Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [TWENTY-FOUR] 24 HOURS IN LONDON (UK, Alexander Finbow, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: ABOUT SCHMIDT (US, Alexander Payne, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ABRA CADABRA (AT, Alexander Stitt, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Stills
Subject: ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ALEXANDER (FR/UK/NE, Oliver Stone, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY (US, Miguel Arteta, 2014)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ALEXANDER, ELIZABETH

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ALEXANDER, JASON

Call No: 81KLU KLU
Author: Dawson, Jan; Kluge, Alexander, 1932; Kluge, Alexander, 1932- . Gelegenheitsarbeit einer Sklavin
Place: South Perth, W.A.
Publisher: Perth Film Festival
PubDate: 1975
PhysDes: 48 p. : ill. ; 21 cm
Subject: KLUGE, ALEXANDER
Notes: Cover title: Alexander Kluge & the female slave
LON: abn84041903; 3083741

Call No: 81KOR KUL
Author: Kulik, Karol, 1949
Place: New Rochelle [N.Y.]
Publisher: Arlington House
PubDate: 1975
PhysDes: 407 p., 16 leaves of plates : ill., ports. ; 22 cm
Subject: KORDA, ALEXANDER
Notes: Includes index; Bibliography: p. 388-394; Filmography: p. 337-384
ISBN: 0870003356
LON: abn80022143; 1776275

Call No: 620 MED LAR
Author: Medvedkin, Alexander
Place: Chicago; London
Publisher: The University of Chicago Press
PubDate: 2016
PhysDes: xv, 356 pages : illustrations ; 24 cm
Series: Cinema and modernity
Subject: MEDVEKIN, ALEXANDER; MARKER, CHRIS; SCHASTYE [HAPPINESS] (UR, Alexander Medvedkin, 1935)
Summary: "Filmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky." -- Publisher's website
Notes: Includes notes, glossary and index; translated from Russian
ISBN: 9780266296272
Donation: Senses of Cinema
Contents: On the front lines of war and revolution -- 1. Cavalry days -- 2. The kino-train: 294 days on wheels -- 3. Soldiers shooting films -- Scripts -- 4. A little log (1930) --5. Stop thief! (1930) -- 6. Fruit and vegetables (1930) -- 7. A cock and bull story (1931) -- 8. Hey fool, what a fool you are! (1931) -- 9. Tit (1932) -- 10. Look what love did! (1932) -- 11. A crazy locomotive (1932) -- 12. “The Unholy Force” (1966) -- 13. “Gogol” (1941) -- Satire—a militant art -- 14. The elation of fighting (ca. 1985) -- 15. Satire: An assailant’s weapon (ca. 1966) -- 16. Bronze monuments -- 17. Springboards (ca. 1985) -- Contextualizations -- 18. Eisenstein on Medvedkin’s chaplinesque genius -- 19. Anatoli Lunacharsky, “Film Comedy and Satire” (excerpt) -- 20. Nikolai Izvolov, “Alexander Medvedkin and the Traditions of Russian Film” -- CVs and addenda -- 21. First “Autobiography”: A Bolshevik’s CV -- 22. Second “Autobiography”: A filmmaker’s CV -- 23. Marina Goldovskaia, Interviews with Medvedkin (excerpts) -- 24. The suppression of happiness -- 25. Color film in happiness remembrance and revival -- 26. The kino-train filmography (trans. Jay Leyda) -- 27. Surviving kino-train films -- 28. Nikita Lary, “History of The Alexander Medvedkin Reader” -- 29. Chris Marker, “The Last Bolshevik”

Call No: 81PAYN ALE
Source: US
Place: Jackson
Publisher: University Press of Mississippi
PubDate: 2014
PhysDes: xxvii, 231 pages ; 24 cm
Series: Conversations with filmmakers series
Subject: PAYNE, ALEXANDER
Summary: "In this first compilation of his interviews, Payne reveals himself as a captivating conversationalist as well. The discussions collected here range from 1996, shortly after the release of his first film, Citizen Ruth, to the debut of his film Nebraska. Over his career, he muses on many subjects including his own creative processes, his commitment to telling character-centered stories, and his abiding admiration for movies and directors from across decades of film history." -- BOOK BLURB
Notes: Includes index
ISBN: 9781628461091
Donation: donated by Senses of Cinema, 2014
Contents: Machine generated contents note: Writing and Directing Citizen Ruth: A Talk with Alexander Payne and Jim Taylor / Tod Lippy -- An Interview with Citizen Ruth Director Alexander Payne / Angie Drobnic -- Adapting and Directing Election: A Talk with Alexander Payne and Jim Taylor / Annie Nocenti -- Bringing on the Payne / Rob Blackwelder -- Fresh Air Interview with Alexander Payne / Terry Gross -- About Schmidt Director Alexander Payne Does Have Something Interesting to Say / Walter Chaw -- Interview: Alexander Payne / Jeff Otto -- Interview: Alexander Payne / Scott Tobias -- Alexander Payne: Sideways / Adrian Hennigan -- Alexander Payne / Kate Donnelly -- Alexander Payne: Staying Straight While Making Sideways / Brad Balfour -- Alexander Payne: Sideways Glance at America / Kenneth Turan -- Alexander Payne Talks The Descendants, Clooney, Next Black and White Film, New Trailer / Anne Thompson -- Alexander Payne on The Descendants and Why It's a Minor Work / Eric Kohn -- Contents note continued: Director's Chair: Alexander Payne's The Descendants / Iain Blair -- Filmmaker Alexander Payne on The Descendants / Edward Douglas -- Interview: Alexander Payne / Scott Tobias -- Payne Find His Way to The Descendants / Marshall Fine -- An Interview with Alexander Payne / Glenn Kenny -- Interview: Alexander Payne / Dave Davies -- Alexander Payne Talks The Descendants and His Next Two Projects, Nebraska and Wilson / Christina Radish -- Interview with Alexander Payne / Charlie Rose -- Alexander Payne Prefers Actors Who Can Communicate / Jennelle Riley -- The Lei of the Land: A Few Moments with Alexander Payne / Christy Grosz -- Director of The Descendants, Alexander Payne, Talks Bristling Egos and Putting Life on Film / J. Alanna Lawson -- Omaha and the Perfect Ending: The Alexander Payne Interview / Erich van Dussen -- Film Director Alexander Payne: Greece "Energizes My DNA!" / Demetrios Rhompotis -- Contents note continued: Whittling Birch Bark: A Conversation with Alexander Payne / Julie Levinson -- Director Alexander Payne on Nebraska / Damian Houx.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: ALEXANDER, SCOTT

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ALEXANDER THE GREAT (??, Baz Luhrmann, unproduced)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL-AMERICAN NEWS (US, William Alexander, 1992)

Call No: 769(73) MAC
Author: MacDonald, Scott
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2013
PhysDes: viii, 415 pages : ill. ; 24 cm
Subject: ETHNOGRAPHIC FILMS; DOCUMENTARIES. USA; MARSHALL, JOHN; GARDNER, ROBERT; ASCH, TIMOTHY; PINCUS, ED; WEINSTEIN, MIRIAM; GUZZETTI, ALFRED; MCELWEE, ROSS; MOSS, ROBB; DAVENPORT, NINA; ASCHER, STEVEN; JORDAN, JEANNE; NEGROPONTE, MICHEL; GIANVITO, JOHN; OLCH, ALEXANDER; SIEGEL, AMIE; BARBASH, ILISA; CASTAING-TAYLOR, LUCIEN
Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "--
ISBN: 9780520275621
Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss -- Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News -- Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations -- Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT, DER (GG, Alexander Kluge, 1985)

Call No: 802(41) CHR
Author: Christie, Ian, 1945
Edition: New ed
Place: London Boston
Publisher: Faber and Faber
PubDate: 1994
PhysDes: xx, 163 p. : ill. ; 22 cm
Subject: PRESSBURGER, EMERIC; Powell, Michael; KORDA, ALEXANDER; ARCHERS, THE
Summary: Michael Powell and Emeric Pressburger formed the greatest creative partnership in the history of British Cinema - The Archers. Their films were often controversial: Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form and music. In the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film masters
Notes: Originally published : London : Waterstone, 1985; Includes bibliographical references (p. [117]-119) and index; Filmography (p. [120]-157)
ISBN: 0571162711 (pbk)
LON: 10846724

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity
Subject: ARTISTS UNDER THE BIG TOP, THE: PERPLEXED [ARTISTEN IN DER ZIRKUSKUPPEL, DIE: RATLOS] (GW, Alexander Kluge, 1968)

Call No: 246(94) TOR
Author: Torre, Dan; Torre, Lienors
Edition: 2018
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PhysDes: xii, 260 pages : illustrated ; 22 cm
Subject: ANIMATED FILMS. AUSTRALIA; ANIMATION. AUSTRALIA; FELIX THE CAT; PORTER, ERIC; HANNA-BARBERA; MCLAREN ANGUS; PETTY, BRUCE; STITT, ALEX; TUPICOFF, DENNIS; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); DOT AND THE KANGAROO (AT, Yoram Goss, 1977); GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981); LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010)
Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web site
ISBN: 9783319954912

Call No: 792 EIS
Author: Eisenstein, Sergei, 1898-1948; Leyda, Jay, 1910
Place: London
Publisher: Lorrimer Pub.
PubDate: 1974
PhysDes: 189 p. : ill. ; 20 cm
Subject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938)
Notes: Director's shooting scripts
ISBN: 0856470384; 0856470406(pbk.)
LON: 263889

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEACH FEVER (AT, Alexander Tabrizi, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEG (UR, Alexander Alov and Vladimir Naumov, 1971); FLIGHT, THE (UR, Alexander Alov and Vladimir Naumov, 1971)

Call No: 67(04) BES
Place: New York
Publisher: St. Martin's
PubDate: 1999
PhysDes: 280 p.
Subject: WOMEN IN FILMS; RELIGION AND THE CINEMA; ADAPTATIONS; HISTORY OF CINEMA. SOUND PERIOD; ETHNIC GROUPS IN FILMS; GAZE IN FILMS; FAMILY IN FILMS; WAR FILMS; BOORMAN, JOHN; FRANKENHEIMER, JOHN; SINATRA, FRANK; FORD, JOHN; THOMPSON, KAY; YASUJIRO OZU; MANGOLD, JAMES; RISKIN, ROBERT; SPIELBERG, STEVEN; SCORSESE, MARTIN; SARRIS, ANDREW; MCCAREY, LEO; BOGDANOVICH, PETER; CAPRA, FRANK; VIDAL, GORE; DOVE, BILLIE; GRANT, CARY; BURNETT, CHARLES; HAPPINESS (US, Todd Solondz, 1998); SEARCHERS, THE (US, John Ford, 1956); EVE'S BAYOU (US, Kasi Lemons, 1997); TOUCH OF EVIL (US, Orson Welles, 1958); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); GENERAL, THE (UK, John Boorman, 1998); RONIN (US, John Frankenheimer, 1998); STARDUST MEMORIES (US, Woody Allen, 1980); TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932); RED RIVER (US, Howard Hawks, 1948); DETOUR (US, Edgar G. Ulmer, ,1946); WRITTEN ON THE WIND (US, Douglas Sirk, 1956); NOTORIOUS (US, Alfred Hitchcock, 1946); BIG SLEEP, THE (US, Howard Hawkes, 1946); LADY EVE, THE (US, Preston Sturges, 1941); M (G, Fritz Lang, 1931); WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974)
ISBN: 0312244832
ID2: 291

Call No: 721-054(=96) JON
Author: Jones, G. William (George William), 1931
Edition: 1st ed
Place: Denton
Publisher: University of North Texas
PubDate: 1991
PhysDes: 242 p. : ill
Subject: BLACK FILMMAKERS. US; BLACK CINEMA. US; BLACK CINEMA. US; BLACK CINEMA. US; LOST FILMS. US; DAVIS, OSSIE; MICHEAUX, OSCAR; WILLIAMS, SPENCER; ALEXANDER, WILLIAM; RANDOL, GEORGE
Notes: Includes bibliography, filmography and index
ISBN: 0929398262 (alk. paper) : $29.95
LON: 91010882; 7916318

Call No: 71(41) BRI
Author: Higson, Andrew; Ashby, Justine
Source: UK
Place: London New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xx, 385 p. : ill. ; 24 cm
Subject: ASKEY, ARTHUR; ASSOCIATED BRITISH PICTURE CORPORATION; AUDIENCES. UK; BAKER, ROY WARD; BRASSED OFF (UK, Mark Herman, 1996); BRIEF ENCOUNTER (UK, David Lean, 1945); BOX, BETTY E.; EALING STUDIOS; GREENAWAY, PETER; JARMAN, DEREK; KEILLER, PATRICK; PEEPING TOM (UK, Michael Powell, 1960); PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933); RADIO PARADE OF 1935 (UK, Arthur Woods, 1934); UNITED KINGDOM
Notes: Includes bibliographical references (p. 354-369) and index
ISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper)
LON: 21262622

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BROWN, BARRY ALEXANDER

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CELOVEC NEVIDIMKA (UR, Alexander Zakharov, 1985)

Call No: 81KOR KOR
Author: Korda, Michael
Edition: 1st ed
Place: New York
Publisher: Random House
PubDate: 1979
PhysDes: 498 p., [16] leaves of plates : ill. ; 24 cm
Subject: KORDA, ALEXANDER
Notes: Includes index
ISBN: 0394419545 : $15.00
LON: 79004762; 1423960

Call No: 802.25 KOR KOR; 2 copies
Author: Korda, Michael
Source: UK
Place: Harmondsworth, Middlesex ; Ringwood, Vic
Publisher: Penguin
PubDate: 1980
PhysDes: 498p. : ill. ; 20cm
Subject: KORDA, ALEXANDER
ISBN: 0140054022
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(430.1) PFL
Author: Pflaum, Hans GFunther; Prinzler, Hans Helmut
Place: Bonn
Publisher: Inter Nationes
PubDate: 1983
PhysDes: 180 p. : ill. ; 21 cm
Subject: GERMANY; GERMAN FEDERAL REPUBLIC; DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; ACKEREN, ROBERT VAN; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HERZOG, WERNER; KLUGE, ALEXANDER; WILDENHAHN, KLAUS; ZIEWER, CHRISTIAN; SCHROETER, WERNER; STRAUB, JEAN-MARIE; THOME, RUDOLPH; SANDER, HELKE; SCHILLING, NIKLAUS; NEKES, WERNER; COSTARD, HELLMUTH; HAUFF, REINHARD; LILIENTHAL, PETER; OTTINGER, ULRIKE; PETERSEN, WOLFGANG; PRAUNHEIM, ROSA VON; SANDERS-BRAHMS, HELMA; SCHLONDORFF, VOLKER; SYBERBERG, HANS JURGEN; TROTTA, MARGARETHE VON; Wenders, Wim
Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179
LON: 3594169

Call No: 626(73) COR
Author: Corrigan, Timothy, 1951
Place: London
Publisher: Routledge
PubDate: 1991
PhysDes: x, 258 p. : ill. ; 23 cm
Subject: HEAVEN'S GATE (US, Michael Cimino, 1980); PLATOON (US, Oliver Stone, 1986); FULL METAL JACKET (UK, Stanley Kubrick, 1987); SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986); BLUE VELVET (US, David Lynch, 1986); CHOOSE ME (US, Alan Rudolph, 1984); AFTER HOURS (US, Martin Scorsese, 1985); COPPOLA, FRANCIS FORD; KLUGE, ALEXANDER; RUIZ, RAUL; BONNIE AND CLYDE (US, Arthur Penn, 1967); BADLANDS (US, Terrence Malick, 1973); PARIS, TEXAS (GW/FR, Wim Wenders, 1984); KING OF COMEDY, THE (US, Martin Scorsese, 1983); THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979); MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985); IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979); DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979)
Notes: Includes index; Bibliography: p. [233]-250
ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00
LON: bnb41507133; 8595450

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: CITIZEN RUTH (US, Alexander Payne, 1996)

Call No: 227.01(73) CLO
Place: UK
Publisher: Edinburgh University Press
PubDate: 2018
Series: International film stars
Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOODBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.
Notes: Includes bibliographical references and index.
ISBN: 9781474417006
Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.
ID2: 362

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: COAL QUESTION, THE (AT, Nick Alexander [producer], 1982)

Call No: 71 (931) NEW
Author: Conrich, Ian (ed); Murray, Stuart(ed)
Place: London
Publisher: I.B. Tauris
PubDate: 2008
PhysDes: xiv, 273 p. : ill. ; 24 cm
Series: I.B Taruris world cinema series
Subject: FEMINISM AND THE CINEMA; FESTIVALS. NEW ZEALAND; MAORI CINEMA; MASCULINITY IN FILMS; NEW ZEALAND FILM COMMISSION; NEW ZEALAND IN FILMS; REALISM IN FILMS; RELIGION IN FILMS; BARCLAY, BARRY; CAMPION, JANE; CURTIS, CLIFF; DUFF, ALAN; DONALDSON, ROGER; DENNIS, JONATHAN; Grierson, John; JACKSON, PETER (NZ); LAWRENCE, BRUNO; MUNE, IAN; MURPHY, GEOFFREY; LANGE, DAVID; MACLEAN, ALISON; MITA, MERATA; MORRIESON, RONALD HUGH; MORRISON, TEMUERA; MULDOON, ROBERT; NEILL, SAM; PRESTON, GAYLENE; SARGESTON, FRANK; SARKIES, ROBERT; TAMAHORI, LEE; WARD, VINCENT; BAISE-MOI (FR, Virginie Despentes, 2000); BRAINDEAD (NZ, Peter Jackson, 1992); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); CHANNELLING BABY (NZ, Christine Parker, 1999); CINEMA OF UNEASE: A PERSONAL JOURNEY BY SAM NEILL (NZ, Sam Neill & Judy Reimer, 1995); CRUSH (NZ, Alison MacLean, 1992); DESPERATE REMEDIES (NZ, Stewart Main & Peter Wells, 1993); END OF THE GOLDEN WEATHER, THE (NZ, Ian Mune, 1991); GOODBYE PORK PIE (NZ, Geoffrey Murphy, 1980); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IRREFUTABLE TRUTH ABOUT DEMONS ((NZ, Glenn Standring, 2000); JUBILEE (NZ, Michael Hurst, 2000); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); MAGIK AND ROSE (NZ, Vanessa Alexander, 1999); NGATI (NZ, Barry Barclay, 1987); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PRICE OF MILK, THE (NZ, Harry Sinclair, 2000); QUIET EARTH, THE (NZ, Geoffrey Murphy, 1985); RAIN (NZ, Christine Jeffs, 2001); SAVING GRACE (NZ, Costa Botes, 1997); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SCARFIES (NZ, Robert Sarkies, 1999); SKIN DEEP (NZ, Geoff Steven, 1978); SNAKESKIN (NZ, Gillian Ashurst, 2001); SLEEPING DOGS (NZ, Roger Donaldson, 1977); SMASH PALACE (NZ, Roger Donaldson, 1981); TOPLESS WOMEN TALK ABOUT THEIR LIVES (NZ, Harry Sinclair, 1997); UTU (NZ, Geoffrey Murphy, 1983); VIGIL (NZ, Vincent Ward, 1984); WHALE RIDER (NZ/GG, Niki Caro, 2002)
Summary: "Focusing on industrial and commercial concerns, questions of aesthetics and form, and the cultural debates surrounding nation and identity, the book surveys the full range of filmmaking in New Zealand. It displays the rich diversity of film production in the country, and in doing so highlights a number of specific contexts - Maori, documentary and short filmmaking, literary adaptations, the development of the national Film Commission and Archive, marketing and censorship, in addition to explorations into the place of bicultural relations, spirituality, masculinity and disability - that have created a cinema of global significance. Featuring critical accounts of internationally-acclaimed features like The Piano and Once Were Warriors, as well as the growth of the national infrastructure that made such films possible, Contemporary New Zealand Cinema is the most thorough study available of a vibrant filmmaking culture. The book also includes a fully comprehensive filmography detailing all New Zealand feature and television films."--BOOK JACKET
Notes: Filmography: p.[239]-253 Bibliography: p. 255- 258; Includes index
ISBN: 9781845118372

Call No: 71(41) ARM
Author: Armes, Roy, 1937
Place: London
Publisher: Secker and Warburg
PubDate: 1978
PhysDes: [9], 374 p. : ill., ports ; 22cm
Series: Cinema two
Subject: UNITED KINGDOM; FREE CINEMA; RANK ORGANISATION; KORDA, ALEXANDER; Grierson, John; JENNINGS, HUMPHREY; BALCON, MICHAEL; Powell, Michael; DICKINSON, THOROLD; LOSEY, JOSEPH; KUBRICK, STANLEY; RUSSELL, KEN; LOACH, KENNETH; WATKINS, PETER
Notes: Bibl.: p.345-355. - Index
ISBN: 0436018020; 0436018039 (Pbk)
LON: 2723294

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEUTSCHLAND IM HERBST (GW, Alf Brustellin & Bernhard Sinkel & Rainer Werner Fassbinder & Alexander Kluge & Beate Mainka-Jellinghaus & Maximiliane Mainka & Peter Schubert & Edgar Reitz & Katja Rupe & Hans Peter Cloos & Volker Schlondorff, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DOWNSIZING (US, Alexander Payne, 2017)

Call No: 5177
Author: Barna, Yon
Source: UK
Place: London
Publisher: Secker & Warburg
PubDate: 1973
PhysDes: 287 p. : ill. ; 22 cm
Subject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938)
Notes: Translation of Serghei Eisenstein. Includes bibliographical references and index
ISBN: 0436097036
Language: English

Call No: 81EIS ROB
Author: Robertson, Robert
Source: UK
Place: London
Publisher: I.B. Tauris
PubDate: 2009
PhysDes: xii, 239 p. : ill. ; 23 cm
Series: International library of cultural studies; 5
Subject: SOUND; PERCEPTION; EISENSTEIN, SERGEI M.; MEYERHOLD, VSEVOLOD; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932])
Summary: "An introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema (the interaction of music, sound and film)."TAKEN FROM BACK COVER
ISBN: 9781848857315
Contents: -- General Editor's Preface -- List of Illustrations -- Acknowledgements -- Preface -- Introduction -- Chapter 1: Audiovisual Counterpoint -- Chapter 2: Organic Unity -- Chapter 3. Nonindifferent Nature -- Chapter 4. Synaesthesia -- Notes -- Bibliography -- A note on the versions of Einstein's films consulted -- Index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ELECTION (US, Alexander Payne, 1999)

Call No: 623.1 SHA
Author: Sharff, Stefan
Place: New York
Publisher: Columbia University Press
PubDate: 1982
PhysDes: 187 p. : ill. ; 24 cm
Subject: AESTHETICS; IMAGE ANALYSIS; ALEKAN, HENRI; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); BIRDS, THE (US, Alfred Hitchcock, 1963); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VIVA ZAPATA (US, Elia Kazan, 1952); WAGON MASTER (US, John Ford, 1950); RED RIVER (US, Howard Hawks, 1948); RIO BRAVO (US, Howard Hawks, 1959)
Notes: Includes bibliographical references and index
ISBN: 0231054769; 0231054777 (pbk.)
LON: 82004268; 2200482

PhysDes: Article
Subject: FANNY OCH ALEXANDER (SW/FR/GW, Ingmar Bergman, 1982); EMBASSY ROADSHOW; DISTRIBUTION
Summary: Article on Embassy Roadshow distributing 'Fanny and Alexander'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EMMETT STONE (AT, Elizabeth Alexander, 1985)

Call No: S EMM
Author: Gurr, Michael
PubDate: c1984
PhysDes: 66 leaves
Subject: EMMETT STONE (AT, Elizabeth Alexander, 1985)
Notes: Unpublished script; Copyright Michael Gurr 1984

PhysDes: Article
Subject: FLIGHT CREW [EKIPAZH] (UR, Alexander Mitta, 1980)

Call No: 771(94) MOD
Author: Modern Image Makers Association
Source: AT
Place: Melbourne
Publisher: MIMA
PubDate: 1988
PhysDes: 48 p. ; 30 cm
Subject: ART AND THE CINEMA; ART CINEMA. AUSTRALIA; EXHIBITION. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; MONDO FILMS; MARTIN, ADRIAN; CANTRILL, ARTHUR & CORINNE; GIBSON, ROSS; ALEXANDER, GEORGE
Summary: Program for the Experimenta exhibition 1988. Includes short essays from various performers and presenters as well as the list of exhibits and exhibiting artists
Notes: State Film Theatre, City Gallery, 200 Gertrude Street Gallery, Australian Centre for Contemporary Art, National Gallery of Victoria
ISBN: 731641730
Contents: Experimenta Program -- Theatrical -- Performance -- Installation -- Seminars; Project: last written words -- Hello comrade: Adrian Martin -- Last and first words: Fiona Mackie -- Some thoughts on the practice of film as art in Australia: Arthur Cantrill -- I used to speak French: Ross Gibson -- Against the grain: Kris Hemensley -- Mondo video: George Alexander --; Exhibiting artists; Experimenta at a glance

PhysDes: Article
Subject: FANNY OCH ALEXANDER (SW/FR/GW, Ingmar Bergman, 1982)
Notes: Swedish Film Institute

PhysDes: Article
Subject: FANNY OCH ALEXANDER (SW/FR/GW, Ingmar Bergman, 1982)
Notes: Swedish Film Institute

PhysDes: Article
Subject: FANNY OCH ALEXANDER (SW/FR/GW, Ingmar Bergman, 1982)
Notes: Swedish Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: FANNY OCH ALEXANDER (SW/FR/GW, Ingmar Bergman, 1982)

Call No: 62 MAC
Author: MacCann, Richard Dyer
Edition: 1st ed
Place: N.Y.
Publisher: Dutton
PubDate: 1966
PhysDes: 384 p. : movie stills ; 18 cm
Subject: THEORY; AESTHETICS; DOCUMENTARIES; CINEMASCOPE; NEOREALISM; PUDOVKIN, VSEVELOD; CLAIR, RENE; HITCHCOCK, ALFRED; KNOX, ALEXANDER; NICHOLS, DUDLEY; BERGMAN, INGMAR; BALAZS, BELA; SENNETT, MACK; VORKAPICH, SLAVKO; RICHTER, HANS; Grierson, John; ZAVATTINI, CESARE; KRACAUER, SIEGFRIED; ROEMER, MICHAEL; BACHMANN, GIDEON; DREW, ROBERT; LEACOCK, RICHARD; PENNEBAKER, D. A.; DREYER, CARL TH.; VANDERBEEK, STAN; MEKAS, JONAS; KAEL, PAULINE; TRUFFAUT, FRANCOIS; Fellini, Federico
ISBN: 0525471812
LON: 21441213

Call No: 63 RAN
Author: Rancier, Jacques; Battista, Emiliano
Source: FR/US
Place: New York
Publisher: Berg Publishers
PubDate: 2006
PhysDes: viii, 196 pages ; 24 cm
Subject: AESTHETICS; ART AND THE CINEMA; ART CINEMA; AUTEUR THEORY; CINEMATOGRAPHY; DOCUMENTARY FILMS; HISTORY AND THE CINEMA; HISTORY OF CINEMA; NARRATIVE IN FILMS; PHILOSOPHY AND THE CINEMA; SYMBOLISM IN FILMS; BRESSON, ROBERT; DELEUZE, GILLES; EPSTEIN, JEAN; EISENSTEIN, SERGEI M.; GODARD, JEAN-LUC; HITCHCOCK, ALFRED; LANG, FRITZ; MANN, ANTHONY; MARKER, CHRIS; MEDVEKIN, ALEXANDER; MURNAU, FRIEDRICH WILHELM; YASUJIRO OZU; RAY, NICHOLAS; ROSSELLINI, ROBERTO; VERTOV, DZIGA; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FAUST (G, Friedrich Wilhelm Marnau, 1926); WHILE THE CITY SLEEPS (US, Fritz Lang, 1955)
Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."
Notes: Includes index
ISBN: 9781845201685
ID2: 291

Call No: 411.1 TAY
Author: Taylor, Richard, 1946-
Source: UK
Place: London
Publisher: Croom Helm
PubDate: 1979
PhysDes: 265 pages , plates : illustrations, portaits : 23 cm
Subject: PROPAGANDA FILMS. USSR; PROPAGANDA FILMS. GERMANY; NAZIS IN FILMS; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938)
Summary: "Lenin, Stalin, Trotsky, Hitler and Goebbels shared a common interest in film: they all regarded the cinema as the most important weapon at their dispodal for mass polical propaganda. This book examins the methods that they used and suggests some tentative lessons that we may draw from their experience" -- taken from inside sleeve
Notes: Index ; Bibliography: p. 238-257
ISBN: 0856640999
Donation: Henry Mayer Collection
Contents: Acknowledgements -- Note -- Part One: Introduction -- Preface -- Propaganda and Film -- Part Two: Soviet Russia -- Russia: The Historical Background -- Russa: The Needs of Revolution -- Russia: Themes and Variations -- Mother -- October -- Three Songs of Lenin -- Alexander Nevsky -- Part Three: Nazi Germany -- Germany: The Historical Background -- Germany: The Needs of Revolution -- Germany: Themes and Variations -- Triumph of the Will -- The Wandering Jew -- Uncle Kruger -- Kolberg -- Conclusions -- Filmography -- Bibliography -- Conclusions

Call No: held Vol. 1, no. 1 (Nov. 1939)-v. 1, no. 4 (Winter 1940) - complete
Source: US
Place: New York
Publisher: Arno Press
PubDate: 1968
Subject: DOCUMENTARY FILMS; SOUND; MUSIC IN FILMS; STATE AND THE CINEMA. USA; STATE AND THE CINEMA. CANADA; STATE AND THE CINEMA. BRAZIL; STATE AND THE CINEMA. MEXICO; TRADE UNIONS. USA; POTAMKIN, HARRY ALAN; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); FANTASIA (US, Walt Disney, 1940); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); SHCHORS (UR, Alexander Dovzhenko, 1939); CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937)
Notes: Reprint. Originally published : New York : Kamin Publishers.

Call No: 71(41) FIL
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: Published by Sight & Sound for the British Film Institute
PubDate: [1951]
PhysDes: 72 p. illus. 28 cm
Subject: RANK ORGANISATION; CENSORSHIP. UK; CHILDREN, FILMS FOR. UK; SOCIETIES, FILM. UNITED KINGDOM; AMATEUR FILMS. UK; FESTIVALS. EDINBURGH; EDUCATION, FILM. UK; INDUSTRY, FILM. UK; KORDA, ALEXANDER; EALING STUDIOS; REED, CAROL; CLARKE, T E B; CARDIFF, JACK; HARRIS, JACK; OLIVIER, LAURENCE; ALWYN, WILLIAM; HOBSON, VALERIE; BALCON, MICHAEL; Grierson, John
Summary: Focuses on a number of different films, people, and areas within the British film industry at the time of publication.
Notes: Includes list of film companies and studios -; Includes list of distribution and exhibition companies -; Includes list of production organisations -; Includes bibliography

Call No: 71(44) FRE
Author: Hayward, Susan, 1945; Vincendeau, Ginette, 1948
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 2000
PhysDes: xvii, 348 p. : ill., ports. ; 25 cm
Subject: FRANCE; PAGNOL, MARCEL; MARIUS (FR, Alexander Korda/Marcel Pagnol, 1931); FANNY (FR, Marc Allegret, 1932); CESAR (FR, Marcel Pagnol, 1936); BETE HUMAINE, LA (FR, Jean Renoir, 1938); JOUR SE LEVE, LE (FR, Marcel Carne, 1939); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); CASQUE D'OR (FR, Jacques Becker, 1952); [FOUR HUNDRED] 400 BLOWS, THE [; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); VALSEUSES, LES (FR, Bertrand Blier, 1974); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); NUITS DE LA PLEINE LUNE, LES (FR, Eric Rohmer, 1984); SANS TOIT NI LOI (FR, Agnes Varda, 1985); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); NIKITA (FR/IT, Luc Besson, 1990); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); AIR DE PARIS, L' (FR, Marcel Carne, 1954); COUP DE FOUDRE (FR, Diane Kury, 1983)
Notes: Previous ed.: 1990; Includes index; Bibliography
ISBN: 0415161177 : ª45.00; 0415161185(pbk.) : ª13.99
LON: 21217432

Call No: 744(=924)(430) KAE
Author: Kaes, Anton
Place: Cambridge, Mass.
Publisher: Harvard University Press
PubDate: 1989
PhysDes: xiii, 273 p. : ill. ; 25 cm
Subject: GERMANY; NATIONAL CULTURE AND THE CINEMA. GERMANY; NATIONAL IDENTITY IN FILMS. GERMANY; MYTH AND THE CINEMA. GERMANY; HEIMAT FILMS; GENOCIDE IN FILMS; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); PATRIOTIN, DIE (GW, Alexander Kluge, 1979); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980); HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984); HEIMAT: A CHRONICAL OF GERMANY [HEIMAT: EINE DEUTSCHE CHRONIK] [TV] (GW, Edgar Reitz, 1984)
Notes: Rev. and enl. translation of: Deutschlandbilder; Includes index
ISBN: 0674324552 (alk. paper)
LON: 6295319

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Transparency; Publicity
Subject: GELEGENHEITSARBEIT EINER SKLAVIN (GW, Alexander Kluge, 1973)

Call No: 71(430) GER
Author: Rentschler, Eric
Place: New York
Publisher: Methuen
PubDate: 1986
PhysDes: x, 385 p. : ill. ; 24 cm
Subject: GERMANY; ADAPTATIONS. GERMANY; STUDENT VON PRAG, DER (G, Stellan Rye, 1913); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); LIEBELEI (G, Max Ophuls, 1933); LEBENZEICHEN (GW, Werner Herzog, 1968); LOTTE IN WEIMAR (GE, Egon Gunther, 1975); LINKSHANDIGE FRAU, DIE (GW, Peter Handke, 1977); EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980); BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980); HISTORY LESSONS [GESCHICHTSUNTERRICHT / LECONS D'HISTOIRE] (GW/IT, Jean-Marie Straub/Daniele Huillet, 1972); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); HAUPTMANN VON KOPENICK, DER (GW, Helmut Kautner, 1956); JUNGE TORLESS, DER (GW, Volker Schlondorff, 1966); WOZZECK (G, Georg C. Klaren, 1947); UNTERTAN, DER (GE, Wolfgang Staudte, 1951); FRAULEIN VON BARNHELM, DAS (G, Hans Schweikart, 1940); ZERBROCHENE KRUG, DER (G, Gustav Ucicky, 1937)
Notes: Includes index; Bibliography: p. [366]-378
ISBN: 0416603416 (pbk.); 0416603319
LON: 4216378

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GODUNOV, ALEXANDER

PhysDes: Article
Subject: GOOD GIRLS GO TO PARIS (US, Alexander Hall, 1939)

Call No: TITLE CLIPPINGS FILE
Subject: SHINE SHINE MY STAR [GORI GORI MOJA ZVEZDA] (UR, Alexander Mitta, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHINE SHINE MY STAR [GORI GORI MOJA ZVEZDA] (UR, Alexander Mitta, 1969)

Author: Riddell, Elizabeth
PhysDes: Article
Subject: GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981)

Call No: S GRE
Author: Stitt, Alexander
PubDate: [1981?]
PhysDes: 90 leaves
Subject: GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981)

Call No: 79GRE STI
Author: Stitt, Alexander
Source: AT
Place: Ringwood, Vic :
Publisher: Penguin Books,
PubDate: 1981.
PhysDes: 92] p. : col. ill. ; 15 x 20 cm.
Series: Cover subtitle: The book of the animated feature film. Screenplay by Alexander Stitt, based on the novel: Grendel/ by John Gardner.
Subject: GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981)
ISBN: 0140059377
Donation: donated by the family of Wayne Levy, 2006

Author: Burton, Lee
PhysDes: Article
Subject: GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981)

Call No: 79 GRE TOR
Author: Torre, Dan; Torre, Lienos
Edition: 2023
Place: New York
Publisher: Bloomsbury Academic
PubDate: 2021
PhysDes: 216 pages : illustrations ; 23 cm.
Subject: GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981); BEOWULF (US, Graham Baker, 1999); BEOWULF (US, Robert Zemeckis, 2007)
Summary: This open access study of the film Grendel Grendel Grendel, directed by Alexander Stitt, presents it as a masterpiece of animation and design which has attained a national and international cult status since its release in 1981. The film, based on the novel, Grendel, by John Gardner, is a loose adaptation of the Beowulf legend, but told from the point of view of the monster, Grendel. Grendel Grendel Grendel is a mature, intelligent, irreverent and quite unique animated film - it is a movie, both in terms of content and of an aesthetic that was well ahead of its time. Along with a brief overview of Australian animation and a contextualization of where this animated feature fits within the broader continuum of Australian (and global) film history, Dan Torre and Lienors Torre provide an intriguing analysis of this significant Australian animated feature. -- publisher's web site
ISBN: 9781501381119
Contents: List of Illustrations -- Acknowledgements -- Introducing Grendel -- Chapter One: The Genealogy of Grendel -- Chapter Two: Scenes of Grendel Grendel Grendel -- Chapter Three: Themes of Grendel Grendel Grendel -- Chapter Four: Making of Grendel Grendel Grendel -- Chapter Five: Aesthetics of Grendel Grendel Grendel -- Chapter Six: Grendel'll Get You -- Concluding Grendel -- A Guide to Further Research -- Bibliography -- Filmography -- Index

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 13 x 18 cm - 21 x 31 cm
Subject: USTINOV, PETER; SMEATON, BRUCE; STITT, ALEX; GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981)
Summary: Three black and white photographs relating to the animated film 'Grendel, grendel, grendel'

Call No: REFERENCE SECTION; 058 INT "2005"
Edition: 42nd ed.
Place: London
Publisher: Button
PubDate: 2005
PhysDes: 432 p. : col. ill. ; 24 cm.
Subject: PERIODICALS, FILM; INDUSTRY, FILM; DOCUMENTARIES; KI-DUK, KIM; LEIGH, MIKE; MORRIS, ERROL; PAYNE, ALEXANDER; ZELENKA, PETR
Summary: Includes articles on directors of the year, features on documentary cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.
Notes: Other title: International film guide 2005
ISBN: 0954876601

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 20 x 25 cm
Subject: OUTHRED, ALEXANDER; HAMMERS OVER THE ANVIL (AT, Ann Turner, 1993)
Summary: One black and white photograph of Alexander Outhred as Alan Marshall in the film 'Hammers over the anvil'

PhysDes: Article
Subject: HER PRIVATE LIFE (US, Alexander Korda, 1929)

Call No: 71(93) BAB
Author: Babington, Bruce
Source: UK
Place: Manchester
Publisher: Manchester University Press
PubDate: 2007
PhysDes: x, 290 p. : ill. ; 24 cm
Subject: TORR, OLIVER; DONALDSON, ROGER; REID, JOHN; PRESTON, GAYLENE; CAMPION, JANE; WARD, VINCENT; JACKSON, MICHAEL; JACKSON, PETER (NZ); CARO, NIKI; ADVENTURES IN MAORILAND: ALEXANDER MACKEY AND THE MAKING OF 'HEI TIKI' (NZ, Geoff Steven, 1981); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); BAD BLOOD (NZ, Mike Newell, 1981); BRAINDEAD (NZ, Peter Jackson, 1992); BROKEN BARRIER (NZ, Roger Mirams & John O'Shea, 1952); CAME A HOT FRIDAY (NZ, Ian Mune, 1985); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); IN MY FATHER'S DEN (NZ/UK, Brad McGann, 2004); JACK BE NIMBLE (NZ, Garth Maxwell, 1993); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SCARECROW, THE (NZ, Sam Pillsbury, 1982); SOLO (NZ/AT, Tony Williams, 1978); WHALE RIDER (NZ/GG, Niki Caro, 2002); XENA: WARRIOR PRINCESS [TV] (US, 1995-)
Summary: The is a comprehensive account of the New Zealand feature film from its beginnings, in 1912 to now, when New Zealand films are recognised internationally [Taken from the back of the book.]
Notes: Bibliography: p 279-282; Filmography: p.272-278; Includes index
ISBN: 9780719075414(hbk.); 9780719075421(pbk.)
Contents: 1 -- Introduction: the New Zealand fiction feature film: the history, theory, practice -- 2. Forgotten nitrate: feature film-making in New Zealand 1912-1940 -- 3. Fifty years a pioneer: the cinema of Rudall Hayward 1921-1972 -- 4. Sustaining the dream: the age of O'Shea -- 5. Living white males: New Zealand cinema 1975-1985 -- 6. 'World famous in New Zealand': contemporary cinema 1986-2005 -- 7. Wandering stars: New Zealand cinema on the world screen - Vincent Ward, Peter Jackson, Jane Campion

Call No: 756(94) STA
Author: Stadler, Jane -- Mitchell, Peta -- Carleton, Stephen
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: 2016
PhysDes: x, 226 pages ; 23 cm
Series: The spatial humanities
Subject: ABORIGINAL AUSTRALIANS IN FILMS; LANDSCAPES IN FILMS. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES; LOCATION SHOOTING. AUSTRALIA: VICTORIA; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: TASMANIA; LOCATION SHOOTING. AUSTRALIA: NORTHERN TERRITORY; CULTURE AND THE CINEMA. AUSTRALIA; CRIMINALS IN FILMS. AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; DAWN, NORMAN; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); LAST CONFESSION OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008); RED DOG (AT, Kriv Stenders, 2011); SAMSON AND DELILAH (AT, Warwick Thornton, 2009); VAN DIEMEN'S LAND (AT, Jonathon Auf Der Heide, 2009); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: "Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which Asutralian space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identifu patterns of represnetation in Australia's cultural landscape, the book presents an integrated prespective on the translation of space across narraitve forms and pioneers new ways of seeing and understanding landscape" - TAKEN FROM BACK COVER
ISBN: 9780253018458
Contents: Introduction : geocriticism's disciplinary boundaries -- Remediating space : adaptation and narrative geography -- Cultural topography and mythic space : Australia's North as gothic zone -- Spatial history : mapping narrative perceptions of place over time -- Mobility and travel narratives : geovisualizing the cultural politics of belonging to the land -- Terra incognita : mapping the uncertain and the unknown

Call No: REFERENCE SECTION; 058 INT "1968"
Author: Cowie, Peter
Place: London
Publisher: Tantivy Press
PubDate: 1967
PhysDes: v.
Subject: ANTONIONI, MICHELANGELO; NEMEC, JAN; LUMET, SIDNEY; IVENS, JORIS; WIDERBERG, BO; KLUGE, ALEXANDER

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 1999
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Notes: Includes bibliographical references and index
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939
URL status: URL: 'http://-' Checked: 31/08/2021 1:01:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 INT
Author: Nelmes, Jill, 1954
Edition: 3rd ed
Place: London
Publisher: Routledge
PubDate: 2003
PhysDes: xviii, 522 p. : ill. ; 26 cm
Subject: WARNER BROS.; STUDIO SYSTEM; AUDIENCES; GENRES; DOCUMENTARY FILMS; ANIMATION; COMPUTERS AND THE CINEMA; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; UNITED KINGDOM; INDIA; USSR; GERMANY; NARRATIVE IN FILMS; SPECTATORSHIP; CENSORSHIP; STARS; AUTEUR THEORY; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; KULESOV, LEV; KAPOOR, RAJ; Ray, Satyajit; DOVZENKO, ALEKSANDR; SHUB, ESTHER; FLAHERTY, ROBERT; JENNINGS, HUMPHREY; RIEFENSTAHL, LENI; WISEMAN, FREDERICK; POTTER, SALLY; TOCCAFONDO, GIANLUIGI; FELLOW TRAVELLER (UK/US, Philip Saville, 1990); DUCK AMUCK (US, Chuck Jones, 1953); GIRLS' NIGHT OUT (UK, Joanna Quinn, 1987); COLOUR BOX, A (UK, Len Lye, 1935); DEADSY (UK, David Anderson, 1989); DILWALE DULHANIYA LE JAYENGE (II, Aditya Chopra, [1995]); JAWS (US, Steven Spielberg, 1975); CRYING GAME, THE (UK, Neil Jordan, 1992); PLATOON (US, Oliver Stone, 1986); MARS ATTACKS! (US, Tim Burton, 1996); ROBOCOP (US, Paul Verhoeven, 1987); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); IF... (UK, Lindsay Anderson, 1968); PULP FICTION (US, Quentin Tarantino, 1994); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); HOOP DREAMS (US, Steve James, 1994); WHEN WE WERE KINGS (US, Leon Gast, 1996); GIRLS LIKE US (US, Jane C. Wagner & Tina De Feliciantonio, 1997); CREATURE COMFORTS (UK, Nick Park, 1991); NEIGHBOURS (US, Norman McLaren, 1952); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); GOLD DIGGERS, THE (US, Sally Potter, 1983); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); VICTIM (UK, Basil Dearden, 1961); DESERT HEARTS (US, Donna Deitch, 1985); LIVING END, THE (US, Gregg Araki, 1992); LOOKING FOR LANGSTON (UK, Isaac Julien, 1989); GO FISH (US, Rose Troche, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996); FULL MONTY, THE (UK/US, Robert Cattaneo, 1997); ABSCHIED VON GESTERN (GW, Alexander Kluge, 1966); AMERIKANISCHE FREUND, DER (GW/FR, Wim Wenders, 1977); DEUTSCHLAND, BLEICHE MUTTER (GW, Helma Sanders-Brahms, 1980)
Summary: Reference work covering a wide range of concepts, theories and ideas about film studies covering different periods and countries. Attempts to present the diversity of thought within film theory. First published in 1996.
Notes: Includes annotated key reading for each chapter, bibliography, glossary of key terms and index.
ISBN: 0415173094 (hb); 0415173108 (pb)
LON: 14043939

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUST LOOKING (US, Jason Alexander, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KEEP NOT SILENT (IS, Ilil Alexander, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: KHRUSTALNI BASHMACHOK (UR, Alexander Rou & Rostislav Zakharov, 1960)

Call No: 626:396 KIS
Author: Jayamanne, Laleen
Place: Sydney
Publisher: Power Publications
PubDate: 1995
PhysDes: 285 p. ; 22 cm
Subject: FEMINISM AND THE CINEMA; BIGELOW, KATHRYN; RUIZ, RAUL; MOFFATT, TRACEY; JAYAMANNE, LALEEN; PATRIOTIN, DIE (GW, Alexander Kluge, 1979); BAD TIMING (UK, Nicolas Roeg, 1980); NEAR DARK (US, Kathryn Bigelow, 1987); BLUE STEEL (US, Kathryn Bigelow, 1989); POINT BREAK (US, Kathryn Bigelow, 1991); EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990); BEDEVIL (AT, Tracey Moffat, 1993); RAGING BULL (US, Martin Scorsese, 1980); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948)
Notes: Includes bibliographical references
ISBN: 0909952264
LON: 11555393

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Transparency; Clippings; Publicity
Subject: KLUGE, ALEXANDER

Call No: 634.6 BAZ
Author: Bazelon, Irwin
Source: US/UK/CN//AT
Place: New York -- Toronto -- London -- Melbourne
Publisher: Van Nostrand Reinhold Co
PubDate: 1975
PhysDes: 352 pages : illustrations ; 25 cm
Subject: COMPOSING; MUSIC AND THE CINEMA; MUSIC IN FILMS; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938); THIS SPORTING LIFE (UK, Lindsay Anderson, 1963); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PATTON (US, Franklin J. Schaffner, 1970); WOMAN OF THE DUNES [SUNA NO ONNA] (JA, Hiroshi Teshigahara, 1964); PSYCHO (US, Alfred Hitchcock, 1960); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); VIVA ZAPATA (US, Elia Kazan, 1952); MIRACLE WORKER, THE (US, Paul Aaron, 1979)
Summary: "Everyone knows film music exists, but few people know anything about it. And yet film music is the extra dimension that points up motivations, adds nuances, and even suggests plot developments, moods, and feelings that contradict the visual image. This book will make you aware of the affective power of music in films and how it can enhance or detract from your involvement in the film." - taken from the dust jacket
Notes: Includes index
ISBN: 0442205945
Contents: Preface : opening music cue -- Film music and composer -- Film music : a short history -- The contemporary concert composer in films -- The technique of film scoring -- Film moments : what does music actually do? -- Closing music cue -- Personal appearances : interviews with composers [interviews with Elmer Bernstein, Leonard Rosenman, Jerry Goldsmith, John Williams, Richard Rodney Bennett, Alex North, Lalo Schifrin, Bernard Herrmann, David Raksin, Bernard Sega´ll, Laurence Rosenthal, Johnny Mandel, Paul Glass, John Barry, and Gail Kubik]

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: KNOX, ALEXANDER

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: KORDA, ALEXANDER

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KRIEG UND FRIEDEN (GW, Alexander Kluge & Volker Schlondorff & Stefan Aust & Axel Engstfeld, 1983)

PhysDes: Article
Subject: KRIEG UND FRIEDEN (GW, Alexander Kluge & Volker Schlondorff & Stefan Aust & Axel Engstfeld, 1983)
Summary: ill; credits; cynopsis; port

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LADYKILLERS, THE (UK, Alexander MacKendrick, 1955)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST CONFESSION OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST CONFESSIONS OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Australian Broadcasting Corporation
PhysDes: 4 photographs : b&w ; 17 x 22 cm
Subject: FRIELS, COLIN; ALEXANDER, ELIZABETH; LEAVING OF LIVERPOOL, THE [TV] (AT/UK, 1993)
Summary: 4 black and white photographs of Colin Friels and Elizabeth Alexander as Roger and Jill, Christine Tremarco as Lily and her Frances Barber as her mother, Lily and Kevin Jones as Bert, children at the Star of the Sea Orphanage. Descriptions on back of photographs

Call No: 81MAC KEM
Author: Kemp, Philip
Place: London
Publisher: Methuen
PubDate: 1991
PhysDes: xviii, 298 p. : ill. ; 24 cm
Subject: MACKENDRICK, ALEXANDER
Notes: Filmography: p. [267]-286; Includes bibliographical references (p. [262]-266) and index
ISBN: 0413649806 : ª17.99
LON: bnb41364980; 7713785

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: LONELY IN AMERICA (US, Barry Alexander Brown, 1990)

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); TOPO, EL (MX, Alexandro Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MACKENDRICK, ALEXANDER

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Article
Subject: MARIUS (FR, Alexander Korda/Marcel Pagnol, 1931)

Call No: 745.2 MAR
Edition: 2015
Place: London; New York
Publisher: Berghahn Books
PubDate: July 2015
PhysDes: 290 p. : illus. ; 23 cm
Subject: MEDVEKIN, ALEXANDER; GODARD, JEAN-LUC; MARKER, CHRIS; STRAUB, JEAN-MARIE; HUILLET, DANIELE; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968); PALESTINE
Notes: In Theses on Feuerbach, Marx writes, “The philosophers have only interpreted the world differently; the point is to change it.” This collection examines how filmmakers have tried to change the world by engaging in emancipatory politics through their work, and how audiences have received them. It presents a wide spectrum of case studies, covering both film and digital technology, with examples from throughout cinematic history and around the world, including Soviet Russia, Palestine, South America, and France. Discussions range from the classic Marxist cinema of Aleksandr Medvedkin, Chris Marker, and Jean-Luc Godard, to recent media such as 5 Broken Cameras (2010), the phenomena of video-blogging, and bicycle activism films. -- publisher's web site
ISBN: 9781782386421
Contents: CONTENTS List of Figures Introduction -- Ewa Mazierska and Lars Kristensen PART I: PAST ACTIVISM Chapter 1. Between socialist modernisation and cinematic modernism: the revolutionary politics of aesthetics of Medvedkin’s cinema-train -- Gal Kirn Chapter 2. Politics and Aesthetics within Godard’s Cinema -- Jeremy Spence Chapter 3. Marker, Activism and Melancholy: Reflections on the Radical ‘60s in the later films of Chris Marker. -- Jon Kear Chapter 4. Marx Immemorial: workers and peasants in the cinema of Jean-Marie Straub and Danièle Huillet -- Manuel Ramos Martinez Chapter 5. In the Heat of the Factory: The Global Fires of The Hour of the Furnaces -- Bruce Williams PART II: PRESENT ACTIVISM Chapter 6. Contemporary political cinema: the impossibility of passivity -- William Brown Chapter 7. Cultural resistance through film: The case of Palestinian cinema -- Haim Bresheeth Chapter 8. The Contemporary Landscape of Video-Activism in Britain -- Steve Presence Chapter 9. Marxist Resistance at Bicycle Speed: Screening the Critical Mass Movement -- Lars Kristensen Chapter 10. Tales of a video blogger -- Michael Chanan Chapter 11. Recovering the Future: Marxism and Film Audiences -- Martin Barker Notes on Contributors Index

Call No: 771(73) PIP
Author: Pipolo, Tony
Edition: 2021
Place: New York
Publisher: Oxford University Press
PubDate: 2021
PhysDes: x, 200 pages : illustrated ; 25 cm
Subject: MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); AT LAND (US, Maya Deren, 1944); RITUAL IN TRANSFIGURED TIME (US, Maya Deren, 1946); BRAKHAGE, STAN; MARKOPOULOS, GREGORY; GEHR, ERNIE; DEREN, MAYA; BEAVERS, ROBERT
Summary: The prevalence of loss and mourning, and of charged relationships with parents or parental figures has had a surprising influence on several American avant-garde filmmakers' work . To date, however, little attention has been given to these themes. In The Melancholy Lens, author Tony Pipolo offers a detailed look at the significant role of underlying biographical and psychological factors in specific works by leading avant-garde filmmakers. Covering a range of filmmakers including Maya Deren, Stan Brakhage, Gregory Markopoulos, Robert Beavers, Ken Jacobs, and Ernie Gehr, The Melancholy Lens takes a sensitive approach to understand the motivations of each filmmaker as related to a given work. Pipolo argues, for example, that the work of Deren and Brakhage lends itself to a more aggressive appreciation of psychoanalytic principles. The Deren films studied-Meshes of the Afternoon, At Land, and Ritual in Transfigured Time-are read as varying responses to the death of her father, with whom she had a strained relationship. Tortured Dust-the final film Brakhage made about his first family-was, by his own account, a work of contention and desperation. The elusiveness of Gregory Markopoulos' The Mysteries cannot conceal its naked obsession with death any more than it can diminish the film's poignancy. Robert Beavers' Sotiros is an especially rich and vivid exposure of a vulnerable chapter in the filmmakers's life. In the final two chapters on Ken Jacobs and Ernie Gehr, Pipolo looks outward for artistic motivation to show how both filmmakers' fascination with the history of film and video manifests as a melancholic view of greater history in their work. In the afterword, the author considers later figures whose work is kindred to the theme of this book, among them Nathaniel Dorsky, Phil Solomon, David Gatten, and Lewis Klahr. -- publisher's web site
ISBN: 9780197551172
Contents: Introduction -- Chapter 1. Father Time: Maya Deren's Meshes of the Afternoon, At Land, and Ritual in Transfigured Time -- Chapter 2. This Common Clay: Stan Brakhage and Tortured Dust -- Chapter 3. A Dance with Death: Gregory Markopoulos and The Mysteries -- Chapter 4. Eros Interrupted: Robert Beavers's The Ground and Sotiros -- Chapter 5. The Tempering Frame: Ernie Gehr's Media Romance -- Afterword -- Notes -- Index

Author: Bergroth, Trevor; Koller, Michael
PhysDes: Article
Subject: ARTISTEN IN DER ZIRKUSKUPPEL, DIE: RATLOS (GW, Alexander Kluge, 1968) ARTISTS AT THE TOP OF THE BIG TOP: DISORIENTED (GW, Alexander Kluge, 1968)
Notes: Credits. - synopsis. - reviews

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MENDEL (NO/DK/GG, Alexander Rosler, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943)

Call No: TITLE CLIPPINGS FILE; NEBRASKA (US, Alexander Payne, 2013)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: NEBRASKA (US, Alexander Payne, 2013)
Summary: Positive review of the Bruce Dern road movie.
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEBRASKA (US, Alexander Payne, 2013)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: NEVZOROV, ALEXANDER

Call No: 71(430.1) FRA
Author: Franklin, James, 1943
Place: London
Publisher: Columbus
PubDate: 1986, c1983
PhysDes: [230] p. : ill., ports ; 22cm
Subject: GERMANY; KLUGE, ALEXANDER; HUILLET, DANIELE; SCHLONDORFF, VOLKER; HERZOG, WERNER; FASSBINDER, RAINER WERNER; Wenders, Wim; SYBERBERG, HANS JURGEN; STRAUB, JEAN-MARIE
Notes: German cinema films,. 1950-1980 - Critical studies (BNB/PRECIS); Originally published: Boston, Mass.: Twayne, 1983; Includes bibliography and index
ISBN: 086287209X : ª5.95 : CIP confirmed
LON: 4636613

Call No: 71(430.1) SAN
Author: Sandford, John, 1944
Place: London
Publisher: Eyre Methuen
PubDate: 1981
PhysDes: 180p : ill ; 24cm
Subject: GERMANY; DIRECTORS. GERMANY; WOMEN IN FILMS. GERMANY; KLUGE, ALEXANDER; SCHLONDORFF, VOLKER; HERZOG, WERNER; FASSBINDER, RAINER WERNER; Wenders, Wim; SYBERBERG, HANS JURGEN; STRAUB, JEAN-MARIE
Notes: Includes bibliography
ISBN: 041348890X
LON: 2273202 2273202 2383809

Call No: 71(430.1) COR
Author: Corrigan, Timothy, 1951
Edition: 1st ed
Place: Austin
Publisher: University of Texas Press
PubDate: 1983
PhysDes: xiv, 213 p. : ill. ; 24 cm
Subject: GERMANY; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972); STARKE FERDINAND, DER (GW, Alexander Kluge, 1976); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FANGSCHUSS, DER (GW/FR, Volker Schlondorff, 1976); IM LAUF DER ZEIT (GW, Wim Wenders, 1976)
Notes: Includes index; Bibliography: p. [203]-210; Filmography: p. [197]-201
ISBN: 0292710860; 0292710879 (pbk.)
LON: 2807733 2807733

Call No: 802.25(430.1) HEW
Author: Phillips, Klaus
Place: New York
Publisher: Ungar Pub. Co.
PubDate: c1984
PhysDes: xxv, 462 p. : ill., ports. ; 22 cm
Subject: DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; BRUSTELLIN, ALF; COSTARD, HELLMUTH; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HAUFF, REINHARD; HERZOG, WERNER; KLUGE, ALEXANDER; LILIENTHAL, PETER; SCHLONDORFF, VOLKER; TROTTA, MARGARETHE VON; STOCKL, ULA; STRAUB, JEAN-MARIE; HUILLET, DANIELE; SYBERBERG, HANS JURGEN; Wenders, Wim; BOHM, HARK; SINKEL, BERNHARD; REITZ, EDGAR; SPILS, MAY; ENKE, WERNER
Notes: Includes index; Bibliography: p. 428-462
ISBN: 0804426880 : $16.95; 0804466483 (pbk.) : $9.95
LON: 3146469

Call No: 761 BAR
Author: Barsam, Richard Meran
Place: London
Publisher: Allen and Unwin
PubDate: 1974
PhysDes: xix, 332 p. : ill., ports. ; 22 cm
Subject: NON-FICTION FILMS; DOCUMENTARY FILMS; CINEMA-DIRECT; PROPAGANDA FILMS; WAR FILMS; ANDERSON, LINDSAY; CAPRA, FRANK; CAVALCANTI, ALBERTO; VAN DONGEN, HELEN; DOVZENKO, ALEKSANDR; FLAHERTY, ROBERT; GRIERSON, JOHN; HUSTON, JOHN; IVENS, JORIS; JENNINGS, HUMPHREY; KING, ALLAN; LEACOCK, RICHARD; LYE, LEN; MAYSLES, ALBERT & DAVID; PENNEBAKER, D. A.; REISZ, KAREL; RIEFENSTAHL, LENI; ROTHA, PAUL; RUTTMAN, WALTER; STORCK, HENRI; VAN DYKE, WILLARD; VERTOV, DZIGA; WADLEIGH, MICHAEL; WATT, HARRY; WISEMAN, FREDERICK; WRIGHT, BASIL; BOND, RALPH; ANSTEY, EDGAR; LORENTZ, PARE; HAMMID, ALEXANDER; ROGOSIN, LIONEL; STEINER, RALPH; ELTON, ARTHUR; JACOBY, IRVING; LAND, THE (US, Robert Flaherty, 1942); FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937); ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952); BATTLE OF RUSSIA, THE (US, Frank Capra, 1944); LET THERE BE LIGHT (US, John Huston, 1946); DON'T LOOK BACK (US, D.A. Pennebaker, 1967)
Summary: "Nonfiction film is the first work to document the whole history of nonfiction film from the 1920s to the present day. The main emphasis of the book is on the British and American cinema and hundreds of documentary, action, and 'actuality' films from Nanook of the North to Woodstock and Gimme Shelter are described, discussed and analysed, including films by the great pioneers such as Robert Flaherty, Basil Wright, John Grierson and Paul Rotha and the new experimental film makers like Richard Leacock, D. A. Pennebaker, Frederick Wiseman and Albert and David Maysles. Richard Barsam provides a critical framework against which the non-fiction film can be studied and enjoyed. Among the many topics covered are early American, Russian and Continental films, the British and American films of the twenties and thirties, the films of World War II and the whole range of styles and subjects of the fifties, sixties and today." -- BOOK BLURB
Notes: Originally published: New York : Dutton, 1973; Bibl.: p.317-321. - List of films: p.299-316. - Index
ISBN: 0047910313 (Pbk) : ª1.95; 0047910305
LON: 1923477
Contents: 1. Defining nonfiction film -- 2. The American, Russian, and continental beginnings -- 3. John Grierson and the early British documentary -- 4. British documentary in the later 1930's -- 5. European and American nonfiction film: 1930-1940 -- 6. The humanistic vision of Robert Flaherty -- 7. World War II on film -- 8. Nonfiction film in transition: 1940-1950 -- 9. Old traditions and new directions: 1950-1960 -- 10. The new nonfiction film: 1960-1970
URL status: URL: 'http://-' Checked: 31/08/2021 12:58:55 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: OLD MAN AND THE SEA, THE (US, Alexander Petrov, 1999)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: OTETS I SYN (RU, Alexander Sokurov, 2003)
Cross Reference: FATHER AND SON (RU, Alexander Sokurov, 2003) SEE OTETS I SYN
CrossTag: 1

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PARK, ALEXANDER

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PATRIOTIN, DIE (GW, Alexander Kluge, 1979)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: PAYNE, ALEXANDER
URL status: URL: 'http://file://Q:/P/PAYNE,_ALEXANDER.zip' Checked: 31/08/2021 1:01:12 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PEARL (US, Hy Averback & Alexander Singer, 1978)

Call No: 81SEL EVA
Author: Evans, Peter
Source: UK
Place: London
Publisher: New English Library
PubDate: 1980
PhysDes: 256 p., [16] p. of plates : ports ; 18 cm
Subject: ACTORS. UK; TWENTIETH CENTURY-FOX; BOULTING, ROY; CHAPLIN, CHARLES; MILLIGAN, SPIKE; O'TOOLE, PETER; PARRISH, ROBERT; SELLERS, PETER; WILDER, BILLY; MANKOWITZ, WOLF; BEING THERE (US, Hal Ashby, 1979); CASINO ROYALE (UK, John Huston & Ken Hughes & Val Guest & Robert Parrish & Joseph McGrath, 1967); GOON SHOW, THE [TV] (UK, 1968); I'M ALL RIGHT JACK (UK, John Boulting, 1959); LADYKILLERS, THE (UK, Alexander MacKendrick, 1955); WHAT'S NEW PUSSYCAT (US, Clive Donner, 1965); THERE'S A GIRL IN MY SOUP (UK, Roy Boulting, 1970)
Notes: Filmography: p248-250. Includes index.
ISBN: 0450050483
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: POUR SACHA (FR, Alexander Arcady, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933)

Call No: 802 PRO v.4 1/2
Author: Boorman, John, 1933; Donohue, Walter
CorpAuthor: Positif
Place: London
Publisher: Faber and Faber
PubDate: 1995
PhysDes: vii, 312 p. : ill., ports. ; 24 cm
Subject: Keaton, Buster; ALTMAN, ROBERT; ASSAYAS, OLIVIER; WARHOL, ANDY; BOORMAN, JOHN; COEN, JOEL & ETHAN; PRICE, VINCENT; LANG, FRITZ; EASTWOOD, CLINT; FREARS, STEPHEN; FULLER, SAMUEL; ALLEN, WOODY; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; REISZ, KAREL; VON STROHEIM, ERICH; RUIZ, RAUL; SEN, MRINAL; TAVERNIER, BERTRAND; ALMEREYDA, MICHAEL; JARMAN, DEREK; LOWENSTEIN, RICHARD; POTTER, SALLY; ROUSSELOT, PHILIPPE; TOLKIN, MICHAEL; WARD, VINCENT; ZINNEMANN, FRED; ANGELOPOULOS, THEO; AVATI, PUPI; MARVIN, LEE; BREILLAT, CATHERINE; BRISSEAU, JEAN-CLAUDE; CAVALIER, ALAIN; CHABROL, CLAUDE; BUGIN, HARRY; COMENCINI, LUIGI; DE FILIPPO, EDUARDO; CORMAN, ROGER; CORNEAU, ALAIN; DEVILLE, MICHEL; DIEGUES, CARLOS; EGOYAN, ATOM; MACKENDRICK, ALEXANDER; GAAL, ISTVAN; GREENAWAY, PETER; HARRIS, JAMES B.; HELLMAN, MONTE; IOSELIANI, OTAR; BARNET, BORIS; KAZAN, ELIA; KEZDI-KOVACS, ZSOLT; KIAROSTAMI, ABBAS; KLOPCIC, MATJAZ; A TOUT ALLURE (FR, Robert Kramer, 1982); LATTUADA, ALBERTO; LECONTE, PATRICE; LEIGH, MIKE; LOACH, KENNETH; MAKAVEJEV, DUSAN; PEREIRA DOS SANTOS, NELSON; MINGOZZI, GIANFRANCO; MONICELLI, MARIO; PARRISH, ROBERT; PENN, ARTHUR; PINTILIE, LUCIAN; POLANSKI, ROMAN; RIPSTEIN, ARTURO; RISI, DINO; RISSIENT, PIERRE; ROHMER, ERIC; ROSI, FRANCESCO; RUDOLPH, ALAN; SARMIENTO, VALERIA; SAUTET, CLAUDE; SCHATZBERG, JERRY; SCHRADER, PAUL; SIJAN, SLOBODAN; STEVENIN, JEAN-FRANCIS; TAVIANI, PAOLO & VITTORIO; VARDA, AGNES; YANG, EDWARD; ZANUSSI, KRZYSZTOF; ZULAWSKI, ANDREJ; KERRIGAN, LODGE; LINKLATER, RICHARD; RIDLEY, PHILIP; ROBERTS, JULIA; RUSSELL, DAVID O.; SHERMAN, VINCENT; DAVIS, BETTE; SIEGEL, DAVID; MCGEHEE, SCOTT; SODERBERGH, STEVEN; TOBACK, JAMES; BABY DOLL (US, Elia Kazan, 1956); TEOREMA (IT, Pier Paolo Pasolini, 1968); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); SZEGENYLEGENYEK (HU, Miklos Jancso, 1966); ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); HUSTLER, THE (US, Robert Rossen, 1961); MIRAGE (US, Edward Dmytryk, 1965); BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964); POSITIF
Notes: "In association with Positif."; "Centenary edition"--P. vii
ISBN: 0571176097
LON: abn96057645; 12129416

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RED GOLD: THE EPIC STORY OF BLOOD [TV] (US, Alexander Marengo & Nick Read, 2002)

Call No: 802(73) MOO
Author: Moon, Spencer
Source: US
Place: Westport, Conn
Publisher: Greenwood Press
PubDate: 1997
PhysDes: xvi, 396 p. : ill., ports. ; 25 cm
Subject: PRODUCERS. USA; ALEXANDER, WILLIAM; BOURNE, ST. CLAIR; BURNETT, CHARLES; CHENZIRA, AYOKA; DASH, JULIE; DUKE, BILL; FANAKA, JAMAA; FRANKLIN, CARL; GREAVES, WILLIAM; HAMPTON, HENRY; HUDLIN, REGINALD; HUDLIN, WARRINGTON; JACKSON, GEORGE; LEE, SPIKE; MICHEAUX, OSCAR; PARKERSON, MICHELLE; PARKS, GORDON; RIGGS, MARLON; ROBERTSON, HUGH A.; SINGLETON, JOHN; TOWNSEND, ROBERT; WARREN, MARK; WAYANS, KEENEN IVORY; WAYANS, MARLON; WAYANS, SHAWN; WILLIAMS, SPENCER; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994); AMAZING GRACE AND CHUCK (US, Mike Newell, 1987); AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BEAT STREET (US, Stan Lathan, 1984); BETTER OFF DEAD (US, Savage Steve Holland, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); BRIDE PRICE (KE, Shatrujit Paul, 1991); CARBON COPY (US, Michael Schultz, 1981); CEMETERY CLUB, THE (US, Bill Duke, 1993); CHILD SAVER, THE [TV] (US, Stan Lathan, 1988); P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992); CROOKLYN (US, Spike Lee, 1994); DEEP COVER (US, Bill Duke, 1992); DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995); DISORDERLIES (US, Michael Schultz, 1987); DO THE RIGHT THING (US, Spike Lee, 1989); RAW (US, Robert Townsend, 1987); EYES ON THE PRIZE [TV] (US, 1987-1990); [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991); GLASS SHIELD, THE (US, Charles Burnett, 1994); GREASED LIGHTNING (US, Michael Schultz, 1977); HIGHER LEARNING (US, John Singleton, 1994); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); INKWELL, THE (US, Matty Rich, 1994); JASON'S LYRIC (US, Doug McHenry, 1994); KILLING FLOOR, THE (US, Bill Duke, 1985); KRUSH GROOVE (US, Michael Schultz, 1985); LAUREL AVENUE (US, Carl Franklin, 1993); MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993); OBEAH (US, Hugh A. Robertson, 1986); PANTHER (US, Mario Van Peebles, 1995); PENITENTIARY II (US, Jamaa Fanaka, 1982); POETIC JUSTICE (US, John Singleton, 1993); QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]); RAISIN IN THE SUN, A (US, Daniel Petrie, 1961); SCAVENGER HUNT (US, Michael Schultz, 1979); SHAFT (US, Gordon Parks Jr., 1971); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968); STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991); VEILED ARISTOCRATS (US, Oscar Micheaux, 1932); WHICH WAY IS UP? (US, Michael Schultz, 1977); WITHIN OUR GATES (US, Oscar Micheaux, 1919)
Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.
Notes: Includes filmographies, bibliographical references (p. [385] - 386) and index
ISBN: 0313298300
Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RESIDENT EVIL: APOCALYPSE (GG/UK/FR, Alexander Witt, 2004)

Call No: 802.27 RIS
Author: Curtis, Anthony
Place: London
Publisher: Weidenfeld & Nicolson
PubDate: [1974]
PhysDes: 215 p. illus. 26 cm
Subject: ACTORS; BEATON, CECIL; COWARD, NOEL; AXELROD, GEORGE; GIELGUD, JOHN; GISH, LILLIAN; VALENTINO, RUDOLPH; WYNDHAM, CHARLES; ALEXANDER, GEORGE; DU MAURIER, GERALD; DU MAURIER, DAPHNE; NOVELLO, IVOR; BUCHANAN, JACK; COCHRAN, CHARLES; ELSIE, LILY
ISBN: 0297765426
LON: 324463

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SALKIND, ALEXANDER

Call No: 71(41) PET
Author: Petrie, Duncan J., 1963
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: 250 p. : ill., ports. ; 24 cm
Subject: UNITED KINGDOM : SCOTLAND; NATIONAL IDENTITY AND THE CINEMA. UK : SCOTLAND; CHANNEL FOUR; DOUGLAS, BILL; FORSYTH, BILL; Grierson, John; BOYLE, DANNY; MACKENDRICK, ALEXANDER; Powell, Michael; MULLAN, PETER; MCDOUGALL, PETER; GRIGOR, MURRAY; CAUGHIE, JOHN; MACKENZIE, JOHN; BROTHERS, THE (UK, David MacDonald, 1947); SHIPBUILDERS, THE (UK, John Baxter, 1943); WHISKY GALORE (UK, Alexander MacKendrick, 1949); BRAVEHEART (US, Mel Gibson, 1995); BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996); I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945); MY NAME IS JOE (UK/GG, Kenneth Loach, 1998); ORPHANS (UK, Peter Mullan, 1997); RATCATCHER (UK, Lynne Ramsey, 1999); ROB ROY (US, Michael Caton-Jones, 1995); SHALLOW GRAVE (UK, Danny Boyle, 1994); TRAINSPOTTING (UK, Danny Boyle, 1996)
Notes: Includes bibliographical references (p. [231]-237) and index
ISBN: 085170784X(cased) : No price; 0851707858(pbk.) : ¦14.99
LON: 21532814

Call No: 409.1 COO
Author: Cook, Pam
Source: UK
Place: London ; New York
Publisher: Routledge
PubDate: 2005
PhysDes: xiii, 246 p. : ill. ; 24 cm
Subject: HISTORY AND THE CINEMA; NOSTALGIA IN FILMS; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES; GENDER AND THE CINEMA; MEN IN FILMS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; SEXUALITY AND THE CINEMA; TYPE CHARACTERS IN FILMS; MELODRAMA; WESTERNS; SCORSESE, MARTIN; BIGELOW, KATHRYN; HAYNES, TODD; WONG KAR WAI; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); GOLD DIGGERS, THE (US, Sally Potter, 1983); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MILDRED PIERCE (US, Michael Curtiz, 1945); RAGING BULL (US, Martin Scorsese, 1980); MANDY (UK, Alexander Mackendrick, 1952); DANCE WITH A STRANGER (UK, Mike Newell, 1985)
Summary: Exploring film culture's obsession with the past through analyses of a wide range of films, from Mildred Pierce and Brief Encounter to Raging Bull and Dance With a Stranger. Examines current debates about the role of cinema in mediating history through memory and nostalgia through a discussion of In the Mood for Love and Far From Heaven, with the suggestion that many films use strategies of memory to challenge established ideas of history, and the traditional role of historians."--BOOK JACKET
Notes: Includes bibliographical references and index (pp. 241-46)
ISBN: 0415183758 (pbk. : alk. paper)
Contents: Introduction: the past today -- Rethinking nostalgia: In the mood for love and Far from heaven -- Duplicity in Mildred Pierce -- Women and the Western -- The pleasures and perils of exploitation films -- Melodrama and the women's picture -- Mandy: daughter of transition -- Memory in British cinema: brief encounters -- Stars and politics -- The gold diggers -- No fixed address: the women's picture from Outrage to Blue Steel -- Masculinity in crisis? -- The last temptation of Christ -- Scorsese's masquerade -- The age of innocence -- Fashion and sexual display in 1950s Hollywood -- Replicating the past: memory and history in Dance with a stranger -- Fictions of identity: style, mimicry, and gender in the films of Kathryn Bigelow.

Call No: 745.9[323.28](430.1)
Author: Gerhardt, Christine
Place: United States
PubDate: 2018
PhysDes: xii, 308 pages : illustrated ; 25cm
Subject: TERRORISM AND THE CINEMA; FASSBINDER, RAINER WERNER; VERLORENE EHRE DER KATHARINA BLUM, DIE (GW, Volker Schlondorff & Margarethe von Trotta, 1975); DEUTSCHLAND IM HERBST (GW, Alf Brustellin & Bernhard Sinkel & Rainer Werner Fassbinder & Alexander Kluge & Beate Mainka-Jellinghaus & Maximiliane Mainka & Peter Schubert & Edgar Reitz & Katja Rupe & Hans Peter Cloos & Volker Schlondorff, 1978); BAADER MEINHOF KOMPLEX, DER see BAADER MEINHOF COMPLEX, THE (G/F/CZ, Uli Edel, 2008); STILLE NACH DEM SCHUSS, DIE (GG, Volker Schlondorff, 2000); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); MUTTER KUSTERS FAHRT ZUM HIMMEL (GW, Rainer Werner Fassbinder, 1975); ZWEITE ERWACHEN DER CHRISTA KLAGES, DAS (GW, Margarethe von Trotta, 1978)
Summary: Screening the Red Army Faction: Historical and Cultural Memory explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledgling republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long sixties and of the RAF is created and re-created through cultural texts. -- publisher's web site
ISBN: 9781501336676
Donation: Arian Danks
Contents: Introduction -- 1. Looking Back: The Political and Historical Context, 1945-1970 -- 2. Print Media and Social Movements in West Germany, 1967-1972 -- 3. The RAF, Surveillance and the German Autumn in Cinema, 1966-1978 -- 4. Diverging Trajectories: The RAF and Political Alternatives in New German Cinema, 1972-1982 -- 5. Terrorism and the Cold War: The RAF and East Germany's The Ministry of State Security, 1982-1990 -- 6. Terrorism and Memory: Gerhard Richter's October 18, 1977 and the Kunst-Werke Exhibit Myth of the RAF -- Bibliography -- Filmography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SCREWED: AL GOLDSTEIN'S KNIGDOM OF PORN (US, Alexander Crawford, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: SECRET GAMES 3 (US, Alexander Gregory Hippolyte, 1994)

Call No: 115 287 (430.1) GRA
Author: Gramann, Karola
Edition: 1st ed.
Source: Federal Republic of Germany
Place: Munich
Publisher: Goethe Institute
PubDate: 1987
PhysDes: 52 p ; 20cm + b&w ill.
Subject: SHORT FILMS; GERMAN FEDERAL REPUBLIC; NON-FICTION FILMS; WORKERS IN FILMS; WOMEN IN FILMS; FEMINISM AND THE CINEMA; POLITICAL FILMS; NAZIS IN FILMS; HISTORICAL FILMS; WORLD WAR II AND THE CINEMA; PEWAS, PETER; WILMS, ELISABETH; KOERBER, MARTIN; TICHAWSKY, HEINRICH; NESTLER, PETER; HERZ, HORST; DOERRIES, BERNHARD; KLUGE, ALEXANDER; SCHAMONE, PETER; STRAUB, JEAN-MARIE; KRISTL, VLADO; THOME, RUDOLPH; FASSBINDER, RAINER WERNER; STOCKL, ULA; OTTINGER, ULRIKE; HERBST, HELMUT; SANDERS-BRAHMS, HELMA; FAROCKI, HARUN; GIEFER, THOMAS; BERSWORDT-WALLRABE, VON, ALEXANDER; MERBACH, ROSEMARIE; SCHUBERT, DIETRICH; WINZENSTEN, FRANZ; LANG, MARIA; NOLL BRINCKMANN; JORITZ, CATHY; MIKESCH, ELFI; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966); MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949); DORTMUND DAMALS (GR, Elisabeth Wilms, 1947); HERBSTBEDANKEN (GR, Peter Pewas, 1950); VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983); NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961); MULHEIM/RUHR (GR, Peter Nestler, 1964); ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982); MANNEQUIN, DAS (GR, Bernhard Doerries, 1960); BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960); MACHORKA MUFF (GR, Jean-Marie Straub, 1962); MADELEINE-MADELEINE (GR, Vlado Kristl, 1963); VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65); ANTIGONE (GR, Ula Stockl, 1964); SUPERBIA (GR, Ulrike Ottinger, 1986); SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964); INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71); NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969); TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968); ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979); MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979); GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982); ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985); ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969); FAMILY CRYPT [FAMILIENGRUFT: EIN LIEBESGEDICHT AN MEINE MUTTER] (GW, Maria Lang, 1982); HALF A LIFE [HALBES LEBEN, EIN] (GW, Christine Noll Brinckmann, 1983); NEGATIVE MAN (GR, Cathy Joritz, 1985); EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979)
Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films.

Call No: 81EIS SER
CorpAuthor: Canadian Film Archives.
Source: CN
Place: [Ottawa]
Publisher: Canadian Film Archives, a division of the Canadian Film Institute
PubDate: [1968]
PhysDes: 23 p. ; 29 cm.
Subject: STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei M. Eisenstein, 1938); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946])

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHEPHERD OF THE SOUTHERN CROSS, THE (AT, Alexander Butler, 1915)

PhysDes: Article
Subject: EXPLORERS: THE STORY OF ALEXANDER VON HUMBOLDT (UK, Fred Burnley, 1975)
Summary: Short entry on documentary film "Explorers: The Story of Alexander Von Humboldt" that is approximately fifty words (50) in length

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIDEWAYS (US, Alexander Payne, 2004)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SKARSGARD, ALEXANDER

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SOKOUROV, ALEXANDER

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SOKUROV, ALEXANDER

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOLNTSE (RU/FR/IT/SZ, Alexander Sokurov, 2005); SUN, THE (RU/FR/IT/SZ, Alexander Sokurov, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SORTED (UK, Alexander Jovy, 2000)

Call No: 71(47)SOW
CorpAuthor: Kommunales Kino Freiburg
Place: Freiburg
Publisher: [Kommunales Kino Freiburg]
PubDate: [1962?]
PhysDes: 16 p. ; 30 cm
Subject: USSR; VERTOV, DZIGA; EISENSTEIN, SERGEI M.; DOVZENKO, ALEKSANDR; MEDVEKIN, ALEXANDER
Summary: Photocopied program notes on Soviet silent film (12 p.) + notes marked "Stockholm 1959" (2 + 2 p.) "Films de la Cinematheque Francaise" and "Films de provenance etrangere".
Language: German; French

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Synopsis
Subject: STARKE FERDINAND, DER (GW, Alexander Kluge, 1976)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: STITT, ALEXANDER

Call No: 802.25(71) MOT
Author: Mottram, James
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 2006
PhysDes: xxix, 480 p. : ill. ; 24cm
Subject: INDEPENDENT FILMS. USA; SUNDANCE INSTITUTE; SODERBERGH, STEVEN; Tarantino, Quentin; RUSSELL, DAVID O.; RODRIGUEZ, ROBERT; LINKLATER, RICHARD; FINCHER, DAVID; JONZE, SPIKE; ANDERSON, PAUL THOMAS; ANDERSON, WES; LEONARD, ELMORE; COPPOLA, SOFIA; PEIRCE, KIMBERLY; SINGER, BRYAN; KAUFMAN, CHARLIE; PAYNE, ALEXANDER
Summary: From Publishers Weekly Mottram covers the same territory Sharon Waxman did in 2005's Rebels on the Backlot, including extensive considerations of directors Steven Soderbergh and Quentin Tarantino, but the British film journalist adds several filmmakers into the mix, including Sofia Coppola and Wes Anderson, concentrating primarily on hot young talents discovered at the Sundance Film Festival. He's also more interested in what's on the screen than Waxman was, so nearly every chapter has lengthy analyses of the movies discussed. But these interpretive flights distract from the reportage, especially when Mottram dismisses successful directors like Robert Rodriguez (who arguably have taken back Hollywood) because he doesn't consider movies like Spy Kids mature enough for serious consideration, or when he insists on linking every modern maverick to a counterpart in '70s cinema. He also links some films together by simplistic means, grouping a trilogy of films set in high schools in one chapter and building another chapter around Elmore Leonard adaptations. Mottram does give insight into the career trajectories of a few of his subjects, most notably Soderbergh, David Fincher and Bryan Singer, making his history a useful starting point.
Notes: Includes notes, general index and index of films
ISBN: 0571222676

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957)

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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Author: Bright, Greg
PhysDes: Article
Subject: ABRA CADABRA (AT, Alexander Stitt, 1981)
Summary: "Abbra Cadabra" pioneers a new type of 3D

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: TOTO AND HIS SISTERS [TOTO SI SURORILE LUI] (RM/HU/SZ/CN, Alexander Nanau, 2014)
Cross Reference: TOTO AND HIS SISTERS [TOTO SI SURORILE LUI]

Author: M., A.
PhysDes: Review Credits
Subject: OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938)
Summary: Review of Sergei M. Eisenstein's films "Alexander Nevsky" and "October".

Call No: 634.6 HIL
Author: Hillman, Roger
Source: US
Place: Bloomington, Indiana
Publisher: Indiana University Press
PubDate: 2005
PhysDes: 219 p. : ill. ; 24 cm
Subject: MUSIC AND THE CINEMA; GERMANY; NEW GERMAN CINEMA; CLASSICAL MUSIC IN FILMS; MOVEMENTS IN FILM HISTORY; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA. GERMANY; FASCISM AND THE CINEMA. GERMANY; NATIONALISM AND THE CINEMA. GERMANY; POLITICS AND THE CINEMA. GERMANY; SYBERBERG, HANS JURGEN; KLUGE, ALEXANDER; FASSBINDER, RAINER WERNER; HERZOG, WERNER; VISCONTI, LUCHINO; DIE PATRIOTIN (GW, Alexander Kluge, 1979); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); SENSO (IT, Luchino Visconti, 1954); WOYZECK (GW, Werner Herzog, 1979); FITZCARRALDO (GW, Werner Herzog, 1982); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT - REDUPERS (GW, Helke Sander, 1977); NOSTALGHIA (IT, Andre Tarkovsky, 1983); COVEK NIJE TICA (YU, Dusan Makavejev, 1965); STALKER (UR, Andrei Tarkovsky, 1979)
Summary: "'Unsettling Scores: German Film, Music, and Ideology' examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 1980s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syderberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences in the 1970s and 1980s and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers." (Taken from back cover)
Notes: Includes selected bibliography, index
ISBN: 0253217547
Donation: Donated by Senses of Cinema, 2009

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: VORONTSOV, ALEXANDER

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: WALKER, ALEXANDER

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings; Stills
Subject: WAR AT HOME, THE (US, Glenn Silber & Barry Alexander Brown, 1979)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 21 x 25 cm
Subject: POLITICAL FILMS. AUSTRALIA; WAR AT HOME, THE (US, Glenn Silber & Barry Alexander Brown, 1979)
Summary: Black and white photograph of promotional poster of guns pointed at a woman's head.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WHISKY GALORE (UK, Alexander MacKendrick, 1949)

Call No: 19NIN STO
Author: Stone, Gerald
Source: AT
Place: Sydney
Publisher: Pan Macmillan Australia
PubDate: 2007
PhysDes: xi, 292 p., [12] p. of plates : ill., ports. ; 25 cm
Subject: NINE NETWORK; OWNERSHIP TV. AUSTRALIA; SEVEN NETWORK; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; ETHICS AND TV; PUBLISHING AND BROADCASTING LTD; PACKER, KERRY; PACKER, JAMES; ALEXANDER, JOHN; MUNRO, MIKE; WENDT, JANA; LECKIE, DAVID; MEAKIN, PETER; GYNGELL, DAVID; NOBLE, KRIS; GRAEME-EVANS, POSIE; BOWER, SUSAN; STEPHENS, JOHN; CRESS, JULIAN; BARBOUR, DAVID; CHISHOLM, SAM; WALEY, JIM; BOLAND, ADAM; LLEWELLYN, MARK; MCGUIRE, EDDIE; LYONS, JOHN; [SIXTY] 60 MINUTES (AT, 1979-); BLOCK, THE [TV] (AT, 2003-); CURRENT AFFAIR, A [TV] (AT, 1971- ); McLEOD'S DAUGHTERS [TV] (AT, 2001-); SUNDAY [TV] (AT, 1981-); SUNRISE [TV] (AT, 2003-); TODAY [TV] (AT, 1982-); TODAY TONIGHT [TV] (AT, 1995-)
Summary: Gerald Stone charts the changes that Channel 9 has gone through from 2000 onwards. The book shows reveals that changes within the structure Channel 9's parent company (Publishing and Broadcasting Ltd) had a strong impact on 9's operations and business ethos.
ISBN: 9781405038157

Call No: 802.253 BET
Author: Betancourt, Jeanne
Source: US
Place: Dayton, Ohio
Publisher: Pflaum Pub.
PubDate: c1974
PhysDes: xxii, 186 p. : ill. ; 23 cm
Subject: WOMEN IN FILMS; WOMEN FILMMAKERS; BRAKHAGE, STAN; DEREN, MAYA; VARDA, AGNES; WINDOW WATER BABY MOVING (US, Stan Brakhage, 1959); CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962); CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962); DIARY OF A PREGNANT WOMAN (FR, Agnes Varda, 1958); OPERA MOUFFE, L' (FR, Agnes Varda, 1958); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); RITUAL IN TRANSFIGURED TIME (US, Maya Deren, 1946); THIGH LYNE LYRE TRIANGULAR (US, Stan Brakhage, 1961); AT LAND (US, Maya Deren, 1944)
Summary: "I hope Women in focus can serve many people. By reading about and seeing films that present real women, those who have been oblivious to the stereotypes of women in film may begin to recognize them by the contrast offered in the films I suggest. " -- Introduction, Women in Focus
Notes: Reviews of films; Includes indexes; Bibliography: p. 168-181
ISBN: 0827802609
LON: 74078728; 462301
Contents: -- introduction -- the films index -- the filmmakers -- the films -- thematic index -- program possibilities -- bibliography -- distributors of the films --