journal article
3 exceptional films released GUO/FD in Australasian Cinema (25/6/1982) vol.11 iss.11 p.1
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Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: AUSTRALIAN FILM COMMISSION ; NEW SOUTH WALES FILM CORPORATION ; INDUSTRY, FILM. AUSTRALIA ; CLINIC, THE (AT, David Stevens, 1982) ; DUSTY (AT, John Richardson, 1983) ; DEAD EASY (AT, Bert Deling, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) ; GINGER MEGGS (AT, Jonathan Dawson, 1982) ; NORMAN LOVES ROSE (AT, Henri Safran, 1982) ; DOUBLE DEAL (AT, Brian Kavanagh, 1983) ; EARLY FROST (AT, Brian McDuffie, 1981) ; FAR EAST (AT, John Duigan, 1982) ; MIDNITE SPARES (AT, Quentin Masters, 1983) ; NEXT OF KIN (AT, Tony Williams, 1982) ; UNDERCOVER (AT, David Stevens, 1983) ; KITTY AND THE BAGMAN (AT, Donald Crombie, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1987) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Anne Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Ollie Martin, [In prod], 1987) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1992) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; H.P. LOVECRAFT'S CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig and Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig, Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Cinema interval / Trinh T. Minh-ha London: Routledge, 1999.
Call No: 81TRI TRIAuthor: Trinh, T. Minh-Ha (Thi Minh-Ha), 1952 Place: LondonPublisher: RoutledgePubDate: 1999PhysDes: xiv, 274 p., [16] p. of plates : ill. (some col.) ; 23 cmSubject: TRINH, T. MINH-HA ; IMPERIALISM AND THE CINEMA ; CHINA IN FILMS ; VOYEURISM AND THE CINEMA ; VERHOEVEN, DEB ; REYNAUD, BERENICE ; SHOOT FOR THE CONTENTS (US, Trinh T. Minh-ha, 1991) ; TALE OF LOVE, A (US, Trinh T. Minh-ha, 1995) Notes: Includes indexISBN: 0415922011(pbk.) : ª14.99; 0415922003(cased) : ª50.00LON: 14606477
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ELAINE STRITCH: SHOOT ME : (US, Chiemi Karasawa, 2013)
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FESTIVALS. AUSTRALIA. SHOOT OUT FILM
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Film 69/70 : an anthology by the National Society of Film Critics / edited by Joseph Morgenstern and Stefan Kanfer New York: Simon and Schuster, c1970.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1970PhysDes: 286 p. ; 22 cmSubject: INDUSTRY, FILM. USA ; MUSICALS ; VIETNAM WAR IN FILMS ; POLITICS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; FELLINI, FEDERICO ; STREISAND, BARBRA ; WAYNE, JOHN ; CHE! (US, Richard Fleischer, 1969) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; IF... (UK, Lindsay Anderson, 1968) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; INTIMNI OSVETLENI (CZ, Ivan Passer, 1969) ; GURU, THE (US/II, James Ivory, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; AKAHIGE (JA, Akira Kurosawa, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; ISADORA (UK, Karel Reisz, 1968) ; GOODBYE MR CHIPS (UK, Herbert Ross, 1969) ; JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) Summary: Critical reviews of films produced 1969/1970Notes: Includes indexISBN: 671-20608-7Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel
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GANG THAT COULDN'T SHOOT STRAIGHT, THE : (US, James Goldstone, 1971)
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'It was an experience that totally blew up in my face' : Steve Railsback and 'Turkey Shoot' in Studies in Australasian cinema (2010) vol.4 iss.1 p.73-79
Author: Verhoeven, Deb PhysDes: ArticleSubject: RAILSBACK, STEVE ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) Summary: Short article detailing challenges and controversies surrounding the film 'Turkey shoot' from production to its negative critical reception.Notes: The schlock horror film Turkey Shoot is widely regarded as one of the most disreputable Australian exploitation titles in a genre already well noted for controversy. This short article frames the controversies that surround the film from production to critical reception, which sets the scene for an interview by Mark Harley with the film’s star Steve Railsback, who reflects on the movie’s production, his role, the controversy and the film’s reception. -- Abstract
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Jane Fonda : an intimate biography / Thomas Kiernan London: Talmy Franklin London, 1973.
Call No: 81FON KIEAuthor: Kiernan, Thomas Source: UKPlace: LondonPublisher: Talmy Franklin LondonPubDate: 1973PhysDes: xix, 358p, [8]p of plates : ill., ports ; 23cmSubject: FONDA, JANE ; FONDA, HENRY ; FONDA, PETER ; STRASBERG, LEE ; VADIM, ROGER ; TALL STORY (US, Joshua Logan, 1960) ; KLUTE (US, Alan J. Pakula, 1971) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ISBN: 0900735287Donation: donated by the family of Wayne Levy, 2006
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JUST SHOOT ME [TV] : (US, 1997)
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The Modern American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1978.
Call No: 753.4 MODAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1978PhysDes: xii, 461 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ALL THE KINGS MEN (US, Robert Rossen, 1949) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CATCH 22 (US, Mike Nichols, 1970) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; DELIVERANCE (US, John Boorman, 1972) ; FOUNTAINHEAD, THE (US, King Vidor, 1949) ; FOR WHOM THE BELL TOLLS (US, Sam Wood, 1943) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; HUMAN COMEDY, THE (US, Clarence Brown, 1943) ; IN THIS OUR LIFE (US, John Huston, 1942) ; INTRUDER IN THE DUST (US, Clarence Brown, 1949) ; LAST HURRAH, THE (US, John Ford, 1958) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LOLITA (US, Stanley Kubrick, 1962) ; LONELYHEARTS (US, Vincent J. Donehue, 1958) ; MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955) ; NAKED AND THE DEAD, THE (US, Raoul Walsh, 1958) ; NATIVE SON (AG, Pierre Chenal, 1951) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; OF MICE AND MEN (US, Lewis Milestone, 1939) ; OLD MAN AND THE SEA, THE (US, John Sturges, 1958) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; RABBIT, RUN (US, Jack Smight, 1970) ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; TARNISHED ANGELS, THE (US, Douglas Sirk, 1957) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; TOBACCO ROAD (US, John Ford, 1941) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) ; WET PARADE, THE (US, Victor Fleming, 1932) Summary: "Does a movie have the same impact as the novel on which it is based? Here are some of the stimulating - and occasionally surprising - answers to that question. This book is a follow-up to The Classic American Novel and the Movies, which ended in 1929, but it can be read on its own. [This book] covers novels and films from the 1930s to the 1970s, from Erskine Caldwell's Tobacco Road to James Dickey's Deliverance. In between, many film translations of notable novels are scrutinized - works by such authors as Faulkner, Hemingway, Steinbeck, McCullers, Nabokov, Updike, Kesey, and Vonnegut [...] Style, characterisation, theme, and ideology come under review. And we get behind-the-scenes insights into the actual filming of some celebrated novels. Of special value to scholars and students of film: extended filmographies by both author and film title of adaptations of American novels published between 1930 and 1975. In addition, there is a bibliography covering the same period, plus complete rental information on the films themselves." -- BOOK BLURBNotes: Includes index; Filmography: p. 349-428; Bibliography: p. 429-443; Sequel/companion to The Classic American Novel and the Movies, also in the CollectionISBN: 0804426821 : $14.50. 0804466491 pbk. : $6.95LON: 78004373; 1250638
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Movies into film : film criticism 1967-1970 / John Simon New York: Dell Publishing, 1971.
Call No: 67(04) SIMAuthor: Simon, John Source: USPlace: New YorkPublisher: Dell PublishingPubDate: 1971PhysDes: xiii, 446 p. ; 21 cmSubject: CRITICISM ; SEX IN FILMS ; VIOLENCE IN FILMS ; MUSICALS ; FESTIVALS ; AWARDS ; ADAPTATIONS ; BERGMAN, INGMAR ; MARAT/SADE (UK, Peter Brook, 1967) ; TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967) ; CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966) ; ULYSSES (UK/US, Joseph Strick, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967) ; VOYNA I MIR (RU, Sergei Bondarchuk, 1968) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; JUSTINE (US, George Cukor, 1969) ; TROPIC OF CANCER (US, Joseph Strick, 1969) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; GUERRE EST FINIE, LA (FR/SW, Alain Resnais, 1966) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; REVOLUTIONARY, THE (UK, Paul Williams, 1970) ; JOE (US, John G. Avildsen, 1970) ; GRADUATE, THE (US, Mike Nichols, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; LAST SUMMER, THE (US, Frank Perry, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969) ; MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970) ; LET IT BE (UK, Michael Lindsay-Hogg, 1970) ; FOX, THE (US, Mark Rydell, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; JAG AR NYFIKEN - GUL (SW, Vilgot Sjoman, 1967) ; PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; COMING APART (US, Milton Moses Ginsberg, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; TRUE GRIT (US, Henry Hathaway, 1969) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; LE MARIEE ETAIT EN NOIR (FR/IT, Francois Truffaut, 1968) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968) ; DAMNED, THE (IT/GW, Luchino Visconti, 1969) ; SATYRICON (IT/FR, Federico Fellini, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BICHES, LES (FR, CLaude Chabrol, 1968) ; CHAMADE, LA (FR/IT, Alain Cavalier, 1968) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; LA CINA E VICINA (IT, Marco Bellocchio, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; TANTE ZITA (FR, Robert Enrico, 1968) ; BULLITT (US, Peter Yates, 1968) ; FACES (US, John Cassavetes, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; DOWNHILL RACER (US, Michael Ritchie, 1969) ; M*A*S*H (US, Robert Altman, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; CAMELOT (US, Joshua Logan, 1967) ; OLIVER (UK, Carol Reed, 1968) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; PETULIA (US, Richard Lester, 1968) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; CANDY (FR,/IT/US, Christian Marquand, 1968) ; 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; CATCH 22 (US, Mike Nichols, 1970) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.Notes: Includes index.ISBN: 44005880295Donation: donated by the family of Wayne Levy, 2006Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical mattersID2: 41
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turkey shoot (at, jon hewitt, 2014)
Ozploitation remake an underpowered effort in The Age [Arts & Entertainment] (11/12/2014) p.31
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OZploitation. Volume 1 [DVD] [Australia]: Umbrella Entertainment, 2004.
Call No: D OZploitation volume 1Source: ATPlace: [Australia]Publisher: Umbrella EntertainmentPubDate: 2004PhysDes: 6 videodiscs (DVD) (ca. 701 min.) : sd., col. with b&w sequences ; 4 3/4 in.Subject: ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; HARLEQUIN (AT, Simon Wincer, 1980) ; NAKED BUNYIP, THE (AT, John B. Murray, 1970) ; ROADGAMES, (AT, Richard Franklin, 1981) ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) Summary: Includes seven films from the Australian genre cinema of the '70s and early '80s.Notes: DAVID1434.
Rated M.Contents: The adventures of Barry McKenzie (1972); Roadgames (1981); Turkey shoot (1981); Harlequin (1980); The naked bunyip (1970); Night of fear (1973); Inn of the damned (1974)Technical Details: PAL ; All regions.Credits: Directors, Bruce Beresford, Richard Franklin, Simon Wincer, John B. Murray, Brian Trenchard-Smith, Terry Bourke.Also Titled: The adventures of Barry McKenzie.; Roadgames.; Harlequin.; The naked bunyip.; Turkey shoot.; Inn of the damned.; Night of fear.Standard Number: 3000000070161Performer: The adventures of Barry McKenzie: Barry Crocker, Barry Humphries ; Roadgames: Stacy Keach, Jamie-Lee Curtis ; Harlequin: Robert Powell, David Hemmings ; The naked bunyip: Graeme Blundell, Gordon Rumph ; Turkey shoot: Steve Railsback, Olivia Hussey ; Night of fear: Norman Yemm, Carla Hoogeveen ; Inn of the damned: Judith Anderson, Alex Cord.
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The platinum years / by Bob Willoughby. Text by Richard Schickel New York: Random House, [1974].
Call No: 71(73) WIL; FOLIOAuthor: Willoughby, Bob ; Schickel, Richard Place: New YorkPublisher: Random HousePubDate: [1974]PhysDes: 268 p. illus. 32 cmSubject: USA ; FROM HERE TO ETERNITY (US, Fred Zinneman, 1953) ; STAR IS BORN, A (US, George Cukor, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; MY FAIR LADY (US, George Cukor, 1964) ; MARNIE (US, Alfred Hitchcock, 1964) ; MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966) ; GRADUATE, THE (US, Mike Nichols, 1967) ; PETULIA (US, Richard Lester, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; CATCH 22 (US, Mike Nichols, 1970) ; KLUTE (US, Alan J. Pakula, 1971) ; COWBOYS, THE (US, Mark Rydell, 1972) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; RAINTREE COUNTRY (US, Edward Dmytryk, 1957) ; GUYS AND DOLLS (US, Joseph L. Mankiewicz, 1955) ; MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955) ; OCEAN'S ELEVEN (US, Lewis Milestone, 1960) ; GREAT RACE, THE (US, Blake Edwards, 1965) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; DOCTOR DOLITTLE (US, Richard Fleischer, 1967) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) Notes: "A Ridge Press book."ISBN: 039449380XLON: 437365 437365
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POINT AND SHOOT : (US, Marshall Curry, 2014) Digital clippings file available
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Screening the novel : rediscovered American fiction in film / Gabriel Miller New York: F. Ungar Pub. Co., 1980.
Call No: 753.4 MILAuthor: Miller, Gabriel, 1948 Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1980PhysDes: xv, 208 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; AUTHORSHIP ; DIRECTORS ; LITERATURE AND THE CINEMA ; HESTER STREET (US, Joan Micklin Silver, 1975) ; GANGSTER, THE (US, Gordon Wiles, 1947) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946) ; SUSAN LENOX: HER FALL AND RISE (US, Robert Z. Leonard, 1931) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) Summary: "This book retrieves the lost literary treasures that inspired eight popular films. Prompted by the widespread success of these films, Gabriel Miller here re-evaluates the careers of the eight neglected novelists whose works inspired eight different directors - among them Sidney Lumet, Stanley Kubrick, John Huston, and Sidney Pollack. Each chapter offers a detailed interpretation of a particular film, its literary source, and the overall career of the novelist [...] Some of these interesting novels have never been dealt with at all; others have only recently attracted critical attention. The films, too, benefit from extended reassessment. Despite the fact that the movies were successful, moreso than the novels, they have attracted little in the way of useful analysis. Taken together, the double examination of the novel and film raises some important questions about the nature and problems of cinematic adaptation." -- BOOK BLURBNotes: Includes index; Bibliography: p. 199-203; Filmography: p. 196-198; Typo in the table of contents gives 'The Gangster' release date as 1957, it is actually 1947ISBN: 0804426228 : $9.95LON: 79048071; 1682173
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SHOOT : (CN, Harvey Hart, 1976)
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SHOOT AND CRY : (CN, Helene Klodawsky, 1988)
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SHOOT EM' UP : (US, Michael Davis, 2007)
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SHOOT 'EM UP : (US, Michael Davis, 2007)
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SHOOT THE MOON : (US, Alan Parker, 1982)
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SHOOT TO KILL : (US, Roger Spottiswoode, 1988)
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SOMEBODY HAS TO SHOOT THE PICTURE : (US, Frank Pierson, 1990)
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journal article
Steve Railsback interviewed in Studies in Australasian cinema (2010) vol.4 iss.1 p.81-86
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STOP! OR MY MOM WILL SHOOT : (US, Roger Spottiswoode, 1992)
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turkey shoot (at, jon hewitt, 2014)
Talking Turkey : fast cars, guns and exploding heads in The Age [Arts & Entertainment] (10/12/2014) p.33
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THEY SHOOT HORSES, DON'T THEY? : (US, Sydney Pollack, 1969)
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TIREZ SUR LE PIANISTE : (FR, Francois Truffaut, 1960)
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script
Turkey shoot [1981?].
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title clippings file
TURKEY SHOOT : (AT, Brian Trenchard-Smith, 1981)
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TURKEY SHOOT : (AT, Jon Hewitt, 2014)
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still
[Turkey shoot : stills file]
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