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Female spectators : looking at film and television / edited by E. Deidre Pribram London New York: Verso, 1988.
Call No: 632.53 FEMAuthor: Pribram, E. Deidre Place: London New YorkPublisher: VersoPubDate: 1988PhysDes: vii, 199 p., [12] p. of plates : ill. ; 24 cmSeries: Questions for feminismSubject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; SPECTATORSHIP ; PSYCHOANALYSIS AND THE CINEMA ; MUSIC TELEVISION ; DIRECTORS ; WOMEN ON TV ; FEMINISM AND TV ; BODY ON TV ; MILDRED PIERCE (US, Michael Curtis, 1945) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; COLOR PURPLE, THE (US, Steven Spielberg, 1985) Notes: Bibliography: p. 196-197ISBN: 0860912043; 0860919226 (pbk.)LON: 5927013
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Living screens : melodrama and plasticity in contemporary film and television / Monique Rooney London -- Lanham, Maryland: Rowman & Littlefield International Ltd, 2015.
Call No: 733 ROOAuthor: Rooney, Monique Source: UKPlace: London -- Lanham, MarylandPublisher: Rowman & Littlefield International LtdPubDate: 2015PhysDes: x, 197 pages : illustrations ; 23 cmSeries: DisruptionsSubject: MELODRAMA ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGY AND TV ; WEINER, MATTHEW ; HAYNES, TODD ; VON TRIER, LARS ; MAD MEN [TV] (US, 2007) ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; MILDRED PIERCE [TV](US, 2011) Summary: Through original analysis of three contemporary, auteur-directed melodramas (Matthew Weiner s Mad Men, Lars von Trier s Melancholia and Todd Haynes s Mildred Pierce), Living Screens reconceives and renovates the terms in which melodrama has been understood. Returning to Jean-Jacques Rousseau s foundational, Enlightenment-era melodrama Pygmalion with its revival of an old story about sculpted objects that spring to life, it contends that this early production prefigures the structure of contemporary melodramas and serves as a model for the way we interact with media today. Melodrama is conceptualized as a plastic form with the capacity to mould and be moulded and that speaks to fundamental processes of mediationNotes: Includes bibliographical references (pages 171-188), filmography (pages 188-189), and indexISBN: 9781783480470Contents: Introduction -- Mad Men: melodrama and metamorphosis -- Turned back: advertising, televisual melodrama and metamorphosis in Mad Men -- Earth-object: melodrama and plasticity in Lars Von Trier's Melancholia -- Melodrama and plasticity in Todd Haynes's Mildred Pierce -- Postlude: Animated statue, melody, encore (moi!)
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MILDRED PIERCE : (US, Michael Curtiz, 1945) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; ArticleSubject: MILDRED PIERCE (US, Michael Curtiz, 1945) URL status: URL: 'http://file://Q:/T/MILDRED_PIERCE.zip'
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Movies and Methods : an anthology volume II / edited by Bill Nichols Berkeley: University of California Press, c1985.
Call No: 62(082) MOV v.2Author: Nichols, Bill (ed.) Source: US/UKPlace: BerkeleyPublisher: University of California PressPubDate: c1985PhysDes: xii, 753 p. : ill. ; 24 cmSubject: CRITICISM ; GENRES ; FEMINISM AND THE CINEMA ; STRUCTURALISM ; SEMIOLOGY ; PSYCHOANALYSIS AND THE CINEMA ; SADISM / MASOCHISM IN FILMS ; PHILOSOPHY AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; AVANT-GARDE FILMS ; NARRATIVE IN FILMS ; IDEOLOGY AND THE CINEMA ; HORROR FILMS ; CINEMA VERITE ; BAZIN, ANDRE ; WALSH, RAOUL ; GODARD, JEAN-LUC ; DAUGHTER RITE (US, Michelle Citron, 1979) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE/FR, Chantal Akerman, 1975) ; SEARCHERS, THE (US, John Ford, 1956) ; MILDRED PIERCE (US, Michael Curtiz, 1945) ; STAGECOACH (US, John Ford, 1939) Summary: "The original Movies and Methods volume (1976) captured the dynamic evolution of film theory and criticism into an important new discipline, incorporating methods from structuralism, semiotics, and feminist thought. Now there is again ferment in the field. Movies and Methods, Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights." -- BOOK BLURBNotes: This is volume IIISBN: 0520054091Contents: -- historical criticism -- genre criticism -- feminist criticism -- structuralist semiotics -- psychoanalytic semiotics -- countercurrents --
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Screening the past : memory and nostalgia in cinema / Pam Cook London ; New York: Routledge, 2005.
Call No: 409.1 COOAuthor: Cook, Pam Source: UKPlace: London ; New YorkPublisher: RoutledgePubDate: 2005PhysDes: xiii, 246 p. : ill. ; 24 cmSubject: HISTORY AND THE CINEMA ; NOSTALGIA IN FILMS ; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES ; GENDER AND THE CINEMA ; MEN IN FILMS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; SEXUALITY AND THE CINEMA ; TYPE CHARACTERS IN FILMS ; MELODRAMA ; WESTERNS ; SCORSESE, MARTIN ; BIGELOW, KATHRYN ; HAYNES, TODD ; WONG KAR WAI ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; MILDRED PIERCE (US, Michael Curtiz, 1945) ; RAGING BULL (US, Martin Scorsese, 1980) ; MANDY (UK, Alexander Mackendrick, 1952) ; DANCE WITH A STRANGER (UK, Mike Newell, 1985) Summary: Exploring film culture's obsession with the past through analyses of a wide range of films, from Mildred Pierce and Brief Encounter to Raging Bull and Dance With a Stranger. Examines current debates about the role of cinema in mediating history through memory and nostalgia through a discussion of In the Mood for Love and Far From Heaven, with the suggestion that many films use strategies of memory to challenge established ideas of history, and the traditional role of historians."--BOOK JACKETNotes: Includes bibliographical references and index (pp. 241-46)ISBN: 0415183758 (pbk. : alk. paper)Contents: Introduction: the past today -- Rethinking nostalgia: In the mood for love and Far from heaven -- Duplicity in Mildred Pierce -- Women and the Western -- The pleasures and perils of exploitation films -- Melodrama and the women's picture -- Mandy: daughter of transition -- Memory in British cinema: brief encounters -- Stars and politics -- The gold diggers -- No fixed address: the women's picture from Outrage to Blue Steel -- Masculinity in crisis? -- The last temptation of Christ -- Scorsese's masquerade -- The age of innocence -- Fashion and sexual display in 1950s Hollywood -- Replicating the past: memory and history in Dance with a stranger -- Fictions of identity: style, mimicry, and gender in the films of Kathryn Bigelow.
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Women in film noir / edited by E. Ann Kaplan London: BFI Publishing, 1998.
Call No: 734:451-02 WOMAuthor: Kaplan, E. Ann Edition: Rev. and expanded edPlace: LondonPublisher: BFI PublishingPubDate: 1998PhysDes: ix, 238 p. : ill. ; 24 cmSubject: WOMEN IN FILMS ; FILM NOIR ; FEMINISM AND THE CINEMA ; RACIAL STEREOTYPES IN FILMS ; HOMOSEXUALITY AND THE CINEMA ; FEMME FATALE ; POSTMODERNISM AND THE CINEMA ; HAUNTING, THE (US, Robert Wise, 1963) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; CAT PEOPLE (US, Jacques Tourneur, 1942) ; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948) ; KLUTE (US, Alan J. Pakula, 1971) ; MILDRED PIERCE (US, Michael Curtis, 1945) ; BLUE GARDENIA, THE (US, Fritz Lang, 1953) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; GILDA (US, Charles Vidor, 1946) Notes: Includes bibliographical referencesISBN: 0851706665 (pbk.); 0851706657 (hbk.)LON: 14106071
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