book
Family fictions : representations of the family in 1980s Hollywood cinema. / Sarah Harwood; foreword by Janet Thumin; consultant editor Jo Camping Houndmills, Basingstoke, Hamps: Macmillan, 1997.
Call No: 747.4 HARAuthor: Harwood, Sarah Source: UKPlace: Houndmills, Basingstoke, HampsPublisher: MacmillanPubDate: 1997PhysDes: x, 265p. ; 23cmSubject: FAMILY IN FILMS ; SOCIAL-REALISM IN FILMS ; SOCIETY AND THE CINEMA ; SOCIOLOGY AND THE CINEMA ; BARRYMORE, DREW ; BRIDGES, LLOYD ; CLOSE, GLENN ; DOUGLAS, MICHAEL ; GRAVES, PETER ; NIELSEN, LESLIE ; WILLIS, BRUCE ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FATAL ATTRACTION (US, Adrian Lyne, 1987) ; AIRPLANE (US, Jim Abrahams & David Zucker & Jerry Zucker, 1980) ; TERMS OF ENDEARMENT (US, James L. Brooks, 1983) Summary: What do ET, Fatal Attraction and Look Whos Talking have in common? . As well as being amongst the most popular films at the UK box office of recent years all three represent dysfunctional families, families which profoundly transgressed contemporary ideological norms. The eighties were a decade in which the family occupied a pivotal position in an increasinglingly complex social and moral universe and film itself enjoyed a resurgence. Sarah Harwood argues that Hollywood cinema engaged with debates over the' crisis in the family' in intense and complex ways, both feeding and resisting dominant social mythologies In a fascinating analysis of films as diverse as 'Aiplane!' and 'Terms of Endearment' Family Fictions maps the functions, paradoxes and pleasures of familial representations in recent times. These startling analyses shed light on power and gender relations in contemporary cinema as well as on how the films themselves engaged with their broader cultural contextsNotes: Filmography : p. 248-252; Bibliography : p. 253-258; Includes indexISBN: 0333648439 (hbk); 0333648447 (pbk)
More info
book
Film in Australia : an introduction / Albert Moran and Errol Vieth Port Melbourne: Cambridge University Press, 2006.
More info
book
More than night : film noir in its contexts / James Naremore Berkeley: University of California Press, c1998.
Call No: 734.1 NARAuthor: Naremore, James Place: BerkeleyPublisher: University of California PressPubDate: c1998PhysDes: xiv, 345 p. : ill. ; 24 cmSubject: FILM NOIR ; BLACKLISTING. USA ; B-MOVIES ; ASIANS IN FILMS ; BLACKS IN FILMS ; CENSORSHIP ; HERO IN FILMS ; MODERNISM AND THE CINEMA ; FILMS IN FILMS ; DRUGS IN FILMS ; POLITICS AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; DETECTIVE FILMS ; SOCIAL-REALISM IN FILMS ; CRIMINALS IN FILMS ; VIOLENCE IN FILMS ; WAR VETERANS IN FILMS ; SOCIAL PROBLEMS IN FILMS ; WASHINGTON, DENZEL ; ALDRICH, ROBERT ; CHANDLER, RAYMOND ; DUNAWAY, FAYE ; MUSURACA, NICHOLAS ; FRANKLIN, CARL ; FRANKENHEIMER, JOHN ; GREENE, GRAHAM ; HAMMETT, DASHIELL ; JACKSON, SAMUEL L. ; LADD, ALAN ; BLUE DAHLIA, THE (US, George Marshall, 1946) ; PULP FICTION (US, Quentin Tarantino, 1994) ; CHINATOWN (US, Roman Polanski, 1974) ; CROSSFIRE (US, Edward Dmytryk, 1947) ; DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; KISS ME DEADLY (US, Robert Aldrich, 1955) ; MALTESE FALCON, THE (US, John Huston, 1941) ; OUT OF THE PAST (US, Jacques Tourneur, 1947) Notes: Includes bibliographical references (p. 309-318) and indexesISBN: 0520212932 (alk. paper); 0520212940 (pbk. : alk. paper)LON: 13441055
More info
book
The New Australian cinema / editor: Scott Murray, associate editor: Peter Beilby West Melbourne, Vic.: Nelson, 1980.
More info
book
Sex, class, and realism : British cinema, 1956-1963 / John Hill London: BFI Pub., 1986.
Call No: 744.1(41) HILAuthor: Hill, John Place: LondonPublisher: BFI Pub.PubDate: 1986PhysDes: 228 p. : ill. ; 24 cmSubject: UNITED KINGDOM ; SOCIAL-REALISM IN FILMS. UK ; SOCIAL PROBLEMS IN FILMS. UK ; WORKING CLASS IN FILMS. UK ; ANDERSON, LINDSAY ; DEARDEN, BASIL ; WILLIS, TED ; RANK ORGANISATION ; BLUE LAMP (UK, Basil Dearden, 1949) ; CAGE OF GOLD (UK, Basil Dearden, 1950) ; I BELIEVE IN YOU (UK, Basil Dearden & Michael Relph, 1952) ; SAPPHIRE (UK, Basil Dearden, 1959) ; VIOLENT PLAYGROUND (UK, Basil Dearden, 1957) ; BOYS, THE (UK, Sidney J. Furie, 1962) ; ENTERTAINER, THE (UK, Tony Richardson, 1960) ; LOOK BACK IN ANGER (UK, Tony Richardson, 1959) ; TASTE OF HONEY, A (UK, Tony Richardson, 1961) ; I'M ALL RIGHT JACK (UK, John Boulting, 1959) ; KIND OF LOVING, A (UK, John Schlesinger, 1962) ; PETTICOAT PIRATES (UK, David MacDonald, 1961) ; SATURDAY NIGHT AND SUNDAY MORNING (UK, Karel Reisz, 1960) ; SOME PEOPLE (UK, Clive Donner, 1962) ; WOMAN IN A DRESSING GOWN (UK, J. Lee Thompson, 1957) ; SONS AND LOVERS (UK, Jack Cardiff, 1960) ; VICTIM (UK, Basil Dearden, 1961) Notes: "Select filmography": p. 180-222; Includes bibliographies and indexISBN: 0851701329 : ¦20.00; 0851701337 (pbk.)LON: 87111868; 5748139
More info