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Call No: 81EAS HUG
Author: Hughes, Howard
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xxxi, 252 p. : ill. ; 25 cm.
Subject: EASTWOOD, CLINT; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); TWO MULES FOR SISTER SARA (US, Don Siegel, 1969); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PALE RIDER (US, Clint Eastwood, 1985); UNFORGIVEN (US, Clint Eastwood, 1992); COOGAN'S BLUFF (US, Don Siegel, 1968); DIRTY HARRY (US, Don Siegel, 1971); MAGNUM FORCE (US, Ted Post, 1973); ENFORCER, THE (US, James Fargo, 1976); SUDDEN IMPACT (US, Clint Eastwood, 1983); TIGHTROPE (US, Richard Tuggle, 1984); CITY HEAT (US, Richard Benjamin, 1984); DEAD POOL, THE (US, Buddy Van Horn, 1988); ROOKIE, THE (US, Clint Eastwood, 1990); IN THE LINE OF FIRE (US, Wolfgang Peterson, 1993); PERFECT WORLD, A (US, Clint Eastwood, 1993); PAINT YOUR WAGON (US, Joshua Logan, 1969); BEGUILED, THE (US, Don Siegel, 1971); PLAY MISTY FOR ME (US, Clint Eastwood, 1971); BREEZY (US, Clint Eastwood, 1973); BRIDGES OF MADISON COUNTY, THE (US, Clint Eastwood, 1995); EVERY WHICH WAY BUT LOOSE (US, James Fargo, 1978); BRONCO BILLY (US, Clint Eastwood, 1980); ANY WHICH WAY YOU CAN (US, Buddy Van Horne, 1980); PINK CADILLAC (US Buddy van Horn, 1989); HONKYTONK MAN (US, Clint Eastwood, 1982); BIRD (US, Clint Eastwood, 1988); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990); SPACE COWBOYS (US, Clint Eastwood, 2000); MYSTIC RIVER (US, Clint Eastwood, 2003); MILLION DOLLAR BABY (US, Clint Eastwood, 2004); THUNDERBOLT AND LIGHTFOOT (US, Michael Cimino, 1974); EIGER SANCTION, THE (US, Clint Eastwood, 1975); ESCAPE FROM ALCATRAZ (US, Donald Siegel, 1979); ABSOLUTE POWER (US, Clint Eastwood, 1997); TRUE CRIME (US, Clint Eastwood, 1999); BLOOD WORK (US, Clint Eastwood, 2002); WHERE EAGLES DARE (US, Brian G. Hutton, 1969); KELLY'S HEROES (US, Brian G. Hutton, 1970); FIREFOX (US, Clint Eastwood, 1982); HEARTBREAK RIDGE (US, Clint Eastwood, 1986); FLAGS OF OUR FATHERS (US, Clint Eastwood, 2006); LETTERS FROM IWO JIMA (US, Clint Eastwood, 2006)
Summary: "Clint Eastwood is one of the world’s most popular action stars, who has matured into one of America’s finest producer-directors. Entertaining, illuminating and packed with information, Aim for the Heart is the first book to cover his full life in the movies, showing how as both actor and filmmaker Eastwood aims for the heart of the drama, whatever the story. Alongside details of all his movies, Eastwood’s story is illustrated with film stills, glimpses behind the scenes, and rare poster advertising material. Also featuring the most comprehensive credits filmography ever compiled on Eastwood’s work, as star and director."-- BOOK BLURB
Notes: "Eastwood filmography": p. [215]-235 -- Includes bibliographical references and index
ISBN: 9781845119027
Contents: Preface: Aim for the art -- Acknowledgements -- Universal casting: the early films -- Ridin' easy: Rawhide -- pt. 1. The westerns: A fistful of dollars (1964) -- For a few dollars more (1965) -- The good, the bad and the ugly (1966) -- Hang 'em high (1968) -- Two mules for Sister Sara (1970) -- Joe Kidd (1972) -- High plains drifter (1973) -- The outlaw Josey Wales (1976) -- Pale Rider (1985) -- Unforgiven (1992) -- pt. 2. The cops: Coogan's bluff (1968) -- Dirty Harry (1971) -- Magnum force (1973) -- The enforcer (1976) -- The gauntlet (1977) -- Sudden impact (1983) -- Tightrope (1984) -- City heat (1984) -- The dead pool (1988) -- The rookie (1990) -- In the line of fire (1993) -- A perfect world (1993) -- The lovers: The witches (1967) -- Paint your wagon (1968) -- The beguiled (1971) -- Play Misty for me (1971) -- Breezy (1973) -- The bridges of Madison County (1995) -- pt. 4. The comedies: Every which way but loose (1978) -- Bronco Billy (1980) -- Any which way you can (1980) -- Pink Cadillac (1989) -- pt. 5. The dramas: Honkytonk man (1982) -- Bird (1988) -- White hunter black heart (1990) -- Midnight in the garden of good and evil (1997) -- Space cowboys (2000) -- Mystic river (2003) -- Million dollar baby (2004) -- pt. 6. The thrillers: Thunderbolt and Lightfoot (1974) -- The Eiger sanction (1975) -- Escape from Alcatraz (1979) -- Absolute power (1996) -- True crime (1999) -- Blood work (2002) -- pt. 7. The war movies: Where eagles dare (1968) -- Kelly's heroes (1970) -- Firefox (1982) -- Heartbreak ridge (1986) -- Flags of our fathers (2006)/Letters from Iwo Jima (2006) -- Epilogue -- Eastwood filmography.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALMOST PERFECT AFFAIR (US, Michael Ritchie, 1979)

Call No: 81ALT THO
Author: Altman, Robert and Thompson, David
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2005
PhysDes: xxii, 306p. ; b+w ill. : 22cm.
Subject: ALTMAN, ROBERT; M*A*S*H (US, Robert Altman, 1969); LONG GOODBYE, THE (US, Robert Altman, 1973); THIEVES LIKE US (US, Robert Altman, 1974); CALIFORNIA SPLIT (US, Robert Altman, 1974); NASHVILLE (US, Robert Altman, 1975); BUFFALO BILL AND THE INDIANS (US, Robert Altman, 1976); QUINTET (US, Robert Altman, 1979); PERFECT COUPLE, A (US, Robert Altman, 1979); HEALTH (US, Robert Altman, 1980); POPEYE (US, Robert Altman, 1980); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); STREAMERS (US, Robert Altman, 1983); SECRET HONOR (US, Robert Altman, 1984); FOOL FOR LOVE (US, Robert Altman, 1985)
Summary: In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.
Notes: Includes index and bibliography
ISBN: 0571220894

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGUS, THONGS AND PERFECT SNOGGING (US/GG/UK, Gurinder Chadha, 2008)

Call No: 408.1(94) AUS
Author: Tulloch, John, 1942; Turner, Graeme
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1989
PhysDes: xv, 204 p. ; 22 cm
Series: Australian cultural studies
Subject: TELEVISION. AUSTRALIA; NATIONAL CULTURE AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; GAMES SHOWS. AUSTRALIA; SOAP OPERAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; HISTORY OF TV. AUSTRALIA; PERFECT MATCH [TV] (AT, 1984-89?); PRISONER [TV] (AT, 1979-86); COUNTRY PRACTICE, A [TV] (AT, 1981-1995?); LAST PLACE ON EARTH, THE [TV] (AT, 1987); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987)
Notes: Includes bibliographies and index
ISBN: 0043800300 (pbk.) : price unknown
LON: 6398616

Call No: TITLE CLIPPINGS FILE; PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Author: Wigney, James
PhysDes: Clippings File Article
Subject: BANKS, ELIZABETH; WILSON, REBEL; PITCH PERFECT (US, Jason Moore, 2012); PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Summary: Pitch Perfect 2 director Elizabeth Banks talks about the film and her career.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BROTHER WITH PERFECT TIMING, A (US, Chris Austin, 1987?)

Call No: TITLE CLIPPNGS FILE; PERFECT STRANGERS [PERFETTI SCONOSCIUTI] (IT, Paolo Genovese, 2016)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: PERFECT STRANGERS [PERFETTI SCONOSCIUTI] (IT, Paolo Genovese, 2016)
Summary: Review of the film PERFECT STRANGERS

PhysDes: Article
Subject: SOEURS BRONTE, LES (FR, Andre Techine, 1979); HOMME BLESSE, L' (FR, Patrice Chereau, 1983); SANTOS INOCENTES, LOS (SP, Mario Camus, 1984); EMPTY BEACH, THE (AT, Chris Thomson, 1985); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); COCA-COLA KID, THE (AT, Dusan Makavejev, 1985); COCOON (US, Ron Howard, 1985); EMERALD FOREST, THE (UK, John Boorman, 1985); REPO MAN (US, Alex Cox, 1984); PERFECT (US, James Bridges, 1985)
Summary: film reviews of the film listed in the subject field - Bronte Sisters/Adrian Martin, L'Homme Blesse/John Conomos, Holy Innocents/Penny Davies, Empty Beach/Kathe Boehringer, Back to the Future/Kathe Boehringer, Mad Max Beyond Thunderdome/Ross Gibson, Coca Cola Kid/Ross Gibson, Cocoon/Peter Kepm, Emerald Forest/Peter Kemp, Repo Man/Susan Charlton, Perfect/Susan Charlton

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; PITCH PERFECT 2 (US, Elizabeth Banks, 2015); MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Report on the strong showing of Pitch Perfect 2, and the overall strong performance of the Australian box office in 2015.
Notes: located in the BOX OFFICE. AUSTRALIA. 2015-2019 file

Call No: TITLE CLIPPINGS FILE; PERFECT STRANGERS [PERFETTI SCONOSCIUTI] (IT, Paolo Genovese, 2016)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: PERFECT STRANGERS [PERFETTI SCONOSCIUTI] (IT, Paolo Genovese, 2016)
Summary: Review of the film PERFECT STRANGERS
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE; PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Summary: Review
Rating: 3.5 out of 5 stars

Call No: 401(94) MED
Author: Cunningham, Stuart; Turner, Graeme
Edition: 2nd ed
Place: St Leonards, N.S.W.
Publisher: Allen & Unwin
PubDate: 1997
PhysDes: xviii, 490 p. : ill. ; 23 cm
Subject: MEDIA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; ADVERTISING. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; PAY TV. AUSTRALIA; PRODUCTION. AUSTRALIA; PRODUCTION, TV. AUSTRALIA; NEWS PROGRAMMES. AUSTRALIA; OWNERSHIP. AUSTRALIA; POLITICS AND TV. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; VIOLENCE ON TV. AUSTRALIA; DRAMAS. AUSTRALIA; WOMEN AND TV. AUSTRALIA; HOME VIDEO. AUSTRALIA; RATINGS. AUSTRALIA; Australian Broadcasting Tribunal; COUNTRY PRACTICE, A [TV] (AT, 1981-1995?); PERFECT MATCH [TV] (AT, 1984-89?)
Notes: Includes index; Bibliography: p. 441-467
ISBN: 1864482737
LON: 12826003

Call No: 735.23 GEL
Author: Gelder, Ken
Source: UK
Place: London
Publisher: British Film Institute ; Palgrave Macmillan
PubDate: 2012
PhysDes: ix, 155 pages : illustrations ; 24 cm
Subject: DRACULA IN FILMS; HORROR FILMS; REMAKES; VAMPIRE FILMS; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); SHADOW OF THE VAMPIRE (UK/US, E. Elias Merhige, 2000); BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); LET THE RIGHT ONE IN (SW, Tomas Alfredson, 2008); LAT DEN RATTE KOMMA IN (SW, Tomas Alfredson, 2008); LET ME IN (UK/US, Matt Reeves, 2010); NIGHT WATCH, THE (RU, Timur Bekmanbetov, 2004); DAY WATCH (RU, Timur Bekmambeton, 2006); DNEVNOY DOZOR (RU, Timur Bekmambeton, 2006); IRMA VEP (FR, Oliver Assayas, 1996); VAMPIRE HUNTER D. (JA, Yoshiaki Kawajiri, 2000); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); THIRST (SK, Park Chan-wook, 2009); BAKJWI (SK, Park Chan-wook, 2009); NADJA (US, Michael Almereyda, 1994); ADDICTION, THE (US, Abel Ferrara, 1995); HABIT (US, Larry Fessenden, 1996); VAMPIRE IN BROOKLYN (US, Wes Craven, 1995); TWILIGHT (US, Catherine Hardwicke, 2008); ECLIPSE, TWILIGHT 3 (US, David Slade, 2010); CRONOS (MX, Guillermo del Toro, 1993); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); BLADE (US, Stephen Norrington, 1998); BLADE II (US, Guillermo Del Toro, 2002); BLADE: TRINITY (US, David S. Goyer, 2004); UNDERWORLD (US, Len Wiseman, 2003); UNDERWORLD: EVOLUTION (US, Len Wiseman, 2005); PERFECT CREATURE (NZ/UK, Glenn Standring, 2006); DAYBREAKERS (US, Michael Spierig and Peter Spierig, 2008)
Summary: "New Vampire Cinema lifts the coffin lid on forty vampire films, from 1992 to the present day, charting the evolution of a genre that is, rather like its subject, at once exhausted and vibrant, inauthentic and 'original', insubstantial and self-sustaining. Ken Gelder's fascinating study begins by looking at Francis Ford Coppola's Bram Stoker's Dracula and Fran Rubel Kuzui's Buffy the Vampire Slayer - films that seemed for a moment to take vampire cinema in completely opposite directions. New Vampire Cinema then examines what happened afterwards, across a remarkable range of reiterations of the vampire that take it far beyond its original Transylvanian setting: the suburbs of Sweden (Let the Right One In), the forests of North America (the Twilight films), New York City (Nadja, The Addiction), Mexico (Cronos, From Dusk Till Dawn), Japan (Blood: The Last Vampire, Vampire Hunter D: Bloodlust), South Korea (Thirst), New Zealand (Perfect Creature), Australia (Daybreakers), and elsewhere. In a series of exhilarating readings, Gelder determines what is at stake when the cinematic vampire and the modern world are made to encounter one another - where the new, the remake and the sequel find the vampire struggling to survive the past, the present and, in some cases, the distant future." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781844574407

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: NINE PERFECT STRANGERS [IN PRODUCTION] (US, 2021)
Cross Reference: NINE PERFECT STRANGERS [IN PRODUCTION] (US, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Study guide
Subject: ONE PERFECT DAY (AT, Paul Currie, 2003)

Call No: S ONE
Author: Richards, Chip
PubDate: 2003
Subject: ONE PERFECT DAY (AT, Paul Currie, 2003)
Notes: Unpublished; post production script; Donated by the Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ONE PERFECT DAY (AT, Michael Lawrence, 1988)

Call No: P ONE
Place: AT
PhysDes: 1 poster : col. ; 101 X 70 cm.
Subject: ONE PERFECT DAY (AT, Paul Currie, 2004)
Summary: Image: Dan Spielman holding small recorder and microphone in foreground. Large crowd in background.
Notes: Scratches and tears down top left side. Tears on bottom right corner.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT (US, James Bridges, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT BLUE (JA, Satoshi Kon, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT CANDIDATE, A (US, R.J. Cutler & David van Taylor, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT CANDIDATE, THE (SU/GG, Haifaa Al-Mansour, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT COUPLE, A (US, Robert Altman, 1979)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: PERFECT CRIME, THE (US, Aaron Leviathon, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT DAY, A (SP, Fernando León de Aranoa, 2015)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PERFECT DAY, A (SP, Fernando Leon de Aranoa, 2015)
URL status: URL: 'http://file://Q:/T/PERFECT_DAY,_A.zip' Checked: 31/08/2021 1:45:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT, EDDIE
URL status: URL: 'http://file://Q:/P/PERFECT,_EDDIE.zip' Checked: 31/08/2021 1:43:43 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT KISS, THE (US, Jonathan Demme, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PERFECT LITTLE ANGELS (US, Timothy Bond, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PERFECT MAN THE (US, Mark Rosman, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT MATCH [TV](AT, 1984-1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT MATCH, THE (US, Mark Deimel, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT MURDER, A (US, Andrew Davis, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT MURDER, THE (UK/II, Zafar Hai, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PERFECT STORM, THE (US, Wolfgang Peterson, 2000)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PERFECT STRANGER (US, James Foley, 2007)
URL status: URL: 'http://file://Q:/T/PERFECT_STRANGER.zip' Checked: 31/08/2021 1:14:30 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: PERFECT STRANGERS (NZ, Gaylene Preston, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT STRANGERS [TV] (UK, Stephen Poliakoff, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT WEAPON, THE (US, Mark Di Salle, 1991 [prod. 1990])

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: PERFECT WORLD, A (US, Clint Eastwood, 1993)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT STRANGERS [PERFECTOS DESCONOCIDOS] (MX , Manolo Caro, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PERFECT STRANGERS [PERFETTI SCONSCIUTI] (IT, Paolo Genovese, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills; Clippings
Subject: PICTURE PERFECT (US, Glenn Gordon Caron, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PITCH PERFECT (US, Jason Moore, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PITCH PERFECT 2 (US, Elizabeth Banks, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PITCH PERFECT 3 (US, Trish Sie, 2017)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: POOCH PERFECT [TV] (AT, 2020)
Cross Reference: POOCH PERFECT [TV] (AT, 2020)

Call No: 754.11 ROA
Author: Cohan, Steven; Hark, Ina Rae
Place: London New York
Publisher: Routledge
PubDate: 1997
PhysDes: xv, 379 p. : ill. ; 24 cm
Subject: ROAD MOVIES; BUDDY FILMS; HOMOSEXUALITY IN FILMS; AIDS IN FILMS; EASY RIDER (US, Dennis Hopper, 1969); MAD MAX [...] (AT, 1979-85); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); PARIS, TEXAS (GW/US, Wim Wenders, 1984); RAIN MAN (US, Barry Levinson, 1988); SEARCHERS, THE (US, John Ford, 1956); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); BONNIE AND CLYDE (US, Arthur Penn, 1967); BOYS ON THE SIDE (US, Herbert Ross, 1995); FASTER PUSSYCAT! KILL! KILL! (US, Russ Meyer, 1966); LIVING END, THE (US, Gregg Araki, 1992); MIDNIGHT RUN (US, Martin Brest, 1988); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); NATURAL BORN KILLERS (US, Oliver Stone, 1994); PERFECT WORLD, A (US, Clint Eastwood, 1993); SORPASSO, IL (IT, Dino Risi, 1962); THELMA & LOUISE (US, Ridley Scott, 1991); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); WITHOUT RESERVATIONS (US, Mervyn LeRoy, 1946); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Notes: Includes bibliographical references and indexes
ISBN: 0415149363 (hbk.); 0415149371 (pbk.)
LON: 97008924; 13107383

Call No: TITLE CLIPPINGS FILE; PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: PITCH PERFECT 2 (US, Elizabeth Banks, 2015)
Summary: Review
Rating: 2 out of 5 stars

Call No: TITLE CLIPPINGS FILE; PERFECT DAY, A (SP, Fernando Leon de Aranoa, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: PERFECT DAY, A (SP, Fernando Leon de Aranoa, 2015)
Summary: Review of the film A PERFECT DAY
Rating: 4 out of 5 stars

Author: Cameron, Allan
PhysDes: Article
Subject: NATIONAL IDENTITY AND THE CINEMA. NEW ZEALAND; HORROR FILMS. NEW ZEALAND; INDUSTRY, FILM. NEW ZEALAND; FANTASTIC FILMS; LOCALS, THE (NZ, Greg Page, 2003); BLACK SHEEP (NZ, Jonathan King, 2006); FERRYMAN, THE (NZ/UK, Chris Graham, 2007); TATTOOIST, THE (NZ/SI, Peter Berger, 2007); PERFECT CREATURE (NZ/UK, Glenn Standring, 2006)
Summary: Article arguing the connectedness between otherness of horror with the otherness of cultural identities within New Zealand horror film.
Notes: Recent years have seen a conspicuous resurgence of the horror genre in New Zealand cinema. What sets recent New Zealand horror films apart from their local antecedents, however, is their self-conscious reframing of local identity against an international backdrop. Contemporary Kiwi horrors such as The Locals, Black Sheep, The Tattooist and Perfect Creature effectively extend horror’s characteristic focus on questions of otherness to the otherness of local and global cultural identities. In this way, they subject New Zealand cinema’s Gothic tradition to a type of remapping, in which the Gothic is ironized, hybridized or displaced. In a number of these films (several of which are international co-productions) the Gothic even comes untethered from the local landscape and moves across national frontiers. By reworking the tropes of New Zealand horror, these films take up the challenge of re-articulating New Zealand identities for the early twenty-first century, producing a palimpsestic vision of nationhood determined not by essences but by codes.--Abstract

Call No: TITLE CLIPPINGS FILE; PERFECT STRANGERS [PERFETTI SCONOSCIUTI] (IT, Paolo Genovese, 2016)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: PERFECT STRANGERS [PERFETTI SCONOSCIUTI] (IT, Paolo Genovese, 2016)
Summary: Interview with Paolo Genovese about the success of the film, of which he is the director, PERFECT STRANGERS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WORDS OF MY PERFECT TEACHER (CN, Lesley Ann Pattern, 2003)

Call No: TITLE CLIPPINGS FILE; PERFECT DAY, A (SP, Fernando Leon de Aranoa, 2015)
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: PERFECT DAY, A (SP, Fernando Leon de Aranoa, 2015)
Summary: Review of the film A PERFECT DAY
Rating: 4 out of 5 stars