personality clippings file
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: O'GRADY,OLIVER
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12:00 [TWELVE O'CLOCK] : (AT, Petar Bridges, 2000)
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A.W.O.L. : (US, Sheldon Lettich, 1990)
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ACCOUNTANT, THE : (US, Gavin O'Connor, 2016)
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o.j.: made in america (us, ezra edelman, 2016)
ACMI hosts marathon OJ screening in The Age [Arts and entertainment] (19/1/2017) p.24
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journal article
Administrators appointed at Total Films in Encore (25 Feb, 1998) vol.16 iss.1 p.5
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Affleck's savant superhero bogged down by plot in Canberra Times (03/11/2016) p.16
Call No: TITLE CLIPPINGS FILE; ACCOUNTANT, THE (US, Gavin O'Connor, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: ACCOUNTANT, THE (US, Gavin O'Connor, 2016) Summary: Review of the film THE ACCOUNTANTNotes: similar review in The Age, same dateRating: 2.5 out of 5 stars
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ALMOND, PETER. O.
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALMOND, PETER. O.
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Always another dawn / Z. O. Roberts Sydney: F.J. Thwaites, 1948.
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I AM NOT A SERIAL KILLER : (IE/UK, Billy O'Brien, 2016)
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AMERICAN HUSTLE : US, David O. Russell, 2013
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AMULETO DE OGUM, O : (BL, Nelson Pereira dos Santos, 1975)
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ANGEL : (US, Robert Vincent O'Neil, 1984)
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journal article
'Angel' wraps lensing in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8
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journal article
Los Angeles raves over "Starstruck" in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11
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ANTHOS TIS LIMNIS, O : (GR, STAMATIS TSAROUCHAS, 1999)
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Antonio das martes in Interview (1970) vol.1 iss.7 p.22-23
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ARMSTRONGS MOVIE, THE : (UK, Fergus O'Brien, 2006)
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ARROWHEAD : (AT, Jesse O'Brien, 2015)
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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Autism in film and television : on the island / edited by Murray Pomerance and R. Barton Palmer Austin: University of Texas Press, April 2022.
Call No: 747.77(73) AUTAuthor: Pomerance, Murray ; Palmer, R. Barton Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: April 2022PhysDes: 324 pages ; 23.5 cmSubject: PEOPLE WITH DISABILITIES IN FILMS ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016) ; RAIN MAN (US, Barry Levinson, 1988) ; GOOD DOCTOR, THE [TV] ( US, 2017 - ) ; BIG SHORT, THE (US, Adam McKay, 2015) ; STRANGER THINGS [TV] (US, 2016) ; SOCIAL NETWORK, THE (US, David Fincher, 2010) ; NIGHTCRAWLER (US, Dan Gilroy, 2014) ; ACCOUNTANT, THE (US, Gavin O'Connor, 2016) ; BEING THERE (US, Hal Ashby, 1979) ; PHANTOM THREAD (US, Paul Thomas Anderson, 2017) ; DAVID AND LISA (US, Frank Perry, 1962) ; MARY POPPINS (US, Robert Stevenson, 1964) Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.
Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web siteISBN: 9781477324912Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.
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AVENGING ANGEL : (US, Robert Vincent O'Neil, 1985)
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BAKE-OFF 1978 : (AT, Elizabeth O'Neill, 1978)
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BALLADA O SOLDATE : (UR, Grigorij Cuhraj, 1959)
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BAR ESPERANCA - O ULTIMO PUE FECHA : (BL, Hugo Carvana, 1983)
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BARAO DE ALTAMIRA, O : (PO, Artur Semedo, 1985)
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Barbra Streisand : the woman, the myth, the music / Shaun Considine London: Century Hutchinson, 1986.
Call No: 81STR CONAuthor: Considine, Shaun Source: UKPlace: LondonPublisher: Century HutchinsonPubDate: 1986PhysDes: viii, 394 p. : ill. ; 23 cmSubject: STREISAND, BARBRA ; BEATTY, WARREN ; GOULD, ELLIOTT ; KRISTOFFERSON, KRIS ; O'NEAL, RYAN ; PETERS, JON ; FUNNY GIRL (US, William Wyler, 1968) ; HELLO, DOLLY! (US, Gene Kelly, 1969) ; YENTL (US, Barbara Streisand, 1983) ISBN: 0712610820
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Barnens o in News vol.1 iss.9
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Barnens o in News vol.3 iss.59
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BEAUTIFUL : (AT, Dean O'Flaherty, 2009)
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poster
[Beautiful : poster] AT:
Call No: P BEAPlace: ATPhysDes: 1 poster : col. ; 69 x 100cmSubject: BEAUTIFUL (AT, Dean O'Flaherty, 2009) Summary: Full colour, glossy poster. Features an image of Peta Wilson in a red bathing suit and sunglasses reclining on a sun-lounge.ID2: 44
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Beyond document : essays on nonfiction film / edited by Charles Warren Hanover, NH: University Press of New England, 1996.
Call No: 761(04) BEYAuthor: Warren, Charles, 1948 Place: Hanover, NHPublisher: University Press of New EnglandPubDate: 1996PhysDes: xxviii, 366 p. : ports. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; DIRECTORS ; DOCUMENTARY DRAMAS ; NEWSREELS ; MEMORY IN FILMS ; ETHNOGRAPHIC FILMS ; BIOGRAPHICAL FILMS ; GENOCIDE IN FILMS ; WORLD WAR II FILMS ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; OPHULS, MARCEL ; RESNAIS, ALAIN ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; BOOMERANG (US, Elia Kazan, 1947) ; VERTOV, DZIGA ; MARKER, CHRIS ; FILM PORTAIT (US, Jerome Hill, 1972) ; GARDNER, ROBERT ; MCELWEE, ROSS ; ZERKALO (UR, Andrei Tarkovsky, 1975) Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss.
Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURBNotes: Includes bibliographical references (p. 345-350) and indexISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)LON: 11642141Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe
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BEYOND SKYLINE
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BIG DIS, THE : (US, Gordon Eriksen & John O'Brien, 1989)
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BILLY'S HOLLYWOOD SCREEN KISS : (US, Tommy O'Haver, 1997)
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A bit on the side : east-west topographies of desire / Chris Berry Sydney: Empress Publishing, 1994.
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book
The Bitch / Jackie Collins London: Pan Books, 1979.
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title clippings file
Bitch, The : (US, Gerry O'Hara, 1979)
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journal article
Bojana Novakovic in Empire (Australian Ed.) (August 2006) iss.65 p.39
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Boom-boom! / Rob Johnson & David Smiedt Rydalmere, N.S.W.: Hodder Headline Australia, 1999.
Call No: 732(94) JOHAuthor: Johnson, Rob, 1969 ; Smiedt, David Place: Rydalmere, N.S.W.Publisher: Hodder Headline AustraliaPubDate: 1999PhysDes: viii, 376 p. : ill., ports. ; 24 cmSubject: COMEDIES. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDIENNES. AUSTRALIA ; ADAMS, PHILLIP ; GLEISNER, TOM ; MCDERMOTT, PAUL ; O'DONOGHUE, RORY ; BAILEY, BERT ; BOND, GRAHAME ; BOURNE, SHANE ; BROWN, NOELINE ; CILAURO, SANTO ; CHATER, GORDON ; CREYTON, BARRY ; DENTON, ANDREW ; FAHEY, MARYANNE ; FERGUSON, TIM ; GILLIES, MAX ; GRILLS, LUCKY ; GYNGELL, KIM ; HALL, KEN G. ; HARMER, WENDY ; HOGAN, PAUL ; HUMPHRIES, BARRY ; KENNEDY, GRAHAM ; LAMOND, TONI ; MCDONALD, GARRY ; QUANTOCK, ROD ; RAYE, CAROL ; REILLY, GARY ; SITCH, ROB ; SORRENTI, VINCE ; SZUBANSKI, MAGDA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BIG GIG, THE [TV] (AT, Ted Robinson, 1989) ; FRONTLINE [TV] (AT, 1994- ) ; MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968) ; IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-) ; AUNTY JACK SHOW, THE [TV] (AU, 1972-73) ; COMEDY COMPANY, THE [TV] (AT, 1988-1990) ; D-GENERATION [TV] (AT, 1986-?) ; FAST FORWARD [TV] (AT, 1988-1989?) Notes: Includes index; "An Allison Pressley book."ISBN: 0733609384 : $24.95LON: 14529909
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BOYS LIFE : (US, Brian Sloan, Raoul O'Connell & Robert Lee King, 1994)
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BREAST MEN : (US, Lawrence O'Neil & Gary Lucchesi, 1997)
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BREATHING LESSONS: THE LIFE AND WORK OF MARK O'BRIEN : US, Jessica Yu, [1997]
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BROKEN BARRIER : (NZ, Roger Mirams & John O'Shea, 1952)
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BROKEN HARVEST : (IE, Maurice O'Callagham, 1994)
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personality microfilm collection
BROWN, O. NICHOLAS
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BRUTE, THE : (UK, Gerry O'Hara, 1977)
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still
[Bush Christmas : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 10 photographs : b&w ; 13 x 18 cm - 25 x 20 cmSubject: EWART, JOHN ; HOWARD, JOHN ; KIDMAN, NICOLE ; WINGROVE, JAMES ; MANALPUY ; SPAIN, MARK ; BARRON, PAUL D. ; SUMNER, PETER ; O'MALLEY, VINETA ; BUSH CHRISTMAS (AT, Henri Safran, 1981) Summary: Ten black and white photographs relating to the film Bush ChristmasNotes: One image donated by Brian McFarlane
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newspaper article
The cack pack in Herald Sun [News] (15/03/2014) p.8
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CAL : (IE, Pat O'Connor, 1984)
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CANNIBAL TOURS : (AT, Dennis O' Rourke, 1987)
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poster
[Cannibal tours : poster]
Call No: P CANPhysDes: 1 poster : col. ; 59 X 42 cm.Subject: CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) Summary: Image: photo of some characters and some of them are highlighted. Text:' There is nothing so strange in a strange land, as the stranger who comes to visit it.'ID2: 44
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[Cannibal tours : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 4 photographs : b&w ; 13 x 18 cmSubject: CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) Summary: Four black and white photographs relating to the film Cannibal tours
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Cannibalilizing queer : Brazilian cinema from 1970 to 2015 / Joao Nemi Neto Detroit: Wayne State University Press, 2021.
Call No: 71-032(81) NEMAuthor: Nemi Neto, Joao Edition: 2021Place: DetroitPublisher: Wayne State University PressPubDate: 2021PhysDes: x, 170 pages ; 24 cmSeries: Queer ScreensSubject: BRAZIL ; HOMOSEXUALITY IN FILMS ; AIDS IN FILMS ; PORNOGRAPHIC FILMS ; CANNIBALISM IN FILMS ; MADAME SATA (BL/FR, Karim Ainouz, 2002) ; MARINS, JOSE MOJICA ; ORGIA OU O HOMEN QUE DEU CRIA (BL, Joao Silverio Trevisan, 1970) Summary: Through an analysis of contemporary Brazilian cinematic production, Cannibalizing Queer: Brazilian Cinema from 1970 to 2015 discusses which queer representations are erased and which are acknowledged in the complex processes of cultural translation, adaptation, and "devouring" that defines the Brazilian understanding of sexual dissidents and minorities. João Nemi Neto argues for Brazilian cinema studies to acknowledge the importance of 1920s modernism and of antropografia, a conceptual mode of cannibalism, to adopt and extrapolate a perverse form of absorption and raise the stakes on queer theory and postcolonialism, and to demonstrate how they are crucial to the development of a queer tradition in Brazilian cinema.
In five chapters and two "trailers," Nemi Neto understands the term "queer" through its political dimensions because the films he analyzes represent characters that conform neither to American coming-out politics nor to Brazilian identity politics. Nonetheless, the films are queer precisely because the queer experiences and affection explored in these films do not necessarily insist on identifying characters as a particular sexuality or gender identity. Therefore, attention to characters within a unique cinematic world raises the stakes on several issues that hinge on cinematic form, narrative, and representation. Nemi Neto interviews and examines the work of Joao Silverio Trevisan and provides readings of films such as AIDS o furor do sexo explícito (AIDS the Furor of Explicit Sex, 1986), and Dzi Croquetes (Dzi Croquetes, 2009) to theorize a productive overlap between queer and antropofagia. Moreover, the films analyzed here depict queer alternative representations to both homonormativity and heteronormativity as forms of resistance, at the same time as prejudice and heteronormativity remain present in contemporary Brazilian social practices.
Graduate students and scholars of cinema and media studies, queer studies, Brazilian modernism, and Latin American studies will value what one early reader called "a point of departure for all future research on Brazilian queer cinema." -- publisher's web siteISBN: 9780814346105Donation: Senses of Cinema
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Censuring Salo : the unbanning of Pier Paolo Pasolini's Salo / Rebecca Huntley Sydney: University of New South Wales, 1995.
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Christmas at the movies : images of Christmas in American, British and European cinema / edited by Mark Connelly London ; New York: I.B. Tauris, 2000.
Call No: 743 CONPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2000PhysDes: 242 p. : ill. ; 24 cm.Subject: CHRISTMAS IN FILMS ; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939) ; SCROOGE (UK, Henry Edwards, 1935) ; CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; CHRISTMAS CAROL, A (UK, Clive Donner, 1984) ; SCROOGED (US, Richard Donner, 1988) ; MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941) ; HOLIDAY INN (US, Mark Sandrich, 1942) ; CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941) ; TURKEY TIME (UK, Tom Walls, 1933) ; HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953) ; CHEATERS, THE (US, Joe Kane, 1945) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; MIRACLE ON 34TH STREET (US, George Seaton, 1947) ; SANTA CLAUSE, THE (US, John Pasquin, 1994) ; ERNEST SAVES CHRISTMAS (US, John Cherry, 1988) ; SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985) ; GREMLINS (US, Joe Dante, 1984) ; SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984) ; SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987) ; TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; LETHAL WEAPON (US, Richard Donner, 1987) ; DIE HARD (US, John McTiernan, 1988) ; DIE HARD 2 (US, Renny Harlin, 1990) ; HOME ALONE (US, Chris Columbus, 1990) ; HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992) ; LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996) ; JINGLE ALL THE WAY (US, Brian Levant, 1996) ; MERLUSSE (FR, Marcel Pagnol, 1935) ; CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988) ; ELISA (FR, Jean Becker, 1994) ; KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956) ; IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975) ; PLACIDO (SP, Luis Garcia Berlanga, 1961) Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.Notes: Includes bibliographical references and indexes.
Filmography: p. ([223]-232)ISBN: 1860643973Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans
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CHRISTMAS DOWN UNDER : (AT, Louis Mandylar/Paul O'Brien, 2021) Digital clippings file available
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Cinema and painting : how art is used in film / Angela Dalle Vacche Austin, Texas: University of Texas Press, 1996.
Call No: 61[929:7] VACAuthor: Vacche, Angela Dalle Source: USPlace: Austin, TexasPublisher: University of Texas PressPubDate: 1996PhysDes: xi, 303 pages : illustrations ; 23 cmSubject: ART AND THE CINEMA ; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; ANDREI RUBLEV (UR, Andrei Tarkovsky, 1969) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; THERESE (FR, Alain Cavalier, 1986) Summary: "The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity." - taken from back cover.Notes: Includes index -- Includes bibliographical references (p. [267]-292)ISBN: 0292715838Contents: Introduction: A Thematic and Intertextual Approach -- Ch. 1. Vincente Minnelli's An American in Paris: Painting as Psychic Upheaval -- Ch. 2. Michelangelo Antonioni's Red Desert: Painting as Ventriloquism and Color as Movement -- Ch. 3. Eric Rohmer's The Marquise of O: Painting Thoughts, Listening to Images -- Ch. 4. Jean-Luc Godard's Pierrot le Fou: Cinema as Collage against Painting -- Ch. 5. Andrei Tarkowsky's Andrei Rublev: Cinema as the Restoration of Icon Painting -- Ch. 6. F. W. Murnau's Nosferatu: Romantic Painting as Horror and Desire in Expressionist Cinema -- Ch. 7. Kenji Mizoguchi's Five Women around Utamaro: Film between Woodblock Printing and Tattooing -- Ch. 8. Alain Cavalier's Therese: Still Life and the Close-Up as Feminine SpaceID2: 343
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The cinema of Australia and New Zealand / edited by Geoff Mayer & Keith Beattie. London: Wallflower, 2007.
Call No: 71(93) CINSource: UKPlace: LondonPublisher: WallflowerPubDate: 2007PhysDes: xiii, 259 p. : ill. ; 24 cm.Series: 24 FramesSubject: AUSTRALIA ; NEW ZEALAND ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953) ; BACK OF BEYOND, THE (AT, John Heyer, 1954) ; JEDDA (AT, Charles Chauvel, 1955) ; FREE RADICALS (NZ, Len Lye, 1958) ; RUNAWAY (NZ, John O'Shea, 1964) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; VIGIL (NZ, Vincent Ward, 1984) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984) ; PIANO, THE (AT, Jane Campion, 1993) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; AFTER MABO (AT, Richard Frankland, 1997) ; CHOPPER (AT, Andrew Dominik, 2000) ; GODDESS OF 1967, THE (AT, Clara Law, 2000) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.Notes: Includes filmography.
Includes bibliography and index.ISBN: 9781904764960
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The cinema of Satyajit Ray / Chidananda Das Gupta New Delhi: National Book Trust, India, 1994.
Call No: 81RAY DASAuthor: Das Gupta, Chidananda Edition: rev. and enl. ed.Place: New DelhiPublisher: National Book Trust, IndiaPubDate: 1994PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cmSubject: Ray, Satyajit ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; APARAJITO (II, Satyajit Ray, 1957) ; PARASH PATHAR (II, Satyajit Ray, 1958) ; JALSAGHAR (II, Satyajit Ray, 1958) ; APUR SANSAR (II, Satyajit Ray, 1958) ; DEVI (II, Satyajit Ray, 1960) ; TEEN KANYA (II, Satyajit Ray, 1961) ; RABINDRANATH TAGORE (ii, Satyajit Ray, 1961) ; KANCHENJUNGHA (II, Satyajit Ray, 1962) ; ABHIJAN (II, Satyajit Ray, 1962) ; MAHANAGAR (II, Satyajit Ray, 1963) ; CHARULATA (II, Satyajit Ray, 1964) ; TWO (II, Satyajit Ray, 1964) ; KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965) ; NAYAK (II, Satyajit Ray, 1966) ; CHIRIAKHANA (II, Satyajit Ray, 1967) ; GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; SEEMABADDHA (II, Satyajit Ray, 1971) ; JANA ARANYA (II, Satyajit Ray, 1975) ; SHATRANJ KE KHILARI (II, Satyajit Ray, 1977) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HOME AND THE WORLD, THE [ ; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990) ; AGANTUK (II, Satyajit Ray, 1991) ; INNER EYE, THE (II, Satyajit Ray, 1972) ; ASANI SANKET (II, Satyajit Ray, 1973) ; SONAR KELLA (II, Satyajit Ray, 1975) ; BALA (II, Satyajit Ray, 1976) ; JOI BABA FELUNATH (II, Satyajit Ray, 1978) ; HIRAK RAJAR DESHE (II, Satyajit Ray, 1980) ; PIKOO (II, Satyajit Ray, 1980) ; SADGATI (II, Satyajit Ray, 1981) ; SUKUMAR RAY (II, Satyajit Ray, 1988) ; GANASHATRU (II, Satyajit Ray, 1989) Notes: Includes bibliographical references (p. [201]-204)ISBN: 8123707533Donation: donated by the family of Wayne Levy, 2006
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Cinema Year Book of Japan, 1938 / edited by International Cinema Association of Japan, The (Kokusai Eiga Kyokai) Tokyo: Kokusai Bunka Shinkokai (The Society for International Cultural Relations), 1938.
Call No: 71 (52) CIN; RARE BOOK; FOLIOPlace: TokyoPublisher: Kokusai Bunka Shinkokai (The Society for International Cultural Relations)PubDate: 1938PhysDes: 82 p. : ill., ports. ; 32cmSubject: JAPAN ; NATIONAL CULTURE AND THE CINEMA ; PERIODICALS, FILM ; ORGANIZATIONS ; NEWSREELS ; KOREA ; SHOCHIKU ; TOHO ; NIKKATSU ; KAZE NO NAKA NO KODOMO (JA, Hiroshi Shimizu, 1937) ; KOJO NO TSUKI (JA, Keisuke Sasaki, 1937) ; HANA-KAGO NO UTA (JA, Heinosuke Gosho, 1937) ; ASAKUSA NO HI (JA, Yasujiro Shimazu, 1937) ; SOBO (JA, Hisatora Kumagai, ?) ; TABIJI (JA, Ri Keikwan, ?) ; ATARASHIKI TSUCHI (JA, Mansaku Itami, 1937) ; HADAKA NO MACHI (JA, Tomu Uchida, 1937) ; SHINSEN GUMI (JA, Sotoji Kimura, 1937) ; SHINJITSU ICHIRO (JA, Tomotaka Tasaka, 1937) ; SHUKUJO WA NANI O WASURETA KA (JA, Yasujiro Ozu, 1937) ; OSAKA NATSU NO JIN (JA, Teinosuke Kinugasa, 1937) ; AI EN KYO (JA, Kenji Mizoguchi, 1937) ; WAKAI HITO (JA, Shiro Toyoda, 1937) ; KAGIRINAKI ZENSHIN (JA, Tomu Uchida, 1937)
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The cinematic imagination : writers and the motion pictures / by Edward Murray New York: Frederick Ungar Publishing Co., 1972.
Call No: 753.1 MURAuthor: Murray, Edward Source: USPlace: New YorkPublisher: Frederick Ungar Publishing Co.PubDate: 1972PhysDes: xi, 330 p. ; 22cm.Subject: ADAPTATIONS. BECKETT, SAMUEL ; ADAPTATIONS. HEMINGWAY, ERNEST ; ADAPTATIONS. MILLER, ARTHUR ; ADAPTATIONS. O'NEILL, EUGENE ; ADAPTATIONS. STEINBECK, JOHN ; ADAPTATIONS. WILLIAMS, TENNESSEE ; ADAPTATIONS. WOOLF, VIRGINIA ; EXPRESSIONISM ; LITERATURE AND THE CINEMA ; THEATRE AND THE CINEMA ; BRECHT, BERTOLT ; EISENSTEIN, SERGEI M. ; FAULKNER, WILLIAM ; FITZGERALD, F. SCOTT ; GREENE, GRAHAM ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; END OF THE AFFAIR, THE (UK, Neil Jordan, 1999) ; SOUND AND THE FURY, THE (US, Martin Ritt, 1959) Summary: An exploration of the relationships between cinema, theatre and literature. While the book does discuss adaptation, it also discusses the influence that cinema has had on drama and novels.Notes: Includes bibliographic detailsISBN: 0804426430
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Cinematographers on the art and craft of cinematography / compiled by Anna Kate Sterling Metuchen, N.J.: Scarecrow Press, 1987.
Call No: 23 STEAuthor: Sterling, Anna Kate Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1987PhysDes: x, 131 p. : ill. ; 23 cmSubject: CINEMATOGRAPHY ; MOHR, HAL ; PERRY, HARRY F. ; RITTAU, GUNTHER ; VINNA, CLYDE DE ; STRUSS, KARL ; MILLER, VIRGIL ; VALENTINE, JOSEPH A. ; O'BRIEN, WILLIS ; GAUDIO, TONY ; BITZER, G.W. [BILLY] ; BROENING, LYMAN ; COURANT, CURT ; SKALL, WILLIAM V. ; RENNAHAN, RAY ; GREENE, W. HOWARD Notes: "These essays were first published between 1929 and 1937 in the International photographer"--Foreword; Includes indexISBN: 0810819724LON: 5017179
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CIRCLE OF FRIENDS : (US, Pat O'Connor, 1995)
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Cleaning up in the world of marketing in Weekend Australian [Review] (19/12/2015) p.12
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[Clinic, the : stills file]
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The Coen brothers : this book really ties the films together / by Adam Nayman New York: Abrams Books, 2018.
Call No: 81 COE NAYAuthor: Nayman, Adam Source: USPlace: New YorkPublisher: Abrams BooksPubDate: 2018PhysDes: 320 pages : illustrations (some colour) ; 32 cmSubject: COEN, JOEL & ETHAN ; BLOOD SIMPLE (US, Joel Coen, 1984) ; RAISING ARIZONA (US, Joel Coen, 1987) ; MILLER'S CROSSING (US, Joel Cohen, 1990) ; BARTON FINK (US, Joel Cohen, 1991) ; HUDSUCKER PROXY, THE (US, Joel Coen, 1994) ; FARGO (US, Ethan Coen, 1996) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001) ; INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003) ; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004) ; NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007) ; BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008) ; SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009) ; TRUE GRIT (US, Coen Brothers, 2010) ; HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016) Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.Notes: Includes bibliographical references.ISBN: 9781419727405Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography
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Colin Friels in Empire (Australian Ed.) (October 2005) iss.55 p.38
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Combat films : American realism, 1945-1970 / by Steven Jay Rubin Jefferson, N.C.: McFarland, 1981.
Call No: 737 RUBAuthor: Rubin, Steven Jay, 1951 Place: Jefferson, N.C.Publisher: McFarlandPubDate: 1981PhysDes: xii, 233 p. : ill. ; 24 cmSubject: WAR FILMS ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; WALK IN THE SUN, A (US, Lewis Milestone, 1945) ; BATTLEGROUND (US, William A. Wellman, 1949) ; GREAT ESCAPE, THE (US, John Sturges, 1963) ; TWELVE O'CLOCK HIGH (US, Henry King, 1949) ; HELL IS FOR HEROES (US, Don Siegel, 1961) ; PATTON (US, Franklin J. Schaffner, 1970) Notes: Includes indexISBN: 0899500137; 0899500145 (pbk.) 0899500161 (pbk.)LON: 1739858
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Comfort and joy in AFR Weekend (23/12/2015) p.41
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Constructing the Coens : from Blood Simple to Inside Llewyn Davis / by Allen H. Redmon New York : London: Rowman & Littlefield, c2015.
Call No: 81COE REDAuthor: Redmon, Allen H. Source: US/UKPlace: New York : LondonPublisher: Rowman & LittlefieldPubDate: c2015PhysDes: xviii, 173 pages ; 24 cmSubject: CRITICISM ; COEN, JOEL & ETHAN ; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004) ; BARTON FINK (US, Joel Cohen, 1991) ; RAISING ARIZONA (US, Joel Coen, 1987) ; HUDSUCKER PROXY, THE (US, Joel Coen, 1994) ; MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001) ; INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003) ; NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008) ; SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009) Summary: "In Constructing the Coens: From Blood Simple to Inside Llewyn Davis, Allen Redmon looks beyond the postmodern sensibilities of every film written and directed by the Coens to find an unexpected range of recurring ideas expressed in and about contemporary film. Redmon tackles all of the films in the Coen brothers’ canon by examining—among other topics—narrative coherence in The Man Who Wasn’t There, intertextuality in No Country for Old Men, and sexuality in Burn after Reading and O Brother, Where Art Thou? Additional chapters examine the films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (pages 155-160), filmography (pages 161-163) and indexISBN: 9781442244849Donation: Sense of cinemaContents: -- acknowledgments -- introduction -- 1: "It's a problem of 'perception'": identifying the Coens' constructivist sensibility -- 2: "You don't want to be tried and found wantin'": triggering the ongoing adaptation of the the Ladykillers -- 3: "I will destroy him": negotiating the image in Barton Fink and Raising Arizona -- 4: "That gag's got whiskers on it": achieving narrative coherence in the Hudsucker proxy and The man who wasn't there -- 5: "The coin don't have no say": examining intertextuality in the Hudsucker proxy, Intolerable cruelty, and No country for old men -- 6: "A lotta ins, a lotta outs": interweaving genres in the Big Lebowski and O brother, where art thou? -- 7: "Appearances can be deceptive" : investigating sexuality in O brother, where art thou?, Intolerable cruelty, and Burn after reading -- 8: "I haven't done anything funny": scrutinizing gender in the Coens' arrangements of a bunch of men around one woman -- 9: "Accept the mystery": resisting final construction of A serious man -- Conclusion -- bibliography -- filmography -- index -- about the author --
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Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORRAuthor: Orr, John, 1943 Place: EdinburghPublisher: Edinburgh University PressPubDate: c1998PhysDes: xi,243 p. : ill. ; 24 cmSubject: CANADA ; CITY OF SADNESS, A [ ; MASCULINITY IN FILMS ; RELIGION AND THE CINEMA ; COMMUNISM AND THE CINEMA ; DOUBLES IN FILMS ; EXPRESSIONISM ; FILM NOIR ; POLAND ; PSYCHOLOGY AND THE CINEMA ; SEX IN FILMS ; SURREALISM AND THE CINEMA ; ALLEN, WOODY ; ALTMAN, ROBERT ; ANTONIONI, MICHELANGELO ; BEATTY, WARREN ; BELMONDO, JEAN-PAUL ; BERGMAN, INGMAR ; BINOCHE, JULIETTE ; BONNAIRE, SANDRINE ; BURTON, TIM ; CAGE, NICOLAS ; CAMPION, JANE ; CHABROL, CLAUDE ; CHEUNG, LESLIE ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; CRONENBERG, DAVID ; DAHL, JOHN ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DERN, LAURA ; EGOYAN, ATOM ; FIGGIS, MIKE ; GERE, RICHARD ; GONG, LI ; GREENAWAY, PETER ; HAUER, RUTGER ; JAMESON, FREDRIC ; KIESLOWSKI, KRZYSZTOF ; LYNCH, DAVID ; MALICK, TERRENCE ; Pasolini, Pier Paolo ; ROSSELLINI, ISABELLA ; SCORSESE, MARTIN ; SCOTT, RIDLEY ; STONE, OLIVER ; TRAN, ANH HUNG ; WEIR, PETER ; Wenders, Wim ; WONG KAR-WAI ; YOUNG, SEAN ; ZHANG, YIMOU ; ANDERSSON, BIBI ; AUDRAN, STEPHANE ; DUVALL, SHELLY ; GIDLEY, PAMELA ; JANDA, KRYSTYNA ; KANESHIRO, TANESHI ; LEUNG, TONY ; LIN, BRIGITTE ; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988) ; KILL ME AGAIN (US, John Dahl, 1989) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; ADJUSTER, THE (CN, Atom Egoyan, 1991) ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHINATOWN (US, Roman Polanski, 1974) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; JFK (US, Oliver Stone, 1991) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; LIEBESTRAUM (US, Mike Figgis, 1991) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; PERSONA (SW, Ingmar Bergman, 1966) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RAGING BULL (US, Martin Scorsese, 1980) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; STALKER (UR, Andrei Tarkovsky, 1979) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0748608362(pbk.) : No priceLON: 13772409ID2: 291
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Contemporary musical film / edited by K. J. Donnelly and Beth Carroll Edinburgh: Edinburgh University Press, 2019.
Call No: 751.1 CONSource: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2019PhysDes: x, 192 pages : illustrations (black and white) ; 25 cm.Series: Music and the moving image seriesSubject: MUSICALS ; TEAM AMERICA WORLD POLICE (US, Trey Parker, 2004) ; ACROSS THE UNIVERSE (US, Julie Taymor, 2007) ; FROZEN (US, Chris Buck & Jennifer Lee, 2013) ; MAMMA MIA! (UK/US/G, Phyllida Lloyd, 2008) ; MISERABLES, LES (UK, Tom Hooper, 2012) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FAST AND THE FURIOUS, THE (US, Rob Cohen, 2001) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) Summary: In recent years there has been a remarkable resurgence in the success of film musicals. Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have restated the close connections between the stage and screen. This edited collection will look at the breadth and diversity of recent film musicals, including adaptations from the stage such as Mamma Mia! (2008), Tim Burton's Sweeny Todd: The Demon Barber of Fleet Street (2007) and Rock of Ages (2012). This collection will also look at films that owe less of a direct debt to stage musicals, such as Julie Taymor's Across the Universe (2007) and Lars von Trier's Dancer in the Dark (2000).Notes: Includes bibliographical references and index.ISBN: 9781474431682Contents: Machine generated contents note: pt. ONE ORIGINAL MUSICALS --1.Aesthetic Absurdities in Takashi Miike's The Happiness of the Katakuris / Craig Hatch --2.Film and the Twilight of Rock (Rock is Dead and Film Killed It): Post-millennial Rock Musicals / K. J. Donnelly --3.Team America: World Police: Duplicitous Voices of the Socio-political Spy Musical / Jack Curtis Dubowsky --4.The Anti-musical or Generic Affinity: Is there Anything Left to Say? / Beth Carroll --5.`Is This Real Enough For You?': Lyrical Articulation of the Beatles' Songs in Across the Universe / Stephanie Fremaux --6.`Love Is an Open Door': Revising and Repeating Disney's Musical Tropes in Frozen / Ryan Bunch --pt. TWO STAGE TO SCREEN --7.Star Quality? Song, Celebrity and the Jukebox Musical in Mamma Mia! / Catherine Haworth --8.Beyond the Barricade: Adapting Les Miserables for the Cinema / Ian Sapiro --pt. THREE MUSICALS BY ANOTHER NAME --Contents note continued: 9.O Brother, Where Art Thou?: The Coen Brothers and the Musical Genre Contamination / Stefano Baschiera --10.Racing in the Beat: Music in the Fast & Furious Franchise / Todd Decker --11.Kill Bill: Quentin Tarantino as a Musical Filmmaker / Geena Brown.
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CONVENTO, O = CONVENT, THE : (PO/FR, Manoel de Oliveira, 1995)
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CORAL SEA DREAMING : (AT, David Hannan & Ian O'Hare, 1992)
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COULDN'T BE FAIRER : (UK/AT, Dennis O'Rourke, 1984)
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Couldn't be fairer in Filmviews (Summer 1985/86) vol.30 iss.126 p.25
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The crime films of Anthony Mann / by Max Alvarez Jackson, Miss.: University Press of Mississippi, 2014.
Call No: 81MAN ALVAuthor: Alvarez, Max Source: USPlace: Jackson, Miss.Publisher: University Press of MississippiPubDate: 2014PhysDes: 324 pages ; 24 cmSubject: CRIME FILMS ; FILM NOIR ; MANN, ANTHONY ; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942) ; STRANGERS IN THE NIGHT (US, Anthony Mann, 1944) ; TWO O'CLOCK COURAGE (US, Anthony Mann, 1945) ; GREAT FLAMARION, THE (US, Anthony Mann, 1945) ; STRANGE IMPERSONATION (US, Anthony Mann, 1946) ; DESPERATE (US, Anthony Mann, 1947) ; RAILROADED! (US, Anthony Mann, 1947) ; T-MEN (US, Anthony Mann, 1947) ; RAW DEAL (US, Anthony Mann, 1948) ; HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948) ; FOLLOW ME QUIETLY (US, Richard Fleischer, 1949) ; BORDER INCIDENT (US, Anthony Mann, 1949) ; SIDE STREET (US, Anthony Mann, 1950) ; TALL TARGET, THE (US, Anthony Mann, 1951) Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIANotes: Includes bibliographical references, filmography and indexISBN: 9781617039249Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --
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CRISTAVO COLOMBO O ENIGMA [CHRISTOPHER COLUMBUS THE ENIGMA] : (PG/FR/G, Manoel de Oliveira, 2007)
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Critical and commercial success for O'Rourke in Encore (13-26 March 1986) vol.4 iss.3 p.22-23
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CROC-A-DYKE DUNDEE: THE LEGEND OF DAWN O'DONNELL : (UK, Fiona Cunningham Reid, 2014)
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Cullen landis in "heroes of the night" - 1927. in Classic Images (Nov 1983) iss.101 p.34-36
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CUNNAMULLA : (AT, Dennis O'Rourke, 2000)
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D.O.A : (US, Lech Kowalski, 1981)
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D.O.A in Cinema Score (Fall/Winter 1983) iss.11/12 p.28-31
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D.O.A.:DEAD OR ALIVE : (US/GG/UK, Corey Yuen,2006)
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DAILY SHOW THE : [TV] (US, Andy Barsh/Chuck O'Neil/Scott Preston/Christian Santiago, 1996-)
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DANCING AT LUGHNASA : (IR/UK/US, Pat O'Connor, 1998)
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David O. Selznick's Hollywood / written & produced by Ronald Haver London: Secker & Warburg, 1980.
Call No: 71(73) SEL; FOLIOAuthor: Haver, Ronald Place: LondonPublisher: Secker & WarburgPubDate: 1980PhysDes: ix, 425 p. : ill.(some col.), facsims(some col.), ports(some col.) ; 37cmSubject: USA ; SELZNICK, DAVID O. Notes: List of films: p414-417. - Includes indexISBN: 0436191288 : ª35.00LON: 2049847 2049847
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[Dead easy : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 13 photograph : b&w ; 21 x 26 cmSubject: BURGESS, SCOTT ; O'LEARY, JACK ; PHIPPS, MAX ; NOBLE, BOBBY ; COMBES, BARNEY ; PAUL, ROSEMARY ; BARRY, TONY ; FYFIELD, STEPHEN ; DEAD EASY (AT, Bert Deling, 1982) Summary: Twelve black and white photographs relating to the film 1982 version of Dead easy
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DEAREST ENEMY : [TV] (AT, John O'Grady and Geoff Portman, 1989)
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DECEMBER BRIDE : (IE, Thaddeus O'Sullivan, 1990)
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DESEJADO-MONTAGNES DE LA LUNE, O : (PO/FR, Paulo Rocha, 1987)
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Detour in International Photographer (Feb 1980) p.17
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DEUS E O DIABO NA TERRA DO SOL : (BL, Glauber Rocha, 1964)
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DHISKOLOI APOHAIRETISMOI: O BABAS MOU : (GR/G, Penny Panayotopoulou, 2002)
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DIAL H-I-S-T-O-R-Y : (BE/FR, Johan Grimonprez, 1997)
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Documentary screens : non-fiction film and television / Keith Beattie Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.
Call No: 761 BEAAuthor: Beattie, Keith Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2004PhysDes: 276 p ; 21cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; IMPERIALISM AND THE CINEMA ; CINEMA VERITE ; CINEMA-DIRECT ; JOURNALISTS, FILM ; POPULAR CULTURE AND TV ; REALITY TV ; TABLOID JOURNALISM ; POPULAR CULTURE AND THE CINEMA ; AUSTRALIAN BROADCASTING CORPORATION ; BRITISH BROADCASTING CORPORATION ; COLUMBIA BROADCASTING SYSTEM ; NATIONAL FILM BOARD OF CANADA ; NATIONAL INDIGENOUS DOCUMENTARY FUND ; NBC TELEVISION NETWORK ; PUBLIC BROADCASTING SERVICE ; NETWORK TEN ; VIDEODISCS ; GRANADA ; IMAX ; INDEPENDENT TELEVISION COMMISSION ; INTERACTIVE TV ; MUSIC TELEVISION ; TELEVISION JOURNALISTS ; BUERK, MICHEAL ; CAVADINI, ALESSANDRO ; DE ANTONIO, EMILE ; DREW, ROBERT ; DYLAN, BOB ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; LEACOCK, RICHARD ; LORENTZ, PARE ; MAYSLES, ALBERT ; MAYSLES, DAVID ; MCELWEE, ROSS ; MOORE, MICHAEL ; MORIN, EDGAR ; O'ROURKE, DENNIS ; PENNEBAKER, D. A. ; PILGER, JOHN ; ROUCH, JEAN ; RUTTMAN, WALTER ; TAJIRI, REA ; VERTOV, DZIGA ; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982) ; CHEQUER-BOARD [TV] (AT, 1969-1975) ; [FOUR] 4 CORNERS [TV] (AT, 1961-) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; BIG BROTHER [TV] (AT, 2001-) ; BIGGIE AND TUPAC (US, Nick Broomfield, 2001) ; BILL, THE [TV] (UK, 1984-) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002) ; BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999) ; CAMBODIA: YEAR ZERO (AT, John Pilger, 1989) ; CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) ; CATHY COME HOME (UK, Ken Loach, 1966) ; COPS AND ROBBERSONS (US, Michael Ritchie, 1994) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) ; GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MONTEREY POP (US, D. A. Pennebaker, 1968) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; POLICE STATE (AT, Chris Noonan, 1989) ; SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993) ; WALKING WITH DINOSAURS[TV] (UK, 1999) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].ISBN: 033374117XURL status: URL: 'http://-'
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The documentary tradition / selected arranged, and introduced by Lewis Jacobs New York: W. W. Norton, c1979.
Call No: 761 JACAuthor: Jacobs, Lewis, comp Edition: 2nd edPlace: New YorkPublisher: W. W. NortonPubDate: c1979PhysDes: 594 p. : ill. ; 24 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; HISTORY OF CINEMA ; NEWSREELS ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; VERTOV, DZIGA ; RIEFENSTAHL, LENI ; LEACOCK, RICHARD ; WISEMAN, FREDERICK ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; MOANA (US, Robert Flaherty, 1926) ; RAIN (US, Louis Milestone, 1932) ; STARK LOVE (US, Karl Brown, 1927) ; TURKSIB (US, Victor A. Turin, 1929) ; DRIFTERS (SW, John Grierson, 1929) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940) ; RIVER, THE (US, Pare Lorentz, 1938) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; LAND, THE (US, Robert Flaherty, 1942) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; NEGRO SOLDIER, THE (US, Frank Capra, 1944) ; DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959) ; JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; MARRIED COUPLE, A (CN, Allan King, 1969) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976) Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURBNotes: Includes index; Bibliography: p. 577-579ISBN: 0393950425LON: 1437994URL status: URL: 'http://-'
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Doing the rounds in Filmnews (June 1985) vol.15 iss.5 p.16-17
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DRESSMAKER, THE : (UK, Jim O'Brien, 1988)
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Drift / Screenplay by Morgan O'Neill 2011.
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DRIFT : (AT, Ben Nott and Morgan O'Neill, 2013) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: DRIFT (AT, Ben Nott and Morgan O'Neill, 2013) URL status: URL: 'http://file://Q:/T/DRIFT.zip'
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DU-BEAT-E-O : (US, Alan Sacks,1984)
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Dziga Vertov : defining documentary film / Jeremy Hicks London: I.B. Tauris, 2007.
Call No: 761 HICAuthor: Hicks, Jeremy Source: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2007PhysDes: xi, 194 p. : ill. ; 23 cmSeries: KINO: the Russian cinema seriesSubject: DOCUMENTARY FILMS ; VERTOV, DZIGA ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934)
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TRI PESNI OF LENINE ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) Summary: "Pioneer of political documentary and inventor of cinema verite, Dziga Vertov has exerted a decisive influence on directors from Eisenstein to Goddard. Yet his reputation long rested upon a lone masterpiece, Man with a Movie Camera. Recently, however, Vertov has begun to be recognised as the creator of a body of innovative and distinct films. This, the first book in English to cover the whole of Vertov's career, reveals him to be an auteur, allowing readers to combine the familiar and less familiar aspects of his filmmaking and thinking in a cohesive narrative.
Jeremy Hicks demonstrates how Vertov draws on Soviet journalistic models for his transformation of newsreel into the new form of documentary film. Through analyses of Cine-Pravda No 21 (Leninst Cine-Pravda), Cine-Eye, Forward Soviet!, A Sixth Part of the World, The Eleventh Year, Man with a Movie Camera, Enthusiasm, Three Songs of Lenin and Lullaby, he shows how Vertov's greatest works combine authentic documentary footage ingeniously for tremendous rhetorical effect. The director's current reputation is in sharp counterpoint to the way his films were received in Russia: in the 1920s the sheer novelty of the documentary genre meant his work was little understood and much criticised, and in the 1930s Vertov was marginalised.
Documentary as we know it today is unthinkable without the rediscovery of Vertov in the 1960s. In an age more suspicious of documentary's implicit claims to objectivity, Vertov's reflexive and overtly partisan films are of even greater relevance, but need to be better known and understood. This is the purpose of Dziga Vertov: Defining Documentary Film." -- BOOK BLURBContents: -- Acknowledments -- list of illustrations -- preface -- Introduction : Dziga Vertov--defining documentary film -- The birth of documentary from the spirit of journalism : Cine-Pravda, Cine-Eye -- Vertov and documentary theory : 'the goal was truth, the means Cine-Eye' -- 'A card catalogue in the gutter' : Forward, Soviet!, A sixth part of the world -- New paths : The eleventh year, Man with a movie camera -- Sound and the defence of documentary : Enthusiasm -- Documentary or hagiography? : Three songs of Lenin -- Years of sound and silence : Lullaby -- Forward Dziga! Foreign and posthumous reception -- notes -- select bibliography -- filmography -- index --
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EAST IS EAST : (UK, Damien O'Donnell, 1999)
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EASY WHEELS : (US, David O'Malley, 1989)
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Edgy master of farce pushes the envelope : Pick of the day in The Australian [Arts & entertainment] (6/11/2015) p.17
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ELEVEN O'CLOCK, THE : (AT, Derin Seale, 2016)
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ELLA ENCHANTED : (US/UK/IE, Tommy O'Haver, 2004)
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EMILY : (UK/US, Frances O'connor, 2022) Digital clippings file available
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ETUDA O ZKOUSCE : (CS, Sewald Schorm, 1976)
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ETUDA O ZKOUSCE : (CS, Sewald Schorm, 1976)
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EVIDENCE : (AT, Kathleen O'Brien, 1994)
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[Evidence : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 4 photos : b&w ; 26 x 21 cmSubject: EVIDENCE (AT, Kathleen O'Brien, 1994) Summary: Four black and white photographs relating to the 9 minute 16 mm film Evidence
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Fandy, oh fandy in The Czechoslovak film (1983) iss.2 p.18-19
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i am not a serial killer (ie/uk, billy o'brien, 2016)
Fantastic flights of imagination in Weekend Australian [Review] (1/10/2016) p.14
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Featuring film 2 : the sequel / by Peter Cox, Fred Goldsworthy Melbourne: Oxford University Press, 1997.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Source: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1997PhysDes: viii, 215 p. : ill. ; 26 cmSubject: TEACHING MATERIALS ; BABE (AT, Chris Noonan, 1995) ; BRAVEHEART (US, Mel Gibson, 1995) ; CASABLANCA (US, Michael Curtiz, 1942) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HIGH NOON (US, Fred Zinnemann, 1952) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LORENZO'S OIL (US, George Miller, 1992) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; METROPOLIS (G, Fritz Lang, 1926) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; NELL (US, Michael Apted, 1994) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; OUTBREAK (US, Wolfgang Petersen, 1995) ; PIANO, THE (AT, Jane Campion, 1993) ; PROOF (AT, Jocelyn Moorhouse, 1991) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993) ; SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994) ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; SWING KIDS (US, Thomas Carter, 1993) ; THAT EYE THE SKY (AT, John Ruane, 1994) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995) Notes: Includes indexISBN: 0195540190 : $24.95LON: 12914277
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FIGHTER, THE : (US, David O Russell, 2010)
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Film 73/74 : an anthology by the National Society of Film Critics / edited by Jay Cocks and David Denby Indianapolis ; New York: Bobbs-Merrill Company, 1974.
Call No: 67(04) FILSource: USPlace: Indianapolis ; New YorkPublisher: Bobbs-Merrill CompanyPubDate: 1974PhysDes: xl, 369 p. ; 23 cm.Subject: THEATRE AND THE CINEMA ; POLICE IN FILMS ; MASCULINITY IN FILMS ; WOMEN IN FILMS ; POLITICS IN FILMS ; MONROE, MARILYN ; FORD, JOHN ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WEDDING IN WHITE (CN, William Fruet, 1972) ; KEBY SOM MAL PUSKU (SZ, Stefan Uher, 1971) ; KID BLUE (US, James Frawley & Dennis Hopper, 1973) ; PULP (US/UK, Mike Hodges, 1972) ; DAVID HOLZMAN'S DIARY (US, Jim McBride, 1968) ; JESUS CHRIST SUPERSTAR (US, Norman Jewison, 1973) ; GODSPELL (US, David Greene, 1973) ; DELICATE BALANCE, A (US/UK/CN, Tony Richardson, 1973) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; SLITHER (US, Howard Zieff, 1973) ; TEN FROM YOUR SHOW OF SHOWS (US, Max Liebman, 1973) ; WALKING TALL (US, Phil Karlson, 1973) ; LAUGHING POLICEMAN, THE (US, Stuart Rosenberg, 1973) ; BELLE FILLE COMME MOI, UNE (FR, Francois Truffaut, 1975) ; DOLL'S HOUSE, A (UK/US/FR, Joseph Losey, 1973) ; YEAR OF THE WOMAN (US, Sandra Hochman, 1973) ; NYBYGGARNA (SW, Jan Troell, 1972) ; PAYDAY (US, Daryl Duke, 1972) ; NUIT AMERICAINE, LA (FR/IT, Francois Truffaut, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; STRATEGIA DEL RAGNO, LA (IT, Bernardo Bertolucci, 1970) ; SZERELEM (HU, Karoly Makk, 1971) ; SANMA NO AJI (JA, Yasujiro Ozu, 1962) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; LONG GOODBYE, THE (US, Robert Altman, 1973) ; AMERICAN GRAFFITI (US, George Lucas, 1973) ; MEAN STREETS (US, Martin Scorsese, 1973) ; BANG THE DRUM SLOWLY (US, John Hancock, 1973) ; HEAVY TRAFFIC (US, Ralph Bakshi, 1973) ; SISTERS (US, Brian De Palma, 1972) ; PAPER MOON (US, Peter Bogdanovich, 1973) ; WAY WE WERE, THE (US, Sydney Pollack. 1973) ; SAVE THE TIGER (US, John G. Avildsen, 1973) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; LAST AMERICAN HERO, THE (US, Lamont Johnson, 1973) ; BLUME IN LOVE (US, Paul Mazursky, 1973) ; DAY OF THE JACKAL, THE (UK/FR, Fred Zinnemann, 1973) ; I.F. STONE'S WEEKLY (US, Jerry Bruck Jr., 1974) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972) ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) ; SUMMER WISHES, WINTER DREAMS (US, Gilbert Cates, 1973) ; SCARECROW (US, Jerry Schatzberg, 1973) ; STING, THE (US, George Roy Hill, 1973) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; DEEP THROAT (US, Jerry Gerard, 1972) ; LIVE AND LET DIE (US, Guy Hamilton, 1973) ; TANG SHAN DA XIONG (HK, Lo Wei, 1971) ; SERPICO (US, Sidney Lumet, 1973) ; MAGNUM FORCE (US, Ted Post, 1973) ; SEVEN-UPS, THE (US, Philip D'Antoni, 1973) ; HANDLER DER VIER JAHRESZEITEN, DER (GW, Rainer Werner Fassbinder, 1972) ; ARANYER DIN RATRI (II, Satyajit Ray, 1970) ; PRATIDWANDI (II, Satyajit Ray, 1971) ; FRIENDS OF EDDIE COYLE, THE (US, P. Yates, 1973) ; CHARLEY VARRICK (US, Donald Siegel, 1973) ; SLEEPER (US, Woody Allen, 1973) ; PLAYTIME (FR, Jacques Tati, 1967) ; KING IN NEW YORK (US, Charles Chaplin, 1957) ; TOUCH OF CLASS, A (UK, Melvin Frank, 1973) ; EXORCIST, THE (US, William Friedkin, 1973) ; JONATHAN LIVINGSTONE SEAGULL (US, Hall Bartlett, 1973) ; DAY OF THE DOLPHIN, THE (US, Mike Nichols, 1973) Summary: Collection of essays of films that were released in America in 1973/1974.Notes: Includes index.ISBN: 0672519895Contents: -- Day For Night / Vincent Canby, Roger Greenspun, Gary Arnold -- Last Tango In Paris / Pauline Kael, Gary Arnold, Hollis Alpert, Joseph Gelmis -- The Spider's Stratagem / Jay Cocks -- Love / Penelope Gilliatt, Vincent Canby -- An Autumn Afternoon / Robert Hatch -- O Lucky Man! / Penelope Gilliatt, Robert Hatch -- The Long Goodbye / Charles Champlin, Pauline Kael, William S. Pechter -- La Grande Bouffe / Robert Hatch, Bruce Williamson, Molly Haskell -- Don't Look Now / Jay Cocks, Pauline Kael -- American Graffiti / Jay Cocks, Roger Greenspun, William S. Pechter -- Mean Streets / Pauline Kael, Joseph Gelmis, William S. Pechter -- Bang The Drum Slowly / Richard Schickel, David Denby -- Payday / Bruce Williamson -- Heavy Traffic / Penelope Gilliatt, Andrew Sarris -- Sisters / Richard Schickel -- The New Land / Gary Arnold -- Paper Moon / Judith Crist, Gary Arnold -- The Way We Were / Joseph Gelmis, Paul D. Zimmerman -- Save The Tiger / Charles Champlin, William S. Pechter -- Pat Garrett And Billy The Kid / Jay Cocks, Michael Korda -- The Last American Hero / Roger Greenspun -- Blume In Love / Roger Ebert, William S. Pechter, Molly Haskell -- Memories Of Underdevelopment / Penelope Gilliatt -- State Of Siege / Penelope Gilliatt, Andrew Sarris -- The Day Of The Jackal / Roger Ebert -- I. F. Stone's Weekly / Vincent Canby -- Tout Va Bien / Vincent Canby -- The Mattei Affair / Andrew Sarris -- Men Without Women, Women Without Men / David Denby -- Sisterhoodwinked: The Bitter Tears Of Petra Von Kant, Year Of The Woman, The Way We Were / Molly Haskell -- Summer Wishes, Winter Dreams / Judith Crist, Paul D. Zimmerman -- A Doll's House / Molly Haskell -- Such A Gorgeous Kid Like Me / Penelope Gilliatt -- Mailer On Monroe / Andrew Sarris, Molly Haskell -- Scarecrow / Bruce Williamson -- The Sting / Judith Crist, Bernard Drew -- Papillon / Paul D. Zimmerman -- Deep Throat / Vincent Canby -- Live And Let Die / Joseph Gelmis -- Kung Fu Craze: Fists Of Fury / David Denby -- Movie Cops: Serpico, Magnum Force, The Laughing Policeman, The Seven-Ups / David Denby -- The Friends Of Eddie Coyle / Richard Schickel -- Walking Tall / Gary Arnold -- Charley Varrick / Andrew Sarris -- Sleeper / Pauline Kael, Molly Haskell -- Playtime / Penelope Gilliatt, Richard Schickel -- Ten From "Your Show Of Shows" / Andrew Sarris -- A King In New York / Roger Greenspun -- A Touch Of Class / Bernard Drew -- Slither / Robert Hatch -- The American Film Theatre / Hollis Alpert -- The Iceman Cometh / Molly Haskell -- The Homecoming And A Delicate Balance / Paul D. Zimmerman -- The Exorcist / Hollis Alpert, Charles Champlin, Pauline Kael -- Godspell / Bruce Williamson -- Jesus Christ Superstar / Hollis Alpert, Paul D. Zimmerman -- Jonathan Livingston Seagull / Michael Korda -- The Day Of The Dolphin / Paul D. Zimmerman -- The Merchant Of Four Seasons / Andrew Sarris -- Days And Nights In The Forest / David Denby -- The Adversary / Gary Arnold -- David Holzman's Diary / Vincent Canby -- Pulp / William S. Pechter -- Kid Blue / Jay Cocks -- If I Had A Gun / Pauline Kael -- Wedding In White / Roger Ebert -- Imaginary Movies / Paul D. Zimmerman -- Abel Green (1900-1973) / Vincent Canby -- John Ford (1895-1973) / Roger Greenspun -- John Ford: The Grapes Of Wrath / Andrew SarrisID2: 291
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Filming Batavia in Lumiere (March, 1973) iss.21 p.16-19
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The filmmaker and the prostitute : Dennis O'Rourke's The good woman of Bangkok / edited by Chris Berry, Annette Hamilton, Laleen Jayamanne Sydney: Power Publications, 1997.
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Filmmakers latch onto music to trap the youth market in Australian film review (Nov 10-23 1983) vol.1 iss.20 p.18
Author: Roberts, Margaret PhysDes: ArticleSubject: COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984) ; STREET HERO (AT, Michael Pattinson, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; ONE NIGHT STAND (AT, John Duigan, 1984) ; FAST TALKING (AT, Ken Cameron, 1984) ; SLIM DUSTY MOVIE, THE (AT, Rob Stewart, 1989) ; J O' K - THE WILD ONE [TV] (AT, Glenn A. Baker, 1984) ; MUSIC IN FILMS. AUSTRALIA Summary: Write up on the trend for Australian feature films in 1984 to place a high emphasis on music, and also a speight of documentary-style films on music making.
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Filmmakers on filmmaking : the American Film Institute seminars on motion pictures and television. volume 2 / edited by Joseph McBride Los Angeles Boston: J.P. Tarcher Distributed by Houghton Mifflin Co., c1983.
Call No: 802 FIL vol.2Author: McBride, Joseph CorpAuthor: American Film InstituteEdition: 1st edPlace: Los Angeles BostonPublisher: J.P. Tarcher Distributed by Houghton Mifflin Co.PubDate: c1983PhysDes: ports. ; 24 cmSubject: LEAR, NORMAN ; LEVINE, JOSEPH E. ; RENOIR, JEAN ; TOWNE, ROBERT ; HESTON, CHARLTON ; DAVIS, BETTE ; GOLDSMITH, JERRY ; HEAD, EDITH ; SELZNICK, DAVID O. ; BRAKHAGE, STAN ; DE HAVILLAND, OLIVIA ; MORRISSEY, PAUL ; NICHOLSON, JACK ; POLANSKI, ROMAN ; SCHAFFNER, FRANKLIN J. ; WYLER, WILLIAM ; ALONZO, JOHN ; HORNER, HARRY ; GOOD TIMES (US, William Friedkin, 1967) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; CHINATOWN (US, Roman Polanski, 1974) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HEIRESS, THE (US, William Wyler, 1949) ; HUSTLER, THE (US, Robert Rossen, 1961) ; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes bibliographies and indexesISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)LON: 2606290
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FIM DO MUNDO, O : (PO/FR, Joao Mario Grilo, 1993)
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newspaper article
Finding America's story in the tragedy of O.J. in Sunday Age (05/03/2017) p.24
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FINTAR O DESTINO : (PO/FR, Fernando Vendrell, 1998)
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newspaper article
First watch : Dinner for two in Weekend Australian [Review] (30/01/2016) p.23
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FIVE ACES : (US, David Michael O'Neill, 1999)
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Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1992.
Call No: 512.1 PARAuthor: Partridge, Dinah ; Hughes, Peter, 1949 Place: MelbournePublisher: Oxford University PressPubDate: 1992PhysDes: viii, 184 p. : ill., ports. ; 26 cmSubject: TEACHING MATERIALS ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; MALCOLM (AT, Nadia Tass, 1986) ; YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987) ; SHAME (AT, Steve Jodrell, 1988) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; RADIO DAYS (US, Woody Allen, 1987) ; ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) ; CRY FREEDOM (UK, Richard Attenborough, 1987) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; GALLIPOLI (AT, Peter Weir, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; STAND AND DELIVER (US, Ramon Menendez, 1988) ; GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; STREET HERO (AT, Michael Pattinson, 1984) ; STAND BY ME (US, Rob Reiner, 1986) ; DELINQUENTS, THE (AT, Chris Thomson, 1989) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985) ; KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985) ; PLACE AT THE COAST, THE (AT, George Ogilvie, 1987) ; SCALES OF JUSTICE [TV] (AT, 1983) ; WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; MY LEFT FOOT (UK, Jim Sheridan, 1989) ; CANNIBAL TOURS (AT, Dennis O'Rourke, 1987) Notes: Includes index; Bibliography: p. 183ISBN: 019553218XLON: 8815950ID2: 290
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FLIRTING WITH DISASTER : (US, David O. Russell, 1996)
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book
The Fondas : a hollywood dynasty / Peter Collier New York: G.P. Putnam's Sons, c1991.
Call No: 82FON COLAuthor: Collier, Peter Source: USPlace: New YorkPublisher: G.P. Putnam's SonsPubDate: c1991PhysDes: 336 p., [32] p. of plates : ill., ports. ; 24 cmSubject: ACTORS. USA ; Metro-Goldwyn-Mayer ; BARDOT, BRIGITTE ; BEATTY, WARREN ; FONDA, BRIDGET ; FONDA, HENRY ; FONDA, JANE ; FONDA, PETER ; HAYDON, TOM ; LANE, NATHAN ; NICHOLSON, JACK ; Stewart, James ; STRASBERG, LEE ; Sullavan, Margaret ; SELZNICK, DAVID O. ; SUTHERLAND, DONALD ; VADIM, ROGER ; WAYNE, JOHN ; ZANUCK, DARRYL F. ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; CHINA SYNDROME, THE (US, James Bridges, 1979) ; EASY RIDER (US, Dennis Hopper, 1969) ; KLUTE (US, Alan J. Pakula, 1971) ; ON GOLDEN POND (US, Mark Rydell, 1981) ; SCANDAL (UK, Michael Caton-Jones, 1989) ; SHAG (UK, Zelda Barron, 1988) Notes: Includes index.ISBN: 0399135928Donation: donated by the family of Wayne Levy, 2006
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FOOLS OF FORTUNE : (UK, Pat O'connor, 1990)
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FORDRINGASARE : (SW, Stefan Bohm & Keve Hjelm & John O. Olsson, 1989)
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title clippings file
FRAGMENTS OF ISABELLA : (UK? Ronan O'Leary, 1991)
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journal article
Futz : A lousy concoction in Interview (1969) vol.1 iss.3
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journal article
Futz the movie in Interview (1969) vol.1 iss.3
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book
The garden in the machine : a field guide to independent films about place / Scott MacDonald Berkeley, California: University of California Press, 2001.
Call No: 738(71) MACAuthor: MacDonald, Scott Place: Berkeley, CaliforniaPublisher: University of California PressPubDate: 2001PhysDes: xxvi, 461 p. : ill. (some colour) ; 24cmSubject: INDEPENDENT FILMS ; NATURE IN FILMS ; PLACE IN FILMS ; PLACE IN FILMS. USA ; CITIES IN FILMS ; NEW YORK IN FILMS ; GOTTHEIM, LARRY ; COLE, THOMAS ; MURPHY, J. J. ; ANGER, KENNETH ; MENKEN, MARIE ; SCHNEEMANN, CAROLEE ; BRAKHAGE, STAN ; KELLER, MARJORIE ; ROBERTSON, ANNE CHARLOTTE ; LOWDER, ROSE ; MANGOLTE, BABETTE ; BENNING, JAMES ; STONE, OLIVER ; SPIRO, ELLEN ; DEBONT, JAN ; KUCHAR, GEORGE ; BURCKHARDT, RUDY ; WEEGEE ; THOMPSON, FRANCIS ; MENKEN, MARIE ; HARRIS, HILARY ; LEE, SPIKE ; STAUFFACHER, FRANK ; BAILLIE, BRUCE ; RUDNICK, MICHAEL ; GEHR, ERNIE ; O'NEILL, PAT ; MARTIN, EUGENE ; MEKAS, JONAS ; GREAVES, WILLIAM ; FRAMPTON, HOLLIS ; HUOT, ROBERT ; DORSKY, NATHANIEL ; HUTTON, PETER ; DASH, JULIE ; FRANKLIN, CARL ; CONNER, BRUCE ; HERZOG, WERNER ; LANZMANN, CLAUDE ; STRAND, CHICK ; NOREN, ANDREW ; PIERCE, LEIGHTON ; GATTEN, DAVID Summary: "Explores the evocations of place, and particularly American place, that have become so central to the representational and narrative strategies of alternative and mainstream film and video. Scott MacDonald contextualises his discussion with wide-ranging and deeply informed analysis of the depiction of place in nineteenth and twentieth-century literature, painting and photography. Examining the representation of nature and landscape in particular, and location in general, MacDonald offers new readings of films under consideration as well as an expanded sense of modern film history."Notes: Includes distribution sources for films and videos (in US), notes and indexISBN: 0520227387
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book
The German experimental film of the seventies Munich: Goethe-Institute, 1980.
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GET OVER IT (US, Tommy O'Haver, 2001)
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journal article
A girl's teardrop in Roumanian Film (1981) vol.1 p.10-12
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GOMBROWICZ O LA SEDUCCION : (AG, Alberto Fischermann, 1988)
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still
[Good woman of Bangkok : Aoi played by Yagwalak Chonchanakun is situated on a rooftop behind an advertising billboard, dressed in black and wearing sunglasses]
Call No: TITLE STILL AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 21 x 26 cm.Subject: GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; CHONCHANAKUN, YAGWALAK Summary: Image of a rooftop scene showing Yagwalak Chonchanakun looking to her right whilst dressed in black and wearing sunglasses.Notes: Slight abrasion to centre of image; Small indentation on the right of image; Label taped to the reverse of image
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GOOD WOMAN OF BANGKOK, THE : (AT, Dennis O'Rourke, 1991)
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[Good woman of Bangkok, The : film publicity image of Yagwalak Chonchanakun in front of a neon sign covering one eye] / A film by Dennis O'Rourke [1992?].
Call No: TITLE STILL AUSTRALIASource: ATPubDate: [1992?]PhysDes: 1 postcard : col. ; 17 x 12 cm.Subject: GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991) ; O'ROURKE, DENNIS Summary: Yagwalak Chonchanakun stands infront of a neon advertisement covering one eye. She has black hair and is also wearing black clothing. Text at the bottom of the image reads "The Good Moman of Bangkok : a film by Dennis O'Rourke".Notes: Paper clip damage on upper left corner; Film Australia sticker on reverse of image
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poster
[Good woman of Bangkok, the : poster]
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still
[Good woman of Bangkok, the : stills file]
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title clippings file
HALF LIFE : (AT, Dennis O'Rourke, 1985)
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journal article
Half Life in Filmviews (Summer 1985/1986) vol.30 iss.126 p.28-29
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journal article
Half Life : Living (and dying) with the bomb in Cinema Papers (March 1986) iss.56 p.73
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poster
[Half life : poster]
Call No: P HALPhysDes: 1 poster : col. ; 100 X 69 cm.Subject: HALF LIFE (AT, Dennis O'Rourke, 1985) Summary: Image: photo of America's flag, 3 women and a baby.Notes: Some tears on the right and left hand side.
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still
[Halifax f.p. : stills file] / Dennis Wisken
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 18 photographs : b&w ; 12 x 10 cm - 26 x 21 cmSubject: GIBNEY, REBECCA ; ROXBURGH, RICHARD ; FRIELS, COLIN ; McKENZIE, JACQUELINE ; FURNESS, DEBORRA-LEE ; VIDLER, STEVEN ; O'CONNOR, FRANCES ; MCCLORY, BELINDA ; MARNIKA, DINO ; KOVSKI, JEFF ; JODRELL, STEVEN ; HALIFAX F.P. [TV] (AT, 1995- ) Summary: Eighteen black and white photographs relating to the television series Halifax f.p., including publicity stills of actors and also one of the director of the episode 'The Feeding' Steve Jodrell.
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HAMENOS TA PAIRNEI OLA, O : (GR, NIKOS NIKOLAIDIS, 2003)
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HAWAII FIVE-O : [TV](US, 2010)
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Hawaii Five-O / Linda Mizejewski Detroit, Mich: Wayne State University Press, 2022.
Call No: 79 HAW FAUAuthor: Mizejewski, Linda Place: Detroit, MichPublisher: Wayne State University PressPubDate: 2022PhysDes: 122 p. : ill. ; 18 cmSeries: TV MilestonesSubject: HAWAII FIVE-O [TV] (US, 1968-1980) Summary: Hawaii Five-O, created by Leonard Freeman in 1968, is an American police procedural drama series that was produced by CBS Productions and aired for twelve seasons. Author Brian Faucette discusses the show’s importance by looking at how it framed questions around the security and economy of the Hawaiian Islands in connection with law enforcement, the diversity of its population, the presence of the US military, and the influx of tourists.
Faucette begins by discussing how the show both conformed to and adapted within the TV landscape of the late 1960s and how those changes helped to make it the longest-running cop show in American TV history until it was surpassed by Law and Order. Faucette argues that it was Freeman’s commitment to filming on location in Hawaii that ensured the show would tackle issues pertinent to the islands and reflect the diversity of its people, culture, and experiences, while helping to establish a viable film and TV industry in Hawaii, which is still in use today. Faucette explains how a dedication to placing the show in political and social context of the late 1960s and 1970s (i.e., questions around policing, Nixon’s call for "law and order," the US military’s investment and involvement in the Vietnam War, issues of racial equality) rooted it in reality and sparked conversation around these issues. Another key element of the show’s success is its connection to issues of tourism and the idea that TV can create a form of "tourism" from the safety of the home. Faucette concludes with discussion of how Hawaii Five-O led to the development of other shows, as well as attempts to reboot the show in the 1990s and in 2010.
Faucette makes a strong argument for the series as a distinctive artifact of a time in US history that witnessed profound changes in culture, politics, and economics, one that will excite not only scholars and students of television and media studies but any die-hard fan of gripping police procedurals. -- publisher's web siteISBN: 9780814344323Language: EnglishDonation: Senses of Cinema
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I HEART HUCKABEES : (US/GG/UK, David O. Russell, 2004)
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HEART OF ME, THE : (UK, Thaddeus O'Sullivan, 2002)
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HEART OF THE MATTER, THE : (UK, George More O'Ferrall, 1953)
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Hellraisers : a graphic biography / Robert Sellers and JAKe London: Self Made Hero, 2011.
Call No: 802.27Author: JAKe ; Sellers, Robert Edition: 2011Place: LondonPublisher: Self Made HeroPubDate: 2011PhysDes: 168 p. : illus. ; 24 cmSubject: BURTON, RICHARD ; O'TOOLE, PETER ; HARRIS, RICHARD ; REED, OLIVER Notes: The story of four of the greatest boozers of all time: Richard Burton, Richard Harris, Peter O'Toole and Oliver Reed. Robert Sellers and JAKe deftly weave the four stories seamlessly into one fast-paced adventure of drunken binges, orgies, parties and fun.
We begin our tale in a typical London boozer at Christmas time. Our hero, Martin, sits alone at the bar, drinking himself into oblivion. Enter our four hellraisers. In turn, Burton, Harris, Reed and finally O'Toole take this disillusioned soul on a personal tour of their lives: their tumultuous childhoods, rise to stardom and chaotic personal lives. -- publisher's blurbISBN: 9781906838362
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still
[Hero, the : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : col. ; 10 x 15 cmSubject: MAIRATA, JAMES ; O'CONNELL, CHRISTINE ; HERO, THE (AT, James Mairata, 1994) Summary: One colour photograph of James Mairata, the writer, producer and director, and Christine O'Connell, in charge of continuity, for the film 'The hero'
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HIPPIE REVOLUTION, THE : (US, Jack O'Connell, 1996)
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HISTOIRE D'O : (FR, Just Jaeckin, 1975)
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A history of the movies / Benjamin B. Hampton London: Noel Douglas, 1932.
Call No: 71(73) HAMAuthor: Hampton, Benjamin B. (Benjamin Bowles), 1875-1932 Place: LondonPublisher: Noel DouglasPubDate: 1932PhysDes: 456 p., 125 p. of illus. 23 cmSubject: BIOGRAPH ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; CHAPLIN, CHARLES ; DEMILLE, CECIL B. ; FAIRBANKS, DOUGLAS ; GOLDWYN, SAMUEL ; GRIFFITH, DAVID WARK ; HART, WILLIAM S. ; HOLLYWOOD MEMORY IN FILMS ; LAEMMLE, CARL ; LASKY, JESSE ; PARAMOUNT STUDIOS ; PICKFORD, MARY ; SCHENCK, JOSEPH M ; SELZNICK, DAVID O. ; SENNETT, MACK ; ZUKOR, ADOLPH LON: 13776404 13776404
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A history of the New Zealand fiction feature film / Bruce Babington Manchester: Manchester University Press, 2007.
Call No: 71(93) BABAuthor: Babington, Bruce Source: UKPlace: ManchesterPublisher: Manchester University PressPubDate: 2007PhysDes: x, 290 p. : ill. ; 24 cmSubject: TORR, OLIVER ; DONALDSON, ROGER ; REID, JOHN ; PRESTON, GAYLENE ; CAMPION, JANE ; WARD, VINCENT ; JACKSON, MICHAEL ; JACKSON, PETER (NZ) ; CARO, NIKI ; ADVENTURES IN MAORILAND: ALEXANDER MACKEY AND THE MAKING OF 'HEI TIKI' (NZ, Geoff Steven, 1981) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; BAD BLOOD (NZ, Mike Newell, 1981) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; BROKEN BARRIER (NZ, Roger Mirams & John O'Shea, 1952) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IN MY FATHER'S DEN (NZ/UK, Brad McGann, 2004) ; JACK BE NIMBLE (NZ, Garth Maxwell, 1993) ; LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SOLO (NZ/AT, Tony Williams, 1978) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: The is a comprehensive account of the New Zealand feature film from its beginnings, in 1912 to now, when New Zealand films are recognised internationally [Taken from the back of the book.]Notes: Bibliography: p 279-282; Filmography: p.272-278; Includes indexISBN: 9780719075414(hbk.); 9780719075421(pbk.)Contents: 1 -- Introduction: the New Zealand fiction feature film: the history, theory, practice -- 2. Forgotten nitrate: feature film-making in New Zealand 1912-1940 -- 3. Fifty years a pioneer: the cinema of Rudall Hayward 1921-1972 -- 4. Sustaining the dream: the age of O'Shea -- 5. Living white males: New Zealand cinema 1975-1985 -- 6. 'World famous in New Zealand': contemporary cinema 1986-2005 -- 7. Wandering stars: New Zealand cinema on the world screen - Vincent Ward, Peter Jackson, Jane Campion
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Hitchcock and Selznick : the rich and strange collaboration of Alfred Hitchcock and David O. Selznick in Hollywood / by Leonard J. Leff New York: Weidenfeld & Nicolson, c1987.
Call No: 80(73) LEFAuthor: Leff, Leonard J Edition: 1st edPlace: New YorkPublisher: Weidenfeld & NicolsonPubDate: c1987PhysDes: xiii, 383 p. : ill. ; 24 cmSubject: HITCHCOCK, ALFRED ; SELZNICK, DAVID O. ; REBECCA (US, Alfred Hitchcock, 1940) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) Notes: Includes index; Bibliography: p. 365-370ISBN: 1555840574LON: 5272842
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HOMEM DO ANO, O : (BL, Jose Henrique Fonseca, 2003)
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HOMESTREET : (US, Peter O. Almond, 1983?)
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HOROS TON ALOGON, O : (GR, Hristos Voupouras, 2001)
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HOUSE OF SADDAM : (UK, Jim O,Hanlon, 2008)
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HRA O JABLKO : (CS, Vera Chytilova, 1976)
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journal article
I-ing film in Critical Inquiry (Summer 1986) vol.12 iss.4 p.654-671
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IDOS COM O VENTO... : (BL, Isay Weinfeld & Marcio Kogan, 1984)
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In short : a guide to short film-making in the digital age / Eileen Elsey and Andrew Kelly with a forward by Gareth Evans London: bfi Publishing, 2002.
Call No: 222(-091) ELSAuthor: Elsey, Eileen ; Kelly, Andrew Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: xvi, 171p. : illus. : 24cm.Subject: DIGITAL TECHNOLOGY ; SHORT FILMS ; CALDER, EMMA ; GLAZER, JONATHAN ; HARDWICK, JOHN ; MINGHELLA, ANTHONY ; O'DONNELL, DAMIEN ; PARK, NICK ; RAMSAY, LYNNE ; SHERIDAN, TESSA ; SMITH, JOHN ; WRIGHT, KEITH ; YOHANNES, WINTA Notes: Includes a short film-making resource guide, bibliography, filmographies of contributing film-makers and index.; Forward - Glimpse culture: celebrating short film - Gareth EvansISBN: 0851708935
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INDEPENDENT, THE : (AT, Andrew O'Keefe/John Studley, 2007)
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Independent visions : a critical introduction to recent independent American film / Donald Lyons New York: Ballantine, 1994.
Call No: 71(73) LYOAuthor: Lyons, Donald Place: New YorkPublisher: BallantinePubDate: 1994PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cmSubject: INDEPENDENT FILMS. USA ; ALMEREYDA, MICHAEL ; ANDERS, ALLISON ; COEN, JOEL & ETHAN ; CRONENBERG, DAVID ; DASH, JULIE ; DAVIS, JUDY ; EGOYAN, ATOM ; FERRARA, ABEL ; HARTLEY, HAL ; LEE, SPIKE ; LINKLATER, RICHARD ; PHOENIX, RIVER ; SODERBERGH, STEVEN ; Tarantino, Quentin ; VAN SANT, GUS ; ARAKI, GREGG ; BIGELOW, KATHRYN ; DICKERSON, ERNEST R. ; GOMEZ, NICK ; JARMUSCH, JIM ; LEHMANN, MICHAEL ; MORRISSEY, PAUL ; O'BRIEN, JOHN ; COCHRAN, STACY ; COOLIDGE, MARTHA ; DAVIS, TAMRA ; FRANKLIN, CARL ; HARRIS, LESLIE ; LEGROS, JAMES ; LYNCH, DAVID ; MCNAUGHTON, JOHN ; MUNCH, CHRISTOPHER ; THORNTON, BILLY BOB ; RODRIGUEZ, ROBERT ; ROCKWELL, ALEXANDRE ; SINGLETON, JOHN ; SAYLES, JOHN ; SAVOCA, NANCY ; GAS FOOD LODGING (US, Allison Anders, 1992) ; MARIACHI, EL (US, Robert Rodriguez, 1992) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; BODIES, REST & MOTION (US, Michael Steinberg, 1993) ; BARTON FINK (US, Joel Cohen, 1991) ; PASSION FISH (US, John Sayles, 1992) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; MYSTERY TRAIN (US, Jim Jarmusch, 1989) ; MY NEW GUN (US, Stacy Cochran, 1992) ; MS 45 (US, Abel Ferrara, 1981) ; METROPOLITAN (US, Whit Stillman, 1990) ; MALA NOCHE (US, Gus Van Sant, 1986) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ; JUICE (US, Ernest R. Dickerson, 1992) ; IN THE SOUP (US, Alexandre Rockwell, 1992) ; HOURS AND TIMES, THE (US, Christopher Munch, 1992) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; HEATHERS (US, Michael Lehmann, 1989) ; GUN CRAZY (US, Joseph H.Lewis, 1949) ; LIVING END, THE (US, Gregg Araki, 1992) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; DRUGSTORE COWBOY (US, Gus Van Sant, 1989) ; RAMBLING ROSE (US, Martha Coolidge, 1991) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; SIMPLE MEN (US, Hal Hartley, 1992) ; SLACKER (US, Richard Linklater, 1990) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; TRUE LOVE (US, Nancy Savoca, 1989) ; TRUST (US, Hal Hartley, 1990) ; UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989) ; VERMONT IS FOR LOVERS (US, John O'Brien, 1992) ; WILD AT HEART (US, David Lynch, 1990) Notes: Includes filmography and indexISBN: 0345382498 (pbk.)LON: 11029535
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Ingrid Bergman : my story / Ingrid Bergman and Alan Burgess Great Britain: Sphere Books, 1981, c1980.
Call No: 81BER BERAuthor: Bergman, Ingrid ; Burgess, Alan Edition: Sphere edSource: UKPlace: Great BritainPublisher: Sphere BooksPubDate: 1981, c1980PhysDes: xvii, 556 p., [16] p. of plates : ill., ports ; 18 cmSubject: BERGMAN, INGRID ; GRANT, CARY ; MAGNANI, ANNA ; ROSSELLINI, ISABELLA ; ROSSELLINI, ROBERTO ; SELZNICK, DAVID O. ; STROMBOLI (IT, Roberto Rossellini, 1949) Summary: A winner of three Academy Awards and three New York Film Critics Circle Awards, Ingrid Bergman provides her true story of her personal life- her childhood, her marriages and her battle against cancer. A history of her films and film-making, plays and players, are described.ISBN: 0722154488ID2: 69
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INSIDE I'M DANCING : (UK/IE/FR, Damien O'Donnell, 2004)
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journal article
Interview with Max L. Raab in Interview (1969) vol.1 iss.4 p.12-13, 24
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INVENTING THE ABBOTTS : (US, Pat O'Connor, 1997)
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Irish film : the emergence of a contemporary cinema / Martin McLoone London: British Film Institute, 2000.
Call No: 71(417) MCLAuthor: McLoone, Martin CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: 234 p. : ill. ; 24 cmSubject: REPUBLIC OF IRELAND ; NATIONAL IDENTITY AND THE CINEMA. REPUBLIC OF IRELAND ; LANDSCAPES IN FILMS ; BUTCHER BOY, THE (US, Neil Jordan, 1997) ; POLITICAL FILMS ; POLITICS AND THE CINEMA ; FLAHERTY, ROBERT ; HUSH-A-BYE-BABY (UK, Margo Hakin, 1990) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; JORDAN, NEIL ; MAEVE (UK/IE, Pat Murphy & John Davies, 1981) ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995) ; OUR BOYS (IE, Cathal Black, 1981) ; PATRIOT GAMES (US, Philip Noyce, 1992) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; SHERIDAN, JIM ; THIS IS MY FATHER (US, Paul Quinn, 1998) ; TITANIC (US, James Cameron, 1997) Notes: Includes bibliographical references and indexISBN: 0851707920(cased) : ¦45.00; 0851707939(pbk.) : ¦14.99; 0851707920; 0851707939 (pbk.); 0851707920 (cased); 0851707939 (pbk.); 0851707920 (cased) : ¦45.00; 0851707939 (pbk.) : ¦14.99LON: 21663034 21663034
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J O' K - THE WILD ONE : [TV] (AT, Glenn A. Baker, 1984)
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JANE GOT A GUN : (US, Gavin O'Connor, 2016)
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JANUARY MAN, THE : (US, Pat O'Connor, 1989)
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JOHNNY O'KEEFE: THE WILD ONE : (AT, John Moyle and Albie Thoms, 1984)
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JONNY ROOVA : (SW, John O. Olsen, 1985)
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JOY : (US, David O. Russell, 2015)
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JUDEU, O : (PO/BL. Jom Tob Azulay, 1996)
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JUST A GAME : [TV] (AT, Carmelo Musca & Michael O'Brien, 2003)
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KALYTEROS MOU FILOS, O : (GR, GIORGIS LANTHIMOS, LAKIS LAZOPOULOS, 2001)
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KHAKESTAR O KHAK : (AF/FR, Atiq Rahimi, 2004)
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KIDS OF SURVIVAL : THE ART AND LIFE OF TIM ROLLINS & K.O.S. : (US, Daniel Geller & Danya Goldfine, 1996)
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KIMI NO SUIZOWO O TABETAI [I WANT TO EAT YOUR PANCREAS] : (JA, Shinichiro Ushijima, 2018)
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The kingdom of dreams in literature and film : selected papers from the Tenth Annual Florida State University Conference on Literature and Film / edited by Douglas Fowler Tallahassee: University Presses of Florida, 1986.
Call No: 630.31 KINAuthor: Fowler, Douglas CorpAuthor: Florida State University Conference on Literature and Film (10th : 1985 : Tallahassee)Place: TallahasseePublisher: University Presses of FloridaPubDate: 1986PhysDes: 148 p. ; 21 cmSubject: DREAMS IN FILMS ; HITCHCOCK, ALFRED ; S.O.B. (US, Blake Edwards, 1981) ; FLASHDANCE (US, Adrian Lyne, 1983) ; CITIZEN KANE (US, Orson Welles, 1941) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; CARMEN (SP, Carlos Saura, 1983) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Notes: Includes bibliographical references and indexISBN: 0813008638 (pbk. :alk. paper)LON: 86022393; 4823250
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Kino-eye : the writings of Dziga Vertov / edited with an introduction by Annette Michelson ; translated by Kevin O'Brien Berkeley, Ca.: University of California Press, 1984.
Call No: 81VER KINAuthor: Vertov, Dziga, 1896-1954 ; Michelson, Annette Source: USPlace: Berkeley, Ca.Publisher: University of California PressPubDate: 1984PhysDes: lxi, 344 p. : ill. ; 23 cmSubject: ART CINEMA ; CINEMATOGRAPHY ; DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; EDITING ; INDUSTRY, FILM. USSR ; NEWSREELS ; POLITICS AND THE CINEMA ; REVOLUTION AND THE CINEMA ; SOCIALISM AND THE CINEMA ; WOMEN AND THE CINEMA ; VERTOV, DZIGA ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; MAN WITH A MOVIE CAMERA (UR, Dziga Vertov, 1929) ; KINOGLAZ (UR, Dziga Vertov, 1924) ; KOLYBELNAYA (UR, Dziga Vertov, 1937) ; LULLABY (UR, Dziga Vertov, 1937) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) Summary: "Vertov's writings, collected here, range from calculated manifestoes setting forth a new, heroic version of film's potentiual to dark rumination on the inactivity forced upon him by the growing bureaucratization of the of the Soviet state and its film industry. His theory was at every point elaborated in direct, vigorous relation with practice; his doctrine of kino-eye, breaking with film's subjection to traditional narrative purposes, was a passionate call to action. Vertov's spirit of revolutionary optimism leaps from his pages. Articles, memoranda, speeches, letters, proposals for films, poured from his pen - explaining, defining, persuading. In voluminous notebooks and diaries he proposed a cinema implicated in the process of revolutionary transformation, one that would play a leading role in the construction of socialism." -- BOOK BLURBNotes: Includes index; Filmography: p. [330]-334ISBN: 0520046242 (cloth); 0520047605 (pbk.); 0520056302 (alk. paper)LON: 82011189; 2248486
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Kiss of the beast : From Paris salon to King Kong / Ted Gott (ed.) Brisbane: Queensland Art Gallery, 2005.
Call No: 175 KISSource: ATPlace: BrisbanePublisher: Queensland Art GalleryPubDate: 2005PhysDes: 127 p. : ill. ; 25 cmSubject: AUSTRALIAN CINEMATHEQUE ; MONSTERS IN FILMS ; ANIMALS IN FILMS ; PREHISTORIC ANIMALS IN FILM ; LOST WORLD, THE (US, Willis O'Brian, 1925) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; FRANKENSTEIN (US, James Whale, 1931) ; BLONDE VENUS (US, Josef von Sternberg, 1932) ; MUMMY, THE (US, Karl Freund, 1932) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; SON OF KONG (US, Ernest B. Schoedsack, 1933) ; TARZAN AND HIS MATE (US, Cedric Gibbons, 1934) ; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935) ; BRIDE OF THE GORILLA (US, Curt Siodmok, 1951) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; HSING HSING WANG (HK, Meng-Hwa Ho, 1977) Summary: Kiss of the Beast: From Paris Salon to King Kong explores images of gorillas, wild beasts and monsters in art, film, science, literature and popular culture from the late nineteenth century to today. It examens humanity's highly charged relationship with primates and draws connections between debates about evolution, race, aesthetics and sex - from satirical cartoons of gorillas in Punch! to HR Hopp's famous World War One recruiting poster Destroy this mad brute: enlist, which shows Kaiser Wilhelm as a large ape. Many incarnations of the Beauty and the Beast tale in art and film unfold in Kiss of the Beast - from French artist Emmanuel Fremiet's sculptures of a gorilla carrying off a woman of 1859 and 1887, to the classic 1933 image o Fay Wray in the grip of King Kong. Early short films and animations; groundbreaking expeditionary documentaries; iconic 'monster' movies from 130s to 1950s Hollywood; and some of the many versions of the Kong story from America, Japan and Hong Kong are also featured. Kiss of the Beast: From Paris Salon to King Kong is richly illustrated with film stills from many famous big ape and monster movies - including King Kong, Frankenstein and Creature from the Black Lagoon - as well as posters, sculptures, painting, prints and rare books. This book was published in conjunction with 'Kiss of the Beast', an integrated exhibition and film program presented by the Australian Cinematheque, Queensland Art Gallery.ISBN: 1876509082Donation: Australian Cinematheque, Queensland Art Gallery
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[Kiss or kill : stills file]
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KROTKI FILM O MILOSCI : (PL, Krzysztof Kieslowski, 1988)
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KROTKI FILM O ZABIJANIU : (PL, Krzysztof Kieslowski, 1988)
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LANDMINES A LOVE STORY : (AT, Dennis O'Rourke, 2005)
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LEOPARD IN THE SNOW : (UK/CN, Gerry O'Hara, 1978)
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Loitering with intent : the child / Peter O'Toole London: Pan, 1993.
Call No: 81OTO OTOAuthor: O'Toole, Peter Source: UKPlace: LondonPublisher: PanPubDate: 1993PhysDes: 198 p. : ill. ; 20 cmSubject: O'TOOLE, PETER Summary: Autobiographical account of Peter O'Toole's youth.ISBN: 0330331388
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Looking for trouble : on shopping, gender and the cinema / Suzanne Moore London: Serpent's Tail, 1991.
Call No: 67(41) MOOAuthor: Moore, Suzanne Source: UKPlace: LondonPublisher: Serpent's TailPubDate: 1991PhysDes: ix, 305 pages ; 20 cmSubject: CRITICISM ; FEMINISM AND THE CINEMA ; JAMES BOND IN FILMS ; POPULAR CULTURE AND THE CINEMA ; ALWAYS (US, Steven Spielberg, 1989) ; BIRD (US, Clint Eastwood, 1988) ; BLACK RAIN (US, Ridley Scott, 1989) ; BLUE STEEL (US, Kathryn Bigelow, 1989) ; BROKEN NOSES (US, Bruce Weber, 1987) ; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988) ; DEAD RINGERS (CN, David Cronenberg, 1988) ; DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FAMILY VIEWING (CN, Atom Egoyan, 1987) ; FAREWELL TO THE KING (US, John Milius, 1989) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GOOD MOTHER, THE (US, Leonard Nimoy, 1988) ; JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989) ; KAMIKAZE HEARTS (US, Juliet Bashore, 1986) ; KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988) ; LONGTIME COMPANION (US, Norman Rene, 1990) ; MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991) ; MARUSA NO ONNA (JA, Juzo Itami, 1987) ; PARIS BY NIGHT (UK, David Hare, 1989) ; PATTY HEARST (US, Paul Schrader, 1988) ; ROGER AND ME (US, Michael Moore, 1989) ; SCANDAL (UK, Michael Caton-Jones, 1989) ; SERPENT AND THE RAINBOW (US, Wes Craven, 1988) ; SHE-DEVIL (US, Susan Seidelman, 1989) ; SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987) ; SKIN DEEP (US, Blake Edwards, 1989) ; SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991) ; SOMETHING WILD (US, Jonathan Demme, 1986) ; STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989) ; SWEETIE (AT, Jane Campion, 1989) ; TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; THIRTYSOMETHING [TV] (US, 1987-91) ; TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990)
SEE
ATAME! ; TORCH SONG TRILOGY (US, Paul Bogart, 1988) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TUCKER (US, Francis Ford Coppola, 1988) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; UNHOLY, THE (US, Camilio Vila, 1988) ; WAR OF THE ROSES, THE (US, Danny DeVito, 1989) ; WIRED (US, Larry Peerce, 1989) ; WORLD APART, A (UK, Chris Menges, 1988) ; BAUDRILLARD, JEAN ; TARKOVSKY, ANDREI ; WINDSOR, BARBARA Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.Notes: Contains bibliographyISBN: 1852422424Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.ID2: 291
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LOST WORLD, THE : (US, Willis O'Brian, 1925)
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[Love and other catastrophes : stills file] NewVision Films,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: NewVision FilmsPhysDes: 2 photographs : b&w ; 13 x 18 cm - 26 x 21 cm ; 15 film stills : col. 5 x 5 cmSubject: MITCHELL, RADHA ; O'CONNOR, FRANCES ; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996) Summary: 2 black and white photographs of Frances O'Connor as Mia and Radha Mitchell as Danni laughing in a bedroom, and Frances O'Connor profile shot. 15 colour film stills of all the actors in various scenes.
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LOVE ON THE SPECTRUM : (AT, Cian O'Clery, 2019)
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MAKEOVER, THE : (AT, Colm O'Murchu, 2009)
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A man with a camera / Nestor Almendros ; translated from the Spanish by Rachel Phillips Belash London: Faber, 1985.
Call No: 81ALM ALMAuthor: Almendros, Nestor Source: USPlace: LondonPublisher: FaberPubDate: 1985PhysDes: viii, 306 p. : ill. ; 23 cmSubject: CINEMATOGRAPHY ; PHOTOGRAPHY ; ALMENDROS, NESTOR ; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984) ; COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969) ; WILD CHILD (US/UK/FR, Nick Moore, 2008) ; TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971) ; TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971) ; GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974) ; GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975) ; COCKFIGHTER (US, Monte Hellman, 1974) ; STORY OF ADELE H, THE (FR, Francois Truffaut, 1975) ; MAITRESSE (FR, Barbet Schroeder, 1976) ; MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977) ; HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977) ; KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978) ; KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978) ; MADAME ROSA (FR, Moshe Mizrahi, 1977) ; GOIN' SOUTH (US, Jack Nicholson, 1978) ; PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978) ; LOVE ON THE RUN (FR, Francois Truffaut, 1979) ; AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; BLUE LAGOON, THE (US, Randal Kleiser, 1980) ; CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983) ; LAST METRO, THE (FR, Francois Truffaut, 1980) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; PAULINE A LA PLAGE (FR, Eric Rohmer, 1983) ; PAULINE AT THE BEACH (FR, Eric Rohmer, 1983) ; STILL OF THE NIGHT (US, Robert Benton, 1982) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304ISBN: 0571135897 (pbk.)LON: abn85231033; 3994651
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MAN WITH A PLAN : (US, John O'Brien, 1996)
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journal article
The many moods of Christmas in Encore (November 2012) p.37-9
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MAROC 7 : (UK, Gerry O'Hara, 1966)
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MARQUISE VON O..., DIE : (GW/FR, Erich Rohmer, 1975)
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Martial arts : virgin film / P.T.J. Rance London: Virgin Books, 2005.
Call No: 736.35 RANAuthor: Rance, P.T.J Source: UKPlace: LondonPublisher: Virgin BooksPubDate: 2005PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cmSubject: HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949) ; TU-PEI TAO (HK, Chang Cheh, 1967) ; LUNG-MEN K'O CHAN (TZ, King Hu, 1966) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977) ; A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983) ; WONG FEI-HUNG (HK, Tsui Hark, 1991) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; YING XIONG (HK/C, Yimou Zhang, 2002) ; HERO (HK/C, Yimou Zhang, 2002) ; SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004) ; HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004) ; KARATE KID, THE (US, John G. Avildsen, 1984) ; KICKBOXER (US, Mark DiSalle & David Worth, 1989) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) ; ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967) ; HWASAN GO (KO, Kim Tae-Gyun, 2002) ; ONG-BAK (TH, Prachya Pinkaew, 2003) ; GREEN HORNET, THE (US, Norman Foster, 1966) ; WATER MARGIN, THE (TV) (JP/C, 1976-78) ; SAIYUKI (TV) (JA, 1978-80) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.Notes: Includes, bibliographic references, index and index of quotations
ERATA: ISBN on verso not correct. See back cover.ISBN: 0753510782ID2: 150
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newspaper article
Maze Runner: the scorch trials in Sunday Herald Sun [Arts & Entertainment] (13/09/2015) p.83
Call No: TITLE CLIPPINGS FILE; MAZE RUNNER: THE SCORCH TRIALS (US, Wes Ball, 2015)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: SEQUELS ; ACTION FILMS ; SCIENCE IN FILMS ; THRILLERS ; BALL, WES ; O'BRIEN, DYLAN ; SCODELARIO, KAYA ; GILLEN, AIDEN ; CLARKSON, PATRICIA ; MAZE RUNNER, THE (US, Wes Ball, 2014) ; MAZE RUNNER: THE SCORCH TRIALS (US, Wes Ball, 2015) Summary: Review and film critique of the movie 'Maze Runner: The Scorch Trials,' sequel of 'The Maze Runner,' including plot summary.Rating: 2.5 out of 5 stars
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Media matters : everyday culture and political change / John Fiske Minneapolis, Minn.: University of Minneota Press, 1994.
Call No: 409.1(73) FISAuthor: Fiske, John Place: Minneapolis, Minn.Publisher: University of Minneota PressPubDate: 1994PhysDes: xxviii, 282 p. : ill. ; 24 cmSubject: MEDIA ; RACIAL ISSUES AND TV ; POLITICS AND TV ; FAMILY ON TV ; ETHNIC GROUPS ON TV ; WOMEN ON TV ; TRIALS ON TV ; KING, RODNEY ; SIMPSON, O.J. ; MURPHY BROWN [TV] (US, 1988-) ; COSBY SHOW, THE [TV] (US, 1984-92) Summary: Detailing the eroding line between "real" and "media" events, Fiske explores the media's treatment of the O. J. Simpson arrest and pretrial hearings, the L.A. uprisings, the Anita Hill-Clarence Thomas hearings, and the "family values" debate between Dan Quayle and Murphy Brown. He illustrates how African Americans, Korean Americans, Latinos, and women have succeeded in making their hitherto unheard voices heard and have influenced the nation's reaction to media events such as these. Fiske also analyzes speeches by George Bush, Dan Quayle, and Pat Buchanan, along with media commentary by Rush Limbaugh and CNN's Greg LaMotte, to reveal what Americans successfully rejected in ushering out the Reagan era. Through his analysis of the contradictory and diverse voices that make up U.S. culture, Fiske traces the nation's swing away from Reaganism and offers urgent warnings for the futureNotes: Includes bibliographical references (p. 269-273) and indexISBN: 0816624623 (acid-free paper)LON: 10867683
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MEGALEXANDROS, O : (GR/IT, Theo Angelopoulos, 1980)
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MELISSOKOMOS, O : (GR/FR/IT, Theo Angelopoulos, 1986)
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Memo from David O. Selznick / Selected and edited by Rudy Behlmer. With an introd. by S. N. Behrman New York: Viking Press, 1972].
Call No: 81SEL SELAuthor: Selznick, David O., 1902-1965 Place: New YorkPublisher: Viking PressPubDate: 1972]PhysDes: xxiv, 518 p. illus. 24 cmSubject: SELZNICK, DAVID O. Notes: "Memorandums, letters, teletypes, and telegrams."ISBN: 0670467669LON: 72075743; 582542
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i am not a serial killer (ie/uk, billy o'brien, 2016)
Menacing thriller contains all the right ingredients in The Age [Arts & Entertainment] (29/09/2016) p.26
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METAMORPHIS : (AT, Colm O'Murchu, 1993)
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[Metamorphis : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : col. 22 x 30 cmSubject: METAMORPHIS (AT, Colm O'Murchu, 1993) Summary: 3 colour photographs of woman dressed in a sari, memorial of dead man, and face with no eyes
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[MISTER] MR. MIKE'S MONDO VIDEO : (US, Michael O'Donoghue, 1979)
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Modern European filmmakers and the art of adaptation / edited by Andrew S. Horton and Joan Magretta New York: F. Ungar Pub. Co., 1981.
Call No: 753 MODAuthor: Horton, Andrew S. ; Magretta, Joan Source: USPlace: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1981PhysDes: xiv, 383 p. : ill. ; 22 cmSubject: ADAPTATIONS ; EUROPEAN CINEMA ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977) ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; TWO WOMEN (IT/FR, Vittorio De Sica, 1960) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; DECAMERON, THE [DECAMERON, IL] (IT/FR/GW, Pier Paolo Pasolini, 1971) ; EFFI BRIEST (GW, Rainer Werner Fassbinder, 1974) ; FALSCHE BEWEGUNG (GW, Wim Wenders, 1975) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; FEMME DOUCE, UNE (FR, Robert Bresson, 1969) ; HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974) ; DIARY OF A COUNTRY PRIEST [ ; JULES ET JIM (FR, Francois Truffaut, 1962) ; LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1960) ; MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975) ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; RONDE, LA (FR, Max Ophuls, 1950) ; SUZANNE SIMONIN, LA RELIGIEUSE DE DIDEROT (FR, Jacques Rivette, 1967 [prod. 1965]) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975) ; LOST HONOUR OF KATHARINA BLUM, THE (GW, Volker Schlondorff & Margarethe von Trotta, 1975) ; WILDENTE, DIE (GW/AU, Hans W. Geissendorfer, 1976) ; WILD DUCK, THE (GW/AU, Hans W. Geissendorfer, 1976) ; ZAZIE DANS LE METRO (FR, Louis Malle, 1960) ; MARQUIS OF O..., THE (GW/FR, Erich Rohmer, 1975) Summary: Adaptation as an art in itself is the theme of these original essays by leading film scholars and critics. Starting with some of the finest European films produced since World War II, they investigate the literary source of each. But their emphasis is on film, and their writing challenges the conventional assumption that a great book must inevitably make an inferior movie. It is the editors' premise that adaptation, especially in the hands of a gifted director, can be a lively and creative art. The essays offer a fresh perspective on both films and their directors - among them Antonioni, Bertolucci, Bunuel, Fassbinder, Godard, Ophuls, Truffaut. The genesis of films such as Blow-Up, The Conformist, and Jules et Jim is explored often frame-by-frame, for a fuller understanding of the creative process of filmmaking." - BOOK BLURBNotes: Includes index; Bibliography: p. [369]-371; Filmography: p. [357]-367ISBN: 0804424039 : $14.95; 0804462771 (pbk.) : $6.95LON: 79048073; 1813405Contents: Delannoy's La Symphonie Pastorale (1946) from the novel by Andre Gide / Dudley Andrew -- Bresson's Diary of a Country Priest (1951) from the novel by Georges Bernanos / Dudley Andrew -- Ophul's La Ronde (1959) from the play by Arthur Schnitzler / Alan Williams -- Vadim's Les Liaisons Dangereuses 1960 (1959) from the novel by Pierre Choderlos de Laclos / John F. Fell -- Malle's Zazie dans le Metro (1960) from the novel by Raymond Queneau / Andrew Horton -- De Sica's Two Women (1961) from the novel by Alberto Moravia / Ruth Prigozy -- Truffaut's Jules et Jim (1961) from the novel by Henri-Pierre Roche / Stuart Y. MacDougal -- Godard's Le Mepris (1963) from the novel A Ghost at Noon by Alberto Moravia / Marsha Kinder -- Rivette's Le Religieuse (1966) from the novel by Denis Diderot / Ira Konigsberg -- Antonioni's Blow-Up (1966) from the short story by Julio Cortazar / Neil D. Isaacs -- Fellini Satyricon (1969) from the "novel" by Petronius / Bernard F. Dick -- Bresson's Une Femme Douce (1969) from the story "The Gentle Creature" by Fyodor Dostoevsky / Lindley Hanlon -- Bunuel's Tristana (1970) from the novel by Benito Perez Galdos / Charles Eidsvik -- Wender's The Goalie's Anxiety at the Penalty Kick (1971) from the novel by Peter Handke / Peter Brunette -- Pasolini's Decameron (1971) from The Decameron by Giovanni Boccaccio / Ben Lawton -- Bertolucci's The Conformist (`97`) from the novel by Alberto Moravia / T. Jefferson Kline -- Tavernier's The Clockmaker (1973) from the novel The Clockmaker of Everton by Georges Simenon / William R. Magretta and Joan Magretta -- Fassbinder's Effi Briest (1974) from the novel by Theodore Fontane / William R. Magretta -- Wender's Wrong Movement (1974) freely based on Wilhelm Meister's Apprenticeship by Johann Wolfgang Goethe / Peter Harcourt -- Schlondorff & von Trotta's The Lost Honor of Katharina Blum (1975) from the novel by Heinrich Boll / William R. Magretta and Joan Magretta -- Geissendorfer's The Wild Duck (1976) from the play by Henrik Ibsen / Birgitta Steene -- Rohmer's The Marquise of O... (1976) from the story by Heinrich von Kliest / Alan Spiegel -- Bunuel's That Obscure Object of Desire (1977) from the novel The Woman and the Puppet by Pierre Louys / Michael Wood
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The Moguls / Norman Zierold New York: Coward-McCann, 1969.
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MONOCLED MUTINEEER, THE : [TV] (UK, Jim O'Brien, 1986)
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MONTH IN THE COUNTRY, A : (UK, Pat O'Connor, 1987)
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MOODY CHRISTMAS, A [TV] : (AT, Trent O'Donnell, 2012)
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MOTHER BRINGS HER SON TO BE SHOT, A : (IE, Sinéad O'Shea, 2017)
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The movie moguls : an informal history of Hollywood tycoons / Philip French Harmondsworth, Middlesex: Penguin, 1971.
Call No: 802.091.11 FREAuthor: French, Philip Source: UKPlace: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1971PhysDes: 208 p., [16] p. of plates ; 18 cmSubject: HISTORY AND THE CINEMA. USA ; INDUSTRY, FILM ; Metro-Goldwyn-Mayer ; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA ; STUDIO SYSTEM ; PARAMOUNT STUDIOS ; TWENTIETH CENTURY-FOX ; UNIVERSAL PICTURES ; UNITED ARTISTS ; WARNER BROS. ; COHN, HARRY ; DEMILLE, CECIL B. ; DISNEY, WALT ; KATZ, SAM ; KENNEDY JOSEPH P. ; LAEMMLE, CARL ; LASKY, JESSE ; SCHARY, DORE ; SCHULBERG, BUDD ; SCHENCK, JOSEPH M ; SELZNICK, DAVID O. ; SHEARER, NORMA ; SKOURAS, SPYROS ; SINCLAIR, UPTON ; THALBERG, IRVING ; WANGER, WALTER ; STROHEIN, ERICH VON ; ZANUCK, DARRYL F. ; ZANUCK, RICHARD ; ZUKOR, ADOLPH Notes: includes bibliographical references and indexISBN: 297762664Donation: donated by the family of Wayne Levy, 2006
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MR CATRA-O FIEL : (PO, Andreas Johnsen, 2004)
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Mr. Smith goes to Tokyo : the Japanese cinema under the American occupation, 1945-1952 / Kyoko Hirano Washington, D.C.: Smithsonian Institute, 1992.
Call No: 408.3(52) HIRAuthor: Hirano, Kyoko Place: Washington, D.C.Publisher: Smithsonian InstitutePubDate: 1992PhysDes: xvii, 365 p. : ill. ; 24 cmSubject: JAPAN ; CULTURAL IMPERIALISM. JAPAN ; OCCUPATION AND THE CINEMA. JAPAN ; CENSORSHIP. JAPAN ; COLD WAR AND THE CINEMA. JAPAN ; IWASAKI AKIRA ; KUROSAWA AKIRA ; KAMEI, FUMIO ; SHINDO KANETO ; WATANABE, TETSUZO ; NIHON NO HIGEKI (JA, Fumio Kamei, 1946) ; AKATSUKI NO DASSO (JA, Senkichi Taniguchi, 1950) ; ASU O TSUKURU HITOBITO (JA, Akira Kurosawa, Hideo Sekigawa & Kajiro Yamamoto, 1946) ; TOHO CO. Notes: Includes bibliographical references (p. 321-341) and indexesISBN: 1560981571; 1560984023 (pbk.)LON: 8875964ID2: 291
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Music, sound and filmmakers : sonic style in cinema / edited by James Wierzbicki New York : London: Routledge, 2012.
Call No: 634 MUSAuthor: Wierzbicki, James (ed.) Source: US/UKPlace: New York : LondonPublisher: RoutledgePubDate: 2012PhysDes: xv, 210 p. : ill. ; 23 cmSeries: Routledge music and screen media seriesSubject: DIRECTORS ; FILM ; FILM WORKERS ; LYNCH, DAVID ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; PRODUCERS ; SOUND ; SOUND EDITING ; SOUND EFFECTS ; SOUND RECORDING ; ANDERSON, WES ; BERGMAN, INGMAR ; COEN, JOEL & ETHAN ; GREENAWAY, PETER ; KIESLOWSKI, KRZYSZTOF ; KUBRICK, STANLEY ; SELZNICK, DAVID O. ; TARANTINO, QUENTIN ; TARKOVSKY, ANDREI ; VAN SANT, GUS Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9780415898942Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --
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Mythopoetic cinema : on the ruins of European identity / Ravetto-Biagioli, Kriss New York: Columbia University Press, 2017.
Call No: 408.1(4) RAVAuthor: Ravetto-Biagioli, Kriss CorpAuthor: ProQuestPlace: New YorkPublisher: Columbia University PressPubDate: 2017PhysDes: 314 pages : illustrations ; 24 cm.Subject: NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES ; RUSSKIJ KOVCHEG (RU, Aleksandr Sokurov, 2002) ; DESTRICTED (UK/US, various, 2006) ; NOTRE MUSIQUE (FR/SZ, Jean-Luc Godard, 2004) ; MEGALEXANDROS, O (GR/IT, Theo Angelopoulos, 1980) Summary: "In Mythopoetic Cinema, Kriss Ravetto-Biagoli explores how contemporary European filmmakers treat mythopoetics as a critical practice that questions the constant need to provide new identities in a new Europe, and with it a new European cinema after the fall of the Soviet Union. Examining the work of Alexander Sokurov, Theodoros Angelopoulos, Marina Abramovic, and Jean-Luc Godard, she analyzes the ways in which these filmmakers engage and evaluate the recent reconceptualization of Europe's borders, mythic figures, and identity paradoxes, as well as how their work questions the ability of the moving image to challenge conventional ways of understanding history."Notes: Also issued online.
ProQuest Ebook Central Rental.
Includes bibliographical references (pages 277-304) and index.
In English.ISBN: 9780231182195Contents: Introduction
Floating on the borders of Europe : Aleksandr Sokurov's Russian ark
O Megalexandros : falling in and out of dreams
In Balkan : Marina Abramovic and the politics of the suffering body
Notre musique : on the ruins of the divine
Epilogue : the politics of confrontation.
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Naked Hollywood : money, power, and the movies / Nicolas Kent London: BBC Books, 1991.
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Nelson Pereira dos Santos / Darlene J. Sadlier Urbana, Ill ; Chicago: University of Illinois Press, 2003.
Call No: 81DOS SADAuthor: Sadlier, Darlene J. Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2003PhysDes: xiii, 180 p. ; 22 cmSeries: Contemporary film directors; edited by James NaremoreSubject: BRAZIL ; CINEMA NOVO ; PEREIRA DOS SANTOS, NELSON ; AMULETO DE OGUM, O (BL, Nelson Pereira dos Santos, 1975) ; CINEMA DE LAGRIMAS (BL, Nelson Pereira Dos Santos, 1995) ; COMO ERA GOSTOSO O MEU FRANCES (BL, Nélson Pereira dos Santos, 1972) ; ESTRADA DA VIVA (BL, Nelson Pereira dos Santos, 1980) ; MANDACARU (BL, Nelson Pereira dos Santos, 1962) ; MEMORIAS DO CARCERE (BL, Nelson Pereira dos Santos, 1984) ; QUEM E BETA? (BL, Nelson Pereira dos Santos, 1972) ; RIO QUARENTA GRAUS (BL, Nelson Pereira dos Santos, 1955) ; RIO ZONA NORTE (BL, Nélson Pereira dos Santos, 1957) ; TENDA DOS MILAGRES (BL, Nelson Pereira dos Santos, 1977) ; TERCEIRA MARGEM DO RIO, A (BL, Nélson Pereira dos Santos, 1994) Summary: Nelson Pereira dos Santos is the first book in English to provide a full critical discussion of the films of this Brazilian director.
Through a discussion of his films Darlene J. Sadlier chronicles dos Santos's career - his leftist committed cinema, his concern with the national and the popular, his chameleon style, his links to canonical Brazilian literature. She charts his moves from neorealism to Godardian experimentation to a kind of popular realism. And she includes two highly informative interviews that real dos Santos's cultural, intellectual, and philosophical formation. [taken from back cover]ISBN: 0252071123
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NESSUNO O TUTTI : (IT, Silvano Agosti, Marco Bellocchio, Sandro Petraglia & Stefano Rulli, 1975)
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New World logs biggest grossing weekend ever in Australasian Cinema (Friday, 25/1/1985) vol.14 iss.1 p.3
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New World's 'Avenging Angel' for W. Germany and Austria in Australasian Cinema (Friday, 21/12/1984) vol.13 iss.21-22 p.7
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New Zealand filmmakers / edited by Ian Conrich and Stuart Murray Detroit, Mich: Wayne State University Press, C2007.
Call No: 71(931) NEWAuthor: Conrich, Ian (ed) ; Murray, Stuart (ed) Source: USPlace: Detroit, MichPublisher: Wayne State University PressPubDate: C2007PhysDes: xiii, 374 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: MAORI CINEMA ; NEW ZEALAND ; LYE, LEN ; O'SHEA, JOHN ; PRESTON, GAYLENE ; BARCLAY, BARRY ; MITA, MERATA ; WELLS, PETER ; DONALDSON, ROGER ; MURPHY, GEOFFREY ; MUNE, IAN ; LAWRENCE, BRUNO ; LAING, JOHN ; REID, JOHN ; NARBEY, LEON ; WARD, VINCENT ; CAMPION, JANE ; MACLEAN, ALISON ; JACKSON, PETER (NZ) ; BLYTH, DAVID ; BAD BLOOD (NZ, Mike Newell, 1981) ; BEYOND REASONABLE DOUBT (NZ, John Laing, 1980) ; BOUNTY, THE (UK/US, Roger Donaldson, 1984) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; BRIDGE TO NOWHWERE (NZ, Ian Mune, 1986) ; CADILLAC MAN (US, Roger Donaldson, 1990) ; DEATH IN THE FAMILY, A [TV] (NZ, Stewart Main and Peter Wells, 1987) ; END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991) ; FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996) ; HOLY SMOKE (US, Jane Campion, 1999) Summary: "New Zealand cinema is now applauded worldwide for its achievements and, in theis book, it is the subject of the wide-ranging critical analysis. The essays here describe an incredible progression from early New Zealand films to the blockbusters of the present. They outline industrial achievements, the workings of film form, and the effect that New Zealand cinema has as part of the country's culture. Taken together, the essays are a fitting tribute to all those who have worked in the industry." -- From the forward by Terence BaylerNotes: Bibliography: p. 349-353; Includes indexISBN: 9780814330173 (pbk : alk paper); 0814330177 (pbk : alk paper)
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New Zealand Notes in Australasian Cinema (23/07/1982) vol.11 iss.13 p.3
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NIM-A, GEU-GANG-EUL GEON-NEO-JI MA-O : (KO, Mo-young Jin, 2014)
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NOTHING PERSONAL : (UK/IE, Thaddeus O'Sullivan, 1995)
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NYONG'O, LUPITA
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O : (US, Tim Blake Nelson, 2001)
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O AMOR NATURAL : (NE, Heddy Honigmann, 1996)
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O BROTHER, WHERE ART THOU? : (US, Joel Coen, 2000) Digital clippings file available
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O. C. AND STIGGS : (US, Robert Altman, 1985 [prod. 1983])
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O caso dos irmaos naves in Filmfacts (1972) vol.15 iss.24 p.665-667
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O'CONNELL, CHRISSIE
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O'CONNELL, JERRY
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O'CONNOR, ANTHONY
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I O DO : (KO, Kim Ki Young, 1977)
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O'DOHERTY, CLAUDIA
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O'DONOGHUE, MICHAEL
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O IRAKLIS, O ACHELOOS KAI H YIAYIA MOU : (GR, Dimitris Koutsiabasakos, 1997)
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O.J.: MADE IN AMERICA [OJ: MADE IN AMERICA] : (US, Ezra Edelman, 2016)
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O KA [OUR HOUSE] : (ML, Souleymane Cissé, 2015) Digital clippings file available
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O KANE, RYAN
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O KATATREGMENOS : (GR, Apostolos Tegopoulos, 1966)
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O'KEEFE, ANDREW
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O LACHLAN, ALEX
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O'LAUGHLIN, ALEX
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O LE TULAFALE : (NZ, Tusi Tamasese, 2011)
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O'LEARY, CELINE
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O'LOUGHLIN, ALEX
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O LOUGHLIN, LUKE
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O LUCKY MAN! : (UK, Lindsay Anderson, 1973)
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O lucky man! / Lindsay Anderson and David Sherwin London: Plexus, 1973.
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O'MARA, CHRIS
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O MENINO E O MUNDO : (BL, Ale Abreu, 2013) Digital clippings file available
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O MOVIMENTO DAS COISAS : (PO, Manuela Serra, 1985)
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O'NEAL, JOHN
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O'NEAL, PATRICK
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O'NEAL, RYAN
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O'Neal, Shaquille
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O NECEM JINEM [SOMETHING DIFFERENT] : (CS, Vera Chytilova, 1963)
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O'NEIL, DAVE
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O'NEIL, ELIZABETH
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O NEIL, MORGAN
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O'NEILL, MICHAEL
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O'NEILL, MORGAN
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O'NEILL, PAT
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O ORNITOLOGO : (PO/FR/BL, João Pedro Rodrigues, 2016)
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O PRINCIPIO DA SABEDORIA : (PO, Antonio de Macedo, 1975)
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O QUE TE QUERO : (PO, Jeanne Waltz, 1998)
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O'REGAN, BERNIE
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O'REILLY, GENEVIEVE
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O'ROURKE, DENNIS
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O'ROURKE, HEATHER
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O'ROURKE, MICK
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journal article
O'Rourke's drift in Cinema Papers (March 1986) iss.56 p.30-33
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O RUPAMA I CEPOVIMA : (YU, Ante Zaninovic, 1967)
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O'SHEA, JOHN
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O'SHEA, KELLY
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O, SPORT, TY-MIR! : (UR, Jurij Ozerov, 1981)
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O'STEEN, SAM
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O'Sullivan, Jackie
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O'SULLIVAN, MAUREEN Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: O'SULLIVAN, MAUREEN URL status: URL: 'http://file://Q:/P/O'SULLIVAN,_MAUREEN.zip'
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O THIASSOS : (GR, Theo Angelopoulos, 1975)
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O'TOOLE, KATE
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O'TOOLE, PETER
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OBSCENE : (US, Daniel O'Connor/Neil Ortenberg, 2007)
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poster
[Of mice and men : poster] 2014.
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Old heads, young bodies : Kirsten Krauth tests the virtues of the new generation short at NSWFTO screenings in Realtime (Oct-Nov 1999) iss.33 p.23
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ONNA GA KAIDAN O AGARU TOKI : (JA, Mikio Naruse, 1960)
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ORDINARY DECENT CRIMINAL : (UK/US/G, Thaddeus O'Sullivan, 2000)
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Original blasts : John O'Brien speaks to Needeya Islam about A Wreck A Tangle, other film projects and the screenwriter's vision in Realtime (Oct-Nov 1999) iss.33 p.13-14
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book
The other side : European avant-garde cinema, 1960-1980 : a film exhibition / organized by the American Federation of Arts New York, N.Y.: The Federation, c1983.
Call No: 771.1 OTHAuthor: Cornwell, Regina, 1941 CorpAuthor: American Federation of ArtsPlace: New York, N.Y.Publisher: The FederationPubDate: c1983PhysDes: 91 p. : ill. ; 23 cmSubject: AVANT-GARDE FILMS. EUROPEAN COUNTRIES ; HEIN, BIRGIT & WILHEIM ; KREN, KURT ; NEKES, WERNER ; POTTER, SALLY ; SCHROETER, WERNER ; STRAUB, JEAN-MARIE ; HUILLET, DANIELE ; TAIT, MARGARET ; Wenders, Wim ; ZWARTJES, FRANS ; WELSBY, CHRIS ; WYBORNY, KLAUS ; SMITH, JOHN ; LEGGETT, MIKE ; LE GRICE, MALCOM ; MOMMARTZ, LUTZ ; O., DORE ; GOTOVAC, TOMISLAV ; KRISTL, VLADO ; NOOIJER, PAUL DE ; BODY, GABOR ; BOLTANSKI, CHRISTIAN ; BARUCHELLO, GIANFRANCO Notes: Bibliography: p. 88-89; Includes filmographiesISBN: 0917418743 (pbk.)LON: 3032991
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P.O.V : COLOR ADJUSTMENT : (US, Marlon Riggs, 1992)
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P.O.W: THE ESCAPE : (US, Gideon Amir, 1986)
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P.R.O.F.S : (FR, Patrick Schulman, 1985)
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The parade's gone by ... / Kevin Brownlow Berkeley: University of California Press, c1968.
Call No: 70"01" BROAuthor: Brownlow, Kevin Place: BerkeleyPublisher: University of California PressPubDate: c1968PhysDes: 577 p. : ill. ; 26 cmSubject: HISTORY OF CINEMA. SILENT PERIOD ; HISTORY OF CINEMA. SOUND PERIOD ; PICKFORD, MARY ; GRIFFITH, DAVID WARK ; DWAN, ALLAN ; BROWN, CLARENCE ; WELLMAN, WILLIAM ; DEMILLE, CECIL B. ; VON STERNBERG, JOSEF ; FAIRBANKS, DOUGLAS ; MELODRAMA ; BOOTH, MARGARET ; SWANSON, GLORIA ; MAYER, LOUIS B. ; SELZNICK, DAVID O. ; Keaton, Buster ; CHAPLIN, CHARLES ; GANCE, ABEL ; ROSHER, CHARLES G. ; BLYTHE, BETTY ; THALBERG, IRVING ; DENNY, REGINALD ; HORNBECK, WILLIAM ; FARRAR, GERALDINE ; KING, HENRY ; SLOMAN, EDWARD ; LLOYD, HAROLD ; BEN HUR (US, Fred Niblo, 1925) ; ROBIN HOOD (US, Allan Dwan, 1922) Notes: Includes indexISBN: 0520030680 : $9.95LON: 740138 740138
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PEOPLE VS GEORGE LUCAS, THE : (US/UK, Alexandre O. Philippe, 2010)
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PEOPLE VS O.J. SIMPSON, THE : AMERICAN CRIME STORY [TV] : (US, 2016 - )
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Peter Sellers : the mask behind the mask / Peter Evans London: New English Library, 1980.
Call No: 81SEL EVAAuthor: Evans, Peter Source: UKPlace: LondonPublisher: New English LibraryPubDate: 1980PhysDes: 256 p., [16] p. of plates : ports ; 18 cmSubject: ACTORS. UK ; TWENTIETH CENTURY-FOX ; BOULTING, ROY ; CHAPLIN, CHARLES ; MILLIGAN, SPIKE ; O'TOOLE, PETER ; PARRISH, ROBERT ; SELLERS, PETER ; WILDER, BILLY ; MANKOWITZ, WOLF ; BEING THERE (US, Hal Ashby, 1979) ; CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967) ; GOON SHOW, THE [TV] (UK, 1968) ; I'M ALL RIGHT JACK (UK, John Boulting, 1959) ; LADYKILLERS, THE (UK, Alexander MacKendrick, 1955) ; WHAT'S NEW PUSSYCAT (US, Clive Donner, 1965) ; THERE'S A GIRL IN MY SOUP (UK, Roy Boulting, 1970) Notes: Filmography: p248-250.
Includes index.ISBN: 0450050483Donation: donated by the family of Wayne Levy, 2006
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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The philosophy of tv noir / edited by Steven M. Sanders and Aeon J. Skoble Lexington, KN: University of Kentucky Press, c2008.
Call No: 734.1 PHIAuthor: Sanders, Steven M. ; Skoble, Aeon J. Place: Lexington, KNPublisher: University of Kentucky PressPubDate: c2008PhysDes: viiii, 272 p. ; 24 cmSeries: the philosophy of popular culureSubject: AESTHETICS ; ALIENS IN FILMS ; CHARACTERIZATION IN FILMS ; ETHICS AND TV ; FILM NOIR ; RELIGION AND TV ; CARTER, CHRIS ; FOUCAULT, MICHEL ; GREENE, GRAHAM ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-) ; DARK CITY (US, Alex Proyas, 1997) ; D.O.A. (US, Ruldolph Mate, 1950) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; FUGITIVE, THE (US, Andrew Davis, 1993) ; HE WALKS BY NIGHT (US, Alfred Werker, 1948) ; LEVIATHAN (US/IT, George Pan Cosmatos, 1989) ; NAKED CITY [TV] (US, 1958-1963) ; X-FILES, THE [TV] (US, 1993-) Summary: Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many emigre filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present. In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about the human predicament, giving this unique volume its moral resonance and demonstrating why television noir deserves our attention." "With this focus on the philosophical dimensions of crime, espionage, and science fiction series, The Philosophy of TV Noir draws out the full implications of film noir and establishes TV noir as an art form in its own right."--BOOK JACKETNotes: Includes bibliographical references and indexISBN: 9780813124490Contents: Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked city: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland: noir themes in Secret agent / Sander Lee -- Action and integrity in The fugitive / Aeon J. Skoble -- Noir et blanc in color: existentialism and Miami vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carniva`le knowledge: give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness: autonomy and conspiracy in The X-files and Millennium / Michael Valdez Moses -- The prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt.
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journal article
Photography plus cinematography equals money : It's a helluva thing in Filmviews (February/March 1986) vol.16 iss.1 p.9
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journal article
Playing for the queen in Ceskoslovensky film (1981) vol.1 p.21
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Politics and cinema / Andrew Sarris New York: Columbia University Press, 1978.
Call No: 45:32 SARAuthor: Sarris, Andrew Place: New YorkPublisher: Columbia University PressPubDate: 1978PhysDes: 215 p. : ill. ; 24 cmSubject: POLITICS AND THE CINEMA ; FASCISM AND THE CINEMA ; VIOLENCE IN FILMS ; PORNOGRAPHY AND THE CINEMA ; CENSORSHIP ; SEMIOLOGY ; AVANT-GARDE FILMS ; MONROE, MARILYN ; MAILER, NORMAN ; FAIRBANKS, DOUGLAS ; RIEFENSTAHL, LENI ; SONTAG, SUSAN ; PROMISED LANDS (FR, Susan Sontag, 1974) ; MON ONCLE ANTOINE (CN, Claude Jutra, 1971) ; SACCO E VANZETTI (IT/FR, Giuliano Montaldo, 1971) ; MATTEI AFFAIR, THE [CASO MATTEI, IL] (IT, Francesco Rosi, 1972) ; DOG DAY AFTERNOON (US, Sidney Lumet, 1975) ; FRONT, THE (US, Martin Ritt, 1976) ; LENNY (US, Bob Fosse, 1974) ; CASO DOS IRMAOS NAVES, O (BL, Luiz Sergio Person, 1967) ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; MAN, THE (US, Joseph Sargent, 1972) ; CANDIDATE, THE (US, Michael Ritchie, 1972) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; CONVERSATION, THE (US, Francis Ford Coppola, 1974) ; ASSASSINATION OF TROTSKY, THE (UK/FR/IT, Joseph Losey, 1972) ; ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973) ; SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969) ; HEARTS AND MINDS (US, Peter Davis, 1974) Notes: Includes indexISBN: 0231040342LON: 1221130
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book
Pop fiction : The song in cinema / edited by Steve Lannin and Matthew Caley Porland, Oregon: Intellect, 2005.
Call No: 634.6 POPAuthor: Lannin, Steve ; Caley, Matthew Source: UKPlace: Bristol, UK; Porland, OregonPublisher: IntellectPubDate: 2005PhysDes: 173 p. : 23 cmSubject: POP MUSIC AND THE CINEMA ; POP MUSIC IN FILMS ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; ADVERTISING FOR FILMS ; COHEN, LEONARD ; MORETTI, NANNI ; DOORS, THE ; COPPOLA, FRANCIS FORD ; SOGGY BOTTOM BOYS ; COEN, JOEL & ETHAN ; PFEIFFER, MICHELLE ; DAMON, MATT ; KLOVES, STEVE ; MINGHELLA, ANTHONY ; VALLI, FRANKIE ; CIMINO, MICHAEL ; RIGHTEOUS BROTHERS ; ZUCKER, JERRY ; REED, LOU ; BOYLE, DANNY ; STEALERS WHEEL ; Tarantino, Quentin ; BAKER, CHET ; WEBER, BRUCE ; WINGS ; ARMITAGE, GEORGE ; COLLINS, PHIL ; BRICKMAN, PAUL ; MASSIVE ATTACK ; WONG KAR WAI ; CARO DIARIO (IT/FR, Nanni Moretti, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000) ; FABULOUS BAKER BOYS, THE (US, Steve Kloves, 1989) ; TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999) ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; GHOST (US, Jerry Zucker, 1990) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; LET'S GET LOST (US, Bruce Weber, 1988) ; GROSSE POINTE BLANK (US, George Armitage, 1997) ; RISKY BUSINESS (US, Paul Brickman, 1983) ; DUOLUO TIANSHI (HK, Wong Kar-Wai, 1995) Summary: "'Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, it offers instead a close examination of these two most pervasive and significant mediums in contemporary culture.
"The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in all and one audio-visual moment. The song as: ghost, role-play, memory trigger, narrator, marketing device, translator, alienator, membership rite, etc." (Taken from the back cover)Notes: Includes indexISBN: 184150078X
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PRIDE AND GLORY : (US/G, Gavin O'Connor, 2008)
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PRIMEIRO DIA, O : (BL/FR, Walter Salles & Daniela Thomas, 1998)
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PRINCIPIO DA INCERTEZA, O : (FR/PO, Manoel de Oliveira, 2002)
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PROBLEMS [TV] : (AT, Trent O'Donnell, 2012)
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journal article
Profile: Director Lindsay Anderson in Australasian Cinema (16/07/1982) vol.11 iss.12 p.28
PhysDes: ArticleSubject: ANDERSON, LINDSAY ; CRITICISM ; THEORY ; LOOK BACK IN ANGER (UK, Tony Richardson, 1959) ; RICHARDSON, TONY ; REISZ, KAREL ; INDUSTRY, FILM. UK ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; BRITANNIA HOSPITAL (UK, Lindsay Anderson, 1982) Summary: Article on Lindsay Anderson, covering his writings for Sequence, his work with Richardson and Reisz in the 'British New Wave', his short documentaries, and his feature films.
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Projections 4 1/2 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1995.
Call No: 802 PRO v.4 1/2Author: Boorman, John, 1933 ; Donohue, Walter CorpAuthor: PositifPlace: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: vii, 312 p. : ill., ports. ; 24 cmSubject: Keaton, Buster ; ALTMAN, ROBERT ; ASSAYAS, OLIVIER ; WARHOL, ANDY ; BOORMAN, JOHN ; COEN, JOEL & ETHAN ; PRICE, VINCENT ; LANG, FRITZ ; EASTWOOD, CLINT ; FREARS, STEPHEN ; FULLER, SAMUEL ; ALLEN, WOODY ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; REISZ, KAREL ; VON STROHEIM, ERICH ; RUIZ, RAUL ; SEN, MRINAL ; TAVERNIER, BERTRAND ; ALMEREYDA, MICHAEL ; JARMAN, DEREK ; LOWENSTEIN, RICHARD ; POTTER, SALLY ; ROUSSELOT, PHILIPPE ; TOLKIN, MICHAEL ; WARD, VINCENT ; ZINNEMANN, FRED ; ANGELOPOULOS, THEO ; AVATI, PUPI ; MARVIN, LEE ; BREILLAT, CATHERINE ; BRISSEAU, JEAN-CLAUDE ; CAVALIER, ALAIN ; CHABROL, CLAUDE ; BUGIN, HARRY ; COMENCINI, LUIGI ; DE FILIPPO, EDUARDO ; CORMAN, ROGER ; CORNEAU, ALAIN ; DEVILLE, MICHEL ; DIEGUES, CARLOS ; EGOYAN, ATOM ; MACKENDRICK, ALEXANDER ; GAAL, ISTVAN ; GREENAWAY, PETER ; HARRIS, JAMES B. ; HELLMAN, MONTE ; IOSELIANI, OTAR ; BARNET, BORIS ; KAZAN, ELIA ; KEZDI-KOVACS, ZSOLT ; KIAROSTAMI, ABBAS ; KLOPCIC, MATJAZ ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LATTUADA, ALBERTO ; LECONTE, PATRICE ; LEIGH, MIKE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; PEREIRA DOS SANTOS, NELSON ; MINGOZZI, GIANFRANCO ; MONICELLI, MARIO ; PARRISH, ROBERT ; PENN, ARTHUR ; PINTILIE, LUCIAN ; POLANSKI, ROMAN ; RIPSTEIN, ARTURO ; RISI, DINO ; RISSIENT, PIERRE ; ROHMER, ERIC ; ROSI, FRANCESCO ; RUDOLPH, ALAN ; SARMIENTO, VALERIA ; SAUTET, CLAUDE ; SCHATZBERG, JERRY ; SCHRADER, PAUL ; SIJAN, SLOBODAN ; STEVENIN, JEAN-FRANCIS ; TAVIANI, PAOLO & VITTORIO ; VARDA, AGNES ; YANG, EDWARD ; ZANUSSI, KRZYSZTOF ; ZULAWSKI, ANDREJ ; KERRIGAN, LODGE ; LINKLATER, RICHARD ; RIDLEY, PHILIP ; ROBERTS, JULIA ; RUSSELL, DAVID O. ; SHERMAN, VINCENT ; DAVIS, BETTE ; SIEGEL, DAVID ; MCGEHEE, SCOTT ; SODERBERGH, STEVEN ; TOBACK, JAMES ; BABY DOLL (US, Elia Kazan, 1956) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; HUSTLER, THE (US, Robert Rossen, 1961) ; MIRAGE (US, Edward Dmytryk, 1965) ; BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964) ; POSITIF Notes: "In association with Positif."; "Centenary edition"--P. viiISBN: 0571176097LON: abn96057645; 12129416
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book
Projections 11 : New York film-makers on New York film-making / edited by Tod Lippy London: Faber and Faber Limited, 2001.
Call No: 802 PRO v.11Author: Lippy, Tod Place: LondonPublisher: Faber and Faber LimitedPubDate: 2001PhysDes: 320p. : ill. ; 24 cmSubject: HOPE, TED ; SCHAMUS, JAMES ; MCDORMAND, FRANCES ; BURWELL, CARTER ; LEE, SPIKE ; ROBBINS, TIM ; COCHRAN, STACY ; ANDERSON, WES ; MEKAS, JONAS ; VACHON, CHRISTINE ; Pierson, John ; LUMET, SIDNEY ; EPHRON, NORA ; JARMUSCH, JIM ; KORINE, HARMONY ; HENRY, BUCK ; BERNSTEIN, WALTER ; KUSAMA, KARYN ; RUSSELL, DAVID O. ; GROSBARD, ULU ; DEPREZ, THERESE ISBN: 0571205917(pbk.)LON: 22055635
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Interim
book
Projections 12 : film-makers on film schools / Edited by John Boorman, Fraser MacDonald and Walter Donohue London: Faber and Faber Limited, 2002.
Call No: 802 PRO V.12Author: Boorman, John ; Donohue, Walter ; MacDonald, Fraser Source: UKPlace: LondonPublisher: Faber and Faber LimitedPubDate: 2002PhysDes: viii, 369p. ; illus. ; 24cm.Series: ProjectionsSubject: FILM STUDY AND RESEARCH ; FILM WORKERS ; SCHOOLS, FILM. USA ; ALEKAN, HENRI ; ANTONIONI, MICHELANGELO ; HAWKE, ETHAN ; KERRIGAN, LODGE ; O'DONNELL, DAMIEN ; OZON, FRANCOIS ; RAY, NICHOLAS ; BEYOND THE CLOUDS [PAR-DELA LES NUAGES] (FR/IT/GG, Michelangelo Antonioni, 1995) ; WAKING LIFE (US, Ricahrd Linklater, 2001) ISBN: 0571206948
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title clippings file
QUATRILHO, O : (BL, Fabio Barreto, 1995)
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title clippings file
R.O.D. : (JA, Kouji Masunari, 2001)
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title clippings file
RAINBOW SERPENT : (AT, Mark O'Connor, 1976)
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title clippings file
RE, O : (IT, Luigi Magni, 1989)
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journal article
Ready, set, go! in Empire (Australian Ed.) (August 2005) iss.53 p.30-31
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book
Reel black talk : a source book of 50 American filmmakers / Spencer Moon, foreward by George Hill Westport, Conn: Greenwood Press, 1997.
Call No: 802(73) MOOAuthor: Moon, Spencer Source: USPlace: Westport, ConnPublisher: Greenwood PressPubDate: 1997PhysDes: xvi, 396 p. : ill., ports. ; 25 cmSubject: PRODUCERS. USA ; ALEXANDER, WILLIAM ; BOURNE, ST. CLAIR ; BURNETT, CHARLES ; CHENZIRA, AYOKA ; DASH, JULIE ; DUKE, BILL ; FANAKA, JAMAA ; FRANKLIN, CARL ; GREAVES, WILLIAM ; HAMPTON, HENRY ; HUDLIN, REGINALD ; HUDLIN, WARRINGTON ; JACKSON, GEORGE ; LEE, SPIKE ; MICHEAUX, OSCAR ; PARKERSON, MICHELLE ; PARKS, GORDON ; RIGGS, MARLON ; ROBERTSON, HUGH A. ; SINGLETON, JOHN ; TOWNSEND, ROBERT ; WARREN, MARK ; WAYANS, KEENEN IVORY ; WAYANS, MARLON ; WAYANS, SHAWN ; WILLIAMS, SPENCER ; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994) ; AMAZING GRACE AND CHUCK (US, Mike Newell, 1987) ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; BEAT STREET (US, Stan Lathan, 1984) ; BETTER OFF DEAD (US, Savage Steve Holland, 1985) ; BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984) ; BRIDE PRICE (KE, Shatrujit Paul, 1991) ; CARBON COPY (US, Michael Schultz, 1981) ; CEMETERY CLUB, THE (US, Bill Duke, 1993) ; CHILD SAVER, THE [TV] (US, Stan Lathan, 1988) ; P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; DEEP COVER (US, Bill Duke, 1992) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DISORDERLIES (US, Michael Schultz, 1987) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; RAW (US, Robert Townsend, 1987) ; EYES ON THE PRIZE [TV] (US, 1987-1990) ; [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991) ; GLASS SHIELD, THE (US, Charles Burnett, 1994) ; GREASED LIGHTNING (US, Michael Schultz, 1977) ; HIGHER LEARNING (US, John Singleton, 1994) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; INKWELL, THE (US, Matty Rich, 1994) ; JASON'S LYRIC (US, Doug McHenry, 1994) ; KILLING FLOOR, THE (US, Bill Duke, 1985) ; KRUSH GROOVE (US, Michael Schultz, 1985) ; LAUREL AVENUE (US, Carl Franklin, 1993) ; MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993) ; OBEAH (US, Hugh A. Robertson, 1986) ; PANTHER (US, Mario Van Peebles, 1995) ; PENITENTIARY II (US, Jamaa Fanaka, 1982) ; POETIC JUSTICE (US, John Singleton, 1993) ; QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]) ; RAISIN IN THE SUN, A (US, Daniel Petrie, 1961) ; SCAVENGER HUNT (US, Michael Schultz, 1979) ; SHAFT (US, Gordon Parks Jr., 1971) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968) ; STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991) ; VEILED ARISTOCRATS (US, Oscar Micheaux, 1932) ; WHICH WAY IS UP? (US, Michael Schultz, 1977) ; WITHIN OUR GATES (US, Oscar Micheaux, 1919) Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.Notes: Includes filmographies, bibliographical references (p. [385] - 386) and indexISBN: 0313298300Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis
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Representing the rural : space, place, and identity in films about the land / edited by Catherine Fowler & Gillian Helfield Detroit Mich.: Wayne State University Press, 2006.
Call No: 738.6 FOWAuthor: Fowler, Catherine ; Helfield, Gillian Source: USPlace: Detroit Mich.Publisher: Wayne State University PressPubDate: 2006PhysDes: ix, 369 p. : ill. ; 23 cmSeries: Contemporary approaches to film and television seriesSubject: CRITICISM ; LAND IN FILM ; CINEMAS. SPANISH ; HISTORY OF CINEMA ; TERRE, LA (FR, André Antoine, 1921) ; SANTOS INOCENTES, LOS (SP, Mario Camus, 1984) ; ASHANI SANKET (II, Satyajit Ray, 1973) ; HORA DA ESTRELA, A (BL, Suzana Amaral, 1985) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; BIQUEFARRE (FR, Georges Rouquier, 1983) ; DHIL AL ARDH (TI/FR, Taieb Louhichi, 1982) ; BILLY ELLIOT (UK, Stephen Daldry, 2000) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) ; THIASSOS, O (GR, Theo Angelopoulos, 1975) ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; YI GE DOU BU NENG SHAO (CC, Zhang Yimou, 1999) ; WO DE FU QIN MU QIN (CC, Zhang Yimou, 1999) ; ROAD HOME, THE (CC, Zhang Yimou, 1999) Summary: Representing the Rural breaks new ground in the writing of cinema history, offering fresh perspectives on the character and place of national identity in cinematic explorations of the land, peasants, landscapes, and culture caught up in the transition from rural to metropolitan spaces [taken from back cover]Notes: Formerly CIP
Includes bibliographical references and index
Includes filmography: p. 341-343ISBN: 0814333052
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RETURN OF THE LIVING DEAD : (US, Dan O'Bannon, 1985)
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Old collection
book
Returning to the scene : Blake Edwards / by Peter Lehman & William Luhr Athens: Ohio: Ohio University Press, c1989.
Call No: 81EDW LUHAuthor: Lehman, Peter Source: USPlace: Athens: OhioPublisher: Ohio University PressPubDate: c1989PhysDes: 268p. : ill., ports. ; 24 cmSubject: EDWARDS, BLAKE ; S.O.B. (US, Blake Edwards, 1981) ; VICTOR/VICTORIA (UK, Blake Edwards, 1982) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; SHOT IN THE DARK, A (UK, Blake Edwards, 1964) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982) ; MICKI AND MAUDE (US, Blake Edwards, 1984) ; REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978) Notes: Includes index.
Filmography: v.2 p. 253-260.
Bibliography: v.2 p. 249-251.ISBN: 0821409182Language: English
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REVIEW WITH MYLES BARLOW [TV] : (AT, Trent O'Donnell, 2008)
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title clippings file
RIO DO OURO, O : (PO/BL, Paulo Rocha, 1998)
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title clippings file
ROAD: VOICES FROM PRISON, THE : [TV] (AT, Kerry O'Rourke, 1988)
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title clippings file
ROE VS. ROE : (US, Meghan O'Hara & Ilene Findler, 1997)
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book
The routledge companion to disability and media / Edited by Katie Ellis; Gerard Goggin, Beth Haller and Rosemary Curtis New York: Routledge, 2020.
Call No: 747.77 ROUAuthor: Ellis, Katie ; Goggin, Gerard ; Haller, Beth ; Curtis, Rosemary Source: USPlace: New YorkPublisher: RoutledgePubDate: 2020PhysDes: xxvi, 424 pages : illustrations ; 26 cmSeries: Routledge Media and Cultural Studies CompanionsSubject: PEOPLE WITH DISABILITIES IN FILMS ; PEOPLE WITH DISABILITIES AND THE CINEMA ; PEOPLE WITH DISABILITIES AND TV ; I AM SAM (US, Jessie Nelson, 2001) ; SILVER LININGS PLAYBOOK (US, David O. Russell, 2012) ; STILL ALICE (US/FR, Richard Glatzer & Wash Westmoreland, 2014) ; SESSIONS, THE (US, Ben Lewin, 2012) ; GREENBERG (AT, Noah Baumbach, 2010) ; BREATHING LESSONS: THE LIFE AND WORK OF MARK O'BRIEN (US, Jessica Yu, 1997?) Summary: An authoritative and indispensable guide to disability and media, this thoughtfully curated collection features varied and provocative contributions from distinguished scholars globally, alongside next-generation research leaders.
Disability and media has emerged as a dynamic and exciting area of contemporary culture and social life. Media–– especially digital technology––play a vital role in disability transformations, with widespread implications for global societies and how we understand communications. This book addresses this development, from representation and audience through technologies, innovations and challenges of the field. Through the varied and global perspectives of leading researchers, writers, and practitioners, including many authors with lived experience of disability, it covers a wide range of traditional, emergent and future media forms and formats.Notes: Includes bibliographical references and indexISBN: 9781138884588Contents: Introduction: Disability and media--an emergent field / Gerard Goggin, Katie Ellis, Beth Haller, and Rosemary Curtis -- Disability imaginaries in the news / Tanya Titchkosky -- What's it all worth? The political economy of disability representation in Indian media / Nookaraju Bendukurthi and Usha Raman -- Decolonizing the dynamics of media power and media representation between 1830 and 1930 : Australian indigenous peoples with disability / John Gilroy, Jo Ragen and Helen Meekosha -- Featuring disabled women in advertisements : the commodification of diversity? / Ella Houston -- Still playing it safe : a comparative analysis of disability narratives in the sessions, breathing lessons, and "On seeing a sex surrogate" / Jonathan Bartholomy -- Mental distress, romance and gender in contemporary films : Greenberg and Silver linings playbook / Alison Wilde -- Still Julianne : projecting dementia on the silvering screen / Sally Chivers -- Authentic disability representation on U.S. Television past and present / Beth Haller -- The spectacularization of disability sport : Brazilian and Australian newspaper photographs of 2012 London Paralympic athletes / Tatiane Hilgemberg, Katie Ellis and Madison Magladry -- George R.R. Martin and the two dwarfs / Mia Harrison -- Embodying metaphors : disability tropes in political cartoons / Beth Haller -- Resisting erasure : reading (dis)ability and race in speculative media / Sami Schalk -- Producerly disability popular culture : the collision of critical and receptive attitudes / Katie Ellis -- The Bodies of Film Club : disability, identity, and empowerment / Fiona Whittington-Walsh, and Kya Bezanson, Christian Burton, Jaci Mackendrick, Katie Miller, Emma Sawatzky, Colton Turner -- Disability Narratives in the News Media : A Spotlight on Africa / Olusola Ogundola -- Disabled media creators in Afghanistan, China and Somalia / Patricia Chadwick -- Youth with disabilities in Africa : bridging the disability divide / Kimberly O'Haver -- Engaging accessibility issues through mobile videos in Montre´al / Laurence Parent -- Pages of life : using a telenovela to promote the inclusion of students with disabilities in Brazil / Patricia Almeida -- How do you write that in sign language? : A graphic signed novel as source of epistemological reflection on writing / Ve´ro Leduc -- GimpGirl : insider perspectives on technology and the lives of disabled women / Jennifer Cole and Jason Nolan -- Digital media accessibility : an evolving vinfrastructure of possibility / Elizabeth Ellcessor -- Making the web more interactive and accessible for blind people / Jonathan Lazar and Brian Wentz -- Social media and disability-it's complicated / Michael Kent -- When Face-to-face is screen-to-screen : reconsidering mobile media as communication augmentations and alternatives / Meryl Alper -- Mobile phones and visual impairment in South Africa : experiences from a small town / Lorenzo Dalvit -- Video on demand : is this Australia's new disability divide? / Wayne Hawkins -- Individuals with physical impairments as life hackers? : Analyzing online content to interrogate dis/ability and design / Jerry Robinson -- Interdependence in collaboration with robots / Eleanor Sandry -- Dropping the disability beat : why specialized reporting doesn't solve disability (mis)representation / Chelsea Temple Jones -- Advertising disability and the diversity directive / Josh Loebner -- Disability advocacy in BBC's Ouch and ABC's Ramp up / Shawn Burns -- Representing difference : disability, digital storytelling, and public pedagogy / Carla Rice and Eliza Chandler -- Needs must : digital innovations in disability rights advocacy / Filippo Trevisan -- Disability media work / Katie Ellis and Melissa Merchant -- Books and people with print disabilities : public value and the international disability human rights agenda / David Adair and Paul Harpur.ID2: 357
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personality clippings file
RUSSELL, DAVID O.
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: RUSSELL, DAVID O.
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Crawford collection
still
[Ryan: album#1] Crawford Productions [distributor],
Call No: CRAWFORD STILL RYASource: ATPublisher: Crawford Productions [distributor]PhysDes: 39 photographs : b&w ; 26 x 21 cm + 1 photograph : col. ; 9 x 9 cm + 1 photograph : b&w ; 9 x 10 cm + 3 transparencies : b&w ; 120 mm + 52 transparencies : col. ; 120 mm + 103 negatives : col. ; 35 mm + 12 photographic sheets : b&w ; 26 x 21 cmSubject: MULLINAR, ROD ; STEPHENSON, PAMELA ; THOMPSON, JACK ; O'NEILL, HEWAN ; HUME, JACK ; RANDALL, MARNIE ; BARRY, BRUCE ; DRYNAN, JEANIE ; BISHOP, PAT ; GRAY, FRED ; MAGUIRE, GERARD ; CONABERE, SYD ; CONABERE, SALLY ; POLSON, CECILY ; FAWDON, MICHELE ; SCURR, HILDA ; EDEN, KEITH ; McEWAN, COLIN ; RYAN [TV](AT, 1973-4) Summary: Photographs and negatives relating to the TV series RyanNotes: Images are arranged by episode title -- Negatives consist of 51 strips of photographic negatives -- Duplicate material held in storageDonation: Gift of Crawford Productions
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title clippings file
S.O.B. : (US, Blake Edwards, 1981)
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book
The saga of special effects / Ron Fry and Pamela Fourzon London: Robert Hale & Company, 1978.
Call No: 236 FRYAuthor: Fry, Ron ; Fourzon, Pamela Source: UKPlace: LondonPublisher: Robert Hale & CompanyPubDate: 1978PhysDes: 212 p. ; 29 cmSubject: ANIMATION ; Metro-Goldwyn-Mayer ; MINIATURE WORK ; MODEL WORK ; MONSTERS IN FILMS ; ROBOTS IN FILMS ; SCIENCE-FICTION FILMS ; SPECIAL EFFECTS ; SPECIAL EFFECTS DESIGNERS ; STOP-MOTION TECHNIQUE ; STORMS IN FILMS ; WORLD WAR II AND THE CINEMA ; COOPER, MERIAN C. ; FULTON, JOHN P. ; DEMILLE, CECIL B. ; DISNEY, WALT ; DUNN, LINWOOD ; GILLESPIE, A. ARNOLD ; O'BRIEN, WILLIS ; PAL, GEORGE ; EARTHQUAKE (US, Mark Robson, 1974) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; [TWENTY THOUSAND] 20,000 LEAGUES UNDER THE SEA (US, Richard Fleischer, 1954) ISBN: 0709170738Contents: 1. A definition of "special effects" -- 2. The birth of an industry: Edison, Melies, Urban, Paul, and Porter -- 3. Epics without soundtracks: Griffith, Sennett, Keaton, and Lang -- 4. The entertainment decade: Warner's sound, Dunn's optical printer, and O'Brien's King Kong -- 5. Re-creating a world at war: Gillespie, Jennings, Edouart, Hitchcock, and Disney -- 6. The creature-ridden fifties: Pal, Corman, Howard, Japan's Toho studios, Harryhausen and De Mille -- 7. The spectacular sixties, from The time machine to 2001: Vogel, Cruickshank, Danforth, Lee, and Knoth -- 8. The "disastrous" seventies: Allen, Trumbull, Abbott, Mattey, Robinson, Whitlock, and Von Buelow -- Epilogue: De Laurentis' King Kong - the present (and future) of special effects
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SALO O LE CENTOVENTI GIORNATE DI SODOMA : (IT/FR, Pier Paolo Pasolini, 1975)
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SAMUEL BECKETT, SILENCE TO SILENCE : (IR, Sean O' Mordha,1984)
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title clippings file
SAPPHIRE ROOM, THE : (AT, Sean O'Brien, 1997)
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still
[Sapphire room, the : stills file] / Sophie Howath
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book
Satire TV : politics and comedy in the post-network era / edited by Jonathon Gray, Jeffrey P. Jones, and Ethan Thompson New York: New York University Press, 2009.
Call No: 732 SATSource: USPlace: New YorkPublisher: New York University PressPubDate: 2009PhysDes: xiv, 283 p. : ill. ; 24 cmSubject: POLITICS AND TV ; TALK SHOWS. USA ; TALK SHOWS ; SATIRE ON TV ; GRAY, JONATHON ; COLBERT, STEPHAN ; JONES, JEFFREY P. ; THOMPSON, ETHAN ; OSBORNE-THOMPSON, HEATHER ; DAY, AMBER ; STEWART, JON ; CHAPELLE, DAVE ; MORREALE, JOANNE ; BAYM, GEOFFREY ; ROMNEY, MITT ; JENKINS, HENRY ; HAGGINS, BAMBI ; SANTO, AVI ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; LIL' BUSH ; DAILY SHOW THE [TV] (US, Andy Barsh/Chuck O'Neil/Scott Preston/Christian Santiago, 1996-) ; RICK MERCER REPORT ; SOUTH PARK [TV] (US, 1997-) ; BOONDOCKS, THE [TV] (US, 2005-2014) Summary: Satire TV examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programs, from The Daily Show to South Park, Da Ali G Show to The Colbert Report, The Boondocks to Saturday Night Live, Lil' Bush to Chapelle's Show, along with Internet DIY satire and essays on British and Canadian Satire. They all offer insights into what today's class of satire tells us about the current state of politics, of television, of citizenship, all the while suggesting what satire adds to the political realm that news and documentaries cannot.ISBN: 978-0-8147-3199-4Language: EnglishContents: --Foreword by David Marc-- Part 1 Post 9/11, Post Modern, or Just Post Network? -- 1 The State of Satire, the Satire of State /Jonathon Gray, Jeffrey P. Jones, and Ethan Thompson -- 2 With All Due Respect: Satirizing Presidents from Saturday Night Live to Lil' Bush -- 3 Tracing the "Fake" Candidate in American Television Comedy / Heather Osborne-Thompson -- Part 2 Fake News, Real Funny -- 4 And Now...the News? Mimesis and the Real in The Daily Show / Amber Day -- 5 Jon Stewart and The Daily Show: I thought You Were Going to Be Funny! / Joanne Morreale -- 6 Stephan Colbert's Parody of the Postmodern / Geoffrey Baym -- Part 3 Building in the Critical Rubble: Between Deconstruction and Reconstruction -- 7 Throwing Out the Welcomr Mat: Public Figures as Guests and Victims in TV Satire / Jonathon Gray -- 8 Speaking "Truth" to Power? Television Satire, Rick Mercer Report, and the Politics of Place and Space / Serra Tinic -- 9 Why Mitt Romney Wont Debate a Snowman / Henry Jenkins -- Part 4 Shock and Guffaw: The Limits of Satire -- 10 Good Demo, Bade Taste: South Park as Carnivalesque Satire / Ethan Thompson -- 11 In the Wake of "The Nigger Pixie": Dave Chapelle and the Politics of Crossover Comedy / Bambi Haggins -- 12 Of Niggas and Citizens: The Boondocks Fans and Differentiated Black American Politics / Avi Santo -- About the Contributors -- Index
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SAYONARA NO ASA NI YAKUSOKU NO HANA O KAZARO : (JA, Mari Okada, 2018)
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title clippings file
SCAZKA O KUPECHESKOY DOCHEZY I TAINSTVENNOM CSVETKE : (UR/GG, Vladimir Grammatikov, 1991)
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journal article
Scf-fi prize : Short cuts in Sydney Morning Herald [Arts & entertainment] (5/11/2015) p.20
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title clippings file
SCHADENFREUDE : (AT, PETER O'BRIEN, 2009)
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title clippings file
SECRET POLICEMAN'S THIRD BALL, THE : (UK, Ken O'Neill, 1987)
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personality clippings file
SELZNICK, DAVID O.
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title clippings file
SERTAO DAS MEMORIAS, O : (BL, Jose Araujo, 1997)
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title clippings file
SHARKCALLERS OF KONTU, THE : (AT, Dennis O'Rourke, 1982)
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title clippings file
SHO O SUTEYO, MACHI E DEYO : (JA, Shuji Terayama, 1971)
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newspaper article
Short cuts : Australian International Documentary Conference in Sunday Age [M; Inside Out] (05/03/2017) p.11
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newspaper article
Should comic films be up for big prizes? in The Age (20/07/2017) p.27
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book
Shout! : the story of Johnny O'Keefe / Robert Caswell Sydney: Currency Press, 1986.
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title clippings file
SHOUT! THE STORY OF JOHNNY O'KEEFE : [TV] (AT, Ted Robinson, 1986)
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title clippings file
SHOUT! THE STORY OF JOHNNY O'KEEFE [TV] : (AT, Ted Robinson, 1986)
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book
Showman : the life of David O. Selznick / David Thomson London: Abacus, 1993.
Call No: 81SEL THOAuthor: Thomson, David, 1941 Place: LondonPublisher: AbacusPubDate: 1993PhysDes: xi, 820 p., [32] p. of plates : ill., ports., geneal. pprts. ; 20 cmSubject: SELZNICK, DAVID O. Notes: Bibliography: p. 734-737. - Includes indexISBN: 0349105235; 0349105235 (pbk) : ª9.99 : Formerly CIPLON: bnb34910523; 10494438
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title clippings file
SIGN O' THE TIMES : (US, Prince, 1987)
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title clippings file
SILVER LININGS PLAYBOOK : (US, David O. Russell, 2012)
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personality clippings file
SIMPSON, O.J.
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: SIMPSON, O.J.
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title clippings file
SIX O'CLOCK NEWS : (US, Ross McElwee, 1997)
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title clippings file
SOLDIERS PAY : (US, Trisha Regan/David O. Russell/ Juan Carlos Zaldivar, 2004)
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title clippings file
SOLEIL O : (FR/ MU, Med Hondo, 1970)
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title clippings file
SOLO : (AT, Morgan O'Neill, 2005)
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script
Solo : final draft / by Morgan O'Neill AT: [2005].
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journal article
Solo in Empire (Australian Ed.) (August 2006) iss.65 p.22
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journal article
Solo in Empire (Australian Ed.) (May 2007) iss.74 p.102
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poster
[Solo : poster]
Call No: P SOLPhysDes: 1 poster : col ; 100 X 69 cm.Subject: SOLO (AT, Morgan O'Neill, 2005) Summary: Image: Red/black background with negative photo of Colin Friels. Text: 'Winner Project Greenlight'.
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title clippings file
SOY CUBA, O MAMUTE SIBERIANO : (BL, Vincent Ferraz, 2005
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title clippings file
SPANKING THE MONKEY : (US, David O. Russell, 1994)
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title clippings file
SPARKLE : (US, Sam O'Steen, 1976)
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book
A splurch in the kisser : the movies of Blake Edwards / Sam Wasson Middletown, Connecticut: Wesleyan University Press, 2009.
Call No: 81EDW WASAuthor: Wasson, Sam Source: USPlace: Middletown, ConnecticutPublisher: Wesleyan University PressPubDate: 2009PhysDes: xii, 353 p. : ill. ; 24 cmSubject: EDWARDS, BLAKE ; CRITICISM ; BLIND DATE (US, Blake Edwards, 1987) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CAREY TREATMENT, THE (US, Blake Edwards, 1972) ; CURSE OF THE PINK PANTHER (US, Blake Edwards, 1983) ; FINE MESS, A (US, Blake Edwards, 1986) ; GREAT RACE, THE (US, Blake Edwards, 1965) ; MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983) ; MICKI AND MAUDE (US, Blake Edwards, 1984) ; PARTY, THE (US, Blake Edwards, 1968) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; REVENGE OF THE PINK PANTHER (UK, Blake Edwards, 1978) ; SHOT IN THE DARK, A (UK, Blake Edwards, 1964) ; SKIN DEEP (US, Blake Edwards, 1989) ; S.O.B. (US, Blake Edwards, 1981) ; SON OF THE PINK PANTHER (US, Blake Edwards, 1993) ; SUNSET (US, Blake Edwards, 1988) ; SWITCH (US, Blake Edwards, 1991) ; TRAIL OF THE PINK PANTHER (UK, Blake Edwards, 1982) ; VICTOR/VICTORIA (UK, Blake Edwards, 1982) Summary: "With one of the longest and most controversial careers in Hollywood history, it's about time for Blake Edwards, a director of raving chutzpuh, to take hist seat at the table of greats. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Chaplin, Lubitsch, Sturges, and Wilder. Like Wilder, Edward's propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, The Pink Panther, and even days of Wine and Roses, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards's Darling Lili nearly sunk both of them and brought Paramount Pictures to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, and allowed him to simultaneously fight the Hollywood tide as he rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known." - BOOK JACKETNotes: Includes filmography.; Includes bibliographical references and index.ISBN: 9780819569158Donation: Donated by Senses Of Cinema, 2009Contents: Prologue: Breaking in, 1922-1955 -- Blake begins, 1955-1959 -- Blake builds, 1959-1962 -- Blake blossoms, 1963-1968 -- Blake burns, 1968-1974 -- Panther pictures (Blake banks) -- Blake booms, 1979-1982 -- Blake breaks, 1983-1988 -- Blake bows, 1988-1991 -- Epilogue: Making out, October 24, 1993.
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journal article
Star Struck in Australasian Cinema (16/4/1982) vol.11 iss.6 p.9
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journal article
Star-Studded Premieres for Starstruck in Australasian Cinema (16/4/1982) vol.11 iss.6 p.6-7
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title clippings file
STARS AND BARS : (US, Pat O'Connor, 1988)
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journal article
Starstruck in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.25
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journal article
'Starstruck' soon for release in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.10
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still
[Starstruck : stills file]
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book
The state of European cinema : a new dose of reality / Angus Finney ; [foreword by Nik Powell] London: Cassell, 1996.
Call No: 201(4) FINAuthor: Finney, Angus, 1964 Place: LondonPublisher: CassellPubDate: 1996PhysDes: x, 262 p. ; 24 cmSubject: INDUSTRY, FILM. EUROPEAN COUNTRIES ; EDUCATION, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; DISTRIBUTION. EUROPEAN COUNTRIES ; TECHNOLOGY AND THE CINEMA. EUROPEAN COUNTRIES ; POLYGRAM ; EURIMAGES ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; FARINELLI IL CASTRATO (FR/BE/IT, Gerard Corbiau, 1994) ; ROB ROY (US, Michael Caton-Jones, 1995) ; TALES FROM A HARD CITY (FR/UK, Kim Flitcroft, 1994) ; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996) ; GUILTRIP (IE, Gerard Stembridge, 1995) ; ANTONIA (NE/BE/UK, Marleen Gorris, 1995) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995) Notes: "Includes transpotting case study"--Cover; Includes index; Bibliography: p. 255ISBN: 0304333026 (pbk)LON: abn96337602; 12766083
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title clippings file
STRIVING : [TV] (AT, Nick Torrens & Karrin Altman & Graham Chase & Dick Marks & Bruce Ezard & Dennis O'Rourke & David Haythornthwaite, 1983)
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title clippings file
SUBMERGE : (AT, Sophie O'Connor, 2013)
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title clippings file
SUICIDE KINGS : (US, Peter O'Fallon, 1997)
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Interim
book
The Sundance kids : How the mavericks took back Hollywood / James Mottram London: Faber and Faber, 2006.
Call No: 802.25(71) MOTAuthor: Mottram, James Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2006PhysDes: xxix, 480 p. : ill. ; 24cmSubject: INDEPENDENT FILMS. USA ; SUNDANCE INSTITUTE ; SODERBERGH, STEVEN ; Tarantino, Quentin ; RUSSELL, DAVID O. ; RODRIGUEZ, ROBERT ; LINKLATER, RICHARD ; FINCHER, DAVID ; JONZE, SPIKE ; ANDERSON, PAUL THOMAS ; ANDERSON, WES ; LEONARD, ELMORE ; COPPOLA, SOFIA ; PEIRCE, KIMBERLY ; SINGER, BRYAN ; KAUFMAN, CHARLIE ; PAYNE, ALEXANDER Summary: From Publishers Weekly
Mottram covers the same territory Sharon Waxman did in 2005's Rebels on the Backlot, including extensive considerations of directors Steven Soderbergh and Quentin Tarantino, but the British film journalist adds several filmmakers into the mix, including Sofia Coppola and Wes Anderson, concentrating primarily on hot young talents discovered at the Sundance Film Festival. He's also more interested in what's on the screen than Waxman was, so nearly every chapter has lengthy analyses of the movies discussed. But these interpretive flights distract from the reportage, especially when Mottram dismisses successful directors like Robert Rodriguez (who arguably have taken back Hollywood) because he doesn't consider movies like Spy Kids mature enough for serious consideration, or when he insists on linking every modern maverick to a counterpart in '70s cinema. He also links some films together by simplistic means, grouping a trilogy of films set in high schools in one chapter and building another chapter around Elmore Leonard adaptations. Mottram does give insight into the career trajectories of a few of his subjects, most notably Soderbergh, David Fincher and Bryan Singer, making his history a useful starting point.Notes: Includes notes, general index and index of filmsISBN: 0571222676
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title clippings file
SWEET NOVEMBER : (US, Pat O'Conner, 2000)
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journal article
Sydney Festival : or how I sat through 156 films in 17 days in Lumiere (July, 1973) iss.25 p.22-23
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title clippings file
TAIYO O NUSUNDA OTOKO : (JA, Kazuhiko Hasegawa, 1980)
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title clippings file
TALL, DARK AND O'HAILPIN : (IE, Patrick Comer, 2007)
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title clippings file
TESTA O CROCE : (IT, Nanni Loy, 1983)
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still
[Thank God he met Lizzie : stills file]
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Crawford collection
crawford publicity fly
[The flying doctors. Publicity material] AT:
Call No: CRAWFORD PUBLICITY FLYPlace: ATPhysDes: 3 boxes ; 39 x 17 x 27 cmSubject: CRAWFORD PRODUCTIONS ; AUDIENCE RECEPTION. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA: VICTORIA ; SOAP OPERAS. AUSTRALIA ; LEE, SOPHIE ; DIPIERDOMENICO, ROBERT ; SMITH, LENORE ; JELLAY, VAL ; FIELDS, MAURIE ; MCFARLANE, ANDREW ; GRUBB, ROBERT ; KAPINIARIS, GEORGE ; GIBNEY, REBECCA ; O'BRIEN, PETER ; PAPPS, ALEX ; MACINTOSH, TAMMY ; FLYING DOCTORS, THE [TV] (AT, 1986-91) Summary: Publicity, media clippings and periodicals about Crawford Productions' series The flying doctors. Material is organised primarily in date order. Additional files cover production and location shooting. Where possible Crawford Productions' original ordering system has been retained.Notes: Annotations on some clippings -- Labels follow Crawfords designations unless provided by cataloguerDonation: Donation of Crawford ProductionsContents: 3 archive boxes containing material from Australia, New Zealand and the Netherlands
Folders as listed:
Box 1: Locations; Production publicity; Show-Series; Series generally; [March 1991]; [April 1991]; Press cuttings July [1991]; Press cuttings Mar-Oct 1991 -- Press cuttings Jan-Mar 1991 -- Press clippings Mar Apr May 1991 -- [April 1991] file has attached memo card -- Also contains periodicals: TV soap (July 1991); Margriet (30 Apr 1991); The Flying Doctors Story; Additional photocopies of press clippings -- Royal Flying Doctor Service of Australia Fanclub Germany n. 16, June 2003 [79 leaves]; n. 17, December 2003 [85 leaves]; n. 18, June 2004 [66 leaves]; n. 19, December 2004 [74 leaves]
Box 2: Press clippings Originals 1988 -- Original press clippings Jan-June 1989 -- Press clippings originals July-Dec 1989 -- Press clippings, originals Jan-May 1990 -- Press cuttings May-Dec 1990 -- [Press clippings April 1990, photocopies] --Also contains: TV Week (Feb 13 1988); Humo (Maart 31 1988; Mei 12 1988); TV magazine (Mei 14 1988); TV week (June 4 1988); Dag (n. 230 April 9 1989); TV Guide (August 14 1989); Woman's own (April 10 1989); Star! (Summer 1989); Australia now (v. 13 n. 4 1989); Stars of Oz (August 1990) -- Additional photocopies of Australian press clippings -- Clippings from Dutch language magazines
Box 3: Photocopies of press cuttings 1982-1990 covering location, general production, notable guests and publicity for individual actors -- Facsimile copies of press from UK -- (17 leaves) Fan produced materials -- Fan produced Reserapport [Trip report] 1988 (39 leaves) -- Telegrams (6 leaves)
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title clippings file
THIASSOS, O : (GR, Theo Angelopoulos, 1975)
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Interim
book
Third take : Australian film-makers talk / edited by Raffaele Caputo and Geoff Burton Crows Nest, NSW: Allen & Unwin, 2002.
Call No: 802.25(94) THIAuthor: Caputo, Raffaele ; Burton, Geoff Source: ATPlace: Crows Nest, NSWPublisher: Allen & UnwinPubDate: 2002PhysDes: xiii, 215 p. : ill. ; 23 cmSubject: PRODUCERS. AUSTRALIA ; PRODUCTION ; DIRECTION ; DIRECTORS. AUSTRALIA ; DE HEER, ROLF ; DOMINIK, ANDREW ; ELLIS, BOB ; HUNTER, BILL ; LEVY, CURTIS ; NOYCE, PHIL ; O'ROURKE, DENNIS ; SEALE, JOHN ; WEIR, PETER ; NEWSFRONT (AT, Phillip Noyce, 1978) Notes: Includes index.ISBN: 1865085073
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script
This chirstmas [A moody christmas] : episode 3. / written by Phil Lloyd and Trent O'Donnell AT: c2012.
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script
This christmas [A moody christmas] : episode 5 / written by Phil Lloyd & Trent O'Donnell AT: c2012.
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title clippings file
THREE KINGS : (US, David O. Russell, 1999)
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title clippings file
THREE O'CLOCK HIGH : (US, Phil Joanou, 1987)
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title clippings file
[[THREE O ONE, THREE O TWO] 301, 302]] : (KO, Park Chul-soo, 1995)
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title clippings file
TOBU YUME O SHIBARAKU MINAI : (JA, Eizo Sugawa, 1990)
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title clippings file
TOKI O KAKERU SHOJO : (JA, Momoru Hosoda, 2006)
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Online resource
digital clippings file
TRANSFATTY LIVES : (US, Patrick O'Brien, 2015) Digital clippings file available
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title clippings file
TRANSFIGURATION, THE : (US, Michael O'Shea, 2016)
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title clippings file
TUMBLEWEEDS : (US, Gavin O'Connor, 1999)
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journal article
Turning Taiwanese in UTS Review (Aug 1995) vol.1 iss.1 p.138-146
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title clippings file
TWO HEADS CREAK : (UK/AT, Jesse O'Brien, 2019)
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title clippings file
TWO HEADS CREEK : (AT/UK, Jesse O'Brien, 2019)
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title clippings file
TWO SWEEPS : (US, Pat O'Neill, 1978)
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title clippings file
TWO THIRDS SKY ARTISTS IN DESERT COUNTRY : (AT, Sean O'Brien, 2002)
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book
United Artists : the company built by the stars / Tino Balio Madison: University of Wisconsin Press, 1976.
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journal article
Unrepresentable you in UTS Review (Nov 1998) vol.4 iss.2 p.188-196
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title clippings file
VERMONT IS FOR LOVERS : (US, John O'Brien, 1992)
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still
[Waltz through the hills : stills file] Barron Films,
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title clippings file
WARRIOR : (US, Gavin O'Connor, 2011)
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title clippings file
WATER AND POWER : (US, Pat O'Neill, 1988)
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title clippings file
WHAT MAKES A MAN A MAN : (AT, Agi O'Hara, 2013)
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Crawford collection
still
[Whose baby? : album #1] Crawford Productions [distributor],
Call No: CRAWFORD STILL WHOSource: ATPublisher: Crawford Productions [distributor]PhysDes: 15 photographs : b&w ; 21 x 26 cm + 16 slides : col.Subject: LUKE, VICKI ; CURTIN, PETER ; PUNCH MCGREGOR, ANGELA ; FORSYTHE, DREW ; MCCONNOCHIE, RHYS ; GIBBES, ROBYN ; CRITTENDEN, LISA ; O'SULLIVAN, MOYA ; HARVEY-WRIGHT, PETER ; MORGAN, ROBERT ; WHOSE BABY? [TV] (AT, Ian Barry, 1986) Summary: Photographs and slides relating to the mini -series 'Whose Baby?'Notes: Images arranged by record type: photographs and then slidesDonation: Gift of Crawford Productions
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title clippings file
WIRE IN THE BLOOD : [TV](UK, Roger Gartland, Declan O'Dwyer, 2007)
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title clippings file
WONDERLAND : (US, John O'Hagan, 1997)
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title clippings file
WORLD ABOUT US: ILEKSEN, THE : (AT/UK, Dennis O'Rourke, 1978)
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book
World cinema and the ethics of realism / Lucia Nagib New York ; London: Continuum, 2011.
Call No: 64REA NAGAuthor: Nagib, Lucia Place: New York ; LondonPublisher: ContinuumPubDate: 2011PhysDes: xiv, 293 p. : ill. ; 23 cm.Subject: REALISM IN FILMS ; WORLD CINEMA ; MONTEIRO, JOAO CESAR ; HERZOG, WERNER ; EMPIRE OF THE SENSES [AI NO CORRIDA / EMPIRE DES SENS, L'] (JA/FR, Nagisa Oshima, 1976) ; CRIME DELICADO (BL, Beto Brant, 2005) ; TERRA EM TRANSE (BL, Glauber Rocha, 1967) ; BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964) ; ATANARJUAT, THE FAST RUNNER (CA, Zacharias Kunuk, 2001 ) ; YAABA (UV, Idrissa Ouedraogo, 1989) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; YA - CUBA (UR/CU, Mikhail Kalatozov, 1964) Summary: A sweeping study of world cinema, illustrating how its creative peaks stem from the urge to reveal otherwise hidden political and social dimensions of reality.ISBN: 9781441165831Donation: donated by the author.
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journal article
You don't make the film - the film makes you p.6-8
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book
The young Indiana Jones Chronicles Melbourne: Budget Books, 1993.
CorpAuthor: LucasfilmSource: ATPlace: MelbournePublisher: Budget BooksPubDate: 1993PhysDes: 64 p. : ill. : puzzles ; 20 cmSubject: YOUNG INDIANA JONES CHRONICLES, THE [TV] (USA, Jim O'Brien,1992) Summary: The adventures of the archelogical treasure hunter in his youthISBN: 0732319935Donation: donated by the family of Wayne Levy, 2006
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title clippings file
YUMI YET - PAPUA NEW GUINEA GETS INDEPENDENCE : (AT, Dennis O'Rourke, 1977)
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poster
[Yumi yet : poster]
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title clippings file
ZELDA : (US, Pat O'Connor, 1993)
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