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Call No: PERSONALITY CLIPPINGS; STALLONE, SYLVESTER
Author: Byrnes, Paul
PhysDes: Clippings File Article
Subject: STALLONE, SYLVESTER
Summary: The author acknowledges the impact Sylvester Stallone has had on the Hollywood movie industry; the way action movies are now made, speed of editing and use of music. Byrnes also highlights his strength as an actor and his role as the underdog in all of his films.

Call No: 408 COA
Author: Coates, Paul, 1953
Place: Cambridge [England] New York
Publisher: Cambridge University Press
PubDate: 1994
PhysDes: xvii, 201 p. ; 24 cm
Series: Cambridge studies in film
Subject: POPULAR CULTURE AND THE CINEMA; SCIENCE-FICTION FILMS; MELODRAMA; WESTERNS; FILM NOIR; RACIAL STEREOTYPES IN FILMS; STARS; GENRES; HORROR FILMS; VOICE OVER; MUSIC TELEVISION; SIRK, DOUGLAS; MARKER, CHRIS; TARKOVSKY, ANDREI; KIESLOWSKI, KRZYSZTOF; FRANJU, GEORGES; STALLONE, SYLVESTER; VALENTINO, RUDOLPH; LANG, FRITZ; LEE, SPIKE; MADONNA; MONROE, MARILYN; POTTER, DENNIS; BEDROOM WINDOW, THE (US, Curtis Hanson, 1986); FLY, THE (US, David Cronenberg, 1986); JETEE, LA (FR, Chris Marker, 1963); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (GW, Wim Wenders, 1989); OUT OF THE PAST (US, Jacques Tourneur, 1947); ROCKY IV (US, Sylvester Stallone, 1985); OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986); SEARCHERS, THE (US, John Ford, 1956); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); SOLARIS (UR, Andrei Tarkovsky, 1972); WESELE (PL, Andrzej Wajda, 1972); DAY OF THE LOCUST, THE (US, John Schlesinger, 1975); REAR WINDOW (US, Alfred Hitchcock, 1954)
Notes: Includes bibliographical references (p. 182-194) and index
ISBN: 0521444721 (hardback)
LON: 10419843

Call No: 802 PRO v.10
Author: Figgis, Michael
Place: London
Publisher: Faber
PubDate: 1999
PhysDes: 304 p. : ill., ports. ; 22 cm
Subject: FIGGIS, MIKE; SHUE, ELISABETH; CALLEY, JOHN; MAZURSKY, PAUL; ANDERSON, PAUL THOMAS; FOSTER, JODIE; Gibson, Mel; ARQUETTE, ROSANNA; SHEEDY, ALLY; STALLONE, SYLVESTER; BRUCKHEIMER, JERRY; SCOTT, TONY; ROURKE, MICKEY; HAYEK, SALMA; MING-NA, WEN; KINSKI, NASTASSJA; SHIELDS, BROOKE; DOWNEY, ROBERT, Jr.; KAYE, TONY; RAFELSON, BOB; DELPY, JULIE; TURAN, KENNETH; BENEIX, JEAN-JACQUES; NEWMAN, ROBERT; YORN, JULIE; BERKELEY, XANDER; LOWE, ELIZABETH; GRAHAM, AMY
ISBN: 0571193579(pbk.) : ª12.99
LON: 20092428

Call No: 45:179 SCR
Author: French, Karl
Place: London
Publisher: Bloomsbury
PubDate: 1996
PhysDes: vi, 250 p. ; 21 cm
Subject: VIOLENCE IN FILMS; VIOLENCE ON TV; SERIAL KILLERS IN FILMS; CENSORSHIP; DELINQUENTS IN FILMS; CHILDREN, EFFECTS OF FILM ON; WATERS, JOHN (US); MCCALLION, JAMES; STONE, OLIVER; EASTWOOD, CLINT; GRISHAM, JOHN; AMIS, MARTIN; SCHWARZENEGGER, ARNOLD; STALLONE, SYLVESTER; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); CHILD'S PLAY [...] (US, 1988-1991)
ISBN: 0747525498
LON: abn96397172; 12886978

Call No: 451-01 SCR
Author: Cohan, Steven; Hark, Ina Rae
Place: London New York
Publisher: Routledge
PubDate: 1993
PhysDes: x, 272 p. : ill. ; 25 cm
Subject: MEN IN FILMS; MASCULINITY IN FILMS; MUSICALS; ACTION FILMS; HORROR FILMS; VALENTINO, RUDOLPH; STALLONE, SYLVESTER; WHITE HEAT (US, Raoul Walsh, 1949); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); SPARTACUS (US, Stanley Kubrick, 1960)
Summary: "Screening the Male challenges the traditional understanding of the male's position in Hollywood cinema. Gathering together thirteen original essays by scholars in the US, UK, and Australia, as well as Steve Neale's ground-breaking article on the male spectacle, this collection looks beyong the seemingly unassailable monolithic understanding of the 'masculine' which has previously dominiated most film criticism. Ranging from Valentino to Schwarzeneeger, from the musical to the horror film. from close readings to 'queer' readings, the essays all differ in their critical method and historical focus. But whatever their specific interest, each essay holds a strong concern with issues that film studies has repeatedly linked to the feminine without considering how they relate as well to the masculine: spectacle, masochism, passivity, masquerade and, most of all, the body as it signifies gendered, racial, class and generational differences." -- BOOK COVER
Notes: Includes bibliographical references and indexes
ISBN: 0415077583; 0415077591 (pbk.)
LON: 92005815; 8965703

Call No: 81STA ROV
Author: Rovin, Jeff
Source: UK
Place: Sevenoaks
Publisher: New English Library
PubDate: 1987
PhysDes: 254 p., [8] p. of plates : ports. ; 18cm
Subject: STALLONE, SYLVESTER; ROCKY BALBOA; FIRST BLOOD (US, Ted Kotcheff, 1982); RAMBO III (US, Peter MacDonald, 1988); BEVERLY HILLS COP (US, Martin Brest, 1984)
ISBN: 0450409384
Donation: donated by the family of Wayne Levy, 2006

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: STALLONE, SYLVESTER

Call No: 465.1 STA
Author: Henry, Charlotte; Ndalianis, Angela
Source: UK
Place: London
Publisher: Praeger Publishers
PubDate: 2002
PhysDes: xviii, 185p. : illus. : 24cm.
Subject: ACTORS; ANIMATION; CELEBRITIES IN FILMS; COMPUTER GAMES; DE NIRO, ROBERT; HOPPER, DENNIS; Peckinpah, Sam; PRINCESS OF WALES, DIANA; REEVES, KEANU; SCHWARZENEGGER, ARNOLD; STALLONE, SYLVESTER; ROCKY (US, John G. Avildsen, 1976)
Notes: Includes bibliographic references and index.
ISBN: 0275974804

Call No: 210.31(73) BAR
Author: Bart, Peter
Edition: 1st ed
Source: US
Place: Los Angeles, CA
Publisher: Renaissance Books
PubDate: c1999
PhysDes: 399 p. ; 24 cm
Subject: HOLLYWOOD; INDUSTRY, FILM. USA; DIRECTORS. USA; PRODUCERS. USA; SCRIPTWRITERS. USA; ACTORS; BASS, RON; BEATTY, WARREN; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; EISNER, MICHAEL; Gibson, Mel; GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); KATZENBERG, JEFFREY; NICHOLS, MIKE; NICHOLSON, JACK; OVITZ, MIKE; POLANSKI, ROMAN; REDFORD, ROBERT; RIFKIN, ARNOLD; SCHWARZENEGGER, ARNOLD; SPIELBERG, STEVEN; STALLONE, SYLVESTER; WILDER, BILLY
Summary: "Who killed hollywood? is a passionate love/hate letter to the film industry. In it, Peter Bart pulls together his best columns from Variety and GQ. He groups them, juxtaposes them, and interprets them, outlining in detail the history and inner workings of Hollywood. This could only be done by someone powerful enough to phone any star or head of studio and have his calls taken on the first ring. In story after story, Bart shows how the major studios haver diverted thie energies away from production of the shrewdly crafted pictures that once made the industry powerful. There isn't, for example, much range or innovation in the movies of salable objects- natural disasters, aliens, dinosaurs, ghosts, monsters, or any combination thereof. All are subjects easily parlayed into theme-park environments, action figures, video games, and clothing lines. Similarly, since Jaws twenty years ago, there's been a very short list of acceptable settings. The 1998 Academy Award nominations for best picture all went to films set in Elizabethian times or during World War II. A few years ago it looked as though Pulp Fiction and other independent films were going to save showbiz. Now independent producers like Miramax and New Line have been acquired by the conglomerates. Who and what will resurrect Hollywood? Peter Bart has the answers." - BOOK JACKET
Notes: Includes index
ISBN: 1580631169
LON: 21362029