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book		American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979. Call No: 409(73) AME Author: O'Connor, John E; Jackson, Martin A Place: New York Publisher: Ungar PubDate: c1979 PhysDes: xxix, 290 p. : ill. ; 22 cm Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLACK CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282 ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95 LON: 1282547 More info
book		Animation : the global history / Maureen Furniss London: Thames & Hudson, 2017. Call No: 772 FUR Author: Furniss, Maureen Edition: 2017 Place: London Publisher: Thames & Hudson PubDate: 2017 PhysDes: 464 pages : illustrated ; 28 cm Subject: ANIMATION; PRE-CINEMA HISTORY; ART AND THE CINEMA; DISNEY, WALT; EXPERIMENTAL FILMS; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; STOP-MOTION TECHNIQUE; JAPAN; MIYAZAKI, HAYAO; UPA; COMIC STRIPS AND THE CINEMA; COMIC STRIP CHARACTERS IN FILMS; COMIC STRIP CHARACTERS ON TV; SVANKMAJER, JAN Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book. Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web site ISBN: 9780500252178 More info
book		The apocalypse in film : dystopias, disasters, and other visions about the end of the world / edited by Karen A. Ritzenhoff, Angela Krewani London: Lanham Rowman & Littlefield, c2016. Call No: 740.1 APO Source: UK Place: London Publisher: Lanham Rowman & Littlefield PubDate: c2016 PhysDes: xxii, 231 pages : illustrations ; 24 cm. Subject: APOCALYPSE IN FILMS; DISASTER FILMS; CIVILISATION (US, Raymond B. West, 1916); [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921); BED SITTING ROOM, THE (UK, Richard Lester, 1969); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) Summary: We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays. As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science. -- taken from publisher's site Notes: Includes bibliographical references and index ISBN: 9781442260276 Donation: donated by Senses of Cinema, 2016 Contents: Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Cle´mentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Kra¨mer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLOITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba. More info
newspaper article		Art in stop-motion in Saturday Age [Spectrum] (20/06/2015) p.22-23 Call No: SUBJECT CLIPPINGS FILE; ANIMATION. AUSTRALIA Author: Wilson, Jake PhysDes: Clippings File Article Subject: ANIMATION. AUSTRALIA; FESTIVALS. MELBOURNE. ANIMATION; STOP-MOTION TECHNIQUE; HUSK (AT, Paul Howell, 2014); STORY OF PERCIVAL PILTS, THE (AT, Janette Goodey/John Lewis, 2015) Summary: In depth interviews with a number of Australian animators whose work will be shown at the upcoming Melbourne International Animation Festival. Interviewees include: Janette Goodey, John Lewis, Paul Howell, Anthony Lawrence More info
book		The assassination of Marilyn Monroe / Donald H. Wolfe London: Little Brown and Company, 1998. Call No: 81MON WOL Author: Wolfe, Donald H. Source: US Place: London Publisher: Little Brown and Company PubDate: 1998 PhysDes: 532 p. : ill. ; 25 cm Subject: TWENTIETH CENTURY-FOX; MONROE, MARILYN; MILLER, ARTHUR; MONTAND, YVES; KENNEDY, JOHN F.; SINATRA, FRANK; ZANUCK, DARRYL F.; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957); BUS STOP (US, Joshua Logan, 1956); LET'S MAKE LOVE (US, George Cukor, 1960); SOME LIKE IT HOT (US, Billy Wilder, 1959) ISBN: 0316640190 More info
journal article		Authorship in Wide Angle (1984) vol.6 iss.1 p.[whole issue] Author: Lehman, Peter PhysDes: Article Subject: AUTEUR THEORY; COME AND GET IT (US, Howard Hawks and William Wyler, 1936); LADY IN THE LAKE (US, Robert Montgomery, 1946); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); VIDEO, FILMS ON; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959) Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer. More info
title clippings file		BUS STOP : (US, Joshua Logan, 1956) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: BUS STOP (US, Joshua Logan, 1956) More info
book		Bus stop: a story based on the 20th. Century-Fox Cinema Scope film starring Marilyn Monroe London, n.d: Call No: N79BUS BUS Place: London, n.d Subject: BUS STOP (US, Joshua Logan, 1956) LON: wln80013027; 1749231 More info
Online resource digital clippings file		BUS STOP FILMS Digital clippings file available Call No: DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: BUS STOP FILMS More info
journal article		Can't stop the music in After Dark (July 1980) p.23-26 PhysDes: Article Subject: CAN'T STOP THE MUSIC (US, Nancy Walker, 1980) More info
newspaper article		The day of the cicadas in The Australian [Review] (05/01/2013) p.18 Call No: TITLE CLIPPINGS FILE; NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012) Author: Matchett, Stephen PhysDes: Clippings File Article Subject: NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012) Summary: Postive review of TV show Next Stop Hollyhwood, suggesting that it is a real-life 'The Day of the Locust' featuring six Australian actors looking to make it big in Hollywood More info
Online resource digital clippings file		[DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB : (UK, Stanley Kubrick, 1964) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings; Article Subject: [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) URL status: URL: 'http://file://Q:/T/DR_STRANGELOVE.zip' Checked: 31/08/2021 12:55:49 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
journal article		Doctor Strangelove in Montage (September 1965) p.18-19 Author: Gillies, Max PhysDes: Article Subject: KUBRICK, STANLEY; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) Summary: Essay discusses the film "Dr Strangelove" according to the notion of satire and the reception of the film. More info
title clippings file		DON'T STOP THE MUSIC [TV] : (AT, 2018) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: DON'T STOP THE MUSIC [TV] (AT, 2018) More info
book		Dr. Strangelove : or how I learned to stop worrying and love the bomb / Peter George Oxford [Oxfordshire] ; New York: Oxford University Press, 1988. Call No: N79DR GEO Author: George, Peter Source: UK/US Place: Oxford [Oxfordshire] ; New York Publisher: Oxford University Press PubDate: 1988 PhysDes: 145 p ; 20 cm Subject: [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ISBN: 0192818406 Donation: donated by the family of Wayne Levy, 2006 More info
book		The dream life : movies, media and the mythology of the sixties / by J. Hoberman New York: New Press, 2005. Call No: 71"196"(73) HOB Author: Hoberman, J. Source: US Place: New York Publisher: New Press PubDate: 2005 PhysDes: 461 p. ; 20 cm Subject: USA; USA. 1960's; POLITICS AND THE CINEMA; POLITICS AND THE CINEMA. USA; CULTURE AND THE CINEMA; CULTURE AND THE CINEMA. USA; HISTORY AND THE CINEMA. USA; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. USA; SPARTACUS (US, Stanley Kubrick, 1960); ALAMO, THE (US, John Wayne, 1960); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); SEVEN DAYS IN MAY (US, John Frankenheimer, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); CHASE, THE (US, Arthur Penn, 1966); EASY RIDER (US, Dennis Hopper, 1969); COOGAN'S BLUFF (US, Don Siegel, 1968); BONNIE AND CLYDE (US, Arthur Penn, 1967); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); PATTON (US, Franklin J. Schaffner, 1970); DIRTY HARRY (US, Don Siegel, 1971); SHAMPOO (US, Hal Ashby, 1975) Summary: "Here is a major new cultural history of the Sixties. J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one. This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate - as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose" (A.O Scott), Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop-culture events. With entertaining reinterpretations of key Hollywood movies such as Bonnie and Clyde, The Wild Bunch, and Shampoo, and meditations on personages ranging from John Wayne and Patty Hearst to Jane Fonda, Ronald Reagan, and Che Guevara. Hoberman reconstructs the hidden poltical history of 1960s cinema and the spectacular formation of America's mass-mediated politics" -- BOOK BLURB Notes: Originally published: 2003 ISBN: 1565849787 Contents: -- acknowledgments -- introduction: "suddenly...It's 1960!" -- I. Making pre-history, A.D. 1960 -- Enter the Hollywood Freedom fighter -- sputnik and the Spector of communist earth control -- when Superman came to the supermarket -- october 1960: Spartacus vs. The Alamo -- the year's best western: the new frontier and The Magnificent Seven -- II. Glamour and anxiety: The Kennedy scenario, 1961-63 -- camelot year one: into the twilight zone -- camelot year two: the president's double lives -- The Manchurian Candidate = the secret agent of history -- camelot down: thinking about the unthinkable -- coups d'etat:four days in November, Seven Days in May -- Dr. Strangelove's Prescription -- III. South by southwest: Lyndon Johnson's trip, 1964-66 -- jet-age bronco busters and twilight westerns -- the cowboy election of 1964 -- Major Dundee - great society abroad -- The Chase -- great society at home -- vietnam: "an oriental western" -- gathering the tribes: diggers, panthers, outlaws -- IV. Born to be wild: Outlaws of America, 1967-69 -- if you are a Bonnie-and-Clyder...: the birth of radical chic -- spring 1968": shooting Easy Rider, going Wild in the Streets -- creating our own reality: The Green Berets and the Battle of Chicago -- the election: calling Coogan's Bluff -- No future: the Children of Bonnie and Clyde -- V. Nixon time: The war at home, 1969-71 -- the end of the sixties -- America's Night of the Living Dead (My Lai, manson, Myra Breckinridge) -- spring 1970: Patton over Cambodia -- generational war in the dream life: hey Joe (where you goin' with that gun in your hand?) -- the last round-up: counterculture psychodrama and hippie westerns, 1971 -- the legal vigilante: Dirty Harry and Tricky Dick -- VI. After the orgy, from blowup to blow out -- flash forward to 1968: Shampoo -- the 1972 campaign: Warren, George, Jane, and The Candidate -- the Nixon Western -- Cine paranoia: conspiracies unmasked, 1973-75 -- freedomland 1981: Ronald Reagan and the Last Sixties Movie -- source notes -- index -- More info
book		The eyes have it : cinema and the reality effect / Murray Pomerance New Jersey: Rutgers University Press, c2013. Call No: 630.3 POM Author: Pomerance, Murray Source: US Place: New Jersey Publisher: Rutgers University Press PubDate: c2013 PhysDes: xii, 268 pages : illustrations ; 23 cm Series: Techniques of the moving image Subject: ART DIRECTION; CINEMATOGRAPHY; COMPUTER GENERATED IMAGERY; MOTION CONTROL; REALISM IN FILMS; SET DECORATING; SET DESIGNING; SPECIAL EFFECTS; HITCHCOCK, ALFRED; KELLY, GENE; Metro-Goldwyn-Mayer; [FORTY] 40 DAYS AND 40 NIGHTS (US, Michael Lehmann, 2002); ANNIE HALL (US, Woody Allen, 1977); ARIZONA DREAM [AMERICAN DREAMERS] (FR/US, Emir Kusturica, 1992); BRIGADOON (US, Vincente Minnelli, 1954); CLOVERFIELD (US, Matt Reeves, 2008); DARK PASSAGE (US, Delmer Daves, 1947); DEFIANCE (US, Edward Zwick, 2008); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); IN HARM'S WAY (US, Otto Preminger, 1965); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); RANDOM HARVEST (US, Mervyn LeRoy, 1942); SIGNS (US, M. Night Shyamalan, 2002); THELMA & LOUISE (US, Ridley Scott, 1991); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, sensory and definitive. Beginning with a penetrating study of five cornfield sequences - including The Wizard of Oz, Arizona Dream, and Signs - Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 200s to show how the viewer's experience of "reality" is put in context, challenged, and wilfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgement in seeing effects with works such as Defiance, Cloverfield, Knowing, and Thelma & Louise. "The Two of Us" considers double placement and doubled experience with films such as The Prestige, Niagara and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting." - BOOK BLURB Notes: Contains illustrations, bibliographic references and index ISBN: 9780813560588 More info
journal article		Feature - Cannes film festival in Encore (May 2000) vol.18 iss.4 p.26-30 Author: Harty, Jason; Prisk, Tracey; Colbert, Mary PhysDes: Festival report; Illustration(s) Subject: FESTIVALS. CANNES; STOP (AT, Anthony Mullins, 2000); MALLBOY (AT, Vince Giarrusso, 2000) Summary: Australian short film, "Stop", will compete in the short film competition. The Australian Film Commission will again market Australian films at Cannes. The Cinema des Antipodes program is outlined. "Mallboy" will screen at Director's Fortnight. More info
book		Featuring film 2 : the sequel / by Peter Cox, Fred Goldsworthy Melbourne: Oxford University Press, 1997. Call No: 512.1 COX Author: Cox, Peter, 1953; Goldsworthy, Fred Source: AT Place: Melbourne Publisher: Oxford University Press PubDate: 1997 PhysDes: viii, 215 p. : ill. ; 26 cm Subject: TEACHING MATERIALS; BABE (AT, Chris Noonan, 1995); BRAVEHEART (US, Mel Gibson, 1995); CASABLANCA (US, Michael Curtiz, 1942); CIRCLE OF FRIENDS (US, Pat O'Connor, 1995); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EDUCATING RITA (UK, Lewis Gilbert, 1983); FORREST GUMP (US, Robert Zemeckis, 1994); FRIED GREEN TOMATOES (US, John Avnet, 1991); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HIGH NOON (US, Fred Zinnemann, 1952); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LITTLE WOMEN (US, Gillian Armstrong, 1994); LORENZO'S OIL (US, George Miller, 1992); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); METROPOLIS (G, Fritz Lang, 1926); MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); NELL (US, Michael Apted, 1994); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); OUTBREAK (US, Wolfgang Petersen, 1995); PIANO, THE (AT, Jane Campion, 1993); PROOF (AT, Jocelyn Moorhouse, 1991); PSYCHO (US, Alfred Hitchcock, 1960); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993); SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994); SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994); SWING KIDS (US, Thomas Carter, 1993); THAT EYE THE SKY (AT, John Ruane, 1994); UNFORGIVEN (US, Clint Eastwood, 1992); WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995) Notes: Includes index ISBN: 0195540190 : $24.95 LON: 12914277 More info
book		Flicks : studying film as text / Dinah Partridge, Peter Hughes Melbourne: Oxford University Press, 1998. Call No: 512.1 PAR Author: Partridge, Dinah; Hughes, Peter, 1949 Edition: 2nd ed Source: AT Place: Melbourne Publisher: Oxford University Press PubDate: 1998 PhysDes: viii, 248 p. : ill., ports. ; 26 cm Subject: TEACHING MATERIALS; PRINCESS BRIDE, THE (US, Rob Reiner, 1987); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BLADE RUNNER (US, Ridley Scott, 1982); CITIZEN KANE (US, Orson Welles, 1941); CHARACTERIZATION IN FILMS; CLUELESS (US, Amy Heckerling, 1995); COOLBAROO CLUB, THE (AT, Roger Scholes, 1996); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EMMA (UK, Douglas McGrath, 1996); FRONTLINE [TV] (AT, 1994- ); GALLIPOLI (AT, Peter Weir, 1981); GENRES; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); HOUSEKEEPING (US, Bill Forsyth, 1987); MITT LIV SOM HUND (SW, Lass Hallestrom, 1985); MURIEL'S WEDDING (AT, P.J. Hogan, 1994); NARRATIVE IN FILMS; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); POLICE ON TV; PROOF (AT, Jocelyn Moorhouse, 1991); REALISM IN FILMS; SCHINDLER'S LIST (US, Steven Spielberg, 1993); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SEINFELD [TV] (US, 1990-98); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAME (AT, Steve Jodrell, 1988); SHINE (AT/UK, Scott Hicks, 1996); SITUATION COMEDY; STAR WARS (US, George Lucas, 1977); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Notes: Bibliography ISBN: 0195506774 : $26.95; 0195506774 (pbk.) LON: 13455821 ID2: 290 More info
newspaper article		Flights of fancy undermine enjoyable tension build-up in The Age [News] (27/02/2014) p.33 Call No: TITLE CLIPPINGS FILE; NON-STOP (UK/FR/US, Jaume Collet-Serra, 2014) Author: Hawker, Philippa PhysDes: Clippings File Article Subject: NON-STOP (UK/FR/US, Jaume Collet-Serra, 2014) Summary: Review Rating: 2.5 out of 5 stars More info
newspaper article		Funny business in Weekend Australian [Review] (21/03/2015) p.23 Call No: TITLE CLIPPINGS FILE; STOP LAUGHING ... THIS IS SERIOUS [TV] Author: Blundell, Graeme PhysDes: Clippings File Article Subject: COMEDY PROGRAMMES. AUSTRALIA; STOP LAUGHING ... THIS IS SERIOUS [TV](AT, Stephen Oliver, 2015) Summary: Review of three part documentary on Australian humor and comedians More info
Old collection book		Hollywood as historian : American film in a cultural context / edited by Peter C. Rollins Lexington, Ky.: University Press of Kentucky, 1983. Call No: 49:930.2 HOL Author: Rollins, Peter C. Source: US Place: Lexington, Ky. Publisher: University Press of Kentucky PubDate: 1983 PhysDes: x, 276 p. : ill. ; 24 cm. Subject: HISTORY AND THE CINEMA. USA; FOX STUDIOS; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CITY LIGHTS (US, Charles Chaplin, 1931); MODERN TIMES (US, Charles Chaplin, 1936); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); GRAPES OF WRATH, THE (US, John Ford, 1940); WILSON (US, Henry King, 1944); NEGRO SOLDIER, THE (US, Frank Capra, 1944); SNAKE PIT (US, Anatole Litvak, 1948); CULTURE AND THE CINEMA. USA; ON THE WATERFRONT (US, Elia Kazan, 1954); WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); ADAPTATiONS. CONRAD, JOSEPH; CHAPLIN, CHARLES; VIETNAM WAR IN FILMS; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); CENSORSHIP. USA; RIVER, THE (US, Lorentz Pare, 1937) Notes: Includes bibliographical references. ISBN: 0813101549 (pbk.) More info
journal article		How to have a good child in Federation News (Sep 1979) vol.101 p.4 PhysDes: Article Subject: HOW TO STOP SMOKING: HOT TO STOP (US, Max Reid, 1977) More info
title clippings file		IF YOU DON'T STOP IT...YOU'LL GO BLIND! : (US, Bob Levy & Keefe Brasselle, 1974) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: IF YOU DON'T STOP IT...YOU'LL GO BLIND! (US, Bob Levy & Keefe Brasselle, 1974) More info
book		"It's only a movie, Ingrid" : encounters on and off screen / Alexander Walker London: Headline Book Publishing, 1989. Call No: 67(04) WAL Author: Walker, Alexander Source: UK Place: London Publisher: Headline Book Publishing PubDate: 1989 PhysDes: viii, [312] p., [16] leaves of plates : ill., ports. ; 18 cm Subject: CRITICISM; FESTIVALS. CANNES; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GODFATHER, THE (US, Francis Ford Coppola, 1972); SHINING, THE (UK, Stanley Kubrick, 1980); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); BOGARDE, DIRK; BURTON, RICHARD; CHAPLIN, CHARLES; COPPOLA, FRANCIS FORD; COOPER, GARY; Crawford, Joan; CRAWFORD, NOEL; DAVIS, BETTE; EVANS, EDITH; Fellini, Federico; FORBES, BRYAN; GARBO, GRETA; GIELGUD, JOHN; GRANT, CARY; GREENE, GRAHAM; HARVEY, LAURENCE; HEPBURN, KATHARINE; HITCHCOCK, ALFRED; HOWARD, TREVOR; HUSTON, JOHN; KAZAN, ELIA; KUBRICK, STANLEY; Lean, David; LEIGH, VIVIEN; LOSEY, JOSEPH; Shakespeare, William; TRACY, SPENCER; TYNAN, KENNETH; VON STERNBERG, JOSEF; WELLES, ORSON; ZINNEMANN, FRED ISBN: 0747230218 Contents: -- "Do you mean to say they pay you to go to the movies?" -- "Name the six best films you've ever seen" -- Charlie's Angel and the Culture Minister's walking stick -- A day in the hard-playing hard-working life of a far from mad old woman -- Cary Grant and the Harry Lime connection -- The soft words of Mr Rattigan - the hard blows of Mr Russell --- Even Hollywood princesses don't always live happy ever after -- No need to bribe a film festival jury; it can do that for itself -- What made Marlon Brando stop running and find peace at last -- The girl who blew in with the Boston winds -- Peter O'Toole meets himself, two feet tall and blue-eyed, coming back from a trip abroad -- Random thoughts on the Englishness (or otherwise) of English film actors -- Inexactly expressed sentiments about the most private person I know -- "Why this one and not that one, why one event and not the other?" More info
book		Jonathan Demme : interviews / edited by Robert E. Kapsis Jackson, Miss.: University Press of Mississippi, c2009. Call No: 81DEMME JON Source: US Place: Jackson, Miss. Publisher: University Press of Mississippi PubDate: c2009 PhysDes: l, 183 p. : port. ; 24 cm Series: Conversations with filmmakers series Subject: DEMME, JONATHAN; CORMAN, ROGER; AGRONOMIST, THE (US, Jonathan Demme, 2003); BELOVED (US, Jonathan Demme, 1998); CITIZEN'S BAND (US, Jonathan Demme, 1977); HANDLE WITH CARE (US, Jonathan Demme, 1977); MARRIED TO THE MOB (US, Jonathan Demme, 1988); MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004); PHILADELPHIA (US, Jonathan Demme, 1993); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SOMETHING WILD (US, Jonathan Demme, 1986); STOP MAKING SENSE (US, Jonathan Demme, 1984); SWING SHIFT (US, Jonathan Demme, 1984); NEIL YOUNG: HEART OF GOLD (US, Jonathan Demme, 2006) ISBN: 9781604731187 Donation: donated by Senses of Cinema, 2013 Contents: Demme's Monde: A B-Movie Maker Makes the Grade / TOM ALLEN -- Demme Monde / CARLOS CLARENS -- Director Continues Small-Town Romance / JOANNA CONNORS -- Jonathan Demme: On the Line / MICHAEL SRAGOW -- Start Making Sense: An Interview with Jonathan Demme / MICHAEL DARE -- Could This Also Be the Start of Something Big? / HARRY HAUN -- Something Wilder / J. HOBERMAN -- Kael and Demme: Meeting of Two American Film Heavies / ROB NELSON -- Interview with Jonathan Demrne / MICHAEL HENRY AND HUBERT NIOGRET -- Identity Check / GAVIN SMITH -- Demme's Monde / AMY TAUBIN -- Still Burning -- Demme's Philadelphia Story / ANN KOLSON -- The Rolling Stone Interview: Jonathan Demme / ANTHONY DECURTIS -- The Guardian/ NFT Interview: Jonathan Demme / ADRIAN WOOTTON -- Breaking the Rules for Beloved / ERIC HARRISON -- A Conversation with Director Jonathan Demme / CHARLIE ROSE -- Young Director Tells a Veteran How He Did It / ROB SCHMIDT AND JONATHAN DEMME -- The Onion A.V. Club Interview: Jonathan Demme / SCOTT TOBIAS -- An Interview with Jonathan Demme / THEAGRONOMIST.COM -- Film-makers on Film: Jonathan Demme on Jared Hess's Napoleon Dynamite / SHEILA JOHNSTON -- Mind Control / DAVID THOMPSON -- Interview: Singer Neil Young and Director Jonathan Demme / TERRY GROSS More info
book		Karel Reisz / Colin Gardner Manchester, UK: Manchester University Press, 2006. Call No: 81REI GAR Author: Gardner, Colin Source: UK Place: Manchester, UK Publisher: Manchester University Press PubDate: 2006 PhysDes: x, 310 p. : ill. ; 23 cm Series: British film makers Subject: CRITICISM; REISZ, KAREL; SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960); NIGHT MUST FALL (UK, Karel Reisz, 1964); SWEET DREAMS (US, Karel Reisz, 1985); GAMBLER, THE (US, Karel Reisz, 1974); WHO'LL STOP THE RAIN? (US, Karel Reisz, 1978); FRENCH LIEUTENANT'S WOMAN, THE (UK, Karel Reisz, 1981); EVERYBODY WINS (UK/US, Karel Reisz, 1990) Notes: Includes bibliography (p. [279]-293) and index.; Includes filmography ISBN: 0719075483 Donation: Donated by Senses Of Cinema, 2009 Contents: 1 Introduction : Karel Reisz, 'the last great man in England' -- 2 Reisz the critic -- 3 Free cinema and the new left : Momma don't allow (1956), We are the Lambeth boys (1959) and March to Aldermaston (1959) -- 4 Kitchen sink realism and the birth of the British New Wave : Saturday night and Sunday morning (1960) -- 5 Keeping up with the Truffauts : Night must fall (1964) -- 6 Gorilla war : Morgan : a suitable case for treatment (1966) -- 7 Life into art - Reisz and the biopic : Isadora (1968) and Sweet dreams (1985) -- 8 Reisz in Hollywood : deconstructing existentialism and the counterculture in The gambler (1974) and Dog soldiers/Who'll stop the rain (1978) -- 9 A sentimental education : The French lieutenant's woman (1981) -- 10 Theatre of the absurd : Arthur Miller's Everybody wins (1990) and Samuel Beckett's Act without words I (2000) -- 11 Conclusion. More info
book		Landmark films : the cinema and our century / [by] William Wolf with Lillian Kramer Wolf London: Paddington Press, 1979. Call No: REFERENCE SECTION; 02 WOL Author: Wolf, William; Wolf, Lillian Kramer Place: London Publisher: Paddington Press PubDate: 1979 PhysDes: 429 p. : ill. ; 25 cm Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) Notes: incl. index ISBN: 0709208758 LON: vtb00270168; 10429365 More info
title clippings file		MAN WHO CAN'T STOP, THE : (AT/CN, Michael Rubbo, 1973) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: MAN WHO CAN'T STOP, THE (AT/CN, Michael Rubbo, 1973) More info
book		Marilyn Monroe / Maurice Zolotow London: Allen, 1961. Call No: 81MON ZOL Author: Zolotow, Maurice Source: UK Place: London Publisher: Allen PubDate: 1961 PhysDes: 333 p. : ill. ; 23 cm Subject: MONROE, MARILYN; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957); SOME LIKE IT HOT (US, Billy Wilder, 1959); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); BUS STOP (US, Joshua Logan, 1956); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MONKEY BUSINESS (US, Howard Hawks, 1952); GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953); NIAGARA (US, Henry Hathaway, 1952); RIVER OF NO RETURN (AT, Darlene Johnson, 2008); HOW TO MARRY A MILLIONAIRE (US, Jean Negulesco, 1953) Summary: Maurice Zolotow as the result of six years research, a large amount of correspondence and many interviews was able to build a history of Marilyn Monroe, beginning with her childhood, and experiences of orphanages, foster homes, abuse and psychosomatic illnesses, and finishing with her life as an accomplished actress, and he manages to show a connection between these two parts of Marilyn Monroe's life. LON: nla08225307; 9360140 More info
book		Marilyn's men : the private life of Marilyn Monroe / Jane Ellen Wayne London: Warner Books, 1993, c1992. Call No: 81MON WAY Author: Wayne, Jane Ellen Source: UK Place: London Publisher: Warner Books PubDate: 1993, c1992 PhysDes: 241 p. ; 21 cm Subject: TWENTIETH CENTURY-FOX; MONROE, MARILYN; GABLE, CLARK; HUGHES, HOWARD; HUSTON, JOHN; LAWFORD, PETER; MILLER, ARTHUR; MONTAND, YVES; SCHENCK, JOSEPH M.; SIGNORET, SIMONE; SINATRA, FRANK; STRASBERG, LEE; ZANUCK, DARRYL F.; BUS STOP (US, Joshua Logan, 1956); MISFITS, THE (US, John Huston, 1961) ISBN: 0751501131 Donation: donated by the family of Wayne Levy, 2006; donated by the family of Wayne Levy, 2006 More info
book		Movie magic : the story of special effects in cinema / John Brosnan London: Abacus, 1977. Call No: 236 BRO Author: Brosnan, John Source: UK Place: London Publisher: Abacus PubDate: 1977 PhysDes: 207 p. : ill. ; 20 cm Subject: SPECIAL EFFECTS; HORROR FILMS; SCIENCE-FICTION FILMS; FANTASTIC FILMS; DISASTER FILMS; MODEL WORK; MONSTERS IN FILMS; WAR FILMS; ANIMATION; MONSTER DESIGN; MINIATURE WORK; OPTICAL EFFECTS; MATTES; FRONT PROJECTION; CINEMATOGRAPHY; HIGH-SPEED CINEMATOGRAPHY; MAKE-UP; SPLIT SCREEN; STOP-MOTION TECHNIQUE; STUNTS; CAMERAS; TRAVELLING MATTE; EXPLOSIONS IN FILMS; HARRYHAUSEN, RAY; PAL, GEORGE; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); POSEIDON ADVENTURE, THE (US, Ronald Neame, 1972) Notes: first published in Great Britain by Macdonald and Jane's 1974; Includes: Appendix with Academy Awards winners and nominees for Engineering Effects/Special Effects from 1927-8 to 1975-6; References; Bibliography; Index of Names; Index of Film Titles; Index of Subjects and Techniques ISBN: 0349103682 Donation: donated by the family of Wayne Levy, 2006 More info
newspaper article		[MOVIES] : Non-stop in Sunday Herald Sun [News] (02/03/2014) p.91 Call No: TITLE CLIPPINGS FILE; NON-STOP (UK/FR/US, Jaume Collet-Serra, 2014) Author: Dent, Nick PhysDes: Clippings File Article Subject: NON-STOP (UK/FR/US, Jaume Collet-Serra, 2014) Summary: Review Rating: 2.5 out of 5 stars More info
title clippings file		NEXT STOP, GREENWICH VILLAGE : (US, Paul Mazursky, 1976) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: NEXT STOP, GREENWICH VILLAGE (US, Paul Mazursky, 1976) More info
title clippings file		NEXT STOP HOLLYWOOD [TV] : (AT, Gary Doust, 2012) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: NEXT STOP HOLLYWOOD [TV] (AT, Gary Doust, 2012) More info
title clippings file		NEXT STOP WONDERLAND : (US, Brad Anderson, 1998) Call No: TITLE CLIPPINGS FILE PhysDes: Press kit; Clippings Subject: NEXT STOP WONDERLAND (US, Brad Anderson, 1998) More info
title clippings file		NON-STOP : (UK/FR/US, Jaume Collet-Serra, 2014) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: NON-STOP (UK/FR/US, Jaume Collet-Serra, 2014) More info
book		Nuclear war films / Edited by Jack G. Shaheen Carbondale: Southern Illinois University Press, 1978. Call No: 737.34 SHA Author: Shaheen, Jack G. (editor) Place: Carbondale Publisher: Southern Illinois University Press PubDate: 1978 PhysDes: 21 cm ; xx, 194 pages Subject: NUCLEAR ISSUES IN FILMS; WAR AND THE CINEMA; BEGINNING OR THE END, THE (US, Norman Taurog, 1947); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnais, 1959); ON THE BEACH (US, Stanley Kramer, 1959); LADYBUG, LADYBUG (US, Frank Perry, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); FAIL SAFE (US, Sidney Lumet, 1964); BEDFORD INCIDENT, THE (UK/US, James B. Harris, 1965); WAR GAME, THE (UK, Peter Watkins, 1966) ISBN: 0809308797 AFIRC Location: Stacks More info
book		Projecting Australia : government film since 1945 / Albert Moran Sydney: Currency Press, 1991. Call No: 210.4(94) MOR Author: Moran, Albert, 1942 Place: Sydney Publisher: Currency Press PubDate: 1991 PhysDes: xii, 192 p., [16] p. of plates : ill., ports. ; 21 cm Subject: AUSTRALIA; DOCUMENTARIES. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; HEYER, JOHN; HAWES, STANLEY; AUSTRALIAN NATIONAL FILM BOARD; FILM AUSTRALIA; AUSTRALIAN FILM COMMISSION; ANNIE'S COMING OUT (AT, Gil Brealey, 1984); MAN WHO CAN'T STOP, THE (AT, Michael Rubbo, 1973); FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964) Notes: Includes indexes; Bibliography: p. 157-165 ISBN: 0868192929 : $25.00 LON: abn91225572; 8179305 More info
book		Renaissance of the film / Edited and with an introd. and headnotes by Julius Bellone [New York]: Collier Books, [1970]. Call No: 67(04) REN Author: Bellone, Julius, comp Place: [New York] Publisher: Collier Books PubDate: [1970] PhysDes: xi, 366 p. illus. 21 cm Subject: Ray, Satyajit; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); BONNIE AND CLYDE (US, Arthur Penn, 1967); CITIZEN KANE (US, Orson Welles, 1941); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); GERTRUD (DK, Carl Th. Dreyer, 1964); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); LOLA (FR/IT, Jacques Demy, 1961); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); ORDET (DK, Carl Th. Dreyer, 1955); RASHOMON (JA, Akira Kurosawa, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); STRADA, LA (IT, Federico Fellini, 1954); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); UMBERTO D. (IT, Vittorio De Sica, 1952); JUNGFRAUENMASCHINE, DIE (GW, Monika Treut, 1989); VIRIDIANA (SP/MX, Luis Bunuel, 1961); TYSTNADEN (SW, Ingmar Bergman, 1963); SERVANT, THE (UK, Joseph Losey, 1963); THIS SPORTING LIFE (UK, Lindsay Anderson, 1963); KUMONOSU-JO (JA, Akira Kurosawa, 1957); THRONE OF BLOOD (JA, Akira Kurosawa, 1957); TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960); FROKEN JULIE (SW, Alf Sjoberg, 1950); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MARNIE (US, Alfred Hitchcock, 1964); AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964) Notes: Bibliography: p. [349]-353 LON: 102599 More info
book		The saga of special effects / Ron Fry and Pamela Fourzon London: Robert Hale & Company, 1978. Call No: 236 FRY Author: Fry, Ron; Fourzon, Pamela Source: UK Place: London Publisher: Robert Hale & Company PubDate: 1978 PhysDes: 212 p. ; 29 cm Subject: ANIMATION; Metro-Goldwyn-Mayer; MINIATURE WORK; MODEL WORK; MONSTERS IN FILMS; ROBOTS IN FILMS; SCIENCE-FICTION FILMS; SPECIAL EFFECTS; SPECIAL EFFECTS DESIGNERS; STOP-MOTION TECHNIQUE; STORMS IN FILMS; WORLD WAR II AND THE CINEMA; COOPER, MERIAN C.; FULTON, JOHN P.; DEMILLE, CECIL B.; DISNEY, WALT; DUNN, LINWOOD; GILLESPIE, A. ARNOLD; O'BRIEN, WILLIS; PAL, GEORGE; EARTHQUAKE (US, Mark Robson, 1974); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); [TWENTY THOUSAND] 20,000 LEAGUES UNDER THE SEA (US, Richard Fleischer, 1954) ISBN: 0709170738 Contents: 1. A definition of "special effects" -- 2. The birth of an industry: Edison, Melies, Urban, Paul, and Porter -- 3. Epics without soundtracks: Griffith, Sennett, Keaton, and Lang -- 4. The entertainment decade: Warner's sound, Dunn's optical printer, and O'Brien's King Kong -- 5. Re-creating a world at war: Gillespie, Jennings, Edouart, Hitchcock, and Disney -- 6. The creature-ridden fifties: Pal, Corman, Howard, Japan's Toho studios, Harryhausen and De Mille -- 7. The spectacular sixties, from The time machine to 2001: Vogel, Cruickshank, Danforth, Lee, and Knoth -- 8. The "disastrous" seventies: Allen, Trumbull, Abbott, Mattey, Robinson, Whitlock, and Von Buelow -- Epilogue: De Laurentis' King Kong - the present (and future) of special effects More info
title clippings file		STOP : (AT, Anthony Mullins, 2000) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: STOP (AT, Anthony Mullins, 2000) More info
title clippings file		STOP LAUGHING ... THIS IS SERIOUS [TV] : (AT, Stephen Oliver, 2015) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: STOP LAUGHING ... THIS IS SERIOUS [TV](AT, Stephen Oliver, 2015) More info
title clippings file		STOP-LOSS : (US, Kimberly Peirce, 2008) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: STOP-LOSS (US, Kimberly Peirce, 2008) More info
title clippings file		STOP MAKING SENSE : (US, Jonathan Demme, 1984) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: STOP MAKING SENSE (US, Jonathan Demme, 1984) More info
journal article		'Stop' starts ball rolling for short in Encore (May 2000) vol.18 iss.4 p.26 Author: Harty, Jason PhysDes: Article; Illustration(s) Subject: STOP (AT, Anthony Mullins, 2000); FESTIVALS. CANNES Summary: "Stop" has been chosen to compete in the short film competition at the 2000 Cannes Film Festival. More info
title clippings file		STOP THE HORROR : (AT, Justin Kurzel, 2017) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: STOP THE HORROR (AT, Justin Kurzel, 2017) More info
title clippings file		WHO'LL STOP THE RAIN? : (US, Karel Reisz, 1978) Call No: TITLE CLIPPINGS FILE PhysDes: Stills; Clippings Subject: WHO'LL STOP THE RAIN? (US, Karel Reisz, 1978) More info
title clippings file		WOMAN AT THE BUS STOP : (II, Mani Kaul, 1969) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: WOMAN AT THE BUS STOP (II, Mani Kaul, 1969) More info
title clippings file		YOU CAN'T STOP THE MURDERS : (AT, Anthony Mir, 2002) Call No: TITLE CLIPPINGS FILE PhysDes: Press kit; Clippings Subject: YOU CAN'T STOP THE MURDERS (AT, Anthony Mir, 2002) More info

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