book
Movies of the twenties : and early cinema / Jurgen Muller (ed) Koln: Taschen GMBH, 2007.
Call No: 70"192" MULAuthor: Muller, Jurgen Edition: 2007Place: KolnPublisher: Taschen GMBHPubDate: 2007PhysDes: 482 pgaes : illustrated ; 26 cmSubject: HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. SILENT PERIOD ; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; CABIRIA (IT, Giovanni Pastrone, 1914) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; INTOLERANCE (US, David Wark Griffith, 1916) ; MADAME DUBARRY (G, Ernst Lubitsch, 1919) ; CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920) ; EROTIKON (SW, Mauritz Stiller, 1920) ; GOLEM, WIE ER IN DIE WILT KAM, DER (G, Paul Wegener & Carl Bose, 1920) ; KID, THE (US, Charles Chaplin, 1921) ; FOOLISH WIVES (US, Erich Von Stroheim, 1922) ; FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921) ; THREE MUSKETEERS, THE (US, Fred Niblo, 1921) ; ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925) ; TOL'ABLE DAVID (US, Henry King, 1921) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; HAXAN [WITCHCRAFT THROUGH THE AGES] (SW/DK, Benjamin Christensen, 1922) ; [DOKTOR] DR. MABUSE DER SPIELER (G, Fritz Lang, 1922) ; SAFETY LAST (US, Fred Newmayer/Sam Taylor, 1923) ; HUNCHBACK OF NOTRE DAME (US, Wallace Worsley, 1923) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; THIEF OF BAGDAD (US, Raoul Walsh, 1924) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; NAVIGATOR, THE (US, Buster Keaton & Donald Crisp, 1924) ; GREED (US, Erich von Stroheim, 1925) ; IRON HORSE, THE (UK, John Ford, 1924) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; BEN HUR (US, Fred Niblo, 1925) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; VARIETE (G, E.A. Dupont, 1925) ; BIG PARADE, THE (US, King Vidor, 1925) ; FREUDLOSE GASSE, DIE (G, Wilhelm Pabst, 1925) ; PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925) ; SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; BLACK PIRATE, THE (US, Albert Parker, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925) ; METROPOLIS (G, Fritz Lang, 1926) ; KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927) ; BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927) ; NAPOLEON (FR, Abel Gance, 1927) ; CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; CROWD, THE (US, King Vidor, 1928) ; WIND, THE (US, Victor Sjostrom, 1928) ; CIRCUS, THE (US, Charles Chaplin, 1928) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1929) ; MOROCCO (US, Josef von Sternberg, 1930) ; WESTFRONT 1918 (G, Georg Wilhelm Pabst, 1930) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) Notes: From the invention of the moving picture to the first sound movies From the first moving pictures (the Lumiere brothers' 1895 L'arrive d'un train), early westerns, fantastic pictures, and nickelodeons all the way through the golden age of silent film in the 1920s, this book covers the first three decades of the moving picture around the world. In America, we witness the birth of Hollywood, circa 1910, where film quickly became a powerful industry and D. W. Griffith put American cinema on the map; later, Charlie Chaplin and Buster Keaton developed a new language of visual comedy while eccentrics like Erich von Stroheim and Cecil B. DeMille turned cinema into a high art form and show biz respectively, and sex symbols like Rudolph Valentino and Greta Garbo heated up the screens.
Meanwhile, in Europe, German directors such as Ernst Lubitsch and Fritz Lang were establishing their careers and Russian greats Eisenstein and Pudovkin were already revolutionizing a nascent art form. At the end of the 1920s the very first "talkies", albeit rudimentary ones, brutally crushed the silent art, but by 1930 sound masterpieces such as Sternberg's The Blue Angel and Milestone's All Quiet on the Western Front were produced. This exploration of the founding years of cinema offers a fascinating perspective on a period in movie history that is far too often overlooked in our times. -- jacket blurbISBN: 9783822846131Donation: Megan McMurchy
More info
book
Multiple voices in feminist film criticism / Diane Carson,Linda Dittmar, and Janice R. Welsch, editors Minneapolis: University of Minnesota Press, 1994.
Call No: 626:396 MULAuthor: Carson, Diane ; Dittmar, Linda, 1938 ; Welsch, Janice R Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1994PhysDes: ix, 547 p. : ill. ; 24 cmSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; WOMEN IN FILMS. MEXICO ; WOMEN IN FILMS. CHINA ; WOMEN IN FILMS. THIRD WORLD ; WOMEN IN FILMS. CUBA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; BLACKS IN FILMS ; BORDEN, LIZZIE ; DASH, JULIE ; DIETRICH, MARLENE ; DOANE, MARY ANN ; GARBO, GRETA ; GORRIS, MARLEEN ; GUY-BLACHE, ALICE ; MULVEY, LAURA ; TRINH, T. MINH-HA ; BAHTIN, MIHAIL ; ARZNER, DOROTHY ; FIELD, CONNIE ; CHENZIRA, AYOKA ; SAYONARA (US, Joshua Logan, 1957) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; SWING SHIFT (US, Jonathan Demme, 1984) ; SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982) ; RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; BORN IN FLAMES (US, Lizzie Borden, 1983) ; DRY WHITE SEASON, A (US, Euzhan Palcy, 1989) ; MARRYING KIND, THE (US, George Cukor, 1952) ; MARTY (US, Delbert Mann, 1954) ; MOROCCO (US, Josef von Sternberg, 1930) ; PILLOW TALK (US, Michael Gordon, 1959) ; RETRATO DE TERESA (CU, Pastor Vega, 1979) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989) ; BLACK FURY (US, Michael Curtiz, 1934) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) Notes: Includes bibliographical references and indexISBN: 0816622728(acid-free paper); 0816622736 (pbk.)LON: 10052767
More info
book
Offscreen onscreen : the inside stories of 60 great films / Peter van Gelder London: Aurum, 1990.
Call No: 792(047.1) GELAuthor: Van Gelder, Peter Place: LondonPublisher: AurumPubDate: 1990PhysDes: 288 p. : ill. ; 24 cmSubject: AIRPLANE (US, Jim Abrahams & David Zucker & Jerry Zucker, 1980) ; ANNIE HALL (US, Woody Allen, 1977) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BATMAN (US, Tim Burton, 1989) ; BEVERLY HILLS COP (US, Martin Brest, 1984) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CARRY ON CLEO (UK, Gerald Thomas, 1964) ; CASABLANCA (US, Michael Curtiz, 1942) ; CHARIOTS OF FIRE (UK, Hugh Hudson, 1981) ; CITIZEN KANE (US, Orson Welles, 1941) ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; DAM BUSTERS, THE (UK, Michael Anderson, 1955) ; DIRTY HARRY (US, Don Siegel, 1971) ; DUCK SOUP (US, Leo McCarey, 1933) ; EASY RIDER (US, Dennis Hopper, 1969) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; EXORCIST, THE (US, William Friedkin, 1973) ; FANTASIA (US, Walt Disney, 1940) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933) ; FRANKENSTEIN (US, James Whale, 1931) ; FRENCH CONNECTION, THE (US, William Friedkin, 1971) ; GENEVIEVE (UK, Henry Cornelius, 1953) ; GODFATHER, THE (US, Francis Ford Coppola, 1972) ; GOLDFINGER (UK, Guy Hamilton, 1964) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GREASE (US, Randal Kleisner, 1978) ; HARD DAY'S NIGHT, A (UK, Richard Lester, 1964) ; HENRY V (UK, Laurence Olivier, 1944) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH SOCIETY (US, Charles Walters, 1956) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951) ; LAWRENCE OF ARABIA (UK, David Lean, 1962) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MALTESE FALCON, THE (US, John Huston, 1941) ; M*A*S*H (US, Robert Altman, 1969) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PINK PANTHER, THE (US, Blake Edwards, 1964) ; PSYCHO (US, Alfred Hitchcock, 1960) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; ROAD TO MOROCCO (US, David Butler, 1942) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; STAGECOACH (US, John Ford, 1939) ; STAR WARS (US, George Lucas, 1977) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; TOOTSIE (US, Sydney Pollack, 1982) ; TOP HAT (US, Mark Sandrich, 1935) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmedLON: bnc85410161; 7335916
More info
