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Art and the moving image : A critical reader / Tanya Leighton London: Tate Publishing in association with Afterall, 2008.
Call No: 771 ARTAuthor: Leighton, Tanya Source: UKPlace: LondonPublisher: Tate Publishing in association with AfterallPubDate: 2008PhysDes: 496 p. Ilustrations (some color) ; 25cmSubject: ACCONCI, VITO ; BARTHES, ROLAND ; BELLOUR, RAYMOND ; BENJAMIN, WALTER ; BRAKHAGE, STAN ; CONRAD, TONY ; DANEY, SERGE ; DEBORD, GUY ; DELEUZE, GILLES ; DUCHAMP, MARCEL ; EXPANDED CINEMA ; EXPERIMENTAL FILMS ; EXPORT, VALIE ; FAROCKI, HARUN ; GODARD, JEAN-LUC ; HUYGHE, PIERRE ; KUBELKA, PETER ; MCLUHAN, MARSHALL ; MEKAS, JONAS ; ONO, YOKO ; PAIK, NAM JUNE ; RESNAIS, ALAIN ; SCHNEEMANN, CAROLEE ; SNOW, MICHAEL ; STRUCTURAL FILMS ; STRUCTURALISM ; VIDEO ART ; VIOLA, BILL ; WARHOL, ANDY ; WOLLEN, PETER Summary: "The mutual fascination between art and cinema has had a great influence on contemporary culture. For the past fifty years, the love/hate affair between the two has triggered vital aesthetic, social and political responses that constantly renew the way we understand our age. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? 'Art and the Moving Image' gathers together key texts including new, translated and previously unavailable essays by eminent writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen. It offers an essential introduction to the complex field of art and the projected image for both students and general readers." -- Publisher's website.Notes: Includes bibliographical references and index.ISBN: 9781854376251Donation: Adrian MilesContents: Preface / Charles Esche -- Introduction / Tanya Leighton -- Colour plates -- Part I. Histories and revisions -- Fluxfilms in three false starts / Bruce Jenkins -- 'Culture: Intercom' and expanded cinema: a proposal and manifesto / Stan VanDerBeek -- Enclosed by images: the Eameses' multimedia architecture / Beatriz Colomina -- 'My mind split open': Andy Warhol's exploding plastic inevitable / Branden W. Joseph -- The Museum of attractions: marcel Broodthaers and the 'Section Cine´ma' / Eric de Bruyn -- Paul Sharits and the active spectator / Federico Windhausen -- Bare lives / Pamela M. Lee -- Leisure 73 / Sabeth Buchmann -- The two avant-gardes / Peter Wollen -- Modes of film practice in the avant-garde / Jonathan Walley -- Part II. The agonistic relationship between video and television -- Hardware: the videosphere / Gene Youngblood -- Video: the aesthetics of narcissism / Rosalind Krauss -- Tale of the tape: 'Radical Software' / David Joselit -- Dependent participation: Bruce Nauman's environments / Janet Kraynak -- After the cull / Elizabeth Bennett Hupp -- Live on tape: video, liveness and the immediate / William Kaizen -- The art of the possible: notes about some installations by Harun Farocki / Christa Blu¨mlinger -- Video, flows and real time / Maurizo Lazzarato -- Five years later / Bill Horrigan -- Part III. From cinema to post-cinema -- Deleuze's time, or how the cinematic changes our idea of art / John Rajchman -- Difference and repetition: on Guy Debord's films / Giorgio Agamben -- From movies to moving / Serge Daney -- The time of re-departure: after cinema, the cinema of the subject / Jean-Chrisotphe Royoux -- Dissolution of the frame: immersion and participation in video installations / Ursula Frohne -- Video projection: the space between screens / Liz Kotz -- Siting cinema / Andrew V. Uroskie -- Moving images moving images / John Kelsey -- Of an other cinema / Raymond Bellour -- The gap between film and installation art / Alexander Alberro -- White cube, black box and grey areas: venues and values / Gregor Stemmrich -- Art and cinema: some critical reflections / Mark Nash -- 'You Never Know the Whole Story': Ute Friederike Ju¨rss and the aesthetics of the heterochronic image / Thomas Y. Levin.
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Indiscretions : avant-garde film, video & feminism / Patricia Mellencamp Bloomington: Indiana University Press, c1990.
Call No: 771:396 MELAuthor: Mellencamp, Patricia Place: BloomingtonPublisher: Indiana University PressPubDate: c1990PhysDes: xix, 234 p. ; 24 cmSeries: Theories of contemporary culture ; v. 12Subject: AVANT-GARDE FILMS. USA ; POSTMODERNISM AND THE CINEMA ; FEMINISM AND THE CINEMA ; CONDIT, CECELIA ; DELEUZE, GILLES ; GUATTARI, FELIX ; FRAMPTON, HOLLIS ; MULVEY, LAURA ; NELSON, ROBERT ; PAIK, NAM JUNE ; POTTER, SALLY ; RAINER, YVONNE ; SNOW, MICHAEL ; MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) Notes: Includes bibliographical references (p. [215]-231) and indexISBN: 0253337437 (alk. paper); 0253205875 (pbk. : alk. paper)LON: 6933865
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Making images move : handmade cinema and the other arts / Gregory Zinman Oakland, California: University of California Press, 2020.
Call No: 721-051[7] ZINAuthor: Zinman, Gregory Edition: 2020Place: Oakland, CaliforniaPublisher: University of California PressPubDate: 2020PhysDes: xvi, 372 pages : illustrated ; 26cmSubject: EXPERIMENTAL FILMS ; BELSON, JORDAN ; BRAKHAGE, STAN ; DEBORD, GUY ; LYE, LEN ; MCLAREN, NORMAN ; PAIK, NAM JUNE ; RICHTER, HANS ; TRAITE DE BAVE ET D'ETERNITE (FR, Isidore Isou, 1951) ; SCHNEEMANN, CAROLEE ; VIDEO ART Summary: Making Images Move reveals a new history of cinema by uncovering its connections to other media and art forms. In this richly illustrated volume, Gregory Zinman explores how moving-image artists who worked in experimental film pushed the medium toward abstraction through a number of unconventional filmmaking practices, including painting and scratching directly on the film strip; deteriorating film with water, dirt, and bleach; and applying materials such as paper and glue. This book provides a comprehensive history of this tradition of “handmade cinema” from the early twentieth century to the present, opening up new conversations about the production, meaning, and significance of the moving image. From painted film to kinetic art, and from psychedelic light shows to video synthesis, Gregory Zinman recovers the range of forms, tools, and intentions that make up cinema’s shadow history, deepening awareness of the intersection of art and media in the twentieth century, and anticipating what is to come. -- publisher's web siteISBN: 9780520302730Donation: Footprint Books
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New Artists Video : a critical anthology / edited by Gregory Battcock New York: E. P. Dutton, 1978.
Call No: 771(73) BATAuthor: Battcock, Gregory Edition: First editionPlace: New YorkPublisher: E. P. DuttonPubDate: 1978PhysDes: xxii, 198 p. : ill. ; 21 cm.Series: A Dutton paperbackSubject: VIDEO ART ; PAIK, NAM JUNE ; MCLUHAN, MARSHALL ISBN: 9780525474616Donation: J. SabineContents: Negative Videology / Vicky Alliata -- Poetry and Video Tape: A Suggestion / Michael Benedikt -- Video: The Art of Observable Dreams / Mona Da Vinci -- The End of Video: White Vapor / Douglas Davis -- Reflections on the Electric Mirror / Lynn Hershman -- Literary Video / Richard Kostelanetz -- Video: The Aesthetics of Narcissism / Rosalind Krauss -- Video Art in the TV Landscape: Notes on Southern California / Kim Levin -- One-Gun Video Art / Les Levine -- Epistemological TV / Richard Lorber -- Video Art, the Imaginary and the Parole Vide / Stuart Marshall -- Videa, Vidiot, Videology / Nam June Paik with Charlotte Moorman -- A Provisional Overview of Artists' Television in the U.S. / David Ross -- Kissing the Unique Object Good-bye / Robert Stefanotty -- A Means Toward an End / Judtih Van Baron -- Videospace: Varieties of the Video Installation / Ingrid Wiegand -- Sign-off Devotional (Meditation and Prayer) / Ron Whyte.
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personality microfilm collection
PAIK, NAM JUNE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: PAIK, NAM JUNE
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Transmission / edited by Peter D'Agostino New York: Tanam Press, 1985.
Call No: 62 DAGAuthor: D'Agostino, Peter, 1945 Place: New YorkPublisher: Tanam PressPubDate: 1985PhysDes: viii, 326 p. : ill. ; 23 cmSubject: BROADCASTING ; SOCIETY AND TV ; PAIK, NAM JUNE Notes: "A Tanam Press book."; Cover subtitle: Theory and practice for a new television aesthetics; Includes index; Videography: p. 313-314; Bibliography: p. 315-318ISBN: 0934378258; 0934378266 (pbk.)LON: abn85280226; 4110968Contents: Introduction / Sean Cubitt -- Lost Generations / Fredric R Jameson -- Surrealism without the Unconscious -- Andrea L Press / Women Watching Television: Issues of Class, Gender, and Mass Media Reception / Todd Gitlin -- The Whole World Is Watching / Avital Ronell -- Video/Television/Rodney King: Twelve Steps beyond The Pleasure Principle / Erik Barnouw -- The Case of the A-Bomb Footage / Marita Sturken -- The Television Image and Collective Amnesia: Dis(re)membering the Persian Gulf War / Deirdre Boyle -- Guerrilla Television / Laurie Ouellette -- Will the Revolution Be Televised? Camcorders, Activism, and Alternative Television in the 1990s / Eric Michaels -- The Aboriginal Invention of Television in Central Australia 1982-1986 / John Carey and Pat O'Hara -- Interactive Television / David Tafler -- Boundaries and Frontiers: Interactivity and Participant Experience - Building New Models and Formats / Peter d'Agostino -- Virtual Realities: Recreational Vehicles for a Post-Television Culture?/ Peter d'Agostino -- Bibliography -- Index -- About the authorsURL status: URL: 'http://-'
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Video : the reflexive medium / Yvonne Spielmann ; translated from the original German, with a slightly expanded introduction for the English edition by Anja Welle and Stan Jones Cambridge, Mass.: MIT Press, 2008.
Call No: 771 SPIAuthor: Spielmann, Yvonne Source: USPlace: Cambridge, Mass.Publisher: MIT PressPubDate: 2008PhysDes: viii, 371 pages : illustrations ; 24 cmSeries: LeonardoSubject: VIDEO ART ; ACCONCI, VITO ; PAIK, NAM JUNE Summary: "In this book, Yvonne Spielmann argues that video is not merely an intermediate stage between analog and digital but a medium in its own right. Video has metamorphosed from technology to medium, with a set of aesthetic languages that are specific to it, and current critical debates on new media still need to recognize this." - taken from back coverNotes: Includes bibliographical references and index. -- Translated from the German.ISBN: 9780262515177Contents: Introduction: the Audiovisual Medium -- 1. Video, a Technology, a Medium -- Media-theoretical Considerations -- The Visualization Debate -- Preconditions of the Technology and the Apparatus -- Matrix Phenomena -- 2. The Reflexive Medium -- Experimental Phase -- Guerilla Television -- Artistic Video -- Excursus on the Relationship of Film, Video, and Computer -- Experimental Video -- Video Cultures -- 3. Video Aesthetics -- Apparatus, Self-Reflexion, and Performance: Vito Acconci and Dennis Oppenheim -- Picture, Reproduction, Media Images: Ulrike Rosenbach, Joan Jonas, and Valie Export -- Video/ TV: Nam June Paik and Dara Birnbaum -- Video, Photo, and Film: Klaus vom Bruch and Peter Campus -- Structural Video: Michael Langoth, Les Levine, Jean-Francois Guiton, Richard Serra, and Dieter Kiessling -- Musicalization in Video: Robert Cahen -- Layering and Condensing: Peter Callas -- Video Scratching: Martin Arnold and Raphael Montanez Ortiz -- Video Void: David Larcher -- Micro/ Macro Dimensions: Nan Hoover -- Picture, Text, Voice, and Writing: Gary Hill -- Video and Computers: Steina and Woody Vasulka -- Video and Virtual Environment: Lynn Hershman -- Video, Poetics, and Hypermedia: Bill Seaman -- Video Installation: Eija-Lilsa Ahtila, Chantal Akerman, and Gillian Wearing -- Outlook: Complexity and Interactivity.
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