Search Catalogue

Call No: 451-01 BIN
Author: Bingham, Dennis, 1954
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: x, 271 p. : ill. ; 24 cm
Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990)
Notes: Includes bibliographical references (p. [253]-263) and index
ISBN: 0813520738; 0813520746 (pbk.)
LON: 10548892

Call No: 730.3 TAS
Author: Tasker, Yvonne
Source: UK
Place: Abingdon, Oxon
Publisher: Routledge
PubDate: 2004
PhysDes: 414 p. ; 25 cm
Subject: ACTION FILMS; ADVENTURE FILMS; STARS; CHILDREN AND THE CINEMA; MELODRAMA; HISTORY OF CINEMA; GENDER AND THE CINEMA; VIOLENCE IN FILMS; WOMEN IN FILMS; WAR FILMS; MEN IN FILMS; MASCULINITY IN FILMS
Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow.
Notes: Includes note and index.
ISBN: 0 415 23507 3
Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.

Call No: TITLE CLIPPINGS FILE; X-MEN: APOCALYPSE (US, Bryan Singer, 2016)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: X-MEN: APOCALYPSE (US, Bryan Singer, 2016)
Summary: Review of the film X-MEN: APOCALYPSE
Rating: 3 out of 5 stars

Call No: 633.3 (41)
Author: Hockenhull, Stella
Source: UK
Place: London, UK ; New York, NY.
Publisher: I.B. Tauris & Co Ltd
PubDate: 2014
PhysDes: ix, 236 p. : ill. ; 22 cm.
Subject: BRITISH CINEMA; AESTHETICS; LANDSCAPES IN FILMS; REALISM IN FILMS; ART AND THE CINEMA; EMOTION IN FILMS; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002); LADIES IN LAVENDER (UK, Charles Dance, 2004); MISS POTTER (UK/US, Chris Noonan, 2006); LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006); WAR ZONE, THE (UK, Tim Roth, 1999); RATCATCHER (UK, Lynne Ramsey, 1999); CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); LAST RESORT, THE (UK, Pawel Pawlikowski, 2000); MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004); QUEEN, THE (UK/IT/FR, Stephen Frears, 2006)
Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURB
Notes: Includes bibliographical references and index.
ISBN: 9781848859012
Donation: donated by Senses of Cinema, 2014

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: ALL MEN ARE LIARS (AT, Gerard Lee, 1995)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 18 photographs : b&w ; 20 x 25 cm + 1 transparency : col. ; 35 mm
Subject: ALL MEN ARE LIARS (AT, Gerard Lee, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL THE KINGS MEN (US, Robert Rossen, 1949)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976)

Call No: N79ALL WOO
Author: Woodward, Bob; Bernstein, Carl
Source: UK
Place: London
Publisher: Quartet Books
PubDate: 1974
PhysDes: 349 p. : ill. ; 18 cm
Subject: ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976)
Notes: Includes index
ISBN: 0704311402
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976)
Summary: Review of the film ALL THE PRESIDENT'S MEN

Call No: 79 AND HOP
Author: Hopgood, Alan
Edition: 2nd ed.
Source: AT
Place: Richmond, Vic.
Publisher: Heinemann Educational Australia
PubDate: 1988
PhysDes: xii, 100 p., [4] p. of ports. ; 25 cm
Series: Australian Theatre Workshop; 2
Subject: AND THE BIG MEN FLY [TV] (AT, 1974)
ISBN: 0858594943
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: KNOWING MEN (UK, Elinor Glyn, 1930)
Summary: Review; ill.

Call No: 725.221 (-091) RAS
Author: Raskin, Richard
Source: US
Place: North Carolina
Publisher: McFarland & Company Inc.
PubDate: 2002
PhysDes: 184 p. : ill. ; 27 cm
Subject: SHORT FILMS; TWO MEN AND A WARDROBE (PL, Roman Polanski, 1957); DWAJ LUDZIE Z SZAFA (PL, Roman Polanski, 1957); COFFEE AND CIGARETTES (US, Jim Jarmusch, 1986); CAT'S CRADLE (AT, Liz Hughes, 1992)
Summary: A close study of Polanski Two Men and A Wardrobe, Jarmusch Coffee and Cigarettes, Lawlor Sunday, Hughes Cat's Cradle, Sletaune Eating Out, Ulrichsen Come, Ivanyi Wind, McGann Possum and Mimica The War is Over. The book also describes a new coneptual model, derived from the nine films, useful for both analyzing the ways in which a short fiction film tells its story and as a set of guidelines for students writing their own screenplays.
Notes: Includes contact information for obtaining copies of the films Includes other highly recommended short fiction films Includes bibliography Includes index
ISBN: 078641183x

Call No: 71(94) AUS
Author: Craven, Ian
Place: London
Publisher: Frank Cass
PubDate: 2001
PhysDes: 239 p. ; 22 cm
Subject: AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; ABORIGINAL AUSTRALIANS ON TV; GONSKI REPORT; INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; SUBURBS IN FILMS. AUSTRALIA; SOCIETY AND TV; DINGO, ERNIE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BABE (AT, Chris Noonan, 1995); BIG STEAL, THE (AT, Nadia Tass, 1990); CASTLE, THE (AT, Rob Sitch, 1997); DEATH IN BRUNSWICK (AT, John Ruane, 1991); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); HEARTLAND [TV] (AT, 1994); IDIOT BOX (AT, David Caesar, 1996); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LOVE SERENADE (AT, Shirley Barrett, 1996); METAL SKIN (AT, Geoffrey Wright, 1994); MONKEY GRIP (AT, Ken Cameron, 1982); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992)
Notes: Includes index and bibliography
ISBN: 0714649740; 0714680346(pbk.) : ª16.50
LON: 21663632
Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda Smith
ID2: 306

Call No: 451-013 EVE
Author: Everson, William K
Edition: [1st ed.]
Place: New York
Publisher: Citadel Press
PubDate: 1964]
PhysDes: xiii, 241 p. : ill., ports. ; 29 cm
Subject: MEN IN FILMS
LON: 64025629; 1531911

Author: Rothenbuecher, Bea
PhysDes: Article
Subject: BETWEEN MEN (US, Will Roberts, 1979)
Summary: Review

Call No: SUBJECT CLIPPINGS FILE; CASTING
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: CASTING; ACTORS; MEN AND THE CINEMA; WOMEN AND THE CINEMA; MEN IN FILMS; WOMEN IN FILMS
Summary: An article about the age differences between actors and actresses in American films. It cites a report from website Vulture, analysing the careers of 10 middle aged men in relation to the age of their female co-stars.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ICEMAN [BING FENG: CHONG SHENG ZHI MEN] (CC/HK, Law Wing Cheong, 2014)

Call No: TITLE CLIPPINGS FILE
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: LOIN DES HOMMES [FAR FROM MEN] (FR, David Oelhoffen, 2014); MORTENSEN, VIGGO
Summary: A review of the film Far from Men, the French title is Loin des Hommes
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE; LITTLE MEN (US/GR, Ira Sachs, 2016)
Author: McDonald, John
PhysDes: Clippings File Article
Subject: LITTLE MEN (US/GR, Ira Sachs, 2016)
Summary: Positive review of the film LITTLE MEN, where the author sees the film as a commentary of family dynamics and the pressures of financial uncertainty in the USA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOYS TO MEN (US, Phillip J. Bartell & Carl Pfirman, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAST MEN (US, Lawrence O'Neil & Gary Lucchesi, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BRIDGE: A STORY OF MEN IN DISPUTE, THE (NZ, Gerd Pohlmann & Merata Mita, 1982)

Call No: 451 (-01) (-055.52) BRU
Author: Bruzzi, Stella
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 217 p. ; 23 cm
Subject: MASCULINITY IN FILMS; MEN IN FILMS. USA; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); CAPE FEAR (US, J. Lee Thompson, 1961); KRAMER VS. KRAMER (US, Robert Benton, 1979); DIE HARD (US, John McTiernan, 1988); THREE MEN AND A BABY (US, Leonard Niimoy, 1987); BOYZ N THE HOOD (US, John Singleton, 1991); MAGNOLIA (US, Paul Thomas Anderson, 1999)
Summary: The father is one of the central figures of Hollywood narrative. Despite this, this is the first book to examine cinematic representations of the father. Brining Up Daddy offers a broad perspective on the Hollywood dad looking at important Hollywood fathers from World War II to the present and discusses films for a variety of genres. The book looks at films decade by decade and adopts a multi-faceted theoretical approach, making use of psychoanalysis, sociology and masculinity studies and contextualising the father figure within both Hollywood and American history. Key films include Since You Went Away, The Search, Rebel without a Cause, The Man in the Gray Flannel Suit, Cape Fear, Kramer vs Kramer, Die Hard, Three Men and a Baby, Boyz n the Hood and Magnolia. In its treatment of the father this unique study discusses why the father is such a seminal character in so many narratives and what he has come to symbolise and represent. [Taken from back cover]
ISBN: 1844571106

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; CD-Rom press kit
Subject: CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006)
ID2: 248

Call No: 79 CHI DIN
Author: Dinello, Dan
Edition: 2019
Place: Leighton Buzzard
Publisher: Auteur
PhysDes: 132 pages : illustrated ; 20 cm
Series: Constellations
Subject: CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006)
Summary: A mirror of tomorrow, Alfonso Cuarón’s visionary Children of Men (2006) was released to good reviews and poor box office but is now regarded by many as a twenty-first-century masterpiece. Its propulsive story dramatizes a dystopian future when an infertile humanity hurtles toward extinction and an African refugee holds the key to its survival. Cuarón creates a documentary of the near future when Britain’s totalitarian government hunts down and cages refugees like animals as the world descends into violent chaos. In the midst of xenophobia and power abuses that have led to a permanent state of emergency, Children of Men inspires with a story of hope and political resistance. Dan Dinello explicates Children of Men’s politically progressive significance in the context of today’s rise of authoritarianism and white nationalism. Though topical at the time, the film now feels as if it’s been torn from today’s headlines. Examining the film from ideological, psychological, and philosophical perspectives, the book explores the film’s connection to post-9/11 apocalyptic narratives, its evolutionary twist to the nativity story, its warning about the rise of neofascism, and its visual uniqueness as science fiction, delving into the film’s gritty hyper-realistic style and the innovative filmic techniques developed by director Cuarón and his cinematographer, Emmanuel Lubezki. Dinello explores the film’s criticism of the pathologies of a reactionary politics that normalize discriminatory hierarchies and perpetuate vast differences in privilege. Children of Men prods us to imagine an egalitarian alternative with a narrative that urges emotional identification with rebels, outcasts, and racial and ethnic outsiders. -- publisher's web site
ISBN: 9781999334024
Donation: Senses of Cinema
Contents: Contents -- 1. Introduction: Clash of Civilizations -- 2. Children of Men in an Era of Apocalyptic Anxiety -- 3. Documenting the Future: Visual Design -- 4. Tyranny in the UK -- 5. The Resistance -- 6. Rise of a New World -- 7. Conclusion: State of Emergency -- Works Cited.

Call No: 71(73) LEV
Author: Levy, Emanuel, 1947
Source: US
Place: New York
Publisher: New York University Press
PubDate: c1999
PhysDes: xiii, 601 p. : ill. ; 24 cm
Subject: INDEPENDENT FILMS. USA; HOMOSEXUALITY AND THE CINEMA. USA; OUTSIDERS IN FILMS; MEN IN FILMS; FILM NOIR; FEMINISM AND THE CINEMA. USA; TYPE CHARACTERS IN FILMS; COMEDIES. USA; BLACK CINEMA. US; ETHNIC GROUPS IN FILMS. USA; YOUNG PEOPLE AND THE CINEMA; FESTIVALS. PARK CITY. SUNDANCE; ARAKI, GREGG; NUNEZ, VICTOR; BROOKS, ALBERT; SMITH, KEVIN; COEN, JOEL & ETHAN; FERRARA, ABEL; WATERS, JOHN (US); HARTLEY, HAL; HAYNES, TODD; JARMUSCH, JIM; JOST, JON; LEE, SPIKE; LINKLATER, RICHARD; LYNCH, DAVID; MAMET, DAVID; NAIR, MIRA; SAYLES, JOHN; CASSAVETES, NICK; SODERBERGH, STEVEN; SOLONDZ, TODD; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); BLOOD SIMPLE (US, Joel Coen, 1984); BOYZ N THE HOOD (US, John Singleton, 1991); IN THE COMPANY OF MEN (US, Neil Labute, 1997); GAS FOOD LODGING (US, Allison Anders, 1992); PULP FICTION (US, Quentin Tarantino, 1994); RESERVOIR DOGS (US, Quentin Tarantino, 1992); MEAN STREETS (US, Martin Scorsese, 1973)
Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKET
Notes: Includes bibliographical references (p. 539-571) and index
ISBN: 0814751237 (alk. paper)
LON: 20253533

Call No: 64POS SHA
Author: Shaviro, Steven
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1993
PhysDes: x, 276 p. ; 26 cm
Series: Theory out of bounds ; v. 2
Subject: AESTHETICS; POSTMODERNISM AND THE CINEMA; PERCEPTION; MASCULINITY IN FILMS; MEN IN FILMS; PORNOGRAPHY AND THE CINEMA; BODY IN FILMS; SEX IN FILMS; WARHOL, ANDY; ROMERO, GEORGE; LEWIS, JERRY; CRONENBERG, DAVID; BRESSON, ROBERT; DELEUZE, GILLES; GUATTARI, FELIX; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Notes: Includes bibliographical references (p. [268]-272) and index
ISBN: 0816622949 (PB : acid-free paper)
LON: 9656941

Call No: 747.2(47) CIN
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: c2010
PhysDes: x, 331 p. ; 23 cm
Subject: CHILDREN AND THE CINEMA; FAMILY IN FILMS; MASCULINITY IN FILMS; MEN AND THE CINEMA; NATIONAL CULTURE AND THE CINEMA. RUSSIA; RUSSIA; RUSSIA IN FILMS; USSR; U.S.S.R IN FILMS
Summary: "This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl', Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. Several chapters focus on the difficulties of fulfilling the paternal function, while others show how vertical and horizontal male bonds are repeatedly strained by the pressure of redefining an embattled masculinity in a shifting political landscape." - BOOK BLURB
Notes: Includes index.
ISBN: 9780253221872
Contents: Preface -- Introduction - Cinepaternity: the psyche and its heritage --; Part One: Thaw, stagnation, perestroika -- The myth of the great family in Marlen Khutsiev's Lenin's Guard and Mark Osep'ian's Three Days of Viktor Chernyshev: Alexander Prokhorov -- Mending the rupture: the war trope and the return of the imperial father in 1970s cinema: Elena Prokhorova -- Models of male kinship in perestroika cinema: Seth Graham --; Part two: war in the post-Soviet dialogue with paternity -- The fathers' war through the sons' lens: Tatiana Smorodinskaya -- War as the family value: failing fathers and monstrous sons in My Stepbrother Frankenstein: Mark Lipovetsky -- A surplus of surrogates: Mashkov's fathers: Helena Goscilo --; Part three: Reconceiving filial bonds -- Resurrected fathers and resuscitated sons: homosocial fantasies in The Return and Koktebel: Yana Hashamova -- The forces of kinship: Timur Bekmambetov's Night Watch cinematic trilogy: Vlad Stukov -- Fathers, sons and brothers: redeeming patriarchal authority in The Brigade: Brian James Baer --; Four: Auteurs and the psychological/philosophical -- Fraught filiation: Andrei Tarkovsky's transformations of personal trauma: Helena Goscilo -- Vision and blindness in Sokurov's Father and Son: Jose Alaniz

Call No: 451-01 OBR
Author: O'Brien, Daniel
Source: UK/US
Place: Houndmills, Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: vii, 191 pages : illustrations ; 23 cm
Subject: MASCULINITY IN FILMS; MEN IN FILMS; BODY IN FILMS; HEROS IN FILMS; MYTH AND THE CINEMA; ACTION FILMS; HISTORICAL FILMS; JASON AND THE ARGONAUTS (UK/US, Don Chaffey, 1963); [THREE HUNDRED] 300 (US, Zach Snyder, 2006); CONAN THE BARBARIAN (US, John Milius, 1982); XENA: WARRIOR PRINCESS [TV] (US, 1995-)
Summary: "The cinema has often showcased the muscular male body, most notably in genres invoking classical Greco-Roman culture, whether peplum, epic or sword-and-sorcery. This book reassesses the classically-inflected action film as a significant cinematic form, often marginalized in media studies, that transcends such reductive labels as camp or kitsch. The focus is on the depiction of heroic masculinity, often characterized as reactionary or fascist, yet far more varied and contradictory, especially in relation to femininity and non-whiteness. These diverse representations of masculinity offer a major contribution to debates on maleness within and beyond academia that has been largely unexplored. In particular, Hercules in his many incarnations is one of the most important mythopoetic figures, on a par with King Arthur, Robin Hood, Tarzan and James Bond, informing popular cultural interpretations of manliness and the exaggerated male form"-- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (pages 177-186) and index
ISBN: 9781137384706
Contents: -- Introduction -- Part I: men as men should be 1. Hercules Unchained ; 2. Hercules Reformed ; 3. Hercules Diminished ; 4. Hercules Rebooted ; 5. I'm Spartacus! -- Part II: taming the women with love or death -- 6. The Loves of Hercules ; 7. The Temptress from Beyond ; 8. Fight Like a Man -- Part III: this thing of darkness 9. White Man's Burden? ; 10. Doom's Children ; 11. This is Sparta! ; Coda -- Bibliography --Index --

Call No: 792 CLO
Author: Reid, Don C.,; Bladwell, Francis Frederick
CorpAuthor: English Teachers' Association of New South Wales
Place: South Melbourne
Publisher: Macmillan of Australia [for the] English Teachers' Association of New South Wales
PubDate: 1971
PhysDes: 226 p. : ill. ; 22 cm
Subject: DELTA [TV] (AT, 1969-70); PIGEON, THE [TV] (AT, 1966); DYNASTY [TV] (AT, 1970); SEVEN LITTLE AUSTRALIANS [TV] (AT, Ron Way, 1973); BELLBIRD [TV] (AT, 1967-1977); MEN OF THE ENDEAVOUR [TV] (AT, 1970)
ISBN: 0333119576
LON: 230369

Call No: 81 COE NAY
Author: Nayman, Adam
Source: US
Place: New York
Publisher: Abrams Books
PubDate: 2018
PhysDes: 320 pages : illustrations (some colour) ; 32 cm
Subject: COEN, JOEL & ETHAN; BLOOD SIMPLE (US, Joel Coen, 1984); RAISING ARIZONA (US, Joel Coen, 1987); MILLER'S CROSSING (US, Joel Cohen, 1990); BARTON FINK (US, Joel Cohen, 1991); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); FARGO (US, Ethan Coen, 1996); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009); TRUE GRIT (US, Coen Brothers, 2010); HAIL, CAESAR! (UK/US, Ethan Coen and Joel Coen, 2016)
Summary: "From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn Davis (2013), Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. In The Coen Brothers: This Book Really Ties the Films Together, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, “some Grand Unified Theory of Coen-ness.” The book combines critical text—biography, close film analysis, and enlightening interviews with key Coen collaborators—with a visual aesthetic that honors the Coens’ singular mix of darkness and levity. Featuring film stills, beautiful and evocative illustrations, punchy infographics, and hard insight, this book will be the definitive exploration of the Coen brothers’ oeuvre." - taken from publisher's website.
Notes: Includes bibliographical references.
ISBN: 9781419727405
Contents: An introduction -- Out of nowhere -- Blood simple -- Raising Arizona -- Miller's crossing -- Interview: Michael Miller -- Barton Fink -- Hits and misses -- The hudsucker proxy -- Fargo -- Interview: The Zellner Brothers -- The Big Lebowski -- Interview: Lisa Walker -- Can't stop what's coming -- O brother, where are thou? -- The man who wasn't there -- Interview: Carter Burwell -- Intolerable cruelty -- The ladykillers -- Mysterious ways -- No country for old men -- Interview: Roger Deakins -- Tuillries & world cinema -- Burn after reading -- A serious man -- Interview: J. Todd Anderson -- That's entertainment! -- True grit -- Interview: Mary Zophres -- Inside Llewyn Davis -- Hail, Caesar! -- Interview: Jess Gonchor -- An outroduction -- Credits -- Bibliography

Call No: 81FOX FOX
Author: Fox, James
Source: UK
Place: London
Publisher: Hodder and Stoughton
PubDate: c1983
PhysDes: 151 p., [14] p. of plates : ill., ports. ; 18cm.
Subject: COURTENAY, TOM; FOX, JAMES; KING RAT (US, Bryan Forbes, 1965); NO LONGER ALONE (UK, Nicholas Webster, 1978); PERFORMANCE (UK, Nicholas Roeg & Donald Cammell, 1970 [prod. 1968]); SERVANT, THE (UK, Joseph Losey, 1963); THOROUGHLY MODERN MILLIE (US, George Roy Hill, 1967); THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES (US, Ken Annakin, 1965)
ISBN: 0340353570

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMPANY MEN, THE (UK/US, John Wells, 2010)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CONFERENCES. AUSTRALIA. HOLY MEN IN TIGHTS. A SUPERHERO CONFERENCE

Call No: 81COE RED
Author: Redmon, Allen H.
Source: US/UK
Place: New York : London
Publisher: Rowman & Littlefield
PubDate: c2015
PhysDes: xviii, 173 pages ; 24 cm
Subject: CRITICISM; COEN, JOEL & ETHAN; LADYKILLERS, THE (US, Joel Coen & Ethan Coen, 2004); BARTON FINK (US, Joel Cohen, 1991); RAISING ARIZONA (US, Joel Coen, 1987); HUDSUCKER PROXY, THE (US, Joel Coen, 1994); MAN WHO WASN'T THERE, THE (US, Joel Coen, 2001); INTOLERABLE CRUELTY (US, Joel Coen & Ethan Coen, 2003); NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007); BIG LEBOWSKI, THE (US, Joel Coen, 1998); O BROTHER, WHERE ART THOU? (US, Joel Coen, 2000); BURN AFTER READING (US/UK/FR, Ethan Coen/Joel Coen, 2008); SERIOUS MAN, A (US/UK/FR, Ehan Coen, Joel Coen, 2009)
Summary: "In Constructing the Coens: From Blood Simple to Inside Llewyn Davis, Allen Redmon looks beyond the postmodern sensibilities of every film written and directed by the Coens to find an unexpected range of recurring ideas expressed in and about contemporary film. Redmon tackles all of the films in the Coen brothers’ canon by examining—among other topics—narrative coherence in The Man Who Wasn’t There, intertextuality in No Country for Old Men, and sexuality in Burn after Reading and O Brother, Where Art Thou? Additional chapters examine the films through the prisms of gender studies, adaptation studies, and a constructivist sensibility weaved throughout their work." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (pages 155-160), filmography (pages 161-163) and index
ISBN: 9781442244849
Donation: Sense of cinema
Contents: -- acknowledgments -- introduction -- 1: "It's a problem of 'perception'": identifying the Coens' constructivist sensibility -- 2: "You don't want to be tried and found wantin'": triggering the ongoing adaptation of the the Ladykillers -- 3: "I will destroy him": negotiating the image in Barton Fink and Raising Arizona -- 4: "That gag's got whiskers on it": achieving narrative coherence in the Hudsucker proxy and The man who wasn't there -- 5: "The coin don't have no say": examining intertextuality in the Hudsucker proxy, Intolerable cruelty, and No country for old men -- 6: "A lotta ins, a lotta outs": interweaving genres in the Big Lebowski and O brother, where art thou? -- 7: "Appearances can be deceptive" : investigating sexuality in O brother, where art thou?, Intolerable cruelty, and Burn after reading -- 8: "I haven't done anything funny": scrutinizing gender in the Coens' arrangements of a bunch of men around one woman -- 9: "Accept the mystery": resisting final construction of A serious man -- Conclusion -- bibliography -- filmography -- index -- about the author --

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACK CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: 71(46) JOR
Author: Jordan, Barry, 1950; Morgan-Tamosunas, Rikki
Place: Manchester
Publisher: Manchester University Press
PubDate: 1998
PhysDes: vi, 216 p. : ill. ; 24 cm
Subject: SPAIN; COMEDIES. SPAIN; THRILLERS. SPAIN; FANTASTIC FILMS. SPAIN; SCIENCE-FICTION FILMS. SPAIN; HORROR FILMS. SPAIN; GENDER AND THE CINEMA; WOMEN IN FILMS; MEN IN FILMS; NATIONAL IDENTITY IN FILMS. SPAIN; SPAIN: CATALONIA; SPAIN: BASQUE COUNTRY; HISTORY AND THE CINEMA. SPAIN; ALMODOVAR, PEDRO; BIGAS LUNA; GARCI, JOSE LUIS; MEDEM, JULIO; MIRO, PILAR; SAURA, CARLOS; TRUEBA, FERNANDO; COLMENA, LA (SP, Mario Camus, 1982); NADIE HABLARA DE NOSOTRAS CUANDO HAYAMOS MUERTO (SP, Agustin Diaz Yanes, 1995)
Notes: Includes bibliographical references and index
ISBN: 071904412X (hbk.); 0719044138 (pbk.)
LON: abn98241412; 14031781

Author: Yeates, Helen
PhysDes: Article; Bibliography; Illustration(s)
Subject: MEN ON TV; POLICE ON TV; NYPD BLUE [TV] (US, 1993-); CRACKER [TV] (UK, 1993-)
Summary: Examines hegemonic masculinity in relation to aging men on tv, particularly in "NYPD blue" and "Cracker"

Call No: TITLE CLIPPINGS FILE; FEW LESS MEN, A (AT, Mark Lamprell, 2017)
Author: Paatsch, Leigh
PhysDes: Clippings File Article
Subject: FEW LESS MEN, A (AT, Mark Lamprell, 2017)
Summary: Review of the film A FEW LESS MEN
Rating: 0 out of 5 stars

Call No: 81MAN ALV
Author: Alvarez, Max
Source: US
Place: Jackson, Miss.
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: 324 pages ; 24 cm
Subject: CRIME FILMS; FILM NOIR; MANN, ANTHONY; [DOCTOR] DR BROADWAY (US, Anthony Mann, 1942); STRANGERS IN THE NIGHT (US, Anthony Mann, 1944); TWO O'CLOCK COURAGE (US, Anthony Mann, 1945); GREAT FLAMARION, THE (US, Anthony Mann, 1945); STRANGE IMPERSONATION (US, Anthony Mann, 1946); DESPERATE (US, Anthony Mann, 1947); RAILROADED! (US, Anthony Mann, 1947); T-MEN (US, Anthony Mann, 1947); RAW DEAL (US, Anthony Mann, 1948); HE WALKED BY NIGHT (US, Alfred L. Werker and Anthony Mann, 1948); FOLLOW ME QUIETLY (US, Richard Fleischer, 1949); BORDER INCIDENT (US, Anthony Mann, 1949); SIDE STREET (US, Anthony Mann, 1950); TALL TARGET, THE (US, Anthony Mann, 1951)
Summary: "Anthony Mann (1906-1967) is renowned for his outstanding 1950s westerns starring James Stewart (Winchester '73, The Naked Spur, The Man from Laramie). But there is more to Mann's cinematic universe than those tough Wild West action dramas featuring conflicted and secretive heroes. This brilliant Hollywood craftsman also directed fourteen electrifying crime thrillers between 1942 and 1951, among them such towering achievements in film noir as T-Men, Raw Deal, and Side Street. Mann was as much at home filming dark urban alleys in black-and-white as he was the prairies and mountains in Technicolor, and his protagonists were no less conflicted and secretive than his 1950s cowboys.In these Mann crime thrillers we find powerful stories of sexual obsession (The Great Flamarion), the transforming images of women in wartime and postwar America (Strangers in the Night, Strange Impersonation), exploitation of Mexican immigrants (Border Incident), studies of the criminal mind (He Walked by Night), and Civil War bigotry (The Tall Target). Mann's forceful camera captured such memorable and diverse stars as Erich von Stroheim, Farley Granger, Dennis O'Keefe, Claire Trevor, Richard Basehart, Ricardo Montalba´n, Ruby Dee, and Raymond Burr.The Crime Films of Anthony Mann features analysis of rare documents, screenplays, story treatments, and studio memoranda and reveals detailed behind-the-scenes information on preproduction and production on the Mann thrillers. Author Max Alvarez uses rare and newly available sources to explore the creation of these noir masterworks. Along the way, the book exposes secrets and solves mysteries surrounding the mercurial director and his remarkable career, which also included Broadway and early live television"-- LIBRARIES AUSTRALIA
Notes: Includes bibliographical references, filmography and index
ISBN: 9781617039249
Contents: -- introduction -- 1: From Lomaland to Broadway -- 2: From Broadway to Hollywood -- 3: Dr. Broadway (1942) -- 4: Strangers in the Night (1944) -- 5: Two O'Clock Courage (1945) -- 6: The Great Flamarion (1945) -- 7: Strange Impersonation (1946) -- 8: Desperate (1947) -- 9:Railroaded! (1947) -- 10: T-Men (1947) -- 11: Raw Deal (1948) -- 12: He Walked By Night (1948) -- 13: Follow Me Quietly (1949) -- 14: Border Incident (1949) -- 15: Side Street (1950) -- 16: The Tall Target (1951) -- 17: The Lost Noir of Anthony Mann -- postscript -- acknowledgments -- Anthony Mann crime filmography -- notes -- archival sources -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Posters; Publicity; Clippings
Subject: DEAD MEN DON'T WEAR PLAID (US, Carl Reiner, 1982)

Call No: N79 DEA NIL
Author: Niland, D'Arcy
Source: UK
Place: London
Publisher: Hodder Paperbacks
PubDate: 1971
PhysDes: 316 p. ; 18cm
Subject: DEAD MEN RUNNING (AT, Eric Taylor, 1971)
ISBN: 0340150211

Author: Borst, Ron
PhysDes: Article
Subject: DEAD MEN WALK (US, Sam Newfield, 1943)
Summary: Credits, short description

Call No: TITLE CLIPPING FILE
Subject: TWO MEN IN MANHATTAN [DEUX HOMMES DANS MANHATTAN] (FR, Jean-Pierre Melville, 1959)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRAU, NACH DER MAN SICH SEHNT, DIE (G, Curtis Bernhardt, 1929); THREE LOVES (G, Curtis Bernhardt, 1929); WOMEN MEN YEARN FOR, THE (G, Curtis Bernhardt, 1929)

Author: Lawrie Masterson
PhysDes: Article
Subject: JACKMAN, HUGH; SWORDFISH (US, Dominic Sena, 2001); X-MEN (US, Bryan Singer, 2000); KATE & LEOPOLD (US, James Mangold, 2001)
Summary: Interview with Hugh Jackman on his career, focusing on Swordfish, X-men, and Kate & Leopold

Call No: TITLE CLIPPINGS FILE
Subject: TWO MEN BEG TO REPORT [DVA MUZI HLASI PRICHOD] (CS, Vaclav Vorlicek, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO MEN BEG TO REPORT [DVA MUZI HLASI PRICHOD] (CS, Vaclav Vorlicek, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [EIGHT] 8 MEN OUT (US, John Sayles, 1988)

Call No: 753.8 MAZ
Author: Mazdon, Lucy
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: [vi], 169 p. : ill. ; 24 cm
Subject: FRANCE; REMAKES; CULTURE AND THE CINEMA; CULTURAL IMPERIALISM. US; NATIONAL IDENTITY AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA. FRANCE; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); SOMMERSBY (US, Jon Amiel, 1993); NIKITA (FR/IT, Luc Besson, 1990); LEON (FR, Luc Besson, 1994); BIRDCAGE, THE (US, Mike Nichols, 1996); BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978); TRUE LIES (US, James Cameron, 1994); SORCERER (US, William Friedkin, 1977); MON PERE, CE HEROS (FR, Gerard Lauzier, 1991); MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985); PEPE LE MOKO (FR, Julien Duvivier, 1937); ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976); TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985); TOTALE!, LA (FR, Claude Zidi, 1991); THREE MEN AND A BABY (US, Leonard Niimoy, 1987); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); WOMAN IN RED, THE (US, Gene Wilder, 1984); ALGIERS (US, John Cromwell, 1938); CASBAH (US, John Berry, 1948); SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953); GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972)
Notes: Includes bibliographical references and index
ISBN: 0851708005(cased) : ¦45.00; 0851708005
LON: 21532807

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EVIL THAT MEN DO, THE (US, J. Lee Thompson, 1984)

Author: Pulleine, Tim
PhysDes: Article
Subject: DEAD MEN DON'T WEAR PLAID (US, Carl Reiner, 1982)
Summary: Review; ill

Author: Roxburgh, Mark
PhysDes: Article; Illustration(s); Bibliography
Subject: COMMERCIALS, TV. AUSTRALIA; NATIONAL IDENTITY AND TV. AUSTRALIA; MEN ON TV. AUSTRALIA
Summary: Roxburgh examines several beer commercials to demonstrate that their representations of masculinity are almost exclusively patriarchal and Anglo.

Call No: 626:396 MOD
Author: Modleski, Tania, 1949
Place: New York
Publisher: Routledge
PubDate: 1991
PhysDes: xi, 188 p. ; 24 cm
Subject: FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; THEORY; WOMEN IN FILMS; MEN IN FILMS; WAR FILMS; ETHNIC GROUPS IN FILMS; BODY IN FILMS
Summary: Feminism Without Women examines the operation of "postfeminism" in popular culture, especially popular film, and in cultural studies. By scrutinizing a variety of feminist and poststructuralist theoretical positions and freqently juxtaposing her discussions with analyses of contemporary movies (ranging from Pee-wee's Big Adventure to Lethal Weapon and Three Men and a Baby ), Modleski offers a broad perspective on the future of feminism. In particular, she shows how women as social subjects are once again being relegated to the margins of discourse and society, only now, ironically, they are in danger of being marginalized by feminism itself . Feminism Without Women is a multifaceted response to the shift within feminist theory from "gynocritics" (a woman-centred critical practice) to an increasingly male-oriented "gender studies". This move has been accompanied by feminist/philosophical attempts to abolish the very category of "woman". A large portion of the book is devoted to analyzing the state of "male feminism" and argues that the "new masculinities" being heralded by some feminists are less revolutionary than is often claimed; that these kinder , gentler masculinit are in many ways perfectly consonant with the conservative times. Modleski situates her discussions of criticism and theory in the context of popular culture, and social issues relevant to feminism: surrogate mothering, women and war, the debates over pornography, gay representation in the era of AIDS, the controversy within feminism over lesbian S&M, and the intensification of racism in the 1980s and 1990s. -- PUBLISHER
Notes: Includes bibliographical references (p. 165-182) and index
ISBN: 0415904161 : $39.95; 041590417X (pbk) : $13.95
LON: bnb41590416; 7924353
Contents: Part I: Theory and methodology -- 1. Postmortem on postfeminism -- 2. Femininity as mas(s)querade -- 3. Some functions of feminist criticism; or, the scandal of the mute body -- Part II: Masculinity and male feminism -- 4. A father is being beaten: male feminism and the war films -- 5. Three men and baby m -- 6. The incredible shrinking he(r)man: male regression, the male body, and film -- Part III: Race, gender, and sexuality -- 7. Cinema and the dark continent: race and gender in popular film -- 8. Lethal bodies: thoughts on sex, gender, and representation from the mainstream to the margins
ID2: 31

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FEW BEST MEN, A (AT/UK, Stephan Elliott, 2011)
URL status: URL: 'http://file://Q:/T/FEW_BEST_MEN,_A.zip' Checked: 31/08/2021 1:22:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FEW GOOD MEN, A (US, Rob Reiner, 1992)

Call No: S FEW
Author: Craig, Dean
Place: AT
PubDate: 2015
PhysDes: 120 leaves ; 30 cm.
Subject: FEW LESS MEN, A (AT, Mark Lamprell, 2017)
Summary: "A destination wedding in Australia's Blue Mountains goes horribly wrong when Luke gets drunk and falls off a cliff. Our boys, David , Tom and Graham suddenly find themselves transporting their friend's corpse back to London, where his grieving Aunt is already planning the funeral. When their private jet crash lands in the bush, the boys must carry the body across the treacherous landscape, contend with some fit ravers, a machete wielding mother and a mix up with a giant gold penis, in a race against time to return Luke home. Provided they all survive - intact." Written by AnonymousB (IMDb)
Notes: Unpublished script
Donation: AFI / AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FEW LESS MEN, A (AT, Mark Lamprell, 2017)

Call No: 62 FIE
Author: Devereaux, Leslie; Hillman, Roger
Place: Berkeley
Publisher: University of California Press
PubDate: 1995
PhysDes: xiv, 362 p. : ill. ; 24 cm
Subject: MONTAGE; ETHNOGRAPHIC FILMS; PHOTOGRAPHY AND THE CINEMA; WAR AND THE CINEMA; WAR IN FILMS; MODERNISM AND THE CINEMA; HORROR FILMS; BODY IN FILMS; MEN IN FILMS; SPECTATORSHIP; CARNIVAL AND THE CINEMA; WOMEN AND THE CINEMA; NARRATIVE IN FILMS; SOUND; ADAPTATIONS; ABORIGINAL AUSTRALIANS AND THE CINEMA; DOCUMENTARY FILMS; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); RIVERS OF SAND (US, Robert Gardner, 1974)
Notes: Includes bibliographical references and index
ISBN: 0520085248 (pbk. : alk. paper); 0520085221 (alk. paper)
LON: 10726537

PhysDes: Clippings
Subject: [FIFTY] 50 DEAD MEN WALKING (UK/CN, Kari Skoglandm, 2008)

Call No: 753.81 FIL
Author: Loock, Kathleen (ed.); Verevis, Constantine (ed.)
Source: UK/US
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2012
PhysDes: xiii, 252 p. : ill. ; 23 cm
Subject: ADAPTATIONS; FANS; FILM; REMAKES; ADVENTURES OF MERLIN, THE [TV] (UK, 2008-); ALL THE KINGS MEN (US, Robert Rossen, 1949); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); INVASION OF THE BODY SNATCHERS (US, Philip Kaufman, 1978); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004); SHERLOCK HOLMES (US/G, Guy Ritchie, 2009); STEPFORD WIVES, THE (US, Bryan Forbes, 1975); STEPFORD WIVES, THE (US, Frank Oz, 2004); WIZARD OF OZ, THE (US, Victor Fleming, 1939); WUTHERING HEIGHTS (US, William Wyler, 1939); WUTHERING HEIGHTS (UK/US, Peter Kosminsky, 1992); WUTHERING HEIGHTS (UK, Robert Fuest, 1970); WUTHERING HEIGHTS (UK, Andrea Arnold, 2011)
Summary: " This book provides a dynamic investigation of processes of cultural reproduction - remaking and remodelling - in film, television and new media. Drawing on a wide variety of Hollywood and other examples, this impressive group of contributors considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives. Their case studies discuss new versions of popular texts such as The Manchurian Candidate, Invasion of the Body Snatchers and The Stepford Wives. They provide new perspectives on the unlimited cultural production of classics like The Wizard of Oz, Wuthering Heights and The Adventures of Sherlock Holmes, and they analyze the groundbreaking work of fan appropriations, including Batman and Spiderman fanvids, and fanfic trailer revisions for The Shining and television's The Adventures of Merlin." -- BOOK BLURB
Notes: Includes bibliographical references and index; Tertiary/Undergraduate, Postgraduate
ISBN: 9781137263346
Contents: -- list of illustrations -- acknowledgments -- notes on contributors -- introduction: remake,remodel / Kathleen Loock and Constantine Verevis -- pt. I Adapt -- 1: Toto, I Think We're in Oz Again' (and Again and Again) remakes and popular seriality / Frank Kelleter -- 2: Guy Ritchie's Sherlock Bond, the Deerstalker and Remediation / Stephanie Sommerfeld -- 3: a battle on two fronts: Wuthering Heights and adapting the adaptation / Amy Martin -- 4: of political visions and visionary politicians: Adapting All the King's Men to the Big Screen / Birte Otten -- pt. II Remake -- 5: remaking The Stepford Wives, remodeling feminism / Kathryn Schweishelm -- 6: The Return of the Pod People: remaking cultural anxieties in Invasion of the Body Snatchers / Kathleen Loock -- 7: Cyber-noia? remaking The Manchurian Candidate in a global age / Sonja Georgi -- 8: a personal matter: H Story / Constantine Verevis -- pt. III Remodel -- 9: Remaking Texts, Remodeling Scholarship / Robin Anne Reid -- 10."Prince Arthur Spotted Exiting Buckingham Palace!": the re-imagined worlds of fanfic trailers / Sibylle Machat -- 11:you'll never see this on the silver screen: the film trailer as a template for the appropriation and transformation of Hollywood Movies / Lili Hartwig -- 12: spoofin' spidey---rebooting the bat: immersive story worlds and the narrative complexities of video spoofs in the era of the superhero blockbuster / Daniel Stein -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FIVE] 5 MEN AND A CARAVAGGIO (UK/CC, Xiaolu Guo, 2018)
Notes: Simon_Batch 17_191210

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GATHERING OF OLD MEN, A (US, Volker Schlondorff, 1988)

Call No: 62 JAM
Author: Jameson, Fredric
Place: Bloomington London
Publisher: Indiana University Press BFI Pub.
PubDate: 1992
PhysDes: xvi, 220 p. : ill. ; 23 cm
Subject: POSTMODERNISM AND THE CINEMA; SOCIETY AND THE CINEMA; CONSPIRACY FILMS; AESTHETICS; MEDIA; NARRATIVE IN FILMS; TECHNOLOGY AND THE CINEMA; THIRD WORLD; GODARD, JEAN-LUC; RENOIR, JEAN; TARKOVSKY, ANDREI; TAHIMIK, KIDLAT; GIDE, ANDRE; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); BLOWOUT (US, Brian De Palma, 1981); PARALLAX VIEW, THE (US, Alan J. Pakula, 1974); PASSION (FR/SZ, Jean-Luc Godard, 1982); SALVADOR (US, Oliver Stone, 1986); VIDEODROME (CN, David Cronenberg, 1983); K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986); UNDER FIRE (US, Roger Spottiswoode, 1983)
Notes: Includes bibliographical references and index
ISBN: 0253330939 (U.S.); 0851703119 (England)
LON: 8458641

Call No: 749.4 GRE
Author: Grevn, David
Edition: 2016
Place: Albany
Publisher: State University of New York Press
PhysDes: x,306 p. : illustrated ; 23 cm
Series: Horizons of Cinema
Subject: GENDER AND THE CINEMA; MEN IN FILMS; MEN IN FILMS; HOMOSEXUALITY IN FILMS; SCREAM (US, Wes Craven, 1996); HALLOWEEN (US, Rob Zombie, 2007); HOSTEL (US, Eli Roth, 2005)
Notes: Ghost Faces explores the insidious nature of homophobia even in contemporary Hollywood films that promote their own homo-tolerance and appear to destabilize hegemonic masculinity. Reframing Laura Mulvey’s and Gilles Deleuze’s paradigms and offering close readings grounded in psychoanalysis and queer theory, David Greven examines several key films and genre trends from the late 1990s forward. Movies considered range from the slasher film Scream to bromances and beta male comedies such as I Love You, Man to dramas such as Donnie Darko and 25th Hour to Rob Zombie’s remake of the horror film Halloween. Greven also traces the disturbing connections between torture porn found in such films as Hostel and gay male Internet pornography. -- publisher's web site
ISBN: 9781438460062
Contents: List of Illustrations Acknowledgments Introduction: Disrecognitions 1. Ghost Faces, Genre Bodies 2. The Murderous Origins of Bromance: Genre, Queer Killers, and Scream 3. “I Love You, Brom Bones”: Beta Male Comedies, Bromances, and American Culture 4. Apparitional Men: Masculinity and the Psychoanalytic Scene 5. Trick-or-Treating Alone: Rob Zombie’s Halloween 6. Torture/Porn: Hostel, Homophobia, and Gay Male Internet Pornography Coda Notes Bibliography Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOD'S ANGRY MEN [TV] (US, Werner Herzog, 1980)

Call No: 81PAR PAR
Author: Parrish, Robert
Place: London
Publisher: Bodley Head
PubDate: 1976
PhysDes: [10], 229 p., [24] p. of plates : ill., facsims., ports. ; 22 cm
Subject: COLUMBIA PICTURES; SCREEN ACTORS GUILD; PARRISH, ROBERT; BORZAGE, FRANK; CHAPLIN, CHARLES; COHN, HARRY; DEMILLE, CECIL B.; FAIRBANKS, DOUGLAS; FORD, JOHN; GRIFFITH, DAVID WARK; HAMILTON, WILLIAM; HOWE, JAMES WONG; INDRISANO, JOHNNY; ROSSEN, ROBERT; SCHREIBER, LEW; VALENTINO, RUDOLPH; INFORMER, THE (US, John Ford, 1935); ONE IN A MILLION (US, Sidney Lanfield, 1936); DIVINE LADY, THE (US, Frank Lloyd, 1929); CITY LIGHTS (US, Charles Chaplin, 1931); ALL THE KINGS MEN (US, Robert Rossen, 1949); BODY AND SOUL (US, Robert Rossen, 1947); CRY DANGER (US, Robert Parrish, 1951); HAVING WONDERFUL TIME (US, Alfred Santell, 1938)
Summary: "Hollywood has thrown up a host of great actors and directors, geniuses and eccentrics, but remarkably few chroniclers of any brilliance. At last, in Growing up in Hollwood, Robert Parrish has produced a picture of Hollywood which is consistently well-observed, intelligent, evocative and, best of all, very, very funny. Robert Parrish, a child actor in the 1920's (in Chaplin's City Lights he was one of the two pea-shooting news boys), served his apprenticeship both in front of the camreas as an extra, and in the cutting rooms under famous directors in 1950. This book is a series of lively, skillfully told anecdotes of working in motion pictures in the golden days between the coming of talkies and the spread of television. In a series of fascinating close-ups we are shown, for instance, Charlie Chaplin rehearsing a scene from City Lights, Cecil B. de Mille bullying his cast of thousands, Raoul Walsh getting the best out of John Wayne, Ian Keith and an assortment of quadrupeds in The Big Trail, and John Ford cracking his whip on and off the set. What makes these memories so compelling is the charm and vivacity, the clear-sighted innocence of the author (a rare gift in hollywood) and his remarkable ability to bring scenes and dialogue to life so that the reader is constantly ready for more. " BOOK JACKET
ISBN: 0370113128
LON: bnb37011312; 1934872
Contents: -- 1 The black pirate -- 2 A new hero -- 3 Shall we gather at the river? -- 4 Breakfast with champions -- 5 Silent star -- 6 Charlie -- 7 Our gang -- 8 The black pirate returns -- 9 Always say yes -- 10 I left my love at fractured jaw -- 11 Dragnet -- 12 C.B. -- 13 Soap gets in your eyes -- 14 Having a wonderful time -- 15 Billy Hamilton, positive cutter -- 16 The ice age comes to hollywood -- 17 Producer-director relations -- 18 Director-cast relations (female) -- 19 The first lesson -- 20 Director-cast relations (male) -- 21 The battle of midway -- 22 Do good by stealth, etc -- 23 Detente with Russia -- 24 In memoriam -- 25 Linoleum OOgie -- 26 Tiger, tiger, burning bright -- 27 Oscar -- 28 Interior Columbia Studio - day -- 29 You don't want to go to Europe... -- 30 Is it fun yet? -- 31 anybody can direct -- 32 petition -- 33 the final lesson -- 34 the winds of change -- conclusion -acknowledgements -index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GRUMPIER OLD MEN (US, Howard Deutch, 1995)

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Warner Bros.; Roadshow Film Distributors.
PubDate: c. 1995
PhysDes: photograph : b&w ; 13 x 18 cm.
Subject: MATTHAU, WALTER; LEMMON, JACK; GRUMPIER OLD MEN (US, Howard Deutch, 1995)
Summary: Jack Lemmon and Walter Matthau pose for a photograph next to each other both wearing tuxedo style suits and carrying overcoats.
Notes: White border surrounds image.; Adhesive label on reverse of photograph.; Discolouration on reverse from paper clip.

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: Roadshow film distributors; Warner bros
PubDate: c. 1995
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: GRUMPIER OLD MEN (US, Howard Deutch, 1995)
Notes: Adhesive label on reverse of photograph; Very slight indentation from paper clip on top right corner; White border surrounds image

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: GRUMPY OLD MEN (US, Donald Petrie, 1993)

Call No: TITLE CLIPPINGS FIL; LOIN DES HOMMES [FAR FROM MEN] (FR, David Oelhoffen, 2014)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: LOIN DES HOMMES [FAR FROM MEN] (FR, David Oelhoffen, 2014)
Summary: Film review of FAR FROM MEN
Rating: 4 out of 5 stars

Call No: 451-01(73) JEF
Author: Jeffords, Susan, 1953
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: 212 p. : ill. ; 23 cm
Subject: Reagan, Ronald; POLITICS AND THE CINEMA. USA; MEN IN FILMS. USA; COLD WAR AND THE CINEMA. USA; COLD WAR FILMS. USA; HERO IN FILMS; FAMILY IN FILMS. USA; NATIONAL IDENTITY IN FILMS. USA; TECHNOLOGY AND THE CINEMA. USA; BODY IN FILMS. USA; UNFORGIVEN (US, Clint Eastwood, 1992); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TERMINATOR, THE (US, James Cameron, 1984); ACCUSED, THE (US, Jonathan Kaplan, 1988); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); BATMAN (US, Tim Burton, 1989); BEAUTY AND THE BEAST (US, Gary Trousdale & Kirk Wise, 1991); CASUALITIES OF WAR (US, Brian De Palma, 1989); DIE HARD (US, John McTiernan, 1988); FIRST BLOOD (US, Ted Kotcheff, 1982); KINDERGARTEN COP (US, Ivan Reitman, 1990); LETHAL WEAPON [...] (US, Richard Donner, 1987-92); MISSISSIPPI BURNING (US, Alan Parker, 1988); RAMBO [...] (US, 1982-1988); ROBOCOP (US, Paul Verhoeven, 1987); TWINS (US, Ivan Reitman, 1988)
Notes: Includes bibliographical references (p. [205]-208) and index
ISBN: 0813520029; 0813520037 (pbk.)
LON: 9874831

Call No: LOIN DES HOMMES [FAR FROM MEN] (FR, David Oelhoffen, 2014); TITLE CLIPPINGS FILE
Author: McDonald, John
PhysDes: Clippings File Article
Subject: LOIN DES HOMMES [FAR FROM MEN] (FR, David Oelhoffen, 2014)
Summary: Film review of Loin Des Hommes

Call No: 451-054(73) WIL
Author: Willis, Sharon
Place: Durham, N.C.
Publisher: Duke University Press
PubDate: 1997
PhysDes: 266 p. ; 24 cm
Subject: RACIAL ISSUES AND THE CINEMA; ACTION FILMS; GENDER AND THE CINEMA. USA; MEN IN FILMS; WOMEN IN FILMS; LEE, SPIKE; LYNCH, DAVID; TARANTINO, QUENTIN; DIE HARD (US, John McTiernan, 1988); LETHAL WEAPON [...] (US, Richard Donner, 1987-92); BASIC INSTINCT (US, Paul Verhoeven, 1992); THELMA & LOUISE (US, Ridley Scott, 1991); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); WILD AT HEART (US, David Lynch, 1990); PULP FICTION (US, Quentin Tarantino, 1994); DO THE RIGHT THING (US, Spike Lee, 1989); FATAL ATTRACTION (US, Adrian Lyne, 1987)
Summary: In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino
Notes: Includes bibliographical references (p. [217]-257) and index
ISBN: 0822320290 (cloth : acid-free paper); 082232041X (pbk. : acid-free paper)
LON: 97013147; 13158378
Contents: Part 1. Battles of the sexes -- 1. Mutilated Masculinties and Their Prostheses: Die Hards and Lethal Weapons -- 2. Insides Out: Public and Private Exchanges from Fatal Attraction to Basic Instinct -- 3. Combative Femininity: Thelma and Louise and Terminator 2 -- Part II. Ethnographies of the "White" Gaze -- 4. Do the Wrong Thing: David Lynch's Perverse Style -- 5. Tell the Right Story: Spike Lee and the Politics of Representative Style -- 6. Borrowed "Style": Quentin Tarantino's Figures of Masculinity

Call No: 81HOF AGA
Author: Agan, Patrick
Source: UK
Place: London
Publisher: R Hale
PubDate: 1987
PhysDes: x, 166 p, [20] p. of plates : ill. ; 25cm
Subject: HOFFMAN, DUSTIN; TIGER MAKES OUT (US, Arthur Hiller, 1967); GRADUATE, THE (US, Mike Nichols, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); JOHN AND MARY (US, Peter Yates, 1969); LITTLE BIG MAN (US, Arthur Penn, 1970); WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME? (US, Ulu Grosbard, 1971); STRAW DOGS (UK, Sam Peckinpah, 1971); PAPILLON (US, Franklin J. Schaffner, 1973); LENNY (US, Bob Fosse, 1974); ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); AGATHA (UK, Michael Apted, 1979); KRAMER VS. KRAMER (US, Robert Benton, 1979); TOOTSIE (US, Sydney Pollack, 1982)
Summary: The book deals the life and career of Dustin Hoffman, and the large variety of roles he undertook in the less than 20 films he made. It deals with the academy award, he won in Kramer vs Kramer, and the other 4 nominations he recieved.He is presented as a diminutive perfectionist, or as an unlikely superstar
Notes: Includes index; Filmography: p 151-159
ISBN: 045041731

Call No: 71(73) CAG
Author: Cagin, Seth; Dray, Philip
Edition: 1st ed
Place: New York
Publisher: Harper & Row
PubDate: c1984
PhysDes: xiv, 290 p. : ill. ; 21 cm
Series: Harper colophon books ; CN 1117
Subject: USA. 1970's; CORMAN, ROGER; KUBRICK, STANLEY; EASY RIDER (US, Dennis Hopper, 1969); ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); ALICE'S RESTAURANT (US, Arthur Penn, 1969)
Notes: Filmography: p. 267-277; Includes bibliographical references and index
ISBN: 0060911174 (pbk.) : $9.95
LON: 2845313

Author: Ketch, Jack
PhysDes: Article
Subject: DEAD MEN DON'T WEAR PLAID (US, Carl Reiner, 1982)
Summary: Review

Call No: 738.1 BRE
Author: Brerton, Pat
Source: UK
Place: Bristol, UK
Publisher: Intellect Books
PubDate: 2004
PhysDes: 270 p. ; 24 cm
Subject: NATURE IN FILMS; ENVIRONMENTAL ISSUES IN FILMS; WESTERNS; LANDSCAPES IN FILMS; ROAD MOVIES; CONSPIRACY FILMS; ANDROMEDA STRAIN, THE (US, Robert Wise, 1971); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BLADE RUNNER (US, Ridley Scott, 1982); DANCES WITH WOLVES (US, Kevin Costner, 1990); EASY RIDER (US, Dennis Hopper,1969); INCREDIBLE SHRINKING MAN, THE (US, Jack Arnold, 1957); JAWS (US, Steven Spielberg, 1975); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); MEN IN BLACK (US, Barry Sonnenfeld, 1997); SOYLENT GREEN (US, Richard Fleischer, 1973); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); THELMA & LOUISE (US, Ridley Scott, 1991); TITANIC (US, James Cameron, 1997); YEARLING, THE (US, Clarence Brown, 1947)
Summary: "Hollywood Utopia applies a range of interdisciplinary strategies to trace the evolution of ecological representations in Hollywood film from 1950s to the present. Popular science fiction, westerns, nature and road movies are extensively analysed while privileging ecological moments of sublime expression often dramatized in the closing moments of these films. "
Notes: Bibliography: p. 241-267 Filmography: p. 9-10
ISBN: 1841501174
Donation: donated by Senses of Cinema, 2009

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DES HOMMES ET DES DIEUX (FR, Xavier Beauvois, 2010); OF GODS AND MEN (FR, Xavier Beauvois, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HONOUR AMONG MEN: THE KILLING OF WOMEN IN PAKISTAN (AT, Michael Davie, 2002)

Call No: TITLE CLIPPINGS FILE; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Author: Ironside, Robyn
PhysDes: Clippings
Subject: PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Summary: "Biosecurity" laws may hold up filming due to monkey casting.

Call No: TITLE CLIPPINGS FILE; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Author: Harris, Amy -- Scarr, Lani
PhysDes: Clippings File Article
Subject: DEPP, JOHNNY; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Summary: Report on the various holdups and cost blowouts in the making of the new Pirates of the Carribean film, being shot in Australia

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OF HORSES AND MEN [HROSS I OSS] (IC/ GG/NO, Benedikt Erlingsson, 2013)

Call No: TITLE CLIPPINGS FILE; X-MEN: APOCALYPSE (US, Bryan Singer, 2016)
Author: Johnson, Neala
PhysDes: Clippings
Subject: X-MEN: APOCALYPSE (US, Bryan Singer, 2016)
Summary: James MCAvoy and his role in X-MEN: APOCALYPSE

Call No: 512.1 PAR
Author: Partridge, Dinah
Place: South Melbourne
Publisher: Oxford University Press
PubDate: c2000
PhysDes: xxi, 210 p. : ill. ; 26 cm
Subject: ADAPTATIONS; TEACHING MATERIALS; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); ANIMAL FARM (UK, John Halas & Joy Batchelor, 1954); GREAT GATSBY, THE (US, Jack Clayton, 1974); HAMLET (US, Franco Zeffirelli, 1990); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); OF MICE AND MEN (US, Gary Sinise, 1992); OUTSIDERS, THE (US, Francis Ford Coppola, 1983); RADIANCE (AT, Rachel Perkins, 1998); SHORT CUTS (US, Robert Altman, 1993); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); WASHINGTON SQUARE (US, Agnieszka Holland, 1997); WELL, THE (AT, Samantha Lang, 1997); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982)
ISBN: 0195508491
LON: 21264241

Call No: 744.6(4) CEL
Author: Celik, Ipek A.
Source: US
Place: Ann Arbor
Publisher: University of Michigan Press
PubDate: 2015
PhysDes: x, 192 pages ; 24 cm
Subject: REFUGEES; RACIAL ISSUES IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006); HEAD-ON [GEGEN DIE WAND] (GG, Fatih Akin, 2004); CACHE (FR/AU/GG/IT, Michael Haneke, 2005); HOSTAGE [OMIROS] (AA/GR, Constantine Giannaris, 2005)
Summary: "Refugees, migrants, and minorities of migrant origin frequently apprear in European mainstream news in emergency situations: victims of human trafficking, suspects of terrorism, "bogus" asylum seekers. Through analysis of work by established filmmakers Michael Haneke, Faith Akin, and Alfonso Cuaron, 'In Permanent Crisis' contemplates the way mess media depictions become invoked by film to frame ethnic and racial Otherness is Europe as adornments of catastrophe." - taken from back cover
Notes: Includes bibliographical references (pages 169-186) and index
ISBN: 9780472052721
Donation: donated by Senses of Cinema
Contents: Introduction: Mapping the representation of ethnicity in Europe -- Refugees and humanitarianism in a dystopic Europe: Alfonso Cuaro´n's Children of men -- The thrill of French colonial history: Michael Haneke's Hidden -- Balkan borders and transgressions: Constantinos Giannaris's Hostage -- Ethnicity and melodrama in the German media and Fatih Akin's Head-on -- Epilogue: The overarcing trope of victimhood

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: IN THE COMPANY OF MEN (US, Neil Labute, 1997)

Call No: 79INT LAB
Author: LaBute, Neil
Source: US
Place: Boston
Publisher: Faber and Faber
PubDate: 1997
PhysDes: xii, 89 p. : ill. ; 22 cm
Subject: IN THE COMPANY OF MEN (US, Neil Labute, 1997)
ISBN: 0571199313
LON: 13840966

Call No: 71(73) LYO
Author: Lyons, Donald
Place: New York
Publisher: Ballantine
PubDate: 1994
PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cm
Subject: INDEPENDENT FILMS. USA; ALMEREYDA, MICHAEL; ANDERS, ALLISON; COEN, JOEL & ETHAN; CRONENBERG, DAVID; DASH, JULIE; DAVIS, JUDY; EGOYAN, ATOM; FERRARA, ABEL; HARTLEY, HAL; LEE, SPIKE; LINKLATER, RICHARD; PHOENIX, RIVER; SODERBERGH, STEVEN; Tarantino, Quentin; VAN SANT, GUS; ARAKI, GREGG; BIGELOW, KATHRYN; DICKERSON, ERNEST R.; GOMEZ, NICK; JARMUSCH, JIM; LEHMANN, MICHAEL; MORRISSEY, PAUL; O'BRIEN, JOHN; COCHRAN, STACY; COOLIDGE, MARTHA; DAVIS, TAMRA; FRANKLIN, CARL; HARRIS, LESLIE; LEGROS, JAMES; LYNCH, DAVID; MCNAUGHTON, JOHN; MUNCH, CHRISTOPHER; THORNTON, BILLY BOB; RODRIGUEZ, ROBERT; ROCKWELL, ALEXANDRE; SINGLETON, JOHN; SAYLES, JOHN; SAVOCA, NANCY; GAS FOOD LODGING (US, Allison Anders, 1992); MARIACHI, EL (US, Robert Rodriguez, 1992); BOYZ N THE HOOD (US, John Singleton, 1991); BODIES, REST & MOTION (US, Michael Steinberg, 1993); BARTON FINK (US, Joel Cohen, 1991); PASSION FISH (US, John Sayles, 1992); ONE FALSE MOVE (US, Carl Franklin, 1991); MYSTERY TRAIN (US, Jim Jarmusch, 1989); MY NEW GUN (US, Stacy Cochran, 1992); MS 45 (US, Abel Ferrara, 1981); METROPOLITAN (US, Whit Stillman, 1990); MALA NOCHE (US, Gus Van Sant, 1986); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992); JUICE (US, Ernest R. Dickerson, 1992); IN THE SOUP (US, Alexandre Rockwell, 1992); HOURS AND TIMES, THE (US, Christopher Munch, 1992); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); HEATHERS (US, Michael Lehmann, 1989); GUN CRAZY (US, Joseph H.Lewis, 1949); LIVING END, THE (US, Gregg Araki, 1992); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); NAKED LUNCH (CN/UK, David Cronenberg, 1991); BAD LIEUTENANT (US, Abel Ferrara, 1992); DO THE RIGHT THING (US, Spike Lee, 1989); DRUGSTORE COWBOY (US, Gus Van Sant, 1989); RAMBLING ROSE (US, Martha Coolidge, 1991); RESERVOIR DOGS (US, Quentin Tarantino, 1992); SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); SIMPLE MEN (US, Hal Hartley, 1992); SLACKER (US, Richard Linklater, 1990); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); TRUE LOVE (US, Nancy Savoca, 1989); TRUST (US, Hal Hartley, 1990); UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989); VERMONT IS FOR LOVERS (US, John O'Brien, 1992); WILD AT HEART (US, David Lynch, 1990)
Notes: Includes filmography and index
ISBN: 0345382498 (pbk.)
LON: 11029535

Author: Colaciello, Robert; Weiner, Robert
PhysDes: Article
Subject: FORTUNE AND MEN'S EYES (US, Harvey Hart, 1971)
Summary: Ill; Poerts.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: IT'S ALL TRUE: FOUR MEN ON A RAFT (US, Orson Welles, 1986)

Call No: 753AUS JAN
Author: Greenfield, Sayre N., 1956; Troost, Linda, 1957
Source: US
Place: Lexington
Publisher: University Press of Kentucky
PubDate: c1998
PhysDes: 202 p., [16] p. of plates : ill. ; 24 cm
Subject: ADAPTATIONS. AUSTEN, JANE; FEMINISM AND THE CINEMA; MASCULINITY IN FILMS; WOMEN AND THE CINEMA; MEN IN FILMS; WOMEN IN FILMS; THOMPSON, EMMA; EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); PRIDE AND PREJUDICE [TV] (UK/US, Simon Langton, 1995); PERSUASION (UK, Roger Michell, 1995)
Summary: "In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced - an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millenium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siècle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notions and reshape the Austenian hero to make him conform to modern expectations. Linda Troost and Sayre Greenfield present fourteen essays examining the phenomenon of Jane Austen as cultural icon, providing thoughtful and sympathetic insights on the films through a variety of critical approaches. The contributors debate whether these productions enhance or undercut the subtle feminism that Austen promoted in her novels." - BOOK JACKET
Notes: Includes bibliographical references (p. 186-187) and index
ISBN: 0813120845 (alk. paper)
LON: 13891695
Contents: Introduction: watching ourselves watching / Linda Troost and Sayre Greenfield -- Out of the drawing room, onto the lawn / Rachel M. Brownstein -- Balancing the courtship hero: masculine emotional display in film adaptation of Austen's novels / Cheryl L. Nixon -- Misrepresenting Jane Austen's ladies: revising texts (and history) to sell films / Rebecca Dickson -- Austen, class and the American market / Carol M. Dole -- Jane Austen, film, and the pitfalls of postmodern nostalgia / Amanda Collins -- "A correct taste in landscape": Pemberley as fetish and commodity / H. Elisabeth Ellington -- Mr. Darcy's body: privileging the female gaze / Lisa Hopkins -- Emma becomes Clueless / Suzanne Ferriss -- "As if!": translating Austen's ironic narrator to film / Nora Nachumi -- Emma Thompson's Sense and Sensibility as gateway to Austen's novel / M. Casey Diana -- "Piracy is our only option": postfeminist intervention in Sense and Sensibility / Kristin Flieger Samuelian -- Feminist implications of the silver screen Austen / Devoney Looser -- Mass marketing Jane Austen: men, women, and courtship in two film adaptations / Deborah Kaplan

Call No: 81FOR SIN
Author: Sinclair, Andrew
Source: UK
Place: London
Publisher: Allen and Unwin
PubDate: 1979
PhysDes: xii, 305 p. [32] p. of plates : ill., ports. ; 24 cm
Subject: FORD, JOHN; IRON HORSE, THE (UK, John Ford, 1924); MEN WITHOUT WOMEN (US, John Ford, 1929); UP THE RIVER (US, John Ford, 1930); PILGRIMAGE (US, John Ford, 1933); LOST PATROL, THE (US, John Ford, 1934); JUDGE PRIEST (US, John Ford, 1934); WHOLE TOWN'S TALKING, THE (US, John Ford, 1935); WEE WILLIE WINKIE (US, John Ford, 1937); STAGECOACH (US, John Ford, 1939); YOUNG MR. LINCOLN (US, John Ford, 1939); TOBACCO ROAD (US, John Ford, 1941); HOW GREEN WAS MY VALLEY (US, John Ford, 1941); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); RIO GRANDE (US, John Ford, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); MOGAMBO (US, John Ford, 1953); WINGS OF EAGLES, THE (US, John Ford, 1956); LAST HURRAH, THE (US, John Ford, 1958); HORSE SOLDIERS, THE (US, John Ford, 1959); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); YOUNG CASSIDY (UK, Jack Cardiff, 1965); SEVEN WOMEN (US, John Ford, 1965)
Summary: Andrew Sinclair uses his access to the papers and photographs of John Ford, and to his work colleagues, ranging from actors to camera and stuntmen, to build a complete picture of the man. He shows John Ford to be a very successful director, from 1917, the period of silent movies, to 1966, a time when movies had become an important means of entertainment. He shows John Ford as a cantankerous, wily and brave man, who had a big influence on American cinema, and American social history, as a person who opposed McCarthyism, and who was wounded in the Second World War making documentary and propaganda films [Taken from the cover of the book]
Notes: Also published : New York : Dial Press, 1979; Includes index; Filmography: p.229- 291
ISBN: 0047910380

Call No: 81FOR SAR
Author: Sarris, Andrew
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: 1975
PhysDes: 192 p. ; 26 cm
Series: Cinema One
Subject: FORD, JOHN; SARRIS, ANDREW; MEN WITHOUT WOMEN (US, John Ford, 1929); UP THE RIVER (US, John Ford, 1930); ARROWSMITH (US, John Ford, 1931); AIRMAIL (US, John Ford, 1932); PILGRIMAGE (US, John Ford, 1933); LOST PATROL, THE (US, John Ford, 1934); JUDGE PRIEST (US, John Ford, 1934); WHOLE TOWN'S TALKING, THE (US, John Ford, 1935); INFORMER, THE (US, John Ford, 1935); STEAMBOAT ROUND THE BEND (US, John Ford, 1935); PRISONER OF SHARK ISLAND (US, John Ford, 1936); WEE WILLIE WINKIE (US, John Ford, 1937); HURRICANE, THE (US, John Ford, 1937); STAGECOACH (US, John Ford, 1939); YOUNG MR. LINCOLN (US, John Ford, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); LONG VOYAGE HOME, THE (US, John Ford, 1940); HOW GREEN WAS MY VALLEY (US, John Ford, 1941); BATTLE OF MIDWAY, THE (US, John Ford, 1942); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); WAGON MASTER (US, John Ford, 1950); RIO GRANDE (US, John Ford, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); SUN SHINES BRIGHT, THE (US, John Ford, 1953); MOGAMBO (US, John Ford, 1953); LONG GRAY LINE, THE (US, John Ford, 1954); SEARCHERS, THE (US, John Ford, 1956); WINGS OF EAGLES, THE (US, John Ford, 1956); RISING OF THE MOON, THE (IE/US, John Ford, 1957); LAST HURRAH, THE (US, John Ford, 1958); GIDEON'S DAY (UK, John Ford, 1958); HORSE SOLDIERS, THE (US, John Ford, 1959); SERGEANT RUTLEDGE (US, John Ford, 1960); TWO RODE TOGETHER (US, John Ford, 1961); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); DONOVAN'S REEF (US, John Ford, 1963); SEVEN WOMEN (US, John Ford, 1965)
ISBN: 0253331676
Donation: donated by the family of Wayne Levy, 2006

Call No: 81SAY SHU
Author: Shumway, David R.
Source: US
Place: Urbana
Publisher: University of Illinois Press
PubDate: c2012
PhysDes: 182 p. : ill., ports. ; 22 cm
Series: Contemporary film directors
Subject: FILM; CRITICISM; REALISM IN FILMS; SAYLES, JOHN; RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); LIANNA (US, John Sayles, 1983); BABY IT'S YOU (US, John Sayles, 1983); BROTHER FROM ANOTHER PLANET, THE (US, John Sayles, 1984); MATEWAN (US, John Sayles, 1987); [EIGHT] 8 MEN OUT (US, John Sayles, 1988); CITY OF HOPE (US, John Sayles, 1991); PASSION FISH (US, John Sayles, 1992); LONE STAR (US, John Sayles, 1996); MEN WITH GUNS (US, John Sayles, 1997); LIMBO (US, John Sayles, 1999); CASA DE LOS BABYS (US/MX, John Sayles, 2003); SILVER CITY (US, John Sayles, 2004); HONEYDRIPPER (US, John Sayles, 2007)
Summary: "In this study, David R. Shumway examines the defining characteristic of Sayle's cinema: its realism. Positing the filmmaker as a critical realist, Shumway explores Sayle's attention to narrative in critically acclaimed and popular films such as Matewan, Eight Men Out, Passion Fish and Lone Star. The study also details the conditions under which Sayle's films have been produced, distributed, and exhibited, affecting the way in which these films have been understood and appreciated. In the process, Shumway presents Sayles as a teacher who tells historically accurate stories that invite audiences to consider the human world they all inhabit." -- BOOK BLURB
Notes: Includes bibliographical references, filmography and index
ISBN: 9780252078569
Contents: -- acknowledgments -- John Sayles: critical realist -- John Sayles: independent -- John Sayles: realist -- Beginnings: return of the Secaucus seven -- Establishing a career -- Lianna and Baby it's you -- The brother from another planet and Springsteen videos -- Matewan -- Eight Men out -- Place and melodrama: city of hope and passion fish -- Stories -- Lone star -- Men with guns -- Limbo -- Millennial ZSayles -- Casa de los babys -- Silver city -- Honeydripper -- interviews with John Sayles -- filmography -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KINGS AND DESPERATE MEN (CN, Alexis Kanner, 1981[prod. 1977])

Call No: F53 PER
Author: Perkins, W. H.
Source: Australia
Place: Hobart
Publisher: Fullers Bookshop
PubDate: 1968
PhysDes: 320 p. ; 18 cm
Subject: COURSES, FILM. AUSTRALIA; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. SHAKESPEARE, WILLIAM; WESTERNS; LAW IN FILMS; TRIALS IN FILMS; DOCUMENTARIES; DOCUMENTARY FILMS; OLIVER TWIST (UK, David Lean, 1948); GREAT EXPECTATIONS (UK, David Lean, 1946); HENRY V (UK, Laurence Olivier, 1944); TWELVE ANGRY MEN (US, Sidney Lumet, 1957); [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957); BACK OF BEYOND, THE (AT, John Heyer, 1953)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LITTLE MEN (US/GR, Ira Sachs, 2016)
URL status: URL: 'http://file://Q:/T/LITTLE_MEN.zip' Checked: 31/08/2021 1:48:04 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 733 ROO
Author: Rooney, Monique
Source: UK
Place: London -- Lanham, Maryland
Publisher: Rowman & Littlefield International Ltd
PubDate: 2015
PhysDes: x, 197 pages : illustrations ; 23 cm
Series: Disruptions
Subject: MELODRAMA; TECHNOLOGY AND THE CINEMA; TECHNOLOGY AND TV; WEINER, MATTHEW; HAYNES, TODD; VON TRIER, LARS; MAD MEN [TV] (US, 2007); MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); MILDRED PIERCE [TV](US, 2011)
Summary: Through original analysis of three contemporary, auteur-directed melodramas (Matthew Weiner s Mad Men, Lars von Trier s Melancholia and Todd Haynes s Mildred Pierce), Living Screens reconceives and renovates the terms in which melodrama has been understood. Returning to Jean-Jacques Rousseau s foundational, Enlightenment-era melodrama Pygmalion with its revival of an old story about sculpted objects that spring to life, it contends that this early production prefigures the structure of contemporary melodramas and serves as a model for the way we interact with media today. Melodrama is conceptualized as a plastic form with the capacity to mould and be moulded and that speaks to fundamental processes of mediation
Notes: Includes bibliographical references (pages 171-188), filmography (pages 188-189), and index
ISBN: 9781783480470
Contents: Introduction -- Mad Men: melodrama and metamorphosis -- Turned back: advertising, televisual melodrama and metamorphosis in Mad Men -- Earth-object: melodrama and plasticity in Lars Von Trier's Melancholia -- Melodrama and plasticity in Todd Haynes's Mildred Pierce -- Postlude: Animated statue, melody, encore (moi!)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LOIN DES HOMMES [FAR FROM MEN] (FR, David Oelhoffen, 2014)
URL status: URL: 'http://file://Q:/T/LOIN_DES_HOMMES.zip' Checked: 31/08/2021 1:37:56 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: P LOI
PubDate: 2014
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: LOIN DES HOMMES [FAR FROM MEN] (FR, David Oelhoffen, 2014)
Summary: Top image: Viggo Mortensen with a gun Bottom image: Viggo Mortensen and another man in a barren rocky land

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONG MEN FEI JIA (CC, Hark Tsui, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LONG MEN KEZHAN [DRAGON INN] (TZ, King Hu, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOUISA MAY ALCOTT'S LITTLE MEN (CN, Rodney Gibbons, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAD MEN [TV] (US, 2007)

Call No: N79MAG BUR
Author: Burke, John
Source: UK
Place: London
Publisher: Pan Books
PubDate: 1965
PhysDes: 190 p. : ill. ;18cm
Subject: THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES (US, Ken Annakin, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAMIL : MIDDLE AGED MEN IN LYCRA (AT, Nickolas Bird /Eleanor Sharpe, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN CAN'T BE RAPED [MÄN KAN INTE VÅLDTAS] (SW, Jorn Donner, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MARATHON MEN, THE (AT, Tim Kupsch, 1983)

Call No: 736.35 RAN
Author: Rance, P.T.J
Source: UK
Place: London
Publisher: Virgin Books
PubDate: 2005
PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cm
Subject: HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949); TU-PEI TAO (HK, Chang Cheh, 1967); LUNG-MEN K'O CHAN (TZ, King Hu, 1966); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977); A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983); WONG FEI-HUNG (HK, Tsui Hark, 1991); WO HU ZANG LONG (HK, Ang Lee, 2000); YING XIONG (HK/C, Yimou Zhang, 2002); HERO (HK/C, Yimou Zhang, 2002); SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004); HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004); KARATE KID, THE (US, John G. Avildsen, 1984); KICKBOXER (US, Mark DiSalle & David Worth, 1989); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967); HWASAN GO (KO, Kim Tae-Gyun, 2002); ONG-BAK (TH, Prachya Pinkaew, 2003); GREEN HORNET, THE (US, Norman Foster, 1966); WATER MARGIN, THE (TV) (JP/C, 1976-78); SAIYUKI (TV) (JA, 1978-80); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.
Notes: Includes, bibliographic references, index and index of quotations ERATA: ISBN on verso not correct. See back cover.
ISBN: 0753510782
ID2: 150

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; CD-R Press kit
Subject: MATCHSTICK MEN (US, Ridley Scott, 2003)
ID2: 248

Call No: 465.1 CAR
Author: Carroll, David
Source: US
Place: New York
Publisher: Galahad Books
PubDate: 1972
PhysDes: 159 p. ; 26 cm.
Subject: MEN AND THE CINEMA; HISTORY OF CINEMA. SILENT PERIOD; STARS; BARRYMORE, JOHN; VALENTINO, RUDOLPH; FAIRBANKS, DOUGLAS
ISBN: 0883651017

Call No: 451-0 DYE
Author: Dyer, Richard
Place: London New York
Publisher: Routledge
PubDate: 1993
PhysDes: ix, 172 p. : ill. ; 24 cm
Subject: TYPE CHARACTERS IN FILMS; HOMOSEXUALITY IN FILMS; MEN IN FILMS; FILM NOIR; ETHNIC GROUPS IN FILMS; RACIAL ISSUES AND THE CINEMA; PAPILLON (US, Franklin J. Schaffner, 1973); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); GILDA (US, Charles Vidor, 1946); JEZEBEL (US, William Wyler, 1938); SIMBA (UK, Brian Desmond Hurst, 1955); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); VICTIM (UK, Basil Dearden, 1961)
Notes: Includes bibliographical references and index
ISBN: 0415057183; 0415057191 (pbk.)
LON: 9732647

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEETINGS WITH REMARKABLE MEN (UK, Peter Brook & Jeanne de Salzman, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN (US, ZOE CLARKE-WILLIMAS, 1997)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN (UK/US, Alex Garland, 2022)

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN AND THE CINEMA
URL status: URL: 'http://file://Q:/S/MEN_AND_THE_CINEMA.zip' Checked: 31/08/2021 1:06:45 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN AND THEIR SHEDS (AT, James Manche, 1995)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN AND TV. AUSTRALIA

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: MEN AT WORK (US, Emilio Estevez, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN BEHAVING BADLY [TV] (UK, 1992-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN CRY BULLETS (US, Tamara Hernandez, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN DON'T LEAVE (US, Paul Brickman, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Posters
Subject: MEN IN BLACK (US, Barry Sonnenfeld, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MEN IN BLACK II (US, Barry Sonnenfeld, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN IN BLACK: INTERNATIONAL (US, F. Gary Gray, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN IN CRISIS: THE HARVEY WALLINGER STORY (US, Woody Allen, 1971)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN IN FILMS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN IN LOVE (US, Marc Huestis, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MEN OF HONOR (US, George Tillman Jr, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN OF RESPECT (US, William Reilly, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN OF THE DESERT (AT, Malcolm Douglas, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN OF WOOD AND FOAM [TV] (AT, 2017)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN ON TV

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN'S CLUB, THE (US, Peter Medak, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN'S GROUP (AT, Michael Joy, 2008)

Call No: P MEN
PhysDes: 1 poster : col. ; 101 X 70 cm
Subject: MEN'S GROUP (AT, Michael Joy, 2008)
Summary: Image: Shot of 3 men in close embrace. Text: 'what lies in the hearts of men'.
Notes: Small creases and tears; 5 copies

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MEN'S LIVES (US, Josh Hanig & Will Roberts, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN WHO KILLED THE EASTER BUNNY, THE (AT, Jim Stevens, 2002)

Call No: S MEN
Author: Straughan, Peter
Place: US; UK
PubDate: 2008
PhysDes: 108 leaves
Subject: MEN WHO STARE AT GOATS, THE (US/UK, Grant Heslov, 2009)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN WHO STARE AT GOATS, THE (US/UK, Grant Heslov, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN WHO WOULD CONQUER CHINA THE (AT, Nick Torrens, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MEN WITH GUNS (US, John Sayles, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN WITH GUNS (CN, Kari Skogland, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN WITHOUT FACES (AT, Olaf Ruhen & others, 1953)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN WITHOUT WOMEN (US, Steven Van Zandt, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN, WOMEN & CHILDREN (US, Jason Reitman, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MERRY MEN THE REAL YORUBA DEMONS (NR, Toka McBaror, 2018)

Call No: 753.4 MOD
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1978
PhysDes: xii, 461 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ALL THE KINGS MEN (US, Robert Rossen, 1949); BIG SLEEP, THE (US, Howard Hawkes, 1946); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CATCH 22 (US, Mike Nichols, 1970); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); DELIVERANCE (US, John Boorman, 1972); FOUNTAINHEAD, THE (US, King Vidor, 1949); FOR WHOM THE BELL TOLLS (US, Sam Wood, 1943); GRAPES OF WRATH, THE (US, John Ford, 1940); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); HUMAN COMEDY, THE (US, Clarence Brown, 1943); IN THIS OUR LIFE (US, John Huston, 1942); INTRUDER IN THE DUST (US, Clarence Brown, 1949); LAST HURRAH, THE (US, John Ford, 1958); LITTLE BIG MAN (US, Arthur Penn, 1970); LOLITA (US, Stanley Kubrick, 1962); LONELYHEARTS (US, Vincent J. Donehue, 1958); MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955); NAKED AND THE DEAD, THE (US, Raoul Walsh, 1958); NATIVE SON (AG, Pierre Chenal, 1951); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); OF MICE AND MEN (US, Lewis Milestone, 1939); OLD MAN AND THE SEA, THE (US, John Sturges, 1958); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); RABBIT, RUN (US, Jack Smight, 1970); SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); TARNISHED ANGELS, THE (US, Douglas Sirk, 1957); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); TOBACCO ROAD (US, John Ford, 1941); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); WET PARADE, THE (US, Victor Fleming, 1932)
Summary: "Does a movie have the same impact as the novel on which it is based? Here are some of the stimulating - and occasionally surprising - answers to that question. This book is a follow-up to The Classic American Novel and the Movies, which ended in 1929, but it can be read on its own. [This book] covers novels and films from the 1930s to the 1970s, from Erskine Caldwell's Tobacco Road to James Dickey's Deliverance. In between, many film translations of notable novels are scrutinized - works by such authors as Faulkner, Hemingway, Steinbeck, McCullers, Nabokov, Updike, Kesey, and Vonnegut [...] Style, characterisation, theme, and ideology come under review. And we get behind-the-scenes insights into the actual filming of some celebrated novels. Of special value to scholars and students of film: extended filmographies by both author and film title of adaptations of American novels published between 1930 and 1975. In addition, there is a bibliography covering the same period, plus complete rental information on the films themselves." -- BOOK BLURB
Notes: Includes index; Filmography: p. 349-428; Bibliography: p. 429-443; Sequel/companion to The Classic American Novel and the Movies, also in the Collection
ISBN: 0804426821 : $14.50. 0804466491 pbk. : $6.95
LON: 78004373; 1250638

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MONSTERS AND MEN (US, Reinaldo Marcus Green, 2018)

Call No: TITLE CLIPPINGS FILE; MONUMENTS MEN, THE (US/G, George Clooney, 2014)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: MONUMENTS MEN, THE (US/G, George Clooney, 2014)
Summary: Review
Rating: 3 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MONUMENTS MEN, THE (US/G, George Clooney, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOSKVA SLEZAM NE VERIT (UR, Vladimir Men'sov, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOUNTAIN MEN, THE (US, Richard Lang, 1980)

Call No: TITLE CLIPPINGS FILE; LOIN DES HOMMES [FAR FROM MEN] (FR, David Oelhoffen, 2014)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: LOIN DES HOMMES [FAR FROM MEN] (FR, David Oelhoffen, 2014)
Summary: Film review of Far From Men, a film based on a short story by Alber Camus, The Outsider. Music by Nick Cave and Warren Ellis.
Rating: 4 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: MURDER MEN, THE (US, John Peyser, 1962)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MYSTERY MEN (US, Kinka Usher, 1999)

Author: Smith, Bec
PhysDes: Review; Illustration(s)
Subject: MYSTERY MEN (US, Kinka Usher, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NAKED: STORIES OF MEN [TV] (AT, Neil Armfield/ Richard Lowenstein/ Geoffrey Wright/ Michael Carson/ Robert Klenner, 1996)

Call No: 19WAR ROD
Author: Roddick, Nick
Place: London
Publisher: British Film Institute
PubDate: 1983
PhysDes: viii, 332 p. : ill. ; 22 cm
Subject: WARNER BROS.; CRIME FILMS; RACIAL ISSUES IN FILMS; FASCISM AND THE CINEMA; HISTORICAL FILMS. USA; EPIC FILMS; LEROY, MERVYN; WALLIS, HAL B.; CURTIZ, MICHAEL; GIBNEY, SHERIDAN; CAPTAIN BLOOD (US, Michael Curtiz, 1935); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); DOORWAY TO HELL, THE (US, Archie L. Mayo, 1930); MOBY DICK (US, Lloyd Bacon, 1930); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SERGEANT YORK (US, Howard Hawks, 1941); ANTHONY ADVERSE (US, Mervyn LeRoy, 1936); BLESSED EVENT (US, Roy del Ruth, 1932); G MEN (US, William Keighley, 1935); KNUTE ROCKNE - ALL AMERICAN (US, Lloyd Bacon, 1940); JUAREZ (US, William Dieterle, 1939); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); MASSACRE (US, Alan Crosland, 1933); PUBLIC ENEMY, THE (US, William Wellmen, 1931); SEA WOLF, THE (US, Michael Curtiz, 1941); ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938); BLACK FURY (US, Michael Curtiz, 1934); BLACK LEGION (US, Archie L. Mayo, 1936); CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939); DISRAELI (US, Alfred E. Green, 1929); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932)
Notes: Includes index; Bibliography: p. 320-326
ISBN: 0851701256 : ª11.95; 0851701264 (pbk.) : ª6.95
LON: 2656181

PhysDes: Article
Subject: HAIRSTYLES FOR MEN (AT, Neil Dawson, 198?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: NO COUNTRY FOR OLD MEN (US, Ethan Coen & Joel Coen, 2007)

Call No: S NOT
Author: Fitzpatrick, Mark
PubDate: [1999]
PhysDes: 100 leaves
Subject: NOTHING MEN, THE (AT, Mark Fitzpatrick, 2008)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOTHING MEN, THE (AT, Mark Fitzpatrick, 2008)

Call No: P NOT
Place: AT
PhysDes: 1 poster : col. ; 100 x 70 cm.
Subject: NOTHING MEN, THE (AT, Mark Fitzpatrick, 2008)
Summary: Image: Seven caucasian men stand facing the viewer, in the background an empty warehouse with a man walking away. Text: 'When brutality goes too far...'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOVEMBER MEN, THE (US, Paul Williams, 1993)

Author: Ball, Steven
PhysDes: Article; Bio-filmography; Credits
Subject: MEN IN FILMS; EXPERIMENTAL FILMS. UK; REEVES, DANIEL; LE GRICE, MALCOLM; DWOSKIN, STEPHEN; OBSESSIVE BECOMING (UK, Daniel Reeves, 1995); CHRONOS FRAGMENTED (UK, Malcolm Le Grice, 1995); TRYING TO KISS THE MOON (UK, Stephen Dwoskin, 1994)
Summary: Ball's essay explores the personal avant-garde video works of Daniel Reeves, Malcolm Le Grice and Stephen Dwoskin. Includes Reeves and Le Grice filmography.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OF MEN AND MUSIC (US, Irving Reis, 1950)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Publicity; Clippings; Study guide
Subject: OF MICE AND MEN (US, Gary Sinise, 1992)

Call No: P OFM
PubDate: 2014
PhysDes: 1 poster : col. ; 100 X 70 cm
Subject: OF MICE AND MEN (US, Anna D. Shapiro, 2014); NATIONAL THEATRE LIVE; FRANCO, JAMES; O'DOWD, CHRIS; THEATRE AND THE CINEMA
Summary: Image: Portrait of James Franco and Chris O'Dowd. Text: 'The hit Broadway production on the big screen'. 'Captured by National Theatre Live'.
Donation: Cinema Nova

Call No: TITLE CLIPPINGS FILE; LITTLE MEN (US/GR, Ira Sachs, 2016)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: LITTLE MEN (US/GR, Ira Sachs, 2016)
Summary: Review of the film LITTLE MEN
Rating: 3.5 out of 5 stars

Call No: 71(94) OXF REF
Author: Mayer, Geoff; McFarlane, Brian, 1934; Bertrand, Ina, 1939
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1999
PhysDes: 1 v
Subject: AUSTRALIA; AWARDS. AUSTRALIAN FILM INSTITUTE; CITIES IN FILMS. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; HOMOSEXUALITY IN FILMS. AUSTRALIA; FOOD IN FILMS; GENRES. AUSTRALIA; JEWS IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; LOST FILMS. AUSTRALIA; PERIODICALS, FILM. AUSTRALIA; MEN IN FILMS. AUSTRALIA; MELODRAMA. AUSTRALIA; MUSIC, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; ETHNIC GROUPS IN FILMS. AUSTRALIA; RELIGION AND THE CINEMA. AUSTRALIA; RURAL LIFE IN FILMS. AUSTRALIA; SHORT FILMS. AUSTRALIA; WAR AND THE CINEMA. AUSTRALIA; MCCALLUM, JOHN; MILLER, NATALIE; NEVIN, ROBYN; RABE, PAMELA; RUSH, GEOFFREY; TINGWELL, CHARLES (BUD); WILLIAMSON, DAVID; WITHERS, GOOGIE
Notes: Includes index; Bibliography
ISBN: 0195537971
LON: 20072774

Call No: 71(51) PER
Author: Berry, Chris
Place: London
Publisher: BFI Pub.
PubDate: 1991
PhysDes: vii, 234 p. : ill. ; 23 cm
Subject: CITY OF SADNESS, A [; PEOPLE'S REPUBLIC OF CHINA; TAIWAN; NATIONAL CULTURE IN FILMS; MOVEMENTS AND STYLES IN FILM HISTORY; SOCIAL GROUPS IN FILMS; GENDER AND THE CINEMA; ANIMATED FILMS; ZHUANGZHUANG, TIAN; JUNZHAO, ZHANG; YIGONG, WU; WAN, LAIMING; WAN, GUCHAN; WAN, DIHUAN; WAN, CHAOCHEN; CHUSHENG, CAI; KAIGE, CHEN; HSIAO-HSIEN, HOU; MEI, HU; BAN, LU; DONGSHAN, SHI; HUA, SHUI; YU, SUN; TIANMING, WU; YIGONG, WU; JIN, XIE; YANG, EDWARD; JUNZHAO, ZHANG; YIMOU, ZHANG; JUNLI, ZHENG; LI SHUANG SHUANG (CC, Lu Ren, 1962) SEE LI SHUANGSHUANG; XI YING MEN, (CC, Zhao Huanzhang, 1982); HUANG TUDI (CC, Chen Kaige, 1984); HONG GAOLIANG (CC, Zhang Yimou, 1987)
Notes: First published 1985; Includes bibliographical references, short biographies of major directors, chronology and indexes of names and film titles
ISBN: 0851702716; 0851702724 (pbk.)
LON: 7777062 7777062

Call No: TITLE CLIPPINGS FILE; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: THWAITES, BRENTON; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Summary: Interview with Australian actor Brenton Thwaites about his role in the film PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES

Call No: TITLE CLIPPINGS FILE; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Author: Sharp, Annette et al
PhysDes: Clippings File Article
Subject: PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Summary: Production of film stalling due to Johnny Depp's injury

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
URL status: URL: 'http://file://Q:/T/PIRATES_OF_THE_CARIBBEAN_DEAD_MEN_TELL_NO_TALES.zip' Checked: 31/08/2021 1:49:55 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Author: Wigney, James
PhysDes: Clippings File Article
Subject: RUSH, GEOFFREY; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017); PIRATES OF THE CARIBBEAN: CURSE OF THE BLACK PEARL (US, Gore Verbinski, 2003)
Summary: Interview with Geoffrey Rush on his recurring role in the PIRATES OF THE CARRIBEAN series

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PROUD MEN (US, William A. Graham, 1987)

Call No: 749.4 REA
Source: US
Place: Detroit MI
Publisher: Wayne State University Press
PubDate: 2014
PhysDes: x, 318 pages : illustrations ; 23 cm
Series: Contemporary approaches to film and media studies
Subject: HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; HOMOSEXUALITY ON TV; MASCULINITY IN FILMS; MEN AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 9780814338988
Donation: donated by Senses of Cinema, 2014
Contents: Machine generated contents note: I.Anticipating the Bromantic Turn -- 1.Second Bananas and Gay Chicken: Bromancing the Rom-Com in the Fifties and Now / Jenna Weinman -- 2.Grumpy Old Men: "Bros Before Hos" / Hilary Radner -- 3.Fears of a Millennial Masculinity: Scream's Queer Killers / David Greven -- II.The Contemporary Cinematic Bromance -- 4.I Love You, Hombre: Y tu mama tambien as Border-Crossing Bromance / Nick Davis -- 5.From Dostana to Bromance: Buddies in Hindi Commercial Cinema Reconsidered / Meheli Sen -- 6.From Batman to I Love You, Man: Queer Taste, Vulgarity, and the Bromance as Sensibility and Film Genre / Ken Feil -- 7.Rad Bromance (or I Love You, Man, but We Won't Be Humping on Humpday) / Peter Forster -- 8.Queerness and Futurity in Superbad / Michael DeAngelis -- III.Bromance and Television Narrative -- 9.Becoming Bromosexual: Straight Men, Gay Men, and Male Bonding on U.S. TV / Ron Becker -- 10.The Bromance Stunt in House / Murray Pomerance -- Contents note continued: 11."This ain't about your money, bro. Your boy gave you up": Bromance and Breakup in HBO's The Wire / Dominic Lennard.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REAL MEN (US, Dennis Feldman, 1987)

Call No: 45:179 LEW
Author: Lewis, Glen, 1943; Zoates, Toby
Place: Kenthurst, N.S.W.
Publisher: Kangaroo Press
PubDate: 1983
PhysDes: 176 p. : ill. ; 21 cm
Subject: VIOLENCE ON TV. AUSTRALIA; MEN ON TV. AUSTRALIA; MEN AND TV. AUSTRALIA
Notes: Cover and illustrations by Toby Zoates; Includes index; Bibliography: p.[170]-173
ISBN: 0949924555 : $6.95 Aust
LON: 2682610

Call No: 632.43 HOP
Author: Hopgood, Fincina
Source: AT
Place: Melbourne
Publisher: University of Melbourne
PubDate: 2000
Subject: DARK CITY (US, Alex Proyas, 1997); TRUMAN SHOW, THE (US, Peter Weir, 1998); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); HERO IN FILMS; MILLENIUM AND THE CINEMA; MEN IN FILMS; MYTH AND THE CINEMA

Call No: 734.4 BER
Author: Bergman, Paul, 1943; Asimow, Michael
Place: Kansas City
Publisher: Andrews and McMeel
PubDate: c1996
PhysDes: xix, 338 p. : ill. ; 23 cm
Subject: TRIALS IN FILMS; ACCUSED, THE (US, Jonathan Kaplan, 1988); EVIL ANGELS (AT, Fred Schepisi, 1988); INHERIT THE WIND (US, Stanley Kramer, 1960); MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966); ONION FIELD, THE (US, Harold Becker, 1979); REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); BILLY BUDD (UK, Peter Ustinov, 1962); BREAKER MORANT (AT, Bruce Beresford, 1980); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); FEW GOOD MEN, A (US, Rob Reiner, 1992); PATHS OF GLORY (US, Stanley Kubrick, 1957); ADAM'S RIB (US, George Cukor, 1949); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); MY COUSIN VINNY (US, Jonathan Lynn, 1992); AND JUSTICE FOR ALL (US, Norman Jewison, 1979); COMPULSION (US, Richard Fleischer, 1959); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); PHILADELPHIA (US, Jonathan Demme, 1993); SOMMERSBY (US, Jon Amiel, 1993); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); YOUNG MR. LINCOLN (US, John Ford, 1939); MUSIC BOX (US, Constantin Costa-Gavras, 1989); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956); BOOMERANG (US, Elia Kazan, 1947); PRESUMED INNOCENT (US, Alan J. Pakula, 1990); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); WRONG MAN, THE (US, Jim McBride, 1993); ANATOMY OF A MURDER (US, Otto Preminger, 1959); M (G, Fritz Lang, 1931); STAR CHAMBER, THE (US, Peter Hyams, 1983); SUSPECT (US, Peter Yates, 1987); TRIAL BY JURY (US, Heywood Gould, 1994); [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956); CLASS ACTION (US, Michael Apted, 1991); LOSING ISAIAH (US, Stephen Gyllenhaal, 1995); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); NUTS (US, Martin Ritt, 1987); VERDICT, THE (US, Sidney Lumet, 1982); WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981); ALL THAT MONEY CAN BUY (US, William Dieterle, 1941); BLOOD OATH (AT, Stephen Wallace, 1990); HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993); YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959); LIBEL (UK, Anthony Asquith, 1959); KRAMER VS. KRAMER (US, Robert Benton, 1979); OX-BOW INCIDENT, THE (US, William Wellman, 1943); ON TRIAL (US, Terry Morse, 1939); I WANT TO LIVE! (US, Robert Wise, 1958); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); LET HIM HAVE IT (UK, Peter Medak, 1991); [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971); COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955); BANANAS (US, Woody Allen, 1971); MURDER IN THE FIRST (US, Marco Rocco, 1995); TRIAL (US, Mark Robson, 1955); GUILTY AS SIN (US, Sidney Lumet, 1993); JAGGED EDGE (US, Richard Marquand, 1985); LETTER, THE (US, William Wyler, 1940); KNOCK ON ANY DOOR (US, Nicholas Ray, 1949); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957); ACT OF MURDER, AN (US, Michael Gordon, 1948); FURY (US, Fritz Lang, 1936); I CONFESS (US, Alfred Hitchcock, 1953); PLACE IN THE SUN, A (US, George Stevens, 1951); THEY WON'T BELIEVE ME (US, Irving Pichel, 1947)
Notes: Includes bibliographical references (p. [321]-326) and index
ISBN: 0836210352 (pbk.)
LON: 11957271

Call No: 451-01(94) BAR
Author: Barnett, Chelsea
Source: AT
Place: Carlton, Victoria
Publisher: Melbourne University Publishing
PubDate: 2019
PhysDes: vii, 233 pages ; 22 cm
Subject: MEN IN FILMS; MASCULINITY IN FILMS; MASCULINITY IN FILMS. AUSTRALIA; AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; JEDDA (AT, Charles Chauvel, 1955); SMILEY (UK, Anthony Kimmins, 1956); SHIRALEE, THE (AT, Leslie Norman, 1957)
Summary: "Set against the shifting social and political backdrop of a nation throwing off the shackles of one war yet faced with the instability of the new world order, Reel Men probes the concept of 1950s masculinity itself, asking what it meant to be an Australian man at this time. Offering a compelling exploration of the Australian fifties, the book challenges the common belief that the fifties was a 'dead' era for Australian filmmaking. Reel Men engages with fourteen Australian feature films made and released between 1949 and 1962, and examines the multiple masculinities in circulation at this time. Dealing with beloved Australian films like Jedda (1955), Smiley (1956), and The Shiralee (1957), and national icons of the silver screen including Chips Rafferty, Charles 'Bud' Tingwell, and Peter Finch, Reel Men delves into our cultural past to dismantle powerful assumptions about film, the fifties, and masculinity in Australia." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9780522872477
Contents: -- acknowledgments -- introduction -- 1 the Australian film industry: dead or alive? -- 2 Australian nation, Australian men -- 3 beyond the breadwinner -- 4 assimilation stories -- 5 anything for the family? -- 6 more than mates? -- conclusion -- bibliography -- index --

Call No: PERSONALITY CLIPPINGS FILE; REYNOLDS, RYAN
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: REYNOLDS, RYAN; DEADPOOL in production; WOMAN IN GOLD (US/UK, Simon Curtis, 2015); X-MEN ORIGINS: WOLVERINE (US/NZ/AT, Gavin Hood, 2009)
Summary: Interview with actor Ryan Reynolds about his performance in the 2015 film WOMAN IN GOLD, filming for his upcoming film DEADPOOL and his potential plans to retire once DEADPOOL is completed

Call No: 71(73) SEP
Author: Sepinwall, Alan
Edition: Updated edition
Source: US
Place: New York
Publisher: Touchstone
PubDate: [2012]
PhysDes: 451 pages ; 22 cm
Subject: OZ [TV](US, 1997-2003); SOPRANOS, THE [TV] (US, 1999-); WIRE, THE [TV] (US, David Simon, 2002); DEADWOOD [TV] (US, 2004); SHIELD, THE [TV] (US, 2002-); LOST [TV] (US, 2004 -); BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004); 24 [TWENTY-FOUR] [TV] (US, 2001-); BATTLESTAR GALACTICA [TV] (US, 2004-2009); FRIDAY NIGHT LIGHTS [TV] (US, 2006-2011); MAD MEN [TV] (US, 2007); BREAKING BAD [TV] (US, 2008-2013)
Summary: "In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes." - taken from back cover.
ISBN: 9781476739670
Contents: Previously, in The Revolution Was Televised... -- Introduction -- Prologue: Let's be careful out there... The shows that paved the way -- Ch. 1: What we were don't matter... Oz blazes a trail -- Ch. 2: All due respect... The Sopranos changes everything -- Ch. 3: All the pieces matter... The Wire as the Great American Novel for television -- Ch. 4: A lie agreed upon... The profane poetry of Deadwood -- Ch. 5: I'm a different kind of cop... The Shield takes anti-heroism to the limit -- Ch. 6: Do you want to know a secret?... The perfect storm of Lost -- Ch. 7: She saved the world. A lot... Buffy the Vampire Slayer gives teen angst some fangs -- Ch. 8: Tell me where the bomb is!... 24 goes to war on terror, boredom -- Ch. 9: So say we all... The thinking man's sci-fi of Battlestar Galactica -- Ch. 10: Clear eyes, full hearts... Friday Night Lights goes deep -- Ch. 11: It's a time machine... AMC gets into the game with Mad Men -- Ch. 12: I am the one who knocks!... Breaking Bad gives the recession the villain it needs -- Epilogue: Don't stop believing... The lasting legacy of the revolution -- Epilogue, Take Two: Listen to the thunder... How TV drama's Wild Wild West has only gotten wilder -- Where are they now? -- Acknowledgments

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Publicity; Clippings
Subject: ROBIN HOOD: MEN IN TIGHTS (US, Mel Brooks, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SAFE MEN (US, John Hamberg, 1998)

Call No: 81:747.5SCO NIC
Author: Mark Nicholls
CorpAuthor: Pluto Press
Place: Melbourne, Australia
Publisher: Pluto Press
PubDate: 2004
PhysDes: 24 cm; 191 pp
Subject: SCORSESE, MARTIN; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); RAGING BULL (US, Martin Scorsese, 1980); TAXI DRIVER (US, Martin Scorsese, 1976); GOODFELLAS (US, Martin Scorsese, 1990); CAPE FEAR (US, Martin Scorsese, 1991); MEN IN FILMS. USA
Summary: Martin Scorsese is the most influential director of his generation and, with his work regularly included among the top twenty films of all time, his place in cinema history is indisputable. Scorsese’s films have defined the cinematic essence of each decade since the 1960s and have set the standard of New Hollywood cinema. Join author Mark Nicholls as he traces Martin Scorsese’s central theme of melancholia, nostalgia and loss through five films from the legendary director: The Age of Innocence, Raging Bull, Taxi Driver, Goodfellas and Cape Fear. Scorsese’s melancholic hero, Nicholls argues, is the Hamlet of Hollywood cinema. His journey is driven by an encounter with a corrupt and conservative mob and by his own overpowering experience of loss. Refusing to renounce that loss, under pressure from the mob, Scorsese’s men construct an elaborate and intriguing fantasy of perverse male desire. [Taken from back cover.]
ISBN: 1864031565
ID2: 45

Call No: 71(94) DER v.2
Author: Dermody, Susan; Jacka, Elizabeth
Place: Sydney
Publisher: Currency Press
PubDate: 1987-<1988
PhysDes: v. <1-2 > ; 21 cm
Series: Australian screen series
Subject: BUDDY FILMS. AUSTRALIA; AUSTRALIA; THEORY. AUSTRALIA; CULTURAL IMPERIALISM. AUSTRALIA; CLASS AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; COMEDIES. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; POLITICAL FILMS. AUSTRALIA; SEX IN FILMS. AUSTRALIA; REALISM IN FILMS. AUSTRALIA; AUSTRALIAN FILM COMMISSION; BREAKER MORANT (AT, Bruce Beresford, 1980); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); GALLIPOLI (AT, Peter Weir, 1981); MAD MAX (AT, George Miller, 1979); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); MY BROTHER JACK (AT, Gil Brealey, 1965); ALVIN PURPLE (AT, Tim Burstall, 1973); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); FAR EAST (AT, John Duigan, 1982); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); HEATWAVE (AT, Phillip Noyce, 1981); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); MAD MAX II (AT, George Miller, 1981); NEWSFRONT (AT, Phillip Noyce, 1978); PALM BEACH (AT, Albie Thoms, 1979); PHAR LAP (AT, Simon Wincer, 1983); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); TOWN LIKE ALICE, A (AT, David Stevens, 1980); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Notes: Includes bibliographies and index
ISBN: 0861911876 (v. 2); 0868191876 (v. 2)
LON: 5369777

Call No: 451-01 SCR
Author: Cohan, Steven; Hark, Ina Rae
Place: London New York
Publisher: Routledge
PubDate: 1993
PhysDes: x, 272 p. : ill. ; 25 cm
Subject: MEN IN FILMS; MASCULINITY IN FILMS; MUSICALS; ACTION FILMS; HORROR FILMS; VALENTINO, RUDOLPH; STALLONE, SYLVESTER; WHITE HEAT (US, Raoul Walsh, 1949); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); SPARTACUS (US, Stanley Kubrick, 1960)
Summary: "Screening the Male challenges the traditional understanding of the male's position in Hollywood cinema. Gathering together thirteen original essays by scholars in the US, UK, and Australia, as well as Steve Neale's ground-breaking article on the male spectacle, this collection looks beyong the seemingly unassailable monolithic understanding of the 'masculine' which has previously dominiated most film criticism. Ranging from Valentino to Schwarzeneeger, from the musical to the horror film. from close readings to 'queer' readings, the essays all differ in their critical method and historical focus. But whatever their specific interest, each essay holds a strong concern with issues that film studies has repeatedly linked to the feminine without considering how they relate as well to the masculine: spectacle, masochism, passivity, masquerade and, most of all, the body as it signifies gendered, racial, class and generational differences." -- BOOK COVER
Notes: Includes bibliographical references and indexes
ISBN: 0415077583; 0415077591 (pbk.)
LON: 92005815; 8965703

Call No: 409.1 COO
Author: Cook, Pam
Source: UK
Place: London ; New York
Publisher: Routledge
PubDate: 2005
PhysDes: xiii, 246 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA; NOSTALGIA IN FILMS; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES; GENDER AND THE CINEMA; MEN IN FILMS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; SEXUALITY AND THE CINEMA; TYPE CHARACTERS IN FILMS; MELODRAMA; WESTERNS; SCORSESE, MARTIN; BIGELOW, KATHRYN; HAYNES, TODD; WONG KAR WAI; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); GOLD DIGGERS, THE (US, Sally Potter, 1983); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MILDRED PIERCE (US, Michael Curtiz, 1945); RAGING BULL (US, Martin Scorsese, 1980); MANDY (UK, Alexander Mackendrick, 1952); DANCE WITH A STRANGER (UK, Mike Newell, 1985)
Summary: Exploring film culture's obsession with the past through analyses of a wide range of films, from Mildred Pierce and Brief Encounter to Raging Bull and Dance With a Stranger. Examines current debates about the role of cinema in mediating history through memory and nostalgia through a discussion of In the Mood for Love and Far From Heaven, with the suggestion that many films use strategies of memory to challenge established ideas of history, and the traditional role of historians."--BOOK JACKET
Notes: Includes bibliographical references and index (pp. 241-46)
ISBN: 0415183758 (pbk. : alk. paper)
Contents: Introduction: the past today -- Rethinking nostalgia: In the mood for love and Far from heaven -- Duplicity in Mildred Pierce -- Women and the Western -- The pleasures and perils of exploitation films -- Melodrama and the women's picture -- Mandy: daughter of transition -- Memory in British cinema: brief encounters -- Stars and politics -- The gold diggers -- No fixed address: the women's picture from Outrage to Blue Steel -- Masculinity in crisis? -- The last temptation of Christ -- Scorsese's masquerade -- The age of innocence -- Fashion and sexual display in 1950s Hollywood -- Replicating the past: memory and history in Dance with a stranger -- Fictions of identity: style, mimicry, and gender in the films of Kathryn Bigelow.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SECRET MEN'S BUSINESS [TV] (AT, Ken Cameron, 1999)

Call No: 451BAZ
CorpAuthor: British Film Institute. Education Dept
Place: London
Publisher: BFI Education
PubDate: 0198-?]
PhysDes: 42 slides, col., photosheets 1 and 2, broadsheet, teachers' booklet, students' booklet ; in plastic folder
Subject: MEN IN FILMS; WOMEN IN FILMS; TYPE CHARACTERS IN FILMS
Summary: The pack examines the construction of audiences and how they are addressed, and the commercial. The concept of stereotyping is introduced, with examples of gender stereotyping
Notes: Students' booklet entitled: The companies you keep
LON: abn84090813; 3170586

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEVEN MEN FROM NOW (US, Budd Boetticher, 1956)

Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: SCREEN AUSTRALIA; FEW LESS MEN, A (AT, Mark Lamprell, 2017); NEST (AT/CC, Kimble Rendall, 2016)
Summary: Snippet on some of the latest films to receive funding from Screen Australia including: A FEW LESS MEN (sequel to A few best men), and The Nest (to be directed by Kimble Rendall)

Call No: TITLE CLIPPINGS FILE; X-MEN : DAYS OF FUTURE PAST
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: X-MEN : DAYS OF FUTURE PAST (US/ UK, Bryan Singer, 2014); CROSBIE, TIM
Summary: Academy award nominee for Best Visual Effects, Tim Crosbie, muses on his chances in nabbing an award

Call No: 67(049.32) BAU
Author: Baumbach, Jonathan
Edition: First printing
Place: New York
Publisher: Cat Thread Books
PubDate: 2019
PhysDes: xviii, 172 pages ; 20.5 cm
Subject: TWELVE ANGRY MEN (US, Sidney Lumet, 1957); PATHS OF GLORY (US, Stanley Kubrick, 1957); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); GETAWAY, THE (US, Sam Peckinpah, 1972); CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972); LOSEY, JOSEPH; LONG GOODBYE, THE (US, Robert Altman, 1973); SISTERS (US, Brian De Palma, 1972); SERPICO (US, Sidney Lumet, 1973); DAISY MILLER (US, Peter Bogdanovich, 1974); BADLANDS (US, Terrence Malick, 1973); WEDDING IN BLOOD [NOCES ROUGES, LES] (FR/IT, Claude Chabrol, 1973); LANCELOT DU LAC (FR/IT, Robert Bresson, 1974); CHINATOWN (US, Roman Polanski, 1974); AMARCORD (IT/FR, Frederico Fellini, 1973); SCENES FROM A MARRIAGE [SCENER UR ETT AKTENSKAP] [TV] (SW, 1973); ARGENT DE POCHE, L' (FR, Francois Truffaut, 1976); OSSESSIONE (IT, Luchino Visconti, 1943); KAEL, PAULINE; BREATHLESS (FR, Jean-Luc Godard, 1959); GODARD, JEAN-LUC; WELLES, ORSON; BRESSON, ROBERT; KING LEAR (US/SZ, Jean-Luc Godard, 1987); EXISTENZ (CN/UK, David Cronenberg, 1999); CONTE D'AUTOMNE (FR, Eric Rohmer, 1998)
Notes: edition of 500
ISBN: 9780999468340

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit; Publicity
Subject: SIMPLE MEN (US, Hal Hartley, 1992)
ID2: 79

Call No: 747.6(73) THO
Author: Thomson, David
Edition: First
Place: New York
Publisher: Alfred A. Knopf
PubDate: 2019
PhysDes: 352 pages : illustrated ; 24cm
Subject: SEX IN FILMS. USA; HOMOSEXUALITY IN FILMS. USA; MEN AND THE CINEMA; WOMEN AND THE CINEMA; NUDITY IN FILMS; STARS. USA; FASHION AND THE CINEMA; PORNOGRAPHY AND THE CINEMA
Summary: In this wholly original work of film criticism, David Thomson, celebrated author of The Biographical Dictionary of Film, probes the many ways in which sexuality has shaped the movies—and the ways in which the movies have shaped sexuality. Exploring the tangled notions of masculinity, femininity, beauty, and sex that characterize our cinematic imagination—and drawing on examples that range from advertising to pornography, Bonnie and Clyde to Call Me by Your Name—Thomson illuminates how film as art, entertainment, and business has historically been a polite cover for a kind of erotic séance. In so doing, he casts the art and the artists we love in a new light, and reveals how film can both expose the fault lines in conventional masculinity and point the way past it, toward a more nuanced understanding of what it means to be a person with desires. -- publisher's web site
ISBN: 9781101946992

Call No: 626:396SMA
Author: Duncan, Stephen R.; Meade, Melissa; Chinen Biesen, Sheri; Levitt, Linda; Whitney, Allison; Feroli, Mikaela; Reese, De Anna J.; Tally, Margaret; Campbell, Raewyn; Stone, Amanda; Berstein, Rachel S.
Source: US
Place: Lanham
Publisher: Rowman & Littlefield
PubDate: c2014
PhysDes: 245 pages ; 23 cm
Series: Film and History
Subject: WOMEN IN FILMS; WOMEN ON TV; FEMININITY IN FILMS; FEMINISM AND THE CINEMA; HOLLIDAY, JUDY; CONTACT (AT, Bentley Dean & Martin Butler, 2009); MAD MEN [TV] (US, 2007); GREY'S ANATOMY [TV] (US, 2005-); GIRLS [TV] (US, 2012); SOME LIKE IT HOT (US, Billy Wilder, 1959); BORN YESTERDAY (US, George Cukor, 1950); BIG BANG THEORY, THE [TV] (US, 2007-); ELEMENTARY [TV] (US, 2012-)
Summary: While women have long been featured in leading roles in film and television, the intellectual depictions of female characters in these mediums are out of line with reality. Women continue to be marginalized for their choices, overshadowed by men, and judged by their bodies. In fact, the intelligence of women is rarely the focus of television or film narratives, and on the rare occasion when smart women are showcased, their portrayals are undermined by socially awkward behavior or their intimate relationships are doomed to perpetual failure. While Hollywood claims to offer a different, more evolved look at women, these movies and shows often just repackage old character types that still downplay the intelligence and savvy of women. In Smart Chicks on Screen: Representing Women’s Intellect in Film and Television, Laura Mattoon D’Amore brings together an impressive array of scholarship that interrogates the portrayal of females on television and in movies. Among the questions that the volume seeks to answer are: In what ways are women in film and television limited, or ostracized, by their intelligence? How do female roles reinforce standards of beauty, submissiveness, and silence over intellect, problem solving, and leadership? Are there women in film and television who are intelligent without also being objectified? The thirteen essays by international, interdisciplinary scholars offer a wide range of perspectives, examining the connections—and disconnections—between beauty and brains in film and television. Smart Chicks on Screen will be of interest to scholars not only of film and television but of women’s studies, reception studies, and cultural history, as well. -- [Extract taken from the back of book]
Notes: Includes bibliographical references and index.
ISBN: 9781442237476
Contents: 1.Not Just Born Yesterday: Judy Holliday, the Red Scare, and the (Miss-)Uses of Hollywood's Dumb Blonde Image / Stephen R. Duncan -- 2.The Fuzzy End of the Lollypop: Protofeminism and Collective Subjectivity in Some Like It Hot / Melissa Meade -- 3.Brainy Broads: Images of Women's Intellect in Film Noir / Sheri Chinen Biesen -- 4.Troubling Binaries: Women Scientists in 1950s B-Movies / Linda Levitt -- 5."The High Priestess of the Desert": Female Intellect and Subjectivity in Contact / Allison Whitney -- 6.Mad Men's Peggy Olson: A Prefeminist Champion in a Postfeminist TV Landscape / Stefania Marghitu -- 7.A Deeper Cut: Enlightened Sexism and Grey's Anatomy / Mikaela Feroli -- 8."There Is No Genius": Dr. Joan Watson and the Rewriting of Gender and Intelligence on CBS's Elementary / Natasha Patterson -- 9.Stories Worth Telling: How Kerry Washington Balances Brains, Beauty, and Power in Hollywood / De Anna J. Reese -- 10. Postfeminism, Sexuality, and the Question of Millennial Identity on HBO's Girls / Margaret J. Tally -- 11. I Can't Believe I Fell for Muppet Man!: Female Nerds and the Order of Discourse / Raewyn Campbell -- 12.Brains, Beauty, and Feminist Television: The Women of The Big Bang Theory / Amanda Stone -- 13.Too Smart for Their Own Good?: Images of Young Jewish Women in Television and Film / Rachel S. Bernstein

Author: Barber, Lynden; Weiner, Matthew
PhysDes: Article
Subject: INDUSTRY, TV.; WEINER, MATTHEW; MAD MEN [TV] (US, 2007)
Summary: Interview with Matthew Weiner, creator of the TV series Mad men

Call No: 451-01/02 TAS
Author: Tasker, Yvonne, 1964
Place: London New York
Publisher: Routledge
PubDate: 1993
PhysDes: 195 p., [11] p. of plates : ill. ; 24 cm
Series: Comedia
Subject: ACTION FILMS; MEN IN FILMS; MASCULINITY IN FILMS; GENRES; RACIAL ISSUES AND THE CINEMA; BIGELOW, KATHRYN
Notes: Filmography: p. 178-185; Includes bibliographical references (p. 186-190) and index
ISBN: 0415092248; 041509223X (hbk.)
LON: 92044020; 9902660
Contents: 1. Women warriors: gender, sexuality and Hollywood's fighting heroines -- 2. Black buddies and white heroes: racial discourse in the action cinema -- 3. New Hollywood, genre and the action cinema -- 4. Tough guys and wise-guys: masculinities and star images in the action cinema -- 5. Masculinite, politics and national identity -- 6. The body in crisis or the body triumphant? -- 7. Action heroines in the 1980s: the limits of 'musculinity' -- The cinema as experience: Kathryn Bigelow and the cinema of spectacle

Author: Will Lawrence
PhysDes: Article
Subject: JACKMAN, HUGH; X-MEN: THE LAST STAND (US, Brett Ratner, 2006)
Summary: Feature article, with interviews with cast and crew, on the set of X-Men: The Last Stand

Call No: 468 STA
Author: Gledhill, Christine
Source: UK
Place: London
Publisher: Routledge
PubDate: 1991
PhysDes: 340p. illus. : 24cm.
Subject: STAR SYSTEM; AESTHETICS; THEORY; WOMEN AND THE CINEMA; MEN AND THE CINEMA
Notes: Includes bibliography and index.
ISBN: 0415052181

Call No: 465 STA
Author: Gledhill, Christine (ed.)
Source: UK
Place: London
Publisher: Routledge
PubDate: 1991
PhysDes: 240 p. ; 24 cm.
Subject: STAR SYSTEM; AESTHETICS; THEORY; WOMEN AND THE CINEMA; MEN AND THE CINEMA
ISBN: 0415052181

Call No: TITLE CLIPPINGS FILE; FEW LESS MEN, A (AT, Mark Lamprell, 2017)
Author: None
PhysDes: Clippings File Article
Subject: FEW LESS MEN, A (AT, Mark Lamprell, 2017)
Summary: Review of the film A FEW LESS MEN
Rating: 1 out of 5 stars

Author: Rea, Steven X
PhysDes: Article
Subject: DEAD MEN DON'T WEAR PLAID (US, Carl Reiner, 1982)
Summary: Steve Martin and the inspiration behind 'Dead Men Don't Wear Plaid'

Call No: TITLE CLIPPINGS FILE; YOU YI GE DO FANG ZHI YOU WO MEN ZHI DAO
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: YOU YI GE DO FANG ZHI YOU WO MEN ZHI DAO (CC, Jinglei Xu, 2015); SOMEWHERE ONLY WE KNOW (CC, Jinglei Xu, 2015)
Summary: Film review
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE; X-MEN: APOCALYPSE (US, Bryan Singer, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: X-MEN: APOCALYPSE (US, Bryan Singer, 2016)
Summary: An article about the sixth film in the X-Men series, X-MEN: APOCALYPSE.

Call No: TITLE CLIPPINGS FILE; X-MEN: APOCALYPSE (US, Bryan Singer, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: X-MEN: APOCALYPSE (US, Bryan Singer, 2016)
Summary: An article about the sixth film in the X-Men series, X-MEN: APOCALYPSE.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SWIMMING WITH MEN (UK, Oliver Parker, 2018)

Call No: TITLE CLIPPINGS FILE; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Author: Domjen, Briana et al
PhysDes: Clippings File Article
Subject: PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Summary: Filming about to begin on the Gold Coast for the latest installment of the Pirates of the Carribean series.

Call No: TITLE CLIPPINGS FILE; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Author: Briana Domjen -- Annette Sharp -- Jonathon Moran -- Elle Halliwell
PhysDes: Clippings File Article
Subject: DEPP, JOHNNY; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Summary: Interview with Jerry Bruckheimer's assistant Michael Singer, in regards to Pirates of the Carribean: Dead Men Tell No Tales (which Bruckheimer is the producer). Some discussion about the contentment levels of the cast and crew in regards to the filming

Call No: TITLE CLIPPINGS FILE; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Author: Rawsthorne, Sally -- Halliwell, Elle -- Moran, Jonathon -- Domjen, Briana -- Crane, Kris
PhysDes: Clippings File Article
Subject: KNIGHTLEY, KEIRA; PIRATES OF THE CARRIBEAN: DEAD MEN TELL NO TALES (US, Joachim Rønning, Espen Sandberg, 2017)
Summary: Actor Keira Knightley will have a cameo appearance in the latest film in the Pirates of the Carribean series - Dead Men Tell No Tales

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: T-MEN (US, Anthony Mann, 1947)

Author: Richards, John
PhysDes: Article
Subject: AUDIENCES. TV; MEN AND TV
Summary: Opinion piece about tv production and the male, heterosexual audience

Call No: 451-01/02 DUR
Author: Durkin, Kevin
Place: Milton Keynes Philadelphia
Publisher: Open University Press
PubDate: 1985
PhysDes: xi, 148 p. ; 22 cm
Subject: MEN ON TV; WOMEN ON TV; CHILDREN, EFFECTS OF TV ON
Notes: Cover title: Television, sex roles & children; Includes indexes; Bibliography: p. 131-139
ISBN: 0335150691; 0335150683 (pbk.)
LON: 85013629; 3949331

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
URL status: URL: 'http://-' Checked: 31/08/2021 1:14:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES (UK, Ken Annakin, 1965); HOW I FLEW FROM LONDON TO PARIS IN 25 HOURS AND 11 MINUTES (UK, Ken Annakin, 1965)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [THREE] 3 MEN AND A BABY (US, Leonard Nimoy, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: THREE MEN AND A LITTLE LADY (US, Emile Ardolino, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TIN MEN (US, Barry Levinson, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956)

Call No: S TWE
Author: Reginald Rose
Place: US
PubDate: [?1957]
PhysDes: 176 leaves
Subject: [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO AND A HALF MEN [TV]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TWO MEN OF KARAMOJA (US, Eugene S. Jones, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO MEN WENT TO WAR (UK, John Henderson, 2002)

PhysDes: Article
Subject: UNITED INTERNATIONAL PICTURES; DEAD MEN DON'T WEAR PLAID (US, Carl Reiner, 1982); STRANGER IS WATCHING, A (US, Sean S. Cunningham, 1981); BLACK STALLION RETURNS, THE (US, Robert Dalva, 1983); IT CAME FROM HOLLYWOOD (US, Malcolm Leo & Andrew Solt, 1982)
Summary: Current, coming, and in-production films from United International Pictures.

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WILD MEN [VILDMAEND] (DK , Thomas Daneskov, 2021)

Author: Brown, David; Hogg, Russell
PhysDes: Article; Bibliography
Subject: SPORT ON TV. AUSTRALIA; MEN ON TV. AUSTRALIA; VIOLENCE ON TV. AUSTRALIA
Summary: The article explores the problematic aspects in the common link between violence, masculinity and sport.

Call No: TITLE CLIPPINGS FILE; LOIN DES HOMMES [FAR FROM MEN] (FR, David Oelhoffen, 2014)
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: LOIN DES HOMMES [FAR FROM MEN] (FR, David Oelhoffen, 2014)
Summary: Film review of LOIN DES HOMMES
Rating: 4 out of 5 stars

Call No: N79ROB WAL
CorpAuthor: Walt Disney
Place: London
Publisher: Collins
PubDate: 1952
PhysDes: 96 p. ; ill. (some col.) ; 24 cm
Subject: STORY OF ROBIN HOOD AND HIS MERRIE MEN, THE (US/UK, Ken Annakin, 1952)

Call No: 81 FOR MAT
Author: Matheson, Sue
Source: US
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: c2016
PhysDes: xxi, 339 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
Series: Film and history
Subject: FORD, JOHN; WESTERNS; WAR AND THE CINEMA; STRAIGHT SHOOTING (U.S, John Ford, 1917); [THREE] 3 BAD MEN (US, John Ford, 1926); [THREE] 3 GODFATHERS (US, John Ford, 1948); BATTLE OF MIDWAY, THE (US, John Ford, 1942); BUCKING BROADWAY (US, John Ford, 1917); CHEYENNE AUTUMN (US, John Ford, 1964); FORT APACHE (US, John Ford, 1948); GRAPES OF WRATH, THE (US, John Ford, 1940); HELL BENT (US, John Ford, 1918); HORSE SOLDIERS, THE (US, John Ford, 1959); INFORMER, THE (US, John Ford, 1935); IRON HORSE, THE (UK, John Ford, 1924); LONG GRAY LINE, THE (US, John Ford, 1954); MEN WITHOUT WOMEN (US, John Ford, 1929); MY DARLING CLEMENTINE (US, John Ford, 1946); SEARCHERS, THE (US, John Ford, 1956); SEAS BENEATH (US, John Ford, 1931); SERGEANT RUTLEDGE (US, John Ford, 1960); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); STAGECOACH (US, John Ford, 1939); SUBMARINE PATROL (US, John Ford, 1938); THEY WERE EXPENDABLE (US, John Ford, 1945); THIS IS KOREA (US, John Ford, 1951); TWO RODE TOGETHER (US, John Ford, 1961)
Summary: "Responsible for some of the greatest films of the 20th century - The Grapes of Wrath, How Green Was My Valley, and The Quiet Man among others - John Ford was best known for motion pictures that defined the American West and the face of wartime military. A Hollywood celebrity, Ford lived his life against the background that Twentieth Century-Fox fashioned for him. As he did, the facts of his life merged with - and became inseparable from - his multifaceted legend, fostered by Hollywood's studio culture and his own imagination. In The Westerns and War Films of John Ford Sue Matheson offers an engaging look at one of America's greatest directors and the two genres of films that solidified his reputation. Drawing on previously unreleased material, this volume explores the man, the filmmaker, the veteran, and the legend - and the ways in which all of those roles shaped Ford's view of America, national character, and his creative output. Among the films discussed here in depth are Ford's early productions, such as The Iron Horse and Drums along the Mohawk, his military films, such as Submarine Patrol, The Battle of Midway, and They Were Expendable, and his Westerns, including Fort Apache, She Wore a Yellow Ribbon, The Searchers, and Cheyenne Autumn. Ford imbued many of his creations with a point of view that represented his ideals, and the films discussed here illustrate their director's distinct vision of American life on the frontier and in service of the country. That vision - Ford's idealization of the American Character - would, in turn, shape the worldview of several generations. The Westerns and War Films of John Ford will appeal to critics and scholars, but also to any fan of this iconic filmmaker's work. " - BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781442261051
Donation: Senses of Cinema
Contents: Introduction -- A career man -- Early days in the Hollywood west: from Straight shooting to The iron horse -- The heroic West: from Three bad men to Drums along the Mohawk -- Not for self but for country: from Salute to Submarine patrol -- In the navy: The Battle of Midway -- War stories: They were expendable -- Critiquing combat culture: Fort Apache -- Keeping the faith: She wore a yellow ribbon -- The war at home: Rio Grande -- Veterans' affairs: The searchers -- A house divided: The horse soldiers -- The nature of one's service: Sergeant Rutledge -- Deconstructing the legend: The man who shot Liberty Valance -- Questions of just conduct: Cheyenne Autumn -- Aftermath.