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Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: ADVERTISING
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2SM's unique 'Moving Out' promotional launch in Australasian Cinema (10/6/1983) vol.12 iss.10 p.3 More info |
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$5k cartoon to save advertisers millions in Sydney Morning Herald [Business news] (3/4/2015) p.23 Call No: SUBJECT CLIPPINGS FILE; ADVERTISING Author: Lynch, Jared PhysDes: Clippings File Article Subject: ADVERTISING; TECHNOLOGICAL DEVELOPMENTS Summary: Neuroscience is being used by advertisers to examine why some ads are successful and others aren't
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$6mil. Advt. budget for 'A Passage To India' in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.1 More info |
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The 10 ads that Australians hate the most in The Age (08/07/2016) p.3 More info |
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100 Anime / Brophy, Philip London: British Film Institute, 2005. Call No: 772 (52) BRO Author: Brophy Philip CorpAuthor: BFI Place: London Publisher: British Film Institute PubDate: 2005 PhysDes: 17 cm; 262 pp Series: BFI Screen Guides Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover] ISBN: 1844570843
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120,000 admissions in 5 days for 'Breathless' in France in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5 More info |
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An accented cinema : exilic and diaspora filmmaking / Hamid Naficy Princeton, N.J.: Princeton University Press, 2001. Call No: 462-054.72 NAF Author: Naficy, Hamid Source: US Place: Princeton, N.J. Publisher: Princeton University Press PubDate: 2001 PhysDes: v, 374 p. : ill. ; 24 cm Subject: NATIONAL CULTURE AND THE CINEMA; EMIGRANT FILM WORKERS; EGOYAN, ATOM; KHLEIFI, MICHEL; NAIR, MIRA; SOLANAS, FERNANDO E.; AKERMAN, CHANTAL; NADERI, AMIR; MEKAS, JONAS; MARKER, CHRIS; GITAI, AMOS; TARKOVSKY, ANDREI Notes: Includes bibliographical references and index. ISBN: 0691043914
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Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9 More info |
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The act of documenting : documentary film in the 21st century / Brian Winston, Gail Vanstone and Wang Chi London: Bloomsbury Academic, 2017. Call No: 761 WIN Author: Winston, Brian; Vanstone, Gail; Chi, Wang Source: UK Place: London Publisher: Bloomsbury Academic PubDate: 2017 PhysDes: xii ; 271 pages : illustrations ; 23 cm Subject: DOCUMENTARY FILMS; FILMMAKING; AESTHETICS; EDITING; PRODUCTION; CAMERAS Summary: “Fiercely argued, urgently rendered, and rigorously researched, The Act of Documenting whacks through the ethical, political, moral, evidentiary, and argumentative acts undergirding documentary production and reception. This gutsy, vital book cuts to the core of documentary: it interrogates the place of documentary in the world and how it engages people and ideas in ways that truly matter. Moving adroitly between the histories of analog documentary and the promising landscapes of digital forms, this substantial, sage book irrefutably shows that ethics, politics, and philosophical inquiry override formats, interfaces, and technologies. Polemical yet lyrical, forceful yet inviting, this book leaves the reader exhilarated with new ways of thinking about and through documentary. The opening chapter précis could be assembled as an intellectual toolkit for all us in the act of documentary-theorists, historians, practitioners, programmers, or offered as a manifesto cracking open the most salient issues demanding our attention and action.” -- Patricia R. Zimmermann, Professor of Screen Studies, Ithaca College, USA Notes: Includes bibliographical references and index ISBN: 9781501309175
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Actron Air falls foul of advertising watchdog for 'racist' ari conditioning ads in Smart Company (07/04/2015) p.1 More info |
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Adaptation theory and criticism : postmodern literature and cinema in the USA / by Gordon E. Slethaug New York: Bloomsbury, 2014. Call No: 753.1(73) SLE Author: Slethaug, Gordon E. Source: US Place: New York Publisher: Bloomsbury PubDate: 2014 PhysDes: vi, 275 p. : ill. ; 23 cm. Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; CRITICISM; USA; THEORY; POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA. USA; SIX DEGREES OF SEPARATION (US, Fred Schepisi, 1993); SHORT CUTS (US, Robert Altman, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); SMOKE SIGNALS (US, Chris Eyre, 1998); SMOKE (US, Wayne Wang, 1995); DO THE RIGHT THING (US, Spike Lee, 1989); BROKEN FLOWERS (US, Jim Jarmusch, 2005); SNOW WHITE AND THE HUNTSMAN (US, Rupert Sanders, 2012); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) Summary: "Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism provides the reader with an informative background on adaptation theory and postmodern methodology and includes eight case studies on more than a dozen American films, some of which have been used before (Age of Innocence, Gangs of New York, The Great Gatsby, and Do the Right Thing) and some that have received less consideration (Six Degrees of Seperation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirrir Mirror, and Snow White and the Huntsman. Useful for both film and literary studies, Gordon Slethaug's Adaptation theory and criticism cogently combines existing scholarship with new theories and insights, encouraging readers to think about intertextual connections between literature and film in the USA." -- BOOK BLURB Notes: Includes bibliographical references (p. [255]-269) and index ISBN: 9781623564407 Donation: Senses of Cinema Contents: -- introduction -- 1.Modernism/postmodernism and origin/intertextual play in adaptation theory -- Modernism: High culture, poetic genius, and influence -- Postmodernism: Textuality, intertextuality, pastiche/bricolage, freeplay, and interculturalism -- 2.Adaptation, surplus value, and supplementation in Six Degrees of Separation and Short Cuts -- Surplus, supplementation, and transformation in John Guare's Six Degrees of Separation -- E Pluribus Unum: Raymond Carver's fiction and Robert Altman's Short Cuts -- 3.Intertextual doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- Tribalization as intertextual symptom: Scorcese's The Age of Innocence and Gangs of New York -- Ironized intertextuality: The Age of Innocence and The Great Gatsby -- 4.Freeplay, citation, and ethnocriticism: Single and multiple sources in Smoke Signals, SMOKE, and Do the Right Thing --
-- Ethnocriticism and adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- From Lee to Auster and Wang: Postmodern indeterminacy and racial relations in Do the Right Thing and SMOKE -- Beyond Auster's short story: Do the Right Thing and SMOKE -- 5.Palimpsests and bricolage: Playful and serious citation in Broken Flowers and Snow White's offspring -- Palimpsest, play, and the myth of filiation in Broken Flowers: Clues, signs, and referential mania -- Snow White's offspring: The hyper-palimpsest -- 6.Conclusion -- works cited -- index --
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Address by Alan Finney MPEAQ convention, 1983 in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.14-15 More info |
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Ads blamed for rise in female gamblers in Sydney Morning Herald (11/12/2017) p.2 Call No: SUBJECT CLIPPINGS FILE; ADVERTISING. TV. AUSTRALIA Author: Toscano, Nick PhysDes: Clippings File Article Subject: ADVERTISING. TV. AUSTRALIA Summary: Australian gambling advertising prominently featuring women and promoting betting odds on popular TV shows like The Bachelorette could be changing female attitudes to betting, researchers say.
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ADVENTURES IN WILD CALIFORNIA : (US, Greg MacGillivray, 2000) More info |
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ADVENTURES OF ALGY, THE : (AT/NZ, Beaumont Smith, 1925) More info |
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[Adventures of Algy, The] More info |
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ADVENTURES OF AN AMERICAN RABBIT, THE : (US, Fred Wolfe & Nobutaka Nishiwaza, 1986) More info |
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ADVENTURES OF BARON MUNCHAUSEN, THE : (UK/GW, Terry Gilliam, 1989) More info |
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The Adventures of Barry McKenzie : Pommy View in Lumiere (December, 1972) iss.19 p.21-22 More info |
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The Adventures of Barry McKenzie : Yanky View in Lumiere (December, 1972) iss.19 p.21-22 More info |
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The adventures of Barry McKenzie [DVD] / a fillum by Bruce Beresford Northcote, Vic.: Umbrella Entertainment, 2007. Call No: D The adventures of Barry McKenzie Edition: 2 disc Chunderama edition Source: AT Place: Northcote, Vic. Publisher: Umbrella Entertainment PubDate: 2007 PhysDes: 2 videodiscs (DVD) (109 min.) : sd., col. ; 4 3/4 in. + film script ( : PDF file) Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: "In this fan-bloody-tastic classic, Australia's favourite wild colonial boy, Barry McKenzie, journeys to the old country accompanied by his Aunt Edna Everage to take a Captain Cook and further his cultural and intellectual education. Faster than a rat up a drainpipe, Bazza heads for Earl's Court to catch up with a bonzer bunch of ex-pat bastards - and from there rampages through London, cracking tubes, parking the tiger, pointing percy, flashing the nasty and handing out knuckle-sandwiches to the unsuspecting Poms - who wouldn't even know a tram was up 'em 'till the bell rang!
Barry Humphries, Barry Crocker, Spike Milligan and Peter Cook star in this ground breaking flick that captured Bazza's celebrated yawn in glorious technicolor and put the Oz fillum industry on the map! ..." --container.
Barry McKenzie: "Now listen mate, I need to splash the boots. You know, strain the potatoes. Water the horses. You know, go where the big knobs hang out. Shake hands with the wife's best friend? Drain the dragon? Siphon the python? Ring the rattlesnake? You know, unbutton the mutton? Like, point Percy at the porcelain?" Blanche: "I think he wants to go to the loo." --IMDb. Notes: "Oz Classic"
Classification: M. Consumer Advice: Moderate sexual references, Moderate coarse language, Crude humour. OFLC Australia.
Originally produced as a motion picture by Longford Productions for Columbia, 1972; adapted from the comic-strip in Private Eye. Contents: Disc 1 Dame Edna Introduction -- Feature film (109 min.) -- Theatrical trailer -- Original fillum script (*.pdf file) -- Umbrella trailers.
Disc 2 The adventures of Bazza in Chunderland (123 min.) -- Never-before-heard deleted scene (1 min.) -- Beresford/Humphries short films and television commercials Le Bain Vorace (1954) (11 min.) -- It droppeth as the gentle rain (1963) (7 min.) -- Film for Guitar (1965) (2 min.) -- King size woman (1965) (8 min.). Technical Details: PAL ; All regions Credits: Producer, Phillip Adams ; director, Bruce Beresford ; writers, Bruce Beresford, Barry Humphries. Standard Number: 3000000061824 Performer: Barry Crocker (Barry McKenzie), Barry Humphries (Aunt Edna Everage/Hoot/Dr DeLamphrey), Spike Milligan (Landlord), Peter Cook (Dominic), Paul Bertram (Curly), Dennis Price (Mr. Gort), Avice Landone (Mrs. Gort), Mary Ann Severne (Lesley), Jenny Tomasin (Sarah Gort), Dick Bentley (Detective), Julie Covington (Blanche), Judith Furse (Claude), Christopher Malcolm (Sean), Maria O'Brien (Caroline Thighs), Margo Lloyd (Mrs. McKenzie), Gough Whitlam (Himself/Prime Minister), Bruce Beresford (Man In Pub-uncredited). URL status: URL: 'https://www.kanopy.com/product/adventures-barry-mckenzie'
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[Adventures of Barry McKenzie : stills file] More info |
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ADVENTURES OF BARRY MCKENZIE, THE : (AT, Bruce Beresford, 1972) More info |
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ADVENTURES OF BUCKAROO BANZAI ACROSS THE 8TH DIMENSION : (US, W.D. Richter, 1984) More info |
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ADVENTURES OF ELMO IN GROUCHLAND, THE : (US, Gary Halvorson, 1999) More info |
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The adventures of Figaro Pho : the fear of becoming a vampire (fledermausvamphobia) / written by Nathan Jurevicius & Dan Fill AT: 2011. More info |
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The adventures of Figaro Pho : the fear of baldness (phalacrophobia) / written by Mark Shirrefs AT: [2011]. Call No: S ADV Author: Shirrefs, Mark Edition: final draft 21 July 2011 Place: AT PubDate: [2011] PhysDes: 11 leaves Subject: ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012) Notes: Unpublished script -- Donated by AFI -- Final draft 21 July 2011 -- Credit: prodcution company, Chocolate Liberation Front.
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ADVENTURES OF FORD FAIRLANE : (US, Renny Harlin, 1990) More info |
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ADVENTURES OF GERARD, THE : (UK/IT/SZ, Jerzy Skolimowski, 1970) More info |
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ADVENTURES OF HUCK FINN, THE : (US, Stephen Sommers, 1993) More info |
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ADVENTURES OF LANO AND WOODLEY, THE [TV] : (AT. 1997-1999) More info |
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ADVENTURES OF PINOCCHIO, THE : (UK/FR/GG, Steve Barron, 1996) More info |
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ADVENTURES OF PLUTO NASH, THE : (US, Ron Underwood, 2002) More info |
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ADVENTURES OF POWER : (US, Ari Gold, 2008) More info |
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The Adventures of Priscilla in Empire (Australian Ed.) (December 2006) iss.69 p.122 More info |
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The adventures of Priscilla queen of the desert / Stephan Elliott Sydney: Currency Press, 1994. More info |
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The adventures of priscilla, queen of the desert / Philip Brophy Sydney: Currency Press, Australian Film Commission, National Film & Sound Archive, 2008. Call No: 79ADV BRO Author: Brophy, Philip Place: Sydney Publisher: Currency Press; Australian Film Commission; National Film & Sound Archive PubDate: 2008 PhysDes: viii], 88 p. : ill. ; 19 cm. Series: Australian Screen Classics Subject: ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) Summary: Monograph about the movie: The adventures of Priscilla, queen of the desert, about three transvestites heading across the desert in a blue bus. Notes: Includes bibliographical references (p. 83-85); The Australian Screen Classics series is edited by Jane Mills ISBN: 9780868198217 ISSN: 1447557X
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ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE : (AT, Stephan Elliott, 1994) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings; Posters; Press kit; Stills; Publicity Subject: ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) Notes: Stills in closed access (poster storage). Please see staff. URL status: URL: 'http://file://Q:/T/ADVENTURES_OF_PRISCILLA.zip'
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[Adventures of Priscilla, Queen of the desert, The : stills file] / Lockwood, Elise Roadshow Film Distributors, More info |
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The adventures of Robin Hood London: Ward Lock, 1930s?. More info |
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The Adventures of Robin Hood (1938) in NFT (December 1973/January 1974) p.4 More info |
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ADVENTURES OF ROBIN HOOD, THE : (US, Michael Curtiz & William Keighley, 1938) More info |
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ADVENTURES OF ROCKY AND BULLWINKLE, THE : (US, Des McAnuff, 2000) More info |
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ADVENTURES OF ROCKY AND BULLWINKLE, THE [TV] : (US, ?) More info |
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The Adventures of Rusty (1945) in Australian film guide vol.1 iss.12 p.39 More info |
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The Adventures of Ruth (1919) in Australian film guide vol.1 iss.12 p.40 Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: Article Subject: ROLAND, RUTH; ADVENTURES OF RUTH, THE (US, George Marshall, 1919) Summary: Article discusses Ruth Roland and her serial production "The Adventures of Ruth", which fallaciously advertised as being also written and directed by Roland. Article also provides the following listing of chapter titles: 1. The Wrong Countess; 2. The Celestial Maiden; 3. The Bewitching Spy; 4. The Stolen Picture; 5. The Bank Robbery; 6. The Border Fury; 7. The Substitute Messenger; 8. The Harem Model; 9. The Cellar Gangsters; 10. The Forged Check; 11. The Trap; 12. The Vault of Terror; 13. Within Hollow Walls; 14. The Fighting Chance; 15. The Key to Victory Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer)
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ADVENTURES OF SAM, THE : (AT, Noel Price, 1999) More info |
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ADVENTURES OF SEBASTIAN COLE, THE : (US, Tod Williams, 1998) More info |
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ADVENTURES OF SHARKBOY AND LAVAGIRL IN 3D : (US, Robert Rodriguez, 2005) More info |
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ADVENTURES OF SHERLOCK HOLMES' SMARTER BROTHER, THE : (US, Gene Wilder, 1975) More info |
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ADVENTURES OF SKIPPY, THE : [TV] (AT, 1992) More info |
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[Adventures of Skippy, the : stills file] More info |
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The Adventures of Smilin' Jack (1943) in Australian film guide vol.1 iss.12 p.41 Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: Article Subject: ADVENTURES OF SMILIN' JACK, THE (US, Lewis D. Collins & Ray Taylor, 1943) Summary: Article notes the 13 chapter titles of the Universal serial "The Adventures of Smilin' Jack": 1. The High Road to Doom; 2. The Rising Sun Strikes; 3. Attacked by Bombers; 4. Knives of Vengeance; 5. A Watery Grave; 6. Escape by Clipper; 7. Fifteen Fathoms Below; 8. Treachery at Sea; 9.The Bridge of Peril!; 10. Blackout in the Islands; 11. Held for Treason; 12. The Torture Fire Test; 13. Sinking the Rising Sun Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer)
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ADVENTURES OF SUPERMAN [TV] More info |
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The Adventures of Tartu (1943) in Australian film guide vol.1 iss.12 p.41 More info |
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The Adventures of Tarzan (1921) in Australian film guide vol.1 iss.12 p.41 Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: Article Subject: ADVENTURES OF TARZAN, THE (US, Robert F. Hill & Scott Sidney, 1921) Summary: Article reviews the fifteen chapter serial "The Adventures of Tarzan" and also provides the following listing of chapter titles: 1. Jungle Romance; 2. The City of Gold; 3. The Sun Death; 4. Stalking Death; 5. Flames of Hate; 6. The Ivory Tomb; 7. The Jungle Trap; 8. The Tornado; 9. Fangs of the Lion; 10. The Simoon; 11. The Hidden Foe; 12. Dynamite Trail; 13. The Jungle's Fury; 14. Flaming Arrows; 15.The Last Adventure Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer)
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ADVENTURES OF THE BUSH PATROL, THE : (AT, Ron Elliot, 1996) More info |
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Adventures of the Flying Cadets (1943) in Australian film guide vol.1 iss.12 p.41 Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: Article Subject: ADVENTURES OF THE FLYING CADETS (US, Lewis D. Collins & Ray Taylor, 1943) Summary: Article notes the 13 chapter titles of the Universal serial "Adventures of the Flying Cadets": 1. The Black Hangman Strikes; 2. Menaced by Murderers; 3. Into the Flames!; 4. The Door to Death; 5. Crashed in a Carter; 6. Rendezvous with Doom; 7. Gestapo Execution; 8. Masters of Treachery; 9. Wings of Destruction; 10. Caught in the Caves of An-Kar-Ban; 11. Hostages for Treason; 12. The Black Hangman Strikes Again; 13. The Toll of Treason! Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer)
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ADVENTURES OF THE WILDERNESS FAMILY : (US, Stewart Raffil, 1976) More info |
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ADVENTURES OF TINTIN, THE : (US/NZ, Steven Spielberg, 2011) More info |
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The Adventures of Tom Sawyer (1917) in Australian film guide vol.1 iss.12 p.41 More info |
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The Adventures of Tom Sawyer (1938) in Australian film guide vol.1 iss.12 p.42 More info |
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ADVENTURES OF X, THE : (UK, Michael Newman & Andrew Fisher, 1967) More info |
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ADVENTURES ON KYTHERA [TV] : (AT, 1991 - 1992) More info |
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The Adventurous Blonde (1937) in Australian film guide vol.1 iss.12 p.43 More info |
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The Adventurous Sex (1925) in Australian film guide vol.1 iss.12 p.43 More info |
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ADVERSAIRE, L' [ADVERSARY, THE] : (FR, Nicole Garcia, 2002) More info |
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ADVERTISING Digital clippings file available Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: ADVERTISING URL status: URL: 'http://file://Q:/S/ADVERTISING.zip'
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Advertising as content in Encore (June 2007) vol.25 iss.06 p.20-22 Author: Prisk, Tracey PhysDes: Article Subject: ADVERTISING Summary: Branded entertainment is a phrase being used about the advertising industry. Unlike product placement, branded entertainment creates a production around a particular brand . MARKETING MYTHS is an SBS TV production example,
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ADVERTISING. AUSTRALIA More info |
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ADVERTISING. CHILDREN Digital clippings file available Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: ADVERTISING. CHILDREN URL status: URL: 'http://file://Q:/S/ADVERTISING.CHILDREN.zip'
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Advertising expenditure in Australia (1959) / George Patterson Pty. Ltd., Melbourne Melbourne: George Patterson Pty. Ltd, 1960. Call No: 411.236(94) GEO Author: George Patterson Pty. Ltd Source: AT Place: Melbourne Publisher: George Patterson Pty. Ltd PubDate: 1960 PhysDes: 15 pages ; 26 cm Subject: ADVERTISING. AUSTRALIA; ADVERTISING. TV. AUSTRALIA Summary: Report by the George Patterson advertising company outlining the estimated expenditure on advertising throughout Australia for 1959. Report is broken up by television, radio, and print expenditures, with an estimated 10 million pounds being spent on television overall
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ADVERTISING FILMS More info |
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ADVERTISING FOR FILMS More info |
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ADVERTISING FOR FILMS. AUSTRALIA More info |
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ADVERTISING IN CINEMAS More info |
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ADVERTISING MISSIONARIES : (AT, Chris Hilton & Gauthier Flauder, 1996) More info |
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ADVERTISING STANDARDS More info |
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ADVERTISING STANDARDS. AUSTRALIA More info |
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Advertising time on television : a review of the Advertising Time Standards / Australian Broadcasting Tribunal Canberra: Australian Government Publishing Service, 1987. Call No: 411.236(94) AUS Copy Management: 10/10/2012 Author: Armstrong, Mark -- James Bailey, Julie -- Perry, Russel Source: AT Place: Canberra Publisher: Australian Government Publishing Service PubDate: 1987 PhysDes: 199 pages in various pagings : illustrations ; 25 cm Subject: ADVERTISING STANDARDS. AUSTRALIA; ADVERTISING. TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA Summary: A review on the rules governing advertising on Australian commercial television Contents: Contents -- Abbreviations -- Summary -- 1. Introduction -- 2. Decision and reasons : A. Public interest objectives -- B. Problems of the current rules -- C. Audience needs and research -- D. Options for reform -- E. Conclusions -- F. The future -- 3. The need for review -- 4. Viewpoints -- 5. The audience and the market -- 6. The commercial environment -- Appendices
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ADVERTISING. TV More info |
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ADVERTISING. TV. AUSTRALIA More info |
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Advice and consent in Sydney University Film Group Bulletin (Aug. 1971) vol.` iss.55 p.23-25 More info |
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ADVICE TO MY 12 YEAR OLD SELF [TV] : (AT, 2017 - ) More info |
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Advice To The Lovelorn (1933) in Australian film guide vol.1 iss.12 p.43 More info |
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Advise and Consent in Movie (1962) iss.2 p.26-27 More info |
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ADVISE AND CONSENT : (US, Otto Preminger, 1962) More info |
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Advise and Consent (1962) in Australian film guide vol.1 iss.12 p.43 More info |
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ADVOCAAT VAN DE HANEN : (NE, Gerrit van Elst, 1996) More info |
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ADWA: AN AFRICAN VICTORY : (ET/US/IT, Haile Gerima, 1999) More info |
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AE FOND KISS : (UK, Ken Loach, 2004) More info |
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AELITA : (UR, Yakov Protazanov, 1924) More info |
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Aelita (1924) in Australian film guide vol.1 iss.12 p.43 More info |
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AEON FLUX : (US, Karyn Kusama, 2005) More info |
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Un Aereo per Baalbeck (1963) in Australian film guide vol.1 iss.12 p.44 Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: Article Subject: AEREO PER BAALBECK, UN (IT/FR/LE, Marcello Giannini, 1964); FBI OPERAZIONE BAALBECK (IT/FR/LE, Marcello Giannini, 1964); LAST PLANE TO BAALBEK (IT/FR/LE, Marcello Giannini, 1964) Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - Although the article refers to the film as "Un Aereo per Baalbeck" that was the working title only, with the film more commonly known as "F.B.I. Operazione Baalbeck". - "Last Plane to Baalbek" (English title)
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AERIAL GUNNER : (US, William H. Pine, 1943) More info |
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Aerograd (1935) in Australian film guide vol.1 iss.12 p.44 More info |
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AEROPLANE DANCE : (AT, Trevor Graham, 1994) More info |
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[Aeroplane dance : stills file] / Graham, Trevor Call No: TITLE STILLS AUSTRALIA Source: AT PhysDes: 2 photographs : b&w ; 13 x 18 cm : 1 photograph : b&w ; 13 x 9 cm : 1 negative Subject: AEROPLANE DANCE (AT, Trevor Graham, 1994) Summary: Still of the Director, Aboriginal boy and elder, and disheveled man Notes: 2 duplicates of Aboriginal boy and elder still
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AESTHETICS Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: AESTHETICS
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Aesthetics and neo-romanticism in film : landscapes in contemporary British cinema London, UK ; New York, NY.: I.B. Tauris & Co Ltd, 2014. Call No: 633.3 (41) Author: Hockenhull, Stella Source: UK Place: London, UK ; New York, NY. Publisher: I.B. Tauris & Co Ltd PubDate: 2014 PhysDes: ix, 236 p. : ill. ; 22 cm. Subject: BRITISH CINEMA; AESTHETICS; LANDSCAPES IN FILMS; REALISM IN FILMS; ART AND THE CINEMA; EMOTION IN FILMS; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002); LADIES IN LAVENDER (UK, Charles Dance, 2004); MISS POTTER (UK/US, Chris Noonan, 2006); LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006); WAR ZONE, THE (UK, Tim Roth, 1999); RATCATCHER (UK, Lynne Ramsey, 1999); CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); LAST RESORT, THE (UK, Pawel Pawlikowski, 2000); MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004); QUEEN, THE (UK/IT/FR, Stephen Frears, 2006) Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURB Notes: Includes bibliographical references and index. ISBN: 9781848859012 Donation: donated by Senses of Cinema, 2014
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The aesthetics and psychology of the cinema / Jean Mitry ; translated by Christopher King Bloomington and Indianapolis, Indiana: Indiana University Press, 1997. Call No: 611 MIT Author: Mitry, Jean Source: US Place: Bloomington and Indianapolis, Indiana Publisher: Indiana University Press PubDate: 1997 PhysDes: xv, 403 pages ; 27 cm Series: The Society for Cinema Studies translation series Subject: BAZIN, ANDRE; PSYCHOLOGICAL EFFECTS OF FILMS; AESTHETICS; THEATRE AND THE CINEMA Summary: "The Aesthetics and Psychology of the Cinema supplies the missing link between classical film theorists like Balacz and Munsterberg and the film semioticians like Metz. Mitry is the apotheosis and grand summation of the psychological and formalist views of film. This one-volume condensation of the classic Esthetique et psychologie du cinema concentrates purely on film matter." -- taken from the National Library of Australia Catalogue Record Notes: "Translated from the abridged edition ... (1990)"--T.p. verso. -- Includes bibliographical references (pages 381-387) and index. ISBN: 0253333024 Contents: pt. 1: Preliminaries -- Cinema and creation -- Cinema and language -- Word and image -- pt. 2: The film image -- The image itself -- Structures of the image -- pt. 3: Rhythm and montage -- The beginnings of montage -- Cinematic rhythm -- The psychology of montage -- pt. 4: Rhythm and moving shots -- The liberated camera and depth-of-field -- Speech and sound -- pt. 5: Time and space of the drama -- In search of a dramatic structure -- Content and form.
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Aesthetics of film / Jacques Aumont ... [et al.] ; translated and revised by Richard Neupert Austin: University of Texas Press, 1992. More info |
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AFARIT EL-ASFALT : (UA, Oussama Fawzi, 1996) More info |
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AFERIM : (RM/BU/CZ/FR, Radu Jude, 2015) Digital clippings file available More info |
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Affair in Havana (1957) in Australian film guide vol.1 iss.12 p.45 More info |
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Affair in Reno (1957) in Australian film guide vol.1 iss.12 p.45 More info |
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Affair In Trinidad (1952) in Australian film guide vol.1 iss.12 p.45 More info |
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The Affair of Susan (1935) in Australian film guide vol.1 iss.12 p.46 More info |
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An Affair Of The Follies (1927) in Australian film guide vol.1 iss.12 p.46 More info |
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AFFAIR OF THE NECKLACE, THE : (US, Charles Shyer, 2001) More info |
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An Affair of the Skin (1963) in Australian film guide vol.1 iss.12 p.46 More info |
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AFFAIR, THE [TV] : (US, 2014) More info |
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AFFAIR TO REMEMBER, AN : (US, Leo McCarey, 1957) More info |
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Affair with a Stranger (1953) in Australian film guide vol.1 iss.12 p.49 More info |
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Affaire Blum (1948) in Australian film guide vol.1 iss.12 p.44 More info |
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L'Affaire d'une Nuit (1960) in Australian film guide vol.1 iss.12 p.44 More info |
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AFFAIRE DE FEMMES, UNE : (FR, Claude Chabrol, 1988) More info |
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AFFAIRE DE GOUT, UNE : (FR, Bernard Rapp, 2001) More info |
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AFFAIRE DREYFUS, L` : (FR, George Melies, 1899) More info |
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AFFAIRE DREYFUS, L' [TV] : (FR/GG, Yves Boisset, 1995) More info |
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L'Affaire est Dans le Sac (1932) in Australian film guide vol.1 iss.12 p.44 More info |
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L'Affaire Lafarge (1938) in Australian film guide vol.1 iss.12 p.44 More info |
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L'Affaire Maurizius (1954) in Australian film guide vol.1 iss.12 p.44 More info |
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L'Affaire Nina B. (1961) in Australian film guide vol.1 iss.12 p.45 Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: Article Subject: AFFAIRE NINA B., L' (FR/GW, Robert Siodmak, 1961); AFFÄRE NINA B. (FR/GW, Robert Siodmak, 1961); NINA B. AFFAIR, THE (FR/GW, Robert Siodmak, 1961) Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). - "L'Affaire Nina B." is also known as "Affäre Nina B." (West German title) and "The Nina B. Affair" (English title)
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Affairs of a Gentleman (1934) in Australian film guide vol.1 iss.12 p.46 More info |
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The Affairs of Anatol (1921) in Australian film guide vol.1 iss.12 p.46 More info |
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The Affairs of Annabel (1938) in Australian film guide vol.1 iss.12 p.46 More info |
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Affairs of Cappy Ricks (1937) in Australian film guide vol.1 iss.12 p.47 More info |
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The Affairs of Cellini (1934) in Australian film guide vol.1 iss.12 p.47 More info |
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The Affairs of Dobie Gillis (1953) in Australian film guide vol.1 iss.12 p.47 More info |
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The Affairs of Geraldine (1946) in Australian film guide vol.1 iss.12 p.47 More info |
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The Affairs of Martha (1942) in Australian film guide vol.1 iss.12 p.47 More info |
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The Affairs of Maupassant (1938) in Australian film guide vol.1 iss.12 p.47 More info |
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AFFAIRS OF SUSAN, THE : (US, William A. Seiter, 1945) More info |
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L'Affare Beckett (1966) in Australian film guide vol.1 iss.12 p.49 Author: Reid, John Howard [editor, annotator & reviewer] PhysDes: Article Subject: AFFARE BECKETT, L' (IT/FR, Osvaldo Civirani, 1966); JUNGLE DES TUEURS FRANCE, LA (IT/FR, Osvaldo Civirani, 1966); BECKETT AFFAIR, THE (IT/FR, Osvaldo Civirani, 1966) Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). "L'Affare Beckett" is also known as "La Jungle des Tueurs France" (French title) and as "The Beckett Affair" (English title)
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Affectionately Yours (1941) in Australian film guide vol.1 iss.12 More info |
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AFFENGEIL : (GW, Rosa von Praunheim, 1990) More info |
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L'Affiche (1924) in Australian film guide vol.1 iss.12 p.49 More info |
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Affinity Enterprises joins AFM Association in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5 More info |
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AFFLECK, BEN Digital clippings file available Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: AFFLECK, BEN
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AFFLECK, CASEY Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AFFLECK, CASEY
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Affleck overload in Herald Sun [Hit] (3/03/2016) p.29 Call No: PERSONALITY CLIPPINGS FILE; AFFLECK, CASEY Author: Johnson, Neala PhysDes: Clippings File Article Subject: AFFLECK, CASEY Summary: Neala Johnson interviews Casey Affleck about his role in Triple 9.
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AFFLICTION : (US, Paul Schrader, 1997) More info |
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AFGHAN STAR : (UK/AF, Havana Marking, 2009) More info |
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AFGHANISTAN Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: AFGHANISTAN
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AFGHANISTAN : INSIDE AUSTRALIA'S WAR : (AT, Victoria Midwinter - Pitt, 2016) More info |
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AFIF, RODNEY Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AFIF, RODNEY
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AFL INSIDER : (AT, 2010-) More info |
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AFM selects Hollywood Palace for opening night in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2 More info |
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AFMA reveals sharp increase in new films for 1983 in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1 More info |
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AFP: AUSTRALIAN FEDERAL POLICE : (AT, 2011) More info |
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AFRAID OF THE DARK : (UK/FR, Mark Peploe, 1991) More info |
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AFRAID TO DANCE : (AT, Denny Lawrence, 1988) More info |
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[Afraid to dance : stills file] Seddell Pty Ltd, More info |
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AFRICA Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: AFRICA
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Africa at the pictures / [edited by Keith Shiri] London: National Film Theatre, 1993. More info |
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AFRICA'S ELEPHANT KINGDOM : (AT, Michael Caulfield, 1998) More info |
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AFRICA: THE SERENGETI : (US, George Cassey, 1994) More info |
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AFRICAN ADVENTURE 3D: SAFARI IN THE OKAVANGO : (BE, Ben Stassen, 2007) More info |
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AFRICAN CALLLED CINEMA, AN : (CM, Jean-Pierre Bekolo, 1996) More info |
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African camera : an introduction to African cinema / Australian Film Institute Sydney: Australian Film Institute, Call No: 71 (6) AFR Author: Australian Film Institute Place: Sydney Publisher: Australian Film Institute PhysDes: 32 unnumbered pages : illustrations ; 21 cm Subject: VISAGES DE FEMMES (IV, Desire Ecare, 1985); FINYE (ML, Souleymane Cisse, 1982); NYMANTON (ML, Cheik Omar Sissoko, 1986); HARVEST: 3000 YEARS (ET, Haile Gerima, 1976); AFRICAN CAMERA (TI, Ferid Boughedir, 1983); WEST INDIES STORY (MU, Med Hondo, 1979); VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987); TOUKI BOUKI (SG, Djibril Diop Mambety, 1973); KADDU BEYKAT (SG, Safi Faye, 1975); BOPHA (US/SA, Daniel Riesenfeld, 1986); SONG OF THE SPEAR (UK, 1985); ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985); MANDELA (US, Peter Davis, 1986); CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987); SAMBIZANGA (AL, Sarah Maldoror, 1972); MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968); AFRICA; AFRICA IN FILMS; SOUTH AFRICA; SOUTH AFRICA IN FILMS Notes: Title from cover.
"This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2.
Includes bibliographical references (page 31)
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African cinema : politics & culture / Manthia Diawara Bloomington: Indiana University Press, 1992. More info |
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AFRICAN COUNTRIES More info |
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African film and literature : adapting violence to the screen / Lindiwe Dovey New York: Columbia University Press, 2009. Call No: 730.5.0(6) DOV Author: Dovey, Lindiwe Source: US Place: New York Publisher: Columbia University Press PubDate: 2009 PhysDes: xviii, 334 p. : ill. Series: Film and culture Subject: AFRICA IN FILMS; AFRICAN COUNTRIES; SOUTH AFRICA; SOUTH AFRICA IN FILMS; VIOLENCE IN FILMS; FOOLS (FR/SA/MZ/RH, Ramadan Suleman, 1996); TSOTSI (UK/SA, Gavin Hood, 2005); WALK IN THE NIGHT, A (SA, Mickey Madoda Dube, 1998); CRY THE BELOVED COUNTRY (US, Darrell Roodt, 1995); KARMEN GEÏ (SG/FR, Joseph Gaï Ramaka, 2001); GENESE, LA (ML/FR, Cheick Oumar Sissoko, 1999) Summary: "Analysing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey idenitifies a specific trend in contemporary African filmmaking - one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence." - TAKEN FROM BACK COVER ISBN: 9780231147552 Donation: donated by Senses of Cinema, 2012 Contents: Cinema and violence in South Africa -- Fools and victims : adapting rationalized rape into feminist film -- Redeeming features : screening HIV/AIDS, screening out rape in Gavin Hood's Tsotsi -- From black and white to "coloured" : racial identity in 1950s and 1990s South Africa in two versions of A walk in the night -- Audio-visualizing "invisible" violence : remaking and reinventing Cry, the beloved country -- Cinema and violence in francophone West Africa -- Losing the plot, restoring the lost chapter : Aristotle in Cameroon -- African incar(me)nation : Joseph Gai¨ Ramaka's Karmen gei¨ -- Humanizing the Old Testament's origins, historicizing genocide's origins : Cheick Oumar Sissoko's La gene`se
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AFRICAN ODYSSEY : [TV] (US, 1988) More info |
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The African Queen Harmondsworth: Penguin Books, 1935. More info |
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AFRICAN QUEEN, THE : (US, John Huston, 1952) More info |
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AFRICAN VIOLET : (SA, Koto Bolofo, 1998) More info |
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AFRICANS, THE : [TV] ( AT, Tony Wheeler, 1979) More info |
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AFRIKA - CAPE TOWN TO CAIRO : [TV] (AT, Michael Davie, 1998) More info |
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AFSTAND, DE : (NE, Jean van de Velde, 1981) More info |
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AFTER : (US, Jenny Gage, 2019) More info |
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AFTER DARK, MY SWEET : (US, James Foley, 1990) More info |
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AFTER EARTH : US, M. Night Shyamalan, 2013 More info |
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AFTER EVERYTHING : (US, Hannah Marks/Joey Power, 2018) More info |
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AFTER HOURS : (AT, Jane Campion, 1984) More info |
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AFTER HOURS : (US, Martin Scorsese, 1985) More info |
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AFTER LIFE : (JA, Hirokazu Kore-eda, 1998) More info |
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AFTER LIFE [TV] : (UK, 2019-) Digital clippings file available More info |
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AFTER MABO : (AT, Richard Frankland, 1997) More info |
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AFTER MAEVE [TV] : (AT, Jan Cattoni, 2006) More info |
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AFTER OFFICE HOURS : (US, Robert Z. Leonard, 1935) More info |
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AFTER PARKLAND : (US, Jake Lefferman/Emily Taguchi, 2019) More info |
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AFTER PARTY, THE : (US, Ian Edelman, 2018) Digital clippings file available More info |
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[After Proust : stills file] / Jane Marston Galadriel Films, Call No: TITLE STILLS AUSTRALIA Source: AT Publisher: Galadriel Films PhysDes: 2 photographs : b&w ; 19 x 24 cm Subject: AFTER PROUST (AT, Christopher McGill, 1969) Summary: 2 photographs of scenes from the 1969 film After Proust
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AFTER SPRING : (US, Steph Ching / Ellen Martinez, 2016) More info |
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AFTER THE APOLOGY : (AT, Larissa Behrendt, 2017) More info |
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AFTER THE BEEP : [TV] (AT, 1995) More info |
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After The Deluge in Empire (Australian Ed.) (February 2004) iss.35 p.103 More info |
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After the deluge. Episode four : script, draft June 2001 / witten by Andrew Knight ; story edited by Deb Cox AT: 2001, Jun. 20. More info |
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After the deluge. Episode one : script, draft June 2001 / written by Andrew Knight ; story edited by Deb Cox AT: 2001 Jun. 20. More info |
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After the deluge. Episode three : script, draft June 2001 / written by Andrew Knight ; story edited by Deb Cox AT: 2001 Jun. 20. More info |
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After the deluge. Episode two : script, draft June 2001 / written by Andrew Knight ; story edited by Deb Cox AT: 2001 Jun. 20. More info |
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AFTER THE DELUGE [TV] : (AT, Brendan Maher, 2003) More info |
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After the Fall (1969) in Interview (1969) vol.1 iss.4 p.25 More info |
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AFTER THE RAIN : (AT, Jerome Ehlers, 2000) More info |
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AFTER THE SUNSET : (US, Brett Ratner, 2004) More info |
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AFTER THE WAR : [TV] (UK, 1989) More info |
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AFTER THE WEDDING : (US, Bart Freundlich, 2019) More info |
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AFTER WE COLLIDED : (US, Roger Kumble, 2020) Digital clippings file available More info |
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AFTER YANG : (US, Kogonada, 2021) Digital clippings file available More info |
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AFTERGLOW : (US, Alan Rudolph, 1997) More info |
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AFTERGLOW : (AT, Nadine Garner, 2011) More info |
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AFTERMATH, THE : (UK/US, James Kent, 2018) Digital clippings file available More info |
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AFTERNOON DELIGHT : (US, Jill Soloway, 2013) More info |
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Aftershocks in Australian screen education (Autumn 2000) iss.22 p.21-28 More info |
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AFTERSHOCKS [TV] : (AT, Geoff Burton, 1998) More info |
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AFTERSUN : (UK/US, Charlotte Wells, 2022) Digital clippings file available More info |
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AFTERTASTE [TV] : (AT, 2020) Digital clippings file available More info |
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AFTERTHOUGHT : (US, Douglas Elford-Argent, 2007) Digital clippings file available More info |
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AFTI I NIKHTA MENE : (GR/CY, Nicos Panayotopoulos, 2001) More info |
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AGA NI IKIRU : (JA, Satoh Makoto, 1993) More info |
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AGADA : (KO, Kim Hyon-Myong, 1985) More info |
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AGAINST ALL ODDS : (US, Taylor Hackford, 1984) More info |
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AGAINST THE GRAIN : (AT, Tim Burns, 1980) More info |
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[Against the grain : stills file] Call No: TITLE STILLS AUSTRALIA Source: AT PhysDes: 2 photographs : b&w ; 26 x 21 cm + 1 postcard : b&w ; 11 x 15 cm Subject: AGAINST THE GRAIN (AT, Tim Burns, 1980) Summary: Photographs relating to the film 'Against the grain' Notes: One photograph donated by Tom Ryan
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AGAINST THE INNOCENT : (AT, Daryl Dellora, 1989) More info |
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[Against the innocent : stills file] / Molinski, Janusz More info |
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AGAINST THE ROPES : (US, Charles Dutton, 2004) More info |
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AGAINST THE TIDE : (US, Will Berliner, 1997) More info |
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AGAINST THE WALL : (US, John Frankenheimer, 1993) More info |
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Against the wind / [by] Bronwyn Binns [and] Ian Jones Richmond, Vic.: Heinemann Educational Australia, 1978. More info |
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Against the wind : a Pegasus production in association with the Seven Network / compiled by Brian Courtis, Graham White and Ian Marshall South Melbourne, Vic.: HSV7, c1978. More info |
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Against the wind : episode 11 - the spirit of enterprise [1978]. More info |
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Against the wind : episode 9 - 'the farmer's friend' [1978]. More info |
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Against the wind / Richard Butler Sydney: Transworld Publishers, 1978. More info |
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Against the wind : the book of the film / by Arnold Meredith London: World Film Publications, 1948. More info |
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AGAINST THE WIND [TV] : (AT, George T. Miller/Simon Wincer, 1978) More info |
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AGANTUK : (II, Satyajit Ray, 1991) More info |
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AGAR, JOHN Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AGAR, JOHN
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AGATA E LA TEMPESTA : (IT, Silvio Soldini, 2004) More info |
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AGATHA : (UK, Michael Apted, 1979) More info |
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AGATHA CHRISTIE'S MISS MARPLE [TV] : (UK, 2005-) More info |
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AGATHA RAISIN [TV] : (UK, 2014) More info |
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AGBAYANI, TETCHIE Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: AGBAYANI, TETCHIE
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AGE BEFORE BEAUTY : (AT, Sarah Gibson, 1980) More info |
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L'Age d'or / Paul Hammond London: British Film Institute, 1997. More info |
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L'age d'or : and Un chien andalou / films by Luis Bunuel. Translated from the French by Marianne Alexandre New York: Simon and Schuster, [c1968]. Call No: 792 BUN Author: Bunuel, Luis, 1900-1983; Dali, Salvador, 1904-1989, joint author; Bunuel, Luis, 1900-1983. Chien andalou. English Place: New York Publisher: Simon and Schuster PubDate: [c1968] PhysDes: 120 p. illus. 21 cm Subject: AGE D'OR, L' (FR, Luis Bunuel, 1930); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Notes: Scripts by L. Bunuel and S. Dali; "Filmography": p. 117-120 LON: 1880 1880
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AGE D`OR, L` : (FR, Luis Bunuel, 1930) More info |
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AGE DES POSSIBLES, 'L : (FR, Pascale Ferran, 1996) More info |
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The Age for Love in Films in review (April 1979) vol.30 iss.4 p.208 PhysDes: Article Subject: AGE FOR LOVE, THE (US, Frank Lloyd, 1931) Summary: Less than fifty words detailing "The Age for Love" credits. It does note that the film was based on the Ernest Pascal novel of the same name.
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Online resource  digital clippings file |
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AGE OF ADALINE, THE : (US, Lee Toland Krieger, 2015) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: AGE OF ADALINE, THE (US, Lee Toland Krieger, 2015) URL status: URL: 'http://file://Q:/T/AGE_OF_ADALINE,_THE.zip'
Checked: 31/08/2021 1:31:32 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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 newspaper article |
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The age of asine: only Blake's remotely lively in Sunday Telegraph [Insider] (19/04/2015) p.118 More info |
 title clippings file |
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AGE OF CHANGE, THE : (AT, Ivan Gaal, 1983) More info |
 title clippings file |
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AGE OF CONSENT : (AT, Michael Powell, 1969) More info |
 book |
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Age of consent / Norman Lindsay Sydney: Humorbooks, 1968. More info |
 still |
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[Age of consent : stills file] More info |
 title clippings file |
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AGE OF INNOCENCE, THE : (US, Martin Scorsese, 1993) More info |
 title clippings file |
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AGE OF LOVE [TV] : (US, 2007) More info |
 title clippings file |
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AGE OF SHADOWS, THE : (KO, Kim Jee-woon, 2016) More info |
 title clippings file |
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AGE OF STUPID, THE : (UK, Franny Armstrong, 2009) More info |
Online resource  digital clippings file |
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AGED AND THE CINEMA Digital clippings file available Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: AGED AND THE CINEMA URL status: URL: 'http://file://Q:/S/AGED_AND_THE_CINEMA.zip'
Checked: 31/08/2021 1:39:55 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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 subject clippings file |
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AGED AND TV Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: AGED AND TV
More info |
 subject clippings file |
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AGED IN FILMS Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: AGED IN FILMS
More info |
 title clippings file |
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AGEE : (US, Ross Spears, 1979) More info |
 personality clippings file |
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AGEE, JAMES Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AGEE, JAMES
More info |
 book |
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Agee on film volume 2 : five film scripts by James Agee / by James Agee ; foreword by John Huston London: P. Owen, 1965. More info |
 title clippings file |
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AGEING IN THE NEW AGE : (AT, James Ricketson & Stephen Ramsay & Cynthia Connop & Sonia Hoffman, 1983) More info |
 subject clippings file |
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AGEISM AND THE CINEMA More info |
 newspaper article |
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Agencies cool to new contract push in The Australian (31/10/2016) p.23 More info |
 title clippings file |
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AGENCY : (CN/US, George Kaczender, 1980) More info |
 journal article |
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Agency Takes A Ride : On A Cow in Lumiere (July 1970) vol.1 iss.2 p.9-11 Author: Hughes, Sam PhysDes: Article Subject: ADVERTISING. AUSTRALIA Summary: Article on the concept and creation of creating an advertisement campaign by advertisment agency Handbury.
More info |
 title clippings file |
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AGENT CODY BANKS : (US, Harald Zwart, 2003) More info |
 title clippings file |
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AGENT CODY BANKS 2: DESTINATION LONDON : (US, Kevin Allen, 2004) More info |
 subject clippings file |
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AGENTS Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: AGENTS
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 title clippings file |
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AGGET AR LOST! EN HARDKOKT SAGA : (SW, Hans Alfredson, 1975) More info |
 title clippings file |
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AGIT : (TU, Yilmaz Guney, 1972) More info |
 title clippings file |
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AGNES BROWN : (US, Anjelica Huston, 1999) More info |
 title clippings file |
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AGNES ET DES DEMONS, DES : (BE, Maurice Rabinowicz, 1979) More info |
 title clippings file |
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AGNES OF GOD : (US, Norman Jewison, 1985) More info |
 book |
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Agnes of God / John Pielmeier & Leonore Fleischer [Seven oaks]: Coronet, 1986. More info |
 title clippings file |
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AGNES UND SEINE BRUDER : (G, Oskar Roehler, 2004) More info |
 personality clippings file |
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AGOLLEY, FAUSTINA More info |
 title clippings file |
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AGONIA : (UR, Elem Klimov, 1981[prod c. 1975]) More info |
 poster |
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[Agonia : poster] More info |
Online resource  script |
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Agony : episode 4 - flirting / post production script by Reezy Miller Script Services 2015. Digital clippings file available More info |
Online resource  script |
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Agony : episode 5 - the agony of school / post production script by Reezy Miller Script Services 2015. Digital clippings file available More info |
 title clippings file |
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AGONY AND THE ECSTASY, THE : (US/IT, Carol Reed, 1965) More info |
 script |
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Agony aunts : episode 1. Narration / written by Adam Zwar AT: c2010. Call No: S AGO Author: Zwar, Adam Place: AT PubDate: c2010 PhysDes: 6 leaves Subject: AGONY AUNTS [TV] Notes: Unpublished script -- Credit: production company, High Wire Films Pty Ltd.
More info |
 script |
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Agony aunts : episode 2. Narration / written by Adam Zwar AT: c2010. Call No: S AGO Author: Zwar, Adam Place: AT PubDate: c2010 PhysDes: 6 leaves Subject: AGONY AUNTS [TV] Notes: Unpublished script -- Credit: production company, High Wire Films Pty Ltd.
More info |
 title clippings file |
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AGONY OF AGEING, THE [TV] : (AT, Adam Zwar, 2015) More info |
 title clippings file |
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AGONY OF LIFE, THE [TV] : AT, 2013-? More info |
Online resource  script |
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The agony of modern manners : episode 4 - travel 2013. Digital clippings file available More info |
Online resource  script |
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The agony of modern manners : episode 5 - dining 2013. Digital clippings file available More info |
 title clippings file |
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AGORA : (SP/MT, Alejandro Amenabar, 2009) More info |
 personality clippings file |
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AGOSTON, PETER Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AGOSTON, PETER
More info |
 personality microfilm collection |
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AGRAN, LINDA Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: AGRAN, LINDA
More info |
 title clippings file |
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AGRONOMIST, THE : (US, Jonathan Demme, 2003) More info |
 title clippings file |
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AGUILA : (PH, Eddie Romero, 1980) More info |
 title clippings file |
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AGUIRRE, DER ZORN GOTTES : (GW, Werner Herzog, 1972) More info |
 personality clippings file |
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AGUTTER, JENNY Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AGUTTER, JENNY
More info |
 title clippings file |
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AH CHUNG : (TZ, Chang Tso-chi, 1996) More info |
 title clippings file |
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AH-GA-SSI [HANDMAIDEN, THE] : (K, Park Chan-wook, 2016) More info |
 title clippings file |
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AH HU'S RETREAT : (AT, John Janson-Moore, 2001) More info |
 script |
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Ah! Nomugi toge [1980]. More info |
 title clippings file |
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AH YING : (HK, Allen Fong [pseudo. of Fong Yuk-Ping], 1983) More info |
 title clippings file |
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AHDAT SANAWOUACH EL-DJAMR : (AE, Mohamed Lakhdar-Hamina, 1975) More info |
 personality clippings file |
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AHMED, TANVEER Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AHMED, TANVEER
More info |
 title clippings file |
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AHO...AU COEUR DU MONDE PRIMITIF : (CN, Daniel Bertolino & Francois Floquet, 1975) More info |
 personality microfilm collection |
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AHWESH, PEGGY Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: AHWESH, PEGGY ID2: 64
More info |
 title clippings file |
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AI WEIWEI: NEVER SORRY : (US, Alison Kayman, 2012) More info |
 title clippings file |
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AIDA : (IT, Clemente Fracassi, 1953) More info |
 title clippings file |
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AIDA : (SW, Claes Fellbom, 1987) More info |
 title clippings file |
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AIDS: A PRIEST'S TESTMENT : [TV] (US, John Kelleher, 1988) More info |
 subject clippings file |
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AIDS IN FILMS Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: AIDS IN FILMS
More info |
 subject clippings file |
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AIDS ON TV Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: AIDS ON TV
More info |
 title clippings file |
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AIKO JUUROKU - SAI : (JA, Imakezi Akiyoshi, 1983) More info |
 poster |
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[Aiko juuroku-sai : poster] More info |
 poster |
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(Aiko juuroku-sai : poster] More info |
 title clippings file |
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AILEEN: LIFE AND DEATH OF A SERIAL KILLER : (UK, Nick Bloomfield & Joan Churchill, 2003) More info |
 title clippings file |
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AILEEN WUORNOS: THE SELLING OF A SERIAL KILLER : (UK, Nick Bloomfield, 1992) More info |
 title clippings file |
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AILO UNE ODYSSEE EN LAPONIE [AILO'S JOURNEY] : (FI/FR, Guillaume Maidatchevsky, 2018) More info |
 title clippings file |
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AILSA, A WOMAN SCULPTOR : (AT, Sarah Gibson & Diana Simpson, 1977) More info |
 title clippings file |
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AIM HIGH IN CREATION : (AT/KN/KO/JA, Anna Broinowski, 2013) More info |
 poster |
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[Aim high in creation : poster] Call No: P AIM PhysDes: 1 poster : col. ; 102 X 69 cm Subject: AIM HIGH IN CREATION (AT/KN/KO/JA, Anna Broinowski, 2013) Summary: Image: Entire poster is red and black. A female Korean soldier is pictured from the chest up; superimposed in front of her are five people in jumpsuits holding their right fists in the air -- Text: 'North Korea unveiled', review from Twitch Notes: slight wear around top right corner edge -- have two copies
More info |
 title clippings file |
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AIMEE AND JAGUAR : (GG, Max Faerberboeck, 1999) More info |
 personality clippings file |
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AIMEE, ANOUK Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AIMEE, ANOUK
More info |
 title clippings file |
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AIN'T GOT NO JAZZ : (AT, Joel Kohn, 2003) More info |
 title clippings file |
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AIN'T MISBEHAVIN' : (UK, Peter Neal & Anthony Stern, 1974) More info |
 title clippings file |
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AINT IN IT FOR MY HEALTH: A FILM ABOUT LEVON HELM : (US, Jacob Hatley, 2010) More info |
 title clippings file |
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AIQING WANSUI : (TZ, Tsai Ming-Liang, 1994) More info |
 title clippings file |
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AIR AMERICA : (US, Roger Spottiswoode, 1990) More info |
 title clippings file |
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AIR BUD : (US, Charles Martin Smith, 1997) More info |
 title clippings file |
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AIR DE FAMILLE, UN : (FR, Cedric Klapisch, 1996) More info |
 title clippings file |
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AIR FORCE : (US, Howard Hawks, 1943) More info |
 title clippings file |
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AIR FORCE : [TV](AT, 2001) More info |
 title clippings file |
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AIR FORCE ONE : (US, Wolfgang Petersen, 1997) More info |
 title clippings file |
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AIR GUITAR NATION : (US, Alexandra Lipsitz, 2006) More info |
 title clippings file |
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AIR SI PUR, UN : (FR/PL/BE, Yves Angelo, 1997) More info |
 title clippings file |
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AIR UP THERE, THE : (US, Paul Michael Glaser, 1994) More info |
 title clippings file |
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AIRBORNE : (US, Rob Bowman, 1993) More info |
Online resource  digital clippings file |
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AIRCRAFT IN FILMS Digital clippings file available More info |
 title clippings file |
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AIRE LIBRE : (VE/CN/FR, Luis Armando Roche, 1997) More info |
 title clippings file |
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AIRHEADS : (US, Michael Lehmann, 1994) More info |
 title clippings file |
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AIRLOCK : (AT, Marc Furmie, 2015) More info |
 journal article |
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Airport in Interview (1970) vol.1 iss.6 p.16-17 Author: Corliss, Richard PhysDes: Article Subject: SEATON, GEORGE; HUNTER, ROSS; AIRPORT (US, George Seaton, 1970) Summary: An extremely biting review of the film adaptation of Arthur Hailey's novel "Airport" that is at pains to position George Seaton's triumphs as an auteur filmmaker firmly in the past. Corliss also critiques producer Ross Hunter as playing a vital role in creating such a cliche-ridden film Notes: Review
More info |
 title clippings file |
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AIRPORT '77 : (US, Jerry Jameson, 1977) More info |
 title clippings file |
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AIRPORT 1975 : (US, Jack Smight, 1974) More info |
 title clippings file |
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AIRSHIPS, THE : (AT, Peter Butt & Rob McAuley, 2004) More info |
 subject clippings file |
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AIRWAVES Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: AIRWAVES ID2: 11
More info |
 personality clippings file |
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AITKEN, MATT Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AITKEN, MATT
More info |
 personality microfilm collection |
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AITKENS, MICHAEL Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: AITKENS, MICHAEL
More info |
 personality microfilm collection |
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AITON, DOUG Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: AITON, DOUG
More info |
 title clippings file |
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AITSU : (JP, Atsushi Kimura, 1992) More info |
 title clippings file |
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AJANDEK EZ A NAP : (HU, Peter Gothar, 1979) More info |
 title clippings file |
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AJANTRIK : (II, Ritwik Ghatak, 1958) More info |
 personality microfilm collection |
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AJAYE, FRANKLYN Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Publicity Subject: AJAYE, FRANKLYN
More info |
 title clippings file |
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AJOLAHTO : (FI, Mikko Niskanen, 1982) More info |
 title clippings file |
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AKE OCH HANS VARLD : (SW, Allan Edwall, 1984) More info |
 personality clippings file |
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AKEN, NIKI Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AKEN, NIKI
More info |
 title clippings file |
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AKENFIELD : (UK, Peter Hall, 1974) More info |
 personality microfilm collection |
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AKERMAN, CHANTAL Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: AKERMAN, CHANTAL
More info |
 personality clippings file |
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AKERMAN, MALIN Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AKERMAN, MALIN
More info |
 title clippings file |
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AKHALGAZRDA KOMPOZITORIS MOGZAUROBA : (USSR, Giorgi Shengelaia, 1985) More info |
 personality clippings file |
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AKIN, FATIH Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AKIN, FATIH
More info |
 personality clippings file |
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AKINSHINA, OKSANA More info |
 title clippings file |
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AKIRA : (JA, Katsuhiro Otomo, 1989) More info |
 personality microfilm collection |
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AKKAD, MOUSTAPHA Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: AKKAD, MOUSTAPHA
More info |
 personality clippings file |
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AKOMFRAH, JOHN Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: AKOMFRAH, JOHN
More info |
 title clippings file |
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AKTORZY PROWICJONALNI : (PL, Agnieszka Holland, 1979) More info |
 journal article |
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Akwarele (1978) in Polish film (1978) iss.3 More info |
 title clippings file |
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AL DI LA DEL BENE E DEL MALE : (IT/FR/GW, Liliana Cavani, 1977) More info |
 title clippings file |
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AL HAWAJIZ : (AE, Ahmed Lallem, 1977) More info |
 title clippings file |
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AL HOUROUB AL SAGHIRA : (LE, Maroun Baghdadi, 1982) More info |
 subject clippings file |
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AL-JAZEERA Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: AL-JAZEERA
More info |
 title clippings file |
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AL-LAIL : (SY/LE/FR, Mohammed Malas, 1993) More info |
 title clippings file |
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AL LEJA : (SY, Ryad Chaia, 1997) More info |
 subject clippings file |
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AL-MANAR Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: AL-MANAR
More info |
 personality clippings file |
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AL-MANSOUR, HAIFAA More info |
 title clippings file |
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AL-MUMMIA : (UA, Chadi Abdel Salam, 1969) More info |
 title clippings file |
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AL-QADISIYYA : (IQ, Salah Abou Seif, 1981) More info |
 title clippings file |
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AL TISH'ALI IM ANI OHEV : (IS, Barbara Noble, 1979) More info |
 title clippings file |
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ALADDIN : (US, John Musker & Ron Clements, 1992) More info |
 title clippings file |
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ALADDIN : (US, Guy Ritchie, 2019) More info |
 title clippings file |
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ALAMBRISTA! : (US, Robert M. Young, 1980) More info |
 title clippings file |
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ALAMO BAY : (US, Louis Malle, 1985) More info |
 title clippings file |
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ALAMO, THE : (US, John Lee Hancock, 2004) More info |
 title clippings file |
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ALAN AND NAOMI : (US, Sterling Van Wagenen, 1992) More info |
 title clippings file |
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ALAN PARTRIDGE: ALPHA PAPA : UK/FR, Declan Lowney, 2013 More info |
 title clippings file |
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ALAN SMITHEE FILM - BURN, HOLLYWOOD, BURN, AN : (US, Arthur Hiller, 1997?) More info |
 title clippings file |
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ALARMIST, THE : (US, Evan Dunsky, 1997) More info |
 title clippings file |
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ALASKA : (US, Fraser C. Heston, 1996) More info |
 title clippings file |
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ALASKA: SPIRIT OF THE WILD : (US, George Casey, 1997) More info |
 title clippings file |
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ALATRISTE More info |
 personality clippings file |
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ALBA, JESSICA Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: ALBA, JESSICA
More info |
 title clippings file |
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ALBANILES, LOS : (MX, Jorge Fons, 1976) More info |
 personality clippings file |
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ALBECK, ANDY Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: ALBECK, ANDY
More info |
 personality clippings file |
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ALBEE, EDWARD Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: ALBEE, EDWARD
More info |
 title clippings file |
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ALBERO DEGLI ZOCCOLI, L' : (IT, Ermanno Olmi, 1978) More info |
 personality microfilm collection |
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ALBERT, ALEXIS Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: ALBERT, ALEXIS
More info |
 personality clippings file |
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ALBERT, EDDIE Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: ALBERT, EDDIE
More info |
 title clippings file |
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ALBERT NOBBS : (UK/IE, Rodrigo Garcia, 2011) More info |
 still |
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[Albert Sardi, Peter : studio headshot of Peter Albert Sardi] Call No: PERSONALITY STILL Source: AT PhysDes: 1 photograph : b & w ; 26 x 21 cm Subject: ALBERT SARDI, PETER Summary: Studio headshot of Peter Albert Sardi Notes: none
More info |
 title clippings file |
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ALBERT - WARUM? : (GW, Josef Rodl, 1978) More info |
 personality clippings file |
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ALBERTI, MANUELA More info |
 personality clippings file |
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ALBERTI, MARYSE Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: ALBERTI, MARYSE
More info |
 personality clippings file |
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ALBICOCCO, JEAN-GABRIEL More info |
 title clippings file |
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ALBINO ALLIGATOR : (US, Kevin Spacey, 1996) More info |
 personality microfilm collection |
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ALCHIN, RAY Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: ALCHIN, RAY
More info |
Online resource  digital clippings file |
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ALCOCK, MILLY Digital clippings file available Call No: DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: ALCOCK, MILLY
More info |
 personality microfilm collection |
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ALDA, ALAN Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: ALDA, ALAN
More info |
 personality microfilm collection |
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ALDA, ROBERT Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: ALDA, ROBERT
More info |
 personality microfilm collection |
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ALDENHOVEN, LISA Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: ALDENHOVEN, LISA
More info |
 personality microfilm collection |
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ALDRICH, ROBERT Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION PhysDes: Publicity; Clippings Subject: ALDRICH, ROBERT
More info |
 personality clippings file |
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ALEKAN, HENRI Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: ALEKAN, HENRI
More info |
 title clippings file |
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ALEKSANDR NEVSKI : (UR, Sergei M. Eisenstein, 1938) More info |
 title clippings file |
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ALEM DE PAIXAO : (BL, Bruno Barreto, 1985) More info |
 personality microfilm collection |
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ALEMANN, CLAUDIA Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: ALEMANN, CLAUDIA
More info |
 title clippings file |
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ALEX : (NZ/AT, Megan Simpson (Hoberman), 1993) More info |
 book |
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Alex / Tessa Duder Auckland: Penguin Books, 1989, c1987. More info |
 title clippings file |
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ALEX AND EMMA : (US, Rob Reiner, 2003) More info |
 title clippings file |
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ALEX CROSS : (US/FR, Rob Cohen, 2012) More info |
 title clippings file |
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ALEX & EVE : (AT, Peter Andrikidis, 2015) More info |
Online resource  script |
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Alex & Eve / based on, the stage plays Alex & Eve and Alex & Eve: the wedding AT: 2014. Digital clippings file available More info |
Online resource  digital clippings file |
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ALEX RIDER [TV] : (UK/US, 2020) Digital clippings file available More info |
 still |
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[Alex : stills file ] More info |
Online resource  digital clippings file |
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ALEX WHEATLE : (UK, Steve McQueen, 2020) Digital clippings file available More info |
 title clippings file |
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ALEXANDER : (FR/UK/NE, Oliver Stone, 2004) More info |
 title clippings file |
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ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY : (US, Miguel Arteta, 2014) More info |
 book |
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Alexander Dovzhenko: the poet as filmmaker : selected writings / edited and translated by Marco Carynnyk Cambridge, Massachusetts: MIT Press, 1973. More info |
 personality microfilm collection |
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ALEXANDER, ELIZABETH More info |
 personality microfilm collection |
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ALEXANDER, JASON Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: ALEXANDER, JASON
More info |
Old collection  book |
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Alfred Hitchcock's high vernacular : theory and practice / Stefan Sharff New York: Columbia University Press, 1991. More info |
 title clippings file |
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ALMODOZÁSOK KORA [AGE OF ILLUSIONS, THE] : (HU, Istvan Szabo, 1965) More info |
 book |
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America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982. Call No: 71(73) BEH Author: Behlmer, Rudy, Place: New York Publisher: F. Ungar Pub. Co. PubDate: c1982 PhysDes: xix, 324 p. : ill. ; 24 cm Subject: USA; FRANKENSTEIN (US, James Whale, 1931); LOST HORIZON (US, Frank Capra, 1937); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938); GRAPES OF WRATH, THE (US, John Ford, 1940); STAGECOACH (US, John Ford, 1939); MALTESE FALCON, THE (US, John Huston, 1941); CASABLANCA (US, Michael Curtiz, 1942); LAURA (US, Otto Preminger, 1944); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); AFRICAN QUEEN, THE (US, John Huston, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); HIGH NOON (US, Fred Zinnemann, 1952); GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and index ISBN: 080442036X; 0804460345 (pbk.) LON: 2175280
More info |
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983. Call No: 802.25(73) COU vol.2 Author: Coursodon, Jean-Pierre; Sauvage, Pierre Place: New York Publisher: McGraw-Hill PubDate: c1983 PhysDes: 2 v. ; 24 cm Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED Notes: Includes filmographies and indexes ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95 LON: 2198273
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The American experimental film in the last decade / by Colin Young Paris : [s.n.]: UNESCO, 1964. Call No: 771(73) YOU Author: Young, Colin CorpAuthor: UNESCO Place: Paris : [s.n.] Publisher: UNESCO PubDate: 1964 PhysDes: 33 p. ; 27 cm Subject: EXPERIMENTAL FILMS. USA; HISTORY OF CINEMA. USA; FILMMAKING; AESTHETICS Notes: United Nations Educational, Scientific and Cultural Organization report; This report represents Unesco's contribution to the Mannheim round-table, organized under the auspieces of Unesco, the Unesco's Germand National Commission and the Mannheim Festival. LON: abn98184205; 13917802
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L'amour du cliche in Vertigo (1991) iss.6/7 p.167-169 Author: Daniel Percheron Subject: AESTHETICS Summary: Considers the use of certain directors of cliched visuals or situations. In French.
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Amusing ourselves to death : public discourse in the age of show business / Neil Postman London: Methuen, 1987. More info |
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Analysts add to sense of doom as advertising dries up in The Australian (5/06/2017) p.23 Author: Bingemann, Mitchell PhysDes: Clippings File Article Subject: ADVERTISING. TV. AUSTRALIA; COMMERCIAL TV. AUSTRALIA Summary: Advertising revenue for newspapers and free-to-air television will collapse by more than $1.6 billion over the next four years as Facebook and Google extend their dominance of digital media, figures show. Newspapers will lose $850 million in ad spend by 2021 in a move that further underlines why corporate chiefs in the media industry argue that the sector needs urgent reforms to overhaul regulations introduced in a pre-internet era.
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Anatomy of film / Bernard F. Dick New York -- Hampshire: St Martins Press -- Macmillan Press, 1998. Call No: 62 DIC Author: Dick, Bernard F Edition: Third edition Source: US/UK Place: New York -- Hampshire Publisher: St Martins Press -- Macmillan Press PubDate: 1998 PhysDes: xv, 302 pages : illustrations ; 23 cm Subject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965); ALLEN, WOODY; BOGART, HUMPHREY; CAPRA, FRANK; CITIZEN KANE (US, Orson Welles, 1941); HITCHCOCK, ALFRED; PSYCHO (US, Alfred Hitchcock, 1960); WELLES, ORSON; WILDER, BILLY Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back cover Notes: Previous ed.: 1990 -- Includes bibliographical references and index ISBN: 0312153996 Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library
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Anime from Akira to Howl's Moving Castle : experienceing contemporary Japanese animation / Susan Napier Basingstoke, England: Palgrave Macmillan, 2005. Call No: 772(520) NAP; 2 copies Author: Napier, Susan Edition: Revised Source: US/UK Place: Basingstoke, England Publisher: Palgrave Macmillan PubDate: 2005 PhysDes: 355 p. ; 24 cm Subject: ANIMATION; ANIMATION. JAPAN; ANIMATORS; MIYAZAKI, HAYAO; AKIRA (JA, Katsuhiro Otomo, 1989); GHOST IN THE SHELL (JA/UK Oshii Mamoru, 1995)
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KOKAKU KIDOTAI; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); BAREFOOT GEN (JA, Masaki Mori, 1983); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997)
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MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); RANMA 1/2 [TV] (JA, Rumiko Takahashi, 1989) Summary: "This new edition of the groundbreaking popular book is a must-have for both seasoned and new fans of anime. Japanese animation is more popular than ever following the 2002 Academy Award given to Hayao Miyazaki's Spirited Away. It confirmed that anime is more than just children's cartoons, often portraying important social and cultural themes. With new chapters on Spirited Away and other recent releases, including Howl's Moving Castle-Miyazaki's latest hit film, already breaking records in Japan--this edition will be the authoritative source on anime for an exploding market of viewers who want to know more." -- BOOK BLURB Notes: Previous ed.: published as Anime´ from Akira to Princess Monoke. New York; Great Britain: Palgrave, 2001. ISBN: 9781403970527 Contents: -- acknowledgments -- foreword to the revised edition -- introduction -- chapter one : why anime? -- chapter two : anime and local/global identity -- body, metamorphosis, identity -- chapter three : Akira and Ranma 1/2 : the monstrous adolescent -- chapter four: controlling bodies : the body in pornographic anime -- chapter five : ghosts and machines : the technological body -- chapter six : doll parts : technology and the body in Ghost in the Shell -- chapter seven : stray: gender panics, masculine crises, and fantasy in Japanese animation -- magical girls and fantasy worlds -- chapter eight : the enchantment of estrangement : the Shojo in the world of Miyazaki Hayao -- chapter nine : now you see her, now you dont: the disappearing Shojo -- chapter ten : carnival and conservatism in romantic comedy -- remaking master narratives: anime confronts history -- chapter eleven : no more words : Barefoot Gen, Grave of the fireflies , and "victim's history' -- chapter twleve : Princess Mononoke: fantasy, the feminine, and the myth of 'progress' -- chapter thirteen : waiting for the end of the world : apocalyptic identity -- chapter fourteen : elegies -- conclusion : a fragmented mirror -- notes -- bibliography -- index --
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Another stage in the dramatic life of Ruben Guthrie's tortured adman in The Australian (15/07/2015) p.15 More info |
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Anthony Perkins visits Australia for 'Psycho II' in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.5 More info |
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APRES LUI : (FR, Gael Morel, 2007) More info |
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AR CONDICIONADO [AIR CONDITIONER] : (AL, Fradique, 2020) Digital clippings file available More info |
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AR CONDICIONADO [AIR CONDITIONER] : (AL, Fradique, 2020) Digital clippings file available More info |
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Around the world, films by women from Europe and elsewhere : Agatha (Agatha et les Lectures Illimitees) in NFT (May 1982) p.5 More info |
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Attitudes to television : a survey of advertisers / Gillian Appleton Kensington, NSW North Sydney, NSW: Communications Law Centre, University of New South Wales Australian Film Commission, 1989. Call No: 49[659.1](94) APP Author: Appleton, Gillian CorpAuthor: Australian Film Commission; Communications Law Centre (N.S.W.) Place: Kensington, NSW North Sydney, NSW Publisher: Communications Law Centre, University of New South Wales Australian Film Commission PubDate: 1989 PhysDes: 32 pages ; 30 cm Subject: STATISTICS. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; ADVERTISING STANDARDS. AUSTRALIA; ADVERTISING. TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA Summary: "The Australian Film Commission (AFC) commissioned this research report to ascertain how the television advertising system operates, how advertisers, agency media buyers and stations relate to one another, and particularly to survey advertister's attitudes to issues, concerns and practices in the industry" -- from Summary of Report Notes: A report prepared for the Australian Film Commission by the Communications Law Centre ISBN: 0858237679 LON: 6585339
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Australian advertising films win awards at Venice in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.1 PhysDes: Article Subject: VAL MORGAN; ADVERTISING FILMS; FESTIVALS Summary: Article on the 30th International Advertisment Film Festival in Venice with Val Moran receiving the Gold Lion Award on behalf of 'Parked'.
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Australian alternatives : Against the Grain in NFT (July 1984) p.20-21 More info |
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Australian cinema : the first eighty years / Graham Shirley & Brian Adams Sydney: Angus & Robertson, 1983. Call No: 71(94) SHI Author: Shirley, Graham, 1949; Shirley, Graham, 1949; Adams, Brian, 1934 Place: Sydney Publisher: Angus & Robertson PubDate: 1983 PhysDes: x, 325 p., [24] p. of plates : ill. ; 22 cm Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Notes: Australian cinema films, 1896-1980 (ANB/PRECIS SIN 0622443); Includes index; Includes bibliography: p. 305-308 ISBN: 0207145814 : price unknown LON: anb20714581; 2419431 ID2: 38 URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001. Call No: 71(94) AUS Author: Craven, Ian Place: London Publisher: Frank Cass PubDate: 2001 PhysDes: 239 p. ; 22 cm Subject: AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; ABORIGINAL AUSTRALIANS ON TV; GONSKI REPORT; INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; SUBURBS IN FILMS. AUSTRALIA; SOCIETY AND TV; DINGO, ERNIE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BABE (AT, Chris Noonan, 1995); BIG STEAL, THE (AT, Nadia Tass, 1990); CASTLE, THE (AT, Rob Sitch, 1997); DEATH IN BRUNSWICK (AT, John Ruane, 1991); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); HEARTLAND [TV] (AT, 1994); IDIOT BOX (AT, David Caesar, 1996); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LOVE SERENADE (AT, Shirley Barrett, 1996); METAL SKIN (AT, Geoffrey Wright, 1994); MONKEY GRIP (AT, Ken Cameron, 1982); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliography ISBN: 0714649740; 0714680346(pbk.) : ª16.50 LON: 21663632 Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda Smith ID2: 306
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Australian commerical television : 1986-1995 Canberra: Australian Government Publishing Service, 1996. Call No: 201.3(94) AUS Source: AT Place: Canberra Publisher: Australian Government Publishing Service PubDate: 1996 PhysDes: xxi, 206 pages ; 25 cm Series: Bureau of Transport and Communications Economics; report 93 Subject: INDUSTRY, TV. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; ADVERTISING. TV. AUSTRALIA; COMMERCIAL TV. AUSTRALIA Summary: This report addressses the structure and financial performance of the commerical television industry over the past decade. It complements BTCE's 1993 Report 83 Elements of Broadcasting Economics which dealt with general economic aspects of broadcasting and the performance of commercial radio. It is hoped that the information in this report will provide useful background to the contemporary reviews of television policies under section 215 of the Broadcasting Services Act 1992 -- taken from Foreward ISBN: 0644362979 ISSN: 10344152 Contents: Foreword -- Abstract -- Executive summary -- Overview of commercial television -- Ownership and control of Australian commercial television -- A financial analysis of commercial television -- Determinants of television advertising revenue -- Television programming -- Appendix: Data underlying the financial analysis in chapter 2, An econometric model of television advertising demand -- References -- Abbreviations
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Australian film esthetics in Lumiere (March, 1974) iss.32 p.4-7 Author: Lowe, Barry PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; WALKABOUT (AT, Charles Chauvel, 1958); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); NED KELLY (AT/UK, Gregor Jordan, 2003); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.
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Australian film investment : Course materials for the seminar, Sheraton Wentworth Hotel, Sydney, 21 April 1983 / presented by the Australian Film Commission, the Australian Society of Accountants, the Institute of Chartered Accountants in Australia North Sydney: Australian Film Commission, 1983. Call No: 213(94) AUS CorpAuthor: Australian Film Commission; Australian Society of Accountants; Institute of Chartered Accountants in Australia Place: North Sydney Publisher: Australian Film Commission PubDate: 1983 PhysDes: iv, 217 p. : forms ; 31 cm Subject: FINANCING. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; TAXES. AUSTRALIA Notes: Cinema industries. Australia (ANB/PRECIS SIN 0451673); Cover title: Australian film investment; Spiral binding; Bibliography: p. 198-213 ISBN: 0642880166 : $15.00 Aust LON: abn83066194; 2668728
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The Australian film revival : 1970s, 1980s, and beyond / Susan Barber New York: Bloomsbury Academic, 9 Feb 2023. Call No: 71(94) BAR Author: Barber, Susan Edition: 2023 Place: New York Publisher: Bloomsbury Academic PubDate: 9 Feb 2023 PhysDes: 280 pages ; 24 cm Subject: AUSTRALIA; MASCULINITY IN FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; ROAD MOVIES. AUSTRALIA; MOTHERS IN FILMS; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MAD MAX [...] (AT, 1979-85); BACKROADS (AT, Philip Noyce, 1977); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); DON'S PARTY (AT, Bruce Beresford, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); HIGH TIDE (AT, Gillian Armstrong, 1987); MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); TRACKER, THE (AT, Rolf de Heer, 2002); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981) Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web site ISBN: 9781501390029 Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index
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Australian international pictures (1946-1975) / Adrian Danks and Constantine Verevis Edinburgh: Edinburgh University Press, Call No: 71(94) DAN Author: Danks, Adrian; Verevis, Constantine Edition: 2023 Place: Edinburgh Publisher: Edinburgh University Press PhysDes: 224 pages ; 24 cm Series: Traditions in World Cinema Subject: AUSTRALIA; EALING STUDIOS; OVERLANDERS, THE (UK, Harry Watt, 1946); KANGAROO (AT, Lewis Milestone, 1952); ON THE BEACH (US, Stanley Kramer, 1959); SUNDOWNERS, THE (US, Fred Zinnemann, 1960); KOYA NO TOSEININ (JA, Junya Sato, 1968); AGE OF CONSENT (AT, Michael Powell, 1969); COLOR ME DEAD (US/AT, Eddie Davis, 1968); NED KELLY (UK, Tony Richardson, 1970); WALKABOUT (UK, Nicolas Roeg, 1971); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) Summary: Offers an important insight into the formative moments of transnational film culture in Australia
- Provides vibrant textual studies of under-evaluated Australian international pictures
- Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s
- Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival
- Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web site ISBN: 9780748693061 Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.
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An Australian love story for our times in Sydney Morning Herald [The Shortlist] (23/10/2015) p.6 Call No: TITLE CLIPPINGS FILE; ALEX & EVE (AT, Peter Andrikidis, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: ALEX & EVE (AT, Peter Andrikidis, 2015) Summary: Interview with Alex Lykos the writer and director of the stage play ALEX AND EVE which eventually became a feature film
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2 PhysDes: Article Subject: HEATWAVE (AT, Phillip Noyce, 1981); MONKEY GRIP (AT, Ken Cameron, 1982); STARSTRUCK (AT, Gillian Armstrong, 1982); FREEDOM (AT, Scott Hicks, 1982); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); INDUSTRY, FILM. AUSTRALIA; CANNES FILM FESTIVAL; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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Australian success at 32nd international ad film festival in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.19 More info |
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000. More info |
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Australian UIP execs. attend international conference in London in Australasian Cinema (13/5/1983) vol.12 iss.8 p.7, 10 More info |
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Authorship and the films of David Lynch : aesthetic receptions in contemporary Hollywood / Antony Todd London: I.B. Tauris, 2012. Call No: 81LYN TOD Author: Todd, Antony Source: UK Place: London Publisher: I.B. Tauris PubDate: 2012 PhysDes: ix, 181 p. : ill. ; 24 cm Subject: AESTHETICS; AUTEUR THEORY; LYNCH, DAVID; DUNE (US, David Lynch, 1984); BLUE VELVET (US, David Lynch, 1986); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); MULHOLLAND DRIVE (US, David Lynch, 2001) Summary: "This fresh contribution to studies on authorship and film explores the ways in which shared and disputed opinions on aesthetic quality, originality and authorial essense have shaped receptions of David Lynch's films. it is also the first book to approach Lynch as a figure composed through language, history and text.
Antony Todd traces the development of Lynch's career from cult obscurity with Eraserhead to star auteur through the release of Blue Velvet, as well as the television event of the early 1990s, Twin Peaks. He investigates how Lynch's idiosyncratic style introduced the term 'Lynchian' to the colloquial speech of new Hollywood and helped establish Lynch as the leading light among contemporary American auteurs. Through the evidence of critical and promotional ephemera and the texts carrying Lynch's name, Todd explores contemporary manners and attitudes for artistic reputation building. He also reviews the standards by which Lynch's reputation was dismantled following the release of Wild at Heart and Twin Peaks: Fire Walk with Me, only to be reassembled once more through films such as Lost Highway, Mulholland Dr. and INLAND EMPIRE.
This book also ventures beyond its empirical findings by addressing authorship concerns pertaining to the ways in which, and to whom, the contemporary auteur has meaning. In its account of the experiences at play in the encounter between ephemera, text and reader, Authorship and the Films of David Lynch explores how authors functions for pleasure in the modern filmgoer's everyday consumption of films."-BOOK BLURB Notes: includes bibliographical references; includes index ISBN: 9781848855809 Contents: -- introduction -- 1.Towards a Textual Historicity -- 2.David Lynch: The Making of a Post-classical Auteur -- 3.Meanings and Authorships in Dune -- 4.Critical Theory and `Cruel Jokes': Principles of Ethics and Pleasure, and the Reception of Blue Velvet -- 5.Twin Peaks: The Rise and Fall of a Public Auteur -- 6.Brand Lynch -- 7.Receiving Mulholland Dr.: `A Contemporary Film Noir Directed by David Lynch' -- conclusion -- notes -- bibliography -- index --
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AVENTURAS DE ROBINSON CRUSOE, LAS : (MX, Luis Bunuel, 1952) More info |
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B.C. & C. embark on 'Magical Mystery Tour' in Australasian Cinema (28/1/1983) vol.12 iss.1 p.3 PhysDes: Article Subject: BIRCH CARROLL AND COYLE; ADVERTISING FOR FILMS; ANNIE (US, John Huston, 1982); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); NIGHT SHIFT (US, Ron Howard, 1982) Summary: Article on Birch, Carroll, and Coyle's promotional day-tour for 'Annie', 'E.T.', and 'Nightshift'.
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B.C. & C. launches promotion of 'Big Screen Movies' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5 More info |
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B is for bad cinema : aesthetics, politics and cultural value / edited by Claire Perkins and Constantine Verevis Albany, New York: State University of New York Press, c2014. Call No: 730.2 BIS Author: Perkins, Claire; Verevis, Constantine Source: US Place: Albany, New York Publisher: State University of New York Press PubDate: c2014 PhysDes: xi, 262 pages : illustrations ; 24 cm Subject: AESTHETICS; AUTHORSHIP; B-MOVIES; CULT FILMS; CULTURE AND THE CINEMA; EXPLOITATION FILMS; POLITICS AND THE CINEMA; SUBTITLES; CANDY (AT, Neil Armfield, 2005); EVIL DEAD, THE (US, Sam Raimi, 1982 [prod. 1980]); MARNIE (US, Alfred Hitchcock, 1964) Summary: B Is For Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad" - that is, aesthetically, morally, or commercially disreputable - cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach badcinema in terms of aesthetics, politics and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic effect, and onto the broader moral and ethical implications of the material. As a result, B Is For Bad Cinema takes an interest in a variety of film examples - overblown Hollywood blockbusters, faux pornographic works, and European art house films - to consider those that lurk on the boundaries of acceptability." -- BOOK BLURB Notes: Includes bibliographical references and index. ISBN: 9781438449951 Contents: Introduction: B for bad cinema / Claire Perkins and Constantine Verevis; Part 1: Aesthetics -- Explosive apathy / Jeffrey Sconce -- B-grade subtitles / Tessa Dwyer -- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks -- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer -- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance -- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton; Part 2: Authorship -- Coffee in paradise: the horn blows at midnight / Tom Conley -- The risible: on Jean-Claude Brisseau / Adrian Martin -- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan -- Liking The magus / I.Q. Hunter -- BADaptation: is candy faithful? / Constantine Verevis
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Banana & I in Lumiere (November-December 1970) vol.1 iss.6 p.8-9 More info |
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Barbara Carrera in UK promotes 'Wild Geese II' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5 More info |
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The Barry McKenzie movies / Tony Moore Sydney: Currency Press, Australian Film Commission, 2005. Call No: 79BAR MOR Author: Moore, Tony Source: AT Place: Sydney Publisher: Currency Press, Australian Film Commission PubDate: 2005 PhysDes: x, 86 p. : ill. ; 19 cm. Series: Australian screen classics Subject: AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; COMEDIES. AUSTRALIA; EVERAGE, DAME EDNA; BERESFORD, BRUCE; HUMPHRIES, BARRY; ADAMS, PHILLIP; BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: With irresponsible humour and sharp-witted insight Tony Morre explores the subversive satire of the films, their influence on his generation, and what they have to say about who we are today. Included is a glossary of Bazza-isms written by Barry Humphries. ISBN: 0868197483 ISSN: 1447557X
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Battleship Potemkin ; October and Alexander Nevsky / by Sergei Eisenstein ; edited by Jay Leyda ; translated by Diana Matias London: Lorrimer Pub., 1974. Call No: 792 EIS Author: Eisenstein, Sergei, 1898-1948; Leyda, Jay, 1910 Place: London Publisher: Lorrimer Pub. PubDate: 1974 PhysDes: 189 p. : ill. ; 20 cm Subject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Notes: Director's shooting scripts ISBN: 0856470384; 0856470406(pbk.) LON: 263889
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Beginner's Luck in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.3 More info |
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"Best Friends" a carparker's delight in Australasian Cinema (25/2/1983) vol.12 iss.3 p.1 More info |
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The best thing on TV : commercials / Jonathan Price New York: Penguin Books, 1978. More info |
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Beyond auteurism : new directions in authorial film practices in France, Italy and Spain since the 1980s / Rosanna Maule Bristol, U.K. ; Chicago, USA: Intellect, 2008. Call No: 621 MAU Author: Maule, Rosanna Source: UK/US Place: Bristol, U.K. ; Chicago, USA Publisher: Intellect PubDate: 2008 PhysDes: 294 p. : ill. ; 24 cm Subject: AUTEUR THEORY; AESTHETICS Notes: Includes bibliographical references (p. [275]-286) and index ISBN: 9781841502045 Contents: The film author and the survival of European cinema -- The middle generation: Maurice Pialat, Gianni Amelio, and Victor Erice -- The difficult legacy of the Nouvelle Vague: Olivier Assayas and French film authors at the end of auteurism -- For an impure cinema: Gabriele Salvatores and the hybrid nature of film authorship in contmporary Italian cinema -- A different type of cinephilia: Alejandro Amena´bar and the new generation of Spanish film authors -- Made in Europa: Luc Besson and the question of cultural exception in post-auteur France -- Auteurism and women's cinema in France, Italy and Spain -- Female authors and gendered identity in film: Claire Denis's post-subjective representation -- Feminine matters: Francesca Archibugi and the reconfiguration of women in the private sphere
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Beyond representation : television drama and the politics and aesthetics of identity / Geraldine Harris Manchester ; New York: Manchester University Press, distributed exclusively in the USA by Palgrave, 2006. Call No: 744.9 HAR Author: Harris, Geraldine Source: US Place: Manchester ; New York Publisher: Manchester University Press, distributed exclusively in the USA by Palgrave PubDate: 2006 PhysDes: 210 p. ; 23 cm Subject: DRAMAS; REALISM ON TV; AESTHETICS; RACIAL ISSUES AND TV; MARXISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; FEMINISM AND THE CINEMA; IMPERIALISM AND THE CINEMA; HOMOSEXUALITY AND TV; GLOBALISATION; ALLY MCBEAL [TV] (US, 1997-); BILL, THE [TV] (UK, 1984-); STAR TREK [TV] [...] (US, 1966-69, 1987-); QUEER AS FOLK [TV] (UK, 1999-2000); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-); DYNASTY [TV] (AT, 1970); PRIME SUSPECT 3 [TV] (UK, David Drury, 1993); SOPRANOS, THE [TV] (US, 1999); TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002); WILL & GRACE[TV] (US, 1998-); XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover] Notes: Bibliography: p.191-20; Includes index ISBN: 0719074584 (hdbk) Donation: Donated by Senses Of Cinema, 2009
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Big sport, great outdoors boost advertisers' spending in The Australian (17/11/2015) p.21 Call No: SUBJECT CLIPPINGS FILE; ADVERTISING. TV. AUSTRALIA Author: Mitchell, Jake PhysDes: Clippings File Article Subject: ADVERTISING. TV. AUSTRALIA; COMMERCIAL TV. AUSTRALIA Summary: Report on the state of advertising on the Australian commercial networks, with the Seven network with the highest percentage, closely followed by Nine
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Big world, small screen : the role of television in American society / Aletha C. Huston ... [et al.] Lincoln: University of Nebraska Press, 1993. More info |
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Bill Collins joins Video Classics in major promotional deal in Australasian Cinema (10/9/1982) vol.11 iss.16 p.2 More info |
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Bill Edwards appt. vice-president of advtg. & publicity MGM/UA intern'l in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2 More info |
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Birch, Carroll and Coyle 1982 Theatre Managers' Convention in Australasian Cinema (16/4/1982) vol.11 iss.6 p.3 More info |
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Black African cinema / Nwachukwu Frank Ukadike Berkeley: University of California Press, 1994. Call No: 71(6) UKA Author: Ukadike, Nwachukwu Frank Place: Berkeley Publisher: University of California Press PubDate: 1994 PhysDes: x, 371 p. : ill.; 24 cm Subject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; AFRICAN COUNTRIES; DOCUMENTARY FILMS. AFRICAN COUNTRIES; BLACK FILMMAKERS. AFRICAN COUNTRIES; AFRICAN COUNTRIES; SEMBENE, OUSMANE; CISSE, SOULEYMANE; ANSAH, KWAW PAINTSIL; ESCARE, DESIRE; BALOGUN, OLA; FANON, FRANTZ; HONDO, MED; VISAGES DE FEMMES (IV, Desire Ecare, 1985); FINZAN (ML, Cheik Omar Sissoko, 1990); WEND KUUNI (UV, Gaston Kabore, 1982); EMITAI (SG, Ousmane Sembene, 1972); CEDDO (SG, Ousmane Sembene, 1977); YEELEN (ML, Souleymane Cisse, 1987); DANCING IN THE DUST [BAL POUSSIERE] (IV, Henri Duparc, 1988) Notes: Includes bibliographical references (p. 343-355) and index ISBN: 0520077474 (cloth : alk. paper); 0520077482 (paper) LON: 9270979
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The Blair witch project in If magazine (Dec 1999-Jan 2000) iss.20 p.28-30 More info |
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Bogart / Allen Eyles London: Macmillan, 1975. Call No: 81BOG EYL Author: Eyles, Allen Place: London Publisher: Macmillan PubDate: 1975 PhysDes: 128 p. : ill. (some col.) ; 26 cm. Series: The Movie Makers Subject: ACTORS; BOGART, HUMPHREY; BACALL, LAUREN; AFRICAN QUEEN, THE (US, John Huston, 1952); CASABLANCA (US, Michael Curtiz, 1942); PETRIFIED FOREST, THE (US, Archie L. Mayo, 1935); MALTESE FALCON, THE (US, John Huston, 1941); HIGH SIERRA (US, Raoul Walsh, 1941) Summary: A study of Humphrey Bogart's acting career from Broadway until his final films, with much reference to his acting atyle and character types. Notes: Includes index.
Bibliography: p. 128.
Filmography: p. 123-127. ISBN: 333180208
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Bogey : the films of Humphrey Bogart / by Clifford McCarty New Jersey: Citadel Press, 1979. Call No: 81BOG MCC Author: McCarty, Clifford Source: US Place: New Jersey Publisher: Citadel Press PubDate: 1979 PhysDes: 187 p. : ports. ; 28 cm Subject: BOGART, HUMPHREY; DEAD END (US, William Wyler, 1937); BLACK LEGION (US, Archie L. Mayo, 1936); STAND-IN (US, Tay Garnett, 1937); ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); HIGH SIERRA (US, Raoul Walsh, 1941); MALTESE FALCON, THE (US, John Huston, 1941); BEAT THE DEVIL (UK/IT/US, John Huston, 1953); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); SABRINA (US, Billy Wilder, 1954); BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954); KEY LARGO (US, John Huston, 1948); IN A LONELY PLACE (US, Nicholas Ray, 1950); AFRICAN QUEEN, THE (US, John Huston, 1952); BIG SLEEP, THE (US, Howard Hawkes, 1946); CASABLANCA (US, Michael Curtiz, 1942) Summary: A list of Bogart’s films from 1930s to the 1950s, with the casts and descriptions of each film. ISBN: 0806500018
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Bollywood : the Indian cinema story / Nasreen Munni Kabir London: Channel 4 Books, 2001. Call No: 71(540) KAB Author: Kabir, Nasreen Munni Source: UK Place: London Publisher: Channel 4 Books PubDate: 2001 PhysDes: 230 p., [8] p. of plates ; 24 cm Subject: BOLLYWOOD; HEROS IN FILMS; HEROINES IN FILMS; MYTH AND THE CINEMA. INDIA; TELEVISION AND THE CINEMA; VILLAINS IN FILMS; AKHTAR, JAVED; ANAND, DEV; BACHCHAN, AMITABH; BHANSALI, SANJAY LEELA; BURMAN, S.D; DARSHAN, DHARMESH; DESAI, MANMOHAN; DIXIT, MADHURI; DUTT, GURU; JOHAR, KARAN; KAPOOR, RAJ; KHAN, MENBOOB; KHAN, SHAHRUKH; KUMAR, DILIP; ROY, BIMAL; SIPPY, RAMESH; AAN (II, Menboob, 1952); BHARAT MATA (II, Mehboob, 1957); PYASSA (II, Guru Dutt, 1957); RAMAYAMA (II, Ramanand Sagar, 1987-); RAJA HINDUSTANI (II, Dharmesh Darshan, 1996); SHOLAY (II, Ramesh Sippy, 1975) ISBN: 075221943X
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Bollywood and its other(s) : towards new configurations / edited by Vikrant Kishore, Amit Sarwal and Parichay Patra Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014. Call No: 71(540) BOL Author: KIshore, Vikrant (ed.); Patra, Parichay (ed.); Sarwal, Amit (ed.) Source: US/UK/AT Place: Houndmills. Basingstoke, Hampshire ; New York Publisher: Palgrave Macmillan PubDate: 2014 PhysDes: xii, 229 pages ; 23 cm Subject: INDIA; INDIA IN FILMS; BOLLYWOOD; INDIAN CINEMA; HISTORY OF CINEMA. INDIA; THEORY; DIASPORIC CINEMA; MUSIC AND THE CINEMA; MUSIC IN FILMS; SEX IN FILMS; HOMOSEXUALITY IN FILMS; HOMOSEXUALITY AND THE CINEMA; AESTHETICS; PHILOSOPHY AND THE CINEMA; SCIENCE-FICTION FILMS Summary: "How do we define the globalized cinema and media cultures of Bollywood in an age when it has become part of the cultural diplomacy of an emerging superpower? Is it still an 'other' industry in a world dominated by American Cinemas? Bollywood and Its Other(s) aims to compensate for the lack of scholarly literature on Bollywood studies by opening up hitherto unexplored sites or sites that are in formation. One of the most comprehensive volumes on Bollywood so far, it focuses on the aesthetic-philosophical questions of the other, Indian diaspora's negotiations with national identity, alternative reading strategies/research methods, marginal genres (sci-fi, horror), marginal characters (flaneuse, vamps), marginal gender (non-normative sexualities), marginal cinema (Hindi avant-garde), marginal language (Hinglish), and marginal regions (the Kashmir valley). It intends to address film scholars, South Asian studies researchers, cinephiles and lay readers alike.- BOOK BLURB Notes: Formerly CIP; Includes bibliographical references and index ISBN: 9781137426499 Donation: Senses of Cinema Contents: -- list of figures -- notes on contributors -- introduction: Vikrant Kishore, Amit Sarwal and Parichay Patra -- Section I Exploring the Other: Cinema, Aesthetics, Philosophy -- 1.Self, Other and Bollywood: The Evolution of the Hindi Film as a Site of Ambivalence / Dibyakusum Ray -- 2.Bombay Cinema's Aesthetic Other: Hindi Shastriya Cinema in Retrospect / Parichay Patra -- Section II Diaspora and the Formation of the Global Bollywood -- 3.Transgressing the Moral Universe: Bollywood and the Terrain of the Representable / Sarah A. Joshi -- 4.A Perfect Match: Entertainment and Excess of Cricket within the Diasporic Experience of Bollywood / Sanchari De and Manas Ghosh -- Section III The Musicality of Bollywood: Possibilities of Alternative Reading(s) -- 5.Hindi Popular Cinema and Its Peripheries: Of Female Singers, Performances and the Presence/Absence of Suraiya / Madhuja Mukherjee -- 6.'Dil Dance Maare Re': Bollywoodisation of the Indian Folk Dance Forms / Vikrant Kishore -- 7.The Systems Model of Creativity and Indian Film: A Study of Two Young Music Directors from Kerala, India / Phillip McIntyre, Bob Davis and Vikrant Kishore -- Section IV Bollywood's Other(s): Sexuality, B Movie, Queerness -- 8.Sugar and Spice: The Golden Age of the Hindi Movie Vamps, 1960s--1970s / Suneeti Rekhari -- 9.Popular Forms, Altering Normativities: Queer Buddies in Contemporary Mainstream Hindi Cinema / Aneeta Rajendran -- 10.Hinglish Cinema: The Confluence of East and West / Amit Sarwal -- 11.The Ramsay Chronicles: Non-normative Sexualities in Purana Mandir and Bandh Darwaza / Mithuraaj Dhusiya -- 12.Bollywood's Encounters with the Third Kind: A Critical Catalogue of Hindi Science Fiction Films / Sami Ahmad Khan -- Section V Bollywood's Other, India's Other -- 13.Death Becomes Her: Bombay Cinema, Nation and Kashmir: In Conversation with the Desire Machine Collective, Guwahati / Kaushik Bhaumik -- afterword: Anupam Sharma -- index --
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Bonanzahuts of '75 in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.4 More info |
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Boom-boom! / Rob Johnson & David Smiedt Rydalmere, N.S.W.: Hodder Headline Australia, 1999. Call No: 732(94) JOH Author: Johnson, Rob, 1969; Smiedt, David Place: Rydalmere, N.S.W. Publisher: Hodder Headline Australia PubDate: 1999 PhysDes: viii, 376 p. : ill., ports. ; 24 cm Subject: COMEDIES. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; COMEDIENNES. AUSTRALIA; ADAMS, PHILLIP; GLEISNER, TOM; MCDERMOTT, PAUL; O'DONOGHUE, RORY; BAILEY, BERT; BOND, GRAHAME; BOURNE, SHANE; BROWN, NOELINE; CILAURO, SANTO; CHATER, GORDON; CREYTON, BARRY; DENTON, ANDREW; FAHEY, MARYANNE; FERGUSON, TIM; GILLIES, MAX; GRILLS, LUCKY; GYNGELL, KIM; HALL, KEN G.; HARMER, WENDY; HOGAN, PAUL; HUMPHRIES, BARRY; KENNEDY, GRAHAM; LAMOND, TONI; MCDONALD, GARRY; QUANTOCK, ROD; RAYE, CAROL; REILLY, GARY; SITCH, ROB; SORRENTI, VINCE; SZUBANSKI, MAGDA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); FRONTLINE [TV] (AT, 1994- ); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); AUNTY JACK SHOW, THE [TV] (AU, 1972-73); COMEDY COMPANY, THE [TV] (AT, 1988-1990); D-GENERATION [TV] (AT, 1986-?); FAST FORWARD [TV] (AT, 1988-1989?) Notes: Includes index; "An Allison Pressley book." ISBN: 0733609384 : $24.95 LON: 14529909
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Breathless : A 24-page celebration of French cinema / Edited by Barry McIlheney [s.l.]: [s.n.], [19-?]. Call No: 71(44) BRE Source: US Place: [s.l.] Publisher: [s.n.] PubDate: [19-?] PhysDes: 22 p. ; ills. Subject: FRANCE; ACTORS. FRANCE; BARDOT, BRIGITTE; BIRKIN, JANE; ARLETTY; DELON, ALAIN; BINOCHE, JULIETTE; KARINA, ANNA; GIRARDOT, HIPPOLYTE; MARAIS, JEAN; DENEUVE, CATHERINE; BEART, EMMANUELLE; BELMONDO, JEAN-PAUL; BOUQUET, CAROLE; DEPARDIEU, GERARD; BONNAIRE, SANDRINE; GABIN, JEAN; MONTAND, YVES; AIMEE, ANOUK; DALLE, BEATRICE Notes: Photobook insert from Premiere Magazine in association with Pernod.
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British cinema now : Alan Bush--A Life in NFT (December 1983) p.27 More info |
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British film posters : an illustrated history / Sim Branaghan; edited by Steve Chibnall London: British Film Institute, 2006. Call No: 915(41) BRA Author: Branaghan, Sim Source: UK Place: London Publisher: British Film Institute PubDate: 2006 PhysDes: 304 p. : col. ill. ; 28 cm. Subject: POSTERS. UK; ADVERTISING. UK Summary: A history of British film posters from 1896-1986 covering design, printing and display, including detailed biographies of major artists. Tells the story of the emergence of the illustrated film poster in the late-Victorian period through to the decline of the hand-painted tradition during the mid-1980s and the arrival of computer-aided design. The overall theme of the book is that the 'vintage' film poster represents a significant and coherent movement in twentieth-century popular art in Britain. [Taken from back cover and contents page.] ISBN: 1844572218
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Broadcasters are adapting to video's new challenges in Australian Financial Review (24/10/2016) p.25 Call No: SUBJECT CLIPPINGS FILE; ADVERTISING Author: Mason, Max PhysDes: Clippings File Article Subject: ADVERTISING Summary: Interview with Maxus chief Lindsay Pattinson who talks about the state of the advertsing market and the importance of TV
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Broadcasting bounces back ; A financial evaluation of Australian commercial metropolitan television : Part 1 Industry Overview June 1993 / Principal author : Bob Peters; Co-author and research co-ordinator : Peter Leigh Melbourne: ANZ McCaughan, 1993. Call No: 203(94) PET Author: Peters, Bob -- Leigh, Peter Source: AT Place: Melbourne Publisher: ANZ McCaughan PubDate: 1993 PhysDes: 78, A-11.2 pages Subject: ADVERTISING. TV. AUSTRALIA; COMMERCIAL TV. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; INVESTING. AUSTRALIA; PAY TV. AUSTRALIA Summary: Report on the Australian commercial television industry that suggests strong financial growth. Considers advertising volitility and the arrival of pay tv Contents: Executive summary -- Introduction -- Industry description -- Ratings, programming, and strategies -- Financial performance -- Corporate profiles -- Future prospects -- Appendices -- Australian advertising expenditures sector shares of total expenditure 1961-1991 -- Metroploitan commercial television analysis of top 25 product categories 1981-1991 -- Regression analysis summary and projections total and television advertising expenditure growth versus gross domestic product growth 1962-1991 -- Metropolitan television ratings shares by market and channel 1983 to 1992 -- Metropolitan commercial television analysis of programming by type and origin: all Sydney commercial stations during 1991 -- Metropolitan commercial television stations ultimate or effective owners or controllers from 1 January 1983 to 1 June 1993 -- Metropolitan commercial television comparison of advertising revenue growth and gross domestic product growth 1970/71 to 1991/92 -- Metropolitan commercial television summary of financial performance 1970/71-1991/92 -- Australian commercial television historical profit margins 1957/58 to 1991/92 -- Metropolitan commercial television summary of network financial performance on a four market basis 1987/88 to 1991/92 -- Metropolitan commercial television network's share ofd revenue on a four market basis 1987/88 to 1991/92
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Broadcasting programme standards : determined by the Board in pursuance of the Broadcasting and Television Act 1942-1967 together with certain other information for Commercial Broadcasting Stations / Australian Broadcasting Control Board Canberra: Australian Broadcasting Control Board, 1967. More info |
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Broken screen : 26 conversations with Doug Aitken - expanding the image breaking the narrative / Doug Aitken; edited by Noel Daniel New York: Distributed Art Publishers, 2006. Call No: 802 AIT Author: Aitken, Doug Source: US Place: New York Publisher: Distributed Art Publishers PubDate: 2006 PhysDes: 302 p. : col. ill. ; 25 cm Subject: AITKEN, DOUG; AHTILA, EIJA-LIISA; ALTMAN, ROBERT; ANGER, KENNETH; BALDESSARI, JOHN; BARNEY, MATHEW; BURDEN, CHRIS; CONNER, BRUCE; DENIS, CLAIRE; DOUGLAS, STAN; ELIASSON, OLAFUR; FERRO, PABLO; FIGGIS, MIKE; HERZOG, WERNER; HILL, GARY; HOLLER, CARSTEN; HUYGHE, PIERRE; JODOROWSKY, ALEXANDRO; KOOLHAAS, REM; LYNN, GREG; NICOLAI, CARSTEN; PRINCE, RICHARD; RIST, PIPILOTTI; RONDINONE, UGO; RUSCHA, ED; VOGEL, AMOS; WILSON, ROBERT; OBRIST, HANS ULRICH Summary: Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 25 carefully chosen artists, filmmakers, designers, and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens, and fragmentary visual planes that define the most progressive moving images today. ISBN: 1933045264
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Bruce Bereford : instincts of the heart / Peter Coleman Pymble, N.S.W.: Angus and Robertson, 1992. Call No: 81BER COL Author: Coleman, Peter Source: AT Place: Pymble, N.S.W. Publisher: Angus and Robertson PubDate: 1992 PhysDes: ix, 158 p. : [16] p. of plates : ill. ; 20 cm Subject: BERESFORD, BRUCE; FILMMAKING. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); BREAKER MORANT (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); TENDER MERCIES (US, Bruce Beresford, 1982); KING DAVID (US, Bruce Beresford, 1985); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); DRIVING MISS DAISY (US, Bruce Beresford, 1989); BLACK ROBE (CN/AT, Bruce Beresford, 1991); RICH IN LOVE (US, Bruce Beresford, 1992) Summary: Peter Coleman has used his friendship with Bruce Beresford, and knowledge of the developing Australian film industry to build up an accurate behind the scenes look at the making of the many films of this most self-critical film director (taken from back of the book) ISBN: 0207175268
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Bruce Beresford : instincts of the heart / Peter Coleman Pymble, NSW, Australia New York, NY, USA: Angus & Robertson, 1992. Call No: 81BER COL Author: Coleman, Peter Place: Pymble, NSW, Australia New York, NY, USA Publisher: Angus & Robertson PubDate: 1992 PhysDes: 158 p., [16] p. of plates : ill. ; 20 cm Series: Imprint lives Subject: BERESFORD, BRUCE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BREAKER MORANT (AT, Bruce Beresford, 1980); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); BLACK ROBE (CN/AT, Bruce Beresford, 1991); RICH IN LOVE (US, Bruce Beresford, 1992); DON'S PARTY (AT, Bruce Beresford, 1976); MONEY MOVERS (AT, Bruce Beresford, 1978); CLUB, THE (AT, Bruce Beresford, 1980); TENDER MERCIES (US, Bruce Beresford, 1982); KING DAVID (US, Bruce Beresford, 1985); PUBERTY BLUES (AT, Bruce Beresford, 1981); CRIMES OF THE HEART (US, Bruce Beresford, 1986); DRIVING MISS DAISY (US, Bruce Beresford, 1989); [MISTER] MR JOHNSON (US, Bruce Beresford, 1990) ISBN: 0207175268 LON: abn92179637; 9071070
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Bundaberg scores "Most Original Idea" in "Condorman's" promotion in Australasian Cinema (15/10/1982) vol.11 iss.18 p.2 More info |
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Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud London; New York: Routledge, British Film Institute, 2000. Call No: 67(44) CAH Source: UK/US Place: London; New York Publisher: Routledge, British Film Institute PubDate: 2000 PhysDes: xi, 323 p. ; 24 cm Series: Cahiers du Cinema selections Subject: CULTURE AND THE CINEMA; POLITICS AND THE CINEMA; IDEOLOGY AND THE CINEMA; HISTORY AND THE CINEMA; THEORY; CRITICISM; CAHIERS DU CINEMA; ALAOUIE, BORHAN; ALLIO, RENE; DOUGLAS, JOHN; FERRO, MARC; GODARD, JEAN-LUC; HUILLET, DANIELE; A TOUT ALLURE (FR, Robert Kramer, 1982); LITTIN, MIGUEL; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975); DERSU UZALA (UR/JA, Akira Kurosawa, 1975); INDIA SONG (FR, Marguerite Duras, 1975); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); KAFR KASSEM (LE/SY, Borhan Alaouié, 1973); MILESTONES (US, Robert Kramer & John Douglas, 1975); MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974); STAR WARS (US, George Lucas, 1977); SIX FOIS DEUX (FR, Jean-Luc Godard, 1976); TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973); XALA (SG, Ousmane Sembene, 1974) Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.] ISBN: 0415029880 Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s
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A camera actress in the wilds of Togoland : the adventures, observations & experiences of a cinematograph actress in West African forests whilst collecting films depicting native life and when posing as the white woman in Anglo-African cinematograph dramas / by Miss M. Gehrts, with an introduction by Major H. Schomburgk, with 65 illustrations & a map London: Seeley, Service & Co., 1915. Call No: 81GEH GEH Author: Gehrts, Meg Source: UK Place: London Publisher: Seeley, Service & Co. PubDate: 1915 PhysDes: xx, [17]-315, [1] p. : front., illus., plates, fold. map. ; 23 cm Subject: AFRICA IN FILMS Language: English
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Cannibalilizing queer : Brazilian cinema from 1970 to 2015 / Joao Nemi Neto Detroit: Wayne State University Press, 2021. Call No: 71-032(81) NEM Author: Nemi Neto, Joao Edition: 2021 Place: Detroit Publisher: Wayne State University Press PubDate: 2021 PhysDes: x, 170 pages ; 24 cm Series: Queer Screens Subject: BRAZIL; HOMOSEXUALITY IN FILMS; AIDS IN FILMS; PORNOGRAPHIC FILMS; CANNIBALISM IN FILMS; MADAME SATA (BL/FR, Karim Ainouz, 2002); MARINS, JOSE MOJICA; ORGIA OU O HOMEN QUE DEU CRIA (BL, Joao Silverio Trevisan, 1970) Summary: Through an analysis of contemporary Brazilian cinematic production, Cannibalizing Queer: Brazilian Cinema from 1970 to 2015 discusses which queer representations are erased and which are acknowledged in the complex processes of cultural translation, adaptation, and "devouring" that defines the Brazilian understanding of sexual dissidents and minorities. João Nemi Neto argues for Brazilian cinema studies to acknowledge the importance of 1920s modernism and of antropografia, a conceptual mode of cannibalism, to adopt and extrapolate a perverse form of absorption and raise the stakes on queer theory and postcolonialism, and to demonstrate how they are crucial to the development of a queer tradition in Brazilian cinema.
In five chapters and two "trailers," Nemi Neto understands the term "queer" through its political dimensions because the films he analyzes represent characters that conform neither to American coming-out politics nor to Brazilian identity politics. Nonetheless, the films are queer precisely because the queer experiences and affection explored in these films do not necessarily insist on identifying characters as a particular sexuality or gender identity. Therefore, attention to characters within a unique cinematic world raises the stakes on several issues that hinge on cinematic form, narrative, and representation. Nemi Neto interviews and examines the work of Joao Silverio Trevisan and provides readings of films such as AIDS o furor do sexo explícito (AIDS the Furor of Explicit Sex, 1986), and Dzi Croquetes (Dzi Croquetes, 2009) to theorize a productive overlap between queer and antropofagia. Moreover, the films analyzed here depict queer alternative representations to both homonormativity and heteronormativity as forms of resistance, at the same time as prejudice and heteronormativity remain present in contemporary Brazilian social practices.
Graduate students and scholars of cinema and media studies, queer studies, Brazilian modernism, and Latin American studies will value what one early reader called "a point of departure for all future research on Brazilian queer cinema." -- publisher's web site ISBN: 9780814346105 Donation: Senses of Cinema
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Carnival Stories in Romanian Film (1981) iss.2 p.22-23 Author: Grossan, I. PhysDes: Article Subject: ALE CARNAVALULUI, D' (RM, Lucian Pintilie, 1981); DE CE TRAG CLOPOTELE, MITICA? (RM, Lucian Pintilie, 1981); WHY ARE THE BELLS RINGING, MITICA? (RM, Lucian Pintilie, 1981); WHAT DO THE BELLS TOLL FOR, MITICA? (RM, Lucian Pintilie, 1981) Notes: Article written in both French and English versions. - Although the article refers to the film as "D'ale Carnavalului" it is more commonly known as "De ce trag clopotele, Mitica?" with the English translation titles of "What Do the Bells Toll For, Mitica?" or "Why Are the Bells Ringing, Mitica?"
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The case against Casey's Oscar in Sunday Herald Sun [General News] (26/02/2017) p.38 Call No: PERSONALITY CLIPPINGS FILE; AFFLECK, CASEY Author: Paatsch, Leigh PhysDes: Clippings Subject: AFFLECK, CASEY Summary: An article that questions whether Casey Affleck's is derserving of an Academy Award win for best performance due to the sexual harassment suits filed against him in 2010
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A casebook on film / Charles Thomas Samuels New York: Van Nostrand Reinhold, 1970. More info |
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CBD : Goodbye to Yellow Brick Road: Nah! in The Age (03/08/2015) p.22 More info |
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Celebrity stew : food publicity pioneer shares 50 years of entertaining inside stories of Hollywood royalty / Leo Pearlstein / foreword by Steve Allen Los Angeles CA: Hollywood Circle Press, 2002. Call No: 411.2(73) PEA Author: Pearlstein, Leo Source: US Place: Los Angeles CA Publisher: Hollywood Circle Press PubDate: 2002 PhysDes: 205 p. : ill. ; 26 cm. Subject: ADVERTISING. USA Notes: Includes index ISBN: 0971130612
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The celluloid muse : Hollywood directors speak / [by] Charles Higham and Joel Greenberg London: Angus & Robertson, 1969. Call No: 802.25(73) HIG Author: Higham, Charles, 1931; Greenberg, Joel, joint author Place: London Publisher: Angus & Robertson PubDate: 1969 PhysDes: 268 p., 32 plates. illus., ports. 24 cm Subject: ALDRICH, ROBERT; CUKOR, GEORGE; FRANKENHEIMER, JOHN; HITCHCOCK, ALFRED; LANG, FRITZ; MAMOULIAN, ROUBEN; MINNELLI, VINCENTE; RAPPER, IRVING; ROBSON, MARK; TOURNEUR, JACQUES; VIDOR, KING; WILDER, BILLY; BERNHARDT, CURTIS; MILESTONE, LEWIS; NEGULESCO, JEAN ISBN: 0207951233 LON: 562650
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'Centrespread' movie hits Adelaide with a bang! in Australasian Cinema (16/7/1982) vol.11 iss.12 p.32 More info |
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Charlotte Gee appointed advertising/publicity mgr. NSW, Village/Roadshow in Australasian Cinema (2/4/1982) vol.11 iss.5 p.2 More info |
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Children's television: an analysis of programming and advertising / Francis Earle Barcus with Rachel Wolkin New York: Praeger, 1977. More info |
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Children's television and advertising / Ross Howarth Carlton, Vic.: Australian Children's Television Foundation, 1985. Call No: 412-053.2 HOW Author: Howarth, Ross CorpAuthor: Australian Children's Television Foundation; Australian Children's Television Foundation. Conference (1985 : Melbourne, Vic.) Source: AT Place: Carlton, Vic. Publisher: Australian Children's Television Foundation PubDate: 1985 PhysDes: 13 p. ; 21 cm Subject: ADVERTISING. AUSTRALIA; CHILDREN AND TV. AUSTRALIA Notes: "Paper prepared for the Australian Children's Television Foundation, International Conference on 'The challenge of kids' TV', Melbourne, Australia, May 1985." ISBN: 0864211449 LON: 3915929
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Chinese films in focus : 25 new takes / Chris Berry ed. London: British Film Institute, 2003. Call No: 71(51) CHI Author: Berry, Chris CorpAuthor: BFI Source: UK Place: London Publisher: British Film Institute PubDate: 2003 PhysDes: viii, 216 p.. ill.. 24 cm. Subject: CITY OF SADNESS, A [; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); TOU-PEN NU-HAI (HK, Ann Hui, 1982); BOAT PEOPLE (HK, Ann Hui, 1982); BULLET IN THE HEAD, A (CN, Attila Bertalan, 1990); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); WO HU ZANG LONG (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: "As Chinese films have stormed the international cinema, they have stimulated a wide range of vigorous debate and insightful scholarship. 'Chinese Films in Focus: 25 New Takes' consists of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and other parts of the diaspora are all included and historical coverage ranges from the 1930s to the present." [Taken from the back cover] Notes: Includes bibliographical references and index ISBN: 0851709869. v. pbk. ID2: 150
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Chinese films in focus II / editged by Chris Berry Basingstoke [England] ; New York: British Film Institute/Palgrave Macmillan, 2008. Call No: 71(51) CHI Author: Berry, Chris Edition: Second Edition Source: UK Place: Basingstoke [England] ; New York Publisher: British Film Institute/Palgrave Macmillan PubDate: 2008 PhysDes: 287 pages : illustrations ; 24 cm Subject: CITY OF SADNESS, A [; TAIWAN; CULTURE AND THE CINEMA. CHINA; [FIFTEEN] 15 (SI, Royston Tan, 2003); BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002); DA WAN (HK/CC, Feng Xiaogang, 2002); BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986); HEI PAO SHI JIAN (CC, Huang Jianxin, 1986); MANG JING (CC/G/HK, Yang Li, 2003); BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003); BOAT PEOPLE (HK, Ann Hui, 1982); TOU-PEN NU-HAI (HK, Ann Hui, 1982); CENTER STAGE (HK, Stanley Kwan, 1991); RUAN LINGYU (HK, Stanley Kwan, 1991); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); ERMO (HK/CC, Zhou Xiaowen, 1994); FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993); GODDESS, THE (C, Yonggang Wu, 1934); HERO (HK/C, Yimou Zhang, 2002); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YELLOW EARTH (CC, Chen Kaige, 1985); WAN ZHONG (CC, Wu Ziniu, 1989); FLOATING LIFE (AT, Clara Law, 1996); HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999); TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969); AIQING WANSUI (TZ, Tsai Ming-Liang, 1994); HSI YEN (TZ, Ang Lee, 1993); HUANG TUDI (CC, Chen Kaige, 1985); YI YI (JA/TZ, Edward Yang, 2000) Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURB Notes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titles ISBN: 9781844572373 Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li
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Chris Lean joins Dennis Davidson Associates in Australasian Cinema (27/8/1982) vol.11 iss.15 p.16 More info |
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CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?]. Call No: 675.1(94) LAW Author: Lawrence, Denny Source: AT Place: [North Ryde, NSW?] Publisher: Australian Film and Television School PubDate: [1980?] PhysDes: 60 leaves : 30 cm Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each. Notes: Reprinted October 1980 Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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Cinderella Promotion in Queensland in Australasian Cinema (23/7/1982) vol.11 iss.13 p.2 More info |
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Cinema and social change in Latin America : conversations with filmmakers / edited by Julianne Burton Austin: University of Texas Press, 1986. Call No: 802.25(8=6) CIN Author: Burton, Julianne Edition: 1st ed Place: Austin Publisher: University of Texas Press PubDate: 1986 PhysDes: xvi, 302 p. : ports. ; 24 cm Subject: LATIN AMERICAN COUNTRIES; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES; BOLIVIA; CHILE; NICARAGUA; MEXICO; CUBA; BIRRI, FERNANDO; SANJINES, JORGE; GUZMAN, PATRICIO; ROCHA, GLAUBER; ALEA, TOMAS GUTIERREZ; SANTOS, NELSON PEREIRA DOS; SOLAS, HUMBERTO; DIEGUES, CARLOS; RUIZ, RAUL; GUMUCIO DAGRON, ALFONZO; HANDLER, MARIO; SILVA, JORGE; RODRIGUEZ, MARTA; VAZQUEZ, EMILIO RODRIGUEZ; IBARRA, CARLOS VICENTE; SOLBERG-LADD, HELENA; EGUINO, ANTONIO; VILLAGRA, NELSON; FERNANDEZ VIOLANTE, MARCELA; ACHUGAR, WALTER; COLINA, ENRIQUE; GARCIA ESPINOSA, JULIO Notes: Includes indexes; Bibliography: p. [285]-286 ISBN: 0292724535; 0292724543 (pbk.) LON: 4568383
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The cinema as art / Ralph Stephenson & J. R. Debrix Harmondsworth: Penguin, 1969. Call No: 63 STE Author: Stephenson, Ralph; Debrix, J. R. CorpAuthor: Penguin Edition: Revised edition, reprint Place: Harmondsworth Publisher: Penguin PubDate: 1969 PhysDes: 270 p., [32] p. of plates ; 18 cm Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; EDITING; CINEMATOGRAPHY; SOUND; COSTUMES; MAKE-UP; COLORIZATION; LIGHTING Summary: “The cinema as art”, to those brought up on the “movie show and bubblegum” image, must look like a pretentious contradiction in terms. As this book demonstrates, however, the cinema stands for an art form which is almost unique in immediacy and scope. The authors explain, with over 300 examples taken from films of every country and period, the stages by which a director isolates what is mentally and emotionally significant in a situation. The reader is shown, from the inside, how the director may achieve this end by exploiting any or all of the cinematic techniques from script-planning to final editing, from camera movement to costume from sound to soft-focus. [Taken from back cover.] Notes: Illustrated. Includes index. Donation: Donated by La Trobe University Library
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Le cinema de vouzotres : Films et recontres: Cinema Judeite Belgique / Editeur responsable: Jean-Pierre Hubin Brussels: Institut de la memoire audiovisuelle juive, [2006]. Call No: 71(493)-054(=924) Author: Hubin, Jean-Pierre Edition: [2006] Place: Brussels Publisher: Institut de la memoire audiovisuelle juive PubDate: [2006] PhysDes: 108 p. ; 14cm; 52 p. ; 14cm; 1 DVD (66 min) : colour, stereo; All in box 15 x 15 x 2 cm Subject: BELGIUM; JEWS AND THE CINEMA; AKERMAN, CHANTAL; DARDENNE, JEAN-PIERRE & LUC Notes: Title translates as: Your cinema: Cinema, Jewishness, Belgium. Films and encounters.; 108 page paperback book in French, 52 page booklet with English translation, with 67 min. DVD of six short documentary films. Language: French / English
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Cinema in Australia : a documentary history / general editor, Ina Bertrand Kensington, N.S.W.: NSWU Press, 1989. Call No: 71(94) CIN Author: Bertrand, Ina, 1939 Place: Kensington, N.S.W. Publisher: NSWU Press PubDate: 1989 PhysDes: xviii, 422 p. : ill., facsims., ports. ; 25 cm Subject: AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); AFTER SUNDOWN (AT, W.J. Lincoln, 1911); SILENCE OF DEAN MAITLAND, THE (AT, Raymond Longford, 1914) Notes: Includes index; Bibliography: p. [389]-411 ISBN: 0868400750 LON: 5839881
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The cinema of Australia and New Zealand / edited by Geoff Mayer & Keith Beattie. London: Wallflower, 2007. Call No: 71(93) CIN Source: UK Place: London Publisher: Wallflower PubDate: 2007 PhysDes: xiii, 259 p. : ill. ; 24 cm. Series: 24 Frames Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood. Notes: Includes filmography.
Includes bibliography and index. ISBN: 9781904764960
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The cinema of Neil Jordan : dark carnival / Carole Zucker, foreword by Stephen Rea London: Wallflower, 2008. Call No: 81JOR ZUC Author: Zucker, Carole Source: UK Place: London Publisher: Wallflower PubDate: 2008 PhysDes: xi, 203 p. : ill. ; 24 cm Series: Directors' cuts Subject: AESTHETICS; CRITICISM; JORDAN, NEIL Summary: " The most internationally renowned of Irish film directors, Neil Jordan's diverse work has spanned Gothic horror (The Company of Wolves, 1984, and Interview with the Vampire, 1994), Irish history (Michael Collins, 1996), literary adaptation (The End of the Affair, 1999) and sexual identity (The Crying Game, 1992, and breakfast on Pluto, 2005), while retaining a distinctive stylistic flair for fantasy and the carnivalesque. This volume discusses Jordan's entire output as part of the first comprehensive study of his career, looking beyond ideological and national concerns to view his films through the prism of Celtic folklore, fairy tales, the Gothic, romanticism and postmodernism. Incorporating discussion of Jordan's award-winning literary work and benefitting from extensive access to his personal archives, this book explains the mythic and poetic impulses that suffuse the director's work" -- BOOK BLURB Notes: Formerly CIP; Includes bibliographical references (p. 192-197) and index; Includes filmography ISBN: 9781905674411 Contents: acknowledgements -- foreword by Stephen Rea -- introduction -- 1: Irish film/history and mythopoesis -- 2: celtic myth and folklore: a dimension beyond existence -- 3: storytelling and performance -- 4: postmodern fairy tales and hybrid genres -- 5: Neil Jordan, author: 'the ache for aliveness' -- 6: dark romaticism -- 7: the gothic: the moment of collapse -- 8: the end of the affair: 'this is a diary of hate' -- 9: fantastic voyage: recent works -- 10: coda: the brave one: 'there's plenty of ways to die' -- notes filmography -- bibliography -- index --
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The cinema of Satyajit Ray / Chidananda Das Gupta New Delhi: National Book Trust, India, 1994. Call No: 81RAY DAS Author: Das Gupta, Chidananda Edition: rev. and enl. ed. Place: New Delhi Publisher: National Book Trust, India PubDate: 1994 PhysDes: xv, 204 p., [48] p. of plates : ill. ; 24 cm Subject: Ray, Satyajit; PATHER PANCHALI (II, Satyajit Ray, 1955); APARAJITO (II, Satyajit Ray, 1957); PARASH PATHAR (II, Satyajit Ray, 1958); JALSAGHAR (II, Satyajit Ray, 1958); APUR SANSAR (II, Satyajit Ray, 1958); DEVI (II, Satyajit Ray, 1960); TEEN KANYA (II, Satyajit Ray, 1961); RABINDRANATH TAGORE (ii, Satyajit Ray, 1961); KANCHENJUNGHA (II, Satyajit Ray, 1962); ABHIJAN (II, Satyajit Ray, 1962); MAHANAGAR (II, Satyajit Ray, 1963); CHARULATA (II, Satyajit Ray, 1964); TWO (II, Satyajit Ray, 1964); KAPURAUSH O MAHAPURUSH (II, Satyajit Ray, 1965); NAYAK (II, Satyajit Ray, 1966); CHIRIAKHANA (II, Satyajit Ray, 1967); GOOPY GYNE BAGHA BYNE (II, Satyajit Ray, 1968); ARANYER DIN RATRI (II, Satyajit Ray, 1970); PRATIDWANDI (II, Satyajit Ray, 1971); SEEMABADDHA (II, Satyajit Ray, 1971); JANA ARANYA (II, Satyajit Ray, 1975); SHATRANJ KE KHILARI (II, Satyajit Ray, 1977); JOI BABA FELUNATH (II, Satyajit Ray, 1978); HOME AND THE WORLD, THE [; SHAKHA PROSHAKHA (II/FR, Satyajit Ray, 1990); AGANTUK (II, Satyajit Ray, 1991); INNER EYE, THE (II, Satyajit Ray, 1972); ASANI SANKET (II, Satyajit Ray, 1973); SONAR KELLA (II, Satyajit Ray, 1975); BALA (II, Satyajit Ray, 1976); JOI BABA FELUNATH (II, Satyajit Ray, 1978); HIRAK RAJAR DESHE (II, Satyajit Ray, 1980); PIKOO (II, Satyajit Ray, 1980); SADGATI (II, Satyajit Ray, 1981); SUKUMAR RAY (II, Satyajit Ray, 1988); GANASHATRU (II, Satyajit Ray, 1989) Notes: Includes bibliographical references (p. [201]-204) ISBN: 8123707533 Donation: donated by the family of Wayne Levy, 2006
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Cinema still beats online viewing in The Age (20/08/2015) p.20 Call No: SCREEN AUSTRALIA Author: Maddox, Garry PhysDes: Clippings File Article Subject: SCREEN AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014]; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015); BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015) Summary: Snippet on Screen Australia investing $1 million into promoting three Australian films in 2015, Last Cab to Darwin, The Dressmaker, and The Blinky Bill Movie
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A cinema without walls : movies and culture after Vietnam / Timothy Corrigan London: Routledge, 1991. Call No: 626(73) COR Author: Corrigan, Timothy, 1951 Place: London Publisher: Routledge PubDate: 1991 PhysDes: x, 258 p. : ill. ; 23 cm Subject: HEAVEN'S GATE (US, Michael Cimino, 1980); PLATOON (US, Oliver Stone, 1986); FULL METAL JACKET (UK, Stanley Kubrick, 1987); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); BLUE VELVET (US, David Lynch, 1986); CHOOSE ME (US, Alan Rudolph, 1984); AFTER HOURS (US, Martin Scorsese, 1985); COPPOLA, FRANCIS FORD; KLUGE, ALEXANDER; RUIZ, RAUL; BONNIE AND CLYDE (US, Arthur Penn, 1967); BADLANDS (US, Terrence Malick, 1973); PARIS, TEXAS (GW/FR, Wim Wenders, 1984); KING OF COMEDY, THE (US, Martin Scorsese, 1983); THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979); DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979) Notes: Includes index; Bibliography: p. [233]-250 ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00 LON: bnb41507133; 8595450
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Cinema Year Book of Japan, 1938 / edited by International Cinema Association of Japan, The (Kokusai Eiga Kyokai) Tokyo: Kokusai Bunka Shinkokai (The Society for International Cultural Relations), 1938. Call No: 71 (52) CIN; RARE BOOK; FOLIO Place: Tokyo Publisher: Kokusai Bunka Shinkokai (The Society for International Cultural Relations) PubDate: 1938 PhysDes: 82 p. : ill., ports. ; 32cm Subject: JAPAN; NATIONAL CULTURE AND THE CINEMA; PERIODICALS, FILM; ORGANIZATIONS; NEWSREELS; KOREA; SHOCHIKU; TOHO; NIKKATSU; KAZE NO NAKA NO KODOMO (JA, Hiroshi Shimizu, 1937); KOJO NO TSUKI (JA, Keisuke Sasaki, 1937); HANA-KAGO NO UTA (JA, Heinosuke Gosho, 1937); ASAKUSA NO HI (JA, Yasujiro Shimazu, 1937); SOBO (JA, Hisatora Kumagai, ?); TABIJI (JA, Ri Keikwan, ?); ATARASHIKI TSUCHI (JA, Mansaku Itami, 1937); HADAKA NO MACHI (JA, Tomu Uchida, 1937); SHINSEN GUMI (JA, Sotoji Kimura, 1937); SHINJITSU ICHIRO (JA, Tomotaka Tasaka, 1937); SHUKUJO WA NANI O WASURETA KA (JA, Yasujiro Ozu, 1937); OSAKA NATSU NO JIN (JA, Teinosuke Kinugasa, 1937); AI EN KYO (JA, Kenji Mizoguchi, 1937); WAKAI HITO (JA, Shiro Toyoda, 1937); KAGIRINAKI ZENSHIN (JA, Tomu Uchida, 1937)
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The cinematic body / Steven Shaviro Minneapolis: University of Minnesota Press, 1993. Call No: 64POS SHA Author: Shaviro, Steven Place: Minneapolis Publisher: University of Minnesota Press PubDate: 1993 PhysDes: x, 276 p. ; 26 cm Series: Theory out of bounds ; v. 2 Subject: AESTHETICS; POSTMODERNISM AND THE CINEMA; PERCEPTION; MASCULINITY IN FILMS; MEN IN FILMS; PORNOGRAPHY AND THE CINEMA; BODY IN FILMS; SEX IN FILMS; WARHOL, ANDY; ROMERO, GEORGE; LEWIS, JERRY; CRONENBERG, DAVID; BRESSON, ROBERT; DELEUZE, GILLES; GUATTARI, FELIX; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982) Notes: Includes bibliographical references (p. [268]-272) and index ISBN: 0816622949 (PB : acid-free paper) LON: 9656941
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Cinematic encounters 2 : portraits and polemics / Jonathan Rosenbaum Urbana, Chicago, and Springfield: University of Illinois Press, 2019. Call No: 670 ROS Author: Rosenbaum, Jonathan Edition: 2019 Place: Urbana, Chicago, and Springfield Publisher: University of Illinois Press PubDate: 2019 PhysDes: 312 pages ; 23cm Subject: DIRECTORS; AKERMAN, CHANTAL; BROOKS, JAMES L.; BUNUEL, LUIS; DEMY, JACQUES; DREYER, CARL TH.; GIANVITO, JOHN; JARMUSCH, JIM; LEWIS, JERRY; LINKLATER, RICHARD; MADDIN, GUY; MAY, ELAINE; OLIVEIRA, MANOEL DE; OLMI, ERMANNO; YASUJIRO OZU; POTTER, SALLY; RAPPAPORT, MARK; RESNAIS, ALAIN; RIVETTE, JACQUES; TARR, BELA; MING-LIANG, TSAI; WELLES, ORSON Summary: Eschewing the idea of film reviewer-as-solitary-expert, Jonathan Rosenbaum continues to advance his belief that a critic's ideal role is to mediate and facilitate our public discussion of cinema. Portraits and Polemics presents debate as an important form of cinematic encounter whether one argues with filmmakers themselves, on behalf of their work, or with one's self.
Rosenbaum takes on filmmakers like Chantal Akerman, Richard Linklater, Manoel De Oliveira, Mark Rappaport, Elaine May, and Béla Tarr. He also engages, implicitly and explicitly, with other writers, arguing with Pauline Kael—and Wikipedia—over Jacques Demy, with the Hollywood Reporter and Variety reviewers of Jarmusch’s The Limits of Control, with David Thomson about James L. Brooks, and with many American and English film critics about misrepresented figures from Jerry Lewis to Yasujiro Ozu to Orson Welles. Throughout, Rosenbaum mines insights, pursues pet notions, and invites readers to join the fray. -- publisher's web site ISBN: 9780252084386 Contents: Introduction: In Defense of Polemical Criticism -- 1. Chantal Akerman -- 2. James L. Brooks -- 3. Luis Buñuel -- 4. Pedro Costa -- 5. André Delvaux -- 6. Jacques Demy -- 7. Carl Dreyer -- 8. John Gianvito -- 9. Jim Jarmusch -- 10. Jia Zhangke -- 11. Jerry Lewis -- 12. Richard Linklater -- 13. Guy Maddin -- 14. Elaine May -- 15. Manoel de Oliveira -- 16. Ermanno Olmi -- 17. Yasujiro Ozu -- 18. Sally Potter -- 19. Mark Rappaport -- 20. Alain Resnais -- 21. Jacques Rivette -- 22. Béla Tarr -- 23. Tsai Ming-liang -- 24. Orson Welles – Index.
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Cities in film : architecture, urban space and the moving image : an international interdisciplinary conference, university of Liverpool, 26-28th March 2008 / edited by Julia Hallman (... et al.) Liverpool, UK: School of Architecture. the University of Liverpool, 2008. Call No: 161CIT [72] CorpAuthor: University of Liverpool Place: Liverpool, UK Publisher: School of Architecture. the University of Liverpool PubDate: 2008 PhysDes: 283 p. : ill., ports ; 25 cm Subject: AESTHETICS; ARCHITECTURE AND THE CINEMA; ARCHITECTURE IN FILMS; CONFERENCES. UK.; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES; CULTURE AND THE CINEMA. UK Summary: 'City in Film' will explore the relationship between film, architecture and the urban landscape drawing on interests in film, architecture, urban studies and civic design, cultural geography, cultural studies and related fields. The conference is part of University of Liverpool's contribution to the European Capital of Culture 2008, and aims to foster interdisciplinary dialogues around architectural and film history and theory, film and urban space, and to point towards new intellectual frameworks for discussion. It seeks to draw on the work of theorists and practitioners engaged in ideas in these areas, examining film in the context of urban design and development and exploring in particular the contested social, cultural and political terrain that underpins these practices. We particularly welcome contributions on non-fiction film, documentaries, actuality and amateur film, the influence of film on urban and architectural design, and the role of film in the construction of virtual environments and spaces of memory Notes: Includes bibliographical references ISBN: 9780955788413 Donation: Deb Verhoeven
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City Theatres opens its seventh drive-in in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.2 More info |
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Cityscapes II in Wide Angle (July 1998) vol.20 iss.3 p.[whole issue] More info |
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The Classic American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1977. Call No: 753.4 CLA Author: Peary, Gerald; Shatzkin, Roger Place: New York Publisher: Ungar PubDate: 1977 PhysDes: xii, 356 p. : ill. ; 22 cm Series: Ungar Film Library Subject: ADAPTATIONS; BOGDANOVICH, PETER; EISENSTEIN, SERGEI M.; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938); ALICE ADAMS (US, George Stevens, 1935); BABBITT (US, Harry Beaumont, 1924); BILLY BUDD (UK, Peter Ustinov, 1962); CARRIE (US, William Wyler, 1952); DAISY MILLER (US, Peter Bogdanovich, 1974); DODSWORTH (US, William Wyler, 1936); FAREWELL TO ARMS, A (US, Frank Borzage, 1933); GREAT GATSBY, THE (US, Elliott Nugent, 1949); GREAT GATSBY, THE (US, Jack Clayton, 1974); GREED (US, Erich von Stroheim, 1925); HEIRESS, THE (US, William Wyler, 1949); HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940); I MARRIED A DOCTOR (US, Archie L. Mayo, 1936); INNOCENTS, THE (UK, Jack Clayton, 1962); LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920); LITTLE WOMEN (US, George Cukor, 1933); LITTLE CAESAR (US, Mervyn LeRoy, 1931); LITTLE WOMEN (US, Mervyn LeRoy, 1948); MOBY DICK (UK, John Huston, 1956); PRINCE AND THE PAUPER, THE (US, William Keighley, 1937); RED BADGE OF COURAGE, THE (US, John Huston, 1951); SEA WOLF, THE (US, Michael Curtiz, 1941); SCARLET LETTER, THE (US, Victor Sjostrom, 1926); SOUND AND THE FURY, THE (US, Martin Ritt, 1959); SUN ALSO RISES, THE (US, Henry King, 1957); VIRGINIAN, THE (US, Stuart Gilmore, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURB Notes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344 ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95 LON: qum00211939; 12437055 857055
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Classics of the foreign film : a pictorial treasury / by Parker Tyler New York: Citadel Press, [1962]. Call No: 67(04) TYL Author: Tyler, Parker Edition: [1st ed.] Place: New York Publisher: Citadel Press PubDate: [1962] PhysDes: 253 p. : illus. ; 29 cm Subject: CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAPOLEON (FR, Abel Gance, 1927); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); METROPOLIS (G, Fritz Lang, 1926); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ZEMLJA (UR, Alexksandr Dovzenko, 1930); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); AGE D'OR, L' (FR, Luis Bunuel, 1930); MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958); DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931); M (G, Fritz Lang, 1931); A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]); MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933); KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); DYBUK (PL, Michal Waszynski, 1938); ALEX & EVE (AT, Peter Andrikidis, 2015); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VREDENS DAG (DK, Carl Th. Dreyer, 1943); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); SCIUSCIA (IT, Vittorio De Sica, 1946); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); FROKEN JULIE (SW, Alf Sjoberg, 1950); RASHOMON (JA, Akira Kurosawa, 1950); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); JIGOKUMON (JA, Teinosuke kinugasa, 1953); STRADA, LA (IT, Federico Fellini, 1954); KUMONOSU-JO (JA, Akira Kurosawa, 1957); ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); PICKPOCKET (FR, Robert Bresson, 1959); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960); YOJIMBO (JA, Akira Kurosawa, 1961); SANG DES BETES, LE (FR, Georges Franju,1949); VIRIDIANA (SP/MX, Luis Bunuel, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); TYSTNADEN (SW, Ingmar Bergman, 1963) Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKET LON: 712285 Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence
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The collapse of the conventional : German film and its politics at the turn of the twenty-first century / edited by Jaimey Fisher and Brad Prager Detroit: Wayne State University Press, c2010. Call No: 71(430):45:32 COL Author: Fisher, Jaimey (ed.); Prager, Brad (ed.) Source: US Place: Detroit Publisher: Wayne State University Press PubDate: c2010 PhysDes: vi, 431 p. : ill. ; 23 cm Series: Contemporary approaches to film and television series Subject: POLITICAL FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; GERMANY; AESTHETICS; HISTORY AND THE CINEMA. GERMANY; HISTORY OF CINEMA. GERMANY; STALINGRAD (GG, Joseph Vilsmaier, 1992); DOWNFALL (GG, Oliver Hirschbiegel, 2004)SEE
UNTERGANG, DER; UNTERGANG, DER (G, Oliver Hirschbiegel, 2004); ROSENSTRASSE (US/BE/NE, Margarethe von Trotta, 2004); NO PLACE TO GO (GG, Oskar Rohler, 2000)
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UNBERUHRBARE, DIE; UNBERUHRBARE, DIE (GG, Oskar Rohler, 2000); LIVES OF OTHERS, THE (GE, Florian Henckel Von Donnersarck, 2006)SEE
LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006); LEBEN DER ANDEREN, DAS (GE, Florian Henckel Von Donnersarck, 2006) Summary: "Fisher and Prager have assembled a significant group of essays by the emerging generation of German cinema experts in the U.S. The anthology is the first serious attempt to retell the history of the New German Cinema and the 'consensus' cinema of the 1900s through the lens of contemporary, post-2000 films in all their diversity. Film scholars, students of the German cinema, and the general reading public will discover here why 'Deutsches Kino' is once again in the limelight. " -- Marc Silberman Notes: Includes bibliographical references and index; Includes filmography ISBN: 9780814333778 Contents: -- Introduction / Jaimey Fisher and Brad Prager -- Imitation of life: the aesthetics of Agfacolor in recent historical cinema / Jennifer M. Kapczynski -- Public viewing: soccer patriotism and post-cinema / Lutz Koepnick -- More war stories: Stalingrad and downfall / Elisabeth Krimmer -- Neofeminist mutterfilm? the emotional politics of Margarethe von Trotta's Rosenstrasse / Anna M. Parkinson -- Dresden: the return of history as soap / Wilfried Wilms -- Terrains vagues: landscapes of unification in Oskar Roehler's No place to go / Johannes von Moltke -- German historical film as production trend: European heritage cinema and melodrama in The lives of others / Jaimey Fisher -- A world of objects: consumer culture in filmic reconstructions of the GDR / Michael D. Richardson -- Playing hide-and-seek with tradition: games, aesthetic form, and social critique in German cinema following the Wende / John E. Davidson -- Imaging Germany: the (political) cinema of Christian Petzold / Marco Abel -- Christoph Hochhausler's This very moment: the B
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