Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER (US, Jenny Gage, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER DARK, MY SWEET (US, James Foley, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER EARTH (US, M. Night Shyamalan, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER EVERYTHING (US, Hannah Marks/Joey Power, 2018)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER HOURS (AT, Jane Campion, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: AFTER HOURS (US, Martin Scorsese, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER LIFE (JA, Hirokazu Kore-eda, 1998)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER LIFE [TV] (UK, 2019-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER MABO (AT, Richard Frankland, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER MAEVE [TV] (AT, Jan Cattoni, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: CAPTAIN CAREY, USA [AFTER MIDNIGHT] (US, Mitchell Leisen, 1950); CAPTAIN CAREY, USA [AFTER MIDNIGHT] (US, Mitchell Leisen, 1950)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: AFTER OFFICE HOURS (US, Robert Z. Leonard, 1935)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER PARKLAND (US, Jake Lefferman/Emily Taguchi, 2019)
Notes: Import_Batch 11 32 titles_simon strong

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER PARTY, THE (US, Ian Edelman, 2018)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Galadriel Films
PhysDes: 2 photographs : b&w ; 19 x 24 cm
Subject: AFTER PROUST (AT, Christopher McGill, 1969)
Summary: 2 photographs of scenes from the 1969 film After Proust

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER SPRING (US, Steph Ching / Ellen Martinez, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER THE APOLOGY (AT, Larissa Behrendt, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER THE BEEP [TV] (AT, 1995)

PhysDes: Article
Subject: AFTER THE DELUGE [TV] (AT, Brendan Maher, 2003)
Summary: D.V.D. review of After The Deluge

Call No: S AFT
Author: Knight, Andrew
Place: AT
PubDate: 2001, Jun. 20
PhysDes: 54 leaves
Subject: AFTER THE DELUGE [TV] (AT, Brendan Maher, 2003)
Notes: Unpublished script

Call No: S AFT
Author: Knight, Andrew
Place: AT
PubDate: 2001 Jun. 20
PhysDes: 59 leaves
Subject: AFTER THE DELUGE [TV] (AT, Brendan Maher, 2003)
Notes: Unpublished script

Call No: S AFT
Author: Knight, Andrew
Place: AT
PubDate: 2001 Jun. 20
PhysDes: 52 leaves
Subject: AFTER THE DELUGE [TV] (AT, Brendan Maher, 2003)
Notes: Unpublished script

Call No: S AFT
Author: Knight, Andrew
Place: AT
PubDate: 2001 Jun. 20
PhysDes: 58 leaves
Subject: AFTER THE DELUGE [TV] (AT, Brendan Maher, 2003)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER THE DELUGE [TV] (AT, Brendan Maher, 2003)

Author: Battcock, Gregory
PhysDes: Article
Subject: AFTER THE FALL (US, Arch Brown, 1969)
Notes: Illus.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER THE RAIN (AT, Jerome Ehlers, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER THE SUNSET (US, Brett Ratner, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER THE WAR [TV] (UK, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER THE WEDDING (US, Bart Freundlich, 2019)
Notes: Simon_Batch 17_191210

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER WE COLLIDED (US, Roger Kumble, 2020)
Cross Reference: AFTER WE COLLIDED (US, Roger Kumble, 2020)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER YANG (US, Kogonada, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: APRES LUI (FR, Gael Morel, 2007); AFTER HIM (FR, Gael Morel, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AUSTRALIA AFTER DARK (AT, John Lamond, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BACK TO THE HAPPY EVER AFTER (AT, Shane Carn & Philip Sunday Hopkins & Michael Carn, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BEFORE AND AFTER (US, Barbet Schroeder, 1996)

PhysDes: Clippings; Publicity
Subject: BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008)

Call No: P BUR
Place: US/UK/FR
PubDate: [2008]
PhysDes: 1 poster : colour ; 101 x 69cm
Subject: BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008)
Summary: Reversible. The poster's colour gradually changes from yellow at the top, to orange at the middle, to red at the bottom. At the top of the poster are the actor, director, and title credits coloured white or yellow. Text: Intelligence is relative Image: Five silhouetted people with parts occasionally coloured. The first silhouetted person from the left is holding a yellow CD ROM and has a brown holster and grey gun. Another silhouette appears to be holding an axe.
Notes: Good condition, creases, edges slightly worn, tear in the upper right corner.
ID2: 337

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAPTAIN CAREY, USA [AFTER MIDNIGHT] (US, Mitchell Leisen, 1950); CAPTAIN CAREY, USA [AFTER MIDNIGHT] (US, Mitchell Leisen, 1950)

Call No: 71(94) CIN
Author: Bertrand, Ina, 1939
Place: Kensington, N.S.W.
Publisher: NSWU Press
PubDate: 1989
PhysDes: xviii, 422 p. : ill., facsims., ports. ; 25 cm
Subject: AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); AFTER SUNDOWN (AT, W.J. Lincoln, 1911); SILENCE OF DEAN MAITLAND, THE (AT, Raymond Longford, 1914)
Notes: Includes index; Bibliography: p. [389]-411
ISBN: 0868400750
LON: 5839881

Call No: 71(93) CIN
Source: UK
Place: London
Publisher: Wallflower
PubDate: 2007
PhysDes: xiii, 259 p. : ill. ; 24 cm.
Series: 24 Frames
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953); BACK OF BEYOND, THE (AT, John Heyer, 1954); JEDDA (AT, Charles Chauvel, 1955); FREE RADICALS (NZ, Len Lye, 1958); RUNAWAY (NZ, John O'Shea, 1964); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ONE NIGHT THE MOON (AT, Rachel Perkins, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); VIGIL (NZ, Vincent Ward, 1984); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); PIANO, THE (AT, Jane Campion, 1993); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); AFTER MABO (AT, Richard Frankland, 1997); CHOPPER (AT, Andrew Dominik, 2000); GODDESS OF 1967, THE (AT, Clara Law, 2000); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.
Notes: Includes filmography. Includes bibliography and index.
ISBN: 9781904764960

Call No: 626(73) COR
Author: Corrigan, Timothy, 1951
Place: London
Publisher: Routledge
PubDate: 1991
PhysDes: x, 258 p. : ill. ; 23 cm
Subject: HEAVEN'S GATE (US, Michael Cimino, 1980); PLATOON (US, Oliver Stone, 1986); FULL METAL JACKET (UK, Stanley Kubrick, 1987); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); BLUE VELVET (US, David Lynch, 1986); CHOOSE ME (US, Alan Rudolph, 1984); AFTER HOURS (US, Martin Scorsese, 1985); COPPOLA, FRANCIS FORD; KLUGE, ALEXANDER; RUIZ, RAUL; BONNIE AND CLYDE (US, Arthur Penn, 1967); BADLANDS (US, Terrence Malick, 1973); PARIS, TEXAS (GW/FR, Wim Wenders, 1984); KING OF COMEDY, THE (US, Martin Scorsese, 1983); THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979); DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979)
Notes: Includes index; Bibliography: p. [233]-250
ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00
LON: bnb41507133; 8595450

Call No: 81 COE NAY
Author: Nayman, Adam
Source: US
Place: New York
Publisher: Abrams Books
PubDate: 2018
PhysDes: 320 pages : illustrations (some colour) ; 32 cm
Subject: COEN, JOEL & ETHAN; BLOOD SIMPLE (US, Joel Coen, 1984); RAISING ARIZONA (US, Joel Coen, 1987); MILLER'S CROSSING (US, Joel Cohen, 1990); BARTON FINK (US, Joel Cohen, 1991); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); FARGO (US, Ethan Coen, 1996); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009); TRUE GRIT (US, Coen Brothers, 2010); HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016)
Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.
Notes: Includes bibliographical references.
ISBN: 9781419727405
Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography

PhysDes: Article
Subject: LONDON AFTER MIDNIGHT (US, Tod Browning, 1927)

Call No: 81COE RED
Author: Redmon, Allen H.
Source: US/UK
Place: New York : London
Publisher: Rowman & Littlefield
PubDate: c2015
PhysDes: xviii, 173 pages ; 24 cm
Subject: CRITICISM; COEN, JOEL & ETHAN; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); BARTON FINK (US, Joel Cohen, 1991); RAISING ARIZONA (US, Joel Coen, 1987); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009)
Summary: "In Constructing the Coens: From Blood Simple to Inside Llewyn Davis, Allen Redmon looks beyond the postmodern sensibilities of every film written and directed by the Coens to find an unexpected range of recurring ideas expressed in and about contemporary film. Redmon tackles all of the films in the Coen brothers’ canon by examining—among other topics—narrative coherence in The Man Who Wasn’t There, intertextuality in No Country for Old Men, and sexuality in Burn after Reading and O Brother, Where Art Thou? Additional chapters examine the films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (pages 155-160), filmography (pages 161-163) and index
ISBN: 9781442244849
Donation: Sense of cinema
Contents: -- acknowledgments -- introduction -- 1: "It's a problem of 'perception'": identifying the Coens' constructivist sensibility -- 2: "You don't want to be tried and found wantin'": triggering the ongoing adaptation of the the Ladykillers -- 3: "I will destroy him": negotiating the image in Barton Fink and Raising Arizona -- 4: "That gag's got whiskers on it": achieving narrative coherence in the Hudsucker proxy and The man who wasn't there -- 5: "The coin don't have no say": examining intertextuality in the Hudsucker proxy, Intolerable cruelty, and No country for old men -- 6: "A lotta ins, a lotta outs": interweaving genres in the Big Lebowski and O brother, where art thou? -- 7: "Appearances can be deceptive" : investigating sexuality in O brother, where art thou?, Intolerable cruelty, and Burn after reading -- 8: "I haven't done anything funny": scrutinizing gender in the Coens' arrangements of a bunch of men around one woman -- 9: "Accept the mystery": resisting final construction of A serious man -- Conclusion -- bibliography -- filmography -- index -- about the author --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY AFTER, THE (US, Nicholas Meyer, 1983)

Author: Schwartz, Eric
PhysDes: Article
Subject: DAY AFTER, THE (US, Nicholas Meyer, 1983)
Summary: 'The day after' a movie depicting the effects of nuclear war is the 12th most watched show onTV.

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings; Press kit
Subject: DAY AFTER TOMORROW, THE (US, Roland Emmerich, 2004)

Author: Mostacci, John J
PhysDes: Article
Subject: DAY AFTER TRINITY, THE: J. ROBERT OPPENHEIMER AND THE ATOMIC BOMB (US, John Else, 1981)
Summary: ill

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: DAY AFTER TRINITY, THE: J. ROBERT OPPENHEIMER AND THE ATOMIC BOMB (US, John Else, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWENTY-NINETEEN] 2019: AFTER THE FALL OF NEW YORK [2019: DOPO LA CADUTA DI NEW YORK] (IT/FR, Sergio Martino, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER LOVE [ECONOMIE DU COUPLE, L'] (FR/BE, Joachim Lafosse, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EFTER BRYLLUPPET (DK/SW, Susanne Bier, 2006); AFTER THE WEDDING (DK/SW, Susanne Bier, 2006)
ID2: 77

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EVER AFTER [ENDZEIT] (GG, Carolina Hellsgård, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: EVER AFTER (US, Andy Tennant, 1998)

PhysDes: Article
Subject: AFTER HOURS (US, Martin Scorsese, 1985)
Notes: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIDAY AFTER NEXT (US, Marcus Raboy, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRIENDLY PERSUASION: IRANIAN CINEMA AFTER THE REVOLUTION (US, Jamsheed Akrami, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY AFTER, THE [GEU HU] (KO, Sang-soo Hong, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: HOUR AFTER HOUR [GODZINA ZA GODZINA] (PL, Roman Zaluski, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAPPILY EVER AFTER (US, John Howley, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAPPILY N'EVER AFTER (US/G, Paul Bolger and Yvette Kaplan, 2007)

Call No: 738.1 VAU
Author: Vaughan, Hunter
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2019
PhysDes: 243 pages : illustrations ; 23 cm
Series: Film and culture series
Subject: ENVIRONMENTAL ISSUES IN FILMS; AVATAR (US, James Cameron, 2009); DAY AFTER TOMORROW, THE (US, Roland Emmerich, 2004); DISASTER FILMS; GONE WITH THE WIND (US, Victor Fleming, 1939); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); TWISTER (US, Jan De Bont, 1996); ZERO DARK THIRTY (US, Kathryn Bigelow, 2012)
Summary: "In an era when many businesses have come under scrutiny for their environmental impact, the film industry has for the most part escaped criticism and regulation. Its practices are more diffuse; its final product, less tangible; and Hollywood has adopted public-relations strategies that portray it as environmentally conscious. In Hollywood's Dirtiest Secret, Hunter Vaughan offers a new history of the movies from an environmental perspective, arguing that how we make and consume films has serious ecological consequences." - taken from back cover.
Notes: Includes bibliographical references, filmography and index -- subtitle on verso 'the hidden environmental costs of our screen culture'
ISBN: 9780231182416
Contents: Introduction: The Big Picture -- Chapter 1: Burning down the house: fire, the eco-ethics of destruction, and authorship in the film spectacle -- Chapter 2: "Five Hundred Thousand Kilowatts of Stardust:" resource use and the formula for packaging nature in Singin' in the rain -- Chapter 3: Winds of change: twister and the visualization of environmental disaster in the digital age -- Chapter 4: Apocalypse tomorrow: Avatar and the myth of Earth's end in the digital era -- Chapter 5: The fifth element: production culture studies, relational values, and the human side of environmental media -- Conclusion: An element of hope

Call No: 81CAM POL
Author: Polan, Dana
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 186p. : ill. ; 19 cm
Series: BFI world directors.
Subject: BONGERS, SALLY; ARMSTRONG, GILLIAN; CAMPION, JANE; AFTER HOURS (AT, Jane Campion, 1984); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); HOLY SMOKE (US, Jane Campion, 1999); PEEL (AT, Jane Campion, 1982); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SWEETIE (AT, Jane Campion, 1989)
Notes: Includes bibliographical references and index
ISBN: 0851708560(pbk.)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KAKADU: LOOKING AFTER THE COUNTRY THE GAGUDJU WAY (AT, Stanley Breedon, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KAMPUCHEA: AFTER POL POT (AT, Mark Stiles, ?)

Author: Borst, Ron
PhysDes: Article
Subject: LONDON AFTER MIDNIGHT (US, Tod Browning, 1927)
Summary: Credits, short description

Author: Borst, Ron
PhysDes: Article
Subject: LONDON AFTER MIDNIGHT (US, Tod Browning, 1927)
Summary: Credits, short description

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LOOKING AFTER OURSELVES (AT, Janet Isaac, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOOKING AFTER YAIMINI (AT, Ruth Berry, 1985?)

Call No: 79 MAD NEW
Author: Newton, James
Edition: 2021
Place: New York
Publisher: Bloomsbury Academic
PhysDes: 216 pages : illustrated ; 23 cm
Subject: [TWENTY-NINETEEN] 2019: AFTER THE FALL OF NEW YORK [2019: DOPO LA CADUTA DI NEW YORK] (IT/FR, Sergio Martino, 1983); ANDERSON, WES; AUTOMOBILES IN FILMS; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986); DEATH RACE 2000 (US, Paul Bartel, 1975); DEATH RUN (UK, Michael J. Murphy, 1987); DEATH WISH (US, Michael Winner, 1974); EXPLOITATION FILMS; EXTERMINATOR, THE (US, James Glickenhaus, 1980); HOME VIDEO; MAD MAX (AT, George Miller, 1979); MAD MAX [...] (AT, 1979-85); MILLER, GEORGE; MASCULINITY IN FILMS; ZOMBIES IN FILMS AND TV
Summary: The Mad Max Effect provides an in-depth analysis of the Mad Max series, and how it began as an inventive concoction of a number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chase cinema of the 1970s), to eventually inspiring a fresh cycle of international low budget 'road warrior' movies that appeared on home video in the 1980s. The Mad Max Effect is the first detailed academic study of the most famous and celebrated post-apocalypse film series, and examines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape. -- publisher's web site
ISBN: 9781501342295
Contents: Acknowledgements -- Introduction -- Chapter One: Origins of the Road Warrior -- Chapter Two: The Death Race Lineage -- Chapter Three: Contextualising Mad Max -- Chapter Four: The Politics of Mad Max -- Chapter Five: MadMaxploitation! Transnational Road Warriors -- Chapter Six: Fury Road and the Imitation of Exploitation -- Chapter Seven: Mad Max and the metatext: Fan Engagement and Online Culture -- Conclusion: A Few Years From Now -- List of Films -- Reference List -- Index

Call No: 81SCO DOU
Author: Dougan, Andy
Source: UK
Place: London
Publisher: Orion
PubDate: 1997
PhysDes: 144 p. : ill., ports. ; 20 cm.
Subject: SCORSESE, MARTIN; AFTER HOURS (US, Martin Scorsese, 1985); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); CAPE FEAR (US, Martin Scorsese, 1991); CASINO (US, Martin Scorsese, 1995); GOODFELLAS (US, Martin Scorsese, 1990); KING OF COMEDY, THE (US, Martin Scorsese, 1983); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); LAST WALTZ, THE (US, Martin Scorsese, 1978); KUNDUN (US, Martin Scorsese, 1997); MEAN STREETS (US, Martin Scorsese, 1973); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); RAGING BULL (US, Martin Scorsese, 1980); TAXI DRIVER (US, Martin Scorsese, 1976); WHO'S THAT KNOCKING AT THE DOOR (US, Martin Scorsese, 1968); ALICE DOESN'T LIVE HERE ANY MORE (US, Martin Scorsese, 1974); BOXCAR BERTHA (US, Martin Scorsese, 1972); COLOUR OF MONEY,THE (US, Martin Scorsese, 1986); NEW YORK STORIES (US, Woody Allen, Martin Scorsese, Francis Ford Coppola, 1989)
Summary: Complete "Variety" unabridged reviews for all Scorsese films inc. full credit lists
ISBN: 0752811754

Call No: N79MOR LOT
Author: Lottman, Eileen
CorpAuthor: Lorimar Motion Picture Management
Source: UK
Place: London
Publisher: Arrow
PubDate: 1987
PhysDes: 192 p. ; 18 cm
Subject: MORNING AFTER, THE (US, Sidney Lumet, 1986)
Notes: First published in Great Britain by arrangement with Pocket Books, New York, 1987
ISBN: 0099526603
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: MORNING AFTER, THE (US, Sidney Lumet, 1986)

Call No: 62(081) MAR
Author: Martin, Adrian
Edition: 2018
Place: Amsterdam
Publisher: Amsterdam University Press
PhysDes: 424 pages ; 24 cm
Series: film culture in transition
Subject: AVANT-GARDE FILMS; CINEPHILIA; CRITICISM: METHODOLOGY OF FILM CRITICISM; THEORY. AUSTRALIA; FILM HISTORY; AKERMAN, CHANTAL; ALMODOVAR, PEDRO; CASSAVETES, JOHN; DE PALMA, BRIAN; FULLER, SAMUEL; GARREL, PHILIPPE; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; POLANSKI, ROMAN; RESNAIS, ALAIN; RUIZ, RAUL; SCORSESE, MARTIN; AFTER HOURS (US, Martin Scorsese, 1985); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); COTTON CLUB, THE (US, Francis Ford Coppola, 1984); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984); HATEFUL EIGHT, THE (US, Quentin Tarantino, 2015); TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999)
Summary: The essays of distinguished film critic Adrian Martin have long been difficult to access, so this anthology, which collects his work in one volume, will be welcomed throughout film studies. He offers in-depth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. -- publisher's web site
ISBN: 9789462986831
Contents: PART I - LETTERS OF INTRODUCTION -- 1. Retying the Threads -- 2. The Path and the Passeur -- 3. That Summer Feeling PART II – SCENOGRAPHIES -- 4. Scenes -- 5. Wishful Thinking -- 6. Entities and Energies -- 7. Entranced PART III - A CINEPHILE IN AUSTRALIA -- 8. No Flowers for the Cinephile: The Fates of Cultural Populism PART IV - THE LYRICAL IMPULSE -- 9. Refractory Characters, Shards of Time and Space -- 10. The Trouble with Fiction -- 11. Ball of Fire: The Mysteries -- 12. The Ever-Tested Limit: Cinematic Apparitions -- 13. Delirious Enchantment PART V - GENRE GAMES -- 14. Mr Big: Gangsters and Power -- 15. Unlawful Entries: Anatomy of a Film Cycle -- 16. Lady, Beware: Paths of the Female Gothic -- 17. Live to Tell: Teen Movies Yesterday, Today and Tomorrow -- 18. In the Mood for (Something Like) Love -- 19. Shivers, Surprise and Discomfort: Sadism and Sublimation in Contemporary Cinema PART VI – INTERVENTIONS -- 20. Making a Bad Script Worse: The Curse of the Scriptwriting Manual -- 21. The Offended Critic: Film Reviewing and Social Commentary -- 22. Wild Psychoanalysis of a Precarious, Unstable Reality PART VII - ENVOI -- 23. No Direction Home: Creative Criticism -- 24. Farewells, Full Circles and Ellipses -- 25. My Back Pages -- 26. The File We Accompany, with Cristina lvarez Lopez Notes -- Sources of Texts -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NAPPILY EVER AFTER (US, Haiffa Al-Mansour, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PATIENCE: AFTER SEBALD (UK, Grant Gee, 2012)

PhysDes: Article
Subject: [TWENTY-NINETEEN] 2019: AFTER THE FALL OF NEW YORK [2019: DOPO LA CADUTA DI NEW YORK] (IT/FR, Sergio Martino, 1983)
Summary: Synopsis; Credits; ill

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHREK FOREVER AFTER ( US, Mike Mitchell, 2010)

Call No: 720 TEL
Author: Creeber, Glen; Miller, Toby; Tulloch, John
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xi, 163 p. : ill., ports. ; 25 cm
Subject: PROGRAMME GENRES; DRAMAS; SOAP OPERAS; CHILDREN, PROGRAMMES FOR; NEWS PROGRAMMES; DOCUMENTARIES; ADAPTATIONS. AUSTEN, JANE; SOAP OPERAS; SITUATION COMEDY; HOMOSEXUALITY ON TV; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); SIMPSONS, THE [TV] (US, 1989-); SOUTH PARK [TV] (US, 1997-); I LOVE LUCY [TV] (US, 1951-57); ROSEANNE [TV] (US, 1988- ); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); WILL & GRACE[TV] (US, 1998-); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); DALLAS [TV] (US, 1978-91); COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991); ALLY MCBEAL [TV] (US, 1997-); AVENGERS, THE [TV] (UK, 1961-69); HILL STREET BLUES [TV] (US, 1980-87); E.R. [TV] (US, 1994 - ); STAR TREK [TV] [...] (US, 1966-69, 1987-); X-FILES, THE [TV] (US, 1993-); CATHY COME HOME (UK, Ken Loach, 1966); DAY AFTER, THE (US, Nicholas Meyer, 1983); ROOTS [TV] (US, 1977); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986)
Notes: Includes bibliographical references and index
ISBN: 0851708498(pbk.)

Author: Schwartz, Eric
PhysDes: Article
Subject: DAY AFTER, THE (US, Nicholas Meyer, 1983)
Summary: 'The Day after' theatrical rights sold to 35 nations.

Author: Maddox, Garry; Reid, Mary Anne
PhysDes: Article
Subject: BAIN, MIRANDA; AUSTRALIAN FILM COMMISSION. PRODUCER SUPPORT SCHEME; AFTER THE KILLINGS [TV] (AT, in production, 1985); HUMPTY DUMPTY MAN, THE (AT, P.J. Hogan, 1989); DESOLATION ANGELS (AT, Chris Fitchett, 1982); STRIKEBOUND (AT, Richard Lowenstein, 1984)
Summary: As part of an exploration of the "Australian Film Commission's (AFC) Producer Support Scheme" Garry Maddox and Mary Anne Reid interview producer Miranda Bain. The article provides a number of Bain's bibliographic details and solicits her opinion on what the AFC award has meant for her career. Bain reveals how her six-part mini-series project about drug running, to be called "After the Killings", has eventuated in a number of threats and intimidation. Bain's work on other projects, such as "The Humpty Dumpty Man", "Desolation Angels" and "Strikebound", is also discussed

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIME AFTER TIME (US, Nicholas Meyer, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AFTER THE STORM [ UMI YORI MO MADA FUKAKU] (JA, Hirokazu Koreeda, 2016)

Call No: 512.1 PHI
Author: Phillips, Patrick
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: xiii, 158 p. : ill. ; 24 cm
Subject: AESTHETICS; METHODOLOGY OF FILM CRITICISM; AUDIENCE RECEPTION; COSTUMES; DIALOGUE; EDITING; EXHIBITION; NARRATIVE IN FILMS; PERCEPTION; REALISM IN FILMS; SPECTATORSHIP; VIRTUAL REALITY; DICAPRIO, LEONARDO; MUNSTERBERG, HUGO; AFTER LIFE (JA, Hirokazu Kore-eda, 1998); AMERICAN BEAUTY (US, Sam Mendes, 1999); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FESTEN (DK, Thomas Vinterberg, 1998); JACKIE BROWN (US, Quentin Tarantino, 1997); LOLA RENNT (G, Tom Tykwer, 1998); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PSYCHO (US, Alfred Hitchcock, 1960); SECRETS & LIES (FR/UK, Mike Leigh, 1996); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SLIDING DOORS (US, Peter Howitt, 1998); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
ISBN: 085170798X; 0851707998(pbk.)
LON: 21445642

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNFORGOTTEN: 25 YEARS AFTER WILLOWBROOK (US, Jack Fisher, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VIETNAM: AFTER THE FIRE (UK, Video Education Australasia, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHAT SORT OF GENTLEMAN ARE YOU AFTER? (UK, Joel Ryan, 1997)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WILD AUSTRALIA. AFTER THE FIRES [TV] (AT, 2020)

Author: Burrell, Kim
PhysDes: Article
Subject: FILM AUSTRALIA. WOMEN'S FILM UNIT; AFTER HOURS (AT, Jane Campion, 1984)
Summary: Review of films from the 1984 Women's Film Unit. In her appraisal of "After Hours" Kim Burrell positions the film as ambitious and innovative in terms of subject choice. Burrell also notes that Jane Campion's handling of the direction, script, and cinematography are remarkably adept
Notes: Films from the 1984 Women's Film Unit. - credits. - illustration