Search Catalogue

Call No: TITLE CLIPPINGS FILE BLINKY BILL THE MOVIE in production
Author: [Dent, Nick]
PhysDes: Clippings
Subject: BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Programme
Subject: ABEL (NE, Alex van Warmerdan, 1986)

Call No: TITLE CLIPPING FILE
Subject: ACCION MUTANTE (SP/FR, Alex de la Iglesia, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Slides; Stills
Subject: ALEX (NZ/AT, Megan Simpson (Hoberman), 1993)

Call No: 79ALE DUD
Author: Duder, Tessa
Source: NZ
Place: Auckland
Publisher: Penguin Books
PubDate: 1989, c1987
PhysDes: 18 cm ; 176 p.
Subject: ALEX (NZ/AT, Megan Simpson (Hoberman), 1993)
Notes: Cover title: Alex the making of a champion

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALEX AND EMMA (US, Rob Reiner, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALEX CROSS (US/FR, Rob Cohen, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALEX & EVE (AT, Peter Andrikidis, 2015)

Call No: S ALE
Author: Alex Lykos
Place: AT
PubDate: 2014
PhysDes: 94 leaves ; 30 cm
Subject: ALEX & EVE (AT, Peter Andrikidis, 2015)
Notes: draft 10

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ALEX RIDER [TV] (UK/US, 2020)
Cross Reference: ALEX RIDER [TV] (UK/US, 2020)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 8 photographs : b&w ; 13 x 18 cm
Subject: ALEX (NZ/AT, Megan Simpson (Hoberman), 1993)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ALEX WHEATLE (UK, Steve McQueen, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALIAS RUBY BLADE (US, Alex Meillier,2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: ALL OVER ME (US, Alex Sichel, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANNIHILATION (UK/US, Alex Garland, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ARMSTRONG LIE, THE (US, Alex Gibney, 2013)

Call No: TITLE CLIPPINGS FILE; ARMSTRONG LIE, THE (US, Alex Gibney, 2013)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: DOCUMENTARIES; GIBNEY, ALEX; ARMSTRONG LIE, THE (US, Alex Gibney, 2013)
Summary: Review of the documentary THE ARMSTRONG LIE
Rating: 3 out of 5 stars

Call No: 246(94) TOR
Author: Torre, Dan; Torre, Lienors
Edition: 2018
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PhysDes: xii, 260 pages : illustrated ; 22 cm
Subject: ANIMATED FILMS. AUSTRALIA; ANIMATION. AUSTRALIA; FELIX THE CAT; PORTER, ERIC; HANNA-BARBERA; MCLAREN ANGUS; PETTY, BRUCE; STITT, ALEX; TUPICOFF, DENNIS; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); DOT AND THE KANGAROO (AT, Yoram Goss, 1977); GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981); LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010)
Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web site
ISBN: 9783319954912

Call No: TITLE CLIPPINGS FILE; ALEX & EVE (AT, Peter Andrikidis, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: ALEX & EVE (AT, Peter Andrikidis, 2015)
Summary: Interview with Alex Lykos the writer and director of the stage play ALEX AND EVE which eventually became a feature film

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BETWEEN A FROCK AND A HARD PLACE (AT, Alex Barry, 2015)

Call No: DIGITAL FILE
Author: Edquist, Fin
Place: Camperdown, NSW
PubDate: 8/05/2015
PhysDes: 117 leaves
Subject: BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)

Call No: TITLE CLIPPINGS FILE BLINKY BILL THE MOVIE in production
Author: Dent, Nick
PhysDes: Clippings
Subject: BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)
Notes: Synopsis of the recent adaptation.
Rating: 3 out of 5 stars

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BUZO, ALEX

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CHAPMAN, ALEX

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CHOMICZ, ALEX

Call No: SCREEN AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: SCREEN AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA; LAST CAB TO DARWIN (AT, Jeremy Sims, 2015) [copyright 2014]; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015); BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)
Summary: Snippet on Screen Australia investing $1 million into promoting three Australian films in 2015, Last Cab to Darwin, The Dressmaker, and The Blinky Bill Movie

Call No: 67(04) TYL
Author: Tyler, Parker
Edition: [1st ed.]
Place: New York
Publisher: Citadel Press
PubDate: [1962]
PhysDes: 253 p. : illus. ; 29 cm
Subject: CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAPOLEON (FR, Abel Gance, 1927); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); METROPOLIS (G, Fritz Lang, 1926); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ZEMLJA (UR, Alexksandr Dovzenko, 1930); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); AGE D'OR, L' (FR, Luis Bunuel, 1930); MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958); DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931); M (G, Fritz Lang, 1931); A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]); MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933); KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); DYBUK (PL, Michal Waszynski, 1938); ALEX & EVE (AT, Peter Andrikidis, 2015); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VREDENS DAG (DK, Carl Th. Dreyer, 1943); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); SCIUSCIA (IT, Vittorio De Sica, 1946); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); FROKEN JULIE (SW, Alf Sjoberg, 1950); RASHOMON (JA, Akira Kurosawa, 1950); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); JIGOKUMON (JA, Teinosuke kinugasa, 1953); STRADA, LA (IT, Federico Fellini, 1954); KUMONOSU-JO (JA, Akira Kurosawa, 1957); ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); PICKPOCKET (FR, Robert Bresson, 1959); LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960); YOJIMBO (JA, Akira Kurosawa, 1961); SANG DES BETES, LE (FR, Georges Franju,1949); VIRIDIANA (SP/MX, Luis Bunuel, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); TYSTNADEN (SW, Ingmar Bergman, 1963)
Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKET
LON: 712285
Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COALITION [TV] (UK, Alex Holmes, 2015)

Call No: TITLE CLIPPINGS FILE; ALEX & EVE (AT, Peter Andrikidis, 2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: ADAPTATIONS. AUSTRALIA; ALEX & EVE (AT, Peter Andrikidis, 2015)
Summary: Interview with Alex Lykos, the writer and director of the stage play ALEX & EVE. Lykos discusses the genesis of the play and how he has seen it grow into a feature film

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: TITLE CLIPPINGS FILE; GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Summary: Review of the documentary 'Going clear: Scientology and the prison of belief'
Rating: 4 out of 5 stars

Call No: PERSONALITY CLIPPINGS FILE; RUSSELL, ALEX
Author: Dennehy, Luke -- Epstein, Jackie -- Te Koha, Nui
PhysDes: Clippings File Article
Subject: RUSSELL, ALEX; GRANITE MOUNTAIN in production
Summary: Snippet on Australian actor Alex Russell whose slated to appear in the film GRANITE MOUNTAIN

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: COX, ALEX

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: CRAZY NOT INSANE (US, Alex Gibney, 2020)

Call No: 64POS CRI
Author: Sharrett, Christopher
Place: Washington, D.C.
Publisher: Maisonneuve Press
PubDate: 1993
PhysDes: 282 p. : ill. ; 24 cm
Subject: POSTMODERNISM AND THE CINEMA; DISASTERS IN FILMS; DISASTER FILMS; SEX AND THE CINEMA; DEATH IN FILMS; REPO MAN (US, Alex Cox, 1984); RUMBLE FISH (US, Francis Ford Coppola, 1983); CASANOVA (IT, Federico Fellini, 1976); BRAZIL (UK, Terry Gilliam, 1985); TAXI DRIVER (US, Martin Scorsese, 1976); BLADE RUNNER (US, Ridley Scott, 1982); MAD MAX (AT, George Miller, 1979)
Notes: Includes bibliographical references and index
ISBN: 0944624189 (cloth); 0944624197 (paper)
LON: 9605442

Call No: TITLE CLIPPINGS FILE; ALEX & EVE (AT, Peter Andrikidis, 2015)
Author: Hook, Chris
PhysDes: Clippings File Article
Subject: ALEX & EVE (AT, Peter Andrikidis, 2015)
Summary: Interview with the writer and stage director Alex Lykos, whose play was turned into the film ALEX & EVE. Other people quoted are the film's leads, Andrea Demetriades and Richard Brancatisano

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CROW, THE (US, Alex Proyas, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRUDE OASIS, THE (US, Alex Graves, 1995)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: CUBIS, ALEX

Call No: TITLE CLIPPINGS FILE; GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Summary: Review
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE; ALEX & EVE (AT, Peter Andrikidis, 2015)
Author: -
PhysDes: Clippings File Article
Subject: ALEX & EVE (AT, Peter Andrikidis, 2015)
Summary: Review of the film ALEX & EVE, which is described as a romantic comedy that examines racism in Australia
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DARK CITY (US, Alex Proyas, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIA DE LA BESTIA, EL (SP, Alex de la Iglesia, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: DIAL-A-CLICHE (AT, Alex Chomicz, 1994?)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings; Stills
Subject: DIMITRIADES, ALEX

Call No: 761 SMA
Author: Smaill, Belinda
Source: UK
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2010
PhysDes: vii, 221 p. : ill. ; 23 cm
Subject: ASIAN COUNTRIES; CHILDREN AND THE CINEMA; CHILDREN IN FILMS; CULTURE AND THE CINEMA; DOCUMENTARIES; DOCUMENTARIES. AUSTRALIA; EMOTION IN FILMS; FEMINISM AND THE CINEMA; IDENTITY IN FILMS; IDEOLOGY AND THE CINEMA; IMMIGRATION IN FILMS AND TELEVISION; PSYCHOLOGY AND THE CINEMA; REALITY TV; SEX IN FILMS; SOCIAL PROBLEMS IN FILMS; THEORY; VIEWERS; WOMEN FILMMAKERS; LOVELACE, LINDA; BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS (II/US, Zana Briski, Ross Kauffman, 2004); CORPORATION, THE (CN, Jennifer Abbott & Mark Achbar, 2003); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); DIVORCE IRANIAN STYLE (UK, Kim Longinotto & Ziba Mir-Hosseini, 1998); ENRON: THE SMARTEST GUYS IN THE ROOM (US, Alex Gibney, 2005); FINISHED PEOPLE, THE (AT, Khoa Do, 2003); FIX: THE STORY OF AN ADDICTED CITY (CN, Nettie Wild, 2002); INSIDE DEEP THROAT (US, Fenton Bailey & Randy Barbato, 2005); LETTERS TO ALI (AT, Clara Law, 2004); SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999); SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999)
Summary: "The Documentary: Politics, Emotion, Culture proposes that emotions such as pleasure, hope, pain, empathy or nostalgia play a powerful role in the circulation and reception of documentaries. Emotion shapes how political issues and individuals are represented and perceived in documentary and it is crucial to how we engage with the vicissitudes of the public sphere. In the past documentary has been popularly perceived in ways that align it with education, science, history and the rational realm. This frame has never been adequate for understanding the broad array of styles and themes that can be seen in the documentary genre. Focusing on the question of subjectivity, Smail analyses various different kinds of individuals that can be found in documentaries, such as the female porn star, the politically disenfranchised, children, and the documentary auteur. She envisages an interdisciplinary approach to documentary drawing on scholarship from not only film studies, but also gender studies, queer theory, cultural theories of affect, critical race studies, political theory and pyschoanalysis. " -- BOOK BLURB
Notes: Includes bibliographical references (p. 200-209) and index
ISBN: 9780230237513 (hbk.)
Contents: -- list of illustrations -- acknowledgments -- part one: documentary and pleasure -- 1: introduction: representation and documentary emotion -- 2: pleasure and disgust: desire and the female porn star -- part two: pain and the other -- 3: Injury, identity and recognition: Rize and Fix: the story of an addicted city -- 4: women, pain and the documentaries of Kim Longinotto -- part three: the labour of authorship: caring and mourning -- 5: loss and care: Asian Australian documentary -- 6: civic love and contemporary dissent documentary -- part four: past, present and future: hope and nostalgia -- 7: children, futurity and hope: Born into Brothels -- 8:nostalgia, historical time and reality television: the idol series -- epilogue -- notes -- bibliography -- index --

PhysDes: Article
Subject: BRONTE SISTERS, THE [SOUERS BRONTE, LES] (FR, Andre Techine, 1979); HOMME BLESSE, L' (FR, Patrice Chereau, 1983); SANTOS INOCENTES, LOS (SP, Mario Camus, 1984); EMPTY BEACH, THE (AT, Chris Thomson, 1985); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); COCA-COLA KID, THE (AT, Dusan Makavejev, 1985); COCOON (US, Ron Howard, 1985); EMERALD FOREST, THE (UK, John Boorman, 1985); REPO MAN (US, Alex Cox, 1984); PERFECT (US, James Bridges, 1985)
Summary: film reviews of the film listed in the subject field - Bronte Sisters/Adrian Martin, L'Homme Blesse/John Conomos, Holy Innocents/Penny Davies, Empty Beach/Kathe Boehringer, Back to the Future/Kathe Boehringer, Mad Max Beyond Thunderdome/Ross Gibson, Coca Cola Kid/Ross Gibson, Cocoon/Peter Kepm, Emerald Forest/Peter Kemp, Repo Man/Susan Charlton, Perfect/Susan Charlton

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIVE ME YOUR HAND [DONNE-MOI LA MAIN] (FR/GG, Pascal-Alex Vincent, 2008)

Call No: TITLE CLIPPINGS FILE; EX MACHINA (UK, Alex Garland, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: EX MACHINA (UK, Alex Garland, 2015)
Summary: Review
Rating: 4 out of 5 stars

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ENCEL, ALEX

Call No: TITLE CLIPPINGS FILE; EX MACHINA (UK, Alex Garland, 2015)
Author: Gibbs, Ed
PhysDes: Clippings File Article
Subject: EX MACHINA (UK, Alex Garland, 2015)
Summary: Review
Rating: 4.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: ENRON: THE SMARTEST GUYS IN THE ROOM (US, Alex Gibney, 2005)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ETEL, ALEX

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: EX MACHINA (UK, Alex Garland, 2015)
URL status: URL: 'http://file://Q:/T/EX_MACHINA.zip' Checked: 31/08/2021 1:32:38 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: DIGITAL FILE
Author: Garland, Alex
Place: London
PubDate: 2013
PhysDes: 117 leaves
Subject: EX MACHINA (UK, Alex Garland, 2015)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: 465(94) TUR
Author: Turner, Graeme; Bonner, Frances Jane; Marshall, P. David
Place: Cambridge
Publisher: Cambridge University Press
PubDate: 2000
PhysDes: xi, 196 p. : ill. ; 24 cm
Subject: ACTORS. AUSTRALIA; AGENTS; DIMITRIADES, ALEX; DONOVAN, JASON; FESTIVALS. NOOSA; HEWETT, COLLEEN; MEDIA. AUSTRALIA; MINOGUE, KYLIE; NEIGHBOURS [TV] (AT, 1985-); PUBLIC RELATIONS; STAR SYSTEM. AUSTRALIA
Notes: Includes index and bibliographical references
ISBN: 0521791472; 0521794862 (pbk.)
LON: 21590162

Call No: 19AME MCG
Author: McGee, Mark Thomas, 1947
Source: US
Place: Jefferson, N.C.
Publisher: McFarland
PubDate: c1984
PhysDes: xv, 264 p. : ill. ; 24 cm
Subject: AMERICAN INTERNATIONAL PICTURES; ANGRY RED PLANET, THE (US, Ib Melchior, 1959); ARKOFF, SAMUEL; ASHER, WILLIAM; BEACH MOVIES; BEACH PARTY (US, William Asher, 1963); BUCKET OF BLOOD (US, Roger Corman, 1959); COHEN, HERMAN; CORMAN, ROGER; FONDA, PETER; GORDON, ALEX; GORDON, BERT I.; KATZMAN, SAM; NICHOLSON, JAMES H.; PINK, SIDNEY; PRICE, VINCENT
Notes: Includes index; Filmography: p. 229-254
ISBN: 0899500919
LON: 2663890

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FEVER (UK/US, Alex Winter, 1999)

PhysDes: Article
Subject: INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988); JOE LEAHY'S NEIGHBOURS (AT, Robin Anderson & Bob Connolly, 1989); BODYWORK (AT, David Caesar, 1989); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); DEAD POETS SOCIETY (US, Peter Weir, 1989); MULL (AT, Don McLennan, 1988); SWEETIE (AT, Jane Campion, 1989); SPIRITS OF THE AIR, GREMLINS OF THE CLOUDS (AT, Alex Proyas, 1988); DEAD CALM (AT, Phillip Noyce, 1989)
Summary: Review, credits and images of Australian releases

Call No: TITLE CLIPPINGS FILE; BETWEEN A FROCK AND A HARD PLACE (AT, Alex Barry, 2015)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: BETWEEN A FROCK AND A HARD PLACE (AT, Alex Barry, 2015)
Summary: Review

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Frew, Wendy
Subject: DVD, FILMS ON; DISTRIBUTION. DVD; DISTRIBUTION. DVD. AUSTRALIA; POLLAK, ALEX
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- "But the real money these blockbusters generate is not at the box office but in DVD sales"; -- "So far, most sales are of new release movies. That has created an extra revenue stram for film studios and one with huge potential as more people buy DVD players and as other material such as television shows, children's shows and music become popular in DVD format."; -- ""DVD is a significant new revenue window and I don't think the market has worked that out yet," Macquarie Equities analyst Alex Pollak said. "It is a new way of consuming movies...in five years' time there will be more DVDs on American bookshelves than books.""; -- "...for every $US8.6 million taken in opening box office receipts, a studio will sell 1 million DVDs."

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FRAYNE, ALEX

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GARAGE DAYS (AT, Alex Proyas, 2001)

Author: Chris Murray
PhysDes: Article
Subject: MIRANDA, PIA; GURRY, KICK; GARAGE DAYS (AT, Alex Proyas, 2001)
Summary: Review of Garage Days

Call No: TITLE CLIPPINGS FILE; GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Summary: Positive review of the documentary 'Going clear: Scientology and the prison of belief'. Some discussion by the author about the Scientology religion and how the documentary reveals some of its operations

Call No: PERSONALITY CLIPPINGS FILE; GIBNEY, ALEX
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: GIBNEY, ALEX

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: GIBNEY, ALEX

Author: Coleman, Lindsay
PhysDes: Article
Subject: MENZIES JR, PETER; GODS OF EGYPT (US/AT, Alex Proyas, 2016); CINEMATOGRAPHY
Summary: Cinematographer Peter Menzies Jr. ACS talks about his experiences filming the Australian-American fantasy film Gods of Egypt. He specifically talks about shooting a film with lots of VFX and minimal practical sets.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GLASGOW, ALEX

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: GODS OF EGYPT (US/AT, Alex Proyas, 2016)
URL status: URL: 'http://file://Q:/T/GODS_OF_EGYPT.zip' Checked: 31/08/2021 1:40:30 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)

Call No: TITLE CLIPPINGS FILE; GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Summary: Review
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOLDEN EXITS (US, Alex Ross Perry, 2017)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: GONZALEZ, ALEX

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GONZO: THE LIFE AND WORK OF DR. HUNTER S. THOMPSON (US, Alex Gibney, 2008)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 13 x 18 cm - 21 x 31 cm
Subject: USTINOV, PETER; SMEATON, BRUCE; STITT, ALEX; GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981)
Summary: Three black and white photographs relating to the animated film 'Grendel, grendel, grendel'

Call No: CRAWFORD STILL HAL
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 15 x photographs : b&w ; 21 x 26 cm + 6 photographic sheets : b&w and col. ; 26 x 21 cm + 50 slides : col. + 2 transparencies : col. ; 10 x 13 cm + 19 transparencies : col. ; 120mm + 8 negatives : col. ; 35 mm
Subject: FRIEDL, JAN; SEIDEL, SILVIA; MYLES, BRUCE; HEWETT, LAUREN; WALKER, JEFFREY; GORE, SANDY; ARMSTRONG, KERRY; SPENCE, BRUCE; ARGUE, DAVID; KELMAN, PAUL; CILENTO, DIANE; SMYTHE, KELLIE; BROADBENT, CHE; GILMORE, TENLEY; MCDONNELL, LEVERNE; MENGLET, ALEX; CRESSEY, ELLEN; MOORE, DENIS; LAMBERT, KATRINA; HEWETT, COLLEEN; HALFWAY ACROSS THE GALAXY AND TURN LEFT [TV] (AT, 1992)
Summary: Photographs and negatives relating to the TV series 'Halfway across the galaxy and turn left'
Notes: Arranged by record type -- Negatives consist of two strips of photographic negatives
Donation: Gift of Crawford Productions

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 30 photographs : b&w ; 13 x 18 cm + 5 slides : col. ; 25 mm x 35 mm
Subject: DIMITRIADES, ALEX; GARNER, JULIAN; NIKOLAKOPOULOS, TONY; MANDALIS, ELENA; MERCEDES, MARIA; KASKANIS, DORA; KOKKINOS, ANA; HEAD ON (AT, Ana Kokkinos, 1998)
Summary: Thirty black and white photographs and five colour slides from the film Head on
Notes: Contains multiple duplicates

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 17 x 13 cm - 25 x 20 cm
Subject: BALDWIN, HUGH; MARTIN, TONY; LAMBERT, SARAH; DIMITRIADES, ALEX; VARRENTI, ELLY; HEARTBREAK HIGH [TV] (AT, 1994 - )
Summary: Five black and white photographs relating to the television series Heartbreak high

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Jennifer Mitchell Photography Roadshow Film Distributors (distributor)
PhysDes: 9 photographs : b&w ; 18 x 13 cm
Subject: KARVAN, CLAUDIA; DIMITRIADES, ALEX; BASTONI, STEVE; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993)
Summary: Nine black and white photographs from the film The heartbreak kid
Notes: Contains a couple of duplicates

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HER SMELL (US, Alex Ross Perry, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HERITAGE FARMING IN AUSTRALIA (AT, Alex & Anne Sloane, 1992)

Author: Chris Murray
PhysDes: Article
Subject: PROYAS, ALEX; MIRANDA, PIA; GURRY, KICK; GARAGE DAYS (AT, Alex Proyas, 2001)
Summary: Interview with director Alex Proyas on the making of Garage Days, plus the cast talking about their characters.

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA. 2015
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; ODDBALL (AT, Stuart McDonald, 2015); BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)
Summary: Discussion about the strong showing of Australian films at the local box office for 2015, with a look at films just released and to be released before the end of the year

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HOW ARNOLD WON THE WEST (FR/UK, Alex Cooke, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: I, ROBOT (US, Alex Proyas, 2004)

Call No: 632.43 HIL
Author: Hill, Geoffrey Michael, 1950
Place: Boston
Publisher: Shambhala
PubDate: 1992
PhysDes: viii, 319 p. : ill. ; 23 cm
Subject: MYTH AND THE CINEMA; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SHANE (US, George Stevens, 1953); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); BLUE VELVET (US, David Lynch, 1986); RUMBLE FISH (US, Francis Ford Coppola, 1983); TAXI DRIVER (US, Martin Scorsese, 1976); REPO MAN (US, Alex Cox, 1984); SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); INSIGNIFICANCE (UK, Nicolas Roeg, 1985); ROK SPOKOJNEGO SLONCA (PL/US/GW, Krzysztof Zanussi, 1984); BABETTES GAESTEBUD (DK, Gabriel Axel, 1987); LITTLE SHOP OF HORRORS (US, Frank Oz, 1986); LITTLE SHOP OF HORRORS, THE (US, Roger Corman, 1960); TRIP TO BOUNTIFUL, THE (US, Peter Masterson, 1985); GRADUATE, THE (US, Mike Nichols, 1967); SANTA SANGRE (IT, Alexandro Jodorowsky, 1989); FIELD OF DREAMS (US, Phil Alden Robinson, 1989)
Notes: Includes bibliographical references (p. 313-319)
ISBN: 0877736456 (pbk. : alk. paper)
LON: 8202303

Call No: TITLE CLIPPINGS FILE; GODS OF EGYPT (US/AT, Alex Proyas, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: GODS OF EGYPT (US/AT, Alex Proyas, 2016)
Summary: Review of the film GODS OF EGYPT
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INEVITABLE GRACE (US, Alex Canawati, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INFILTRATORS, THE (US, Alex Rivera/Cristina Ibarra, 2019)
Notes: Simon import_20/06/19

Author: Ellis, Rennie
PhysDes: Article
Subject: CHILDREN AND THE MEDIA. AUSTRALIA; STITT, ALEX; WEATHERHEAD, BRUCE
Summary: Article about the Jigsaw Factory, an educational and play space for children created by designers Bruce Weatherhead and Alex Stitt

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INSPECTOR GADGET 2 (US, Alex Zamm, 2003)

Call No: 82 MEL HUT
Author: Hutton, Geoffrey
Edition: 1975
Place: Melbourne
Publisher: Sun Books
PhysDes: xii, 158 pages : illustrated ; 22cm
Subject: THEATRE AND THE CINEMA; BUZO, ALEX; CALDWELL, ZOE; DUFFIELD, MICHAEL; FERRIER, NOEL; LAWLER, RAY; OGILVIE, GEORGE; THRING, FRANK
ISBN: 9780725101961

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JURK, DE (NE, Alex Von Warmerdam, 1996)

Author: Chris Murray
PhysDes: Article
Subject: GURRY, KICK; GARAGE DAYS (AT, Alex Proyas, 2001)
Summary: Interview with Kick Gurry on Garage Days

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KNOWING (US/UK, Alex Proyas, 2009)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: KUZELICKI, ALEX

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST BREATH (UK/BE/SW, Richard da Costa/Alex Parkinson, 2019)
Notes: Import_Batch 11 32 titles_simon strong

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: LAST CAUSE, THE (CN, Stephen H. Franklin & Alex Cramer, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LBF (AT, Alex Munt, 2011)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LINZ, ALEX D

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LISTEN UP PHILIP (US, Alex Ross Perry, 2014)
URL status: URL: 'http://file://Q:/T/LISTEN_UP_PHILIP.zip' Checked: 31/08/2021 1:34:11 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: LUZZU (US/MT, Alex Camilleri, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAIDEN (UK, Alex Holmes, 2018)
Notes: Simon_Batch 17_191210

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ME AND MY LEFT BRAIN (AT, Alex Lykos, 2019)
Notes: Import_Batch 11 32 titles_simon strong

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEA MAXIMA CULPA: SILENCE IN THE HOUSE OF GOD (US, Alex Gibney, 2012)

Call No: P MEA
PhysDes: 1 poster : colour ; 100 x 70 cm
Subject: MEA MAXIMA CULPA: SILENCE IN THE HOUSE OF GOD (US, Alex Gibney, 2012)
Summary: Image: Face shot of a statue of a praying female, with tears running down it's face. Text: "A poignant argument, full of outrage and ample evidence, about the heinous crimes and cover-ups that have taken place in the Catholic Church."
Notes: Small tears on edges of poster

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 13 x 17 cm
Subject: WEIR, JOANNA; CHAPMAN, ALEX; MEMORIES AND DREAMS (AT, Lynn-Maree Milburn, 1993)
Summary: 6 black and white photographs of little girl sewing, older woman dressed as a man, Joanna Weir as Jo

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN (UK/US, Alex Garland, 2022)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MENGLET, ALEX

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MESKOVIC, ALEX

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MI MEJOR ENEMIGO: PATAGONIA, 1978 (CL/SP/AG, Alex Bowen, 2005)

Call No: TITLE CLIPPINGS FILE; LISTEN UP PHILIP (US, Alex Ross Perry, 2014)
Author: Bunbury, Stephanie
PhysDes: Clippings File Article
Subject: LISTEN UP PHILIP (US, Alex Ross Perry, 2014)
Summary: Discussion about the film Listen Up Philip

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MODERN LOVE (AT, Alex Frayne, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MUMMY, THE (US, Alex Kurtzman, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MY FATHER, CHE: A DOCUMENTARY WITH ALDEIDA GUEVARA (AT/CU, Prod: Aleida Guevara & Alex Keeble, 2002)

Author: Bilbow, Marjorie
PhysDes: Article
Subject: SMOKEY AND THE GOOD TIME BANDITS (US, Alex Grassoff, 1978)
Summary: Short review

Author: Carver, Benedict & Chris Petrikin
PhysDes: Article
Subject: NEW LINE CINEMA; PROYAS, ALEX; DARK CITY (US, Alex Proyas, 1997)
Summary: Details of production deal between director, Proyas, his producer, Andrew Mason, and New Line Cinema.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO STONE UNTURNED (UK/US, Alex Gibney, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YOU'LL NEVER BE ALONE [NUNCA VAS A ESTAR SOLO] (CL, Alex Anwandter, 2016)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: O LACHLAN, ALEX

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: O'LAUGHLIN, ALEX

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: O'LOUGHLIN, ALEX

Author: Michael Adams
PhysDes: Article
Subject: STANGE, MAYA; GARAGE DAYS (AT, Alex Proyas, 2001)
Summary: Piece on rising actress, Maya Stange

Call No: 802.27(94) TRE
Author: Trengove, Kim, 1958
Place: Ringwood, Vic.
Publisher: Penguin
PubDate: 1991
PhysDes: xi, 209 p. : ports. ; 20 cm
Subject: BLAKE, JULIA; HAYWOOD, CHRIS; CRACKNELL, RUTH; CARROLL, PETER; HORNERY, BOB; PUNCH MCGREGOR, ANGELA; GILLIES, MAX; THORNTON, SIGRID; BELL, JOHN; HAZLEHURST, NONI; KAYE, NORMAN; MILLER, LYDIA; MENGLET, ALEX; FORSYTH, JULIE; TINGWELL, CHARLES (BUD); KENNEDY, PATRICIA
ISBN: 014012814X (pbk.)
LON: 7869186

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: OVERCOMER, THE (US, Alex Kendrick, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PADDLETON [TV] (US, Alex Lehmann, 2019)

Call No: TITLE CLIPPINGS FILE; ALEX & EVE (AT, Peter Andrikidis, 2015)
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: ALEX & EVE (AT, Peter Andrikidis, 2015)
Summary: Review of the film ALEX AND EVE
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PANAMA PAPERS, THE (US, Alex Winter, 2018)
Notes: Import_Simon_batch12_190919

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: PAPPS, ALEX

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PATRULLERO, EL (MX, Alex Cox, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PERDITA DURANGO (SP/MX, Alex de la Iglesia, 1997)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PERRY, ALEX ROSS

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: 734.1 PHI
Author: Sanders, Steven M.; Skoble, Aeon J.
Place: Lexington, KN
Publisher: University of Kentucky Press
PubDate: c2008
PhysDes: viiii, 272 p. ; 24 cm
Series: the philosophy of popular culure
Subject: AESTHETICS; ALIENS IN FILMS; CHARACTERIZATION IN FILMS; ETHICS AND TV; FILM NOIR; RELIGION AND TV; CARTER, CHRIS; FOUCAULT, MICHEL; GREENE, GRAHAM; BIG SLEEP, THE (US, Howard Hawkes, 1946); CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-); DARK CITY (US, Alex Proyas, 1997); D.O.A. (US, Ruldolph Mate, 1950); DOUBLE INDEMNITY (US, Billy Wilder, 1944); FUGITIVE, THE (US, Andrew Davis, 1993); HE WALKS BY NIGHT (US, Alfred Werker, 1948); LEVIATHAN (US/IT, George Pan Cosmatos, 1989); NAKED CITY [TV] (US, 1958-1963); X-FILES, THE [TV] (US, 1993-)
Summary: Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many emigre filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present. In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about the human predicament, giving this unique volume its moral resonance and demonstrating why television noir deserves our attention." "With this focus on the philosophical dimensions of crime, espionage, and science fiction series, The Philosophy of TV Noir draws out the full implications of film noir and establishes TV noir as an art form in its own right."--BOOK JACKET
Notes: Includes bibliographical references and index
ISBN: 9780813124490
Contents: Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked city: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland: noir themes in Secret agent / Sander Lee -- Action and integrity in The fugitive / Aeon J. Skoble -- Noir et blanc in color: existentialism and Miami vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carniva`le knowledge: give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness: autonomy and conspiracy in The X-files and Millennium / Michael Valdez Moses -- The prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: POOL OF DREAMS (AT, Alex Morcos, 1997)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PRAGER, ALEX

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PREY FOR ROCK & ROLL (US, Alex Steyermark, 2003)

Call No: TITLE CLIPPINGS FILE; ALEX CROSS (US/FR, Rob Cohen, 2012)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: ALEX CROSS (US/FR, Rob Cohen, 2012)
Summary: Review of the film 'Alex Cross'
Rating: 3 out of 5 stars

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PROYAS, ALEX

Call No: TITLE CLIPPINGS FILE; GODS OF EGYPT (US/AT, Alex Proyas, 2016)
Author: [Roach, Vicky]
PhysDes: Clippings File Article
Subject: GODS OF EGYPT (US/AT, Alex Proyas, 2016)
Summary: Review of the film GODS OF EGYPT
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUEEN OF EARTH (US, Alex Ross Perry, 2015)

Call No: 632.43 HOP
Author: Hopgood, Fincina
Source: AT
Place: Melbourne
Publisher: University of Melbourne
PubDate: 2000
Subject: DARK CITY (US, Alex Proyas, 1997); TRUMAN SHOW, THE (US, Peter Weir, 1998); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); HERO IN FILMS; MILLENIUM AND THE CINEMA; MEN IN FILMS; MYTH AND THE CINEMA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REDEMPTION OF THE DEVIL, THE (US, Alex Hoffman, 2015)

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. SYDNEY
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: FESTIVALS. SYDNEY; GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Summary: Discussion around the film GOING CLEAR and the possibility that the Sydney Film Festival would not screen it due to the threat of defamation by the Church of Scientology
Notes: located in the FESTIVALS. SYDNEY 2015 file

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. ADELAIDE
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: FESTIVALS. ADELAIDE; ALEX & EVE (AT, Peter Andrikidis, 2015)
Summary: Alex and Eve will premiere at this years Greek Film Festival. This year's Adelaide Film Festivals Jury announced and includes Tom Hajdu, Christian Jeune, Annemarie Jacir, Sophie Hyde and Maggie Lee.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: REPO MAN (US, Alex Cox, 1984)

Call No: 45:93 REV
Author: Rosenstone, Robert A
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1995
PhysDes: vi, 255 p. : ill. ; 24 cm
Series: Princeton studies in culture/power/history
Subject: HISTORY AND THE CINEMA; HISTORICAL FILMS; MISSISSIPPI BURNING (US, Alan Parker, 1988); DISTANT VOICES, STILL LIVES (UK, Terence Davies, 1988); HOME AND THE WORLD, THE [; EIJANAIKA (JA, Shohei Imamura, 1981); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittorio Taviani, 1982); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); MEMORIAS DEL SUBDESARROLLO (CU, Tomas Gutierrez Alea, 1968); MODERNS, THE (US, Alan Rudolph, 1988); RADIO BIKINI (US, Robert Stone, 1987); POKAJANIE (UR, Tengiz Abuladze, 1986 [prod.1984]); FROM THE POLE TO THE EQUATOR [DAL POLO ALL EQUATORE] (IT/GW, Yervant Gianikian/Angela Ricci Lucchi, 1987); WALKER (US, Alex Cox, 1987)
Notes: Includes bibliographical references (p. [215]-241) and index
ISBN: 069108629X (acid-free paper); 0691025347 (pbk. : acid-free paper)
LON: 94019563; 11000929

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; CD-Rom press kit
Subject: I, ROBOT (US, Alex Proyas, 2004)
ID2: 248

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: RUSSELL, ALEX

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SANGSTON, ALEX

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SAVE YOURSELVES (US, Alex Huston Fischer, Eleanor Wilson, 2020)

Call No: SUBJECT CLIPPINGS FILE; CHILDREN, FILMS FOR. AUSTRALIA
Author: Roach, Vicky
PhysDes: Clippings
Subject: ODDBALL (AT, Stuart McDonald, 2015); BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)
Summary: Brief survey of the state of childrens' films in Australia

Call No: TITLE CLIPPINGS FILE
Subject: SCHOOL'S OUT (AT, Alex Rappel, 1975?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SCHOOL'S OUT (AT, Alex Rappel, 1975?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: SCHOOLS OUT [TV] (AT, Alex Rappel, 1974)

Call No: TITLE CLIPPINGS FILE; GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Summary: Positive review of the film 'Going clear: Scientology and the prison of belief'
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEEDLING, THE (AT, Ken Radley & Alex Morocos, 1994)

Author: Matthew Hall
PhysDes: Article
Subject: GARAGE DAYS (AT, Alex Proyas, 2001)
Summary: On-set interview with director Proyas about the up-comming feature, Garage Days

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA 2015
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BELCO EXPERIMENT, THE in production; BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015); ROXBURGH, RICHARD

Call No: TITLE CLIPPINGS FILE; GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF (US, Alex Gibney, 2015)
Summary: Going Clear is soon to start festival screenings in Australia. The church has started "what could be called as a anti-campaign"...

Call No: TITLE CLIPPINGS FILE in production; GODS OF EGYPT in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: CASTING; GODS OF EGYPT (US/AT, Alex Proyas, 2016)
Summary: Alex Proyas, the director of upcoming Australian film GODS OF EGYPT, has responded to claims that the film has been whitewashed and whose key cast members are white in a film based in ancient Egypt

Call No: TITLE CLIPPINGS FILE; GODS OF EGYPT (US/AT, Alex Proyas, 2016)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; GODS OF EGYPT (US/AT, Alex Proyas, 2016)
Summary: Report on the poor box office performance in of the Australian/US blockbuster film GODS OF EGYPT, as well as a mention of the strong performance by DEADPOOL

Call No: TITLE CLIPPINGS FILE; GODS OF EGYPT (US/AT, Alex Proyas, 2016)
PhysDes: Clippings File Article
Subject: GODS OF EGYPT (US/AT, Alex Proyas, 2016)
Summary: Box office report on Gods of Egypt

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SID AND NANCY (UK, Alex Cox, 1986)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SIR ALEX FERGUSON NEVER GIVE IN (UK, Jason Ferguson, 2021)

Call No: 761 NIC
Author: Nichols, Bill
Source: US
Place: Oakland
Publisher: California University of California Press
PubDate: 2016
PhysDes: 281 p. ; ill. ; 23 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; AUDIENCES; MUSIC IN FILMS; VOICES; SOCIAL ISSUES IN FILMS; ETHICS AND THE CINEMA; ETHICS IN FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); RESTREPO (US, Tim Hetherington/Sebastian Junger, 2010); THIN BLUE LINE, THE (US, Errol Morris, 1988); ACT OF KILLING, THE (DK/NO/UK, Joshua Oppenheimer, (2012); STEVE JOBS: THE MAN IN THE MACHINE (US, Alex Gibney, 2015)
Summary: "What issues, of both form and content, shape the documentary film? What role does visual evidence play in relation to a documentary's arguments about the world in which we live? Can a documentary be believed, and why or why not? How do documentaries abide by or subvert ethical expectations? Are mockumentaries a form of subversion? In what ways can the documentary be an aesthetic experience and at the same time have political or social impact? And how can such impacts be empirically measured? Pioneering film scholar Bill Nichols investigates the ways in which documentaries strive for accuracy and truthfulness, but simultaneously fabricate a form that shapes reality. Such films may rely on re-enactment to re-create the past, storytelling to provide satisfying narratives, and rhetorical figures such as metaphor and expressive forms such as irony to make a point. In many ways documentaries are a fiction unlike any other. With clarity and passion, Nichols offers close readings of several provocative documentaries including Land without Bread, Restrepo, The Thin Blue Line, The Act of Killing, and Steve Jobs: The Man in the Machine as part of an authoritative examination of the layered approaches and delicate ethical balance demanded of documentary filmmakers"--Provided by publisher.
Notes: Includes bibliographical references and index.
Contents: Documentary film and the modernist avant-garde -- Documentary reenactment and the fantasmatic subject -- Letter to Lynn Sachs about her film Investigation of a flame -- Breaking the frame, gender, violation and the avant-garde -- The coming of sound -- To see the world anew : revisiting the voice of documentary -- The sound of music -- The question of evidence : the power of rhetoric and the documentary film -- The terrorist event -- Remaking history : Jay Leyda, and the compilation film -- Restrepo : a case of inadvertent evidence -- The symptomatic biopic : Steve Jobs : the man in the machine -- Documentary ethics : doing the right thing -- Irony, paradox and the documentary : double meanings and double binds -- Letter to Errol Morris : feelings of revulsion and the limits of academic discourse -- Perpetrators, trauma and film -- San Francisco newsreel : collectives, politics, films -- The political documentary and the problem of impact.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit; Publicity
Subject: SPIRITS OF THE AIR, GREMLINS OF THE CLOUDS (AT, Alex Proyas, 1988)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: STITT, ALEX

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STRAIGHT TO HELL (US, Alex Cox, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TAXI TO THE DARK SIDE (US, Alex Gibney, 2007)

Call No: TITLE CLIPPINGS FILE; GODS OF EGYPT (US/AT, Alex Proyas, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: GODS OF EGYPT (US/AT, Alex Proyas, 2016)
Summary: Wilson gives a medicre review of Gods of Egypt. Described as a fantasy epic this is the first film in seven yearys by Australian director Alex Proyas.
Rating: 3 out of 5 stars

Call No: CRAWFORD STILL FED
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 10 photographs : b&w ; 26 x 21 cm + 37 photographic proof sheets : b&w ; 26 x 21 cm - 31 x 24 cm + 107 slides : col. + 8 transparencies : col. ; 120 mm
Subject: TAYLOR, ROBERT; THORNTON, SIGRID; LAWRENCE, BRUNO; WENDT, NICKI; GRIFFITHS, RACHEL; HOSKING, PETER; MENGLET, ALEX; GOW, PETER; CHEN, STEPHANIE; RIGNEY, DANIEL; DELANEY, CON; SCEALY, GREG; FIANDER, LEWIS; D'AMICO, VINCE
Summary: Photographs and slides relating to 'The Feds'
Notes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographic proof sheets, slides with accompanying promotional sheets, slides without accompanying promotional sheets then transparencies. The larger 31 x 24 cm photographic proof sheets are held with the album in a separate archival pocket
Donation: Gift of Crawford Productions

Call No: CRAWFORD PUBLICITY FLY
Place: AT
PhysDes: 3 boxes ; 39 x 17 x 27 cm
Subject: CRAWFORD PRODUCTIONS; AUDIENCE RECEPTION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: VICTORIA; SOAP OPERAS. AUSTRALIA; LEE, SOPHIE; DIPIERDOMENICO, ROBERT; SMITH, LENORE; JELLAY, VAL; FIELDS, MAURIE; MCFARLANE, ANDREW; GRUBB, ROBERT; KAPINIARIS, GEORGE; GIBNEY, REBECCA; O'BRIEN, PETER; PAPPS, ALEX; MACINTOSH, TAMMY; FLYING DOCTORS, THE [TV] (AT, 1986-91)
Summary: Publicity, media clippings and periodicals about Crawford Productions' series The flying doctors. Material is organised primarily in date order. Additional files cover production and location shooting. Where possible Crawford Productions' original ordering system has been retained.
Notes: Annotations on some clippings -- Labels follow Crawfords designations unless provided by cataloguer
Donation: Donation of Crawford Productions
Contents: 3 archive boxes containing material from Australia, New Zealand and the Netherlands Folders as listed: Box 1: Locations; Production publicity; Show-Series; Series generally; [March 1991]; [April 1991]; Press cuttings July [1991]; Press cuttings Mar-Oct 1991 -- Press cuttings Jan-Mar 1991 -- Press clippings Mar Apr May 1991 -- [April 1991] file has attached memo card -- Also contains periodicals: TV soap (July 1991); Margriet (30 Apr 1991); The Flying Doctors Story; Additional photocopies of press clippings -- Royal Flying Doctor Service of Australia Fanclub Germany n. 16, June 2003 [79 leaves]; n. 17, December 2003 [85 leaves]; n. 18, June 2004 [66 leaves]; n. 19, December 2004 [74 leaves] Box 2: Press clippings Originals 1988 -- Original press clippings Jan-June 1989 -- Press clippings originals July-Dec 1989 -- Press clippings, originals Jan-May 1990 -- Press cuttings May-Dec 1990 -- [Press clippings April 1990, photocopies] --Also contains: TV Week (Feb 13 1988); Humo (Maart 31 1988; Mei 12 1988); TV magazine (Mei 14 1988); TV week (June 4 1988); Dag (n. 230 April 9 1989); TV Guide (August 14 1989); Woman's own (April 10 1989); Star! (Summer 1989); Australia now (v. 13 n. 4 1989); Stars of Oz (August 1990) -- Additional photocopies of Australian press clippings -- Clippings from Dutch language magazines Box 3: Photocopies of press cuttings 1982-1990 covering location, general production, notable guests and publicity for individual actors -- Facsimile copies of press from UK -- (17 leaves) Fan produced materials -- Fan produced Reserapport [Trip report] 1988 (39 leaves) -- Telegrams (6 leaves)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: TOTALLY UNDER CONTROL (US, Alex Gibney, Ophelia Harutyunyan, Suzanne Hillinger, 2020)

Call No: 71(94) TWI
Place: Melbourne
Publisher: Damned Publishing
PubDate: 1999
PhysDes: 558 p.
Subject: AUSTRALIA; NEW ZEALAND; NATIONAL IDENTITY IN FILMS. NEW ZEALAND; NATIONAL IDENTITY IN FILMS. AUSTRALIA; HISTORY OF EXHIBITION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; ASIANS IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; FAMILY IN FILMS. AUSTRALIA; HOMOSEXUALITY IN FILMS. AUSTRALIA; AUSTRALIA. 1970's; WARD, VINCENT; HALL, KEN G.; DARK CITY (US, Alex Proyas, 1997); BABE: PIG IN THE CITY (AT, George Miller, 1998); SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); FLOATING LIFE (AT, Clara Law, 1996); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); ON THE BEACH (US, Stanley Kramer, 1959); YATGO HO YAN (HK, Samo Hung, 1997); RADIANCE (AT, Rachel Perkins, 1998); VACANT POSSESSION (AT, Margot Nash, 1995)
ISBN: 1876310006
LON: 20154200
ID2: 29

Author: Rod Yates
PhysDes: Article
Subject: COLOSIMO, VINCE; DIMITRIADES, ALEX; UNDERBELLY: A TALE OF TWO CITIES [TV] (AT, 2009)
Summary: D.V.D. review of Underbelly: A tale of two cities

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: VAN WAMERDAM, ALEX

Call No: TITLE CLIPPINGS FILE; GODS OF EGYPT (US/AT, Alex Proyas, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: GODS OF EGYPT (US/AT, Alex Proyas, 2016)
Summary: Review of the film TRIPLE 9
Rating: 1.5 out of 5 stars

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Stills
Subject: WAISLITZ, ALEX

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: WALKER (US, Alex Cox, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WALKING OUT (US, Alex Smith / Andrew J. Smith, 2017)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: WARMERDAM, ALEX VAN

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WE STEAL SECRETS: THE STORY OF WIKILEAKS (US, Alex Gibney, 2014)

Call No: TITLE CLIPPINGS FILE; HAIRSPRAY LIVE! [TV](US, Kenny Leon and Alex Rudzinsky, 2016)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: HAIRSPRAY LIVE! [TV](US, Kenny Leon and Alex Rudzinsky, 2016)
Summary: Review of the musical broadcast of HAIRSPRAY LIVE!

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WINNER, THE (US, Alex Cox, 1996)

Call No: TITLE CLIPPINGS FILE; EX MACHINA (UK, Alex Garland, 2015)
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: EX MACHINA (UK, Alex Garland, 2015)
Summary: Review
Rating: 4 out of 5 stars

Call No: SUBJECT CLIPPINGS FILE; GROSS, YORAM
Author: Bodey, Michael
PhysDes: Clippings
Subject: GROSS, YORAM; BLINKY BILL THE MOVIE (AT/US, Deane Taylor/ Noel Cleary/ Alexs Staermann/ Alex Weight, 2015)
Summary: Obituary of 'Blinky Bill' creator segues into assessment of poor box-office performance of latest film version.

Call No: TITLE CLIPPINGS FILE; [FIFTH] 5TH WAVE, THE (US, J BLAKESON, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: ROE, ALEX; [FIFTH] 5TH WAVE, THE (US, J Blakeson, 2016)
Summary: Interview with Alex Roe the co-star of the film THE 5TH WAVE. He discusses his role in the film and his career so far

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ZERO DAYS (US, Alex Gibney, 2016)
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