Search Catalogue

Call No: 451-01 BIN
Author: Bingham, Dennis, 1954
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: 1994
PhysDes: x, 271 p. : ill. ; 24 cm
Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990)
Notes: Includes bibliographical references (p. [253]-263) and index
ISBN: 0813520738; 0813520746 (pbk.)
LON: 10548892

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 12 x 17.5 cm.
Subject: CULLEN, MAX; HARVEY, TONY; AS HAPPY AS LARRY (AT, Riju Ramrakha, 1991)
Summary: Photographs from the film As Happy As Larry

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Publicity; Press kit
Subject: AUSSIE ASSAULT (AT, Harvey Spencer, 1984)

PhysDes: Article
Subject: HOYTS; AUSSIE ASSAULT (AT, Harvey Spencer, 1984)
Summary: Report on the out-of-court settlement, between the producers of "Aussie Assault" and the film's theatrical distributor "Hoyts", over a dispute regarding video distribution

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Hoyts
PhysDes: 8 photographs : b&w ; 21 x 26 cm
Subject: BOND, ALAN; AUSSIE ASSAULT (AT, Harvey Spencer, 1984)
Summary: 8 labelled black and white photographs of scenes from the documentary 'Aussie Assault.'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD MEDICINE (US, Harvey Miller, 1985)

Call No: 79GAL BRO
Author: Broadbent, Harvey
Source: AT
Place: Crows Nest
Publisher: ABC Enterprises
PubDate: 1990
PhysDes: 142 p. : ill. ; 24 cm
Subject: GALLIPOLI - THE BOYS WHO CAME HOME (AT, Harvey Broadbent, 1990)
ISBN: 0733300332

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Article
Subject: CARNIVAL OF SOULS (US, Herk Harvey, 1962)
URL status: URL: 'http://file://Q:/T/CARNIVAL_OF_SOULS.zip' Checked: 31/08/2021 1:26:25 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CITY, THE (US, Harvey Hart, 1979)

Call No: 227.01(73) CLO
Place: UK
Publisher: Edinburgh University Press
PubDate: 2018
Series: International film stars
Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOOGBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.
Notes: Includes bibliographical references and index.
ISBN: 9781474417006
Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.

PhysDes: Clippings
Subject: CROSSING, THE (AT, Julian Harvey, 2013)

Author: Quinlivan, Beth
PhysDes: Article
Subject: AMERICA'S CUP; AUSSIE ASSAULT (AT, Harvey Spencer, 1984)
Summary: Article explores the growing interest for documentary producers in the America's Cup, with at least four documentaries either planned or made. Particular interest is placed on “Aussie Assault” documentary

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 20 x 26 cm
Subject: BLABEY, AARON; MAUGHAN, MONICA; QUAST, PHILIP; DAMNATION OF HARVEY MCHUGH, THE [TV] (AT, 1994)
Summary: Three black and white photographs of scenes from the ABC drama series.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: DAMNATION OF HARVEY MCHUGH, THE [TV] (AT, 1994?)

Call No: 721.3(73) BIS
Author: Biskind, Peter
Place: London
Publisher: Bloomsbury
PubDate: 2004
PhysDes: 24 cm ; 545 p
Subject: DIRECTORS. USA; HOLLYWOOD; USA; AWARDS. ACADEMY; INDEPENDENT DISTRIBUTION; INDEPENDENT FILMS. USA; INDEPENDENT PRODUCTION; INDEPENDENT PRODUCTION. USA; DISTRIBUTION. USA; FESTIVALS. PARK CITY. SUNDANCE; MIRAMAX FILMS; AFFLECK, BEN; ALTMAN, ROBERT; ANDERS, ALLISON; ANDERSON, PAUL THOMAS; ANDERSON, WES; ARAKI, GREGG; ARONOFSKY, DARREN; ARTETA, MIGUEL; WEINSTEIN, BOB; WEINSTEIN, HARVEY; ALLEN, WOODY; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000); FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001); APOSTLE, THE (US, Robert Duvall, 1997); AMERICAN BEAUTY (US, Sam Mendes, 1999); RESERVOIR DOGS (US, Quentin Tarantino, 1992)
Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].
ISBN: 0747565708
ID2: 341

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EAGLE'S WINGS (UK, Anthony Harvey, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: FATAL DECEPTION : MRS LEE HARVEY OSWALD (US, Robert Dornhelm, 1993)

Author: Chilvers, Keith
PhysDes: Article
Subject: AMERICA: FROM HITLER TO M-X (US, Joan Harvey, 1983)
Notes: Listing of all recomended feature and short films seen by the National Viewing Sessions Committee for Spring 1984

Call No: 67(04) FIL
Author: Schickel, Richard (ed); Simon, John (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PubDate: c1968
PhysDes: 320 p. ; 22 cm
Subject: ACCIDENT (UK, Joseph Losey, 1967); BATTAGLIA DI ALGERI (IT/AE, Gillo Pontecorvo, 1966); BEDAZZLED (US, Stanely Donen, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); CHAPPAQUA (US, Conrad Rooks, 1966); OSTRE SLEDOVANE VLAKY (CS, Jiri Menzel, 1966); COMEDIANS, THE (US, Peter Glenville, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); COUNTESS FROM HONG KONG, A (UK/US, Charles Chaplin, 1967); DIRTY DOZEN, THE (US, Robert Aldrich, 1967); DOCTOR DOLITTLE (US, Richard Fleischer, 1967); DUTCHMAN (UK, Anthony Harvey, 1967); EL DORADO (SP/FR, Carlos Saura, 1988); ELVIRA MADIGAN (SE/DA, Bo Widerberg, 1967); DIVORCE, AMERICAN STYLE (US, Bud Yorkin, 1967); CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966); FAMILY WAY, THE (UK, Ray Boultng, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); HOW I WON THE WAR (UK, Richard Lester, 1967); CAZA, LA (SP, Carlos Saura, 1966); HURRY SUNDOWN (US, Otto Preminger, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); IN LIKE FLINT (US, Gordon Douglas, 1967); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); JOKERS, THE (UK, Michael Winner, 1967); ROI DE COUER, LE (FR/IT, Philippe de Broca, 1966); GUERRE EST FINIE, LA (FR/SW, Alain Resnais, 1966); LUV (US, Clive Donner, 1967); MARAT/SADE (UK, Peter Brook, 1967); PERSONA (SW, Ingmar Bergman, 1966); POINT BLANK (US, John Boorman, 1967); PRESIDENT'S ANALYST, THE (US, Theodoro J.Flicker, 1967); PRIVILEGE, THE (UK, Peter Watkins, 1967); STRANGER, THE (US/AG, Adolfo Aristarain, 1987); TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967); TO SIR, WITH LOVE (UK, James Clavell, 1967); TRIP, THE (US, Roger Corman, 1967); ULYSSES (UK/US, Joseph Strick, 1967); UP THE DOWN STAIRCASE (US, Robert Mulligan, 1967); WAR GAME, THE (UK, Peter Watkins, 1966); WHISPERERS, THE, (UK, Byan Forbes, 1967); YOU'RE A BIG BOY NOW (US, Francis Ford Coppola, 1966); YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967)
Summary: Review of films produced in 1966-1967
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Bonnie And Clyde / Joseph Morgenstern, John Simon, Stanley Kauffmann And Pauline Kael -- Point Blank / Richard Schickel And Andrew Sarris -- In Cold Blood / Arthur Knight And Andrew Sarris -- A Countess From Hong Kong / Wilfrid Sheed, Philip T. Hartung And Andrew Sarris -- Falstaff / Joseph Morgenstern, Andrew Sarris, Stanley Kauffmann, Pauline Kael And John Simon -- The Exterminating Angel / Richard Schickel -- Two For The Road / Pauline Kael -- A Guide For The Married Man, Divorce American Style And Luv / Wilfrid Sheed -- Elvira Madigan / Stanley Kauffmann -- Accident / Brendan Gill, Pauline Kael And John Simon -- The Family Way / Richard Schickel -- You're A Big Boy Now / Hollis Alpert And Richard Schickel -- The Graduate / Joseph Morgenstern And Richard Schickel -- Closely Watched Trains / Joseph Morgenstern And John Simon -- The War Game / Richard Schickel And Wilfrid Sheed -- La Guerre Est Finie / Brendan Gill And John Simon -- The Dirty Dozen / Richard Schickel -- King Of Hearts / Wilfrid Sheed -- The Battle Of Algiers / Joseph Morgenstern And Stanley Kauffmann -- How I Won The War / Stanley Kauffmann And John Simon -- In Like Flint / Arthur Knight -- Casino Royale / Wilfrid Sheed -- You Only Live Twice / Pauline Kael -- The Jokers / Philip T. Hartung -- Bedazzled / Stanley Kauffmann -- The President's Analyst / Andrew Sarris -- Ulysses / Brendan Gill, John Simon And Brad Darrach / The Taming Of The Shrew -- Hollis Alpert And Wilfrid Sheed -- Marat/Sade / Phillip T. Hartung, Brendan Gill And Brad Darrach -- The Comedians / Stanley Kauffmann -- Far From The Maddening Crowd / Hollis Alpert And Richard Schickel -- Dr. Dolittle / Joseph Morgenstern -- El Dorado / Andrew Sarris -- The War Wagon / Richard Schickel -- El Dorado, The War Wagon And The Way West / Pauline Kael -- Persona / John Simon And Pauline Kael -- The Stranger / Stanley Kauffmann And Joseph Morgenstern -- The Trip / Hollis Alpert -- The Trip And Chappaqua / Wilfrid Sheed -- Dutchman / Brendan Gill And John Simon -- In The Heat Of The Night / Andrew Sarris -- To Sir, With Love And In The Heat Of The Night / Hollis Alpert -- Hurry Sundown, In The Heat Of The Night And Cool Hand Luke / Wilfrid Sheed -- Cool Hand Luke / Andrew Sarris -- Guess Who's Coming To Dinner / Wilfrid Sheed -- Up The Down Staircase / Arthur Knight And Andrew Sarris -- Privilege / John Simon And Arthur Knight -- The Hunt / Richard Schickel -- The Whisperers / Andrew Sarris -- Goal! / Brendan Gill -- Africa Addio / Joseph Morgenstern -- A King's Story / Philip T. Hartung -- Lenny Bruce / Wilfrid Sheed -- The Koumiko Mystery And Echoes Of Silence / Brendan Gill -- The Titicut Follies / Richard Schickel -- Don't Look Back / Andrew Sarris -- Portrait Of Jason / Joseph Morgenstern -- The Underground Film / Brad Darrach -- Expo 67 / Joseph Morgenstern And Arthur Knight -- Blow-Up / Stanley Kauffmann
ID2: 277

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GETTING AWAY WITH MURDER (US, Harvey Miller, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GIFT, THE (AT, Lloyd Harvey & Spencer Harvey, 2013)

Call No: 67 (049.32) KAE
Author: Kael, Pauline
Edition: 1st
Source: US
Place: Boston
Publisher: Little Brown & Co.
PubDate: c1968
PhysDes: xiii, 304 p. ; 22 cm.
Subject: CRITICISM; BARBARELLA (FR/IT, Roger Vadim, 1967); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BOSTON STRANGLER, THE (US, Richard Fleischer, 1968); BROTHERHOOD, THE (US, Martin Ritt, 1968); BULLITT (US, Peter Yates, 1968); BYE BYE BRAVERMAN (US, Sidney Lumet, 1968); CANDY (FR,/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHARLIE BUBBLES (UK, Albert Finney, 1967); LA CINA E VICINA (IT, Marco Bellocchio, 1967); CHARLY (US, Ralph Nelson, 1968); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); DOCTOR FAUSTUS (GB/IT, Richard Burton and Nevill Coghill, 1967); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); FIXER, THE (US, John Frankenheimer, 1968); FUNNY GIRL (US, William Wyler, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); ICE STATION ZEBRA (US, John Sturges, 1968); IF... (UK, Lindsay Anderson, 1968); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); JOANNA (UK, Michael Same, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); LA CHINOISE (FR, Jean-Luc Godard, 1967); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); MODEL SHOP, THE ( FR/US, Jacques Demy, 1969); NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968); NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); POOR COW (UK, Kenneth Loach, 1967); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); SECRET CEREMONY (UK, Joseph Losey, 1969); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SPLIT, THE (US, Gordon Flemyng, 1968); STALKING THE MOON (US, Robert Mulligan, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968); SWEET NOVEMBER (US, Robert Ellis Miller, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968)
Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"
Donation: Donated by Senses Of Cinema, 2009
Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HARVEY (AT, Peter McDonald, 2000)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HARVEY, ANTHONY

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HARVEY, JOAN

Call No: 81KEI FIN
Author: Fine, Marshall, 1950
Place: London
Publisher: HarperCollins
PubDate: 1997
PhysDes: xiv, 272, [8] p. of plates : ill. ; 20 cm
Subject: KEITEL, HARVEY
Notes: Cover subtitle: "the unauthorised biography"
ISBN: 0002258084
LON: abn97205223; 13283731

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HARVEY, MICK

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HARVEY MIDDLEMAN, FIREMAN (US, Enrnest Pintoff, 1965)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HARVEY, TRACY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HIGH COUNTRY, THE (CN, Harvey Hart, 1981 [prod. 1979])

Author: Colaciello, Robert; Weiner, Robert
PhysDes: Article
Subject: FORTUNE AND MEN'S EYES (US, Harvey Hart, 1971)
Summary: Ill; Poerts.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: IT'S A HOBBY FOR HARVEY (CN, Barry Lank, 1981)

Call No: 67(04) WAL
Author: Walker, Alexander
Source: UK
Place: London
Publisher: Headline Book Publishing
PubDate: 1989
PhysDes: viii, [312] p., [16] leaves of plates : ill., ports. ; 18 cm
Subject: CRITICISM; FESTIVALS. CANNES; DR STRANGELOVE (UK, Stanley Kubrick, 1964); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GODFATHER, THE (US, Francis Ford Coppola, 1972); SHINING, THE (UK, Stanley Kubrick, 1980); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); BOGARDE, DIRK; BURTON, RICHARD; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; COOPER, GARY; Crawford, Joan; CRAWFORD, NOEL; DAVIS, BETTE; EVANS, EDITH; Fellini, Federico; FORBES, BRYAN; GARBO, GRETA; GIELGUD, JOHN; GRANT, CARY; GREENE, GRAHAM; HARVEY, LAURENCE; HEPBURN, KATHARINE; HITCHCOCK, ALFRED; HOWARD, TREVOR; HUSTON, JOHN; KAZAN, ELIA; KUBRICK, STANLEY; Lean, David; LEIGH, VIVIEN; LOSEY, JOSEPH; Shakespeare, William; TRACY, SPENCER; TYNAN, KENNETH; VON STERNBERG, JOSEF; WELLES, ORSON; ZINNEMANN, FRED
ISBN: 0747230218
Contents: -- "Do you mean to say they pay you to go to the movies?" -- "Name the six best films you've ever seen" -- Charlie's Angel and the Culture Minister's walking stick -- A day in the hard-playing hard-working life of a far from mad old woman -- Cary Grant and the Harry Lime connection -- The soft words of Mr Rattigan - the hard blows of Mr Russell --- Even Hollywood princesses don't always live happy ever after -- No need to bribe a film festival jury; it can do that for itself -- What made Marlon Brando stop running and find peace at last -- The girl who blew in with the Boston winds -- Peter O'Toole meets himself, two feet tall and blue-eyed, coming back from a trip abroad -- Random thoughts on the Englishness (or otherwise) of English film actors -- Inexactly expressed sentiments about the most private person I know -- "Why this one and not that one, why one event and not the other?"

Author: Rothenbuecher, Bea
PhysDes: Article
Subject: JOHNNY APPLESEED AND THE FRONTIER WITHIN (US, Harvey Bellin & Tom Kieffer, 1981)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings
Subject: KEITEL, HARVEY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST CHANCE HARVEY [UK/US, Joel Hopkins, 2008]

Call No: P LAS
Place: AT
PhysDes: 1 poster : col. ; 69 x 100cm
Subject: LAST CHANCE HARVEY [UK/US, Joel Hopkins, 2008]
ID2: 44

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LETTER TO HARVEY MILK, A (US, Yariv Kohn, 198?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: LION IN WINTER, THE (UK, Anthony Harvey, 1968)

Call No: PERSONALITY CLIPPINGS FILE; FIELDER, ANGIE
Author: Garry Maddox
PhysDes: Clippings File Article
Subject: WORKING CONDITIONS; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; FIELDER, ANGIE; WEINSTEIN, HARVEY; LION (AT, Garth Davis, 2016)
Summary: Lion producer Angie Fielder chose precisely the right moment to speak out about sexual harassment and assault in the film industry.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOOKING FOR HARVEY (AT, Jeremy Weinstein, 2001)

Author: Bright, Greg
PhysDes: Article
Subject: HOYTS; AUSSIE ASSAULT (AT, Harvey Spencer, 1984)
Summary: Article discusses post-production work on the film "Aussie Assault" and the plan to release the documentary feature film through Hoyts, premiering on Australia Day

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MATTER OF STRUGGLE (US, Joan Harvey, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MEN IN CRISIS: THE HARVEY WALLINGER STORY (US, Woody Allen, 1971)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MILLER, HARVEY

Author: Hutchinson, Ivan
PhysDes: Article
Subject: BORN BEAUTIFUL (US, Harvey Hart, 1982)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MONDO NEW YORK (US, Harvey Keith, 1988)

Call No: 409 ROS
Author: Rosenbaum, Jonathan
Place: Chicago
Publisher: A Capella
PubDate: 2000
PhysDes: v, 234 p. ; 24 cm
Subject: DISTRIBUTION; EXHIBITION; GLOBALISATION; AUDIENCES; American Film Institute; FESTIVALS; AUDIENCE RECEPTION; FESTIVALS. CANNES; NATIONAL IDENTITY AND THE CINEMA. US; MIRAMAX FILMS; BEST FILMS; BEST FILMS. US; CRITICISM; PERIODICALS, FILM; WELLES, ORSON; DANTE, JOE; BRESSON, ROBERT; EBERT, ROGER; WEINSTEIN, HARVEY; KIAROSTAMI, ABBAS; MASLIN, JANET; SMALL SOLDIERS (US, Joe Dante, 1998); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); STARSHIP TROOPERS (US, Paul Verhoeven, 1997); STAR WARS : EPISODE I - THE PHANTOM MENACE (US, George Lucas, 1999); TOUCH OF EVIL (US, Orson Welles, 1958)
Notes: Includes index
ISBN: 1556524064
LON: 21468355

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967); CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); GUERRE EST FINIE, LA (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); LE MARIEE ETAIT EN NOIR (FR/IT, Francois Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); DAMNED, THE (IT/GW, Luchino Visconti, 1969); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR, CLaude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); LA CINA E VICINA (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR,/IT/US, Christian Marquand, 1968); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 760-032 RIC
Author: Rich, B. Ruby
Source: US
Place: Durham [North Carolina]
Publisher: Duke University Press
PubDate: 2013
PhysDes: xxx, 322 pages : illustrations ; 24 cm
Subject: AESTHETICS; BISEXUALITY AND THE CINEMA; BISEXUALITY IN FILMS; DOCUMENTARIES; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; SAN FRANCISCO IN FILMS; SEXUALITY AND THE CINEMA; SEX IN FILMS; THEORY; CHEANG, SHU-LEA; CONDON, BILL; DEITCH, DONNA; DUNYE, CHERYL; FASSBINDER, RAINER WERNER; JARMAN, DEREK; LEE, ANG; RIPSTEIN, ARTURO; TECHINE, ANDRE; VACHON, CHRISTINE; VAN SANT, GUS; WONG KAR WAI; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BOYS DON'T CRY (US, Kimberly Peirce, 1999); BROKEBACK MOUNTAIN (US, Ang Lee, 2005); GO FISH (US, Rose Troche, 1994); KIDS ARE ALL RIGHT, THE (US, Lisa Cholodenko, 2010); MILK (US, Gus Van Sant, 2008); MYSTERIOUS SKIN (US/NE, Gregg Araki, 2004); TARNATION (US, Jonathan Caouette, 2003); TIMES OF HARVEY MILK, THE (US, Robert Epstein, 1984); WATERMELON WOMAN, THE (US, Cheryl Dunye, 1996)
Summary: "B. Ruby Rich designated a brand new genre, the New Queer Cinema (NQC), in her groundbreaking article in the Village Voice in 1992. This movement in film and video was intensely political and aesthetically innovative, made possible by the debut of the camcorder, and driven initially by outrage over the unchecked spread of AIDS. The genre has grown to include an entire generation of queer artists, filmmakers, and activists. As a critic, curator, journalist and scholar, Rich has been inextricably linked to the New Queer Cinema from its inception. This volume brings together the best of her writing on the NQC and features her new thoughts on the topic. Following this cinematic movement from its origins in the mid-1980s to the present, Rich presents her insights into NQC pioneers including Derek Jarman and Isaac Julien; investigates such celebrated films as Go Fish, Brokeback Mountain, Itty Bitty Titty Committee, and Milk; explores less-known films and international cinemas; and documents the more recent incarnations of the NQC on screen, on the web, and in art galleries." - BOOK BLURB
Notes: Includes bibliographic references and index -- includes filmography
ISBN: 9780822354284
ID2: 291

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: OFF COUNTRY (AT, John Harvey/Rhian Skirving, 2021)

Author: Schwartz, Eric
PhysDes: Article
Subject: HOLT, GARY; AUSSIE ASSAULT (AT, Harvey Spencer, 1984)
Summary: Gary Holt, producer of documentary "Aussie Assault", promotes the film in the US
Notes: Report

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PACIFIC STORIES (AT/PP, Leilani Gibson/John Harvey/Lisa Hilli/Ranu James/Paia Juste-Constant/Venina Kaloumaira/Wari Kome/Pauline Vetuna, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PATRICIA NEAL STORY, THE (US, Anthony Harvey & Anthony Page, 1981)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PEKAR, HARVEY

Call No: 71(73) WIL; FOLIO
Author: Willoughby, Bob; Schickel, Richard
Place: New York
Publisher: Random House
PubDate: [1974]
PhysDes: 268 p. illus. 32 cm
Subject: USA; FROM HERE TO ETERNITY (US, Fred Zinneman, 1953); STAR IS BORN, A (US, George Cukor, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); MY FAIR LADY (US, George Cukor, 1964); MARNIE (US, Alfred Hitchcock, 1964); MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966); GRADUATE, THE (US, Mike Nichols, 1967); PETULIA (US, Richard Lester, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); CATCH 22 (US, Mike Nichols, 1970); KLUTE (US, Alan J. Pakula, 1971); COWBOYS, THE (US, Mark Rydell, 1972); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); RAINTREE COUNTRY (US, Edward Dmytryk, 1957); GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955); MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955); OCEAN'S ELEVEN (US, Lewis Milestone, 1960); GREAT RACE, THE (US, Blake Edwards, 1965); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); DOCTOR DOLITTLE (US, Richard Fleischer, 1967); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969)
Notes: "A Ridge Press book."
ISBN: 039449380X
LON: 437365 437365

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PLAYERS (US, Anthony Harvey, 1979)

Call No: 81HARV HIC
Author: Hickey, Des; Smith, Gus. joint author
Place: London
Publisher: W.H.Allen
PubDate: 1976
PhysDes: 272 p., [24] p. of plates : ill., facsims., ports. ; 23 cm
Subject: Harvey, Laurence
Notes: Includes index
ISBN: 0856321214 : ª3.70
LON: 76356837; 190961

Call No: 224(73) MUR
Author: Murphy, Murphy
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2019
PhysDes: xi, 337 pages : illustrations ; 23 cm.
Subject: SCRIPTS; SCRIPTWRITERS. USA; CASSAVETES, JOHN; LODEN, BARBARA; GREAVES, WILLIAM; VAN SANT, GUS; SWANBERG, JOE; MEKAS, JONAS; WARHOL, ANDY; CLARKE, SHIRLEY; MAILER, NORMAN; FERRARA, ABEL; KEITEL, HARVEY; VAN SANT, GUS; SWANBERG, JOE
Summary: "Most films rely on a script developed in pre-production. Yet beginning in the 1950s and continuing through the recent mumblecore movement, key independent filmmakers have broken with the traditional screenplay. Instead, they have turned to new approaches to scripting that allow for more complex characterization and shift the emphasis from the page to performance.In Rewriting Indie Cinema, J. J. Murphy explores these alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer’s own life experiences. Murphy begins in the 1950s and 1960s with John Cassavetes, Shirley Clarke, Barbara Loden, Andy Warhol, Norman Mailer, William Greaves, and other independent directors who sought to create a new type of narrative cinema. In the twenty-first century, filmmakers such as Gus Van Sant, the Safdie brothers, Joe Swanberg, and Sean Baker developed similar strategies, sometimes benefitting from the freedom of digital technology. In reading key films and analyzing their techniques, Rewriting Indie Cinema demonstrates how divergence from the script has blurred the divide between fiction and nonfiction. Showing the ways in which filmmakers have striven to capture the subtleties of everyday behavior, Murphy provides a new history of American indie filmmaking and how it challenges Hollywood industrial practice." -- Taken from Trove
Notes: Includes bibliographical references and index.
ISBN: 9780231191975
Donation: Senses of Cinema
Contents: Introduction. Across the spectrum: from improvisation to psychodrama -- And I hate actors: the new American cinema -- Let's not phony it up anymore: the films of John Cassavetes -- Place-based realism: Mackenzie, Loden, and Burnett -- Experiments in psychodrama: Mekas, Warhol, Clarke, and Mailer -- Human life isn't necessarily well-written: the films of William Greaves: symbiopsychotaxiplasm: take one and take 2 1/ 2 -- Beyond the method: Abel Ferrara and Harvey Keitel -- Tied to a machine: the films of Gus Van Sant -- Like how you talk: the films of Joe Swanberg -- Improvisation and place: Putty Hill, Stand clear of the closing doors, and the films of Sean Baker -- Rediscovering psychodrama: Frownland, Heaven knows what, and Stinking heaven -- The line between reality and staging: Actor Martinez, Actress, and The witness -- Conclusion: blending fiction and documentary

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: RICHARD'S THINGS (UK, Anthony Harvey, 1980)

PhysDes: Article
Subject: AUSSIE ASSAULT (AT, Harvey Spencer, 1984)
Summary: Article discuses plans by the producers of the America's Cup documentary "Aussie Assault" for a six-hour mini-series based on the subject

PhysDes: Article
Subject: RANK ORGANISATION; SAMUEL GOLDWYN CO.; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); EAGLE'S WINGS (UK, Anthony Harvey, 1979); TARKA THE OTTER (UK, David Cobham, 1978)
Summary: Aticle on deal between Samuel Goldwyn Co. and the Rank Organisation to re-release films from the Samuel Goldwyn Co. archives.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHOOT (CN, Harvey Hart, 1976)

Call No: P CRO
PhysDes: 1 poster : col. ;100 X 69 cm
Subject: CROSSING, THE (AT, Julian Harvey, 2013)
Summary: Image: 2 men in snow gear making their way across an arctic plain -- Text: 'There ain't no easy way'

Call No: TITLE CLIPPINGS FILE
Subject: THEY MIGHT BE GIANTS (US, Anthony Harvey, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THEY MIGHT BE GIANTS (US, Anthony Harvey, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIMES OF HARVEY MILK, THE (US, Robert Epstein, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO OF HEARTS [TV] (US, Harvey Frost, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: ULTIMATE SOLUTION OF GRACE QUIGLEY, THE (US, Anthony Harvey, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: WE ARE THE GUINEA PIGS (US, Joan Harvey, 1980)

Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WEINSTEIN, HARVEY
URL status: URL: 'http://file://Q:/P/WEINSTEIN,_HARVEY.zip' Checked: 31/08/2021 12:57:50 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 802.24 NOR
Author: Marc Norman
Edition: 2008
Place: London
Publisher: Aurum
PubDate: 2007
PhysDes: 554 pages : illustrations ; 25 cm
Subject: ACADEMY AWARDS; BLACKLISTING. USA; BEATTY, WARREN; BOGART, HUMPHREY; BRANDO, MARLON; CHAYEFSKY, PADDY; COLUMBIA PICTURES; COPPOLA, FRANCIS FORD; DEMILLE, CECIL B.; EDISON, THOMAS ALVA; FITZGERALD, F. SCOTT; GOLDWYN, SAMUEL; GRIFFITH, DAVID WARK; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; HITCHCOCK, ALFRED; HUSTON, JOHN; JONZE, SPIKE; KEITEL, HARVEY; KOCH, HOWARD; KUBRICK, STANLEY; LARDNER, RING, Jr.; LOOS, ANITA; MANKIEWICZ, HERMAN J.; MANKIEWICZ, JOSEPH L.; MILIUS, JOHN; NICHOLSON, JACK; PENN, ARTHUR; PORTER, EDWIN S.; SCHRADER, PAUL; SOUTHERN, TERRY; SPIELBERG, STEVEN; STEWART, DONALD OGDEN; TARANTINO, QUENTIN; WEINSTEIN, HARVEY; ZANUCK, DARRYL F.; ZUKOR, ADOLPH; AMERICAN GRAFFITI (US, George Lucas, 1973); ALTERED STATES (US, Ken Russell, 1980); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BONNIE AND CLYDE (US, Arthur Penn, 1967); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EASY RIDER (US, Dennis Hopper, 1969); INFORMER, THE (US, John Ford, 1935); RAIN PEOPLE, THE (US, Francis Ford Coppola, 1969); STAR WARS (US, George Lucas, 1977)
ISBN: 9781845133245

Call No: CRAWFORD STILL WHO
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 15 photographs : b&w ; 21 x 26 cm + 16 slides : col.
Subject: LUKE, VICKI; CURTIN, PETER; PUNCH MCGREGOR, ANGELA; FORSYTHE, DREW; MCCONNOCHIE, RHYS; GIBBES, ROBYN; CRITTENDEN, LISA; O'SULLIVAN, MOYA; HARVEY-WRIGHT, PETER; MORGAN, ROBERT; WHOSE BABY? [TV] (AT, Ian Barry, 1986)
Summary: Photographs and slides relating to the mini -series 'Whose Baby?'
Notes: Images arranged by record type: photographs and then slides
Donation: Gift of Crawford Productions

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ZIELINKI, HARVEY