Search Catalogue

Call No: FESTIVAL CATALOGUE SHELVES
CorpAuthor: International animation film festival in New York
Source: US
Place: US
Publisher: [s.n]
PubDate: 1975
PhysDes: 34 p. : ill. ; 27 cm
Subject: FESTIVALS. NEW YORK; ANIMATION; DISNEY, WALT; JONES, CHUCK; AVERY, TEX; LANTZ, WALTER
Notes: Illustrated with black and white photographs and film stills; Contains several essays about Walt Disney, Chuck Jones, Tex Avery and Walter Lantz

Call No: SUBJECT CLIPPINGS FILE; WALT DISNEY PRODUCTIONS
Author: Gray, Joanna
PhysDes: Clippings File Article
Subject: WALT DISNEY PRODUCTIONS; POWELL, CATHERINE
Summary: Profile piece on Catherine Powell, an Australian based Disney executive who has been hired to run EuroDisney

Call No: 772(73) AME
Author: Peary, Gerald; Peary, Danny, 1949
Edition: 1st ed
Place: New York
Publisher: Dutton
PubDate: c1980
PhysDes: x, 310 p. : ill. ; 23 cm
Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942)
Notes: Includes bibliographies and index
ISBN: 0525476393 : $10.95
LON: 1776676

Call No: 772 FUR
Author: Furniss, Maureen
Edition: 2017
Place: London
Publisher: Thames & Hudson
PubDate: 2017
PhysDes: 464 pages : illustrated ; 28 cm
Subject: ANIMATION; PRE-CINEMA HISTORY; ART AND THE CINEMA; DISNEY, WALT; EXPERIMENTAL FILMS; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; STOP-MOTION TECHNIQUE; JAPAN; MIYAZAKI, HAYAO; UPA; COMIC STRIPS AND THE CINEMA; COMIC STRIP CHARACTERS IN FILMS; COMIC STRIP CHARACTERS ON TV; SVANKMAJER, JAN
Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book. Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web site
ISBN: 9780500252178

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: ARMOUR OF LIGHT, THE (US, Abigail Disney & Kathleen Hughes, 2015)
Cross Reference: ARMOUR OF LIGHT, THE

Call No: 81DIS FEI
Author: Feild, Robert D
Place: London
Publisher: Collins
PubDate: 1944
PhysDes: xv, 290 p. : ill. (some col.) ; 27 cm
Subject: DISNEY, WALT; WALT DISNEY PRODUCTIONS
Notes: First published 1942; Includes index
LON: abn87025187; 5006988

Call No: 81DIS FIN
Author: Finch, Christopher, 1939
Edition: New concise ed
Place: New York
Publisher: H. N. Abrams
PubDate: 1975]
PhysDes: 160 p. illus. (part col.) 29 cm
Subject: DISNEY, WALT; WALT DISNEY PRODUCTIONS
ISBN: 0810903210
LON: 74008435; 440732

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: INTRAMURAL [BALLS OUT] (US, Andrew Disney, 2014)
Cross Reference: INTRAMURAL [BALLS OUT]

Call No: 210.31(73) FRI
Author: Fritz, Ben
Source: US
Place: Boston
Publisher: Eamon Dolan Book/ Houghton Mifflin Harcourt
PubDate: 2018
PhysDes: xxv, 278 pages ; 24 cm.
Subject: SONY CORPORATION; MARVEL ENTERTAINMENT; AMAZON; NETFLIX; IMAX; WALT DISNEY PRODUCTIONS; BUENA VISTA INTERNATIONAL; WARNER BROS.; FRANCHISES; STAR WARS [...] (US, 1977-2015)
Summary: "The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film. In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China. Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, IMAX, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with "universes," and how Disney remade itself in Apple's image and reaped enormous profits. But despite the destruction of the studios' traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era." -- Book jacket.
Notes: Includes bibliographical references (pages 247-263) and index.
ISBN: 9780544789760
Contents: A notes on sources ix -- Introduction: Groundhog Day-How franchises killed originality in Hollywood xii -- Part 1: How Hollywood got here -- The Odd Couple: Lynton and Pascal's glory days at Sony -- Reality Bites: How everything went wrong for the movie business -- Inception: The secret origin of the superhero movie -- Revenge of the Nerds: The rise of Marvel Studios -- Spiderman: Homecoming- why Sony gave up its most valuable asset -- Star Wars: The decline of the A-list -- A Star is Born: Netflix, the new home for movie stars -- Frozen: Why studios stopped making mid-budget dramas -- Trading places: How tv stole movies' spot atop Hollywood -- Part 2: Where Hollywood is headed -- The Terminator: Disney, the perfect studio for the franchise age -- The Producers: Creativity meets franchise managment -- The Shop Around the Corner: Amazon saves the indie film business -- Apt Pupil: China's shifting relationship with Hollywood -- Field of Dreams: Studio defectors and the future of nonfranchise films -- The Last Picture Show?

Call No: 409 GIR
Author: Giroux, Henry A.
Source: US
Place: Malden
Publisher: Blackwell Publishers
PubDate: 2002
PhysDes: 297 p. ; 24 cm
Subject: CULTURE AND THE CINEMA. USA; POLITICS AND THE CINEMA. USA; GENDER AND THE CINEMA; VIOLENCE IN FILMS. USA; CHILDREN AND THE CINEMA; WALT DISNEY PRODUCTIONS; WERTMULLER, LINA; CLARK, LARRY; NORMA RAE (US, Martin Ritt, 1979); LOOKING FOR MR. GOODBAR (US, Richard Brooks, 1977); DEAD POETS SOCIETY (US, Peter Weir, 1989); DANGEROUS MINDS (US, John N. Smith, 1995); PULP FICTION (US, Quentin Tarantino, 1994); ONE EIGHT SEVEN (US, Kevin Reynolds, 1997); FIGHT CLUB (US, David Fincher, 1999)
ISBN: 0631226044
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: DISNEY CHANNEL
Summary: Article and photos of Disney characters visiting ill children

Call No: 772 BEN
Author: Bendazzi, Giannalberto
Place: Bloomington, Ind.
Publisher: Indiana University Press
PubDate: 1994
PhysDes: xxiii, 514 p. : ill. (some col.) ; 25 cm
Subject: CARTOONS; ANIMATED FILMS; ANIMATION; ANIMATORS; DISNEY, WALT
Notes: Includes bibliographical references (p. [447]-456) and indexes
ISBN: 0253311683 (hbk.); 0253209374 (pbk.)
LON: 11082264

Call No: 62 BRA
Author: Branston, Gill
Source: US
Place: Philadelphia
Publisher: Open University Press
PubDate: 2000
PhysDes: p. cm
Series: Issues in cultural and media studies
Subject: POPULAR CULTURE AND THE CINEMA; MODERNISM AND THE CINEMA; AUTHORSHIP; STAR SYSTEM; AUDIENCES; GLOBALISATION; CAPITALISM AND THE CINEMA; CLASS AND THE CINEMA; WALT DISNEY PRODUCTIONS; CULTURE AND THE CINEMA; INTERNET AND THE CINEMA; PERCEPTION; NARRATIVE IN FILMS; GENDER AND THE CINEMA; TYPE CHARACTERS IN FILMS; STUDIO SYSTEM; GAZE IN FILMS; CONSUMERISM AND THE CINEMA; MULVEY, LAURA; THELMA & LOUISE (US, Ridley Scott, 1991)
Summary: "Cinema and Cultural Modernity carves a path through the complex histories and issues of film and cinema studies and vividly explores these in their social and political contexts. It focuses on selected topics such as Hollywood's histories and how authorship, stardom and globalized blockbuster cinema, its pleasures and disappointments, might be thought out. Gill Branston outlines the need for cinema study that is both sensitive to the formal 'textiness' of films, but also less anxious about arguing for its position within broad agendas of representation. She shows how such debates and histories might connect both the very real pleasures of 'consuming' cinema with the need for a critical politics to address the persistent social and cultural inequalities of modernity." -- BOOK COVER
Notes: Includes bibliographical references and index
ISBN: 033520077X (HB); 0335200761 (PB)
LON: 21519736

Call No: 722-053.2(94) POT
Author: Potter, Anna
Edition: 2015
Place: Bristol ; Chicago
Publisher: Intellect
PubDate: 2015
PhysDes: xii, 200 pages : illustrations ; 24 cm
Subject: CHILDREN, PROGRAMMES FOR. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012); AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION; BRITISH BROADCASTING CORPORATION; IRWIN, BINDI; DANCE ACADEMY [TV] (AT, 2010); DISNEY CHANNEL; GURLS WURLD, A [TV](AT/G/SI, 2011); H [TWO OH] 2O [TV] (AT, 2006-); HIGH SCHOOL MUSICAL (US, Kenny Ortega, 2007); MAKO MERMAIDS [MAKO:ISLAND OF SECRETS] [TV] (AT, 2013- ); MY PLACE [TV] (AT, Kim Daiton, 2009); SCREEN AUSTRALIA
Summary: Since the late 1970s, Australia has nurtured a creative and resilient children’s television production sector with a global reputation for excellence. Providing a systematic analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children’s television for digital regimes, Creativity, Culture and Commerce charts the complex new settlements in children’s television that developed from 2001 to 2014 and describes the challenges inherent in producing culturally specific screen content for global markets. It also calls for new public debate around the provision of high-quality screen content for children, arguing that the creation of public value must sit at the centre of these discussions. -- publisher's web site
ISBN: 9781783204410
Contents: Introduction -- Chapter 1: Understanding Children’s Television During the Digital Transition -- Chapter 2: Shaping the Foundations: Establishing an Australian Children’s Television Production Industry -- Chapter 3: A Very Special Audience: Children and Television -- Chapter 4: The National Context: Australian Broadcasters, Children’s Television and Public Value -- Chapter 5: It’s a Small World After All: The Internationalization of Australian Children’s Television -- Chapter 6: Policing the Settlement: Policy and Public Value in Children’s Television -- Chapter 7: Producing Children’s Television for Digital Regimes: Case Studies from the Production Sector -- Chapter 8: New Settlements in Children’s Television: Key Trends and Future Outlook -- References -- Index

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: DISNEY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DISNEY, ABIGAIL

Call No: 19WAL MCD
Author: McDougal, Barbara
Place: [Melbourne]
Publisher: [s.n.]
PubDate: 1994
PhysDes: 59 leaves ; 30 cm
Subject: WALT DISNEY PRODUCTIONS
LON: abn98271701; 14066038

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: DISNEY CHANNEL

PhysDes: Article
Subject: DISNEY CHANNEL; PAY TV
Summary: Short article on the new Disney pay t.v. channel

PhysDes: Article
Subject: SONG OF THE SOUTH (US, Harve Foster & Wilfred Jackson, 1946); DISNEY CHANNEL
Summary: Announcement and photographs of Disney characters from 'Song of the South' arriving in Australia.

Call No: 403(73) WIL
Author: Wills, John
Edition: 2017
Place: New Jersey
Publisher: Rutgers University Press
PubDate: 2017
PhysDes: v, 159 pages ; 19 cm
Series: Quick takes: movies and popular culture
Subject: DISNEY; THEME PARKS AND THE CINEMA; TELEVISION
ISBN: 9780813583327

Call No: 19WAL DIS
Author: Smoodin, Eric Loren
Place: New York
Publisher: Routledge
PubDate: 1994
PhysDes: x, 270 p. ; 24 cm
Subject: DISNEY, WALT; WALT DISNEY PRODUCTIONS; MERCHANDISING; FANTASIA (US, Walt Disney, 1940)
Notes: Includes bibliographical references (p. 237-255) and index
ISBN: 0415906156 (hb : acid-free paper); 0415906164 (pb : acid-free paper)
LON: 93032366; 10475200

Call No: TITLE CLIPPINGS FILE; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Author: Davidson, Darren
PhysDes: Clippings File Article
Subject: WALT DISNEY PRODUCTIONS; HOYTS; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015)
Summary: Report on the massive financial impact the latest STAR WARS film is having on the film industry worldwide and in Australia

Call No: 772(73) MAL
Author: Maltin, Leonard
Place: New York
Publisher: Crown
PubDate: c1973
PhysDes: viii, 312 p. illus. ; 29 cm
Subject: WALT DISNEY PRODUCTIONS
Summary: 'The Disney films' documents Walt Disney's contributions to both movies and television. Plot summaries and critical commentaries are provided for the feature films as well as chapters on short subjects, television shows and posthumous releases.
ISBN: 0517500469
LON: 588782 588782
Donation: donated by Wayne Levy
Contents: Preface -- 1. Introduction -- 2. The feature films -- 3. Without Walt -- 4. The Disney shorts -- 5. Disney on TV -- 6. Disneyana

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DISNEY, GAVAN

Call No: SUBJECT CLIPPINGS FILE; VICE
Author: Hagey, Keach
PhysDes: Clippings File Article
Subject: WALT DISNEY PRODUCTIONS; JOURNALISM; VICE; SMITH, SHANE
Summary: Report on Vice, the digital media company who received $400 million investment from the Disney company, and it's Chief Executive Shane Smith

Call No: SUBJECT CLIPPINGS FILE; WALT DISNEY PRODUCTIONS
Author: White, Dominic -- Mason, Max
PhysDes: Clippings File Article
Subject: WALT DISNEY PRODUCTIONS; VIDEO ON DEMAND
Summary: Walt Disney Company is considering releasing a subscription video on demand service for Australia. Report on what this means for other subscription TV services in Australia, especially Foxtel

Call No: SUBJECT CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: DISNEY PLUS
Notes: import_Batch10C_simon Strong

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DISNEY, ROY EDWARD

Call No: 19WAL HOL; FOLIO
Author: Holliss, Richard; Sibley, Brian, 1949
Place: London, [England]
Publisher: Octopus
PubDate: c1988
PhysDes: 256 p. : ill. ; 33 cm
Subject: WALT DISNEY PRODUCTIONS; DISNEY, WALT; MICKEY MOUSE; FANTASIA (US, Walt Disney, 1940)
Notes: Includes index; Bibliography: p.239-242
ISBN: 0706430409; 0706431405 (jacket)
LON: 6092038 6092038

Call No: 19DIS GRO
Author: Grover, Ron
Source: US
Place: Homewood, IL
Publisher: Business One Irwin
PubDate: c1991
PhysDes: xix, 315 p., [16] p. of plates : ill. (some col.) ; 24 cm
Subject: WALT DISNEY PRODUCTIONS; DISNEY, WALT
Summary: "In 1984, Walt Disney Producations was a sick company. Lackluster attendence at its theme parks and a string of box office disasters had taken their toll on corporate earnings, slahing them to $98 million from $135 million only four years earlier. By 1985, a year after the arrival of Michael Eisner and Frank Wells, Disney's revival was well under way as every area of the company's performance began to show dramatic improvement" -- BOOK BLURB
Notes: Includes bibliographical references (p. 283-300) and index
ISBN: 155623385
Contents: -- introduction -- chapter 1: the house that walt built -- chapter 2: someday my prince will come -- chapter 3: rebuilding the magic kingdom -- chapter 4: team disney -- chapter 5: lord mickey gets richer -- chapter 6: down and out in burbank -- chapter 7: wishing upon a star -- chapter 8: mr. spielberg comes to toontown -- chapter 9: riches beneath the castle --chapter 10: the empty nest -- chapter 11: new lands to conquer -- chapter 12: a kingdom for europe -- chapter 13: guarding the kingdom's coffers -- chapter 14: hollywood shuffle -- chapter 15 : when mickey gets grumpy -- chapter 16: ringing up mickey -- chapter 17: beyond tomorrowland -- notes -- index --

Call No: 81DIS SCH
Author: Schickel, Richard
Source: US
Place: Ney York
Publisher: Simon & Schuster
PubDate: 1986
PhysDes: 384 p. ; 22 cm
Subject: DISNEY, WALT; MICKEY MOUSE
ISBN: 1851450076
Donation: donated by the family of Wayne Levy, 2006

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DISNEY, WALT

Call No: 19DIS STE
Author: Stewart, James B.
Source: US
Place: New York
Publisher: Simon & Schuster
PubDate: 2005
PhysDes: xv, 572 p. ; 25 cm.
Subject: WALT DISNEY PRODUCTIONS; EISNER, MICHAEL; DISNEY, ROY EDWARD; KATZENBERG, JEFFREY; OVITZ, MIKE
Summary: "...Drawing on unprecedented access to both Eisner and Roy Disney, current and former executives and board members, as well as thousands of pages of never-before-seen letters, memos, transcripts, and other documents, James B. Stewart gets to the bottom of mysteries that have enveloped Disney for years: What really caused the rupture with studio chairman Jeffrey Katzenburg, a man who was regarded Eisner as a father but who became his fiercest rival? How could Eisner have so misjudged Michael Ovitz, a man who was not only :the most powerful man in Hollywood" but also his friend, whom he appointed as Disney president and immediately wanted to fire? what caused the break between Eisner and Pixar abruptly abandon its partnership with Disney? Why did Eisner so misturst Roy Disney that he assigned Disney company executives to spy on him? How did Eisner control the Disney board for so long, and what really happened in the fateful board meeting in September 2004, when Eisner played his last cards? ...Stewart describes how Eisner lost his chairmanship, and why he felt obliged to resign as CEO, effective 2006. No other book so thoroughly penetrates the secretive world of the corporate boardroom. Disney War is enthralling tale of one of America's most powerful media and entertainment companies, the people who control it, and those trying to overthrow them. Disney War is an epic achievment. It tells a story that - in its sudden twists, vivid, larger-than-life characters, and thrilling climax - might itself have been the subject of a Disney aminated clasis - except that it's all true." -- BOOK BLURB
Notes: Includes index
ISBN: 0684809931
Contents: Cast member -- Prologue -- Part one: the wonderful world of Disney -- Part two: disenchanted kingdom -- Part three: Disneywar -- Epilogue -- A note on sources -- Acknowledgements -- Index

Call No: PERSONALITY CLIPPINGS FILE; DISNEY, WALT
Author: Hawken, Noel
PhysDes: Clippings File Article
Subject: DISNEY, WALT; WALT DISNEY PRODUCTIONS
Summary: Obiturary of animator and studio head Walt Disney
Notes: old clips pile from June 2015

Call No: 64POS SHA
Author: Shaviro, Steven
Place: London
Publisher: High Risk Books
PubDate: 1997
PhysDes: 192 p
Subject: POSTMODERNISM AND THE CINEMA; DISNEY, WALT; CRONENBERG, DAVID; WARHOL, ANDY; FOUCAULT, MICHEL; LEWIS, HERSCHELL GORDON; SHERMAN, CINDY; MARTIN, DEAN
ISBN: 1852424303
LON: 13253165

Call No: 81DIS EIS
Author: Eisenstein, Sergei, 1898-1948; Leyda, Jay, 1910
Place: London
Publisher: Methuen London
PubDate: 1988
PhysDes: 101 p. : ill., ports. ; 24 cm
Series: Eisenstein texts ; 3
Subject: DISNEY, WALT; WALT DISNEY PRODUCTIONS
Notes: California. Los Angeles. Hollywood. Cinema industries: Walt Disney Productions. Productions: Animated cinema films (BNB/PRECIS); "A Methuen paperback"; Translation from the Russian
ISBN: 0413196402 (pbk.) : ª8.95
LON: bnb41319640; 6230454

Call No: 70 JAC
Author: Jacobs, Lewis, comp
Place: New York
Publisher: Hopkinson and Blake
PubDate: [c1969]
PhysDes: 453 p. illus. 25 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; COLORIZATION; SOCIETY AND THE CINEMA; GERMANY; ANIMATED FILMS; CINEMA VERITE; AUTEUR THEORY; NOUVELLE VAGUE; MUSIC IN FILMS; NEOREALISM; AVANT-GARDE FILMS; MELIES, GEORGES; GRIFFITH, DAVID WARK; CLAIR, RENE; FORD, JOHN; PORTER, EDWIN S.; LESTER, RICHARD; DISNEY, WALT; BERGMAN, INGMAR; TRUFFAUT, FRANCOIS; SARRIS, ANDREW; KAEL, PAULINE; KUROSAWA AKIRA; RESNAIS, ALAIN; FELLINI, FEDERICO; ANTONIONI, MICHELANGELO; BASS, SAUL; MEKAS, JONAS; CITIZEN KANE (US, Orson Welles, 1941); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928)
Notes: Bibliography: p. 438-439
LON: 5011
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: FANTASIA (US, Walt Disney, 1940)

PhysDes: Article
Subject: FANTASIA (US, Walt Disney, 1940); GREATER UNION; SOUNDTRACKS
Summary: Article on 'Fantasia' being re-released by Greater Union with a digital stereophonic sound.

Call No: 62 ARM
Author: Armes, Roy
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1974
PhysDes: 254 p. ; 18 cm
Subject: MODERNISM AND THE CINEMA; REALISM IN FILMS; DOCUMENTARIES; DOCUMENTARY FILMS; CINEMA VERITE; NEOREALISM; EXPRESSIONISM; SURREALISM AND THE CINEMA; UNDERGROUND FILMS; ANIMATION; HISTORY OF CINEMA. SILENT PERIOD; STUDIO SYSTEM; NARRATIVE IN FILMS; STARS; AUTHORSHIP; WALT DISNEY PRODUCTIONS; WESTERNS; LUMIERE, AUGUSTE & LOUIS; MELIES, GEORGES; FLAHERTY, ROBERT; VERTOV, DZIGA; VON STROHEIM, ERICH; RENOIR, JEAN; ROSSELLINI, ROBERTO; EDISON, THOMAS ALVA; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; BUNUEL, LUIS; RESNAIS, ALAIN; GODARD, JEAN-LUC; ANGER, KENNETH; LOACH, KENNETH; CHAPLIN, CHARLES
Summary: Explores the history of cinema by looking at three broad areas - Film Realism, Film Illusion, and Film Modernism, and describes within these areas the most important film-makers, directors and companies within the film industry.
Notes: contains index; contains bibliography with descriptions and recommendations for the books sourced.
ISBN: 0140217010
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Call No: 70"1" JAC
Author: Jacobs, Lea
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: [2015]
PhysDes: xii, 266 pages : illustrations, music ; 24 cm
Subject: DAWN PATROL, THE (US, Edmund Goulding, 1938); DIALOGUE; EISENSTEIN, SERGEI M.; HAWKS, HOWARD; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); SCARFACE (US, Howard Hawks, 1932); TWENTIETH CENTURY (US, Howard Hawks, 1934); WALT DISNEY PRODUCTIONS; SOUND
Summary: The seemingly effortless integration of sound, movement, and editing in films of the late 1930s stands in vivid contrast to the awkwardness of the first talkies. Film Rhythm after Sound analyzes this evolution via close examination of important prototypes of early sound filmmaking, as well as contemporary discussions of rhythm, tempo, and pacing. Jacobs looks at the rhythmic dimensions of performance and sound in a diverse set of case studies: the Eisenstein-Prokofiev collaboration Ivan the Terrible, Disney's Silly Symphonies and early Mickey Mouse cartoons, musicals by Lubitsch and Mamoulian.- from Publisher website.
Notes: Includes bibliographical references (pages 245-252, filmography (pages 253-256) and index.
ISBN: 9780520279650
Contents: Introduction : film rhythm and the problem of sound -- A lesson with Eisenstein : rhythm and pacing in Ivan the Terrible, Part I -- Mickey Mousing reconsidered -- Lubitsch and Mamoulian -- Dialogue timing and performance in Hawks.

Call No: held Vol. 1, no. 1 (Nov. 1939)-v. 1, no. 4 (Winter 1940) - complete
Source: US
Place: New York
Publisher: Arno Press
PubDate: 1968
Subject: DOCUMENTARY FILMS; SOUND; MUSIC IN FILMS; STATE AND THE CINEMA. USA; STATE AND THE CINEMA. CANADA; STATE AND THE CINEMA. BRAZIL; STATE AND THE CINEMA. MEXICO; TRADE UNIONS. USA; POTAMKIN, HARRY ALAN; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); FANTASIA (US, Walt Disney, 1940); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); SHCHORS (UR, Alexander Dovzhenko, 1939); CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937)
Notes: Reprint. Originally published : New York : Kamin Publishers.

Call No: 753.81 FRA
Author: Fleury, James; Hartzheim, Bryan Hikari; Mamber, Stephen
Edition: 2020
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: xvi, 320 pages : illustrated
Subject: FRANCHISES; ALIEN [...] (UK/US, 1979-92); CRITTERS (US, Stephen Herek, 1986); DISNEY; VIDEO GAMES; STAR WARS [...] (US, 1977-2015); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); HOW TO TRAIN YOUR DRAGON (US, Dean DeBlois & Chris Sanders, 2010); TELEVISION; MOBILE AND ONLINE MEDIA; VIRTUAL REALITY
Summary: As Hollywood shifts towards the digital era, the role of the media franchise has become more prominent. This edited collection, from a range of international scholars, argues that the franchise is now an integral element of American media culture. As such, the collection explores the production, distribution and marketing of franchises as a historical form of media-making – analysing the complex industrial practice of managing franchises across interconnected online platforms. Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape. -- publisher's web site
ISBN: 9781474477741
Contents: List of Illustrations -- Acknowledgements – Foreword / Derek Johnson -- Introduction: The Franchise Era / James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber PART I THE FRANCHISE: DEFINING AND HISTORICIZING -- The (Im)Perfect Organism: Dissecting the Alien Media Franchise / James Fleury and Stephen Mamber -- Evil Spawn or Good Business? New Line Cinema, Critters, and Film Franchising at the Margins / Daniel Herbert PART II VIDEO GAMES: SOFTWARE, HARDWARE, AND SPACE -- The Happiest Plays on Earth: Theme Park Franchising in Disneyland Video Games / Heather Lea Birdsall -- ‘Now They’re Playing with Power!’: Nintendo’s Classics and Franchise Legacy Management / Matthew Thomas Payne -- From Cineludic Form to Mise-en-Game: The Ludification of Cinematic Storyworlds in the Star Wars Video Games / Andreas Rauscher PART III: ANIMATION: ADAPTATION ACROSS NATIONS, INDUSTRIES, AND PLATFORMS -- Ghostly Boundaries: Transnational Tensions and Adapting Animation in the Ghost in the Shell Franchise / Brian Ruh -- How to Animate Your Franchise: DreamWorks Animation and the Franchising of How to Train Your Dragon / Rayna Denison PART IV: TELEVISION: NEW DIRECTIONS FOR A LEGACY MEDIUM -- TV Brand-casting, SVOD, and OTT at Comcast and Disney / Jennifer Gillan -- Network Streaming: TV Broadcasters in the Digital Space / Monica Sandler PART V: EMERGENT PLATFORMS: POSSIBLE FUTURES FOR THE MEDIA FRANCHISE -- Transmedia-to-Go: Licensed Mobile Gaming in Japan / Bryan Hikari Hartzheim -- Locating Esports Spectatorship – Studio Audience(ing) and Sites of Speculation / Alexander Champlin -- Hollywood’s VR Vision: New Frontier or Virtually the Same Thing? / James Fleury Index

Call No: TITLE STILL INTERNATIONAL
Source: AT
Publisher: The Walt Disney company
PubDate: [1995?]
PhysDes: 1 photograph : b&w ; 9 x 14 cm.
Subject: GOOFY MOVIE, A (US, Kevin Lima, 1995); GOOFY; DISNEY, WALT
Summary: Two animated characters are posing by pointing to their own faces. One appears to be younger than the other one.
Notes: Adhesive label attached to reverse of the photograph

Author: Cawley, John
PhysDes: Article
Subject: GREMLINS, THE (US, Walt Disney, 1942)
Summary: In depth look at the inspiration and production of Walt Disney's 'The Gremlins'

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 21 x 26 cm
Subject: BROWN, JIM; GREENWOOD, ROSS; TALBOT, LYN; HEALTHY, WEALTHY AND WISE [TV] (AT, Gavan Disney, 1991-1999)
Summary: Three black and white photographs relating to the television program 'Healthy, wealthy and wise'

Call No: 81DIS MIL
Author: Miller, Diane Disney
Source: FR
Place: Paris
Publisher: Libraries Hachette
PubDate: [1960]
PhysDes: 206 p. ; 20 cm
Subject: DISNEY, WALT
Language: French

Call No: 70 FEL
Author: Fell, John
Source: US
Place: New York
Publisher: Holt, Rinehart and Winston
PubDate: 1979
PhysDes: 588 p. : ill. ; 23 cm
Subject: HISTORY AND THE CINEMA; PRODUCTION; ALEXANDROV, GROGORIO; ANTONIONI, MICHELANGELO; BRECHT, BERTHOLD; CAPRA, FRANK; CHAPLIN, CHARLES; DE SICA, VITTORIO; COCTEAU, JEAN; DEMILLE, CECIL B.; DREYER, CARL TH.; DISNEY, WALT; DOVZENKO, ALEKSANDR; EPSTEIN, JEAN; FELLINI, FEDERICO; FRANJU, GEORGES; LANG, FRITZ; MURNAU, FRIEDRICH WILHEL; Pasolini, Pier Paolo; PAUL, ROBERT; PORTER, EDWIN S.; PUDOVKIN, VSEVELOD; RENOIR, JEAN; RESNAIS, ALAIN; ROSSELLINI, ROBERTO; THALBERG, IRVING; TRUFFAUT, FRANCOIS; VERTOV, DZIGA; VIGO, JEAN; VISCONTI, LUCHINO; ZAVATTINI, CESARE; WELLES, ORSON; WYLER, WILLIAM; ZUKOR, ADOLPH; L'­AGE D'OR (FR, Luis Bruñell, 1930); L'ATALANTE (FR, Jean Vigo, 1930); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); METROPOLIS (G, Fritz Lang, 1926); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932)
Notes: Bibliography: p.546-548 Includes index
ISBN: 0030363160
Donation: donated by the family of Wayne Levy, 2006

Call No: 201(73) WAS
Author: Wasko, Janet
Place: Cambridge, U.K.
Publisher: Polity Press
PubDate: 1994
PhysDes: x, 308 p. ill. ; 23cm
Subject: USA; TECHNOLOGY AND THE CINEMA. USA; DISTRIBUTION. USA; PRODUCTION. USA; STUDIOS, FILM. USA; PAY TV. USA; INTERNATIONAL DISTRIBUTION. USA; CABLE TV. USA; INDUSTRY, VIDEO. USA; EXHIBITION. USA; COMPUTERS AND THE CINEMA. USA; INDUSTRY, FILM. USA; TECHNICAL DEVELOPMENTS. USA; PRODUCT PLACEMENT; MURDOCH, RUPERT; NEWS CORPORATION; TWENTIETH CENTURY-FOX; ORION PICTURES; PARAMOUNT STUDIOS; UNIVERSAL PICTURES; WALT DISNEY PRODUCTIONS; TIME WARNER
Notes: Includes index; Bibliography: p. [255]-301
ISBN: 0745603181; 074560319X (pbk.)
LON: 11620231

Call No: 410 HOL
Author: Maltby, Richard, 1952; Stokes, Melvyn
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: 240p. ; 24 cm
Subject: AUDIENCES; SPECTATORSHIP; AUDIENCE RECEPTION; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); FANTASIA (US, Walt Disney, 1940); CENSORSHIP. USA; RELIGION AND THE CINEMA. USA; ON THE BEACH (US, Stanley Kramer, 1959); ETHNIC GROUPS IN FILMS; CINEPHILIA
ISBN: 0851708110; 0851708102(pbk.) : ¦15.99
LON: 21774778

Call No: 210.31 PIC
Author: Pickard, Roy
Source: UK
Place: London
Publisher: Viscount Books
PubDate: 1986
PhysDes: 256 p. : ill. (some col.) ; 32cm.
Subject: BLOCKBUSTERS; WARNER BROS.; UNIVERSAL PICTURES; PARAMOUNT STUDIOS; RKO; COLUMBIA PICTURES; UNITED ARTISTS; WALT DISNEY PRODUCTIONS; Metro-Goldwyn-Mayer; TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.
Summary: A book about Hollywood; through the superstars, films, scandals and stories of the great studios that made Hollywood what it is. It is the story of Hollywood in its golden years, covering the period from sound cinema in the 1920s, up to the 1980s.
ISBN: 0603038077

Call No: 71(73) PIC
Author: Pickard, Roy
Place: London
Publisher: F. Muller
PubDate: 1978
PhysDes: 530 p., [25] leaves of plates : ill. ; 24 cm
Subject: UNIVERSAL PICTURES; PARAMOUNT STUDIOS; UNITED ARTISTS; WARNER BROS.; WALT DISNEY PRODUCTIONS; COLUMBIA PICTURES; Metro-Goldwyn-Mayer; RKO; TWENTIETH CENTURY-FOX
Notes: Includes index; Bibliography: p. [487]-491
ISBN: 0584104456 : ª14.95
LON: 1473681

Call No: SUBJECT CLIPPINGS FILE; WALT DISNEY ANIMATION AUSTRALIA
Author: Chenoweth, Neil
PhysDes: Clippings
Subject: WALT DISNEY ANIMATION AUSTRALIA; BUENA VISTA INTERNATIONAL; TAXES. AUSTRALIA
Summary: Medium length front page article on Disney's corporate restructure that turned a $1 share trade into a $1.3 billion profit less than a month later.

Author: Williams, Bruce
PhysDes: Article
Subject: DISNEY, WALT; MILLS, HAYLEY; CHEVALIER, MAURICE
Summary: Brief review of Walt Disney's "In Search of the Castaways".

Call No: REFERENCE SECTION; 02 WOL
Author: Wolf, William; Wolf, Lillian Kramer
Place: London
Publisher: Paddington Press
PubDate: 1979
PhysDes: 429 p. : ill. ; 25 cm
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SORROW AND THE PITY, THE [CHAGRIN ET LA PITIE, LE] (FR/GW/SZ, Marcel Ophuls, 1969); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); [EIGHT AND A HALF] 8 1/2 [OTTO E MEZZO] (IT, Federico Fellini, 1963); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: incl. index
ISBN: 0709208758
LON: vtb00270168; 10429365

Call No: 22 CAR
Author: Carstairs, John Paddy
Place: London
Publisher: Newnes
PhysDes: 240 p. ; illustrated ; 20 cm
Subject: DISNEY, WALT; MATTHEWS, JESSIE; CRAWFORD, JOAN; CARSTAIRS, JOHN PADDY

Call No: 802.091.11 FRE
Author: French, Philip
Source: UK
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1971
PhysDes: 208 p., [16] p. of plates ; 18 cm
Subject: HISTORY AND THE CINEMA. USA; INDUSTRY, FILM; Metro-Goldwyn-Mayer; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; UNITED ARTISTS; WARNER BROS.; COHN, HARRY; DEMILLE, CECIL B.; DISNEY, WALT; KATZ, SAM; KENNEDY JOSEPH P.; LAEMMLE, CARL; LASKY, JESSE; SCHARY, DORE; SCHULBERG, BUDD; SCHENCK, JOSEPH M; SELZNICK, DAVID O.; SHEARER, NORMA; SKOURAS, SPYROS; SINCLAIR, UPTON; THALBERG, IRVING; WANGER, WALTER; STROHEIN, ERICH VON; ZANUCK, DARRYL F.; ZANUCK, RICHARD; ZUKOR, ADOLPH
Notes: includes bibliographical references and index
ISBN: 297762664
Donation: donated by the family of Wayne Levy, 2006

Call No: 70 MOV
Author: Robinson, David, 1930; Lloyd, Ann, 1945
Place: London
Publisher: Orbis Publishing
PubDate: 1982
PhysDes: 219 p. : ill. (some col.) ; 30 cm.
Subject: HISTORY OF CINEMA. 1940's; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); HAWKS, HOWARD; BERGMAN, INGRID; ROSSELLINI, ROBERTO; VISCONTI, LUCHINO; DE SICA, VITTORIO; WELLES, ORSON; CITIZEN KANE (US, Orson Welles, 1941); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); WYLER, WILLIAM; GOLDWYN, SAMUEL; REED, CAROL; THIRD MAN, THE (UK, Carol Reed, 1949); Powell, Michael; GUINNESS, ALEC; KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949); Lean, David; HUSTON, JOHN; MALTESE FALCON, THE (US, John Huston, 1941); BOGART, HUMPHREY; GARFIELD, JOHN; HAYWORTH, RITA; KELLY, GENE; DONEN, STANLEY; GARLAND, JUDY; BALCON, MICHAEL; DISNEY, WALT; MCLAREN, NORMAN; WELLMAN, WILLIAM; STURGES, PRESTON; HEPBURN, KATHARINE; WALSH, RAOUL
Summary: A look at film in the 1940s with short chapters devoted to films, filmmakers, actors and genres of the period, as well as reports on non-US cinemas.
Notes: Includes index. Includes filmographies.
ISBN: 0856134546

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: McLean, Sandra
Subject: WALT DISNEY PRODUCTIONS; HERITAGE HM; ADVERTISING FOR FILMS; RELIGION AND THE CINEMA. AUSTRALIA; RELIGION AND THE CINEMA; BOX OFFICE; HOPPING, JOHN; CHRONICLES OF NARNIA, THE: THE LION, THE WITCH & THE WARDROBE (US, Andrew Adamson, 2005)
Summary: How The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe is being marketed to Christian audiences throughout Australia and the link to trying to ensure a large box-office for the film.
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
Quotations: -- Mentions that Mel Gibson's The Passion had a 1.3 billion in box office revenue and DVD sales

Call No: 79FAN NUT
Author: Stark, Frederick; Tchaikovsky, Peter Ilich, 1840-1893. Shchelkunchik. Suite
CorpAuthor: Walt Disney Productions
Place: London
Publisher: Collins
PubDate: [1941]
PhysDes: [32] p. : ill. (some col.), music ; 29 cm
Subject: FANTASIA (US, Walt Disney, 1940)
LON: 2629940

Call No: 772(73) MAL
Author: Maltin, Leonard
Place: New York
Publisher: New American Library
PubDate: c1980
PhysDes: ix, 470 p., [4] leaves of plates : ill. (some col.) ; 24 cm
Subject: CARTOONS. USA; COLUMBIA PICTURES; WARNER BROS.; Metro-Goldwyn-Mayer; PARAMOUNT STUDIOS; UPA; WALT DISNEY PRODUCTIONS; DISNEY, WALT; VAN BEUREN STUDIOS; FLEISCHER, MAX; TERRY, PAUL; IWERKS, UB; LANTZ, WALTER
Notes: Includes filmographies and index
LON: 1721928

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: FLYING HIGH II [; ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: 80(73) EHR
Author: Ehrenstein, David
Edition: 1st ed
Place: New York
Publisher: William Morrow and Co.
PubDate: c1998
PhysDes: x, 372 p. : ill. ; 25 cm
Subject: HOMOSEXUALITY AND THE CINEMA. USA; STUDIO SYSTEM; WALT DISNEY PRODUCTIONS; BARKER, CLIVE; CRUISE, TOM; CUKOR, GEORGE; DEGENERES, ELLEN; FOSTER, JODIE; HAINES, WILLIAM; HARRINGTON, CURTIS; HECHE, ANNE; HUDSON, ROCK; HUNTER, TAB; MCKELLEN, IAN; SELLECK, TOM; SPACEY, KEVIN; VAN SANT, GUS; WHALE, JAMES; COHEN, BRUCE; FLEMING, ANDREW; GEFFEN, DAVID; THREESOME (US, Andrew Fleming, 1994); ELLEN [TV] (US, 1995-)
Summary: How homosexual actors and actresses came to define straight America's sexual self-image is only one of the paradoxical and provocative questions explored in Open Secret, a revealing cultural chronicle of gay Hollywood. Part social history and part Tinseltown expose, this entertaining book spans seventy years, painting knowing and vivid portraits of many of Hollywood's foremost gays and lesbians, often in the words of eyewitnesses or the principals themselves
Notes: Includes bibliographical references (p. [341]-356) and index
ISBN: 0688153178 (alk. paper)
LON: 14008751

PhysDes: Article
Subject: DISNEY, WALT; ADVERTISING FOR FILMS
Summary: Article on the success of promotional competition for Walt Disney's 'Peter Pan'

Call No: 802.46-02(73) HOL
Author: Holt, Natalia
Edition: 2020
Place: New York
Publisher: Back Bay Books
PhysDes: xviii, 379 pages, 8 unnumbered pages of plates : illustrations ; 21 cm
Subject: ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951); WOMEN FILM WORKERS; DISNEY, WALT; DISNEY, ROY EDWARD; BAMBI (US, David Hand, 1942); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); FANTASIA (US, Walt Disney, 1940); SLEEPING BEAUTY (US, Clyde Geronimi, 1958); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937)
Summary: From the bestselling author of Rise of the Rocket Girls, the untold, "richly detailed" story of the women of Walt Disney Studios, who shaped the iconic films that have enthralled generations (Margot Lee Shetterly, New York Times bestselling author of Hidden Figures). From Snow White to Moana, from Pinocchio to Frozen, the animated films of Walt Disney Studios have moved and entertained millions. But few fans know that behind these groundbreaking features was an incredibly influential group of women who fought for respect in an often ruthless male-dominated industry and who have slipped under the radar for decades. In The Queens of Animation, bestselling author Nathalia Holt tells their dramatic stories for the first time, showing how these women infiltrated the boys' club of Disney's story and animation departments and used early technologies to create the rich artwork and unforgettable narratives that have become part of the American canon. As the influence of Walt Disney Studios grew — and while battling sexism, domestic abuse, and workplace intimidation — these women also fought to transform the way female characters are depicted to young audiences. With gripping storytelling, and based on extensive interviews and exclusive access to archival and personal documents, The Queens of Animation reveals the vital contributions these women made to Disney's Golden Age and their continued impact on animated filmmaking, culminating in the record-shattering Frozen, Disney's first female-directed full-length feature film. -- publisher's web site
ISBN: 9780316439145
Contents: Preface -- Timeline -- One day when we were young -- Whistle while you work -- When you wish upon a star -- Waltz of the flowers -- Little April shower -- Baby mine -- Aquarela do Brasil -- You're in the army now -- Zip-a-dee-doo-dah -- So this is love -- In a world of my own -- You can fly! -- Once upon a dream -- Dalmatian plantation -- It's a small world -- Up, down, touch the ground -- Part of your world -- I'll make a man out of you -- For the first time in forever -- Happily ever after -- Acknowledgements -- Notes -- Index.

Call No: 81DIS MOS
Author: Mosley, Leonard
Source: US
Place: London
Publisher: Grafton
PubDate: 1986
PhysDes: xii, 303 p. : illus. ; 25 cm
Subject: MICKEY MOUSE; ANNAKIN, KEN; IWERKS, UB; DISNEY, WALT; KIMBALL, WARD; FANTASIA (US, Walt Disney, 1940); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937)
ISBN: 0246124393

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM & TV. AUSTRALIA (WEEKLY SUMMARIES)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: BREATH (AT, Simon Baker, 2017); SEE PICTURES; TICKET TO RIDE [company]; WALT DISNEY PRODUCTIONS; BOX OFFICE. AUSTRALIA; FESTIVALS. AUSTRALIA. ESSENTIAL INDEPENDENTS; WATTS, NAOMI; GYPSY [TV] in production; AVATAR sequels in production; JUSTICE LEAGUE, THE in production; STUFFED (AT, Warwick Young, 2014)
Summary: Round-up of film/tv industry news stories for the week, including: Simon Baker starting shooting of the film BREATH, AVATAR sequels production has begun, THE JUSTICE LEAGUE film starting shooting with well-known producers onboard including Dr George Miller Doug Mitchell, Barrie Osbourne, Managing Director of Australia/NZ Disney Catherine Powell is moving just as Disney's box office share in Australia is growing, Richard Sowada has put together a festival of American Independent cinema, Warwick Young has won Best Foreign Film category at the Beverly Hills Film Festival for his film STUFFED, Naomi Watts will produce and act in the Netflix series GYPSY

Call No: 71(73) JAC
Author: Jacobs, Lewis
Edition: 1968
Place: New York
Publisher: Teachers College Press
PubDate: c1939
PhysDes: xxxii, 632 p. : ill. ; 23 cm
Series: Studies in culture and communication
Subject: MELIES, GEORGES; PORTER, EDWIN S.; GRIFFITH, DAVID WARK; CHAPLIN, CHARLES; DISNEY, WALT; EXPERIMENTAL FILMS. USA; USA
Notes: Includes index; Bibliography: p. 583-606; With an essay "experimental cinema in America 1921-1947"
LON: 3904022 3904022

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROBIN HOOD [Disney] (US, Wolfgang Reitherman, 1973 [prod. 1972])

Subject: DISNEY, ROY EDWARD; AUSTRALIA
Summary: Article on Roy Disney visiting Australia to discuss video and television in relation to Disney

Subject: DISNEY, ROY EDWARD; AUSTRALIA
Summary: Report on Roy Disney's trip to Australia, along with a two-page photospread

Call No: 236 FRY
Author: Fry, Ron; Fourzon, Pamela
Source: UK
Place: London
Publisher: Robert Hale & Company
PubDate: 1978
PhysDes: 212 p. ; 29 cm
Subject: ANIMATION; Metro-Goldwyn-Mayer; MINIATURE WORK; MODEL WORK; MONSTERS IN FILMS; ROBOTS IN FILMS; SCIENCE-FICTION FILMS; SPECIAL EFFECTS; SPECIAL EFFECTS DESIGNERS; STOP-MOTION TECHNIQUE; STORMS IN FILMS; WORLD WAR II AND THE CINEMA; COOPER, MERIAN C.; FULTON, JOHN P.; DEMILLE, CECIL B.; DISNEY, WALT; DUNN, LINWOOD; GILLESPIE, A. ARNOLD; O'BRIEN, WILLIS; PAL, GEORGE; EARTHQUAKE (US, Mark Robson, 1974); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); [TWENTY THOUSAND] 20,000 LEAGUES UNDER THE SEA (US, Richard Fleischer, 1954)
ISBN: 0709170738
Contents: 1. A definition of "special effects" -- 2. The birth of an industry: Edison, Melies, Urban, Paul, and Porter -- 3. Epics without soundtracks: Griffith, Sennett, Keaton, and Lang -- 4. The entertainment decade: Warner's sound, Dunn's optical printer, and O'Brien's King Kong -- 5. Re-creating a world at war: Gillespie, Jennings, Edouart, Hitchcock, and Disney -- 6. The creature-ridden fifties: Pal, Corman, Howard, Japan's Toho studios, Harryhausen and De Mille -- 7. The spectacular sixties, from The time machine to 2001: Vogel, Cruickshank, Danforth, Lee, and Knoth -- 8. The "disastrous" seventies: Allen, Trumbull, Abbott, Mattey, Robinson, Whitlock, and Von Buelow -- Epilogue: De Laurentis' King Kong - the present (and future) of special effects

PhysDes: Article
Subject: FANTASIA (US, Walt Disney, 1940); GREATER UNION; MUSIC, FILM; ADVERTISING FOR FILMS
Summary: Promotional photos of the re-released 'Fantasia', supported by Gretaer Union and 2UE Radio Station.

Call No: 81(049.3)EIS NES
Author: Nesbet, Anne
Edition: 1st ed.
Source: UK
Place: London
Publisher: I.B Taurus
PubDate: 2003
PhysDes: ix, 260 p. : ill. ; 24 cm
Subject: U.S.S.R IN FILMS; RUSSIANS IN FILMS; POLITICAL FILMS; HISTORICAL FILMS; STALIN [J.] IN FILMS; LENIN [V.I.] IN FILMS; POPULAR CULTURE AND THE CINEMA; CIRCUS AND THE CINEMA; PHILOSOPHY AND THE CINEMA; LITERATURE AND THE CINEMA; MYTH AND THE CINEMA; AESTHETICS; ALEXANDROV, GROGORIO; BABEL, ISAAK; BRETON, ANDRE; DISNEY, WALT; FREUD, SIGMUND; HEGEL, GEORG, WILHELM, FRIEDRICH; SHKLOVSKY, VICTOR; SHUMIATSKII, BORIS; SINCLAIR, UPTON; SONTAG, SUSAN; TISSE, EDUARD; TOLSTOY, LEV; TROTSKY, LEON; VERTOV, DZIGA; WELLS, H.G; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); STACHKA [STRIKE] (UR, Sergei M. Eisenstein, 1925); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); STRUCTURALISM; RUSSIA; THEORY
Summary: Based on extensive research in the archives of legendary Russian film director Sergei Eisenstein, this book explores his wide ranging consumption of high and low culture and his wide ranging experience in ‘thinking in pictures’. Savage Junctures plays close attention to the multiple contexts within which Eisenstein’s films evolved. Eisenstein was particularly interested in the possibilities of visual thinking and, in this spirit; each chapter addresses the question of his image based philosophy from a different perspective. [Taken from back cover].
ISBN: 1850433305

Call No: 71 (73) HAR
Author: Harris Mark
Place: Edinburgh
Publisher: Canongate
PubDate: 2008
PhysDes: 490 p., [16] p. of plates : ill. ; 25 cm
Subject: COLUMBIA PICTURES; CRITICISM; CRITICS; DIRECTORS. USA; HISTORY AND THE CINEMA. USA; HOLLYWOOD IN FILMS; JAMES BOND IN FILMS; TWENTIETH CENTURY-FOX; WALT DISNEY PRODUCTIONS; ALLEN, WOODY; ANTONIONI, MICHELANGELO; ASHBY, HAL; BANCROFT, ANNE; BEATTY, WARREN; BENTON, ROBERT; BERGMAN, INGRID; BLAKE, ROBERT; BRANDO, MARLON; BURTON, RICHARD; CAINE, MICHAEL; CARON, LESLIE; CUKOR, GEORGE; COLLINS, JOAN; CONNERY, SEAN; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DANIELS, WILLIAM; DAVIS, SAMMY, Jr.; DAY, DORIS; DUNAWAY, FAYE; DUVALL, ROBERT; FELLINI, FEDERICO; FLEISCHER, RICHARD; FONDA, JANE; FRANKOVICH, MIKE; GODARD, JEAN-LUC; HARRISON, REX; HENRY, BUCK; HEPBURN, KATHARINE; HOFFMAN, DUSTIN; NEWMAN, DAVID; BONNIE AND CLYDE (US, Arthur Penn, 1967); CAMELOT (US, Joshua Logan, 1967); CLEOPATRA (US, Joseph L. Mankiewicz, 1963); COOL HAND LUKE (US, Stuart Rosenberg, 1967); [DOCTOR] DR DOLITTLE (US, Richard Fleischer, 1967); GRADUATE, THE (US, Mike Nichols, 1967); GUESS WHO'S COMING TO DINNER (US, Stanley Kramer, 1967); KAEL, PAULINE; IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967)
Summary: In this book, Mark Harris looks at 1967, and marks it as a pivotal moment in Hollywood's history: the shift from studio -generated epics, westerns and musicals, such as "Doctor Doolitle"to the director-centred European aesthetic seen in "Bonnie & Clyde" and "The Graduate". It was the birth of the New Hollywood. The book look at five films made in this year- "Bonnie & Clyde", "In the heat of the night", "Doctor Doolittle" "The Graduate" and "Guess who's coming to dinner" from the. first draft of the scripts to the impact of their release. The author interviews most of the actors in volved in the making of these films and presents a book about Hollywood and the United States at a critical juncture in their history. [Taken from the cover]
Notes: Includes bibliographical references (p. [432]-438) and index.
ISBN: 9781847671028
ID2: 277

Call No: TITLE CLIPPINGS FILE in production; [TWENTY THOUSAND] 20,000 LEAGUES UNDER THE SEA in production
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: WALT DISNEY PRODUCTIONS; LOCATION SHOOTING. AUSTRALIA; [TWENTY THOUSAND] 20,000 DAYS ON EARTH (UK, Iain Forsyth & Jane Pollard, 2014)
Summary: Snippet on the possibility that Disney studios will shoot the blockbuster '20,000 Leagues Under the Sea' in Australia

Call No: SUBJECT CLIPPINGS FILE; WALT DISNEY PRODUCTIONS
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: WALT DISNEY PRODUCTIONS
Summary: Disney studio expected to make a loss on Craig Gillespie's The Fines Hours

Call No: TITLE CLIPPINGS FILE; BFG, THE (UK/CN/US, Steven Spielberg, 2016)
Author: Galvin, Nick with New York Times
PhysDes: Clippings File Article
Subject: WALT DISNEY PRODUCTIONS; BFG, THE (UK/CN/US, Steven Spielberg, 2016)
Summary: Snippet on the lower than expected box office returns for the film THE BFG and the implications for the Disney company

Call No: 81 STA GOL
Author: Golding, Dan
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2019
Subject: STAR WARS (US, George Lucas, 1977); LUCAS, GEORGE; MERCHANDISING; NOSTALGIA; WALT DISNEY PRODUCTIONS; STAR WARS: THE FORCE AWAKENS (US, J.J. Abrams, 2015); ROGUE ONE: A STAR WARS STORY (US, Gareth Edwards, 2016); STAR WARS: THE LAST JEDI (US, Rian Johnson, 2017); FRANCHISES; STAR WARS: REBELS
Summary: Focusing on The Force Awakens (2015), Rogue One (2016), The Last Jedi (2017), and the television series Rebels (2014–18), Dan Golding explores the significance of pop culture nostalgia in overcoming the skepticism, if not downright hostility, that greeted the Star Wars relaunch. In its granular textual readings, broad cultural scope, and insights into the complexities of the multimedia galaxy, this book is as entertaining as it is enlightening.
Notes: Includes bibliographical references and index.
ISBN: 9781517905422
Contents: Introduction: Star wars and the history of nostalgia Before the empire: the politics of George Lucas and the critique of the original trilogy It calls to you: selling Star wars in 2015 Look how old you've become: the force awakens as legacy film An awakening: diversity as the politics of the force awakens Just like old times?: music, seriality, and the fugue of the force awakens You have to start somewhere: contrasting nostalgias in the force awakens and rogue one You think anybody's listening?: fighting fascism in rogue one and rebels I've always hated watching you leave: death, Han Solo, and Carrie Fisher I will finish what you started: Star wars from the last jedi and beyond.

Call No: 19DIS TAY
Author: Taylor, John
Source: US
Place: New York
Publisher: Alfred A. Knopf
PubDate: 1987
PhysDes: x, 261 p., [16] p. of plates : ill. ; 26 cm
Subject: WALT DISNEY PRODUCTIONS; INDUSTRY, FILM; PRODUCTION COMPANIES & STUDIOS. USA; PRODUCTION COSTS; PRODUCTION DEALS; WALT DISNEY PRODUCTIONS; AHMANSON, CAROLINE; BAGNALL, MICHAEL; BALDWIN, ROBERT; BASS, SID RICHARDSON; BERGER, RICHARD; BOESKY, IVAN; CHAMBERS, RICHARD; CHECCHI, ALFRED; COBB, CHARLES; DAILY, PETER; DAVIS, MARTIN; DAVIS, MARVIN; DILLER, BARRY; DISNEY, ROY EDWARD; DISNEY, WALT; DRAPKIN, DONALD; EISNER, MICHAEL; FLOM, JOSEPH; GOLD, STANLEY; JACOBS, IRWIN; HAWLEY, PHILIP; KELLNER. PETER; MILLER, RONALD; RAINWATER, RICHARD; STEINBURG, SAUL; WATSON, RAYMOND L
Summary: "The riveting account of how a covey of corporate raiders and Wall Street mercenaries launched an assault on that bastion of American values, Walt Disney Productions, and of the furious combat that followed" - BOOK JACKET
Notes: Includes index
ISBN: 0394546407
Donation: donated by the family of Wayne Levy, 2006

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Keating, Gina
Subject: PIXAR; WALT DISNEY PRODUCTIONS; INCREDIBLES, THE (US, Brad Bird, 2004)
Summary: The Incredibles look set to become the 2nd highest selling DVD of all time behind Finding Nemo. Article also talks about relationship between Pixar and Walt Disney company.
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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PhysDes: Article
Subject: TRON (US, Steven Lisberger, 1982); DISNEY CHANNEL; GREATER UNION
Summary: Brief article on a TRON video game being donated to the Royal Alexandra Hospital for Children.

Call No: 71(73) "200"
Author: Archer, Neil
Edition: 2019
Place: New York; Chichester, UK
Publisher: Wallflower Press
PhysDes: 118 pages : illustrated ; 22 cm
Subject: AUDIENCE RESEARCH. USA; DEL TORO, GUILLERMO; DISNEY; FRANCHISES; MARVEL; PIXAR; WARNER BROS.
Summary: Twenty-First-Century Hollywood looks into the contexts of studio film production in the new century in order to understand what shapes the style and content of present-day cinema. In an era dominated in box-office terms by the franchise and the family film, this book combines close textual readings and industrial analysis, illustrating why these kinds of movies are favored in the contemporary climate by producers and audiences alike. Neil Archer critically explores the narrative and aesthetic strategies at work in Hollywood’s most high-profile films, from Harry Potter, to Marvel’s Cinematic Universe, to The Lego Movie. Along the way, the book answers some often unexpected questions: Why is Hollywood nervous about flying saucers? Why might the cinematic auteur be Hollywood’s savior? And why are the most grown-up movies those made for children? As this study shows, like the films themselves, the answers to these questions are often complex and surprising. -- publisher's web site
ISBN: 9780231191593
Contents: Acknowledgements -- Introduction: Rebooted? -- 1. Why Can’t Hollywood Rely on Flying Saucers? Industry, Audience and Franchise Logic -- 2. What Does Hollywood Really Like About Comic Books? Structure and Style in Marvel’s Cinematic Universe -- 3. Is Hollywood Saving the World, or Is the World Saving Hollywood? Industrial Authorship and Experimental Blockbusters -- 4. Why Are the Most Grown-Up Films Made for Children? Ways of Playing in the Family Film -- Filmography -- Bibliography -- Index

Call No: 19DIS WAS
Author: Wasko, Janet
Source: UK
Place: Cambridge
Publisher: Polity
PubDate: 2001
PhysDes: ix, 261 p. : ill., 24 cm
Subject: CULTURAL IMPERIALISM; WALT DISNEY PRODUCTIONS; DISNEY CHANNEL; DISNEY, WALT
Summary: Examines the phenomena of the 'Disney Universe' by attempting to explore the impact on popular culture that Disney has had since the 1930's.
Notes: Reprinted: 2002
ISBN: 0745614841

Call No: 81DIS ELI
Author: Eliot, Marc
Place: Secaucus, N.J.
Publisher: Carol Pub. Group
PubDate: 1993
PhysDes: xxii, 305 p. : ill. ; 24 cm
Subject: WALT DISNEY PRODUCTIONS; DISNEY, WALT
Summary: Everyone remembers him as the creator of Mickey Mouse, Donald Duck, Bambi, Dumbo, Cinderella, Snow White and the Seven Dwarfs, and Fantasia. His films and characters inspired the great Disney theme parks. A creative genius, Walt Disney brought love and laughter to children everywhere. Now for the first time, Marc Eliot presents the real Walt Disney. The author reveals Walt Disney's twenty-five-year association with J. Edgar Hoover's FBI, serving as a Hollywood-based official informant before being promoted to the rank of Special Agent in Charge, rooting out Communists, subversives, and Jews. A lifelong anti-Semite, he absorbed his prejudice from his father, a strict fundamentalist who believed in corporal punishment and forced child labor; Walt Disney's phobic behavior is examined in detail, as is his obsessive hand-washing, heavy drinking, and sexual inadequacies. Unwilling to accept his father's violence as a form of love, and unwilling to "prove" his own identity, he feared he had actually been adopted in infancy and was illegitimate. He spent a lifetime searching for his real mother. Marc Eliot shows how these psycho-sexual conflicts drove Walt to the depths of lifelong despair and how they found expression in his "classic" animated characters and films, now so deeply embedded in American culture. In fact, they were created by a man who used the wealth and prestige they gave him to mold a nightmare empire of vengeance and power. Told against a panoramic view of Hollywood's golden age of glamour and backdoor politics, Walt Disney: Hollywood's Dark Prince is a fascinating work that concludes with a look into the Disney empire as it exists today
Notes: "A Birch Lane Press Book."; Includes bibliographical references and index
ISBN: 155972174X : $21.95
LON: 92038788; 9605598

Call No: 81DIS MIL
Author: Disney Miller, Diane; Martin, Pete, 1901
Place: Long Acre, London
Publisher: Odhams Press
PubDate: 1957
PhysDes: 223 p., [26] p. of plates : ill ; 22 cm
Subject: DISNEY, WALT
Notes: Filmography: p. 216-220; Includes index
LON: abn80019295; 1779969

Author: Mosley, Leonard
Source: UK
Place: London
Publisher: Grafton Books
PubDate: 1986
PhysDes: 303 p. ; 26 cm
Subject: DISNEY, WALT
ISBN: 0246124393
Donation: donated by the family of Wayne Levy, 2006

Call No: 81DIS THO
Author: Thomas, Bob
Source: UK
Place: London
Publisher: Star Books [paperback division of W H Allen]
PubDate: 1981, c1976
PhysDes: xvii, 392 p. ; 18cm
Subject: DISNEY, WALT
ISBN: 0352309725

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: WALT DISNEY ANIMATION AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: WALT DISNEY PRODUCTIONS

Call No: 91 WAL
Author: Hillier, Bevis; Shine, Bernard C.
Source: UK
Place: London
Publisher: Octopus Books
PubDate: 1986
PhysDes: 180 p. : ill. ; 26 cm
Subject: MICKEY MOUSE; WALT DISNEY PRODUCTIONS; MEMORABILIA
Summary: Covering the ten-year period during which the most sought-after and the best of the classic Mickey articles were produced (1928-1938) , this lively book, created with the full co-operation and input of the Walt Disney Archives, brings to print for the first time the finest and rarest early Mickey memorabilia. Drawn from the world's greatest collections, the objects are comprehensively categorized and illustrated in over 230 especially commissioned, stunning full-colour photographs. -BOOK JACKET
ISBN: 0706428404
Donation: donated by the family of Wayne Levy, 2006
Contents: -- Contents -- Acknowledgements -- Preface Ward Kimball -- Introduction Bevis Hillier -- Tin Toys -- Celluloid Toys -- Toys of Other Materials -- Dolls and Puppets -- Figures -- Timepieces -- Tableware -- Buttons and Miscellaneous -- Publications -- Cards and Posters -- Original Art -- Collectors and Collections -- Bibliography -- Bisqueography -- List of Licensees

PhysDes: Article
Subject: TEX (US, Tim Hunter, 1982); DISNEY CHANNEL; DILLON, MATT; JOHNSON, BEN; GREATER UNION
Summary: Synopsis of new Disney film 'TEX', with a discussion of its actors and Disney's depart from their usual style of film.

Call No: 227.4KOE
Author: Koehler, William R.
CorpAuthor: `
Place: New York
Publisher: Howell Book House
PubDate: 1979
PhysDes: 252 p. : ill. ; 26 cm
Subject: ANIMALS IN FILMS; WALT DISNEY PRODUCTIONS; BIG RED (US/CA, Norman Tokar, 1962); INCREDIBLE JOURNEY, THE (CN/US, Flecher Markle, 1963); SHAGGY DOG, THE (US, Charles Barton, 1959); SWISS FAMILY ROBINSON (UK, Ken Annakin, 1960); THAT DARN CAT! (US, Robert Stevenson, 1965); THOSE CALLOWAYS (US, Norman Tokar, 1965); TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960); UGLY DACHSHUND, THE (US, Norman Tokar, 1966)
ISBN: 0876058101
Donation: donated by the family of Wayne Levy, 2006