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Call No: 744.9 HAR
Author: Harris, Geraldine
Source: US
Place: Manchester ; New York
Publisher: Manchester University Press, distributed exclusively in the USA by Palgrave
PubDate: 2006
PhysDes: 210 p. ; 23 cm
Subject: DRAMAS; REALISM ON TV; AESTHETICS; RACIAL ISSUES AND TV; MARXISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; FEMINISM AND THE CINEMA; IMPERIALISM AND THE CINEMA; HOMOSEXUALITY AND TV; GLOBALISATION; ALLY MCBEAL [TV] (US, 1997-); BILL, THE [TV] (UK, 1984-); STAR TREK [TV] [...] (US, 1966-69, 1987-); QUEER AS FOLK [TV] (UK, 1999-2000); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-); DYNASTY [TV] (AT, 1970); PRIME SUSPECT 3 [TV] (UK, David Drury, 1993); SOPRANOS, THE [TV] (US, 1999); TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002); WILL & GRACE[TV] (US, 1998-); XENA: WARRIOR PRINCESS [TV] (US, 1995-)
Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]
Notes: Bibliography: p.191-20; Includes index
ISBN: 0719074584 (hdbk)
Donation: Donated by Senses Of Cinema, 2009

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: HOMOSEXUALITY AND TV
URL status: URL: 'http://file://Q:/S/HOMOSEXUALITY_AND_TV.zip' Checked: 31/08/2021 1:00:00 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 403 CRE
Author: Creed, Barbara
Source: AT
Place: Crows Nest, NSW
Publisher: Allen and Unwin
PubDate: 2003
PhysDes: vii, 216 p. ; 21 cm
Subject: SEX AND THE CINEMA; SEX AND TV; REALITY SHOWS, TV. AUSTRALIA; REALITY TV; REALITY TV. AUSTRALIA; WOMEN AND THE CINEMA; WOMEN AND TV; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY AND TV; INTERNET AND THE CINEMA; INTERNET AND TV; Sprinkle, Annie; SEX AND THE CITY [TV] (US, 1998)
Summary: An examination of popular culture, film and old and new media in relation to a matrix where ideas and forms of sexuality, identity and the self are formed and performed.
ISBN: 1865089265

Call No: SUBJECT CLIPPINGS FILE; HOMOSEXUALITY AND TV. USA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: HOMOSEXUALITY AND TV. USA
Summary: American advicy group GLAAD has decided it no longer needs to have an annual survey of how gay and lesbian characters are represented on TV. The depiction of lesbian, gay and bisexual characters on tv has increasesed and includes TV shows such as Modern Family, Transparent, I am Cait, The Good Wife, Arrow, Shameless and Orange is the New Black. Gay judges and TV hosts are also now standard on television.

Call No: 403(73) MIL
Place: Jefferson, North Carolina
Publisher: McFarland & Company, Inc., Publishers
PubDate: 2014
PhysDes: viii, 207 pages ; 23 cm
Subject: HOMOSEXUALITY AND TV. USA; GLEE [TV] (US, Ryan Murphy, 2009); [NINE OH TWO ONE OH] 90210 [TV] (US, 2008-2013); SECRET LIFE OF THE AMERICAN TEENAGER, THE [TV] (US, 2009-2013); PRETTY LITTLE LIARS [TV] (US, 2010-2017); [TWO] 2 BROKE GIRLS [TV] (US, 2011-2017); MINDY PROJECT, THE [TV] (US, 2012-2017)
Summary: "This collection of new essays first situates the millennials within their historical context and then proceeds to an examination of specific characteristics--as addressed in the television and film narratives created about them, including their relationship to work, technology, family, religion, romance and history" - taken from back cover
Notes: Includes bibliographical references and index
ISBN: 9780786478804
Contents: Introduction: the twenty-first century generation / Betty Kaklamanidou and Margaret Tally -- Secrets and lies: gender and generation in the ABC Family brand / Caryn Murphy -- Lavender identity and representation in the media: the portrayal of gays and lesbians in popular television / Sean Robinson and Bernice Alston -- Exploring discourses of engagement in 2 Broke Girls / Alison N. Novak -- The Mindy Show: south asians and television multiculturalism / Janani Subramanian -- The Big Bang Theory: nerds and kidults / Janice Shaw -- The emotional power of technology, community and morality in The Vampire Diaries / Margo Collins -- Generational conflict, twenty-first century horror films and The cabin in the woods / Karen J. Renner -- The scream of a generation: "Generation Me" in Scream 4 / Sotiris Petridis -- "Comedy Natives": generations, humor and the question of why smart + funny is the new rock and roll / Margaret Tally -- The romantico-sexual narrative and intertextuality in Friends with benefits and No strings attached / Betty Kaklamanidou -- Labor narratives and The Devil wears Prada / Christoph Bettner.

Call No: 451-03 MON
Author: Monaghan, Whitney
Edition: 2016
Place: London
Publisher: Palgrave Macmillan
PhysDes: x, 192 p. : illustrated ; 22 cm
Subject: HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; HOMOSEXUALITY AND TV; HOMOSEXUALITY ON TV; BLUE IS THE WARMEST COLOR (FR/BE/SP, Abdellatif Kechiche, 2013); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); CRUEL INTENTIONS (US, Roger Kimble, 1999); DEGRASSI JUNIOR HIGH [TV] (CN, 1987-1991); ELLEN [TV] (US, 1995-); GLEE [TV] (US, Ryan Murphy, 2009); MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004); NEIGHBOURS [TV] (AT, 1985-)
Summary: This book takes up the queer girl as a represented and rhetorical figure within film, television and video. In 1987, Canada’s Degrassi Junior High featured one of TV’s first queer teen storylines. Contained to a single episode, it was promptly forgotten within both the series and popular culture more generally. Cut to 2016 – queer girls are now major characters in films and television series around the globe. No longer represented as subsidiary characters within forgettable storylines, queer girls are a regular feature of contemporary screen media. Analysing the terms of this newfound visibility, Whitney Monaghan provides a critical perspective on this, arguing that a temporal logic underpins many representations of queer girlhood. Examining an archive of screen texts that includes teen television series and teenpics, art-house, queer and independent cinemas as well as new forms of digital video, she expands current discourse on both queer representation and girls’ studies by looking at sexuality through themes of temporality. This book, the first full-length study of its kind, draws on concepts of boredom, nostalgia and transience to offer a new perspective on queer representation in contemporary screen media. -- publisher's web site
ISBN: 9781137555977
Donation: Whitney Monaghan

Call No: 749.4 QUE
Source: US
Place: New York, NY
Publisher: Routledge
PubDate: 2008
PhysDes: ix, 190 p. ; 24 cm
Subject: HOMOSEXUALITY AND TV
Notes: Includes bibliographical references and index
ISBN: 9780415450461
Contents: Introduction. the pleasures of the tube / Glyn Davis and Gary Needham -- Pt. I. Theories and approaches -- 1. Epistemology of the console / Lynne Joyrich -- 2. Ethereal queer: notes on method / Amy Villarejo -- 3. Towards queer television theory: bigger pictures sans the sweet queer-after / Michele Aaron -- Pt. II. Histories and genres -- 4. One queen and his screen: lesbian and gay television / Andy Medhurst -- 5. 'We're not all so obvious': masculinity and queer (in)visibility in American network television of the 1970s / Joe Wlodarz -- 6. 'Something for everyone': lesbian and gay 'magazine' programming on British television, 1980-2000 / Gregory Woods -- 7. Guy love: a queer straight masculinity for a post-closet era? / Ron Becker -- Pt. III. Television itself -- 8. Scheduling normativity: television, the family, and queer temporality / Gary Needham -- 9. Cruising the channels: the queerness of zapping / Jaap Kooijman -- 10. Hearing queerly: television's dissident sonics / Glyn Davis.

Call No: 749.4-053.6 DEN
Author: Dennis, Jeffery P.
Edition: 2018
Place: Binghampton, NY
Publisher: Harrington Park Press
PhysDes: 222 pages : illustrated ; 22 cm
Subject: TEEN FILMS; HOMOSEXUALITY AND TV; HOMOSEXUALITY AND THE CINEMA; BEACH MOVIES; BUDDY FILMS; HAPPY DAYS [TV] (US, 1974-1984); FATHER KNOWS BEST [TV] (US, 1954-60); LEAVE IT TO BEAVER [TV] (US, 1957-63); EASY RIDER (US, Dennis Hopper, 1969)
Notes: Why did Fonzie hang around with all those high school boys? Is the overwhelming boy-meets-girl content of popular teen movies, music, books, and TV just a cover for an undercurrent of same-sex desire? From the 1950s to the present, popular culture has involved teenage boys falling for, longing over, dreaming about, singing to, and fighting over, teenage girls. But Queering Teen Culture analyzes more than 200 movies and TV shows to uncover who Frankie Avalon's character was really in love with in those beach movies and why Leif Garrett became a teen idol in the 1970s. -- book jacket
ISBN: 9781560233480
Contents: Preface -- Devil on wheels: the rise of teen culture -- Father knows best: learning girl-craziness on TV -- Sal Mineo and friends: the juvenile delinquent films -- Teenage zombies from outer space: monster movies -- Heartbreak Hotel: the teen idols -- How to stuff a wild bikini: the beach movies -- Easy rider: the love generation -- American graffiti: 1950's nostalgia and teenage androgyny -- Real men and psycho-slashers -- The brat pack: teen nerds and operators -- Teencoms and teensoaps.

Call No: 409(94):749.4(94) JAC
Author: Jackson-Webb, Fronscesca
Source: AT
Publisher: RMIT
PubDate: 2004
PhysDes: 89p. ; 30cm
Subject: AUSTRALIA; TELEVISION; HOMOSEXUALITY AND TV; HOMOSEXUALITY ON TV; NUMBER 96 [TV] (AT, 1972-1978); WILL AND GRACE [TV] (US 1998-2006); PRISONER [TV] (AT, 1979-86); QUEER AS FOLK [TV] (UK, 1999-2000); QUEER EYE FOR THE STRAIGHT GUY [TV] (US, 2003-); QUEER EYE FOR THE STRAIGHT GUY [TV] (US, 2003); BLOCK, THE [TV] (AT, 2003-); L WORD, THE [TV] (US/CN, 2004-2009)
Summary: " In the last three years, gay, lesbian and queer representation on Australian television has increased and diversified. As a result, popular press commentators and audiences have increasingly employed discourses of normalisation in attempting to understand the ways in which these representations fit in a predominantly heterosexual mediasphere. This thesis provides a critical analysis of the discourses of normalisation in gay, lesbian and queer representation on Australian television and surrounding commentary. These discourses will be analysed through the textual analysis of a selection of programs broadcast on Australian television. Titles include: Number 96, Queer Eye for the Straight Guy, The Block, Will and Grace, Prisoner, Queer as Folk and The L Word. Queer theory, gay and lesbian identity theory and television studies provide the frameworks for these analyses. This thesis posits that discourses of pro-normalisation and anti-normalisation operate in these programs, often within the same text. It also argues that programs aspiring to represent queer sexual diversity often employ discourses of pro-normalisation, and, on the other hand, programs that aspire to present gay and lesbian assimilation at times contain transgressive queer elements." -- ABSTRACT
Notes: This is an honours thesis submitted by Fronscesca Jackson-Webb for the partial credit in Bachelor of Communication (Professional Communication) (Honours)
Contents: -- abstract -- statement of authorship-- acknowledgments -- introduction -- definition of terms -- chapter 1: from identity politics to queer theory -- 1.1: identity theory, culture and politics -- 1.2:the rise of queer theory -- 1.3: queer versus normal: discourses of queer and normalisation -- 1.4: theories of normalisation -- 1.5: the mass media -- chapter 2: gay representations of pro-normalisation -- 2.1: Number 96 -- 2.2: Will and Grace -- 2.3: The Block -- chapter 3: queer representations resisting normalisation -- 3.1: Prisoner -- 3.2: showtime's Queer as Folk and The L Word -- chapter 4: representations of Camp Identity -- 4.1: camp identity -- 4.2 Will and Grace -- 4.2 Queer Eye for the Straight Guy -- 4.4: Queer as Folk -- conclusion -- list of references -- videography --

Call No: 734.7(94) TVT
Edition: 2022
Place: New York
Publisher: Peter Lang
PubDate: 2022
PhysDes: xviii, 474 pages
Series: Australian studies: interdiscplinary perspectives; 4
Subject: PRISON DRAMAS; PRISONER [TV] (AT, 1979-86); WENTWORTH [TV](AT, 2013-); ORANGE IS THE NEW BLACK [TV](US, 2013-); AUSTRALIA; FOXTEL; HOMOSEXUALITY AND TV; RACIAL ISSUES AND TV. AUSTRALIA; TRANSGENDER AND TV
Summary: A deep dive into iconic 1980s Australian women-in-prison TV drama Prisoner (aka Cell Block H), its contemporary reimagining as Wentworth, and its broader, global industry significance and influence, this book brings together a range of scholarly and industry perspectives, including an interview with actor Shareena Clanton (Wentworth’s Doreen Anderson). Its chapters draw on talks with producers, screenwriters and casting; fan voices from the Wentworth twitterverse; comparisons with Netflix’s Orange is the New Black; queer and LGBTQ approaches; and international production histories and contexts. By charting a path from Prisoner to Wentworth, the book offers a new mapping of TV shifts and transformations through the lens of female transgression, ruminating on the history, currency, industry position and cultural value of women-in-prison series. -- publisher's web site
ISBN: 9781789975062
Contents: Table of Contents -- List of Figures -- Foreword / Kim Akass and Sue Turnbull – Acknowledgements -- Breakout Women: Introduction to TV Transformations, Gender and Transgression / Radha O’Meara, Tessa Dwyer, Stayci Taylor and Craig Batty Part I On the Inside: Voices from Industry -- 1 Representation, Responsibility and Racism: A Courageous Conversation with Shareena Clanton / interview with Shareena Clanton -- 2 Repeat Offender: TV Remakes, Reboots and Revival from Prisoner to Wentworth and beyond / Tessa Dwyer and Philippa Burne -- 3 Scriptwriting on the Inside: The Streamlined System of Prisoner and the Collaborative Community of Wentworth / Radha O’Meara -- 4 ‘I Want to See Rit’ Connors. I Want to See Her Now!’: The TV Series Guest Performer as Intertextual Messenger / Helen Milte – Part II She’s Got Form: Narrative, Genre and Motif -- 5 Women in the System: Narrative Modes and Rhetoric in Wentworth and Orange is the New Black / Kim Yen Howells-Ng -- 6 Flashbacks and Morality in Women’s Prison TV Drama / Niall Brennan -- 7 Gothic Themes in Australian TV’s Women’s Prison Dramas / Kate Warner -- 8 ‘You Want to See Your Daughter? You Tell Me What Happened’: Motherhood and the Market Economy in Wentworth / Corrine E. Hinton and Cathrine Hoekstra Part III Tough Love: Punishment, Power and Identity -- 9 Orange is the New Black, Wentworth and Contemporary Media Feminisms: Systemic Inequality and Individual Responsibility / Jessica Ford -- 10 Prison Blues and Token Truths: Inside the Reality and Fantasy of First Nations Representations in Australian Women’s Prison Drama Wentworth / Josie Rose Atkinson -- 11 Doing (Queer) Time in Wentworth / Whitney Monaghan -- 12 ‘And Then They Confiscate Her Hormones’: Trans Incarceration and/in Wentworth and Orange is the New Black / Sam McCracken -- 13 The Motherless Teenage Daughter: Lock Her Up or Send Her Away / Diana Sandars -- 14 The Stone-Cold Power Dame: TV Women in Power, State Security and National Discourse / Alex Bevan Part IV On the Outside: Fandom, Activism and Afterlives -- 15 Telling It Like It Was: Independent Activist Filmmaking, Australian Prison Systems and Prisoner / Olympia Barron, Catherine Gillam and Alexander Gionfriddo -- 16 From Boys to Men via Cell Block H: Prisoner, Queer Identities and Productive Fan Nostalgia / Craig Haslop and Craig Batty -- 17 ‘It’s Not My Fault I Help Girls Realize They’re Lesbians’: Compulsory Homosexuality as Communication in Online Wentworth Fandom / Amanda K. Allen -- 18 Competing Desires, Competing Interests: Opening the Dialogue between Wentworth, Fans and Industry / Renee Middlemost and Stayci Taylor -- 19 Recommending Wentworth to the World: How Netflix ‘Changed the Show’ and Australian TV Drama Production / Alexa Scarlata Notes on Contributors -- Index