journal article
in Velvet Light Trap (Fall 2005) iss.56
Call No: DVD RESEARCH FOLDERSubject: DVD ; DVD, FILMS ON ; HOME EQUIPMENT ; HOME EXHIBITION ; PRESERVATION OF FILMS ; CRITERION COLLECTION ; MANGA ; BROOKER, WILL ; AROSTEGUY, SUSAN ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002) ; LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003) ; FIGHT CLUB (US, David Fincher, 1999) Contents: A DVD edition of Velvet Light Trap. Index follows:; -- Introduction.; -- Craig Hight - Making-of documentaries on DVD: The Lord of the Rings Trilogy and Special Editions.; -- Nathan Carroll - Unwrapping archives: DVD Restoration Demonstrations and the markteting of authenticity.; -- Bradley Schauer - The Criterion Collection in the New Home Video Market: An interview with Susan Arosteguy.; -- Derek Johnson - Star Wars fans, DVD, and cultural ownership: an interview with Will Brooker.; -- Laurie Cubbison - Anime Fans, DVDs, and the authentic text.; -- James Kendrick - Aspect ratios and Joe Six-Packs: home theatre enthusiasts' battle to legitimze the DVD experience.
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The 9.5mm vintage film encyclopaedia / Pedler & Wyatt; foreword by Kevin Brownlow; revised edition compiled and edited by Patrick Moules Kibworth Beauchamp: Matador,
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ANDY HARDY COMES HOME : (US, Howard W. Koch, 1958)
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ANNABELLE COMES HOME : (US, Gary Dauberman, 2019)
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The art of record : a critical introduction to documentary / John Corner Manchester New York, NY,: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1996.
Call No: 761 CORAuthor: Corner, John, 1943 Place: Manchester New York, NY,Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's PressPubDate: 1996PhysDes: 212 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; CINEMA VERITE ; LIVING ON THE EDGE (UK, Michael Grigsby, 1987) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; ROGER AND ME (US, Michael Moore, 1989) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; COAL FACE (UK, Alberto Cavalcanti, 1935) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; LOOK IN ON LONDON (UK, 1956) ; CATHY COME HOME (UK, Ken Loach, 1966) ; WHEN THE DOG BITES (UK, Penny Woolcock, 1988) Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURBNotes: Includes bibliographical references (p. [197]-201) and indexISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper)LON: 12095813
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AT HOME ON THE LIZARD : (AT, Peter Marjason, 1974)
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AT HOME WITH JULIA : (AT, 2011)
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(AT, Ray Argall, 1990) : RETURN HOME
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AUSTRALIA'S FUNNIEST HOME VIDEOS : [TV](AT, 1990-)
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Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983.
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BEING AT HOME WITH CLAUDE : (CN, Jean Beaudin, 1992)
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BEIRUT: THE LAST HOME MOVIE : (US, Jennifer Fox, 1987)
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Beyond the multiplex : cinema, new technologies, and the home / Barbara Klinger Berkeley: University of California Press, 2006.
Call No: 386.5 KLIAuthor: Klinger, Barbara Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: xii, 310 pages : illustrations ; 24 cmSubject: CABLE TV ; DVD, FILMS ON ; HOME EXHIBITION ; INTERNET AND THE CINEMA ; PRIVATE CINEMAS ; TECHNOLOGICAL DEVELOPMENTS Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURBNotes: Formerly CIP.; Includes bibliographical references (p. 281-287) and indexISBN: 9780520245860Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures
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BIRTH AT HOME : (AT, Barbara Chobocky, 1978)
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Bobby and Frank / Margaret Pearce Sydney: Collins, 1989.
Call No: 79 HOM PEAAuthor: Pearce, Margaret Place: SydneyPublisher: CollinsPubDate: 1989PhysDes: 200 p. ; 18 cmSeries: Home and AwaySubject: HOME AND AWAY [TV] (AT, 1988 -) Notes: Based on the television program Home and away.
For childrenISBN: 0732273420
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Bond girl to bird woman in Sunday Telegraph (254/09/2016) p.122
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The boys who came home : recollections of Gallipoli / Harvey Broadbent Crows Nest: ABC Enterprises, 1990.
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BRINGING THEM HOME : [TV] (AT, Lou Griffith, 1997)
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British cinema now in National Film Theatre (January 1984) p.8
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Carly's Crisis / Trish Howarth Sydney: Collins Australia, 1989.
Call No: 79HOM HOWAuthor: Howarth, Trish Source: ATPlace: SydneyPublisher: Collins AustraliaPubDate: 1989PhysDes: 131 p. ; 18 cm.Series: Home and awaySubject: HOME AND AWAY [TV] (AT, 1988 -) Notes: Also titled Home and away (Television program)ISBN: 0732273412 (pbk.)
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CATHY COME HOME : (UK, Tony Garnett, 1984)
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Christmas at the movies : images of Christmas in American, British and European cinema / edited by Mark Connelly London ; New York: I.B. Tauris, 2000.
Call No: 743 CONPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2000PhysDes: 242 p. : ill. ; 24 cm.Subject: CHRISTMAS IN FILMS ; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939) ; SCROOGE (UK, Henry Edwards, 1935) ; CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; CHRISTMAS CAROL, A (UK, Clive Donner, 1984) ; SCROOGED (US, Richard Donner, 1988) ; MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941) ; HOLIDAY INN (US, Mark Sandrich, 1942) ; CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941) ; TURKEY TIME (UK, Tom Walls, 1933) ; HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953) ; CHEATERS, THE (US, Joe Kane, 1945) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; MIRACLE ON 34TH STREET (US, George Seaton, 1947) ; SANTA CLAUSE, THE (US, John Pasquin, 1994) ; ERNEST SAVES CHRISTMAS (US, John Cherry, 1988) ; SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985) ; GREMLINS (US, Joe Dante, 1984) ; SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984) ; SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987) ; TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; LETHAL WEAPON (US, Richard Donner, 1987) ; DIE HARD (US, John McTiernan, 1988) ; DIE HARD 2 (US, Renny Harlin, 1990) ; HOME ALONE (US, Chris Columbus, 1990) ; HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992) ; LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996) ; JINGLE ALL THE WAY (US, Brian Levant, 1996) ; MERLUSSE (FR, Marcel Pagnol, 1935) ; CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988) ; ELISA (FR, Jean Becker, 1994) ; KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956) ; IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975) ; PLACIDO (SP, Luis Garcia Berlanga, 1961) Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.Notes: Includes bibliographical references and indexes.
Filmography: p. ([223]-232)ISBN: 1860643973Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans
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The cinema of Satyajit Ray / Chidananda Das Gupta New Delhi: National Book Trust, India, 1994.
Call No: 81RAY DASAuthor: Das Gupta, Chidananda Edition: rev. and enl. ed.Place: New DelhiPublisher: National Book Trust, IndiaPubDate: 1994PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cmSubject: Ray, Satyajit ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; APARAJITO (II, Satyajit Ray, 1957) ; PARASH PATHAR (II, Satyajit Ray, 1958) ; JALSAGHAR (II, Satyajit Ray, 1958) ; APUR SANSAR (II, Satyajit Ray, 1958) ; DEVI (II, Satyajit Ray, 1960) ; TEEN KANYA (II, Satyajit Ray, 1961) ; RABINDRANATH TAGORE (ii, Satyajit Ray, 1961) ; KANCHENJUNGHA (II, Satyajit Ray, 1962) ; ABHIJAN (II, Satyajit Ray, 1962) ; MAHANAGAR (II, Satyajit Ray, 1963) ; CHARULATA (II, Satyajit Ray, 1964) ; TWO (II, Satyajit Ray, 1964) ; KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965) ; NAYAK (II, Satyajit Ray, 1966) ; CHIRIAKHANA (II, Satyajit Ray, 1967) ; GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; JANA ARANYA (II, Satyajit Ray, 1975) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HOME AND THE WORLD, THE [ ; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990) ; AGANTUK (II, Satyajit Ray, 1991) ; INNER EYE, THE (II, Satyajit Ray, 1972) ; ASANI SANKET (II, Satyajit Ray, 1973) ; SONAR KELLA (II, Satyajit Ray, 1975) ; BALA (II, Satyajit Ray, 1976) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HIRAK RAJAR DESHE (II, Satyajit Ray, 1980) ; PIKOO (II, Satyajit Ray, 1980) ; SADGATI (II, Satyajit Ray, 1981) ; SUKUMAR RAY (II, Satyajit Ray, 1988) ; GANASHATRU (II, Satyajit Ray, 1989) Notes: Includes bibliographical references (p. [201]-204)ISBN: 8123707533Donation: donated by the family of Wayne Levy, 2006
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Cinematic canines : Dogs and their work in the fiction film / Edited by Adrienne L. McLean New Brunswick, N.J.: Rutgers University Press, 2014.
Call No: 738.66 CINAuthor: McLean, Adrienne L. (ed.) Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2014PhysDes: x, 272 p. ; 24 cm ;Subject: DOGS IN MOTION PICTURES ; LASSIE COME HOME (US, Fred M. Willcox, 1943) ; BABE (AT, Chris Noonan, 1995) ; BABE: PIG IN THE CITY (AT, George Miller, 1998) ; THING, THE (US, John Carpenter, 1982) ; HITCHCOCK, ALFRED ; RED DOG (AT, Kriv Stenders, 2011) ; [EIGHT] 8 BELOW (US, Frank Marshall, 2006) ; SOUTH AFRICA ; ANTARCTICA Summary: Dogs have been part of motion pictures since the movies began. They have been featured onscreen in various capacities, from any number of “man’s best friends” (Rin Tin Tin, Asta, Toto, Lassie, Benji, Uggie, and many, many more) to the psychotic Cujo. The contributors to Cinematic Canines take a close look at Hollywood films and beyond in order to show that the popularity of dogs on the screen cannot be separated from their increasing presence in our lives over the past century.
The representation and visualization of dogs in cinema, as of other animals, has influenced our understanding of what dogs “should” do and be, for us and with us. Adrienne L. McLean expertly shepherds these original essays into a coherent look at “real” dogs in live-action narrative films, from the stars and featured players to the character and supporting actors to those pooches that assumed bit parts or performed as extras. Who were those dogs, how were they trained, what were they made to do, how did they participate as characters in a fictional universe? These are a just a few of the many questions that she and the outstanding group of scholars in this book have addressed.
Often dogs are anthropomorphized in movies in ways that enable them to reason, sympathize, understand and even talk; and our shaping of dogs into furry humans has had profound effects on the lives of dogs off the screen. Certain breeds of dog have risen in popularity following their appearance in commercial film, often to the detriment of the dogs themselves, who rarely correspond to their idealized screen versions. In essence, the contributors in Cinematic Canines help us think about and understand the meanings of the many canines that appear in the movies and, in turn, we want to know more about those dogs due in no small part to the power of the movies themselves. -- publisher's web siteISBN: 9780813563558Contents: Acknowledgments -- Introduction: Wonder Dogs / Adrienne L. McLean -- Answering a Growl: Roscoe Arbuckle’s Talented Canine Co-Star, Luke / Joanna E. Rapf -- The Dogs Who Saved Hollywood: Strongheart and Rin Tin Tin / Kathryn Fuller-Seeley and Jeremy Groskopf -- Asta the Screwball Dog: Hollywood’s Canine Sidekick / Sara Ross and James Castonguay -- Promoting Lassie: The Animal Star and Constructions of “Ideal” American Heroism / Kelly Wolf -- Dogs at War: Military Dogs in Film / Aaron Skabelund -- Loaded Dogs: Dogs, Domesticity, and “the Wild” in Australian Cinema / Jane O’Sullivan -- Bullies and Curs: Overlords and Underdogs in South African Cinema / Giuliana Lund -- Things from Another World: Dogs, Aliens, and Antarctic Cinema / Elizabeth Leane and Guinevere Narraway -- Hitchcock’s Canine Uncanny / Murray Pomerance -- The Dog at the Side of the Shot: Incongruous Dog (Canisfamiliaris) Behavior in Film / Alexandra Horowitz -- Afterword: Dogs at the Digital Divide / Adrienne L. McLean -- Works Cited -- Notes on Contributors -- Index
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Claire Denis / Judith Mayne Urbana: University of Illinois Press, 2005.
Call No: 81DEN MAYAuthor: Mayne, Judith Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: 2005PhysDes: xiv, 167 p. : ill., ports ; 21 cmSeries: Contemporary film directorsSubject: DENIS, CLAIRE ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; S'EN FOUT LA MORT (FR/GW, Claire Denis, 1990) ; U.S. GO HOME (US, Claire Denis, 1994) ; NENETTE ET BONI (FR, Claire Denis, 1996) ; J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994) ; BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999) ; VENDREDI SOIR (FR, Claire Denis, 2002) Summary: Denis has proven herself to be a key figure in the development of contemporary French cinema beyond its New Wave background and into new directions that explore race, sexuality, desire, postcoloniality, urban life, and everyday culture. [taken from back cover]Notes: Filmography: p147-153.
Includes bibliographical references and indexISBN: 0252072383
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Code 106? Quick, let's all look the other way in Sunday Age (29/11/2015) p.36
Call No: TITLE CLIPPINGS FILE; HITTING HOME [TV](AT, 2015)Author: Crabb, Annabel PhysDes: Clippings File ArticleSubject: HITTING HOME [TV](AT, 2015) Summary: Reporter Annabel Crabb discusses her reaction to the TV documentary series HITTING HOME in relation to her career as a police rounds journalist
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COMING HOME : (US, Hal Ashby, 1978)
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A companion to contemporary documentary film / edited by Alexandra Juhasz and Alisa Lebow Malden, MA: John Wiley and Sons, 2015.
Call No: 761 COMSource: USPlace: Malden, MAPublisher: John Wiley and SonsPubDate: 2015PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; SEA IN FILMS ; IMMIGRATION IN FILMS AND TELEVISION ; WORKERS IN FILMS ; YUGOSLAVIA ; SEX IN FILMS ; WOMEN MAKE MOVIES [organisation] ; DISEASES IN FILMS ; SCIENCE AND THE CINEMA ; SCIENCE IN FILMS ; AIDS ON TV. SOUTH AFRICA ; RELIGION AND THE CINEMA ; WAR FILMS ; BAL, MIEKE ; ZILNIK, ZELIMIR ; TRAN VAN THUY ; FAROCKI, HARUN ; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006) ; CRUDE (US, Joe Berlinger, 2009) ; H [TWO] 2 OIL (CN, Shannon Walsh, 2009) ; PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006) ; INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010) ; OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003) ; OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007) ; OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009) ; INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006) ; SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010) ; CONTAINED MOBILITY (SZ, Ursula Biemann, 2004) ; SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009) ; GHOSTS (UK, Nick Broomfield, 2006) ; LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007) ; TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008) ; WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996) ; H [TWO] 2 WORKER (US, Stephanie Black, 1990) ; LIFE AND DEBT (US, Stephanie Black, 2001) ; MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006) ; DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004) ; WHY CYBRACEROS? (US,Alex Rivera, 1997) ; WHY BRACEROS? (US, 1959) ; VALLEY CENTRO, EL (US, James Benning, 1999) ; LOS (US, James Benning, 2001) ; DOUBLE TIDE (US/AU, Sharon Lockhart, 2009) ; GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000) ; GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002) ; WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005) ; OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009) ; LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000) ; TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002) ; SCARLET ROAD (AT, Catherine Scott, 2011) ; PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991) ; DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002) ; AFRICA RISING (US, Paula Heredia, 2009) ; SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; WILDNESS (US, Wu Tsang, 2012) ; INNER LIFE OF THE CELL (US, XVIVO, 2006) ; BEAT IT! [TV] (SA, 2001) ; MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011) ; GEVALD (IS, Netalie Braun, 2009) ; BLACK BUS (IS, Anat Zuria, 2010) ; REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009) ; STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987) ; NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969) ; IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988) ; SERIOUS GAMES [series] (GG, Harun Farocki, 2009) ; I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002) ; MIRACULOUS BEGINNINGS (LE, Walid Raad) ; SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995) ; DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010) ; [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010) ; ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009) ; DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011) ; SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994) ; OPERATION ATROPOS (CL, Coco Fusco, 2005) ; ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006) ; TAXI TO THE DARK SIDE (US, Alex Gibney, 2007) ; BRIDGE, THE (UK/US, Eric Steel, 2006) Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.ISBN: 9780470671641Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath --
Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.
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Creative conflict Bruce Dern and the making of "Coming Home" in Post Script (Winter 1982) vol.1 iss.2 p.27-45
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DADDY'S HOME : (US, Sean Anders, 2015)
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DADDY'S HOME 2 : (US, Sean Anders, 2017)
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Dangerous ride / Sally Darroll Sydney: Collins, 1989.
Call No: N79HOM DARAuthor: Darroll, Sally Source: AustraliaPlace: SydneyPublisher: CollinsPubDate: 1989PhysDes: 151 p. ; 15 cmSeries: Home and AwaySubject: HOME AND AWAY [TV] (AT, 1988 -) Notes: Based on the television program Home and away.
For childrenISBN: 0732273404
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DEAR AMERICA: LETTERS HOME FROM VIETNAM : (US, Bill Couturie, 1987)
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book
distant home, The / Tony Morphett Port Melbourne, Vic: Mammoth, 1993.
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book
The do-it-yourself film animation book / By Bob Godfrey & Anna Jackson North Ryde [N.S.W.]: Australian Film and Television School, January 1983.
Call No: 772 GODAuthor: Godfrey, Bob ; Jackson, Anna ; Geesin, Ron ; Gilliam, Terry ; Hayward, Stan ; Williams, Richard Edition: 1974Place: North Ryde [N.S.W.]Publisher: Australian Film and Television SchoolPubDate: January 1983PhysDes: 96 pages : Illus. ; 23 cmSubject: GODFREY, BOB ; ANIMATION ; HOME MOVIES Notes: "Five television programes [sic] on BBC1 Produced by David Hargreaves First broadcast on BBC1 from April 1974" -- IFC; "This British Broadcasting Corporation publication is reprinted by the Australian Film and Television School under licence from the BBC. Copies in Australia are obtainable only from the Australian FIlm and Television School." -- IFCISBN: 0563108290
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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title clippings file
DOG'S WAY HOME, A : (US, Charles Martin Smith , 2019)
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I DON'T FEEL AT HOME IN THIS WORLD ANYMORE : (US, Macon Blair, 2017)
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book
Double takes : culture and gender in French films and their American remakes / Carolyn A. Durham Hanover, NH: Dartmouth University Press of New England, c1998.
Call No: 408.3(44) DURAuthor: Durham, Carolyn A Place: Hanover, NHPublisher: Dartmouth University Press of New EnglandPubDate: c1998PhysDes: xi, 246 p. : ill. ; 24 cmSeries: Contemporary French culture and societySubject: BIRDCAGE, THE (US, Mike Nichols, 1996) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; HOMOSEXUALITY IN FILMS ; MARRIAGE IN FILMS ; REMAKES ; NATIONAL CULTURE AND THE CINEMA. FRANCE ; NATIONAL CULTURE AND THE CINEMA. USA ; GENDER AND THE CINEMA. USA ; GENDER AND THE CINEMA. FRANCE ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; COUSINS (US, Joel Schumacher, 1989) ; COUSIN, COUSINE (FR, Jean-Charles Tacchella, 1975) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977) ; I WANT TO GO HOME (FR, Alain Resnais, 1989) Notes: Filmography: p. 231-235; Includes bibliographical references (p. 221-229) and indexLON: 13921589
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newspaper article
The DVD invasion in Herald Sun [C] (04/08/2004) p.10
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The electronic pirates : DIY crime of the century / John Chesterman and Andy Lipman London: Routledge, 1988.
Call No: 432.5 CHEAuthor: Chesterman, John Source: UKPlace: LondonPublisher: RoutledgePubDate: 1988PhysDes: x, 224 p. ; 22 cmSeries: ComediaSubject: COPYRIGHT ; PIRACY ; HOME MOVIES Notes: GB86-45326 (1876)ISBN: 0415007380; 0415007399 : ª8.95LON: 5806407
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EXTREME MAKEOVER : HOME EDITION [TV] : (US, 2004)
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Fall-guy Ferrell meets his match in Sunday Age [M] (20/12/2015) p.11
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Family matters / Mark Butler Sydney: Collins, 1989.
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newspaper article
Fans homing in on cheap DVDs in Sunday Times (07/03/2004) p.27
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Royall, Ian Subject: DISTRIBUTION. DVD. AUSTRALIA ; HOME VIDEO MARKETING ; AUSTRALIAN VISUAL SOFTWARE DISTRIBUTORS ASSOCIATION ; BUSH, SIMON Summary: The slashing of DVD prices fuels high sales of the product. The article looks at the shortening of cinema to DVD sales release and why DVD is a popular format. Good article!Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- "Big chains such as Big W, Kmart and Target are driving prices on DVDs and CDs down to bare margins to lure customers. Full retail price for a new movie is usually more than $40, but the chains are marking them down to about $27, while the same titles sell in specialist retailers for $36 to $40."; -- ""Studios are making decisions now as to whether to fund movies, based on follow-through sales to DVD and video" Mr Bush said."; -- "Distributors also have shortened the time between cinema release and DVD release. Initially it was to beat piracy, but the extra incentive is to get the movie out while it's still fresh in the public's mind. A few years ago, the gap between cinema and DVD release was as much as 18 months. Now, it can be as brief as three months, depending on the studio and the type of movie."
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miss peregrine's home for peculiar children (uk/be/us, tim burton, 2016)
Fantastic flights of imagination in Weekend Australian [Review] (1/10/2016) p.14
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FAR FROM HOME: THE ADVENTURES OF YELLOW DOG : (US, Phillip Borsos, 1995)
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First watch : Dinner for two in Weekend Australian [Review] (30/01/2016) p.23
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newspaper article
First watch : knowing it's place in Weekend Australian [Review] (10/09/2016) p.31
Call No: TITLE CLIPPINGS FILE; PLACE TO CALL HOME, A [TV] (AT, 2013 -)Author: Blundell, Graeme PhysDes: Clippings File ArticleSubject: PLACE TO CALL HOME, A [TV] (AT, 2013 -) Summary: Positive review of the fourth season of acclaimed Australian TV show A PLACE TO CALL HOME, with praise given to the show's creator and writer Bevan Lee, script producer Katherine Thompson, director Shirley Barrett and the score of Michael Yerzerski
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title clippings file
FIVE DAYS FROM HOME : (US, George Peppard, 1978)
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FLY AWAY HOME : (US, Carroll Ballard, 1996)
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book
Focus on reel Australia : a collection of early Australian feature films / presented by the Australian Council of Government Film Libraries in association with the National Film & Soung Archive Hendon, S. Aust.: Australian Council of Government Film Libraries, 1990.
Call No: 71(94) FOCCorpAuthor: Australian Council of Government Film Libraries; National Film and Sound Archive (Australia)Place: Hendon, S. Aust.Publisher: Australian Council of Government Film LibrariesPubDate: 1990PhysDes: 64 p. : ill. ; 30 cmSubject: AUSTRALIA ; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920) ; DEVIL'S PLAYGROUND, THE (AT, Victor Bindley, 1928) ; ENEMY WITHIN, THE (AT, Rowland Stavely, 1918) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932) ; MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; PAINTED DAUGHTERS (AT, F. Stuart-Whyte, 1925) ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; SILKS AND SADDLES (AT, John K. Wells, 1921) ; NATION IS BUILT, A (AT, Frank Hurley, 1937) ; PEARLS AND SAVAGES (AT, Frank Hurley, 1921) ; CHEATERS, THE (AT, Paulette McDonagh, 1930) ; HERO OF THE DARDANELLES, THE (AT, Alfred Rolfe, 1915) ; HOME OF THE BLIZZARD (AT, Frank Hurley, 1913) Notes: Includes bibliographiesISBN: 0730817245 : price unknownLON: abn90241521; 7460866
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FOLLOW ME HOME : (US, Peter Bratt, 1996)
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FREE WILLY 2: THE ADVENTURE HOME : (US, Dwight H. Little, 1995)
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FUNERAL HOME : (CN, William Fruet, 1982)
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GHARE BAIRE : (IT, Satyajit Ray, 1984)
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poster
[Ghare baire : poster]
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A girl walks home alone at night / Farshid Kazemi Liverpool: Auteur Publishing,
Call No: 79 GIR KAZAuthor: Kazemi, Farshid Edition: 2021Place: LiverpoolPublisher: Auteur PublishingPhysDes: 118 pages : illustrated ; 19 cmSeries: Devil's AdvocatesSubject: GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014) Summary: There is something weird and eerie going on in the oneiric Iranian ghost-town Bad City. A mysterious female vampire, clad in a long-black veil, imbued with occult and erotic power, has newly arrived in town and is summarily dispensing with its unsavory characters. Through a chance encounter in a night of luminal darkness, an eternally dark romance begins - baptized in love's blood.
Shot in dazzling anamorphic black and white cinematography and accompanied with an intoxicating and mesmeric soundtrack, Ana Lily Amirpour's debut feature film A Girl Walks Home Alone At Night (2014), was an instant popular and critical success. Dubbed 'the first Iranian vampire western' the genre-bending film is a pastiche of genres such as vampire cinema, gothic and horror films, spaghetti westerns, graphic novels, and Iranian cinema; yet the film stands as a new vampire fairy-tale with a unique style all its own. The first full-length study dedicated to the film since its release, this book in the Devil's Advocate series provides a unique approach to the film situated within three theoretical coordinates: the vampire genre, psychoanalytic (film) theory and German Idealism. -- publisher's web siteISBN: 9781800859210
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GIRL WALKS HOME ALONE AT NIGHT, A : ( US, Ana Lily Amirpour, 2014) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014) URL status: URL: 'http://file://Q:/T/GIRL_WALKS_HOME_ALONE_AT_NIGHT,_A.zip'
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title clippings file
GOING HOME [TV] (AT, 1999-)
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GUI LAI : (CC, Zhang Yimou, 2014)
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title clippings file
HELL, TEXAS AND HOME : (AT, Deborah Niski, 1995)
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still
[Hell, Texas and home : stills file]
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title clippings file
HITTING HOME [TV] : (AT, 2015)
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Hollywood's copyright wars : from Edison to the internet / Peter Decherney New York: Columbia University Press, 2013.
Call No: 432.4 DECAuthor: Decherney, Peter Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2013PhysDes: xii, 287 pages : illustrations ; 23 cmSubject: AUTHORSHIP ; COPYRIGHT ; COPYRIGHT. USA ; HISTORY OF CINEMA ; HOME VIDEO ; INTERNET ; INTERNET AND THE CINEMA ; LAW AND THE CINEMA ; LAW AND TV ; PARODY ; PIRACY ; PLAGIARISM ; CHAPLIN, CHARLES ; EDISON, THOMAS ALVA ; LUCAS, GEORGE ; MOTION PICTURE ASSOCIATION OF AMERICA ; YOUTUBE Summary: "Beginning with Thomas Edison's aggressive copyright disputes and concluding with recent lawsuits against YouTube, Hollywood's Copyright Wars follows the struggle of the film, television, and digital media industries to influence and adapt to copyright law. Though much of Hollywood's engagement with the law occurs offstage, in the larger theater of copyright, many of Hollywood's valued treasures - from Modern Times (1936) to Star Wars (1977) - cannot be fully understood without appreciating their legal controversies. Peter Decherney shows that the history of intellectual property in Hollywood has not always mirrored the evolution of the law and recounts these extralegal solutions and their impact on American media and culture." - BOOK BLURBNotes: Contains list of illustrations and indexISBN: 9780231159470
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book
Hollywood's Vietnam : from the Green berets to Apocalypse now / Gilbert Adair London New York, N.Y. New York, N.Y.: Proteus Pub. Co. Distributed by Scribner Book Co., 1981.
Call No: 737(73) ADAAuthor: Adair, Gilbert Place: London New York, N.Y. New York, N.Y.Publisher: Proteus Pub. Co. Distributed by Scribner Book Co.PubDate: 1981PhysDes: 190 p. : ill. ; 27 cmSubject: VIETNAM WAR FILMS ; GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968) ; EASY RIDER (US, Dennis Hopper, 1969) ; COMING HOME (US, Hal Ashby, 1978) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) Notes: Includes index; Filmography: p. 169-190ISBN: 0906071860 : ª7.95LON: 2093047
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title clippings file
HOME : (AT, Robynne Murphy, 1973)
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HOME : (US, Tim Johnson, 2015)
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digital clippings file
HOME AGAIN : (US, Hallie Meyers-Shyer, 2017) Digital clippings file available
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digital clippings file
HOME ALONE : (US, Chris Columbus, 1990) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Stills; Press kit; ClippingsSubject: HOME ALONE (US, Chris Columbus, 1990) URL status: URL: 'http://file://Q:/T/HOME_ALONE.zip'
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HOME ALONE 2: LOST IN NEW YORK : (US, Chris Columbus, 1992)
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HOME ALONE 3 : (US, Raja Gosnell, 1997)
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HOME AND AWAY : [TV] (AT, 1988 -) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Stills; Press kit; ClippingsSubject: HOME AND AWAY [TV] (AT, 1988 -) URL status: URL: 'http://file://Q:/T/HOME_AND_AWAY.TV.zip'
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script
Home and Away : Episode 2413 1998.
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script
Home and Away : Episode 2546 1998.
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script
Home and Away : Episode 2546 1998.
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script
Home and Away : Episode 2354 1997.
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script
Home and Away : Episode 2625 1998.
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script
Home and Away : Episode 2413 1998.
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script
Home and Away : Episode 2354 1997.
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script
Home and Away : Crimes of the Heart, Episode 37 1987.
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script
Home and Away : Till Death Us Do Part, Episode 152 1987.
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script
Home and Away : The Winds of Change 1988.
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script
Home and Away : Episode 2526 1998.
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script
Home and Away : Dealing in Futures 1988.
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script
Home and Away : Episode 1585 1993.
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script
Home and Away : Episode 2065 1996.
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book
Home and away : Family matters / Mark Butler Sydney: Collins, 1989.
Call No: 79HOM BUTAuthor: Butler, Mark Source: AustraliaPlace: SydneyPublisher: CollinsPubDate: 1989PhysDes: 170 p. ; 18 cmSubject: HOME AND AWAY [TV] (AT, 1988 -) ISBN: 0732273439Donation: donated by the family of Wayne Levy, 2006
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Home and away : behind the scenes / James Oram London: Angus and Robertson, 1989.
Call No: 79HOM ORAAuthor: Oram, James Source: UKPlace: LondonPublisher: Angus and RobertsonPubDate: 1989PhysDes: 128 p. : ill.(some col.) ; 23 cmSubject: HOME AND AWAY [TV] (AT, 1988 -) ISBN: 0207163154Donation: donated by the family of Wayne Levy, 2006; donated by the family of Wayne Levy, 2006
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script
Home and away : episode 6120 / writer: Hamilton Budd 10-Dec-14. Digital clippings file available
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script
Home and away : episode 6175 / writer: Sam Meikle 2014. Digital clippings file available
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book
Home and away annual London: Grandreams Ltd, 1990.
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still
[Home and away : stills file] / Julia Morrell The Seven Network,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: The Seven NetworkPhysDes: 16 photographs : b&w ; 22 x 17 cm - 20 x 25 cmSubject: BRUMMER, DIETER ; FISHER, ISLA ; COARD, DENNIS ; AMMANN, SHANE ; GEORGE, MELISSA ; DECKERT, TEMPANY ; CRAIG, DIANE ; AMALM, DANIEL ; TESTONI, NIC ; QUILTER, NICOLA ; LEE, ADRIAN ; GLAISTER, COREY ; HOME AND AWAY [TV] (AT, 1988 -) Summary: Sixteen black and white photographs, including a number of publicity stills, for 'Home and away'
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HOME AT THE END OF THE WORLD, A : (US, Michael Mayer, 2004)
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HOME AWAY FROM HOME : (UK, Maureen Blackwood, 1994)
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HOME BEFORE DARK : (US, Maureen Foley, 1997)
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HOME BOX OFFICE (HBO)
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: HOME BOX OFFICE (HBO) Notes: import_Batch10C_simon Strong
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HOME BY CHRISTMAS : (NZ, Gaylene Preston, 2010)
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HOME CINEMA GROUP
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script
Home. Ep. 25 : Script, rehearsal script / Script edited by Graeme Farmer AT:
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HOME EQUIPMENT
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: HOME EQUIPMENT
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HOME FOR THE HOLIDAYS : (US, Jodie Foster, 1995)
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HOME FRIES : (US, Dean Parisot, 1998)
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HOME FROM THE HILL : (UK, Molly Dineen, 1985)
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HOME FROM THE HILL : (US, Vincente Minnelli, 1960)
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title clippings file
HOME MOVIES : (US, Brian De Palmer, 1979)
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book
Home movies and other necessary fictions / Michelle Citron London: University of Minnesota Press, 1999.
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HOME MOVIES [TV] : (AT, 2002)
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HOME OF OUR OWN, A : (US, Tony Bill, 1993)
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HOME OF THE BRAVE : (US, Laurie Anderson, 1986)
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HOME ON THE RANGE : (AT, Gil Scrine & J. Stevens, 1981)
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title clippings file
HOME ON THE RANGE : (US, Will Finn & John Sanford, 2004)
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still
[Home on the range : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 10 photographs : b&w ; 24 x 31 cmSubject: HOME ON THE RANGE (AT, Gil Scrine & J. Stevens, 1981) Summary: Ten black and white photographs relating to the film 'Home on the range' 1981Notes: Contains multiple duplicates
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HOME OPERATION : (CC, Yinxi Song, 2022) Digital clippings file available
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HOME PAGE : (US, Doug Block, 1999)
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HOME REMEDY : (US, Maggie Greenwald, 1987)
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HOME SHOPPING NETWORK
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script
The home song stories : shooting script / writer director, Tony Ayres; producers, Michael McMahon and Liz Watts AT: [2006].
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journal article
The Home Song Stories in Empire (Australian Ed.) (September 2007) iss.78 p.40
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HOME SONG STORIES, THE : (AT, Tony Ayres, 2007) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: HOME SONG STORIES, THE (AT, Tony Ayres, 2007) ID2: 82URL status: URL: 'http://file://Q:/T/HOME_SONG_STORIES,_THE.zip'
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HOME, SWEET HOME : (BE/FR, Benoit Lamy, 1973)
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journal article
Home sweet home in Australian Cinematographer (September 2015) iss.67 p.40 - 45
Author: Cole, Tracey PhysDes: ArticleSubject: PLACE TO CALL HOME, A [TV] (AT, 2013 -) ; STOKES, JOHN Summary: Cinematographer John Stokes talks about working on the Australian TV series A Place to Call Home. He talks about working on a period piece, the tight shooting schedule and the program switching networks between seasons.
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HOME TO STAY : (US, Delbert Mann, 1978)
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HOME TRUTHS : (AT, 1996)
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subject clippings file
HOME VIDEO
Call No: SUBJECT CLIPPINGS FILEPhysDes: ClippingsSubject: HOME VIDEO
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subject clippings file
HOME VIDEO MARKETING
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journal article
Hopscotch/MGM form partnership in Encore (Online) (Nov. 24, 2004)
Call No: DVD RESEARCH FOLDERAuthor: Staff writers Subject: HOPSCOTCH ENTERTAINMENT ; MGM HOME ENTERTAINMENT Summary: -- "MGM Home Entertainment Australia has been chosen as the local sell-through distributor for Hopscoth Entertainment, the home entertainment arm of independent distributor Hopscotch."; -- Titles that were a part of the NewVision library will also be distibuted by MGM tho the NewVision titles already licensed to other distributors will not form part of the deal.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).
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I'LL BE HOME FOR CHRISTMAS : (AT, Brian McKenzie, 1984)
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I'LL BE HOME FOR CHRISTMAS : (US, Arlene Sanford, 1998)
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journal article
I'll be home for Christmas in Filmnews (Nov-Dec 1984) vol.14 iss.11 p.2
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still
[I'll be home for Christmas : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : b&w ; 20 x 26 cmSubject: I'LL BE HOME FOR CHRISTMAS (AT, Brian McKenzie, 1984) Summary: 3 black and white photographs of men (possibly homeless) drinking beer round a table at a park, a man with a bottle of wine in a brown paper bag being interviewed, and 2 men sitting on a park bench whilst a third standsin front of a dumpster
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poster
[I want to go home : poster]
Call No: P I WPhysDes: 1 poster : col. ; 156 X 115 cmSubject: I WANT TO GO HOME (FR, Alain Resnais, 1989) Summary: Image: cartoon of a cat in a waistcoat shouting the title in a speech bubble with small images of stills from the film surrounding him.
Text: AFFICHE EUROPEENNE RC B 308 340 108 Visa12177
SONIS SA 91943 LES ULIS (1) 69.28.01.31.
SSK Photo Jeanne Lousie Bulliard - Jacques Prayer
MK2 Marin KarmitzLanguage: French
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IDEAL HOME : (US, Andrew Fleming, 2018)
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IF YOU LIVED HERE YOU WOULD BE HOME BY NOW : (US, David Peterson, 1996)
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journal article
Interview with Tony Ayres : on The home song stories and Asian Australian film-making in Studies in Australasian cinema (2008) vol.2 iss.3 p.245-254
Author: Yue, Audrey PhysDes: ArticleSubject: ASIANS AND THE CINEMA. AUSTRALIA ; AYRES, TONY ; HOME SONG STORIES, THE (AT, Tony Ayres, 2007) Summary: Tony Ayres is one of Australia's most prolific and critically acclaimed filmmakers. Born in Macau, he migrated to Australia in 1964. He has won more than thirty awards for his work on Australian film and television. His work has been described as being on the margins, exploring the intersections of race, sexuality and gender. He wrote and directed China Dolls (1998), Sadness (1999) and his first feature film Walking on Water (2002). In this interview with Audrey Yue, he discusses his latest film, The Home Song Stories (2007), and other issues related to Asian Australian film-making and culture.--AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema, part 2
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Isla Fisher in Empire (Australian Ed.) (October 2003) iss.31 p.15
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The John Ford movie mystery / Andrew Sarris Bloomington IN: Indiana University Press, 1975.
Call No: 81FOR SARAuthor: Sarris, Andrew Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 1975PhysDes: 192 p. ; 26 cmSeries: Cinema OneSubject: FORD, JOHN ; SARRIS, ANDREW ; MEN WITHOUT WOMEN (US, John Ford, 1929) ; UP THE RIVER (US, John Ford, 1930) ; ARROWSMITH (US, John Ford, 1931) ; AIRMAIL (US, John Ford, 1932) ; PILGRIMAGE (US, John Ford, 1933) ; LOST PATROL, THE (US, John Ford, 1934) ; JUDGE PRIEST (US, John Ford, 1934) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; INFORMER, THE (US, John Ford, 1935) ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; PRISONER OF SHARK ISLAND (US, John Ford, 1936) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; HURRICANE, THE (US, John Ford, 1937) ; STAGECOACH (US, John Ford, 1939) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; LONG VOYAGE HOME, THE (US, John Ford, 1940) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; BATTLE OF MIDWAY, THE (US, John Ford, 1942) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; FORT APACHE (US, John Ford, 1948) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; WAGON MASTER (US, John Ford, 1950) ; RIO GRANDE (US, John Ford, 1950) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; SUN SHINES BRIGHT, THE (US, John Ford, 1953) ; MOGAMBO (US, John Ford, 1953) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; RISING OF THE MOON, THE (IE/US, John Ford, 1957) ; LAST HURRAH, THE (US, John Ford, 1958) ; GIDEON'S DAY (UK, John Ford, 1958) ; HORSE SOLDIERS, THE (US, John Ford, 1959) ; SERGEANT RUTLEDGE (US, John Ford, 1960) ; TWO RODE TOGETHER (US, John Ford, 1961) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; DONOVAN'S REEF (US, John Ford, 1963) ; SEVEN WOMEN (US, John Ford, 1965) ISBN: 0253331676Donation: donated by the family of Wayne Levy, 2006
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John Howard Reid's guide to current films in Australian Film Guide (February 1967) iss.6 p.20
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John Hughes : a life in film / Honeycutt, Kirk New York: Race Point Publishing, [2015].
Call No: 81 HUG HONAuthor: Honeycutt, Kirk Source: Peter KempPlace: New YorkPublisher: Race Point PublishingPubDate: [2015]PhysDes: vii, 215 pages : illustrations (chiefly colour) ; 29 cmSubject: HUGHES, JOHN (US) ; FERRIS BUELLER'S DAY OFF (US, John Hughes, 1986) ; PLANES, TRAINS AND AUTOMOBILES (US, John Hughes, 1987) ; BREAKFAST CLUB, THE (US, John Hughes, 1985) ; PRETTY IN PINK (US, Howard Deutch, 1986) ; SIXTEEN CANDLES (US, John Hughes, 1984) ; WEIRD SCIENCE (US, John Hughes, 1985) ; HOME ALONE (US, Chris Columbus, 1990) Summary: Hughes allegedly wrote Ferris Bueller's Day Off in four days, Planes, Trains and Automobiles in three days, The Breakfast Club in two days, and Vacation in a week. He never went to film school or studied cinema. And he spent most of his incredible career in the Midwest, far from the Hollywood Hills. John Hughes was indeed one of the most prolific and successful filmmakers in Hollywood history. He helped launch the careers of Andrew McCarthy, Molly Ringwald, Anthony Michael Hall, Macaulay Culkin, and Judd Nelson. He made John Candy a household name. In this first illustrated tribute to the legendary filmmaker, author Kirk Honeycutt offers a behind-the-scenes look at the genius that was John Hughes--from his humble beginnings in direct mail to his blockbuster success with classics like Pretty in Pink, Sixteen Candles, Weird Science, and Home Alone. Honeycutt also explores the darker side of John Hughes: his extreme sensitivity, his stormy professional relationships, and the devastation Hughes experienced after the death of his closest friend, John Candy. This book features fresh interviews with Matthew Broderick, Ally Sheedy, Judd Nelson, Steve Martin, and Jon Cryer, and a foreword from Home Alone director Chris Columbus.
"I stumbled into this business, I didn't train for it. I yelled "Action!" on my first two movies before the camera was turned on." - John HughesJohn Hughes wrote 46 movies, produced 23, and directed 8. He never went to film school, never spent time studying film and its history, but was unusually adept in three key areas °´4 writing, directing and producing.Classics like Mr. Mom; Sixteen Candles; The Breakfast Club; European Vacation; Weird Science; Pretty in Pink; Ferris Bueller's Day Off; Planes, Trains, and Automobiles; Uncle Buck; Christmas Vacation; Home Alone; and Beethoven will forever live on in the history of film. Launching the careers of Andrew McCarthy, Molly Ringwald, Anthony Michael Hall, and James Spader, and working with greats like John Candy and Chevy Chase, John Hughes's influence can still be felt today.John Hughes: A Life in Film, by Kirk Honeycutt, former chief film critic at The Hollywood Reporter, is the first complete illustrated tribute to the legendary writer and director, and includes fresh interviews with Judd Nelson, Matthew Broderick, Christopher Columbus, Steve Martin, and moreNotes: Includes John Hughes filmography (page 201).
Includes bibliographic references (pages 203-205) and index.Adult.ISBN: 9781631060229Donation: Peter Kemp
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Julia Zemiro's home delivery : episode: Alan Davies Digital clippings file available
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Julia Zemiro's home delivery : episode: Waleed Aly Digital clippings file available
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JULIA ZEMIRO'S HOME DELIVERY [TV] : (AT, 2013-)
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KARUMEN KOKYO NI KAERU : (JA, Keisuke Kinoshita, 1951)
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[Kennedy, Graham : portrait of Graham Kennedy in his role as Norm Norris in 'Stanley']
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LANGITKU RUMAHKU : (IO, Slamet Rahardijo Djarot, 1991)
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[Langitku rumahku : poster]
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LASSIE COME HOME : (US, Fred M. Willcox, 1943)
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LASSIE - EINE ABENTEUERLICHE REISE [LASSIE COME HOME] : (G, Hanno Olderdissen, 2020) Digital clippings file available
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LONG WALK HOME, THE : (US, Richard Pearce, 1990)
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A long way from home : a mother's story / Barbara Barlow as told by Isobelle Gidley and Richard Shears Sydney: Allen and Unwin Australia, 1988.
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LONG WAY FROM HOME: BARLOW AND CHAMBERS, A : [TV] (AT, Jerry Landon, 1988)
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LONG WAY HOME, THE : (US, Mark Jonathon Harris, 1997)
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LONG WAY HOME, THE : AT, Catherine Millar, 1984)
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LONG WAY HOME, THE : (US, Mark Jonathon Harris, 1997)
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The Mad Max effect : road warriors in international exploitation cinema / James Newton New York: Bloomsbury Academic,
Call No: 79 MAD NEWAuthor: Newton, James Edition: 2021Place: New YorkPublisher: Bloomsbury AcademicPhysDes: 216 pages : illustrated ; 23 cmSubject: [TWENTY-NINETEEN] 2019: AFTER THE FALL OF NEW YORK [2019: DOPO LA CADUTA DI NEW YORK] (IT/FR, Sergio Martino, 1983) ; ANDERSON, WES ; AUTOMOBILES IN FILMS ; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986) ; DEATH RACE 2000 (US, Paul Bartel, 1975) ; DEATH RUN (UK, Michael J. Murphy, 1987) ; DEATH WISH (US, Michael Winner, 1974) ; EXPLOITATION FILMS ; EXTERMINATOR, THE (US, James Glickenhaus, 1980) ; HOME VIDEO ; MAD MAX (AT, George Miller, 1979) ; MAD MAX [...] (AT, 1979-85) ; MILLER, GEORGE ; MASCULINITY IN FILMS ; ZOMBIES IN FILMS AND TV Summary: The Mad Max Effect provides an in-depth analysis of the Mad Max series, and how it began as an inventive concoction of a number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chase cinema of the 1970s), to eventually inspiring a fresh cycle of international low budget 'road warrior' movies that appeared on home video in the 1980s.
The Mad Max Effect is the first detailed academic study of the most famous and celebrated post-apocalypse film series, and examines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape. -- publisher's web siteISBN: 9781501342295Contents: Acknowledgements -- Introduction -- Chapter One: Origins of the Road Warrior -- Chapter Two: The Death Race Lineage -- Chapter Three: Contextualising Mad Max -- Chapter Four: The Politics of Mad Max -- Chapter Five: MadMaxploitation! Transnational Road Warriors -- Chapter Six: Fury Road and the Imitation of Exploitation -- Chapter Seven: Mad Max and the metatext: Fan Engagement and Online Culture -- Conclusion: A Few Years From Now -- List of Films -- Reference List -- Index
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MAGGIE AT HOME WITH : [TV] (AT, 2005)
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MARTIANS GO HOME : (US, David Odell, 1990)
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Martin Scorsese : interviews / Edited by Robert Ribera Jackson: University Press of Mississipp, 2017.
Call No: 81 SCO SCOAuthor: Ribera, Robert ; Scorsese, Martin Edition: Revised and updated editionPlace: JacksonPublisher: University Press of MississippPubDate: 2017PhysDes: xxxi, 250 pages ; 24 cm.Subject: CRITICISM ; HISTORY OF CINEMA. 1970's ; UNDERGROUND FILMS. USA ; SCORSESE, MARTIN ; TAXI DRIVER (US, Martin Scorsese, 1976) ; RAGING BULL (US, Martin Scorsese, 1980) ; COLOR OF MONEY, THE (US, Martin Scorsese, 1986) ; MEAN STREETS (US, Martin Scorsese, 1973) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; GOODFELLAS (US, Martin Scorsese, 1990) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; DEPARTED, THE (US, Martin Scorsese, 2006) ; HUGO (US, Martin Scorsese, 2011) ; WOLF OF WALL STREET, THE (US, Martin Scorsese, 2013) ; NO DIRECTION HOME [TV] (UK/US, Martin Scorsese, 2005) ; BLUES, THE [TV] (US, 2003) Summary: Many critics and film historians throughout the world praise Martin Scorsese as the greatest living American director. In this collection of interviews covering a period of two decades Scorsese's own words, sometimes emotionally direct and always revealing, trace his astonishing career. Like a Scorsese film, a Scorsese interview is daring and impassioned and is charged with his trademark wit and brilliance.Notes: Includes index.
Formerly CIP.
Includes filmography.
Also issued online.ISBN: 9781496809476Donation: Senses of CinemaContents: Martin Scorsese and the American Underground / Doris Freedman (1970) -- Dialogue on Film: Martin Scorsese The American Film Institute (1975) -- Taxi Dancer: Martin Scorsese Interviewed / Jonathan Kaplan (1977) -- Raging Bull / Michael Henry (1981) --Taxi Driver / Paul Schrader (1982) -- Chalk Talk / Peter Biskind and Susan Linfield (1986) -- Martin Scorsese: In the Streets / Peter Occhiogrosso (1987) -- And Blood / Richard Corliss (1988) -- Scorsese: A Bicoastal Story / Amy Taubin (1988) -- What the Streets Mean / Anthony DeCurtis (1990) -- Martin Scorsese Interviewed / Gavin Smith (1993) -- Martin Scorsese's Testament / Ian Christie (1996) -- Everything Is Form / Amy Taubin (1998) -- Fresh Air: Director Martin Scorsese / Terry Gross (2003) -- 2006 Charles Guggenheim Symposium Honoring Martin Scorsese / Jim Jarmusch (2006) -- Martin Scorsese on The Departed / Michael Goldman (2006) -- Docufictions: An Interview with Martin Scorsese on Documentary Film / Raffaele Donato (2007) -- In Hugo, Martin Scorsese Salutes a Movie Magician / Melissa Block (2011) -- The Art of Martin Scorsese / Jim Leach (2013) -- DP/ 30: Scorsese on The Wolf of Wall Street / David Poland (2014).
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The media in Australia : industries, texts, audiences / edited by Stuart Cunningham and Graeme Turner St Leonards, N.S.W.: Allen & Unwin, 1997.
Call No: 401(94) MEDAuthor: Cunningham, Stuart ; Turner, Graeme Edition: 2nd edPlace: St Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 1997PhysDes: xviii, 490 p. : ill. ; 23 cmSubject: MEDIA. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; ADVERTISING. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; AUDIENCES. AUSTRALIA ; PAY TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; NEWS PROGRAMMES. AUSTRALIA ; OWNERSHIP. AUSTRALIA ; POLITICS AND TV. AUSTRALIA ; GOVERNMENT CONTROL. AUSTRALIA ; VIOLENCE ON TV. AUSTRALIA ; DRAMAS. AUSTRALIA ; WOMEN AND TV. AUSTRALIA ; HOME VIDEO. AUSTRALIA ; RATINGS. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; PERFECT MATCH [TV] (AT, 1984-89?) Notes: Includes index; Bibliography: p. 441-467ISBN: 1864482737LON: 12826003
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MGM sets up Oz headquarters in Encore (Online)
Call No: DVD RESEARCH FOLDERAuthor: Staff writers Subject: MGM HOME ENTERTAINMENT Summary: MGM Home Entertainment to set up Australian headquarters due to the country's explosive DVD growth.Notes: accessed from: Encore Magazine. Reed Business. AFI Research Collection, RMIT University. (14 June 2007).
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MILES FROM HOME : (US, Gary Sinise, 1988)
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Mining the home movie : excavations in histories and memories / edited by Karen L. Ishizuka and Patricia R. Zimmerman Berkely and Los Angeles, California: University of California Press, 2008.
Call No: 721.210.8 MINAuthor: Ishizuka, Karen L ; Zimmerman, Patricia R Source: USPlace: Berkely and Los Angeles, CaliforniaPublisher: University of California PressPubDate: 2008PhysDes: xix, 333 p. : ill. ; 23 cmSubject: AMATEUR FILMS ; HOME MOVIES ; COMPILATION FILMS ; ARCHIVES & INSTITUTES, FILM ; WITTGENSTEIN TRACTATUS (HU, Peter Foracs, 1992) ; SONG OF AIR (AT, Merilee Bennett, 1987) ; MAELSTROM, THE (NE, Peter Forgacs, 1997) ; [NINETY] 90 MILES (US, Juan Carlos Zaldivar, 2001) ; SOMETHING STRONG WITHIN (US, Robert A. Nakamura, 1994) Notes: Outgrowth of an international symposium at the Getty Center, Los Angeles in 1998, called The past as present: the home movie as cinema of record.
Includes bibliographical references (p. 299-307) and index
Includes filmography and videography: p. 289-297ISBN: 9780520248076Donation: Donated by Senses Of Cinema, 2009Contents: 1 Remaking home movies: Richard Fung -- 2 The human studies film archives, Smithonian institution: John Homiak and Pamela Wintle -- 3 Wittgenstein Tractatus: personal reflections on home movies: Peter Forgacs -- 4 La Filmoteca de la Universidad Nacional Autonama de Mexico: Ivan Trujillo
-- 5 Ordinary film: Peter Forgac's The Maelstrom: Michael S. Roth
-- 6 The imperial war musueum film and video archive: Kay Gladstone -- 7 90 Miles: The politics and aesthetics of personal documentary: Amy Villarejo
-- 8 The Florida moving image archive: Steven Davidson -- 9 Something strong within: a visual essay: Karen L. Ishizuka and Robert A Nakamura -- 10 something strong within us as historical memory: Robert Rosen -- 11 the moving image archive of Japanese American National Museum: Karen L. Ishizuka -- 12 The home movie and the film registry: The story of topaz: karen L. Ishizuka and Patricia R Zimmerman -- 13 The Nederlands archive/Museum institute: Nico de Klerk -- 14 Home away from home: private films from the old Dutch East Indies: Nico de Klerk -- 15 The Library of Congress: Brian Taves
-- 16 -- Detoriating memories: blurring fact and fiction in home movies in India: Ayisha Abraham -- 17 The movie queen: Northeast historic film: Karan Sheldon and Dwight Swanson -- 18 The WPA film library: Carolyn Faber -- 19 Mule racing in the Mississippi Delta: Karen Glynn -- 20 The Academy film archive: Lynne Kirste -- 21 "As if by magic" : Authority, aesthetics, and visions of the workplace in home movies, circa 1931-1949: Heather Norris Nicholson
-- 22 The New Zealand FIlm archive/Nga Kaitiaki o Ngta: Taonga Whitiahua -- 23 Working people, topical Films, and home movies: the case of the North-West Film Archives: Maryann Gomes -- 24 the oregon state historical society's moving images archives: Michele Kribs -- 25 Reflections on the family home movie as document: a semi-pragmatic approach: Roger Odin
-- 26 The Stephen Lighthill Collection at the UCLA Film and television archive - Ross Lipman -- 27 Morphing history in histories: from amateur film to the archive of the future: Patricia R. Zimmerman
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MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN : (UK/BE/US, Tim Burton, 2016)
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MORGAN STEWART'S COMING HOME : (US, Paul Aaron & Terry Windsor & Alan Smithee, 1987)
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MY WAY HOME : (UK, Bill Douglas, 1978)
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Negative space : Manny Farber on the movies / new preface by Robert Walsh New York: Da Capo Press, 1998.
Call No: 67(04) FARAuthor: Farber, Manny Edition: Expanded edPlace: New YorkPublisher: Da Capo PressPubDate: 1998PhysDes: xiv, 412 p. ; 21 cmSubject: FESTIVALS. NEW YORK ; HAWKS, HOWARD ; HUSTON, JOHN ; LEWTON ,VAL ; AGEE, JAMES ; STURGES, PRESTON ; CAPRA, FRANK ; SIEGEL, DON ; FULLER, SAMUEL ; SNOW, MICHAEL ; GODARD, JEAN-LUC ; BUNUEL, LUIS ; WALSH, RAOUL ; ROEG, NICOLAS ; HERZOG, WERNER ; FASSBINDER, RAINER WERNER ; FARBER, MANNY ; AKERMAN, CHANTAL ; JONES, CHUCK ; Stewart, James ; FORD, JOHN ; WALSH, RAOUL ; WARHOL, ANDY ; PATTERSON, PATRICIA ; WAVELENGTH (US, Michael Snow, 1967) ; FAR COUNTRY, THE (US, Anthony Mann, 1954) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; DETECTIVE STORY (US, William Wyler, 1951) ; HOME OF THE BRAVE (US, Mark Robson, 1949) ; SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; CITIZEN KANE (US, Orson Welles, 1941) ; GRADUATE, THE (US, Mike Nichols, 1967) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of filmNotes: "First Da Capo Press edition"--T.p. verso; Includes indexISBN: 0306808293 (pbk. : alk. paper)LON: 13667387
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Network fights the ad slump by flogging its old wares in The Australian (19/12/2002)
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The new documentary in action : a casebook in film making Berkeley: University of California Press, 1971.
Call No: 761 ROSAuthor: Rosenthal, Alan, 1936 Place: BerkeleyPublisher: University of California PressPubDate: 1971PhysDes: 287 p. illus., ports. 24 cmSubject: DOCUMENTARY FILMS ; CINEMA-DIRECT ; WISEMAN, FREDERICK ; PENNEBAKER, D. A. ; WATKINS, PETER ; KING, ALLAN ; LEITERMAN, RICHARD ; SILVERSTEIN, MORTON ; SAARE, ARLA ; BARRON, ARTHUR ; MCLAREN, NORMAN ; FUNT, ALLEN ; STONEY, GEORGE ; CAWSTON, RICHARD ; BURNLEY, FRED ; MARRIED COUPLE, A (CN, Allan King, 1969) ; PAS DE DEUX (CN, Norman McLaren, 1968) ; WHAT DO YOU DO WITH A NAKED LADY? (US, Allen Funt, 1969) ; NEIGHBOURS (US, Norman McLaren, 1952) ; CATHY COME HOME (UK, Ken Loach, 1966) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: " Several case studies of feature films projects have been published, but til now we have had no equivalent basis for the understanding of documentary. This is the first casebook to focus exclusively on the nonfiction film maker: his revolutionary techniques, his particular conceptions of his work, his unique artistic strategies, his creative and practical problems. In creating this study Alan Rosenthal has interviewed film makers whose work lies on the active growing edge of the medium: director-producers, writers, cameramen, editors- men and women who have in recent years pushed back the boundaries of cinematic convention and profoundly influenced our notions of photography, acting, and editing. Some films are covered by interviews with several members of the creative team, whose differing perspectives help to shape the final work." -- BOOK BLURBNotes: Interviews with film makersISBN: 0520018885LON: 218982
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The new documentary in action : a casebook in film making / Alan Rosenthal Berkeley, Calif.: University of California Press, 1972.
Call No: 761 ROSAuthor: Rosenthal, Alan Edition: 1st pbk ed.Source: USPlace: Berkeley, Calif.Publisher: University of California PressPubDate: 1972PhysDes: 287 p. : ill. ; 20 cmSubject: DOCUMENTARY FILMS ; CINEMA-DIRECT ; WISEMAN, FREDERICK ; PENNEBAKER, D. A. ; WATKINS, PETER ; KING, ALLAN ; LEITERMAN, RICHARD ; SILVERSTEIN, MORTON ; SAARE, ARLA ; BARRON, ARTHUR ; MCLAREN, NORMAN ; FUNT, ALLEN ; STONEY, GEORGE ; CAWSTON, RICHARD ; BURNLEY, FRED ; MARRIED COUPLE, A (CN, Allan King, 1969) ; PAS DE DEUX (CN, Norman McLaren, 1968) ; WHAT DO YOU DO WITH A NAKED LADY? (US, Allen Funt, 1969) ; NEIGHBOURS (US, Norman McLaren, 1952) ; CATHY COME HOME (UK, Ken Loach, 1966) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: " Several case studies of feature films projects have been published, but til now we have had no equivalent basis for the understanding of documentary. This is the first casebook to focus exclusively on the nonfiction film maker: his revolutionary techniques, his particular conceptions of his work, his unique artistic strategies, his creative and practical problems. In creating this study Alan Rosenthal has interviewed film makers whose work lies on the active growing edge of the medium: director-producers, writers, cameramen, editors- men and women who have in recent years pushed back the boundaries of cinematic convention and profoundly influenced our notions of photography, acting, and editing. Some films are covered by interviews with several members of the creative team, whose differing perspectives help to shape the final work." -- BOOK BLURBNotes: Interviews with film makers.ISBN: 0520022548Donation: donated by the family of Wayne Levy, 2006Contents: -- acknowledgements -- introduction -- direct cinema: 1. a married couple: Allan King, producer-director, Richard Leiterman, photographer and associate director, Arla Saare, editor -- 2. High school: Frederick Wiseman, producer-director -- 3. Salesman, Albert Mayles, director-photographer, Charlotte Zwerin, editor -- Television journalism: 4. this week: Jeremy Irons, producer 5. what harvest for the reaper? Morton Silverstein, writer-producer, Laurence Solomon, editor -- 6: hard times in the country: Jack Willis, writer-producer -- 7: sixteen in the Webster Groves and the Berkeley Rebels: Arthur Barron, producer-director -- Reconstructions and reenactments: 8. the war game: Peter Watkins, writer-director -- 9: Cathy come home: Jeremy Standford, writer -- 10: the dream divided : Fred Burnley, writer-director -- Specials: 11: dont look back and monterey pop: Don Alan Pennebaker, director-photographer -- 12: royal family: Richard Cawston, producer-director, Antony Jay, commentary writer, 13: Dubrovnik festival: Jack Kuney, producer-director -- Sponsored films : 14. a cry for help: George Stoney, writer-director -- 15. the furure came yesterday: Antony Jay: writer-director -- Optical transformations: 17. neighbours and Pas de Deux, Norman McLaren, producer-director -- index --
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The new films in Screen International (29 September 1979) iss.209 p.27
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The new media aristocrats : home theatre and the domestic film experience in Velvet Light Trap (Fall 1998) iss.42 p.4-19
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NEWS FROM HOME : (FR/BE, Chantal Akerman, 1977 [prod. 1971-1976])
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NO DIRECTION HOME : [TV] (UK/US, Martin Scorsese, 2005)
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NO HOME MOVIE : (FR/BE, Chantal Akerman, 2015)
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No home run for Dreamworks in Sydney Morning Herald [Arts & Entertainment] (19/03/2015) p.30
Call No: TITLE CLIPPINGS FILE; HOME (US, Tim Johnson, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: HOME (US, Tim Johnson, 2015) Summary: Review of the film HomeRating: 2 out of 5 stars
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No home run for Dreamworks in The Age [Arts & Entertainment] (19/03/2015) p.20
Call No: TITLE CLIPPINGS FILE; HOME (US, Tim Johnson, 2015)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: HOME (US, Tim Johnson, 2015) Summary: Review of the film HomeRating: 2 out of 5 stars
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NO PLACE LIKE HOME : (AT, Fiona Hergstrom, 1996)
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NO WAY HOME : (US, Buddy Giovinazzo, 1996)
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The non-Western films of John Ford / by J. A. Place Secaucus, N.J.: Citadel Press, c1979.
Call No: 81 FOR PLAAuthor: Place, J. A. (Janey Ann), 1946- Edition: First editionSource: USPlace: Secaucus, N.J.Publisher: Citadel PressPubDate: c1979PhysDes: 287 pages : illustrations ; 29 cmSubject: FORD, JOHN ; PILGRIMAGE (US, John Ford, 1933) ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; JUDGE PRIEST (US, John Ford, 1934) ; SUN SHINES BRIGHT, THE (US, John Ford, 1953) ; WHOLE TOWN'S TALKING, THE (US, John Ford, 1935) ; PRISONER OF SHARK ISLAND (US, John Ford, 1936) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; TOBACCO ROAD (US, John Ford, 1941) ; LAST HURRAH, THE (US, John Ford, 1958) ; WHEN WILLIE COMES MARCHING HOME (US, John Ford, 1950) ; [MISTER] MR ROBERTS (US, John Ford & Mervyn Le Roy, 1955) ; BATTLE OF MIDWAY, THE (US, John Ford, 1942) ; THIS IS KOREA (US, John Ford, 1951) ; LOST PATROL, THE (US, John Ford, 1934) ; SUBMARINE PATROL (US, John Ford, 1938) ; THEY WERE EXPENDABLE (US, John Ford, 1945) ; LONG GRAY LINE, THE (US, John Ford, 1954) ; WINGS OF EAGLES, THE (US, John Ford, 1956) ; INFORMER, THE (US, John Ford, 1935) ; PLOUGH AND THE STARS, THE (US, John Ford, 1936) ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; RISING OF THE MOON, THE (IE/US, John Ford, 1957) ; YOUNG CASSIDY (UK, Jack Cardiff, 1965) ; UP THE RIVER (US, John Ford, 1930) ; AIRMAIL (US, John Ford, 1932) ; ARROWSMITH (US, John Ford, 1931) ; WEE WILLIE WINKIE (US, John Ford, 1937) ; HURRICANE, THE (US, John Ford, 1937) ; LONG VOYAGE HOME, THE (US, John Ford, 1940) ; MOGAMBO (US, John Ford, 1953) ; DONOVAN'S REEF (US, John Ford, 1963) ; SEVEN WOMEN (US, John Ford, 1965) ; FUGITIVE, THE (US/MX, John Ford, 1947) Summary: "J.A. Place's first book, The Western Films of John Ford, presented and analysed all the Ford films laid in the American West and drawing upon its mythology. In this book she turns to Ford's work in other genres: Americana films, Celtic films, political films, military films, and war films. Easch motion picture is carefully re-created in words and pictures." - BOOK BLURBNotes: Continues The Western films of John FordISBN: 0806506431Contents: The American films -- The war films -- The Irish films -- The action films -- The "foreign" films.
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OUR CHILDREN DIDN'T COME HOME : [TV] (AT, Luke Bracken, 1995)
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miss peregrine's home for peculiar children (uk/be/us, tim burton, 2016)
Perfectly peculiar in AFR Weekend (01/10/2016) p.36
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Photography, early cinema and colonial modernity : Frank Hurley's synchronized lecture entertainments / by Robert Dixon Anthem Press, 2011.
Call No: 81HUR DIXAuthor: Dixon, Robert Source: UK/USPublisher: Anthem PressPubDate: 2011PhysDes: xxxi, 256 p. : ill., map ; 24 cmSeries: Anthem Australian humanities research seriesSubject: AUSTRALIA ; PHOTOGRAPHY ; PHOTOGRAPHY AND THE CINEMA ; CINEMATOGRAPHY ; CINEMATOGRAPHY. AUSTRALIA ; HURLEY, FRANK ; HOME OF THE BLIZZARD (AT, Frank Hurley, 1913) ; PEARLS AND SAVAGES (AT, Frank Hurley, 1921) ; ROSS SMITH FLIGHT, THE (AT, Frank Hurley, 1921) Summary: "Photography, Early Cinema and Colonial Modernity is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker. The focus of this volume surrounds the media events that encompassed these various creations - what Hurley called his 'synchronized lecture entertainments'. These media events were at once national and international; they involved Hurley in an entire culture industry that was constantly in movement along global lines of travel and communication. This raises complex questions both about the authorship of Hurley's photographic and filmic texts - which were often produced and presented by other people - and about their ontology, as they were often in a state of reassemblage in response to changing market opportunities. This unique study re-imagines, from inside the quiet and stillness of the archive, the prior social life enjoyed by Hurley's creations amidst the complicated topography of the early twentieth century's rapidly internationalizing mass-media landscape. As a way to conceive of that space, and of the social life of the people and things within it, this study uses the concept of 'colonial modernity'. -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 239-246) and indexISBN: 9780857287953Contents: -- list of illustrations -- list of abbreviations -- acknowledgments -- Introduction: Australia's Embrace of Colonial Modernity -- 1. 'The Home of the Blizzard': Douglas Mawson's synchronized lecture entertainment -- 2. Guided spectatorship: exhibiting the Great War -- 3. Touring the nation: Shackleton's 'Marvellous Moving Pictures' and the Australian season of 'In the Grip of the Polar Pack-Ice' -- 4. Entr'acte: 'Sir Ross Smith's Flight', aerial vision and colonial modernity -- 5. Colonial modernity and its others: 'Pearls and Savages' as a multi-media project -- conclusion -- notes -- bibliography -- index --
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place to call home, a [tv] (at, 2013 -)
A place for passion : Complex undercurrents elevate a melodrama set in Australia during the socially tumultuous 1950s in Weekend Australian [Review] (26/9/15) p.31
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script
A place to call home : "Own Worst Enemy" shooting script / Created by Bevan Lee ; Series Producer: Chris Martin-Jones ; Script Producer: Katherine Thomson ; Written by Bevan Lee ; Director: Kevin Carlin ; Executive Producers: Penny Win, Julie McGauran AT: [2017].
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script
A place to call home : "Fallout" shooting script / Created by Bevan Lee ; Series Producer: Chris Martin-Jones ; Script Producer: Katherine Thomson ; Written by Katherine Thomson ; Director: Kevin Carlin ; Executive Producers: Penny Win, Julie McGauran AT: [2017].
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PLACE TO CALL HOME, A : (AT, Russ Mayberry, 1986)
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script
place to call home, A : block 1, episode 3.01; the things we do for love / written by: David Hannam [AT]: 1-May-15. Digital clippings file available
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script
place to call home, A : block 1, episode 3.02; l'chaim, to life / written by: Giula Sandler [AT]: 11-May-15. Digital clippings file available
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PLACE TO CALL HOME, A [TV] : (AT, 2013 -)
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Polemics for a new cinema / [by] Albie Thoms Glebe, N.S.W.: Wild & Woolley, 1978.
Call No: 771 THOAuthor: Thoms, Albie, 1941 Place: Glebe, N.S.W.Publisher: Wild & WoolleyPubDate: 1978PhysDes: 427p. ; 21cmSubject: EXPERIMENTAL FILMS ; AUSTRALIA. 1970's ; SURFING FILMS ; SYDNEY FILMMAKERS CO-OPERATIVE ; CANTRILL, ARTHUR & CORINNE ; KUCHAR, MIKE ; THOMS, ALBIE ; MEKAS, JONAS ; HALL, KEN G. ; NED KELLY (UK, Tony Richardson, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; VIOLENCE IN THE CINEMA (AT, George Miller, 1972) ; ROLLING HOME (AT, David Lourie & Paul Witzig, 1975) Notes: Index; Includes bibliographical referencesISBN: 0909331588 : $11.66 Aust; 0909331596 (Paperback) : $6.95 AustLON: 1473377
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book
Polemics for a new cinema : writings to stimulate new approaches to film / Thoms, Albie Sydney: Wild and Woolley, 1978.
Call No: 771 THOAuthor: Thoms, Albie Place: SydneyPublisher: Wild and WoolleyPubDate: 1978PhysDes: 427 p. ; 21 cmSubject: EXPERIMENTAL FILMS ; AUSTRALIA. 1970's ; SURFING FILMS ; SYDNEY FILMMAKERS CO-OPERATIVE ; CANTRILL, ARTHUR & CORINNE ; KUCHAR, MIKE ; THOMS, ALBIE ; MEKAS, JONAS ; HALL, KEN G. ; NED KELLY (UK, Tony Richardson, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; VIOLENCE IN THE CINEMA (AT, George Miller, 1972) ; ROLLING HOME (AT, David Lourie & Paul Witzig, 1975) Notes: Partial collection of previously published articles.
Includes bibliographical references and index.ISBN: 0909331596
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PRAIRE HOME COMPANION, A : (US, Robert Altman, 2006)
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journal article
Production notes on new Oz film- "Stanley" in Australasian Cinema (15/7/1983) vol.12 iss.12
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journal article
Production notes- "Stanley" in Australasian Cinema (16/9/1983) vol.12 iss.17 p.24
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journal article
Queer Asian Australian migration : creative film co-production and diasporic intimicy in The home song stories in Studies in Australasian cinema (2008) vol.2 iss.3 p.229-243
Author: Yue, Audrey PhysDes: ArticleSubject: PRODUCTION DEALS. AUSTRALIA ; ASIANS IN FILMS. AUSTRALIA ; ADVERTISING FOR FILMS ; PRODUCTION DEALS. AUSTRALIA ; SEXUALITY AND THE CINEMA ; HOME SONG STORIES, THE (AT, Tony Ayres, 2007) Summary: This paper examines Tony Ayres' recent film, The Home Song Stories (2007) using the framework of queer Asian Australian migration. First, queer migration is critically considered through the minor transnationalism of its co-production. Evaluating the marketing of the film in Singapore and Australia, this article shows how Chinese ethnicity is deployed as exclusive and inclusive to enable different tactics of queer mobility and how these tactics are incorporated by different film policies to fulfil competing national aims. Second, this article considers the queer mobility of diasporic intimacy. Diasporic intimacy disrupts the regulation of queer migration and shows how the private domains of memory, family and sexuality are reconstituted in the transnational Chinese diaspora. The framework of queer Asian Australian migration describes the non-normative migration of Asians to Australia, the disjunctive flows of mobility that constitute the Asian diaspora in Australia, as well as the regulation of non-normative Asian Australian migration in national symbolic and institutional economies. The framework of queer Asian Australian migration, this article argues, provides a theoretical platform to critically consider the transnationality of Asian Australian cinema. -- AbstractNotes: Part of Special Issue: Transnational Asian Australian Cinema, part 2
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book
Representing the rural : space, place, and identity in films about the land / edited by Catherine Fowler & Gillian Helfield Detroit Mich.: Wayne State University Press, 2006.
Call No: 738.6 FOWAuthor: Fowler, Catherine ; Helfield, Gillian Source: USPlace: Detroit Mich.Publisher: Wayne State University PressPubDate: 2006PhysDes: ix, 369 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: CRITICISM ; LAND IN FILM ; CINEMAS. SPANISH ; HISTORY OF CINEMA ; TERRE, LA (FR, André Antoine, 1921) ; SANTOS INOCENTES, LOS (SP, Mario Camus, 1984) ; ASHANI SANKET (II, Satyajit Ray, 1973) ; HORA DA ESTRELA, A (BL, Suzana Amaral, 1985) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; BIQUEFARRE (FR, Georges Rouquier, 1983) ; DHIL AL ARDH (TI/FR, Taieb Louhichi, 1982) ; BILLY ELLIOT (UK, Stephen Daldry, 2000) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; THIASSOS, O (GR, Theo Angelopoulos, 1975) ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; YI GE DOU BU NENG SHAO (CC, Zhang Yimou, 1999) ; WO DE FU QIN MU QIN (CC, Zhang Yimou, 1999) ; ROAD HOME, THE (CC, Zhang Yimou, 1999) Summary: Representing the Rural breaks new ground in the writing of cinema history, offering fresh perspectives on the character and place of national identity in cinematic explorations of the land, peasants, landscapes, and culture caught up in the transition from rural to metropolitan spaces [taken from back cover]Notes: Formerly CIP
Includes bibliographical references and index
Includes filmography: p. 341-343ISBN: 0814333052
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RETURN HOME : (AT, Ray Argall, 1990)
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dvd
Return home [DVD] [S.l.]: Umbrella Entertainment, c 1990..
Call No: D Return homeSource: ATPlace: [S.l.]Publisher: Umbrella EntertainmentPubDate: c 1990.PhysDes: 1 videodisc (DVD) (87 min.) : sd., col. ; 4 3/4 in.Subject: RETURN HOME (AT, Ray Argall, 1990) Summary: A divorced middle-aged man takes a break from his high pressure job in a big corporation to visit his brother who, with his wife, is struggling to hang onto a barely viable small business - a service station in suburban Adelaide. Argall's achievement is to give form and substance to everyday lives through a quietly elegiac naturalism which stands in contrast to the sense of 'otherness' in Jane Campion's flamboyant and quirky portrayal of suburban desperation in Sweetie. -- Libraries Australia.Notes: Originally produced as a motion picture by Musical Films Pty Ltd, 1989.
Censorship rating: M 15+.Technical Details: PAL ; All regions.Credits: Producer, Cristina Pozzan ; script, director, Ray Argall ; photopraphy, Mandy Walker ; editor, Ken Sallows.Standard Number: 9322225028982Performer: Dennis Coard, Frankie J. Holden, Ben Mendelsohn, Mick Camilleri, Rachel Rains.
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still
[Return home : stills file]
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Return of the monstrous-feminine : feminist new wave cinema / Barbara Creed New York: Routledge, 2022.
Call No: 744.7 CREAuthor: Creed, Barbara Edition: 2022Place: New YorkPublisher: RoutledgePubDate: 2022PhysDes: x, 168 pagesSubject: FEMINISM AND THE CINEMA ; HORROR FILMS ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; HANDMAID'S TALE, THE [TV] (US, 2017 - ) ; PROMISING YOUNG WOMAN, A (UK/US, Emerald Fennell, 2020) ; REVENGE (FR, Coralie Fargeat, 2017) ; NIGHTINGALE, THE (AT, Jennifer Kent, 2017) ; NOMADLAND (US/GG, Chloé Zhao, 2020) ; CAROL (UK/US/FR, Todd Haynes, 2015) ; ASSISTANT, THE (US, Kitty Green, 2019) ; GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014) ; UNDER THE SKIN (UK/US/SZ, Jonathan Glazer, 2013) ; JENNIFER'S BODY (US, Karyn Kusama, 2009) ; LURE, THE [CORKI DANCINGU] (PL, Agnieszka Smoczynska, 2015) ; THELMA (NO/FR/DK/SW, Joachim Trier, 2017) ; RAW [GRAVE] (FR/BE, Julia Ducournau, 2016) ; BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999) ; IN MY SKIN [DANS MA PEAU] (FR, Marina de Van, 2002) ; SPOOR [POKOT] (PL/GG/CZ/SW/SO, Agnieszka Holland & Kasia Adamik, 2017) ; WOMAN AT WAR (IC/FR/UE, Benedikt Erlingsson, 2018) ; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women’s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species.
Examining a new movement – termed by Creed as Feminist New Wave Cinema – The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Feminine, in cinema that foregrounds everyday horrors in addition to classic horror, Creed looks at a range of diverse films including The Babadook, A Girl Walks Home Alone at Night, Nomadland, Carol, Raw, Revenge, and the television series The Handmaid’s Tale. These films center on different forms of revolt, from inner revolt to social, supernatural and violent revolt, which appear in Feminist New Wave Cinema. These relate in the main to the emergence of a range of social protest movements that have gathered momentum in the new millennium and given voice to new theoretical and critical discourses. These include: third and fourth wave feminism, the #MeToo movement, queer theory, race theory, the critique of anthropocentrism and human animal theory. These theoretical discourses have played a key role in influencing Feminist New Wave Cinema whose films are distinctive, stylish and diverse.
This is an essential companion to the original classic text and is ideal for students in Gender and Media, Gender and Horror, Gender and Film and Feminist Film theory courses. -- publisher's web siteISBN: 9780367478162Contents: Introduction: The Monstrous-Feminine In Feminist New Wave Cinema -- The Monstrous Mother As Magician: The Babadook -- Unwomen: Dare To Revolt – The Handmaid’s Tale, Film & Tv Series -- #Metoo: Rape & Revolt: Promising Young Woman, Revenge, The Nightingale. -- The Monstrous-Feminine Forgets Her Manners: Nomadland, Carol, The Assistant -- Vampires, Feminism & Ethnicity: A Girl Walks Home Alone At Night -- The Monstrous-Feminine As Femme Fatale, Alien & Black: Under The Skin -- Queering The Monstrous-Feminine: Jennifer’s Body, The Lure, Thelma -- Female Cannibalism & Eating The Other: Raw, Trouble Everyday, In My Skin -- Furiosa: Eco-Horror & The Woman Warrior: Spoor, Woman At War, Mad Max: Fury Road – Filmography -- Index
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Revisioning history : film and the construction of a new past / edited by Robert A. Rosenstone Princeton, N.J.: Princeton University Press, 1995.
Call No: 45:93 REVAuthor: Rosenstone, Robert A Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1995PhysDes: vi, 255 p. : ill. ; 24 cmSeries: Princeton studies in culture/power/historySubject: HISTORY AND THE CINEMA ; HISTORICAL FILMS ; MISSISSIPPI BURNING (US, Alan Parker, 1988) ; DISTANT VOICES, STILL LIVES (UK, Terence Davies, 1988) ; HOME AND THE WORLD, THE [ ; EIJANAIKA (JA, Shohei Imamura, 1981) ; NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittorio Taviani, 1982) ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959) ; MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968) ; MODERNS, THE (US, Alan Rudolph, 1988) ; RADIO BIKINI (US, Robert Stone, 1987) ; POKAJANIE (UR, Tengiz Abuladze, 1986 [prod.1984]) ; FROM THE POLE TO THE EQUATOR [DAL POLO ALL EQUATORE] (IT/GW, Yervant Gianikian/Angela Ricci Lucchi, 1987) ; WALKER (US, Alex Cox, 1987) Notes: Includes bibliographical references (p. [215]-241) and indexISBN: 069108629X (acid-free paper); 0691025347 (pbk. : acid-free paper)LON: 94019563; 11000929
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ROCK HUDSON'S HOME MOVIES : (US, Mark Rappaport, 1992)
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Roll on the DVD revolution : studios rake it in as home viewing is changed forever in Daily Telegraph [T] (28/07/2004) p.14
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ROLLING HOME : (AT, David Lourie & Paul Witzig, 1975)
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Seeing and believing : religion and values in the movies / Margaret R. Miles Boston: Beacon Press, c1996.
Call No: 45:2 MILAuthor: Miles, Margaret Ruth Source: USPlace: BostonPublisher: Beacon PressPubDate: c1996PhysDes: xvi, 254 p. ; 23 cmSubject: RELIGION AND THE CINEMA ; ETHICS IN FILMS ; ETHNIC GROUPS IN FILMS ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; JESUS DE MONTREAL (CN/FR, Denys Arcand, 1989) ; MISSION, THE (UK, Roland Joffe, 1986) ; ROMERO (US, John Duigan, 1989) ; NOT WITHOUT MY DAUGHTER (US, Brian Gilbert, 1991) ; CHOSEN, THE (US, Jeremy Paul Kagan, 1981) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; LONG WALK HOME, THE (US, Richard Pearce, 1990) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; PIANO, THE (AT, Jane Campion, 1993) ; JUNGLE FEVER (US, Spike Lee, 1991) ; PARIS IS BURNING (US, Jennie Livingston, 1990) Notes: Includes bibliographical references and indexISBN: 0807010316
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[Short cuts] : Burton's solid start at the box office in The Age (06/10/2016) p.26
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SHTETL : A JOURNEY HOME : (GG, Marian Marzynski, 1996)
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Silk screen success in Movie Trader (September 11 2000)
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Small screens : essays on contemporary Australian television / edited by Michelle Arrow, Jeannine Baker and Clare Monagle Clayton, Vic.: Monash University Publishing, [2016].
Call No: 71(94) SMAAuthor: Arrow, Michelle, (editor) -- Baker, Jeannine, (editor) -- Monagle, Clare, (editor) Source: ATPlace: Clayton, Vic.Publisher: Monash University PublishingPubDate: [2016]PhysDes: xii, 192 pages ; 21 cmSeries: Cultural studiesSubject: TELEVISION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; COOKERY PROGRAMMES ; COOKING PROGRAMMES. AUSTRALIA ; POLITICS AND TV. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; BIOGRAPHICAL PROGRAMMES. AUSTRALIA ; FEMINISM AND TV. AUSTRALIA ; BRIDGES, MICHELLE ; RINEHART, GINA ; MAKING AUSTRALIA GREAT: INSIDE OUR LONGEST BOOM [TV] (AT, 2015) ; KILLING SEASON, THE [TV] (AT, 2015) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; GALLIPOLI (AT, Peter Weir, 1981) ; GALLIPOLI [TV](AT, Glendyn Ivin, 2015) ; DEADLINE GALLIPOLI [TV] (AT, 2015) ; WORLD WAR I ON TV ; [SIXTY] 60 MINUTES (AT, 1979-) ; KITCHEN CABINET [TV] (AT, 2012 - ) ; KATERING SHOW, THE [TV](AT, 2015-) ; BACHELOR AUSTRALIA, THE [TV] (AT, 2013) ; BACHELORETTE, THE [TV] (AT, 2015-) ; PRISON SONGS (AT, Kelrick Martin, 2015) ; BLACK PANTHER WOMAN (AT/US, Rachel Perkins, 2014) ; ONCE MY MOTHER (AT/PL/UE, Sophia Turkiewicz, 2014) ; NEIGHBOURS [TV] (AT, 1985-) ; PETER ALLEN : NOT THE BOY NEXT DOOR [TV] (AT, 2015) ; JUDITH LUCY IS ALL WOMAN [TV](AT, 2015) ; HITTING HOME [TV](AT, 2015) ; Q & A [TV] (AT, 2008-) ; HOUSE OF HANCOCK [TV] (AT, 2015) ; BANISHED [TV] (UK, 2015-) ; SECRET RIVER, THE [TV](AT, Daina Reid, 2015) ; STRUGGLE STREET [TV](AT, 2015-) Summary: There has been a lot happening on Australia’s small screens. Neighbours turned 30. Struggle Street was accused of poverty porn. Pete evangelised Paleo. Gina got litigious. Netflix muscled in. The Bachelor spawned The Bachelorette. Peter Allen’s maraccas were exhumed. The Labor Party ate itself. Anzac was an anti-climax. Join us as we survey the Australian televisual landscape, and try to make sense of the myriad changes transforming what and how we watch. We’ve come a long way since Bruce Gyngell welcomed us to television in 1956. We now watch on demand and wherever we want, in our lounge rooms and on our devices. But some things stay the same. The small screen is still a place for imagining Australia, for better or for worse. Small Screens challenges and celebrates our contemporary TV worlds. -- taken from back coverISBN: 9781925377101Contents: 1. The Televisual Landscape Today / Nick Herd -- 2. A Bitter Pill to Swallow: Food on Australian TV / Clare Monagle -- 3. Broadcasting Disruption / Mark Hearn -- 4. Anzac on TV / Carolyn Holbrook -- 5. Take One Sip When Someone Says 'Connection': Passion versus Intimacy in The Bachelor/ette Australia / Jodi McAlister -- 6. 'Gaps in the National Family Album': Australian Documentaries on the ABC and SBS / Jeannine Baker -- 7. Neighbours, the Soap that Whitens: 30 Years of Ramsay Street / David Nichols -- 8. Not the Boy Next Door: Reconsidering Television in the Musical Miniseries / Liz Giuffre -- 9. I Am Woman, Redux: Feminism on Television in 2015 / Michelle Arrow -- 10. Mining for Drama: House of Hancock, Gina Rinehart and the Law / David Rolph -- 11. Dramatising Australia's Colonisation: White Men's Stories in Banished (Foxtel) and The Secret River (ABC TV) / Sarah Pinto -- 12. Struggle Street ... Poverty Porn? / Zora Simic.
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SNOOPY, COME HOME : (US, Bill Melendez, 1972)
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Soap box : the Australian guide to television soap operas / by Hilary Kingsley South Melbourne: Sun Books, 1989.
Call No: 725.312 KINAuthor: Kingsley, Hilary Source: ATPlace: South MelbournePublisher: Sun BooksPubDate: 1989PhysDes: 336 p. : ill., ports ; 22 cmSubject: SOAP OPERAS ; SOAP OPERAS. AUSTRALIA ; TELEVISION. AUSTRALIA ; BELLBIRD [TV] (AT, 1967-1977) ; SULLIVANS, THE [TV] (AT, 1975-1982) ; COP SHOP [TV] (AT, 1977-84) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; SONS AND DAUGHTERS [TV] (AT, 1982-87) ; CARSON'S LAW [TV] (AT, 1983) ; NEIGHBOURS [TV] (AT, 1985-) ; PRIME TIME [TV] (AT, 1986) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; RICHMOND HILL [TV] (AT, Gary Conway, 1988) ; HOME AND AWAY [TV] (AT, 1988 -) Notes: Bibliography: p.328; Includes indexISBN: 0725105739
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newspaper article
Something wicked in Weekend Australian [Review] (6/6/2015) p.23
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SONS FOR THE RETURN HOME : (NZ, Paul Maunder, 1979)
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newspaper article
Sony turns games console into digital hub with PS3 in Australian Financial Review (24/02/2007) p.7
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Gliddon, Joshua Subject: BLU-RAY ; HOME EXHIBITION. AUSTRALIA Summary: The new Sony Playstation 3 (PS3) is to be released in a month and this article looks at the possibility of the PS3 becoming a ‘digital hub’ where people can use the machine for more than one thing including the viewing of DVD on its Blu Ray DVD player.
Looks also at how older consoles have functioned as a digital hub with commentators split on its effectiveness.
Look to future: Video downloads are the emerging technology….Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: “Microsoft believes that the PC is still the place where people store most of their digital media, while research group GfK has found that stand alone devices still rule the lounge room”
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SPIDERMAN: FAR FROM HOME : (US, Jon Watts, 2019)
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script
Stanley [1982?].
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title clippings file
STANLEY: EVERY HOME SHOULD HAVE ONE : (AT, Esben Storm, 1983)
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[Stanley: every home should have one : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 30 photographs : b&w ; 21 x 26 cm.-17 x 22 cm.-19 x 22 cm.Subject: STANLEY: EVERY HOME SHOULD HAVE ONE (AT, Esben Storm, 1983) ; ARGUE, DAVID ; BENSLEY, PETER ; CULLEN, MAX ; CRAIG, MICHAEL ; KENNEDY, GRAHAM ; SMITHERS, JOY ; WALKER, SUSAN ; LESLEY, LORNA ; LUCAS, BETTY ; STORM, ESBEN Summary: Black and white photographs relating to the film Stanley: every home should have oneNotes: Includes several duplicate stills of varying sizes
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newspaper article
Star cast muscle up in this entertaining fight for affection in Sunday Telegraph (20/12/2015) p.121
Call No: TITLE CLIPPINGS FILE; DADDY'S HOME (US, Sean Anders, 2015)Author: Roach, Vicky PhysDes: Clippings File ArticleSubject: DADDY'S HOME (US, Sean Anders, 2015) Summary: Review of the film DADDY'S HOMENotes: same article published in Sunday Herald Sun, 20/12/2015 p. 87Rating: 3.5 out of 5 stars
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STAR TREK IV: THE VOYAGE HOME : (US, Leonard Nimoy, 1986)
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STEALING HOME : (US, Steven Kampmann & Will Aldis, 1988)
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miss peregrine's home for peculiar children (uk/be/us, tim burton, 2016)
Strangley normal in Saturday Age [Spectrum] (1/10/2016) p.13
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Interim
book
Super Aussie soaps : behind the scenes of Australia's best loved TV shows / Andrew Mercado North Melbourne, Vic.: Pluto Press, 2004.
Call No: 725.312(94)Author: Mercado, Andrew Source: ATPlace: North Melbourne, Vic.Publisher: Pluto PressPubDate: 2004PhysDes: 414 p.: col. ill. ; 23 cmSubject: SOAP OPERAS. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; HOME AND AWAY [TV] (AT, 1988 -) ; SONS AND DAUGHTERS [TV] (AT, 1982-87) ; KATH AND KIM [TV] (AT, 2002-) ; NUMBER 96 [TV] (AT, 1972-1978) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; SULLIVANS, THE [TV] (AT, 1975-1982) ; COP SHOP [TV] (AT, 1977-84) ; BELLBIRD [TV] (AT, 1967-1977) ; PACIFIC DRIVE [TV] (AT, 1996) ; PARADISE BEACH [TV] (AT, 1993-1994) ; SECRET LIFE OF US, THE [TV] (AT, Lynn-Maree Danzey, 2000-) ; PRISONER [TV] (AT, 1979-86) Summary: Australian television celebrity and insider Andrew Mercado investigates and interviews the producers, the directors, the writers and such soap legends as Rowena Wallace, Lorraine Bayly, Paula Duncan, Rebecca Gilling, Melissa Tkautz, Terry Norris and Jeremy Sims to find out new details about these infamous serials. Learn about every soap ever made for Australian television. Presented in chronological order; the stories include never-before-seen photos, comprehensive synopses of the major storylines, those crazy cliffhangers and hilarious anecdotes.ISBN: 1864031913
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SWEET HOME ALABAMA : (US, Andy Tennant, 2002)
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newspaper article
Sydney Confidential : A place to call home once again in Daily Telegraph (25/03/2015) p.22
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subject clippings file
SYME HOME VIDEO
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title clippings file
TAKE ME HOME: THE JOHN DENVER STORY : (US, Jerry London, 2000)
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Interim
book
The television genre book / edited by Glen Creeber ; associate editors, Toby Miller and John Tulloch London: British Film Institute, 2001.
Call No: 720 TELAuthor: Creeber, Glen ; Miller, Toby ; Tulloch, John Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xi, 163 p. : ill., ports. ; 25 cmSubject: PROGRAMME GENRES ; DRAMAS ; SOAP OPERAS ; CHILDREN, PROGRAMMES FOR ; NEWS PROGRAMMES ; DOCUMENTARIES ; ADAPTATIONS. AUSTEN, JANE ; SOAP OPERAS ; SITUATION COMEDY ; HOMOSEXUALITY ON TV ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; SIMPSONS, THE [TV] (US, 1989-) ; SOUTH PARK [TV] (US, 1997-) ; I LOVE LUCY [TV] (US, 1951-57) ; ROSEANNE [TV] (US, 1988- ) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; WILL & GRACE[TV] (US, 1998-) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; DALLAS [TV] (US, 1978-91) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; ALLY MCBEAL [TV] (US, 1997-) ; AVENGERS, THE [TV] (UK, 1961-69) ; HILL STREET BLUES [TV] (US, 1980-87) ; E.R. [TV] (US, 1994 - ) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; X-FILES, THE [TV] (US, 1993-) ; CATHY COME HOME (UK, Ken Loach, 1966) ; DAY AFTER, THE (US, Nicholas Meyer, 1983) ; ROOTS [TV] (US, 1977) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) Notes: Includes bibliographical references and indexISBN: 0851708498(pbk.)
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poster
[The home song stories : poster]
Call No: P HOMPhysDes: 1 poster : col. ; 100 X 69 cm.Subject: HOME SONG STORIES, THE (AT, Tony Ayres, 2007) Summary: Image: picture of Joan Chen. Text: 'How far do you have to journey to find your home?'Notes: Some tears on the left and right hand side; Have 2 copies; one copy has tear in the middle on the left-hand side
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book
Top shelf 1 : reading and writing the best in Australian TV drama / Greg Haddrick ; [foreword by Tony Morphett] Sydney: Currency Press in association with the Australian Film, Television and Radio School, 2001.
Call No: 224(94) HADAuthor: Haddrick, Greg CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: SydneyPublisher: Currency Press in association with the Australian Film, Television and Radio SchoolPubDate: 2001PhysDes: xii, 145 p. ; 23 cmSubject: SCRIPTWRITING ; TELEVISION. AUSTRALIA ; SERIALS. AUSTRALIA ; MORPHETT, TONY ; HOME AND AWAY [TV] (AT, 1988 -) ; BREAKERS [TV] (AT, 1998-) ; GOOD GUYS, BAD GUYS (AT, Steve Jodrell, 1996) ; BLUE HEELERS [TV] (AT, 1994-2006) ; WILDSIDE [TV] (AT, 1997-9) ISBN: 086819610X : $29.95LON: 22336529
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book
Top shelf 2 : five outstanding television screenplays / edited by Greg Haddrick Sydney: Currency Press in association with the Australian Film, Television and Radio School, 2001.
Call No: 792 TOPAuthor: Haddrick, Greg CorpAuthor: Australian Film, Television and Radio SchoolSource: ATPlace: SydneyPublisher: Currency Press in association with the Australian Film, Television and Radio SchoolPubDate: 2001PhysDes: viii, 311 p. : ill. ; 23 cmSubject: SCRIPTS ; BREAKERS [TV] (AT, 1998-) ; BLUE HEELERS [TV] (AT, 1994-2006) ; GOOD GUYS, BAD GUYS (AT, Steve Jodrell, 1996) ; HOME AND AWAY [TV] (AT, 1988 -) ; WILDSIDE [TV] (AT, 1997-9) ISBN: 0868196118 : $28.95LON: 22336675
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clippings file
Tribal mind : Dusseldorp is too busy to follow her dream in Sunday Age [Melbourne Magazine] (27/9/15) p.19
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newspaper article
The tribal mind : Summer Bay beckons in switch to acting in Sun Herald [TV Guide] (28/02/2016) p.1
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title clippings file
TUTTI A CASA : (IT, Luigi Comencini, 1960)
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title clippings file
TUTTI A CASA : (IT, Luigi Comencini, 1960)
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journal article
Twelfth Annual Ohio University Film Conference : Documentary in Wide Angle (April 1991) vol.13 iss.2 p.[whole issue]
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title clippings file
U.S. GO HOME : (US, Claire Denis, 1994)
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book
Video cassette revolution : The VCR in Australia / Michael Nugent Sydney, N.S.W.: Macquarie University, 2014.
Call No: 410.82 NUGAuthor: Nugent, Michael CorpAuthor: Macquarie UniversitySource: ATPlace: Sydney, N.S.W.Publisher: Macquarie UniversityPubDate: 2014PhysDes: 59 pages ; 30 cmSubject: VIDEO RECORDERS ; VIDEO, FILMS ON. AUSTRALIA ; VIEWERS. AUSTRALIA ; HOME EXHIBITION. AUSTRALIA ; HOME EQUIPMENT ; HOME VIDEO. AUSTRALIA Summary: "This thesis is to serve as a history of the Video Cassette Recorder (VCR) in Australia. It has been done because while there are numerous histories relating to other aspects of Australian media, the history of the VCR itself remains little more than an aspect of narratives focused on other phenomena. This was done through extensive examination of discursive sources, such as popular magazines, newspapers and trade journals. By reading these publications over the course of several years, I have been able to identify several trends unfolding over time, noting how popular conceptions of the technology have changed. By comparing these with work done on the history of home video in other countries, it allows for a greater understanding of what is unique to Australia’s history with the VCR. Perhaps the most significant finding is that the idea of what a VCR can offer is perpetually changing. What began as a simple means to record and playback programmes from television broadcasts quickly became a key part of commercial film distribution fundamentally altered the way in which people experience their television sets. As such, a struggle for position by producers, distributors and consumers erupted, as it irrevocably changed media in Australia." FROM ABSTRACTNotes: Thesis paper -- ringbound -- includes acknowledgements and bibliographyContents: Chapter 1. Introduction -- Chapter 2. The VCR in the public sphere -- Chapter 3. The VCR in the domestic sphere -- Chapter 4. The legacy of the VCR
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book
Video playtime : The gendering of a leisure technology London: Routledge, 1992.
Call No: 410.82 GRAAuthor: Gray, Ann Edition: 1992Place: LondonPublisher: RoutledgePubDate: 1992PhysDes: x,270 p. ; 21 cmSeries: ComediaSubject: HOME VIDEO ; VIDEO RECORDERS ; VIDEO AND TELEVISION ; GENDER AND TELEVISION ISBN: 0415058651Contents: Acknowledgements -- Introduction -- 1 Questions of method -- 2 Organization of spare time -- 3 Viewing contexts and related texts -- 4 Viewing and reading preferences -- 5 Technology in the domestic environment -- 6 The VCR: time-shift -- 7 The VCR: hiring tapes -- 8 Gender and class in the household -- Appendix: sample details by socio-economic category -- Notes -- Bibliography -- Index.
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book
Video trader 1997 yearbook / Video Trader Publications Crows Nest, NSW: Video trader Publications, 1997.
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Interim
book
Video trader 2000 yearbook / Video Trader Publications Sydney, NSW: Video Trader Publications, [2000].
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title clippings file
WAIT 'TIL YOUR FATHER GETS HOME : (AT, Martin Wilson, 2001)
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still
[Wait til your father gets home : stills file]
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title clippings file
WALKING EMILY HOME : (AT, Robert Cleare, 2000)
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title clippings file
WAR AT HOME, THE : (US, Glenn Silber & Barry Alexander Brown, 1979)
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still
[War at home, the : stills file]
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title clippings file
WE CAN'T GO HOME AGAIN : (US, Nicholas Ray, 1976)
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title clippings file
WELCOME HOME : (US, Franklin J. Schaffner, 1989)
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title clippings file
WELCOME HOME : (US, George Ratliff, 2018)
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title clippings file
WELCOME HOME, ROXY CARMICHAEL : (US, Jim Abrahams, 1990)
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title clippings file
WHEN MOTHER COMES HOME FOR CHRISTMAS : (II/GR, Nilita Vachani, 1996)
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title clippings file
WHEN WILLIE COMES MARCHING HOME : (US, John Ford, 1950)
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title clippings file
WHICH WAY HOME : [TV] (AT, Carl Schultz, 1991)
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journal article
Whose story is reclaimed in The home song stories? in Studies in Australasian cinema (2008) vol.2 iss.1 p.15-20
Author: Tuccio, Silvana PhysDes: ArticleSubject: MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ETHNIC GROUPS IN FILMS. AUSTRALIA ; SPAG, THE (AT, Giorgio Mangiamele, 1962) ; HOME SONG STORIES, THE (AT, Tony Ayres, 2007) Summary: The home song stories offers a personal view of dislocation, family and the experience of difference; it widens the concept of what is an Australian story. The director of the film. who is also the narrator, reflects on his childhood and on his mother's experience of alterity in a foreign country, attempting in the process, to reclaim a part of himself.
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newspaper article
Will Ferrell says playing a fool keeps him anchored, man in Sunday Telegraph (20/12/2015) p.116
Call No: TITLE CLIPPINGS FILE; DADDY'S HOME (US, Sean Anders, 2015)Author: Johnson, Neala PhysDes: Clippings File ArticleSubject: FERRELL, WILL ; DADDY'S HOME (US, Sean Anders, 2015) Summary: Will Ferrell, the star of the film DADDY'S HOME, is interviewed about the film and discusses life as a parentNotes: same article published in Sunday Herald Sun, 20/12/2015 p. 86
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title clippings file
WO DE FU QIN MU QIN : (CC, Zhang Yimou, 1999)
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newspaper article
World in ruins but the kids look great in Weekend Australian [Review] (21/03/2015) p.14
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