title clippings file
Call No: TITLE CLIPPINGS FILEPhysDes: ClippingsSubject: ALMOST FRENCH
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journal article
The 250 greatest films you've never seen : Aus/NZ in Empire (Australian Ed.) (October 2007) iss.79 p.52-53
PhysDes: ArticleSubject: ROADGAMES (AT, Richard Franklin, 1981) ; PATRICK (AT, Richard Franklin, 1978) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; QUIET AMERICAN, THE (US, Joseph L. Mankiewicz, 1957) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) Summary: List of little-known Australian and New Zealand films, ranging from 1978-2005
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serial
ACTRA scope Toronto: Alliance of Canadian Cinema, Television and Radio Artists, 1983].
Call No: held v.13, no.4-v.15, no.1 June 1983-Jan. 1987 incomplete; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Alliance of Canadian Cinema, Television and Radio ArtistsSource: CNPlace: TorontoPublisher: Alliance of Canadian Cinema, Television and Radio ArtistsPubDate: 1983]PhysDes: v. : ill. ; 28 cmSubject: Alliance of Canadian Cinema, Television and Radio Artists Notes: Continues ActrascopeISSN: 0704-8793LON: cn 85030524; 7849627
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book
Adaptation and the avant-garde : alternative perspectives on adaptation theory and practice / William Verrone London: Bloomsbury academic, 2013.
Call No: 753.8VERAuthor: Verrone, William Source: UKPlace: LondonPublisher: Bloomsbury academicPubDate: 2013PhysDes: vi, 275 p. ; 24 cmSubject: ADAPTATIONS ; AVANT-GARDE FILMS ; EXPERIMENTAL FILMS ; GREENAWAY, PETER ; GODARD, JEAN-LUC ; MADDIN, GUY ; SVANKMAJER, JAN ; SCORPIO RISING (US, Kenneth Anger, 1964) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970) ; HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977)
SEE
HITLER - EIN FILM AUS DEUTSCHLAND ; STREET OF CROCODILES (UK, Brothers Quay, 1986) ; DANTE QUARTET, THE (US, Stan Brakhage, 1987) ; ALICE (SZ/GW/UK, Jan Svankmajor, 1988)
SEE
NECO Z ALENKY ; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991) ; WISCONSIN DEATH TRIP (US, James Marsh, 1999) ; SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999) ; DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002) Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --Notes: Formerly CIP. --
Includes bibliographical references and index --ISBN: 9781441163523Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017.
Call No: 753 ADAAuthor: Kennedy-Karpat, Colleen Place: Cham, SwitzerlandPublisher: Springer International PublishingPubDate: 2017PhysDes: ix, illustrations (colour), 22cmSeries: Palgrave studies in adaptation and visual cultureSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; AUTHORSHIP ; COMIC STRIPS ; CULTURE AND THE CINEMA ; INTERTEXUALITY ; TARANTINO, QUENTIN ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; MUSIC IN FILMS ; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]Notes: Includes indexISBN: 9783319528533Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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After "happily ever after" : romantic comedy in the post-romantic age / edited by Maria San Filippo; foreword by Tamar Jeffers McDonald Detroit, Michigan: Wayne State University Press, 2021.
Call No: 733.3 AFTEdition: 2021Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2021PhysDes: xviii, 362 pages : illustrated ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: ROMANTIC COMEDY ; ALLEN, WOODY ; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014) ; CRAZY RICH ASIANS (US, Jon M. Chu, 2018) ; HONG SANG-SOO ; LINKLATER, RICHARD ; UP IN SMOKE (US, Lou Adler, 1978) ISBN: 9780814346747
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title clippings file
ALAN PARTRIDGE: ALPHA PAPA : UK/FR, Declan Lowney, 2013
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ALAN SMITHEE FILM - BURN, HOLLYWOOD, BURN, AN : (US, Arthur Hiller, 1997?)
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ALARMIST, THE : (US, Evan Dunsky, 1997)
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ALASKA : (US, Fraser C. Heston, 1996)
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ALASKA: SPIRIT OF THE WILD : (US, George Casey, 1997)
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ALATRISTE
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ALBA, JESSICA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALBA, JESSICA
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title clippings file
ALBANILES, LOS : (MX, Jorge Fons, 1976)
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ALBECK, ANDY
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALBECK, ANDY
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ALBEE, EDWARD
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALBEE, EDWARD
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title clippings file
ALBERO DEGLI ZOCCOLI, L' : (IT, Ermanno Olmi, 1978)
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ALBERT, ALEXIS
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALBERT, ALEXIS
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personality clippings file
ALBERT, EDDIE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALBERT, EDDIE
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ALBERT NOBBS : (UK/IE, Rodrigo Garcia, 2011)
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still
[Albert Sardi, Peter : studio headshot of Peter Albert Sardi]
Call No: PERSONALITY STILLSource: ATPhysDes: 1 photograph : b & w ; 26 x 21 cmSubject: ALBERT SARDI, PETER Summary: Studio headshot of Peter Albert SardiNotes: none
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ALBERT - WARUM? : (GW, Josef Rodl, 1978)
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ALBERTI, MANUELA
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ALBERTI, MARYSE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALBERTI, MARYSE
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ALBICOCCO, JEAN-GABRIEL
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ALBINO ALLIGATOR : (US, Kevin Spacey, 1996)
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ALCHIN, RAY
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALCHIN, RAY
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ALCOCK, MILLY Digital clippings file available
Call No: DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: ALCOCK, MILLY
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ALDA, ALAN
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALDA, ALAN
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ALDA, ROBERT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALDA, ROBERT
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ALDENHOVEN, LISA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALDENHOVEN, LISA
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ALDRICH, ROBERT
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Publicity; ClippingsSubject: ALDRICH, ROBERT
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ALEKAN, HENRI
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALEKAN, HENRI
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ALEKSANDR NEVSKI : (UR, Sergei M. Eisenstein, 1938)
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ALEM DE PAIXAO : (BL, Bruno Barreto, 1985)
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ALEMANN, CLAUDIA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALEMANN, CLAUDIA
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title clippings file
ALEX : (NZ/AT, Megan Simpson (Hoberman), 1993)
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book
Alex / Tessa Duder Auckland: Penguin Books, 1989, c1987.
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ALEX AND EMMA : (US, Rob Reiner, 2003)
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ALEX CROSS : (US/FR, Rob Cohen, 2012)
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ALEX & EVE : (AT, Peter Andrikidis, 2015)
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script
Alex & Eve / based on, the stage plays Alex & Eve and Alex & Eve: the wedding AT: 2014. Digital clippings file available
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digital clippings file
ALEX RIDER [TV] : (UK/US, 2020) Digital clippings file available
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[Alex : stills file ]
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ALEX WHEATLE : (UK, Steve McQueen, 2020) Digital clippings file available
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ALEXANDER : (FR/UK/NE, Oliver Stone, 2004)
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ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY : (US, Miguel Arteta, 2014)
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ALEXANDER, ELIZABETH
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ALEXANDER, JASON
Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALEXANDER, JASON
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script
Alexander's project : international post production script pal digital betacam 25fps / Australian Film Institute 2003.
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ALEXANDER, SCOTT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALEXANDER, SCOTT
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ALEXANDER THE GREAT : (??, Baz Luhrmann, unproduced) Digital clippings file available
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ALEXANDRA'S PROJECT : (AT, Rolf De Heer, 2003)
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Alexandra's project / written and directed by Rolf De Heer AT: Vertigo Productions, 2003.
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ALEXANDROV, GROGORIJ
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ALEXIE, SHERMAN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALEXIE, SHERMAN
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ALEXIEFF, ALEXANDRE
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ALEXIS, DANIELLE
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ALEXY, GILLIAN
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title clippings file
ALF : [TV] (US, 1986 - 1989)
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title clippings file
ALFIE : (UK, Lewis Gilbert, 1966)
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ALFIE : (US, Charles Shyer, 2004)
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book
Alfie / Bill Naughton London: Panther Books, 1968.
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book
Alfred Hitchcock presents : an illustrated guide to the ten-year television career of the master of suspense / John McCarty and Brian Kelleher ; foreword by Robert Bloch New York: St. Martin's Press, 1985.
Call No: 79 ALF MCCAuthor: McCarty, John ; Kelleher, Brian Edition: First editionSource: USPlace: New YorkPublisher: St. Martin's PressPubDate: 1985PhysDes: xiv, 338 pages : illustrations, portraits. ; 24 cmSubject: HITCHCOCK, ALFRED ; ALFRED HITCHCOCK PRESENTS [TV] (US, Alfred Hitchcock,1955-62) Notes: Includes index. -- Bibliography: p. 332-333.ISBN: 0312017111Contents: Foreword: My Hitch with Hitchcock by Robert Bloch -- Introduction -- The Story Behind the Series -- Alfred Hitchcock Presents: an episode guide to all 266 shows -- The Alfred Hitchcock Hour: an episode guide to all 93 shows -- Major awards and nominations -- Appendix: Suspicion and Ford Startime -- Postscript -- Bibliography -- Index -- About the Authors
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ALFRED THE GREAT : (UK, Clive Donner, 1969)
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ALGAR, JAMES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALGAR, JAMES
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book
Algerian cinema / edited by Hala Salmane, Simon Hartog and David Wilson London: British Film Institute, 1976.
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Interim
book
Algerian films
Call No: REFERENCE SECTION; 023(65) ALGCorpAuthor: Office Nationale pour le Commerce et l'Industrie CinematograohiquesSubject: ALGERIA ; FILMOGRAPHIES Notes: Catalogue
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ALI : (US, Michael Mann, 2001)
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ALI AND AVA : (UK/US, Clio Barnard, 2021) Digital clippings file available
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ALI AU PAYS DES MIRAGES : (AE, Ahmed Rachedi, 1979)
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ALI G
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALI G
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ALI G INDAHOUSE : (UK, Mark Mylod, 2002)
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ALI, RUBINA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALI, RUBINA
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ALI'S WEDDING : (AT, Jeffrey Walker, 2017)
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script
Ali's wedding / written by Andrew Knight and Osamah Sami ; based on the true stories of Osamah Sami ; Tony Ayres [script editor]. AT: 2015. Digital clippings file available
Call No: S ALIAuthor: Knight, Andrew ; Sami, Osamah Place: ATPubDate: 2015PhysDes: 98 leaves ; 30 cm.Subject: ALI'S WEDDING (AT, Jeffrey Walker, 2017) Summary: "After a "white lie" which spirals out of control, a neurotic, naive and musically gifted Muslim cleric's eldest son must follow through with an arranged marriage, except he is madly in love with an Australian born-Lebanese girl." - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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poster
[Ali's wedding : poster]
Call No: P ALIPhysDes: 1 poster : colour photograph ; 100 X 70 cm.Subject: ALI'S WEDDING (AT, Jeffrey Walker, 2017) Summary: Image: Birds eye view of man (Ali) standing in the middle of a group of men and he is the only one looking up. Text: "A true story... unfortunately."Notes: Double sided.
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ALIAS GRACE [TV] : (CN, 2017-)
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ALIAS JIMMY VALENTINE : (US, Maurice Tourneur, 1915)
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ALIAS MARIA : (CK/AG/FR, José Luis Rugeles, 2015) Digital clippings file available
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ALIAS RUBY BLADE : (US, Alex Meillier,2012)
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ALIAS [TV] : (US, 2001-)
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ALIAS WAVEFRONT
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ALICE : (US, Woody Allen, 1990)
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ALICE DARLING : (CN/US, Mary Nighy, 2022) Digital clippings file available
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ALICE ET MARTIN : (FR/SP, Andre Techine, 1998)
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ALICE IN DEN STADTEN : (GW, Wim Wenders, 1973) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; ArticleSubject: ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) URL status: URL: 'http://file://Q:/T/ALICE_IN_DEN_STADTEN.zip'
Checked: 31/08/2021 12:46:18 PM
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title clippings file
ALICE IN WONDERLAND : (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951)
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title clippings file
ALICE IN WONDERLAND : (FR/UK, Lou Bunin & Marc Maurette & Dallas Bower, 1949)
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ALICE IN WONDERLAND : (US, Irwin Allen, 1985)
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ALICE IN WONDERLAND : (US, Tim Burton, 2010) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: ALICE IN WONDERLAND (US, Tim Burton, 2010) URL status: URL: 'http://file://Q:/T/ALICE_IN_WONDERLAND.2010.zip'
Checked: 31/08/2021 1:19:29 PM
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title clippings file
ALICE IN WONDERLAND : (US, Bill Osco, 1975)
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ALICE NEEL : (US, Andrew Neel, 2007)
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newspaper article
Alice, queen of hearts : a new exhibition introduces us to the breadth of Lewis Carroll's cultural legacy in Weekend Australian [Review] (31/3/2018) p.1
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title clippings file
ALICE'S RESTAURANT : (US, Arthur Penn, 1969)
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journal article
Alice's Restaurant in Interview (1969) vol.1 iss.1 p.11
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title clippings file
ALICE SPRINGS - THE CHANGING HEART : (AT, Michael Carroll, 1997)
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ALICE THROUGH THE LOOKING GLASS : (US, James Bobin, 2016)
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title clippings file
ALICE TO NOWHERE : [TV] (AT, John Power, 1986)
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Crawford collection
script
Alice to nowhere : part 1 / adapted for the screen by David Boutland ; from the novel by Evan Green AT: c1985.
Call No: SC ALIAuthor: Boutland, David Place: ATPubDate: c1985PhysDes: 159 leaves ; 34 cmSubject: ALICE TO NOWHERE [TV] (AT, John Power, 1986) Notes: Unpublished script -- Shooting script -- Includes script running order -- Accompanied by amendments ( 6 leaves) -- A four hour television mini-series from the novel by Evan GreenDonation: Gift of Crawford Productions
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Crawford collection
script
Alice to nowhere : part 2 / adapted for the screen by David Boutland ; from the novel by Evan Green AT: c1985.
Call No: SC ALIAuthor: Boutland, David Place: ATPubDate: c1985PhysDes: 137 leaves ; 34 cmSubject: ALICE TO NOWHERE [TV] (AT, John Power, 1986) Notes: Unpublished script -- Shooting script -- Includes script running order -- Accompanied by amendments (42 leaves) -- A four hour television mini-series from the novel by Evan GreenDonation: Gift of Crawford Productions
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crawford publicity ali
[Alice to nowhere]
Call No: CRAWFORD PUBLICITY ALIPhysDes: 1 folder ; 36 cmSubject: WATERS, JOHN (AT) ; STORM, ESBEN ; ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Press clippings and publicity brochure for the mini-series Alice to NowhereDonation: Gift of Crawford ProductionsContents: 5 copies of a press clipping from The Sun Leisure Supplement dated January 30th 1986 -- Press cuttings from Australian newspapers and magazines from June- July 1986 (12 leaves) -- 1 publicity brochure for the mini series Alice to Nowhere
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crawford ephemera ali
[Alice to nowhere]
Call No: CRAWFORD EPHEMERA ALIPhysDes: 2 envelopes ; 25 x 38 cmSubject: ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Graphic materials for the mini series Alice to NowhereNotes: Envelope labelled 'Cowra Bitter Labels' contains a mock up of the design for the label and a printed example of the label -- Envelope labelled 'Alice T-Shirt' contains 4 designs and notes (2 leaves)Donation: Gift of Crawford Productions
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Crawford collection
still
[Alice to nowhere: album #1] Crawford Productions [distributor], [1986?].
Call No: CRAWFORD STILL ALISource: ATPublisher: Crawford Productions [distributor]PubDate: [1986?]PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mmSubject: JONES, ROSEY ; WATERS, JOHN (AT) ; VAUGHAN, MARTIN ; STORM, ESBEN ; JACOBS, STEVE ; SMITHERS, JOY ; CRACKNELL, RUTH ; MAGUIRE, GERARD ; LUNNEY, BRENDON ; ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Photographs, slides and negatives relating to Alice to NowhereNotes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storageDonation: Gift of Crawford Productions
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Crawford collection
still
[Alice to nowhere : album #2] Crawford Productions [distributor],
Call No: CRAWFORD STILL ALISource: ATPublisher: Crawford Productions [distributor]PhysDes: 32 transparencies : col. ; 35 mmSubject: ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Transparencies for slides relating to Alice to NowhereNotes: Transparencies presented as two strips -- Stored in original containerDonation: Gift of Crawford Productions
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title clippings file
ALICE UNDERGROUND : (US, Kate Klien May, 1983)
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title clippings file
ALICIA : (AT, Phillipe Charluet, 1995)
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title clippings file
ALIEN : (UK, Ridley Scott, 1979)
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book
Alien / edited by Richard J. Anobile ; screenplay by Dan O'Bannon London: Futura Publications, c1979.
Call No: 79ALI ALIPlace: LondonPublisher: Futura PublicationsPubDate: c1979PhysDes: ca. [200] p. : chiefly col. ill. ; 28 cm.Subject: ALIEN (UK, Ridley Scott, 1979) Notes: A "movie novel" with "over 1,000 full-color photos" -- Cover.ISBN: 0708816886LON: abn86321016; 4911811
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book
Alien : the special effects / Don Shay and Bill Norton London: Titan Books, 1997.
Call No: 236ALI SHAAuthor: Norton, Bill ; Shay, Don Edition: First editionSource: UKPlace: LondonPublisher: Titan BooksPubDate: 1997PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cmSubject: SPECIAL EFFECTS ; CINEMATOGRAPHY ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGICAL DEVELOPMENTS ; COSTUME DESIGNING ; SCIENCE-FICTION FILMS ; MONSTERS IN FILMS ; COMPUTERS AND THE CINEMA ; ALIEN (UK, Ridley Scott, 1979) ; ALIEN 3 (US, David Fincher, 1992) ; ALIENS (US, James Cameron, 1986) Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURBNotes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. versoISBN: 1852866950Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---
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newspaper article
Alien in Sunday Canberra Times [Relax] (9/04/2017) p.8
Call No: TITLE CLIPPINGS FILE; ALIEN (UK, Ridley Scott, 1979)Author: Mathieson, Craig PhysDes: Clippings File ArticleSubject: ALIEN (UK, Ridley Scott, 1979) Summary: Review of the film ALIEN, with reference to the upcoming ALIEN: COVENANT film
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title clippings file
ALIEN 3 : (US, David Fincher, 1992)
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title clippings file
ALIEN ADVENTURE : (US/BE, Ben Stassen, 2000)
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ALIEN BIG CATS : (AT, Christopher Gogos & Alkinos Tsilimidos, 1997)
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title clippings file
ALIEN: COVENANT : (US/AT/NZ/UK, Ridley Scott, 2017)
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title clippings file
ALIEN FROM L.A. : (US, Albert Pyun, 1988)
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newspaper article
Alien has a successful landing in The Age [Arts & Entertainment] (18/05/2017) p.28
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title clippings file
ALIEN NATION : (US, Graham Baker, 1988)
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newspaper article
Alien presence in the ruins in Sydney Morning Herald [Spectrum] (04/03/2017) p.1
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journal article
The Alien Queen - "Aliens" : Ingenious rod puppets designed by Doug Beswick made the Alien Queen come alive in combat in Cinefantastique (October 1986) vol.16 iss.4/5 p.10, 123
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title clippings file
ALIEN RESURRECTION : (US, Jean-Pierre Jeunet, 1997)
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book
Alien Resurrection : scriptbook based on the motion picture / written by Joss Whedon New York: Harper Prism, 1997.
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newspaper article
Alien to his nature in Herald Sun [Hit] (18/05/2017) p.31
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title clippings file
ALIEN VS PREDATOR : (UK/CZ/CN/GG, Paul W. S. Anderson, 2004)
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title clippings file
ALIEN YEARS, THE : [TV] (AT, Donald Crombie, 1988)
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book
Alien zone : cultural theory and contemporary science fiction cinema / edited by Annette Kuhn London New York: Verso, 1990.
Call No: 735.1 KUHAuthor: Kuhn, Annette Source: UK/USPlace: London New YorkPublisher: VersoPubDate: 1990PhysDes: viii, 231 p. : ill. ; 24 cmSubject: FEMINISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEX IN FILMS ; TECHNOLOGY IN FILMS ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes bibliographical references (p. 229-231)ISBN: 0860912787; 0860919935 (pbk.)LON: 6923144Contents: -- Introduction : cultural theory and science fiction cinema / Annette Kuhn -- Visions of the future in science fiction films from 1970 to 1982 / H. Bruce Franklin -- The alien messiah / Hugh Ruppersberg -- Commodity futures / Thomas B. Byers -- Technophobia / Michael Ryan and Douglas Kellner -- Making culture into nature / Michael Stern -- Feminism, humanism and science in Alien / James H. Kavanagh -- Feminism and anxiety in Alien / Judith Newton -- Primal conditions and conventions : the genre of science fiction / Daniel Dervin -- The virginity of astronauts : sex and the science fiction film / Vivian Sobchack -- Time travel, primal scene and the critical dystopia / Constance Penley -- Alien and the monstrous-feminine / Barbara Creed -- The doubles of fantasy and the space of desire / J.P. Telotte -- 'You've got to be fucking kidding!' : knowledge, belief and judgement in science fiction / Steve Neale -- Cataract surgery : cinema in the year 2000 / Paul Virilio -- Ramble city : postmodernism and Blade runner / Giuliana Bruno -- Who programs you? : the science fiction of the spectacle / Scott Bukatman -- Gynesis, postmodernism and the science fiction horror film / Barbara Creed -- Feminist futures : a generic study / Anne Cranny-Francis
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book
Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999.
Call No: 735.1 KUHAuthor: Kuhn, Annette Place: London New YorkPublisher: VersoPubDate: 1999PhysDes: 308 p. : ill. ; 20 cmSubject: SCIENCE-FICTION FILMS ; CITIES IN FILMS ; BODY IN FILMS ; DIGITAL TECHNOLOGY ; UTOPIA IN FILMS ; FANS ; INTERNET AND THE CINEMA ; MASCULINITY IN FILMS ; POSTMODERNISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SPECTATORSHIP ; ADAPTATIONS. WELLS, H.G. ; VAN DAMME, JEAN-CLAUDE ; SCHWARZENEGGER, ARNOLD ; CREED, BARBARA ; TRUMBULL, DOUGLAS ; JOHNNY MNEMONIC (US, Robert Longo, 1995) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; BLADE RUNNER (US, Ridley Scott, 1982) ; ALIEN [...] (UK/US, 1979-92) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BRAZIL (UK, Terry Gilliam, 1985) ; DEMOLITION MAN (US, Marco Brambilla, 1993) ; MAX HEADROOM [TV] (US, 1987-89) ; METROPOLIS (G, Fritz Lang, 1926) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and indexISBN: 1859842593 (paper); 1859847463 (cloth)LON: 20466609
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title clippings file
ALIENS : (US, James Cameron, 1986)
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ALIENS IN FILMS
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title clippings file
ALIENS IN THE ATTIC : (US/CA, John Schultz, 2009)
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title clippings file
ALIENS OF THE DEEP : (US, James Cameron, 2005)
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ALIENS OF THE SEA : (AT, Pawel Achtel & Michael Wooller, 1999)
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title clippings file
ALIENS VS. PREDATOR: REQUIEM : (US, Colin Strause, Greg Strause, 2007)
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personality clippings file
ALISON, DOROTHY
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title clippings file
ALISON'S BIRTHDAY : (AT, Ian Coughlin, 1979)
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book
Alison's birthday / Ian Coughlan Cammeray [N.S.W.]: Castle Books, 1981.
Call No: N79ALI COUAuthor: Coughlan, Ian Source: AustraliaPlace: Cammeray [N.S.W.]Publisher: Castle BooksPubDate: 1981PhysDes: 131 p., [15] p. of plates ; 18 cmSubject: ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) Notes: Cover subtitle: An encounter with evil: a celebration you won't forget.ISBN: 0725511141
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still
[Alison's birthday : stills file ]
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title clippings file
ALITA: BATTLE ANGEL : (US, Robert Rodriguez, 2019)
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title clippings file
ALIVE : (US, Frank Marshall, 1993)
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title clippings file
ALIVE AND KICKING : (UK, Nancy Meckler, 1997)
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title clippings file
ALIVE IN FRANCE : (FR, Abel Ferrara, 2017)
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title clippings file
ALKSA MEJ : (SW, Kay Pollak, 1986)
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title clippings file
ALL ABOUT E : (AT, Louise Wadley, 2014)
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Online resource
digital clippings file
ALL ABOUT EVE : (US, Joseph L. Mankiewicz, 1950) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) URL status: URL: 'http://file://Q:/T/ALL_ABOUT_EVE.zip'
Checked: 31/08/2021 12:46:15 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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still
[All about Eve : stills file ]
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title clippings file
ALL ABOUT LOOKING : (US, Nancy Dine, 1997)
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title clippings file
ALL ABOUT NINA : (US, Eva Vives, 2018)
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title clippings file
ALL ABOUT STEVE : (US, Phil Traill, 2009)
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ALL ACCESS: FRONT ROW. BACKSTAGE. LIVE! : (US, Martyn Atkins, 2001)
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digital clippings file
ALL AMERICAN FAMILY : (US, Andrew Jenks, 2015) Digital clippings file available
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title clippings file
ALL AMERICAN HIGH : (US, Keva Rosenfeld, 1986)
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title clippings file
ALL-AMERICAN MURDER : (US, Anson Williams, 1992)
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title clippings file
ALL-AMERICAN NEWS : (US, William Alexander, 1992)
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title clippings file
ALL AUSSIE ADVENTURES [TV] : (AT, 2001 - 2018)
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title clippings file
ALL BY MYSELF : (US/GW, Christian Blackwood, 1982)
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title clippings file
ALL DOGS GO TO HEAVEN : (US, Don Bluth, 1989)
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title clippings file
ALL DOGS GO TO HEAVEN 2 : (US, Larry Leker, 1996)
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title clippings file
ALL DOWN THE LINE : (AT, Paul Witzig, 1989)
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title clippings file
ALL DRESSED UP WITH NO PLACE TO GO : (US, Peter Schwartz, 1996)
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digital clippings file
ALL EYES AND EARS : (CC/US, Vanessa Hope, 2015) Digital clippings file available
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title clippings file
ALL EYEZ ON ME : (US, Benny Boom, 2017)
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title clippings file
ALL FOR KIDS [TV] : (AT, 2008)
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digital clippings file
ALL I CAN SAY : (US, Danny Clinch/Taryn Gould/Colleen Hennessy/Shannon Hoon, 2019) Digital clippings file available
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title clippings file
ALL I WANNA DO : (US/IT/CN, Sarah Kernochan, 1998)
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title clippings file
ALL I WANT FOR CHRISTMAS : (US, Robert Lieberman, 1991)
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book
All in the family : a critical appraisal / edited by Richard P. Adler New York, N.Y.: Praeger, 1979.
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title clippings file
ALL IS BY MY SIDE : (UK, John Ridley, 2013)
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title clippings file
ALL IS LOST : US, J. C. Chandor, 2013
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title clippings file
ALL IS TRUE : (UK, Kenneth Branagh, 2018)
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script
All is true / screenplay by Ben Elton [2018].
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title clippings file
ALL MEN ARE LIARS : (AT, Gerard Lee, 1995)
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still
[All men are liars : stills file ]
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title clippings file
ALL MY BEDROOMS : [TV] (AT, Melissa Juhanson, 1997)
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title clippings file
ALL MY FRIENDS ARE LEAVING BRISBANE : (AT, Louise Alston, 2007)
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digital clippings file
ALL MY LIFE : (US/CC, Marc Meyers, 2020) Digital clippings file available
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title clippings file
ALL NIGHT LONG : (US, Jean-Claude Tramont, 1981)
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title clippings file
ALL OF ME : (US, Carl Reiner, 1984)
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journal article
'All of Me' tops Hong Kong, Sth Africa in Australasian Cinema (Friday, 25/1/1985) vol.14 iss.1 p.4
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journal article
'All of Me' tops US box-office in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.6
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title clippings file
ALL OR NOTHING : (UK/FR, Mike Leigh, 2002)
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title clippings file
ALL OR NOTHING: NEW ZEALAND ALL BLACK [TV] : (NZ, 2018-)
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title clippings file
ALL OVER ME : (US, Alex Sichel, 1996)
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title clippings file
ALL OVER THE GUY : (US, Julie Davis, 2001)
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title clippings file
ALL POINTS OF THE COMPASS : (AT, Judy Rymer, 2005)
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ALL POWER TO THE PEOPLE : (US, Lee Lew-Lee, 1996) Digital clippings file available
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title clippings file
ALL POWER TO THE PEOPLE! THE BLACK PANTHER PARTY AND BEYOND : (US, Lee Lew-Lee, 1997)
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title clippings file
ALL QUIET ON THE WESTERN FRONT : (US, Lewis Milestone, 1930)
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title clippings file
ALL QUIET ON THE WESTERN FRONT : (US, Delbert Mann, 1980)
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title clippings file
ALL'S WELL, ENDS WELL : (HK, Alfred Cheung, 1997)
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script
All Saints : Only the Good Die Young, Episode 220 [2002].
Call No: S ALLPubDate: [2002]PhysDes: 75 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished scriptDonation: donated by the Australian Writers Guild
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script
All Saints : The Untouchables, Episode 198 2002.
Call No: S ALLPubDate: 2002PhysDes: 86 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished scriptDonation: donated by the Australian Writers Guild
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script
All Saints : Heroic Measures, Episode 213 [2002].
Call No: S ALLPubDate: [2002]PhysDes: 42 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished scriptDonation: donated by the Australian Writers Guild
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script
All Saints : Skeletons in the Closet, Episode 146 [2001].
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script
All Saints : Eye of the Beholder, Episode 88 [1999].
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script
All Saints : Vale, Episode 221 [2002].
Call No: S ALLPubDate: [2002]PhysDes: 78 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished scriptDonation: donated by the Australian Writers Guild
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script
All Saints : Give &Take, Episode 6 1998.
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script
All Saints : The Longest Day, Episode 45 1998.
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script
All Saints : Parting Friends, Episode 31
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script
All Saints : Episode 13 1998.
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script
All Saints : Command and Control, Episode 91 1999.
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script
All Saints : In the Blood, Episode 94 1999.
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script
All Saints : Episode 135 2000.
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title clippings file
ALL SAINTS : (US, Steve Gomer, 2017)
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script
All Saints. Ep. 102, Beyond All Praise : script, shooting script / director Scott Feeney [2000].
Call No: S ALLPubDate: [2000]PhysDes: 89 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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script
All Saints. Ep. 105, Girl of the Moment : script, shooting script / written by Chris Hawkshaw; edited by Andrew Ryan; director Catherine Roden [2000].
Call No: S ALLAuthor: Hawkshaw, Chris PubDate: [2000]PhysDes: 108 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Televisioon Services Pty Ltd
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script
All Saints. Ep. 108, Twentieth Century Blues : script, shooting script / director Scott Hardford Davis [2000].
Call No: S ALLPubDate: [2000]PhysDes: 94 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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script
All Saints. Ep. 130, A Matter of Choice : script, shooting script / director Rob Stewart [2000].
Call No: S ALLPubDate: [2000]PhysDes: 85 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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script
All Saints. Ep. 132, Blockages : script, second draft / written by Bill Garner; edited by Anthony Ellis [2000].
Call No: S ALLAuthor: Garner, Bill PubDate: [2000]PhysDes: 102 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the Australian Writer's Guild; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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script
All Saints. Ep. 132, Blockages : script, first draft / written by Bill Garner; edited by Anthony Ellis [2000].
Call No: S ALLAuthor: Garner, Bill PubDate: [2000]PhysDes: 110 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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title clippings file
ALL SAINTS [TV] : (AT, 1998-)
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title clippings file
ALL STARS : (NE, Jean van de Velde, 1997)
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title clippings file
ALL THAT GLITTERS : (AT, Nick Torrens, 1982)
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still
[All that glitters : stills file ]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 20 x 26 cmSubject: ALL THAT GLITTERS (AT, Nick Torrens, 1982) Notes: " Lisa Forrest and Tracy Wyckham left to right, from the Film Australia production, All that glitters. " label
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title clippings file
ALL THAT HEAVEN ALLOWS : (US, Douglas Sirk, 1955)
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title clippings file
ALL THAT IS SOLID : (AT, John Hughes, 1987)
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title clippings file
ALL THAT JAZZ : (US, Bob Fosse, 1979)
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title clippings file
ALL THAT MONEY CAN BUY : (US, William Dieterle, 1941)
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digital clippings file
ALL THE BEAUTY AND THE BLOODSHED : (US, Laura Poitras, 2022) Digital clippings file available
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title clippings file
ALL THE FINE YOUNG CANNIBALS : (US, Michel Anderson, 1960)
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title clippings file
ALL THE KINGS MEN : (US, Robert Rossen, 1949)
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title clippings file
ALL THE LITTLE ANIMALS : (UK, Jeremy Thomas, 1998)
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title clippings file
...ALL THE MARBLES : (US, Robert Aldrich, 1981)
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title clippings file
ALL THE MONEY IN THE WORLD : (US, Ridley Scott, 2017)
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digital clippings file
ALL THE OLD KNIVES : (US, Janus Metz, 2022) Digital clippings file available
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title clippings file
ALL THE PRESIDENT'S MEN : (US, Alan J. Pakula, 1976)
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book
All the President's men / Bob Woodward and Carl Bernstein London: Quartet Books, 1974.
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newspaper article
All the President's Men in Sun Herald [Inside Out] (29/01/2017) p.8
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title clippings file
ALL THE PRETTY HORSES : (US, Billy Bob Thornton, 2000)
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title clippings file
ALL THE RAGE : (US, James D. Stern, 1999)
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title clippings file
ALL THE REAL GIRLS : (US, David Gordon Green, 2003)
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title clippings file
ALL THE RIGHT MOVES : (US, Michael Chapman, 1983)
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title clippings file
ALL THE RIVERS RUN : (AT, George T. Miller & Pino Amenta, 1983)
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script
ALL THE RIVERS RUN : Episode 5 [1982].
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script
ALL THE RIVERS RUN : Episode 6 [1982].
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script
All the Rivers Run : Episode 2
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script
All the Rivers Run : Episode 7
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script
All the Rivers Run : Epsiode 8, second draft
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book
All the rivers run / Nancy Cato London: New English Library, 1987.
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Crawford collection
script
All the rivers run : episode 1 / written by Peter Yeldham ; edited by Betty Archer AT: c1982.
Call No: SC ALL : 1Author: Yeldham, Peter Place: ATPubDate: c1982PhysDes: 2 v. ; 34 cmSubject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, George T. MillerDonation: Gift of Crawford ProductionsContents: Two copies of All the Rivers Run, episode 1. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations
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Crawford collection
script
All the rivers run : episode 2 / written by Peter Yeldham ; edited by Betty Archer AT: c1982.
Call No: SC ALL : 2Author: Yeldham, Peter Place: ATPubDate: c1982PhysDes: 2 v. ; 34 cmSubject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, George T. MillerDonation: Gift of Crawford ProductionsContents: Two copies of All the Rivers Run, episode 2. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations
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Crawford collection
script
All the rivers run : episode 3 / written by Colin Free ; edited by Betty Archer AT: c1982.
Call No: SC ALL : 3Author: Free, Colin Place: ATPubDate: c1982PhysDes: 2 v. ; 34 cmSubject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, Pino AmentaDonation: Gift of Crawford ProductionsContents: Two copies of All the Rivers Run, episode 3. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations
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Crawford collection
script
All the rivers run : episode 4 / written by Colin Free ; edited by Betty Archer AT: c1982.
Call No: SC ALL : 4Author: Free, Colin Place: ATPubDate: c1982PhysDes: 2 v. ; 34 cmSubject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, Pino AmentaDonation: Gift of Crawford ProductionsContents: Two copies of All the Rivers Run, episode 4. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations
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Crawford collection
script
All the rivers run : episode 5 / written by Vince Moran ; edited by Betty Archer AT: c1982.
Call No: SC ALL : 5Author: Moran, Vince Place: ATPubDate: c1982PhysDes: 2 v. ; 34 cmSubject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, George T. MillerDonation: Gift of Crawford ProductionsContents: Two copies of All the Rivers Run, episode 5. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations
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Crawford collection
script
All the rivers run : episode 6 / written by Vince Moran ; edited by Betty Archer AT: c1982.
Call No: SC ALL : 6Author: Moran, Vince Place: ATPubDate: c1982PhysDes: 2 v. ; 34 cmSubject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, George T. MillerDonation: Gift of Crawford ProductionsContents: Two copies of All the Rivers Run, episode 6. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations
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Crawford collection
script
All the rivers run : episode 7 / written by Gwenda Marsh ; edited by Betty Archer AT: c1982.
Call No: SC ALL : 7Author: Marsh, Gwenda Place: ATPubDate: c1982PhysDes: 2 v. ; 34 cmSubject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, Pino AmentaDonation: Gift of Crawford ProductionsContents: Two copies of All the Rivers Run, episode 7. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations
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Crawford collection
script
All the rivers run : episode 8 / written by Gwenda Marsh ; edited by Betty Archer AT: c1982.
Call No: SC ALL : 8Author: Marsh, Gwenda Place: ATPubDate: c1982PhysDes: 2 v. ; 34 cmSubject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, Pino AmentaDonation: Gift of Crawford ProductionsContents: Two copies of All the Rivers Run, episode 8. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations
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Crawford collection
still
[All the rivers run : album #1] Crawford Productions [distributor], [1983?].[1990?].
Call No: CRAWFORD STILL ALLSource: ATPublisher: Crawford Productions [distributor]PubDate: [1983?]; [1990?]PhysDes: 34 photographs : b&w ; 26 x 21 cm + 19 slides : col.Subject: WATERS, JOHN (AT) ; THORNTON, SIGRID ; WRIGHT, ADRIAN ; BURNS, CAROL ; TINGWELL, CHARLES (BUD) ; COGHILL, NIKKI ; FAWDON, MICHELE ; ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) ; ALL THE RIVERS RUN II (AT, John Power, 1990) Summary: Photographs and slides relating to All The Rivers RunNotes: Arrangement: Images are arranged by record type and series (photographs with accompanying promotional material with descriptive captions for All The Rivers Run (1983), then slides and photographs for All The Rivers Run II (1990) -- slides for All The Rivers Run II contain annotations indicating presence of TV aerials and light poles in some images -- Duplicate material in storageDonation: Gift of Crawford Productions
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Crawford collection
crawford ephemera all
[All the rivers run. Graphic material]
Call No: CRAWFORD EPHEMERA ALLPhysDes: 5 envelopes ; 26 x 38 cm + 1 leafSubject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) ; ALL THE RIVERS RUN II (AT, John Power, 1990) Summary: Assorted graphic materials commissioned by Crawford Productions for the series 'All The Rivers Run' and 'All The Rivers Run II'Notes: Graphic design materials include Abbotsford Sparkling Ale labels, telegraph forms, pound notes, rum labels, names and logoDonation: Gift of Crawford ProductionsContents: Graphic design material (5 envelopes plus 1 single sheet)
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title clippings file
ALL THE RIVERS RUN II : (AT, John Power, 1990)
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poster
[All the rivers run II film crew : poster]
Call No: P ALLPhysDes: 1 poster : b&w ; 76 X 58 cm.Subject: ALL THE RIVERS RUN II (AT, John Power, 1990) Summary: Image: Montage of black and white photos of people (presumably the film crew). Text: 'All the Rivers Run II Film Crew '89'.Notes: We have two copies; Some (mis)printing on the back of one copy; From Crawfords
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Crawford collection
crawford publicity all
[All the rivers run II. Publicity]
Call No: CRAWFORD PUBLICITY ALLPhysDes: 1 box ; 38 x 25 x 9 cmSubject: ALL THE RIVERS RUN II (AT, John Power, 1990) Summary: Press kit, mock up for 'TV Extra 'cover and publicity brochures for All The Rivers Run IIDonation: Gift of Crawford ProductionsContents: 1 box containing the following material : Press kit (175 leaves), 6 copies of a publicity brochure for All The Rivers Run II, mock up for a cover page for the program guide "Sunday Sun TV Extra' March 18, 1990
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Crawford collection
script
All the rivers run part two : storyline / Crawford Productions AT: c1984.
Call No: SC ALL : 0Place: ATPubDate: c1984PhysDes: 39 leaves, bound ; 33 cmSubject: ALL THE RIVERS RUN II (AT, John Power, 1990) Notes: Storylines for 6 episodes of All The Rivers Run, part twoDonation: Gift of Crawford Productions
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poster
[All the rivers run : poster]
Call No: P ALLPhysDes: 1 poster : col. ; 101 X 67 cm.Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Summary: Image/s: John Waters and Sigrid Thornton embracing/Sigrid riding a horse and car/houseboat on the Murray River. Text: 'A story of the love between a woman, a man and the river that binds them together.'Notes: Have 4 copies; From Crawfords
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still
[All the rivers run : production still with Sigrid Thornton and Adrian Wright]
Call No: TITLE STILL AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 25 X 20 cm.Subject: ALL THE RIVERS RUN [TV] (AT, 1983) ; THORNTON, SIGRID ; WRIGHT, ADRIAN Summary: Production still of actor Adrian Wright (in the role of Alistair Raeburn) looking over the shoulder of actress Sigrid Thornton (in the role of Delie) while she is painting a canvas.Notes: Sticker on the back of the photograph with title of production and character names of the actors in the image.
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still
[All the rivers run : production still with Sigrid Thornton and Gus Mecurio]
Call No: TITLE STILL AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 20 x 26 cm.Subject: ALL THE RIVERS RUN [TV] (AT, 1983) ; THORNTON, SIGRID ; MECURIO,GUS Summary: Production still taken of Sigrid Thornton(in the role of Delie) and Gus Mecurio (in the role of Tom Critchley) on the beachNotes: Sticker on the back of the photograph with title of production, names of actors in the image and their characters names.
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Crawford collection
crawford publicity all
[All the rivers run. Publicity ]
Call No: CRAWFORD PUBLICITY ALLPhysDes: 1 box ; 38 x 25 x 9 cmSubject: RATINGS FOR TV AUSTRALIA ; THORNTON, SIGRID ; MILLER, GEORGE T. ; ALL THE RIVERS RUN [TV] (AT, 1983) Summary: Newspaper clippings, journal reviews, press kit and publicity brochure for All The Rivers RunDonation: Gift of Crawford ProductionsContents: ! box containing the following material:
1 manilla folder containing Australian newspaper and magazine press clippings from March 1983 to August 1985 (19 leaves), a review from The Hollywood Reporter dated Jan 20, 1984 and an attached memo (2 leaves), 5 copies of a review in Variety dated September 14, 1983 -- 1 publicity brochure for All The Rivers Run -- 1 manilla folder containing the press kit (83 leaves) , folder labelled 'original press book'
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still
[All the rivers run : stills file ]
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Crawford collection
script
[All the rivers run. Story concepts] AT:
Call No: SC ALL : 0Place: ATPhysDes: 1 box ; 38 x 25 x 9 cmSubject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Donation: Gift of Crawford ProductionsContents: 1 box containing the following folders
Folder 1:
Two copies of a storyline development for 12 x 45 minute episodes prepared by Brian Wright , c1979 (59 leaves) -- 'Book One' consisting of an introduction, main characters, storylines and storyline synopses,c1980 ( 85 leaves) -- Memo outlining alterations to the theme and characters needed to adapt the novel for television (8 leaves)
Folder 2:
Scene breakdown of episodes 1 & 2 (22 leaves) written by Peter Yeldham -- Scene breakdown of episodes 3 & 4 (28 leaves) written by Colin Free -- Scene breakdown of episodes 5 & 6 (43 leaves) written by Vince Moran -- Scene breakdown of episode 7 (23 leaves) written by Gwenda Marsh -- Scene breakdown of episode 8 (21 leaves) written by Gwenda Marsh -- Amendments to storylines (c1981, c1982) -- Memos in regards to scripts and amendment suggestions
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title clippings file
ALL THE VERMEERS IN NEW YORK : (US, Jon Jost, 1990)
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title clippings file
ALL THE WAY : [TV] (AT, 1988)
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title clippings file
ALL THE WAY : (AT, Marque Owen, 1998)
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script
All the Way : The Facts of Life...and Death, Episode 12 1988.
Call No: S ALLAuthor: Brennan, Shane PubDate: 1988PhysDes: 81 pSubject: ALL THE WAY [TV] (AT, 1988) Notes: Unpublished script -- stored with Crawford CollectionDonation: donated by the Australian Writers GuildID2: 95
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script
All the Way : Fings Ain't Wot They Used To Be 1988.
Call No: S ALLAuthor: Harvey, Michael PubDate: 1988PhysDes: 87 pSubject: ALL THE WAY [TV] (AT, 1988) Notes: Unpublished script -- stored with the Crawford CollectionDonation: donated by the Australian Writers GuildID2: 95
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Crawford collection
still
[All the way : album #1] / Greg Noakes Crawford Productions [distributor], [1988?].
Call No: CRAWFORD STILL ALLSource: ATPublisher: Crawford Productions [distributor]PubDate: [1988?]PhysDes: 21 photographs : b&w ; 26 x 20 cm + 9 slides : col. + 1 photograph : col. ; 26 x 21 cm + 1 transparency : col. ; 10 x 13 cm + 4 proof sheets : col. ; 32 x 9 cm + 2 proof sheets : b&w ; 25 x 25 cmSubject: CRAWFORD PRODUCTIONS ; SACKS, MARTIN ; SUMNER, PETER ; WALLACE, ROWENA ; MENDELSOHN, BEN ; McKENZIE, JACQUELINE ; MILLAR, MAGGIE ; SMITHERS, JOY ; HENSLEY, LISA ; ALL THE WAY [TV] (AT, 1988) Summary: Photographs and slides relating to the series 'All the way'Notes: Images are arranged by record type (photographs, slides, transparency then proof sheets)Donation: Gift of Crawford Productions
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Crawford collection
crawford ephemera all
[All the way. Ephemera]
Call No: CRAWFORD EPHEMERA ALLPhysDes: 18 envelopes ; 26 x 38 cmSubject: ALL THE WAY [TV] (AT, 1988) Summary: Assorted graphic materials and photos used by Crawford Productions for the series 'All The Way'Notes: Graphic design materials include script covers, logo, magazine mock ups -- 60s company logos for BP, Streets Icecream, VB, Kolotex, Fosters, Dulux, Kleenex, Kraft, Georges, Myer, Coles -- Beatles posters -- Photos of The Queen -- Photos of politicians in 1962 -- All the way badgeDonation: Gift of Crawford ProductionsContents: Graphic design material, photos and badge
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Crawford collection
crawford publicity all
[All the way. Publicity material]
Call No: CRAWFORD PUBLICITY ALLPhysDes: 1 box ; 38 x 25 x 9 cmSubject: SMITHERS, JOY ; SUMNER, PETER ; MILLER, DENNIS ; SACKS, MARTIN ; WALLACE, ROWENA ; MCDONALD, DOMINIC ; TAYLOR, GRIGOR ; MENDELSOHN, BEN ; HENSLEY, LISA ; MAMMONE, ROBERT ; ALL THE WAY [TV] (AT, 1988) Summary: Publicity brochure, press kit, promotional material, actors profiles and series credits for 'All the way'Donation: Gift of Crawford ProductionsContents: 1 brochure for 'All the way' -- press kit (23 leaves) -- promotional material (3 leaves) -- actors profiles ( 14 leaves plus duplicates) -- credits (2 folders)
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Crawford collection
crawford research all
[All the way. Research]
Call No: CRAWFORD RESEARCH ALLPhysDes: 2 boxes ; 25 x 40 x 90 cmSubject: ALL THE WAY [TV] (AT, 1988) Summary: Research notes on the 1960s focusing on events during that time as well as general background information about life in the 1960sDonation: Gift of Crawford ProductionsContents: Clippings organized in the following categories
Box 1: 1960s generally -- 1963 -- 1964 -- 1965 -- 1967
Box 2: Rogue magazine Feb/March 1966 -- Film footage requests -- General research
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Crawford collection
script
[All the way. Story concepts] AT:
Call No: SC ALL : 0Place: ATPhysDes: 2 boxes ; 38 x 25 x 9 cmSubject: ALL THE WAY [TV] (AT, 1988) Notes: 'Changing Times' was the working title for the series 'All The Way' -- The title 'Changing Times' appears to be used during initial discussions with Channel 7, this was then changed to 'All The Way' as the series was then associated with Channel 9Donation: Gift of Crawford ProductionsContents: 2 boxes containing the following folders
Box 1: Drafts and revisions of scene breakdowns for the telemovie 'Changing Times' [working title for 'All the Way']. Cast and location lists for scenes, comments on storylines, initial concepts and treatment, critical path
Box 2:
Story outlines for episodes 1 -26, forward planning for series 1, concept, story ideas, pilot storylines, sets and character notes, comments on drafts of scripts
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title clippings file
ALL THE WAY THROUGH EVENING : (US/AT, Rohan Spong, 2011)
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poster
[All The Way Through Evening: poster]
Call No: P ALLPhysDes: 1 poster : col. ; 100 x 69 cm.Subject: ALL THE WAY THROUGH EVENING (US/AT, Rohan Spong, 2011) Summary: Text: 'a musical documentary'
Text: 'Winner Special Jury Prize NYC Downtown Film Festival'
Text: 'Winner Audience Choice Birmingham Shout! Film Festival'
Text: 'Closing Night Film Gaze Film Festival Dublin'
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title clippings file
ALL THESE CREATURES : (AT, Charles Williams, 2018)
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title clippings file
ALL THIS AND WORLD WAR II : (US, Susan Winslow, 1976)
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Online resource
digital clippings file
ALL THIS MAYHEM : UK/AT, Eddie Martin, 2014 Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: ALL THIS MAYHEM (UK/AT, Eddie Martin, 2014) URL status: URL: 'http://file://Q:/T/ALL_THIS_MAYHEM.zip'
Checked: 31/08/2021 1:27:30 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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title clippings file
ALL THIS PANIC : (US, Jenny Gage, 2016)
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title clippings file
ALL TOGETHER NOW : [TV] (AT, Pino Amenta, 1991)
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script
ALL TOGETHER NOW : School's Out, Episode 101 [1993].
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script
All together now : "That Old Black Magic", episode 63, draft 4 / writer: Anthony Morris 1992.
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script
All together now : "The Green, Green, Grass of Home", episode 13, draft 3 / writer: Shane Brennan 1991.
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script
All together now : "Hey Good Lookin'", episode 65, draft 4 / writer: Elizabeth Coleman 1992.
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script
All together now : "Jump in My Car", episode 67, draft 4 / writer: Shane Brennan 1992.
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script
All together now : "The Real Thing", episode 73, draft 4 / writer: Jan Sardi 1992.
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script
All Together Now : Help Me Make it Through the Night 1991.
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script
All Together Now : Love Hurts, Episode 57, Draft 4 1990.
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script
All Together Now : That Old Black Magic, Episode 63, Draft 4 1992.
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script
All Together Now : The Real Thing, Episode 73, Draft 4 (1st copy)
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script
All Together Now : The Real Thing, Episode 73, Draft 4 (2nd copy)
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title clippings file
ALL TOGETHER NOW : (UK, Adrian Wills, 2008)
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title clippings file
ALL TOGETHER NOW [TV] : (AT, 2018 - )
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title clippings file
ALL TOMORROW'S PARTIES : (AT, Ian Roberts, 2002)
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title clippings file
ALLA RIVOLUZIONE SULLA DUE CAVALLI : (IT, Maurizio Sciarra, 2001)
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title clippings file
ALLA VI BARN I BULLERBYN : (SW, Lasse Hallstrom, 1986)
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title clippings file
ALLAN QUARTERMAIN AND THE LOST CITY OF GOLD : (US, Gary Nelson, 1987)
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personality microfilm collection
ALLAN, RANALD
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALLAN, RANALD
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personality clippings file
ALLAN, RUSSELL
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLAN, RUSSELL
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personality microfilm collection
ALLAN, TED
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALLAN, TED
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personality microfilm collection
Alland, William
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALLAND, WILLIAM
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personality clippings file
ALLANSON, DEBRA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLANSON, DEBRA
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title clippings file
ALLE JUDEN RAUS! : (GG, Emanuel Rund, 1991)
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title clippings file
ALLEGRO BARBARO : (HU, Miklos Jancso, 1979)
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title clippings file
ALLEGRO NON TROPPO : (IT, Bruno Bozzetto, 1976)
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Online resource
digital clippings file
ALLELUJAH : (UK/US, Richard Eyre, 2022) Digital clippings file available
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title clippings file
ALLEMAGNE NEUF ZERO : (FR, Jean-Luc Godard, 1991)
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personality microfilm collection
ALLEN, CHAD
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALLEN, CHAD
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personality microfilm collection
ALLEN, DAVE
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALLEN, DAVE
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personality microfilm collection
ALLEN, DAVIDA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALLEN, DAVIDA
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personality clippings file
ALLEN, DAVIDA
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLEN, DAVIDA
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personality clippings file
ALLEN, DEDE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLEN, DEDE
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personality clippings file
ALLEN, DOMINIC
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLEN, DOMINIC
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personality microfilm collection
ALLEN, IRWIN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALLEN, IRWIN
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personality clippings file
ALLEN, JANE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLEN, JANE
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personality microfilm collection
Allen, Joan
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALLEN, JOAN
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personality microfilm collection
ALLEN, KAREN
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALLEN, KAREN
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personality clippings file
ALLEN, KEITH
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLEN, KEITH
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personality clippings file
ALLEN, LEWIS
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLEN, LEWIS
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personality microfilm collection
ALLEN, PETER
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALLEN, PETER
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newspaper article
Allen plays same old tune in AFR Weekend (22/10/2016) p.36
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personality clippings file
ALLEN, REX
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLEN, REX
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personality microfilm collection
ALLEN, ROBERT
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALLEN, ROBERT
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personality clippings file
ALLEN, STEVE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLEN, STEVE
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personality clippings file
ALLEN, TIM
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLEN, TIM
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Online resource
digital clippings file
ALLEN, WOODY Digital clippings file available
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: ALLEN, WOODY URL status: URL: 'http://file://Q:/P/ALLEN,_WOODY.zip'
Checked: 31/08/2021 12:46:52 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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personality clippings file
ALLERT, WILLIAM
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLERT, WILLIAM
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personality microfilm collection
ALLEY, KIRSTIE
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALLEY, KIRSTIE
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title clippings file
ALLIED : (UK/US, Robert Zemeckis, 2016)
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Online resource
digital clippings file
ALLIES : (AT, Marian Wilkinson, 1983) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Publicity; PostersSubject: ALLIES (AT, Marian Wilkinson, 1983) URL status: URL: 'http://file://Q:/T/ALLIES.zip'
Checked: 31/08/2021 12:46:25 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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poster
[Allies : poster]
Call No: P ALLPhysDes: 1 poster : col. ; 71 X 40 cm.Subject: ALLIES (AT, Marian Wilkinson, 1983) Summary: Image: 3 stars and a thumb. Text: ' The white house, the cia and Australia. Who pays the price of friendship? The facts will shock you.' .
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poster
[Allies : poster]
Call No: P ALLPhysDes: 1 poster : b&w ; 57 X 41 cm.Subject: ALLIES (AT, Marian Wilkinson, 1983) Summary: Image: A thumb and 3 stars.Notes: Double sided with Allies' information.
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title clippings file
ALLIGATOR : (US, Lewis Teague, 1980)
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title clippings file
ALLIGATOR EYES : (US, John Feldman, 1990)
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title clippings file
ALLIGATOR SHOES : (CN, Clay Borris, 1981)
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title clippings file
ALLNIGHTER, THE : (US, Tamar Simon Hoffs, 1987)
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title clippings file
ALLONSANFAN : (IT, Paolo Taviani & Vittorio Taviani, 1974)
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personality clippings file
ALLRED, CORBIN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLRED, CORBIN
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title clippings file
ALLSEITIG REDUZIERTE PERSONLICHKEIT - REDUPERS, DIE : (GW, Helke Sander, 1978)
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personality clippings file
ALLSOP, JANE
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALLSOP, JANE
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title clippings file
ALLURE : (CN, Carlos Sanchez & Jason Sanchez, 2017)
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title clippings file
ALLVARSAMMA LEKEN, DEN : NO/SW, Anja Breien, 1977
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title clippings file
ALLY MCBEAL [TV] : (US, 1997-)
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personality clippings collection
ALLYSON, JUNE
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS COLLECTIONPhysDes: ClippingsSubject: ALLYSON, JUNE
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title clippings file
ALMA'S RAINBOW : (US, Ayoka Chenzira, 1994)
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personality microfilm collection
ALMAGOR, GILA
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALMAGOR, GILA
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personality microfilm collection
ALMENDROS, NESTOR
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALMENDROS, NESTOR
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personality clippings file
ALMEREYDA, MICHAEL
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALMEREYDA, MICHAEL
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personality microfilm collection
ALMODOVAR, PEDRO
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Clippings; Press kit; PublicitySubject: ALMODOVAR, PEDRO
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personality microfilm collection
ALMOND, PETER. O.
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: ALMOND, PETER. O.
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title clippings file
ALMONDS AND RAISINS : (US, Russ Karel, 1984)
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title clippings file
ALMOST AND ANGEL : (US, John Cornell, 1990)
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title clippings file
ALMOST DEAD : (US, Ruben Preuss, 1994)
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title clippings file
ALMOST FAMOUS : (US, Cameron Crowe, 2000)
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book
Almost famous / Cameron Crowe London: Faber and Faber, 2000.
Call No: 79ALM CAMAuthor: Crowe, Cameron, 1957 CorpAuthor: Sight and sound; Almost famous (Motion picture)Edition: Limited editionPlace: LondonPublisher: Faber and FaberPubDate: 2000PhysDes: 188 p. : ill., ports. ; 17 cmSeries: Sight and soundSubject: ALMOST FAMOUS (US, Cameron Crowe, 2000) Summary: At the age of fifteen, rock journalist William Miller hits the road with Stillwater, the hot new band he's been asked to write a profile onNotes: "Limited edition supplement to Sight and Sound"ISBN: 057121245XLON: 22704718
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title clippings file
ALMOST HEROES : (US, Christopher Guest, 1998)
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title clippings file
ALMOST HOLLYWOOD : (US, Mike Weaver, 1994)
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title clippings file
ALMOST PERFECT AFFAIR : (US, Michael Ritchie, 1979)
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title clippings file
ALMOST SUMMER : (US, Martin Davidson, 1978)
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title clippings file
ALMOST YOU : (US, Adam Brooks, 1985)
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Online resource
digital clippings file
ALOFT : (SP/CN/FR, Claudia Llosa, 2014) Digital clippings file available
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title clippings file
ALOHA : (US, Cameron Crowe, 2015)
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title clippings file
ALOHA SUMMER : (US,Tommy Lee Wallace, 1988 [prod. 1984])
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Online resource
digital clippings file
ALONE IN BERLIN : (UK/FR/GG, Vincent Perez, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: ALONE IN BERLIN (UK/FR/GG, Vincent Perez, 2016) URL status: URL: 'http://file://Q:/T/ALONE_IN_BERLIN.zip'
Checked: 31/08/2021 1:49:38 PM
Status: Error
Details: Failed to send HTTP request (WinHttpSendRequest)
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newspaper article
Alone in Berlin in Sunday Herald Sun [Scene] (05/03/2017) p.2
Call No: TITLE CLIPPINGS FILE; ALONE IN BERLIN (UK/FR/GG, Vincent Perez, 2016)Author: - PhysDes: Clippings File ArticleSubject: ALONE IN BERLIN (UK/FR/GG, Vincent Perez, 2016) Summary: Review of the film ALONE IN BERLINRating: 3 out of 5 stars
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title clippings file
ALONE IN THE DARK : (US, Jack Sholder, 1982)
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title clippings file
ALONE: LIFE WASTES ANDY HARDY : (AU, Martin Arnold, 1998)
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title clippings file
ALONG CAME A SPIDER : (US, Lee Tamahori, 2001)
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title clippings file
ALONG CAME POLLY : (US, John Hamburg, 2004)
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personality clippings file
ALONZO, JOHN
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: ALONZO, JOHN
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journal article
Alors, Heureux? in Image et son (February 1980) iss.347 p.55
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title clippings file
ALPHA MALE : (AT, Tony D'Aquino, 2003)
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book
America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982.
Call No: 71(73) BEHAuthor: Behlmer, Rudy, Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: c1982PhysDes: xix, 324 p. : ill. ; 24 cmSubject: USA ; FRANKENSTEIN (US, James Whale, 1931) ; LOST HORIZON (US, Frank Capra, 1937) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; STAGECOACH (US, John Ford, 1939) ; MALTESE FALCON, THE (US, John Huston, 1941) ; CASABLANCA (US, Michael Curtiz, 1942) ; LAURA (US, Otto Preminger, 1944) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951) ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and indexISBN: 080442036X; 0804460345 (pbk.)LON: 2175280
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book
American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American film now : the people, the power, the money, the movies / by James Monaco New York: New American library, 1979.
Call No: 71(73) MONAuthor: Monaco, James Source: USPlace: New YorkPublisher: New American libraryPubDate: 1979PhysDes: 544 p. : ill. ; 24 cmSubject: MOTION PICTURES - HISTORY ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOGDANOVICH, PETER ; BROOKS, MEL ; CASSAVETES, JOHN ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; LUCAS, GEORGE ; MAZURSKY, PAUL ; RITCHIE, MICHAEL ; SCORSESE, MARTIN ; SPIELBERG, STEVEN ; SCHRADER, PAUL ; SIMON, NEIL Summary: "Hollywood movies today are bigger - but are they better than ever? In this major examination of modern American cinema, one of our leading film critics ponders this question - and produces a wide-screen picture of the answer. Here in detail are the careers and creative milestones of the new "Whiz Kids" of hollywood - such glittering names as Scorsese, De Palma, Lucas, Spielberg, Altman, Mazursky, and Coppola. Here are the new masters of comedy - Neil Simon, Mel Brooks, Woody Allen. Here are the blockbusters that made fiscal history- Jaws, The Exorcist, the Godfather, Star Wars, Close Encounters of the Third Kind, Nashville, Superman, and all the others. Here, too, are the masterpieces that passed unnoticed, and the disasters that Hollywood would like to forget. Here are the new writers turning out novelizations of screenplays and screenplays of novels, and the current and rising stars who collectively represent America's vision of glamour and aristocracy. Above all, here is a bottom-line report on the new economics that have turned Hollywood from an old-fashioned industry centered on making movies into a "leisure-time" business obsessed with making money for coporate owners. Add to this a complete rundown of the top critics' choice for the best films of the decade, and a comprehensive "Who's Who" in current American filmmaking, and you have American Film Now- the definitve guide to the film industry as it is today and as it will be tomorrow." BOOK BLURBNotes: Includes index.Donation: donated by Senses of Cinema, 2010Contents: -- 1 Properties and packages: Getting started, building "projects", the rules of the game -- 2 Products and profits: conglomeration, the cash flow, slicing the pie, agenting -- 3 The entertainment machine: " Eat, swim, play, not talk!", the family of genres, the quarks of film -- 4: The people who make movies: the assets, Obiter Dicta: major contributors, the rest of the crew -- 5 The Whiz kids: Peter Bogdanovich, Billy Friedkin, Martin Scorsese, Brian De Palma, George Lucas, Steven Spielberg, Paul Schrader -- 6 The black film ( and the black image): Hello, Sam; Ossie davis, Gordon Parks, Melvin Van Peebles, Bill Gunn, Michael Schultz -- 7 The importance of being funny: comics and comedians: whats funny?, the genre and the style, the sunshine boys make movies: Neil Simon, Mel Brooks, Woody Allen -- 8 Myth, reality, and other ways of meaning: Realism and documentary, the mythos and ethos, myth for myth's sake, "If you want to send a message, call Western Union", The way we live now -- 9 Who's talking? Cassavetes, Altman, and Coppola: John Cassavetes and the mystiwue of the actor, Robert Altman and the myth of the character, Francis Coppola: the Stinky Kid as mogul -- 10 Who's talking? Ritchie and Mazursky: Michael Ritchie the ironist, Paul Mazursky the satirist -- 11 The fourth estate: Begelmania, A new constellation, What is to be done? -- The Data -- Critics and critical choices -- the best films of the decade -- ten major filmographies: Woody Allen, Robert Altman, John Cassavetes, Francis Coppola, Brian De Palma, George Lucas, Paul Mazursky, Michael Ritchie, Martin Scorsese, Steven Spielberg -- reading about American film now: a guide -- references -- Who's who in Americn film now?: writers, directors, actors, actresses, producers, cinematographers, composers, designers, special effects, sound -- index -- credits
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993.
Call No: 802.25-054(=924) DESAuthor: Desser, David ; Friedman, Lester D Place: UrbanaPublisher: University of Illinois PressPubDate: 1993PhysDes: x, 318 p. : ill. ; 23 cmSubject: ALLEN, WOODY ; BROOKS, MEL ; LUMET, SIDNEY ; MAZURSKY, PAUL ; JEWS AND THE CINEMA. USA ; DIRECTORS. USA ; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and indexISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)LON: 9606171Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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Anatomy of film / Bernard F. Dick New York -- Hampshire: St Martins Press -- Macmillan Press, 1998.
Call No: 62 DICAuthor: Dick, Bernard F Edition: Third editionSource: US/UKPlace: New York -- HampshirePublisher: St Martins Press -- Macmillan PressPubDate: 1998PhysDes: xv, 302 pages : illustrations ; 23 cmSubject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965) ; ALLEN, WOODY ; BOGART, HUMPHREY ; CAPRA, FRANK ; CITIZEN KANE (US, Orson Welles, 1941) ; HITCHCOCK, ALFRED ; PSYCHO (US, Alfred Hitchcock, 1960) ; WELLES, ORSON ; WILDER, BILLY Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back coverNotes: Previous ed.: 1990 -- Includes bibliographical references and indexISBN: 0312153996Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library
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Around the world, films by women from Europe and elsewhere : Aloïse in NFT (May 1982) p.5
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Arresting in Alien in Daily Telegraph [BW Magazine] (13/05/2017) p.18
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Arts budget hammered in The Age (16/12/2015) p.4
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Arts feel sting of government cuts in Sydney Morning Herald (16/12/2015) p.5
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Australia's own Matilda moves from page to TV in Sydney Morning Herald (23/06/2016) p.17
Call No: TITLE CLIPPINGS FILE in production; ALICE-MIRANDA show [TV] in productionAuthor: Morris, Linda PhysDes: Clippings File ArticleSubject: ALICE-MIRANDA show in production Summary: Interview with Jacqueline Harvey who is the writer of the successful Australian children's book series ALICE-MIRANDA. The book series is in development to be adapted into a 26 part TV show to be screen on the Nine Network
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The Australian Film and Television and Radio School : Reviews in Filmviews (Winter 1987) vol.32 iss.132 p.32-34
PhysDes: ArticleSubject: ALMOST WINNING (AT, Tammy Burnstock, 1986) ; BOY AND THE SEA, THE (AT, Peter Leovic, 1986) ; CHASM (AT, Mark Ward/Peter Aquilia, 1986) ; COMING TRUE (AT, George Mannix, 1986) ; AUSTRALIAN SUMMER, AN (AT, Megan Simpson, 1987) ; ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986) ; FREELY GIVEN (AT, David Caesar, 1986) ; GOOD WEEKEND, THE (AT, Kate Stone, 1986) ; FLYING (AT, Tommy Burnstock, 1986) ; SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986) ; SPEED GRAPHIC (AT, Rey Carlson, 1986) ; SHOPPING TOWN (AT, David Caesar, 1986) ; TRICKLE OF SANITY (AT, Michael Richards, 1986) Summary: Short reviews of the AFTRS productions by a number of different reviewersNotes: Reviews. - synopsis. - credits. - illus.
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012.
Call No: 735.2 (94) SHEAuthor: Shelley, Peter Source: US/UKPlace: Jefferson, North Carolina, and LondonPublisher: McFarland & Company IncPubDate: c2012PhysDes: vi, 320 p. : ill. ; 26 cmSubject: HORROR FILMS ; HORROR FILMS. AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; NIGHT OF FEAR (AT, Terry Bourke, 1973) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; INN OF THE DAMNED (AT, Terry Bourke, 1974) ; END PLAY (AT, Tim Burstall, 1975) ; LAST WAVE, THE (AT, Peter Weir, 1977) ; LONG WEEKEND, THE (AT, Colin Eggleston, 1979) ; PATRICK (AT, Richard Franklin, 1978) ; SNAPSHOT (AT, Simon Wincer, 1978) ; THIRST (AT, Rod Hardy, 1979) ; NIGHTMARES (AT, John Lamond, 1980) ; ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) ; LADY STAY DEAD (AT, Terry Bourke, 1981) ; ROADGAMES (AT, Richard Franklin, 1981) ; SURVIVOR, THE (AT, David Hemmings, 1981) ; NEXT OF KIN (AT, Tony Williams, 1982) ; TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981) ; INNOCENT PREY (AT, Colin Eggleston, 1984) ; RAZORBACK (AT, Russell Mulcahy, 1984) ; CASSANDRA (AT, Colin Eggleston, 1987) ; DARK AGE (AT/US, Arch Nicholson, 1988) ; FAIR GAME (AT, Mario Andreacchio, 1986) ; CONTAGION (AT, Karl Zwicky, 1988) ; CONTAGION (AT, Karl Zwicky, 1988) ; OUTBACK VAMPIRES (AT, Colin Eggleston, 1987) ; ZOMBIE BRIGADE (AT, Carmelo Musca, 1988) ; CELIA (AT, Ann Turner, 1988) ; CELIA (AT, Ann Turner, 1988) ; DREAMING, THE (AT, Mario Andreacchio, 1988) ; HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989) ; KADAICHA (AT, James Bogle, 1988) ; OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988) ; [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989) ; BLOODMOON (AT, Alec Mills, 1990) ; BODY MELT (AT, Philip Brophy, 1993) ; BODY MELT (AT, Philip Brophy, 1993) ; ENCOUNTERS (AT, Murray Fahey, 1994) ; KOMODO (US/AT, Michael Lantieri, 1999) ; CUT (AT, Kimble Rendall, 2000) ; CTHULHU (AT, Damian Heffernan, 2000) ; GHOST SHIP, THE (US, Steve Beck, 2002) ; CUBBYHOUSE (AT, Murray Fahey, 2001) ; QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002) ; DARKNESS FALLS (US, Jonathon Liebesman, 2003) ; LOST THINGS (AT/CN, Martin Murphy, 2003) ; RAZOR EATERS (AT, Shannon Young, 2003) ; SUBTERANO (AT/GG, Esben Storm, 2002) ; UNDEAD (AT, Michael Spierig & Peter Spierig, 2002) ; MAN-THING (US/AT, Brett Leonard, 2005) ; SAFETY IN NUMBERS (AT, David Douglas, 2005) ; WOLF CREEK (AT, Greg McLean, 2005) ; LIKE MINDS (AT UK, Gregory J Read, 2006) ; SEE NO EVIL (AT, Gregory Dark, 2006) ; VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006) ; WATCH ME (AT, Melanie Ansley, 2006) ; BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007) ; ROGUE (AT, Greg Mclean, 2007) ; STORM WARNING (AT, Jamie Blanks, 2007) ; ACOLYTES (AT, Jon Hewitt, 2007) ; DYING BREED (AT, Jody Dwyer, 2008) ; GATES OF HELL, THE (AT, Kelly Dolen, 2008) ; I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008) ; LONG WEEKEND (AT, Jamie Blanks, 2009) ; RUINS, THE (AT/US, Carter Smith, 2008) ; COFFIN ROCK (UK/AT, Rupert Glasson, 2009) ; CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009) ; DAMNED BY DAWN (AT, Brett Anstey, 2009) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008) ; FAMILY DEMONS (AT, Ursula Dabrowsky, 2009) ; HORSEMAN, THE (AT, Steven Kastrissios, 2008) ; LOVED ONES, THE (AT, Sean Byrne, 2009) ; PREY (AT, Oscar D'Rocceter, 2007) ; [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009) ; STORAGE (AT, Michael Craft, 2009) ; TRIANGLE (AT/UK Christpher Smith, 2009) ; CLINIC, THE (AT, James Rabbitts, 2010) ; NEEDLE (AT, John V Soto, 2010) ; REEF, THE (AT, Andrew Traucki, 2010) ; ROAD TRAIN (AT, Dean Francis, 2010) ; SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURBNotes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and indexISBN: 9780786461677Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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An Australian love story for our times in Sydney Morning Herald [The Shortlist] (23/10/2015) p.6
Call No: TITLE CLIPPINGS FILE; ALEX & EVE (AT, Peter Andrikidis, 2015)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: ALEX & EVE (AT, Peter Andrikidis, 2015) Summary: Interview with Alex Lykos the writer and director of the stage play ALEX AND EVE which eventually became a feature film
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Award nomination 'the icing on the cake' in The Age (30/10/2017) p.6
Call No: TITLE CLIPPINGS FILE; ALI'S WEDDING (AT, Jeffrey Walker, 2017)Author: Maddox, Gary PhysDes: Clippings File ArticleSubject: ALI'S WEDDING (AT, Jeffrey Walker, 2017) Summary: When Helana Sawires went to Sydney's Newtown High School of the Performing Arts, she was a budding drummer and Egyptian tabla player. That changed when she discovered acting in year nine.
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Backstory 3 : interviews with screenwriters of the 1960s / Pat McGilligan Berkeley: University of California Press, 1997.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1997PhysDes: viii, 428 p. : ill. ; 24 cmSubject: ALLEN, JAY PRESSON ; AXELROD, GEORGE ; BERNSTEIN, WALTER ; FOOTE, HORTON ; GREEN, WALON ; GRIFFITH, CHARLES B. ; HAYES, JOHN MICHAEL ; LARDNER, RING, Jr. ; MATHESON, RICHARD ; MAYES, WENDELL ; RAVETCH, IRVING ; FRANK, HARRIET ; SCHULMAN, ARNOLD ; SILLIPHANT, STIRLING ; SOUTHERN, TERRY Notes: Includes bibliographical references (p. 401-406) and indexesISBN: 0520204263 (cloth : alk. paper); 0520204271 (pbk. : alk. paper)Order Received: 1997LON: 96044753; 12803455
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Banned films : movies, censors, and the First Amendment / Edward de Grazia and Roger K. Newman New York: Bowker, 1982.
Call No: 44(73) DEGAuthor: De Grazia, Edward, 1927 ; Newman, Roger K Place: New YorkPublisher: BowkerPubDate: 1982PhysDes: xxiii, 455 p., [16] p. of plates : ill. ; 25 cmSubject: CENSORSHIP. USA ; BANNED FILMS. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; EXORCIST, THE (US, William Friedkin, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; ALIBI (US, Roland West, 1929) Notes: Includes index; Bibliography: p. 391-394ISBN: 0835215091; 0835215113 (soft)LON: 2214260
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Battleship Potemkin ; October and Alexander Nevsky / by Sergei Eisenstein ; edited by Jay Leyda ; translated by Diana Matias London: Lorrimer Pub., 1974.
Call No: 792 EISAuthor: Eisenstein, Sergei, 1898-1948 ; Leyda, Jay, 1910 Place: LondonPublisher: Lorrimer Pub.PubDate: 1974PhysDes: 189 p. : ill. ; 20 cmSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Notes: Director's shooting scriptsISBN: 0856470384; 0856470406(pbk.)LON: 263889
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Behind the Spanish lens : Spanish cinema under fascism and democracy / by Peter Besas Denver, Colo.: Arden Press, 1985.
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Beyond representation : television drama and the politics and aesthetics of identity / Geraldine Harris Manchester ; New York: Manchester University Press, distributed exclusively in the USA by Palgrave, 2006.
Call No: 744.9 HARAuthor: Harris, Geraldine Source: USPlace: Manchester ; New YorkPublisher: Manchester University Press, distributed exclusively in the USA by PalgravePubDate: 2006PhysDes: 210 p. ; 23 cmSubject: DRAMAS ; REALISM ON TV ; AESTHETICS ; RACIAL ISSUES AND TV ; MARXISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; FEMINISM AND THE CINEMA ; IMPERIALISM AND THE CINEMA ; HOMOSEXUALITY AND TV ; GLOBALISATION ; ALLY MCBEAL [TV] (US, 1997-) ; BILL, THE [TV] (UK, 1984-) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; QUEER AS FOLK [TV] (UK, 1999-2000) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; [DOCTOR] DR WHO [TV] (UK, 1963-1989, 2005-) ; DYNASTY [TV] (AT, 1970) ; PRIME SUSPECT 3 [TV] (UK, David Drury, 1993) ; SOPRANOS, THE [TV] (US, 1999) ; TIPPING THE VELVET [TV] (UK, Geoffrey Sax, 2002) ; WILL & GRACE[TV] (US, 1998-) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: Beyond representation, poses the question, as to whether over the last 30 years, there have been signs of progress/progressiveness, in the representation of marginalised or subaltern identity categories, within television drama, in Britain, and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity, that have influenced and informed television drama criticism during this period. [Taken from the back cover]Notes: Bibliography: p.191-20; Includes indexISBN: 0719074584 (hdbk)Donation: Donated by Senses Of Cinema, 2009
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Black cinema treasures : lost and found / by G. William Jones ;foreword by Ossie Davis Denton: University of North Texas, 1991.
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Blast-off for a space gardener in The Australian [Arts & Entertainment] (10/05/2017) p.28
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993.
Call No: 408.1(46) KINAuthor: Kinder, Marsha Place: BerkeleyPublisher: University of California PressPubDate: 1993PhysDes: xi, 553 p. : ill. ; 24 cmSubject: SPAIN ; INDUSTRY, FILM. UK ; NATIONAL CULTURE AND THE CINEMA. SPAIN ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; VIOLENCE IN FILMS. SPAIN ; DIRECTORS. USA ; ERICE, VICTOR ; SAURA, CARLOS ; ALMODOVAR, PEDRO ; BUNUEL, LUIS ; SURCOS (SP, Jose Antonio Nieves Conde, 1951) ; MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955) ; GOLFOS, LOS (SP, Carlos Saura, 1959) ; COCHECITO, EL (SP, Marco Ferreri, 1959) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and indexISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper)LON: 9293143
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Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud London; New York: Routledge, British Film Institute, 2000.
Call No: 67(44) CAHSource: UK/USPlace: London; New YorkPublisher: Routledge, British Film InstitutePubDate: 2000PhysDes: xi, 323 p. ; 24 cmSeries: Cahiers du Cinema selectionsSubject: CULTURE AND THE CINEMA ; POLITICS AND THE CINEMA ; IDEOLOGY AND THE CINEMA ; HISTORY AND THE CINEMA ; THEORY ; CRITICISM ; CAHIERS DU CINEMA ; ALAOUIE, BORHAN ; ALLIO, RENE ; DOUGLAS, JOHN ; FERRO, MARC ; GODARD, JEAN-LUC ; HUILLET, DANIELE ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LITTIN, MIGUEL ; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975) ; DERSU UZALA (UR/JA, Akira Kurosawa, 1975) ; INDIA SONG (FR, Marguerite Duras, 1975) ; KING KONG (US, John Guillermin, 1976) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; KAFR KASSEM (LE/SY, Borhan Alaouié, 1973) ; MILESTONES (US, Robert Kramer & John Douglas, 1975) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; STAR WARS (US, George Lucas, 1977) ; SIX FOIS DEUX (FR, Jean-Luc Godard, 1976) ; TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973) ; XALA (SG, Ousmane Sembene, 1974) Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]ISBN: 0415029880Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s
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The Camera never lies in Australian Cinematographer (March 2016) iss.69 p.44 - 52
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Cannes : face and about face in Interview (1970) vol.1 iss.10 p.8-11, 20
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Carnival Stories in Romanian Film (1981) iss.2 p.22-23
Author: Grossan, I. PhysDes: ArticleSubject: ALE CARNAVALULUI, D' (RM, Lucian Pintilie, 1981) ; DE CE TRAG CLOPOTELE, MITICA? (RM, Lucian Pintilie, 1981) ; WHY ARE THE BELLS RINGING, MITICA? (RM, Lucian Pintilie, 1981) ; WHAT DO THE BELLS TOLL FOR, MITICA? (RM, Lucian Pintilie, 1981) Notes: Article written in both French and English versions. - Although the article refers to the film as "D'ale Carnavalului" it is more commonly known as "De ce trag clopotele, Mitica?" with the English translation titles of "What Do the Bells Toll For, Mitica?" or "Why Are the Bells Ringing, Mitica?"
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The celluloid muse : Hollywood directors speak / [by] Charles Higham and Joel Greenberg London: Angus & Robertson, 1969.
Call No: 802.25(73) HIGAuthor: Higham, Charles, 1931 ; Greenberg, Joel, joint author Place: LondonPublisher: Angus & RobertsonPubDate: 1969PhysDes: 268 p., 32 plates. illus., ports. 24 cmSubject: ALDRICH, ROBERT ; CUKOR, GEORGE ; FRANKENHEIMER, JOHN ; HITCHCOCK, ALFRED ; LANG, FRITZ ; MAMOULIAN, ROUBEN ; MINNELLI, VINCENTE ; RAPPER, IRVING ; ROBSON, MARK ; TOURNEUR, JACQUES ; VIDOR, KING ; WILDER, BILLY ; BERNHARDT, CURTIS ; MILESTONE, LEWIS ; NEGULESCO, JEAN ISBN: 0207951233LON: 562650
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Celluloid Rigby in The Saturday Paper [Culture] (20/05/2017) p.18
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Children's novels and the movies / edited by Douglas Street New York: F. Ungar Pub. Co., 1983.
Call No: 753.131-053.2 CHIAuthor: Street, Douglas Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1983PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; CHILDREN AND THE CINEMA ; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951) ; ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972) ; CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973) ; HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977) ; HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977) ; ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964) ; KIDNAPPED (UK, Delbert Mann, 1971) ; KIM (US, Victor Saville, 1950) ; LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979) ; LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981) ; LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936) ; LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940) ; PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969) ; PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969) ; RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970) ; SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949) ; SOUNDER (US, Martin Ritt, 1972) ; TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960) ; TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951) ; TREASURE ISLAND (US, Victor Fleming, 1934) ; TREASURE ISLAND (US, Byron Haskin, 1950) ; TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972) ; WATERSHIP DOWN (UK, Martin Rosen, 1978) ; WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURBNotes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95LON: 83014816; 2808775
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China into film : frames of reference in contemporary Chinese cinema London: Reaktion, 1999.
Call No: 71(51) SILAuthor: Silbergeld, Jerome Place: LondonPublisher: ReaktionPubDate: 1999PhysDes: 352 p. : ill. (some col.) ; 24 cmSubject: CITY OF SADNESS, A [ ; ALLEGORY IN FILMS ; WOMEN IN FILMS. CHINA ; MELODRAMA. CHINA ; CHEN, KAIGE ; XIE, JIN ; ZHANG, YIMOU ; QIU JU DA GUANSI (CC/HK, Zhang Yimou, 1992) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; HUANG TUDI (CC, Chen Kaige, 1985) ; HONG GAOLIANG (CC, Zhang Yimou, 1988) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; LUN HUI (CC, Huang Jianxin, 1989) ; BAWANG BIEJI (HK, Chen Kaige, 1993) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; DA YUE BING (CC, Chen Kaige, 1986) ; HAIZI WANG (CC, Chen Kaige, 1988) ; JU DOU (CC/JA, Zhang Yimou, 1990) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ISBN: 1861890508(pbk.)LON: 20259534 20259534
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Christmas stockings very empty for the arts, with $52m more cut in Crikey.com.au (16/12/2015) p.-
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Christopher Lee : A career article in Cinefantastique (Fall 1973) vol.3 iss.1 p.4-23
Author: Parish, James Robert ; Pitts, Michael R. PhysDes: ArticleSubject: LEE, CHRISTOPHER ; ALIAS JOHN PRESTON (UK, David MacDonald, 1955) ; CRIPTA E L'INCUBO, LA (IT/SP, Camillo Mastrocinque, 1963) ; CORRIDOR OF MIRRORS (UK, Terence Young, 1947) ; CORRIDORS OF BLOOD (UK, Robert Day, 1958) ; CURSE OF FRANKENSTEIN, THE (UK, Terence Fisher, 1957) Summary: Article focuses on the actor Christopher Lee who, although best known as Dracula, had a varied screen career. Parish and Pitts note that Lee performed more genre roles than any other actor in film history. The authors attempt to trace the progress and evolution of Lee's career, paying particular attention to his little-known, non-genre roles, using quotations from the actor's numerous published interviews over the years. Parish and Pitt also highlight that Lee's first horror film role was the psychological drama "Alias John Preston"
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Cinema and social change in Latin America : conversations with filmmakers / edited by Julianne Burton Austin: University of Texas Press, 1986.
Call No: 802.25(8=6) CINAuthor: Burton, Julianne Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1986PhysDes: xvi, 302 p. : ports. ; 24 cmSubject: LATIN AMERICAN COUNTRIES ; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES ; BOLIVIA ; CHILE ; NICARAGUA ; MEXICO ; CUBA ; BIRRI, FERNANDO ; SANJINES, JORGE ; GUZMAN, PATRICIO ; ROCHA, GLAUBER ; ALEA, TOMAS GUTIERREZ ; SANTOS, NELSON PEREIRA DOS ; SOLAS, HUMBERTO ; DIEGUES, CARLOS ; RUIZ, RAUL ; GUMUCIO DAGRON, ALFONZO ; HANDLER, MARIO ; SILVA, JORGE ; RODRIGUEZ, MARTA ; VAZQUEZ, EMILIO RODRIGUEZ ; IBARRA, CARLOS VICENTE ; SOLBERG-LADD, HELENA ; EGUINO, ANTONIO ; VILLAGRA, NELSON ; FERNANDEZ VIOLANTE, MARCELA ; ACHUGAR, WALTER ; COLINA, ENRIQUE ; GARCIA ESPINOSA, JULIO Notes: Includes indexes; Bibliography: p. [285]-286ISBN: 0292724535; 0292724543 (pbk.)LON: 4568383
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The cinema of John Frankenheimer / by Gerald Pratley London: A. Zwemmer; A.S. Barnes, 1969.
Call No: 81FRA PRAAuthor: Pratley, Gerald Source: UKPlace: LondonPublisher: A. Zwemmer; A.S. BarnesPubDate: 1969PhysDes: 240 p. : illus., ports. ; 16 cm.Series: International Film Guide SeriesSubject: FRANKENHEIMER, JOHN ; BIRDMAN OF ALCATRAZ (US, John Frankenheimer, 1962) ; ALL FALL DOWN (US, John Frankenheimer, 1962) ; YOUNG STRANGER, THE (US, John Frankenheimer, 1957) ; YOUNG SAVAGES, THE (US, John Frankenheimer, 1961) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; SEVEN DAYS IN MAY (US, John Frankenheimer, 1963) ; TRAIN, THE (US/FR/IT, John Frankenheimer, 1964) ; SECONDS (US, John Frankenheimer, 1966) ; GRAND PRIX (US, John Frankenheimer, 1966) ; FIXER, THE (US, John Frankenheimer, 1968) ; GYPSY MOTHS, THE (US, John Frankenheimer, 1969) ; EXTRAORDINARY SEAMAN, THE (US, John Frankenheimer, 1969) ISBN: 0302020004Language: English
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Citizen Cannes : the man behind the Cannes Film Festival / Gilles Jacob London; New York: Phaidon, 2011.
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The Classic American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1977.
Call No: 753.4 CLAAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1977PhysDes: xii, 356 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; BOGDANOVICH, PETER ; EISENSTEIN, SERGEI M. ; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938) ; ALICE ADAMS (US, George Stevens, 1935) ; BABBITT (US, Harry Beaumont, 1924) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; CARRIE (US, William Wyler, 1952) ; DAISY MILLER (US, Peter Bogdanovich, 1974) ; DODSWORTH (US, William Wyler, 1936) ; FAREWELL TO ARMS, A (US, Frank Borzage, 1933) ; GREAT GATSBY, THE (US, Elliott Nugent, 1949) ; GREAT GATSBY, THE (US, Jack Clayton, 1974) ; GREED (US, Erich von Stroheim, 1925) ; HEIRESS, THE (US, William Wyler, 1949) ; HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940) ; I MARRIED A DOCTOR (US, Archie L. Mayo, 1936) ; INNOCENTS, THE (UK, Jack Clayton, 1962) ; LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; MOBY DICK (UK, John Huston, 1956) ; PRINCE AND THE PAUPER, THE (US, William Keighley, 1937) ; RED BADGE OF COURAGE, THE (US, John Huston, 1951) ; SEA WOLF, THE (US, Michael Curtiz, 1941) ; SCARLET LETTER, THE (US, Victor Sjostrom, 1926) ; SOUND AND THE FURY, THE (US, Martin Ritt, 1959) ; SUN ALSO RISES, THE (US, Henry King, 1957) ; VIRGINIAN, THE (US, Stuart Gilmore, 1946) ; VIRGINIAN, THE (US, Victor Fleming, 1929) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURBNotes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95LON: qum00211939; 12437055 857055
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Classics of the foreign film : a pictorial treasury / by Parker Tyler New York: Citadel Press, [1962].
Call No: 67(04) TYLAuthor: Tyler, Parker Edition: [1st ed.]Place: New YorkPublisher: Citadel PressPubDate: [1962]PhysDes: 253 p. : illus. ; 29 cmSubject: CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; NAPOLEON (FR, Abel Gance, 1927) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; VARIETE (G, E.A. Dupont, 1925) ; CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927) ; METROPOLIS (G, Fritz Lang, 1926) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) ; MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958) ; DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931) ; M (G, Fritz Lang, 1931) ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]) ; MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933) ; KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; DYBUK (PL, Michal Waszynski, 1938) ; ALEX & EVE (AT, Peter Andrikidis, 2015) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VREDENS DAG (DK, Carl Th. Dreyer, 1943) ; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; SCIUSCIA (IT, Vittorio De Sica, 1946) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; FROKEN JULIE (SW, Alf Sjoberg, 1950) ; RASHOMON (JA, Akira Kurosawa, 1950) ; UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; STRADA, LA (IT, Federico Fellini, 1954) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959) ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; PICKPOCKET (FR, Robert Bresson, 1959) ; LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; YOJIMBO (JA, Akira Kurosawa, 1961) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; TYSTNADEN (SW, Ingmar Bergman, 1963) Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKETLON: 712285Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence
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Close encounters : film, feminism, and science fiction / Constance Penley ... [et al.], editors Minneapolis: University of Minnesota Press, 1991.
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Coloniers on the menu in AFR Weekend (20/05/2017) p.44
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Color : the film reader / Angela Dalle Vacche (editor) New York, London: Routledge, 2006.
Call No: 633.22 COLAuthor: Dalle Vacche, Angela ; Brian Price Source: USPlace: New York, LondonPublisher: RoutledgePubDate: 2006PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cmSeries: In focus - Routledge film readersSubject: COLOUR ; AESTHETICS ; CINEMATOGRAPHY ; TECHNICOLOR ; BAZIN, ANDRE ; ARNHEIM, RUDOLF ; ROHMER, ERIC ; BATCHELOR, JOHN ; OSHIMA, NAGISA ; BRAKHAGE, JANE ; HITCHCOCK, ALFRED ; ANDERSON, PAUL THOMAS ; HOU HSIAO-HSIEN ; GODARD, JEAN-LUC ; ANTONIONI, MICHELANGELO ; JARMAN, DEREK ; MAMOULIAN, ROUBEN ; SIRK, DOUGLAS ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; GIGI (US, Vincente Minnelli, 1958) ; IMITATION OF LIFE (US, Douglas Sirk, 1959) ; REBECCA (US, Alfred Hitchcock, 1940) ; VERTIGO (US, Alfred Hitchcock, 1958) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]Notes: Bibliography: (p [202]-205); Includes indexISBN: 0415324424; 9780415324427
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Comedy comes as cultures collide in The Australian (21/10/2015) p.14
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Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998.
Call No: 62 ORRAuthor: Orr, John, 1943 Place: EdinburghPublisher: Edinburgh University PressPubDate: c1998PhysDes: xi,243 p. : ill. ; 24 cmSubject: CANADA ; CITY OF SADNESS, A [ ; MASCULINITY IN FILMS ; RELIGION AND THE CINEMA ; COMMUNISM AND THE CINEMA ; DOUBLES IN FILMS ; EXPRESSIONISM ; FILM NOIR ; POLAND ; PSYCHOLOGY AND THE CINEMA ; SEX IN FILMS ; SURREALISM AND THE CINEMA ; ALLEN, WOODY ; ALTMAN, ROBERT ; ANTONIONI, MICHELANGELO ; BEATTY, WARREN ; BELMONDO, JEAN-PAUL ; BERGMAN, INGMAR ; BINOCHE, JULIETTE ; BONNAIRE, SANDRINE ; BURTON, TIM ; CAGE, NICOLAS ; CAMPION, JANE ; CHABROL, CLAUDE ; CHEUNG, LESLIE ; COPPOLA, FRANCIS FORD ; COSTNER, KEVIN ; CRONENBERG, DAVID ; DAHL, JOHN ; DE NIRO, ROBERT ; DE PALMA, BRIAN ; DERN, LAURA ; EGOYAN, ATOM ; FIGGIS, MIKE ; GERE, RICHARD ; GONG, LI ; GREENAWAY, PETER ; HAUER, RUTGER ; JAMESON, FREDRIC ; KIESLOWSKI, KRZYSZTOF ; LYNCH, DAVID ; MALICK, TERRENCE ; Pasolini, Pier Paolo ; ROSSELLINI, ISABELLA ; SCORSESE, MARTIN ; SCOTT, RIDLEY ; STONE, OLIVER ; TRAN, ANH HUNG ; WEIR, PETER ; Wenders, Wim ; WONG KAR-WAI ; YOUNG, SEAN ; ZHANG, YIMOU ; ANDERSSON, BIBI ; AUDRAN, STEPHANE ; DUVALL, SHELLY ; GIDLEY, PAMELA ; JANDA, KRYSTYNA ; KANESHIRO, TANESHI ; LEUNG, TONY ; LIN, BRIGITTE ; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988) ; KILL ME AGAIN (US, John Dahl, 1989) ; DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; ADJUSTER, THE (CN, Atom Egoyan, 1991) ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; CHINATOWN (US, Roman Polanski, 1974) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; JFK (US, Oliver Stone, 1991) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; LIEBESTRAUM (US, Mike Figgis, 1991) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; PERSONA (SW, Ingmar Bergman, 1966) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RAGING BULL (US, Martin Scorsese, 1980) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; STALKER (UR, Andrei Tarkovsky, 1979) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; WILD AT HEART (US, David Lynch, 1990) ; CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre."
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0748608362(pbk.) : No priceLON: 13772409ID2: 291
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Contemporary Spanish cinema / Barry Jordan and Rikki Morgan-Tamosunas Manchester: Manchester University Press, 1998.
Call No: 71(46) JORAuthor: Jordan, Barry, 1950 ; Morgan-Tamosunas, Rikki Place: ManchesterPublisher: Manchester University PressPubDate: 1998PhysDes: vi, 216 p. : ill. ; 24 cmSubject: SPAIN ; COMEDIES. SPAIN ; THRILLERS. SPAIN ; FANTASTIC FILMS. SPAIN ; SCIENCE-FICTION FILMS. SPAIN ; HORROR FILMS. SPAIN ; GENDER AND THE CINEMA ; WOMEN IN FILMS ; MEN IN FILMS ; NATIONAL IDENTITY IN FILMS. SPAIN ; SPAIN: CATALONIA ; SPAIN: BASQUE COUNTRY ; HISTORY AND THE CINEMA. SPAIN ; ALMODOVAR, PEDRO ; BIGAS LUNA ; GARCI, JOSE LUIS ; MEDEM, JULIO ; MIRO, PILAR ; SAURA, CARLOS ; TRUEBA, FERNANDO ; COLMENA, LA (SP, Mario Camus, 1982) ; NADIE HABLARA DE NOSOTRAS CUANDO HAYAMOS MUERTO (SP, Agustin Diaz Yanes, 1995) Notes: Includes bibliographical references and indexISBN: 071904412X (hbk.); 0719044138 (pbk.)LON: abn98241412; 14031781
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newspaper article
A cracking adventure in Weekend Australian [Review] (30/05/2015) p.15
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Cracks in the pedestal : ideology and gender in Hollywood / Philip Green Amherst: University of Massachusetts Press, c1998.
Call No: 626:396 GREAuthor: Green, Philip, 1932 Place: AmherstPublisher: University of Massachusetts PressPubDate: c1998PhysDes: viii, 262 p. : ill. ; 25 cmSubject: GENDER AND THE CINEMA. USA ; FEMINISM AND THE CINEMA. USA ; FILM NOIR. USA ; CREED, BARBARA ; MULVEY, LAURA ; STONE, SHARON ; ALIENS (US, James Cameron, 1986) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; FURNESS, DEBORRA-LEE ; GILDA (US, Charles Vidor, 1946) ; IMPULSE (US, Sandra Locke, 1990) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; MS 45 (US, Abel Ferrara, 1981) ; NORMA RAE (US, Martin Ritt, 1979) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; RIVER WILD, THE (US, Curtis Hanson, 1994) ; SHAME (AT, Steve Jodrell, 1988) ; SHAME [TV] (US, 1992) ; SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; VANISHING, THE (US, George Sluizer, 1993) ; SPOORLOOS (NE/FR, George Sluizer, 1988) Summary: Distinguishing his own neo-Marxist approach from that of other media scholars, Philip Green pursues two interrelated themes. In the first part of the book, he looks at the strategies Hollywood has employed to deflect or absorb the ideological challenges posed by the feminist critique of contemporary American society. He demonstrates the ways in which mainstream movies and television programs, no matter how unconventional or "subversive" they may appear, produce and reproduce familiar images of sexuality and gender identity. In the second part, Green highlights instances in which reproduction of the dominant ideology is less successful by examining several recent cinematic genres - the female action movie, the rape-revenge cycle, and the new film noir - that portray the real ambiguities of a social order in upheaval; As a male consumer of the cultural commodities being discussed, the author offers a perspective on American films and television different from that of most other feminist criticsNotes: Includes bibliographical references (p. [213]-248) and indexISBN: 1558491198 (cloth : alk. paper); 1558491201 (pbk. : alk. paper)LON: 13262384ID2: 290
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Crossing the cultural divide in Herald Sun [Hit] (22/10/2015) p.36
Call No: TITLE CLIPPINGS FILE; ALEX & EVE (AT, Peter Andrikidis, 2015)Author: Hook, Chris PhysDes: Clippings File ArticleSubject: ALEX & EVE (AT, Peter Andrikidis, 2015) Summary: Interview with the writer and stage director Alex Lykos, whose play was turned into the film ALEX & EVE. Other people quoted are the film's leads, Andrea Demetriades and Richard Brancatisano
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Cultural divides explored in opportunely timed rom-com in Sunday Telegraph (18/10/2015) p.121
Call No: TITLE CLIPPINGS FILE; ALEX & EVE (AT, Peter Andrikidis, 2015)Author: - PhysDes: Clippings File ArticleSubject: ALEX & EVE (AT, Peter Andrikidis, 2015) Summary: Review of the film ALEX & EVE, which is described as a romantic comedy that examines racism in AustraliaRating: 3 out of 5 stars
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Dancing to his song : the singular cinema of Rolf de Heer / by Jane Freebury Straberry Hills, NSW: Currency Press, 2015.
Call No: 81DEH FREAuthor: Freebury, Jane Source: ATPlace: Straberry Hills, NSWPublisher: Currency PressPubDate: 2015PhysDes: 351 pages : illustrations, portraits, photographs ; 24 cmSubject: DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER (AT, Tina Dalton & Gary Steer, 1996) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; KING IS DEAD, THE (AT, Rolf de Heer, 2012) ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) Summary: Dancing to His Song, is the first comprehensive review of the work of Rolf de Heer, Australia's most prolific auteur, an idiosyncratic filmmaker famed for never repeating himself. Film by film, Jane Freebury searches for the sources of de Heer's inspiration and finds the secret to his success in an ethic of hard work, flexibility and self-reliance that meets challenges and obstacles with in genuity without ever losing sight of his vision. His remarkable career as an independent filmmaker has much to teach young producers and directors. [Taken from the back of the book]Notes: Includes bibliographical references (pages 287-348)ISBN: 9781925005585Contents: Introducing Rolf de Heer -- Tail of a Tiger: under the radar -- Incident at Raven's Gate: encounters with critics -- Dingo: jamming in the wilderness -- Bad Boy Bubby: do or die -- Epsilon: African Queen with a cosmic lean? -- The Quiet Room -- through the eyes of a child -- Dance Me To My Song: taking it to the audience -- The Old Man Who Read Love Stories: overseas partners -- The Tracker: how the West was lost -- Alexandra's Project: unhappily ever after -- Ten Canoes: the Ramo Mob, indigenous partners -- Dr. Plonk: seriously comedy -- The King is Dead! Ah'ma tha one! -- Charlie's Country: between two worlds -- The wrap
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Dark laughter : Spanish film, comedy, and the nation / Juan F. Egea. Madison: University of Wisconsin Press, 2013.
Call No: 732.5(46) EGEAuthor: Egea, Juan F. Source: USPlace: MadisonPublisher: University of Wisconsin PressPubDate: 2013PhysDes: xii, 188 p. : ill. ; 23 cm.Subject: COMEDIES. SPAIN ; BERLANGA, LUIS G. ; FERRERI, MARCO ; BUNUEL, LUIS ; ALMODOVAR, PEDRO Summary: In Dark Laughter, Juan F. Egea provides a remarkable in-depth analysis of the dark comedy film genre in spain, as well as a provocative critical engagement with the idea of national cinema, the visual dimension of cultural specificity, and the ethics of dark humor. Egea begins his analysis with General Fanco's dictatorship in the 1960s- aregime that openedthe country to new economic forces while maintaining its repressivr nature- exploring key works by Luis Garcia Berlanga, Marco Ferreri, Fernando Fernan-Gomez, and Luis Bunuel. Dark Laughterthen moves to the first films of Pedro Almodovar in the early 1980s during the spanish political transition to democracy before examinig Alex de la Iglesia and the new dark comedies of the 1990s...At its core Dark Laughter is a substantial inquiry into the epistemology of comedy, the intricacies of visual modernity, and the relationship between cinema and a wider framework of representational practices. -- [Extract taken from the back of the book]Notes: Includes bibliographical references (p. 171-178) and indexISBN: 9780299295448Contents: Machine generated contents note: 1.Familiar Questions -- 2.Movement and Paralysis, Dissidence and Identity: Ferreri's El cochecito -- 3.Complicity Dissected: Berlanga's El verdugo -- 4.Don Jaime's Laughter: Humor and Perversion in Viridiana -- 5.Modernizing Desire: Fernan-Gomez's El extrano viaje -- 6.Almodovar Interlude: Transitional Laughter -- 7.Back with a Vengeance: Laughing Darkly in Post-1992 Spain.
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David Thomson on the Alien quartet London: Bloomsbury, 1998.
Call No: 79ALI THOAuthor: Thomson, David, 1941 Place: LondonPublisher: BloomsburyPubDate: 1998PhysDes: 194 p., [8] p. of plates : ill. ; 21 cmSeries: Bloomsbury movie guide ; no. 4Subject: ALIEN (UK, Ridley Scott, 1979) ; ALIEN 3 (US, David Fincher, 1992) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) Notes: Includes index; Bibliography : p. [179]-180ISBN: 0747538034 (pbk) : ª10.99LON: abn99070075; 14530152
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Davida Allen : survey exhibition, 24th October-5th December 1987 / edited by Annette Hughes ; photography, David Sandison Brisbane: Museum of Contemporary Art, 1987.
Call No: 81ALL ALLAuthor: Allen, Davida ; Hughes, Annette, 1960 ; Nye, Atherton CorpAuthor: Museum of Contemporary Art (Brisbane, Qld.)Place: BrisbanePublisher: Museum of Contemporary ArtPubDate: 1987PhysDes: 74 p. : ill. (some col.), ports. ; 27 cmSubject: ALLEN, DAVIDA Notes: Available from The Director, Museum of Contemporary Art, 164 Melbourne Street, South Brisbane, Qld. 4101; Catalogue essay by Atherton Nye; Bibliography: p. 72ISBN: 1862670021 : price unknownOrder Received: 2000Order Type: DonationLON: 5564691
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still
[Day Neil Armstrong walked on the moon, the : stills file]
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The deadly stowaway is back and it's even more hideous in Sun Herald [Sydney: Inside Out] (7/05/2017) p.7
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journal article
Dede Allen in Lumiere (May-June 1971) iss.9 p.4-8
Author: Blasi, Ralph PhysDes: ArticleSubject: ALLEN, DEDE ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; AMERICA, AMERICA (US, Elia Kazan, 1963) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; EDITING ; EDITORS Summary: Article on film editor Dede Allen, who is currently working on ALICE'S RESTAURANT.
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Desire unlimited : the cinema of Pedro Almodovar / Paul Julian Smith London New York: Verso, 1994.
Call No: 81ALM SMIAuthor: Smith, Paul Julian Place: London New YorkPublisher: VersoPubDate: 1994PhysDes: xii, 169 p., [12] p. of plates : ill. ; 23 cmSeries: Critical studies in Latin American and Iberian culturesSubject: ALMODOVAR, PEDRO Notes: Filmography: p. 141-155; Includes bibliographical references (p. 157-161) and indexISBN: 0860916626 (pbk.) : ª11.95 ($17.95 U.S.); 0860914976 : ª34.95 ($59.95 U.S.)LON: 94001436; 10767519 10774722 10774725
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Interim
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Down and dirty pictures : Miramax, Sundance and the rise of independent film / Peter Biskind London: Bloomsbury, 2004.
Call No: 721.3(73) BISAuthor: Biskind, Peter Place: LondonPublisher: BloomsburyPubDate: 2004PhysDes: 24 cm ; 545 pSubject: DIRECTORS. USA ; USA ; AWARDS. ACADEMY ; INDEPENDENT DISTRIBUTION ; INDEPENDENT FILMS. USA ; INDEPENDENT PRODUCTION ; INDEPENDENT PRODUCTION. USA ; DISTRIBUTION. USA ; FESTIVALS. PARK CITY. SUNDANCE ; MIRAMAX FILMS ; AFFLECK, BEN ; ALTMAN, ROBERT ; ANDERS, ALLISON ; ANDERSON, PAUL THOMAS ; ANDERSON, WES ; ARAKI, GREGG ; ARONOFSKY, DARREN ; ARTETA, MIGUEL ; WEINSTEIN, BOB ; WEINSTEIN, HARVEY ; ALLEN, WOODY ; ALL THE PRETTY HORSES (US, Billy Bob Thornton, 2000) ; FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001) ; APOSTLE, THE (US, Robert Duvall, 1997) ; AMERICAN BEAUTY (US, Sam Mendes, 1999) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) Summary: In Down and Dirty Pictures, Peter Biskind tells the story of the filmmakers and the independent distributors who revitalised Hollywood in the 1990s. He follows the growth of Sundance from a regional film festival to the premier showcase of independent film that it became, showing how it succeeded almost despite Robert Redford, whose visionary plans were often thwarted by his quixotic personality. He charts the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul who, with his brother Bob, left a trail of carnage in his wake, yet created an Oscar factory that is the envy of the studios. [Taken from inner jacket sleeve].ISBN: 0747565708ID2: 341
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The dread of difference : gender and the horror film / edited by Barry Keith Grant Austin: University of Texas Press, 1996.
Call No: 735.2 DREAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1996PhysDes: xv, 456 p. : ill. ; 24 cmSeries: Texas film studies seriesSubject: HORROR FILMS ; GENDER AND THE CINEMA ; SLASHER FILMS ; DRACULA IN FILMS ; ARGENTO, DARIO ; CRONENBERG, DAVID ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN 3 (US, David Fincher, 1992) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; CARRIE (US, Brian De Palma, 1976) ; CAT PEOPLE (US, Jacques Tourneur, 1942) ; CAT PEOPLE (US, Paul Schrader, 1982) ; BRIDE OF FRANKENSTEIN, THE (US, James Whale, 1935) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; STEPFATHER, THE (US, Joseph Ruben, 1986) ; LEVRES ROUGES, LES (BE/FR/GW, Harry Kumel, 1971) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) Notes: Includes bibliographical references (p. 433-438) and indexISBN: 0292727941 (pbk : alk. paper); 0292727933 (hc : alk. paper)LON: 12195767
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Dutch tilt, Aussie auteur : the films of Rolf De Heer / D. Bruno Starrs Saarbrucken, Germany: VDM, Verlag Dr Muller, 2009.
Call No: 81DEH STAAuthor: Starrs, D. Bruno Source: GPlace: Saarbrucken, GermanyPublisher: VDM, Verlag Dr MullerPubDate: 2009PhysDes: 105 p. ; 23 cmSubject: AUTEUR THEORY ; DE HEER, ROLF ; TAIL OF THE TIGER (AT, Rolf de Heer, 1984) ; INCIDENT AT RAVEN'S GATE (AT, Rolf de Heer, 1988) ; DINGO (AT/FR, Rolf de Heer, 1991) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; QUIET ROOM, THE (AT/IT, Rolf de Heer, 1996) ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; TRACKER, THE (AT, Rolf de Heer, 2002) ; ALEXANDRA'S PROJECT (AT, Rolf De Heer, 2003) ; TEN CANOES (AT, Rolf De Heer, 2006) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) Summary: " 'Dutch Tilt, Aussie Auteur: the Films of Rolf De Heer' is an auteur analysis of the twelve feature films directed (mostly written and produced) by Holland-born Australian Rolf De Heer. From the children's story about the restoration of a Tiger Moth biplane, "Tail of a Tiger "(1984), to his break-out cult sensation " Bad Boy Bubby" (1993) which "tore Venice apart," to the first Aboriginal Australian language film "Ten Canoes" (2006) which scooped the pool at the AFI awards and won the Special Jury prize at Cannes Film Festival, de Heer has been consistently unpredictable. However, Starr's close study of his work suggests that Australia's most innovative and respected Arthouse film-maker has a signature pre-occupation with giving a voice to marginalized, non-hyper-masculine protagonists. Demonstrating a propensity to write and direct in a European-like style, de Heer's "Dutch tilt" is very much non-mainstream Hollywood, but is nevertheless representative of a typically Australian world-view." -- BOOK BLURBNotes: Includes bibliographical references (p. 90-104)ISBN: 9783639168341
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Eisenstein / by Yon Barna ; with a foreword by Jan Leyda London: Secker & Warburg, 1973.
Call No: 5177Author: Barna, Yon Source: UKPlace: LondonPublisher: Secker & WarburgPubDate: 1973PhysDes: 287 p. : ill. ; 22 cmSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Notes: Translation of Serghei Eisenstein.
Includes bibliographical references and indexISBN: 0436097036Language: English
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Eisenstein on the audiovisual : the montage of music, image and sound in cinema / Robert Robertson London: I.B. Tauris, 2009.
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The elements of cinema : toward a theory of cinesthetic impact / Stefan Sharff New York: Columbia University Press, 1982.
Call No: 623.1 SHAAuthor: Sharff, Stefan Place: New YorkPublisher: Columbia University PressPubDate: 1982PhysDes: 187 p. : ill. ; 24 cmSubject: AESTHETICS ; IMAGE ANALYSIS ; ALEKAN, HENRI ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; WAGON MASTER (US, John Ford, 1950) ; RED RIVER (US, Howard Hawks, 1948) ; RIO BRAVO (US, Howard Hawks, 1959) Notes: Includes bibliographical references and indexISBN: 0231054769; 0231054777 (pbk.)LON: 82004268; 2200482
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Encore Hollywood : remaking French cinema / Lucy Mazdon London: British Film Institute, 2000.
Call No: 753.8 MAZAuthor: Mazdon, Lucy CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: [vi], 169 p. : ill. ; 24 cmSubject: FRANCE ; REMAKES ; CULTURE AND THE CINEMA ; CULTURAL IMPERIALISM. US ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA. FRANCE ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; SOMMERSBY (US, Jon Amiel, 1993) ; NIKITA (FR/IT, Luc Besson, 1990) ; LEON (FR, Luc Besson, 1994) ; BIRDCAGE, THE (US, Mike Nichols, 1996) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; BREATHLESS (US, Jim McBride, 1983) ; CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978) ; TRUE LIES (US, James Cameron, 1994) ; SORCERER (US, William Friedkin, 1977) ; MON PERE, CE HEROS (FR, Gerard Lauzier, 1991) ; MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985) ; PEPE LE MOKO (FR, Julien Duvivier, 1937) ; ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976) ; TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985) ; TOTALE!, LA (FR, Claude Zidi, 1991) ; THREE MEN AND A BABY (US, Leonard Niimoy, 1987) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; WOMAN IN RED, THE (US, Gene Wilder, 1984) ; ALGIERS (US, John Cromwell, 1938) ; CASBAH (US, John Berry, 1948) ; SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953) ; GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972) Notes: Includes bibliographical references and indexISBN: 0851708005(cased) : ¦45.00; 0851708005LON: 21532807
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European cinema : an introduction / [edited by] Jill Forbes and Sarah Street Hampshire, [Eng.] New York: Palgrave, 2000.
Call No: 71(4) FORAuthor: Street, Sarah ; Forbes, Jill Place: Hampshire, [Eng.] New YorkPublisher: PalgravePubDate: 2000PhysDes: xvi, 216 p. : ill. ; 24 cmSubject: EUROPEAN COUNTRIES ; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES ; NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES ; STUDIOS, FILM. EUROPEAN COUNTRIES ; STARS. EUROPEAN COUNTRIES ; GENRES. EUROPEAN COUNTRIES ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; CARMEN (SP, Carlos Saura, 1983) ; GOOD MORNING BABYLON [GOOD MORNING BABILONIA] (IT/FR/US, Paol Taviani & Vittorio Taviani, 1987) ; VERSPRECHEN, DAS (GG/FR, Margarethe von Trotta, 1994) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; TRAINSPOTTING (UK, Danny Boyle, 1996) Notes: Includes bibliographical references and indexesISBN: 0333752090; 0333752104 (pbk.); 0312237464; 0312237472 (pbk.)LON: 21467101
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Everything is cinema : the working life of Jean-Luc Godard / by Richard Brody New York: Metropolitan Books / Henry Holt and Company, 2009.
Call No: 81GOD BROAuthor: Brody, Richard Edition: 1st Paperback editionSource: USPlace: New YorkPublisher: Metropolitan Books / Henry Holt and CompanyPubDate: 2009PhysDes: xv, 701 p. : ill. ; 24 cmSubject: CRITICISM ; GODARD, JEAN-LUC ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963) ; WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961) ; FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; CONTEMPT (FR/IT, Jean-Luc Godrad, 1963)
SEE
MEPRIS, LE ; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963) ; MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964)
SEE
FEMME MARIEE, UNE ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; MASCULINE FEMININE (FR, Jean-Luc Godard, 1966) ; TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967)
SEE
[DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985)
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JE VOUS SALUE MARIE ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; DETECTIVE (FR, Jean-Luc Godard, 1985) ; SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987) ; KING LEAR (US/SZ, Jean-Luc Godard, 1987) ; HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) ; GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991)
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ALLEMAGNE NEUF ZERO ; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991) ; HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983) ; FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996) ; ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001) Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURBNotes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this bookISBN: 9780805080155Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --
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Experimenta : Australia's first national exhibition of art film and video : Melbourne, Nov. 18th-27th, 1988 / presented by Modern Image Makers Association Inc. (MIMA) Melbourne: MIMA, 1988.
Call No: 771(94) MODAuthor: Modern Image Makers Association Source: ATPlace: MelbournePublisher: MIMAPubDate: 1988PhysDes: 48 p. ; 30 cmSubject: ART AND THE CINEMA ; ART CINEMA. AUSTRALIA ; EXHIBITION. AUSTRALIA ; EXPERIMENTAL FILMS. AUSTRALIA ; MONDO FILMS ; MARTIN, ADRIAN ; CANTRILL, ARTHUR & CORINNE ; GIBSON, ROSS ; ALEXANDER, GEORGE Summary: Program for the Experimenta exhibition 1988. Includes short essays from various performers and presenters as well as the list of exhibits and exhibiting artistsNotes: State Film Theatre, City Gallery, 200 Gertrude Street Gallery, Australian Centre for Contemporary Art, National Gallery of VictoriaISBN: 731641730Contents: Experimenta Program -- Theatrical -- Performance -- Installation -- Seminars; Project: last written words -- Hello comrade: Adrian Martin -- Last and first words: Fiona Mackie -- Some thoughts on the practice of film as art in Australia: Arthur Cantrill -- I used to speak French: Ross Gibson -- Against the grain: Kris Hemensley -- Mondo video: George Alexander --; Exhibiting artists; Experimenta at a glance
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The Fabulous thirties : Italian cinema 1929-1944 / edited by Incontri Internazionali d'Arte Roma ; coordination by Adriano Apra, Patrizia Pistagnesi ; introduction by Alberto Arbasino Milan: Electra International, c1979.
Call No: 71(45) FABAuthor: Apra, Adriano ; Pistagnesi, Patrizia CorpAuthor: Incontri Internazionali d'Arte RomaPlace: MilanPublisher: Electra InternationalPubDate: c1979PhysDes: 113 p. : ill. ; 24 cmSubject: ITALY ; BLASETTI, ALESSANDRO ; CASTELLANI, RENATO ; DE SICA, VITTORIO ; ROSSELLINI, ROBERTO ; VISCONTI, LUCHINO ; GENINA, AUGUSTO ; MATARAZZO, RAFFAELLO ; MATTOLI, MARIO ; PALERMI, AMLETO ; POGGIOLI, FERDINANDO MARIA ; ALESSANDRINI, GOFFREDO ; CAMERINI, MARIO ; CHIARINI, LUIGI ; GALLONE, CARMINE ; SOLDATI, MARIO LON: 1570161
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Familiar Territory in Sunday Age [M Magazine] (16/08/2015) p.14
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Fantasy and the cinema / edited by James Donald London: BFI Pub., 1989.
Call No: 735 FANAuthor: Donald, James Place: LondonPublisher: BFI Pub.PubDate: 1989PhysDes: 298 p. : ill. ; 24 cmSubject: FANTASTIC FILMS ; FETISHISM IN FILMS ; GERMANY. 1895-1930 ; SLASHER FILMS ; GENDER AND THE CINEMA ; SEX AND THE CINEMA ; FEMINISM AND THE CINEMA ; SURREALISM AND THE CINEMA ; BARTHES, ROLAND ; SVANKMAJER, JAN ; CONDIT, CECELIA ; BAHTIN, MIHAIL ; BORDWELL, DAVID ; DURAS, MARGUERITE ; LYOTARD, JEAN-FRANCOIS ; HITCHCOCK, ALFRED ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BENEATH THE SKIN (US, Cecelia Condit, 1981) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; INDIA SONG (FR, Marguerite Duras, 1975) ; PSYCHO (US, Alfred Hitchcock, 1960) ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; TERMINATOR, THE (US, James Cameron, 1984) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; VAMPYR : DER TRAUM DES ALLAN GRAY (G/FR, Carl Th. Dreyer, 1932) Notes: Includes bibliographical references (p. 287-291) and indexesISBN: 0851702287; 0851702295 (pbk.)LON: 6190057
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Fear eats the soul : Angst essen seele auf / Laura Cottingham London UK: British Film Institute, 2005.
Call No: 79ANG COTAuthor: Cottingham, Laura Edition: 1st ed.Source: UKPlace: London UKPublisher: British Film InstitutePubDate: 2005PhysDes: 86 p. : col, b&w, ill. ; 19 cmSeries: BFI film classicsSubject: RACIAL ISSUES IN FILMS ; RACIAL ISSUES AND THE CINEMA ; HUMAN RELATIONS IN FILMS ; MARRIAGE IN FILMS ; REALISM IN FILMS ; GERMAN FEDERAL REPUBLIC ; SEXUALITY AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; FEMINISM AND THE CINEMA ; WOMEN IN FILMS ; FALLEN WOMEN IN FILMS ; BIOGRAPHICAL FILMS ; DRUGS IN FILMS ; FASSBINDER, RAINER WERNER ; WARHOL, ANDY ; SIRK, DOUGLAS ; RIEFENSTAHL, LENI ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980) ; QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982) ; FAUSTRECHT DER FREIHEIT (GW, Rainer Werner Fassbinder, 1975) ; BITTEREN TRANEN DER PETRA VON KANT, DIE (GW, Rainer Werner Fassbinder, 1972) Summary: Set in Munich in the 1970s, Fear Eats the Soul melds the convention of melodrama with a radical sensibility in order to present a portrait of racism and everyday hypocrisy in post-war Germany. Laura Cottingham celebrates Fassbinder’s achievement, placing Fear Eats the Soul in relation to his extraordinary prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. [Taken from back cover].Notes: includes film creditsISBN: 1844570711
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alien: covenant (us/at/nz/uk, ridley scott, 2017)
Fear stalks familiar territory in Weekend Australian [Review] (13/03/2017) p.15
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Fighting spirit in Herald Sun [Hit] (11/05/2017) p.23
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Film 69/70 : an anthology by the National Society of Film Critics / edited by Joseph Morgenstern and Stefan Kanfer New York: Simon and Schuster, c1970.
Call No: 67 (04) FILSource: USPlace: New YorkPublisher: Simon and SchusterPubDate: c1970PhysDes: 286 p. ; 22 cmSubject: INDUSTRY, FILM. USA ; MUSICALS ; VIETNAM WAR IN FILMS ; POLITICS IN FILMS ; PORNOGRAPHY AND THE CINEMA ; FELLINI, FEDERICO ; STREISAND, BARBRA ; WAYNE, JOHN ; CHE! (US, Richard Fleischer, 1969) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; GOODBYE COLUMBUS (US, Larry Peerce, 1969) ; IF... (UK, Lindsay Anderson, 1968) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; INTIMNI OSVETLENI (CZ, Ivan Passer, 1969) ; GURU, THE (US/II, James Ivory, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; ANGEL LEVINE, THE (US, Jan Kadar, 1970) ; IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968) ; HIGH SCHOOL (US, Frederick Wiseman, 1969) ; ISADORA (UK, Karel Reisz, 1968) ; GOODBYE MR CHIPS (UK, Herbert Ross, 1969) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) Summary: Critical reviews of films produced 1969/1970Notes: Includes indexISBN: 671-20608-7Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel
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Film and TV reviews : Bull and bush in Cinema papers (September 1986) iss.59 p.46-47
Author: Jones, Brian PhysDes: ArticleSubject: ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Critcal review of "Alice To Nowhere" as an uninspired production with irredeemable plot inconsistencies, absurdities, and illogicalities. Jones concludes his review with the ascerbic comment that the formulaic film lacks everything from production quality to passionNotes: Review. - credits. - illus.
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Film and TV reviews : Space incorporated in Cinema papers (November 1986) iss.60 p.44-45
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Film: Book 1 : the audience and the filmmaker / edited by Robert Hughes New York: Grove Press, 1959.
Call No: 62 FILAuthor: Hughes, Robert Source: USPlace: New YorkPublisher: Grove PressPubDate: 1959PhysDes: v. : ill., ports ; 20 cm.Series: Evergreen Books E140Subject: PERIODICALS, FILM ; ART AND THE CINEMA ; SPECTATORSHIP ; ANDERSON, LINDSAY ; BARDEM, JUAN ANTONIO ; BUNUEL, LUIS ; CLEMENT, RENE ; MEYERS, SIDNEY ; DREYER, CARL TH. ; HENNING-JENSEN, BJARNE ; KAZAN, ELIA ; Lean, David ; SATYAJIT, RAY ; RENOIR, JEAN ; FLAHERTY, ROBERT ; Fellini, Federico ; AGEE, JAMES ; ZAVATTINI, CESARE ; MEKAS, JONAS ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952) ISBN: 0195018346
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The film in history : restaging the past / Pierre Sorlin Oxford: Blackwell, 1980.
Call No: 45:93 SORAuthor: Sorlin, Pierre Source: UKPlace: OxfordPublisher: BlackwellPubDate: 1980PhysDes: xii, 226 p., [8] p. of plates : ill. ; 22 cmSubject: HISTORY AND THE CINEMA ; GRAND ILLUSION, LA (FR, Jean Renoir, 1937) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; NAPOLEON BONAPARTE (FR, Abel Gance, 1935) ; ALDO'S SAYING (IT, unknown, 1945) ; BRIGAND OF THE WOLF CAVE (IT, Pietro Germi, 1952) ; GIORNI DI GLORIA (IT, Mario Serandrei and Giuseppe de Santis, 1945) ; [EIGHTEEN-SIXTY] 1860 (IT, Alessandro Blasetti, 1933) ; GATTOPARDO, IL (IT/FR, Luchino Visconti, 1962) ; LONG LIVE ITALY (IT, Roberto Rossellini, 1960) ; LOST PATROL, THE (IT, Piero Nelli, 1953) ; CAMICIE ROSSE (IT, Goffredo Alessandrini and Franco Rosi, 1952) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; SUN RISES AGAIN, THE (IT, Aldo Vergano, 1946) ; SENSO (IT, Luchino Visconti, 1954) ; KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; HORSE SOLDIERS, THE (US, John Ford, 1959) Notes: Historical films,. 1914-1962 - Critical studies (BNB/PRECIS); Bibliography: pF218-221. - Includes indexesISBN: 0631195106LON: 1853214Donation: donated by the family of Wayne Levy, 2006
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Film jobs fillip in frame as aliens, Thor head our way in Canberra Times (23/10/2015) p.10
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Film jobs to get boost as aliens, Thor set to land in Sydney Morning Herald (23/10/2015) p.9
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Film on campus : news and notes from New York University Institute of Film and Television in Interview (1970) vol.1 iss.8 p.5
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Film & politics in the Third World / edited by John D.H. Downing Brooklyn, NY, USA: Autonomedia, 1987.
Call No: 71(-77) FILAuthor: Downing, John D. H Place: Brooklyn, NY, USAPublisher: AutonomediaPubDate: 1987PhysDes: 317 pSubject: THIRD WORLD ; POLITICS AND THE CINEMA ; AFRICAN COUNTRIES ; MOROCCO ; TURKEY ; IRAN ; INDIA ; CITY OF SADNESS, A [ ; PHILIPPINES ; CHILE ; BRAZIL ; CUBA ; NATIVE AMERICAN CINEMA ; SEMBENE, OUSMANE ; XIE, JIN ; SANJINES, JORGE ; ALEA, TOMAS GUTIERREZ ; CEDDO (SG, Ousmane Sembene, 1977) Notes: Includes bibliographical referencesISBN: 0936756314LON: 6649099
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Film propaganda : Soviet Russia and Nazi Germany / Richard Taylor London: Croom Helm, 1979.
Call No: 411.1 TAYAuthor: Taylor, Richard, 1946- Source: UKPlace: LondonPublisher: Croom HelmPubDate: 1979PhysDes: 265 pages , plates : illustrations, portaits : 23 cmSubject: PROPAGANDA FILMS. USSR ; PROPAGANDA FILMS. GERMANY ; NAZIS IN FILMS ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Summary: "Lenin, Stalin, Trotsky, Hitler and Goebbels shared a common interest in film: they all regarded the cinema as the most important weapon at their dispodal for mass polical propaganda. This book examins the methods that they used and suggests some tentative lessons that we may draw from their experience" -- taken from inside sleeveNotes: Index ; Bibliography: p. 238-257ISBN: 0856640999Donation: Henry Mayer CollectionContents: Acknowledgements -- Note -- Part One: Introduction -- Preface -- Propaganda and Film -- Part Two: Soviet Russia -- Russia: The Historical Background -- Russa: The Needs of Revolution -- Russia: Themes and Variations -- Mother -- October -- Three Songs of Lenin -- Alexander Nevsky -- Part Three: Nazi Germany -- Germany: The Historical Background -- Germany: The Needs of Revolution -- Germany: Themes and Variations -- Triumph of the Will -- The Wandering Jew -- Uncle Kruger -- Kolberg -- Conclusions -- Filmography -- Bibliography -- Conclusions
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Film remakes, adaptations and fan productions : remake/remodel / edited by Kathleen Loock and Constantine Verevis Basingstoke, England: Palgrave Macmillan, 2012.
Call No: 753.81 FILAuthor: Loock, Kathleen (ed.) ; Verevis, Constantine (ed.) Source: UK/USPlace: Basingstoke, EnglandPublisher: Palgrave MacmillanPubDate: 2012PhysDes: xiii, 252 p. : ill. ; 23 cmSubject: ADAPTATIONS ; FANS ; FILM ; REMAKES ; ADVENTURES OF MERLIN, THE [TV] (UK, 2008-) ; ALL THE KINGS MEN (US, Robert Rossen, 1949) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; INVASION OF THE BODY SNATCHERS (US, Philip Kaufman, 1978) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MANCHURIAN CANDIDATE, THE (US, Jonathon Demme, 2004) ; SHERLOCK HOLMES (US/G, Guy Ritchie, 2009) ; STEPFORD WIVES, THE (US, Bryan Forbes, 1975) ; STEPFORD WIVES, THE (US, Frank Oz, 2004) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ; WUTHERING HEIGHTS (US, William Wyler, 1939) ; WUTHERING HEIGHTS (UK/US, Peter Kosminsky, 1992) ; WUTHERING HEIGHTS (UK, Robert Fuest, 1970) ; WUTHERING HEIGHTS (UK, Andrea Arnold, 2011) Summary: " This book provides a dynamic investigation of processes of cultural reproduction - remaking and remodelling - in film, television and new media. Drawing on a wide variety of Hollywood and other examples, this impressive group of contributors considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives. Their case studies discuss new versions of popular texts such as The Manchurian Candidate, Invasion of the Body Snatchers and The Stepford Wives. They provide new perspectives on the unlimited cultural production of classics like The Wizard of Oz, Wuthering Heights and The Adventures of Sherlock Holmes, and they analyze the groundbreaking work of fan appropriations, including Batman and Spiderman fanvids, and fanfic trailer revisions for The Shining and television's The Adventures of Merlin." -- BOOK BLURBNotes: Includes bibliographical references and index; Tertiary/Undergraduate, PostgraduateISBN: 9781137263346Contents: -- list of illustrations -- acknowledgments -- notes on contributors -- introduction: remake,remodel / Kathleen Loock and Constantine Verevis -- pt. I Adapt -- 1: Toto, I Think We're in Oz Again' (and Again and Again) remakes and popular seriality / Frank Kelleter -- 2: Guy Ritchie's Sherlock Bond, the Deerstalker and Remediation / Stephanie Sommerfeld -- 3: a battle on two fronts: Wuthering Heights and adapting the adaptation / Amy Martin -- 4: of political visions and visionary politicians: Adapting All the King's Men to the Big Screen / Birte Otten -- pt. II Remake -- 5: remaking The Stepford Wives, remodeling feminism / Kathryn Schweishelm -- 6: The Return of the Pod People: remaking cultural anxieties in Invasion of the Body Snatchers / Kathleen Loock -- 7: Cyber-noia? remaking The Manchurian Candidate in a global age / Sonja Georgi -- 8: a personal matter: H Story / Constantine Verevis -- pt. III Remodel -- 9: Remaking Texts, Remodeling Scholarship / Robin Anne Reid -- 10."Prince Arthur Spotted Exiting Buckingham Palace!": the re-imagined worlds of fanfic trailers / Sibylle Machat -- 11:you'll never see this on the silver screen: the film trailer as a template for the appropriation and transformation of Hollywood Movies / Lili Hartwig -- 12: spoofin' spidey---rebooting the bat: immersive story worlds and the narrative complexities of video spoofs in the era of the superhero blockbuster / Daniel Stein -- index --
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Filmed thought : cinema as reflective form / Robert B. Pippin Chicago: University of Chicago Press, 2020.
Call No: 631.19 PIPAuthor: Pippin, Robert B. Source: USPlace: ChicagoPublisher: University of Chicago PressPubDate: 2020PhysDes: 271 pages : illustrations (some colour) ; 32 cmSubject: PHILOSOPHY AND THE CINEMA ; SPECTATORSHIP ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; CHINATOWN (US, Roman Polanski, 1974) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; THIN RED LINE, THE (US, Terrence Malick, 1998) ; DARDENNE, JEAN-PIERRE & LUC Summary: "In this book, philosopher Robert B. Pippin reveals how films can illuminate, in a concrete manner, core features of shared human life. Filmed Thought examines questions of morality in Almodovar's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All That Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In A Lonely Place and in the Dardenne brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (with an eye to cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9780226672007Contents: Section I: Cinema As Reflective Form 1. Cinematic Reflection -- 2. Cinematic Self-consciousness in Alfred Hitchcock's Rear Window -- Section II: Moral Variations 3. Devils & Angels in Pedro Almodovar's Talk to Her -- 4. Confounding Morality in Alfred Hitchcock's Shadow of a Doubt -- Section III: Social Pathologies 5. Cinematic Tone in Roman Polanski's Chinatown: Can "Life" Itself be "False"? -- 6. Love & Class in Douglas Sirk's All That Heaven Allows -- Section IV: Irony & Mutuality 7. Cinematic Irony: The Strange Case of Nicholas Ray's Johnny Guitar -- 8. Passive & Active Skepticism in Nicholas Ray's In a Lonely Place -- Section V: Agency & Meaning 9. Vernacular Metaphysics: On Terrence Malick's The Thin Red Line -- 10. Psychology Degree Zero? The Representation of Action in the Films of the Dardenne BrothersID2: 343
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Filmmakers on filmmaking : the American Film Institute seminars on motion pictures and television. volume 2 / edited by Joseph McBride Los Angeles Boston: J.P. Tarcher Distributed by Houghton Mifflin Co., c1983.
Call No: 802 FIL vol.2Author: McBride, Joseph CorpAuthor: American Film InstituteEdition: 1st edPlace: Los Angeles BostonPublisher: J.P. Tarcher Distributed by Houghton Mifflin Co.PubDate: c1983PhysDes: ports. ; 24 cmSubject: LEAR, NORMAN ; LEVINE, JOSEPH E. ; RENOIR, JEAN ; TOWNE, ROBERT ; HESTON, CHARLTON ; DAVIS, BETTE ; GOLDSMITH, JERRY ; HEAD, EDITH ; SELZNICK, DAVID O. ; BRAKHAGE, STAN ; DE HAVILLAND, OLIVIA ; MORRISSEY, PAUL ; NICHOLSON, JACK ; POLANSKI, ROMAN ; SCHAFFNER, FRANKLIN J. ; WYLER, WILLIAM ; ALONZO, JOHN ; HORNER, HARRY ; GOOD TIMES (US, William Friedkin, 1967) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; CHINATOWN (US, Roman Polanski, 1974) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HEIRESS, THE (US, William Wyler, 1949) ; HUSTLER, THE (US, Robert Rossen, 1961) ; TOUCH OF EVIL (US, Orson Welles, 1958) Notes: Includes bibliographies and indexesISBN: 0874772664 (v. 1) : $15.95 (per vol.); 0874772672 (v. 2); 0874772494 (pbk. : v. 1) : $7.95 (per vol.); 0874772508 (pbk. : v. 2)LON: 2606290
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The films and career of Robert Aldrich / Edwin T. Arnold and Eugene L. Miller Knoxville: University of Tennessee Press, 1986.
Call No: 81ALD ARNAuthor: Arnold, Edwin T ; Miller, Eugene L., 1945 Edition: 1st edPlace: KnoxvillePublisher: University of Tennessee PressPubDate: 1986PhysDes: xiv, 280 p. : ill. ; 24 cmSubject: ALDRICH, ROBERT Notes: Includes index; "Filmography": p. [257]-263; Bibliography: p. [265]-268ISBN: 0870495046 (alk. paper) : $24.95LON: 86001499; 4319634
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The films of Douglas Sirk : exquisite ironies and magnificent obsessions / Tom Ryan Jackson, Mississippi: University Press of Mississippi, [2019].
Call No: 81SIR RYAAuthor: Ryan, Tom Source: USPlace: Jackson, MississippiPublisher: University Press of MississippiPubDate: [2019]PhysDes: 309 pages : illustrations ; 23 cmSubject: FILM ; GERMANY ; CRITICISM ; DIRECTORS ; SIRK, DOUGLAS ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; IMITATION OF LIFE (US, Douglas Sirk, 1959) Summary: "Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897-1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film's great directors. Sirk worked in Europe during the 1930s, mainly for Germany's UFA studios, and then in America in the 1940s and '50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk's work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters' problems should always be solved and that endings should always restore order, what Sirk called "emergency exits" for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director's films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk's films, as well as providing a critical survey of previous Sirk commentary, from the time of the director's "rediscovery" in the late 1960s up to the present day." -- Provided by publisher.Notes: Includes bibliographical references and index.
Filmography: pages 257-265.ISBN: 9781496822376Contents: Chapter One: Detlef Sierck in Europe -- Chapter Two: American Beginnings: The European Legacy -- Chapter Three: In the Shadows: Sirk and the Noir Inclination -- Chapter Four: The Uncomfortable Comedies -- Chapter Five: Sirk and God: 'The Pure Ambiguity of Experience' -- Chapter Six: Pastoral Yearnings: Sirk and the Musical -- Chapter Seven: Hollywood, Rock Hudson, and the Idea of the Hero -- Chapter Eight: Sirk, the Family Melodrama, and the Production Code -- Chapter Nine: Sirk and John M. Stahl: Adaptations and Remakes -- Chapter Ten: Out of the Past -- Chapter Eleven: Into the Future: Sirk's Legacy.
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The films of John Hughes : a history of independent screen production in Australia / by John Cumming St Kilda West, Vic.: Australian Teachers of Media (ATOM), c2014.
Call No: 81HUG CUMAuthor: Cumming, John Source: ATPlace: St Kilda West, Vic.Publisher: Australian Teachers of Media (ATOM)PubDate: c2014PhysDes: 298p. : 24cmSeries: The Moving ImageSubject: PRODUCTION ; HISTORY OF CINEMA. AUSTRALIA ; AUSTRALIA ; HUGHES, JOHN (AT) ; MENACE (AT, John Hughes, 1977) ; NOVEMBER ELEVEN (AT, ?, 1978?) ; FILM WORK (AT, John Hughes, 1981) ; TRAPS (AT, John Hughes, 1985) ; ALL THAT IS SOLID (AT, John Hughes, 19887) ; ONE WAY STREET: FRAGMENTS FOR WALTER BENJAMIN (AT, John Hughes, 1992) ; WHAT I HAVE WRITTEN (AT, John Hughes, 1996) ; ARCHIVE PROJECT THE (AT, John Hughes, 2005) ; INDONESIA CALLING : JORIS IVENS IN AUSTRALIA (AT, John Hughes, 2009) ; LOVE & FURY: JUDITH WRIGHT & 'NUGGET' COOMBS (AT, John Hughes, 2013) Summary: "John Cumming's superb book is not only about the prodigous, exploratory, challenging films, videos and TV programs made by John Hughes - an underrated canny maverick of our national scene; it is also about what it takes to keep moving and changing with the times, how to negotiate with institutions and collaborate with sympathetic minds from other art forms, how to research and teach and theorise on the spot. Only after that concerted effort can a big picture - involving, in Hughes' case, a multimedia aesthetic of collage-design, and a long view of generations, conflicts, and transmissions in social history - be dscerned." -- BOOK BLURBISBN: 9781876467234Contents: -- acknowledgements -- introduction -- chapter 1: cybernetic synergies -- chapter 2: menace -- chapter 3: november eleven -- chapter 4: film-work -- chapter 5: traps -- chapter six: all that is solid -- chapter 7: one way street -- chapter 8: what I have written -- chapter nine: some aspects of Australian racism -- chapter 10: the archive project -- chapter 11: Indonesia calling and love & fury -- appendix 1: acronyms and abbreviations -- appendix II: filmography and media works - John Hughes -- appendix III: bibliography - John Hughes -- appendix: references -- appendix V: index --
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The films of Woody Allen / Sam B. Girgus Cambridge New York: Cambridge University Press, 1993.
Call No: 81ALL GIRAuthor: Girgus, Sam B., 1941 Place: Cambridge New YorkPublisher: Cambridge University PressPubDate: 1993PhysDes: xii, 146 p. : ill. ; 24 cmSeries: Cambridge film classicsSubject: ALLEN, WOODY Notes: Filmography: p. 131-142; Includes bibliographical references and indexISBN: 0521380952 (hardback); 0521389992 (paperback)LON: 92023020; 9135976
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Final cut : dreams and disaster in the making of Heaven's Gate / by Steven Bach New York: William Morrow & Co., Inc., c1985.
Call No: 79HEA BACAuthor: Bach, Steven Source: USPlace: New YorkPublisher: William Morrow & Co., Inc.PubDate: c1985PhysDes: 432 pages ; 25 cmSubject: BUDGETING ; FINANCING ; BOX OFFICE ; INDUSTRY, FILM. USA ; STUDIOS, FILM. USA ; UNITED ARTISTS ; ALLEN, WOODY ; CIMINO, MICHAEL ; FIELD, DAVID ; DEER HUNTER, THE (US, Michael Cimino, 1978) ; HEAVEN'S GATE (US, Michael Cimino, 1980) Summary: "HEAVEN'S GATE is probably the most discussed, least seen film in modern movie history. Its notoriety is so great that it has become a generic term for disaster, for ego run rampant, for epic mismanagement, for wanton extravagance. It was also the watershed film of the decade - not for its cinematic qualities, but for its effect on Hollywood and the way movies will and will not be made in the future. For Michael Cimino's HEAVEN'S GATE did not merely fail (failure is forgivable, sometimes even endorsed in the strange labyrinths of the Hollywood psyche), HEAVEN'S GATE did the unthinkable: it sank a studio. Less than a month after the picture's second release, United Artists - the company founded by Douglas Fairbanks, Mary Pickford, D.W. Griffith and Charlie Chaplin - for all practical purposes ceased to exist. Why? How?" [TAKEN FROM BOOK JACKET]Notes: Includes indexISBN: 0688043828Donation: Simon Wincer
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Fosse / Sam Wasson, author of Fifth Avenue, 5am Boston ; New York: Houghton Mifflin Harcourt, 2013.
Call No: 81FOS WASAuthor: Wasson, Sam Source: USPlace: Boston ; New YorkPublisher: Houghton Mifflin HarcourtPubDate: 2013PhysDes: 723 pages : illustrations ; 24 cmSubject: ACADEMY AWARDS ; BURLESQUE ; CHOREOGRAPHY ; CULTURE AND THE CINEMA. USA ; DANCE IN FILMS ; DIRECTORS ; INDUSTRY, FILM. USA ; MUSICALS. USA ; UNITED ARTISTS ; FOSSE, BOB ; ASTAIRE, FRED ; CHAYEFSKY, PADDY ; DREYFUSS, RICHARD ; HEIM, ALAN ; MINNELLI, LIZA ; SONDHEIM, STEPHEN ; ALL THAT JAZZ (US, Bob Fosse, 1979) ; CABARET (US, Bob Fosse, 1972) ; LENNY (US, Bob Fosse, 1974) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; STAR 80 (US, Bob Fosse, 1983) ; SWEET CHARITY (US, Bob Fosse, 1969) Summary: "We see Bob Fosse's legacy everywhere--from Broadway to "Billy Jean" to Beyonce;'s moves in the "Single Ladies" video. Yet in spite of Fosse's deep cultural significance, no biography has ever brought him fully to life, unveiling the man behind the bowler hat and the swaggering sex appeal. Now, acclaimed cultural historian Sam Wasson traces Fosse's numberless reinventions of himself over a career that would spawn The Pajama Game, Cabaret, Pippin, Chicago, All That Jazz, and other iconic works of art and earn him Tonys, Emmys, and an Oscar. Wasson traces not only Fosse's prodigious professional life, but his intense relationships with everyone from Liza Minnelli, Fred Astaire, and Neil Simon to Shirley MacLaine, Jessica Lange, and Dustin Hoffman. Through extensive interviews with collaborators and lovers and unprecedented access to Fosse's archives, Wasson also reveals the deep wounds that propelled his subject's excessive appetites--for spotlights, women, and life itself. In Fosse, Wasson's stylish, effervescent prose proves the ideal vehicle for reanimating Bob Fosse as he truly was--after hours, close up, and in vibrant color" -- FROM TROVENotes: Contains photos and indexISBN: 9780547553290
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The franchise era : managing media in the digital economy / edited by James Fleury, Bryan Hikari Hartzheim and Stephen Mamber Edinburgh: Edinburgh University Press, 2020.
Call No: 753.81 FRAAuthor: Fleury, James ; Hartzheim, Bryan Hikari ; Mamber, Stephen Edition: 2020Place: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: xvi, 320 pages : illustratedSubject: FRANCHISES ; ALIEN [...] (UK/US, 1979-92) ; CRITTERS (US, Stephen Herek, 1986) ; DISNEY ; VIDEO GAMES ; STAR WARS [...] (US, 1977-2015) ; KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995) ; HOW TO TRAIN YOUR DRAGON (US, Dean DeBlois & Chris Sanders, 2010) ; TELEVISION ; MOBILE AND ONLINE MEDIA ; VIRTUAL REALITY Summary: As Hollywood shifts towards the digital era, the role of the media franchise has become more prominent. This edited collection, from a range of international scholars, argues that the franchise is now an integral element of American media culture. As such, the collection explores the production, distribution and marketing of franchises as a historical form of media-making – analysing the complex industrial practice of managing franchises across interconnected online platforms.
Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape. -- publisher's web siteISBN: 9781474477741Contents: List of Illustrations -- Acknowledgements – Foreword / Derek Johnson -- Introduction: The Franchise Era / James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber
PART I THE FRANCHISE: DEFINING AND HISTORICIZING -- The (Im)Perfect Organism: Dissecting the Alien Media Franchise / James Fleury and Stephen Mamber -- Evil Spawn or Good Business? New Line Cinema, Critters, and Film Franchising at the Margins / Daniel Herbert
PART II VIDEO GAMES: SOFTWARE, HARDWARE, AND SPACE -- The Happiest Plays on Earth: Theme Park Franchising in Disneyland Video Games / Heather Lea Birdsall -- ‘Now They’re Playing with Power!’: Nintendo’s Classics and Franchise Legacy Management / Matthew Thomas Payne -- From Cineludic Form to Mise-en-Game: The Ludification of Cinematic Storyworlds in the Star Wars Video Games / Andreas Rauscher
PART III: ANIMATION: ADAPTATION ACROSS NATIONS, INDUSTRIES, AND PLATFORMS -- Ghostly Boundaries: Transnational Tensions and Adapting Animation in the Ghost in the Shell Franchise / Brian Ruh -- How to Animate Your Franchise: DreamWorks Animation and the Franchising of How to Train Your Dragon / Rayna Denison
PART IV: TELEVISION: NEW DIRECTIONS FOR A LEGACY MEDIUM -- TV Brand-casting, SVOD, and OTT at Comcast and Disney / Jennifer Gillan -- Network Streaming: TV Broadcasters in the Digital Space / Monica Sandler
PART V: EMERGENT PLATFORMS: POSSIBLE FUTURES FOR THE MEDIA FRANCHISE -- Transmedia-to-Go: Licensed Mobile Gaming in Japan / Bryan Hikari Hartzheim -- Locating Esports Spectatorship – Studio Audience(ing) and Sites of Speculation / Alexander Champlin -- Hollywood’s VR Vision: New Frontier or Virtually the Same Thing? / James Fleury
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alone in berlin (uk/fr/gg, vincent perez, 2016)
Fresh take on the evils of Nazism in Sun Herald [Inside Out] (19/02/2017) p.11
Call No: TITLE CLIPPINGS FILE; ALONE IN BERLIN (UK/FR/GG, Vincent Perez, 2016)Author: Hall, Sandra PhysDes: ClippingsSubject: ALONE IN BERLIN (UK/FR/GG, Vincent Perez, 2016) Summary: Film review of ALONE IN BERLINNotes: This review was also published in the Sunday Age 19/02/2017Rating: 4 out of 5 stars
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alone in berlin (uk/fr/gg, vincent perez, 2016)
Fresh take on the evils of Nazism in Sunday Age [Inside Out] (19/02/2017) p.11
Call No: TITLE CLIPPINGS FILE; ALONE IN BERLIN (UK/FR/GG, Vincent Perez, 2016)Author: Hall, Sandra PhysDes: ClippingsSubject: ALONE IN BERLIN (UK/FR/GG, Vincent Perez, 2016) Summary: Film review of ALONE IN BERLINNotes: This review was also published in the Sun Herald 19/02/2017Rating: 4 out of 5 stars
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newspaper article
From cinema usher to movie star in The Age (18/05/2017) p.28
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From Hollywood : the careers of 15 great American stars / DeWitt Bodeen South Brunswick [N.J.]: A. S. Barnes, c1976.
Call No: 802.27 BODAuthor: Bodeen, DeWitt, Place: South Brunswick [N.J.]Publisher: A. S. BarnesPubDate: c1976PhysDes: 352 p. : ill. ; 26 cmSubject: BARA, THEDA ; FARRAR, GERALDINE ; BARRYMORE, JOHN ; CHANEY, LON ; DANIELS, BEBE ; FAIRBANKS, DOUGLAS ; CLARK, MARGUERITE ; LOCKWOOD, HAROLD ; ALLSION, MAY ; REID, WALLACE ; STEWART, ANITA ; TALMADGE, CONSTANCE ; COSTELLO, DOLORES ; BRADY, ALICE ; COMPSON, BETTY ; DEL RIO, DOLORES ; DIX, RICHARD Notes: Includes filmographies and indexISBN: 0498013464 : $15.00LON: 724351
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From Moscow to Madrid : postmodern cities, european cinema / Ewa Mazierska and Laura Rascaroli London: I.B. Tauris, 2003.
Call No: 71(4) MAZAuthor: Mazierska, Ewa ; Rascaroli, Laura Source: UKPlace: LondonPublisher: I.B. TaurisPubDate: 2003PhysDes: xii, 260 p. : ill. ; 25 cmSubject: CITIES IN FILMS ; EUROPEAN COUNTRIES ; CLASS AND THE CINEMA ; ALMODOVAR, PEDRO ; CHELSOM, PETER ; LUNGIN, PAVEL ; MACHULSKI, JULIUSZ ; MARTONE, MARIO ; MICHELL, KEITH ; MORTE DI UN MATEMATICO NAPOLE TANO [DEATH OF A NEAPOLITAN MATHEMATICIAN] (IT, Mario Martone, 1992) ; AMORE MOLESTO, L' (IT, Mario Martone, 1995) ; BEAUTIFUL PEOPLE (UK, Jasmin Dizdar, 1999) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; BYE-BYE (FR, Karim Dridi, 1995) ; FLOWER OF MY SECRET, THE [FLOR DE MI SECRETO, LA] (SP/FR, Pedro Almodovar, 1995) ; FUNNY BONES (US, Peter Chelsom, 1995) ; GIRL GUIDE (PL, Juliusz Machulski, 1995) ; KIKA (SP, Pedro Almodovar, 1993) ; KILER (PL, Juliusz Machulski, 1997) ; LUNA PARK (RU/FR, Pavel Lungin, 1992) ; MARIUS ET JEANETTE (FR, Robert Guediguian, 1997) ; NENETTE ET BONI (FR, Claire Denis, 1996) ; NOTTING HILL (UK, Roger Michell, 1998) ; SLIDING DOORS (US, Peter Howitt, 1998) ; TAKSI-BLJUZ (UR/FR, Pavel Lungin, 1990) ; TEATRO DI GUERRA (IT, Mario Martone, 1998) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; TWIN TOWN (UK, Kevin Allen, 1997) ; WONDERLAND (UK, Michael Winterbottom, 1999) Summary: Exploring the postmodern city in the context of European cinema.
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From reverence to rape : the treatment of women in the movies / Molly Haskell Harmondsworth Eng. Baltimore: Penguin, 1974.
Call No: 451-02 HASAuthor: Haskell, Molly Place: Harmondsworth Eng. BaltimorePublisher: PenguinPubDate: 1974PhysDes: xiv, 388 p., [12] leaves of plates : ill. ; 20 cmSubject: WOMEN IN FILMS ; ASTOR, MARY ; BERGMAN, INGMAR ; BOW, CLARA ; Crawford, Joan ; CUKOR, GEORGE ; DAY, DORIS ; DIETRICH, MARLENE ; HAWKS, HOWARD ; HEPBURN, KATHARINE ; HOLLIDAY, JUDY ; LUBITSCH, ERNST ; MONROE, MARILYN ; RUSSELL, ROSALIND ; VON STERNBERG, JOSEF ; WILDER, BILLY ; DUNNE, IRENE ; WOMEN, THE (US, George Cukor, 1939) ; BEYOND THE FOREST (US, King Vidor, 1949) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; DESIGN FOR LIVING (US, Ernst Lubitsch, 1933) ; ADAM'S RIB (US, George Cukor, 1949) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) Notes: Includes indexISBN: 0140039465 : ª0.95 ($3.95 U.S.)LON: 74194670; 352052
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Genre, gender, race and world cinema : an anthology / Edited by Julie F. Codell Malden, Massachusetts: Blackwell Publishing, 2006.
Call No: 62(082) GENAuthor: Codell, Julie F. Source: USPlace: Malden, MassachusettsPublisher: Blackwell PublishingPubDate: 2006PhysDes: ix, 474 pages ; 25 cmSubject: BOLLYWOOD ; CULTURE AND THE CINEMA ; CULTURAL IMPERIALISM ; FILM NOIR ; GENDER AND THE CINEMA ; GENRES ; WORLD CINEMA ; GLOBALISATION ; RACIAL ISSUES AND THE CINEMA ; IDENTITY IN FILMS ; IDEOLOGY AND THE CINEMA ; IRAN ; MELODRAMA ; NATIONAL CULTURE AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; RACIAL ISSUES IN FILMS ; ETHNIC GROUPS IN FILMS ; WORLD CINEMA ; KAIGE, CHEN ; NAIR, MIRA ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; FIGHT CLUB (US, David Fincher, 1999) ; HSI YEN (TZ, Ang Lee, 1993) ; INDIAN IN THE CUPBOARD, THE (US, Frank Oz, 1995) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; POCAHONTAS (US, Mike Gabriel & Eric Goldberg, 1995) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; ALL ABOUT MY MOTHER (SP/FR, Pedro Almodovar, 1999)
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TODO SOBRE MI MADRE ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; TRAFFIC (US, Steven Soderbergh, 2000) Summary: "a collection of essays that introduces the study of film theory through contemporay issues...Using four topics- genre, gender, race, and 'third cinema' - the book encourages critical discussions of films by students with a beginner's knowledge of film history. American, Asian, European and African cinema are all included."ISBN: 1405132337Contents: Preface -- General introduction: film and identities --; Part I Genres: ever-changing hybrids -- Introduction and further reading -- Conclusion: a semantic/syntactic/pragmatic approach to genre: Rick Altman -- Film bodies: gender, genre, and excess: Linda Williams -- The body and Spain: Pedro Almodovar's 'All About My Mother': Ernesto R. Acevedo-Munoz -- Enjoy your fight! - 'Fight Club' as a symptom of the network society: Bulent Diken and Carsten Bagge Laustsen -- Film and changing technologies: Laura Kipnis -- Postmodern cinema and Hollywood culture in an age of corporate colonization: Carl Boggs and Tom Pollard --; Part II Genders: more than two -- Introduction and further reading -- Mobile identities, digital stars, and post cinematic selves: Mary Flanagan -- "Nothing is as it seems": re-viewing 'The Crying Game': Lola Young -- Crying over the melodramatic penis: melodrama and male nudity in the films of the 90s: Peter Lehman -- Travels with Sally Potter's 'Orlando': gender, narrative, movement: Julianne Pidduck -- Body matters: the politics of provocation in Mira Nair's films: Alpana Sharma -- Cowgirl Tales: Yvonne Tasker --; Part III Race: stereotypes and multiple realisms -- Introduction and further reading -- The family changes colour: interracial families in contemporary Hollywood cinema: Nicola Evans -- Black on white: film noir and the epistemology of race in recent African American cinema: Dan Flory -- Becoming Asian American: Chan is missing: Peter X. Feng -- 'The Wedding Banquet': global Chinese cinema and the Asian American experience: Gina Marchetti -- Another fine example of the oral tradition? Identification and subversion in Sherman Alexie's 'Smoke Signals': Jhon Warren Gilroy -- Playing Indian in the nineties: 'Pocahontas' and 'The Indian in the Cupboard': Pauline Turner Strong -- "You are alright, but..." Individual and collective representations of Mexicans, Latinos, Anglo-Americans and African-Americans in Steven Soderbergh's 'Traffic': Deborah Shaw --; Part IV World cinema: joining local and global -- Introduction and further reading -- Theorizing "third-world" film spectatorship: the case of Iran and Iranian cinema: Hamid Naficy -- The open image: poetic realism and the new Iranian cinema: Shohini Chaudhuri and Howard Finn -- The seductions of homecoming: place, authenticity and Chen Kaige's 'Temptress Moon': Rey Chow -- Cultural identity and diaspora in contemporary Hong Kong cinema: Julian Stringer -- "And yet my heart is still Indian": the Bombay film industry and the (H)indianization of Hollywood: Tejaswini Ganti -- Future past: integrating orality into Francophone West African film: Melissa Thackway -- Acknowledgements
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The geopolitical aesthetic : cinema and space in the world system / Fredric Jameson Bloomington London: Indiana University Press BFI Pub., 1992.
Call No: 62 JAMAuthor: Jameson, Fredric Place: Bloomington LondonPublisher: Indiana University Press BFI Pub.PubDate: 1992PhysDes: xvi, 220 p. : ill. ; 23 cmSubject: POSTMODERNISM AND THE CINEMA ; SOCIETY AND THE CINEMA ; CONSPIRACY FILMS ; AESTHETICS ; MEDIA ; NARRATIVE IN FILMS ; TECHNOLOGY AND THE CINEMA ; THIRD WORLD ; GODARD, JEAN-LUC ; RENOIR, JEAN ; TARKOVSKY, ANDREI ; TAHIMIK, KIDLAT ; GIDE, ANDRE ; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976) ; BLOWOUT (US, Brian De Palma, 1981) ; PARALLAX VIEW, THE (US, Alan J. Pakula, 1974) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; SALVADOR (US, Oliver Stone, 1986) ; VIDEODROME (CN, David Cronenberg, 1983) ; K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986) ; UNDER FIRE (US, Roger Spottiswoode, 1983) Notes: Includes bibliographical references and indexISBN: 0253330939 (U.S.); 0851703119 (England)LON: 8458641
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GRANIZO [ALL HAIL] : (AG, Marcos Carnevale, 2022) Digital clippings file available
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newspaper article
The great Australian movie boom : the sequel in Australian Financial Review (23/10/2015) p.7
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Great film plays / Edited by John Glassner and Dudley Nichols New York: Crown Publishers, 1959.
Call No: 792 GREAuthor: Glassner, John ; Nichols, Dudley Edition: 1959Place: New YorkPublisher: Crown PublishersPubDate: 1959PhysDes: 334 pages : illus. ; 23 cmSeries: Twenty Best Film Plays; 1Subject: IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; REBECCA (US, Alfred Hitchcock, 1940) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; ALL THAT MONEY CAN BUY (US, William Dieterle, 1941) ; STAGECOACH (US, John Ford, 1939) ; GOOD EARTH, THE (US, Sidney Franklin, 1937) Notes: Includes screenplays of six films with essays: 'The Screenplay as Literature' by John Glassner, and 'The Writer and the Film" by Dudley Nichols.ID2: 307
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Great Italian films / Jerry Vermilye Secaucus, N.J.: Carol Pub. Group, 1994.
Call No: 71(45) VERAuthor: Vermilye, Jerry Place: Secaucus, N.J.Publisher: Carol Pub. GroupPubDate: 1994PhysDes: 254 p. : ill. ; 28 cmSubject: ITALY ; RISO AMARO (IT, Guiseppe de Santis, 1949) ; BELLISSIMA (IT, Luchino Visconti, 1951) ; AIDA (IT, Clemente Fracassi, 1953) ; SENSO (IT, Luchino Visconti, 1954) ; STRADA, LA (IT, Federico Fellini, 1954) ; CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; KAPO (IT/FR/YU, Gillo Pontecorvo, 1960) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963) ; BATTLE OF ALGIERS, THE [BATTAGLIA DI ALGERI, LA] (IT/AE, Gillo Pontecorvo, 1966) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; DAMNED, THE [CADUTA DEGLI DEI, LA] (IT/GW, Luchino Visconti, 1969) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; FELLINI-SATYRICON (IT/FR, Federico Fellini, 1969) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; AMARCORD (IT/FR, Frederico Fellini, 1973) ; PANE E CIOCCOLATA (IT, Franco Brusati, 1974) ; PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976) ; INNOCENTE, L' (IT/FR, Luchino Visconti, 1976) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) ; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) ; OTELLO (IT, Franco Zeffirelli, 1986) ; LAST EMPEROR, THE (UK/CC, Bernardo Bertolucci, 1987) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; FABIOLA (IT, Alessandro Blasetti, 1947) ; ROMA ORE 11 (IT, Giuseppe De Santis, 1951) ; AMICI PER LA PELLE (IT, Franco Rossi, 1955) ; BIG DEAL ON MADONNA STREET [SOLITI IGNOTI, I] (IT, Mario Monicelli, 1958) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; QUEIMADA! (IT/FR, Gillo Pontecorvo, 1970) ; TOSCA [TV] (IT, 1992) ; STANNO TUTTI BENE (IT/FR, Guiseppe Tornatore, 1990) Notes: "A Citadel Press book."ISBN: 0806514809 (pbk.) : $17.95LON: 93045771; 10646564
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The great movie comedians : from Charlie Chaplin to Woody Allen / by Leonard Maltin New York: Crown Publishers, 1978.
Call No: 451-015 MALAuthor: Maltin, Leonard Place: New YorkPublisher: Crown PublishersPubDate: 1978PhysDes: xvii, 238 p. : ill. ; 26 cmSubject: COMEDIANS ; CHAPLIN, CHARLES ; ARBUCKLE, ROSCOE "FATTY" ; LLOYD, HAROLD ; ROGERS, WILL ; FIELDS, W.C. ; THREE STOOGES ; HOPE, BOB ; KAYE, DANNY ; SKELTON, RED ; LEWIS, JERRY ; ALLEN, WOODY ; LAUREL, STAN ; HARDY, OLIVER ; NORMAND, MABEL ; LANGDON, HARRY ; CHASE, CHARLEY [psued. of Charles Parrott] ; GRIFFITH, RAYMOND ; DRESSLER, MARIE ; BROWN, JOE E. ; MARX BROTHERS ; COSTELLO, LOU Notes: Includes filmographies and indexISBN: 0517532417LON: 77020233; 1040069
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newspaper article
Gripping depiction of quiet, courageous resistance in The Age (02/03/2017) p.26
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Growing up in Hollywood / [by] Robert Parrish London: Bodley Head, 1976.
Call No: 81PAR PARAuthor: Parrish, Robert Place: LondonPublisher: Bodley HeadPubDate: 1976PhysDes: [10], 229 p., [24] p. of plates : ill., facsims., ports. ; 22 cmSubject: COLUMBIA PICTURES ; SCREEN ACTORS GUILD ; PARRISH, ROBERT ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; COHN, HARRY ; DEMILLE, CECIL B. ; FAIRBANKS, DOUGLAS ; FORD, JOHN ; GRIFFITH, DAVID WARK ; HAMILTON, WILLIAM ; HOWE, JAMES WONG ; INDRISANO, JOHNNY ; ROSSEN, ROBERT ; SCHREIBER, LEW ; VALENTINO, RUDOLPH ; INFORMER, THE (US, John Ford, 1935) ; ONE IN A MILLION (US, Sidney Lanfield, 1936) ; DIVINE LADY, THE (US, Frank Lloyd, 1929) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; ALL THE KINGS MEN (US, Robert Rossen, 1949) ; BODY AND SOUL (US, Robert Rossen, 1947) ; CRY DANGER (US, Robert Parrish, 1951) ; HAVING WONDERFUL TIME (US, Alfred Santell, 1938) Summary: "Hollywood has thrown up a host of great actors and directors, geniuses and eccentrics, but remarkably few chroniclers of any brilliance. At last, in Growing up in Hollwood, Robert Parrish has produced a picture of Hollywood which is consistently well-observed, intelligent, evocative and, best of all, very, very funny. Robert Parrish, a child actor in the 1920's (in Chaplin's City Lights he was one of the two pea-shooting news boys), served his apprenticeship both in front of the camreas as an extra, and in the cutting rooms under famous directors in 1950. This book is a series of lively, skillfully told anecdotes of working in motion pictures in the golden days between the coming of talkies and the spread of television. In a series of fascinating close-ups we are shown, for instance, Charlie Chaplin rehearsing a scene from City Lights, Cecil B. de Mille bullying his cast of thousands, Raoul Walsh getting the best out of John Wayne, Ian Keith and an assortment of quadrupeds in The Big Trail, and John Ford cracking his whip on and off the set. What makes these memories so compelling is the charm and vivacity, the clear-sighted innocence of the author (a rare gift in hollywood) and his remarkable ability to bring scenes and dialogue to life so that the reader is constantly ready for more. " BOOK JACKETISBN: 0370113128LON: bnb37011312; 1934872Contents: -- 1 The black pirate -- 2 A new hero -- 3 Shall we gather at the river? -- 4 Breakfast with champions -- 5 Silent star -- 6 Charlie -- 7 Our gang -- 8 The black pirate returns -- 9 Always say yes -- 10 I left my love at fractured jaw -- 11 Dragnet -- 12 C.B. -- 13 Soap gets in your eyes -- 14 Having a wonderful time -- 15 Billy Hamilton, positive cutter -- 16 The ice age comes to hollywood -- 17 Producer-director relations -- 18 Director-cast relations (female) -- 19 The first lesson -- 20 Director-cast relations (male) -- 21 The battle of midway -- 22 Do good by stealth, etc -- 23 Detente with Russia -- 24 In memoriam -- 25 Linoleum OOgie -- 26 Tiger, tiger, burning bright -- 27 Oscar -- 28 Interior Columbia Studio - day -- 29 You don't want to go to Europe... -- 30 Is it fun yet? -- 31 anybody can direct -- 32 petition -- 33 the final lesson -- 34 the winds of change -- conclusion -acknowledgements -index
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Hello, G'bye in Australian Financial Review (6/6/2015) p.51
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A history of films / John Fell New York: Holt, Rinehart and Winston, 1979.
Call No: 70 FELAuthor: Fell, John Source: USPlace: New YorkPublisher: Holt, Rinehart and WinstonPubDate: 1979PhysDes: 588 p. : ill. ; 23 cmSubject: HISTORY AND THE CINEMA ; PRODUCTION ; ALEXANDROV, GROGORIO ; ANTONIONI, MICHELANGELO ; BRECHT, BERTHOLD ; CAPRA, FRANK ; CHAPLIN, CHARLES ; DE SICA, VITTORIO ; COCTEAU, JEAN ; DEMILLE, CECIL B. ; DREYER, CARL TH. ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FRANJU, GEORGES ; LANG, FRITZ ; MURNAU, FRIEDRICH WILHEL ; Pasolini, Pier Paolo ; PAUL, ROBERT ; PORTER, EDWIN S. ; PUDOVKIN, VSEVELOD ; RENOIR, JEAN ; RESNAIS, ALAIN ; ROSSELLINI, ROBERTO ; THALBERG, IRVING ; TRUFFAUT, FRANCOIS ; VERTOV, DZIGA ; VIGO, JEAN ; VISCONTI, LUCHINO ; ZAVATTINI, CESARE ; WELLES, ORSON ; WYLER, WILLIAM ; ZUKOR, ADOLPH ; L'AGE D'OR (FR, Luis Bruñell, 1930) ; L'ATALANTE (FR, Jean Vigo, 1930) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; METROPOLIS (G, Fritz Lang, 1926) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) Notes: Bibliography: p.546-548
Includes indexISBN: 0030363160Donation: donated by the family of Wayne Levy, 2006
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Hoffman vs Hoffman : the actor and the man / Patrick Agan London: R Hale, 1987.
Call No: 81HOF AGAAuthor: Agan, Patrick Source: UKPlace: LondonPublisher: R HalePubDate: 1987PhysDes: x, 166 p, [20] p. of plates : ill. ; 25cmSubject: HOFFMAN, DUSTIN ; TIGER MAKES OUT (US, Arthur Hiller, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; JOHN AND MARY (US, Peter Yates, 1969) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; WHO IS HARRY KELLERMAN AND WHY IS HE SAYING THOSE TERRIBLE THINGS ABOUT ME? (US, Ulu Grosbard, 1971) ; STRAW DOGS (UK, Sam Peckinpah, 1971) ; PAPILLON (US, Franklin J. Schaffner, 1973) ; LENNY (US, Bob Fosse, 1974) ; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976) ; AGATHA (UK, Michael Apted, 1979) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; TOOTSIE (US, Sydney Pollack, 1982) Summary: The book deals the life and career of Dustin Hoffman, and the large variety of roles he undertook in the less than 20 films he made. It deals with the academy award, he won in Kramer vs Kramer, and the other 4 nominations he recieved.He is presented as a diminutive perfectionist, or as an unlikely superstarNotes: Includes index; Filmography: p 151-159ISBN: 045041731
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Hollywood androgyny / Rebecca Bell-Metereau New York: Columbia University Press, 1993.
Call No: 749.5 BELAuthor: Bell-Metereau, Rebecca Louise Edition: 2nd edPlace: New YorkPublisher: Columbia University PressPubDate: 1993PhysDes: xxii, 345 p. : ill. ; 23 cmSubject: TRANSVESTISM ; AIDS IN FILMS ; ART CINEMA. EUROPEAN COUNTRIES ; UNDERGROUND FILMS ; HOMOSEXUALITY IN FILMS ; SEX IN FILMS ; WESTERNS ; WILDER, BILLY ; GARBO, GRETA ; HEPBURN, KATHARINE ; CURTIS, TONY ; DIETRICH, MARLENE ; MADONNA ; MONROE, MARILYN ; SCOTT, RIDLEY ; ADLER, LOU ; DAY, DORIS ; CROSBY, BING ; EDWARDS, BLAKE ; GRANT, CARY ; LEMMON, JACK ; REA, STEPHEN ; SHERIDAN, ANN ; YENTL (US, Barbara Streisand, 1983) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; ALIEN [...] (UK/US, 1979-92) ; CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978) ; CALAMITY JANE (US, David Butler, 1953) ; COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; PSYCHO (US, Alfred Hitchcock, 1960) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; BLUE VELVET (US, David Lynch, 1986) ; WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982) ; TOOTSIE (US, Sydney Pollack, 1982) ; SYLVIA SCARLETT (US, George Cukor, 1935) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; QUEEN CHRISTINA (US, Rouben Mamoulian, 1934) ; PLAINSMAN, THE (US, Cecil B. DeMille, 1936) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; NO WAY TO TREAT A LADY (US, Jack Smight, 1968) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) Notes: Includes bibliographical references (p. [315]-327) and indexISBN: 0231084676 (acidb-sfree paper)LON: 10110408
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Hollywood androgyny / Rebecca Bell-Metereau New York: Columbia University Press, 1985.
Call No: 451-01/02 BELAuthor: Bell-Metereau, Rebecca Louise Place: New YorkPublisher: Columbia University PressPubDate: 1985PhysDes: x, 260 p. : ill. ; 24 cmSubject: TRANSVESTISM ; ALIEN (UK, Ridley Scott, 1979) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; TOOTSIE (US, Sydney Pollack, 1982) ; VICTOR/VICTORIA (UK, Blake Edwards, 1982) ; YENTL (US, Barbara Streisand, 1983) Notes: Includes indexISBN: 0231058349 (alk. paper)LON: 84016984; 3316437Contents: -- Ch. 1. An Overview -- Ch. 2. Female Impersonation Before 1960 -- Ch. 3. Male Impersonation Before 1960 -- Ch. 4. 1960-1985 New Directions -- Ch. 5. 1960 to the Present: Other Screens, Other Voices
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Hollywood directors, 1941-1976 / [compiled by] Richard Koszarski New York: Oxford University Press, 1977.
Call No: 802.25(73) HOLAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1977PhysDes: xvii, 426 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; WELLES, ORSON ; LEWIN, ALBERT ; VIDOR, KING ; HUSTON, JOHN ; ROSSEN, ROBERT ; CAPRA, FRANK ; JONES, CHUCK ; WYLER, WILLIAM ; RENOIR, JEAN ; LANG, FRITZ ; ZINNEMANN, FRED ; MILESTONE, LEWIS ; HITCHCOCK, ALFRED ; BROWN, CLARENCE ; SIDNEY, GEORGE ; BROOKS, RICHARD ; DIETERLE, WILLIAM ; FLEISCHER, RICHARD ; VON STERNBERG, JOSEF ; CURTIZ, MICHAEL ; RAY, NICHOLAS ; KAZAN, ELIA ; WILDER, BILLY ; LEROY, MERVYN ; ALDRICH, ROBERT ; KUBRICK, STANLEY ; LOGAN, JOSHUA ; STURGES, JOHN ; KING, HENRY ; MANN, ANTHONY ; FULLER, SAMUEL ; FRANKENHEIMER, JOHN ; KELLY, GENE ; PENN, ARTHUR ; SAKS, GENE ; Lupino, Ida ; DMYTRYK, EDWARD ; CORMAN, ROGER ; FRIEDKIN, WILLIAM ; RITCHIE, MICHAEL ; GRINDE, NICK ; PICHEL, IRVING ; SEATON, GEORGE ; BENEDEK, LASLO ; KOSTER, HENRY ; OBOLER, ARCH ; SANDERS, TERRY ; SIODMAK, ROBERT ; MARTON, ANDREW ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; SMILE (US, Michael Ritchie, 1975) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; BEN HUR (US, William Wyler, 1959) Notes: Includes indexISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95LON: 851041
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Hollywood films of the seventies : sex, drugs, violence, rock 'n' roll & politics / Seth Cagin & Philip Dray New York: Harper & Row, c1984.
Call No: 71(73) CAGAuthor: Cagin, Seth ; Dray, Philip Edition: 1st edPlace: New YorkPublisher: Harper & RowPubDate: c1984PhysDes: xiv, 290 p. : ill. ; 21 cmSeries: Harper colophon books ; CN 1117Subject: USA. 1970's ; CORMAN, ROGER ; KUBRICK, STANLEY ; EASY RIDER (US, Dennis Hopper, 1969) ; ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) Notes: Filmography: p. 267-277; Includes bibliographical references and indexISBN: 0060911174 (pbk.) : $9.95LON: 2845313
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Hollywood spectatorship : changing perceptions of cinema audiences / edited by Melvyn Stokes and Richard Maltby London: British Film Institute, 2000.
Call No: 410 HOLAuthor: Maltby, Richard, 1952 ; Stokes, Melvyn CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: 240p. ; 24 cmSubject: AUDIENCES ; SPECTATORSHIP ; AUDIENCE RECEPTION ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; FANTASIA (US, Walt Disney, 1940) ; CENSORSHIP. USA ; RELIGION AND THE CINEMA. USA ; ON THE BEACH (US, Stanley Kramer, 1959) ; ETHNIC GROUPS IN FILMS ; CINEPHILIA ISBN: 0851708110; 0851708102(pbk.) : ¦15.99LON: 21774778
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Hollywood utopia : ecology in contemporary American cinema / Pat Brereton Bristol, UK: Intellect Books, 2004.
Call No: 738.1 BREAuthor: Brerton, Pat Source: UKPlace: Bristol, UKPublisher: Intellect BooksPubDate: 2004PhysDes: 270 p. ; 24 cmSubject: NATURE IN FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; WESTERNS ; LANDSCAPES IN FILMS ; ROAD MOVIES ; CONSPIRACY FILMS ; ANDROMEDA STRAIN, THE (US, Robert Wise, 1971) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BLADE RUNNER (US, Ridley Scott, 1982) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; EASY RIDER (US, Dennis Hopper,1969) ; INCREDIBLE SHRINKING MAN, THE (US, Jack Arnold, 1957) ; JAWS (US, Steven Spielberg, 1975) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; MEN IN BLACK (US, Barry Sonnenfeld, 1997) ; SOYLENT GREEN (US, Richard Fleischer, 1973) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TITANIC (US, James Cameron, 1997) ; YEARLING, THE (US, Clarence Brown, 1947) Summary: "Hollywood Utopia applies a range of interdisciplinary strategies to trace the evolution of ecological representations in Hollywood film from 1950s to the present. Popular science fiction, westerns, nature and road movies are extensively analysed while privileging ecological moments of sublime expression often dramatized in the closing moments of these films. "Notes: Bibliography: p. 241-267
Filmography: p. 9-10ISBN: 1841501174Donation: donated by Senses of Cinema, 2009
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The Hollywood war film : critical observations from World War I to Iraq / Daniel Binns Bristol, UK ; Chicago, USA: Intellect Books, 2017.
Call No: 737(73) BINAuthor: Binns, Daniel Edition: 2017Place: Bristol, UK ; Chicago, USAPublisher: Intellect BooksPubDate: 2017PhysDes: 172 pages : illustrated ; 23 cmSubject: WAR FILMS. USA ; VIETNAM WAR FILMS. USA ; WORLD WAR II FILMS. USA ; VIDEO GAMES ; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; COPPOLA, FRANCIS FORD ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; M*A*S*H (US, Robert Altman, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; STEEL HELMET, THE (US, Samuel Fuller, 1951) Notes: Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon.
Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity’s most difficult, but far too common, realities. -- publisher's web siteISBN: 9781783207541Contents: Acknowledgements and dedication -- Introduction: war and cinema -- For glory: World Wars I and II -- Fear and frustration: Korea and Vietnam -- Live from the front line: conflict in the Middle East -- Extended discourse: cross-platform war -- Conclusion: cycles of violence, repeat performances -- Bibliography -- Index.
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Humor in Middle Eastern cinema / edited by Gayatri Devi and Najat Rahman Detroit: Wayne State University Press, c2014.
Call No: 732(5-011) HUMAuthor: Revi, Gayatri (ed.) ; Rahman, Najat (ed.) Source: USPlace: DetroitPublisher: Wayne State University PressPubDate: c2014PhysDes: 282 pages ; 23 cmSeries: Contemporary approaches to film and mediaSubject: AFGHANISTAN ; ARAB COUNTRIES ; AUDIENCE RECEPTION ; BOLLYWOOD ; CENSORSHIP ; COMEDIES. MIDDLE EASTERN COUNTRIES ; CULTURAL IMPERIALISM. US ; EGYPT ; HUMOUR IN FILMS ; INDIA ; IRAN ; IRAQ ; ISRAEL ; IRONY IN FILMS ; NATIONAL CULTURE AND THE CINEMA ; PALESTINE ; POLITICAL FILMS ; ETHNIC GROUPS IN FILMS ; SATIRE IN FILMS ; TYPE CHARACTERS IN FILMS ; PAKISTAN ; CHAHINE, YOUSSEF ; DHOUIB, MONCEF ; KIAROSTAMI, ABBAS ; ZARHIN, SHEMI ; AMERIKALI (TU, Serif Gören, 1993) ; BAD MA RA KHAHAD BORD (IR/FR, Abbas Kiarostami, 1999) ; DIVINE INTERVENTION (FR/MR/G/PA, Elia Suleiman, 2002) ; ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978) ; ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978) ; TELE ARRIVE, LA (TI, Moncef Dhouib, 2006) ; TERE BIN LADEN (II, Abhishek Sharma, 2010) ; TV IS COMING, THE (TI, Moncef Dhouib, 2006) Summary: "While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema." -- GOOGLE BOOKSNotes: Contains bibliography and filmography -- contains index -- contains list of contributorsISBN: 9780814339374Contents: Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia: allegory and satire in Moncef Dhouib's TV Is Coming / Robert Lang -- Satiric traversals in the comedy of Mehran Modiri: space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic meditations: war and genre in The Outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The Wind Will Carry Us / Gayatri Devi -- America the oppressively funny: humor and anti-americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders: the case of the Bollywood film Tere Bin Laden / Mara Matta
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digital clippings file
IM WESTEN NICHTS NEUES [ALL QUIET ON THE WESTERN FRONT] : (GG/US/UK, Edward Berger, 2022) Digital clippings file available
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Immortal, invisible : lesbians and the moving image / edited by Tamsin Wilton London New York: Routledge, 1995.
Call No: 749.4 IMMAuthor: Wilton, Tamsin Place: London New YorkPublisher: RoutledgePubDate: 1995PhysDes: xvi, 235 p. : ill. ; 24 cmSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; AIDS IN FILMS ; CAMP ; LANG, K.D. ; SCHILLER, GRETA ; TREUT, MONIKA ; WEAVER, SIGOURNEY ; WEISS, ANDREA ; ANNE TRISTER (CN, Lea Pool, 1986) ; DESERT HEARTS (US, Donna Deitch, 1985) ; INTERNAL AFFAIRS (US, Mike Figgis, 1990) ; MY FATHER IS COMING (US/GG, Monika Treut, 1991) ; ORANGES ARE NOT THE ONLY FRUIT [TV] (UK, Beeban Kidron, 1990) ; PORTRAIT OF A MARRIAGE [TV] (UK, Stephen Whittaker, 1990) ; PUMPING IRON II ; THE WOMEN (US, George Butler, 1984) ; RED SONJA (US, Richard Fleischer, 1985) ; VERFURUNG - DIE GRAUSAME FRAU (GW, Elfi Mikesch & Monika Treut, 1985) ; TINY AND RUBY : HELL DIVIN' WOMEN (US, Greta Schiller & Andrea Weiss, 1988) ; JUNGFRAUENMASCHINE, DIE (GW, Monika Treut, 1989) ; LIVING END, THE (US, Gregg Araki, 1992) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; ALIEN [...] (UK/US, 1979-92) Notes: Filmography: p. 225-227; Includes bibliographical references and indexISBN: 0415107245; 0415107253 (pbk)LON: 10899929
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In Person: Gary Sweet in Empire (Australian Ed.) (June 2003) iss.27 p.48-49
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Independent visions : a critical introduction to recent independent American film / Donald Lyons New York: Ballantine, 1994.
Call No: 71(73) LYOAuthor: Lyons, Donald Place: New YorkPublisher: BallantinePubDate: 1994PhysDes: xiv, 337 p., [8] p. of plates : ports. ; 21 cmSubject: INDEPENDENT FILMS. USA ; ALMEREYDA, MICHAEL ; ANDERS, ALLISON ; COEN, JOEL & ETHAN ; CRONENBERG, DAVID ; DASH, JULIE ; DAVIS, JUDY ; EGOYAN, ATOM ; FERRARA, ABEL ; HARTLEY, HAL ; LEE, SPIKE ; LINKLATER, RICHARD ; PHOENIX, RIVER ; SODERBERGH, STEVEN ; Tarantino, Quentin ; VAN SANT, GUS ; ARAKI, GREGG ; BIGELOW, KATHRYN ; DICKERSON, ERNEST R. ; GOMEZ, NICK ; JARMUSCH, JIM ; LEHMANN, MICHAEL ; MORRISSEY, PAUL ; O'BRIEN, JOHN ; COCHRAN, STACY ; COOLIDGE, MARTHA ; DAVIS, TAMRA ; FRANKLIN, CARL ; HARRIS, LESLIE ; LEGROS, JAMES ; LYNCH, DAVID ; MCNAUGHTON, JOHN ; MUNCH, CHRISTOPHER ; THORNTON, BILLY BOB ; RODRIGUEZ, ROBERT ; ROCKWELL, ALEXANDRE ; SINGLETON, JOHN ; SAYLES, JOHN ; SAVOCA, NANCY ; GAS FOOD LODGING (US, Allison Anders, 1992) ; MARIACHI, EL (US, Robert Rodriguez, 1992) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; BODIES, REST & MOTION (US, Michael Steinberg, 1993) ; BARTON FINK (US, Joel Cohen, 1991) ; PASSION FISH (US, John Sayles, 1992) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; MYSTERY TRAIN (US, Jim Jarmusch, 1989) ; MY NEW GUN (US, Stacy Cochran, 1992) ; MS 45 (US, Abel Ferrara, 1981) ; METROPOLITAN (US, Whit Stillman, 1990) ; MALA NOCHE (US, Gus Van Sant, 1986) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ; JUICE (US, Ernest R. Dickerson, 1992) ; IN THE SOUP (US, Alexandre Rockwell, 1992) ; HOURS AND TIMES, THE (US, Christopher Munch, 1992) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; HEATHERS (US, Michael Lehmann, 1989) ; GUN CRAZY (US, Joseph H.Lewis, 1949) ; LIVING END, THE (US, Gregg Araki, 1992) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; DRUGSTORE COWBOY (US, Gus Van Sant, 1989) ; RAMBLING ROSE (US, Martha Coolidge, 1991) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; SIMPLE MEN (US, Hal Hartley, 1992) ; SLACKER (US, Richard Linklater, 1990) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; TRUE LOVE (US, Nancy Savoca, 1989) ; TRUST (US, Hal Hartley, 1990) ; UNBELIEVABLE TRUTH, THE (US, Hal Hartley, 1989) ; VERMONT IS FOR LOVERS (US, John O'Brien, 1992) ; WILD AT HEART (US, David Lynch, 1990) Notes: Includes filmography and indexISBN: 0345382498 (pbk.)LON: 11029535
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An index to the films of Maria Montez : Ali Baba and the Forty Thieves in Australian film guide (September 1966) iss.3 p.11
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International film guide 1977 / edited by Peter Cowie London: Tantivy Press, 1976.
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International film guide 2012 : the definitive annual review of world cinema / edited by Ian Haydn Smith Brighton: International Film Guide, 2012.
Call No: REFERENCE SECTION; 058 INT "2012"Author: Smith, Ian Haydn Edition: 48th ed.Source: UKPlace: BrightonPublisher: International Film GuidePubDate: 2012PhysDes: 339 p . : ill. ; 24 cmSubject: FESTIVALS ; CRITICISM ; INDUSTRY, FILM ; ALFREDSON, TOMAS ; DARDENNE, JEAN-PIERRE & LUC ; DAVIES, TERENCE ; MALICK, TERRENCE ; REFN, NICHOLAS WINDING Notes: 48th editionISBN: 9781908215017Contents: : -- Directors of the Year -- Tomas Alfredson -- Jean-Pierre and Luc Dardenne -- Terence Davies -- Terrence Malick -- Nicolas Winding Refn -- DVD Focus -- World Survey -- Algeria -- Argentina -- Armenia -- Australia -- Austria -- Belgium -- Bolivia -- Bosnia & Herzegovina -- Brazil -- Bulgaria -- Canada -- Chile -- China -- Colombia -- Croatia -- Cuba -- Cyprus -- Czech Republic -- Denmark -- Ecuador -- Egypt -- Estonia -- Finland -- France -- Georgia -- Germany -- Greece -- Hong Kong -- Hungary -- Iceland -- India -- Iran -- Israel -- Italy -- Japan -- Kazakhstan -- Lithuania -- Mexico -- Morocco -- Netherlands -- New Zealand -- Nigeria -- Norway -- Poland -- Portugal -- Romania -- Russia -- Serbia -- Singapore -- Slovakia -- South Africa -- South Korea -- Spain -- Sweden -- Switzerland -- Taiwan -- Thailand -- Tunisia -- Turkey -- Ukraine -- United Kingdom -- United States -- Additional Countries -- Burkina Faso -- Cambodia -- Cameroon -- Chad -- Costa Rica -- Gabon -- Guatemala -- Iraq -- Ivory Coast -- Kyrgyzstan -- Lebanon -- Malaysia -- Mali -- Mauritania -- Nepal -- Palestine -- Qatar -- Senegal -- Tajikistan -- Uzbekistan -- Festival News -- Festival Director Profiles -- Film Festival Calendar -- Leading Festivals -- Festivals and Markets of Note -- index to advertisers --
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Interview with Max L. Raab in Interview (1969) vol.1 iss.4 p.12-13, 24
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ISKANDARIYA....LEEH? : (UA/AE, Youssef Chahine, 1978)
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ISKANDERIJA...LIH? : (UA/AE, Youssef Chahine, 1978)
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Jacques Becker : Ali Baba (Ali Baba et les 40 voleurs) in NFT p.26-29
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James Cameron : interviews / edited by Brent Dunham Jackson: University of Mississippi, 2012.
Call No: 81CAM JAMAuthor: Dunham, Brent Source: USPlace: JacksonPublisher: University of MississippiPubDate: 2012PhysDes: xxxix, 219 p. ; 23 cmSeries: Conversations with filmmakers seriesSubject: CAMERON, JAMES ; TERMINATOR, THE (US, James Cameron, 1984) ; ALIENS (US, James Cameron, 1986) ; TITANIC (US, James Cameron, 1997) ; AVATAR (US, James Cameron, 2009) Summary: "James Cameron (b.1954) is lauded as one of the most successful and innovative filmmakers of the the last thirty years. His films often break records, both in their massive budgets and in their box-office earnings. They include such hits as The Terminator, Aliens, The Abyss, Titanic, and Avatar. Part scientist, part dramatist, Cameron combines these two qualities into inventive and captivating films that often push the boundaries of special effects to accomodate his imagination. James Cameron: Interviews chronicles the writer-director's rise through the Hollywood system, highlighted by his "can-do" attitude and his insatiable drive to make the best film possible. As a young boy growing up in Canada, Cameron imagined himself an astronaut, a deep-sea explorer, a science fiction writer, or a filmmaker. Transplanted to southern California, he would go on to realize many of those boyhood fantasies. This collection of interviews provides glimpses of the filmmaker as he advances from Roger Corman's underling to "king of the world." The interviews are drawn from a number of sources including TV appearances and blog conversations, which have never been published in print. Spanning more than twenty years, this collection constructs a concise and thorough examination of James Cameron, a filmmaker who has almost single-handedly ushered Hollywood into the twenty-first century." -- BOOK BLURBNotes: Includes index; Includes bibliographical references and index; Includes filmographyISBN: 9781617031328Donation: Donated by Senses of Cinema, 2013Contents: -- introduction -- chronology -- filmography -- How to direct a terminator / Thomas McKelvey Cleaver/1984 -- The 1984 movie revue: James Cameron interviewed by David Chute / David Chute/1985 -- Writer-director shows the special effect energy can radiate / JoAnn Rhetts/1986 -- Aliens: an out of this world communication with director James Cameron / Victor Wells/1986 -- James Cameron takes a plunge / Alan Jones/1989 -- James Cameron takes a second plunge / Alan Jones/1989 -- Aliens: James Cameron interview / Nigel Floyd/1992 -- The hero's journey / Syd Field/1992 -- Approaching the sequel / Syd Field/1992 -- Iron Jim / John H. Richardson/1994 -- Rich and strange / Ray Greene/1995 -- 20,000 leagues under the sea: the movie director as Captain Nemo / Bill Moseley/1998 -- A drive of Titanic proportions : academy of achievement/1999 -- The final frontier / Anne Thompson/2000 -- James Cameron: The second coming / Jenny Cooney Carrillo/2002 -- Sound of silence / John Reading/2002 -- James Cameron / Adrian Wootton/2003 -- My Titanic obsession / James Rampton/2005 -- King of all he surveys / James Rampton/2006 -- James Cameron: a life in pictures / Francine Stock/2009 -- James Cameron / Tavis Smiley/2009 -- James Cameron Interview: Avatar Blu-Ray, also talks Titanic 3D and Avatar 2 / Sara Wyland/2010 -- James Cameron interview! talks Avatar re-release, sequels, 3D conversions, and working with Del Toro / Jim Dorey/2010 -- index --
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James Cameron's "Aliens" : A direct hit, and a worthy successor to the original. James Cameron is unsurpassed in visualising SF in Cinefantastique (October 1986) vol.16 iss.4/5 p.6-11, 123
Author: Doherty, Thomas PhysDes: ArticleSubject: ALIENS (US, James Cameron, 1986) Summary: A glowing review of James Cameron's efforts in "Aliens". Doherty particularly praises Cameron's ability to visualise speculative fiction but places the success of the film on Ripley's characterisation and Sigourney Weaver's performanceNotes: Review. - illus.
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Jan Svankmajer / by Keith Leslie Johnson Urbana, Illinois: University of Illinois Press, c2017.
Call No: 81 SVA JOHAuthor: Johnson, Keith Leslie, 1974-, (author) Source: USPlace: Urbana, IllinoisPublisher: University of Illinois PressPubDate: c2017PhysDes: xii, 191 pages : illustrations ; 21 cmSeries: Contemporary Film DirectorsSubject: SVANKMAJER, JAN ; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; FAUST (FR/CZ/UK/GG, Jan Svankmajer, 1994) ; CONSPIRATORS OF PLEASURE (CS/SZ/UK, Jan Srankmajer, 1996) ; SURVIVING LIFE (THEORY AND PRACTICE) [PREZIT SVUJ ZIVOT (TEORIE A PRAXE)] (CZ/SO/JA, Jan Svankmajer, 2010) ; LAST TRICK OF MR. SCHWARCEWALLDE AND MR. EDGAR, THE [POSLEDNI TRIK PANA SCHWARCEWALLDEA A PANA EDGARA] (CS, Jan Svankmajer, 1964) ; ET CETERA (CS, Jan Svankmajer, 1967) ; OSSUARY, THE [KOSTNICE] (CS, Jan Svankmajer, 1970) ; HISTORIA NATURAE, SUITA (CS, Jan Svankmajer, 1967) ; PICKNICK MIT WEISMANN (AU, Jan Svankmajer, 1969) ; DIMENSIONS OF DIALOGUE [MOZNOSTI DIALOGU] (CS, Jan Svankmajer, 1983) ; DEATH OF STALINISM IN BOHEMIA, THE [KONEC STALINISMU V CECHACH] (CS, Jan Svankmajer, 1991) ; ANIMATION Summary: "Jan Svankmajer enjoys a curious sort of anti-reputation: he is famous for being obscure. Unapologetically surrealist. Svankmajer draws on the traditions and techniques of stop-motion animation, collage, montage, puppetry, and clay to craft bizarre filmscapes.... In Johnson's view, Svankmajer implores us to reprogram our relationship with the vital matter all around us, including ourselves and our bodies." - BOOK BLURBNotes: Includes bibliographical references (pages 177-185) and index.
Includes filmography.ISBN: 9780252083020Donation: Senses of CinemaContents: Animist cinema -- humiliation, or object life -- Wunderkammer, or Creaturely Life -- Haptics, or Animal Life -- Imagination, or Political Life -- Stalinism in Bohemia -- Survival, or Ecological Life -- Interviews with Jan S vankmajer.
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Jean-Pierre Jeunet / Elizabeth Ezra Urbana: University of Illinois Press, c2008.
Call No: 81JEU EZRAuthor: Ezra, Elizabeth Source: USPlace: UrbanaPublisher: University of Illinois PressPubDate: c2008PhysDes: xii, 159 p. : ill. ; 21 cmSeries: Contemporary film directorsSubject: JEUNET, JEAN-PIERRE ; DELICATESSEN (FR, Jean-Pierre Jeunet & Marc Caro, 1991) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; FABULEUX DESTIN D'AMELIE POULAIN, LE (FR/GG, Jean-Pierre Jeunet, 2001) ; VERY LONG ENGAGEMENT, A [LONG DIMANCHE DE FIANCAILLES, UN] (FR/US, JEAN-PIERRE JEUNET, 2004) Summary: "Analyses the director's major films, including his early short works. Includes commentary by Jeunet on his career and work. " LIBRARIES AUSTRALIANotes: Formerly CIP; Includes filmography: p. [143]-148; Includes bibliographical references (p. [149]-154) and indexISBN: 9780252075223Contents: Prosthetic visions -- Early short films: the eternal return -- Cutting off the past: historical trauma in Delicatessen -- "It's hard to be original": La Cite´ des enfants perdus -- Uncanny resemblances: Alien resurrection -- The death of an icon: Ame´lie -- Screen memories: Un long dimanche de fianc¸ailles -- Commentary by Jean-Pierre Jeunet.
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Jessica Lange from King Kong to Frances in Australian video and communications (June 1983) vol.2 iss.19 p.26-27
Author: Shaw, Tony PhysDes: ArticleSubject: LANGE, JESSICA ; ALL THAT JAZZ (US, Bob Fosse, 1979) ; KING KONG (US, John Guillermin, 1976) ; FRANCES (US, Graeme Clifford, 1982) ; POSTMAN ALWAYS RINGS TWICE, THE (US, Bob Rafaelson, 1981) Summary: Article charts Jessica Lange's career to date, noting the impact of roles in films such as "King Kong" and "Frances". Also explores Lange's work in "All That Jazz" and "The Postman Always Rings Twice"
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Joseph Mankiewicz : Deauville Film Festival: an exclusive interview with legendary Hollywood figure in Interview (1981) vol.11 iss.11 p.32-34
Author: Ginsberg, Ina PhysDes: ArticleSubject: DEAUVILLE FILM FESTIVAL ; AMERICAN CINEMA ; MANKIEWICZ, JOSEPH L. ; WARHOL, ANDY ; DEMILLE, CECIL B. ; CRAWFORD, JOAN ; MONROE, MARILYN ; SCREEN ACTORS GUILD ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; SUDDENLY LAST SUMMER (UK, Joseph L. Mankiewicz, 1959) ; SLEUTH (UK, Joseph L. Mankiewicz, 1972) Summary: Ina Ginsburg quizzes Joseph Mankiewicz on beautiful women, the thematic focus of various films, his year-long tenure as President of the Screen Actors Guild, and on his famous feud with Cecil B. De Mille. Ginsburg also explores Mankiewicz's career trajectory beginning as a writer, transitioning to a producer for MGM, and finally as a director or Twentieth Century Fox. Andy Warhol joins the interview half-way through as Mankiewicz begins to make a number of contentious statements, including that Joan Crawford was pathetic towards the end of her career and that if Marilyn Monroe had lived longer she would have been a fat, washed-up drunk
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Kicking Alien ass in The Age [E.G.] (12/05/2017) p.1
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Knight of terrors in Weekend Australian [Review] (6/05/2017) p.6
Call No: TITLE CLIPPINGS FILE; ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017)Author: Hawker, Philippa PhysDes: Clippings File ArticleSubject: ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017) Summary: Interview with ALIEN: COVENANT director Ridley Scott about the ALIEN film series and some of the influences that he has drawn on to make ALIEN: COVENANT
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Knowing the score : notes on film music / Irwin Bazelon New York -- Toronto -- London -- Melbourne: Van Nostrand Reinhold Co, 1975.
Call No: 634.6 BAZAuthor: Bazelon, Irwin Source: US/UK/CN//ATPlace: New York -- Toronto -- London -- MelbournePublisher: Van Nostrand Reinhold CoPubDate: 1975PhysDes: 352 pages : illustrations ; 25 cmSubject: COMPOSING ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) ; THIS SPORTING LIFE (UK, Lindsay Anderson, 1963) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; PATTON (US, Franklin J. Schaffner, 1970) ; WOMAN OF THE DUNES [SUNA NO ONNA] (JA, Hiroshi Teshigahara, 1964) ; PSYCHO (US, Alfred Hitchcock, 1960) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; MIRACLE WORKER, THE (US, Paul Aaron, 1979) Summary: "Everyone knows film music exists, but few people know anything about it. And yet film music is the extra dimension that points up motivations, adds nuances, and even suggests plot developments, moods, and feelings that contradict the visual image. This book will make you aware of the affective power of music in films and how it can enhance or detract from your involvement in the film." - taken from the dust jacketNotes: Includes indexISBN: 0442205945Contents: Preface : opening music cue -- Film music and composer -- Film music : a short history -- The contemporary concert composer in films -- The technique of film scoring -- Film moments : what does music actually do? -- Closing music cue -- Personal appearances : interviews with composers [interviews with Elmer Bernstein, Leonard Rosenman, Jerry Goldsmith, John Williams, Richard Rodney Bennett, Alex North, Lalo Schifrin, Bernard Herrmann, David Raksin, Bernard Sega´ll, Laurence Rosenthal, Johnny Mandel, Paul Glass, John Barry, and Gail Kubik]
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[Leaving of Liverpool, the : stills file] Australian Broadcasting Corporation,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: Australian Broadcasting CorporationPhysDes: 4 photographs : b&w ; 17 x 22 cmSubject: FRIELS, COLIN ; ALEXANDER, ELIZABETH ; LEAVING OF LIVERPOOL, THE [TV] (AT/UK, 1993) Summary: 4 black and white photographs of Colin Friels and Elizabeth Alexander as Roger and Jill, Christine Tremarco as Lily and her Frances Barber as her mother, Lily and Kevin Jones as Bert, children at the Star of the Sea Orphanage. Descriptions on back of photographs
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A little solitaire : John Frankenheimer and American Film / edited by Murray Pomerance and R. Barton Palmer New Brunswick, NJ: Rutgers University Press, c2011.
Call No: 81FRA LITAuthor: Palmer, R. Barton(ed) ; Pomerance, Murray(ed) Source: USPlace: New Brunswick, NJPublisher: Rutgers University PressPubDate: c2011PhysDes: ix, 312 p. : ill. ; 24 cmSubject: FILM. USA ; FRANKENHEIMER, JOHN ; ALL FALL DOWN (US, John Frankenheimer, 1962) ; BIRDMAN OF ALCATRAZ (US, John Frankenheimer, 1962) ; FIXER, THE (US, John Frankenheimer, 1968) ; GYPSY MOTHS, THE (US, John Frankenheimer, 1969) ; ICEMAN COMETH, THE (US, John Frankenheimer, 1980) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; RONIN (US, John Frankenheimer, 1998) ; SECONDS (US, John Frankenheimer, 1966) Summary: "Think about some commercially successful film masterpieces - The Manchurian Candidate, Seven Days in May, Seconds. Then consider some lesser known, yet equally compelling cinematic achievements- The Fixer, The Gypsy Moths, Path to War. These triumphs are the work of the best known and most highly regarded Hollywood driector to emerge from live TV drama in the 1950s- five-time Emmy award-winner John Frankenheimer. Although Frankenheimer was a pioneer in the genre of political thrillers, who embraced the antimodernist critique of contemporary society, some of his later films did not receive the attention they deserved. Many critics claimed that at a midpoint in his career he lost his touch. World-renowned film scholars put this myth to rest in A Little Solitaire, which offers the only multidisciplinary critical account of Frankenheimer's oeuvre. They emphasize his deep and passionate engagement- not only with national politics and people's irrepressible need to assert their rights against those who would reduce them to silence and anonymity, but also with a mise-en-scene filmd from just the right angles. " -- BOOK BLURBNotes: Includes bibliographical references (p. 287-298), filmography (p. 279-286) and indexISBN: 9780813550602Contents: -- acknowledgments -- Introduction : why don't you pass the time by playing a little solitaire? / R. Barton Palmer and Murray Pomerance -- Thrills. Murdered souls, conspiratorial cabals: Frankenheimer's paranoia films / David Sterritt -- The Manchurian candidate: compromised agency and uncertain causality / Charles Ramirez Berg -- Stealth, sexuality, and cult status in The Manchurian candidate and Seconds / Rebecca Bell-Metereau -- The train: John Frankenheimer's "Rape of Europa" / Matthew H. Bernstein -- Action and abstraction in Ronin / Stephen Prince -- Politics. "Late Frankenheimer/political Frankenheimer" / Douglas McFarland -- John Frankenheimer's "War on terror" / Corey K. Creekmur -- The burning season: environmentalism versus progress? / Robin L. Murray -- Pictures and prizes: Le Grand Prix de Rome and Grand Prix / Victoria Duckett -- Families. Crashing in: Birdman of Alcatraz / Tom Conley -- Walking the line with the fille-fatale / Linda Ruth Williams -- Live TV, filmed theater, and the new Hollywood: John Frankenheimer's The Iceman cometh / James Morrison -- Ashes, ashes: structuring emptiness in All fall down / Murray Pomerance -- Secrets. An American in Paris: John Frankenheimer's impossible object / Jerry Mosher -- Shot from the sky: The gypsy moths and the end of something / Dennis Bingham -- Frankenheimer and the science fiction/horror film / Christine Cornea -- -- The fixer: a Jew who could be any man, any time, anywhere / R. Barton Palmer -- Jonah / Bill Krohn -- John Frankenheimer's Directorial Career: a chronology -- works cited and consulted -- contributors -- index --
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Local film gems deserve funding respect in Sydney Morning Herald [Editorials] (18/12/2015) p.22
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Lost highways : an illustrated history of road movies / edited by Jack Sargeant and Stephanie Watson London: Creation, 1999.
Call No: 754.11 SARAuthor: Sargeant, Jack ; Watson, Stephanie Place: LondonPublisher: CreationPubDate: 1999PhysDes: 256 p. : ill. ; 25 cmSeries: Creation cinema collection ; 15Subject: ROAD MOVIES ; WESTERNS ; MOTORCYCLE FILMS ; HORROR FILMS ; VAMPIRE FILMS ; SCIENCE-FICTION FILMS ; Wenders, Wim ; LYNCH, DAVID ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALICE IN DEN STADTEN (GW, Wim Wenders, 1973) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BACKROADS (AT, Philip Noyce, 1977) ; BADLANDS (US, Terrence Malick, 1973) ; BLUE VELVET (US, David Lynch, 1986) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BUTTERFLY KISS (UK, Michael Winterbottom, 1995) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; CRASH (CN, David Cronenberg, 1996) ; DELIVERANCE (US, John Boorman, 1972) ; EASY RIDER (US, Dennis Hopper, 1969) ; TOPO, EL (MX, Alexandro Jodorowsky, 1971) ; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996) ; GALLIVANT (UK, Andrew Kotting, 1996) ; GUN CRAZY (US, Joseph H. Lewis, 1949) ; I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949) ; KALIFORNIA (US, Dominic Sena, 1993) ; IM LAUF DER ZEIT (GW, Wim Wenders, 1976) ; KISS OR KILL (AT, Bill Bennett, 1997) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; JETEE, LA (FR, Chris Marker, 1963) ; LOST HIGHWAY (US, David Lynch, 1996) ; MAD MAX [...] (AT, 1979-85) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; NEAR DARK (US, Kathryn Bigelow, 1987) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; THEY LIVE BY NIGHT (US, Nicholas Ray, 1949) ; TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995) ; TRUE ROMANCE (US, Tony Scott, 1993) ; TWO LANE BLACKTOP (US, Monte Hellman, 1971) ; VANISHING POINT (UK, Richard C. Sarafian, 1971) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; WILD AT HEART (US, David Lynch, 1990) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) ISBN: 1871592682(pbk.) : ª14.95LON: 20894332
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Love in the film / William K. Everson Seacaucus: Citadel Press, 1979.
Call No: 747.5 EVEAuthor: Everson, William K. Source: USPlace: SeacaucusPublisher: Citadel PressPubDate: 1979PhysDes: 251 p. : ill. ; 29 cmSubject: ALGIERS (US, John Cromwell, 1938) ; ANNIE HALL (US, Woody Allen, 1977) ; BERKELEY SQUARE (US, Frank Lloyd, 1933) ; BRIEF ECSTASY (UK, Edmond T. Greville, 1937) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; CONRAD IN QUEST WITH HIS YOUTH (US, William C. DeMille, 1920) ; DADDY LONG LEGS (US, Jean Negulesco, 1955) ; DESIRE (US, Frank Borzage, 1936) ; DON JUAN (US, Alan Crosland, 1926) ; ECSTASY [EKSTASE] (CZ/AU, Gustav Machaty, 1933) ; FIRST LOVE (US, Henry Koser, 1939) ; HALLELUJAH I'M A BUM (US, Lewis Milestone, 1933) ; HOT SATURDAY (US, William A. Seiter, 1932) ; I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945) ; LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) ; LOST HORIZON (US, Frank Capra, 1937) ; MADONNA OF THE SEVEN MOONS (UK, Arthur Crabtree, 1944) ISBN: 080650644XDonation: donated by the family of Wayne Levy, 2006
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Lovers / Linda Sunshine Atlanta, Ga.: Turner Pub., c1992.
Call No: 802.27 SUNAuthor: Sunshine, Linda Edition: 1st edPlace: Atlanta, Ga.Publisher: Turner Pub.PubDate: c1992PhysDes: 204 p. : ill. ; 24 cmSubject: LOVE IN FILMS ; GARBO, GRETA ; GILBERT, JOHN ; GABLE, CLARK ; HARLOW, JEAN ; Crawford, Joan ; ASTAIRE, FRED ; ROGERS, GINGER ; LOY, MYRNA ; MACDONALD, JEANETTE ; EDDY, NELSON ; FLYNN, ERROL ; DE HAVILLAND, OLIVIA ; POWELL, WILLIAM ; PIDGEON, WALTER ; GARLAND, JUDY ; ROONEY, MICKEY ; GARSON, GREER ; BOGART, HUMPHREY ; BACALL, LAUREN ; LEIGH, VIVIEN ; OLIVIER, LAURENCE ; TAYLOR, ELIZABETH ; BURTON, RICHARD ; NEWMAN, PAUL ; WOODWARD, JOANNE ; TRACY, SPENCER ; HEPBURN, KATHARINE ; ALLEN, WOODY ; Keaton, Diane ; FARROW, MIA Notes: Includes bibliographical references (p. 201), filmographies, and indexISBN: 1878685031 : $29.95LON: 8931051
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Make that ambivalent in Saturday Age [Spectrum] (16/04/2016) p.13
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Making meaning : inference and rhetoric in the interpretation of cinema / David Bordwell Cambridge, Mass.: Harvard University Press, 1989.
Call No: 62 BORAuthor: Bordwell, David, 1947 Place: Cambridge, Mass.Publisher: Harvard University PressPubDate: 1989PhysDes: xvi, 334 p. : ill. ; 25 cmSeries: Harvard film studiesSubject: ALLEGORY IN FILMS ; AVANT-GARDE FILMS ; SEMANTICS ; MODERNISM AND THE CINEMA ; CRITICISM ; METHODOLOGY OF FILM CRITICISM ; PSYCHOANALYSIS AND THE CINEMA ; STRUCTURALISM ; BELLOUR, RAYMOND ; DOUCHET, JEAN ; MICHELSON, ANNETTE ; SARRIS, ANDREW ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; PSYCHO (US, Alfred Hitchcock, 1960) Notes: Includes bibliographical references (p. [277]-328)ISBN: 067454336X (pbk.); 0674543351 (alk. paper)LON: 6253502
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A man with a camera / Nestor Almendros ; translated from the Spanish by Rachel Phillips Belash London: Faber, 1985.
Call No: 81ALM ALMAuthor: Almendros, Nestor Source: USPlace: LondonPublisher: FaberPubDate: 1985PhysDes: viii, 306 p. : ill. ; 23 cmSubject: CINEMATOGRAPHY ; PHOTOGRAPHY ; ALMENDROS, NESTOR ; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984) ; COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969) ; WILD CHILD (US/UK/FR, Nick Moore, 2008) ; TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971) ; TWO ENGLISH GIRLS [DEUX ANGLAISES ET LE CONTINENT, LES] [ANNE AND MURIEL] (FR, Francois Truffaut, 1971) ; GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974) ; GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975) ; COCKFIGHTER (US, Monte Hellman, 1974) ; STORY OF ADELE H, THE (FR, Francois Truffaut, 1975) ; MAITRESSE (FR, Barbet Schroeder, 1976) ; MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977) ; HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977) ; KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978) ; KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978) ; MADAME ROSA (FR, Moshe Mizrahi, 1977) ; GOIN' SOUTH (US, Jack Nicholson, 1978) ; PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978) ; LOVE ON THE RUN (FR, Francois Truffaut, 1979) ; AMOUR EN FUITE, L' (FR, Francois Truffaut, 1979) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; BLUE LAGOON, THE (US, Randal Kleiser, 1980) ; CONFIDENTIALLY YOURS [VIVEMENT DIMANCHE!] (FR, Francois Truffaut, 1983) ; LAST METRO, THE (FR, Francois Truffaut, 1980) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; PAULINE A LA PLAGE (FR, Eric Rohmer, 1983) ; PAULINE AT THE BEACH (FR, Eric Rohmer, 1983) ; STILL OF THE NIGHT (US, Robert Benton, 1982) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304ISBN: 0571135897 (pbk.)LON: abn85231033; 3994651
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Marilyn Monroe / Maurice Zolotow London: Allen, 1961.
Call No: 81MON ZOLAuthor: Zolotow, Maurice Source: UKPlace: LondonPublisher: AllenPubDate: 1961PhysDes: 333 p. : ill. ; 23 cmSubject: MONROE, MARILYN ; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955) ; BUS STOP (US, Joshua Logan, 1956) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MONKEY BUSINESS (US, Howard Hawks, 1952) ; GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) ; NIAGARA (US, Henry Hathaway, 1952) ; RIVER OF NO RETURN (AT, Darlene Johnson, 2008) ; HOW TO MARRY A MILLIONAIRE (US, Jean Negulesco, 1953) Summary: Maurice Zolotow as the result of six years research, a large amount of correspondence and many interviews was able to build a history of Marilyn Monroe, beginning with her childhood, and experiences of orphanages, foster homes, abuse and psychosomatic illnesses, and finishing with her life as an accomplished actress, and he manages to show a connection between these two parts of Marilyn Monroe's life.LON: nla08225307; 9360140
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The martial arts film / Marilyn D. Mintz South Brunswick [N.J.]: A. S. Barnes, c1978.
Call No: 736.35 MINAuthor: Mintz, Marilyn D., 1950 Place: South Brunswick [N.J.]Publisher: A. S. BarnesPubDate: c1978PhysDes: 243 p. : ill. ; 25 cmSubject: KUROSAWA AKIRA ; LEE, BRUCE ; ALFRED THE GREAT (UK, Clive Donner, 1969) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; GOLDEN NEEDLES (US, Robert Clouse, 1974) ; SUGATA SANSHIRO (JA, Akira Kurosawa, 1943) ; CH'UAN CHI (HK, Chang Cheh, 1973) ; [FIVE] 5 FINGERS OF DEATH [SHAOLIN MARTIAL ARTS] (HK, Chang Cheh, 1974) Notes: Includes index; Bibliography: p. 231-234; Filmography: p. 220-229ISBN: 0498017753 : $9.95LON: 847828ID2: 291
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Martin Scorsese : the making of his movies / Andy Dougan London: Orion, 1997.
Call No: 81SCO DOUAuthor: Dougan, Andy Source: UKPlace: LondonPublisher: OrionPubDate: 1997PhysDes: 144 p. : ill., ports. ; 20 cm.Subject: SCORSESE, MARTIN ; AFTER HOURS (US, Martin Scorsese, 1985) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CASINO (US, Martin Scorsese, 1995) ; GOODFELLAS (US, Martin Scorsese, 1990) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; LAST WALTZ, THE (US, Martin Scorsese, 1978) ; KUNDUN (US, Martin Scorsese, 1997) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; WHO'S THAT KNOCKING AT THE DOOR (US, Martin Scorsese, 1968) ; ALICE DOESN'T LIVE HERE ANY MORE (US, Martin Scorsese, 1974) ; BOXCAR BERTHA (US, Martin Scorsese, 1972) ; COLOUR OF MONEY,THE (US, Martin Scorsese, 1986) ; NEW YORK STORIES (US, Woody Allen, Martin Scorsese, Francis Ford Coppola, 1989) Summary: Complete "Variety" unabridged reviews for all Scorsese films inc. full credit listsISBN: 0752811754
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Masters of light : conversations with contemporary cinematographers / Dennis Schaefer and Larry Salvato Berkeley, Calif.: University of California Press, 1984.
Call No: 802.3 SCHAuthor: Schaefer, Dennis ; Salvato, Larry Source: USPlace: Berkeley, Calif.Publisher: University of California PressPubDate: 1984PhysDes: 355 p. :23 cmSubject: LIGHTING ; CINEMATOGRAPHY ; FILM WORKERS ; ALMENDROS, NESTOR ; ALONZO, JOHN ; BAILEY, JOHN ; BUTLER, BILL ; CHAPMAN, MICHAEL ; FRAKER, BILL ; HALL, CONRAD ; KOVACS, LASZLO ; ROIZMAN, OWEN ; STORARO, VITTORIO ; TOSI, MARIO ; WEXLER, HASKELL ; WILLIAMS, BILLY ; WILLIS, GORDON ; ZSIGMOND, VILMOS Summary: "Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. In the past two decades a whole new generation of cinematographers has emerged on the international film scene. Often using spare and original lighting and camera techniques that would have horrified oldtime Hollywood, directors of photography have made a public mark on the film-making process that was all but un-thinkable in earler years. No other volume of in-depth conversations with the generation of cinematographers is available to students and moviegoers. These interviews are rich in practical detail as well as stimulating discussions of aesthetic issues. Thus, reading this book is like taking a class from fifteen top cameramen. Taken together, the conversations in this book reveal the remarkable range of creativity and dedication demanded of the visual artist in feature filmmaking today." -- BOOK BLURBNotes: Includes indexISBN: 0520053362Donation: donated by the family of Wayne Levy, 2006Contents: -- introduction -- Nestor Almendros -- John Alonzo -- John Bailey -- Bill Butler -- Michael Chapman -- Bill Draker -- Conrad Hall -- Laszlo Kovacs -- Owen Roizman -- Vittorio Storaro -- Mario Tosi -- Haskell Wexler -- Billy Williams -- Gordon Willis -- Vilmos Zsigmond -- glossary -- index --
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Memories of underdevelopment : the revolutionary films of Cuba New York: Grossman Publishers, 1973.
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Men, women, and chainsaws : gender in the modern horror film / by Carol J. Clover London: B.F.I. Publishing, 1992.
Call No: 735.2 CLOAuthor: Clover, Carol J., 1940 Place: LondonPublisher: B.F.I. PublishingPubDate: 1992PhysDes: 260 p. : ill. ; 25 cmSubject: HORROR FILMS ; SLASHER FILMS ; CRIME IN FILMS ; AUDIENCES ; DEVIL IN FILMS ; ENDINGS OF FILMS ; EXPLOITATION FILMS ; FAMILY IN FILMS ; LOOK IN FILMS ; HOMOSEXUALITY IN FILMS ; IDENTIFICATION ; REPRODUCTION IN FILMS ; SADISM / MASOCHISM IN FILMS ; SUPERNATURAL IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; ALIEN [...] (UK/US, 1979-92) ; DELIVERANCE (US, John Boorman, 1972) ; EXORCIST, THE (US, William Friedkin, 1973) ; FRIDAY THE 13TH [...] (US, 1980-) ; HALLOWEEN (US, John Carpenter, 1978) ; HILLS HAVE EYES, THE (US, Wes Craven, 1978) ; HUNTER'S BLOOD (US, Robert C. Hughes, 1986) ; MS 45 (US, Abel Ferrara, 1981) ; PEEPING TOM (UK, Michael Powell, 1960) ; POLTERGEIST (US, Tobe Hooper, 1982) ; PSYCHO (US, Alfred Hitchcock, 1960) ; SCANNERS (CN, David Cronenberg, 1981) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; WITCHBOARD (US, Kevin S. Tenney, 1987) Notes: Includes bibliographical references (p. [237]-253) and indexISBN: 0851704190 (pbk.); 0851703313LON: 8882059
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Mists of regret : culture and sensibility in classic French film / Dudley Andrew Princeton, N.J.: Princeton University Press, 1995.
Call No: 408.1(44) ANDAuthor: Andrew, Dudley, 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1995PhysDes: xv, 409 p. : ill. ; 24 cmSubject: FRANCE ; NATIONAL CULTURE AND THE CINEMA. FRANCE ; POETIC REALISM ; SURREALISM AND THE CINEMA ; ALLEGRET, MARC ; BECKER, JACQUES ; BERNARD, RAYMOND ; CHENAL, PIERRE ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; GREMILLON, JEAN ; MAC ORLAN, PIERRE ; MEERSON, LAZARE ; PREVERT, JACQUES ; VIGO, JEAN ; ZOLA, EMILE ; PAGNOL, MARCEL ; RENOIR, JEAN ; BUNUEL, LUIS ; CARNE, MARCEL ; CLAIR, RENE ; DUVIVIER, JULIEN ; GABIN, JEAN ; QUAI DES BRUMES, LE (FR, Marcel Carne, 1938) ; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945) ; JOUR SE LEVE, LE (FR, Marcel Carne, 1939) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; BELLE EQUIPE, LA (FR, Julien Duvivier, 1936) ; PEPE LE MOKO (FR, Julien Duvivier, 1937) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; CASQUE D'OR (FR, Jacques Becker, 1952) ; CHIENNE, LA (FR, Jean Renoir, 1931) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; MARSEILLAISE, LA (FR, Jean Renoir, 1938) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) Notes: Includes bibliographical references (p. [391]-396) and indexesISBN: 0691008833 (pbk.); 0691056862 (hard)LON: 10901107
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The Modern American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1978.
Call No: 753.4 MODAuthor: Peary, Gerald ; Shatzkin, Roger Place: New YorkPublisher: UngarPubDate: 1978PhysDes: xii, 461 p. : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; ALL THE KINGS MEN (US, Robert Rossen, 1949) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CATCH 22 (US, Mike Nichols, 1970) ; DAY OF THE LOCUST, THE (US, John Schlesinger, 1975) ; DELIVERANCE (US, John Boorman, 1972) ; FOUNTAINHEAD, THE (US, King Vidor, 1949) ; FOR WHOM THE BELL TOLLS (US, Sam Wood, 1943) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; HUMAN COMEDY, THE (US, Clarence Brown, 1943) ; IN THIS OUR LIFE (US, John Huston, 1942) ; INTRUDER IN THE DUST (US, Clarence Brown, 1949) ; LAST HURRAH, THE (US, John Ford, 1958) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LOLITA (US, Stanley Kubrick, 1962) ; LONELYHEARTS (US, Vincent J. Donehue, 1958) ; MAN WITH THE GOLDEN ARM, THE (US, Otto Preminger, 1955) ; NAKED AND THE DEAD, THE (US, Raoul Walsh, 1958) ; NATIVE SON (AG, Pierre Chenal, 1951) ; NIGHT OF THE HUNTER (US, Charles Laughton, 1955) ; OF MICE AND MEN (US, Lewis Milestone, 1939) ; OLD MAN AND THE SEA, THE (US, John Sturges, 1958) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; RABBIT, RUN (US, Jack Smight, 1970) ; SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972) ; TARNISHED ANGELS, THE (US, Douglas Sirk, 1957) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; TOBACCO ROAD (US, John Ford, 1941) ; TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948) ; WET PARADE, THE (US, Victor Fleming, 1932) Summary: "Does a movie have the same impact as the novel on which it is based? Here are some of the stimulating - and occasionally surprising - answers to that question. This book is a follow-up to The Classic American Novel and the Movies, which ended in 1929, but it can be read on its own. [This book] covers novels and films from the 1930s to the 1970s, from Erskine Caldwell's Tobacco Road to James Dickey's Deliverance. In between, many film translations of notable novels are scrutinized - works by such authors as Faulkner, Hemingway, Steinbeck, McCullers, Nabokov, Updike, Kesey, and Vonnegut [...] Style, characterisation, theme, and ideology come under review. And we get behind-the-scenes insights into the actual filming of some celebrated novels. Of special value to scholars and students of film: extended filmographies by both author and film title of adaptations of American novels published between 1930 and 1975. In addition, there is a bibliography covering the same period, plus complete rental information on the films themselves." -- BOOK BLURBNotes: Includes index; Filmography: p. 349-428; Bibliography: p. 429-443; Sequel/companion to The Classic American Novel and the Movies, also in the CollectionISBN: 0804426821 : $14.50. 0804466491 pbk. : $6.95LON: 78004373; 1250638
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Modes of representation in Spanish cinema / Jenaro Talens and Santos Zunzunegui, editors ; foreword by Tom Conley Minneapolis: University of Minnesota Press, c1998.
Call No: 71(46) MODAuthor: Talens, Jenaro, 1946 ; Zunzunegui DGiez, Santos Place: MinneapolisPublisher: University of Minnesota PressPubDate: c1998PhysDes: xxvi, 346 p. ; 22 cmSubject: SPAIN ; WAR IN FILMS. SPAIN ; FASCISM AND THE CINEMA. SPAIN ; CIFESA ; NATIONAL IDENTITY IN FILMS. SPAIN ; FAMILY IN FILMS. SPAIN ; ALMODOVAR, PEDRO ; BIGAS LUNA ; IGLESIA, ELOY DE LA ; ORDUNA, JUAN DE ; GUTIERREZ ARAGON, MANUEL ; PORTABELLA, PERE ; VERBENA DE LA PALOMA, LA (SP, Jose Luis Saenz de Heredia, 1963) ; NOVIO A LA VISTA (SP, Luis G. Berlanga, 1953) ; ASIGNATURA PENDIENTE (SP, Jose-Luis Garci, 1977) ; PASODOBLE (SP, Jose Luis Garcia Sanchez, 1988) ; PADRE NUESTRO (SP, Francisco Regueiro, 1985) ; AMANTES (SP, Vincente Aranda, 1991) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) Notes: Includes bibliographical references and indexISBN: 0816629749 (alk. paper); 0816629757 (pbk. : alk. paper)LON: 13736504
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Monsters in the machine : science fiction film and the militarization of America after World War II / Steffen Hantke Jackson [Mississippi]: University Press of Mississippi, 2016.
Call No: 735.1(73) HANAuthor: Hantke, Steffen Source: USPlace: Jackson [Mississippi]Publisher: University Press of MississippiPubDate: 2016PhysDes: 234 pages : illustrations ; 24 cmSubject: SCIENCE-FICTION FILMS ; MONSTERS IN FILMS ; ALIENS IN FILMS ; NUCLEAR WARFARE IN FILMS ; COLD WAR AND THE CINEMA Summary: "With admirable scope and lucidity, Monsters in the Machine insightfully analyzes sci-fi films of the postwar period to expose the cultural politics and political ethos of an era dominated by the aura of World War II and the nuclear shadow it cast over Henry Luce's 'American Century'. Providing rich touchstones for the major tensions and contradictions that informed the groteque mechanisms of the Cold War, Monsters in the Machine should be required for any course on American Cold War culture." -- ALAN NADELNotes: Includes bibliographical references, notes, and indexISBN: 9781496805652Donation: donated by Senses of CinemaContents: Acknowedgments -- Introduction: A bright new future, with monsters -- Chapter One: Military stock footage -- Chapter Two: Veterans -- Chapter Three: The Southwest -- Chapter Four: Decolonization -- Conclusion: The long shadow of the Fifties -- Notes -- Works Cited -- Index.
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The monstrous-feminine : film, feminism, psychoanalysis / Barbara Creed London New York: Routledge, 1993.
Call No: 626:396 CREAuthor: Creed, Barbara Place: London New YorkPublisher: RoutledgePubDate: 1993PhysDes: viii, 182 p., [24] p. of plates : ill. ; 24 cmSeries: Popular fiction seriesSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; HORROR FILMS ; SEX AND THE CINEMA ; SEX IN FILMS ; PSYCHO (US, Alfred Hitchcock, 1960) ; ALIEN [...] (UK/US, 1979-92) ; EXORCIST, THE (US, William Friedkin, 1973) ; CARRIE (US, Brian De Palma, 1976) ; BROOD, THE (CN, David Cronenberg, 1979) ; HUNGER, THE (US, Tony Scott, 1983) Notes: Includes bibliographical references (p. 167-171) and indexISBN: 0415052599 (pbk.); 0415052580LON: 93000445; 9905552
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More than night : film noir in its contexts / James Naremore Berkeley: University of California Press, c1998.
Call No: 734.1 NARAuthor: Naremore, James Place: BerkeleyPublisher: University of California PressPubDate: c1998PhysDes: xiv, 345 p. : ill. ; 24 cmSubject: FILM NOIR ; BLACKLISTING. USA ; B-MOVIES ; ETHNIC GROUPS IN FILMS ; CENSORSHIP ; HERO IN FILMS ; MODERNISM AND THE CINEMA ; FILMS IN FILMS ; DRUGS IN FILMS ; POLITICS AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; DETECTIVE FILMS ; SOCIAL-REALISM IN FILMS ; CRIMINALS IN FILMS ; VIOLENCE IN FILMS ; WAR VETERANS IN FILMS ; SOCIAL PROBLEMS IN FILMS ; WASHINGTON, DENZEL ; ALDRICH, ROBERT ; CHANDLER, RAYMOND ; DUNAWAY, FAYE ; MUSURACA, NICHOLAS ; FRANKLIN, CARL ; FRANKENHEIMER, JOHN ; GREENE, GRAHAM ; HAMMETT, DASHIELL ; JACKSON, SAMUEL L. ; LADD, ALAN ; BLUE DAHLIA, THE (US, George Marshall, 1946) ; PULP FICTION (US, Quentin Tarantino, 1994) ; CHINATOWN (US, Roman Polanski, 1974) ; CROSSFIRE (US, Edward Dmytryk, 1947) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; MALTESE FALCON, THE (US, John Huston, 1941) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) Notes: Includes bibliographical references (p. 309-318) and indexesISBN: 0520212932 (alk. paper); 0520212940 (pbk. : alk. paper)LON: 13441055
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The movie game : the film business in Britain, Europe, and America / Martin Dale London Herndon, VA, USA: Cassell, 1997.
Call No: 201 DALAuthor: Dale, Martin Place: London Herndon, VA, USAPublisher: CassellPubDate: 1997PhysDes: xi, 340 p. : ill. ; 23 cmSubject: INDUSTRY, FILM. UK ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; INDUSTRY, FILM. USA ; INDEPENDENT PRODUCTION ; GOVERNMENT AID. EUROPEAN COUNTRIES ; QUOTA. EUROPEAN COUNTRIES ; DISTRIBUTORS ; ALMODOVAR, PEDRO ; PUTTNAM, DAVID ; BERLUSCONI, SILVIO ; BERRI, CLAUDE ; BESSON, LUC Summary: The Movie Game is the first ever comprehensive guide to the industry on both sides of the Atlantic. The book outlines the game rules for the Majors, Independents, Foreign Sales Agents and the European subsidy system. Europe has always been the 'hidden' half of the American film equation. The Majors were built by native Europeans and have always been highly dependent on European talent and revenues. The Independents finance their films through pre-sales to Europe, and many of the leading producers are native Europeans who have relocated to the movie colony. While the American Majors thrive on high-risk free-market capitalism, Europe's media groups are enmeshed in political straitjackets designed to defend the 'national interest'. Quotas and subsidies have herded European cinema into a cultural ghetto from which it is very difficult to conduct rational debate. The MEDIA Programme seems only to have intensified the problem; Inspiration is drawn from the European film-makers who have succeeded in rising above the 'subsidy trap' mentality. The book concludes with profiles of producers such as David Puttnam, Claude Berri, Pedro Almodovar and Luc Besson. They are the human face of the industry and prove that however bureaucratic the world becomes, there will always be mavericks who stand out and make their voice heardNotes: Includes bibliographical references (p. 332-334) and indexISBN: 0304333867; 0304333875 (pbk.)LON: gb 97034316; 13222852
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Movie star : a look at the women who made Hollywood / by Ethan Mordden New York: St. Martin's Press, 1983.
Call No: 451-02 MORAuthor: Mordden, Ethan, 1947 Place: New YorkPublisher: St. Martin's PressPubDate: 1983PhysDes: xii, 296 p., [40] p. of plates : ports. ; 24 cmSubject: WOMEN IN FILMS ; STAR SYSTEM ; ACTORS ; BOW, CLARA ; SWANSON, GLORIA ; PICKFORD, MARY ; GISH, LILLIAN ; GAYNOR, JANET ; SHEARER, NORMA ; GARBO, GRETA ; Crawford, Joan ; LOY, MYRNA ; GARSON, GREER ; DIETRICH, MARLENE ; HARLOW, JEAN ; WEST, MAE ; Lombard, Carole ; DAVIES, MARION ; BALL, LUCILLE ; HEPBURN, KATHARINE ; RUSSELL, ROSALIND ; FAYE, ALICE ; Stanwyck, Barbara ; DAVIS, BETTE ; TEMPLE, SHIRLEY ; GARLAND, JUDY ; TAYLOR, ELIZABETH ; HAYWORTH, RITA ; GRABLE, BETTY ; GARDNER, AVA ; MONROE, MARILYN ; MANSFIELD, JAYNE ; NOVAK, KIM ; HOLLIDAY, JUDY ; HEPBURN, AUDREY ; DAY, DORIS ; ANDREWS, JULIE ; STREISAND, BARBRA ; MINNELLI, LIZA ; BERGMAN, INGRID ; WELCH, RAQUEL ; Keaton, Diane ; FONDA, JANE ; DRESSLER, MARIE ; DUNNE, IRENE ; LAWRENCE, FLORENCE ; BARA, THEDA ; MURRAY, MAE ; MOORE, COLLEEN ; ALLEN, GRACIE ; BLONDELL, JOAN ; TOMLIN, LILY Notes: Includes index; Bibliography: p. [285]-289ISBN: 0312550502 (pbk.); 0312550499LON: 83003024; 2457302
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Old collection
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Movies / Manny Farber New York: Hillstone,
Call No: 67(04) FARAuthor: Farber, Manny Place: New YorkPublisher: HillstonePhysDes: viii, 288 p., [18] of plates : ill. ; 21 cm.Subject: ACTORS ; EXPERIMENTAL FILMS ; FESTIVALS. NEW YORK ; UNDERGROUND FILMS ; AGEE, JAMES ; ALDRICH, ROBERT ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BOGARDE, DIRK ; BOGART, HUMPHREY ; BRESSON, ROBERT ; BUNUEL, LUIS ; BURTON, RICHARD ; DENEUVE, CATHERINE ; FONDA, HENRY ; FORD, JOHN ; FULLER, SAMUEL ; GODARD, JEAN-LUC ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KAZAN, ELIA ; MANN, ANTHONY ; MOREAU, JEANNE ; SIEGEL, DON ; SNOW, MICHAEL ; STEVENS, GEORGE ; STURGES, PRESTON ; TAYLOR, ELIZABETH ; ASPHALT JUNGLE, THE (US, John Huston, 1950) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; BIG CLOCK, THE (US, John Farrow, 1947) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BODY SNATCHER, THE (US, Robert Wise, 1945) ; CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944) ; DETECTIVE STORY (US, William Wyler, 1951) ; FLAMING STAR (US, Don Siegel, 1960) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; HIS KIND OF WOMAN (US, John Farrow, 1951) ; HIS GIRL FRIDAY (US, Howard Hawks, 1940) ; KILLERS, THE (US, Robert Siodmak, 1946) ; ODD MAN OUT (UK, Carol Reed, 1947) ; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948) ; PICKUP ON SOUTH STREET (US, Samuel Fuller, 1953) ; PROWLER, THE (US, Joseph Losey, 1950) ; RED RIVER (US, Howard Hawks, 1948) ; ROARING TWENTIES, THE (US, Raoul Walsh, 1939) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; SET-UP (US, Kathryn Bigelow, 1978) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; SULLIVAN'S TRAVELS (US, Preston Sturges, 1942) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; THIRD MAN, THE (UK, Carol Reed, 1949) Notes: Includes index.; Orginally published as: Negative space
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newspaper article
[MOVIES] : All is lost in Sunday Herald Sun [News] (02/03/2014) p.91
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Levy Collection
book
Movies into film : film criticism 1967-1970 / John Simon New York: Dell Publishing, 1971.
Call No: 67(04) SIMAuthor: Simon, John Source: USPlace: New YorkPublisher: Dell PublishingPubDate: 1971PhysDes: xiii, 446 p. ; 21 cmSubject: CRITICISM ; SEX IN FILMS ; VIOLENCE IN FILMS ; MUSICALS ; FESTIVALS ; AWARDS ; ADAPTATIONS ; BERGMAN, INGMAR ; MARAT/SADE (UK, Peter Brook, 1967) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; ULYSSES (UK/US, Joseph Strick, 1967) ; FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967) ; REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967) ; VOYNA I MIR (RU, Sergei Bondarchuk, 1968) ; HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968) ; KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968) ; PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968) ; JUSTINE (US, George Cukor, 1969) ; TROPIC OF CANCER (US, Joseph Strick, 1969) ; WOMEN IN LOVE (UK, Ken Russell, 1969) ; VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970) ; WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966) ; DUTCHMAN (UK, Anthony Harvey, 1967) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969) ; MEDIUM COOL (US, Haskell Wexler, 1969) ; THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; REVOLUTIONARY, THE (UK, Paul Williams, 1970) ; JOE (US, John G. Avildsen, 1970) ; GRADUATE, THE (US, Mike Nichols, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; YELLOW SUBMARINE (UK, George Dunning, 1968) ; IF... (UK, Lindsay Anderson, 1968) ; THREE IN THE ATTIC (US, Richard Wilson, 1968) ; LAST SUMMER, THE (US, Frank Perry, 1969) ; EASY RIDER (US, Dennis Hopper, 1969) ; ALICE'S RESTAURANT (US, Arthur Penn, 1969) ; STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969) ; MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970) ; LET IT BE (UK, Michael Lindsay-Hogg, 1970) ; FOX, THE (US, Mark Rydell, 1968) ; HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968) ; BELLE DE JOUR (FR/IT, Luis Bunuel, 1967) ; BARBARELLA (FR/IT, Roger Vadim, 1967) ; PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; COMING APART (US, Milton Moses Ginsberg, 1970) ; MYRA BRECKENRIDGE (US, Mike Sarne, 1970) ; FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969) ; BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; IN COLD BLOOD (US, Richard Brooks, 1967) ; TRUE GRIT (US, Henry Hathaway, 1969) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968) ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968) ; SATYRICON (IT/FR, Federico Fellini, 1969) ; ZABRISKIE POINT (US, Michelangelo Antonioni, 1970) ; SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969) ; PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SKAMMEN (SW, Ingmar Bergman, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; BICHES, LES (FR/IT, Claude Chabrol, 1968) ; CHAMADE, LA (FR/IT, Alain Cavalier, 1968) ; FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968) ; SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968) ; CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967) ; POOR COW (UK, Kenneth Loach, 1967) ; TANTE ZITA (FR, Robert Enrico, 1968) ; BULLITT (US, Peter Yates, 1968) ; FACES (US, John Cassavetes, 1968) ; HAR HAR DU DITT LIV (SW, Jan Troell, 1966) ; CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967) ; PUTNEY SWOPE (US, Robert Downey, 1969) ; DOWNHILL RACER (US, Michael Ritchie, 1969) ; M*A*S*H (US, Robert Altman, 1969) ; PAINT YOUR WAGON (US, Joshua Logan, 1969) ; CAMELOT (US, Joshua Logan, 1967) ; OLIVER (UK, Carol Reed, 1968) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; HOW I WON THE WAR (UK, Richard Lester, 1967) ; MIDNIGHT COWBOY (US, John Schlesinger, 1969) ; PETULIA (US, Richard Lester, 1968) ; LION IN WINTER, THE (UK, Anthony Harvey, 1968) ; MAGUS, THE (US, Guy Green, 1968) ; CANDY (FR/IT/US, Christian Marquand, 1968) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968) ; CATCH 22 (US, Mike Nichols, 1970) ; RACHEL, RACHEL (US, Paul Newman, 1968) ; CHARLIE BUBBLES (UK, Albert Finney, 1967) Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.Notes: Includes index.ISBN: 44005880295Donation: donated by the family of Wayne Levy, 2006Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical mattersID2: 41
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Movies of the twenties : and early cinema / Jurgen Muller (ed) Koln: Taschen GMBH, 2007.
Call No: 70"192" MULAuthor: Muller, Jurgen Edition: 2007Place: KolnPublisher: Taschen GMBHPubDate: 2007PhysDes: 482 pgaes : illustrated ; 26 cmSubject: HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. SILENT PERIOD ; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; CABIRIA (IT, Giovanni Pastrone, 1914) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; INTOLERANCE (US, David Wark Griffith, 1916) ; MADAME DUBARRY (G, Ernst Lubitsch, 1919) ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; EROTIKON (SW, Mauritz Stiller, 1920) ; GOLEM, THE [ ; KID, THE (US, Charles Chaplin, 1921) ; FOOLISH WIVES (US, Erich Von Stroheim, 1922) ; [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921) ; THREE MUSKETEERS, THE (US, Fred Niblo, 1921) ; ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925) ; TOL'ABLE DAVID (US, Henry King, 1921) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; HAXAN [WITCHCRAFT THROUGH THE AGES] (SW/DK, Benjamin Christensen, 1922) ; [DOCTOR] DR MABUSE: THE GAMBLER [DR. MABUSE DER SPIELER] (G, Fritz Lang, 1922) ; SAFETY LAST (US, Fred Newmayer/Sam Taylor, 1923) ; HUNCHBACK OF NOTRE DAME (US, Wallace Worsley, 1923) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; THIEF OF BAGDAD (US, Raoul Walsh, 1924) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; NAVIGATOR, THE (US, Buster Keaton & Donald Crisp, 1924) ; GREED (US, Erich von Stroheim, 1925) ; IRON HORSE, THE (UK, John Ford, 1924) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; BEN HUR (US, Fred Niblo, 1925) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; VARIETE (G, E.A. Dupont, 1925) ; BIG PARADE, THE (US, King Vidor, 1925) ; FREUDLOSE GASSE, DIE (G, Wilhelm Pabst, 1925) ; PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925) ; SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; BLACK PIRATE, THE (US, Albert Parker, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925) ; METROPOLIS (G, Fritz Lang, 1926) ; KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927) ; NAPOLEON (FR, Abel Gance, 1927) ; CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; CROWD, THE (US, King Vidor, 1928) ; WIND, THE (US, Victor Sjostrom, 1928) ; CIRCUS, THE (US, Charles Chaplin, 1928) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1929) ; MOROCCO (US, Josef von Sternberg, 1930) ; WESTFRONT 1918 (G, Georg Wilhelm Pabst, 1930) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) Notes: From the invention of the moving picture to the first sound movies From the first moving pictures (the Lumiere brothers' 1895 L'arrive d'un train), early westerns, fantastic pictures, and nickelodeons all the way through the golden age of silent film in the 1920s, this book covers the first three decades of the moving picture around the world. In America, we witness the birth of Hollywood, circa 1910, where film quickly became a powerful industry and D. W. Griffith put American cinema on the map; later, Charlie Chaplin and Buster Keaton developed a new language of visual comedy while eccentrics like Erich von Stroheim and Cecil B. DeMille turned cinema into a high art form and show biz respectively, and sex symbols like Rudolph Valentino and Greta Garbo heated up the screens.
Meanwhile, in Europe, German directors such as Ernst Lubitsch and Fritz Lang were establishing their careers and Russian greats Eisenstein and Pudovkin were already revolutionizing a nascent art form. At the end of the 1920s the very first "talkies", albeit rudimentary ones, brutally crushed the silent art, but by 1930 sound masterpieces such as Sternberg's The Blue Angel and Milestone's All Quiet on the Western Front were produced. This exploration of the founding years of cinema offers a fascinating perspective on a period in movie history that is far too often overlooked in our times. -- jacket blurbISBN: 9783822846131Donation: Megan McMurchy
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My first movie / edited by Stephen Lowenstein London: Faber and Faber Limited, 2000.
Call No: 802.25 MYFAuthor: Lowenstein, Stephen Source: UKPlace: LondonPublisher: Faber and Faber LimitedPubDate: 2000PhysDes: xiv, 360 p. ; [12 plates]Subject: ALMODOVAR, PEDRO ; ANDERS, ALLISON ; BUSCEMI, STEVE ; COEN, JOEL & ETHAN ; DICILLO, TOM ; FIGGIS, MIKE ; FREARS, STEPHEN ; HOGAN, P.J. ; JORDAN, NEIL ; LEE, ANG ; LEIGH, MIKE ; LEVINSON, BARRY ; LOACH, KENNETH ; MANGOLD, JAMES ; MINGHELLA, ANTHONY ; NAIR, MIRA ; OLDMAN, GARY ; SMITH, KEVIN ; STONE, OLIVER ; TAVERNIER, BERTRAND ; BLOOD SIMPLE (US, Joel Coen, 1984) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; JOHNNY SUEDE (US, Tom DiCillo, 1991) ; CLERKS (US, Kevin Smith, 1994) ; DINER (US, Barry Levinson, 1982) ; SALVADOR (US, Oliver Stone, 1986) ; ANGEL [DANNY BOY] (IE/UK, Neil Jordan, 1982) ; TRULY, MADLY, DEEPLY (UK, Anthony Minghella, 1990) ; SALAAM BOMBAY! (II/UK/FR, Mira Nair, 1988) ; STORMY MONDAY (UK, Mike Figgis, 1988) ; PEPI, LUCI, BOM Y OTRAS CHICAS DEL MONTON (SP, Pedro Almodovar, 1980) ; TREES LOUNGE (US, Steve Buscemi, 1996) ; NIL BY MOUTH (UK, Gary Oldman, 1997) ; TUI SHOU (TZ, Ang Lee, 1992) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; HEAVY (US, James Mangold, 1995) ; HORLOGER DE SAINT-PAUL, L' (FR, Bertrand Tavernier, 1974) ; BLEAK MOMENTS (UK, Mike Leigh, 1971) ; POOR COW (UK, Kenneth Loach, 1967) ; GUMSHOE (UK, Stephen Frears, 1971) Summary: Interviews with film-makers about making their first film.ISBN: 0571196691
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Mysteries of cinema : reflections on film theory, history and culture 1982-2016 / Adrian Martin Amsterdam: Amsterdam University Press,
Call No: 62(081) MARAuthor: Martin, Adrian Edition: 2018Place: AmsterdamPublisher: Amsterdam University PressPhysDes: 424 pages ; 24 cmSeries: film culture in transitionSubject: AVANT-GARDE FILMS ; CINEPHILIA ; CRITICISM: METHODOLOGY OF FILM CRITICISM ; THEORY. AUSTRALIA ; FILM HISTORY ; AKERMAN, CHANTAL ; ALMODOVAR, PEDRO ; CASSAVETES, JOHN ; DE PALMA, BRIAN ; FULLER, SAMUEL ; GARREL, PHILIPPE ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; POLANSKI, ROMAN ; RESNAIS, ALAIN ; RUIZ, RAUL ; SCORSESE, MARTIN ; AFTER HOURS (US, Martin Scorsese, 1985) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; COTTON CLUB, THE (US, Francis Ford Coppola, 1984) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984) ; HATEFUL EIGHT, THE (US, Quentin Tarantino, 2015) ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) Summary: The essays of distinguished film critic Adrian Martin have long been difficult to access, so this anthology, which collects his work in one volume, will be welcomed throughout film studies. He offers in-depth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. -- publisher's web siteISBN: 9789462986831Contents: PART I - LETTERS OF INTRODUCTION -- 1. Retying the Threads -- 2. The Path and the Passeur -- 3. That Summer Feeling
PART II – SCENOGRAPHIES -- 4. Scenes -- 5. Wishful Thinking -- 6. Entities and Energies -- 7. Entranced
PART III - A CINEPHILE IN AUSTRALIA -- 8. No Flowers for the Cinephile: The Fates of Cultural Populism
PART IV - THE LYRICAL IMPULSE -- 9. Refractory Characters, Shards of Time and Space -- 10. The Trouble with Fiction -- 11. Ball of Fire: The Mysteries -- 12. The Ever-Tested Limit: Cinematic Apparitions -- 13. Delirious Enchantment
PART V - GENRE GAMES -- 14. Mr Big: Gangsters and Power -- 15. Unlawful Entries: Anatomy of a Film Cycle -- 16. Lady, Beware: Paths of the Female Gothic -- 17. Live to Tell: Teen Movies Yesterday, Today and Tomorrow -- 18. In the Mood for (Something Like) Love -- 19. Shivers, Surprise and Discomfort: Sadism and Sublimation in Contemporary Cinema
PART VI – INTERVENTIONS -- 20. Making a Bad Script Worse: The Curse of the Scriptwriting Manual -- 21. The Offended Critic: Film Reviewing and Social Commentary -- 22. Wild Psychoanalysis of a Precarious, Unstable Reality
PART VII - ENVOI -- 23. No Direction Home: Creative Criticism -- 24. Farewells, Full Circles and Ellipses -- 25. My Back Pages -- 26. The File We Accompany, with Cristina lvarez Lopez
Notes -- Sources of Texts -- Index
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Narrative mortality : death, closure, and new wave cinemas / Catherine Russell Minneapolis: University of Minnesota Press, 1995.
Call No: 747.19 RUSAuthor: Russell, Catherine, 1959 Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1995PhysDes: vii, 271 p. : ill. ; 24 cmSubject: NOUVELLE VAGUE ; NARRATIVE IN FILMS ; DEATH IN FILMS ; ALLEGORY IN FILMS ; MELODRAMA ; LANG, FRITZ ; Wenders, Wim ; OSHIMA, NAGISA ; GODARD, JEAN-LUC ; ALTMAN, ROBERT ; BENJAMIN, WALTER ; LYNCH, DAVID ; Peckinpah, Sam ; PENN, ARTHUR ; RAY, NICHOLAS ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; STAND DER DINGE, DER (GW/US/PO, Wim Wenders, 1982) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; NASHVILLE (US, Robert Altman, 1975) ; NICK'S MOVIE (GW/US, Nicholas Ray & Wim Wenders, 1979) ; SEISUN ZANKOKU MONOGATARI (JA, Nagisa Oshima, 1960) ; SHONEN (JA, Nagisa Oshima, 1969) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Notes: Includes bibliographical references (p. 253-262) and indexISBN: 0816624852 (hbk. : acid-free paper); 0816624860 (pbk. : acid-free paper)LON: 10942855
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digital clippings file
NECO Z ALENKY : (SZ/GW/UK, Jan Svankmajor, 1988) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: ClippingsSubject: ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) URL status: URL: 'http://file://Q:/T/NECO_Z_ALENKY.zip'
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journal article
New Indian cinema : What Makes Albert Pinto Angry (Albert Pinto Ko Gussa Kyoon Aata Hai) in NFT (September 1982) p.8-13
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The new movers, shakers : movies: Julie Bishop in Sunday Herald Sun (27/12/2015) p.110
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News from Filmways in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.8
PhysDes: ArticleSubject: ALONE IN THE DARK (US, Jack Sholder, 1982) ; TRAVIATA, LA (IT, Franco Zeffirelli, 1982) ; DUSTY (AT, John Richardson, 1983) ; GOODBYE PARADISE (AT, Carl Schultz, 1982) ; PIRATES OF PENZANCE, THE (US, Wilford Leach, 1983) ; FILMWAYS Summary: Short reviews from latest Filmways releases
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Nightmare movies : a critical history of the horror films, 1968-88 / Kim Newman London: Bloomsbury, 1988.
Call No: 735.2 NEWAuthor: Newman, Kim Edition: The new edPlace: LondonPublisher: BloomsburyPubDate: 1988PhysDes: xiii, 255 p. : ill. ; 25 cmSubject: CRITICISM ; HORROR FILMS ; ADAMSON, AL ; ANTONIONI, MICHELANGELO ; ALLEN, NANCY ; ARGENTO, DARIO ; BAVA, MARIO ; CAINE, MICHAEL ; CARPENTER, JOHN ; CARRADINE, JOHN ; COHEN, LARRY ; CRONENBERG, DAVID ; DE PALMA, BRIAN ; FULCI, LUCIO ; HARPER, JESSICA ; HITCHCOCK, ALFRED ; HOOPER, TOBE ; KING, STEPHEN ; LEE, CHRISTOPHER ; LEWIS, HERSCHELL GORDON ; LYNCH, RICHARD ; LUCAS, GEORGE ; Perkins, Anthony ; PLEASENCE, DONALD ; ROMERO, GEORGE ; WARHOL, ANDY ; WATERS, JOHN (US) ; ALIEN (UK, Ridley Scott, 1979) ; ALONE IN THE DARK (US, Jack Sholder, 1982) ; AMERICAN WEREWOLF IN LONDON, AN (UK, John Landis, 1981) ; AMITYVILLE II: THE POSSESSION (US, Damiano Damiani, 1982) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ASSAULT ON PRECINCT 13 (US, Jean-Francois Richet, 2005) ; CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977) ; COMPANY OF WOLVES, THE (UK, Neil Jordan, 1984) ; DAY OF THE WOMAN (US, Meir Zarchi, 1978) ; HALLOWEEN (US, John Carpenter, 1978) ; JAWS (US, Steven Spielberg, 1975) ; LAST HOUSE ON THE LEFT (US, Wes Craven, 1972) ; LOST BOYS, THE (US, Joel Schumacher, 1987) ; NIGHT OF THE LIVING DEAD (US, Tom Savini, 1990) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975) ; SHIVELS (CA, David Cronenberg, 1975) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; THING, THE (US, John Carpenter, 1982) ; TEXAS CHAIN SAW MASSACRE, THE (US, Tobe Hooper, 1974) ; TWILIGHT ZONE, THE [TV] (US, 1959-64, 1985-88) ; THING, THE (US, John Carpenter, 1982) Notes: Includes bibliographical references (p. 216-217) and indexISBN: 0747502951
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Non-being and somethingness : selections from the comic strip Inside Woody Allen / drawn by Stuart Hample ; with an introd. by R. Buckminster Fuller New York: Random House, 1978.
Call No: 81ALL HAMAuthor: Allen, Woody ; Hample, Stuart E Edition: 1st edPlace: New YorkPublisher: Random HousePubDate: 1978PhysDes: [96] p. : ill. ; 28 cmSubject: ALLEN, WOODY ISBN: 0394735900 : $4.95LON: 77090268; 1225692
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Nonfiction film : a critical history / by Richard Meran Barsam ; foreword by Richard Dyer MacCann London: Allen and Unwin, 1974.
Call No: 761 BARAuthor: Barsam, Richard Meran Place: LondonPublisher: Allen and UnwinPubDate: 1974PhysDes: xix, 332 p. : ill., ports. ; 22 cmSubject: NON-FICTION FILMS ; DOCUMENTARY FILMS ; CINEMA-DIRECT ; PROPAGANDA FILMS ; WAR FILMS ; ANDERSON, LINDSAY ; CAPRA, FRANK ; CAVALCANTI, ALBERTO ; VAN DONGEN, HELEN ; DOVZENKO, ALEKSANDR ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; HUSTON, JOHN ; IVENS, JORIS ; JENNINGS, HUMPHREY ; KING, ALLAN ; LEACOCK, RICHARD ; LYE, LEN ; MAYSLES, ALBERT & DAVID ; PENNEBAKER, D. A. ; REISZ, KAREL ; RIEFENSTAHL, LENI ; ROTHA, PAUL ; RUTTMAN, WALTER ; STORCK, HENRI ; VAN DYKE, WILLARD ; VERTOV, DZIGA ; WADLEIGH, MICHAEL ; WATT, HARRY ; WISEMAN, FREDERICK ; WRIGHT, BASIL ; BOND, RALPH ; ANSTEY, EDGAR ; LORENTZ, PARE ; HAMMID, ALEXANDER ; ROGOSIN, LIONEL ; STEINER, RALPH ; ELTON, ARTHUR ; JACOBY, IRVING ; LAND, THE (US, Robert Flaherty, 1942) ; FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) ; ALL OF MY BABIES : A MIDWIFE'S OWN STORY (US, George Stoney, 1952) ; BATTLE OF RUSSIA, THE (US, Frank Capra, 1944) ; LET THERE BE LIGHT (US, John Huston, 1946) ; DON'T LOOK BACK (US, D.A. Pennebaker, 1967) Summary: "Nonfiction film is the first work to document the whole history of nonfiction film from the 1920s to the present day. The main emphasis of the book is on the British and American cinema and hundreds of documentary, action, and 'actuality' films from Nanook of the North to Woodstock and Gimme Shelter are described, discussed and analysed, including films by the great pioneers such as Robert Flaherty, Basil Wright, John Grierson and Paul Rotha and the new experimental film makers like Richard Leacock, D. A. Pennebaker, Frederick Wiseman and Albert and David Maysles. Richard Barsam provides a critical framework against which the non-fiction film can be studied and enjoyed. Among the many topics covered are early American, Russian and Continental films, the British and American films of the twenties and thirties, the films of World War II and the whole range of styles and subjects of the fifties, sixties and today." -- BOOK BLURBNotes: Originally published: New York : Dutton, 1973; Bibl.: p.317-321. - List of films: p.299-316. - IndexISBN: 0047910313 (Pbk) : ª1.95; 0047910305LON: 1923477Contents: 1. Defining nonfiction film -- 2. The American, Russian, and continental beginnings -- 3. John Grierson and the early British documentary -- 4. British documentary in the later 1930's -- 5. European and American nonfiction film: 1930-1940 -- 6. The humanistic vision of Robert Flaherty -- 7. World War II on film -- 8. Nonfiction film in transition: 1940-1950 -- 9. Old traditions and new directions: 1950-1960 -- 10. The new nonfiction film: 1960-1970URL status: URL: 'http://-'
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Nouvelle vague : the first decade / Raymond Durgnat Essex : Motion, 1963: MOTION Publications,
Call No: 64NOU DURAuthor: Durgnat, Raymond Place: Essex : Motion, 1963Publisher: MOTION PublicationsPhysDes: 90pSubject: NOUVELLE VAGUE ; ALBICOCCO, JEAN-GABRIEL ; ASTRUC, ALEXANDRE ; BROOK, PETER ; CHABROL, CLAUDE ; DEMY, JACQUES ; FRANJU, GEORGES ; GODARD, JEAN-LUC ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; RESNAIS, ALAIN ; RIVETTE, JACQUES ; ROUCH, JEAN ; TRUFFAUT, FRANCOIS ; VADIM, ROGER ; VARDA, AGNES ; MOCKY, JEAN-PIERRE LON: 5050367
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On location : "Raw Silk" and "All the Way" in Encore (12-25th May 1988) vol.6 iss.7 p.14-15
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On the verge of revolt : women in American films of the fifties / Brandon French New York: Ungar, 1978.
Call No: 451-02 FREAuthor: French, Brandon, 1944 Place: New YorkPublisher: UngarPubDate: 1978PhysDes: xxiv, 165 p. : ill. ; 22 cmSubject: WOMEN IN FILMS. USA ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; QUIET MAN, THE (US/IR, John Ford, 1952) ; MARRYING KIND, THE (US, George Cukor, 1952) ; SHANE (US, George Stevens, 1953) ; COUNTRY GIRL, THE (US, George Seaton, 1954) ; MARTY (US, Delbert Mann, 1954) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; PICNIC (US, Joshua Logan, 1955) ; HEAVEN KNOWS, MR. ALLISON (US, John Huston, 1957) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; FROM HERE TO ETERNITY (US, Fred Zinneman, 1953) ; TENDER TRAP, THE (US, Charles Walters, 1955) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Notes: Includes index; Bibliography: p. 155-157ISBN: 0804422206; 0804461589 (pbk.)LON: 78004294; 1220409
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Pain among the mirth in The Age [The Shortlist] (23/10/2015) p.8
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Patty Diphusa and other writings / Pedro Almodovar ; translated by Kirk Anderson Boston: Faber and Faber, c1992.
Call No: 81ALM ALMAuthor: Almodovar, Pedro Place: BostonPublisher: Faber and FaberPubDate: c1992PhysDes: xiii, 155 p. ; 22 cmSubject: ALMODOVAR, PEDRO Notes: Patty Diphusa y otros textos. EnglishISBN: 0571129161 (cloth) : $18.95LON: 8721070
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Paul Almond : the flame within / Janet Edsforth Ottawa: Canadian Film Institute, 1972.
Call No: 81ALM EDSAuthor: Edsforth, Janet CorpAuthor: Canadian Film InstitutePlace: OttawaPublisher: Canadian Film InstitutePubDate: 1972PhysDes: 56 p. : ill., ports. ; 22 cmSeries: Canadian filmography series, no. 11Subject: ALMOND, PAUL Notes: Filmography: p. 32-54; Bibliography: p. 55-56ISBN: pa.: $3LON: cn 73000913; 726401
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Pedro Almodo´var / Marvin D'Lugo Urbana, Ill ; Chicago: University of Illinois Press, 2006.
Call No: 81ALM DLUAuthor: D'Lugo, Marvin Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2006PhysDes: x, 176 p. : ill. ; 21 cmSeries: Contemporary film directors / edited by James NaremoreSubject: DIRECTORS. SPAIN ; CRITICISM ; ALMODOVAR, PEDRO Notes: Includes bibliographical references (p. [159]-164) and index.
Includes filmography: p. [153]-158.ISBN: 9780252073618 (pbk.) - ISBN 13
0252073614 (pbk.) - ISBN 10
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Personal visions : conversations with contemporary film directors / by Mario Falsetto Los Angeles: Silman-James, 2000.
Call No: 802.25 FALAuthor: Falsetto, Mario Edition: 1st ed.Source: USPlace: Los AngelesPublisher: Silman-JamesPubDate: 2000PhysDes: xviii, 529 p. ; 23 cmSubject: INDEPENDENT DIRECTORS ; STOPKEWICH, LYNNE ; RADFORD, MICHAEL ; HYTNER, NICHOLAS ; ALMEREYDA, MICHAEL ; CAMPION, ANNA ; DAVIES, TERENCE ; DICILLO, TOM ; EGOYAN, ATOM ; GORDON, KEITH ; JORDAN, NEIL ; LINKLATER, RICHARD ; MACLEAN, ALISON ; MCNAUGHTON, JOHN ; RIDLEY, PHILIP ; ROSS, BENJAMIN ; RUDOLPH, ALAN ; TOLKIN, MICHAEL Summary: A collection of interviews with seventeen contemporary independent filmmakers, who discuss their creative visions, careers, and the film industry.ISBN: 9781879505513Contents: -- Michael Almereyda -- Anna Campion -- Terence Davies -- Tom DiCillo -- Atom Egoyan -- Keith Gordon -- Nicholas Hytner -- Neil Jordan -- Richard Linklater -- Alison Maclean -- John McNaughton -- Michael Radford -- Philip Ridley -- Benjamin Ross -- Alan Rudolph -- Lynne Stopkewich -- Michael Tolkin
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Philosophy goes to the movies : an introduction to philosophy / Christopher Falzon London: Routledge, 2002.
Call No: 626 FALAuthor: Falzon, Christopher Edition: third editionPlace: LondonPublisher: RoutledgePubDate: 2002PhysDes: 330p. : illustrations ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; THEORY ; FOUCAULT, MICHEL ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; AGNES OF GOD (US, Norman Jewison, 1985) ; AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; ALL OF ME (US, Carl Reiner, 1984) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; AMADEUS (US, Milos Forman, 1984) ; AMATEUR (US, Hal Hartley, 1994) ; ANGEL HEART (US, Alan Parker, 1987) ; ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996) ; BEDAZZLED (US, Stanely Donen, 1967) ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; BEING THERE (US, Hal Ashby, 1979) ; BIG (US, Penny Marshall, 1988) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLAISE PASCAL (IT, Roberto Rossellini, 1972) ; BLUE VELVET (US, David Lynch, 1986) ; BOB ROBERTS (US, Tim Robbins, 1992) ; BRAZIL ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; CABARET (US, Bob Fosse, 1972) ; CASABLANCA (US, Michael Curtiz, 1942) ; CASPER (US, Brad Silberling, 1995) ; CHANCES ARE (US, Emile Ardolino, 1989) ; CHINATOWN (US, Roman Polanski, 1974) ; CINEMA PLUS ; CITIZEN KANE (US, Orson Welles, 1941) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970) ; CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970) ; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; CRIMES OF PASSION (US, Ken Russell, 1984) ; CRUCIBLE, THE (US, Nicholas Hytner, 1996) ; CRYING GAME, THE (UK, Neil Jordan, 1992) ; DANGEROUS LIAISONS (US, Stephen Frears, 1988) ; DARK CITY (US, Alex Proyas, 1997) ; DARK STAR (US, John Carpenter, 1974) ; DEAD AGAIN (US, Kenneth Branagh, 1991) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DRACULA (US, Tod Browning, 1931) ; EASY RIDER (US, Dennis Hopper, 1969) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; ELEPHANT MAN, THE (US, David Lynch, 1980) ; ENEMY OF THE STATE (US, Tony Scott, 1998) ; JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974) ; FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997) ; FAHRENHEIT 451 (UK, Francois Truffaut, 1966) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970) ; FLY, THE (US, David Cronenberg, 1986) ; FORTRESS (AT/US, Stuart Gordon, 1993) ; FRANKENSTEIN (US, James Whale, 1931) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; GATTACA (US, Andrew Niccol, 1997) ; GHOST (US, Jerry Zucker, 1990) ; GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991) ; HIGH HOPES (UK, Mike Leigh, 1988) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HILARY AND JACKIE (UK, Anand Tucker, 1998) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; IF... (UK, Lindsay Anderson, 1968) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; INTERIORS (US, Woody Allen, 1978) ; INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; KOYAANISQATSI (US, Godfrey Reggio, 1982) ; LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979) ; LOVE AND DEATH (US, Woody Allen, 1975) ; M (G, Fritz Lang, 1931) ; MAD MAX (AT, George Miller, 1979) ; MALTESE FALCON, THE (US, John Huston, 1941) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; MATEWAN (US, John Sayles, 1987) ; MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999) ; MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983) ; MEPHISTO (HU/GW, Istvan Szabo, 1981) ; METROPOLIS (G, Fritz Lang, 1926) ; MISSION, THE (UK, Roland Joffe, 1986) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MON ONCLE (FR/IT, Jacques Tati, 1958) ; MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; MY FAIR LADY (US, George Cukor, 1964) ; NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986) ; NORMA RAE (US, Martin Ritt, 1979) ; NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963) ; O LUCKY MAN! (UK, Lindsay Anderson, 1973) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992) ; ON THE BEACH (US, Stanley Kramer, 1959) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996) ; PLAYER, THE (US, Robert Altman, 1992) ; PLAYTIME (FR, Jacques Tati, 1967) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ; QUIZ SHOW (US, Robert Redford, 1994) ; RAIN (US, Louis Milestone, 1932) ; RAIN MAN (US, Barry Levinson, 1988) ; RAPTURE, THE (US, Michael Tolkin, 1991) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982) ; ROBOCOP (US, Paul Verhoeven, 1987) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SEA OF LOVE (US, Harold Becker, 1989) ; SEVEN [SE7EN] (US, David Fincher, 1995) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SHOCKER (US, Wes Craven, 1989) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; SIMON DEL DESIERTO (MX, Luis Bunuel, 1965) ; SLEEPER (US, Woody Allen, 1973) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; STAR TREK ; STAR WARS (US, George Lucas, 1977) ; SUTURE (US, Scott McGehee & David Siegel, 1993) ; SWITCH (US, Blake Edwards, 1991) ; TERMINATOR, THE (US, James Cameron, 1984) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; THREE FACES OF EVE (US, Nunnally Johnson, 1957) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TRUMAN SHOW, THE (US, Peter Weir, 1998) ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; VICE VERSA (US, Brian Gilbert, 1988) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) ; WAG THE DOG (US, Barry Levinson, 1997) ; WALL STREET (US, Oliver Stone, 1987) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; WITTGENSTEIN (UK, Derek Jarman, 1993) ; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking.
Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.
The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web siteNotes: Includes glossaryISBN: 9780415538169Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index
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The philosophy of tv noir / edited by Steven M. Sanders and Aeon J. Skoble Lexington, KN: University of Kentucky Press, c2008.
Call No: 734.1 PHIAuthor: Sanders, Steven M. ; Skoble, Aeon J. Place: Lexington, KNPublisher: University of Kentucky PressPubDate: c2008PhysDes: viiii, 272 p. ; 24 cmSeries: the philosophy of popular culureSubject: AESTHETICS ; ALIENS IN FILMS ; CHARACTERIZATION IN FILMS ; ETHICS AND TV ; FILM NOIR ; RELIGION AND TV ; CARTER, CHRIS ; FOUCAULT, MICHEL ; GREENE, GRAHAM ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-) ; DARK CITY (US, Alex Proyas, 1997) ; D.O.A. (US, Ruldolph Mate, 1950) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; FUGITIVE, THE (US, Andrew Davis, 1993) ; HE WALKS BY NIGHT (US, Alfred Werker, 1948) ; LEVIATHAN (US/IT, George Pan Cosmatos, 1989) ; NAKED CITY [TV] (US, 1958-1963) ; X-FILES, THE [TV] (US, 1993-) Summary: Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many emigre filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present. In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about the human predicament, giving this unique volume its moral resonance and demonstrating why television noir deserves our attention." "With this focus on the philosophical dimensions of crime, espionage, and science fiction series, The Philosophy of TV Noir draws out the full implications of film noir and establishes TV noir as an art form in its own right."--BOOK JACKETNotes: Includes bibliographical references and indexISBN: 9780813124490Contents: Dragnet, film noir, and postwar realism / R. Barton Palmer -- Naked city: the relativist turn in TV noir / Robert E. Fitzgibbons -- John Drake in Greeneland: noir themes in Secret agent / Sander Lee -- Action and integrity in The fugitive / Aeon J. Skoble -- Noir et blanc in color: existentialism and Miami vice / Steven M. Sanders -- 24 and the existential man of revolt / Jennifer L. McMahon -- Carniva`le knowledge: give me that old-time noir religion / Eric Bronson -- The Sopranos, film noir, and nihilism / Kevin L. Stoehr -- CSI and the art of forensic detection / Deborah Knight, George McKnight -- Detection and the logic of abduction in The X-files / Jerold J. Abrams, Elizabeth Cooke -- Kingdom of darkness: autonomy and conspiracy in The X-files and Millennium / Michael Valdez Moses -- The prisoner and self-imprisonment / Shai Biderman, William J. Devlin -- Twin Peaks, noir, and open interpretation / Jason Holt.
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Pictures will talk : the life and films of Joseph L. Mankiewicz / by Kenneth L. Geist New York: Scribner, 1978.
Call No: 81MAN GEIAuthor: Geist, Kenneth L Place: New YorkPublisher: ScribnerPubDate: 1978PhysDes: xiii, 443 p. : ill. ; 24 cmSubject: Metro-Goldwyn-Mayer ; TWENTIETH CENTURY-FOX ; UNITED ARTISTS ; WANGER, WALTER ; WARNER BROS. ; BENTON, ROBERT ; CAINE, MICHAEL ; Crawford, Joan ; MANKIEWICZ, JOSEPH L. ; HEPBURN, KATHARINE ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; BAREFOOT CONTESSA, THE (US, Joseph L. Mankiewicz, 1954) ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) Notes: "The films of Joseph L. Mankiewicz": p. [401]-429; Includes bibliographical references and indexISBN: 0684155001 : $12.95LON: 78001104; 1121216
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Placing movies : the practice of film criticism / Jonathan Rosenbaum Berkeley: University of California Press, 1995.
Call No: 67(081) PLAAuthor: Rosenbaum, Jonathan Place: BerkeleyPublisher: University of California PressPubDate: 1995PhysDes: ix, 337 p. ; 24 cmSubject: CRITICISM ; GODARD, JEAN-LUC ; BARTHES, ROLAND ; CASSAVETES, JOHN ; TATI, JACQUES ; WELLES, ORSON ; RESNAIS, ALAIN ; RUIZ, RAUL ; ALLEN, WOODY ; ANTONIONI, MICHELANGELO ; FARBER, MANNY ; TARR, BELA ; RIVETTE, JACQUES ; GERTRUD (DK, Carl Th. Dreyer, 1964) ; OHAYO (JA, Ozu Yasujiro, 1959) ; MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962) ; OTHELLO (MR, Orson Welles, 1951) ; MELO (FR, Alain Resnais, 1986) ; HARDLY WORKING (US, Jerry Lewis, 1980) ; AMOR DE PERDICAO (PO, Manoel de Oliveira, 1979) ; BIRD (US, Clint Eastwood, 1988) ; WHITE DOG (US, Samuel Fuller, 1982) ; JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975) ; SPEAKING DIRECTLY: SOME AMERICAN NOTES (US, Jon Jost, 1974) ; RAMEAU'S NEPHEW BY DIDEROT (THANX TO DENNIS YOUNG) BY WILMA SCHOEN (CN, Michael Snow, 1974) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; DEEP COVER (US, Bill Duke, 1992) ; PANAMA DECEPTION, THE (US, Barbara Trent, 1992) ; SAGA OF ANATAHAN, THE (JA, Josef von Sternberg, 1953) ; BARTON FINK (US, Joel Cohen, 1991) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; GENTLEMEN PREFER BLONDES (US, Howard Hawks, 1953) ; KING LEAR (US/SZ, Jean-Luc Godard, 1987) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) Notes: Includes bibliographical references (p. 315-321) and indexISBN: 0520086325 (alk. paper); 0520086333 (pbk. : alk. paper)LON: 93042954; 10612641ID2: 291
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Playing new Ripley is a real scream in Sunday Telegraph [Insider] (12/03/2017) p.110
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allied (uk/us, robert zemeckis, 2016)
Plot leaves Passengers adrift in Weekend Australian [Review] (31/12/2016) p.12
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Primary intimacy in The Australian [Review`] (10/11/2012) p.20
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Prime time, prime movers : from I love Lucy to L.A. law--America's greatest TV shows and the people who created them / David Marc and Robert J. Thompson Syracuse, N.Y.: Syracuse University Press, 1995.
Call No: 802.22(73) MARAuthor: Marc, David ; Thompson, Robert J., 1959 Edition: 1st Syracuse University Press edPlace: Syracuse, N.Y.Publisher: Syracuse University PressPubDate: 1995PhysDes: 340 p. : ill. ; 24 cmSeries: The Television seriesSubject: DRAMAS ; SOAP OPERAS ; GAMES SHOWS ; DOCUMENTARIES ; BROOKS, JAMES L. ; BURNS, KEN ; WOLPER, DAVID ; SPELLING, AARON ; RICH, LEE ; MARTIN, QUINN ; MARSHALL, GARRY ; LINK, WILLIAM ; CHAYEFSKY, PADDY ; CANNELL, STEPHEN J. ; BOCHCO, STEVEN ; BARRIS, CHUCK ; ARNAZ, DESI ; WERNER, TOM ; WEBB, JACK ; SCHWARTZ, SHERWOOD ; PHILLIPS, IRNA ; NIXON, AGNES ECKHARDT ; LEVINSON, RICHARD ; LEAR, NORMAN ; LARSON, GLEN ; HUGGINS, ROY ; HENNING, PAUL ; HARRIS, SUSAN ; GOODSON, MARK ; GLEASON, JACKIE ; ENGLISH, DIANE ; MANN, MICHAEL ; MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?) ; MIAMI VICE [TV] (US, 1984-90) ; ALAS SMITH AND JONES [TV] (US, 1971-73?) ; ALL IN THE FAMILY [TV] (US, 1971-?) ; BEVERLY HILLBILLIES, THE [TV] (US, 1962-71) ; DRAGNET [TV] (US, 1951-59, 1967-70) ; GILLIGAN'S ISLAND [TV] (US, 1964-66) ; GOLDEN GIRLS, THE [TV] (US, 1985-93) ; HAPPY DAYS [TV] (US, 1974-1984) ; HILL STREET BLUES [TV] (US, 1980-87) ; L.A. LAW [TV] (US, 1986-94) ; I LOVE LUCY [TV] (US, 1951-57) Notes: Originally published: Boston : Little, Brown, 1992; Includes bibliographical references (p. [313]-318) and indexISBN: 0815603118 (paper : acid-free paper)LON: 95001812; 11442893
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Private Sydney : Alien crew at home in city in Sydney Morning Herald (14/05/2016) p.18
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Projections : a forum for film-makers / edited by John Boorman and Walter Donohue London: Faber, 1992.
Call No: 802 PRO v.1 - v.12Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: FaberPubDate: 1992PhysDes: viii, 283 p. : ill. ; 23 cmSubject: PRESSBURGER, EMERIC ; HARTLEY, HAL ; VAN SANT, GUS ; CUKOR, GEORGE ; BOORMAN, JOHN ; FULLER, SAMUEL ; DEMME, JONATHAN ; ALMENDROS, NESTOR ; PHOENIX, RIVER ; MANN, MICHAEL ; CAMPION, JANE ; WARD, VINCENT ; LOWENSTEIN, RICHARD ; SURVIVING DESIRE (US, Hal Hartley, 1992) Notes: "Issue No. 1" - coverISBN: 0571167292 (pbk.) : ¦9.99LON: bnb57116729; 8676208
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Projections 3 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1994.
Call No: 802 PRO v.3Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1994PhysDes: xiv, 290 p. : ill., ports; 24 cmSubject: COPPOLA, FRANCIS FORD ; LINSON, ART ; Tarantino, Quentin ; VAN SANT, GUS ; CHEN, KAIGE ; POLLACK, SYDNEY ; WILLNER, HAL ; ALMEREYDA, MICHAEL ; KASDAN, LAWRENCE ; TOLKIN, MICHAEL ; POTTER, SALLY ; STANLEY, RICHARD ; HARTLEY, HAL ; OGRESTA, ZRINKO ; LOWENSTEIN, RICHARD ; SHORT CUTS (US, Robert Altman, 1993) ; FLIRT (US/GG/JA, Hal Hartley, 1995) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) Notes: Includes filmography: p. [289]-290ISBN: 0571170471 (pbk)LON: abn94201432; 10975435
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Projections 4 1/2 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1995.
Call No: 802 PRO v.4 1/2Author: Boorman, John, 1933 ; Donohue, Walter CorpAuthor: PositifPlace: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: vii, 312 p. : ill., ports. ; 24 cmSubject: Keaton, Buster ; ALTMAN, ROBERT ; ASSAYAS, OLIVIER ; WARHOL, ANDY ; BOORMAN, JOHN ; COEN, JOEL & ETHAN ; PRICE, VINCENT ; LANG, FRITZ ; EASTWOOD, CLINT ; FREARS, STEPHEN ; FULLER, SAMUEL ; ALLEN, WOODY ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; REISZ, KAREL ; VON STROHEIM, ERICH ; RUIZ, RAUL ; SEN, MRINAL ; TAVERNIER, BERTRAND ; ALMEREYDA, MICHAEL ; JARMAN, DEREK ; LOWENSTEIN, RICHARD ; POTTER, SALLY ; ROUSSELOT, PHILIPPE ; TOLKIN, MICHAEL ; WARD, VINCENT ; ZINNEMANN, FRED ; ANGELOPOULOS, THEO ; AVATI, PUPI ; MARVIN, LEE ; BREILLAT, CATHERINE ; BRISSEAU, JEAN-CLAUDE ; CAVALIER, ALAIN ; CHABROL, CLAUDE ; BUGIN, HARRY ; COMENCINI, LUIGI ; DE FILIPPO, EDUARDO ; CORMAN, ROGER ; CORNEAU, ALAIN ; DEVILLE, MICHEL ; DIEGUES, CARLOS ; EGOYAN, ATOM ; MACKENDRICK, ALEXANDER ; GAAL, ISTVAN ; GREENAWAY, PETER ; HARRIS, JAMES B. ; HELLMAN, MONTE ; IOSELIANI, OTAR ; BARNET, BORIS ; KAZAN, ELIA ; KEZDI-KOVACS, ZSOLT ; KIAROSTAMI, ABBAS ; KLOPCIC, MATJAZ ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LATTUADA, ALBERTO ; LECONTE, PATRICE ; LEIGH, MIKE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; PEREIRA DOS SANTOS, NELSON ; MINGOZZI, GIANFRANCO ; MONICELLI, MARIO ; PARRISH, ROBERT ; PENN, ARTHUR ; PINTILIE, LUCIAN ; POLANSKI, ROMAN ; RIPSTEIN, ARTURO ; RISI, DINO ; RISSIENT, PIERRE ; ROHMER, ERIC ; ROSI, FRANCESCO ; RUDOLPH, ALAN ; SARMIENTO, VALERIA ; SAUTET, CLAUDE ; SCHATZBERG, JERRY ; SCHRADER, PAUL ; SIJAN, SLOBODAN ; STEVENIN, JEAN-FRANCIS ; TAVIANI, PAOLO & VITTORIO ; VARDA, AGNES ; YANG, EDWARD ; ZANUSSI, KRZYSZTOF ; ZULAWSKI, ANDREJ ; KERRIGAN, LODGE ; LINKLATER, RICHARD ; RIDLEY, PHILIP ; ROBERTS, JULIA ; RUSSELL, DAVID O. ; SHERMAN, VINCENT ; DAVIS, BETTE ; SIEGEL, DAVID ; MCGEHEE, SCOTT ; SODERBERGH, STEVEN ; TOBACK, JAMES ; BABY DOLL (US, Elia Kazan, 1956) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; HUSTLER, THE (US, Robert Rossen, 1961) ; MIRAGE (US, Edward Dmytryk, 1965) ; BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964) ; POSITIF Notes: "In association with Positif."; "Centenary edition"--P. viiISBN: 0571176097LON: abn96057645; 12129416
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Projections 7 : film-makers on film-making in association with Cahiers du Cinéma / edited by John Boorman and Walter Donohue London: Faber & Faber, 1997.
Call No: 802 PRO v.7Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber & FaberPubDate: 1997PhysDes: x, 301 p. : ill., ports. ; 24 cmSubject: SCORSESE, MARTIN ; CAPRA, FRANK ; BARRON, BEBE ; DORMAEL, JACO VAN ; SCHOONMAKER, THELMA ; DE NIRO, ROBERT ; FORD, JOHN ; ROCHA, GLAUBER ; BERTOLUCCI, BERNARDO ; RENOIR, JEAN ; OPHULS, MAX ; MASTROIANNI, MARCELLO ; FERRARA, ABEL ; ASSAYAS, OLIVIER ; CURTIS, JAMIE LEE ; LEIGH, JANET ; BURNS, LILLIAN ; GIRARDOT, HIPPOLYTE ; MCDORMAND, FRANCES ; MITCHUM, ROBERT ; HODGSON, PIERRE ; COX, BRIAN ; CARON, LESLIE ; SYMS, SYLVIA ; WRIGHT, TERESA ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; Tarantino, Quentin ; WALSH, RAOUL ; HUSTON, JOHN ; MCCAREY, LEO ; Lupino, Ida ; CASSAVETES, JOHN ; WELLES, ORSON ; HITCHCOCK, ALFRED ; WOO, JOHN [pseud. of Wu Yusen] ; DAFOE, WILLEM ; SIRK, DOUGLAS ; ALMEREYDA, MICHAEL ; BOORMAN, JOHN ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; CASINO (US, Martin Scorsese, 1995) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; GOODFELLAS (US, Martin Scorsese, 1990) ; CAPE FEAR (US, Martin Scorsese, 1991) ; MANHUNTER (US, Michael Mann, 1986) ; L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962) ; VICTIM (UK, Basil Dearden, 1961) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; CAHIERS DU CINEMA Notes: Filmography: p. 300-301ISBN: 0571190332LON: abn97280608; 13386768
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Projections 12 : film-makers on film schools / Edited by John Boorman, Fraser MacDonald and Walter Donohue London: Faber and Faber Limited, 2002.
Call No: 802 PRO V.12Author: Boorman, John ; Donohue, Walter ; MacDonald, Fraser Source: UKPlace: LondonPublisher: Faber and Faber LimitedPubDate: 2002PhysDes: viii, 369p. ; illus. ; 24cm.Series: ProjectionsSubject: FILM STUDY AND RESEARCH ; FILM WORKERS ; SCHOOLS, FILM. USA ; ALEKAN, HENRI ; ANTONIONI, MICHELANGELO ; HAWKE, ETHAN ; KERRIGAN, LODGE ; O'DONNELL, DAMIEN ; OZON, FRANCOIS ; RAY, NICHOLAS ; BEYOND THE CLOUDS [PAR-DELA LES NUAGES] (FR/IT/GG, Michelangelo Antonioni, 1995) ; WAKING LIFE (US, Ricahrd Linklater, 2001) ISBN: 0571206948
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Projections 15 : European cinema / edited by Peter Cowie and Pascal Edelmann London: Faber and Faber, 2007.
Call No: 802 PRO v.15Author: Cowie, Peter; Edelmann, Pascal Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2007PhysDes: xxxii, 356 pages : illustrations ; 21 cmSubject: DOGMA ; EUROPEAN CINEMA ; FILMMAKING ; FILM STUDY AND RESEARCH ; HOMOSEXUALITY AND THE CINEMA ; INDEPENDENT FILMS ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; ALMODOVAR, PEDRO ; ANGELOPOULOS, THEO ; BARDEM, JAVIER ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; CANTET, LAURENT ; DARDENNE, JEAN-PIERRE & LUC ; HOLLAND, AGNIESZKA ; JACOB, IRENE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; MOREAU, JEANNE ; DE OLIVEIRA, MANOEL ; OZON, FRANCOIS ; RIKLIS, ERAN ; STORARO, VITTORIO ; STEEN, PAPRIKA ; SZABO, ISTVAN ; TANOVIC, DANIS ; THOMAS, JEREMY ; ULLMANN, LIV ; Wenders, Wim ; WINTERBOTTOM, MICHAEL ; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997) Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurbNotes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film AcademyISBN: 9780571235292Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA
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The queens of animation : the untold story of the women who transformed the world of Disney and made cinematic history / Nathalia Holt New York: Back Bay Books,
Call No: 802.46-02(73) HOLAuthor: Holt, Natalia Edition: 2020Place: New YorkPublisher: Back Bay BooksPhysDes: xviii, 379 pages, 8 unnumbered pages of plates : illustrations ; 21 cmSubject: ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951) ; WOMEN FILM WORKERS ; DISNEY, WALT ; DISNEY, ROY EDWARD ; BAMBI (US, David Hand, 1942) ; CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950) ; FANTASIA (US, Walt Disney, 1940) ; SLEEPING BEAUTY (US, Clyde Geronimi, 1958) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) Summary: From the bestselling author of Rise of the Rocket Girls, the untold, "richly detailed" story of the women of Walt Disney Studios, who shaped the iconic films that have enthralled generations (Margot Lee Shetterly, New York Times bestselling author of Hidden Figures).
From Snow White to Moana, from Pinocchio to Frozen, the animated films of Walt Disney Studios have moved and entertained millions. But few fans know that behind these groundbreaking features was an incredibly influential group of women who fought for respect in an often ruthless male-dominated industry and who have slipped under the radar for decades.
In The Queens of Animation, bestselling author Nathalia Holt tells their dramatic stories for the first time, showing how these women infiltrated the boys' club of Disney's story and animation departments and used early technologies to create the rich artwork and unforgettable narratives that have become part of the American canon. As the influence of Walt Disney Studios grew — and while battling sexism, domestic abuse, and workplace intimidation — these women also fought to transform the way female characters are depicted to young audiences.
With gripping storytelling, and based on extensive interviews and exclusive access to archival and personal documents, The Queens of Animation reveals the vital contributions these women made to Disney's Golden Age and their continued impact on animated filmmaking, culminating in the record-shattering Frozen, Disney's first female-directed full-length feature film. -- publisher's web siteISBN: 9780316439145Contents: Preface -- Timeline -- One day when we were young -- Whistle while you work -- When you wish upon a star -- Waltz of the flowers -- Little April shower -- Baby mine -- Aquarela do Brasil -- You're in the army now -- Zip-a-dee-doo-dah -- So this is love -- In a world of my own -- You can fly! -- Once upon a dream -- Dalmatian plantation -- It's a small world -- Up, down, touch the ground -- Part of your world -- I'll make a man out of you -- For the first time in forever -- Happily ever after -- Acknowledgements -- Notes -- Index.
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Ray Nielsen's Ray's Way : William Demarest and "Along Came Jones" in Classic images (July 1984) iss.109 p.C.16
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The real stars : Articles and interviews on Hollywood's great character actors / Leonard Maltin (general editor) New York: Curtis Books, 1973.
Call No: N81REA MALCorpAuthor: Film Fan MonthlyPlace: New YorkPublisher: Curtis BooksPubDate: 1973PhysDes: 320 p. : ill., ports ; 18 cmSeries: Curtis FilmsSubject: ALLGOOD SARAH ; BUCHANAN, EDGAR ; COMPTON, JOYCE ; CONRIED, HANS ; FLOWERS, BESS ; GEORGE, GLADYS ; GILBERT, BILLY ; GRANGER, DOROTHY ; INGRAM, REX ; IVAN, ROSALIND ; KELLY, PATSY ; MERKEL, UNA ; PAIGE, MABEL ; SONDERGAARD, GALE ; SUMMERS, HOPE ; SUTTON, GRADY ; YURKA, BLANCHE ; ACTORS ; CHARACTER ACTORS ; CHARACTERIZATION IN FILMS ; FILMOGRAPHIES Summary: The book contains interviews, profiles, and filographies of Hollywood's best known supporting actors
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Reel black talk : a source book of 50 American filmmakers / Spencer Moon, foreward by George Hill Westport, Conn: Greenwood Press, 1997.
Call No: 802(73) MOOAuthor: Moon, Spencer Source: USPlace: Westport, ConnPublisher: Greenwood PressPubDate: 1997PhysDes: xvi, 396 p. : ill., ports. ; 25 cmSubject: PRODUCERS. USA ; ALEXANDER, WILLIAM ; BOURNE, ST. CLAIR ; BURNETT, CHARLES ; CHENZIRA, AYOKA ; DASH, JULIE ; DUKE, BILL ; FANAKA, JAMAA ; FRANKLIN, CARL ; GREAVES, WILLIAM ; HAMPTON, HENRY ; HUDLIN, REGINALD ; HUDLIN, WARRINGTON ; JACKSON, GEORGE ; LEE, SPIKE ; MICHEAUX, OSCAR ; PARKERSON, MICHELLE ; PARKS, GORDON ; RIGGS, MARLON ; ROBERTSON, HUGH A. ; SINGLETON, JOHN ; TOWNSEND, ROBERT ; WARREN, MARK ; WAYANS, KEENEN IVORY ; WAYANS, MARLON ; WAYANS, SHAWN ; WILLIAMS, SPENCER ; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994) ; AMAZING GRACE AND CHUCK (US, Mike Newell, 1987) ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; BEAT STREET (US, Stan Lathan, 1984) ; BETTER OFF DEAD (US, Savage Steve Holland, 1985) ; BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984) ; BRIDE PRICE (KE, Shatrujit Paul, 1991) ; CARBON COPY (US, Michael Schultz, 1981) ; CEMETERY CLUB, THE (US, Bill Duke, 1993) ; CHILD SAVER, THE [TV] (US, Stan Lathan, 1988) ; P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992) ; CROOKLYN (US, Spike Lee, 1994) ; DEEP COVER (US, Bill Duke, 1992) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DISORDERLIES (US, Michael Schultz, 1987) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; RAW (US, Robert Townsend, 1987) ; EYES ON THE PRIZE [TV] (US, 1987-1990) ; [FIVE] 5 HEARTBEATS, THE (US, Robert Townsend, 1991) ; GLASS SHIELD, THE (US, Charles Burnett, 1994) ; GREASED LIGHTNING (US, Michael Schultz, 1977) ; HIGHER LEARNING (US, John Singleton, 1994) ; HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987) ; INKWELL, THE (US, Matty Rich, 1994) ; JASON'S LYRIC (US, Doug McHenry, 1994) ; KILLING FLOOR, THE (US, Bill Duke, 1985) ; KRUSH GROOVE (US, Michael Schultz, 1985) ; LAUREL AVENUE (US, Carl Franklin, 1993) ; MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993) ; OBEAH (US, Hugh A. Robertson, 1986) ; PANTHER (US, Mario Van Peebles, 1995) ; PENITENTIARY II (US, Jamaa Fanaka, 1982) ; POETIC JUSTICE (US, John Singleton, 1993) ; QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]) ; RAISIN IN THE SUN, A (US, Daniel Petrie, 1961) ; SCAVENGER HUNT (US, Michael Schultz, 1979) ; SHAFT (US, Gordon Parks Jr., 1971) ; TO SLEEP WITH ANGER (US, Charles Burnett, 1990) ; STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968) ; STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991) ; VEILED ARISTOCRATS (US, Oscar Micheaux, 1932) ; WHICH WAY IS UP? (US, Michael Schultz, 1977) ; WITHIN OUR GATES (US, Oscar Micheaux, 1919) Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.Notes: Includes filmographies, bibliographical references (p. [385] - 386) and indexISBN: 0313298300Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis
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Reel justice : the courtroom goes to the movies / Paul Bergman and Michael Asimow Kansas City: Andrews and McMeel, c1996.
Call No: 734.4 BERAuthor: Bergman, Paul, 1943 ; Asimow, Michael Place: Kansas CityPublisher: Andrews and McMeelPubDate: c1996PhysDes: xix, 338 p. : ill. ; 23 cmSubject: TRIALS IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966) ; ONION FIELD, THE (US, Harold Becker, 1979) ; REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; FEW GOOD MEN, A (US, Rob Reiner, 1992) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; ADAM'S RIB (US, George Cukor, 1949) ; [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; MY COUSIN VINNY (US, Jonathan Lynn, 1992) ; AND JUSTICE FOR ALL (US, Norman Jewison, 1979) ; COMPULSION (US, Richard Fleischer, 1959) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; PHILADELPHIA (US, Jonathan Demme, 1993) ; SOMMERSBY (US, Jon Amiel, 1993) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; MUSIC BOX (US, Constantin Costa-Gavras, 1989) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) ; BOOMERANG (US, Elia Kazan, 1947) ; PRESUMED INNOCENT (US, Alan J. Pakula, 1990) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; WRONG MAN, THE (US, Jim McBride, 1993) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; M (G, Fritz Lang, 1931) ; STAR CHAMBER, THE (US, Peter Hyams, 1983) ; SUSPECT (US, Peter Yates, 1987) ; TRIAL BY JURY (US, Heywood Gould, 1994) ; [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956) ; CLASS ACTION (US, Michael Apted, 1991) ; LOSING ISAIAH (US, Stephen Gyllenhaal, 1995) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; NUTS (US, Martin Ritt, 1987) ; VERDICT, THE (US, Sidney Lumet, 1982) ; WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981) ; ALL THAT MONEY CAN BUY (US, William Dieterle, 1941) ; BLOOD OATH (AT, Stephen Wallace, 1990) ; HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993) ; YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959) ; LIBEL (UK, Anthony Asquith, 1959) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; OX-BOW INCIDENT, THE (US, William Wellman, 1943) ; ON TRIAL (US, Terry Morse, 1939) ; I WANT TO LIVE! (US, Robert Wise, 1958) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; LET HIM HAVE IT (UK, Peter Medak, 1991) ; [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971) ; COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955) ; BANANAS (US, Woody Allen, 1971) ; MURDER IN THE FIRST (US, Marco Rocco, 1995) ; TRIAL (US, Mark Robson, 1955) ; GUILTY AS SIN (US, Sidney Lumet, 1993) ; JAGGED EDGE (US, Richard Marquand, 1985) ; LETTER, THE (US, William Wyler, 1940) ; KNOCK ON ANY DOOR (US, Nicholas Ray, 1949) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) ; ACT OF MURDER, AN (US, Michael Gordon, 1948) ; FURY (US, Fritz Lang, 1936) ; I CONFESS (US, Alfred Hitchcock, 1953) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; THEY WON'T BELIEVE ME (US, Irving Pichel, 1947) Notes: Includes bibliographical references (p. [321]-326) and indexISBN: 0836210352 (pbk.)LON: 11957271
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newspaper article
Reel time : Schumer vows to return for stand-up in The Australian [Arts & Entertainment] (05/08/2015) p.15
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. ADELAIDEAuthor: Bodey, Michael PhysDes: Clippings File ArticleSubject: FESTIVALS. ADELAIDE ; ALEX & EVE (AT, Peter Andrikidis, 2015) Summary: Alex and Eve will premiere at this years Greek Film Festival. This year's Adelaide Film Festivals Jury announced and includes Tom Hajdu, Christian Jeune, Annemarie Jacir, Sophie Hyde and Maggie Lee.
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Reel time : Madsen welcomed to new Neighborhood in The Australian (10/02/2016) p.16
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Reel to real : race, sex, and class at the movies / Bell Hooks New York, NY: Routledge, 1996.
Call No: 744 HOOAuthor: Hooks, Bell Place: New York, NYPublisher: RoutledgePubDate: 1996PhysDes: 244 p. ; 24 cmSubject: RACIAL ISSUES AND THE CINEMA ; SEX AND THE CINEMA ; CLASS AND THE CINEMA ; ETHNIC GROUPS IN FILMS ; AVANT-GARDE FILMS ; FAMILY IN FILMS ; LOOK IN FILMS ; SPECTATORSHIP ; DEATH IN FILMS ; HOMOSEXUALITY IN FILMS ; STRIPTEASE IN FILMS ; YOUNG PEOPLE IN FILMS ; FEMINISM AND THE CINEMA ; Tarantino, Quentin ; LEE, SPIKE ; DASH, JULIE ; CLARK, LARRY ; JAFFA, ARTHUR ; BURNETT, CHARLES ; BILLOPS, CAMILLE ; ALDERMAN, MARIE-FRANCE ; WANG, WAYNE ; LIVINGSTON, JENNIE ; KILLER OF SHEEP (US, Charles Burnett, 1978) ; GIRL SIX (US, Spike Lee, 1996) ; CROOKLYN (US, Spike Lee, 1994) ; WAITING TO EXHALE (US, Forest Whitaker, 1995) ; LEAVING LAS VEGAS (US, Mike Figgis, 1995) ; EXOTICA (CN, Atom Egoyan, 1994) ; ATTENDANT, THE (UK, Isaac Julien, 1992) ; FINDING CHRISTA (US, Camille Billops/James Hatch, 1991) ; KIDS (US, Larry Clark, 1995) ; HOOP DREAMS (US, Steve James, 1994) ; PARIS IS BURNING (US, Jennie Livingston, 1990) ; SHE'S GOTTA HAVE IT (US, Spike Lee, 1986) ; PULP FICTION (US, Quentin Tarantino, 1994) Notes: Includes indexISBN: 0415918235 (HB : acid-free cover); 0415918243 (PB : acid-free cover)LON: 96026474; 12664107
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still
[Regarding Henry : production still of Harrison Ford (Henry Turner) and Mikki Allen (daughter Rachel) from the film 'Regarding Henry'] / Francois Duhamel [1991].
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Reinventing Hollywood : how 1940s filmmakers changed movie storytelling / Borwell, David Chicago: The university of Chicago press, 2017.
Call No: 71(73) BORAuthor: Bordwell, David Place: ChicagoPublisher: The university of Chicago pressPubDate: 2017PhysDes: 572 pages ; 24 cm.Subject: ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; COVER GIRL (US, Charles Vidor, 1944) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943) ; HITCHCOCK, ALFRED ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; PSYCHOANALYSIS AND THE CINEMA ; PSYCHOLOGICAL EFFECTS OF FILMS ; SNAKE PIT (US, Anatole Litvak, 1948) Summary: In the 1940s, American movies. changed. flashbacks began to be used in outrageous, unpredictable ways. Soundtracks flaunted voice-over commentary, and characters might pivot from a scene to address the viewer.Notes: Includes bibliographical references and index.ISBN: 9780226487755Contents: Introduction: the way Hollywood told it
The frenzy of five fat years; Interlude: Spring 1940: lessons from our town
Time and time again; Interlude: Kitty and Lydia, Julia and Nancy
Plots: the menu; Interlude: Schema and revision, between rounds
Slices, strands, and chunks; Interlude: Mankiewicz: modularity and polyphony
What they didn't know was; Interlude: identity thieves and tangled networks
Voices out of the dark; Interlude: Remaking middlebrow modernism
Into the depths
Call it psychology; Interlude: Innovation by misadventure
From the Naked City to Bedford Falls
I love a mystery; Interlude: Sturges, or showing the puppet strings
Artifice in excelsis; Interlude: Hitchcock and Welles: The lessons of the masters
Conclusion: the way Hollywood keeps telling it.
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Religion in film / edited by John R. May and Michael Bird Knoxville: University of Tennessee Press, c1982.
Call No: 45:2 MAYAuthor: Bird, Michael (Michael S.), 1941 ; May, John R Edition: 1st edPlace: KnoxvillePublisher: University of Tennessee PressPubDate: c1982PhysDes: xviii, 257 p. : ill. ; 23 cmSubject: RELIGION AND THE CINEMA ; RELIGIOUS FILMS ; DEVIL IN FILMS ; CENSORSHIP ; ALLEGORY IN FILMS ; ALTMAN, ROBERT ; BERGMAN, INGMAR ; BRESSON, ROBERT ; BUNUEL, LUIS ; CHAPLIN, CHARLES ; COPPOLA, FRANCIS FORD ; Fellini, Federico ; HITCHCOCK, ALFRED ; JUTRA, CLAUDE ; KUBRICK, STANLEY ; Peckinpah, Sam ; RUSSELL, KEN ; TRUFFAUT, FRANCOIS ; WERTMULLER, LINA ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; EXORCIST, THE (US, William Friedkin, 1973) ; NASHVILLE (US, Robert Altman, 1975) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; QUINTET (US, Robert Altman, 1979) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) Notes: Includes index; Bibliography: p. 242-244ISBN: 0870493523LON: 2165498
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Ridley Scott / Paul M. Sammon London: Orion Media, 1999.
Call No: 81SCO SAMAuthor: Sammon, Paul M. Place: LondonPublisher: Orion MediaPubDate: 1999PhysDes: 144 p. : col. ill. ; 19 cmSubject: SCOTT, RIDLEY ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) ; BLACK RAIN (US, Ridley Scott, 1989) ; THELMA & LOUISE (US, Ridley Scott, 1991) ISBN: 0752812157LON: 20441048
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The rise and fall of the matinee idol : past deities of stage and screen, their roles, their magic, and their worshippers / edited by Anthony Curtis; illustration consultants: Raymond Mander and Joe Mitchenson London: Weidenfeld & Nicolson, [1974].
Call No: 802.27 RISAuthor: Curtis, Anthony Place: LondonPublisher: Weidenfeld & NicolsonPubDate: [1974]PhysDes: 215 p. illus. 26 cmSubject: ACTORS ; BEATON, CECIL ; COWARD, NOEL ; AXELROD, GEORGE ; GIELGUD, JOHN ; GISH, LILLIAN ; VALENTINO, RUDOLPH ; WYNDHAM, CHARLES ; ALEXANDER, GEORGE ; DU MAURIER, GERALD ; DU MAURIER, DAPHNE ; NOVELLO, IVOR ; BUCHANAN, JACK ; COCHRAN, CHARLES ; ELSIE, LILY ISBN: 0297765426LON: 324463
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Robert Aldrich / edited by Richard Combs London: British Film Institute, 1978.
Call No: 81ALD ROBAuthor: Combs, Richard Place: LondonPublisher: British Film InstitutePubDate: 1978PhysDes: 76 p. ; 21 cmSubject: ALDRICH, ROBERT Notes: Filmography: p. 49-74; Includes bibliographical referencesISBN: 0851700845 : ª1.20LON: 79322256; 1675076
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Roberto Rossellini / edited by Don Ranvaud [London]: BFI, 1981.
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newspaper article
Rom-com where the stars love to laugh in Sunday Telegraph [Insider] (31/05/2015) p.120
Call No: TITLE CLIPPINGS FILE; ALOHA (US, Cameron Crowe, 2015)Author: Johnson, Neala PhysDes: Clippings File ArticleSubject: COOPER, BRADLEY ; STONE, EMMA ; ALOHA (US, Cameron Crowe, 2015) Summary: Interview with Bradley Cooper and Emma Stone, co-stars of the 2015 film ALOHA, about their work on the film and their friendship.Notes: Same article held in the STONE, EMMA clippings file, under the title 'Two of a kind in life and art'
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allied (uk/us, robert zemeckis, 2016)
Romantic spy thriller a throwback to Old Hollywood in Sydney Morning Herald [Arts & Entertainment] (22/12/2016) p.21
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allied (uk/us, robert zemeckis, 2016)
Romantic spy thriller a throwback to Old Hollywood in The Age [Arts & Entertainment] (22/12/2016) p.26
Call No: TITLE CLIPPINGS FILE; ALLIED (UK/US, Robert Zemeckis, 2016)Author: Wilson, Jake PhysDes: ClippingsSubject: ALLIED (UK/US, Robert Zemeckis, 2016) Summary: Jake Wilson reviews ALLIED directed by Robert ZemeckisNotes: This review was also published in the Sydney Morning HeraldRating: 3.5 out of 5 stars
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Savage junctures : Sergei Eisenstein and the shape of thinking / Anne Nesbet London: I.B Taurus, 2003.
Call No: 81(049.3)EIS NESAuthor: Nesbet, Anne Edition: 1st ed.Source: UKPlace: LondonPublisher: I.B TaurusPubDate: 2003PhysDes: ix, 260 p. : ill. ; 24 cmSubject: U.S.S.R IN FILMS ; RUSSIANS IN FILMS ; POLITICAL FILMS ; HISTORICAL FILMS ; STALIN [J.] IN FILMS ; LENIN [V.I.] IN FILMS ; POPULAR CULTURE AND THE CINEMA ; CIRCUS AND THE CINEMA ; PHILOSOPHY AND THE CINEMA ; LITERATURE AND THE CINEMA ; MYTH AND THE CINEMA ; AESTHETICS ; ALEXANDROV, GROGORIO ; BABEL, ISAAK ; BRETON, ANDRE ; DISNEY, WALT ; FREUD, SIGMUND ; HEGEL, GEORG, WILHELM, FRIEDRICH ; SHKLOVSKY, VICTOR ; SHUMIATSKII, BORIS ; SINCLAIR, UPTON ; SONTAG, SUSAN ; TISSE, EDUARD ; TOLSTOY, LEV ; TROTSKY, LEON ; VERTOV, DZIGA ; WELLS, H.G ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; STRUCTURALISM ; RUSSIA ; THEORY Summary: Based on extensive research in the archives of legendary Russian film director Sergei Eisenstein, this book explores his wide ranging consumption of high and low culture and his wide ranging experience in ‘thinking in pictures’. Savage Junctures plays close attention to the multiple contexts within which Eisenstein’s films evolved. Eisenstein was particularly interested in the possibilities of visual thinking and, in this spirit; each chapter addresses the question of his image based philosophy from a different perspective.
[Taken from back cover].ISBN: 1850433305
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Scenes from a revolution : the birth of the new Hollywood / Mark Harris Edinburgh: Canongate, 2008.
Call No: 71 (73) HARAuthor: Harris Mark Place: EdinburghPublisher: CanongatePubDate: 2008PhysDes: 490 p., [16] p. of plates : ill. ; 25 cmSubject: COLUMBIA PICTURES ; CRITICISM ; CRITICS ; DIRECTORS. USA ; HISTORY AND THE CINEMA. USA ; HOLLYWOOD IN FILMS ; JAMES BOND IN FILMS ; TWENTIETH CENTURY-FOX ; WALT DISNEY PRODUCTIONS ; ALLEN, WOODY ; ANTONIONI, MICHELANGELO ; ASHBY, HAL ; BANCROFT, ANNE ; BEATTY, WARREN ; BENTON, ROBERT ; BERGMAN, INGRID ; BLAKE, ROBERT ; BRANDO, MARLON ; BURTON, RICHARD ; CAINE, MICHAEL ; CARON, LESLIE ; CUKOR, GEORGE ; COLLINS, JOAN ; CONNERY, SEAN ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DANIELS, WILLIAM ; DAVIS, SAMMY, Jr. ; DAY, DORIS ; DUNAWAY, FAYE ; DUVALL, ROBERT ; FELLINI, FEDERICO ; FLEISCHER, RICHARD ; FONDA, JANE ; FRANKOVICH, MIKE ; GODARD, JEAN-LUC ; HARRISON, REX ; HENRY, BUCK ; HEPBURN, KATHARINE ; HOFFMAN, DUSTIN ; NEWMAN, DAVID ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CAMELOT (US, Joshua Logan, 1967) ; CLEOPATRA (US, Joseph L. Mankiewicz, 1963) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967) ; GRADUATE, THE (US, Mike Nichols, 1967) ; GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967) ; KAEL, PAULINE ; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967) Summary: In this book, Mark Harris looks at 1967, and marks it as a pivotal moment in Hollywood's history: the shift from studio -generated epics, westerns and musicals, such as "Doctor Doolitle"to the director-centred European aesthetic seen in "Bonnie & Clyde" and "The Graduate". It was the birth of the New Hollywood. The book look at five films made in this year- "Bonnie & Clyde", "In the heat of the night", "Doctor Doolittle" "The Graduate" and "Guess who's coming to dinner" from the. first draft of the scripts to the impact of their release. The author interviews most of the actors in volved in the making of these films and presents a book about Hollywood and the United States at a critical juncture in their history. [Taken from the cover]Notes: Includes bibliographical references (p. [432]-438) and index.ISBN: 9781847671028ID2: 277
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newspaper article
Scenes from an Iranian marriage in Weekend Australian (04/03/2017) p.14
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Interim
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Science fiction gold : film classics of the 50s / by Dennis Saleh ; foreword by Ray Harryhausen New York: McGraw-Hill, 1979.
Call No: 735.1 "195" SALAuthor: Saleh, Dennis Edition: 1st edSource: USPlace: New YorkPublisher: McGraw-HillPubDate: 1979PhysDes: 191 p. : ill. ; 28 cmSubject: SCIENCE-FICTION FILMS ; SCIENCE IN FILMS ; ALIENS IN FILMS ; ROBOTS IN FILMS ; SPACE TRAVEL IN FILMS ; TECHNOLOGY IN FILMS ; UTOPIA IN FILMS ; THING, THE (US, Christian Nyby, 1951) ; DAY THE EARTH STOOD STILL, THE (US, Robert Wise, 1951) ; IT CAME FROM OUTER SPACE (US, Jack Arnold, 1953) ; INVADERS FROM MARS (US, Tobe Hooper, 1986) ; THEM! (US, Gordon Douglas, 1954) ; CREATURE FROM THE BLACK LAGOON (US, Jack Arnold, 1954) ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) Summary: 14 classics films from the 50s with their stories, commentary, and credits. All films are science fiction films, which include invasions, mutations, radiations. (taken from back cover)ISBN: 0070544670
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journal article
Scoop in Empire (Australian Ed.) (April 2007) iss.73 p.23
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newspaper article
Scott lobbies to bring in more Aliens in Sydney Morning Herald (28/11/2015) p.7
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newspaper article
Scott to hire 600 Aussie aliens in Herald Sun (28/11/2015) p.10
Call No: TITLE CLIPPINGS FILE in production; ALIEN: COVENANT in productionAuthor: McGrane, Danielle PhysDes: Clippings File ArticleSubject: ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017) Summary: Director of the upcoming ALIEN: COVENANT, Ridley Scott talks about making the film in Australia and his friendship with Australian actor Russell Crowe
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newspaper article
Screen agency bows to Alien and Thor demand in The Australian (16/12/2015) p.8
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Screen memories : Hollywood cinema on the psychoanalytic couch / Harvey Roy Greenberg New York: Columbia University Press, 1993.
Call No: 626:159.964.2 GREAuthor: Greenberg, Harvey R Place: New YorkPublisher: Columbia University PressPubDate: 1993PhysDes: 277 p. : ill. ; 24 cmSubject: PSYCHOANALYSIS AND THE CINEMA ; CASABLANCA (US, Michael Curtiz, 1942) ; MALTESE FALCON, THE (US, John Huston, 1941) ; RED DAWN (US, John Milius, 1984) ; FIRST BLOOD (US, Ted Kotcheff, 1982) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ALIEN (UK, Ridley Scott, 1979) ; BOSTONIANS, THE (UK/US, James Ivory, 1984) ; ALWAYS (US, Steven Spielberg, 1989) ; ENEMIES, A LOVE STORY (US, Paul Mazursky, 1989) ; WORKING GIRL (US, Mike Nichols, 1988) Summary: Screen Memories delves into the psychological aspects of mainstream American movies ranging from Casablanca to Working Girl. While most psychoanalytic film criticism is highly theoretical, Greenberg writes in a candid, entertaining style that will appeal to cineasts and scholars alike. Beginning with a basic overview of psychoanalytic film criticism, Greenberg directs his focus on characters, motivations, and conflicts in detective, war, science fiction, and horror movies, as well as cult cinema. In "On the McMovie," he probes the hollow, escapist fare that emerged from Hollywood in the 1970s and 1980s and embraced nearly every genre. Greenberg zooms in on the pathological narcissism of heroes in such McMovies as Rambo and Top Gun; Screen Memories concludes by addressing two important films of the late 1980s. Greenberg decries Working Girl as a "Co-opt" film with a seemingly liberal agenda, which nevertheless mocks and subverts the very social advances it appears to affirm. But Enemies: A Love Story - with its humor, manic energy, and theme of renewal in the teeth of death - is seen as evidence of a tentative but hopeful return to quality in HollywoodNotes: Includes bibliographical references (p. [241]-268) and indexISBN: 0231072864 (acid-free paper)LON: 92041710; 9733268
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Screening the sacred : religion, myth, and ideology in popular American film / edited by Joel W. Martin, Conrad E. Ostwalt, Jr Boulder: Westview Press, c1995.
Call No: 45:2 SCRAuthor: Ostwalt, Conrad Eugene, 1959 ; Martin, Joel W., 1956 Place: BoulderPublisher: Westview PressPubDate: c1995PhysDes: x, 193 p. ; 24 cmSubject: MYTH AND THE CINEMA. USA ; RELIGION AND THE CINEMA. USA ; IDEOLOGY AND THE CINEMA. USA ; DISASTERS IN FILMS ; ALLEGORY IN FILMS ; WOMEN IN FILMS ; HERO IN FILMS ; RACIAL ISSUES AND THE CINEMA ; ALIENS IN FILMS ; VIETNAM WAR IN FILMS ; NINE 1/2 WEEKS (US, Adrian Lyne, 1986) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; PLATOON (US, Oliver Stone, 1986) ; STAR WARS (US, George Lucas, 1977) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ROCKY (US, John G. Avildsen, 1976) ; IRONWEED (US, Hector Babenco, 1987) ; BLUE VELVET (US, David Lynch, 1986) Notes: Includes bibliographical references (p. 161-182) and indexISBN: 0813388295 (alk. paper); 0813388309 (pbk. : alk. paper)LON: 11259176
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journal article
Seeing double : Alice's Restaurant in Interview (1969) vol.1 iss.1 p.24
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journal article
Seeing double : Alfred the Great in Interview (1969) vol.1 iss.1 p.24
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Old collection
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Sergei M. Eisenstein : notes on the retrospective screenings of the films of S. M. Eisenstein presented at the National Film Theatre (Toronto) winter - 1968. [Ottawa]: Canadian Film Archives, a division of the Canadian Film Institute, [1968].
Call No: 81EIS SERCorpAuthor: Canadian Film Archives.Source: CNPlace: [Ottawa]Publisher: Canadian Film Archives, a division of the Canadian Film InstitutePubDate: [1968]PhysDes: 23 p. ; 29 cm.Subject: STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei M. Eisenstein, 1938) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946])
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newspaper article
Shining a light in Herald Sun [Hit] (26/01/2017) p.35
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journal article
Short (and not so short) films : "All The World's A Stage" in Federation news (March/June 1978) iss.95/96 p.49
PhysDes: ArticleSubject: ALL THE WORLD'S A STAGE (US, 197?) Summary: Reviews from Landers Film ReviewsNotes: Appraisal. - synopsis. - credits. - subject. - rating. - this issue of "Federation News" is a double issue with 96 pages rather than the standard 64 pages
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newspaper article
Short cuts : Jimi Hendrix film season scrapped in The Age (22/01/2015) p.22
Call No: TITLE CLIPPINGS FILE; ALL IS BY MY SIDE (UK, John Ridley, 2013)Author: Maddox, Garry PhysDes: Clippings File ArticleSubject: ALL IS BY MY SIDE (UK, John Ridley, 2013) Summary: The biopic ALL BY MY SIDE, about the guitarist Jimi Hendrix, will only receive a DVD release Australia. Thie author claims that this is partly due to the guitarist's ex girlfriend, Kathy Etchingham, who has campaigned against its releaseNotes: this film is listed in the article as JIMI: ALL IS BY MY SIDE
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newspaper article
Short cuts : Scott movie in Sydney Morning Herald (08/10/2015) p.20
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newspaper article
Short cuts : perils of an arranged marriage in The Age (12/11/2015) p.30
Call No: TITLE CLIPPINGS FILE in production; ALI'S WEDDING in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: ALI'S WEDDING (AT, Jeffrey Walker, 2017) Summary: Brief article on Australian film ALI'S WEDDING, with comments made by the film's writer and actor Osamah Sami
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newspaper article
Short cuts : Alien locks shoot in Sydney Morning Herald (26/11/2015) p.30
Call No: TITLE CLIPPINGS FILE in production; ALIEN: PARADISE LOST in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017) Summary: Report on the strong likelyhood that the upcoming Alien film would be shooting at Fox Studios in Sydney. Film is listed as ALIEN: COVENANT
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newspaper article
Short cuts : incentives boost in Sydney Morning Herald (03/12/2015) p.30
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newspaper article
Short cuts : funding falls in Sydney Morning Herald (17/12/2015) p.30
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newspaper article
Short cuts : an Alien trilogy for Ridley Scott in Sydney Morning Herald (17/03/2016) p.30
Call No: TITLE CLIPPINGS FILE in production; ALIEN: COVENANT in productionAuthor: Maddox, Garry PhysDes: Clippings File ArticleSubject: ALIEN: COVENANT (US/AT/NZ/UK, Ridley Scott, 2017) Summary: Comments about the rumors that Ridley Scott plans to shoot three ALIEN prequels in Sydney. Preparations are underway in Sydney for next months shooting of ALIEN: COVENANT
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ali's wedding (at, jeffrey walker, 2016)
Short cuts : Muslim rom-com in Sydney Morning Herald (20/10/2016) p.20
Call No: TITLE CLIPPINGS FILE; ALI'S WEDDING (AT, Jeffrey Walker, 2016)Author: Maddox, Garry PhysDes: ClippingsSubject: ALI'S WEDDING (AT, Jeffrey Walker, 2017) Summary: Snippet about the premiere at the Adelaide Film Festival in November of the Australian film ALI'S WEDDING, which has been dubeed the first Australian muslim romantic comedy
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journal article
Short films : New short and medium length films at the National Film Library in Federation news (September 1979) iss.101 p.3
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journal article
Short films (Federation of Victorian Film Societies appraisal panel) : "Alberta Girls" in Federation news (March/June 1978) iss.95/96 p.34
PhysDes: ArticleSubject: ALBERTA GIRLS ( CN, Malca Gillson & Tony Ianzelo, 1975) Summary: Provides subject and short outline of "Alberta Girls" in addition to a combination of pithy appraisals from Federation of Victorian Film Societies appraisal panel members including K. Berryman, Robert Rothols, Stephen Stuart and Norman PhillipsNotes: This issue of "Federation News" is a double issue with 96 pages rather than the standard 64 pages
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journal article
Short reviews--An A-Z : All of Me in Cinema papers (September 1985) iss.53 p.68
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"Show us life" : toward a history and aesthetics of the committed documentary / edited by Thomas Waugh Metuchen, N.J.: Scarecrow Press, 1984.
Call No: 761 SHOAuthor: Waugh, Thomas, 1948 Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1984PhysDes: xxvii, 508 p. : ill. ; 23 cmSubject: NEWSREELS ; FEMINISM AND THE CINEMA ; DOCUMENTARY FILMS ; DOCUMENTARY FILMS. THIRD WORLD ; ALVAREZ, SANTIAGO ; VERTOV, DZIGA ; SHUB, ESTHER ; BRECHT, BERTOLT ; GODARD, JEAN-LUC ; IVENS, JORIS ; RENOIR, JEAN ; SOLANAS, FERNANDO E. ; VAN DONGEN, HELEN ; STRAND, PAUL ; SCHEUMANN, PETER ; MIEVILLE, ANNE-MARIE ; KOPPLE, BARBARA ; GUZMAN, PATRICIO ; GETINO, OCTAVIO ; ELAM, JOANN ; ALLENDE, SALVADOR ; BIRRI, FERNANDO ; HURWITZ, LEO ; VIE EST A NOUS, LA (FR, Jean Renoir & others, 1936) ; FINALLY GOT THE NEWS (US, League of Revolutionary Black Workers, 1970) ; NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975) ; HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976) ; SANRIZUKA: DAINI TORIDE NO HITOBITO (JA, Shinsuke Ogawa, 1971) ; HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1969) ; ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976) ; WAVES OF REVOLUTION (II, Arnaud Patwardhan, 1975) ; HABLANDO DEL PUNTO CUBANO (CU, Octavio Cortazar, 1972) ; POR PRIMERA VEZ (CU, Octavio Cortazar, 1967) ; NOW (CU, Santiago Alvarez, 1965) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; RAPE (US, JoAnn Elam, 1975) ; KRIEG DER MUMIEN, DER (GE, Walter Heynowski & Gerhard Scheumann, 1974) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) Summary: "This anthology of 25 articles is both historical and cross- cultural, covering the pioneering period of the twenties and thirties and the dynamic growth of committed documentary since the sixties; recent feminist initiatives in North America and Britain; committed documentary in the Third World over the last 25 years; the use of film within the American 'New Left;' and the particular problematic of radical film distribution. Contributors include such well-known activists and scholars as Joan Braderman, Julianne Burton, Guy Hennebelle, John Hess, Claire Johnstone, E. Ann Kaplan, Chuck Kleinhans, Julia Lesage, Steve Neale, Bill Nichols, Anand Patwardhan, and Paul Willemen. Filmmakers and collectives discussed include Dziga Vertov, Joris Ivens, Jean Renoir, Frontier Films, Newsreel, Chris Marker, Barbara Kopple, JoAnn Elam, Michelle Citron, Shinsuke Ogawa, Fernando Birri, Patricio Guzman, Santiago Alvarez, Fernando Solanas, Jean-Luc Godard, Anand Patwardhan, and the Nicaraguan Studio 'Incine.'" -- AMAZON BOOKSNotes: Includes bibliographies and indexesISBN: 0810822172 (pbk.); 0810817063LON: 84005603; 3178777Contents: Introduction: why documentary filmmakers keep trying to change the world, or why people changing the world keep making documentaries / Thomas Waugh; Part 1: Pioneers -- "Cinema Weekly" and "Cinema Truth": Dziga Vertov and the Leninist Proportion / Seth Feldman -- Esther Shub: Film as a historical discourse / Vlada Petric -- Workers' newsreels in Germany, the Netherlands, and Japan during the Twenties and Thirties / Bert Hogenkamp -- Radical documentary in the United States, 1930-1942 / Russell Campbell -- The Communist Party and La Vie est a nous: document and fiction, poetics and politics / Daniel Serceau -- Joris Iven's The Spanish Earth: committed documentary and the popular front / Thomas Waugh --; Part 2: Contemporaries: The West -- Newsreel, 1967-1972: film and revolution / Bill Nichols -- Finally Got the News: the making of a radical documentary / Dan Georgakas -- French radical documentary after May 1968 / Guy Hennebelle -- Brecht in Britain: The Nightcleaners and the independent political film / Claire Johnston and Paul Willemen -- Theory and practice of the realist documentary form in Harlan County, U.S.A. / E. Ann Kaplan -- Feminist documentary: aesthetics and politics / Julia Lesage -- Talking about our lives and experiences: some thoughts about feminism, documentary, and "talking heads" / Barbara Halpern Martineau -- Shinsuke Ogawa's Peasants of the Second Fortress: guerrilla documentary in Japan / Joan Braderman -- Committed documentary in Quebec: a still-birth? / Real La Rochelle -- The challenge of radical film distribution: Conversations with Toronto's DEC Films Collective / Margaret Cooper -- Forms, politics, makers and contexts: basic issues for a theory of radical political documentary / Chuck Kleinhans --; Part 3: Contemporaries: The Third World -- Democratizing documentary: modes of address in the Latin American cinema, 1958-72 / Julianne Burton -- Santiago Alvarez: Cine-agitator for the Cuban Revolution and the Third World / John Hess -- Democracy as participation: the Battle of Chile / Victor Wallis and John D. Barlow -- Children of Vertov in the land of Brecht / Pierre Veronneau -- Notes and questions on political cinema: from Hours of the Furnaces to Ici et ailleurs / Steve Neale -- The guerrilla film, underground and in exile: a critique and a case study of Waves of Revolution / Anand Patwardhan -- The Sandinista documentary: a historical contextualization / John RamirezURL status: URL: 'http://-'
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journal article
Special effects - "Aliens" : Work by the L.A. Effects Group looks state-of-the-art, so why were they fired? in Cinefantastique (October 1986) vol.16 iss.4/5 p.8-9, 122-123
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Crawford collection
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[Special squad : album #2] Crawford Productions [distributor],
Call No: CRAWFORD STILL SPESource: ATPublisher: Crawford Productions [distributor]PhysDes: 105 photographs : b&w ; 16 x 26 cm - 21 x 26 cmSubject: ALDENHOVEN, LISA ; MAGUIRE, GERARD ; QUAST, PHILLIP ; WOOD, JOHN ; DUNCAN, CARMEN ; FINCH, STUART ; LESLEY, LORNA ; SMILLIE, JIM ; DIEDRICH, JOHN ; SYMONS, RED ; HOLDEN, FRANKIE J. ; HAWKINS, ANTHONY ; LANDIS, NINA ; GILLING, REBECCA ; TABOR, KEVIN ; JAYME, DEBORAH ; KERR, BRUCE ; MCKAY, KERRY ; ANDREWS, GAEL ; CHILVERS, SIMON ; REDSHAW, MARIE ; BRYON, ANTOINETTE ; SPECIAL SQUAD [TV](AT, 1984-1985) Summary: Photographs relating to the TV series 'Special Squad'Notes: Album 2 contains photographs from the following episodes of Special Squad: 'The Wurzburg Link', 'Same Time Friday', 'Duel', 'The Set-Up' and , 'Golden Run',Donation: Gift of Crawford Productions
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Crawford collection
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[Special Squad : album #4] Crawford Productions [distributor],
Call No: CRAWFORD STILL SPESource: ATPublisher: Crawford Productions [distributor]PhysDes: 81 slides : col. + 23 transparencies : b&w ; 120 mm + 1 transparency : col. ; 120 mm + 9 negatives : b&w ; 35 mmSubject: HAWKINS, ANTHONY ; CASSELL, ALAN ; DIEDRICH, JOHN ; GILLING, REBECCA ; MORTIMER, IAN ; BANNISTER, KERRIE ; WINCHESTER, ARNA-MARIA ; UPJOHN, WILLIAM ; GILL, VINCE ; MCKAY, KERRY ; CHILVERS, SIMON ; ANDREWS, GAEL ; LOBEZ, SUSANNA ; LESLEY, LORNA ; DUNCAN, CARMEN ; SMILLIE, JIM ; HAGAN, JENNIFER ; WOODBURNE, JACKIE ; OLIVER, TOM ; CRAWFORD, ANNA ; ALDENHOVEN, LISA ; MAGUIRE, GERARD ; QUAST, PHILIP ; TAYLOR, GRIGOR ; ARNOLD, RONNIE ; ABIGAIL ; HANNAN, JOHN ; SALTMARSH, KIER ; DEANS, JUDITH ; DAHLSEN , PETER ; SCOTT, RENEE ; GALLACHER, FRANK ; BISLEY, STEVE ; GREGG, JOHN ; HAYWOOD, CHRIS ; FURNESS, DEBORRA-LEE ; MCLUSKIE, KASSIE ; SPECIAL SQUAD [TV](AT, 1984-1985) Summary: Photographs, slides and negatives relating to the series 'Special Squad'Notes: Images are arranged in groupings as received by Crawford Productions with their accompanying promotional sheetsDonation: Gift of Crawford Productions
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Story : substance, structure, style, and the principles of screenwriting London: Methuen, 1999.
Call No: 224 MCKAuthor: McKee, Robert, 1941 Source: UKPlace: LondonPublisher: MethuenPubDate: 1999PhysDes: [xi], 466 p. ; 23 cmSeries: MethuenfilmSubject: SCRIPTWRITING ; DIALOGUE ; ENDINGS OF FILMS ; AUDIENCES ; ADAPTATIONS ; SASOM I EN SPEGEL (SW, Ingmar Bergman, 1961) ; ALIEN (UK, Ridley Scott, 1979) ; CASABLANCA (US, Michael Curtiz, 1942) ; CHINATOWN (US, Roman Polanski, 1974) ; LOVE STORY (US, Arthur Hiller, 1970) Notes: Includes index; Bibliography: p. 421-422; Filmography: p. 423-455ISBN: 0413715604 (pbk.) : ¦12.99LON: 20148607
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Storytelling in the new Hollywood : understanding classical narrative technique / Kristin Thompson Cambridge, MA: Harvard University Press, 1999.
Call No: 632.2(73) THOAuthor: Thompson, Kristin, 1950 Place: Cambridge, MAPublisher: Harvard University PressPubDate: 1999PhysDes: 398 p. : ill. ; 23 cmSubject: NARRATIVE IN FILMS ; TOOTSIE (US, Sydney Pollack, 1982) ; BACK TO THE FUTURE (US, Robert Zemeckis, 1985) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; AMADEUS (US, Milos Forman, 1984) ; HUNT FOR RED OCTOBER, THE (US, John McTiernan, 1990) ; PARENTHOOD (US, Ron Howard, 1989) ; ALIEN (UK, Ridley Scott, 1979) ; HANNAH AND HER SISTERS (US, Woody Allen, 1986) ; FIELD, SYD ; JAWS (US, Steven Spielberg, 1975) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references and indexISBN: 0674839749 (cl. : alk. paper); 0674839757 (pbk. : alk. paper); 0674839757(pbk.) : ª15.50; 0674839749(cased) : ª30.95LON: 14524218
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Strong women London: BFI National Library, c2001.
Call No: REFERENCE SECTION; 036-02 STRAuthor: Clarke, Nicola ; Gordon, Stephen ; Johnston, Louise ; Khan, Ayesha ; Smart, Emma Source: UKPlace: LondonPublisher: BFI National LibraryPubDate: c2001PhysDes: 77 p ; 30 cmSeries: National Library 16+ guidesSubject: WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; ALLY MCBEAL [TV] (US, 1997-) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BHAJI ON THE BEACH (UK, Gurinder Chadha, 1993) ; BOUND (AT, Serhat Caradee, 2000) ; BUFFY THE VAMPIRE SLAYER (US, Fran Rubel Kuzui, 1992) ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; CHARLIE'S ANGELS (US, McG, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; ELIZABETH (UK, Shekhar Kapur, 1998) ; ERIN BROKOVICH (US, Stephen Soderbergh, 2000) ; LARA CROFT: TOMB RAIDER (US, Simon West, 2001) ; LAST SEDUCTION, THE (US, John Dahl, 1994) ; NIKITA (FR/IT, Luc Besson, 1990) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ROSEANNE [TV] (US, 1988- ) ; RUN LOLA RUN (G, Tom Tykwer, 1998) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; WAITING TO EXHALE (US, Forest Whitaker, 1995) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) ; X-FILES, THE [TV] (US, 1993-) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Notes: This and other bfi National Library 16+ Guides available from http://www.bfi.org.uk/16+ID2: 150
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Subversive pleasures : Bakhtim, cultural criticism, and film / Robert Stam Baltimore: John Hopkins University Press, 1989.
Call No: 620 BAK STAAuthor: Stam, Robert Place: BaltimorePublisher: John Hopkins University PressPubDate: 1989PhysDes: xiii, 274 pages ; 24 cm.Series: ParallaxSubject: BAHTIN, MIHAIL ; ALLEN, WOODY ; BUNUEL, LUIS ; CANNIBALISM IN FILMS ; BRAZIL ; SEMIOLOGY ; DIALOGUE ; FORMALISM ; GODARD, JEAN-LUC ; PORNOGRAPHY ; SHAKESPEARE, WILLIAM ; ZELIG (US, Woody Allen, 1983) Summary: Applying Bakhtin's critical methods to film, mass-media and cultural studies, Stam draws on Bakhtin's corporal semiotics of "the grotesque body" to analyze eroticism in the cinema, and explores issues including the "translinguistic" critique of Saussurean semiotics and Russian formalism.Notes: Includes bibliographical references (pages 241-258) and index.ISBN: 0801845092Donation: Adrian MilesContents: Translinguistics and Semiotics -- Language, Difference, and Power -- Film, Literature, and the Carnivalesque -- Of Cannibals and Carnivals -- The Grotesque Body and Cinematic Eroticism -- From Dialogism to Zelig -- Envoi: Bakhtin and Mass-Media Critique.ID2: 343
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[Sweet talker : stills file]
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The tap-dancing knife thrower : my life (without the boring bits) / Paul Hogan with Dean Murphy Sydney, NSW: HarperCollins Publishers Australia, 2020.
Call No: 81 HOG HOGAuthor: Hogan, Paul ; Murphy, Dean Edition: 2020Place: Sydney, NSWPublisher: HarperCollins Publishers AustraliaPubDate: 2020PhysDes: 372 pages : illustrated ; 25 cmSubject: HOGAN, PAUL ; CROCODILE DUNDEE (AT, Peter Faiman, 1986) ; CROCODILE DUNDEE II (AT, John Cornell, 1988) ; ALMOST AND ANGEL (US, John Cornell, 1990) ; LIGHTNING JACK (AT, Simon Wincer, 1994) ; CHARLIE AND BOOTS (AT, Dean Murphy, 2009) ; VERY EXCELLENT MR DUNDEE, THE (US/AT, Dean Murphy, 2020) Summary: Paul Hogan first appeared on Australia's screens in 1971 as a 'tap-dancing knife thrower' on TV talent show New Faces. The then father of four and Sydney Harbour Bridge rigger from Granville did it as a dare, but when the network's switchboard lit up, he was invited back. So popular was he with viewers, Hogan became a regular on Mike Willesee's A Current Affair.
The rest, as they say, is history. In collaboration with his business partner and best friend, John Cornell (who played his sidekick, Strop), 'Hoges' went on to become Australia's favourite TV comedian. His hugely popular comedy shows and appearances in unforgettable and ground-breaking ads for cigarettes, beer and tourism, came to personify Australia and Australians here and overseas, helping to change the perception of who we are as people and as a nation.
Then, in 1986, Crocodile Dundee, the movie he conceived, co-wrote and starred in, became an international smash hit and earned its star a Golden Globe Award, as well as Oscar and BAFTA nominations. Despite the fact that Hoges claimed to have retired, many more successful movies followed. Yet even as his star rose ever higher, he always expected someone to grab him by the arm and say, 'What are you doing here? You're just a bloody rigger!'
The Tap-Dancing Knife Thrower is a funny and candid account of the astonishing life of this 'lucky bastard', as Hoges describes himself. Full of stories never previously shared, and recounted in the comedian's inimitable, funny and self-deprecating style, The Tap-Dancing Knife Thrower is Paul Hogan's story told his way – 'without the boring bits'. -- publisher's web siteISBN: 9781460759295
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Television : a history / Francis Wheen ; editorial consultant, Peter Fiddick. London: Century, 1985.
Call No: 70 TEL WHEAuthor: Wheen, Francis. Source: UKPlace: LondonPublisher: CenturyPubDate: 1985PhysDes: 252 p. : ill. (some col.) ; 27cm.Subject: HISTORY OF TV ; BROADCASTING ; SPORTS PRESENTATION ; SOAP OPERAS ; ALL IN THE FAMILY [TV] (US, 1971-?) ; AVENGERS, THE [TV] (UK, 1961-69) ; BALL, LUCILLE ; BERLE, MILTON ; COLLINS, JOAN ; FROST, DAVID ; NIXON [RICHARD M.] ON TV ; REAGAN RONALD ; OLIVIER, LAURENCE ; SCALES, PRUNELLA ; BONANZA: THE NEXT GENERATION (US, Bill Claxton, 1988) ; BRIDESHEAD REVISITED (UK, Julian Jarrold, 2008) ; CHARLIE'S ANGELS [TV] (US, 1976-81) ; CLARKE, ARTHUR C. ; DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980) ; DYNASTY [TV] (AT, 1970) ; FORSYTE SAGA, THE [TV] (UK, 2002) ; GUNSMOKE [TV] (US, 1955-75) ; JUDGEMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; VIE SUR TERRE, LA (FR, Abderrahmare Sissako, 1998) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; OLYMPICS ON TV ; ON THE BUSES (UK, Harry Booth, 1971) ; PRISONER [TV] (AT, 1979-86) ; ROCKFORD FILES, THE [TV] (US, 1974-80) ; ROOTS [TV] (US, 1977) ; SESAME STREET [TV] (US, 1969-) ; THORN BIRDS, THE [TV] (US, Daryl Duke, 1983) ; TODAY [TV] (AT, 1982-) ; UPSTAIRS, DOWNSTAIRS [TV] (UK, 1970-75) ; YOUNG AND THE RESTLESS, THE [TV] (US, 1973- ) Summary: This book examines the beginnings of television and the making of a televised history of the medium in all of its different manifestations, around the world, and look at a variety of programs from current affairs to comedy, documentaries, to dramas, in countries as different as Britain and Japan, or India and the United States The history is looked at from the perspective of the "Third Age of Broadcasting" - the rea of cable, video, direct broadcasting by satellite, teletext, viewdata and computersNotes: Dust jacket title: Television a world history.; Based on a documentary series by Granada Television; Includes indexISBN: 0712609296Donation: donated by the family of Wayne Levy, 2006
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The television genre book / edited by Glen Creeber ; associate editors, Toby Miller and John Tulloch London: British Film Institute, 2001.
Call No: 720 TELAuthor: Creeber, Glen ; Miller, Toby ; Tulloch, John Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xi, 163 p. : ill., ports. ; 25 cmSubject: PROGRAMME GENRES ; DRAMAS ; SOAP OPERAS ; CHILDREN, PROGRAMMES FOR ; NEWS PROGRAMMES ; DOCUMENTARIES ; ADAPTATIONS. AUSTEN, JANE ; SOAP OPERAS ; SITUATION COMEDY ; HOMOSEXUALITY ON TV ; BUFFY THE VAMPIRE SLAYER [TV] (US, 1997-2004) ; SIMPSONS, THE [TV] (US, 1989-) ; SOUTH PARK [TV] (US, 1997-) ; I LOVE LUCY [TV] (US, 1951-57) ; ROSEANNE [TV] (US, 1988- ) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; WILL & GRACE[TV] (US, 1998-) ; MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974) ; DALLAS [TV] (US, 1978-91) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; ALLY MCBEAL [TV] (US, 1997-) ; AVENGERS, THE [TV] (UK, 1961-69) ; HILL STREET BLUES [TV] (US, 1980-87) ; E.R. [TV] (US, 1994 - ) ; STAR TREK [TV] [...] (US, 1966-69, 1987-) ; X-FILES, THE [TV] (US, 1993-) ; CATHY COME HOME (UK, Ken Loach, 1966) ; DAY AFTER, THE (US, Nicholas Meyer, 1983) ; ROOTS [TV] (US, 1977) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) Notes: Includes bibliographical references and indexISBN: 0851708498(pbk.)
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That's Anarchy / Chrissie Macdonald Hartwell, Vic: Sid Harta Publishers, 2002.
Call No: 759.3(41) MACAuthor: Macdonald, Chrissie Source: ATPlace: Hartwell, VicPublisher: Sid Harta PublishersPubDate: 2002PhysDes: ix, 297 p. : ill., ports. ; 21 cmSubject: COMEDY PROGRAMMES. UK ; HUMOUR ON TV ; RICHARDSON, PETER ; MAYALL, RIK ; PLANER, NIGEL ; SAUNDERS, JENNIFER ; FRENCH, DAWN ; ALLEN, KEITH ; COLTRANE, ROBBIE ; EDMONDSON, ADRIAN ; PEACOCK, DANIEL ; YOUNG ONES, THE [TV] (UK, 1982-84) ; COMIC STRIP PRESENTS..., THE [TV] (UK, 1982-) ; RED DWARF [TV] (UK, 1988-93, 97) ; FILTHY RICH AND CATFLAP [TV] (UK, 1987) ; BOTTOM [TV] (UK, 1991-) ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; BIG GIG, THE [TV] (AT, Ted Robinson, 1989) ; ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996) ; HAPPY FAMILIES [TV] (UK, 1992) ; FRENCH AND SAUNDERS [TV] (UK, 1987-) ; VICAR OF DIBLEY, THE [TV] (UK, 1994) ; BLACKADDER [TV] (UK, 1983) Summary: Some called it “alternative comedy”. Others called it “the new rock ‘n’ roll”. Whatever it was, it spawned “The Young Ones”. Comedy changed on the 9th November 1982 when Rick, Vyvyan, Neil and Mike infiltrated the safe world of the television sitcom. They farted, swore, hit each other and shouted a lot and comedy hasn’t been the same since. They weren’t nice; they were NASTY! This is the story of the conception and birth of “The Young Ones”, their ancestors, their playmates and, eventually, their offspring. [Taken from back cover]Notes: Cover subtitle: The story of a revolution in the world of TV comedy.
Includes index.
Includes some short biographies of British comedians, producers and writers: p. 259-281.
Bibliography: p. 283-4.ISBN: 1877059242Language: English
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Theory of film : the redemption of physical reality / Siegfried Kracauer New York: Oxford University Press, 1965.
Call No: 62 KRAAuthor: Kracauer, Siegfried Place: New YorkPublisher: Oxford University PressPubDate: 1965PhysDes: xix, 364 p. ill., 20 cm.Subject: ACTORS ; ADAPTATIONS ; EXPERIMENTAL FILMS ; THEORY ; AGEE, JAMES ; ALEXANDROV, GROGORIO ; ANGER, KENNETH ; ANSTEY, EDGAR ; ARNHEIM, RUDOLF ; ASTAIRE, FRED ; BALAZS, BELA ; BENJAMIN, WALTER ; BERGMAN, INGMAR ; BOGART, HUMPHREY ; BRAKHAGE, STAN ; BRANDO, MARLON ; BUNUEL, LUIS ; CAGNEY, JAMES ; CAPRA, FRANK ; CASTELLANI, RENATO ; CAVALCANTI, ALBERTO ; CHANEY, LON ; CHAPLIN, CHARLES ; CLAIR, RENE ; CLEMENT, RENE ; CLOUZOT, HENRI-GEORGES ; COCTEAU, JEAN ; DALI, SALVADOR ; DE FILIPPO, EDUARDO ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUCHAMP, MARCEL ; DUVIVIER, JULIEN ; ELTON, ARTHUR ; ENGEL, MORRIS ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; FISCHINGER, OSKAR ; FLAHERTY, ROBERT ; FORD, JOHN ; FRANJU, GEORGES ; FREUD, SIGMUND ; GANCE, ABEL ; GARNETT, GALE ; GIDE, ANDRE ; GREENE, GRAHAM ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; GUITRY, SACHA ; HARRINGTON, CURTIS ; HILL, DAVID ; HITCHCOCK, ALFRED ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; VITELLONI, I (IT, Federico Fellini, 1953) ; VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; VARIETE (G, E.A. Dupont, 1925) ; VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; OKTIABR (UR, Sergei M. Eisenstein, 1928) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; SWING TIME (US, George Stevens, 1936) ; STRADA, LA (IT, Federico Fellini, 1954) ; ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936) ; MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946) ; SPIONE (G, Fritz Lang, 1928) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931) ; SHANE (US, George Stevens, 1953) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926) ; SCARFACE (US, Howard Hawks, 1932) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; SAN FRANCISCO (US, W.S. Van Dyke, 1936) ; ROUE, LA (FR, Abel Gance, 1922) ; ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954) ; RICHARD III (UK, Laurence Olivier, 1955) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REGEN (NE, Joris Ivens, 1929) ; PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PARIS 1900 (FR, Nicole Vedres, 1948) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; OTELLO (UR, Sergej Jutkevic, 1956) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; OLVIDADOS, LOS (MX, Luis Bunuel, 1951) ; OF MEN AND MUSIC (US, Irving Reis, 1950) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936) ; NIGHT AT THE OPERA, A (US, Sam Wood, 1935) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; MOULIN ROUGE (UK, E.A. Dupont, 1928) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MOBY DICK (UK, John Huston, 1956) ; MOANA (US, Robert Flaherty, 1926) ; MILLION, LE (FR, Rene Clair, 1931) ; METROPOLIS (GG, Fritz Lang, 1927) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929) ; MARTY (US, Delbert Mann, 1954) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; MAJOR BARBARA (UK, Gabriel Pascal, 1941) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MACBETH (US, Orson Welles, 1948) ; M (G, Fritz Lang, 1931) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; LIMELIGHT (US, Charles Chaplin, 1952) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; OSTATNI ETAP (PL, Wanda Jakubowska, 1948) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; KID, THE (US, Charles Chaplin, 1921) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; INVISIBLE MAN, THE (US, James Whale, 1933) ; INTOLERANCE (US, David Wark Griffith, 1916) ; HUMAN DESIRE (US, Fritz Lang, 1954) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HENRY V (UK, Laurence Olivier, 1944) ; HEIRESS, THE (US, William Wyler, 1949) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; HAMLET (UK, Laurence Olivier, 1948) ; HALLELUJAH (US, King Vidor, 1929) ; GREED (US, Erich von Stroheim, 1925) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; VORMITTAGSSPUK (G, Hans Richter, 1928) ; GHOST GOES WEST, THE (UK, Rene Clair, 1935) ; GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; GERVAISE (FR, Rene Clement, 1956) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; FURY (US, Fritz Lang, 1936) ; [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946) ; FANTASIA (US, Walt Disney, 1940) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945) ; CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; CITIZEN KANE (US, Orson Welles, 1941) ; CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOOMERANG (US, Elia Kazan, 1947) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; BEZZERIDES, A.I. ; BEN HUR (US, Fred Niblo, 1925) ; BAMBI (US, David Hand, 1942) ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; BACK STREET (US, John M. Stahl, 1932) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; APARAJITO (II, Satyajit Ray, 1957) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes indexURL status: URL: 'http://-'
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Author: Anderson, James G. PhysDes: ArticleSubject: RED BADGE OF COURAGE, THE (US, John Huston, 1951) ; HUSTON, JOHN ; ALDRICH, ROBERT ; WAR FILMS Summary: Essay compares and contrasts the approach of two directors, John Huston and Robert Aldrich, in conveying the complicated, and often ironic, issues of war.
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Two of a kind in life and art in Sunday Herald Sun [Arts & Entertainment] (31/05/2015) p.100
Call No: TITLE CLIPPINGS FILE; STONE, EMMAAuthor: Johnson, Neala PhysDes: Clippings File ArticleSubject: COOPER, BRADLEY ; STONE, EMMA ; ALOHA (US, Cameron Crowe, 2015) Summary: Interview with Bradley Cooper and Emma Stone, co-stars of the 2015 film ALOHA, about their work on the film and their friendship.Notes: Same article held in the ALOHA (US, Cameron Crowe, 2015) clippings file, under the title 'Rom-com where the stars love to laugh'
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Uninspiring Alice only partly redeemed by Depp's quirkiness in Sydney Morning Herald (27/05/2016) p.20
Call No: TITLE CLIPPINGS FILE; ALICE THROUGH THE LOOKING GLASS (US, James Bobin, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: ALICE THROUGH THE LOOKING GLASS (US, James Bobin, 2016) Summary: Negative review of ALICE THROUGH THE LOOKING GLASS, with the reviewer claiming the filmmakers lacked original ideasRating: 2 out of 5 stars
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US independent films after 1989 : Possible films / edited by Clair Perkins and Constantitne Verevis Edinburgh: Edinburgh University Press, 2015.
Call No: 721.210.4(73) PERAuthor: Perkins, Claire ; Verevis, Constantine Edition: 2015Place: EdinburghPublisher: Edinburgh University PressPubDate: 2015PhysDes: vi, 230 p. : illus. ; 25 cmSubject: ALL THE REAL GIRLS (US, David Gordon Green, 2003) ; BUBBLE (US, Steven Soderbergh, 2005) ; BUFFALO 66 (US, Vincent Gallo, 1998) ; FROZEN RIVER (US, Courtney Hunt, 2008) ; JESUS' SON (US, Alison Maclean, 1999) ; KICKING AND SCREAMING (US, Jesse Dylan, 2005) ; LAUREL CANYON (US, Lisa Cholodenko, 2002) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; LOVELY AND AMAZING (US, Nicole Holofcener, 2001) ; OLD JOY (US, Kelly Reichardt, 2006) ; PARIAH (US, Randolph Kret, 1998) ; PRIMER (US, Shane Carruth, 2004) ; RACHEL GETTING MARRIED (US, Jonathan Demme, 2008) ; SECRETARY (US, Steven Shainberg, 2001) Notes: In contemporary film and popular culture the terms ‘independent’ and ‘indie’ hold instant recognition and considerable cultural cachet. As both a brand of American filmmaking and a keynote of critical film discourse, indie denotes specific textual, industrial and reception practices that have been enthusiastically cultivated across the last decade of the twentieth century and the first of the twenty-first. Underpinning this cultural category is a canon of highly visible films and filmmakers whose ‘maverick’ personas and self-aware stylisation have successfully sold indie as a quality, alternative worldview—figures like Quentin Tarantino, Joel and Ethan Coen, Kevin Smith and Wes Anderson, and films like Slacker, Memento, Happiness and Juno.
US Independent Film After 1989: Possible Films reframes this dominant indie canon by attending to a group of films that have not been so fully subsumed by its critical and promotional rhetoric. In 20 close analyses, a diverse range of leading film scholars and commentators allow the contours of the indie sensibility to emerge in and through their individual experiences of a single film that has not received the sustained critical acclaim of more popular titles. With particular representation from female directors—who are almost wholly excluded from the dominant indie canon—these idiosyncratic films are shown to demonstrate central tenets of indie scholarship and simultaneously emphasise the classifying processes that obscure them. -- publisher's blurbISBN: 9780748692446ID2: 338
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US navy coup for Hannay & Atlab in Australian film review (10-23rd November 1983) vol.1 iss.20 p.3
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Variety international film guide 1999 / edited by Peter Cowie London: Faber and Faber, 1998.
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Violent Movies are Good for You in Melbourne Film Bulletin (April 1969) iss.8 p.5-9
Author: Hosford, Peter PhysDes: ArticleSubject: VIOLENCE IN FILMS ; REPULSION (UK, Roman Polanski, 1965) ; POLANSKI, ROMAN ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; CHASE, THE (US, Arthur Penn, 1966) ; PENN, ARTHUR ; SIEGEL, DON ; HELL IS FOR HEROES (US, Don Siegel, 1961) ; KILLERS, THE (US, Don Siegel, 1964) ; FULLER, SAMUEL ; WHATEVER HAPPENED TO BABY JANE? (US, Robert Aldrich, 1962) ; ALDRICH, ROBERT ; KAZAN, ELIA ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; PAWNBROKER, THE (US, Sidney Lumet, 1964) ; JAMES BOND IN FILMS Summary: Essay discusses the importance of cinematic violence in terms of four categories with reference to particular films, acknowledging that violence can be beautiful.
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Wave of attraction : Aloha in Sunday Canberra Times [Relax] (31/05/15) p.24
Call No: TITLE CLIPPINGS FILE; ALOHA (US, Cameron Crowe, 2015)Author: Mathieson, Craig PhysDes: Clippings File ArticleSubject: CROWE, CAMERON ; ALOHA (US, Cameron Crowe, 2015) Summary: Review of Cameron Crowe's 2015 film ALOHA. Briefly discusses the film in relation to the rest of Crowe's careerRating: 3 out of 5 stars
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Weird signs in Sunday Herald Sun [Scene] (7/05/2017) p.4
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What is a portrait : the images of Vicki Myers / Davida Allen Redfern, N.S.W.: New Endeavour Press, 1991.
Call No: 81ALL ALLAuthor: Allen, Davida ; Allen, Davida. Autobiography of Vicki Myers Place: Redfern, N.S.W.Publisher: New Endeavour PressPubDate: 1991PhysDes: [61] p. : col. ill. ; 22 x 24 cmSubject: ALLEN, DAVIDA Notes: Art companion volume to the Autobiography of Vicki Myers : close to the boneISBN: 1875505024 (pbk.) : $29.95Order Received: 2000Order Type: DonationLON: 8308634
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Who killed Channel 9? : the death of Kerry Packer's mighty TV dream machine / Gerald Stone Sydney: Pan Macmillan Australia, 2007.
Call No: 19NIN STOAuthor: Stone, Gerald Source: ATPlace: SydneyPublisher: Pan Macmillan AustraliaPubDate: 2007PhysDes: xi, 292 p., [12] p. of plates : ill., ports. ; 25 cmSubject: NINE NETWORK ; OWNERSHIP TV. AUSTRALIA ; SEVEN NETWORK ; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA ; ETHICS AND TV ; PUBLISHING AND BROADCASTING LTD ; PACKER, KERRY ; PACKER, JAMES ; ALEXANDER, JOHN ; MUNRO, MIKE ; WENDT, JANA ; LECKIE, DAVID ; MEAKIN, PETER ; GYNGELL, DAVID ; NOBLE, KRIS ; GRAEME-EVANS, POSIE ; BOWER, SUSAN ; STEPHENS, JOHN ; CRESS, JULIAN ; BARBOUR, DAVID ; CHISHOLM, SAM ; WALEY, JIM ; BOLAND, ADAM ; LLEWELLYN, MARK ; MCGUIRE, EDDIE ; LYONS, JOHN ; [SIXTY] 60 MINUTES (AT, 1979-) ; BLOCK, THE [TV] (AT, 2003-) ; CURRENT AFFAIR, A [TV] (AT, 1971- ) ; McLEOD'S DAUGHTERS [TV] (AT, 2001-) ; SUNDAY [TV] (AT, 1981-) ; SUNRISE [TV] (AT, 2003-) ; TODAY [TV] (AT, 1982-) ; TODAY TONIGHT [TV] (AT, 1995-) Summary: Gerald Stone charts the changes that Channel 9 has gone through from 2000 onwards. The book shows reveals that changes within the structure Channel 9's parent company (Publishing and Broadcasting Ltd) had a strong impact on 9's operations and business ethos.ISBN: 9781405038157
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Who the devil made it : conversations with Robert Aldrich, George Cukor, Allan Dwan, Howard Hawks, Alfred Hitchcock, Chuck Jones, Fritz Lang, Joseph H. Lewis, Sidney Lumet, Leo McCarey, Otto Preminger, Don Siegel, Josef von Sternberg, Frank Tashlin, Edgar G. Ulmer, Raoul Walsh / [interviewed by] Peter Bogdanovich New York: Alfred A. Knopf, 1997.
Call No: 802.25 BOGAuthor: Aldrich, Robert, 1918 ; Bogdanovich, Peter, 1939 Edition: 1st edPlace: New YorkPublisher: Alfred A. KnopfPubDate: 1997PhysDes: x, 849 p. : ill. ; 25 cmSubject: LANG, FRITZ ; HAWKS, HOWARD ; VON STERNBERG, JOSEF ; HITCHCOCK, ALFRED ; LUMET, SIDNEY ; DWAN, ALLAN ; WALSH, RAOUL ; MCCAREY, LEO ; CUKOR, GEORGE ; PREMINGER, OTTO ; JONES, CHUCK ; SIEGEL, DON ; TASHLIN, FRANK ; ALDRICH, ROBERT ; ULMER, EDGAR G. ; LEWIS, JOSEPH H. Notes: Includes filmographies and indexISBN: 0679447067Order Received: 1997LON: 96036442; 12700721
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Why Albert? : An interview with Josef Rodl, director of Albert-Why? in Sequence (NZ) (July 1982) iss.343 p.4-5
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[Winds of jarrah, the : stills file]
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With Eisenstein in Hollywood : a chapter autobiography/ including the scenarios of Sutter's gold and An American tragedy/ by Ivor Montagu Berlin: Seven Seas, 1968.
Call No: 81EIS MONAuthor: Montagu, Ivor Source: GEPlace: BerlinPublisher: Seven SeasPubDate: 1968PhysDes: 356 p. : illus., ports ; 19 cm.Subject: ALEXANDROV, GROGORIO Notes: Bibliography: p. 350-352.Language: English
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Wonderland : Alice on Screen / Editors: Emma McRae with Alexandra Heller-Nicholas for Senses of Cinema Port Melbourne, Vic.: Thames and Hudson, ACMI, 2018.
Call No: 757-08 ALIAuthor: Emma McRae ; Heller-Nicholas, Alexandra Edition: 2018Place: Port Melbourne, Vic.Publisher: Thames and Hudson; ACMIPubDate: 2018PhysDes: 240 pages : illustrated ; 32 cmSubject: ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988) ; ALICE IN WONDERLAND (FR/UK, Lou Bunin & Marc Maurette & Dallas Bower, 1949) ; ALICE IN WONDERLAND (US, Bill Osco, 1975) ; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951) ; ALICE IN WONDERLAND (US, Irwin Allen, 1985) ; ALICE IN WONDERLAND (US, Tim Burton, 2010) ; ALICE THROUGH THE LOOKING GLASS (US, James Bobin, 2016) ; ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972) ; ADAPTATIONS ; ADAPTATIONS. CARROLL, LEWIS Summary: Since the publication of Alice’s Adventures in Wonderland in 1865, Lewis Carroll’s Alice has delighted children and adults alike. However, this girl-hero was always destined for life beyond the page.
From silent film to animation, she has been portrayed many times and continues to inspire. Wonderland follows Alice’s journey from page to screen, from 1903’s silent Alice in Wonderland to her first talking film in 1931, to Tim Burton’s recent blockbusters. It celebrates the endurance of Carroll’s stories and characters, and the remarkable technological innovations that have enabled filmmakers to continually reimagine Alice.
Tracing Alice’s evolution on screen, Wonderland is a journey down the rabbit hole and into an enchanted world where expectations are upended and curiosity rewarded. -- publisher's web siteNotes: This publication is produced in partnership with Senses of CinemaISBN: 9780500501177
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Woody Allen : a biography / Eric Lax London: Vintage, 1992, 1991.
Call No: 81ALL LAXAuthor: Lax, Eric Place: LondonPublisher: VintagePubDate: 1992, 1991PhysDes: 385 p., [16] p. of plates ; 20 cmSubject: ALLEN, WOODY Notes: Originally published: London : Jonathan Cape, 1991; Includes indexISBN: 0099914409; 0099914409LON: bnb09991440; 9026513
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Woody Allen / Florence Colombani Paris: Cahiers du cinema, 2010.
Call No: 81 ALL COLAuthor: Colombani, Florence Edition: Rev. English ed.Place: ParisPublisher: Cahiers du cinemaPubDate: 2010PhysDes: 102 p. : ill. (chiefly col.) ; 24 cmSeries: Masters of cinemaSubject: ALLEN, WOODY Summary: Woody Allen (USA, b. 1935) has been a major comic director since the 1970s. Writer, director and actor, his self-portrayal as a neurotic, intellectual, sex-obsessed, Jewish New Yorker seeking comfort in psychoanalysis brought him immense popular success and acknowledged status as a writer ("Manhattan", 1979; and "Deconstructing Harry", 1997). In the 2000s, he left New York to work in Europe, winning over a new audience with fresh inspiration and young actors, including Scarlett Johansson in "Match Point" (2005) and "Vicky Cristina Barcelona" (2008).Notes: Includes filmography and selected bibliographyISBN: 9782866425661Contents: Introduction -- From Brooklyn to the Upper East Side : the young Woody Allen shoots to fame -- A time to laugh : from Take the money and run to Love and death -- King of Manhattan : from Annie Hall to Another woman -- Deconstructing Woody : from Crimes and misdemeanors to Whatever works -- Chronology.
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Woody Allen, an illustrated biography / by Myles Palmer Melbourne: Sun Books, 1980.
Call No: 81ALL PALAuthor: Palmer, Myles Place: MelbournePublisher: Sun BooksPubDate: 1980PhysDes: 142 p. : ill. (some col.), ports. ; 28 cmSubject: ALLEN, WOODY Notes: Comedy: Allen, Woody, 1935-. Biographies (ANB/PRECIS SIN 0478105); American cinema films. Directing. Allen, Woody, 1935-. Biographies (ANB/PRECIS SIN 0478113); First published: New York: Proteus Publishing Company, 1980ISBN: 0725103698 : $9.95 AustLON: anb72510369; 1984191
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Woody Allen on location / by Thierry de Navacelle New York: William Morrow and Company, 1987.
Call No: 79RAD NAVAuthor: Navacelle, Thierry de Source: USPlace: New YorkPublisher: William Morrow and CompanyPubDate: 1987PhysDes: 464 p. : ill. ; 24 cm.Subject: ALLEN, WOODY ; RADIO DAYS (US, Woody Allen, 1987) Summary: The story of the making of the Woody Allen film "Radio Days"ISBN: 0688066437Contents: Acknowledgements -- Introduction -- Cast of principal characters: cast, crew -- Radio days -- Foreword to the reader -- Diary: first shooting -- Diary: reshoot -- Appendix: continuity, credits -- Epilogue
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Woody Allen on Woody Allen : in conversation with Stig BjForkman London: Faber and Faber, 1995.
Call No: 81ALL BJOAuthor: Allen, Woody, 1935- ; BjForkman, Stig Place: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: xii, 288 p. : ill., ports. ; 22 cmSubject: ALLEN, WOODY Notes: Includes index; Translation of: Woody om Allen; Filmography: p. 269-281ISBN: 0571173357; 0571173357 (pbk) : ª8.99 : Formerly CIPLON: gb 95092022; 12086498
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Woody film is saved by star performances in Sunday Telegraph [Insider] (16/08/2015) p.129
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Yves Boisset is shooting "Allons z'Enfants" in Cinema francais (December 1980) iss.40 p.24-27
PhysDes: ArticleSubject: BOISSET, YVES ; ALLONS Z'ENFANT (FR, Yves Boisset, 1981) Summary: Article frames Parisian director Yves Boisset as able to create films that appeal to both critics and the general public. The majority of the article is an interview with Boisset, with the topic of conversation his most recent film "Allons z'Enfant"Notes: French language article side by side with English language version. - Review. - synopsis. - illus.
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Zakazane! : Banned films of the Czechoslovak New Wave / Michael Surina Sydney: Museum of Contemporary Art, Sydney, May 1994.
Call No: 71(437)SURAuthor: Surina, Michael Edition: 1994Place: SydneyPublisher: Museum of Contemporary Art, SydneyPubDate: May 1994PhysDes: 24 p. : illus. ; 21 cm.Subject: CZECHOSLOVAKIA ; BANNED FILMS ; AND THE FIFTH HORSEMAN IS FEAR [A PATY JEZDEC JE STRACH] (CZ, Zbynek Brynych, 1964) ; ADELHEID (CZ, Frantisek Vlacil, 1969) ; COURAGE FOR EVERYDAY (CS, Evald Schom, 1964) ; ALL MY COMPATRIOTS (CZ, Vojtech Jasny, 1968) ; RETROSPECTION (CZ, Antonin Masa, 1968) ; NOBODY GETS THE LAST LAUGH (CZ, Hynek Bocan, 1965) ; JOKE, THE (CZ, Jaromil Jires, 1968) ; CEILING, THE (CZ, Vera Chytilova, 1961) ; [TRI DVA DVA] 322 (CZ, Dusan Hanak, 1969) ; PICTURES OF THE OLD WORLD (CZ, Dusan HanaK, 1972) ; BIRDS, ORPHANS AND FOOLS (CZ, Juraj Jakubisko, 1969) ; FIELD LILLIES (CZ, Elias Havetta, 1972) ; I LOVE, YOU LOVE (CZ, Dusan Hanak, 1980) Notes: Program with A4 insert of screening details.ISBN: 1875632247
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