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The Cambridge companion to Shakespeare on film / edited by Russell Jackson Cambridge, UK New York: Cambridge University Press, 2000.
Call No: 753SHA CAMAuthor: Jackson, Russell, 1949 Source: UKPlace: Cambridge, UK New YorkPublisher: Cambridge University PressPubDate: 2000PhysDes: xiv, 342 p. ; 24 cmSeries: Cambridge companions to literatureSubject: ADAPTATIONS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; BRANAGH, KENNETH ; OLIVIER, LAURENCE ; WELLES, ORSON ; ZEFFIRELLI, FRANCO ; CHIMES AT MIDNIGHT (SP/SZ, Orson Welles, 1966) ; CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966) ; HENRY V (UK, Kenneth Branagh, 1989) ; HENRY V (UK, Laurence Olivier, 1944) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967) ; RICHARD III (US, James Keane, 1912) ; RICHARD III (US, Richard Loncraine, 1995) ; RICHARD III (UK, Laurence Olivier, 1955) ; HAMLET (UK, Laurence Olivier, 1948) ; HAMLET (UK/US, Kenneth Branagh, 1996) ; HAMLET (US, Franco Zeffirelli, 1990) ; MACBETH (US, Orson Welles, 1948) ; MACBETH (UK, Roman Polanski, 1971) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; THRONE OF BLOOD (JA, Akira Kurosawa, 1957) ; KING LEAR (UK, Peter Brook, 1953) ; RAN (JA/FR, Akira Kurosawa, 1985) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Leading scholars discuss Shakespearean films from a variety of perspectives - as works of art in their own right, as products of the international movie industry, in relation to cinematic and theatrical genres, and as the work of particular directors from Lawrence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. A guide to further reading and a useful filmography are included." - BOOK BLURBNotes: Filmography: p. 318-324; Includes bibliographical references and index; FilmographyISBN: 0521630231; 0521639751 (pbk.)LON: 21340333Contents: Introduction: Shakespeare, films and the marketplace / Russell Jackson --; Part 1: adaptation and its contexts -- From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michele Willems -- Critical junctures in Shakespeare screen history: the case of Richard III / Harry Keyishian --; Part 2: genres and plays -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history: three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film -- Patricia Tatspaugh --; Part 3: directors -- The Shakespeare films of Lawrence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist: Kenneth Branagh / Samuel Crowl --; Part 4: critical issues -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist: filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard
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KUMONOSU-JO : (JA, Akira Kurosawa, 1957)
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Renaissance of the film / Edited and with an introd. and headnotes by Julius Bellone [New York]: Collier Books, [1970].
Call No: 67(04) RENAuthor: Bellone, Julius, comp Place: [New York]Publisher: Collier BooksPubDate: [1970]PhysDes: xi, 366 p. illus. 21 cmSubject: Ray, Satyajit ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CITIZEN KANE (US, Orson Welles, 1941) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; FARREBIQUE (FR, Georges Rouquier, 1945) ; GERTRUD (DK, Carl Th. Dreyer, 1964) ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; LOLA (FR/IT, Jacques Demy, 1961) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; ORDET (DK, Carl Th. Dreyer, 1955) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; STRADA, LA (IT, Federico Fellini, 1954) ; UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; JUNGFRAUENMASCHINE, DIE (GW, Monika Treut, 1989) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; TYSTNADEN (SW, Ingmar Bergman, 1963) ; SERVANT, THE (UK, Joseph Losey, 1963) ; THIS SPORTING LIFE (UK, Lindsay Anderson, 1963) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; THRONE OF BLOOD (JA, Akira Kurosawa, 1957) ; TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960) ; FROKEN JULIE (SW, Alf Sjoberg, 1950) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MARNIE (US, Alfred Hitchcock, 1964) ; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966) ; SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964) Notes: Bibliography: p. [349]-353LON: 102599
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Throne of blood / Robert N. Watson London: Palgrave Macmillan, 2014.
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