014.
Call No: 732(5-011) HUMAuthor: Revi, Gayatri (ed.) ; Rahman, Najat (ed.) Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2014PhysDes: 282 pages ; 23 cmSeries: Contemporary approaches to film and mediaSubject: AFGHANISTAN ; ARAB COUNTRIES ; AUDIENCE RECEPTION ; BOLLYWOOD ; CENSORSHIP ; COMEDIES. MIDDLE EASTERN COUNTRIES ; CULTURAL IMPERIALISM. US ; EGYPT ; HUMOUR IN FILMS ; INDIA ; IRAN ; IRAQ ; ISRAEL ; IRONY IN FILMS ; NATIONAL CULTURE AND THE CINEMA ; PALESTINE ; POLITICAL FILMS ; ETHNIC GROUPS IN FILMS ; SATIRE IN FILMS ; TYPE CHARACTERS IN FILMS ; PAKISTAN ; CHAHINE, YOUSSEF ; DHOUIB, MONCEF ; KIAROSTAMI, ABBAS ; ZARHIN, SHEMI ; AMERIKALI (TU, Serif Gören, 1993) ; BAD MA RA KHAHAD BORD (IR/FR, Abbas Kiarostami, 1999) ; DIVINE INTERVENTION (FR/MR/G/PA, Elia Suleiman, 2002) ; ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978) ; ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978) ; TELE ARRIVE, LA (TI, Moncef Dhouib, 2006) ; TERE BIN LADEN (II, Abhishek Sharma, 2010) ; TV IS COMING, THE (TI, Moncef Dhouib, 2006) Summary: "While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema." -- GOOGLE BOOKSNotes: Contains bibliography and filmography -- contains index -- contains list of contributorsISBN: 9780814339374Contents: Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia: allegory and satire in Moncef Dhouib's TV Is Coming / Robert Lang -- Satiric traversals in the comedy of Mehran Modiri: space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic meditations: war and genre in The Outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The Wind Will Carry Us / Gayatri Devi -- America the oppressively funny: humor and anti-americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders: the case of the Bollywood film Tere Bin Laden / Mara Matta
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The hunger games : Spectacle, risk and the girl action hero / Catherine Driscoll and Alexander Heatwole Abingdon: Routledge, 2018.
Call No: 79 HUN DRIAuthor: Driscoll, Catherine ; Heatwole, Alexandra Edition: 2018Place: AbingdonPublisher: RoutledgePubDate: 2018PhysDes: 112 pages : illustrated ; 23 cmSeries: cinema and youth culturesSubject: HUNGER GAMES, THE (US, Gary Ross, 2012) ; HUNGER GAMES, THE : CATCHING FIRE (US, Francis Lawrence, 2013) ; HUNGER GAMES, THE : MOCKINGJAY PART 1 (US, Francis Lawrence, 2014) ; HUNGER GAMES, THE : MOCKINGJAY PART 2 (US, Francis Lawrence, 2015) ; TEEN FILMS Summary: The 2012 film The Hunger Games and its three sequels, appearing quickly over the following three years, represent one of the most successful examples of the contemporary popularity of youth-oriented speculative film and television series. This book considers "The Hunger Games" as an intertextual field centred on this blockbuster film franchise but also encompassing the successful novels that preceded them and the merchandised imagery and the critical and fan discourse that surrounds them. It explores the place of The Hunger Games in the history of youth-oriented cinema; in the history of speculative fiction centred on adolescents; in a network of continually evolving and tightly connected popular genres; and in the popular history of changing ideas about girlhood from which a successful action hero like Katniss Everdeen could emerge. -- publisher's web siteISBN: 9781138683068Contents: Introduction ‘The Hunger Games’
Chapter 1 Choose Your Own Adventure: Survival, Adulthood and Other Fantasies
Chapter 2 Katniss Everdeen, Girl Hero
Chapter 3 The Train from District 12: Panem as Dystopia
Chapter 4 Team Katniss: In the Arena of Romance
Chapter 5 ‘The Hunger Memes’: Film, Fans, and Speculation as Critique
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newspaper article
I'll be back - but this time nothing carries much weight in The Age (02/07/2015) p.20
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journal article
I'm Going To Tell You a Secret in Australian Cinematographer (March 2015) iss.65 p.18-25
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Illuminating shadows : the mythic power of film / Geoffrey Hill Boston: Shambhala, 1992.
Call No: 632.43 HILAuthor: Hill, Geoffrey Michael, 1950 Place: BostonPublisher: ShambhalaPubDate: 1992PhysDes: viii, 319 p. : ill. ; 23 cmSubject: MYTH AND THE CINEMA ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; SHANE (US, George Stevens, 1953) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; BLUE VELVET (US, David Lynch, 1986) ; RUMBLE FISH (US, Francis Ford Coppola, 1983) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; REPO MAN (US, Alex Cox, 1984) ; SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; INSIGNIFICANCE (UK, Nicolas Roeg, 1985) ; ROK SPOKOJNEGO SLONCA (PL/US/GW, Krzysztof Zanussi, 1984) ; BABETTES GAESTEBUD (DK, Gabriel Axel, 1987) ; LITTLE SHOP OF HORRORS (US, Frank Oz, 1986) ; LITTLE SHOP OF HORRORS, THE (US, Roger Corman, 1960) ; TRIP TO BOUNTIFUL, THE (US, Peter Masterson, 1985) ; GRADUATE, THE (US, Mike Nichols, 1967) ; SANTA SANGRE (IT, Alexandro Jodorowsky, 1989) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) Notes: Includes bibliographical references (p. 313-319)ISBN: 0877736456 (pbk. : alk. paper)LON: 8202303
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"Image" on the art and evolution of the film : photographs and articles from the magazine of the International Museum of Photography / edited by Marshall Deutelbaum New York: Dover Publications, 1979.
Call No: 70"01" IMAAuthor: Deutelbaum, Marshall CorpAuthor: International Museum of Photography at George Eastman House; Image (Rochester, N.Y.)Place: New YorkPublisher: Dover PublicationsPubDate: 1979PhysDes: viii, 248 p. : ill. ; 29 cmSubject: PRE-CINEMA HISTORY ; PROJECTION ; EDISON, THOMAS ALVA ; LUMIERE, AUGUSTE & LOUIS ; HISTORY OF CINEMA. SILENT PERIOD ; DENMARK ; STILLS ; NIELSEN, ASTA ; EDISON, THOMAS ALVA ; SWEET, BLANCHE ; KEYSTONE ; LUBITSCH, ERNST ; DEMILLE, CECIL B. ; PICKFORD, MARY ; BROOKS, LOUISE ; PABST, GEORG WILHELM ; TITLING ; RIEFENSTAHL, LENI ; Keaton, Buster ; LLOYD, HAROLD ; HOWE, W.J. ; MOHR, HAL ; TERRY, ALICE ; NOVARRO, RAMON ; ANDERSON, BRONCHO BILLY ; MIX, TOM ; HART, WILLIAM S. ; MUYBRIDGE, EADWEARD ; INCE, THOMAS HARPER ; LONEDALE OPERATOR, THE (US, David Wark Griffith, 1911) ; WHITE ROSE, THE (US, David Wark Griffith, 1923) ; PAINTED LADY, THE (US, David Wark Griffith, 1912) ; CHAMBER MYSTERY, THE (US, Abraham S. Schomer, 1920) ; SMOULDERING FIRES (US, Clarence Brown, 1925) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; GREED (US, Erich von Stroheim, 1925) ; CROWD, THE (US, King Vidor, 1928) Notes: "Consists substantially of articles originally published in Image between 1952 and 1977."; Includes indexISBN: 048623777X : $8.95LON: 1468042
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Images of dignity : Barry Barclay and fourth cinema / Stuart Murray Wellington: Huia, 2008.
Call No: 81BAR MURAuthor: Murray, Stuart Source: NZPlace: WellingtonPublisher: HuiaPubDate: 2008PhysDes: xiv, 108 p., [12] p. of plates : ill. (chiefly col.) ; 24 cmSubject: CRITICISM ; PRODUCTION ; DIRECTION ; DOCUMENTARY FILMS ; NEW ZEALAND ; MAORI CINEMA ; MAORI IN FILMS ; BARCLAY, BARRY ; MATTER OF TASTE, A (NZ, Barry Barclay,1968) ; SPINNINING A YARN (NZ, Barry Barclay, 1971)
ALL THAT WE NEED (NZ, Barry Barclay, 1972)
THERE'S A PROBLEM HERE (NZ, Barry Barclay, 1972 ) TOWN THAT LOST A MIRACLE, THE [TV](NZ,1972)
IN THE COMPANY OF TREES (NZ, Barry Barclay, ; ASHES (NZ,1975) [TV] ; HUNTING HORNS [TV] (NZ,1976) ; WOMEN IN POWER: INDIRA GANDHI (NZ, 1976) [TV] ; IN SEARCH OF PAKEHATANGA: AUTUMN FIRES [TV] (NZ,1977) ; AKU MAHI WHATU MAORI (NZ, 1977) [TV] ; MY ART OF MAORI WEAVING (NZ,1977) [TV] ; MAHAWELI (NZ, Barry Barclay,1979)
NEGLECTED MIRACLE ,THE (NZ, Barry Barclay, 1985) ; KAMATE! KAMATE! (NZ, Barry Barclay, 1987) ; NGATI (NZ, Barry Barclay, 1987) ; TE UREWERA (NZ, 1987) [TV] ; TE RUA(NZ/G Barry Barclay, 1991) ; STOREHOUSE, THE( NZ, Barry Barclay,1991) ; FEATHERS OF PEACE, THE (NZ, Barry Barclay, 2000) ; KAIPARA AFFAIR, THE (NZ, Barry Barclay, 2005) Summary: The book looks at the films, television work and documentaries of Barry Barclay, and presents him as a film maker who made a significant contribution to New Zealand's understanding of both its Maori community and bicultural character.Notes: Bibliography: p. 99-103; Includes filmography; Includes indexISBN: 9781869693282
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Immersed in technology : art and virtual environments / edited by Mary Anne Moser with Douglas MacLeod for the Banff Centre for the Arts Cambridge, Mass.: MIT Press, c1996.
Call No: 409(04) IMMAuthor: Moser, Mary Anne
MacLeod, Douglas Source: USPlace: Cambridge, Mass.Publisher: MIT PressPubDate: c1996PhysDes: xxv, 339p. : ill. ; 24cmSubject: VIRTUAL REALITY ; TECHNOLOGY AND THE CINEMA ; DIGITAL TECHNOLOGY Summary: Collection of essays examining the effects of cyberspace on society and culture.Notes: Includes bibliographical references and indexISBN: 0262133148Language: EnglishContents: Contents: Preface / Douglas MacLeod -- Introduction / Mary Anne Moser -- Embodied Virtuality: Or How to Put Bodies Back Into the Picture / N. Katherine Hayles -- Virtual Skin: Articulating Race in Cyberspace / Cameron Bailey -- Mysteries of the Bioapparatus / Nell Tenhaaf -- When Is the Ear Pierced?: The Clashes of Sound, Technology, and Cyberculture / Frances Dyson -- Cyberdammerung at Wellspring Systems / Allucquere Rosanne Stone -- A Disappearance of Community / Avital Ronell -- Fascination, Masculinity, and Cyberspace / Rob Milthorp -- A City for Bachelors / Jeanne Randolph -- Aboriginal Narratives in Cyberspace / Loretta Todd -- Nature Morte: Landscape and Narrative in Virtual Environments / Margaret Morse -- Time Traveling in the Gallery: An Archeological Approach in Media Art / Erkki Huhtamo -- Objects of Ritual / Will Bauer and Steve Gibson -- Archeology of a Mother Tongue / Toni Dove and Michael Mackenzie.
Dancing with the Virtual Dervish: Virtual Bodies / Diane J. Gromala and Yacov Sharir -- Bar Code Hotel / Perry Hoberman -- VR on $5 a Day / Ron Kuivila -- Placeholder / Brenda Laurel and Rachel Strickland -- Field Recording Studies / Michael Naimark -- Dancing with the Virtual Dervish: Worlds in Progress / Marcos Novak -- Topological Slide / Michael Scroggins and Stewart Dickson -- Inherent Rights, Vision Rights / Lawrence Paul Yuxweluptun.
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In ink and image : studying screen adaptations / Dinah Partridge South Melbourne: Oxford University Press, c2000.
Call No: 512.1 PARAuthor: Partridge, Dinah Place: South MelbournePublisher: Oxford University PressPubDate: c2000PhysDes: xxi, 210 p. : ill. ; 26 cmSubject: ADAPTATIONS ; TEACHING MATERIALS ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; ANIMAL FARM (UK, John Halas & Joy Batchelor, 1954) ; GREAT GATSBY, THE (US, Jack Clayton, 1974) ; HAMLET (US, Franco Zeffirelli, 1990) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; OF MICE AND MEN (US, Gary Sinise, 1992) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; RADIANCE (AT, Rachel Perkins, 1998) ; SHORT CUTS (US, Robert Altman, 1993) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; WASHINGTON SQUARE (US, Agnieszka Holland, 1997) ; WELL, THE (AT, Samantha Lang, 1997) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ISBN: 0195508491LON: 21264241
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journal article
In Person: Noah Taylor in Empire (Australian Ed.) (September 2001) iss.6 p.34-35
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In the blink of an eye : a perspective on film editing / by Walter Murch Sydney: Australian Film, Television & Radio School, c1992.
Call No: 24 MURAuthor: Murch, Walter CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: SydneyPublisher: Australian Film, Television & Radio SchoolPubDate: c1992PhysDes: viii, 108 p. : 6 col. ports. ; 21 cmSubject: AUDIENCES ; CONTINUITY ; EDITING ; EMOTION IN FILMS ; FILM WORKERS ; POST-PRODUCTION ; TECHNOLOGICAL DEVELOPMENTS ; TECHNOLOGY AND THE CINEMA ; COPPOLA, FRANCIS FORD ; MURCH, WALTER ; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988) Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb]Notes: Includes bibliographical references and indexISBN: 0642180377 : price unknownLON: 9030756 9030756
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In the vernacular : a generation of Australian culture and controversy / Stuart Cunningham St Lucia, Qld: University of Queensland Press, 2008.
Call No: 40(04)(94) CUNAuthor: Cunningham, Stuart Place: St Lucia, QldPublisher: University of Queensland PressPubDate: 2008PhysDes: xxxix, 294 p. ; 23 cmSubject: CULTURE AND THE CINEMA. AUSTRALIA ; IMPERIALISM AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; BAXTER, JOHN ; MURDOCH, RUPERT ; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984) ; LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; NEIGHBOURS [TV] (AT, 1985-) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisherNotes: Includes bibliographical references and indexISBN: 9780702236709
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Independent visions : a critical introduction to recent independent American film / Donald Lyons New York: Ballantine, 1994.
Call No: 71(73) LYOAuthor: Lyons, Donald Place: New YorkPublisher: BallantinePubDate: 1994PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cmSubject: INDEPENDENT FILMS. USA ; ALMEREYDA, MICHAEL ; ANDERS, ALLISON ; COEN, JOEL & ETHAN ; CRONENBERG, DAVID ; DASH, JULIE ; DAVIS, JUDY ; EGOYAN, ATOM ; FERRARA, ABEL ; HARTLEY, HAL ; LEE, SPIKE ; LINKLATER, RICHARD ; PHOENIX, RIVER ; SODERBERGH, STEVEN ; Tarantino, Quentin ; VAN SANT, GUS ; ARAKI, GREGG ; BIGELOW, KATHRYN ; DICKERSON, ERNEST R. ; GOMEZ, NICK ; JARMUSCH, JIM ; LEHMANN, MICHAEL ; MORRISSEY, PAUL ; O'BRIEN, JOHN ; COCHRAN, STACY ; COOLIDGE, MARTHA ; DAVIS, TAMRA ; FRANKLIN, CARL ; HARRIS, LESLIE ; LEGROS, JAMES ; LYNCH, DAVID ; MCNAUGHTON, JOHN ; MUNCH, CHRISTOPHER ; THORNTON, BILLY BOB ; RODRIGUEZ, ROBERT ; ROCKWELL, ALEXANDRE ; SINGLETON, JOHN ; SAYLES, JOHN ; SAVOCA, NANCY ; GAS FOOD LODGING (US, Allison Anders, 1992) ; MARIACHI, EL (US, Robert Rodriguez, 1992) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; BODIES, REST & MOTION (US, Michael Steinberg, 1993) ; BARTON FINK (US, Joel Cohen, 1991) ; PASSION FISH (US, John Sayles, 1992) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; MYSTERY TRAIN (US, Jim Jarmusch, 1989) ; MY NEW GUN (US, Stacy Cochran, 1992) ; MS 45 (US, Abel Ferrara, 1981) ; METROPOLITAN (US, Whit Stillman, 1990) ; MALA NOCHE (US, Gus Van Sant, 1986) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ; JUICE (US, Ernest R. Dickerson, 1992) ; IN THE SOUP (US, Alexandre Rockwell, 1992) ; HOURS AND TIMES, THE (US, Christopher Munch, 1992) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; HEATHERS (US, Michael Lehmann, 1989) ; GUN CRAZY (US, Joseph H.Lewis, 1949) ; LIVING END, THE (US, Gregg Araki, 1992) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; DRUGSTORE COWBOY (US, Gus Van Sant, 1989) ; RAMBLING ROSE (US, Martha Coolidge, 1991) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; SIMPLE MEN (US, Hal Hartley, 1992) ; SLACKER (US, Richard Linklater, 1990) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; TRUE LOVE (US, Nancy Savoca, 1989) ; TRUST (US, Hal Hartley, 1990) ; UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989) ; VERMONT IS FOR LOVERS (US, John O'Brien, 1992) ; WILD AT HEART (US, David Lynch, 1990) Notes: Includes filmography and indexISBN: 0345382498 (pbk.)LON: 11029535
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Industry warms to new media in Encore (June 2000) vol.18 iss.5 p.14-15
Author: Harty, Jason PhysDes: Article; Illustration(s)Subject: TECHNICAL DEVELOPMENTS. AUSTRALIA Summary: Overview of session at the National Association of Broadcasters Convention 2000 on the effect new media technologies are having on the film and television production industry.
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Innovation in the Australian film industry / Prime Minister's Science, Engineering and Innovation Council Canberra: Dept. of Industry, Science and Resources, 2000.
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Inquiry into the effects of government-funded national broadcasting on Victoria / Economic Development Committee Melbourne: Economic Development Committee, 1999.
Call No: 205.1(94) AUSCorpAuthor: Victoria. Parliament. Economic Development CommitteeSource: ATPlace: MelbournePublisher: Economic Development CommitteePubDate: 1999PhysDes: xviii, 267 p. ; 25 cmSeries: Parliamentary paper (Victoria. Parliament) ; no. 49Subject: TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; GOVERNMENT AID. AUSTRALIA ; DIGITAL BROADCASTING. AUSTRALIA ; WILDSIDE [TV] (AT, 1997-9) ; NEWS PROGRAMMES. AUSTRALIA Summary: The report examines: The current and long-term distribution of government-funded national broadcasting resources and the effect of this distribution in Victoria; the effects on industry, including broadcasting, film and video production and mulitmedia; the effects on the arts and cultural life in Victoria including whether government-funded national broadcasters adequately service Victoria, and Melbourne, as Australia's second largest city; and the programming mix available from government-funded national broadcasters and how programming decisions are made and whether the programming which is delivered is geographically balanced. -from Terms of Reference, page vii.Notes: "Final report"ISBN: 0731152646LON: 20167830
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Inquiry into the future use of the sixth television channel : issues paper Sydney: Australian Broadcasting Authority, 1996.
Call No: 205.26(94) AUSCorpAuthor: Australian Broadcasting AuthoritySource: ATPlace: SydneyPublisher: Australian Broadcasting AuthorityPubDate: 1996PhysDes: 51 pages ; 30 cmSubject: BROADCASTING. AUSTRALIA ; LICENCES. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: An paper that the Australian Broadcasting Authority created as to raise issues for public consultation in relation to the statement "the ABA invites comment on the national benefits which may accure from possible uses of the sixth channel that should be considered as part of this inquiry".LON: abn96289654; 12653174Contents: Comments invited as part of this inquiry -- Part 1: Introduction -- Part 2: Background -- Part 3: The current use of the sixth channel and issues for its future use -- Part 4: Some options -- Part 5: Regulation and implementation implications -- Attachments
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Interfacing with the on-line world : pay TV, broadband, standards and access / by Ross Kelso and Mark Armstrong Melbourne VIC: Media and Telecommunications Policy Group, 1997.
Call No: 39(94) KELAuthor: Kelso, Ross ; Armstrong, Mark Source: ATPlace: Melbourne VICPublisher: Media and Telecommunications Policy GroupPubDate: 1997PhysDes: 62 pages : illustrated ; 30 cmSubject: PAY TV. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; DIGITAL BROADCASTING. AUSTRALIA ; GOVERNMENT CONTROL, TV. AUSTRALIA ; TECHNOLOGY AND TV Summary: "This research report deals with some issues which are vital to the development of our communications system. Networks have been buit to deliver broadband services, and more will be built before the year 2000. The financing and growth of the networks depend on business and domestic consumers, who will use the networks to access information and entertainment or to communicate with others. The underlying question is how conveniently a user can access the on-line world from any device, be it a TV receiver, a computer or a new multimedia device; and at what price." -from the preface.Notes: Spiral boundContents: Preface; Summary -- Consumer needs: towards a universal interface -- Will the pathways to the consumer converge? -- The role of standards -- Regulation: the access regime -- Competition; The round table -- The transcript -- About the participants; The research paper -- Introduction -- The role of standards -- Government policies affecting competition and access -- Capacity limitations: bandwidth versus technology -- Broad issues -- Appreciating conditional access -- Australian policy development -- Pay TV carrier associate services -- Proposed access regime post-1997 -- Digital terrestrial television broadcasting -- Australian digital video standards for pay TV & other services -- Overseas developments -- European standards and regulations affecting access -- Regulating access in the United Kingdom -- US video dialtone and open video system policies; Figures -- Fig 1 Typical arrangement for conditional access -- Fig 2 Comparison of Optus Vision and Moco (Telstra Multimedia/Foxtel) proposals -- Fig 3 Desirable open access regime for digital terrestrial television broadcasting -- Fig 4 Illustrative compromise underpinning the European digital video broadcasting standards -- Fig 5 Chart of the relationships under the proposed framework for digital terrestrial broadcasting in the UK -- Fig 6 Possible 'level one' gateway configurations
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Interim
book
International film guide 1969 / edited by Peter Cowie London: Tantivy Press, 1968.
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International film guide. 1980 / edited by Peter Cowie ; associate editor Derek Elley London: Tantivy Press [etc.], 1979.
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Interim
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Interzone : media arts in Australia / Darren Tofts Fishermens Bend, Vic.: Craftsman House, 2005.
Call No: 771(94) INTAuthor: Tofts, Darren Source: ATPlace: Fishermens Bend, Vic.Publisher: Craftsman HousePubDate: 2005PhysDes: 145 p. ; 24 cmSeries: New ArtSubject: VIDEO ART ; EXPERIMENTAL FILMS. AUSTRALIA ; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI] ; AESTHETICS ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; TECHNICAL DEVELOPMENTS Summary: Interzone is specifically interested in arts practices in which the computer is the predominant medium, integrating and synthesising a range of diverse media. Its chronology is narrow and deals with works produced from the early 1990s to the present. Media arts have come to be regarded as the signature form of this period, the art of its time. But the discussion of media art is not exclusively an issue to do with emerging technologies and how artists use them. It also concerns the ways in which artists explore the social and cultural implications of the very technologies they are working with. The intervention of the computer has given rise to complex new forms of knowledge, disturbing new ways of thinking abut what it means to be alive in the age of advanced technology. [Taken from back cover].ISBN: 097573038X
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journal article
Island love story simple yet corny in The Age [Arts & entertainment] (5/11/2015) p.30
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newspaper article
Islander romance and a boy named Bubby enthral at festival in Sydney Morning Herald (20/10/2015) p.13
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. ADELAIDEAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: FESTIVALS. ADELAIDE ; VANUATU ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015) ; SPEAR (AT, Stephen Page, 2015) Summary: Glowing review of three Australian films (TANNA, BAD BOY BUBBY, SPEAR) shown at the 2015 Adelaide Film Festival. The article focuses on the success of TANNA, and the debut screening of BAD BOY BUBBY with binaural sound
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It came from outer space! in Australian Cinematographer (September 2015) iss.67 p.46 - 53
Author: Fowler, Kieran PhysDes: ArticleSubject: TERMINUS (AT, Marc Furmie, 2015) ; FOWLER, KIERAN Summary: Cinematographer Kieran Fowler talks about working on the Australian science fiction film Terminus. He talks about the technical aspect of working on a low budget film, the importance of working closely with the production designer and integrating practical and digital effects.
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It's official - cyan dye tracks on the way in Movie Trader (June 2000) p.12
PhysDes: ArticleSubject: TECHNICAL DEVELOPMENTS ; SOUND Summary: Statement from Dolby Laboratories and Eastman Kodak on use of high-magenta soundtrack technologies which are more environmentally friendly than silver-applicated soundtracks. Includes discussion of processes used in Australia.
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Italian cinema : from neorealism to the present / Peter Bondanella New York: F. Ungar Pub. Co., c1983.
Call No: 71(45) BONAuthor: Bondanella, Peter E., 1943 Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1983PhysDes: viii, 440 p. : ill. ; 22 cmSeries: Ungar film librarySubject: ITALY ; NEOREALISM ; WESTERNS. ITALY ; CAVANI, LILIANA ; WERTMULLER, LINA ; COMENCINI, LUIGI ; ROSSELLINI, ROBERTO ; DE SICA, VITTORIO ; VISCONTI, LUCHINO ; ANTONIONI, MICHELANGELO ; Fellini, Federico ; BERTOLUCCI, BERNARDO ; LEONE, SERGIO ; Pasolini, Pier Paolo ; FERRERI, MARCO ; GERMI, PIETRO ; LATTUADA, ALBERTO ; MONICELLI, MARIO ; PONTECORVO, GILLO ; RISI, DINO ; ROSI, FRANCESCO ; TAVIANI, PAOLO & VITTORIO ; OLMI, ERMANNO ; PETRI, ELIO ; BRUSATI, FRANCO ; BELLOCCHIO, MARCO Notes: Includes index; Bibliography: p. 413-421ISBN: 0804420645 : $17.95; 0804460612 (pbk.) : $10.95LON: 2315799 2315799
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Italian film in the light of neorealism / Millicent Marcus Princeton, N.J.: Princeton University Press, 1986.
Call No: 64NEO MARAuthor: Marcus, Millicent Joy Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1986PhysDes: xix, 443 p. : ill. ; 23 cmSubject: NEOREALISM ; HISTORY OF CINEMA. ITALY ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; RISO AMARO (IT, Guiseppe de Santis, 1949) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; STRADA, LA (IT, Federico Fellini, 1954) ; SENSO (IT, Luchino Visconti, 1954) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; FILM D'AMORE E D'ANARCHIA (IT/FR, Lina Wertmuller, 1973) ; CRISTO SI E FERMATO A EBOLI (IT, Francesco Rosi, 1979) ; NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittorio Taviani, 1982) ; C'ERAVAMO TANTO AMATI (IT, Ettore Scola, 1974) Notes: Includes index; Bibliography: p. [423]-436ISBN: 0691054894 (alk. paper) : $48.00; 0691102082 (pbk.) : $17.50LON: 86091473; 4757222
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Italian national cinema, 1896-1996 / Pierre Sorlin New York: Routledge, 1996.
Call No: 71(45) SORAuthor: Sorlin, Pierre Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: viii, 202 p. : ill. ; 23 cmSeries: National cinemas seriesSubject: ITALY ; NEOREALISM ; TELEVISION AND THE CINEMA. ITALY ; FASCISM AND THE CINEMA. ITALY ; DOCUMENTARY FILMS. ITALY ; ANTONIONI, MICHELANGELO ; BLASETTI, ALESSANDRO ; PAGANO, BARTOLOMEO ; NAZZARI, AMEDEO ; ROSSELLINI, ROBERTO ; DE SICA, VITTORIO ; VISCONTI, LUCHINO ; Pasolini, Pier Paolo ; Fellini, Federico Notes: Filmography: p. (181)-202; Includes bibliographical references and indexISBN: 0415116988 (pbk. : alk. paper); 041511697X (hbk. : alk. paper)LON: 12008493
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journal article
The Italian Neo-Realists in Montage (September 1967) p.17-20
Author: Russell, Edward PhysDes: ArticleSubject: NEOREALISM ; ROSSELLINI, ROBERTO ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; VISCONTI, LUCHINO ; TERRA TREMA, LA (IT, Luchino Visconti, 1948) ; DE SICA, VITTORIO ; SCIUSCIA (IT, Vittorio De Sica, 1946) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) Summary: Essay on the beginnings of Italian Neorealism, and filmographies of the three main directors of the period: Rossellini, Visconti and De Sica.
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Iterations : the new image / exhibition curated by Timothy Druckrey and Charles Stainback ; edited by Timothy Druckrey New York : International Center of Photography ; Cambridge, Massachusetts :: MIT Press, 1993.
Call No: 604DRUAuthor: Druckrey, Timothy Place: New York : International Center of Photography ; Cambridge, Massachusetts :Publisher: MIT PressPubDate: 1993PhysDes: 199 p. : ill. (some col.) ; 21 x 26 cmSubject: VIDEO ART ; EXPERIMENTAL FILMS ; AESTHETICS ; TECHNOLOGY AND THE CINEMA ; TECHNICAL DEVELOPMENTS ; EXHIBITION. USA Summary: [Accompanying the exhibition of the same name this book focuses] on the work of sixteen prominent figures in the fields of video, film, photography, and media art, [this book] brings together an ambitious selection of work that utilizes diverse technologies, from photography to video. touch-screen to laser disk. The increased accessibility of digital imaging over the last decade... has produced a generation of artists - and audiences - who are visually and technologically literate and are eager to explore the potentil of electronic expression. [It] demonstrates that the link between creativity and technology is dynamic, expressive, and intellectually challenging, and explore how this like is redefining the role of images in our culture. [Taken from dust jacket].Notes: This publication... accompanies the exhibition [of the same name] July 11-August 29, 1993 Montage 93: International Festival of the Image, Rochester. New York [and] October 15, 1993-January 21, 1994 International Center of Photography Midtown, New York City [Taken from the T.p. verso]; With essays by Regina Cornwell, Timothy Druckrey, Brenda Laurel, Florian Rotzer; Introduction by Charles Stainback; Includes artist biographies; Bibliography: p. 189-196ISBN: 026204143X
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Jacques Tati / choix de textes de J. Tati ; extraits de decoupages, panorama critique, temoignages, filmographie. bibliographie, documents iconographiques Paris: Seghers, 1962.
Call No: 81TAT CAUAuthor: Cauliez, Armand Jean Place: ParisPublisher: SeghersPubDate: 1962PhysDes: 222 p. : illSeries: Cinema d'aujourd'hui ; 7Subject: TATI, JACQUES Notes: Includes bibliographical referencesLON: nun00499800; 4180168
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James Cameron : interviews / edited by Brent Dunham Jackson: University of Mississippi, 2012.
Call No: 81CAM JAMAuthor: Dunham, Brent Source: USPlace: JacksonPublisher: University of MississippiPubDate: 2012PhysDes: xxxix, 219 p. ; 23 cmSeries: Conversations with filmmakers seriesSubject: CAMERON, JAMES ; TERMINATOR, THE (US, James Cameron, 1984) ; ALIENS (US, James Cameron, 1986) ; TITANIC (US, James Cameron, 1997) ; AVATAR (US, James Cameron, 2009) Summary: "James Cameron (b.1954) is lauded as one of the most successful and innovative filmmakers of the the last thirty years. His films often break records, both in their massive budgets and in their box-office earnings. They include such hits as The Terminator, Aliens, The Abyss, Titanic, and Avatar. Part scientist, part dramatist, Cameron combines these two qualities into inventive and captivating films that often push the boundaries of special effects to accomodate his imagination. James Cameron: Interviews chronicles the writer-director's rise through the Hollywood system, highlighted by his "can-do" attitude and his insatiable drive to make the best film possible. As a young boy growing up in Canada, Cameron imagined himself an astronaut, a deep-sea explorer, a science fiction writer, or a filmmaker. Transplanted to southern California, he would go on to realize many of those boyhood fantasies. This collection of interviews provides glimpses of the filmmaker as he advances from Roger Corman's underling to "king of the world." The interviews are drawn from a number of sources including TV appearances and blog conversations, which have never been published in print. Spanning more than twenty years, this collection constructs a concise and thorough examination of James Cameron, a filmmaker who has almost single-handedly ushered Hollywood into the twenty-first century." -- BOOK BLURBNotes: Includes index; Includes bibliographical references and index; Includes filmographyISBN: 9781617031328Donation: Donated by Senses of Cinema, 2013Contents: -- introduction -- chronology -- filmography -- How to direct a terminator / Thomas McKelvey Cleaver/1984 -- The 1984 movie revue: James Cameron interviewed by David Chute / David Chute/1985 -- Writer-director shows the special effect energy can radiate / JoAnn Rhetts/1986 -- Aliens: an out of this world communication with director James Cameron / Victor Wells/1986 -- James Cameron takes a plunge / Alan Jones/1989 -- James Cameron takes a second plunge / Alan Jones/1989 -- Aliens: James Cameron interview / Nigel Floyd/1992 -- The hero's journey / Syd Field/1992 -- Approaching the sequel / Syd Field/1992 -- Iron Jim / John H. Richardson/1994 -- Rich and strange / Ray Greene/1995 -- 20,000 leagues under the sea: the movie director as Captain Nemo / Bill Moseley/1998 -- A drive of Titanic proportions : academy of achievement/1999 -- The final frontier / Anne Thompson/2000 -- James Cameron: The second coming / Jenny Cooney Carrillo/2002 -- Sound of silence / John Reading/2002 -- James Cameron / Adrian Wootton/2003 -- My Titanic obsession / James Rampton/2005 -- King of all he surveys / James Rampton/2006 -- James Cameron: a life in pictures / Francine Stock/2009 -- James Cameron / Tavis Smiley/2009 -- James Cameron Interview: Avatar Blu-Ray, also talks Titanic 3D and Avatar 2 / Sara Wyland/2010 -- James Cameron interview! talks Avatar re-release, sequels, 3D conversions, and working with Del Toro / Jim Dorey/2010 -- index --
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Jane Fonda : an intimate biography / Thomas Kiernan London: Talmy Franklin London, 1973.
Call No: 81FON KIEAuthor: Kiernan, Thomas Source: UKPlace: LondonPublisher: Talmy Franklin LondonPubDate: 1973PhysDes: xix, 358p, [8]p of plates : ill., ports ; 23cmSubject: FONDA, JANE ; FONDA, HENRY ; FONDA, PETER ; STRASBERG, LEE ; VADIM, ROGER ; TALL STORY (US, Joshua Logan, 1960) ; KLUTE (US, Alan J. Pakula, 1971) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ISBN: 0900735287Donation: donated by the family of Wayne Levy, 2006
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JANGHWA HONGRYEON : (KO, Ji-Wun Kim, 2003)
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JARDIN DES PLANTES, LE : (FR/HU/GG, Philippe de Broca, 1994)
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Old collection
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Jean-Luc Godard : son + image, 1974-1991 / edited by Raymond Bellour with Mary Lea Bandy New York: Museum of Modern Art : Distributed by H.N. Abrams, c1992.
Call No: 81GOD JEASource: UKPlace: New YorkPublisher: Museum of Modern Art : Distributed by H.N. AbramsPubDate: c1992PhysDes: 240 p. : ill. (some col.) ; 32 cmSubject: NOUVELLE VAGUE ; CAHIERS DU CINEMA ; POLITICS AND THE CINEMA ; SPECTATORSHIP ; THEORY ; PSYCHOANALYSIS AND THE CINEMA ; TELEVISION AND THE ARTS ; AUTEUR THEORY ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961) ; WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BANDE A PART (FR, Jean-Luc Godard, 1964) ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; ONE PLUS ONE (UK, Jean-Luc Godard, 1968) ; ONE A.M. (FR/US, Jean-Luc Godard, 1968) ; BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) ; PRAVDA (FR, Jean-Luc Godard, 1970) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) ; PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983) Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso.
Filmography: p. 232-235.
Includes bibliographical references (p. 236-238)
Some articles translated from the French.ISBN: 0810961148Language: English
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Jean Renoir : the world of his films / Leo Braudy Garden City, N.Y.: Doubleday, 1972.
Call No: 81REN BRAAuthor: Braudy, Leo Edition: 1st EditionSource: USPlace: Garden City, N.Y.Publisher: DoubledayPubDate: 1972PhysDes: 286 p. : ill. ; 22 cmSubject: RENOIR, JEAN ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; CHIENNE, LA (FR, Jean Renoir, 1931) ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936) ; DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; DIARY OF A CHAMBERMAID, A [JOURNAL D'UNE FEMME CHAMBRE, LE] (FR/IT, Luis Bunuel, 1964) ; GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952) ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; ELENA ET LES HOMMES (FR, Jean Renoir, 1956) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) Summary: Leo Braudy examines the films of Jean Renoir, and the variety of different forms these films take - farces, epics, detective stories, and paradoxes. He examines each of the thirty six films individually, but also in the context of Jean Renoir's overall visionNotes: Bibliography: p. [272]-276
Filmography: p. 219-271
Includes indexISBN: 0860510050LON: 71171280; 558387
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[Joh's jury : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 17 x 22 cmSubject: SHEERIN, JOHN ; JARRATT, JOHN ; TAYLOR, NOAH ; HUDSON, ELAINE ; YEMM, NORMAN ; HAMILTON, JULIE ; RIGG, REBECCA ; HOWARD, JOHN ; COOK, PENNY ; LUCAS, BETTY ; KENNARD, MALCOLM ; BOSELL, SIMON ; JOH'S JURY [TV] (AT, Ken Cameron, 1993) Summary: One black and white photograph of the cast of the television mini-series Joh's Jury
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KAGUYAHIME NO MONOGATARI [TALE OF PRINCESS KAGUYA] : (JA/US, Isao Takahata, 2013) Digital clippings file available
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Ken Russell / edited by Thomas R. Atkins New York: Monarch Press, 1976.
Call No: 81RUS KENAuthor: Atkins, Thomas R., 1939 Source: USPlace: New YorkPublisher: Monarch PressPubDate: 1976PhysDes: xi, 132 p. : ill. ; 24 cmSubject: DIRECTORS. UK ; SEXUALITY AND THE CINEMA ; TELEVISION, FILMS MADE FOR ; ADAPTATIONS ; RUSSELL, KEN ; AMELIA AND THE ANGEL (UK, Ken Russell, 1959) ; DEVILS, THE (UK, Ken Russell, 1971) ; MUSIC LOVERS, THE (UK, Ken Russell, 1971) ; PEEP SHOW (UK, Ken Russell, 1956) ; POET'S LONDON (UK, Ken Russell, 1959) ; SAVAGE MESSIAH (UK, Ken Russell, 1972) ; TOMMY (UK, Ken Russell, 1975) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; OMNIBUS [TV](UK, 1967-2003) Summary: "The films of Britain's most famous director have been praised and condemned; Russell's intentions distorted and misunderstood. With his popularity continuously growing, serious critical consideration of him has been long overdue. Covering all of Russell's work from his early amateur efforts to his films for the BBC and his features such as WOMEN IN LOVE, THE DEVILS, THE MUSIC LOVERS, and TOMMY, this anthology is a comprehensive sourcebook on Russell's cinema, an inquiry into the personal nature of his art, and a look at his working methods. Complete with biographical information, excerpts from the films TOMMY and MAHLER, filmography, bibliography, numerous production shots and scenes from his filoms, this volume presents us with an extraordinary picture of an immense talent." [Book blurb]Notes: Bibliography: p. 131-132ISBN: 0671081020 : $2.95LON: 75023545; 741449Contents: Contributors -- Acknowledgements -- Preface --; Ballet fantastique: scenario for an imaginary bio-pic of Ken Russell / Thomas R. Atkins -- The early films: Peep Show and Amelia and the Angel / Gene D. Phillips -- The television films: Poet's London to Dance of the Seven Veils / John Baxter -- Three masterpieces of sexuality: Women in Love, The Music Lovers, and The Devils / Jack Fisher -- Russell's methods of adaptation: Savage Messiah and Tommy / Joseph A. Gomez -- Excerpts of Russe; Excerpts from Russell's screenplays of Mahler and Tommy -- Biography -- Filmography -- Selected bibliography
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journal article
King of the jungle in Australian Cinematographer (June 2016) iss.70 p.20 - 27
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King Pulp : the wild world of Quentin Tarantino / Paul A. Woods London: Plexus, 1996.
Call No: 81TAR WOOAuthor: Woods, Paul A Place: LondonPublisher: PlexusPubDate: 1996PhysDes: 160 p., [8] p. of plates : ill. (some col.) ; 23 cmSubject: Tarantino, Quentin ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; PULP FICTION (US, Quentin Tarantino, 1994) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; TRUE ROMANCE (US, Tony Scott, 1993) Notes: Filmography: p. 158-160ISBN: 0859652351LON: 12302477
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Kings of the B's : working within the Hollywood system: an anthology of film history and criticism / edited by Todd McCarthy and Charles Flynn New York: E.P. Dutton,
Call No: 730.2(73) KINAuthor: McCarthy, Todd ; Flynn, Charles Edition: 1975Place: New YorkPublisher: E.P. DuttonPhysDes: x, 562 pages : illustrated ; 21 cmSubject: B-MOVIES ; CORMAN, ROGER ; KATZMAN, SAM ; LEWIS, JOSEPH H. ; LEWTON ,VAL ; MEYER, RUSS ; ULMER, EDGAR G. ; RAY, NICHOLAS ; ALTMAN, ROBERT ; TEEN FILMS ; ARKOFF, SAMUEL ; CASTLE, WILLIAM ; KARLSON, PHIL ; LEWIS, HERSCHELL GORDON ISBN: 9780525473787
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Kiss of the beast : From Paris salon to King Kong / Ted Gott (ed.) Brisbane: Queensland Art Gallery, 2005.
Call No: 175 KISSource: ATPlace: BrisbanePublisher: Queensland Art GalleryPubDate: 2005PhysDes: 127 p. : ill. ; 25 cmSubject: AUSTRALIAN CINEMATHEQUE ; MONSTERS IN FILMS ; ANIMALS IN FILMS ; PREHISTORIC ANIMALS IN FILM ; LOST WORLD, THE (US, Willis O'Brian, 1925) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; FRANKENSTEIN (US, James Whale, 1931) ; BLONDE VENUS (US, Josef von Sternberg, 1932) ; MUMMY, THE (US, Karl Freund, 1932) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; SON OF KONG (US, Ernest B. Schoedsack, 1933) ; TARZAN AND HIS MATE (US, Cedric Gibbons, 1934) ; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935) ; BRIDE OF THE GORILLA (US, Curt Siodmok, 1951) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; HSING HSING WANG (HK, Meng-Hwa Ho, 1977) Summary: Kiss of the Beast: From Paris Salon to King Kong explores images of gorillas, wild beasts and monsters in art, film, science, literature and popular culture from the late nineteenth century to today. It examens humanity's highly charged relationship with primates and draws connections between debates about evolution, race, aesthetics and sex - from satirical cartoons of gorillas in Punch! to HR Hopp's famous World War One recruiting poster Destroy this mad brute: enlist, which shows Kaiser Wilhelm as a large ape. Many incarnations of the Beauty and the Beast tale in art and film unfold in Kiss of the Beast - from French artist Emmanuel Fremiet's sculptures of a gorilla carrying off a woman of 1859 and 1887, to the classic 1933 image o Fay Wray in the grip of King Kong. Early short films and animations; groundbreaking expeditionary documentaries; iconic 'monster' movies from 130s to 1950s Hollywood; and some of the many versions of the Kong story from America, Japan and Hong Kong are also featured. Kiss of the Beast: From Paris Salon to King Kong is richly illustrated with film stills from many famous big ape and monster movies - including King Kong, Frankenstein and Creature from the Black Lagoon - as well as posters, sculptures, painting, prints and rare books. This book was published in conjunction with 'Kiss of the Beast', an integrated exhibition and film program presented by the Australian Cinematheque, Queensland Art Gallery.ISBN: 1876509082Donation: Australian Cinematheque, Queensland Art Gallery
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KONG BU FEN ZI [TERRORIZERS, THE] : (TZ, Edward Yang, 1986)
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newspaper article
La La Land snaps up tech's newest starlets in The Australian [IT Today] (14/03/2017) p.29
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The language of interactivity : [conference abstracts of] the Australian Film Commission's Multimedia Conference, 11-13 April 1996 [Sydney?]: Australian Film Commission, 1996.
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Laughing hysterically : American screen comedy of the 1950s / Ed Sikov New York: Columbia University Press, 1994.
Call No: 732(73) LAUAuthor: Sikov, Ed Place: New YorkPublisher: Columbia University PressPubDate: 1994PhysDes: xvii, 282 p., [24] p. of plates : ill. ; 24 cmSubject: COMEDIES. USA ; TRANSVESTISM ; HOMOSEXUALITY IN FILMS. USA ; LEWIS, JERRY ; MARTIN, DEAN ; MONROE, MARILYN ; SWANSON, GLORIA ; MANSFIELD, JAYNE ; RUSSELL, JANE ; HAWKS, HOWARD ; WILDER, BILLY ; HITCHCOCK, ALFRED ; TASHLIN, FRANK ; ARTISTS AND MODELS (US, Frank Tashlin, 1955) ; GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956) ; GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) ; MONKEY BUSINESS (US, Howard Hawks, 1952) ; SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; STALAG 17 (US, Billy Wilder, 1952) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955) ; WILL SUCCESS SPOIL ROCK HUNTER? (US, Frank Tashlin, 1957) Summary: With the likes of Billy Wilder, Howard Hawks, Alfred Hitchcock, and Frank Tashlin revelling in "monkeys, babies, beautiful blondes, money, and cruelty" in their signature films of the 1950s, this seemingly conformist period turns out to be one of the most dynamic and original eras in Hollywood history. What distinguishes these directors is their candid and amusing exploration of cultural anxieties in carnival form. Quirky yet complex films such as Monkey Business, Gentlemen Prefer Blondes, Sunset Boulevard, The Trouble with Harry, and Will Success Spoil Rock Hunter? released and expressed the sexual repression and frustration we commonly associate with the decadeNotes: Includes bibliographical references (p. [257]-267) and indexISBN: 0231079826 (alk. paper)LON: 93048900; 10679624
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Interim
book
Learning the media : an introduction to media teaching / by Manuel Alveredo, Robin Gutch and Tana Wollen London: Macmillian Education, 1987.
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The life of Robert Taylor / by Jane Ellen Wayne New York: Warner Paperback, 1973.
Call No: 81TAY WAYAuthor: Wayne, Jane Ellen Source: USPlace: New YorkPublisher: Warner PaperbackPubDate: 1973PhysDes: 349 p. : ill. ; 18cmSubject: TAYLOR, ROBERT Summary: "The brave days and glamourous nights of the other king of Hollywood in the Golden Age of cinema" -- Taken from cover.ISBN: 0446761036
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The Lion's share : the story of an entertainment empire / by Bosley Crowther New York: Dutton, 1957.
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Lipton on filmmaking / by Lenny Lipton ; edited by Chet Roaman New York: Simon and Schuster, c1979.
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journal article
Little plastic ambassadors in Metro education (1998) iss.16 p.42-44
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The living screen : background to the film and television / by Roger Manvell London: George C. Harrap, 1961.
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Living screens : melodrama and plasticity in contemporary film and television / Monique Rooney London -- Lanham, Maryland: Rowman & Littlefield International Ltd, 2015.
Call No: 733 ROOAuthor: Rooney, Monique Source: UKPlace: London -- Lanham, MarylandPublisher: Rowman & Littlefield International LtdPubDate: 2015PhysDes: x, 197 pages : illustrations ; 23 cmSeries: DisruptionsSubject: MELODRAMA ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGY AND TV ; WEINER, MATTHEW ; HAYNES, TODD ; VON TRIER, LARS ; MAD MEN [TV] (US, 2007) ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; MILDRED PIERCE [TV](US, 2011) Summary: Through original analysis of three contemporary, auteur-directed melodramas (Matthew Weiner s Mad Men, Lars von Trier s Melancholia and Todd Haynes s Mildred Pierce), Living Screens reconceives and renovates the terms in which melodrama has been understood. Returning to Jean-Jacques Rousseau s foundational, Enlightenment-era melodrama Pygmalion with its revival of an old story about sculpted objects that spring to life, it contends that this early production prefigures the structure of contemporary melodramas and serves as a model for the way we interact with media today. Melodrama is conceptualized as a plastic form with the capacity to mould and be moulded and that speaks to fundamental processes of mediationNotes: Includes bibliographical references (pages 171-188), filmography (pages 188-189), and indexISBN: 9781783480470Contents: Introduction -- Mad Men: melodrama and metamorphosis -- Turned back: advertising, televisual melodrama and metamorphosis in Mad Men -- Earth-object: melodrama and plasticity in Lars Von Trier's Melancholia -- Melodrama and plasticity in Todd Haynes's Mildred Pierce -- Postlude: Animated statue, melody, encore (moi!)
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Local content: one hour a day : a review of the need for Australian television content regulation / Televison Make It Australian Collingwood, Victoria: Televison Make It Australian, [1988?].
Call No: 205.4(94) TV-MIACorpAuthor: Televison Make It AustralianPlace: Collingwood, VictoriaPublisher: Televison Make It AustralianPubDate: [1988?]PhysDes: 60 pages : illustrated; 30 cmSubject: NATIONAL CONTENT. AUSTRALIA ; TELEVISION. AUSTRALIA
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journal article
London Notes in Melbourne Film Bulletin (July 1969) iss.9 p.27-30
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Looking for trouble : on shopping, gender and the cinema / Suzanne Moore London: Serpent's Tail, 1991.
Call No: 67(41) MOOAuthor: Moore, Suzanne Source: UKPlace: LondonPublisher: Serpent's TailPubDate: 1991PhysDes: ix, 305 pages ; 20 cmSubject: CRITICISM ; FEMINISM AND THE CINEMA ; JAMES BOND IN FILMS ; POPULAR CULTURE AND THE CINEMA ; ALWAYS (US, Steven Spielberg, 1989) ; BIRD (US, Clint Eastwood, 1988) ; BLACK RAIN (US, Ridley Scott, 1989) ; BLUE STEEL (US, Kathryn Bigelow, 1989) ; BROKEN NOSES (US, Bruce Weber, 1987) ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; DEAD RINGERS (CN, David Cronenberg, 1988) ; DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FAMILY VIEWING (CN, Atom Egoyan, 1987) ; FAREWELL TO THE KING (US, John Milius, 1989) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GOOD MOTHER, THE (US, Leonard Nimoy, 1988) ; JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989) ; KAMIKAZE HEARTS (US, Juliet Bashore, 1986) ; KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988) ; LONGTIME COMPANION (US, Norman Rene, 1990) ; MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991) ; MARUSA NO ONNA (JA, Juzo Itami, 1987) ; PARIS BY NIGHT (UK, David Hare, 1989) ; PATTY HEARST (US, Paul Schrader, 1988) ; ROGER AND ME (US, Michael Moore, 1989) ; SCANDAL (UK, Michael Caton-Jones, 1989) ; SERPENT AND THE RAINBOW (US, Wes Craven, 1988) ; SHE-DEVIL (US, Susan Seidelman, 1989) ; SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987) ; SKIN DEEP (US, Blake Edwards, 1989) ; SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991) ; SOMETHING WILD (US, Jonathan Demme, 1986) ; STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989) ; SWEETIE (AT, Jane Campion, 1989) ; TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; THIRTYSOMETHING [TV] (US, 1987-91) ; TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990)
SEE
ATAME! ; TORCH SONG TRILOGY (US, Paul Bogart, 1988) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TUCKER (US, Francis Ford Coppola, 1988) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; UNHOLY, THE (US, Camilio Vila, 1988) ; WAR OF THE ROSES, THE (US, Danny DeVito, 1989) ; WIRED (US, Larry Peerce, 1989) ; WORLD APART, A (UK, Chris Menges, 1988) ; BAUDRILLARD, JEAN ; TARKOVSKY, ANDREI ; WINDSOR, BARBARA Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.Notes: Contains bibliographyISBN: 1852422424Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.ID2: 291
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The looking glass world of nonfiction TV / by Elayne Rapping Boston, MA: South End Press, 1987.
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journal article
Lord Grade's award winning deal "Ghandi" goes to TV for $7m. in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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Lorimar Productions & Universal Pics. unite in co-production deal to produce and finacne three major motion pictures in Australasian Cinema (25/3/1983) vol.12 iss.5 p.1
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book
I lost it at the movies / Pauline Kael London: Cape, 1966.
Call No: 67(04) KAEAuthor: Kael, Pauline Place: LondonPublisher: CapePubDate: 1966PhysDes: ix, 365 p. ; 22 cm.Subject: CRITICISM ; GOLDEN COACH, THE [CARROSSE D'OR, LE] (FR/IT, Jean Renoir, 1952) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; SCIUSCIA (IT, Vittorio De Sica, 1946) ; SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; WEST SIDE STORY (US, Robert Wise, 1961) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ONE, TWO, THREE (US/GW, Billy Wilder, 1961) ; MARK, THE (UK, Guy Green, 1961) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; TASTE OF HONEY, A (UK, Tony Richardson, 1961) ; VICTIM (UK, Basil Dearden, 1961) ; LOLITA (US, Stanley Kubrick, 1962) ; JULES ET JIM (FR, Francois Truffaut, 1962) ; NOBI (JA, Kon Ichikawa, 1959) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; YOJIMBO (JA, Akira Kurosawa, 1961) ; DEVI (II, Satyajit Ray, 1960) ; [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963) Summary: A collection of Kael's writings on cinema including reviews mostly from 1961-1963.Notes: Includes index.LON: nun00460852; 4159070
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Love Patrol in Australian Cinematographer (March 2013) iss.57 p.20-25
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Lovers / Linda Sunshine Atlanta, Ga.: Turner Pub., c1992.
Call No: 802.27 SUNAuthor: Sunshine, Linda Edition: 1st edPlace: Atlanta, Ga.Publisher: Turner Pub.PubDate: c1992PhysDes: 204 p. : ill. ; 24 cmSubject: LOVE IN FILMS ; GARBO, GRETA ; GILBERT, JOHN ; GABLE, CLARK ; HARLOW, JEAN ; Crawford, Joan ; ASTAIRE, FRED ; ROGERS, GINGER ; LOY, MYRNA ; MACDONALD, JEANETTE ; EDDY, NELSON ; FLYNN, ERROL ; DE HAVILLAND, OLIVIA ; POWELL, WILLIAM ; PIDGEON, WALTER ; GARLAND, JUDY ; ROONEY, MICKEY ; GARSON, GREER ; BOGART, HUMPHREY ; BACALL, LAUREN ; LEIGH, VIVIEN ; OLIVIER, LAURENCE ; TAYLOR, ELIZABETH ; BURTON, RICHARD ; NEWMAN, PAUL ; WOODWARD, JOANNE ; TRACY, SPENCER ; HEPBURN, KATHARINE ; ALLEN, WOODY ; Keaton, Diane ; FARROW, MIA Notes: Includes bibliographical references (p. 201), filmographies, and indexISBN: 1878685031 : $29.95LON: 8931051
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Making and remaking horror in the 1970s and 2000s : why don't they do it like they used to? / David Roche Jackson: University Press of Mississippi, c2014.
Call No: 735.2 ROCAuthor: Roche, David Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: c2014PhysDes: vii, 335 pages : illustrations ; 24 cmSubject: HORROR FILMS ; REMAKES ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; TEXAS CHAINSAW MASSACRE [...] (US, 1974-) ; TEXAS CHAINSAW MASSACRE, THE (US, Marcus Nispel, 2003) ; TEXAS CHAINSAW MASSACRE: THE BEGINNING, THE (US, Jonathan Liebesman, 2006) ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; DAWN OF THE DEAD (US, Zack Snyder, 2004) ; HILLS HAVE EYES, THE (US, Wes Craven, 1978) ; HILLS HAVE EYES, THE (US, Alexandre Aja, 2006) ; HILLS HAVE EYES PART II, THE (UK/US, Wes Craven, 1986) Summary: An expansive treatment of the meanings and qualities of original and remade American horror moviesNotes: Includes bibliographical references (317-328), filmography and index.ISBN: 9781617039621Contents: Introduction -- Text, subtext, and context -- (Dis)connecting race, ethnicity, and class -- The (dys)functional American nuclear family -- Gender and sexual troubles -- (Re)situating and (re)playing the genre -- Monsters and masks (horror and terror, part 1) -- Strategies and style (horror and terror, part 2) -- Constraints and verisimilitude: a tentative conclusion.
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Making broadcasting useful: the African experience : the development of radio and television in Africa in the 1980s / George Wedell, editor ; James Kangwana and Lawrence Lawler, assistant editors. Manchester, UK: Manchester University Press : European Institute for the Media, 1986.
Call No: 67(4) WEDEdition: 1986Source: UKPlace: Manchester, UKPublisher: Manchester University Press : European Institute for the MediaPubDate: 1986PhysDes: xii, 306 p. : maps ; 24 cmSubject: BROADCASTING ; AFRICA ; TELEVISION. AFRICA ISBN: 071901865XDonation: donated by the family of Wayne Levy, 2006
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The making of ANZACS / compiled by John Cribbin ; stills photography by Greg Noakes Sydney: Fontana, 1985.
Call No: 79ANZ CRIAuthor: Cribbin, John Source: ATPlace: SydneyPublisher: FontanaPubDate: 1985PhysDes: 135 p. : ill. (some col.), facsims., maps, ports. ; 28 cm.Subject: ART DIRECTION ; HISTORY AND TV. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; PRE-PRODUCTION. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; WAR ON TV ; BURROWES, GEOFF ; DIXON, JOHN ; MILLER, GEORGE ; ANZACS [TV] (AT, Pino Amenta, John Dixon & George Miller, 1985) Summary: "They were the tallest soldiers of any army; the only all-volunteer fighting force and the best paid of all the troops in the Great War. Yet in 1914 when they marched away, they were considered a rag-tag lot, probably too ill-disciplined to be useful in war. The proud but tragic fiasco of Gallipoli changed that perception [...] Now the Great War is the backdrop of ANZACS, one of the most dramatic and important series ever made for Australian television. In five parts the ANZACS brings to life forgotten aspects of an immense conflict, and the men - and women too - who were swept up or overtaken by it. Here, vividly illustrated in text and in pictures, is an account of how that series was made; the powerful and moving stories told; the stars who portray the dignity, bravery and poignancy of yesterday's heroes."--BOOK BLURBNotes: "The major 9 network television series (produced by Geoff Burrowes and John Dixon)'--CoverISBN: 000636893XDonation: donated by the family of Wayne Levy, 2006
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The making of Terminator 2 Judgement Day / by Don Shay and Jody Duncan New York: Bantam Books, 1991.
Call No: 79TER SHAAuthor: Shay, Don ; Duncan, Jody Source: USPlace: New YorkPublisher: Bantam BooksPubDate: 1991PhysDes: 127 p. : ill. (some col.), ports ; 28cm.Subject: CAMERON, JAMES ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Summary: An illustrated, behind-the-scenes look at the making of the film Terminator 2 : Judgement Day. Includes photographs, production drawings and interviews with cast and crew.ISBN: 0553353462Donation: Simon WincerContents: Introduction -- Chapter 1: A true continuation: an interview with James Cameron -- On the set: Reseda, California -- Chapter 2: A boy and his terminator -- On the set: San Jose, California -- Chapter 3: Make it look cool -- On the set: Long Beach, California -- Chapter 4: Putting out fires, day to day -- On the set: Fontana, California -- Chapter 5: Coming together again -- On the set: Fontana, California -- Chapter 6: Action in every paragraph -- On the set: Fontana, California -- Chapter 7: More is more -- On the set: Lake View Terrace, California -- Chapter 8: Tricks and more tricks -- On the set: Valencia, California -- Chapter 9: Your basic logistical hell: an interview with James Cameron
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Making our voices heard : Canadian broadcasting and film for the 21st century / Mandate Review Committee, CBC, NFB, Telefilm [Ottawa, Ont.]: Ministry of Supply and Services, 1996.
Call No: 201(71) MANCorpAuthor: Mandate Review Committee, CBC, NFB, Telefilm (Canada); Canada. Canadian HeritagePlace: [Ottawa, Ont.]Publisher: Ministry of Supply and ServicesPubDate: 1996PhysDes: 299 p. : ill. ; 28 cmSubject: INDUSTRY, FILM. CANADA ; INDUSTRY, TV. CANADA ; NATIONAL FILM BOARD OF CANADA ; TELEFILM CANADA ; CANADIAN BROADCASTING CORPORATION Notes: Simultaneously published in French as: Faire entendre nos voix : le cinema et la tTlTvision du Canada au 21e si¯ ecle; Subtitle on spine: Report of the Mandate Review Committee, CBC, NFB, Telefilm; Canadian broadcasting and film for the 21st centuryISBN: 0662241053LON: 12400027
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newspaper article
Malcolm turns 30 in Canberra Times [Panorama] (17/09/2016) p.6
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journal article
"Mama Malone" begins prod. in Australasian Cinema (10/9/1982) vol.11 iss.16 p.8
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journal article
A Man There Was in Metro (1997) iss.110 p.70-71
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poster
[Mandariinid : poster]
Call No: P MANPhysDes: 1 poster : col. ; 97 X 69cmSubject: TANGERINES [MANDARIINID] (ES/GO, Zaza Urushadze, 2013) Summary: Image: Man sitting obscured in the dark on the left. A basket of tangerines sits on the floor next to him. Text: 'Academy Award nominee. Best foreign language film. Golden Globe Award nominee. Best foreign language film. "Profoundly touching and enormously enjoyable. Truly stunning." Patryk Czeaj. Twitch.' Title and awards list at the bottom.Notes: Minor tears and creasing top rightDonation: Cinema Nova
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title clippings file
MANDARIINID [TANGERINES] : (ES/GO, Zaza Urushadze, 2013)
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newspaper article
Marigold blooms again in Weekend Australian [Review] (28/02/2015) p.14
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The market for television in Australia / by H. Hughes, MA (Hons), PhD (Lond), FSS and M.E. Joseph, MA (Cantab), FSS, Statistician, ANZ Bank [Melbourne?]: ANZ Bank, [1956?].
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book
Martin Scorsese : the making of his movies / Andy Dougan London: Orion, 1997.
Call No: 81SCO DOUAuthor: Dougan, Andy Source: UKPlace: LondonPublisher: OrionPubDate: 1997PhysDes: 144 p. : ill., ports. ; 20 cm.Subject: SCORSESE, MARTIN ; AFTER HOURS (US, Martin Scorsese, 1985) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CASINO (US, Martin Scorsese, 1995) ; GOODFELLAS (US, Martin Scorsese, 1990) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; LAST WALTZ, THE (US, Martin Scorsese, 1978) ; KUNDUN (US, Martin Scorsese, 1997) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; WHO'S THAT KNOCKING AT THE DOOR (US, Martin Scorsese, 1968) ; ALICE DOESN'T LIVE HERE ANY MORE (US, Martin Scorsese, 1974) ; BOXCAR BERTHA (US, Martin Scorsese, 1972) ; COLOUR OF MONEY,THE (US, Martin Scorsese, 1986) ; NEW YORK STORIES (US, Woody Allen, Martin Scorsese, Francis Ford Coppola, 1989) Summary: Complete "Variety" unabridged reviews for all Scorsese films inc. full credit listsISBN: 0752811754
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Martin Scorsese : interviews / Edited by Robert Ribera Jackson: University Press of Mississipp, 2017.
Call No: 81 SCO SCOAuthor: Ribera, Robert ; Scorsese, Martin Edition: Revised and updated editionPlace: JacksonPublisher: University Press of MississippPubDate: 2017PhysDes: xxxi, 250 pages ; 24 cm.Subject: CRITICISM ; HISTORY OF CINEMA. 1970's ; UNDERGROUND FILMS. USA ; SCORSESE, MARTIN ; TAXI DRIVER (US, Martin Scorsese, 1976) ; RAGING BULL (US, Martin Scorsese, 1980) ; COLOR OF MONEY, THE (US, Martin Scorsese, 1986) ; MEAN STREETS (US, Martin Scorsese, 1973) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; GOODFELLAS (US, Martin Scorsese, 1990) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; DEPARTED, THE (US, Martin Scorsese, 2006) ; HUGO (US, Martin Scorsese, 2011) ; WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013) ; NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005) ; BLUES, THE [TV] (US, 2003) Summary: Many critics and film historians throughout the world praise Martin Scorsese as the greatest living American director. In this collection of interviews covering a period of two decades Scorsese's own words, sometimes emotionally direct and always revealing, trace his astonishing career. Like a Scorsese film, a Scorsese interview is daring and impassioned and is charged with his trademark wit and brilliance.Notes: Includes index.
Formerly CIP.
Includes filmography.
Also issued online.ISBN: 9781496809476Donation: Senses of CinemaContents: Martin Scorsese and the American Underground / Doris Freedman (1970) -- Dialogue on Film: Martin Scorsese The American Film Institute (1975) -- Taxi Dancer: Martin Scorsese Interviewed / Jonathan Kaplan (1977) -- Raging Bull / Michael Henry (1981) --Taxi Driver / Paul Schrader (1982) -- Chalk Talk / Peter Biskind and Susan Linfield (1986) -- Martin Scorsese: In the Streets / Peter Occhiogrosso (1987) -- And Blood / Richard Corliss (1988) -- Scorsese: A Bicoastal Story / Amy Taubin (1988) -- What the Streets Mean / Anthony DeCurtis (1990) -- Martin Scorsese Interviewed / Gavin Smith (1993) -- Martin Scorsese's Testament / Ian Christie (1996) -- Everything Is Form / Amy Taubin (1998) -- Fresh Air: Director Martin Scorsese / Terry Gross (2003) -- 2006 Charles Guggenheim Symposium Honoring Martin Scorsese / Jim Jarmusch (2006) -- Martin Scorsese on The Departed / Michael Goldman (2006) -- Docufictions: An Interview with Martin Scorsese on Documentary Film / Raffaele Donato (2007) -- In Hugo, Martin Scorsese Salutes a Movie Magician / Melissa Block (2011) -- The Art of Martin Scorsese / Jim Leach (2013) -- DP/ 30: Scorsese on The Wolf of Wall Street / David Poland (2014).
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MARUSA NO ONNA : (JA, Juzo Itami, 1987)
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journal article
The Marx Brothers in Montage (September 1968) p.35-39
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Masked men : masculinity and the movies in the fifties / Steven Cohan Bloomington: Indiana University Press, c1997.
Call No: 451-01 COHAuthor: Cohan, Steven Place: BloomingtonPublisher: Indiana University PressPubDate: c1997PhysDes: xxi, 346 p. : ill. ; 25 cmSeries: Arts and politics of the everydaySubject: MASCULINITY IN FILMS ; GENDER AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; BISEXUALITY AND THE CINEMA ; CLASS AND THE CINEMA ; COLD WAR AND THE CINEMA ; BOGART, HUMPHREY ; BRANDO, MARLON ; CLIFT, MONTGOMERY ; CURTIS, TONY ; GRANT, CARY ; HOLDEN, WILLIAM ; HESTON, CHARLTON ; HUDSON, ROCK ; PICNIC (US, Joshua Logan, 1955) ; PILLOW TALK (US, Michael Gordon, 1959) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; RED RIVER (US, Howard Hawks, 1948) Summary: When we think of the films of the 1950s, we inevitably remember the confident swagger of John Wayne, the suave sophistication of Cary Grant, and the emotional intensity of Marlon Brando. But today's culture critics see in the decade a period when heterosexual/homosexual dualism came to dominate the representation of American masculinity. Masked Men documents how movies of the 1950s represented masculinity as a multiple masquerade. Hollywood depicted the sexual anxieties of the domesticated breadwinner, the repudiation of wartime homoerotic male bonding, the exhibitionism of muscular bodies, the transvestic connotations of boyishness, and the playboy bachelor apartment. These presentations challenged the postwar ideal of the typical American male, that omnipresent and seemingly invisible Man in a Gray Flannel SuitNotes: Includes bibliographical references (p. [323]-335) and index; Filmography: p. [321]-322ISBN: 0253211271 (pa : alk. paper); 0253332974 (cl : alk. paper)LON: 12951206
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book
Masks in Horror cinema : eyes without faces / Alexandra Heller-Nichols Cardiff: University of Wales Press,
Call No: 735.2 HELAuthor: Heller-Nichols, Alexandra Edition: 2019Place: CardiffPublisher: University of Wales PressPhysDes: 288 pages ; 22 cmSubject: SLASHER FILMS ; HORROR FILM ; FRIDAY THE 13TH [...] (US, 1980-) ; HALLOWEEN (US, John Carpenter, 1978) ; TEXAS CHAIN SAW MASSACRE [...] (US, 1974-) ; PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925) ; YOU'RE NEXT (US/UK, Adam Wingard, 2011) ; YEUX SANS VISAGE, LES (FR/IT, Georges Franju, 1959) Summary: Why has the mask been such an enduring generic motif in horror cinema? This book explores its transformative potential historically across myriad cultures, particularly in relation to its ritual and mythmaking capacities, and its intersection with power, ideology and identity. All of these factors have a direct impact on mask-centric horror cinema: meanings, values and rituals associated with masks evolve and are updated in horror cinema to reflect new contexts, rendering the mask a persistent, meaningful and dynamic aspect of the genre’s iconography. This study debates horror cinema’s durability as a site for the potency of the mask’s broader symbolic power to be constantly re-explored, re-imagined and re-invented as an object of cross-cultural and ritual significance that existed long before the moving image culture of cinema. -- publisher's web siteISBN: 9781786834966Contents: Acknowledgements -- Introduction – Why Masks? Ritual, Power and Transformation -- Chapter One: Situating Masks and Horror Cinema -- Part One: Masks, Horror and Cinema: Towards Codification -- Chapter Two: Masks and Horror in Literary and Performance Traditions and Early Cinema -- Chapter Three: Masks in Horror Film Before 1970 -- Part Two: Horror Film Masks from 1970 -- Chapter Four: Skin Masks: Ritual, Power and Transformation -- Chapter Five: Blank Masks: Ritual, Power and Transformation -- Chapter Six: Animal Masks: Ritual, Power and Transformation -- Chapter Seven: Repurposed Masks: Ritual, Power and Transformation -- Part Three: Masks as Transformational Technologies – Moving Forward By Looking Back -- Chapter Eight: Technological Masks: Ritual, Power and Transformation -- Conclusion -- Bibliography
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The mass media : a personal report / by John Temple Sydney: Angus & Robertson, 1975.
Call No: 401.1 TEMAuthor: Temple, John Source: ATPlace: SydneyPublisher: Angus & RobertsonPubDate: 1975PhysDes: 148 p., [8] p. of plates : ill. ; 20 cm.Subject: MEDIA ; BROADCASTING. AUSTRALIA ; TELEVISION ISBN: 0207128308Donation: donated by the family of Wayne Levy, 2006
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Old collection
book
Masterpieces on film : a guide to films for study in English classes / Charles MacFarland Melbourne: Longman Cheshire, 1985.
Call No: 53:820 MACAuthor: MacFarland, Charles Source: ATPlace: MelbournePublisher: Longman CheshirePubDate: 1985PhysDes: 172 p. : ill. ; 23 cmSubject: TEACHING MATERIALS ; ADAPTATIONS ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WAR OF THE WORLDS (US, Byron Haskin, 1953) ; TIME MACHINE, THE (US, George Pal, 1960) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; CHARLY (US, Ralph Nelson, 1968) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; CASABLANCA (US, Michael Curtiz, 1942) ; PSYCHO (US, Alfred Hitchcock, 1960) ; MURPHY'S WAR (UK, Peter Yates, 1971) ; STING, THE (US, George Roy Hill, 1973) ; BREAKING AWAY (US, Peter Yates, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ISBN: 0582872200
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book
Mayer and Thalberg : the make-believe saints / by Samuel Marx New York: Random House, [1975].
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book
The media : a new analysis of the press, television, radio and advertising in Australia / Keith Windschuttle Ringwood, Vic.: Penguin, 1984.
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Interim
book
Media and meaning : an introduction / Colin Stewart, Marc Lavelle and Adam Kowaltzke London: British Film Institute, 2001.
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newspaper article
Media bosses unite over GST on Google ad sales in The Age (24/08/2015) p.22
Call No: SUBJECT CLIPPINGS FILE; ADVERTISING. AUSTRALIAAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; ADVERTISING. AUSTRALIA Summary: Report on the various Australian online outlets looking to the government to impose GST on foreign online companies who do business in Australia
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Interim
book
The media & communications in Australia / edited by Stuart Cunningham and Graeme Turner Crows Nest, NSW: Allen & Unwin, 2002.
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Old collection
book
Media competencies and new technologies : transcript of a one day seminar / Margaret Chisholm and David Ely [North Ryde, N.S.W.]: Australian Film and Television School, 1980.
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book
Men, women, and chainsaws : gender in the modern horror film / by Carol J. Clover London: B.F.I. Publishing, 1992.
Call No: 735.2 CLOAuthor: Clover, Carol J., 1940 Place: LondonPublisher: B.F.I. PublishingPubDate: 1992PhysDes: 260 p. : ill. ; 25 cmSubject: HORROR FILMS ; SLASHER FILMS ; CRIME IN FILMS ; AUDIENCES ; DEVIL IN FILMS ; ENDINGS OF FILMS ; EXPLOITATION FILMS ; FAMILY IN FILMS ; LOOK IN FILMS ; HOMOSEXUALITY IN FILMS ; IDENTIFICATION ; REPRODUCTION IN FILMS ; SADISM / MASOCHISM IN FILMS ; SUPERNATURAL IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; ALIEN [...] (UK/US, 1979-92) ; DELIVERANCE (US, John Boorman, 1972) ; EXORCIST, THE (US, William Friedkin, 1973) ; FRIDAY THE 13TH [...] (US, 1980-) ; HALLOWEEN (US, John Carpenter, 1978) ; HILLS HAVE EYES, THE (US, Wes Craven, 1978) ; HUNTER'S BLOOD (US, Robert C. Hughes, 1986) ; MS 45 (US, Abel Ferrara, 1981) ; PEEPING TOM (UK, Michael Powell, 1960) ; POLTERGEIST (US, Tobe Hooper, 1982) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SCANNERS (CN, David Cronenberg, 1981) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; WITCHBOARD (US, Kevin S. Tenney, 1987) Notes: Includes bibliographical references (p. [237]-253) and indexISBN: 0851704190 (pbk.); 0851703313LON: 8882059
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bastille day (uk/fr/us, james watkins, 2015)
Menace with style in Sunday Age [Inside Out] (15/05/2016) p.10
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newspaper article
Minerfeels the Call of Duty... in Hollywood in The Australian [Business News] (1/04/2016) p.19
Call No: TITLE CLIPPINGS FILE; TANGO DOWN (in production)Author: Garvey, Paul PhysDes: Clippings File ArticleSubject: TANGO DOWN (in production) Summary: Artemis Resources to invest in the action film TANGO DOWN.
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Interim
book
Missing, believed wiped : searching for the lost treasures of British television / Dick Fiddy London: British Film Institute, 2001.
Call No: 721.304.31(41) FIDAuthor: Fiddy, Dick Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 146p. : ill. ; 25 cmSubject: UNITED KINGDOM ; TELEVISION. UK ISBN: 0851708668
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title clippings file
MO JING : (HK/C, Dante Lam, 2014)
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The Modern American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1978.
Call No: 753.4 MODAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1978PhysDes: xii, 461 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ALL THE KINGS MEN (US, Robert Rossen, 1949) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CATCH 22 (US, Mike Nichols, 1970) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; DELIVERANCE (US, John Boorman, 1972) ; FOUNTAINHEAD, THE (US, King Vidor, 1949) ; FOR WHOM THE BELL TOLLS (US, Sam Wood, 1943) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; HUMAN COMEDY, THE (US, Clarence Brown, 1943) ; IN THIS OUR LIFE (US, John Huston, 1942) ; INTRUDER IN THE DUST (US, Clarence Brown, 1949) ; LAST HURRAH, THE (US, John Ford, 1958) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LOLITA (US, Stanley Kubrick, 1962) ; LONELYHEARTS (US, Vincent J. Donehue, 1958) ; MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955) ; NAKED AND THE DEAD, THE (US, Raoul Walsh, 1958) ; NATIVE SON (AG, Pierre Chenal, 1951) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; OF MICE AND MEN (US, Lewis Milestone, 1939) ; OLD MAN AND THE SEA, THE (US, John Sturges, 1958) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; RABBIT, RUN (US, Jack Smight, 1970) ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; TARNISHED ANGELS, THE (US, Douglas Sirk, 1957) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; TOBACCO ROAD (US, John Ford, 1941) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) ; WET PARADE, THE (US, Victor Fleming, 1932) Summary: "Does a movie have the same impact as the novel on which it is based? Here are some of the stimulating - and occasionally surprising - answers to that question. This book is a follow-up to The Classic American Novel and the Movies, which ended in 1929, but it can be read on its own. [This book] covers novels and films from the 1930s to the 1970s, from Erskine Caldwell's Tobacco Road to James Dickey's Deliverance. In between, many film translations of notable novels are scrutinized - works by such authors as Faulkner, Hemingway, Steinbeck, McCullers, Nabokov, Updike, Kesey, and Vonnegut [...] Style, characterisation, theme, and ideology come under review. And we get behind-the-scenes insights into the actual filming of some celebrated novels. Of special value to scholars and students of film: extended filmographies by both author and film title of adaptations of American novels published between 1930 and 1975. In addition, there is a bibliography covering the same period, plus complete rental information on the films themselves." -- BOOK BLURBNotes: Includes index; Filmography: p. 349-428; Bibliography: p. 429-443; Sequel/companion to The Classic American Novel and the Movies, also in the CollectionISBN: 0804426821 : $14.50. 0804466491 pbk. : $6.95LON: 78004373; 1250638
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newspaper article
Monster-free flick still provides the chills in The Age [Arts & Entertainment] (17/03/2016) p.32
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Interim
book
Montgomery Clift : a biography / by Patricia Bosworth New York: Bantam Books, 1979, c1978.
Call No: 81CLI BOSAuthor: Bosworth, Patricia Edition: Bantam ed.Source: USPlace: New YorkPublisher: Bantam BooksPubDate: 1979, c1978PhysDes: xi, 433 p., [32] pages of plates : ill. ; 18 cmSubject: CLIFT, MONTGOMERY ; BRANDO, MARLON ; TAYLOR, ELIZABETH ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; RAINTREE COUNTRY (US, Edward Dmytryk, 1957) ; FROM HERE TO ETERNITY (US, Fred Zinneman, 1953) ; FREUD (US, John Huston, 1962) Summary: A biography about the actor Montgomery Clift. Includes a complete filmography and a list of his theatre performances.ISBN: 0553170023
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newspaper article
Moral hazard in Australian Financial Review [Weekend] (19/03/2016) p.51
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newspaper article
More Hollywood movies could be filming in a town near you in Australian Financial Review (18/12/2015) p.29
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: White, Dominic PhysDes: Clippings File ArticleSubject: SCREEN AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA ; TAXES. AUSTRALIA Summary: Discussion about the Federal Government's committment to review the Producer's Offset with the thought being they are looking to increase it to about 30 percent (it is currently 16.5 per cent)Notes: Article published in The Age as 'Hollywood movies lured on tax' 18/12/2015 p. 22
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journal article
More 'tax movie' benefits on one hand... overseas stars banned on the other : Do we want to sell OZPIX overseas?Do we want to sell OZPIX in Australia?-It makes you wonder. in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
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The motion picture : from magic lantern to sound film / Julius Pfragner Folkstone: Bailey Brothers and Swinfen, 1974, c1964.
Call No: 701 PFRAuthor: Pfragner, Julius ; McClintock, Theodore (trans.) Place: FolkstonePublisher: Bailey Brothers and SwinfenPubDate: 1974, c1964PhysDes: 240 p. ; 21 cmSubject: HISTORY OF CINEMA ; HISTORY OF CINEMA. TRANSITION SILENT-SOUND ; TECHNICAL DEVELOPMENTS Summary: In 1826, magic lantern exhibits were at the height of their popularity in Vienna; it was not until 1927 that the first successful sound film was produced in America. This book tells the story of the inventors during those hundred years who contributed to the development of photography and the motion picture. [Taken from inside front cover.]ISBN: 561001820Donation: donated by the family of Wayne Levy, 2006
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Interim
book
Motion picture music / edited by Luc Van De Ven Belgium: Soundtrack, 1980.
Call No: 751 MOTPlace: BelgiumPublisher: SoundtrackPubDate: 1980PhysDes: 155 p.Subject: MUSIC, FILM ; MUSIC, TV ; SARDE, PHILIPPE ; SHIRE, DAVID ; RUSTICHELLI, CARLO ; BENNETT, RICHARD RODNEY ; BAXTER, LES ; KAPER, BRONISLAU ; NASCIMBENE, MARIO ; MANCINI, HENRY ; HERMANN, BERNARD ; GOLDSMITH, JERRY ; GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; OBSESSION (US, Brian de Palma, 1976) ; JAWS (US, Steven Spielberg, 1975) ; TOWERING INFERNO, THE (US, John Guillermin & Irwin Allen, 1974) Order Received: 2000Order Type: Donation
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Interim
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Movie blockbusters / edited by Julian Stringer London: Routledge, 2003.
Call No: 721.303.311 STRAuthor: Stinger, Julian (ed.) Source: UKPlace: LondonPublisher: RoutledgePubDate: 2003PhysDes: 276 p. : ill. ; 24 cmSubject: BLOCKBUSTERS ; INDUSTRY, FILM. USA ; INDUSTRY, FILM. NEW ZEALAND ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. INDIA ; INDUSTRY, FILM. KOREA ; INDUSTRY, FILM. ARGENTINA ; AWARDS. ACADEMY ; SPIELBERG, STEVEN ; CAMERON, JAMES ; JAWS (US, Steven Spielberg, 1975) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TITANIC (US, James Cameron, 1997) ; CONTACT (US, Robert Zemeckis, 1997) ; FUGITIVE, THE (US, Andrew Davis, 1993) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; STAR WARS (US, George Lucas, 1977) Summary: Big-budget, spectacular films designed to appeal to a mass audience: is this what – or all – blockbusters are? Movie Blockbuster brings together leading film scholars to consider this most high-profile and culturally significant genre. Drawing on a range of critical perspectives, the book traces how and why the ‘even movie’ has played such a large role in popular imagination, tracing a path from the spectacles of the silent era to the effects-laden mega-hits of the digital age.ISBN: 0415256097
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The movie moguls : an informal history of Hollywood tycoons / Philip French Harmondsworth, Middlesex: Penguin, 1971.
Call No: 802.091.11 FREAuthor: French, Philip Source: UKPlace: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1971PhysDes: 208 p., [16] p. of plates ; 18 cmSubject: HISTORY AND THE CINEMA. USA ; INDUSTRY, FILM ; Metro-Goldwyn-Mayer ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; STUDIO SYSTEM ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; UNITED ARTISTS ; WARNER BROS. ; COHN, HARRY ; DEMILLE, CECIL B. ; DISNEY, WALT ; KATZ, SAM ; KENNEDY JOSEPH P. ; LAEMMLE, CARL ; LASKY, JESSE ; SCHARY, DORE ; SCHULBERG, BUDD ; SCHENCK, JOSEPH M ; SELZNICK, DAVID O. ; SHEARER, NORMA ; SKOURAS, SPYROS ; SINCLAIR, UPTON ; THALBERG, IRVING ; WANGER, WALTER ; STROHEIN, ERICH VON ; ZANUCK, DARRYL F. ; ZANUCK, RICHARD ; ZUKOR, ADOLPH Notes: includes bibliographical references and indexISBN: 297762664Donation: donated by the family of Wayne Levy, 2006
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Yet to catalogue
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Movie parade / by Paul Rotha London New York: The Studio, ld. The Studio publications, inc, [1936].
Call No: 70 ROTAuthor: Rotha, Paul Place: London New YorkPublisher: The Studio, ld. The Studio publications, incPubDate: [1936]PhysDes: ix,142 p. : illus. ; 30 cmSubject: ADVENTURE FILMS ; AVANT-GARDE FILMS ; COMEDIES ; CRIME FILMS ; DOCUMENTARIES ; INSTRUCTIONAL FILMS ; EPIC FILMS ; FANTASTIC FILMS ; HISTORICAL FILMS ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; INSTRUCTIONAL FILMS ; MELODRAMA ; MUSICALS ; ROMANIES IN FILM ; SATIRE IN FILMS ; WAR FILMS ; WESTERNS ; BIG PARADE, THE (US, King Vidor, 1925) ; CHYORTOVO KOLESO (UR, Grigori Kozintsev & Leonid Trauberg, 1926) ; [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; GENERAL, THE (UK, John Boorman, 1998) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; IRON HORSE, THE (UK, John Ford, 1924) ; LOST PATROL, THE (US, John Ford, 1934) ; OUR HOSPITALITY (US, Buster Keaton & John Blystone, 1923) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; QUICK MILLIONS (US, Rowland Brown, 1931) ; SON OF KONG (US, Ernest B. Schoedsack, 1933) ; SPEEDY (US, Ted Wilde, 1928) ; TABU (US, Friedrich Wilhelm Murnau, 1931) ; TESTAMENT DES DOKTOR MABUSE, DAS (G, Fritz Lang, 1933) ; WINGS (US, William Wellman, 1927) ; WOMAN OF PARIS, A (US, Charles Chaplin, 1923) Notes: Title on two leaves; "Pictorial survey ... some 600 stills ... from all parts of the world."--p. [iv]LON: 1376838
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Movie record breakers : the biggest, the baddest and the best movies of all time! / David Barraclough London: New Burlington Books, 1992.
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Movie star : a look at the women who made Hollywood / by Ethan Mordden New York: St. Martin's Press, 1983.
Call No: 451-02 MORAuthor: Mordden, Ethan, 1947 Place: New YorkPublisher: St. Martin's PressPubDate: 1983PhysDes: xii, 296 p., [40] p. of plates : ports. ; 24 cmSubject: WOMEN IN FILMS ; STAR SYSTEM ; ACTORS ; BOW, CLARA ; SWANSON, GLORIA ; PICKFORD, MARY ; GISH, LILLIAN ; GAYNOR, JANET ; SHEARER, NORMA ; GARBO, GRETA ; Crawford, Joan ; LOY, MYRNA ; GARSON, GREER ; DIETRICH, MARLENE ; HARLOW, JEAN ; WEST, MAE ; Lombard, Carole ; DAVIES, MARION ; BALL, LUCILLE ; HEPBURN, KATHARINE ; RUSSELL, ROSALIND ; FAYE, ALICE ; Stanwyck, Barbara ; DAVIS, BETTE ; TEMPLE, SHIRLEY ; GARLAND, JUDY ; TAYLOR, ELIZABETH ; HAYWORTH, RITA ; GRABLE, BETTY ; GARDNER, AVA ; MONROE, MARILYN ; MANSFIELD, JAYNE ; NOVAK, KIM ; HOLLIDAY, JUDY ; HEPBURN, AUDREY ; DAY, DORIS ; ANDREWS, JULIE ; STREISAND, BARBRA ; MINNELLI, LIZA ; BERGMAN, INGRID ; WELCH, RAQUEL ; Keaton, Diane ; FONDA, JANE ; DRESSLER, MARIE ; DUNNE, IRENE ; LAWRENCE, FLORENCE ; BARA, THEDA ; MURRAY, MAE ; MOORE, COLLEEN ; ALLEN, GRACIE ; BLONDELL, JOAN ; TOMLIN, LILY Notes: Includes index; Bibliography: p. [285]-289ISBN: 0312550502 (pbk.); 0312550499LON: 83003024; 2457302
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Old collection
book
Movies / Manny Farber New York: Hillstone,
Call No: 67(04) FARAuthor: Farber, Manny Place: New YorkPublisher: HillstonePhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.Subject: ACTORS ; EXPERIMENTAL FILMS ; FESTIVALS. NEW YORK ; UNDERGROUND FILMS ; AGEE, JAMES ; ALDRICH, ROBERT ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BOGARDE, DIRK ; BOGART, HUMPHREY ; BRESSON, ROBERT ; BUNUEL, LUIS ; BURTON, RICHARD ; DENEUVE, CATHERINE ; FONDA, HENRY ; FORD, JOHN ; FULLER, SAMUEL ; GODARD, JEAN-LUC ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KAZAN, ELIA ; MANN, ANTHONY ; MOREAU, JEANNE ; SIEGEL, DON ; SNOW, MICHAEL ; STEVENS, GEORGE ; STURGES, PRESTON ; TAYLOR, ELIZABETH ; ASPHALT JUNGLE, THE (US, John Huston, 1950) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; BIG CLOCK, THE (US, John Farrow, 1947) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BODY SNATCHER, THE (US, Robert Wise, 1945) ; CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944) ; DETECTIVE STORY (US, William Wyler, 1951) ; FLAMING STAR (US, Don Siegel, 1960) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; HIS KIND OF WOMAN (US, John Farrow, 1951) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; KILLERS, THE (US, Robert Siodmak, 1946) ; ODD MAN OUT (UK, Carol Reed, 1947) ; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948) ; PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953) ; PROWLER, THE (US, Joseph Losey, 1950) ; RED RIVER (US, Howard Hawks, 1948) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; SET-UP (US, Kathryn Bigelow, 1978) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; THIRD MAN, THE (UK, Carol Reed, 1949) Notes: Includes index.; Orginally published as: Negative space
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Movies as politics / Jonathan Rosenbaum Berkeley, Calif.: University of California Press, 1997.
Call No: 45:32 ROSAuthor: Rosenbaum, Jonathan Place: Berkeley, Calif.Publisher: University of California PressPubDate: 1997PhysDes: xi, 359 p. ; 24 cmSubject: POLITICS AND THE CINEMA ; POLITICAL FILMS ; RACIAL ISSUES IN FILMS ; WELLES, ORSON ; KIESLOWSKI, KRZYSZTOF ; BUNUEL, LUIS ; BRESSON, ROBERT ; TATI, JACQUES ; RAY, NICHOLAS ; ZWIGOFF, TERRY ; ENDFIELD, CY ; HOU HSIAO-HSIEN ; CARAX, LEOS ; AKERMAN, CHANTAL ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991) ; PIANO, THE (AT, Jane Campion, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BITTER MOON (FR/UK, Roman Polanski, 1992) ; NOIRE DE..., LA (SG, Ousmane Sembene, 1965) ; BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991) ; CRUMB (US, Terry Zwigoff, 1994) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; NUIT ET JOUR (FR/BE/SZ, Chantal Akerman, 1991) ; OUT 1 (FR, Jacques Rivette, 1990[prod. 1970]) ; PLOT AGAINST HARRY, THE (US, Michael Roemer, 1989[prod.1969]) ; PUPPET MASTER, THE (US, David Schmoeller, 1989) ; REDS (US, Warren Beatty, 1981) ; SAFE (US, Todd Haynes, 1995) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SOLARIS (UR, Andrei Tarkovsky, 1972) Notes: Includes bibliographical references and indexISBN: 0520206142 (acid-free paper); 0520206150 (pbk. : alk. paper)Order Received: 1997LON: 96009916; 12700123
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Levy Collection
book
Movies into film : film criticism 1967-1970 / John Simon New York: Dell Publishing, 1971.
Call No: 67(04) SIMAuthor: Simon, John Source: USPlace: New YorkPublisher: Dell PublishingPubDate: 1971PhysDes: xiii, 446 p. ; 21 cmSubject: CRITICISM ; SEX IN FILMS ; VIOLENCE IN FILMS ; MUSICALS ; FESTIVALS ; AWARDS ; ADAPTATIONS ; BERGMAN, INGMAR ; MARAT/SADE (UK, Peter Brook, 1967) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967) ; VOYNA I MIR (RU, Sergei Bondarchuk, 1968) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; JUSTINE (US, George Cukor, 1969) ; TROPIC OF CANCER (US, Joseph Strick, 1969) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; REVOLUTIONARY, THE (UK, Paul Williams, 1970) ; JOE (US, John G. Avildsen, 1970) ; GRADUATE, THE (US, Mike Nichols, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; LAST SUMMER, THE (US, Frank Perry, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969) ; MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970) ; LET IT BE (UK, Michael Lindsay-Hogg, 1970) ; FOX, THE (US, Mark Rydell, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; COMING APART (US, Milton Moses Ginsberg, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; TRUE GRIT (US, Henry Hathaway, 1969) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968) ; SATYRICON (IT/FR, Federico Fellini, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BICHES, LES (FR/IT, Claude Chabrol, 1968) ; CHAMADE, LA (FR/IT, Alain Cavalier, 1968) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; TANTE ZITA (FR, Robert Enrico, 1968) ; BULLITT (US, Peter Yates, 1968) ; FACES (US, John Cassavetes, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; DOWNHILL RACER (US, Michael Ritchie, 1969) ; M*A*S*H (US, Robert Altman, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; CAMELOT (US, Joshua Logan, 1967) ; OLIVER (UK, Carol Reed, 1968) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; PETULIA (US, Richard Lester, 1968) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; CATCH 22 (US, Mike Nichols, 1970) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.Notes: Includes index.ISBN: 44005880295Donation: donated by the family of Wayne Levy, 2006Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical mattersID2: 41
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Movies of the twenties : and early cinema / Jurgen Muller (ed) Koln: Taschen GMBH, 2007.
Call No: 70"192" MULAuthor: Muller, Jurgen Edition: 2007Place: KolnPublisher: Taschen GMBHPubDate: 2007PhysDes: 482 pgaes : illustrated ; 26 cmSubject: HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. SILENT PERIOD ; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; CABIRIA (IT, Giovanni Pastrone, 1914) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; INTOLERANCE (US, David Wark Griffith, 1916) ; MADAME DUBARRY (G, Ernst Lubitsch, 1919) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; EROTIKON (SW, Mauritz Stiller, 1920) ; GOLEM, THE [ ; KID, THE (US, Charles Chaplin, 1921) ; FOOLISH WIVES (US, Erich Von Stroheim, 1922) ; [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921) ; THREE MUSKETEERS, THE (US, Fred Niblo, 1921) ; ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925) ; TOL'ABLE DAVID (US, Henry King, 1921) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; HAXAN [WITCHCRAFT THROUGH THE AGES] (SW/DK, Benjamin Christensen, 1922) ; [DOCTOR] DR MABUSE: THE GAMBLER [DR. MABUSE DER SPIELER] (G, Fritz Lang, 1922) ; SAFETY LAST (US, Fred Newmayer/Sam Taylor, 1923) ; HUNCHBACK OF NOTRE DAME (US, Wallace Worsley, 1923) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; THIEF OF BAGDAD (US, Raoul Walsh, 1924) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; NAVIGATOR, THE (US, Buster Keaton & Donald Crisp, 1924) ; GREED (US, Erich von Stroheim, 1925) ; IRON HORSE, THE (UK, John Ford, 1924) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; BEN HUR (US, Fred Niblo, 1925) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; VARIETE (G, E.A. Dupont, 1925) ; BIG PARADE, THE (US, King Vidor, 1925) ; FREUDLOSE GASSE, DIE (G, Wilhelm Pabst, 1925) ; PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925) ; SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; BLACK PIRATE, THE (US, Albert Parker, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925) ; METROPOLIS (G, Fritz Lang, 1926) ; KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927) ; NAPOLEON (FR, Abel Gance, 1927) ; CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; CROWD, THE (US, King Vidor, 1928) ; WIND, THE (US, Victor Sjostrom, 1928) ; CIRCUS, THE (US, Charles Chaplin, 1928) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1929) ; MOROCCO (US, Josef von Sternberg, 1930) ; WESTFRONT 1918 (G, Georg Wilhelm Pabst, 1930) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) Notes: From the invention of the moving picture to the first sound movies From the first moving pictures (the Lumiere brothers' 1895 L'arrive d'un train), early westerns, fantastic pictures, and nickelodeons all the way through the golden age of silent film in the 1920s, this book covers the first three decades of the moving picture around the world. In America, we witness the birth of Hollywood, circa 1910, where film quickly became a powerful industry and D. W. Griffith put American cinema on the map; later, Charlie Chaplin and Buster Keaton developed a new language of visual comedy while eccentrics like Erich von Stroheim and Cecil B. DeMille turned cinema into a high art form and show biz respectively, and sex symbols like Rudolph Valentino and Greta Garbo heated up the screens.
Meanwhile, in Europe, German directors such as Ernst Lubitsch and Fritz Lang were establishing their careers and Russian greats Eisenstein and Pudovkin were already revolutionizing a nascent art form. At the end of the 1920s the very first "talkies", albeit rudimentary ones, brutally crushed the silent art, but by 1930 sound masterpieces such as Sternberg's The Blue Angel and Milestone's All Quiet on the Western Front were produced. This exploration of the founding years of cinema offers a fascinating perspective on a period in movie history that is far too often overlooked in our times. -- jacket blurbISBN: 9783822846131Donation: Megan McMurchy
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journal article
Moving pictures as text in Metro Education (1997) iss.11 p.34-39
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journal article
MPEAQ convention report : 1999 - bigger and tighter in Movie Trader (Sept 1999) p.10-14
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Multi Media Market's own TV station in Australasian Cinema (10/9/1982) vol.11 iss.16 p.9
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Muscles in the movies : perfecting the art of illusion / John D. Fair and David L. Chapman Coumbia, Missouri: University of Missouri Press,
Call No: 739 FAIAuthor: Fair, John D. ; Chapman, David L. Edition: 2020Place: Coumbia, MissouriPublisher: University of Missouri PressPhysDes: xvi, 466 pages : illustratedSubject: BODY IN FILMS ; BOXING FILMS ; CRABBE, BUSTER ; DOUGLAS, KIRK ; FAIRBANKS, DOUGLAS ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; JOHNSON, DWAYNE ; KELLY, GENE ; LANCASTER, BURT ; LEE, BRUCE ; MASCULINITY IN FILMS ; MIX, TOM ; OLYMPICS IN FILMS ; PAGANO, BARTOLOMEO ; HISTORICAL FILMS ; REEVES, STEVE ; SCHWARZENEGGER, ARNOLD ; SERIALS ; STALLONE, SYLVESTER ; STUNTS ; SUPERMAN IN FILMS ; TARZAN IN FILMS ; VALENTINO, RUDOLPH ; VAUDEVILLE AND THE CINEMA ; WEISSMULLER, JOHNNY ; WILLIAMS, ESTHER Summary: John Fair and David Chapman tell the story of how filmmakers use and manipulate the appearance and performances of muscular men and women to enhance the appeal of their productions. The authors show how this practice, deeply rooted in western epistemological traditions, evolved from the art of photography through magic lantern and stage shows into the motion picture industry, arguing that the sight of muscles in action induced a higher degree of viewer entertainment. From Eugen Sandow to Dwayne “The Rock” Johnson, muscular actors appear capable of performing the miraculous, and with the aid of stuntmen and filming contrivances, they do. By such means, muscles are used to perfect the art of illusion, inherent in movie-making from its earliest days. -- publisher's web siteISBN: 9780826222152
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Music, sound and filmmakers : sonic style in cinema / edited by James Wierzbicki New York : London: Routledge, 2012.
Call No: 634 MUSAuthor: Wierzbicki, James (ed.) Source: US/UKPlace: New York : LondonPublisher: RoutledgePubDate: 2012PhysDes: xv, 210 p. : ill. ; 23 cmSeries: Routledge music and screen media seriesSubject: DIRECTORS ; FILM ; FILM WORKERS ; LYNCH, DAVID ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; PRODUCERS ; SOUND ; SOUND EDITING ; SOUND EFFECTS ; SOUND RECORDING ; ANDERSON, WES ; BERGMAN, INGMAR ; COEN, JOEL & ETHAN ; GREENAWAY, PETER ; KIESLOWSKI, KRZYSZTOF ; KUBRICK, STANLEY ; SELZNICK, DAVID O. ; TARANTINO, QUENTIN ; TARKOVSKY, ANDREI ; VAN SANT, GUS Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780415898942Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --
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Must see TV : mapping an Australian mediasphere in Metro (2000) iss.121/122 p.55-59
Author: McKee, Alan PhysDes: Article; Bibliography; Illustration(s)Subject: TELEVISION. AUSTRALIA ; BLUE HEELERS [TV] (AT, 1994-2006) Summary: Approaches the study of Australian television, not as an object determined by institutions or production contexts, but as a mediasphere which consists of programmes that people watch (or don't watch).
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My first movie / edited by Stephen Lowenstein London: Faber and Faber Limited, 2000.
Call No: 802.25 MYFAuthor: Lowenstein, Stephen Source: UKPlace: LondonPublisher: Faber and Faber LimitedPubDate: 2000PhysDes: xiv, 360 p. ; [12 plates]Subject: ALMODOVAR, PEDRO ; ANDERS, ALLISON ; BUSCEMI, STEVE ; COEN, JOEL & ETHAN ; DICILLO, TOM ; FIGGIS, MIKE ; FREARS, STEPHEN ; HOGAN, P.J. ; JORDAN, NEIL ; LEE, ANG ; LEIGH, MIKE ; LEVINSON, BARRY ; LOACH, KENNETH ; MANGOLD, JAMES ; MINGHELLA, ANTHONY ; NAIR, MIRA ; OLDMAN, GARY ; SMITH, KEVIN ; STONE, OLIVER ; TAVERNIER, BERTRAND ; BLOOD SIMPLE (US, Joel Coen, 1984) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; JOHNNY SUEDE (US, Tom DiCillo, 1991) ; CLERKS (US, Kevin Smith, 1994) ; DINER (US, Barry Levinson, 1982) ; SALVADOR (US, Oliver Stone, 1986) ; ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982) ; TRULY, MADLY, DEEPLY (UK, Anthony Minghella, 1990) ; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988) ; STORMY MONDAY (UK, Mike Figgis, 1988) ; PEPI, LUCI, BOM Y OTRAS CHICAS DEL MONTON (SP, Pedro Almodovar, 1980) ; TREES LOUNGE (US, Steve Buscemi, 1996) ; NIL BY MOUTH (UK, Gary Oldman, 1997) ; TUI SHOU (TZ, Ang Lee, 1992) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; HEAVY (US, James Mangold, 1995) ; HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974) ; BLEAK MOMENTS (UK, Mike Leigh, 1971) ; POOR COW (UK, Kenneth Loach, 1967) ; GUMSHOE (UK, Stephen Frears, 1971) Summary: Interviews with film-makers about making their first film.ISBN: 0571196691
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My life with Cleopatra / by Walter Wanger and Joe Hyams London [England]: Transworld Publishers, [1963].
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Myth & meaning : Australian film directors in their own words / Peter Malone Sydney: Currency Press, 2000.
Call No: 802.25(94) MALAuthor: Malone, Peter (Peter J.) Source: ATPlace: SydneyPublisher: Currency PressPubDate: 2000PhysDes: 1 vSubject: DIRECTORS. AUSTRALIA ; ARMSTRONG, GILLIAN ; BERESFORD, BRUCE ; BURSTALL, TIM ; CROMBIE, DONALD ; DE HEER, ROLF ; HICKS, SCOTT ; MILLER, GEORGE ; NOYCE, PHIL ; PARSONS, NICHOLAS ; RUANE, JOHN ; SCHEPISI, FRED ; STORM, ESBEN ; TASS, NADIA ; THORNHILL, MICHAEL ; WALLACE, STEPHEN ; WINCER, SIMON Notes: Includes indexISBN: 0868196096 : $27.50LON: 21841061
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Negative space : Manny Farber on the movies / new preface by Robert Walsh New York: Da Capo Press, 1998.
Call No: 67(04) FARAuthor: Farber, Manny Edition: Expanded edPlace: New YorkPublisher: Da Capo PressPubDate: 1998PhysDes: xiv, 412 p. ; 21 cmSubject: FESTIVALS. NEW YORK ; HAWKS, HOWARD ; HUSTON, JOHN ; LEWTON ,VAL ; AGEE, JAMES ; STURGES, PRESTON ; CAPRA, FRANK ; SIEGEL, DON ; FULLER, SAMUEL ; SNOW, MICHAEL ; GODARD, JEAN-LUC ; BUNUEL, LUIS ; WALSH, RAOUL ; ROEG, NICOLAS ; HERZOG, WERNER ; FASSBINDER, RAINER WERNER ; FARBER, MANNY ; AKERMAN, CHANTAL ; JONES, CHUCK ; Stewart, James ; FORD, JOHN ; WALSH, RAOUL ; WARHOL, ANDY ; PATTERSON, PATRICIA ; WAVELENGTH (US, Michael Snow, 1967) ; FAR COUNTRY, THE (US, Anthony Mann, 1954) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; DETECTIVE STORY (US, William Wyler, 1951) ; HOME OF THE BRAVE (US, Mark Robson, 1949) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; CITIZEN KANE (US, Orson Welles, 1941) ; GRADUATE, THE (US, Mike Nichols, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of filmNotes: "First Da Capo Press edition"--T.p. verso; Includes indexISBN: 0306808293 (pbk. : alk. paper)LON: 13667387
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Nelson Pereira dos Santos / Darlene J. Sadlier Urbana, Ill ; Chicago: University of Illinois Press, 2003.
Call No: 81DOS SADAuthor: Sadlier, Darlene J. Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2003PhysDes: xiii, 180 p. ; 22 cmSeries: Contemporary film directors; edited by James NaremoreSubject: BRAZIL ; CINEMA NOVO ; PEREIRA DOS SANTOS, NELSON ; AMULETO DE OGUM, O (BL, Nelson Pereira dos Santos, 1975) ; CINEMA DE LAGRIMAS (BL, Nelson Pereira Dos Santos, 1995) ; COMO ERA GOSTOSO O MEU FRANCES (BL, Nélson Pereira dos Santos, 1972) ; ESTRADA DA VIVA (BL, Nelson Pereira dos Santos, 1980) ; MANDACARU (BL, Nelson Pereira dos Santos, 1962) ; MEMORIAS DO CARCERE (BL, Nelson Pereira dos Santos, 1984) ; QUEM E BETA? (BL, Nelson Pereira dos Santos, 1972) ; RIO QUARENTA GRAUS (BL, Nelson Pereira dos Santos, 1955) ; RIO ZONA NORTE (BL, Nélson Pereira dos Santos, 1957) ; TENDA DOS MILAGRES (BL, Nelson Pereira dos Santos, 1977) ; TERCEIRA MARGEM DO RIO, A (BL, Nélson Pereira dos Santos, 1994) Summary: Nelson Pereira dos Santos is the first book in English to provide a full critical discussion of the films of this Brazilian director.
Through a discussion of his films Darlene J. Sadlier chronicles dos Santos's career - his leftist committed cinema, his concern with the national and the popular, his chameleon style, his links to canonical Brazilian literature. She charts his moves from neorealism to Godardian experimentation to a kind of popular realism. And she includes two highly informative interviews that real dos Santos's cultural, intellectual, and philosophical formation. [taken from back cover]ISBN: 0252071123
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Netflix primed for a local content fight in The Australian [Business News] (25/03/2015) p.21
Call No: SUBJECT CLIPPINGS FILE; NETFLIXAuthor: Davidson, Darren PhysDes: Clippings File ArticleSubject: NETFLIX ; PAY TV. AUSTRALIA ; BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: The CEO of Netflix, Reed Hastings, discusses the companies arrival onto the burgeoning Australian Subscriber Video on Demand (SVOD) market. Free to air broadcasters and other SVOD providers have warned Netflix that their arrival does not mean that they will take over the market.
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Networking : commerical television in Australia: a history / Nick Herd Strawberry Hills, NSW: Currency House, 2012.
Call No: 71(94) HERAuthor: Herd, Nick Source: ATPlace: Strawberry Hills, NSWPublisher: Currency HousePubDate: 2012PhysDes: xix, 388 p. : ill. ; 25 cmSubject: BROADCASTING ; BROADCASTING. AUSTRALIA ; HISTORY OF TV ; HISTORY OF TV. AUSTRALIA ; TELEVISION ; TELEVISION. AUSTRALIA Summary: " 'I hope this thing will not come to Australia in my term of office', said Prime Minister Menzies in 1952. But it did. In 1956 Australia opened its first channel and began the long road that changed our way of life. Nickl Herd has written the first comprehensive history of the powerful, popular industry that is our commercial television: a brilliantly researched, independent account of the way the networks spread across the nation and of the revolution that accompanied them - the deals, the ratings, the advertisers, the protests, the tribunals, the regulation, the programs that won and lost fortunes. In Nick Herd's hands our television emerges as a social force, one which has brought us together in the lounge room, carried us out into the streets, told our stories, transformed our sports culture and captured our history, our politics and the world around us."-- BOOK BLURBNotes: Includes bibliographical references (p. 329-362) and indexISBN: 9780980798265Contents: -- the long road to television -- subscribers -- acknowledgments -- abbreviations --1: the coming of television -- 2: the government decides -- 3: the expansion of television services 1956-65 -- 4: the audience-commodity and program-supply markets -- 5: Reform of commercial television -- 6: structural change in the broadcast-station market -- 7: changing dynamics of program supply and audience 1974-1998 -- 8: convergence and incumbency -- 9: commerical television and the multimedia world -- appendices -- endnotes -- bibliography -- index --
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Networking in Canberra Times [TV Guide] (2/11/2015) p.2
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIA. 2015Author: Idato, Michael PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA ; WONDERLAND [TV] (AT, 2013-?) Summary: Snippets include: new TV sereies Supergirl; film version of Absolutely Fabulous; Chris Rock to host Oscars in 2016; drama sereis Wonderland will not return to Ten Network; Us drama sereis The Player has numer of episodes reduced; Ten Network has aquired the rights to animated series KuuKuu harajuku
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Networking in The Age [Green Guide] (29/10/2015) p.2
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Networking in Canberra Times [TV Guide] (19/09/2016) p.4
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Networks share bragging rights in ratings war in Sunday Age (29/11/2015) p.12
Call No: SUBJECT CLIPPINGS FILE; RATINGS FOR TV AUSTRALIAAuthor: Kalina, Paul PhysDes: Clippings File ArticleSubject: RATINGS FOR TV AUSTRALIA ; TELEVISION. AUSTRALIA Summary: Report on the TV rating figure in Australia for 2015 and what the future holds for broadcasters in 2016 and their strategies for gaining strong ratings
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New American teenagers : the lost generation of youth in 1970s film / Barbara Jane Brickman New York: Bloomsbury Academic, c2012.
Call No: 451-053.6(73) BRIAuthor: Brickman, Barbara Jane Source: USPlace: New YorkPublisher: Bloomsbury AcademicPubDate: c2012PhysDes: ix, 263 pages : illustrations ; 23 cmSubject: ROCK FILMS ; MUSICALS. USA ; PSYCHOANALYSIS AND THE CINEMA ; TEEN FILMS ; BENSON, ROBBIE ; DEAN, JAMES ; FOSTER, JODIE ; BADLANDS (US, Terrence Malick, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; FREAKY FRIDAY (US, Gary Nelson, 1977) ; HALLOWEEN (US, John Carpenter, 1978) ; ODE TO BILLY JOE (US, Max Baer, 1976) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) Summary: Looking at 1970s American films that deal with the teen issues with an investigation of previous critical/academic writing on the films and the issues that surround themNotes: Originally published: London: Continuum International Pub. Group Inc., 2012.-- Formerly CIP. -- Includes bibliographical references and index. --
Also issued onlineISBN: 9781628922783Contents: Introduction -- The rock 'n' roll high school picture show: a genre deconstructed -- Coming of age in the 70s: revision, fantasy and rage in the teen-girl badlands -- The queer kid and women's lib -- Bad news Jodie, or how the Disney family got freaky -- Brothers, sisters, and chainsaws: sibling rivalry and peer centrality in the teen slasher film -- Epilogue
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New Independents on Four [London]: Channel Four Television,
Call No: 201.24CHA NEWCorpAuthor: Channel Four TelevisionSource: UKPlace: [London]Publisher: Channel Four TelevisionPhysDes: PublicitySubject: BROADCASTING. UK ; TELEVISION Notes: Short pamphlet on Channel Four; Previously listed as Accession Number: 3099, now listed as 8434
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The new Italian cinema : studies in dance and despair / R.T. Witcombe New York: Oxford University Press, 1982.
Call No: 71(45) WITAuthor: Witcombe, R. T. (Rick Trader), 1943 Place: New YorkPublisher: Oxford University PressPubDate: 1982PhysDes: x, 294 p. : ill. ; 22 cmSubject: ITALY ; FERRERI, MARCO ; ANTONIONI, MICHELANGELO ; CAVANI, LILIANA ; BERTOLUCCI, BERNARDO ; Pasolini, Pier Paolo ; Fellini, Federico ; ROSI, FRANCESCO ; TAVIANI, PAOLO & VITTORIO ; VISCONTI, LUCHINO ; WERTMULLER, LINA ; BRASS, TINTO ; BELLOCCHIO, MARCO ; BOLOGNINI, MAURO ; PETRI, ELIO ; OLMI, ERMANNO ; BRUSATI, FRANCO ; BERTOLUCCI, GIUSEPPE ; DEL MONTE, PETER ; MORETTI, NANNI Notes: Includes indexISBN: 019520381X : $19.95LON: 2332499
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New Korean cinema / by Julian Stringer and Chi-Yun Shin Edinburgh: Edinburgh University Press, 2005.
Call No: 71(519-13) NEWAuthor: Stringer, Julian and Shin, Chi-Yun Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2005PhysDes: x, 234p. ; b+w ill. : 24cm.Subject: KOREA ; INDUSTRY, FILM. KOREA ; NATIONAL CULTURE AND THE CINEMA ; FESTIVALS ; GENRES ; HORROR FILMS ; COMEDIES ; MELODRAMA ; ROMANTIC FILMS ; YOUNG PEOPLE IN FILMS ; CHUNHYANG (KO, Im Kwon-Taek, 2000) ; TEL MI SSEOMTING (KO, Chang Youn-Hyun, 2000) ; BOKSEUNEUN NAEUI GEOS (KO, Park Chan-wook, 2002) ; CHINGU (KO, Kwak Kyeong-Taek, 2001) ; GOYANGIREUL BUTAKHAE (KO, Jeong Jae-eun, 2001) ; JUYUSO SEUBGYUKSAGEUN (KO, Kim Sang-Jin, 1999) ; SARA-INNUN RYONGHONGDUL (KO, Kim Chun-song, 2001) ; YURYEONG (KO, Min Biong Hun, 1999) ; BAKHA SATANG (KO, Lee Chang-Dong, 1999) ; SAENG-HWAL-EUI BAL-GYUN (KO, Hong Sangsoo, 2002) ; YEOGO GOEDAM II (KO, Kim Tae-Yong, 2000) ; SUN AE BO (KO, E J-Young, 2001) Summary: "New Korean Cinema provides a comprehensive overview of the production, circulation, and reception of this vibrant cinema, which has begun to flourish again in the past decade, following the lifting of repressive government policies. In addition to providing a cultural, historical, and social context for understanding this burgeoning cinema, the book considers the political economy of South Korea's film industry, strategies of domestic and international distribution and marketing, and the consumption of Korean films throughout the world. The volume also includes a glossary of key terms and a bibliography of works on Korean cinema."Notes: Includes bibliographical references, glossary, websites and indexISBN: 9780814740309Language: English
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New life for Australian drama : John Edwards in Lumina (Summer 2010) iss.2 p.62-72
Author: Turk, Rachael ; Edwards, John PhysDes: ArticleSubject: EDWARDS, JOHN ; RUSH [TV] (AT, 2008-) ; SECRET LIFE OF US, THE [TV] (AT, Lynn-Maree Danzey, 2000-) ; TANGLE [TV] (AT, 2009) ; SPIRITED [TV] (AT, 2010) Summary: Interview with TV producer John Edwards about his career, early experiences writing and his views on successful screen writing
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The New media book / Edited by Dan Harries London: bfi Publishing, 2002.
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New media technologies / edited by Ross Harley North Ryde, N.S.W. North Sydney: Australian Film Television & Radio School Australian Film Commission, 1993.
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The new movers, shakers : movies: Julie Bishop in Sunday Herald Sun (27/12/2015) p.110
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New opportunities, new structures in film finance 1987 : a major one day seminar 23 April 1987 at the Sebel Town House, Sydney / organised by Prospect Publishing Seminars Sydney: Prospect Publishing Seminars, 1987.
Call No: 203(94) NEWSource: ATPlace: SydneyPublisher: Prospect Publishing SeminarsPubDate: 1987PhysDes: 30 pages ; 30 cmSubject: BOX OFFICE. AUSTRALIA ; CONTRACTS. AUSTRALIA ; ECONOMICS AND THE CINEMA. AUSTRALIA ; FINANCING. AUSTRALIA ; FUNDING. AUSTRALIA ; INVESTING. AUSTRALIA ; TAXES. AUSTRALIA Summary: A compilation of lectures given by speakers at the New Structures in Film Finance 1987 seminarNotes: Accompanied by list of conference delegates; Text of Kim William's speech not actually included in publicationISBN: 0949072109Donation: Donated by Graeme WrightContents: Industry positioning statement: Kim Williams [text of speech not actually included] -- The need for new financing structures: John Sexton -- Conventional finance (1): Martin Endelman -- Conventional finance (2): The banker/broker relationship - a case study: Bill Raper and Ian Johnson -- Creative finance (1): Daniel Martinez -- Creative finance (2): the industry view: David Court -- Tax based finance: Kevin Munro -- Australian Market Place panel session
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New queer cinema : the director's cut / B. Ruby Rich Durham [North Carolina]: Duke University Press, 2013.
Call No: 760-032 RICAuthor: Rich, B. Ruby Source: USPlace: Durham [North Carolina]Publisher: Duke University PressPubDate: 2013PhysDes: xxx, 322 pages : illustrations ; 24 cmSubject: AESTHETICS ; BISEXUALITY AND THE CINEMA ; DOCUMENTARIES ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; SAN FRANCISCO IN FILMS ; SEXUALITY AND THE CINEMA ; SEX IN FILMS ; THEORY ; CHEANG, SHU-LEA ; CONDON, BILL ; DEITCH, DONNA ; DUNYE, CHERYL ; FASSBINDER, RAINER WERNER ; JARMAN, DEREK ; LEE, ANG ; RIPSTEIN, ARTURO ; TECHINE, ANDRE ; VACHON, CHRISTINE ; VAN SANT, GUS ; WONG KAR WAI ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; BROKEBACK MOUNTAIN (US, Ang Lee, 2005) ; GO FISH (US, Rose Troche, 1994) ; KIDS ARE ALL RIGHT, THE (US, Lisa Cholodenko, 2010) ; MILK (US, Gus Van Sant, 2008) ; MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004) ; TARNATION (US, Jonathan Caouette, 2003) ; TIMES OF HARVEY MILK, THE (US, Robert Epstein, 1984) ; WATERMELON WOMAN, THE (US, Cheryl Dunye, 1996) Summary: "B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume brings together the best of her writing on the NQC and features her new thoughts on the topic. Following this cinematic movement from its origins in the mid-1980s to the present, Rich presents her insights into NQC pioneers including Derek Jarman and Isaac Julien; investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk; explores less-known films and international cinemas; and documents the more recent incarnations of the NQC on screen, on the web, and in art galleries." - BOOK BLURBNotes: Includes bibliographic references and index -- includes filmographyISBN: 9780822354284ID2: 291
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New role for the telecommunications Ombudsman in Metro (1997) iss.111 p.5-6
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New team and NBC for "Aurora" in Foreign sales Italian movie trade (April/May 1984) vol.10 iss.4/5 p.18
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The News in focus : the journalism of exception / edited by Patricia Edgar South Melbourne, Vic.: Macmillan, 1980.
Call No: 278.2 NEWAuthor: Edgar, Patricia, 1937-, ed Place: South Melbourne, Vic.Publisher: MacmillanPubDate: 1980PhysDes: 213p. : ill., graphs ; 22cmSubject: MEDIA. AUSTRALIA ; NEWS PROGRAMMES. AUSTRALIA ; TELEVISION JOURNALISTS Notes: News. Reporting. Australia (ANB/PRECIS SIN 0458074); Index; Includes bibliographical referencesISBN: 0333299302 : $24.95 Aust; 0333299310 (Paperback) : $8.95 Aust; 0333299302 : 15.95 Aust; 0333299310 (Paperback) : 8.95 Aust; 0333299310LON: 1711068
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The News Man : sixty years of television / by Mal Walden Melbourne, Vic.: Brolga Publishing, c2016.
Call No: 81WAL WALAuthor: Walden, Mal Source: ATPlace: Melbourne, Vic.Publisher: Brolga PublishingPubDate: c2016PhysDes: 378 pages, 16 unnumbered pages of plates : illustrations, portraits ; 23 cmSubject: TELEVISION ; TELEVISION JOURNALISM ; TELEVISION JOURNALISM. AUSTRALIA ; TELEVISION. AUSTRALIA ; TELEVISION JOURNALISTS ; NEWS PRESENTERS. AUSTRALIA ; NEWS PROGRAMMES ; NEWS PROGRAMMES. AUSTRALIA ; BROADCASTING. AUSTRALIA ; AUSTRALIA ; WALDEN, MAL Summary: "The News Man is a very personal look at the public face of news by one of Australia's most well-loved and respected news presenters of our time. Mal Walden was seventeen when he applied for hs first job in media. Starting out as a country radio announcer, he went on to work in Launceston and Melbourne before making the shift to television as a news anchor for channels Seven and Ten. At age seventy he gracefully crossed the finishing line to be recognised as the longest-serving newsman on Australian television.
Each year mal maintained a journal in which he recorded his many serendipitous and life-changing moments. These memories form a record of not only his life as a newsman, but of the evolution of television news." -- BOOK BACK COVERISBN: 9781925367492
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Nightmare movies : a critical history of the horror films, 1968-88 / Kim Newman London: Bloomsbury, 1988.
Call No: 735.2 NEWAuthor: Newman, Kim Edition: The new edPlace: LondonPublisher: BloomsburyPubDate: 1988PhysDes: xiii, 255 p. : ill. ; 25 cmSubject: CRITICISM ; HORROR FILMS ; ADAMSON, AL ; ANTONIONI, MICHELANGELO ; ALLEN, NANCY ; ARGENTO, DARIO ; BAVA, MARIO ; CAINE, MICHAEL ; CARPENTER, JOHN ; CARRADINE, JOHN ; COHEN, LARRY ; CRONENBERG, DAVID ; DE PALMA, BRIAN ; FULCI, LUCIO ; HARPER, JESSICA ; HITCHCOCK, ALFRED ; HOOPER, TOBE ; KING, STEPHEN ; LEE, CHRISTOPHER ; LEWIS, HERSCHELL GORDON ; LYNCH, RICHARD ; LUCAS, GEORGE ; Perkins, Anthony ; PLEASENCE, DONALD ; ROMERO, GEORGE ; WARHOL, ANDY ; WATERS, JOHN (US) ; ALIEN (UK, Ridley Scott, 1979) ; ALONE IN THE DARK (US, Jack Sholder, 1982) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) ; AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984) ; DAY OF THE WOMAN (US, Meir Zarchi, 1978) ; HALLOWEEN (US, John Carpenter, 1978) ; JAWS (US, Steven Spielberg, 1975) ; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; SHIVELS (CA, David Cronenberg, 1975) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THING, THE (US, John Carpenter, 1982) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88) ; THING, THE (US, John Carpenter, 1982) Notes: Includes bibliographical references (p. 216-217) and indexISBN: 0747502951
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Nine deal throws netball into prime-time television in Canberra Times (20/05/2016) p.11
Call No: SUBJECT CLIPPINGS FILE; SPORT ON TV. AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: NINE NETWORK ; TELSTRA ; SPORT ON TV. AUSTRALIA ; SPORTS PRESENTATION Summary: Deal between Nine Network, Telstra TV, and Netball Australia to broadcast netball matches during prime timeNotes: same article in Sydney Morning Herald. same title and date. p 25
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Ninja Turtles caught in perpetual adolescence in Sydney Morning Herald (09/06/2016) p.16
Call No: TITLE CLIPPINGS FILE; TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS (US, Dave Green, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS (US, Dave Green, 2016) Summary: Review of the film TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS. The reviewer enjoys the silliness of the kid centric action filmNotes: same article: The Age, 'Hard-shelled action heroes caught in endless adolescence' same date, p. 24; Canberra Times, 'Under a shell of perpetual adolescence', Date - 11 June 2016, p 23Rating: 3 out of 5 stars
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A nostalgic celebration of Tinseltown's amazing Technicolor dream in The Australian (24/06/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; TECHNICOLORAuthor: Jones, Kristin M PhysDes: Clippings File ArticleSubject: TECHNICOLOR Summary: Report on the exhibition: 'Glorious Technicolor: From George Eastman House and Beyond', which is held at the Museum of Modern Art in New York. A brief history of Technicolor is written in the article
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still
[Nostradamus kid, the : stills file] Ronin Films,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Ronin FilmsPhysDes: 11 photographs : b&w ; 21 x 26 cmSubject: TAYLOR, NOAH ; FRIELS, COLIN ; CARMEN, LOENE ; GARNER, ALICE ; BELL, LUCY ; OTTO, MIRANDA ; NOSTRADAMUS KID, THE (AT, Bob Ellis, 1993) Summary: 11 black and white photographs, predominantly of Noah Taylor but also includes many other of the stars.
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newspaper article
Not enough flair to save thin plot in boorish bear's film in The Age (26/06/2015) p.22
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journal article
Not Quite Hollywood in Empire (Australian Ed.) (September 2008) iss.90 p.43
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serial
Observer TV [Melbourne]: [John Sorrell for Optimus Holdings],
Call No: held March 24-30 1974- April 17-23 1977; -- incompleteSource: ATPlace: [Melbourne]Publisher: [John Sorrell for Optimus Holdings]Subject: TELEVISION. AUSTRALIA Notes: Supplement to: Sunday Observer; -- some editions from 1975 listed as "country edition".; -- May 1976 editions dimensions [14 cm x 20 cm]. Rest of holdings dimensions [19 cm x 27 cm]
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Of mice and magic : a history of American animated cartoons / Leonard Maltin / Jerry Beck New York: New American Library, c1980.
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Off camera : conversations with the makers of prime-time television / by Richard Levinson and William Link New York, N.Y.: New American Library, c1986.
Call No: 802.2 LEVAuthor: Levinson, Richard ; Link, William Place: New York, N.Y.Publisher: New American LibraryPubDate: c1986PhysDes: 279 p. ; 21 cmSubject: SERIALS ; BOCHCO, STEVEN ; ARTHUR, KAREN ; LANSBURY, ANGELA ; SANDRICH, JAY ; SPELLING, AARON ; TARTIKOFF, BRANDON ; KANDEL STEPHEN ; GOLDBERG, GARY DAVID ; SCHILLER, BOB ; WEISKOPF, BOB ; PAPAZIAN, ROBERT ; GAY, JOHN ; GREENE, DAVID ; HABER, BILL ; CORDAY, BARBARA Notes: "A Plume book."; Includes indexISBN: 0452258731 (pbk.) : $8.95 ($12.50 Can.)LON: 4681390
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The office : A critical reading of the series London: bfi Publishing, 2005.
Call No: 79OFF WALAuthor: Ben Walters Place: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 19 cm; 184 p.Series: BFI TV ClassicsSubject: TELEVISION. UK ; OFFICE, THE [TV] (UK, 2001) ; GERVAIS, RICKY Summary: When The Office first aired in July 2001, it attracted a tiny audience and BBC2’s lowest approval rating of the year (apart from women’s bowls). Some viewers even failed to identify the series as a comedy – and not without reason. Set in the banal environs of a Slough paper merchants and presented in deadpan ‘docusoap’ style, the series was built around neither one-liners nor farcical set-ups, but the painfully-observed minutiae of everyday life. Not much happened, and what did – the self-serving posturing of middle-manager and would-be entertainer David Brent, and the simmering flirtation between employees Tim and Dawn – was often excruciatingly uncomfortable to watch. Yet two series and a feature-length special later, The Office has broken DVD sales records, won dozens of awards, played in over sixty countries and been remade by a major American network. In the first full-length study of the show, Ben Walters traces its unorthodox journey to the screen, drawing on extensive interviews with those most closely involved in its production, from novice writer-directors Stephen Merchant and Ricky Gervais to BBC2 Controller Jane Root. The book also explores the series’ unusually potent effects from its attention to the discontents of contemporary working life to its sophisticated melding of docusoap and sitcom conventions. [Taken from back cover.]ISBN: 1844570916
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(Official Hansard report) : Commonwealth of Australia. Senate. Standing Committee on Education, Science and the Arts: (Reference: broadcasting and television). (PROOF); Sydney, Monday, 17 December 1973 / Australia. Parliament. Senate. Standing Committee on Education and the Arts 1973.
Call No: 205 (94) AUSSource: ATPubDate: 1973PhysDes: 290 pages ; 30 cmSubject: TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; EXPERIMENTAL FILM AND TELEVISION FUND ; EXPERIMENTAL FILMS. AUSTRALIA ; INDEPENDENT FILMMAKERS. AUSTRALIA ; AUSTRALIAN FILM INSTITUTE ; WOMEN AND TV. AUSTRALIA ; WOMEN TV WORKERS. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; CHILDREN, EFFECTS OF TV ON. AUSTRALIA ; CHILDREN, PROGRAMMES FOR. AUSTRALIA ; OFFICE PICNIC, THE (AT, Tom Cowan, 1973) Summary: Reports and discussions made by the Media Women's Action Group, Australian Children's Television Action Committee, Australian Film Institute, and Reg Grundy Enterprises with members of the Australian Senate. These reports and discussions include descriptions of Australian TV (particularly daytime TV) in relation to the women who watch it, the effect of programs on children, the role the Australian Film Institute has in relation to the Experimental Film and Television Fund, it's effectiveness and relationship to the Australian Broadcasting Commission, and the ability of Australian's to sell their TV shows overserasNotes: condition of distribution: this is an uncorrected proof of evidence taken before the Standing Committee. It is made available under the conditiion that it is recognised that this copy is an uncorrected proof.Contents: Witnesses: Suzanne Baker and Eva Maria Cox / Media Women's Action Group -- Merle James and Ewart Wade / Australian Children's Television Action Committee -- Richard Brennan / Australian Film Institute -- Edwin Morrisby / Reg Grundy Enterprises
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Levy Collection
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Oh, what a blow that phantom gave me! / Edmund Carpenter Frogmore, St Albans, Herts: Paladin, 1972.
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still
[Olive : stills file] Australian Broadcasting Corporation,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Australian Broadcasting CorporationPhysDes: 1 photograph : b&w ; 22 x 17 cmSubject: TATE, NICK ; OLIVE [TV] (AT, Stephen Wallace, 1987) Summary: Black and white photograph of the true story of actress, Olive Bodill, and her battle with cancer. Written by her husband Anthony Wheeler.
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book
On film / Roger Horrocks and Philip Tremewan Auckland: Heinemann, 1980.
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On television / Stuart Hood London: Pluto, 1983.
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journal article
On Terra Nova in Movie Trader (Jul 1999) p.16
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On the box : great moments in Australian television 1956-2006 / Peter Cox Sydney: Powerhouse, 2006.
Call No: 71(94) COXAuthor: Cox, Peter Source: ATPlace: SydneyPublisher: PowerhousePubDate: 2006PhysDes: 56 p. : col. ill. ; 25 cmSubject: TELEVISION. AUSTRALIA Notes: published in conjunction with 'On the box: great moments in Australian television 1956-2006' exhibition at the Powerhouse museum (April 2006-January 2007), curated by Peter Cox
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On the verge of revolt : women in American films of the fifties / Brandon French New York: Ungar, 1978.
Call No: 451-02 FREAuthor: French, Brandon, 1944 Place: New YorkPublisher: UngarPubDate: 1978PhysDes: xxiv, 165 p. : ill. ; 22 cmSubject: WOMEN IN FILMS. USA ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; MARRYING KIND, THE (US, George Cukor, 1952) ; SHANE (US, George Stevens, 1953) ; COUNTRY GIRL, THE (US, George Seaton, 1954) ; MARTY (US, Delbert Mann, 1954) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; PICNIC (US, Joshua Logan, 1955) ; HEAVEN KNOWS, MR. ALLISON (US, John Huston, 1957) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; FROM HERE TO ETERNITY (US, Fred Zinneman, 1953) ; TENDER TRAP, THE (US, Charles Walters, 1955) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Notes: Includes index; Bibliography: p. 155-157ISBN: 0804422206; 0804461589 (pbk.)LON: 78004294; 1220409
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Open the box : about television / by Jane Root London: Comedia Pub. Group, 1986.
Call No: 408.1(41) ROOAuthor: Root, Jane Place: LondonPublisher: Comedia Pub. GroupPubDate: 1986PhysDes: 126 p. : ill. ; 21 cmSeries: Comedia series ; no. 34Subject: TELEVISION. UK ; NATIONAL IDENTITY AND TV. UK ; AUDIENCES. UK Notes: "A Channel four book"--Cover; Bibliography: p. 122-123ISBN: 0906890780 (pbk.) : ¦4.95 ($7.50 U.S.)LON: bnb90689078; 4280321
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newspaper article
Optus weighs changing name to Yes in Canberra Times [Business News] (08/03/2016) p.7
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journal article
Original Broadway cast to repeat roles in TV version of "Ain't Misbehaving" in Australasian Cinema (16/07/1982) vol.11 iss.12 p.12
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book
'Our ABC' a dying culture? : one way forward in arts programming / Martin Harrison Strawberry Hills, NSW: Currency House, 2004.
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Our friends in the north : A critical reading of the series London: bfi Publishing, 2005.
Call No: 79OUR EATAuthor: Michael Eaton Place: LondonPublisher: bfi PublishingPubDate: 2005PhysDes: 19 cm ; 134 pSeries: BFI TV ClassicsSubject: TELEVISION. UK ; OUR FRIENDS IN THE NORTH [TV] Summary: Our Friends in the North (1996) is the kind of epic drama that has ensured the BBC’s worldwide reputation for seriousness and excellence. In nine parts, it tells the life stories of four friends – Mary, Nicky, Geordie and Tosker – from adolescence to middle age. Their personal triumphs and crises unfold against the backdrop of massive social and political change in Britain – in particular the rise of Thatcherism and the decline of Socialist ideals. Technically outstanding, Our Friends in the North is truly a ‘state of the nation’ drama, exploring its major themes alongside more specific ones (domestic violence, corruption in the police and local government, inequities in the criminal justice system) while developing its central characters with exceptional subtlety and finesse. Michael Eaton traces the history of Our Friends in the North: its origins in Peter Flannery’s 1982 play for the Royal Shakespeare Company and the long road to TV adaptation. Eaton, himself a screenwriter, has conducted lengthy interviews with Flannery, Executive Producer Michael Wearing and other key personnel, and this book provides a unique insight into the often labyrinthine ways in which TV drama is commissioned and produced. He goes on to locate the series in the genealogy of quality television drama, and he reflects on whether Our Friends in the North could ever be made today. Did the series bring to an end the Golden Age of British TV drama 0 and, if so, what have we lost in the process? [Taken from back cover.]ISBN: 1844570924
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Our modern art : the movies / by Ernest Callenbach Chicago IL: Centre for the Study of Liberal Education for Adults, 1955.
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newspaper article
Our pick free to air in Canberra Times [TV Guide] (17/04/2017) p.6
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Outside interference : The politics of Australian broadcasting / Richard Harding Melbourne: Sun Books, 1979.
Call No: 19AUS HARAuthor: Harding, Richard Source: ATPlace: MelbournePublisher: Sun BooksPubDate: 1979PhysDes: viii, 219 pages : illustrations ; 22 cmSubject: AUSTRALIAN BROADCASTING COMMISSION ; AUSTRALIAN BROADCASTING TRIBUNAL ; BROADCASTING. AUSTRALIA ; ECONOMICS AND TV. AUSTRALIA ; LEGISLATION. AUSTRALIA ; PROGRAMME COMPLAINTS ; PROGRAMME CONTENT. AUSTRALIA ; PUBLIC BROADCASTING. AUSTRALIA ; RADIO AND TV. AUSTRALIA ; SPORT ON TV. AUSTRALIA ; STATE AND THE MEDIA. AUSTRALIA ; STATE AND TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; FRASER, MALCOLM ; GYNGELL, BRUCE ; PACKER, KERRY ; ALVIN PURPLE (AT, Tim Burstall, 1973) Summary: "In recent years the Australian Broadcasting Commission has been racked with storm and strife. The public mud-slinging and political gesturing that has kept it in the news have been accompanied by the simmering background of internal wars that affect the media monolith. Professor Richard Harding has been a man inside the ABC - among the men with the hottest seats and the best views of the bloody circus, the Commissioners. His brilliant observation of the events that have occurred in his time at the ABC gives a fresh insight into many of the issues that made headlines - the Bland affair, the staff commissioner, the continuing crisis and cries of "bias" in current affairs programmes, 2JJ and access radio, FM, the department of the media, the sports coverage tangle, etc. The effects of politics and government funding on the Australian Broadcasting Commission, and the role of the ABC as an opinion maker are seen in a realistic light from the centre of affairs." - BOOK BLURBNotes: Includes bibliographic references and indexISBN: 0725103159Donation: donated by the family of Wayne Levy, 2006
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journal article
Overseas actors banned : Actors Equity moves... in Australasian Cinema (28/1/1983) vol.12 iss.1 p.2
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The Oxford handbook of new audiovisual aesthetics / edited by John Richardson, Claudia Gorbman, Carol Vernallis New York: Oxford University Press, c2013.
Call No: 220 OXFAuthor: Richardson, John ; Gorbman, Claudia ; Vernallis, Carol Source: USPlace: New YorkPublisher: Oxford University PressPubDate: c2013PhysDes: Oxford University PressSubject: TECHNOLOGY AND THE CINEMA ; TECHNOLOGICAL DEVELOPMENTS ; TECHNICAL DEVELOPMENTS ; TECHNOLOGY AND TV ; INTERNET ; INTERNET AND THE CINEMA ; INTERNET AND TV ; YOUTUBE ; AESTHETICS ; ANIMATION ; MULTIMEDIA ; SOUND REPRODUCTION ; MEDIA ; SOUND Summary: This book offers new ways to read the audiovisual. In the media landscapes of today, conglomerates jockey for primacy and the internet increasingly places media in the hands of individuals - producing the range of phenomena from movie blockbuster to YouTube aesthetics. Media forms and genres are proliferating and interpenetrating, from movies, music and other entertainments streaming on computers and iPods to video games and wireless phones. The audiovisual environment of everyday life, too - from street to stadium to classroom - would at times be hardly recognizable to the mid-twentieth-century subject. This book provides a definitive cross-section of current ways of thinking about sound and image. Its authors - leading scholars and promising younger ones, audiovisual practitioners and non-academic writers (both mainstream and independent) - open the discussion on audiovisual aesthetics in new directions. Our contributors come from fields including film, visual arts, new media, cultural theory, and sound and music studies, and they draw variously from economic, political, institutional, psychoanalytic, genre-based, auteurist, internationalist, reception-focused, technological, and cultural approaches to questions concerning today's sound and image.Notes: Includes bibliographical references and index.ISBN: 9780199733866Contents: Introduction / John Richardson and Claudia Gorbman -- Theoretical pressure points -- Classical music for the posthuman condition / Lawrence Kramer -- Beyond music: mashup, multimedia mentality, and intellectual property / Nicholas Cook -- The audio-logo-visual and the sound of languages in recent film / Michel Chion -- The end of diegesis as we know it? / Anahid Kassabian -- Sounding out film / Steven Connor -- Narrative, genre, meaning: changing times, changing practices -- Audio-visual space in an era of technological convergence / Robynn J. Stilwell -- Title Sequences for contemporary television serials / Annette Davison -- No country for old music / Carter Burwell -- Cue the big theme? the sound of the superhero / Janet K. Halfyard -- Video speech in Latin America / Michael Chanan -- Animated sounds -- Pixar and the animated soundtrack / Daniel Goldmark -- Notes on sound design in contemporary animated films / Randy Thom -- Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music / Lisa Perrott -- Musical moments and transformations -- The mutating musical and The sound of music / Caryl Flinn -- Chinese rock 'n ' roll film and Cui Jian on screen / Ying Xiao -- The neosurrealist metamusical: Tsai's The wayward cloud / John Richardson -- Parties in your head: from the acoustic to the psycho-acoustic / Philip Brophy -- Expanded soundtracks -- Sensory aspects of contemporary cinema / Michel Chion -- The sound of intensified continuity / Jeff Smith -- Extending film aesthetics: audio beyond visuals / K.J. Donnelly -- The audiovisual construction of transgender identity in Transamerica / Susanna Va¨lima¨ki -- Soundscapes of Istanbul in Turkish film soundtracks / Meri Kyto¨ -- Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films / Charles Kronengold -- Emerging audiovisual forms: music video and beyond -- Music video's second aesthetic / Carol Vernallis -- Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" / Stan Hawkins -- The emancipation of music video: YouTube and the cultural politics of supply and demand / Paula Hearsum & Ian Inglis -- Music video transformed / Mathias Bonde Korsgaard -- Video, film, and installation art -- "Betwixt and between" worlds: spatial and temporal liminality in video / Holly Rogers -- Sound events: innovation in projection and installation / Maureen Turim and Michael Walsh -- Gaming -- Contextualizing game audio aesthetics / Rob Bridget -- Implications of interactivity: What does it mean for sound to be "Interactive"? / Karen Collins -- Multi-channel gaming aesthetics of interactive surround / Mark Kerins -- Audiovisuality in performance and daily life -- Sound and vision: the audio/visual economy of musical performance / Philip Auslander -- Foreground flatland / Joseph Lanza -- Remaking the urban: the audio-visual aesthetics of ipod use / Michael Bull -- On soundscape methods and audiovisual sensibility / Helmi Ja¨rviluoma and Noora Vikman -- Leaving something to the imagination: "seeing" new places through a musical lens / Mariko Hara and Tia Denora
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Pacific island images 1994 : A festival of indigenous Pacific Islander films and video / Presented by Pacific Islanders in Communications and the Film and Video Summer Institute, University of Hawai'i, Manoa. Honolulu: Pacific Islanders in Communications,
Call No: 71(96) MCGCorpAuthor: Pacific Islanders in CommunicationsPlace: HonoluluPublisher: Pacific Islanders in CommunicationsPhysDes: 8 p. : illus. ; 22 cmSubject: TEI KORONEIHANA (NZ, Merata Mita, 1993) ; BACK TO THE ROOTS (US, Victoria Keith, 1994) ; NGA PAIAKA: PACIFIC ROOTS (NZ/CI, Tamatekapua Poata, 1992) ; TRIBUNAL, THE (US, Puhipau & Joan Lander, 1994) ; WITH THE FIRST CANOE (GA/FM, Jim Kallet, 1993) ; TE RUA (NZ, Barry Barclay, 1991) ; FA'ASAMOA (AS, Daniel F. Aga, 1993) ; SHOOTING OF DOMINICK KAIWHATA (NZ, Merata Mita, 1992)
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The PACT report : a summary of the report of the Open Channel Sub-Committee on Community Television and the Status of the Public Action for Community Television Campaign, October-November 1978 [Melbourne]: Melbourne Access Video & Media Co-operative Ltd, c1978.
Call No: 210.55 PACSource: ATPlace: [Melbourne]Publisher: Melbourne Access Video & Media Co-operative LtdPubDate: c1978PhysDes: 21 pages : illustrations ; 29 cmSubject: PUBLIC BROADCASTING. AUSTRALIA ; TELEVISION. AUSTRALIA Summary: "This is a proposal for the establishment of a communiuty television station in Melbourne, and eventually the establishment of a co-operative network of community television stations throughout Australia" -- TAKEN FROM INTRODUCTION
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The parade's gone by ... / Kevin Brownlow Berkeley: University of California Press, c1968.
Call No: 70"01" BROAuthor: Brownlow, Kevin Place: BerkeleyPublisher: University of California PressPubDate: c1968PhysDes: 577 p. : ill. ; 26 cmSubject: HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. SOUND PERIOD ; PICKFORD, MARY ; GRIFFITH, DAVID WARK ; DWAN, ALLAN ; BROWN, CLARENCE ; WELLMAN, WILLIAM ; DEMILLE, CECIL B. ; VON STERNBERG, JOSEF ; FAIRBANKS, DOUGLAS ; MELODRAMA ; BOOTH, MARGARET ; SWANSON, GLORIA ; MAYER, LOUIS B. ; SELZNICK, DAVID O. ; Keaton, Buster ; CHAPLIN, CHARLES ; GANCE, ABEL ; ROSHER, CHARLES G. ; BLYTHE, BETTY ; THALBERG, IRVING ; DENNY, REGINALD ; HORNBECK, WILLIAM ; FARRAR, GERALDINE ; KING, HENRY ; SLOMAN, EDWARD ; LLOYD, HAROLD ; BEN HUR (US, Fred Niblo, 1925) ; ROBIN HOOD (US, Allan Dwan, 1922) Notes: Includes indexISBN: 0520030680 : $9.95LON: 740138 740138
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still
[Paradise road : stills file] Fox Searchlight Pictures,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Fox Searchlight PicturesPhysDes: 5 photographs : b&w ; 13 x 18 cmSubject: CLOSE, GLENN ; EHLE, JENNIFER ; MARGULIES, JULIANNA ; SPRIGGS, ELIZABETH ; HUMPHRIES, TESSA ; HEGH, ANITA ; CLINGNET, KITTY ; SEINEN, ALWINE ; TER STEEGE, JOANNA ; BERESFORD, BRUCE ; PARADISE ROAD (AT/US, Bruce Beresford, 1997) Summary: Five black and white photographs relating to the film Paradise road
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newspaper article
Pass the popcorn... in Saturday Age [Spectrum] (30/07/2016) p.10
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. MELBOURNEAuthor: Wilson, Jake -- Quinn, Karl -- Bunbury, Stephanie PhysDes: Clippings File ArticleSubject: FESTIVALS. MELBOURNE ; LADIES MAN, THE (US, Jerry Lewis, 1961) ; FAMILY, THE (AT/US/UK, Rosie Jones, 2016) ; CHILDHOOD OF A LEADER, A (UK/FR/HU, Brady Corbet, 2015) ; CHRISTINE (US, Antonio Campos, 2016) ; THARLO (CC, Pema Tseden, 2015) Summary: Brief reviews of some films being shown in the 2016 Melbourne International Film Festival
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journal article
The passion according to Andrei in Metro (1997) iss.110 p.70
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Paul Schrader / George Kouvaros Chicago: University of Illinois Press, 2008.
Call No: 81SCH KOUAuthor: Kouvaros, George Source: USPlace: ChicagoPublisher: University of Illinois PressPubDate: 2008PhysDes: xi, 170 p. : ill. ; 21 cmSeries: Contemporary Film DirectorsSubject: SCHRADER, PAUL ; TAXI DRIVER (US, Martin Scorsese, 1976) ; HARDCORE (US, Paul Schrader, 1979) ; AMERICAN GIGOLO (US, Paul Schrader, 1980) ; CAT PEOPLE (US, Paul Schrader, 1982) ; MISHIMA (US/JA, Paul Schrader, 1985) ; LIGHT OF DAY (US, Paul Schrader, 1987) ; PATTY HEARST (US, Paul Schrader, 1988) ; AUTO FOCUS (US, Paul Schrader, 2002) ; CORTESIE PER GLI OSPITI (IT/UK, Paul Schrader, 1990) ; LIGHT SLEEPER (US, Paul Schrader, 1992) ; AFFLICTION (US, Paul Schrader, 1997) ; FOREVER MINE (US/UK, Paul Schrader, 1999) Summary: "As the first full-length study on Paul Schrader's films, this book examines how Schrader creates a cinema driven by issues of obsession, memory, estrangement, and the difficult nature of experience. Representative of a new generation of American writer-directors of the 1970s, Schrader's films highlight the tension between old and new ways of telling a story and between the maintenance of commercial formulas and openness to individual expression. George Kouvaros draws on a personal interview conducted with Schrader and the director's prior commentary to trace common motivations and impulses behind such well-known films as Light Sleeper, American Gigalo, Affliction, Auto Focus, Taxi Driver, and Patty Hearst. Kouvaros reads Schraders films in terms of a number of hard-to-define issues such as melancholia, trauma, and the complex linkages of violence and guilt that bind individuals to places and each other." -- BLURBISBN: 9780252075087Contents: The Teller and The Tale: The Films of Paul Schrader -- The New Hollywood -- From Grand Rapids to Hollywood -- The Lure of Negative Thought: Tax Driver -- The Psychopath's Second Coming -- From Screenwriter to Director: Blue Collar and Hardcore -- A Man and His Room: American Gigolo -- Changelings: Cat People -- The Lure of Biography: Mishima: A Life in Four Chapters -- The Catastrophe of Identity: Light of Day and Patty Hearst -- The Paradox of Acting -- Strangers to Ourselves: Auto Focus -- A Director for Hire -- Stores That Tell Us: The Comfort of Strangers -- Lost Souls: Light Sleeper -- False Events: Affliction -- Logic of Betrayal -- Nocturnal Wanderers -- Prequels and Obsessive Loves: Dominion and Forever Mine -- "Give All to Love" -- Interview With Paul Schrader.
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journal article
Peep at the Peepshows in Montage (1962) vol.1 iss.1 p.7 and 11
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subject clippings file
documentary films
Perfect pitch : US Film producer right on song in The Australian [Media] (21 Sep 2015) p.28
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newspaper article
Period Drama : Why is advertising still so coy about menstruation and all things fem? in Sunday Age [Extra] (2/08/2015) p.31
Call No: SUBJECT CLIPPINGS FILEPhysDes: Clippings File ArticleSubject: ADVERTISING ; TELEVISION. AUSTRALIA Summary: An article about the controversary of advertising period/menstruation on television. There is commentary from Jane Caro (The Gruen Transfer) and author of Periods in Pop Culture, Dr Lauren Rosewarne.
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title clippings file
PERMITIDOS : (AG, Ariel Winograd, 2016)
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The persistence of history : cinema, television, and the modern event / edited by Vivian Sobchak New York: Routledge, 1996.
Call No: 408.1 PERAuthor: Sobchak, Vivian Carol Source: USPlace: New YorkPublisher: RoutledgePubDate: 1996PhysDes: 265 pages ; 24 cmSeries: AFI film readersSubject: TELEVISION ; HISTORY AND THE CINEMA ; HISTORY AND TV ; THEORY ; KING, RODNEY ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; TEN COMMANDMENTS, THE (UK, Phil Mulloy, 1996) ; JFK (US, Oliver Stone, 1991) ; HOLOCAUST (US, Marvin J. Chomsky, 1978) ; ANDREI RUBLEV (UR, Andrei Tarkovsky, 1969) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; MORRIS, ERROL Summary: "The Persistence of History examines how the moving image has completely altered traditional modes of historical thought and representation. Exploring a range of film and video texts, from The Ten Commandments to the Rodney King video, from the projected work of documentarian Errol Morris to Oliver Stone's JFK and Spielberg's Schindler's List, the volume questions the appropriate forms of media for making the incoherence and fragmentation of contemporary history intelligible" -- PublisherNotes: Includes bibliographical references and index.ISBN: 0415910846Contents: Introduction: History Happens / Vivian Sobchack -- 1. The Modernist Event / Hayden White -- 2. Cinematic Shots: The Narration of Violence / Janet Staiger -- 3. Historical Consciousness and the Viewer: Who Killed Vincent Chin? / Bill Nichols -- 4. "I'll See It When I Believe It": Rodney King and the Prison-House of Video / Frank P. Tomasulo -- 5. Antimodernism as Historical Representation in a Consumer Culture: Cecil B. Demille's The Ten Commandments, 1923, 1956, 1993 / Sumiko Higashi -- 6. Modernism and the Narrative of Nation in JFK / Robert Burgoyne -- 7. Andrei Rublev: The Medieval Epic as Post-Utopian History / Denise J. Youngblood -- 8. Subject Positions, Speaking Positions: From Holocaust, Our Hitler, and Heimat to Shoah and Schindler's List / Thomas Elsaesser -- 9. Historical Ennui, Feminist Boredom / Patrice Petro -- 10. The Future of the Past: Film and the Beginnings of Postmodern History / Robert A. Rosenstone. -- 11. Interrotroning History: Errol Morris and the Documentary of the Future / Shawn Rosenheim -- 12. The Professors of History / Dana Polan. -- Contributors -- Index
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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The philosophy of Ang Lee / edited by Robert Arp, Adam Barkman, and James McRae. Lexington: Kentucky: University Press of Kentucky, 2013.
Call No: 81LEE PHIAuthor: Arp, Robert ; Barkman, Adam ; McRae, James Source: USPlace: Lexington: KentuckyPublisher: University Press of KentuckyPubDate: 2013PhysDes: 303 pages ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; LEE, ANG ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; LUST, CAUTION (US/CC/TZ/HK, Ang Lee, 2007) ; SE, JEI (US/CC/TZ/HK, Ang Lee, 2007) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; TAKING WOODSTOCK (US, Ang Lee, 2009) ; ICE STORM, THE (US, Ang Lee, 1997) ; RIDE WITH THE DEVIL (US, Ang Lee, 1999) ; BROKEBACK MOUNTAIN (US, Ang Lee, 2005) Summary: The Philosophy of Ang Lee draws from both Eastern and Western philosophical traditions to examine the director’s works. The first section focuses on Taoist, Confucian, and Buddhist themes in his Chinese-language films, and the second examines Western philosophies in his English-language films; but the volume ultimately explores how Lee negotiates all of these traditions, strategically selecting from each in order to creatively address key issues. With interest in this filmmaker and his work increasing around the release of his 3-D magical adventure The Life of Pi (2012), The Philosophy of Ang Lee serves as a timely investigation of the groundbreaking auteur and the many complex philosophical themes that he explores through the medium of motion pictures. [Taken from the publishers website]Notes: Includes bibliographical references and index.ISBN: 9780813141664Contents: Conquering the self: Daoism, Confucianism, and the price of freedom in Crouching tiger, hidden dragon / James McRae -- What do you know of my heart? The role of sense and sensibility in Ang Lee's Sense and sensibility and Crouching tiger, hidden dragon / Rene´e Ko¨hler-Ryan and Sydney Palmer -- The Confucian cowboy aesthetic / Michael Thompson -- East meets western: the eastern philosophy of Ang Lee's Brokeback Mountain / Jeff Bush -- Landscape and gender in Ang Lee's Sense and sensibility and Brokeback Mountain / Misty Jameson and Patricia Brace -- Can't get no satisfaction: desires, rituals, and the search for harmony in Eat drink man woman / Carl J. Dull -- Paternalism, virtue ethics, and Ang Lee: does father really know best? / Ronda Lee Roberts -- Lust, caution: a case for perception, unimpeded / Basileios Kroustallis -- The power to go beyond God's boundaries? Hulk, human nature, and some ethical concerns thereof / Adam Barkman -- Displacement, deception, and disorder: Ang Lee's discourse of identity / Timothy M. Dale and Joseph J. Foy -- Subverting heroic violence: Ang Lee's Taking Woodstock and Hulk as antiwar narratives / David Zietsma -- Homo migrans: desexualization in Ang Lee's Taking Woodstock / Nancy Kang -- Because of the molecules: The ice storm and the philosophy of love and recognition / Susanne Schmetkamp -- It's existential: negative space and nothingness in The ice storm / David Koepsell -- The ice storm: what is impending? / George T. Hole -- All's fair in love and war? Machiavelli and Ang Lee's Ride with the devil / James Edwin Mahon.
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still
[Picture show man, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 15 photographs : b&w ; 22 x 16 - 21 x 26 cmSubject: MCDONALD, GARRY ; MEILLON, JOHN ; TAYLOR, RON & VALERIE ; EWART, JOHN ; HOPKINS, HAROLD ; MORRIS, JUDY ; CONABERE, SALLY ; DRYNAN, JEANIE ; PICTURE SHOW MAN, THE (AT, John Power, 1977) Summary: 15 black and white photographs of scenes from the film.Notes: 1 image donated by Brian McFarlane
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script
A place of your own : tenants [1980?].
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Placing movies : the practice of film criticism / Jonathan Rosenbaum Berkeley: University of California Press, 1995.
Call No: 67(081) PLAAuthor: Rosenbaum, Jonathan Place: BerkeleyPublisher: University of California PressPubDate: 1995PhysDes: ix, 337 p. ; 24 cmSubject: CRITICISM ; GODARD, JEAN-LUC ; BARTHES, ROLAND ; CASSAVETES, JOHN ; TATI, JACQUES ; WELLES, ORSON ; RESNAIS, ALAIN ; RUIZ, RAUL ; ALLEN, WOODY ; ANTONIONI, MICHELANGELO ; FARBER, MANNY ; TARR, BELA ; RIVETTE, JACQUES ; GERTRUD (DK, Carl Th. Dreyer, 1964) ; OHAYO (JA, Ozu Yasujiro, 1959) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; OTHELLO (MR, Orson Welles, 1951) ; MELO (FR, Alain Resnais, 1986) ; HARDLY WORKING (US, Jerry Lewis, 1980) ; AMOR DE PERDICAO (PO, Manoel de Oliveira, 1979) ; BIRD (US, Clint Eastwood, 1988) ; WHITE DOG (US, Samuel Fuller, 1982) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975) ; SPEAKING DIRECTLY: SOME AMERICAN NOTES (US, Jon Jost, 1974) ; RAMEAU'S NEPHEW BY DIDEROT (THANX TO DENNIS YOUNG) BY WILMA SCHOEN (CN, Michael Snow, 1974) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; DEEP COVER (US, Bill Duke, 1992) ; PANAMA DECEPTION, THE (US, Barbara Trent, 1992) ; SAGA OF ANATAHAN, THE (JA, Josef von Sternberg, 1953) ; BARTON FINK (US, Joel Cohen, 1991) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) ; KING LEAR (US/SZ, Jean-Luc Godard, 1987) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) Notes: Includes bibliographical references (p. 315-321) and indexISBN: 0520086325 (alk. paper); 0520086333 (pbk. : alk. paper)LON: 93042954; 10612641ID2: 291
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The platinum age of television : from I Love Lucy to The Walking Dead, how TV became terrific / David Bianculli New York: Anchor Books ; a Division of Penguin Random House LLC, [2016].
Call No: 730(73) BIAAuthor: Bianculli, David Source: USPlace: New YorkPublisher: Anchor Books ; a Division of Penguin Random House LLCPubDate: [2016]PhysDes: xiv, 576 pages : illustrations ; 25 cmSubject: TELEVISION ; GROENING, MATT ; BROOKS, MEL ; BURNETT, CAROL ; SMOTHERS, TOM ; SCHUMER, AMY ; BOCHCO, STEVEN ; Chase, David ; SPACEY, KEVIN ; KELLEY, DAVID E. ; LEAR, NORMAN ; BROOKS, JAMES L. ; SHANDLING, GARRY ; REINER, CARL ; NEWHART, BOB ; C.K., LOUIS ; APATOW, JUDD ; SORKIN, AARON ; WEINER, MATTHEW ; BURNS, KEN Summary: "Television today is better than ever. From The Sopranos to Breaking Bad, Sex and the City to Girls, and Modern Family to Louie, never has so much quality programming dominated our screens. Exploring how we got here, acclaimed TV critic David Bianculli traces the evolution of the classic TV genres, among them the sitcom, the crime show, the miniseries, the soap opera, the Western, the animated series, the medical drama, and the variety show. In each genre he selects five key examples of the form to illustrate its continuities and its dramatic departures. Drawing on exclusive and in-depth interviews with many of the most famed auteurs in television history, Bianculli shows how the medium has evolved into the premier form of visual narrative art." - taken from back cover.Notes: Includes bibliographical references (pages [553]-555) and index.ISBN: 9781101911327Contents: Introduction -- 1. Children's programs -- 2. Animation -- Profile: Matt Groening -- 3. Variety/ sketch -- Profile : Mel Brooks -- Profile : Carol Burnett -- Profile : Tom Smothers -- Profile : Amy Schumer -- 4. Soap operas -- 5. Crime -- Profile : Steven Bochco -- Profile : David Chase -- Profile : Kevin Spacey -- Profile : Vince Gilligan -- 6. Legal -- Profile : David E. Kelley -- Profile : Robert and Michelle King -- 7. Medical -- 8. Family sitcoms -- Profile : Norman Lear -- 9. Workplace sitcoms -- Profile : James L. Brooks -- Profile : Garry Shandling -- 10. Splitcoms -- Profile : Carl Reiner -- Profile : Bob Newhart -- Profile : Larry David -- Profile : Louis C.K. -- 11. Single working women sitcoms -- Profile : Judd Apatow -- 12. Sci-fi/ fantasy/ horror -- 13. Westerns -- Profile : David Milch -- 14. Spies -- 15. General drama -- Profile : David Simon -- Profile : Aaron Sorkin -- Profile : Matthew Weiner -- 16. War -- 17. Miniseries -- Profile : Ken Burns -- 18. Topical comedy -- Profile : Larry Wilmore -- Conclusion.
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Playing with power in movies, television, and video games : from Muppet Babies to Teenage Mutant Ninja Turtles / Marsha Kinder Berkeley: University of California Press, 1991.
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bastille day (uk/fr/us, james watkins, 2016)
Plot blows up in the face of this silly terrorist thriller in Sunday Telegraph [Insider] (15/05/2016) p.121
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title clippings file
POHADKY TISICE A JEDNE NOCI : (CS, Karel Zeman, 1974)
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title clippings file
POHADKY TISICE A JEDNE NOCI : (CS, Karel Zeman, 1974)
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Interim
book
Pop fiction : The song in cinema / edited by Steve Lannin and Matthew Caley Porland, Oregon: Intellect, 2005.
Call No: 634.6 POPAuthor: Lannin, Steve ; Caley, Matthew Source: UKPlace: Bristol, UK; Porland, OregonPublisher: IntellectPubDate: 2005PhysDes: 173 p. : 23 cmSubject: POP MUSIC AND THE CINEMA ; POP MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; COHEN, LEONARD ; MORETTI, NANNI ; DOORS, THE ; COPPOLA, FRANCIS FORD ; SOGGY BOTTOM BOYS ; COEN, JOEL & ETHAN ; PFEIFFER, MICHELLE ; DAMON, MATT ; KLOVES, STEVE ; MINGHELLA, ANTHONY ; VALLI, FRANKIE ; CIMINO, MICHAEL ; RIGHTEOUS BROTHERS ; ZUCKER, JERRY ; REED, LOU ; BOYLE, DANNY ; STEALERS WHEEL ; Tarantino, Quentin ; BAKER, CHET ; WEBER, BRUCE ; WINGS ; ARMITAGE, GEORGE ; COLLINS, PHIL ; BRICKMAN, PAUL ; MASSIVE ATTACK ; WONG KAR WAI ; CARO DIARIO (IT/FR, Nanni Moretti, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; GHOST (US, Jerry Zucker, 1990) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; LET'S GET LOST (US, Bruce Weber, 1988) ; GROSSE POINTE BLANK (US, George Armitage, 1997) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture.
"The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover)Notes: Includes indexISBN: 184150078X
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newspaper article
Portman's lifeless take on a vivid Oz in The Age [Arts & Entertainment] (14/04/2016) p.20
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Postmodernism in the cinema / edited by Cristina Degli-Esposti New York: Berghahn Books, 1998.
Call No: 61 POS DEGAuthor: Degli-Esposti, Christina Source: USPlace: New YorkPublisher: Berghahn BooksPubDate: 1998PhysDes: viii, 264 p. : ill. ; 22 cmSubject: POSTMODERNISM AND THE CINEMA ; POSTMODERNISM AND TV/VIDEO ; POSTMODERNISM AND TV/VIDEO. USA ; POSTMODERNISM AND THE CINEMA. USA ; POSTMODERNISM AND THE CINEMA. JAPAN ; POSTMODERNISM AND THE CINEMA. POLAND ; POLAND ; TRAVEL IN FILMS ; FRANCE ; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES ; IMPERIALISM AND THE CINEMA. FRANCE ; HISTORY AND THE CINEMA ; ETHNIC GROUPS IN FILMS ; ANIMATION ; YOUNG PEOPLE, FILMS FOR ; ADAPTATIONS. FORSTER, E. M. ; ADAPTATIONS. GENET, JEAN ; AUTEUR THEORY ; DEGLI-ESPOSTI, CHRISTINA ; BARON, CYNTHIA ; KRAIDY, MARWAN ; WEINSTEIN, DAVID ; SHARY, TIMOTHY ; BRUNS, JOHN ; MAULE, ROSANNA ; FALKOWSKA, JANINA ; STRAIN, ELLEN ; BOLUS-REICHERT, CHRISTINE ; LAGA, BARRY ; DEUTELBAUM, MARSHALL ; HOLDEN-MOSES, PHILIP ; WILES, MARY ; ALTMAN, ROBERT ; JAMESON, FREDRIC ; ITAMI, JUZO ; FORSTER, E. M. ; COEN, JOEL & ETHAN ; KUROSAWA AKIRA ; GREENAWAY, PETER ; FASSBINDER, RAINER WERNER ; PLAYER, THE (US, Robert Altman, 1992) ; ALADDIN (US, John Musker & Ron Clements, 1992) ; SIMPSONS, THE [TV] (US, 1989-) ; BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989) ; WAYNE'S WORLD (US, Penelope Spheeris, 1992) ; SINGLES (US, Cameron Crowe, 1992) ; REALITY BITES (US, Ben Stiller, 1994) ; TAMPOPO (JA, Juzo Itami, 1986) ; A NOS AMOURS (FR, Maurice Pialat, 1983) ; MESSA E FINITA, LA (IT, Nanni Moretti, 1985) ; QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984) ; PSY (PL, Wladyslaw Pasikowski, 1993) ; CZLOWIEK Z ... (PL, Konrad Szolajski, 1993) ; WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991) ; ROOM WITH A VIEW, A (UK, James Ivory, 1986) ; PASSAGE TO INDIA, A (US/UK, David Lean, 1984) ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; BARTON FINK (US, Joel Cohen, 1991) ; DREAMS (US, Akira Kurosawa, 1990) ; DROWNING BY NUMBERS (UK, Peter Greenaway, 1988) ; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982) Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.ISBN: 1571811060Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary WilesID2: 291
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television. australia
Power and passion : Australian TV's dealmakers and players in The Age [Green Guide] (24/9/15) p.1
Call No: SUBJECT CLIPPING FILE; TELEVISION. AUSTRALIAPhysDes: ClippingsSubject: TELEVISION. AUSTRALIA Summary: Long article outlining the people behind the scenes of Australian TV production and distribution.
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newspaper article
Powerful propaganda in Saturday Age [Arts & Entertainment] (07/03/2015) p.37
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The Price of being Australian : report of the proceedings of a Conference held to mark the tenth anniversary of the Australian Broadcasting Tribunal and to coincide with the International Institute of Communications Conference, 31 August-1 September 1987, Sydney, Australia. North Sydney: Australian Broadcasting Tribunal, 1988.
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journal article
Primary section - Microcosmos : a world of small things in Metro Education (1997) iss.11 p.56-60
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Prime-time society : an anthropological analysis of television and culture / Conrad Phillip Kottak Belmont, Calif.: Wadsworth Pub. Co., 1990.
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Private screenings : television and the female consumer / Lynn Spigel and Denise Mann, editors Minneapolis: University of Minnesota Press, 1992.
Call No: 722-02 PRIAuthor: Spigel, Lynn ; Mann, Denise Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1992PhysDes: xiii, 293 p. : ill. ; 24 cmSeries: Camera obscura bookSubject: WOMEN AND TV ; WOMEN, PROGRAMMES FOR ; CONSUMERS AND TV ; SITUATION COMEDY ; POSTMODERNISM AND TV/VIDEO ; MELODRAMA ; SOAP OPERAS ; ETHNIC GROUPS ON TV ; FAMILY ON TV ; MARRIAGE ON TV ; STARS ; ETHNIC GROUPS ON TV ; CLASS AND TV ; FEMINISM AND TV ; TELEVISION AND THE CINEMA ; HOMOSEXUALITY ON TV ; GENDER AND TV ; GLESS, SHARON ; FOSTER, MEG ; DALY, TYNE ; CARROLL, DIAHANN ; KANTNER, HAL ; RAYE, MARTHA ; MARTHA RAYE SHOW, THE [TV] (US, 195?-55) ; JULIA [TV] (US, 1968-71) ; CAGNEY AND LACY [TV] (US, 1982-88) ; KATE AND ALLIE [TV] (US, 1984-88) ; GENERAL HOSPITAL [TV] (US, 1963-) ; GOLDBERGS, THE [TV] (1949-55?) ; LEAVE IT TO BEAVER [TV] (US, 1957-63) ; FATHER KNOWS BEST [TV] (US, 1954-60) ; ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66) Notes: An expanded version of issue no. 16, winter 1988, of Camera obscura; Includes bibliographical references and indexISBN: 0816620520 (hc : acid-free paper); 0816620539 (pb : acid-free paper)LON: 91040919; 8544849
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Producing TV movies / Everett Chambers New York: Prentice Hall Press, 1986.
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Production personnel resources / ... prepared by ... Sandra Alexander [North Sydney, N.S.W.: Australian Broadcasting Tribunal], 1987.
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Profile on Pia Zadora in Australasian Cinema (30//4/1982) vol.11 iss.7 p.4
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Projecting the shadow : the cyborg hero in American film / Janice Hocker Rushing, Thomas S. Frentz Chicago: University of Chicago Press, 1995.
Call No: 735.14 HOCAuthor: Rushing, Janice Hocker ; Frentz, Thomas S Place: ChicagoPublisher: University of Chicago PressPubDate: 1995PhysDes: x, 261 p. : ill. ; 24 cmSeries: New practices of inquirySubject: ROBOTS IN FILMS ; MYTH AND THE CINEMA ; JAWS (US, Steven Spielberg, 1975) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; BLADE RUNNER (US, Ridley Scott, 1982) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) Notes: Includes bibliographical references (p. 222-244) and indexISBN: 0226731677 (paper : alk. paper); 0226731669 (cloth : alk. paper)LON: 95030431; 11723431
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Projections 2 : a forum for film-makers / edited by John Boorman and Walter Donohue London: Faber and Faber, 1993.
Call No: 802 PRO v.2Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1993PhysDes: ix, 380 p. : ill. ; 24 cmSubject: MILLER, GEORGE ; VAN SANT, GUS ; LOWENSTEIN, RICHARD ; ALTMAN, ROBERT ; ROUSSELOT, PHILIPPE ; MACLEAN, ALISON ; JARMAN, DEREK ; DAFOE, WILLEM ; GILLIAT, SIDNEY ; ROBBINS, TIM ; TAVERNIER, BERTRAND ; DORMAEL, JACO VAN ; MOORHOUSE, JOCELYN ; WARD, VINCENT ; ROEG, NICOLAS ; BOB ROBERTS (US, Tim Robbins, 1992) Notes: Cover title: Projections; Includes filmography: p 379-380ISBN: 0571168280 (pbk.) : $24.95LON: abn93202273; 10101541
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Projections 3 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1994.
Call No: 802 PRO v.3Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1994PhysDes: xiv, 290 p. : ill., ports; 24 cmSubject: COPPOLA, FRANCIS FORD ; LINSON, ART ; Tarantino, Quentin ; VAN SANT, GUS ; CHEN, KAIGE ; POLLACK, SYDNEY ; WILLNER, HAL ; ALMEREYDA, MICHAEL ; KASDAN, LAWRENCE ; TOLKIN, MICHAEL ; POTTER, SALLY ; STANLEY, RICHARD ; HARTLEY, HAL ; OGRESTA, ZRINKO ; LOWENSTEIN, RICHARD ; SHORT CUTS (US, Robert Altman, 1993) ; FLIRT (US/GG/JA, Hal Hartley, 1995) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) Notes: Includes filmography: p. [289]-290ISBN: 0571170471 (pbk)LON: abn94201432; 10975435
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Projections 4 1/2 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1995.
Call No: 802 PRO v.4 1/2Author: Boorman, John, 1933 ; Donohue, Walter CorpAuthor: PositifPlace: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: vii, 312 p. : ill., ports. ; 24 cmSubject: Keaton, Buster ; ALTMAN, ROBERT ; ASSAYAS, OLIVIER ; WARHOL, ANDY ; BOORMAN, JOHN ; COEN, JOEL & ETHAN ; PRICE, VINCENT ; LANG, FRITZ ; EASTWOOD, CLINT ; FREARS, STEPHEN ; FULLER, SAMUEL ; ALLEN, WOODY ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; REISZ, KAREL ; VON STROHEIM, ERICH ; RUIZ, RAUL ; SEN, MRINAL ; TAVERNIER, BERTRAND ; ALMEREYDA, MICHAEL ; JARMAN, DEREK ; LOWENSTEIN, RICHARD ; POTTER, SALLY ; ROUSSELOT, PHILIPPE ; TOLKIN, MICHAEL ; WARD, VINCENT ; ZINNEMANN, FRED ; ANGELOPOULOS, THEO ; AVATI, PUPI ; MARVIN, LEE ; BREILLAT, CATHERINE ; BRISSEAU, JEAN-CLAUDE ; CAVALIER, ALAIN ; CHABROL, CLAUDE ; BUGIN, HARRY ; COMENCINI, LUIGI ; DE FILIPPO, EDUARDO ; CORMAN, ROGER ; CORNEAU, ALAIN ; DEVILLE, MICHEL ; DIEGUES, CARLOS ; EGOYAN, ATOM ; MACKENDRICK, ALEXANDER ; GAAL, ISTVAN ; GREENAWAY, PETER ; HARRIS, JAMES B. ; HELLMAN, MONTE ; IOSELIANI, OTAR ; BARNET, BORIS ; KAZAN, ELIA ; KEZDI-KOVACS, ZSOLT ; KIAROSTAMI, ABBAS ; KLOPCIC, MATJAZ ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LATTUADA, ALBERTO ; LECONTE, PATRICE ; LEIGH, MIKE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; PEREIRA DOS SANTOS, NELSON ; MINGOZZI, GIANFRANCO ; MONICELLI, MARIO ; PARRISH, ROBERT ; PENN, ARTHUR ; PINTILIE, LUCIAN ; POLANSKI, ROMAN ; RIPSTEIN, ARTURO ; RISI, DINO ; RISSIENT, PIERRE ; ROHMER, ERIC ; ROSI, FRANCESCO ; RUDOLPH, ALAN ; SARMIENTO, VALERIA ; SAUTET, CLAUDE ; SCHATZBERG, JERRY ; SCHRADER, PAUL ; SIJAN, SLOBODAN ; STEVENIN, JEAN-FRANCIS ; TAVIANI, PAOLO & VITTORIO ; VARDA, AGNES ; YANG, EDWARD ; ZANUSSI, KRZYSZTOF ; ZULAWSKI, ANDREJ ; KERRIGAN, LODGE ; LINKLATER, RICHARD ; RIDLEY, PHILIP ; ROBERTS, JULIA ; RUSSELL, DAVID O. ; SHERMAN, VINCENT ; DAVIS, BETTE ; SIEGEL, DAVID ; MCGEHEE, SCOTT ; SODERBERGH, STEVEN ; TOBACK, JAMES ; BABY DOLL (US, Elia Kazan, 1956) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; HUSTLER, THE (US, Robert Rossen, 1961) ; MIRAGE (US, Edward Dmytryk, 1965) ; BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964) ; POSITIF Notes: "In association with Positif."; "Centenary edition"--P. viiISBN: 0571176097LON: abn96057645; 12129416
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Projections 5 : Film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1996.
Call No: 802 PRO v.5Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1996PhysDes: viii, 312 p. : ill. ; 24 cmSubject: CURTIS, JAMIE LEE ; DE PALMA, BRIAN ; Tarantino, Quentin ; Stewart, James ; VACHON, CHRISTINE ; CURTIS, TONY ; HARRYHAUSEN, RAY ; PARK, NICK ; SELICK, HENRY ; WELLMAN, WILLIAM ; MALLE, LOUIS ; STAREVITCH, LADISLAS ; PUMMELL, SIMON ; ANNAUD, JEAN-JACQUES ; ZINNEMANN, FRED ; HAYNES, TODD ; MOORE, JULIEANNE ; WINGS (US, William Wellmann, 1927) ; SAFE (US, Todd Haynes, 1995) ; BEYOND RANGOON (US, John Boorman, 1995) Notes: Includes filmographyISBN: 0571178111 (pbk.)LON: abn96281398; 12597197
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Projections 7 : film-makers on film-making in association with Cahiers du Cinéma / edited by John Boorman and Walter Donohue London: Faber & Faber, 1997.
Call No: 802 PRO v.7Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber & FaberPubDate: 1997PhysDes: x, 301 p. : ill., ports. ; 24 cmSubject: SCORSESE, MARTIN ; CAPRA, FRANK ; BARRON, BEBE ; DORMAEL, JACO VAN ; SCHOONMAKER, THELMA ; DE NIRO, ROBERT ; FORD, JOHN ; ROCHA, GLAUBER ; BERTOLUCCI, BERNARDO ; RENOIR, JEAN ; OPHULS, MAX ; MASTROIANNI, MARCELLO ; FERRARA, ABEL ; ASSAYAS, OLIVIER ; CURTIS, JAMIE LEE ; LEIGH, JANET ; BURNS, LILLIAN ; GIRARDOT, HIPPOLYTE ; MCDORMAND, FRANCES ; MITCHUM, ROBERT ; HODGSON, PIERRE ; COX, BRIAN ; CARON, LESLIE ; SYMS, SYLVIA ; WRIGHT, TERESA ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; Tarantino, Quentin ; WALSH, RAOUL ; HUSTON, JOHN ; MCCAREY, LEO ; Lupino, Ida ; CASSAVETES, JOHN ; WELLES, ORSON ; HITCHCOCK, ALFRED ; WOO, JOHN [pseud. of Wu Yusen] ; DAFOE, WILLEM ; SIRK, DOUGLAS ; ALMEREYDA, MICHAEL ; BOORMAN, JOHN ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; CASINO (US, Martin Scorsese, 1995) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; GOODFELLAS (US, Martin Scorsese, 1990) ; CAPE FEAR (US, Martin Scorsese, 1991) ; MANHUNTER (US, Michael Mann, 1986) ; L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962) ; VICTIM (UK, Basil Dearden, 1961) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; CAHIERS DU CINEMA Notes: Filmography: p. 300-301ISBN: 0571190332LON: abn97280608; 13386768
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Projections 15 : European cinema / edited by Peter Cowie and Pascal Edelmann London: Faber and Faber, 2007.
Call No: 802 PRO v.15Author: Cowie, Peter; Edelmann, Pascal Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2007PhysDes: xxxii, 356 pages : illustrations ; 21 cmSubject: DOGMA ; EUROPEAN CINEMA ; FILMMAKING ; FILM STUDY AND RESEARCH ; HOMOSEXUALITY AND THE CINEMA ; INDEPENDENT FILMS ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; ALMODOVAR, PEDRO ; ANGELOPOULOS, THEO ; BARDEM, JAVIER ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; CANTET, LAURENT ; DARDENNE, JEAN-PIERRE & LUC ; HOLLAND, AGNIESZKA ; JACOB, IRENE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; MOREAU, JEANNE ; DE OLIVEIRA, MANOEL ; OZON, FRANCOIS ; RIKLIS, ERAN ; STORARO, VITTORIO ; STEEN, PAPRIKA ; SZABO, ISTVAN ; TANOVIC, DANIS ; THOMAS, JEREMY ; ULLMANN, LIV ; Wenders, Wim ; WINTERBOTTOM, MICHAEL ; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997) Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurbNotes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film AcademyISBN: 9780571235292Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA
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Public knowledge beyond journalism : infotainment, satire and Australian television / by Stephen Harrington Queensland: 2009.
Call No: 40(94)[043] HARAuthor: Harrington, Stephen Source: ATPlace: QueenslandPubDate: 2009PhysDes: 355 p. : ill. ; 30 cmSubject: AUDIENCES ; AUDIENCES. AUSTRALIA ; POLITICS AND TV ; POLITICS AND TV. AUSTRALIA ; MEDIA ; NEWS PROGRAMMES. AUSTRALIA ; JOURNALISM ; JOURNALISTS ON TV. AUSTRALIA ; SATIRE ON TV ; TELEVISION ; TELEVISION. AUSTRALIA ; CHASER'S WAR ON EVERYTHING, THE [TV] (AT, Mark FitzGerald, Bradley Howard, Craig Melville, 2006) ; CHASER, THE [TV], (AT, 2001-) ; SUNRISE [TV] (AT, 2003) ; SUNRISE [TV] (AT, 2003-) Summary: "This thesis examines the changing relationships between television, politics, audiences and the public sphere." -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology.; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009.; Includes bibliographical references (p. 315-353); Appears to be missing 17 pages from the index at the back?Contents: -- introduction -- chapter 1: politics, 'old' news, chaos and the public sphere -- chapter 2: 'new' news, 'fake' news, audiences and public knowledge -- chapter 3: research methods -- chapter 4: 'reciprocal' journalism: Sunrise, ordinariness and breakfast television -- chapter 5: Sunrise and Public knowledge: newstainment, politics and the 'televisual' sphere -- chapter 6: push it to the limits: political satire, cultural satire and The Chasers War -- Chapter 7: chasing reporters: media satire, intertextuality and public knowledge -- conclusion -- appendix a -- appendix b -- references -- acknowledgements --
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Public television research report / Open Channel ; compiled & edited John Hughes & Kim Dalton Fitroy, Vic. : Open Channel, 1986:
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The public will always respond to good movies in Australasian Cinema (15/7/1983) vol.12 iss.13 p.3
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Pulp fiction : three stories ... about one story ... / Quentin Tarantino London: Faber, 1994.
Call No: 79PUL TARAuthor: Tarantino, Quentin Source: UKPlace: LondonPublisher: FaberPubDate: 1994PhysDes: vii, 198 p. : ill., port ; 22 cmSubject: PULP FICTION (US, Quentin Tarantino, 1994) ; SCRIPTS ; Tarantino, Quentin Summary: "Pulp Fiction is a trio of stories rotating around the violent misadventures of a collection of outlaws right out of the pages of the old hardboiled pulp fiction. The interweaving of the characters and stories is masterly; the trajectory of the characters' lives drawn with great genenerosity of spirit. Quentin Tarantino belongs to the new generation of super-literate film-makers whose work is as much about the movies they admire as anything else. But what makes Tarantino unique among his contemporaries is the visceral character of his writing and an exuberant wit and elegant style that makes his scripts compellingly readable" - BOOK BLURBISBN: 0571175465 (pbk)LON: 11317223
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Pulp Fiction : three stories ... about one story ... / Quentin Tarantino London: Faber, 1999.
Call No: 79PUL TARAuthor: Tarantino, Quentin Source: UKPlace: LondonPublisher: FaberPubDate: 1999PhysDes: 198 p. : ill. ; 18 cm.Subject: PULP FICTION (US, Quentin Tarantino, 1994) ; SCRIPTS ; TARANTINO, QUENTIN Summary: "Winner of the Academy Award for Best Screenplay and the prestigious Palme d'Or at the Cannes Film Festival, Pulp Fiction exploded on to the screen in 1994 and transformed the direction of contemporary cinema. This trio of masterfully interwoven crime stories is witty, gritty and shamelessly violent, displaying Tarantino's visceral approach to character and plot. Tarantino has spawned a whole host of wannabes in the wake of this, the defining movie of the decade. But none has demonstrated the elegant style and compassion that make his scripts so compellingly readable." - BOOK BLURBNotes: First published in 1996. Reprinted in paperback 1999.ISBN: 0571200680 (pbk.)
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digital clippings file
PYOJEOK [TARGET, THE] : (KO, Hong-Seung Yoon, 2014) Digital clippings file available
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thor: ragnarok (us, taika waititi, 2017)
Qld premier visits Thor on Brisbane set in AAP Newswire (23/08/2016)
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Quality popular television : Cult TV, the industry and fans / Mark Jancovich & James Lyons (eds) London UK: bfi Publishing, 2003.
Call No: 725.3 JANCorpAuthor: BFI PublishingPlace: London UKPublisher: bfi PublishingPubDate: 2003PhysDes: 23 cm, 204 ppSubject: NBC TELEVISION NETWORK ; TELEVISION. UK ; ELLEN [TV] (US, 1995-) ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; VIOLENCE ON TV ; INTERNET AND TV Summary: Why are some contemporary television shows so compelling? The Sopranos, Buffy the Vampire Slayer, Friends and ER are examples among many of a new era of the 'must-see' programme. These shows and others like The X-Files and Ally McBeal, have a compulsiveness, a depth of characterisation and 'back-story' that puts much of mainstream cinema to shame. Quality Popular Television examines this new category of mostly US-Produced 'cult' television and the reasons for its emergence. Looking at shows as diverse as Ally McBeak, Martial Law, Buffy, Lois and Clark, Star Trek: The Next Generation and Ellen, the book identifies the particular qualities necessary for success and how they relate to issues such as the economics of network scheduling, the growth of the internet and contemporary debates about television audiences. [Taken from back cover.]ISBN: 0851709419
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Queering teen cultures : all-American boys and same-sex desire in film and television / Jeffery P. Dennis Binghampton, NY: Harrington Park Press,
Call No: 749.4-053.6 DENAuthor: Dennis, Jeffery P. Edition: 2018Place: Binghampton, NYPublisher: Harrington Park PressPhysDes: 222 pages : illustrated ; 22 cmSubject: TEEN FILMS ; HOMOSEXUALITY AND TV ; HOMOSEXUALITY AND THE CINEMA ; BEACH MOVIES ; BUDDY FILMS ; HAPPY DAYS [TV] (US, 1974-1984) ; FATHER KNOWS BEST [TV] (US, 1954-60) ; LEAVE IT TO BEAVER [TV] (US, 1957-63) ; EASY RIDER (US, Dennis Hopper, 1969) Notes: Why did Fonzie hang around with all those high school boys?
Is the overwhelming boy-meets-girl content of popular teen movies, music, books, and TV just a cover for an undercurrent of same-sex desire? From the 1950s to the present, popular culture has involved teenage boys falling for, longing over, dreaming about, singing to, and fighting over, teenage girls. But Queering Teen Culture analyzes more than 200 movies and TV shows to uncover who Frankie Avalon's character was really in love with in those beach movies and why Leif Garrett became a teen idol in the 1970s. -- book jacketISBN: 9781560233480Contents: Preface -- Devil on wheels: the rise of teen culture -- Father knows best: learning girl-craziness on TV -- Sal Mineo and friends: the juvenile delinquent films -- Teenage zombies from outer space: monster movies -- Heartbreak Hotel: the teen idols -- How to stuff a wild bikini: the beach movies -- Easy rider: the love generation -- American graffiti: 1950's nostalgia and teenage androgyny -- Real men and psycho-slashers -- The brat pack: teen nerds and operators -- Teencoms and teensoaps.
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Queering the Screen or Screening the Queer : normalisation and sexuality on Australian television / by Fronscesca Jackson-Webb RMIT, 2004.
Call No: 409(94):749.4(94) JACAuthor: Jackson-Webb, Fronscesca Source: ATPublisher: RMITPubDate: 2004PhysDes: 89p. ; 30cmSubject: AUSTRALIA ; TELEVISION ; HOMOSEXUALITY AND TV ; HOMOSEXUALITY ON TV ; NUMBER 96 [TV] (AT, 1972-1978) ; WILL AND GRACE [TV] (US 1998-2006) ; PRISONER [TV] (AT, 1979-86) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; QUEER EYE FOR THE STRAIGHT GUY [TV] (US, 2003-) ; QUEER EYE FOR THE STRAIGHT GUY [TV] (US, 2003) ; BLOCK, THE [TV] (AT, 2003-) ; L WORD, THE [TV] (US/CN, 2004-2009) Summary: " In the last three years, gay, lesbian and queer representation on Australian television has increased and diversified. As a result, popular press commentators and audiences have increasingly employed discourses of normalisation in attempting to understand the ways in which these representations fit in a predominantly heterosexual mediasphere. This thesis provides a critical analysis of the discourses of normalisation in gay, lesbian and queer representation on Australian television and surrounding commentary. These discourses will be analysed through the textual analysis of a selection of programs broadcast on Australian television. Titles include: Number 96, Queer Eye for the Straight Guy, The Block, Will and Grace, Prisoner, Queer as Folk and The L Word. Queer theory, gay and lesbian identity theory and television studies provide the frameworks for these analyses. This thesis posits that discourses of pro-normalisation and anti-normalisation operate in these programs, often within the same text. It also argues that programs aspiring to represent queer sexual diversity often employ discourses of pro-normalisation, and, on the other hand, programs that aspire to present gay and lesbian assimilation at times contain transgressive queer elements." -- ABSTRACTNotes: This is an honours thesis submitted by Fronscesca Jackson-Webb for the partial credit in Bachelor of Communication (Professional Communication) (Honours)Contents: -- abstract -- statement of authorship-- acknowledgments -- introduction -- definition of terms -- chapter 1: from identity politics to queer theory -- 1.1: identity theory, culture and politics -- 1.2:the rise of queer theory -- 1.3: queer versus normal: discourses of queer and normalisation -- 1.4: theories of normalisation -- 1.5: the mass media -- chapter 2: gay representations of pro-normalisation -- 2.1: Number 96 -- 2.2: Will and Grace -- 2.3: The Block -- chapter 3: queer representations resisting normalisation -- 3.1: Prisoner -- 3.2: showtime's Queer as Folk and The L Word -- chapter 4: representations of Camp Identity -- 4.1: camp identity -- 4.2 Will and Grace -- 4.2 Queer Eye for the Straight Guy -- 4.4: Queer as Folk -- conclusion -- list of references -- videography --
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Quentin Tarantino : interviews / edited by Gerald Peary Jackson: University Press of Mississippi, 1998.
Call No: 81TAR QUEAuthor: Tarantino, Quentin ; Peary, Gerald Place: JacksonPublisher: University Press of MississippiPubDate: 1998PhysDes: xxiv, 215 p. : ill. ; 23 cmSeries: Conversations with filmmakers seriesSubject: Tarantino, Quentin Notes: Filmography: p. [xxi]-xxiv; Includes bibliographical references and indexISBN: 1578060516 (pbk. : alk. paper); 1578060508 (cloth : alk. paper)LON: 98017837; 13818861
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Quentin Tarantino : poetics and politics of cinematic metafiction / David Roche Jackson: University Press of Mississippi, [2018].
Call No: 81 TAR ROCAuthor: Roche, David Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: [2018]PhysDes: viii, 341 pages : illustrations ; 24 cmSubject: TARANTINO, QUENTIN Summary: "Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality). Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European." -- Provided by publisher.Notes: Includes bibliographical references and index. -- Filmography and Bibliography: pages 319-331.ISBN: 9781496821157Contents: Ch. One "What Shall the History Books Read?" History and Film History -- Ch. Two "Black Man, White Hell" Identity Politics Vol. 1: Race and Ethnicity -- Ch. Three "That's the Excuse You Guys Use Whenever You Want to Exclude Me from Something" Identity Politics Vol. 2: Gender (and Sexuality) -- Ch. Four "Revenge Is Never a Straight Line" A Neoformalist Approach Vol. 1: Narrative Structures and Paradigms -- Ch. Five "Everything's the Same Except for One Change" A Neoformalist Approach Vol. 2: Narration and Style -- Ch. Six "Lookin' Back on the Track, Gonna Do It My Way" The Use of Preexisting Music -- Ch. Seven "Come On, Let's Get into Character" Acting and Theatricality -- Ch. Eight "He's Just Not Used to Seein' a Man Ripped Apart by Dogs Is All" Violence and Spectacle. -- Conclusion
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Questions of cinema / Stephen Heath London: Macmillan, 1981.
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RACCONTO DEI RACCONTI, IL : (IT/FR/UK, Matteo Garrone, 2015)
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Radiocommunications : : inquiry report / The Productivity Commission Melbourne, Australia: The Productivity Commission, 2002..
Call No: 39 PROAuthor: The Productivity Commission Place: Melbourne, AustraliaPublisher: The Productivity CommissionPubDate: 2002.PhysDes: LXIII, 299, [66] p. ; 25 cm.Subject: TELECOMMUNICATIONS.AUSTRALIA Notes: Includes bibliographical references : (p. R1-R14); Online Resource: http://www.pc.gov.au/inquiry/radiocomms/finalreport/index.html
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Radiocommunications : inquiry report
http://www.pc.gov.au/inquiry/radiocomms/finalreport/radiocomms.pdfISBN: 1 74037 089 9
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Ralph second round deals further blow in Encore (Feb 2000) vol.18 iss.1 p.10
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RE GRANCHIO [TALE OF KING CRAB, THE] : (IT/FR/AG, Alessio Rigo De Righi/Matteo Zoppis, 2021) Digital clippings file available
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The real gaze : film theory after Lacan / Todd McGowan Albany, NY: State University of New York Press, c2007.
Call No: 626[159.964.2] MCGAuthor: McGowan, Todd Place: Albany, NYPublisher: State University of New York PressPubDate: c2007PhysDes: xii, 254 p. ; 24 cm.Subject: PSYCHOANALYSIS AND THE CINEMA ; LACAN, JACQUES ; SPECTATORSHIP ; KUBRICK, STANLEY ; LEE, SPIKE ; MANN, MICHAEL ; FELLINI, FEDERICO ; NOUVELLE VAGUE ; WELLES, ORSON ; DENIS, CLAIRE ; NEOREALISM ; HOWARD, RON ; SPIELBERG, STEVEN ; GRIFFITH, DAVID WARK ; TARKOVSKY, ANDREI ; Wenders, Wim ; LYNCH, DAVID Summary: "Historically film scholars have located the gaze on the side of the spectator; however, Todd McGowan positions it within the filmic image, where it has the radical potential to disrupt the spectator's sense of identity and challenege the foundations of ideology." -- from the back cover. McGowan makes the argument for his theory with reference to the works of several directors and film movements.Notes: Includes index.ISBN: 9780791470398
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Reel justice : the courtroom goes to the movies / Paul Bergman and Michael Asimow Kansas City: Andrews and McMeel, c1996.
Call No: 734.4 BERAuthor: Bergman, Paul, 1943 ; Asimow, Michael Place: Kansas CityPublisher: Andrews and McMeelPubDate: c1996PhysDes: xix, 338 p. : ill. ; 23 cmSubject: TRIALS IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966) ; ONION FIELD, THE (US, Harold Becker, 1979) ; REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; FEW GOOD MEN, A (US, Rob Reiner, 1992) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; ADAM'S RIB (US, George Cukor, 1949) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; MY COUSIN VINNY (US, Jonathan Lynn, 1992) ; AND JUSTICE FOR ALL (US, Norman Jewison, 1979) ; COMPULSION (US, Richard Fleischer, 1959) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; PHILADELPHIA (US, Jonathan Demme, 1993) ; SOMMERSBY (US, Jon Amiel, 1993) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; MUSIC BOX (US, Constantin Costa-Gavras, 1989) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) ; BOOMERANG (US, Elia Kazan, 1947) ; PRESUMED INNOCENT (US, Alan J. Pakula, 1990) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; WRONG MAN, THE (US, Jim McBride, 1993) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; M (G, Fritz Lang, 1931) ; STAR CHAMBER, THE (US, Peter Hyams, 1983) ; SUSPECT (US, Peter Yates, 1987) ; TRIAL BY JURY (US, Heywood Gould, 1994) ; [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956) ; CLASS ACTION (US, Michael Apted, 1991) ; LOSING ISAIAH (US, Stephen Gyllenhaal, 1995) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; NUTS (US, Martin Ritt, 1987) ; VERDICT, THE (US, Sidney Lumet, 1982) ; WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981) ; ALL THAT MONEY CAN BUY (US, William Dieterle, 1941) ; BLOOD OATH (AT, Stephen Wallace, 1990) ; HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993) ; YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959) ; LIBEL (UK, Anthony Asquith, 1959) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; OX-BOW INCIDENT, THE (US, William Wellman, 1943) ; ON TRIAL (US, Terry Morse, 1939) ; I WANT TO LIVE! (US, Robert Wise, 1958) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; LET HIM HAVE IT (UK, Peter Medak, 1991) ; [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971) ; COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955) ; BANANAS (US, Woody Allen, 1971) ; MURDER IN THE FIRST (US, Marco Rocco, 1995) ; TRIAL (US, Mark Robson, 1955) ; GUILTY AS SIN (US, Sidney Lumet, 1993) ; JAGGED EDGE (US, Richard Marquand, 1985) ; LETTER, THE (US, William Wyler, 1940) ; KNOCK ON ANY DOOR (US, Nicholas Ray, 1949) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) ; ACT OF MURDER, AN (US, Michael Gordon, 1948) ; FURY (US, Fritz Lang, 1936) ; I CONFESS (US, Alfred Hitchcock, 1953) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; THEY WON'T BELIEVE ME (US, Irving Pichel, 1947) Notes: Includes bibliographical references (p. [321]-326) and indexISBN: 0836210352 (pbk.)LON: 11957271
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Reel to real : race, sex, and class at the movies / Bell Hooks New York, NY: Routledge, 1996.
Call No: 744 HOOAuthor: Hooks, Bell Place: New York, NYPublisher: RoutledgePubDate: 1996PhysDes: 244 p. ; 24 cmSubject: RACIAL ISSUES AND THE CINEMA ; SEX AND THE CINEMA ; CLASS AND THE CINEMA ; ETHNIC GROUPS IN FILMS ; AVANT-GARDE FILMS ; FAMILY IN FILMS ; LOOK IN FILMS ; SPECTATORSHIP ; DEATH IN FILMS ; HOMOSEXUALITY IN FILMS ; STRIPTEASE IN FILMS ; YOUNG PEOPLE IN FILMS ; FEMINISM AND THE CINEMA ; Tarantino, Quentin ; LEE, SPIKE ; DASH, JULIE ; CLARK, LARRY ; JAFFA, ARTHUR ; BURNETT, CHARLES ; BILLOPS, CAMILLE ; ALDERMAN, MARIE-FRANCE ; WANG, WAYNE ; LIVINGSTON, JENNIE ; KILLER OF SHEEP (US, Charles Burnett, 1978) ; GIRL SIX (US, Spike Lee, 1996) ; CROOKLYN (US, Spike Lee, 1994) ; WAITING TO EXHALE (US, Forest Whitaker, 1995) ; LEAVING LAS VEGAS (US, Mike Figgis, 1995) ; EXOTICA (CN, Atom Egoyan, 1994) ; ATTENDANT, THE (UK, Isaac Julien, 1992) ; FINDING CHRISTA (US, Camille Billops/James Hatch, 1991) ; KIDS (US, Larry Clark, 1995) ; HOOP DREAMS (US, Steve James, 1994) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; PULP FICTION (US, Quentin Tarantino, 1994) Notes: Includes indexISBN: 0415918235 (HB : acid-free cover); 0415918243 (PB : acid-free cover)LON: 96026474; 12664107
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Remembering our ancestors : cross-cultural collaboration and the mediation of Aboriginal culture and history in Ten canoes (Rolf de Heer, 2006) in Studies in Australasian cinema (2007) vol.1 iss.1 p.5-14
Author: Davis, Therese PhysDes: ArticleSubject: ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; ABORIGINAL AUSTRALIAN CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; GULPILIL, DAVID ; DE HEER, ROLF ; TEN CANOES (AT, Rolf De Heer, 2006) Summary: In 2000, maverick Australian director Rolf de Heer began a collaboration with Australian Aboriginal screen legend David Gulpilil to make a film set in Gulpilil's traditional lands in North Eastern Arnhem Land. The result of the collaboration is the new feature Ten canoes (2006). For Culpilil the project represented an opportunity to launch careers in film for members of his community including his son Jamie Gulpilil (who plays the lead role). He has also stated that ' the film will allow people from the community and around the world to know how our ancestors lived and to understand them'. In order to try to achieve this, de Heer took on the challenging task he describes as 'fusing two very different storytelling traditions'. Drawing on the documentary Balanda and the bark canoes (2006) (also known as Making ten canoes) and other sources this article goes behind the scenes to examine processes of cross-cultural collaboration and intercultural fusion. It argues the film shows that while stories have different forms and functions in different societies, one story can be made to serve two different cultural requirements and, further, in doing so can expand possibilities for both cross-cultural recognition and cinema.-- Abstract
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REMONTONS LES CHAMPS-ELYSEE : (FR, Sacha Guitry, 1938)
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REMONTONS LES CHAMPS-ELYSEE : (FR, Sacha Guitry, 1938)
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Remote control / Caetlin Benson-Allott New York: New York Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc., in association with Loyola University New Orleans, The Atlantic, Georgia Tech Center for Media Studies, 2015.
Call No: 233.933 BENAuthor: Benson-Allott, Caetlin Anne Source: USPlace: New YorkPublisher: New York Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc., in association with Loyola University New Orleans, The Atlantic, Georgia Tech Center for Media StudiesPubDate: 2015PhysDes: xx, 157 pages : illustrations ; 17 cmSeries: Object lessonsSubject: REMOTE CONTROL ; VIEWERS ; TECHNOLOGY AND TV ; TELEVISION Summary: "While we all use remote controls, we understand little about their history or their impact on our daily lives. By emphasizing volume control, channel shifting, and multi-function management, they tell a story about our experience of mass media, culture, and domestic life. Remote controls reveal the deep impact electronics design has on our self-perception and world-view. This book offers lively analyses of the remote control's material, literary, and cultural history to explain how such an innocuous media accessory can change the way we occupy our houses, interact with our families, and experience the world. From the first wired radio remotes of the 1920s to infrared universal remotes, from the homemade TV controllers to the Apple Remote, remote controls shape our media devices and how we live with them"--Notes: Formerly CIP.
Includes bibliographical references and indexISBN: 9781623569976Donation: Senses of Cinema
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Replications : a robotic history of the science fiction film / J.P. Telotte Urbana: University of Illinois Press, 1995.
Call No: 735.14 TELAuthor: Telotte, J. P., 1949 Place: UrbanaPublisher: University of Illinois PressPubDate: 1995PhysDes: 222 p. : ill. ; 24 cmSubject: SCIENCE-FICTION FILMS ; ROBOTS IN FILMS ; DOUBLES ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; TECHNOLOGY AND THE CINEMA ; BLADE RUNNER (US, Ridley Scott, 1982) ; METROPOLIS (G, Fritz Lang, 1926) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; CHERRY 200 (US, Steve de Jarnatt, 1988) ; FUTUREWORLD (US, Richard Heffron, 1976) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; WESTWORLD (US, Michael Crichton, 1973) Notes: Filmography: p. [197]-208; Includes bibliographical references (p. [209]-215) and indexISBN: 0252021770 (cloth : acidb-sfree paper); 0252064666 (paper)LON: 95006586; 11513238
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Report from the Select Committee on the encouragement of Australian productions for television Canberra: Published for the Govt. of Australia by A.J. Arthur, 1963.
Call No: 205.3(094.3)(94)CorpAuthor: Australia. Parliament. Senate. Select Committee on the Encouragement of Australian Productions for TelevisionSource: ATPlace: CanberraPublisher: Published for the Govt. of Australia by A.J. ArthurPubDate: 1963PhysDes: 2 v. ; 33 cmSubject: TELEVISION. AUSTRALIA ; STATE AND TV. AUSTRALIA ; VINCENT, VICTOR SEDDON Notes: part I - report; part II - minutes of evidence
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Report on cable television services in Australia / submitted by the Australian Broadcasting Control Board and the Australian Post Office to the Minister for the Media and the Postmaster General Melbourne: Australian Broadcasting Control Board, 1974.
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Report on casting in Australian commercial television drama / Harvey May, Terry Flew, Christina Spurgeon Brisbane: Centre for Media Policy and Practice, School of Media and Journalism, Queensland University of Technology, c2000.
Call No: 451-054(94) MAYAuthor: May, Harvey ; Spurgeon, Christina ; Flew, Terry CorpAuthor: Queensland University of Technology. Centre for Media Policy & PracticePlace: BrisbanePublisher: Centre for Media Policy and Practice, School of Media and Journalism, Queensland University of TechnologyPubDate: c2000PhysDes: viii, 41 leaves : ill. ; 30 cmSubject: ACTORS. AUSTRALIA ; TELEVISION. AUSTRALIA ; MULTICULTURALISM AND TV. AUSTRALIA Notes: "This research was funded by a QUT Scholarship in the Professions Grant"; Includes bibliographical references: leaves 33-35ISBN: 1864354720LON: 21496429
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Representing the rural : space, place, and identity in films about the land / edited by Catherine Fowler & Gillian Helfield Detroit Mich.: Wayne State University Press, 2006.
Call No: 738.6 FOWAuthor: Fowler, Catherine ; Helfield, Gillian Source: USPlace: Detroit Mich.Publisher: Wayne State University PressPubDate: 2006PhysDes: ix, 369 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: CRITICISM ; LAND IN FILM ; CINEMAS. SPANISH ; HISTORY OF CINEMA ; TERRE, LA (FR, André Antoine, 1921) ; SANTOS INOCENTES, LOS (SP, Mario Camus, 1984) ; ASHANI SANKET (II, Satyajit Ray, 1973) ; HORA DA ESTRELA, A (BL, Suzana Amaral, 1985) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; BIQUEFARRE (FR, Georges Rouquier, 1983) ; DHIL AL ARDH (TI/FR, Taieb Louhichi, 1982) ; BILLY ELLIOT (UK, Stephen Daldry, 2000) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; THIASSOS, O (GR, Theo Angelopoulos, 1975) ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; YI GE DOU BU NENG SHAO (CC, Zhang Yimou, 1999) ; WO DE FU QIN MU QIN (CC, Zhang Yimou, 1999) ; ROAD HOME, THE (CC, Zhang Yimou, 1999) Summary: Representing the Rural breaks new ground in the writing of cinema history, offering fresh perspectives on the character and place of national identity in cinematic explorations of the land, peasants, landscapes, and culture caught up in the transition from rural to metropolitan spaces [taken from back cover]Notes: Formerly CIP
Includes bibliographical references and index
Includes filmography: p. 341-343ISBN: 0814333052
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The republic of mass culture : journalism, filmmaking, and broadcasting in America since 1941 / James L. Baughman Baltimore MD: Johns Hopkins University Press, 1992.
Call No: 202 BAUAuthor: Baughman, James L Source: USPlace: Baltimore MDPublisher: Johns Hopkins University PressPubDate: 1992PhysDes: xvii, 257 p. ; 24 cmSeries: The American MomentSubject: BROADCASTING. US ; USA ; MEDIA ; TELEVISION AND MEDIA SERVICES ; TELEVISION. USA Summary: "In the late 1940s, the film, radio, and television media enjoyed roughly the same measure of popularity in America. By the late 1960s, television's rivals had in effect become secondary services, and Hollywood and radio began to target "sub-groups"-especially teenagers-to win back a segment of the mass market. The proliferation of VCRs and cable television in the 1980s presented even more challenges to media producers and the first serious threats to network television.
This changing landscape of America's major mass media is the subject of The Republic of Mass Culture. James L. Baughman argues that the advent of television had the greatest impact on its established rivals-not, as many have argued, on society itself. Many of TVs competitors-most notably, publishers of newspapers and periodicals-failed to recognize the longterm threats of television. But by capturing the largest share of the mass audience, television gradually forced its competitors to settle for smaller audiences. In the process, television producers indirectly influenced what their rivals produced-including rock music for young radio listeners in the 1950s, and more sexually explicit films, which Hollywood began offering in the late 1960s. The capacity of individual industries to adapt, argues Baughman, not only determined their success or failure but also shaped the content of their products.
The Republic of Mass Culture presents a lively analysis of the shifting objectives and challenges of the media industries, and offers a corrective to some of the casual generalizations frequently made about their effects on Americans."-BOOK BLURBNotes: includes bibliographical references; includes indexISBN: 0801842778
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Research guide to film history / by Arthur F. McClure Saratoga, California: R & E, 1983.
Call No: REFERENCE SECTION; 036 MCCAuthor: McClure, Arthur F. Source: USPlace: Saratoga, CaliforniaPublisher: R & EPubDate: 1983PhysDes: vi, 90, [26] p. ; 22 cmSubject: TEACHING MATERIALS Notes: Bibliography: p. [41]-88.ISBN: 0-88247-689-0Donation: donated by Senses of Cinema, 2010Contents: -- preface -- clio at the movies: film history as the analysis of a collaborative art -- the historical and cultural significance of the american entertainment film: a brief survey -- the historical value of motion pictures by john b. kuiper -- the historical analysis of a film -- suggested questions for discussion of a film -- where to find film reviews -- sources of published film scripts -- film archives and research collections -- biographical: career studies of film personalities -- bibliography: film archives and research collections -- film reference works -- the history of film -- film production and post production techniques -- film, literature and other arts -- film aesthetics and criticism -- film theory -- the international film -- the experimental film -- film and society -- women in film -- blacks in film -- film censorship -- film censorship articles in law journals -- blacklisting in film industry -- film genres: general -- gangster and detective films -- science fiction films -- horror films -- westerns -- war films -- comedies -- musicals -- documentary films -- newreels -- serials -- film periodicals -- appendix: the american film institute --
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Rethinking the Hollywood teen movie : Gender, genre and identity / Frances Smith Edinburgh: Edinburgh University Press, 2017.
Call No: 451-053.6(73) SMIAuthor: Smith, Frances Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2017PhysDes: viii, 213 pages : illustrations ; 24 cmSubject: TEEN FILM ; HUGHES, JOHN (US) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; HEATHERS (US, Michael Lehmann, 1989) ; TWILIGHT (US, Catherine Hardwicke, 2008) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; MEAN GIRLS (US, Mark Waters, 2004) ; SHE'S ALL THAT (US, Robert Iscove, 1999) Summary: "Rethinking the Hollywood Teen Movie is the first academic monograph to consider the aesthetic and narrative potential of this highly popular, yet often overlooked, film genre. Reconsidering tropes such as the male juvenile delinquent figure, the makeover and the teen vampire, the book uses a series of detailed case studies of films like Rebel Without a Cause, Grease, Heathers and Twilight to explore the genre's relation to critical concepts of intersectionality, postfeminism and the posthuman. This book is an innovative overview of the Hollywood teen movie and its construction of teen identity." -- taken from back coverNotes: Includes bibliographical references (pages 192-202), filmography (pages 203-208), and index.ISBN: 9781474431729Contents: List of Figures -- Acknowledgements -- 1.Introduction -- 2.Rethinking the Teen Movie -- 3.Acting Up: Performing Masculine Delinquency in the Teen Movie -- 4.Making Over: Gender and Class at the High School Prom -- 5.Looking Back: Nostalgia, Postfeminism and the Teen Movie -- 6.Becoming Other: The Posthuman and the Teen Movie -- 7.Conclusion: Not Another Teen Movie? -- Bibliography -- Filmography -- Index
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Review of Commonwealth assistance to the film industry / David Gonski Canberra, A.C.T.: Department of Communications and the Arts, 1997.
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EL REY DEL ONCE : AG, Daniel Burman, 2016
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REY DEL ONCE, EL [TENTH MAN, THE] : (AG, Daniel Burman, 2016) Digital clippings file available
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Richard & Elizabeth / Lester David & Jhan Robbins New York: Funk & Wagnalls, c1977.
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The rise & rise of indigenous filmmaking : Darren Dale, Rachel Perkins, Leah Purcell, Catriona McKenzie, Wayne Blair, Tony Krawitz in Lumina journal of screen arts and business (March 2013) iss.11 p.28-47
Author: Gibbs, Ed PhysDes: ArticleSubject: ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; DALE, DARREN ; PERKINS, RACHEL ; PURCELL, LEAH ; MCKENZIE, CATRIONA ; BLAIR, WAYNE ; KRAWITZ, TONY ; SAPPHIRES, THE (AT, Wayne Blair, 2012) ; SATELLITE BOY (AT, Catriona McKenzie, 2012) ; REDFERN NOW [TV] (AT, 2012) ; MABO [TV] (AT, Rachel Perkins, 2012) ; TALL MAN, THE (AT, Tony Krawitz, 2011) ; BRAN NUE DAE (AT, Rachel Perkins 2009) Summary: Through a series of interviews and research, Ed Gibbs looks at the overall industry of filmmaking in Australia and explores how Indigenous filmmakers are fitting into this.
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The road to romance & ruin : teen films and youth culture / Jon Lewis New York: Routledge, 1992.
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Roadshow to assume a higher profile in television in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1
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Roadshow TV to represent Orion TV Productions in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
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Robert Duvall : Hollywood maverick / Judith Slawson New York: St. Martin's Press, 1986.
Call No: 81DUV SLAAuthor: Slawson, Judith Source: USPlace: New YorkPublisher: St. Martin's PressPubDate: 1986PhysDes: 198 p. : ill. ; 19 cmSubject: DUVALL, ROBERT ; BRANDO, MARLON ; DE NIRO, ROBERT ; COPPOLA, FRANCIS FORD ; FOOTE, HORTON ; CANBY, VINCENT ; KAEL, PAULINE ; GROSBARD, ULU ; ANGELO, MY LOVE (US, Robert Duvall, 1983) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHASE, THE (US, Arthur Penn, 1966) ; GREAT SANTINI, THE (US, Lewis John Carlino, 1979) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; TOMORROW (US, Joseph Anthony, 1972) ; TENDER MERCIES (US, Bruce Beresford, 1982) ISBN: 0312904231Donation: donated by the family of Wayne Levy, 2006
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"Rock Pavilion"- a new TV mini-series with a difference : A development for 1984: in Australasian Cinema (15/7/1983) vol.12 iss.12 p.30
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Rod Taylor : an Aussie in Hollywood / by Stephen Vagg Oklahoma: BearManor Media, c2010.
Call No: 81TAY VAGAuthor: Vagg, Stephen Source: USPlace: OklahomaPublisher: BearManor MediaPubDate: c2010PhysDes: 302 p. : ill., ports. ; 23 cmSubject: ACTORS. AUSTRALIA ; TAYLOR, ROD Summary: "For over 20 years Rod Taylor was the biggest Australian movie name in Hollywood, starring in such films as The Time Machine, The Birds, and The VIPs. Best known for his action roles, he was equally adept at romantic comedies and dramas, working with the A-list of the 60s and 70s: Doris Day, John Wayne, Hitchcock, Elizabeth Taylor, Disney, Jane Fonda, Antonioni - and many more. At a time when Australians could rarely see or hear themselves on screen, Rod Taylor helped keep his country in the public eye, and paved the way for Aussie actors who followed him.
Rod Taylor: An Aussie in Hollywood is the first full-length biography of this pioneering Australian film star. It's the thrilling story of a working-class Sydney boy who went to Hollywood, took on the Americans at their own game on their own turf in one of the toughest industries there is and won. It's also the story of a talented actor who was almost brought down by the demons of alcohol and ego, but who ultimately overcame them to triumph. A must for all Rod Taylor fans. " --BOOK BLURBNotes: Includes bibliographical references (p. 263-286) and indexISBN: 9781593935115Contents: -- early life (1930-1948) -- Australian actor (1949-1951) -- Australian films (1951-54) -- America (1955-59) -- becoming a star (1959-1961) -- consolidation of stardom (1962-64) -- at MGM (1963-65) -- riding the tiger (1965-66) -- the Hollywood peak (1966-68) -- star decline (1968-70) -- stardom sunset (1971-73) -- international films and tv (1974-76) -- television (1976-1980) -- the 80s (1980-88) -- nostalgia star (1988 onwards) -- conclusion -- credits -- acknowledgments -- references -- index --
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Roman Polanski / James Morrison Urbana, Ill ; Chicago: University of Illinois Press, 2007.
Call No: 81POL MORAuthor: Morrison, James Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2007PhysDes: xi, 191 p. ; 22 cmSeries: Contemporary Film DirectorsSubject: ART CINEMA ; ADAPTATIONS. DICKENS, CHARLES ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ADAPTATIONS. HARDY, THOMAS ; ADAPTATIONS ; MODERNISM AND THE CINEMA ; AESTHETICS ; IMAGE ANALYSIS ; POLANSKI, ROMAN ; BORDWELL, DAVID ; REPULSION (UK, Roman Polanski, 1965) ; CUL-DE-SAC (UK, Roman Polanski, 1966) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; MACBETH (US/UK, Roman Polanski, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; LOCATAIRE, LE (FR, Roman Polanski, 1976) ; TESS (FR/UK, Roman Polanski, 1979) ; BITTER MOON (FR/UK, Roman Polanski, 1992) ; PIANIST, THE (UK/GG/FR/PL, Roman Polanski, 2002) ; OLIVER TWIST (FR/UK/CZ, Roman Polanski, 2005) ISBN: 9780252074462Contents: Captive minds: Polanski and modernity. -- Comedy, melodrama, and gentrification in Polanski's films -- Cul-de-Sac and the 1960's art cinema -- Polanski in the new Hollywood -- Polanski and the art film's second wave -- Rendering classics: Macbeth and Tess -- Discovering the Figural in Polanski's films -- Interviews with Roman Polanski -- filmography, bibliography, index
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Sacred monsters : behind the mask of the horror actor / Doug Bradley London: Titan, 1996.
Call No: 735.2 BRAAuthor: Bradley, Doug Edition: 1st edPlace: LondonPublisher: TitanPubDate: 1996PhysDes: 267 p. : ill. (some col.) ; 20 cmSubject: HORROR FILMS ; ACTORS ; MASKS IN FILMS ; EXPRESSIONISM ; MAKE-UP ; PRICE, VINCENT ; HOLLAND, CECIL ; CHANEY, LON ; CHANEY, LON, Jr. ; KARLOFF, BORIS ; MARCH, FREDRIC ; LAUGHTON, CHARLES ; MARAIS, JEAN ; LEE, CHRISTOPHER ; HODDER, KANE ; BRADLEY, DOUG ; HANSEN, GUNNAR ; FRIDAY THE 13TH [...] (US, 1980-) ; HELLRAISER [...] (UK/US, 1987-) ; TEXAS CHAINSAW MASSACRE [...] (US, 1974-) ; NIGHTMARE ON ELM STREET, A [...] (US, 1984 - ) Notes: Includes bibliographical references and index; MonstersISBN: 1852867051 (pbk.)LON: 13337427
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journal article
Samuel Goldwyn Co. in deal with Rank in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
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Satire TV : politics and comedy in the post-network era / edited by Jonathon Gray, Jeffrey P. Jones, and Ethan Thompson New York: New York University Press, 2009.
Call No: 732 SATSource: USPlace: New YorkPublisher: New York University PressPubDate: 2009PhysDes: xiv, 283 p. : ill. ; 24 cmSubject: POLITICS AND TV ; TALK SHOWS. USA ; TALK SHOWS ; SATIRE ON TV ; GRAY, JONATHON ; COLBERT, STEPHAN ; JONES, JEFFREY P. ; THOMPSON, ETHAN ; OSBORNE-THOMPSON, HEATHER ; DAY, AMBER ; STEWART, JON ; CHAPELLE, DAVE ; MORREALE, JOANNE ; BAYM, GEOFFREY ; ROMNEY, MITT ; JENKINS, HENRY ; HAGGINS, BAMBI ; SANTO, AVI ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; LIL' BUSH ; DAILY SHOW THE [TV] (US, Andy Barsh/Chuck O'Neil/Scott Preston/Christian Santiago, 1996-) ; RICK MERCER REPORT ; SOUTH PARK [TV] (US, 1997-) ; BOONDOCKS, THE [TV] (US, 2005-2014) Summary: Satire TV examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programs, from The Daily Show to South Park, Da Ali G Show to The Colbert Report, The Boondocks to Saturday Night Live, Lil' Bush to Chapelle's Show, along with Internet DIY satire and essays on British and Canadian Satire. They all offer insights into what today's class of satire tells us about the current state of politics, of television, of citizenship, all the while suggesting what satire adds to the political realm that news and documentaries cannot.ISBN: 978-0-8147-3199-4Language: EnglishContents: --Foreword by David Marc-- Part 1 Post 9/11, Post Modern, or Just Post Network? -- 1 The State of Satire, the Satire of State /Jonathon Gray, Jeffrey P. Jones, and Ethan Thompson -- 2 With All Due Respect: Satirizing Presidents from Saturday Night Live to Lil' Bush -- 3 Tracing the "Fake" Candidate in American Television Comedy / Heather Osborne-Thompson -- Part 2 Fake News, Real Funny -- 4 And Now...the News? Mimesis and the Real in The Daily Show / Amber Day -- 5 Jon Stewart and The Daily Show: I thought You Were Going to Be Funny! / Joanne Morreale -- 6 Stephan Colbert's Parody of the Postmodern / Geoffrey Baym -- Part 3 Building in the Critical Rubble: Between Deconstruction and Reconstruction -- 7 Throwing Out the Welcomr Mat: Public Figures as Guests and Victims in TV Satire / Jonathon Gray -- 8 Speaking "Truth" to Power? Television Satire, Rick Mercer Report, and the Politics of Place and Space / Serra Tinic -- 9 Why Mitt Romney Wont Debate a Snowman / Henry Jenkins -- Part 4 Shock and Guffaw: The Limits of Satire -- 10 Good Demo, Bade Taste: South Park as Carnivalesque Satire / Ethan Thompson -- 11 In the Wake of "The Nigger Pixie": Dave Chapelle and the Politics of Crossover Comedy / Bambi Haggins -- 12 Of Niggas and Citizens: The Boondocks Fans and Differentiated Black American Politics / Avi Santo -- About the Contributors -- Index
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[Save the lady : stills file] Tasmanian Film Corporation,
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Interim
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Science fiction gold : film classics of the 50s / by Dennis Saleh ; foreword by Ray Harryhausen New York: McGraw-Hill, 1979.
Call No: 735.1 "195" SALAuthor: Saleh, Dennis Edition: 1st edSource: USPlace: New YorkPublisher: McGraw-HillPubDate: 1979PhysDes: 191 p. : ill. ; 28 cmSubject: SCIENCE-FICTION FILMS ; SCIENCE IN FILMS ; ALIENS IN FILMS ; ROBOTS IN FILMS ; SPACE TRAVEL IN FILMS ; TECHNOLOGY IN FILMS ; UTOPIA IN FILMS ; THING, THE (US, Christian Nyby, 1951) ; DAY THE EARTH STOOD STILL, THE (US, Robert Wise, 1951) ; IT CAME FROM OUTER SPACE (US, Jack Arnold, 1953) ; INVADERS FROM MARS (US, Tobe Hooper, 1986) ; THEM! (US, Gordon Douglas, 1954) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) Summary: 14 classics films from the 50s with their stories, commentary, and credits. All films are science fiction films, which include invasions, mutations, radiations. (taken from back cover)ISBN: 0070544670
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The Scorsese connection / Lesley Stern London: British Film Institute, 1995.
Call No: 81SCO STEAuthor: Stern, Lesley Place: LondonPublisher: British Film InstitutePubDate: 1995PhysDes: vii, 257 p. : ill. ; 24 cmSubject: SCORSESE, MARTIN ; REMAKES ; RAGING BULL (US, Martin Scorsese, 1980) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; SEARCHERS, THE (US, John Ford, 1956) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; BLUE VELVET (US, David Lynch, 1986) ; DUEL IN THE SUN (US, King Vidor, 1946) ; GIRL CAN'T HELP IT, THE (US, Frank Tashlin, 1956) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) Notes: Includes bibliographical references and indexISBN: 085170512X : ª35.00; 0851705138 (pbk.); 0253210119 (pbk); 0253329523 (hbk)LON: bnb85170512; 11802839
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Scorsese's men : melancholia and the mob Melbourne, Australia: Pluto Press, 2004.
Call No: 81:747.5SCO NICAuthor: Mark Nicholls CorpAuthor: Pluto PressPlace: Melbourne, AustraliaPublisher: Pluto PressPubDate: 2004PhysDes: 24 cm; 191 ppSubject: SCORSESE, MARTIN ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; RAGING BULL (US, Martin Scorsese, 1980) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; GOODFELLAS (US, Martin Scorsese, 1990) ; CAPE FEAR (US, Martin Scorsese, 1991) ; MEN IN FILMS. USA Summary: Martin Scorsese is the most influential director of his generation and, with his work regularly included among the top twenty films of all time, his place in cinema history is indisputable. Scorsese’s films have defined the cinematic essence of each decade since the 1960s and have set the standard of New Hollywood cinema. Join author Mark Nicholls as he traces Martin Scorsese’s central theme of melancholia, nostalgia and loss through five films from the legendary director: The Age of Innocence, Raging Bull, Taxi Driver, Goodfellas and Cape Fear. Scorsese’s melancholic hero, Nicholls argues, is the Hamlet of Hollywood cinema. His journey is driven by an encounter with a corrupt and conservative mob and by his own overpowering experience of loss. Refusing to renounce that loss, under pressure from the mob, Scorsese’s men construct an elaborate and intriguing fantasy of perverse male desire. [Taken from back cover.]ISBN: 1864031565ID2: 45
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newspaper article
Scott lobbies to bring in more Aliens in Sydney Morning Herald (28/11/2015) p.7
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Scratch an actor : confessions of a Hollywood columnist London: W. H. Allen, 1970 [1969].
Call No: 802.27 GRAAuthor: Graham, Sheilah Place: LondonPublisher: W. H. AllenPubDate: 1970 [1969]PhysDes: 295 p., 24 plates. ports. 23 cmSubject: STREISAND, BARBRA ; GRANT, CARY ; TRACY, SPENCER ; HEPBURN, KATHARINE ; SINATRA, FRANK ; BRANDO, MARLON ; ANDREWS, JULIE ; HAMILTON, GEORGE ; SELLERS, PETER ; TAYLOR, ELIZABETH ; MONROE, MARILYN ; BEATTY, WARREN ; LOREN, SOPHIA ; LANCASTER, BURT ; DOUGLAS, KIRK ; FONDA, HENRY ; FONDA, JANE ; FONDA, PETER ; Reagan, Ronald ; CAINE, MICHAEL ; CONNERY, SEAN ; COOPER, GARY ; GARBO, GRETA ; BOGART, HUMPHREY Notes: Originally published under title: Confessions of a Hollywood columnistISBN: 0491004227LON: 96708
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newspaper article
Screen dream amiss in Sunday Herald Sun (30/04/2017) p.37
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Smethurst, Annika PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA Summary: Call by production companies for the Australian govenrment to broaden the scope of eligibility for tax offsets to include streaming production companies
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Screen Producers urges government to remove barriers in Australian Financial Review (3/04/2017) p.31
Call No: SUBJECT CLIPPINGS FILEAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: SCREEN PRODUCERS AUSTRALIA ; TAXES. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA Summary: Report on the Screen Producers Australia submission to the Arts Inquiry, where the organisation has asked for the Producer's Tax Offset for television production to be set at the same rate as film production, which is 40 percent. Other suggestions including a measured approach to tv broadcasting deregulation are listed
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Screening Europe : image and identity in contemporary European cinema / edited by Duncan Petrie London: BFI Pub., 1992.
Call No: 408.1(4) SCRAuthor: Petrie, Duncan J., 1963 CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI Pub.PubDate: 1992PhysDes: viii, 120 p. ; 21 cmSeries: BFI working papersSubject: NATIONAL IDENTITY IN FILMS ; EUROPEAN COUNTRIES ; ART CINEMA. EUROPEAN COUNTRIES ; AKERMAN, CHANTAL ; JAMESON, FREDRIC ; GODARD, JEAN-LUC ; TEMPEST, THE (UK, Derek Jarman, 1979) ; EDWARD II (UK, Derek Jarman, 1991) ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; DOM ZA VESANJE (YU, Emir Kusturica, 1989) ; YOUNG SOUL REBELS (UK, Isaac Julien, 1991) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; MUJERES AL BORDE DE UN ATAQUE DE NERVIOS (SP, Pedro Almodovar, 1988) Notes: Proceedings of a conference sponsored by the British Film Institute at the National Film Theatre, London, in June 1991; Filmography: p. 114-120; Includes bibliographuical referencesISBN: 0851703216LON: bnb85170321; 9141124
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The screening of Australia : anatomy of a film industry / Susan Dermody, Elizabeth Jacka Sydney: Currency Press, 1987-<1988.
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Screening Stephen King : adaptation and the horror genre in film and television / Simon Brown Austin: University of Texas Press, 2018.
Call No: 753KIN BROAuthor: Brown, Simon Edition: First editionSource: USPlace: AustinPublisher: University of Texas PressPubDate: 2018PhysDes: 226 pages ; 23 cmSubject: HORROR FILMS ; ADAPTATIONS ; ADAPTATIONS. KING, STEPHEN ; FILM ; TELEVISION ; CRITICISM ; KING, STEPHEN Summary: "Since the 1970s, the name Stephen King has been synonymous with horror. His books have spawned a vast number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer’s work has been adapted over a long period within a single genre and across a variety of media—and what that can tell us about King, about adaptation, and about horror. Starting from the premise that King has transcended ideas of authorship to become his own literary, cinematic, and televisual brand, Screening Stephen King explores the impact and legacy of over forty years of King film and television adaptations.
Simon Brown first examines the reasons for King’s literary success and then, starting with Carrie, explores how King’s themes and style have been adapted for the screen. He looks at mainstream horror adaptations from Cujo to Cell, low-budget DVD horror films such as The Mangler and Children of the Corn franchises, non-horror films, including Stand by Me and The Shawshank Redemption, and TV works from Salem’s Lot to Under the Dome. Through this discussion, Brown identifies what a Stephen King film or series is or has been, how these works have influenced film and TV horror, and what these influences reveal about the shifting preoccupations and industrial contexts of the post-1960s horror genre." -- BOOK BACK COVERNotes: Includes bibliographical references and index; FilmographyISBN: 9781477314920Contents: -- acknowledgments -- introduction -- mainstream horror and brand Stephen King -- Stephen King from Vietnam to Reagan : the early adaptations and the establishment of brand Stephen King on the screen -- The mainstream adaptations, 1986-2007 -- Stephen King as low-budget and straight-to-DVD horror -- Stephen King as TV horror -- Conclusion : The future is also history : the contemporary evolution of brand Stephen King -- selected TV and filmography -- references -- index --
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Screening the Red Army Faction : historical and cultural memory / Christine Gerhardt United States: 2018.
Call No: 745.9[323.28](430.1)Author: Gerhardt, Christine Place: United StatesPubDate: 2018PhysDes: xii, 308 pages : illustrated ; 25cmSubject: TERRORISM AND THE CINEMA ; FASSBINDER, RAINER WERNER ; VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975) ; DEUTSCHLAND IM HERBST (GW, Alf Brustellin & Bernhard Sinkel & Rainer Werner Fassbinder & Alexander Kluge & Beate Mainka-Jellinghaus & Maximiliane Mainka & Peter Schubert & Edgar Reitz & Katja Rupe & Hans Peter Cloos & Volker Schlondorff, 1978) ; BAADER MEINHOF KOMPLEX, DER
see BAADER MEINHOF COMPLEX, THE (G/F/CZ, Uli Edel, 2008) ; STILLE NACH DEM SCHUSS, DIE (GG, Volker Schlondorff, 2000) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; MUTTER KUSTERS FAHRT ZUM HIMMEL (GW, Rainer Werner Fassbinder, 1975) ; ZWEITE ERWACHEN DER CHRISTA KLAGES, DAS (GW, Margarethe von Trotta, 1978) Summary: Screening the Red Army Faction: Historical and Cultural Memory explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledgling republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long sixties and of the RAF is created and re-created through cultural texts. -- publisher's web siteISBN: 9781501336676Donation: Arian DanksContents: Introduction -- 1. Looking Back: The Political and Historical Context, 1945-1970 -- 2. Print Media and Social Movements in West Germany, 1967-1972 -- 3. The RAF, Surveillance and the German Autumn in Cinema, 1966-1978 -- 4. Diverging Trajectories: The RAF and Political Alternatives in New German Cinema, 1972-1982 -- 5. Terrorism and the Cold War: The RAF and East Germany's The Ministry of State Security, 1982-1990 -- 6. Terrorism and Memory: Gerhard Richter's October 18, 1977 and the Kunst-Werke Exhibit Myth of the RAF -- Bibliography -- Filmography -- Index
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Sculpting in time : reflections on the cinema / Andrey Tarkovsky ; translated from the Russian by Kitty Hunter-Blair New York: Alfred A. Knopf, 1987.
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Secret tax pact of a young mogul in Australian Financial Review [General news] (15/12/2014) p.1
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Seeking finding remembering : Short films from the Federal Republic / Karola Gramann, Dr. J. S. Roth Munich: Goethe Institute, 1987.
Call No: 115 287 (430.1) GRAAuthor: Gramann, Karola Edition: 1st ed.Source: Federal Republic of GermanyPlace: MunichPublisher: Goethe InstitutePubDate: 1987PhysDes: 52 p ; 20cm + b&w ill.Subject: SHORT FILMS ; GERMAN FEDERAL REPUBLIC ; NON-FICTION FILMS ; WORKERS IN FILMS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; POLITICAL FILMS ; NAZIS IN FILMS ; HISTORICAL FILMS ; WORLD WAR II AND THE CINEMA ; PEWAS, PETER ; WILMS, ELISABETH ; KOERBER, MARTIN ; TICHAWSKY, HEINRICH ; NESTLER, PETER ; HERZ, HORST ; DOERRIES, BERNHARD ; KLUGE, ALEXANDER ; SCHAMONE, PETER ; STRAUB, JEAN-MARIE ; KRISTL, VLADO ; THOME, RUDOLPH ; FASSBINDER, RAINER WERNER ; STOCKL, ULA ; OTTINGER, ULRIKE ; HERBST, HELMUT ; SANDERS-BRAHMS, HELMA ; FAROCKI, HARUN ; GIEFER, THOMAS ; BERSWORDT-WALLRABE, VON, ALEXANDER ; MERBACH, ROSEMARIE ; SCHUBERT, DIETRICH ; WINZENSTEN, FRANZ ; LANG, MARIA ; NOLL BRINCKMANN ; JORITZ, CATHY ; MIKESCH, ELFI ; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966) ; MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949) ; DORTMUND DAMALS (GR, Elisabeth Wilms, 1947) ; HERBSTBEDANKEN (GR, Peter Pewas, 1950) ; VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983) ; NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961) ; MULHEIM/RUHR (GR, Peter Nestler, 1964) ; ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982) ; MANNEQUIN, DAS (GR, Bernhard Doerries, 1960) ; BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960) ; MACHORKA MUFF (GR, Jean-Marie Straub, 1962) ; MADELEINE-MADELEINE (GR, Vlado Kristl, 1963) ; VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65) ; ANTIGONE (GR, Ula Stockl, 1964) ; SUPERBIA (GR, Ulrike Ottinger, 1986) ; SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964) ; INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71) ; NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969) ; TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968) ; ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979) ; MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979) ; GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982) ; ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985) ; ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969) ; FAMILY CRYPT [FAMILIENGRUFT: EIN LIEBESGEDICHT AN MEINE MUTTER] (GW, Maria Lang, 1982) ; HALF A LIFE [HALBES LEBEN, EIN] (GW, Christine Noll Brinckmann, 1983) ; NEGATIVE MAN (GR, Cathy Joritz, 1985) ; EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979) Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films.
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Selling television : British television in the global market place / Jeanette Steemers London: bfi Publishing, 2004.
Call No: 203(41) STEAuthor: Steemers, Jeanette Place: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 252 p. ; 24 cmSubject: TELEVISION. UK Notes: Bibliography; IndexISBN: 184457055X
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Sensing the city through television : urban identities in fictional drama / Peter Billingham Bristol, UK: Intellect, 2000.
Call No: 756.1-25 BILAuthor: Billingham, Peter Place: Bristol, UKPublisher: IntellectPubDate: 2000PhysDes: iv, 187 p. ; 24 cm.Subject: CITIES ON TV ; COPS, THE [TV] (UK, 1998-2001) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; HOLDING ON [TV] (UK, 1997) ; HOMICIDE: LIFE ON THE STREET [TV] (US, Barry Levinson, 1993) ; TALES OF THE CITY [TV] (UK/US, Alastair Reid, 1993) ; MORE TALES OF THE CITY [TV] (UK/US, Pierre Gang, 1998) Summary: An investigation of the fictional representations of the city in contemporary British and American television drama, assessing their political, sociological and cultural implications. Looks at 5 specific shows: Queer as Folk, Armistead Maupin's Tales of the City, The Cops, Homicide - Life on the Street, Holding On.ISBN: 1841500186
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Serving Processes in Montage (September 1967) p.21-28
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Seven action packed nights : a police story / John P. Murray North Ryde, NSW: School of Behavioural Sciences, Macquarie University, 1976.
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newspaper article
Seven CEO slams TV, film tax benefit gap in Australian Financial Review (15/03/2016) p.20
Call No: SUBJECT CLIPPINGS FILE; DRAMAS. AUSTRALIAAuthor: Mason, Max PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; DRAMAS. AUSTRALIA ; STATE AND TV. AUSTRALIA Summary: Report on various commercial CEO's hoping for a larger tax offset for Australian TV drama production as well as the removal of the 65 hour cap on government benefits for Australian TV drama. Quotes from Seven West, Ten Network, and Nine NetworkNotes: article published as 'TV and film tax gap 'ridiculous'. The Age. 15/3/2016. p. 23. -- 'TV, film tax gap 'ridiculous'. Sydney Morning Herald. 15/3/2016. p 25.
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Seven happy withg $900m AFL screen grab in The Australian (20/08/2015) p.19
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Sex, art and American culture : essays / Camille Paglia London: Penguin Books, 1993.
Call No: 45:176 PAGAuthor: Paglia, Camille Source: USPlace: LondonPublisher: Penguin BooksPubDate: 1993PhysDes: xiii, 337 p. : ill. ; 22 cmSubject: ENTERTAINMENT ; POPULAR CULTURE AND THE CINEMA ; SEX AND THE CINEMA ; SEX IN FILMS ; USA ; BRANDO, MARLON ; MADONNA ; TAYLOR, ELIZABETH Summary: " In sexual Personae Camille Paglia transformed our understanding of Western culture. Now, in this sensational new collection of essay, full of fresh insights into familiar themes, she brings together her view on everything from Rousseau to the rolling Stones, from Protestants to prostitution. " BOOK BLURBNotes: Originally published: New York: Vintage, 1992; Bibliography: p. [315]-325; Includes indexISBN: 0140172092Donation: donated by Senses of Cinema, 2010Contents: -- Introduction -- Madonna 1: animality and artifice -- Madonna 2: venus of the radio waves -- Elizabeth Taylor: Hollywood's pagan queen -- rock as art -- homosexuality at the fin de siecle -- the joy of presbyterian sex -- the beautiful decadence of Robert Mapplethorpe: a response to Rochelle Gurstein -- the strange case of Clarence Thomas and Anita Hill -- rape and modern sex war -- the rape debate, continued -- Cleopatra sold down the river: Lucy Hughes-Hallett's Cleopatra -- Alice in muscle land: Samuel Wilson Fussell's: Muscle: confessions of an unlikely bodybuilder -- the critic at grateful ease: Wendy Lesser's His other half: Men looking at Women through art -- The big udder: Suzanne Gordon's Prisoners of Men's dreams -- Brando flashing: Richard Schickel's: Brando: A life in our times -- What a drag Marjorie Garber's: Vested: Cross-dressing and cultural anxiety -- Sexual personae: the cancelled preface -- Milton kessler: a memoir -- East and West: an experiment in multiculturism -- Junk bonds and corporate raiders: academe in the hour of the wolf -- the M.I.T lecture: crisis in the American universities -- appendices-- a media history -- cartoon personae -- profiles, interviews, debates, exotica -- index --
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Sex, class, and realism : British cinema, 1956-1963 / John Hill London: BFI Pub., 1986.
Call No: 744.1(41) HILAuthor: Hill, John Place: LondonPublisher: BFI Pub.PubDate: 1986PhysDes: 228 p. : ill. ; 24 cmSubject: UNITED KINGDOM ; SOCIAL-REALISM IN FILMS. UK ; SOCIAL PROBLEMS IN FILMS. UK ; WORKING CLASS IN FILMS. UK ; ANDERSON, LINDSAY ; DEARDEN, BASIL ; WILLIS, TED ; RANK ORGANISATION ; BLUE LAMP (UK, Basil Dearden, 1949) ; CAGE OF GOLD (UK, Basil Dearden, 1950) ; I BELIEVE IN YOU (UK, Basil Dearden & Michael Relph, 1952) ; SAPPHIRE (UK, Basil Dearden, 1959) ; VIOLENT PLAYGROUND (UK, Basil Dearden, 1957) ; BOYS, THE (UK, Sidney J. Furie, 1962) ; ENTERTAINER, THE (UK, Tony Richardson, 1960) ; LOOK BACK IN ANGER (UK, Tony Richardson, 1959) ; TASTE OF HONEY, A (UK, Tony Richardson, 1961) ; I'M ALL RIGHT JACK (UK, John Boulting, 1959) ; KIND OF LOVING, A (UK, John Schlesinger, 1962) ; PETTICOAT PIRATES (UK, David MacDonald, 1961) ; SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960) ; SOME PEOPLE (UK, Clive Donner, 1962) ; WOMAN IN A DRESSING GOWN (UK, J. Lee Thompson, 1957) ; SONS AND LOVERS (UK, Jack Cardiff, 1960) ; VICTIM (UK, Basil Dearden, 1961) Notes: "Select filmography": p. 180-222; Includes bibliographies and indexISBN: 0851701329 : ¦20.00; 0851701337 (pbk.)LON: 87111868; 5748139
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Sexualität und widerstand [= sexuality and resistance] : Internationale Filmkulturen / Aylin Basaran, Julia B. Köhne, Klaudija Sabo, Christina Wieder (Hg.) Berlin: Mandelbaum, 2018.
Call No: 749.0 SEXAuthor: Basaran, Aylin ; Köhne, Julia B ; Sabo, Klaudija ; Wieder, Christina Place: BerlinPublisher: MandelbaumPubDate: 2018PhysDes: 400 pages : illustrations ; 24 cmSubject: SEX IN FILMS ; PORNOGRAPHIC FILMS ; PORNOGRAPHY AND THE CINEMA ; PORNOGRAPHY IN FILMS ; SCIENTISTS IN FILMS ; SCIENCE IN FILMS ; HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; ECSTASY [EKSTASE] (CZ/AU, Gustav Machaty, 1933) ; BERKELEY, BUSBY ; EISENSTEIN, SERGEI M. ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964) ; RANI RADOVI (YU, Zelmir Zilnik, 1969) ; YUGOSLAVIA ; REPRODUCTION IN FILMS ; TANGOS - L'EXIL DE GARDEL (FR/AG, Fernando E. Solanas, 1985) ; ZOMBIES IN FILMS AND TV ; BLACK PANTHER (US, Ryan Coogler, 2018) Summary: "Wie inszeniert das Medium Film das Zusammenspiel von Sexualität, Widerstand und Körperpolitiken? Welche Formen von Sexualität und erotischer Sinnlichkeit, die entweder als widerständige Handlungsweisen oder als Teil von politischem Widerstand adressiert werden können, wurden in den vergangenen Jahrzehnten in internationalen Filmkulturen visualisiert und damit hervorgehoben? Kann die Darstellung des sexualisierten Körpers oder sexuellen Akts in bestimmten Kontexten zu einer politischen Waffe werden? Welchen Raum erhalten dabei divergierende sexuelle Orientierungen und Praktiken etwa im Verbund mit homosexuellem Begehren?
Der Sammelband vereint eine Mischung aus interdisziplinären und künstlerischen Zugängen zum Thema Sexualität und Widerstand und spürt seinen (audio-)visuellen Vermittlungen aus lokaler und transnationaler Perspektive nach. Das breite Spektrum an Textgenres reicht von akademischen Reflexionen über Malerei bis hin zu Dichtkunst und Bildcollagen. Fragen der Film-, Medien-, Kultur- und Literaturwissenschaft sowie Geschlechterforschung und Zeitgeschichte treffen in diesem Band auf sexualwissenschaftliche und medizinhistorische Ansätze." -- FROM BLURBNotes: In German and EnglishISBN: 9783854768265Language: German and EnglishDonation: Senses of CinemaContents: Sexualität und Widerstand : Internationale Filmkulturen / Aylin Basaran, Julia B. Köhne, Klaudija Sabo, Christina Wieder --
"Aufklärung? Abschreckung? in der mit Sexualität gespannten Atmosphäre des Kinos?" : Sexualität in Wiener klinischen und populärwissenschaftlichen Filmen der Moderne / Katrin Pilz --
'Die neue Frau' oder 'die verlorene Rebellion' / Karin Moser --
Experiment : Projektionenserie / Barbara Eichinger --
From Siegfried Kracauer to Busby Berkeley : Ornamental Bodies in 1930 's film / Isabel Capeloa Gil --
Eisensteins sexuelle Politiken / Peter Grabher --
Sex als Tauschmittel : Beispiele aus Mauthausen / Helga Amesberger und Brigitte Halbmayr --
"That's big talk for a little gun" : Geschlechterrollenwechsel in Nicholas Rays "Johnny Guitar" (1954) / Klaus S. Davidowicz --
Treibsand und Abgrund : Sexualität und Geschlechterkampf in Hiroshi Teshigaharas "Die Frau in den Dünen" (1964) / Gerda Klingenböck --
Erotik, Gewalt und Folklore : die Inszenierung geschlechtlicher und ethnischer Differenz im jugoslawischen Kino um 1968 / Anna Schober --
Die Revolution nach der Revolution : die jugoslawische Jugend im Aufbruch im Film "Rani Radovi" (1961 von Želimir Žilnik / Klaudija Sabo --
Absentes vergegenwärtigen : Schwangerschafisabbruch und Fötalimagologie in westlichen Filmkulturen seit den 1960er Jahren / Julia Barbara Köhne --
Ästhetische Grenzüberschreitungen und widerständige Körper in Fernando Solanas' "Tangos : El Exilio de Gardel" (1985) / Christina Wieder --
Vor der Vertreibung aus dem Paradies : Živko Nikolic' "Lepota Poroka" ["Die Schönheit der Sünde"] (1986) / Andreas Filipovic --
Sexy Zombies? : On the Improbable Possibility of Loving the Undead / Kobi Kabalek --
Goldene Zitronen : Körperpolitiken in Beyoncés "Lemonade" (2016) / Marietta Kesting --
Figurationen der Unkalkulierbarkeit : Maren Ades "Toni Erdmann" (2016) / Monika Bernold --
Wie man Körper wahrnimmt : eine Einübung nach Lukrez / Thomas Ballhausen --
What If the Revolution could be Televised? : "Black Panther" (2018) and the Utopia of Wakanda / Aylin Basaran and Justin Leggs --
Come on Baby, Light my Fire / Sonja Gassner --
Frank Stern zum 75sten / Andreas Huyssen --
Verzeichnis der Autorinnen und Autoren.
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Shades of noir : a reader / edited by Joan Copjec London ; New York: Verso, 1993.
Call No: 734 SHAAuthor: Copjec, Joan Place: London ; New YorkPublisher: VersoPubDate: 1993PhysDes: xii, 300 p. : ill. ; 23 cmSubject: FILM NOIR ; FEMME FATALE ; WOMEN IN FILMS ; CHANDLER, RAYMOND ; BLUE GARDENIA, THE (US, Fritz Lang, 1953) ; RAW DEAL (US, Anthony Mann, 1948) ; SECRET BEYOND THE DOOR... (US, Fritz Lang, 1948) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; RAGE IN HARLEM, A (UK/US, Bill Duke, 1991) ; BLUE VELVET (US, David Lynch, 1986) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical referencesISBN: 0860914607 : $59.85; 0860916251 (pbk.) : $18.95LON: bnb86091460; 10424769
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Shakespeare on film / Jack J Jorgens Bloomington: Indiana University Press, c1977.
Call No: 753SHA JORAuthor: Jorgens, Jack.J Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c1977PhysDes: xii, 337 p. : ill. ; 24cmSubject: FILM STUDY AND RESEARCH ; SHAKESPEARE [WILLIAM] IN FILMS ; SHAKESPEARE, WILLIAM ; EDUCATION AND THE CINEMA ; DIETERLE, WILLIAM ; ZEFFIRELLI, FRANCO ; MANKIEWICZ, JOSEPH L. ; WELLES, ORSON ; OLIVIER, LAURENCE ; SCHAEFER, GEORGE ; KUROSAWA AKIRA ; KOZINTSEV, GRIGORI ; MIDSUMMER NIGHT'S DREAM, A (SP/UK, Celestino Coronado, 1984) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; HENRY V (UK, Laurence Olivier, 1944) ; RICHARD III (UK, Laurence Olivier, 1955) ; MACBETH ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; HAMLET [GAMLET] (UR, Grigori Kozintsev, 1964) ; OTELLO (IT, Franco Zeffirelli, 1986) ; KING LEAR (UK, Peter Brook, 1953) Summary: This book looks at films made of Shakespeare plays and is an evaluation of such films and focuses on what is good and interesting about them as well attemping to interpret them.It is ultimately an appreciation of the films made of Shakespeare's plays. It provides the reader with the vocabulary of film and a cinematic way of expressing Shakespeare's characters, settings, themes, structures and verbal and dramatic styles.It looks at the strenghts of the works of filmakers such as Zeffirelli, or OlivierNotes: Includes bibliographical references and indexISBN: 0253351960ID2: 291
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Shakespeare on film Ottawa: Canadian Film Institute, March 1964.
Call No: 753 SHA MORAuthor: Morris, Peter, 1937 Place: OttawaPublisher: Canadian Film InstitutePubDate: March 1964PhysDes: ii, 19 p. : ill. ; 23 cmSubject: ADAPTATIONS. SHAKESPEARE, WILLIAM ; TAMING OF THE SHREW, THE (USA, Sam Taylor, 1929) ; MIDSUMMER NIGHT'S DREAM, A (USA, Max Reinhardt and William Dieterle, 1935) ; ROMEO AND JULIET (UK, George Cukor, 1936) ; HENRY V (UK, Laurence Olivier, 1944) ; OTHELLO (MR, Orson Welles, 1951) ; MACBETH (US, Orson Welles, 1948) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; RICHARD III (UK, Laurence Olivier, 1955) ; OTELLO (UR, Sergej Jutkevic, 1956) LON: cn 73001317; 726403
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Shakespeare, the movie : popularizing the plays on film, TV, and video / edited by Lynda E. Boose, Richard Burt London New York: Routledge, 1997.
Call No: 753SHA SHAAuthor: Boose, Lynda E., 1943 ; Burt, Richard, 1954 Place: London New YorkPublisher: RoutledgePubDate: 1997PhysDes: x, 277 p. : ill. ; 24 cmSubject: ADAPTATIONS. SHAKESPEARE, WILLIAM ; ZEFFIRELLI, FRANCO ; WILLIAMS, ROBIN ; TAYLOR, ELIZABETH ; VAN SANT, GUS ; HENRY V (UK, Kenneth Branagh, 1989) ; KING LEAR (UK, Peter Brook, 1953) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; RICHARD III (US, Richard Loncraine, 1995) ; SHAKESPEARE : THE ANIMATED TALES (UK, 1992) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; HAMLET (US, Franco Zeffirelli, 1990) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) Notes: Includes bibliographical references and indexISBN: 0415165849 (alk. paper); 0415165857 (pbk. : alk. paper)LON: 97000312; 13037724
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Shaping the news in Metro (2000) iss.121/122 p.160-163
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Interim
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Shared visions : women in television / edited by Annette Blonski, executive editor Hilary Glow Sydney: Australian Film Commission, 1999.
Call No: 462-02(94)SHASource: ATPlace: SydneyPublisher: Australian Film CommissionPubDate: 1999PhysDes: 135 p.Subject: WOMEN TV WORKERS ; TELEVISION. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; MORGAN, LEONIE ; FAITHFULL, JANEEN ; MARKS, LYNDAL ; BROWNE, DINA ; JAMES, TARNI ; TATARKA, ROS ; SCHENKER, VIVIAN ; BARNES, PAM ; CULLITON, JACQUI ; PHILLIPSON, MARGOT ; MCCANN, LOUISE ; BOTTGER, CHERRIE ; BROCKIE, JENNY ; KOSTAKIDIS, MARY ; JONES, VICKI ; ZISKIN, LAURA ; BROWN, KAREN ; WONFOR, ANDREA ; SPERBER, ELAINE ; BLONSKI, ANNETTE ; EDGAR, PATRICIA ; BAKER, FIONA ; PERKINS, RACHEL ; CHAPMAN, JAN ; CHAPMAN, PENNY ; HILL, DEBRA ISBN: 0642487146
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newspaper article
The Sharp threat to Foxtel in Australian Financial Review (10/08/2015) p.1
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still
[Shine : stills file] / Miranda Brown Publicity
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Shooting through : An irreverent memoir Crows Nest, N.S.W: Allen & Unwin, 2003.
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newspaper article
Short cuts : horror plan in Sydney Morning Herald [Arts and Entertainment] (28/05/2015) p.20
Call No: PERSONALITY CLIPPINGS FILE; TEDESCHI, ENZOAuthor: Maddox, Gary PhysDes: Clippings File ArticleSubject: TEDESCHI, ENZO ; ABSENTION in production Summary: Brief article on horror producer Enzo Tedeschi gaining the film rights to horror-video game ABSENTION
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Short cuts : survival horror game adaptation in The Age (28/05/2015) p.28
Call No: TITLE CLIPPINGS FILE in production; ABSENTION in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: TEDESCHI, ENZO ; ABSENTION in production Summary: Producer Enzo Tedeschi is hoping to adapt a videogame into a film titled 'Absention'
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Short cuts : double act in Sydney Morning Herald [Arts & Entertainment] (05/11/2015) p.20
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Short cuts : incentives boost in Sydney Morning Herald (03/12/2015) p.30
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newspaper article
Short cuts : Tarantino talks movies with Keneally in The Age (31/12/2015) p.18
Call No: PERSONALITY CLIPPINGS FILE; TARANTINO, QUENTINAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: TARANTINO, QUENTIN Summary: Snippet on Quentin Tarantino having a Q&A sessions about Australian films MAD DOG MORGAN and THE CHANT OF JIMMIE BLACKSMITH
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Short cuts : A tale of love and madness in Sunday Age [Inside Out] (10/04/2016) p.11
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Short cuts : designer pushes for more movies in Sydney Morning Herald (28/04/2016) p.20
Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIAAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: TAXES. AUSTRALIA ; PATERSON, OWEN Summary: Report on lauded Australian prodiuction designer Owen Paterson's commentary on the Producer Offset in Australia and how he thinks the tax systems should be altered so that there is more incentive for overseas productions to make films in Australia
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Short cuts : tribal romance gets US release in Sydney Morning Herald (12/05/2016) p.18
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Short cuts : studio bosses push for incentives in The Age (22/12/2016) p.26
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Short cuts : Tanna returns amid Oscars push in The Age (09/02/2017) p.26
Call No: TITLE CLIPPINGS FILE; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015)Author: - PhysDes: Clippings File ArticleSubject: TANNA (AT/VU, Bentley Dean and Martin Butler, 2015) Summary: Academy Award nominated film TANNA is getting a renewed exhibition season at various Melbourne cinemas in the lead up to the awards
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Short cuts : penis sheaths to debut on Oscars red carpet in Sydney Morning Herald (16/02/2017) p.18
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newspaper article
Shortcuts : sugar hit in Sydney Morning Herald [Arts & Entertainment] (19/02/2015) p.30
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Shot/countershot : film tradition and women's cinema / Lucy Fischer Basingstoke: Macmillan Education, 1989.
Call No: 451-02 FISAuthor: Fischer, Lucy Place: BasingstokePublisher: Macmillan EducationPubDate: 1989PhysDes: xii, 348 p. : ill. ; 22 cmSubject: FEMINISM AND THE CINEMA ; WOMEN, FILMS MADE BY ; ROMANTIC FILMS ; MUSICALS ; HOMOSEXUALITY IN FILMS ; MYTH AND THE CINEMA ; DOUBLES IN FILMS ; TWINS IN FILMS ; ROSE, KATHY ; GORRIS, MARLEEN ; FLICKORNA (SW, Mai Zetterling, 1968) ; TAKE OFF (US, Gunvor Nelson, 1973) ; MITTEN INS HERZ (GW, Doris Dorrie, 1983) ; RECITAL (?, Stephanie Beroes, 1978) ; DANCE, GIRL, DANCE (US, Dorothy Arzner, 1940) ; COBRA WOMAN (US, Robert Siodmak, 1943) ; ANNEES 80, LES (FR/BE/SZ, Chantal Akerman, 1983) ; STOLEN LIFE, A (UK, Paul Czinner, 1939) ; DARK MIRROR, THE (US, Robert Siodmak, 1946) ; BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983) ; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948) ; RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) ; DAMES (US, Ray Enright, 1934) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; PERSONA (SW, Ingmar Bergman, 1966) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; SCHWESTERN, ODER DIE BALANCE DES GLUCKS (GW, Margarethe von Trotta, 1979) ; RICH AND FAMOUS (US, George Cukor, 1981) ; GIRLFRIENDS (US, Claudia Weill, 1978) ; SOTTO...SOTTO...STRAPAZZATO DA ANOMALA PASSIONE (IT, Lina Wertmuller, 1984) ; LIANNA (US, John Sayles, 1983) ; VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978) ; MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985) Notes: Cinema films. Women directors (BNB/PRECIS); Cinema films. - Feminist viewpoints (BNB/PRECIS); Includes bibliographical references and indexISBN: 0333480600 (cased) : ¦30.00; 0333480619 (pbk.) : ¦8.95LON: bnb33348060; 6147621
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Silent cinema : an introduction / Paolo Cherchi Usai ; preface to the first English edition by Kevin Brownlow London: BFI Pub, 2000.
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Skywalking : the life and films of George Lucas / Dale Pollock London: Elm Tree, 1983.
Call No: 81LUC POLAuthor: Pollock, Dale Source: UKPlace: LondonPublisher: Elm TreePubDate: 1983PhysDes: xvi, 304 p., [16] p. of plates : ill., ports. ; 24 cmSubject: AUTOMOBILES IN FILMS ; DIRECTORS ; LUCASFILM ; PRODUCTION. USA ; COPPOLA, FRANCIS FORD ; LADD, ALAN, Jr. ; TANEN, NED ; LUCAS, GEORGE ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; STAR WARS (US, George Lucas, 1977) ; THX 1138 4EB (US, George Lucas, 1967) Summary: "SKYWALKING is the story of one of the most creative visionaries in all film history. George Lucas was a typical Californian child of no great promise - he read comic books and watched TV; no one guessed that his imagination would inspire millions of people. Dale Pollock brilliantly tells the story of Lucas's legendary days at USCinema and his tangles with Francis Coppola and Universal Pictures. Pollock was one of the few reporters allowed on the set of RETURN OF THE JEDI, and he takes us behind the scenes of Lucas's movies. We find out how Artoo-Detoo got his name, how the Force came to be, and many other surprising revelations. Complete with photographs from Lucas's private collection, SKYWALKING is a powerful biography about a man who is setting the future course of film for years to come." [Taken from book jacket]Notes: Also published: New York, N.Y. : Harmony, 1983; Includes bibliographical references and index; Filmography: p. 279-289ISBN: 0241110343 : ª9.95LON: abn84206746; 3369213
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Slow cinema / edited by Tiago de Luca and Nuno Barradas Jorge Edinburgh: Edinburgh University Press, 2016.
Call No: 631.11 SLOAuthor: de Luca, Tiago ; Jorge, Nuno Barradas Edition: 2016Place: EdinburghPublisher: Edinburgh University PressPubDate: 2016PhysDes: xx, 332 pages ; illustrated : 24 cmSubject: TIME IN FILMS ; DREYER, CARL TH. ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; MING-LIANG, TSAI ; WEERASETHAKUL, APICHATPONG ; KIAROSTAMI, ABBAS ; TARR, BELA ; BENNING, JAMES ; WARHOL, ANDY ; SNOW, MICHAEL ; CONRAD, TONY ; INNOCENCE (FR, Lucile Hadzihalilovic, 2004) ; MEEK'S CUTOFF (US, Kelly Reichardt, 2011) ; JAPON (MX/GG/NE/SP, Carlos Reygadas, 2002) Summary: In the context of a frantic world that celebrates instantaneity and speed, a number of cinemas steeped in contemplation, silence and duration have garnered significant critical attention in recent years, thus resonating with a larger sociocultural movement whose aim is to rescue extended temporal structures from the accelerated tempo of late-capitalism. Although not part of a structured film movement, directors such as Carlos Reygadas, Tsai Ming-liang, Béla Tarr, Pedro Costa and Kelly Reichardt have been largely subsumed under the term ‘slow cinema’. But what exactly is slow cinema? Is it a strictly recent phenomenon or an overarching cinematic tradition? And how exactly do slow cinemas interrelate on an aesthetic, technical and political level?
Deploying the concept of slowness as an umbrella category under which filmmakers and traditions from different historical and geographical backgrounds can fruitfully converge, this innovative collection of essays interrogates and expands the frameworks that have generally informed slow cinema debates. Repositioning the term in a broader theoretical space, the book combines an array of fine-grained studies that will provide valuable insight into the notion of slowness in the cinema, while mapping out past and contemporary slow films across the globe. -- publisher's web siteISBN: 9780748696048Contents: Table Of Contents -- Illustrations -- Foreword / Julian Stringer -- Introduction: From Slow Cinema to Slow Cinemas / Tiago De Luca & Nuno Barradas Jorge -- Part I: Historicising Slow Cinema -- 1: The Politics of Slowness and the Traps of Modernity / Lúcia Nagib -- 2: The Slow Pulse of the Era: Carl Th. Dreyer’s Film Style / C. Claire Thomson -- 3: The First Durational Cinema and the Real of Time / Michael Walsh -- 4: ‘The Attitude of Smoking and Observing’: Slow Film and Politics in the Cinema Of Jean-Marie Straub and Danièle Huillet / Martin Brady -- Part II: Contextualising Slow Cinema -- 5: Temporal Aesthetics of Drifting: Tsai Ming-Liang and a Cinema of Slowness / Song Hwee Lim -- 6: Stills and Stillness in Apichatpong Weerasethakul’s Cinema / Glyn Davis -- 7: Melancholia: The Long, Slow Cinema of Lav Diaz / William Brown -- 8: Exhausted Drift: Austerity, Dispossession and the Politics of Slow in Kelly Reichardt’s Meek’s Cutoff / Elena Gorfinkel -- 9: If These Walls Could Speak: From Slowness to Stillness in the Cinema of Jia Zhangke / Cecília Mello -- Part III: Slow Cinema And Labour -- 10: Wastrels of Time: Slow Cinema’s Labouring Body, The Political Spectator, and the Queer / Karl Schoonover -- 11: Living Daily, Working Slowly: Pedro Costa’s in Vanda’s Room / Nuno Barradas Jorge -- 12: Working/Slow: Cinematic Style as Labour in Wang Bing’s Tie Xi Qu: West Of The Tracks / Patrick Brian Smith -- 13: ‘Slow Sounds’: Duration, Audition and Labour in Liu Jiayin’s Oxhide and Oxhide II / Philippa Lovatt -- Part IV: Slow Cinema and the Nonhuman -- 14: It’s About Time: Slow Aesthetics in Experimental Ecocinema and Nature Cam Videos / Stephanie Lam -- 15: Natural Views: Animals, Contingency and Death in Carlos Reygadas’s Japón and Lisandro Alonso’s Los Muertos / Tiago de Luca -- 16: The Sleeping Spectator: Nonhuman Aesthetics in Abbas Kiarostami’s Five: Dedicated to Ozu / Justin Remes -- Part V: The Ethics and Politics of Slowness -- 17: Béla Tarr: The Poetics and the Politics of Fiction / Jacques Rancière -- 18: Ethics of the Landscape Shot: A.K.A Serial Killer and James Benning's Portraits of Criminals / Julian Ross -- 19: Slow Cinema and the Ethics of Duration / Asbjørn Grønstad -- Part VI: Beyond ‘Slow Cinema’ -- 20: Performing Evolution: Immersion / Unfolding and Lucile Hadžihalilovic’s Innocence / Matilda Mroz -- 21: The Slow Road to Europe: The Politics and Aesthetics of Stalled Mobility in Hermakono and Morgen / Michael Gott -- 22: Crystallising the Past: Slow Heritage Cinema / Rob Stone and Paul Cooke
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Small screen aesthetics : from TV to the Internet / Glen Creeber London: Palgrave Macmillan, 2013.
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Small screen, big business : the great Australian TV robbery / [by] Susan Kippax & John P. Murray Sydney: Angus & Robertson, 1979.
Call No: 203.1(94) KIPAuthor: Kippax, Susan ; Murray, John P. Place: SydneyPublisher: Angus & RobertsonPubDate: 1979PhysDes: 81p. ; 22cm.Subject: TELEVISION. AUSTRALIA Notes: Television industries. Australia (ANB/PRECIS SIN 0309044); Index; Bibliography: p.73-77ISBN: 0207144249 : $1.95 AustLON: anb20714424; 1656013
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Small screens : essays on contemporary Australian television / edited by Michelle Arrow, Jeannine Baker and Clare Monagle Clayton, Vic.: Monash University Publishing, [2016].
Call No: 71(94) SMAAuthor: Arrow, Michelle, (editor) -- Baker, Jeannine, (editor) -- Monagle, Clare, (editor) Source: ATPlace: Clayton, Vic.Publisher: Monash University PublishingPubDate: [2016]PhysDes: xii, 192 pages ; 21 cmSeries: Cultural studiesSubject: TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; COOKERY PROGRAMMES ; COOKING PROGRAMMES. AUSTRALIA ; POLITICS AND TV. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; BIOGRAPHICAL PROGRAMMES. AUSTRALIA ; FEMINISM AND TV. AUSTRALIA ; BRIDGES, MICHELLE ; RINEHART, GINA ; MAKING AUSTRALIA GREAT: INSIDE OUR LONGEST BOOM [TV] (AT, 2015) ; KILLING SEASON, THE [TV] (AT, 2015) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; GALLIPOLI (AT, Peter Weir, 1981) ; GALLIPOLI [TV](AT, Glendyn Ivin, 2015) ; DEADLINE GALLIPOLI [TV] (AT, 2015) ; WORLD WAR I ON TV ; [SIXTY] 60 MINUTES (AT, 1979-) ; KITCHEN CABINET [TV] (AT, 2012 - ) ; KATERING SHOW, THE [TV](AT, 2015-) ; BACHELOR AUSTRALIA, THE [TV] (AT, 2013) ; BACHELORETTE, THE [TV] (AT, 2015-) ; PRISON SONGS (AT, Kelrick Martin, 2015) ; BLACK PANTHER WOMAN (AT/US, Rachel Perkins, 2014) ; ONCE MY MOTHER (AT/PL/UE, Sophia Turkiewicz, 2014) ; NEIGHBOURS [TV] (AT, 1985-) ; PETER ALLEN : NOT THE BOY NEXT DOOR [TV] (AT, 2015) ; JUDITH LUCY IS ALL WOMAN [TV](AT, 2015) ; HITTING HOME [TV](AT, 2015) ; Q & A [TV] (AT, 2008-) ; HOUSE OF HANCOCK [TV] (AT, 2015) ; BANISHED [TV] (UK, 2015-) ; SECRET RIVER, THE [TV](AT, Daina Reid, 2015) ; STRUGGLE STREET [TV](AT, 2015-) Summary: There has been a lot happening on Australia’s small screens. Neighbours turned 30. Struggle Street was accused of poverty porn. Pete evangelised Paleo. Gina got litigious. Netflix muscled in. The Bachelor spawned The Bachelorette. Peter Allen’s maraccas were exhumed. The Labor Party ate itself. Anzac was an anti-climax. Join us as we survey the Australian televisual landscape, and try to make sense of the myriad changes transforming what and how we watch. We’ve come a long way since Bruce Gyngell welcomed us to television in 1956. We now watch on demand and wherever we want, in our lounge rooms and on our devices. But some things stay the same. The small screen is still a place for imagining Australia, for better or for worse. Small Screens challenges and celebrates our contemporary TV worlds. -- taken from back coverISBN: 9781925377101Contents: 1. The Televisual Landscape Today / Nick Herd -- 2. A Bitter Pill to Swallow: Food on Australian TV / Clare Monagle -- 3. Broadcasting Disruption / Mark Hearn -- 4. Anzac on TV / Carolyn Holbrook -- 5. Take One Sip When Someone Says 'Connection': Passion versus Intimacy in The Bachelor/ette Australia / Jodi McAlister -- 6. 'Gaps in the National Family Album': Australian Documentaries on the ABC and SBS / Jeannine Baker -- 7. Neighbours, the Soap that Whitens: 30 Years of Ramsay Street / David Nichols -- 8. Not the Boy Next Door: Reconsidering Television in the Musical Miniseries / Liz Giuffre -- 9. I Am Woman, Redux: Feminism on Television in 2015 / Michelle Arrow -- 10. Mining for Drama: House of Hancock, Gina Rinehart and the Law / David Rolph -- 11. Dramatising Australia's Colonisation: White Men's Stories in Banished (Foxtel) and The Secret River (ABC TV) / Sarah Pinto -- 12. Struggle Street ... Poverty Porn? / Zora Simic.
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Snap, crackle and popular taste : the illusion of free choice in America / by Jeffrey Schrank New York: Delacorte Press, c1977.
Call No: 411 SCHAuthor: Schrank, Jeffrey Source: USPlace: New YorkPublisher: Delacorte PressPubDate: c1977PhysDes: 192 p. ; 21 cmSubject: POPULAR CULTURE AND TV ; POPULAR CULTURE AND TV. USA ; SOCIETY AND TV ; SOCIETY AND TV. USA ; ADVERTISING ; ADVERTISING. TV ; ADVERTISING. USA ; TELEVISION ; PSYCHOLOGY AND THE CINEMA ; USA Summary: "Snap, Crackle and Popular Taste is a witty, irreverant, and cheerfully anti-establishment book of social criticism that examines the seemingly insignificant choices made constantly in everyday life and questions how much true freedom of choice is involved." -- BOOK FLAPNotes: Includes indexISBN: 0440071542Contents: -- introduction -- 1: there are no mass media: all we have is television -- 2: eat, drink, and be wary, for the food technologist cometh -- 3: the mechanical centaur: to drive or not to drive, that is the pseudo-choice -- advertising: the engineers of illusion -- 5: the packaged environment: illusions of quality and culture -- 6: the institution trap -- 7: mythology today -- 8: sport and the virtue of play --
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Interim
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Soap box : the Australian guide to television soap operas / by Hilary Kingsley South Melbourne: Sun Books, 1989.
Call No: 725.312 KINAuthor: Kingsley, Hilary Source: ATPlace: South MelbournePublisher: Sun BooksPubDate: 1989PhysDes: 336 p. : ill., ports ; 22 cmSubject: SOAP OPERAS ; SOAP OPERAS. AUSTRALIA ; TELEVISION. AUSTRALIA ; BELLBIRD [TV] (AT, 1967-1977) ; SULLIVANS, THE [TV] (AT, 1975-1982) ; COP SHOP [TV] (AT, 1977-84) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; SONS AND DAUGHTERS [TV] (AT, 1982-87) ; CARSON'S LAW [TV] (AT, 1983) ; NEIGHBOURS [TV] (AT, 1985-) ; PRIME TIME [TV] (AT, 1986) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; RICHMOND HILL [TV] (AT, Gary Conway, 1988) ; HOME AND AWAY [TV] (AT, 1988 -) Notes: Bibliography: p.328; Includes indexISBN: 0725105739
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Some people watch anything / Susan Kippax and John P. Murray North Ryde, NSW: School of Behavioural Sciences, Macquarie University, 1976.
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journal article
Sound Profile: Smart Theatre Systems in Australasian Cinema (29/10/1982) vol.11 iss.19 p.24
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journal article
Space Technology to hit the outback : AUSSAT $225m satellite on the way in Australasian Cinema (28/5/1982) vol.11 iss.9 p.1
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Speaking in subtitles : revaluing screen translation / Tessa Dwyer Edinburgh: Edinburgh University Press,
Call No: 224.6 DWYAuthor: Dwyer, Tessa Edition: 2017Place: EdinburghPublisher: Edinburgh University PressPhysDes: viii, 228 pages : illustrated ; 25 cmSubject: SUBTITLES ; KUBELKA, PETER ; TANG SHOU TAI QUAN DAO [CRUSH] (HK, Kuang-Chi Tu, 1972) ; DIALECTIQUE PEUT-ELLE CASSER DES BRIQUES?, LA [CAN DIALECTICS BREAK BRICKS?] (FR, René Viénet [?], 1973) Summary: With over 6000 languages in the world today, media speak is far from universal, yet the complexities of translation are rarely acknowledged by the industry, or by audiences and scholars. Redressing this neglect, Speaking in Subtitles argues that the oddities and idiosyncrasies of translation are vital to screen media’s global storytelling. Examining a range of examples from crowdsourced subtitling to avant-garde dubbing to the growing field of ‘fansubbing’, Tessa Dwyer proposes that film, television and video are fundamentally ‘translational' media. -- publisher's web siteISBN: 9781474410946Contents: Introduction
Section 1: Devaluation to Deconstruction -- 1. Sub/Dub Wars -- 2. Vanishing Subtitles: The Invisible Cinema (New York, 1970-1974) -- 3. Dubbing Undone: Can Dialectics Break Bricks? (1973)
Section 2: Errant and Emergent Practices -- 4. Mistranslation and Misuse -- 5. Fansubbing and Abuse -- 6. Streaming, Subbing, Sharing: Viki Global TV
Conclusion: Error Screens
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Special : Fred Freed and the television documentary / David G. Yellin New York London: Macmillan Collier-Macmillan, 1973.
Call No: 761 YELAuthor: Yellin, David G Place: New York LondonPublisher: Macmillan Collier-MacmillanPubDate: 1973PhysDes: x, 289 p. : ill., ports ; 25cmSubject: DIRECTORS ; DOCUMENTARIES ; DOCUMENTARY DRAMAS ; HISTORY OF TV ; PRODUCERS ; TELEVISION JOURNALISM ; FREED, FRED Summary: "Special chronicles the development of the television documentary - from its beginnings after World War II to the present - through the life and work of Fred Freed, pioneer in the radio and television documentary [...] In tracing Freed's career, David G. Yellin presents much more than a fascinating biography of a master documentary film producer. His unique book also discusses the documentary's form, from conception to telecast, and will prove illuminating not only to those with a professional interest in the field of broadcasting, but to every viewer who has ever seen a documentary and wondered how it was put together." -- BOOK BLURBNotes: Television programmes. Documentaries. Production. Freed, Fred (BNB/PRECIS); Includes indexISBN: 0026329700 : ª4.95LON: 3518634
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Special effects : creating movie magic / by Christopher Finch New York: Abbeville Press, c1984.
Call No: 236 FINAuthor: Finch, Christopher Source: USPlace: New YorkPublisher: Abbeville PressPubDate: c1984PhysDes: 252 p. : ill. (some col.) ; 27 cmSubject: COMPUTER GRAPHICS ; DIGITAL TECHNOLOGY ; COMPUTERS AND THE CINEMA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; COMPUTER GENERATED IMAGERY ; COSTUME DESIGNING ; TECHNICAL DEVELOPMENTS ; MOTION CONTROL ; MAKE UP ; TECHNOLOGY AND THE CINEMA ; PRODUCTION TECHNOLOGY ; SPECIAL EFFECTS ; CINEMATOGRAPHY ; SET DESIGNING ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLADE RUNNER: THE DIRECTOR'S CUT (US, Ridley Scott, 1982) ; BLADE RUNNER: THE FINAL CUT (US, Ridley Scott, 1982) ; TRON (US, Steven Lisberger, 1982) Summary: "Special effects is an art that sets itself the task of putting on screen anything a filmmaker can imagine, however strange or fantastic. From King Kong to Star Wars, this book details the secrets behind the magic that has thrilled and delighted generations of movie-goers." -- BOOK BLURBNotes: Includes index; Bibliography: p. 244ISBN: 0896594521Contents: -- acknowledgements -- prologue -- part 1: the art of deception -- 1: tricks and treats -- 2: masks and mirrors -- 3: silent magic -- 4: the coming of sound -- 5: king kong -- 6: invisible effects -- 7: new aspects -- 8: monsters and myths -- part II: odysseys -- 9: new beginnings -- 10: the making of 2001 -- 11: back to earth -- 12: pitching -- 13: star wars -- 14: close encounters -- 15: phone home -- 16: innovations -- 17: blade runner -- 18:state of the art -- part III: sons of hal -- 19: coordinates -- 20: the making of tron -- 21: simulation -- 22: the future -- bibliography -- glossary -- index --
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Crawford collection
still
[Special Squad : album #4] Crawford Productions [distributor],
Call No: CRAWFORD STILL SPESource: ATPublisher: Crawford Productions [distributor]PhysDes: 81 slides : col. + 23 transparencies : b&w ; 120 mm + 1 transparency : col. ; 120 mm + 9 negatives : b&w ; 35 mmSubject: HAWKINS, ANTHONY ; CASSELL, ALAN ; DIEDRICH, JOHN ; GILLING, REBECCA ; MORTIMER, IAN ; BANNISTER, KERRIE ; WINCHESTER, ARNA-MARIA ; UPJOHN, WILLIAM ; GILL, VINCE ; MCKAY, KERRY ; CHILVERS, SIMON ; ANDREWS, GAEL ; LOBEZ, SUSANNA ; LESLEY, LORNA ; DUNCAN, CARMEN ; SMILLIE, JIM ; HAGAN, JENNIFER ; WOODBURNE, JACKIE ; OLIVER, TOM ; CRAWFORD, ANNA ; ALDENHOVEN, LISA ; MAGUIRE, GERARD ; QUAST, PHILIP ; TAYLOR, GRIGOR ; ARNOLD, RONNIE ; ABIGAIL ; HANNAN, JOHN ; SALTMARSH, KIER ; DEANS, JUDITH ; DAHLSEN , PETER ; SCOTT, RENEE ; GALLACHER, FRANK ; BISLEY, STEVE ; GREGG, JOHN ; HAYWOOD, CHRIS ; FURNESS, DEBORRA-LEE ; MCLUSKIE, KASSIE ; SPECIAL SQUAD [TV](AT, 1984-1985) Summary: Photographs, slides and negatives relating to the series 'Special Squad'Notes: Images are arranged in groupings as received by Crawford Productions with their accompanying promotional sheetsDonation: Gift of Crawford Productions
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The spectacular modern woman : Feminine visibility in the 1920s / Liz Conor Bloomington, Indiana: Indiana University Press, 2004.
Call No: 451 02 "192" CONAuthor: Conor, Liz Edition: 1st ed.Source: USAPlace: Bloomington, IndianaPublisher: Indiana University PressPubDate: 2004PhysDes: 334 p. : b+w ill. ; 23 cmSubject: WOMEN AND THE CINEMA ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; WOMEN, FILMS FOR ; PROSTITUTES IN FILMS ; POPULAR CULTURE AND THE CINEMA ; HISTORY AND THE CINEMA ; MEDIA ; TECHNOLOGY AND THE CINEMA ; SOCIETY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; ADVERTISING ; CARTOONS ; CELEBRITIES IN FILMS ; IMPERIALISM AND THE CINEMA ; FASHION AND THE CINEMA ; MODERNISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; DE BEAUVOIR, SIMONE ; KELLERMAN, ANNETTE ; VALENTINO, RUDOLPH ; LYELL, LOTTIE ; MOTH OF MOONBI, THE (AT, Charles Chauvel, 1926) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; GREENHIDE (AT, Charles Chauvel, 1926) Summary: In The Spectacular Modern Woman, Liz Conor illustrates how technological advances in image reproduction transformed Wetter industrial societies into visual or ‘oculacentric’ cultures with significant and complex consequences for women’s lives. With the rise of mass media, Conor shows how women’s identities were intimately tied to the visual culture of the day. [Taken from back cover].ISBN: 0253216702
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Speed : cinema of motion / Werner Adrian New York: Bounty Books, 1975.
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newspaper article
Spolit for choice in Weekend Australian [Review] (26/12/2015) p.19
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIAAuthor: Blundell, Graeme PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA Summary: A summary of television programmes produced and screened in 2015
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newspaper article
Spy games in Weekend Australian [Review] (07/03/2015) p.23
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Star mothers : the moms behind the celebrities / Georgia Holt and Phyllis Quinn with Sue Russell New York: Simon and Schuster, 1988.
Call No: 465.1 HOLAuthor: Holt, Georgia ; Quinn, Phyllis ; Russell, Sue Source: USPlace: New YorkPublisher: Simon and SchusterPubDate: 1988PhysDes: 417 p. : ill. ; 25 cmSubject: ACTORS ; STARS ; CHER ; WILLIAMS, ROBIN ; STREISAND, BARBRA ; COSBY, BILL ; TAYLOR, ELIZABETH ; BRIDGES, JEFF ; DOUGLAS, MICHAEL ; HAWN, GOLDIE ; SHEEDY, ALLY ; SHEPHERD, CYBILL ; WOOD, NATALIE ISBN: 0671645102Donation: donated by the family of Wayne Levy, 2006
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newspaper article
State and federal pollies squabble for credit over reeling in Aquaman in The Australian (16/12/2016) p.14
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The state of European cinema : a new dose of reality / Angus Finney ; [foreword by Nik Powell] London: Cassell, 1996.
Call No: 201(4) FINAuthor: Finney, Angus, 1964 Place: LondonPublisher: CassellPubDate: 1996PhysDes: x, 262 p. ; 24 cmSubject: INDUSTRY, FILM. EUROPEAN COUNTRIES ; EDUCATION, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; DISTRIBUTION. EUROPEAN COUNTRIES ; TECHNOLOGY AND THE CINEMA. EUROPEAN COUNTRIES ; POLYGRAM ; EURIMAGES ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FARINELLI IL CASTRATO (FR/BE/IT, Gerard Corbiau, 1994) ; ROB ROY (US, Michael Caton-Jones, 1995) ; TALES FROM A HARD CITY (FR/UK, Kim Flitcroft, 1994) ; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996) ; GUILTRIP (IE, Gerard Stembridge, 1995) ; ANTONIA (NE/BE/UK, Marleen Gorris, 1995) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995) Notes: "Includes transpotting case study"--Cover; Includes index; Bibliography: p. 255ISBN: 0304333026 (pbk)LON: abn96337602; 12766083
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journal article
State of the art- a technical article for non-technical people in Australasian Cinema (16/9/1983) vol.12 iss.17 p.24
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journal article
State-wide coverage of disaster in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.22
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Stay tuned : the Australian broadcasting reader / edited by Albert Moran Sydney: Allen & Unwin, 1992.
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journal article
Stokes Buys Back Golden West Net in The Hollywood Reporter (01/05/1988) vol.300 iss.27 p.I3
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The stories that changed Australia : 50 years of Four Corners / edited by Sally Neighbour Sydney: ABC Books, 2012.
Call No: 79FOU STOAuthor: Neighbour, Sally Source: ATPlace: SydneyPublisher: ABC BooksPubDate: 2012PhysDes: 274 p. : ill., ports. ; 24 cmSubject: AUSTRALIA ; BROADCASTING. AUSTRALIA ; TELEVISION ; TELEVISION JOURNALISM ; TELEVISION JOURNALISM. AUSTRALIA ; [FOUR] 4 CORNERS [TV] (AT, 1961-) Summary: "In the fifty years it's been on air, Four Corners has broken more stories, triggered more headlines, generated more controversy and aired more high quality investigative journalist than any other program in Australia. In today's world of 24-hour news cycles it is an anarchronism, "a television miracle" as Kerry O'Brien puts it in his introduction to this book. But when it first went to air, no-one expected it to last. Now to mark its 50th anniversary, many of the program's most renowned journalists and producers look back on their biggest stories - from war, famines, and terrorism to indigenous rights, reproductive rights, and corruption in all corners of the globe. They take readers through the dramas and intrigue involved in bringing stories which anger people in high places to air. They tell what happened away from the cameras as well as on, share moments of humour and pathos and reflect on the vital role played by the ABC's flagship news program. " -- LIBRARIES AUSTRALIANotes: "Introduction by Kerry O'Brien".--Page 1; "ABC Books" logo at foot of back cover; "The ABC 'Wave' device is a trademark of the Australian Broadcasting Corporation and is used under licence by HarperCollinsPublishers Australia" -- T.p. verso; Contributors: John Penlington, Peter Reid, Caroline Jones, Andrew Hogan, Jonathan Holmes, Mary Delahunty, Chris Masters, Peter Manning, Jenny Brockie, David Marr, Liz Jackson, Sally Neighbour, Debbie Whitmont, Sarah Ferguson; Also available onlineISBN: 9780733331053Donation: Donated by Senses of Cinema, 2013Contents: -- introduction / by Kerry O'Brien -- 1: "This program will go to air over my dead body" / by John Penlington -- 2: times they were a-changing / by Peter Reid -- 3: 'girl takes over' / by Caroline Jones -- 4: the cook with all the firewood / by Allan Hogan -- 5: recollections of a cutting-room technician / by Jonathan Holmes -- 6: aiding or abetting / by Mary Delahunty -- 7: the big dig / by Chris Masters -- 8: the adrenalin years / by Peter Manning -- 9: handle with care / by Jenny Brockie -- 10: reporting black Australia: these stories aren't over / by David Marr -- 11: comfortable and relaxed: encounters with John Howard, 1994-2007 / by Liz Jackson -- 12: "that awful bloody program" / by Sally Neighbour -- 13: reporting from another country: stories about asylum seekers / by Debbie Whitmont -- 14: the waitress, the refugee and the killing box / by Sarah Ferguson -- author biographies --
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The story of the lost reflection : the alienation of the image in Western and Polish cinema / Paul Coates London: Verso, 1985.
Call No: 62 COAAuthor: Coates, Paul, 1953 Place: LondonPublisher: VersoPubDate: 1985PhysDes: 167 p. ; 21 cmSubject: SOCIETY AND THE CINEMA. POLAND ; REALISM IN FILMS ; ALTMAN, ROBERT ; ANTONIONI, MICHELANGELO ; BERTOLUCCI, BERNARDO ; BUNUEL, LUIS ; COPPOLA, FRANCIS FORD ; GODARD, JEAN-LUC ; HERZOG, WERNER ; ROSI, FRANCESCO ; TARKOVSKY, ANDREI ; TRUFFAUT, FRANCOIS ; WAJDA, ANDRZEJ ; SKOLIMOWSKI, JERZY ; ZANUSSI, KRZYSZTOF Notes: Includes indexes; Bibliography: p. [159]-161ISBN: 0860911004 : ª20.00 ($25.00 U.S.)LON: bnb86091100; 3801747
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Storytelling in the new Hollywood : understanding classical narrative technique / Kristin Thompson Cambridge, MA: Harvard University Press, 1999.
Call No: 632.2(73) THOAuthor: Thompson, Kristin, 1950 Place: Cambridge, MAPublisher: Harvard University PressPubDate: 1999PhysDes: 398 p. : ill. ; 23 cmSubject: NARRATIVE IN FILMS ; TOOTSIE (US, Sydney Pollack, 1982) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; AMADEUS (US, Milos Forman, 1984) ; HUNT FOR RED OCTOBER, THE (US, John McTiernan, 1990) ; PARENTHOOD (US, Ron Howard, 1989) ; ALIEN (UK, Ridley Scott, 1979) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; FIELD, SYD ; JAWS (US, Steven Spielberg, 1975) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references and indexISBN: 0674839749 (cl. : alk. paper); 0674839757 (pbk. : alk. paper); 0674839757(pbk.) : ª15.50; 0674839749(cased) : ª30.95LON: 14524218
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newspaper article
Strewth! : Equine immortalised in The Australian (13/07/2015) p.9
Call No: TITLE CLIPPINGS FILE in production; TAKEOVER TARGET MOVIE in productionAuthor: Kerr, Christian PhysDes: Clippings File ArticleSubject: TAKEOVER TARGET MOVIE in production Summary: Snippet about the recent death of champion racehorse Takeover Target and how a planned film about the horse is going to be made
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Strong women London: BFI National Library, c2001.
Call No: REFERENCE SECTION; 036-02 STRAuthor: Clarke, Nicola ; Gordon, Stephen ; Johnston, Louise ; Khan, Ayesha ; Smart, Emma Source: UKPlace: LondonPublisher: BFI National LibraryPubDate: c2001PhysDes: 77 p ; 30 cmSeries: National Library 16+ guidesSubject: WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; ALLY MCBEAL [TV] (US, 1997-) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; BOUND (AT, Serhat Caradee, 2000) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; CHARLIE'S ANGELS (US, McG, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; ERIN BROKOVICH (US, Stephen Soderbergh, 2000) ; LARA CROFT: TOMB RAIDER (US, Simon West, 2001) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NIKITA (FR/IT, Luc Besson, 1990) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ROSEANNE [TV] (US, 1988- ) ; RUN LOLA RUN (G, Tom Tykwer, 1998) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WAITING TO EXHALE (US, Forest Whitaker, 1995) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) ; X-FILES, THE [TV] (US, 1993-) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Notes: This and other bfi National Library 16+ Guides available from http://www.bfi.org.uk/16+ID2: 150
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Structure and operation of the television industry in Australia / by Kirsten Schou North Ryde, N.S.W: Australian Film and Television School, c1982.
Call No: 201(94) SCHAuthor: Schou, Kirsten Source: ATPlace: North Ryde, N.S.WPublisher: Australian Film and Television SchoolPubDate: c1982PhysDes: 40 p. ; 25 cmSeries: Resources/Research & Survey Unit publicationSubject: AUSTRALIAN BROADCASTING CORPORATION ; BROADCASTING. AUSTRALIA ; BROADCASTING ; ECONOMICS AND TV ; ECONOMICS AND TV. AUSTRALIA ; INDUSTRY, TV. ; INDUSTRY, TV. AUSTRALIA ; TELEVISION Summary: "The aim of this paper is to provide an overview of the structure and operation of the television industry in Australia. It discusses the commercial television industry and the ABC from an economic perspective. Interesting and important issues are analysed, and current regulatory policies are outlined." -- BOOK PREFACENotes: Bibliography: p. 38-40ISBN: 0642925224Contents: -- I: introduction -- elements of the television industry in Australia -- II : the commerical television industry -- 1: market structure -- 2: ownership and control : the public interest and the ATV - 10 case -- 3: licencing, property rights and spectrum allocation -- 4: the notion of networking -- 5: the issue of VHF versus UHF television -- 6: the nature of the product: the television audience -- 7: the ratings -- 8: the advertising -- 9: programming: regualtion and composition -- 10: program production and expenditure -- 11: economic performance -- profitability -- program performance -- III: the national television service: the ABC -- 1: the role of the ABC -- 2: the national television network -- 3: funding and staffing -- 4: allocation of resources to ABC television -- 5: program production and composition -- 6: multi-cultural television -- 7: the ABC audience -- 8: economic performance -- 9: the Dix copmmittee recommendations -- IV the future of the television industry - the challenge of technological change -- appendix A: principal shareholdings in metropolitan television stations and interests of the major press groups in television and radio -- appendix B: Ausrtalian content of Australian programs point system -- bibliography --
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Structures of television / Nicholas Garnham ; produced by the British Film Institute, Educational Advisory Service ; general editor, Edward Buscombe London: British Film Institute, 1978.
Call No: 201(41) GARAuthor: Garnham, Nicholas CorpAuthor: British Film Institute. Educational Advisory ServiceEdition: [Rev. ed.]Place: LondonPublisher: British Film InstitutePubDate: 1978PhysDes: 58 p. ; 21 cmSubject: TELEVISION Notes: Bibliography: p. 58ISBN: 0851700357LON: 1694509 1694509
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Studio Ghibli : the films of Hayao Miyazaki and Isao Takahata / by Colin Odell and Michelle Le Blanc Harpenden, Herts, UK: Kamera, 2009.
Call No: 802.25(520) ODEAuthor: Odell, Colin ; Le Blanc, Michelle Source: UKPlace: Harpenden, Herts, UKPublisher: KameraPubDate: 2009PhysDes: 157 p., [8] p. of plates : col. ill. ; 20 cmSeries: Kamera Books seriesSubject: ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; JAPAN ; STUDIO GHIBLI ; MIYAZAKI, HAYAO ; ISAO TAKAHATA ; NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984) ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987) ; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979) ; RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989) ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; ONLY YESTERDAY [OMOHIDE PORO PORO] (JA. Isao Takhata, 1991) ; OMOHIDE PORO PORO (JA. Isao Takhata, 1991) ; PORCO ROSSO (JA, Hayao Miyazaki, 1993) ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SPIRITED AWAY (JA, Hayao Miyazaki, 2001) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) ; GEDO SENKI (JA, Goro Miyazaki, 2006) ; PONYO (JP, Hayao Miyazaki, 2008) ; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008) ; STORY OF THE YANAGAWA CANALS, THE (JA, Takahata Isao, 1987) ; YANAGAWA HORIWARI MONOGATARI (JA, Takahata Isao, 1987) Summary: "This Kamera Book examines all their major works such as Laputa: Castle in the Sky, Grave of the Fireflies, My Neighbor Totoro, Kiki's Delivery Service, Only Yesterday, Porco Rosso, Pom Poko, Whisper of the Heart, Princess Mononoke and My Neighbours the Yamadas, as well as the critically acclaimed Spirited Away and Howl's Moving Castle. The authors examine the early output of Hayao Miyazaki and Isao Takahata, exploring the cultural and thematic threads that bind these films together. " -- BOOK BLURBNotes: Includes index
Includes bibliographical references: (p. 153)ISBN: 9781842432792Contents: -- 1: introduction -- 2 the pre-Ghibli works of Takahata Isao and Miyazaki Hayao -- 3 the films of Studio Ghibli -- 4: other projects -- bibliography -- index --
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Sublime silents : the art of silent cinema / [by Jonathan Dennis] Sydney, N.S.W.: Museum of Contemporary Art, 1995.
Call No: 70"01" SUBAuthor: Dennis, Jonathan CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.); National Film and Sound Archive (Australia)Place: Sydney, N.S.W.Publisher: Museum of Contemporary ArtPubDate: 1995PhysDes: 31, [2] p. : ill. ; 22 x 25 cmSubject: HISTORY OF CINEMA. SILENT PERIOD ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; KISS, THE (US, Jacques Feyder, 1929) ; TAKI NO SHIRAITO (JA, Kenji Mizoguchi, 1933) ; MOULIN ROUGE (UK, E.A. Dupont, 1928) ; MACISTE ALL'INFERNO (IT, Guido Brignone, 1926) Notes: Cover title; "by Jonathan Dennis, [copyright] Museum of Contemporary Art and National Film and Sound Archive, September 1995"--P. [2]; "The Museum is delighted to be working with the National Film and Sound Archive in presenting Sublime Silents. "--Foreword; "Australian Centenary of Cinema"ISBN: 1875632417LON: 11853704
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Submission to the Senate Environment, Recreation, Communications And The Arts Legislation Committee : Paragraph 160(d) of the Broadcasting Services Act 1992 / Australian Film Commission [Australia]: Australian Film Commission, November 1998.
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Subversive horror cinema : countercultural messages of films from Frankenstein to the present / Jon Towlson ; foreword by Jeff Lieberman. Jefferson, North Carolina: 2014.
Call No: 735.2 TOWAuthor: Towlson, Jon Source: USPlace: Jefferson, North CarolinaPubDate: 2014PhysDes: vii, 246 pages : illustrations ; 26 cmSubject: HORROR FILMS ; FRANKENSTEIN (US, James Whale, 1931) ; FREAKS (US, Tod Browning, 1932) ; CAT PEOPLE (US, Jacques Tourneur, 1942) ; CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; CRAZIES, THE (US, George A. Romero, 1973) ; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; DAWN OF THE DEAD (US, George A. Romero, 1979) ; HENRY: PORTRAIT OF A SERIAL KILLER, PART 2 (US, Chuck Parello, 1997) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; AMERICAN PSYCHO (US, Mary Harron, 1999) ; TEETH (US, Mitchell Lichtenstein, 2007) Summary: "This book argues that a succession of filmmakers working in horror have used the genre to challenge the status quo. Spanning the decades from the 1930s onwards this critical text examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna"-- [Extract taken from the back of the book] --Notes: Includes bibliographical references and index.
Also issued onlineISBN: 9780786474691Contents: Introduction -- Anti-eugenics: Frankenstein (1931) and Freaks (1932) -- anti-1940s home front propaganda: Cat people (1942) and The curse of the Cat people (1944) -- Anti-1950s Cold War conformity: the films of Herman Cohen -- Anti-establishment 1960s-1970s Britain: the films of Michael Reeves and Pete Walker -- Anti-Vietnam: Night of the living dead (1968), Deathdream (1972) and The crazies (1973) -- Anti-Hollywood violence and dark counterculture: Last house on the left (1972) and The Texas chain saw massacre (1974) -- Counterculture revolution: Shivers (1975), Blue Sunshine (1978) and Dawn of the dead (1978) -- Anti-"reaganomics": Henry-portrait of a serial killer (1986) and American psycho (2000) -- Anti-1990s materialism: Brian Yuzna and Splatstick -- Anti-new puritanism: Teeth (2007) and American Mary (2012) -- Afterword: Subversive horror cinema post-9/11.
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book
Summary of public and industry general submissions and responses to the Australian Content Inquiry [North Sydney, N.S.W.: Australian Broadcasting Tribunal], 1988.
Call No: 205.36(94) AUS ABT ACI "1987/8/9"Place: [North Sydney, N.S.W.Publisher: Australian Broadcasting Tribunal]PubDate: 1988PhysDes: 47 p. ; 30 cmSeries: Discussion Paper (Australian Broadcasting Tribunal. Australian Content Inquiry)Subject: TELEVISION. AUSTRALIA Summary: List of the different organisations and people who made submissions to the Australian Content Inquiry, and information about what their submissions were
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Interim
book
The Sundance kids : How the mavericks took back Hollywood / James Mottram London: Faber and Faber, 2006.
Call No: 802.25(71) MOTAuthor: Mottram, James Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2006PhysDes: xxix, 480 p. : ill. ; 24cmSubject: INDEPENDENT FILMS. USA ; SUNDANCE INSTITUTE ; SODERBERGH, STEVEN ; Tarantino, Quentin ; RUSSELL, DAVID O. ; RODRIGUEZ, ROBERT ; LINKLATER, RICHARD ; FINCHER, DAVID ; JONZE, SPIKE ; ANDERSON, PAUL THOMAS ; ANDERSON, WES ; LEONARD, ELMORE ; COPPOLA, SOFIA ; PEIRCE, KIMBERLY ; SINGER, BRYAN ; KAUFMAN, CHARLIE ; PAYNE, ALEXANDER Summary: From Publishers Weekly
Mottram covers the same territory Sharon Waxman did in 2005's Rebels on the Backlot, including extensive considerations of directors Steven Soderbergh and Quentin Tarantino, but the British film journalist adds several filmmakers into the mix, including Sofia Coppola and Wes Anderson, concentrating primarily on hot young talents discovered at the Sundance Film Festival. He's also more interested in what's on the screen than Waxman was, so nearly every chapter has lengthy analyses of the movies discussed. But these interpretive flights distract from the reportage, especially when Mottram dismisses successful directors like Robert Rodriguez (who arguably have taken back Hollywood) because he doesn't consider movies like Spy Kids mature enough for serious consideration, or when he insists on linking every modern maverick to a counterpart in '70s cinema. He also links some films together by simplistic means, grouping a trilogy of films set in high schools in one chapter and building another chapter around Elmore Leonard adaptations. Mottram does give insight into the career trajectories of a few of his subjects, most notably Soderbergh, David Fincher and Bryan Singer, making his history a useful starting point.Notes: Includes notes, general index and index of filmsISBN: 0571222676
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journal article
Super 16 in Australia in Lumiere (November, 1973) iss.29 p.38-40
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book
Survey on the Australian film industry : conducted on June 15/16 and 22/23 1985 / conducted for NSW Film Corporation 1985.
Call No: 20(94)(048) SURCorpAuthor: The Roy Morgan Research Centre Pty LtdSource: ATPubDate: 1985PhysDes: 45 pages ; 30 cmSubject: INDUSTRY, FILM. AUSTRALIA ; TAXES. AUSTRALIA ; AUDIENCE RECEPTION. AUSTRALIA ; INVESTING. AUSTRALIA ; TOURISM AND THE CINEMA Summary: Survey on Australian film industry, with a range of questions about cinema exhibition, film production, audience attendence, and Australian film culture and its impact on the world. --
Q1A/B - In your opinion, should the federal government continue to give financial support to the Australian film industry or stop it? If continue: in your opinion, which line best describes how you believe the federal government should give financial support to the Australian film industry, only by direct grants to government film bodies, or only by tax concessions to the people or companies who invest in Australian films, or by both direct grants and tax concessions --
Q1C - and about films made in Australia. In your opinion, do you think Australian films increase international awareness of Australia? --
Q1D - In your opinion, do you think Australian films help Australia's export trade, by making people overseas more aware of Australia? --
Q1E - and in your opinion, do you think Australian films help increase the number of tourists and other visitors to Australia? --
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newspaper article
Sweet surrender in Weekend Australian [Review] (28/02/2015) p.13
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newspaper article
Sydney confidential : leading director takes Tanner under his wing in Daily Telegraph (08/09/2016) p.22
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newspaper article
Sydney is the star in Scott's new films in Daily Telegraph (28/11/2015) p.11
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book
Sydney studies in English Sydney, N.S.W.: University of Sydney, 1975/76.
Call No: 753 SYDCorpAuthor: University of Sydney. Dept. of English; English Association. Sydney BranchPlace: Sydney, N.S.W.Publisher: University of SydneyPubDate: 1975/76PhysDes: v. ; 21 cmSubject: INDUSTRY, FILM. AUSTRALIA ; ADAPTATIONS ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; TEMPEST (US, Paul Mazursky, 1982) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE DORRIT (UK, Christine Edzard, 1987) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; X-FILES, THE [TV] (US, 1993-) Notes: "Jointly sponsored by the Department of English, University of Sydney and the English Association (Sydney Branch)"ISSN: 0156-5419LON: abn84028394; 3052804
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book
Synthetics : aspects of art and technology in Australia, 1956-1975 / Stephen Jones Cambridge, Massachusetts: MIT Press,
Call No: 220"313" JONAuthor: Jones, Stephen Edition: 2011Place: Cambridge, MassachusettsPublisher: MIT PressPhysDes: xii,395 p. : illustrated ; 24 cmSeries: LeonardoSubject: TECHNOLOGICAL DEVELOPMENTS ; TECHNOLOGY AND THE CINEMA. AUSTRALIA ; COMPUTER GRAPHICS. AUSTRALIA ; COMPUTERS AND THE CINEMA ; BURNS, TIM ; CANTRILL, ARTHUR & CORINNE ; GLASHEEN, MICHAEL ; PERRY, DAVID ; THOMS, ALBIE ; ULURU (AT, Michael Glasheen, 1978) Summary: New technologies continually arise, offering repeated opportunities to artists in search of the technologically novel. Stephen Jones calls this phenomenon the "rolling new," and in Synthetics he describes how artists in Australia used new technologies in their art, from the early days of digital computing in the 1950s to a landmark exhibition in 1975. Jones looks at not only the artists and the artworks they produced but also at the evolution of computing technologies and video displays as these new forms of media developed into tools that artists could use. He also examines the collaborations that sprang up between artists and the technologists who taught them how to use these new devices. The process, he finds, was reciprocal: the offerings of the engineer could inspire the artist as much as the needs of the artist could inspire the engineer.
Jones discusses the constraints imposed by the limitations of new technologies as they developed and shows that different types of output and display technologies made for the production of very different kinds of images. He explores the development of computer graphics, the use by artists of such new conceptual paradigms as post-object art, and the emergence of video art in the late 1960s and early 1970s. By 1975, the art and technology movement in Australia reached something of a watershed. The work itself became established as an art form just as funding dwindled and a popular and supportive left-wing government left office. And yet, Jones writes, the early electronic artists laid the foundation for today's burgeoning culture of new media art in Australia. -- publisher's web siteISBN: 9780262014960Donation: Megan McMurchy
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Levy Collection
book
T.V. and the child / Lyn Barrow Sydney: A.H. & A.W. Reed, 1968.
Call No: 412-053.2 BARAuthor: Barrow, Lyn Source: ATPlace: SydneyPublisher: A.H. & A.W. ReedPubDate: 1968PhysDes: 20 cm ; 48 p.Series: Child Psychology in OutlineSubject: TELEVISION ; PSYCHOLOGICAL EFFECTS OF TV Donation: donated by the family of Wayne Levy, 2006
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journal article
Taffner, Ramsay Group in Merger Down Under in The Hollywood Reporter (01/05/1988) vol.300 iss.27 p.I3
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journal article
Tahitian tales on Queensland coast in Encore (Feb 11, 1998) vol.15 iss.22 p.18-19
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title clippings file
TAKE ME HOME: THE JOHN DENVER STORY : (US, Jerry London, 2000)
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Take one : a selection of award-winning Australian radio and television scripts / edited by Richard Lane Milton, Qld: Jacaranda, 1972.
Call No: 792 TAKAuthor: Lane, Richard (ed) Source: ATPlace: Milton, QldPublisher: JacarandaPubDate: 1972PhysDes: ix, 272 p. ; 18 cmSubject: TAKE ONE (AT, Richard Lane, 1972) Notes: "The scripts contained in this book have all won Australian Writers Guild awards". -- Includes glossary of technical terms. -- Includes script-writer biographies. -- Includes award summaryISBN: 0701606207Donation: donated by the family of Wayne Levy, 2006Contents: 'Cage a tame tiger': an episode from the series 'Contrabandits' : Colin Free -- 'You can't see 'round corners': opening episode of the television serial: Richard Lane -- 'A ride on the big dipper': a play for radio: Ron Harrison -- 'This is the way we stamp our feet': a radio feature: Jocelyn Smith -- 'Fiends of the family': a play for television: Pat Flower -- 'Everyone knows Charlie': an episode from the television series 'Homicide': John Dingwall
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TAKE SHELTER : (US, Jeff Nichols, 2011)
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TAKE, THE : [TV] (US, Leon Ichaso, 1990)
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TAKE, THE : (CN, Avi Lewis, 2004)
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TAKE, THE : (UK, Robert Hartford-Davis, 1974)
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TAKE THE LEAD : (US, Liz Friedlander, 2006)
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TAKE THE MONEY AND RUN : (US, Woody Allen, 1969)
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title clippings file
TAKE, THE [TV] : (UK, David Drury, 2009)
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TAKE THIS JOB AND SHOVE IT : (US, Gus Trikonis, 1981)
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TAKE THIS WALTZ : (CN/SP/JA, Sarah Polley, 2011) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: TAKE THIS WALTZ (CN/SP/JA, Sarah Polley, 2011) URL status: URL: 'http://file://Q:/T/TAKE_THIS_WALTZ.zip'
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TAKEI, GEORGE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TAKEI, GEORGE
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TAKEMITSU, TURO
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TAKEMITSU, TURO
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digital clippings file
TAKEN : (FR, Pierre Morel, 2008) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: TAKEN (FR, Pierre Morel, 2008) URL status: URL: 'http://file://Q:/T/TAKEN.zip'
Checked: 31/08/2021 1:17:54 PM
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title clippings file
TAKEN 3 : (FR, Oliver Megaton, 2014)
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TAKEN OUT : TV](AT, Peter Ots, 2008)
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title clippings file
TAKEN [TV] : (US, 2002)
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TAKEN [TWO] 2 : (FR, Olivier Megaton, 2012)
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title clippings file
TAKETORI MONOGATARI : (JA, Kon Ichikawa, 1987)
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TAKHTE SIAH : (IR/IT, Samira Makhmalbaf, 2000)
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TAKING A LOOK : (AT, Madelon Wilkens, 1985)
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TAKING A PART : (UK, Jan Worth, 1979)
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TAKING CARE OF BUSINESS : (US, Arthur Hiller, 1990)
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TAKING LIVES : (US/CN, D.J. Caruso, 2004)
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TAKING OF FLIGHT 847: THE ULI DERICKSON STORY, THE : (US, Paul Wendkos, 1988)
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TAKING OF PELHAM 123, THE : (US/UK, Tony Scott, 2009)
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TAKING OF PELHAM ONE TWO THREE, THE : (US, Joseph Sargent, 1974)
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TAKING ON THE CHOCOLATE FROG [TV] : (AT, 2014)
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TAKING SIDES : (AT/FR/GG, Istvan Szabo, 2001)
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TAKING TIGER MOUNTAIN : (US, Tom Huckabee & Kent Smith, 1982)
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script
TAKING TIGER MOUNTAIN : Third draft / NewVision Films [1995].
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TAKING WOODSTOCK : (US, Ang Lee, 2009)
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TAKSI-BLJUZ : (UR/FR, Pavel Lungin, 1990)
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TAKVA : (G/TU, Ozer Kiziltan, 2006)
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title clippings file
TALAYE SORGH : (IR, Jafar Panahi, 2003)
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TALBOT, COLIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TALBOT, COLIN
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personality microfilm collection
TALBOT, DARYL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TALBOT, DARYL
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personality microfilm collection
TALBOT, LYLE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TALBOT, LYLE
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book
Tale of cinema / Dennis Lim Australia: Fireflies Press, 2022.
Call No: 79 GEU LIMAuthor: Lim, Dennis Edition: 2022Place: AustraliaPublisher: Fireflies PressPubDate: 2022PhysDes: 191 pages ; 15 cmSeries: Decadent Editions; 2005Subject: TALE OF CINEMA [GEUK JANG JEON] (FR/KO, Hong Sang-soo, 2005) Summary: In the fourth title of our Decadent Editions series, Dennis Lim explores the oeuvre of South Korean auteur Hong Sangsoo via his 2005 film.
‘With Hong Sangsoo less is more. Less time to shoot, fewer explanations, fewer people on set – more inspiration, more cinema. Working with him (twice) counts among my most rewarding experiences as an actress. Every day was a miracle. Camera movements, frames, dialogues, costumes – Dennis Lim’s brilliant book shows us that, with Hong, it is about getting to what’s essential. Poetry, humour, emotion.’ Isabelle Huppert
‘To discuss the entirety of Hong Sangsoo’s oeuvre, which spans some thirty titles, Dennis Lim decided to focus on one. Lim loves and knows Hong’s work thoroughly, and the film he chose is the crystal in which all the others are reflected. Here is the best gateway into the Hong multiverse.’ Ryûsuke Hamaguchi
‘Dennis Lim deconstructs one by one the usual tropes assigned to Hong’s mise en scène and illuminates other paths to think anew about a filmmaker who stays in constant and elusive movement. Tale of Cinema is both insightful and humorous, a pleasure to read, and a wicked invitation to keep on deciphering Hong Sangsoo’s irreconcilable geometries of love and friendship.’ Matías Piñeiro
About the film: Forty minutes in, we realise we’ve been watching a film within the film. The ‘real’ characters leave the cinema and find themselves reenacting what they just saw, as a chance encounter invites a suicide pact. Is it life imitating art, or the other way around? -- publisher's web siteISBN: 9780645454703
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TALE OF LOVE, A : (US, Trinh T. Minh-ha, 1995)
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TALE OF LOVE AND DARKNESS, A : (IS, Natalie Portman, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: TALE OF LOVE AND DARKNESS, A (IS, Natalie Portman, 2015) URL status: URL: 'http://file://Q:/T/TALE_OF_LOVE_AND_DARKNESS,_A.zip'
Checked: 31/08/2021 1:42:27 PM
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title clippings file -- afi distribution clippings file: restricted access
TALE OF RUBY ROSE, THE : (AT, Roger Scholes, 1987)
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still
[Tale of Ruby Rose, the : stills file]
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title clippings file
TALE OF THE THREE LOST JEWELS : (BE/UK/PA, Michel Khleifi, 1995)
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TALE OF TWO PEOPLES, THE : (AT, Richard Frankland & Laurence Abou-Khater, 2001)
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TALE, THE : (US/ GG, Jennifer Fox, 2018)
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TALENTED MR. RIPLEY, THE : (US, Anthony Minghella, 1999)
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TALES FROM A SUITCASE [TV] : (AT, 2002)
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TALES FROM AFAR : (AT, Angelo Salamanca, 1996)
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TALES FROM OCEANIA : (AT, John Tristram & I. James Wilson, 1997)
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TALES FROM THE CRYPT PRESENTS BORDELLO OF BLOOD : (US, Gilbert Adler, 1996)
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TALES FROM THE CRYPT PRESENTS DEMON KNIGHT : (US, Ernest R. Dickerman, 1995)
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TALES FROM THE DARKSIDE: THE MOVIE : (US, John Harrison, 1990)
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TALES FROM THE GIMLI HOSPITAL : (CN, Guy Maddin, 1988)
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TALES FROM THE HOOD : (US, Rusty Cundieff, 1995)
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TALES FROM TINDER [MOM] : (AT, 2015)
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book
The tales of Hoffmann : a study of the film / by Monk Gibbon London: Saturn Press, 1951.
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TALES OF HOFFMANN, THE : (UK, Michael Powell / Emeric Pressburger, 1951)
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TALES OF THE CITY [TV] : (UK/US, Alastair Reid, 1994)
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TALES OF THE GRIM SLEEPER : (US/UK, Nick Broomfield, 2014)
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TALES OF THE SOUTH SEAS (TV) : (AT/FR/GE, in prod.)
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journal article
Tales That Witness Madness in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.8
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TALIBAN COUNTRY : (AT?, Carmela Baranowska, 2004)
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TALK : (AT, Susan Lambert, 1994)
Call No: TITLE CLIPPINGS FILE -- AFI DISTRIBUTION CLIPPINGS FILE: RESTRICTED ACCESSPhysDes: Clippings; Press kit; Publicity; StillsSubject: TALK (AT, Susan Lambert, 1994)
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title clippings file
TALK 16 : (CN, Janis Lundman & Adrienne Mitchell, 1991)
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TALK BACK : (AT, Ruth Cullen, 1985)
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title clippings file
TALK OF ANGELS : (UK, Nick Hamm, 1998)
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title clippings file
TALK RADIO : (US, Oliver Stone, 1988)
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subject clippings file
TALK SHOWS
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: TALK SHOWS
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still
[Talk : stills file] / Elise Lockwood Suitcase Films,
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title clippings file
TALK TO ME : (US, George Esguerra, 1996)
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title clippings file
TALK TO ME : (US, Kasi Lemmons, 2007)
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book
Talk to the animals / Margaret Barca Ringwood: Viking, 1996.
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TALKABOUT WALKABOUT : (AT, Gary Cooper, 2006)
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title clippings file
TALKIN' 'BOUT YOUR GENERATION [TV] : (AT, 2009 - )
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Old collection
book
Talking about the cinema : film studies for young people / Jim Kitses, with Ann Mercer BFI Education, 1966.
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Old collection
book
Talking about the cinema / by Jim Kitses & Ann Kaplan ; with addittional matterial by Jim Hillier & Jim Cook London: BFI Education, 1974 (Revised).
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title clippings file
TALKING BROKEN : (AT, Frances Calvert, 1990)
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[Talking broken : stills file]
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book
Talking pictures : screenwriters in the American cinema / Richard Corliss ; pref. by Andrew Sarris New York: Penguin Books, 1975, c1974.
Call No: 802.24(73) CORAuthor: Corliss, Richard Place: New YorkPublisher: Penguin BooksPubDate: 1975, c1974PhysDes: xxviii, 398 p. ; 20 cmSubject: SCRIPTWRITERS. USA ; STURGES, PRESTON ; TASHLIN, FRANK ; AXELROD, GEORGE ; KOCH, HOWARD ; WILDER, BILLY ; COMDEN, BETTY ; GREEN, ADOLPH ; GORDON, RUTH ; MANKIEWICZ, JOSEPH L. ; ROBINSON, CASEY ; DAVES, DELMER ; LARDNER, RING, Jr. ; BENTON, ROBERT ; SOUTHERN, TERRY ; SEGAL, ERICH ; HENRY, BUCK ; FEIFFER, JULES ; NEWMAN, DAVID ; TRUMBO, DALTON ; FURTHMAN, JULES ; BUCHMAN, SIDNEY ; RYSKIND, MORRIE ; MAYER, EDWIN JUSTUS ; LEDERER, CHARLES ; BRACKETT, CHARLES ; NUGENT, FRANK S. ; JOHNSON, NUNNALLY ; LEHMAN, ERNEST ; KANIN, GARSON ; RISKIN, ROBERT ; NICHOLS, DUDLEY ; MANKIEWICZ, HERMAN J. ; KRASNA, NORMAN ; STONE, PETER ; CHASE, BORDEN ; POLONSKY, ABRAHAM ; RAPHAELSON, SAMSON ; HECHT, BEN ISBN: 0140040897 : $4.95 ($5.50 Can)LON: 279480
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book
Talking with television : woman, talk shows and modern self-reflexivity / Helen Wood Urbana: University of Illinois Press, 2009.
Call No: 451-02 WOOAuthor: Wood, Helen Place: UrbanaPublisher: University of Illinois PressPubDate: 2009PhysDes: xi, 238 p . ; 24 cmSeries: Feminist studies and media cultureSubject: FEMINISM AND TV ; SOCIOLOGY AND TV ; TALK SHOWS ; BAHTIN, MIHAIL ; MONTGOMERY, MARIAN ; SAUSSURE, FERDINAND DE ; OPRAH WINFREY SHOW, THE [TV] (US, 1986- ) Summary: Focusing on the political and everyday nature of talk, Talking with Television explores the relationship between talk on TV, talk about TV, and, most dynamically, talk with TV. By observing and analyzing the daily viewing habits of a dozen women viewers, Helen Wood captures how television dynamically unfolds alongside the viewers' own personal opinions, experiences, and life stories. She interprets these experiences as daily rituals of self-reflexivity, focusing on the performance of gender as a doubling of place in contemporary conditions of modernity. Offering a critical analysis of the ritual communication of talk television, Wood argues for a more sustained focus on the mechanics of mediated interaction in media studies, particularly as the field attempts to theorize the characterisitcs of 'old' and 'new' media. Directly challenging the fundamental assumption that new media forms are uniquely interactive, Talking with television reveals that televisual styles, particularly talk-based TV, have always sought to encourage a participatory relationship with viewers at home. -- BLURBNotes: Includes bibliographical references (p. [223]-234) and indexISBN: 97802520763022Contents: Talk is not so cheap -- Making talk talk in media studies -- Daytime talking -- Method : texts-in-action -- Talking about daytime talk -- Talking back : the mediated conversational floor -- Texts, subjects, and modern self-reflexivity -- Conclusions : media, mechanics, and the politics of self-reflexivity
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TALL, DARK AND O'HAILPIN : (IE, Patrick Comer, 2007)
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TALL GUY, THE : (UK, Mel Smith, 1989)
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TALL MAN, THE : (AT, Tony Krawitz, 2011) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: TALL MAN, THE (AT, Tony Krawitz, 2011) URL status: URL: 'http://file://Q:/T/TALL_MAN,_THE.zip'
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TALL POPPY A SKATERS STORY : (AT, Justine Moyle, 2021) Digital clippings file available
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TALL T, THE : (US, Budd Boetticher, 1957)
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TALL T, THE : (US, Budd Boetticher, 1957)
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TALL TALE: THE UNBELIEVABLE ADVENTURES OF PECOS BILL : (US, Jeremiah S. Chechik, 1995)
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TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY : (US, Adam McKay, 2006)
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TALMAGE FARLOW : (US, Lorenzo DeStefano, 1982)
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TAMAHORI, LEE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TAMAHORI, LEE
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personality clippings file
TAMANDL, ANDREW
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TAMANDL, ANDREW Cross Reference: TAMANDL, ANDY
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title clippings file
TAMANGO : (FR/IT, John Berry, 1958)
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TAMARA DREWE : (UK, Stephen Frears, 2010)
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TAMARA, OLGA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TAMARA, OLGA
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book
Tamas : Darkness / Bhisham Sahni ; translated from the Hindi by Jai Ratan New Dehli: Penguin Books, 1988.
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TAMAS ET JULI : (FR, Ildiko Enyedi, 1997)
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TAMBLYN, RUSS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TAMBLYN, RUSS
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title clippings file
TAMING OF THE SHREW, THE : (UK, Jonathan Miller, 1980)
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title clippings file
TAMING OF THE SHREW, THE : (IT/US, Franco Zefferelli, 1967)
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title clippings file
TAMING OF THE SHREW, THE : (IT/US, Franco Zefferelli, 1967)
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personality microfilm collection
TAMIR, EDWARD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TAMIR, EDWARD
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personality microfilm collection
TAMIROFF, AKIM
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TAMIROFF, AKIM
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personality clippings file
TAMMER, PETER
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TAMMER, PETER
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title clippings file
TAMMY : (US, Ben Falcone, 2014)
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personality microfilm collection
TAMOU, RIMA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TAMOU, RIMA
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digital clippings file
TAMPOPO : (JA, Juzo Itami, 1986) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; PublicitySubject: TAMPOPO (JA, Juzo Itami, 1986) URL status: URL: 'http://file://Q:/T/TAMPOPO.zip'
Checked: 31/08/2021 1:04:00 PM
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title clippings file
TAMU THE GUEST : (AT, Jane Oehr, 1971)
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title clippings file
TAN DE REPENTE : (AG, Diego Lerman, 2002)
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personality microfilm collection
TAN, FRED
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TAN, FRED
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title clippings file
TAN LINES : (AT, Ed Aldridge, 2006)
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personality clippings file
TAN PIN PIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TAN PIN PIN
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personality clippings file
TAN, SHAUN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TAN, SHAUN
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personality microfilm collection
TAN, TECK
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TAN, TECK
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personality clippings file
TANAKA, HIROYUKI
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personality microfilm collection
TANAKA, KINUYO
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TANAKA, KINUYO
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personality microfilm collection
TANAKA, TOMOYUKI
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TANAKA, TOMOYUKI
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title clippings file
TANAMERA: LION OF SINGAPORE : [TV] (AT, John Power & Kevin Dobson, 1987)
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title clippings file
TANASE SCATIU : (RM, Dan Pita, 1976)
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title clippings file
TANATA : (SP, Luis Mamerto López-Tapia, 1974)
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title clippings file
TANATA : (SP, Luis Mamerto López-Tapia, 1974)
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title clippings file
TANDBERG ON PAGE ONE: THE AGE OF CHANCE : (AT, 1983)
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still
[Tandberg on page one: the age of chance : stills file
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 2 photographs : b&w ; 19 x 25 cm ; 1 slide : col. 6 x 6 cmSubject: TANDBERG ON PAGE ONE: THE AGE OF CHANCE (AT, 1983) Summary: 2 black and white photographs of Ron Tandberg, an Australian illustrator and political cartoonist who has contributed to The Age newspaper since 1972, and 1 colour slide.
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title clippings file
TANDEM : (FR, Patrice Leconte, 1987)
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personality microfilm collection
TANDY, JESSICA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TANDY, JESSICA
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personality microfilm collection
TANDY, STEVEN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TANDY, STEVEN
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title clippings file
TANG KONG, KCUPZILSOKUI YOUNG : (KO, Lee Won-Se, 1979)
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title clippings file
TANG SHAN DA XIONG : (HK, Lo Wei, 1971)
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Online resource
digital clippings file
TANGERINE : (US, Sean Baker, 2015) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: TANGERINE (US, Sean Baker, 2015) URL status: URL: 'http://file://Q:/T/TANGERINE.zip'
Checked: 31/08/2021 1:35:30 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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newspaper article
Tangerine dream in The Age (11/07/2015) p.39
Call No: TITLE CLIPPINGS FILE; TANGERINE (US, Sean Baker, 2015)Author: Purcell, Andrew PhysDes: Clippings File ArticleSubject: TANGERINE (US, Sean Baker, 2015) Summary: Discussion of the film TANGERINE, with some talk about the use of smart phones and other low cost equipment and software and of the non-actors used in the film
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title clippings file
TANGERINE DREAMS : (AT, Kerry Light, 1997)
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title clippings file
TANGLE [TV] : (AT, 2009)
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title clippings file
TANGLED : (US, Nathan Greno & Byron Howard, 2010)
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newspaper article
Tangled drama of love, sex, money and politics in The Australian (16/09/2016) p.17
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title clippings file
TANGO : (SP, Carlos Saura, 1998)
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title clippings file
TANGO : (PL, Zbigniew Rybczynski, 1980)
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title clippings file
TANGO BAR : (AG/PR, Marcos Zurinaga, 1987)
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title clippings file
TANGO & CASH : (US, Andrej Koncalovskij, 1989)
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title clippings file
TANGO LESSON, THE : (UK, Sally Potter, 1997)
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title clippings file
TANGO OF SLAVES : [TV] (UK, Ilan Ziv, 1994)
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Online resource
digital clippings file
TANGO OF THE WIDOWER, THE [TANGO DEL VIUDO, EL] : (CL, Raoul Ruiz, Valeria Sarmiento,2020) Digital clippings file available
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title clippings file
TANGOS - L'EXIL DE GARDEL : (FR/AG, Fernando E. Solanas, 1985)
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title clippings file
TANGOSPIELER, DER : (GW, Roland Gräf, 1991)
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title clippings file
TANGUY : (FR, Etienne Chatiliez, 2001)
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title clippings file
TANK : (US, Marvin J. Chomsky, 1984)
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title clippings file
TANK GIRL : (US, Rachel Talalay, 1995)
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personality clippings file
TANKARD, MERYL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TANKARD, MERYL
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title clippings file
TANNA : (AT/VU, Bentley Dean and Martin Butler, 2015)
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script
Tanna : post production script Norwood, SA: Digital clippings file available
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poster
[Tanna : poster]
Call No: P TANPhysDes: 1 poster : col. ; 97 X 67cmSubject: TANNA (AT/VU, Bentley Dean and Martin Butler, 2015) Summary: Image: Wawa and Dain embracing with backs facing outwards. Dain's head is turned looking outwards. Text: 'Two tribes. One love.'Notes: Significant tearing on right top edgeDonation: Cinema Nova
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newspaper article
Tanna's unlike Oscar nod gives directors, cast a buzz in Sydney Morning Herald (26/01/2017) p.7
Call No: TITLE CLIPPINGS FILE; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: AWARDS. ACADEMY ; TANNA (AT/VU, Bentley Dean and Martin Butler, 2015) Summary: Report on the 14 nominations gathered by Australian films and filmworkers, with an interview with Martin Butler, the director of TANNA which has been nominated for Best Foreign Language Film
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title clippings file
TANNER '88 [TV] : (US, 1988)
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digital clippings file
TANNER, ALAIN Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: TANNER, ALAIN
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personality clippings file
TANNER, JOSH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TANNER, JOSH
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personality clippings file
TANNER, LIBBY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TANNER, LIBBY
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personality microfilm collection
TANNER, RICHARD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TANNER, RICHARD
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title clippings file
TANO DA MORIRE : (IT, Roberta Torre, 1997)
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personality clippings file
TANOVIC, DANIS
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TANOVIC, DANIS
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title clippings file
TANU, A : (HU, Peter Bacso, 1979[prod.1969])
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title clippings file
TAO OF STEVE, THE : (US, Jeniphr Goodman, 2000)
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title clippings file
TAP : (US, Nick Castle, 1989)
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title clippings file
TAPAGE NOCTURNE : (FR, Catherine Breillat, 1979)
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title clippings file
TAPE : (US, Richard Linklater, 2001)
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title clippings file
TAPEHEADS : (US, Bill Fishman, 1988)
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title clippings file
TAPIES : (FR, Clovis Prevost, 1969)
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title clippings file
TAPIES : (FR, Clovis Prevost, 1969)
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title clippings file
TAPS : (US, Harold Becker, 1981)
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journal article
TAPS in Australasian Cinema (23/07/1982) vol.11 iss.13 p.7
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Online resource
digital clippings file
TAPSELL, MIRANDA Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: TAPSELL, MIRANDA URL status: URL: 'http://file://Q:/P/TAPSELL,_MIRANDA.zip'
Checked: 31/08/2021 1:25:00 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
TAR : (US?, Goetz Grossmann, 1997)
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title clippings file
TAR UR STEINI : (IC, Hilmar Oddsson, 1996)
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personality microfilm collection
TARADASH, DANIEL
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TARADASH, DANIEL
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newspaper article
The Tarantino appeal in Sunday Telegraph (07/02/2016) p.114
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Online resource
digital clippings file
Tarantino, Quentin Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: Tarantino, Quentin URL status: URL: 'http://file://Q:/P/TARANTINO,_QUENTIN.zip'
Checked: 31/08/2021 12:43:46 PM
Status: Error
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personality clippings file
TARASIN, JASMIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TARASIN, JASMIN
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title clippings file
TAREA, LA : (MX, Jaime Humberto Hermosillo, 1990)
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title clippings file
TARFLOWERS : [TV] (AT, Bill Fitzwater, 1985)
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book
Tarflowers / Terry Larsen Ringwood: McPhee Bribble / Penguin Books, 1985.
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title clippings file
TARGET : (II, Sandip Ray, 1995)
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title clippings file
TARGET : (US, Arthur Penn, 1985)
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title clippings file
TARGET NICARAGUA: INSIDE A COVERT WAR : (US, Saul Landau, 1983)
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title clippings file
TARGET SHOOTS FIRST, THE : (US, Christopher Wilcha, 2000)
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personality microfilm collection
TARGET, SIMON
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TARGET, SIMON
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title clippings file
TARGETS : (US, Peter Bogdanovich, 1968)
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title clippings file
TARKA THE OTTER : (UK, David Cobham, 1978)
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personality clippings file
TARKOVSKIJ ANDREJ
SEE
TARKOVSKY, ANDREI
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personality microfilm collection
TARKOVSKY, ANDREI
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TARKOVSKY, ANDREI
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title clippings file
TARNATION : (US, Jonathan Caouette, 2003)
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title clippings file
TARNATION : (AT, Daniel Armstrong, 2017)
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title clippings file
TARNISHED ANGELS, THE : (US, Douglas Sirk, 1957)
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personality microfilm collection
TARNOFF, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TARNOFF, JOHN
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title clippings file
TARPAN : (II, K. Bikram Singh, 1994)
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personality microfilm collection
TARR, BELA
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TARR, BELA ID2: 64
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personality microfilm collection
TARRANT, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TARRANT, JOHN
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title clippings file
TARSASUTAZAS : (HU, Gyula Gazdag, 1985)
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book
The Tartan guide to Asia extreme : An introduction to the astonishing world of cinema from the far east / Mark Pilkington / Jule Hartung (ed.) 2004.
Call No: 720(5) TARAuthor: Mark Pilkington PubDate: 2004PhysDes: 17 cm ; 58 pSubject: HORROR FILMS. HONG KONG ; HORROR FILMS ; CITY OF SADNESS, A [ ; KOREA ; JAPAN ; TAIWAN ; GENRES ; THAILAND Summary: With titles such as Hard Boiled, Kwaidan and Onibaba, Tartan delivered the best and most provocative cinema from the East. But when Ring and Audition were unleashed upon unsuspecting audiences nationwide it became apparent that the appetite for such outrageous fare was massive, and it made sense to let people know where to find it. Thus, Asia Extreme was born. Films such as Battle Royale and Infernal Affairs continue to satisfy the ever increasing hunger for astounding cinematic style and outrageous shock moments, while a swathe of even newer titles – like Oldboy and Koma – wait in the wings for their chance to leave audiences breathless. Now, it seems inconceivable that, once upon a time, Asia Extreme didn’t exist at all. Heres the story of the origin and development of the most exciting and unique of all contemporary genres. [Taken from back cover].
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personality microfilm collection
TARTIKOFF, BRANDON
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title clippings file
TARTUFFE, LE : (FR, Gerard Depardieu, 1984)
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title clippings file
TARZAN : (US, Kevin Lima & Chris Buck, 1999)
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title clippings file
TARZAN : G, Reinhard Klooss, 2013)
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title clippings file
TARZAN AND HIS MATE : (US, Cedric Gibbons, 1934)
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title clippings file
TARZAN AND THE LOST CITY : (US, Carl Schenkel, 1998)
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title clippings file
TARZAN ESCAPES : (US, Richard Thorpe, 1936)
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subject clippings file
TARZAN IN FILMS
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afi distribution clippings file - restricted access
TARZAN'S SOUTH YARRA ADVENTURE : (AT, Ray Boseley, 1984)
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title clippings file
TARZAN, THE APE MAN : (US, John Derek, 1981)
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title clippings file
TARZOON, LA HONTE DE LA JUNGLE : (BE/FR, Picha [pseud. of Jean-Paul Walravens] & Boris Szulzinger, 1975)
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personality microfilm collection
TASHLIN, FRANK
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TASHLIN, FRANK
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title clippings file
TASIO : (SP, Montxo Armendariz, 1984)
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title clippings file
TASMANIA: LAND OF THE DEVILS [TV] : (AT, Prod. David Neiman, 2000)
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title clippings file
TASMANIA'S SOUTH WEST: A WILDERNESS IN QUESTION : (AT, Damon Smith, 1979)
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title clippings file
TASMANIA: THE LAST WILDERNESS : (AT, Lionel Jensen, 1983)
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title clippings file
TASMANIAN TIGER: THE DEFINITIVE DOCUMENTARY : (AT, Craig Wellington, 1999)
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title clippings file
TASOGARE SEIBEI : (JA, Yoji Yamada, 2003)
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digital clippings file
TASS, NADIA Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: Stills; ClippingsSubject: TASS, NADIA URL status: URL: 'http://file://Q:/P/TASS,_NADIA.zip'
Checked: 31/08/2021 12:53:39 PM
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title clippings file
TASSINARO, IL : (IT, Alberto Sordi, 1984)
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digital clippings file
TASTE OF HONEY, A : (UK, Tony Richardson, 1961) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Publicity; ArticleSubject: TASTE OF HONEY, A (UK, Tony Richardson, 1961) URL status: URL: 'http://file://Q:/T/TASTE_OF_HONEY,_A.zip'
Checked: 31/08/2021 1:04:19 PM
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title clippings file
TASUMANIA MONOGATARI : (JA, Yasuo Orihata, 1990)
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personality clippings file
TATE, JENNIE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TATE, JENNIE
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personality microfilm collection
TATE, JOHN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TATE, JOHN
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personality microfilm collection
TATE, NICK
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: TATE, NICK
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personality microfilm collection
TATI, JACQUES
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TATI, JACQUES
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title clippings file
TATIE DANIELLE : (FR, Etienne Chatiliez, 1990)
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personality microfilm collection
TATOS, ALEXANDRU
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TATOS, ALEXANDRU
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title clippings file
TATOWIERUNG : (G, Johannes Schaaf, 1967)
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title clippings file
TATTOO : (US, Bob Brooks, 1981)
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title clippings file
TATTOO : (GG, Robert Schwentke, 2002)
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title clippings file
TATTOOED TEARS : (US, Joan Churchill & Nick Broomfield, 1978)
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personality clippings file
TATUM, CHANNING
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TATUM, CHANNING
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title clippings file
TAU SERU : (AT/II, Rodd Rathjen, 2013)
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personality clippings file
TAUFA, ANTHONY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TAUFA, ANTHONY
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title clippings file
TAUGENICHTS : (GW, Bernhard Sinkel, 1978)
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personality clippings file
TAUSSIG, HANS JOHN CARLSSON
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personality clippings file
TAUTOU, AUDREY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: TAUTOU, AUDREY
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title clippings file
TAVALOD-E PARVANEH : (US, George Hickenlooper, 1999)
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title clippings file
TAVEN, THE : (US, Walter Foote, 1999)
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Online resource
digital clippings file
TAVERNA, THE : (AT, Alkinos Tsilimidos, 2019) Digital clippings file available
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personality microfilm collection
TAVERNIER, BERTRAND
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TAVERNIER, BERTRAND
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personality microfilm collection
TAVIANI, PAOLO & VITTORIO
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personality microfilm collection
TAVOULARIS, DEAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TAVOULARIS, DEAN
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journal article
Tax Notes: A General Guide in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.12
PhysDes: ArticleSubject: INDUSTRY, FILM. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; TAXES. AUSTRALIA ; FUNDING. AUSTRALIA Summary: A break-down for investors and producers regarding the Australian Governments tax scheme for private investment, Division 10BA. Has general information under the categories; eligible films, eligible expenses, production expenses, development expenses, at risk, underwriting, allocation of individual investments to production costs, and timing of deduction.
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journal article
Tax shelters bring out investors, artists and movie buffs... : The paying patrons come later! in Australasian Cinema (24/6/1983) vol.12 iss.11 p.1
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title clippings file
TAXANDRIA : (BE/GG/FR, Raoul Servais, 1995)
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title clippings file
TAXEEE! : (AT, Ben Holgate, 1996?)
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subject clippings file
TAXES
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: TAXES
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digital clippings file
TAXES. AUSTRALIA Digital clippings file available
Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: TAXES. AUSTRALIA URL status: URL: 'http://file://Q:/S/TAXES._AUSTRALIA.zip'
Checked: 31/08/2021 12:45:24 PM
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subject clippings file
TAXES. USA
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: TAXES. USA
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title clippings file
TAXI : (US, Tim Story, 2004)
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title clippings file
TAXI : (IR, Jafar Panahi, 2015)
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digital clippings file
TAXI DRIVER : (US, Martin Scorsese, 1976) Digital clippings file available
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book
Taxi driver London: Faber and Faber, 1990.
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