personality clippings file |
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Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: ISITT, DEBBIE
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in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.10 More info |
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in Australasian Cinema (24/9/1982) vol.11 iss.17 p.4 More info |
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in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4 More info |
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2SM's unique 'Moving Out' promotional launch in Australasian Cinema (10/6/1983) vol.12 iss.10 p.3 More info |
festival catalogue |
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3rd International animation film festival in New York : September 30 - October 4 1975 / International animation film festival in New York US: [s.n], 1975. Call No: FESTIVAL CATALOGUE SHELVES CorpAuthor: International animation film festival in New York Source: US Place: US Publisher: [s.n] PubDate: 1975 PhysDes: 34 p. : ill. ; 27 cm Subject: FESTIVALS. NEW YORK; ANIMATION; DISNEY, WALT; JONES, CHUCK; AVERY, TEX; LANTZ, WALTER Notes: Illustrated with black and white photographs and film stills; Contains several essays about Walt Disney, Chuck Jones, Tex Avery and Walter Lantz
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$26.7m investment down turn in Oz film and T.V. in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.15 More info |
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The 33rd Sydney film festival in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.5 More info |
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35mm dreams / Sue Mathews Ringwood, Vic.: Penguin, 1984. Call No: 802.25(94) MAT Author: Mathews, Sue, 1952 Source: AT Place: Ringwood, Vic. Publisher: Penguin PubDate: 1984 PhysDes: 295 p. : ill., ports. ; 20 cm Subject: DIRECTORS. AUSTRALIA; DIRECTION; INDUSTRY, FILM. AUSTRALIA; SCHEPISI, FRED; WEIR, PETER; ARMSTRONG, GILLIAN; DUIGAN, JOHN; MILLER, GEORGE Summary: "In this collection of interviews, five of Australia's most successful film directors discuss Australian cinema - from the startling resurgence of the industry to their roles as directors compared with those overseas. They talk about how films actually get made, their individual cinematic aspirations, and discuss issues such as whether Australian films should become more 'international'. These interviews make up a portion of new Australian cinema." [Book blurb] Notes: Australian cinema films. Directors. Interviews (ANB/PRECIS SIN 0699594); Australian cinema films (ANB/PRECIS SIN 0390917); Cover subtitle: Conversations with five directors about the Australian film revival; Filmography: p. 279-293 ISBN: 0140067094 : $9.95 Aust LON: anb14006709; 3025187 ID2: 161
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975. Call No: 802.25 FIF Author: Cowie, Peter Place: South Brunswick, N.J. Publisher: A. S. Barnes PubDate: c1975 PhysDes: 287 p. : ill. ; 29 cm Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO Notes: Includes filmographies and index ISBN: 0498012557 : $20.00 LON: 723676 ID2: 291
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100 Anime / Brophy, Philip London: British Film Institute, 2005. Call No: 772 (52) BRO Author: Brophy Philip CorpAuthor: BFI Place: London Publisher: British Film Institute PubDate: 2005 PhysDes: 17 cm; 262 pp Series: BFI Screen Guides Subject: NEON GENESIS EVANGELION (JA, 199?); AKIRA (JA, Katsuhiro Otomo, 1989); SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1); BLOOD: THE LAST VAMPIRE (CN, Micahel Storey, 1998); KOKAKU KIDOTAI (JA/UK Oshii Mamoru, 1995); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); STEAMBOY (JA, Katsuhiro Otomo, 2004); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); JAPAN; ANIMATION; MANGA Summary: 100 Anime is an exhilarating guide to the wonderfully complex and beautifully disorientating world of Japanese animation - anime. Philip Brophy delves deep into the chaos of meaning engendered by anime's mutation of Eastern and Western themes, images and sounds, enabling the reader to navigate the post-war shock waves that still propel Japan's popular culture. Individual entries on 100 key anime films, from Akira to Spirited Away by way of Blue Seed, Ghost in the Shell and Neon Genesis Evangeleon, present plot synopses and discussion of the films' sources and influences and major themes, as well as information about the sub genre or genres to which each film belongs, and selected credits. Philip Brophy's introduction to the volume provides a framework for understanding the 100 films in terms of the vast anime industry, as well as explaining how the calligraphic tradition contributed to the development and popularity of anime, and highlighting the events and themes in Japanese culture that have shaped and are reflected in anime. [Taken from back cover] ISBN: 1844570843
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100 westerns / Edward Buscombe London: British Film Institute, 2006. Call No: 736.1 BUS Author: Buscombe, Edward CorpAuthor: BFI Source: UK Place: London Publisher: British Film Institute PubDate: 2006 PhysDes: 248 p. : 17 cm Series: BFI Screen Guides Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.] ISBN: 1844571122
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The 1969 Melbourne Film Festival in Melbourne Film Bulletin (July 1969) iss.9 p.9-19 More info |
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The 1983 AFI nominations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.8 More info |
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'1984' wins awards Best Film, Best Actor in Australasian Cinema (Friday, 30/11/1984) vol.13 iss.20 p.4 More info |
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1986 challenges showman in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6 More info |
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The 2004 awards in Empire (Australian Ed.) (June 2004) iss.39 p.75-82 More info |
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450,000' of historical film located in first year of "Lost Film Search" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22 More info |
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The A.F.I.s: turning Japanese in Empire (Australian Ed.) (January 2004) iss.34 p.22 More info |
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A.V.A. holds second convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4 More info |
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Abbas Kiarostami / Mehrnaz Saeed-Vafa and Jonathan Rosenbaum Urbana, Ill ; Chicago: University of Illinois, 2003. Call No: 81KIA SAE Author: Saeed-Vaffa, Mehrnaz; Rosenbaum, Jonathan Source: US Place: Urbana, Ill ; Chicago Publisher: University of Illinois PubDate: 2003 PhysDes: ix, 151 p. : ill. ; 22 cm Series: Contemporary film directors Subject: IRAN; DOCUMENTARY DRAMAS; KIAROSTAMI, ABBAS; Rosenbaum, Jonathan; SAEED-VAFFA, MEHRNAZ; ABC AFRICA (IR, Abbas Kiarostami, 2001); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); MASHGH-E SHAB (IR, Abbas Kiarostami, 1989); ZENDEGI VA DIGAR HICH (IR, Abbas Kiarostami, 1992); TA' M E GUILASS (IR, Abbas Kiarostami, 1997); ZIRE DARAKHTAN ZEYTON (IR, Abbas Kiarostami, 1994); KHANCH-YE DOUST KOJAST (IR, Abbas Kiarostami, 1989); VENT NOUS EMPORTERA, LE (FR/IR, Abbas Kiarostami, 1999) Summary: Connected by discussions between the authors on topics including the ethical dimensions of Kiarostami's style and the political implications of his films, this series of linked essays includes American and Iranian readings of his features and shorts. [taken from back cover] ISBN: 0252071115
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Abel Gance / Steven Philip Kramer Boston: Twayne Publishers, May 1978. Call No: 81 GAN KRA Author: Kramer, Steven Philip Edition: 1978 Source: US Place: Boston Publisher: Twayne Publishers PubDate: May 1978 PhysDes: 200 p. : ill. ; 21 cm. Series: Twayne's theatrical arts series Subject: GANCE, ABEL; GANCE, ABEL; J'ACCUSE (FR, Abel Gance, 1938); NAPOLEON (FR, Abel Gance, 1927); ROUE, LA (FR, Abel Gance, 1922); GRAND AMOUR DE BEETHOVEN, UN (FR, Abel Gance, 1936) Notes: Includes index.; Bibliography: p. 175-183.; Filmography: p. 184-195. ISBN: 0805792546
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ABKO films to make Sam Cooke biopic in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.8 Subject: INDUSTRY, FILM Summary: Article on the announcement of 'A Change Is Gonna Come'
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Aboriginality in Australian cinema : representations of Aborigines in selected features and documentaries, 1955-1987 / Karen Una Jennings 1987. Call No: 451-054(=1-81) JEN Author: Jennings, Karen Una CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication Programme PubDate: 1987 PhysDes: iv, 167 leaves ; 30 cm Subject: ABORIGINAL AUSTRALIAN CINEMA; AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977); ELIZA FRASER (AT, Tim Bustall, 1976); MANGANINNIE (AT, John Honey, 1980); BACKLASH (AT, Bill Bennett, 1986); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975) Notes: Bibliography: p. 153-67 LON: abn89090906; 9151758
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Absalom's outback / John Mabey Sydney: Australian Broadcasting Commission in association with Rigby, 1981. Call No: 79JAC MAB Author: Mabey, John Source: AT Place: Sydney Publisher: Australian Broadcasting Commission in association with Rigby PubDate: 1981 PhysDes: 112 p. : col. ill. ; 26 cm Subject: JACK ABSALOM'S AUSTRALIA'S OUTBACK JOURNEY [TV] (AT, 1981) Summary: Includes chapters on Aborigines of the Everards and the Flinders Ranges; stories and recent history of Pitjantjatjara and Ardjamunda people of these areas ISBN: 0642975973 Donation: donated by the family of Wayne Levy, 2006
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Access lightbulb moments on tap in Canberra Times (26/10/2016) p.2 More info |
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Access video Carlton, Vic.: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative, 1977. Call No: held v.4, no.1-v.6, no.3 Dec. 1977-June/July 1980 lacks v.5, no.1 CorpAuthor: Open Channel Co-operative (Melbourne, Vic.); Paddington Video Resource Centre Source: AT Place: Carlton, Vic. Publisher: Paddington Town Hall Trust for the Paddington Video Resource Centre and the Melbourne Access Video and Media Co-operative PubDate: 1977 PhysDes: v. : ill. ; 29 cm Subject: OPEN CHANNEL; TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA Notes: Cover title; Continues Access video news ISSN: 0158-989X LON: abn83046910; 2611345
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Access video news / National Access Media Association Melbourne: Video Resource Centre, 1975-1977. Call No: held under ACCESS VIDEO; held vol.1 no 2 Sep 1975 - vol.6 no.3 Winter 1980 (incomplete) CorpAuthor: National Access Media Association; Video Resource Centre (Melbourne, Vic.) Source: AT Place: Melbourne Publisher: Video Resource Centre PubDate: 1975-1977 PhysDes: 3 v. : ill. ; 29 cm Subject: OPEN CHANNEL; INDUSTRY, TV. AUSTRALIA Notes: Caption title; Continued by Access news ISSN: 0313-726 LON: abn84223888; 3419071
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Ace Buys Perth Properties in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.8 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Piece on Ace Theatres' recent peoperty purchases for their offices in Perth, Western Australia
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Ace Promotions for "Stone" and "The Dove" in W.A. in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.9 More info |
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Ace Topper- John Pye retires in Australasian Cinema (15/7/1983) vol.12 iss.12 p.28 More info |
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ACMAsphere Melbourne, Australia: Australian Communications and Media Authority, 2005. More info |
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Across the sea : Japan Cultural Centre news North Sydney: Japan Cultural Centre, Sydney, 1993. Call No: held no.3- Oct. 1993- lacks no.6,8-9,14-15,19 CorpAuthor: Japan Cultural Centre (Sydney, N.S.W.) Source: AT Place: North Sydney Publisher: Japan Cultural Centre, Sydney PubDate: 1993 Subject: JAPAN ISSN: 1328-4592 Order Notes: Current Frequency: Quarterly, Apr. 1997; Formerly: Bimonthly, June 1993-Feb. 1997 LON: abn93333646; 10389497
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Action adventure with a gruelling schedule in Encore (14-27 Aug 1986) vol.4 iss.14 p.31-32 More info |
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Action cameras in Adelaide : Rod Nicholls reports on the rapidly growing South Australian Film Corporation in Lumiere (November, 1973) iss.29 p.16-19 More info |
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Des Adams new chairman in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.5 More info |
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017. Call No: 753 ADA Author: Kennedy-Karpat, Colleen Place: Cham, Switzerland Publisher: Springer International Publishing PubDate: 2017 PhysDes: ix, illustrations (colour), 22cm Series: Palgrave studies in adaptation and visual culture Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; AUTHORSHIP; COMIC STRIPS; CULTURE AND THE CINEMA; INTERTEXUALITY; TARANTINO, QUENTIN; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); MUSIC IN FILMS; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site] Notes: Includes index ISBN: 9783319528533 Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005. Call No: 753.1 ADA Author: Harrison, Stephanie Edition: First edition Source: US Place: New York Publisher: Three Rivers Press PubDate: c2005 PhysDes: xix, 619 p. : ill. ; 24 cm Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET. Notes: Also issued online ISBN: 1400053145 Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adapting Australian film : Ray Lawrence from Bliss to Jindabyne in Studies in Australasian cinema (2009) vol.3 iss.3 p.295-308 Author: Rayner, Jonathan PhysDes: Article Subject: ADAPTATIONS. AUSTRALIA; LAWRENCE, RAY; BLISS (AT, Ray Lawrence, 1985); LANTANA (AT, Ray Lawrence, 2001); JINDABYNE (AT, Ray Lawrence, 2005) Summary: This article offers a reconsideration of the films and career of Ray Lawrence, a critically acclaimed Australian director whose most recent film Jindabynewas a national and international successes in 2006. Although to date his output consists of just three feature films completed since 1985, Lawrence's work can be seen to embody, unite and typify several disparate ideals, debates and tendencies present within Australian film-making over the past twenty years. -- Abstract
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Additional dialogue : letters of Dalton Trumbo 1942- 1962 / Helen Manfull (editor) Toronto: Bantam Books, 1972. Call No: 81TRU MAN Author: Trumbo, Dalton Source: CN Place: Toronto Publisher: Bantam Books PubDate: 1972 PhysDes: 620 p. ; 18cm Subject: TRUMBO, DALTON; GUY NAMED JOE, A (US, Victor Fleming, 1943); EXODUS (US, Otto Preminger, 1960); LONELY ARE THE BRAVE (US, David Miller, 1962); SPARTACUS (US, Stanley Kubrick, 1960); BRAVE ONE, THE (US/AT, Neil Jordan, 2007); JOHNNY GOT HIS GUN (US, Dalton Trumbo, 1971) Summary: This book contains the correspondence of Dalton Trumbo, blacklisted in Hollywood during the McCarthy era, and author , under the pseudonym of Robert Rich, of such screen plays as Exodus, Sparticus, and The Brave One. He was also the writer of the anti war novel, Johhny Got His Gun, and director of the film made of the book [ Taken from the back of the book] Notes: Includes index ISBN: 55306951195
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Address by Alan Finney MPEAQ convention, 1983 in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.14-15 More info |
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Address to the 40th Annual Motion Picture Industry Convention / [address by Kim Williams, Chief Executive, Australian Film Commission, late 1985] 1985. More info |
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'Adroid' to Brazuk wutg 'Harry Tracy' and 'Scarab' in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.19 More info |
journal article |
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The Adventures of Barry McKenzie : Pommy View in Lumiere (December, 1972) iss.19 p.21-22 More info |
journal article |
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The Adventures of Barry McKenzie : Yanky View in Lumiere (December, 1972) iss.19 p.21-22 More info |
book |
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Aesthetics of film / Jacques Aumont ... [et al.] ; translated and revised by Richard Neupert Austin: University of Texas Press, 1992. More info |
journal article |
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AFC and FFC put a new spin on the numbers in Encore (Feb 2000) vol.18 iss.1 p.6 More info |
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AFC information tax update in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.19 More info |
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L'Affaire d'une Nuit (1960) in Australian film guide vol.1 iss.12 p.44 More info |
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Affinity Enterprises joins AFM Association in Australasian Cinema (22/7/1983) vol.12 iss.13 p.5 More info |
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AFI news in Filmnews (Australia) (Jan-Feb 1980) vol.X iss.01-Feb p.1 More info |
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AFM selects Hollywood Palace for opening night in Australasian Cinema (11/2/1983) vol.12 iss.2 p.2 More info |
journal article |
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AFMA elects Andrew Vajna as president in Australasian Cinema (16/7/1982) vol.11 iss.12 p.35 More info |
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AFMA reveals sharp increase in new films for 1983 in Australasian Cinema (11/3/1983) vol.12 iss.2 p.1 More info |
still |
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[Afraid to dance : stills file] Seddell Pty Ltd, More info |
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Africa at the pictures / [edited by Keith Shiri] London: National Film Theatre, 1993. More info |
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After bumper year, what's next for local films in Saturday Age (09/01/2016) p.13 Call No: SUBJECT CLIPPINGS FILE; AUSTRALIA. 2010's Author: Hawker, Philippa PhysDes: Clippings File Article Subject: AUSTRALIA; LOOKING FOR GRACE (AT, Sue Brooks, 2015); DAUGHTER, THE (AT, Simon Stone, 2015); SHERPA (AT/NP, Jennifer Peedom, 2015); MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015); GOLDSTONE (AT, Ivan Sen, 2016); JASPER JONES (AT, Rachel Perkins, 2017); LION (AT, Garth Davis, 2016); RED DOG: TRUE BLUE (AT, Kriv Stenders, 2016) Summary: Snippets on a number of Australian films that are scheduled to be released in cinemas in 2016
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After Indonesia Calling : An exegesis submitted in part fulfillment of the requirements for a degree of Doctor of Philosophy / Submitted by John Hughes Melbourne: School of Media and Communication, College of Design and Social Context, RMIT University, November 2012. More info |
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After The Fox : whither film culture? in Metro (2000) iss.121/122 p.9-12 More info |
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AIC newsletter : Arts Industry Council (Victoria) Melbourne: Arts Industry Council (Victoria), Call No: held vol.10 no.1- Feb.1999- CorpAuthor: Arts Industry Council (Victoria) Source: AT Place: Melbourne Publisher: Arts Industry Council (Victoria) PhysDes: vol. Subject: INDUSTRY, FILM. AUSTRALIA : VICTORIA Order Notes: Current
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national content. australia |
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Alarm bells for Aussie drama in The Australian [Media] (02/11/2015) p.29 More info |
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Alex Massis to produce, Mizrahi to direct "Sutter's Gold" in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.8 More info |
Interim book |
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Alice in Movieland / by Alice M. Williamson New York: D. Appleton Company, 1928. More info |
Crawford collection still |
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[Alice to nowhere: album #1] Crawford Productions [distributor], [1986?]. Call No: CRAWFORD STILL ALI Source: AT Publisher: Crawford Productions [distributor] PubDate: [1986?] PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mm Subject: JONES, ROSEY; WATERS, JOHN (AT); VAUGHAN, MARTIN; STORM, ESBEN; JACOBS, STEVE; SMITHERS, JOY; CRACKNELL, RUTH; MAGUIRE, GERARD; LUNNEY, BRENDON; ALICE TO NOWHERE [TV] (AT, John Power, 1986) Summary: Photographs, slides and negatives relating to Alice to Nowhere Notes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storage Donation: Gift of Crawford Productions
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999. Call No: 735.1 KUH Author: Kuhn, Annette Place: London New York Publisher: Verso PubDate: 1999 PhysDes: 308 p. : ill. ; 20 cm Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index ISBN: 1859842593 (paper); 1859847463 (cloth) LON: 20466609
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All investment in $7.3m film filled in Australasian Cinema (15/7/1983) vol.12 iss.12 p.24 More info |
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Allan Collins in Australian Cinematographer (Dec 2014) iss.64 p.10-20 More info |
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Along film row in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.6, 9 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning numerous people working in the film industry throughout New South Wales, Victoria and Queensland
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Along film row in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.4,7 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news items concerning people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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Along film row in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.7 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Brief news itemsconcerning numerous people working in the film industry throughout New South Wales, Victoria, Queensland and Western Australia
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Along film row in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.6-7 More info |
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Along film row in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.7 More info |
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Along film row in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.6-7 More info |
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Along Film Row in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.6-7 More info |
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Along Film Row in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.6-7 More info |
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Along film row in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.6 More info |
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Along film row in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.6 More info |
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Along film row in Australasian Cinema p.6-7 More info |
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Along Film Row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.6 More info |
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Along film row in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.9 More info |
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Along film row in Australasian Cinema (16/9/1983) vol.12 iss.17 p.25-27 More info |
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Along Film Row in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.4-7 More info |
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Along film row in Australasian Cinema (19/8/1983) vol.12 iss.15 p.5-7 More info |
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Along film row in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.18-21 More info |
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Along film row in Australasian Cinema (15/7/1983) vol.12 iss.12 p.34, 36-37 More info |
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Along film row in Australasian Cinema (24/6/1983) vol.12 iss.11 p.5-7 More info |
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Along film row in Australasian Cinema (10/6/1983) vol.12 iss.10 p.6-7 More info |
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Along Film Row in Australasian Cinema (27/5/1983) vol.12 iss.9 p.10-11 More info |
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Along Film Row in Australasian Cinema p.10-12 More info |
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Along Film Row in Australasian Cinema (29/4/1983) vol.12 iss.7 p.9-11 More info |
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Along Film Row in Australasian Cinema (15/4/1983) vol.12 iss.6 p.14-15 More info |
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Along Film Row in Australasian Cinema (25/3/1983) vol.12 iss.5 p.6-7 More info |
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Along Film Row in Australasian Cinema (11/3/1983) vol.12 iss.4 p.6-7 More info |
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Along Film Row in Australasian Cinema (25/2/1983) vol.12 iss.3 p.6-8 More info |
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.4, 6-7 More info |
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Along Film Row in Australasian Cinema (11/2/1983) vol.12 iss.2 p.6-7 More info |
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Along Film Row in Australasian Cinema (28/1/1983) vol.12 iss.1 p.14 More info |
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Along Film Row in Australasian Cinema (29/10/1982) vol.11 iss.19 p.26-27 More info |
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Along Film Row in Australasian Cinema (12/11/1982) vol.11 iss.20 p.10-11 More info |
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Along Film Row in Australasian Cinema (15/10/1982) vol.11 iss.18 p.8 More info |
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Along Film Row in Australasian Cinema (10/9/1982) vol.11 iss.16 p.10-11 More info |
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Along Film Row in Australasian Cinema (27/8/1982) vol.11 iss.15 p.34-36 More info |
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Along Film Row in Australasian Cinema (6/8/1982) vol.11 iss.14 p.12, 14-15 More info |
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Along Film Row in Australasian Cinema (23/07/1982) vol.11 iss.13 p.6 More info |
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Along Film Row in Australasian Cinema (16/7/1982) vol.11 iss.12 p.36-38 More info |
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Along Film Row in Australasian Cinema (25/6/1982) vol.11 iss.11 p.6-7 More info |
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Along Film Row in Australasian Cinema (18/6/1982) vol.11 iss.10 p.10-11 More info |
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Along the Rialto in Australasian Cinema (Thursday, 31/10/1974) vol.2 iss.21 p.6 More info |
Interim book |
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Alternative worlds in Hollywood cinema : Resonance between realms / James Walters Chicago: Intellect, 2008. Call No: 735.3 (73) WAL Author: Walters, James Source: US Place: Bristol; Chicago Publisher: Intellect PubDate: 2008 PhysDes: 232 p. : ill. ; 23 cm Subject: FANTASTIC FILMS; FANTASY FILMS; DREAMS IN FILMS; MEMORY IN FILMS; INNOCENCE IN FILMS; REPETITION IN FILMS; TIME IN FILMS; POINT-OF-VIEW; NARRATIVE IN FILMS; FLEMING, VICTOR; LANG, FRITZ; GONDRY, MICHEL; CAPRA, FRANK; RAMIS, HAROLD; MINNELLI, VINCENTE; ROSS, GARY; WIZARD OF OZ, THE (US, Victor Fleming, 1939); WOMAN IN THE WINDOW, THE (US, Fritz Lang, 1944); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); GROUNDHOG DAY (US, Harold Ramis, 1993); BRIGADOON (US, Vincente Minnelli, 1954); PLEASANTVILLE (US, Gary Ross, 1998); DONNIE DARKO (US, Richard Kelly, 2001); BACK TO THE FUTURE [...] (US, Robert Zemeckis, 1985-90); ABRE LOS OJOS (SP, Alejandro Amenabar, 1997); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948) Summary: "The use of alternate realities in cinema has been brought to new heights by such recent films as 'Eternal Sunshine of the Spotless Mind' and 'Donnie Darko'. 'Alternative Worlds in Hollywood Cinema' is the first book to analyze these imaginary realms, tracing their construction and development across periods, genres and history.
"Through an analysis of such landmark films as 'The Wizard of Oz', 'It's a Wonderful Life' and 'Groundhog Day', Walters reveals how unconventional worlds are crucial to each film's dramatic agenda and narrative structure. This groundbreaking volume unifies decades of divergent work by film scholars and points the way towards a new theoretical framework for understanding fantasy in the context of popular film. 'Alternative Worlds in Hollywood Cinema' will be an essential resource for film studies scholars and movie buffs alike." (Taken from the back cover.) Notes: Includes Filmography, Bibliography and Index ISBN: 9781841502021
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Online resource digital clippings file |
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I AM NOT AN EASY MAN [JE NE SUIS PAS UN HOMME FACILE] : (FR, Eléonore Pourriat, 2020) Digital clippings file available More info |
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Amalgamated Theatres N.Z. now owned by Chase Holdings Ltd. in Australasian Cinema (10/9/1982) vol.11 iss.16 p.1 More info |
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980. Call No: 772(73) AME Author: Peary, Gerald; Peary, Danny, 1949 Edition: 1st ed Place: New York Publisher: Dutton PubDate: c1980 PhysDes: x, 310 p. : ill. ; 23 cm Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and index ISBN: 0525476393 : $10.95 LON: 1776676
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American cinematographer : Shooting in the U.K. July 1998. More info |
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American ethnographic film and personal documentary : the Cambridge turn / Scott MacDonald Berkeley: University of California Press, 2013. Call No: 769(73) MAC Author: MacDonald, Scott Source: US Place: Berkeley Publisher: University of California Press PubDate: 2013 PhysDes: viii, 415 pages : ill. ; 24 cm Subject: ETHNOGRAPHIC FILMS; DOCUMENTARIES. USA; MARSHALL, JOHN; GARDNER, ROBERT; ASCH, TIMOTHY; PINCUS, ED; WEINSTEIN, MIRIAM; GUZZETTI, ALFRED; MCELWEE, ROSS; MOSS, ROBB; DAVENPORT, NINA; ASCHER, STEVEN; JORDAN, JEANNE; NEGROPONTE, MICHEL; GIANVITO, JOHN; OLCH, ALEXANDER; SIEGEL, AMIE; BARBASH, ILISA; CASTAING-TAYLOR, LUCIEN Summary: "American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century. "-- ISBN: 9780520275621 Contents: Machine generated contents note: A Tentative Overview of Boston-Area Documentary Filmmaking -- Ethnographic Film and Personal Documentary -- Pragmatism: Learning from Experience -- The Mission of American Ethnographic Film and Personal Documentary: The Cambridge Turn -- Subjects for Further Research -- Acknowledgments -- 1.Lorna and John Marshall -- Beginnings: Lorna Marshall and First Film -- John Marshall: The Hunters -- Idylls of the !Kung -- Pedagogy -- Expulsion from Eden: Bitter Melons and Nlai, the Story of a !Kung Woman -- The Pittsburgh Police Films and Brakhage's Eyes -- Putting Down the Camera and Picking Up the Shovel -- The Road Taken: A Kalahari Family -- A Process in Time -- 2.Robert Gardner -- East Coast/West Coast: Early Experiments -- Gardner and the Marshalls -- Dead Birds -- The Experience of Filmmaking as Thought Process -- Robert Fulton: Reality's Invisible---"Serious Playing Around" -- Screening Room: Midnight Movies -- City Symphony: Forest of Bliss --
Contents note continued: The Return of the Repressed: Ika Hands -- Still Journeying On: Unfinished Examinations of a Life -- Studio7Arts: Sharon Lockhart's Double Tide and Robert Fenz's Correspondence -- 3.Timothy Asch -- Dodoth Morning and the Ethnographic Deadpan -- Asch and the Yanomamo -- The Ax Fight -- 4.Ed Pincus and the Emergence of Personal Documentary -- The Miriam Weinstein Quartet and Richard P. Rogers's Elephants: Fragments of an Argument -- Ed Pincus's Diaries (1971--1976) -- Alfred Guzzetti: Family Portrait Sittings -- Guzzetti: It's a Small World -- Guzzetti: Time Exposure -- 5.Alfred Guzzetti and Personal Cinema -- Air -- Experimental Video: "Language Lessons" -- Scylla and Charybdis -- Still Point -- 6.Ross McElwee -- Finding a Muse: Charleen -- Finding a Voice: Ann Schaetzel's Breaking and Entering and McElwee's Backyard -- Doppleganger: Sherman's March -- Nesting Dolls: Time Indefinite -- On the Road Again: Six O'Clock News --
Contents note continued: Occupational Hazards: Bright Leaves -- Orpheus: In Paraguay and Photographic Memory -- 7.Robb Moss -- Riverdogs: A Possible Eden -- The Tourist: "Freelance Editing" -- Voyage of Life: The Same River Twice -- 8.Panorama: Other Approaches to Personal Documentary -- Steven Ascher and Jeanne Jordan: Families in Transition -- Michel Negroponte: Getting Involved -- Leacock and Lalonde -- The Subject Rebels: Nina Davenport's Films and Ed Pincus and Lucia Small's The Axe in the Attic -- The Political Is the Personal: John Gianvito's Profit Motive and the Whispering Wind and Jeff Daniel Silva's Balkan Rhapsodies -- Alexander Olch's The Windmill Movie: "This Little Seance of Flickering Light" -- Amie Siegel's DDR/DDR -- 9.Lucien Castaing-Taylor and Sensory Ethnography -- Ilisa Barbash, Lucien Castaing-Taylor, and Sweetgrass -- "Sheeple": Castaing-Taylor's Audio-Video Installations --
Contents note continued: The Sensory Ethnography Lab: J. P. Sniadecki, Stephanie Spray, Verena Paravel, and Leviathan
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American export monopoly calls the tune in Australian Financial Review (27/06/1972) p.15 Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA Author: McGuinness, P. P. PhysDes: Clippings File Article Subject: INDUSTRY, FILM. AUSTRALIA; DISTRIBUTION. AUSTRALIA Summary: Third in a series of articles looking at the state of the Australian film industry in 1972. Analysis of large American film distribution companies and their control of film distribution in Australia. Notes: located in the INDUSTRY, FILM. AUSTRALIA. 1972 clippings file
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American Film Genre : An Interview with John Cawelti in Wide Angle (1978) vol.2 iss.2 p.50-57 More info |
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The American film industry / edited by Tino Balio Madison, Wis.: University of Wisconsin Press, c1985. Call No: 71(73) AME Author: Balio, Tino Edition: Rev. ed Place: Madison, Wis. Publisher: University of Wisconsin Press PubDate: c1985 PhysDes: xi, 664 p. : ill. ; 23 cm Subject: USA; INDUSTRY, FILM. USA Notes: Includes indexes; Bibliography: p. 633-643 ISBN: 0299098745 (pbk.) : $14.95; 0299098702 (hard) : $32.50 LON: 3666491 3666491
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The American film industry : A historical dictionary Westport, Connecticut: Greenwood Press, 1986. Call No: 201(73) SLI Author: Slide, Anthony Place: Westport, Connecticut Publisher: Greenwood Press PubDate: 1986 PhysDes: 24 cm ; x,432 pages Subject: INDUSTRY, FILM. USA ISBN: 0313246939 AFIRC Location: Stacks
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American Film Market being restricted in Australasian Cinema (28/5/1982) vol.11 iss.9 p.1 More info |
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American Film Market sideline in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2 More info |
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American Film Marketing Assocn. appoints DDA in Australasian Cinema (29/10/1982) vol.11 iss.19 p.11 More info |
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979. Call No: 409(73) AME Author: O'Connor, John E; Jackson, Martin A Place: New York Publisher: Ungar PubDate: c1979 PhysDes: xxix, 290 p. : ill. ; 22 cm Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLACK CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282 ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95 LON: 1282547
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001. Call No: 71(73) AME Author: Hillier, Jim Place: London Publisher: British Film Institute PubDate: 2001 PhysDes: xvii, 283 p. : ill., ports. ; 24 cm Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99 LON: 20980358
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993. Call No: 802.25-054(=924) DES Author: Desser, David; Friedman, Lester D Place: Urbana Publisher: University of Illinois Press PubDate: 1993 PhysDes: x, 318 p. : ill. ; 23 cm Subject: ALLEN, WOODY; BROOKS, MEL; LUMET, SIDNEY; MAZURSKY, PAUL; JEWS AND THE CINEMA. USA; DIRECTORS. USA; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and index ISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper) LON: 9606171 Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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American nightmare : Essays on the horror film / Edited by Robin Wood and Richard Lippe Toronto: Festival of Festivals, 1979. Call No: 735.2 WOO Author: Wood, Robin; Lippe, Richard Edition: 1979 Place: Toronto Publisher: Festival of Festivals PubDate: 1979 PhysDes: 21 cm ; 100 pages Subject: NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); ASSAULT ON PRECINCT 13 (US, John Carpenter, 1976); SISTERS (US, Brian De Palma, 1972); JAWS (US, Steven Spielberg, 1975); COHEN, LARRY; ROMERO, GEORGE; EXORCIST, THE (US, William Friedkin, 1973)
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American silent film / William K. Everson New York: Oxford University Press, 1978. More info |
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Anatomy of the movies / edited by David Pirie London: W. H. Smith & Son Ltd, 1981. Call No: 201(73) ANA Author: Pirie, David Source: UK Place: London Publisher: W. H. Smith & Son Ltd PubDate: 1981 PhysDes: 320 p. : illus. ; 26 cm Subject: INDUSTRY, FILM. USA Summary: Inside the film industry: the money, the power, the people, the craft, the movies. Notes: Includes index. ISBN: 0711200645 ID2: 228
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Andrew Lau and Alan Mak's Infernal Affairs - the trilogy / Gina Marchetti Hong Kong: Hong Kong University Press, 2007. Call No: 792INF MAR Author: Marchetti, Gina Source: HK Place: Hong Kong Publisher: Hong Kong University Press PubDate: 2007 PhysDes: xii, 210 pages : illustrations ; 19 cm Series: The New Hong Kong Cinema Subject: HONG KONG CINEMA; INFERNAL AFFAIRS (HK, Andrew Lau & Alan Mak, 2002); INFERNAL AFFAIRS 2 (HK/C/SI, Andrew Lau & Alan Mak, 2003); INFERNAL AFFAIRS 3 (HK/C, Andrew Lau & Alan Mak, 2003) Summary: "Infernal Affairs has received journalistic, popular and corporate notice but little vigorous critical attention. In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism has crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema." -- BOOK BLURB Notes: Includes bibliographical references ISBN: 9789622098015 Contents: 1. Introduction: The New Wave and the Generic Abyss -- Forgotten Times; Music, Memory, Time, and Space -- 3. Allegories of Hell: Moral Tales and National Shadows -- 4. Postmodern Allegory: The Globl Economy and New Technologies -- 5. Identity as Static: Surveillance, Psychoanalysis, and Performance -- 6. Thieves and Pirates: Beyond "Auteur" Cinema
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Andrew Vial looks at makeup & effects in Australian films in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22 More info |
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Andy Pandy goes feral in Metro (2000) iss.121/122 p.60-66 More info |
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'Angel' investor in $1m wager in Saturday Age [Arts] (29/8/15) p.39 More info |
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Los Angeles raves over "Starstruck" in Australasian Cinema (28/1/1983) vol.12 iss.1 p.11 More info |
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Angus & Robertson video library at two Visionhire branches in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1 More info |
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Animation : the global history / Maureen Furniss London: Thames & Hudson, 2017. Call No: 772 FUR Author: Furniss, Maureen Edition: 2017 Place: London Publisher: Thames & Hudson PubDate: 2017 PhysDes: 464 pages : illustrated ; 28 cm Subject: ANIMATION; PRE-CINEMA HISTORY; ART AND THE CINEMA; DISNEY, WALT; EXPERIMENTAL FILMS; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; STOP-MOTION TECHNIQUE; JAPAN; MIYAZAKI, HAYAO; UPA; COMIC STRIPS AND THE CINEMA; COMIC STRIP CHARACTERS IN FILMS; COMIC STRIP CHARACTERS ON TV; SVANKMAJER, JAN Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.
Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web site ISBN: 9780500252178
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Annotated bibliography on Japanese Cinema / Sharon I. Clerke 1980. Call No: 71(52)(01) CLE Author: Clerke, Sharon I. Source: AT PubDate: 1980 PhysDes: 18 p. ; 30 cm Subject: JAPAN Summary: A bibliography of different books, and magazines, on Japanese Cinema
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985. Call No: 408.1(540) ROB Author: Roberge, Gaston Source: II Place: Calcutta Publisher: Seagull Books PubDate: 1985 PhysDes: 151p. : ill. ; 22cm Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb ISBN: 0861320751 Donation: donated by the family of Wayne Levy, 2006 Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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Another winner for Q'Land M.P.E.A. : The 37th "Movie Market '82" Convention hits new triumphant high in Australasian Cinema (6/8/1982) vol.11 iss.14 p.4-5 More info |
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Any year in the MPI is exciting in Australasian Cinema (15/7/1983) vol.12 iss.12 p.3 More info |
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Anzac Day March and Re-union 1983 1st Australian Cinema Unit Assoc. in Australasian Cinema (25/3/1983) vol.12 iss.5 p.2 More info |
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Arrows of desire : new directions in British film and video : an international tour / selected by Peter Wollen ; [notes by Michael O'Pray] London: ICA, Institute of Contemporary Arts, 1993?]. More info |
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Art into film July 1994. More info |
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The art of horror in Lumina (2009) iss.1 p.84-91 Author: Cameron, Allan PhysDes: Article Subject: HORROR FILMS. AUSTRALIA; GENRES; INDUSTRY, FILM. AUSTRALIA; AUDIENCES. AUSTRALIA Summary: Article discussing the tension between government funded films and the so called 'low-brow' films that proved popular with Australian audiences: sex comedies, action thrillers and horror movies. Cameron argues that horror films need not be arthouse to be art so the binary logic of current debates - low 'genuine' horror vs acceptable, well made - is a disservice to the genre.
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Artburst! : growth in arts demand and supply over two decades, the summary / by Gary Martin Redfern, N.S.W.: Australia Council, 1992. More info |
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Artburst! : growth in arts demand and supply over two decades / by Hans Hoegh Guldberg Redfern, N.S.W.: Australia Council, 1992. More info |
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Arthur Stiles retires : Film man of year 1984 calls it a day- Allan Stiles new chief exec. in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.1 More info |
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Artistic genius not just clowning around in The Age (27/10/2016) p.28 More info |
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The Arts : some Australian data Redfern, N.S.W.: Australia Council for the Arts, 1996. More info |
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Arts 21 : the Victorian government's strategy for the arts into the twenty-first century Melbourne: Arts Victoria, 1994. More info |
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Artswork : a report on Australians working in the arts / prepared for the Australia Council by the Australian Bureau of Statistics, National Centre for Culture and Recreation Statistics Strawberry Hills, N.S.W.: Australia Council for the Arts, 1997. More info |
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The Asian cinema experience : styles, spaces, theory Oxford [Oxfordshire] ; New York: Routledge, 2013. Call No: 756(5) TEO Author: Teo, Stephen Source: UK Place: Oxford [Oxfordshire] ; New York Publisher: Routledge PubDate: 2013 PhysDes: xv, 269 p. : ill., ports. ; 24 cm Series: Media, culture and social change in Asia ; 30 Subject: INDIAN CINEMA; CITY OF SADNESS, A [; JAPAN; KOREA; TAIWAN; THAILAND; SINGAPORE; MALAYSIA; IRAN; BOLLYWOOD; POPULAR CULTURE AND THE CINEMA; CULTURE AND THE CINEMA; NATIONALISM AND THE CINEMA; THEORY; ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; WORLD CINEMA; BLOCKBUSTERS; ANIMATION; HORROR FILM; GHOST FILMS; EROTIC FILMS; EROTIC FILMS. ASIA Summary: "This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component--this book provides a rich, insightful overview of what exactly constitutes Asian Cinema." -- BOOK BLURB Notes: Includes bibliographic references and index; Includes filmography ISBN: 9781138815780 Contents: pt. I Styles -- 1.Kurosawa and classical style in Asian Cinema -- 2.Satyajit Ray and the Indian sensitivity of affect -- 3.The historical blockbuster style -- 4.The abstract transnational style of anime -- 5.Asian horror and the ghost-story style -- 6.The `Bollywood' style -- pt. II Spaces -- 7.Space in Asian melodrama -- 8.Iranian cinema and inward space -- 9.Domestic space and the family in South Korean cinema -- 10.Erotic space in Asian films -- pt. III Theory -- 11.The world and Asian Cinema -- 12.Asian Cinema and other cinemas.
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Asian Film in Wide Angle (July 1989) vol.11 iss.3 p.[whole issue] Author: Rothschild, Wayne (ed) PhysDes: Article Subject: INDUSTRY, FILM. ASIAN COUNTRIES; INDUSTRY, FILM. JAPAN; INDUSTRY, FILM. ISRAEL; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. HONG KONG Summary: Articles on Asian cinema. 'Reconsidering Modernism: Japanese Film and the Postmodern Context', 'Back to Japan: Militarism and Monumentalism in Prewar Japanese Cinema', 'Accomodation and Resistance: Expression of Working-Class Values Through Tamil Cinema', 'Anomalies of the National: Representing Israel/Palestine', 'Towards a Cultural Understanding of Cinema: A Comparison of Contemporary Films from the People's Republic of China and Hong Kong'.
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The Asian film industry / John A. Lent Bromley: Christopher Helm, 1990. More info |
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Asian TV trainees at National Film Archive in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.2 More info |
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At home with Sachin Joab in Daily Telegraph [Home] (04/06/2016) p.20 Call No: PERSONALITY CLIPPINGS FILE; JOAB, SACHIN Author: Veerhuis, Jennifer PhysDes: Clippings File Article Subject: JOAB, SACHIN Summary: Interview with Australian actor Sachin Joab
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At the forefront of Australian film revival in The Age (28/03/2017) p.31 Call No: PERSONALITY CLIPPINGS FILE; IRVING, LOUIS Author: Torsh, Daniela PhysDes: Clippings File Article Subject: IRVING, LOUIS Summary: Obituary of Australian Cinematographer Louis Irving
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Attendance at selected cultural venues March 1995 [Canberra]: Australian Bureau of Statistics, 1995. Call No: 410.3(94) ATT CorpAuthor: Australian Bureau of Statistics Place: [Canberra] Publisher: Australian Bureau of Statistics PubDate: 1995 PhysDes: v, 46 p. : ill. ; 30 cm Subject: STATISTICS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA Summary: Contains data on the frequency of attendance and characteristics of people 18 years and over who have attended libraries, museums, art galleries, pop concerts, music, dance, theatre performances and classical musical concerts during the 12 months prior to the survey Notes: Includes tables; Catalogue no. 4114.0 ISBN: 0642206996 LON: 12020268
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Attitudes to television : a survey of advertisers / Gillian Appleton Kensington, NSW North Sydney, NSW: Communications Law Centre, University of New South Wales Australian Film Commission, 1989. Call No: 49[659.1](94) APP Author: Appleton, Gillian CorpAuthor: Australian Film Commission; Communications Law Centre (N.S.W.) Place: Kensington, NSW North Sydney, NSW Publisher: Communications Law Centre, University of New South Wales Australian Film Commission PubDate: 1989 PhysDes: 32 pages ; 30 cm Subject: STATISTICS. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; ADVERTISING STANDARDS. AUSTRALIA; ADVERTISING. TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA Summary: "The Australian Film Commission (AFC) commissioned this research report to ascertain how the television advertising system operates, how advertisers, agency media buyers and stations relate to one another, and particularly to survey advertister's attitudes to issues, concerns and practices in the industry" -- from Summary of Report Notes: A report prepared for the Australian Film Commission by the Communications Law Centre ISBN: 0858237679 LON: 6585339
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Aussie movies sidelined by Hollywood in Sydney Morning Herald [Business News] (07/03/2015) p.2 More info |
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Aussie preschool DVD solution boosts sales in Kidscreen (Nov/Dec 2006) p.27 Call No: DVD RESEARCH FOLDER; DVD Research Folder Author: Castleman, Lana Subject: INDUSTRY, VIDEO. AUSTRALIA; DVD, TV SHOWS ON; VILLAGE ROADSHOW; CHILDREN, PROGRAMMES FOR Summary: (taken from Proquest summary) - Consumer and reatil research revealed time-poor moms (the chief purchasers) were finding it difficult to locate preschool titles.; Roadshow director of business Grahame Grassby says the brightly colored, toyetic handle boxes (for children show titles) were created to boost underwhelming preschool DVD sales
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Aussie production halted in Australasian Cinema (Friday, 21-27/6/1985) vol.14 iss.10 p.5 More info |
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Aussiewood : Australia's leading actors and directors tell how they conquered Hollywood Crows Nest, NSW: Allen & Unwin, 2004. Call No: 802 BOL Author: Boland, M.; Bodey, M. Place: Crows Nest, NSW Publisher: Allen & Unwin PubDate: 2004 PhysDes: 294 p. ; ill. ; 23 cm Subject: ACTORS. AUSTRALIA; INDUSTRY, FILM. USA; DIRECTORS. AUSTRALIA Summary: Australia’s leading actors and directors tell how they conquered Hollywood. Includes chapters on Nicole Kidman, Eric Bana, Geoffrey Rush, Naomi Watts, Anthony LaPaglia, Phillip Noyce, Paul Hogan and more. Notes: Bibliogrpahy
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Aust. film & television school celebrates ten years in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6 More info |
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Australia in Empire (Australian Ed.) (September 2008) iss.90 p.10-12 More info |
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Australia's audiovisual markets : key statistics on Australia's cinema, video, television and interactive media markets / edited by Cathy Gray and Rosemary Curtis Sydney [New South Wales]: Australian Film Commission, 2004. Call No: 20(94) AUS Author: Australian Film Commission Edition: 1st edition Source: AT Place: Sydney [New South Wales] Publisher: Australian Film Commission PubDate: 2004 PhysDes: 96 pages : colour charts ; 30 cm Series: Get the picture Subject: INDUSTRY, FILM. AUSTRALIA; STATISTICS. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; PRODUCTION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover. Notes: Includes an index; Includes a list of abbreviations ISBN: 1920988004 ID2: 145
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Australia's film industry / Simon Brand Sydney: Australian Knowledge, 1987. Call No: 71(94) BRA Author: Brand, Simon, 1951 Place: Sydney Publisher: Australian Knowledge PubDate: 1987 PhysDes: 16 p. : ill. (some col.), ports. ; 28 cm Series: Australian knowledge ; no. 10 Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA Notes: Cover title ISBN: 0864350104 LON: 5446371
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Australia's most liveable city in Encore (May 2012) p.33-41 More info |
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Australia to do overseas film processing in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.3 PhysDes: Article Subject: RISKY BUSINESS (US, Paul Brickman, 1983); INDUSTRY, FILM. AUSTRALIA Summary: Article on how Australian film labs are now able to process foreign film titles such as 'Risky Business' for exhibition and distribution. This is in relation to a government election promise with the hope it will creatre more jobs and imrove local talent.
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Australian box office report in Australasian Cinema (14/5/1982) vol.11 iss.8 p.8 More info |
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Australian Box-Office Reports in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.10 More info |
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Australian box office reports in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.10 More info |
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Australian box office reports in Australasian Cinema (16/9/1983) vol.12 iss.17 p.28 More info |
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Australian box office reports in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.24 More info |
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Australian box office reports in Australasian Cinema (22/7/1983) vol.12 iss.13 p.8 More info |
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australian box office reports in Australasian Cinema (15/7/1983) vol.12 iss.12 p.38 More info |
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Australian box office reports in Australasian Cinema (24/6/1983) vol.12 iss.11 p.8 More info |
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Australian box office reports in Australasian Cinema (10/6/1983) vol.12 iss.10 p.8 More info |
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Australian box office reports in Australasian Cinema (25/2/1983) vol.12 iss.3 p.10 More info |
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Australian box office reports in Australasian Cinema (28/1/1983) vol.12 iss.1 p.16 More info |
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Australian box office reports in Australasian Cinema (12/11/1982) vol.11 iss.20 p.12 More info |
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Australian box office reports in Australasian Cinema (27/8/1982) vol.11 iss.15 More info |
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Australian box office reports in Australasian Cinema (23/07/1982) vol.11 iss.13 p.8 More info |
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Australian box office reports in Australasian Cinema (16/7/1982) vol.11 iss.12 p.39 More info |
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Australian box office reports in Australasian Cinema (25/6/1982) vol.11 iss.11 p.8 More info |
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Australian box office reports in Australasian Cinema (28/5/1982) vol.11 iss.9 p.10 More info |
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Australian box office reports in The australasian Cinema (2/4/1982) vol.11 iss.5 p.14 More info |
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Australian broadcasting : a report on the structure of the Australian broadcasting system, with particular regard to the control, planning, licensing, regulation, funding and administration of the system / [prepared by F. J. Green] Canberra: Australian Government Publishing Service, 1976. Call No: 201(94) AUS Author: Green, F. J. Source: AT Place: Canberra Publisher: Australian Government Publishing Service PubDate: 1976 PhysDes: 175, A143 pages ; 25 cm Subject: BROADCASTING. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA Summary: "This Inquiry will examine how the people of Australia can best participate in and achieve a satisfactory degree of collective control over broadcasting on the basis that such participation is seen as a means of preserving and strengthening the social, economic and political fabric of Australia" Notes: At head of title: Postal and Telecommunications Dept.-- Bibliography: p. A17-A19. -- Prepared by: F.J. Green. -- At head of title: Postal and Telecommunications Department ISBN: 0642924392 Donation: donated by Mick Counihan, 2010
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The Australian Broadcasting Tribunal children's television standards report and determination / David Jones, Chairman and Ken Archer, Vice-Chairman...[and four others] [1984]. Call No: 205-053.2(94) AUS Author: Jones, David; Archer, Ken; Weigall, Catharine; Armstrong, Mark; Watterson, Ray; James Bailey, Julie CorpAuthor: Australian Broadcasting Tribunal Source: AT PubDate: [1984] PhysDes: 92 leaves : 31 cm Subject: INDUSTRY, TV. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; LAW AND TV. AUSTRALIA; AUSTRALIAN BROADCASTING TRIBUNAL; RATING FOR TV. AUSTRALIA Summary: The report discusses children's television standards, including the amount of time allocated to children's viewing, including pre-school programs, specific time slots for children's programming, requirements for the amount of Australian content and scheduling of programs, restrictions on advertising during children's programs, and the need for quality drama programs for children. The Australian commercial television industry's opposition to the Children's Television Standards and the importance of regulating children's television programming are also covered in the report. Notes: Spiral bound; Includes determination and 3 attachments
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Australian Broadcasting Tribunal inquiry into film and television co-productions information paper, March 1991, IP/ 91/ 016 - R1 / Australian Broadcasting Tribunal [North Sydney]: Australian Broadcasting Tribunal, 1991. Call No: 212.1(94) AUS Source: AT Place: [North Sydney] Publisher: Australian Broadcasting Tribunal PubDate: 1991 PhysDes: 1 v. (various pagings) ; 30 cm Subject: AUSTRALIAN BROADCASTING TRIBUNAL; COPRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA Summary: Information paper pertaining to an inquiry into Australian film and television co-productions, with a view to invite relevant industry bodies and the public to submit their thoughts on the inquiry's terms of reference. The information paper includes material on; how the Australianess content of tv shows and films are measured for quota purposes, summary of the 1988 Part indigenous drama co-productions inquiry, exisiting film co-production agreements and application guidelines Contents: Terms of reference for inquiry -- Appendix A: Television program standard (TPS) 14. Australian content of television programs -- Appendix B: Australian content inquiry, Part indigenous drama co-productions discussions paper - summary of submissions [1988] -- Appendix C: Films co-production agreement between the government of Australia and the government of the United Kindom of Great Britain and Northern Ireland -- Appendix D: Films co-production agreement between the government of Australia and the government of Canada -- Appendix E: Australian Film Commission international co-production program: Application guidelines, November 1990
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Australian cinema : industry, narrative and meaning / John Tulloch Sydney: George Allen & Unwin, 1982. Call No: 71(94) TUL Author: Tulloch, John, 1942 Place: Sydney Publisher: George Allen & Unwin PubDate: 1982 PhysDes: 272 p. : ill. ; 23 cm Subject: AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NARRATIVE IN FILMS. AUSTRALIA; HALL, KEN G.; AUSTRALASIAN FILMS; SMITH, BEAUMONT; HOWE, W.J.; DOYLE, STUART; KRACAUER, SIEGFRIED; BREAKING OF THE DROUGHT, THE (AT, Franklyn Barrett, 1920); HORDEN MYSTERY, THE (AT, Harry Southwell, 1920); JUNGLE WOMAN, THE (AT, Frank Hurley, 1926); LIFE STORY OF JOHN LEE - THE MAN THEY COULDN'T HANG, THE (AT, Arthur W. Sterry, 1921); HAYSEEDS, THE (AT, Beaumont Smith, 1933); MAN FROM KANGAROO, THE (AT, Wilfred Lucas, 1920); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933) Notes: Cinema industries. Australia, ca 1920- ca 1940 (ANB/PRECIS SIN 0527041); Ill. on lining papers; Includes bibliographical references and index ISBN: 0868611484 (pbk.); 0868611409 : price unknown LON: 2138387
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Australian cinema : the first eighty years / Graham Shirley & Brian Adams Sydney: Angus & Robertson, 1983. Call No: 71(94) SHI Author: Shirley, Graham, 1949; Shirley, Graham, 1949; Adams, Brian, 1934 Place: Sydney Publisher: Angus & Robertson PubDate: 1983 PhysDes: x, 325 p., [24] p. of plates : ill. ; 22 cm Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Notes: Australian cinema films, 1896-1980 (ANB/PRECIS SIN 0622443); Includes index; Includes bibliography: p. 305-308 ISBN: 0207145814 : price unknown LON: anb20714581; 2419431 ID2: 38 URL status: URL: 'http://-'
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004. Call No: 71(94) COL Author: Collins, F.; Davis, T. Place: Port Melbourne Publisher: Cambridge University Press PubDate: 2004 PhysDes: vii, 204 p. ; 24 cm Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover) Notes: Index: p.200-204; Bibliography ISBN: 0521834805 :
0521542561 (pbk.) Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion. URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001. Call No: 71(94) AUS Author: Craven, Ian Place: London Publisher: Frank Cass PubDate: 2001 PhysDes: 239 p. ; 22 cm Subject: AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; ABORIGINAL AUSTRALIANS ON TV; GONSKI REPORT; INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; SUBURBS IN FILMS. AUSTRALIA; SOCIETY AND TV; DINGO, ERNIE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BABE (AT, Chris Noonan, 1995); BIG STEAL, THE (AT, Nadia Tass, 1990); CASTLE, THE (AT, Rob Sitch, 1997); DEATH IN BRUNSWICK (AT, John Ruane, 1991); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); HEARTLAND [TV] (AT, 1994); IDIOT BOX (AT, David Caesar, 1996); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LOVE SERENADE (AT, Shirley Barrett, 1996); METAL SKIN (AT, Geoffrey Wright, 1994); MONKEY GRIP (AT, Ken Cameron, 1982); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliography ISBN: 0714649740; 0714680346(pbk.) : ª16.50 LON: 21663632 Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda Smith ID2: 306
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Australian cinema's dark sun in Studies in Australasian cinema (2010) vol.4 iss.1 p.23-41 Author: Ryan, Mark David PhysDes: Article Subject: HORROR FILMS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; FUNDING. AUSTRALIA; AUDIENCES. AUSTRALIA; WOLF CREEK (AT, Greg McLean, 2005) Summary: This article argues that the renaissance of Australian horror films in the 2000s has been driven by intersecting international market forces, domestic financing factors and technological change. It argues for two distinct tiers of production with different financing, production and distribution models. Notes: There has been a boom in Australian horror movie production in recent years.
Daybreakers (2010), Wolf Creek (2005), Rogue (2007), Undead (2003), Black
Water (2008), and Storm Warning (2006), among others, have all experienced
varying degrees of popularity, mainstream visibility and cult success in worldwide
horror markets. While Aussie horror’s renaissance is widely acknowledged in industry
literature, there is limited research into the extent of the boom and the dynamics
of production. Consequently, there are few explanations for why and how this
surge has occurred. This article argues that the recent growth in Australian horror
films has been driven by intersecting international market forces, domestic financing
factors and technological change. In so doing, it identifies two distinct tiers of
Australian horror film production: ‘mainstream’ and ‘underground’ production,
though overlap between these two tiers results in ‘high-end indie’ films capable of
cinema release. Each tier represents the high and low ends of Australian horror film
production, each with different financing, production and distribution models. -- Abstract
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Australian cinemas hopefully riding their own "J" curve in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3 More info |
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Australian comedy films of the 1930s : modernity, the urban and the international / Lesley Speed St. Kilda, Vic.: Australian Teachers of Media (ATOM), c2015. Call No: 732(94) SPE Author: Speed, Lesley Source: AT Place: St. Kilda, Vic. Publisher: Australian Teachers of Media (ATOM) PubDate: c2015 PhysDes: 128 pages : illustrations ; 24 cm. Subject: COMEDIES. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA; EFFTEE STUDIO; CINESOUND STUDIOS; HANNA, PAT; WALLACE, GEORGE; CO-RESPONDENT'S COURSE (AT, E.A. Dietrich-Derrick, 1931); DIGGERS (AT, F.W. Thring, 1931); HAUNTED BARN, THE (AT, E.A. Dietrich-Derrick, 1931); SHOWGIRL'S LUCK (AT, Norman Dawn, 1931); SENTIMENTAL BLOKE, THE (AT, F.W. Thring, 1932); ON OUR SELECTION (AT, Ken G. Hall, 1932); HIS ROYAL HIGHNESS (AT, F.W. Thring, 1932); DIGGERS IN BLIGHTY (AT, Pat Hanna, 1933); HARMONY ROW (AT, F.W. Thring, 1933); HAYSEEDS, THE (AT, Beaumont Smith, 1933); TICKET IN TATTS, A (AT, F.W. Thring, 1934); CLARA GIBBINGS (AT, F.W. Thring, 1934); STRIKE ME LUCKY (AT, Ken G. Hall, 1935); SPLENDID FELLOWS (AT, Beaumont Smith, 1934); GRANDAD RUDD (AT, Ken G. Hall, 1935); WHITE DEATH (AT, Edwin G. Bowen, 1936); RANGLE RIVER (AT, Clarence G. Badger, 1936); IT ISN'T DONE (AT, Ken G. Hall, 1937); TALL TIMBERS (AT, Ken G. Hall, 1937); LET GEORGE DO IT (AT, Ken G. Hall, 1938); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); GONE TO THE GOGS (AT, Ken G. Hall, 1939); ANTS IN HIS PANTS (AT, William Freshman, 1939) Summary: Comedy has been a perpetual part of Australian film, in which humour reflects Australia's adaptation in times of crisis, social change and technological advances. This was never more so than in the 1930s, when Australia produced more comedy feature films than in any other decade before 1970. These films of the 1930s embraced the new technology of sound, made local vaudeville performers into movie stars, offered escape from the Depression and revealed a diverse and international Australia. In these films, Australia moved further from Empire and the bush, forged the Digger legend, responded to cultural diversity and viewed itself as a modern, urban nation. Influenced by Hollywood, Australian comedies of the 1930s adapted international styles to local points of view. Based on research at the National Film and Sound Archive, Lesley Speed's book provides new insight into Australian comedy films of the 1930s and the extraordinary period of social change in which they were produced. [taken from the back cober] ISBN: 9781876467258 Contents: Contents: Introduction -- Comedy films and 1930s Australia -- Comedian comedies, Pat Hanna and George Wallace -- 'The best men in the metropolis' : Speech and language in films of Pat Hanna and George Wallace -- Strike me lucky, silly ass: Ethnicity and class difference -- From bush to the city: The Dad and Dave films -- Looking at home for 'something really ultra': Modernity, gender and the international -- Select filmography -- Select bibliography -- Notes
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Australian commerical television : 1986-1995 Canberra: Australian Government Publishing Service, 1996. Call No: 201.3(94) AUS Source: AT Place: Canberra Publisher: Australian Government Publishing Service PubDate: 1996 PhysDes: xxi, 206 pages ; 25 cm Series: Bureau of Transport and Communications Economics; report 93 Subject: INDUSTRY, TV. AUSTRALIA; OWNERSHIP TV. AUSTRALIA; ADVERTISING. TV. AUSTRALIA; COMMERCIAL TV. AUSTRALIA Summary: This report addressses the structure and financial performance of the commerical television industry over the past decade. It complements BTCE's 1993 Report 83 Elements of Broadcasting Economics which dealt with general economic aspects of broadcasting and the performance of commercial radio. It is hoped that the information in this report will provide useful background to the contemporary reviews of television policies under section 215 of the Broadcasting Services Act 1992 -- taken from Foreward ISBN: 0644362979 ISSN: 10344152 Contents: Foreword -- Abstract -- Executive summary -- Overview of commercial television -- Ownership and control of Australian commercial television -- A financial analysis of commercial television -- Determinants of television advertising revenue -- Television programming -- Appendix: Data underlying the financial analysis in chapter 2, An econometric model of television advertising demand -- References -- Abbreviations
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Australian delegation to American Film Market in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3 More info |
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Australian editions to AFC Office, LA in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2 More info |
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Australian feature films, 1930-1939 : a critical bibliography / by Andrea C. Allard Melbourne: Australian Film Institute Research & Information, 1983. Call No: 71(94)(01) ALL Copy Management: Copy 1; Copy 2; Copy 3 Author: Allard, Andrea C CorpAuthor: Australian Film Institute. Research & Information Centre Place: Melbourne Publisher: Australian Film Institute Research & Information PubDate: 1983 PhysDes: xi, 79, [12] p. ; 30 cm Series: A.F.I. Research & Information bibliography Subject: AUSTRALIA; INDUSTRY, FILM. AUSTRALIA Notes: Australian films, 1930-1939. Documents on Australian films. Lists (ANB/PRECIS SIN 0725129); Cinema industries, 1930-1939. Australia. Bibliographies (ANB/PRECIS SIN 0725137) ISBN: 0908023073 LON: 2993513
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Australian film and television finance and investment guide / Australian Film Commission Sydney: Australian Film Commission, 1985. More info |
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Australian Film Commission : Projects Approved at June, July and August AFCE Meetings in Australasian Cinema (12/11/1982) vol.11 iss.20 p.4 PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA; NAKED UNDER CAPRICORN (AT, Rob Stewart, 1988); UMBRELLA WOMAN, THE (AT, Ken Cameron, 1986); SILVER CITY (AT, Sophia Turkiewicz, 1984); LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) Summary: Films approved for funding by the Australian Film Commission.
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Australian Film Commission in Australasian Cinema (10/9/1982) vol.11 iss.16 p.8-9 More info |
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Australian Film Council Newsletter in Lumiere (September 1970) vol.1 iss.4 p.45-48 More info |
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Australian Film Development Corp's financial support of film projects in Australasian Cinema (Thursday, 10/5/ 1975) vol.3 iss.7 p.2 More info |
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Australian film esthetics in Lumiere (March, 1974) iss.32 p.4-7 Author: Lowe, Barry PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; WALKABOUT (AT, Charles Chauvel, 1958); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); NED KELLY (AT/UK, Gregor Jordan, 2003); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.
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Australian film fair directory / Australian Film Commission Pymble, N.S.W: Playbill in association with the Australian Film Fair, 1983. More info |
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Australian Film Festival : New York 1978 press digest / New South Wales Film Corporation Australian Films Office Inc. New South Wales Film Corporation Australian Films Office Inc., [1978]. Call No: 151(73) AUSTRALIAN "1978" CorpAuthor: New South Wales Film Corporation Australian Films Office Inc. Source: AT Publisher: New South Wales Film Corporation Australian Films Office Inc. PubDate: [1978] PhysDes: 32 leaves : illustrations ; 30 cm Subject: FESTIVALS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; NEW SOUTH WALES FILM CORPORATION; NOYCE, PHILLIP; SHARMAN, JIM; THOMPSON, JACK; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STORM BOY (AT, Henri Safran, 1976); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) Summary: A collection of clippings from US print media relating to the Australian Film Festival in 1978.
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Australian Film Industry Trust Fund established in Australasian Cinema (15/7/1983) vol.12 iss.12 p.14 More info |
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[Australian Film Institute] Newsletter Carlton South, Vic.: Australian Film Institute, Call No: Held: vol. 1, no.1 (Autmn 1985); vol. 1, no. 2 (Spring 1985); vol. 1, no. 7 (Spring 1987) CorpAuthor: The Institute Source: AT Place: Carlton South, Vic. Publisher: Australian Film Institute Subject: AUSTRALIAN FILM INSTITUTE; INDUSTRY, FILM. AUSTRALIA Notes: Continues Australian Film Institute newsletter; Continued by AFI Newsletter
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Australian film posters 1906-1960 / [by] Judith Adamson Sydney: Currency Press with Australian Film Institute, 1978. Call No: 915(94) ADA; FOLIO Author: Adamson, Judith, 1930 CorpAuthor: Australian Film Institute Place: Sydney Publisher: Currency Press with Australian Film Institute PubDate: 1978 PhysDes: 56p. : chiefly col.ill. ; 37cm Subject: POSTERS; AUSTRALIA; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); JEDDA (AT, Charles Chauvel, 1955); OVERLANDERS, THE (UK, Harry Watt, 1946); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Advertising posters. Special subjects: Australian cinema films, 1906-1960. Illustrations (ANB/PRECIS SIN 0249955) ISBN: 090802388X : $7.50 Aust LON: anb90802388; 1473255 Donation: Simon Wincer ID2: 229
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985. Call No: 71(94) AUS Author: Moran, Albert, 1942; O'Regan, Tom, 1956 Place: Sydney Publisher: Currency Press PubDate: 1985 PhysDes: 391 p. ; 21 cm Series: Australian screen Subject: FEMINISM AND THE CINEMA. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; SUPER-8 MM FILMS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; BERESFORD, BRUCE; WEIR, PETER; CHAUVEL, CHARLES; Grierson, John; HALL, KEN G.; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GALLIPOLI (AT, Peter Weir, 1981); SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?); FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964); BIG COUNTRY, A (AT, 1979); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379 ISBN: 086819123X (pbk.) : $24.95 Aust LON: anb86819123; 4105507
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Australian films at A.F.M. in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1 PhysDes: Article Subject: AUSTRALIAN FILM COMMISSION; NEW SOUTH WALES FILM CORPORATION; INDUSTRY, FILM. AUSTRALIA; CLINIC, THE (AT, David Stevens, 1982); DUSTY (AT, John Richardson, 1983); DEAD EASY (AT, Bert Deling, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); DOUBLE DEAL (AT, Brian Kavanagh, 1983); EARLY FROST (AT, Brian McDuffie, 1981); FAR EAST (AT, John Duigan, 1982); MIDNITE SPARES (AT, Quentin Masters, 1983); NEXT OF KIN (AT, Tony Williams, 1982); UNDERCOVER (AT, David Stevens, 1983); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Summary: Article on australian films screened at the American Film Market
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Australian films score fest. award in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1 PhysDes: Article Subject: ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982); FESTIVALS; INDUSTRY, FILM. AUSTRALIA Summary: Article on Australian films at the 14th Nylon International Film Festival in Switzerland.
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Australian Horror Films, 1973-2010 / Peter Shelley Jefferson, North Carolina, and London: McFarland & Company Inc, c2012. Call No: 735.2 (94) SHE Author: Shelley, Peter Source: US/UK Place: Jefferson, North Carolina, and London Publisher: McFarland & Company Inc PubDate: c2012 PhysDes: vi, 320 p. : ill. ; 26 cm Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010) Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index ISBN: 9780786461677 Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --
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Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980. More info |
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Australian national cinema / Tom O'Regan London New York: Routledge, 1996. Call No: 408.1(94) ORE Copy Management: 2 copies Author: O'Regan, Tom, 1956 Place: London New York Publisher: Routledge PubDate: 1996 PhysDes: ix, 405 p. ; 24 cm Series: National cinemas series Subject: INDUSTRY, FILM. AUSTRALIA; POPULAR CULTURE AND THE CINEMA. AUSTRALIA; SOCIETY AND THE CINEMA. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; CRITICISM. AUSTRALIA Notes: Includes bibliographical references (p. [376]-391) and indexes ISBN: 0415057310 (pbk.); 0415057302 LON: 12193364 Contents: 1. Introducing Australian national cinema -- 2. Theorizing Australian cinema -- 3. A national cinema -- 4. A medium-sized English-language cinema -- 5. Formations of value -- 6. Making meaning -- 7. Diversity -- 8. Unity -- 9. Negotiating cultural transfers -- 10. A distinct place in the cinema -- 11. Problematizing the social -- 12. Problematizing gender -- 13. Problematizing nationhood -- 14. Critical dispositions.
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"Australian-ness" and the film industry : between rhetorics of business and national culture / by Susan Dermody in collaboration with Elizabeth Jacka Broadway, [NSW]: News South Wales Institute of Technology, More info |
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Australian popular culture / edited by Ian Craven with Martin Gray and Geraldine Stoneham Melbourne, Australia: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association, 1994. Call No: 408.1(94) CRA Author: Craven, Ian; Gray, Martin; Stoneham, Geraldine Source: UK Place: Melbourne, Australia Publisher: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association PubDate: 1994 PhysDes: 228 pages, 2 folded leaves ; 24 cm Series: Australian cultural studies Subject: COPRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; POPULAR CULTURE AND THE CINEMA. AUSTRALIA; POPULAR CULTURE AND TV. AUSTRALIA Summary: "Australia's leisure culture is legendary, and as millions of British viewers of Neighbours, fans of Yothu Yindi or drinkers of Castlemaine XXXX would attest, Australian popular culture is popular outside of Australia. Australian Popular Culture is an exciting collection of essays bringing together new perspectives on the nature and meaning of a nation's changing life. The collection also explores the idea of popular culture at large. Leading authors represent a range of approaches, backgrounds and fields to explore subjects of wide interest within the categories of 'the everyday', 'the mass media' and 'critical theory'. Chapters are devoted to the Aussie Back Yard; Vegemite; postage stamps; Australian Rules football; the introduction of television; Crocodile Dundee; The Lindy Chamberlain Affair; Spycatcher; Domesticity, leisure and love and Postmodernism and Australian Culture." -Publisher description. Notes: 2 folded leaves inserted into back of book, entitled "Australian historical studies, style sheet for book reviewers"; Some text highlighted pages 66-76 ISBN: 0521466679 Contents: Introduction -- Part I. Popular Culture as the Everyday: 1. A brief cultural history of vegemite Robert White -- 2. The Australian back yard George Seddon -- 3. Stamp duty Xavier Pons -- 4. Australian football as secular religion Stephen Alomes -- Part II. Popular Culture and the 'Mass' Media: 5. Controlling the technology of popular culture and the introduction of television to Australia James Walter -- 6. 'Crocodile Dundee': the revival of American virtue Ruth Brown -- 7. The Boys from the Bush: television coproduction in the 1990s Ian Craven -- 8. Patterns of control in Australian crime fiction Stephen Knight -- 9. National fictions and the 'Spycatcher' trial Kevin Foster -- 10. Naturalising 'horror stories': Australian crime news as popular culture Christine Higgins -- Part III. Popular Culture and Critical Theory: 11. How to be a singer though married: domesticity, leisure and modern love Kay Ferres -- 12. The Wild Colonial Boy rides again and again: an Australian legend abroad Grahame Seal -- 13. Shaping the Plain Australian: Social analysis in the 1940s and 1950s Nicholas Brown -- 14. 'On the Beach': Apocalyptic hedonism and the origins of postmodernism Andrew Milner.
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Australian presence in Cannes '82 in The Australasian Cinema (16/07/1982) vol.11 iss.12 p.11 More info |
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Australian product Cannes Film Festival, 1982 in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2 PhysDes: Article Subject: HEATWAVE (AT, Phillip Noyce, 1981); MONKEY GRIP (AT, Ken Cameron, 1982); STARSTRUCK (AT, Gillian Armstrong, 1982); FREEDOM (AT, Scott Hicks, 1982); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); KITTY AND THE BAGMAN (AT, Donald Crombie, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982); NORMAN LOVES ROSE (AT, Henri Safran, 1982); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); INDUSTRY, FILM. AUSTRALIA; CANNES FILM FESTIVAL; ADVERTISING FOR FILMS Summary: Article on the Australian Film Commission helping to organise the promotion of numerous Australian films at the Cannes Film Festival.
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Australian television : historical overview / by Julie James Bailey [North Ryde, N.S.W.]: Open Program Resources, Australian Film and Television School, 1979. More info |
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996. Call No: 203(94) CUN Author: Cunningham, Stuart; Jacka, Elizabeth Place: Cambridge Melbourne Publisher: Cambridge University Press PubDate: 1996 PhysDes: xix, 284 p. : ill. ; 23 cm Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover Notes: Includes index; CIP confirmed; Bibliography: p. 254-270 ISBN: 052147003X; 0521469740 (pbk.) LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996. Call No: 203(94) CUN Author: Cunningham, Stuart; Jacka, Elizabeth Place: Cambridge Melbourne Publisher: Cambridge University Press PubDate: 1996 PhysDes: xix, 284 p. : ill. ; 23 cm Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover Notes: Includes index; CIP confirmed; Bibliography: p. 254-270 ISBN: 052147003X; 0521469740 (pbk.) LON: 11853714 Donation: Counihan donation
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Australian television culture / Tom O'Regan St Leonards, NSW: Allen & Unwin, 1993. More info |
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Australian TV : the early years : a program of full-length screenings / program notes written and researched by Graham Shirley [Sydney]: Museum of Contemporary Art, 1992. Call No: 71(94) AUS Author: Shirley, Graham, 1949 CorpAuthor: Museum of Contemporary Art (Sydney, N.S.W.) Place: [Sydney] Publisher: Museum of Contemporary Art PubDate: 1992 PhysDes: 44 p. : ill. ; 30 cm Subject: HISTORY OF TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; DRAMAS. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; GAMES SHOWS. AUSTRALIA; MY BROTHER JACK [TV] (AT, Gil Brealey, 1965); PRESSURE PAK SHOW, THE [TV] (AT, 1957-1959?); COUNTRY STYLE [TV] (AT, 1962-?); IT COULD BE YOU [TV] (AT, 1969-?); JONAH [TV] (AT, David Cahill & Ken Hannam, 1962-63); MATLOCK POLICE [TV] (AT, 1971-1976); ADVENTURE ISLAND [TV] (AT, 1967-1973); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); MY NAME'S MCGOOLEY, WHAT'S YOURS? [TV] (AT, 1966-1968); SEVEN DAYS [TV] (AT, 1964-1968); [FOUR] 4 CORNERS [TV] (AT, 1961-); SAY BOW WOW [TV] (AT, Gil Brealey, 1964); CHEQUER-BOARD [TV] (AT, 1969-1975); PENTHOUSE [TV] (AT, 1961-?) Notes: "... accompanies the exhibition TV Times : 35 years of watching television in Australia' - Pref; At head of title: TV Times; Available from Museum of Contemporary Art, 132 George St, Sydney NSW 2000; Includes bibliographies ISBN: 1875632077 : price unknown LON: abn92040814; 8713155
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000. More info |
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Australian variety Sydney: Martin C. Brennan, 1913-1916. Call No: MICROFILM - vol. 1, no. 1 (1913) - May 31, 1916 Place: Sydney Publisher: Martin C. Brennan PubDate: 1913-1916 Subject: INDUSTRY, FILM. AUSTRALIA Notes: Issues from Jan. 6 1915-Jan 12, 1916 titled: Australian variety and sports gazette
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Australian variety and show world Sydney: Martin C. Brennan, 1916-1921. More info |
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Auteur : Paul Ireland in Weekend Australian [Review] (04/06/2016) p.6 Call No: TITLE CLIPPINGS FILE; PAWNO (AT, Paul Ireland, 2015) Author: Wilson, Ashleigh PhysDes: Clippings File Article Subject: IRELAND, PAUL; PAWNO (AT, Paul Ireland, 2015) Summary: Interview with Paul Ireland, the director of the film PAWNO. He discusses his career and the process of getting PAWNO made
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Avengers assemble! : critical perspectives on the Marvel cinematic universe / by Terence McSweeney London: Wallflower Press published by Columbia University Press, c2018. Call No: 753.5 MSC Author: McSweeney, Terence Source: US/UK Place: London Publisher: Wallflower Press published by Columbia University Press PubDate: c2018 PhysDes: vii, 310 pages : illustrations ; 24 cm Subject: SUPERHEROES IN FILMS; HEROS IN FILMS; COMIC STRIP CHARACTERS IN FILMS; CRITICISM; MARVEL ENTERTAINMENT; IRON MAN (US, Jon Favreau, 2008); IRON MAN 2 (US, Jon Favreau, 2010); THOR (US, Kenneth Branagh, 2011); INCREDIBLE HULK, THE (US, Louis Leterrier, 2008); CAPTAIN AMERICA: THE FIRST AVENGER (US, Joe Johnston, 2011); AVENGERS, THE (US, Joss Whedon, 2012); IRON MAN 3 (US/CN, Shane Black, 2013); THOR: THE DARK WORLD (US, Alan Taylor, 2013); CAPTAIN AMERICA: THE WINTER SOLDIER (US, Anthony Russo and Joe Russo, 2014); GUARDIANS OF THE GALAXY (US/UK, James Gunn, 2014); ANT-MAN (US, Peyton Reed, 2015); AVENGERS: AGE OF ULTRON (US, Joss Whedon, 2015); CAPTAIN AMERICA: CIVIL WAR (US, Anthony Russo/Joe Russo, 2016) Summary: "We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, this book asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today? Beginning with Iron Man in 2008, this study provocatively explores both the cinematic and the televisual branches of the series across ten dynamic and original chapters from a diverse range of critical perspectives which analyse their status as an embodiment of the changing industrial practices of the blockbuster film and their symbolic potency as affective cultural artifacts that are profoundly immersed in the turbulent political climate of the era in which they were made." -- BOOK BACK COVER Notes: Formerly CIP; Includes bibliographical references and index; Also issued online ISBN: 9780231186254 Donation: Senses of Cinema Contents: 1. 'That's how Dad did it, that's how America does it ... and it's worked out pretty well so far' : The Stark doctrine in Iron Man and Iron Man 2 -- 2. Allegorical narratives of gods and monsters : Thor and The Incredible Hulk -- 3. State fantasy and the superhero : (Mis)remembering World War II in Captain America : The First Avenger -- 4. 'Seeing ... still working on believing!' : The ethics and aesthetics of destruction in The Avengers -- 5. 'Nothing's been the same since New York' : Ideological continuity and change in Iron Man 3 and Thor : The Dark World -- 6. 'The world has changed and none of us can go back' : The illusory moral ambiguities of the Post-9/11 superhero in Captain America : The Winter Soldier -- 7. Blurring the boundaries of genre and gender in Guardians of the Galaxy and Ant-Man -- 8. 'Isn't that why we fight? So we can end the fight and go home?' : The enduring American monomyth in Avengers : Age of Ultron -- 9. 'What does S.H.I.E.L.D. stand for?' : The MCU on the small screen in Marvel's Agents of S.H.I.E.L.D. and Marvel's Agent Carter -- 10. The necessary vigilantism of the defenders : Daredevil, Jessica Jones, Luke Cage and Iron Fist.
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990. Call No: 71(94) STR Author: Stratton, David Place: Chippendale, N.S.W. Publisher: Pan Macmillan PubDate: 1990 PhysDes: xiii, 465 p. : ill. ; 25 cm Subject: FILMOGRAPHIES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIA; TAXES. AUSTRALIA; MILLER, GEORGE; LAWRENCE, RAY; COX, PAUL; BENNETT, BILL; DOBROWOLSKA, GOSIA; PARKER, DAVID; SALVAT, KEITH; SCHEPISI, FRED; SCHULTZ, CARL; SULLIVAN, ERROL; TASS, NADIA; TURKIEWICZ, SOPHIA; WEIR, PETER; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); TIME GUARDIAN, THE (AT, Brian Hannant, 1987); SILVER CITY (AT, Sophia Turkiewicz, 1984); MALCOLM (AT, Nadia Tass, 1986); BURKE AND WILLS (AT, Graeme Clifford, 1985); BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket] Notes: Includes index ISBN: 0732902509 LON: 7520974 Donation: Simon Wincer ID2: 255
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Awards in Lumiere (November-December 1970) vol.1 iss.6 p.40-45 More info |
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B.C. & C. launches promotion of 'Big Screen Movies' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5 More info |
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Background paper : Australian content inquiry / Australian Broadcasting Tribunal [North Sydney: The Tribunal], 1986. Call No: 205.36(94) AUS Source: AT Place: [North Sydney Publisher: The Tribunal] PubDate: 1986 PhysDes: 39, [30] pages ; 30 cm Subject: TELEVISION. AUSTRALIA; NATIONAL CONTENT. AUSTRALIA; INDUSTRY, TV. AUSTRALIA Summary: Review of the thirty submissions to the Australian Broadcasting Tribunal's call for comment in relation to their revision of the requirements for Australian content on Australian television ISBN: 0642117381
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[Backsai, Juliet : portrait of Juliet Backsai from the film 'Inside looking out'] 1977. Call No: PERSONALITY STILL Source: AT PubDate: 1977 PhysDes: 1 photograph : b&w ; 23 x 16 cm. Subject: INSIDE LOOKING OUT (AT, Paul Cox, 1977); BACKSAI, JULIET Summary: Interior shot of Juliet Backsai sitting on a couch looking at a photograph of a women. Notes: details on reverse in blue pen and pencil
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Backstory 4 : interviews with screenwriters of the 1970s and 1980s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2006. Call No: 802.24(73) BAC Author: McGilligan, Patrick Source: US Place: Berkeley Publisher: University of California Press PubDate: 2006 PhysDes: x, 423 p. : ill. ; 23 cm Subject: SCRIPTWRITERS; SCRIPTWRITERS. USA; BENTON, ROBERT; COHEN, LARRY; EDWARDS, BLAKE; HILL, WALTER; JHABVALA, RUTH PRAWER; KASDAN, LAWRENCE; LEONARD, ELMORE; MAZURSKY, PAUL; MEYERS, NANCY; MILIUS, JOHN; RAPHAEL, FREDERIC; WESTLAKE, DONALD; SARGENT, ALVIN Summary: "Continuing Patrick McGuilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfull detailed and personal stories from veteran writers of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great films, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and business of screenwriting."-- Back cover Notes: Formerly CIP; Includes bibliographical references (p. 389-396) and index ISBN: 9780520245181; 0520245180 (pbk. : alk. paper) Contents: -- acknowlegments -- introduction -- Robert Benton : the new traditionalist / interview by Christian Keathley -- Larry Cohen : manic energy / interview by Patrick McGilligan -- Blake Edwards : jumping around / interview by Bill Krohn --
Walter Hill : last man standing / interview by Patrick McGilligan -- Ruth Prawer Jhabvala : out of India / interview by Vincent LoBrutto -- Lawrence Kasdan : a humanist in Hollywood / interview by Graham Fuller -- Elmore Leonard : the hot kid / interview by Patrick McGilligan -- Paul Mazursky : a map of the heart / interview by Nat Segaloff -- Nancy Meyers : late bloomer / interview by Fred Topel -- John Milius : the good fights / interview by Nat Segaloff -- Frederic Raphael : renaissance man / interview by John Baxter -- Alvin Sargent : pursuit and destination / interview by Patrick McGilligan -- Donald E. Westlake : the worst that could happen / interview by Patrick McGilligan -- bibliographic notes -- about the contributors -- general index -- index of films, plays, and books --
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Bad history and the logics of blockbuster cinema : Titanic, Gangs of New York, Australia, Inglourious Basterds / Patrick McGee New York: Palgrave Macmillan, 2012. Call No: 45:93 MCG Author: McGee, Patrick Source: US Place: New York Publisher: Palgrave Macmillan PubDate: 2012 PhysDes: 209 p. ; 22 cm Subject: HISTORICAL FILMS; HISTORY AND THE CINEMA; HISTORY OF CINEMA; PHILOSOPHY AND THE CINEMA; THEORY; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008); INGLOURIOUS BASTERDS (US/G, Quentin Tarantino, 2009); GANGS OF NEW YORK (GG/IT/US, Martin Scorsese, 2002); TITANIC (US, James Cameron, 1997) Summary: "In his latest book, Patrick McGee argues for the political and social significance of mass culture through the interpretation of four recent big-budget movies: Titanic, Gangs of New York, Australia, and Inglourious Basterds. Through philosophical and historical contextualization, he reveals the logic of what appears on the screen, a logic that shows how these films both represent and distort the historical record in order to articulate a truth that challenges conventional history as a discipline. Counterdisciplinary in its method, this exciting work asserts that no movie can ever be reduced to the absolutely authentic or the absolutely inauthentic." -- BOOK BLURB Notes: Formerly CIP; Includes bibliographical references and index ISBN: 9780230116511 Contents: -- acknowledgments -- Introduction: truth, history, and counterdisciplinary practices in film studies -- 1: Terrible beauties: messianic time and the image of social redemption in James Cameron's Titanic. -- 2: Infinite history: Martin Scorsese's Gangs of New York and the production of the inexistent -- 3: "No dreaming, no story, nothing": Baz Luhrmann's Australia, the cinematic common, and postcolonial discourse-- Conclusion: the glorious truth about inglorious history in Quentin Tarantino's Inglourious basterds -- works cited -- index --
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Bad news for video pirates : Address to Bundaberg Convention by Ray Stevenson, Director Australian Film Secuirty Office in Australasian Cinema (13/5/1983) vol.12 iss.8 p.2 More info |
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BALLS OUT [INTRAMURAL] : (US, Andrew Disney, 2014) Digital clippings file available More info |
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Barbara Carrera in UK promotes 'Wild Geese II' in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.5 More info |
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Barbara Streisand's "Yentl" starts filming in London in Australasian Cinema (30//4/1982) vol.11 iss.7 p.5 More info |
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Bastard boys / Sue Smith Strawberry Hills, NSW: Currency Press, 2007. Call No: 79BAS SMI Author: Smith, Sue CorpAuthor: Film Finance Corporation Australia; Australian Broadcasting Corporation; New South Wales Film and Television Office; Film Victoria; Flying Cabbage Productions Source: Australia Place: Strawberry Hills, NSW Publisher: Currency Press PubDate: 2007 PhysDes: viii, 216 p. : ill. ; 24cm Subject: SCRIPTS. AUSTRALIA; HISTORICAL DRAMAS. AUSTRALIA; SERIALS. AUSTRALIA; TRADE UNIONS. AUSTRALIA; INDUSTRIAL RELATIONS. AUSTRALIA; RESTRICTIVE PRACTICES. AUSTRALIA; LABOUR. AUSTRALIA; COURTROOM DRAMAS; SOCIAL PROBLEMS ON TV. AUSTRALIA; CONTROVERSIAL ISSUES ON TV. AUSTRALIA; POLITICS ON TV. AUSTRALIA; POLITICAL PERSONALITIES ON TV. AUSTRALIA; POLITICAL DRAMAS. AUSTRALIA; STATE AND TV; BASTARD BOYS (AT, Raymond Quint, 2007) Summary: Script for the 2007 ABC TV mini-series 'Bastard Boys'.
"On 7 April 1998, security guards moved onto Patrick Stevedores docks around Australia and ordered the waterfront workers to stand down immediately. What followed this unprecedented attack on the Maritime Union of Australia (MUA) was an industrial dispute that developed into a campaign for the hearts and minds of all Australians. 'Bastard Boys' tells the story of the fight that stopped the nation.
"A political thriller, war film, buddy movie, love story and courtroom drama all rolled into one, 'Bastard Boys' follows the lives of the key players in one of the most significant events in Australia's recent past.
"Written by Sue Smith ('Brides of Christ', 'The Leaving of Liverpool', 'My Brother Jack', 'The Road from Coorain') and directed by Ray Quint ('The Secret Life of Us', 'McLeod's Daughters', 'Blue Heelers'), 'Bastard Boys' screened on ABC TV in 2007."
Cast includes Jack Thompson, Colin Friels, Geoff Morrell, Daniel Frederiksen, Anthony Hayes, Justin Smith, Rhys Muldoon and Daniel Wyllie. Notes: Includes film end credits ISBN: 9780868198095
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Battle hots up over next generation DVD standard in Australian Financial Review (09/01/2007) p.39 Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER Author: Gliddon, Joshua Subject: INDUSTRY, VIDEO; BLU-RAY; HIGH DEFINITION DVD; SONY CORPORATION; TOSHIBA CORPORATION Summary: There are two DVD formats developed
– the Blu-ray disc developed by Sony can hold 25 gigabytes and 5 hours of high definition content
– The HD-DVD developed by Toshiba, holds 15 gigabytes and holds nearly 4 hours of high definition content
– Conventional DVDs hold a mere 5 gigabytes
Both discs formats are not compatible for the same playing systems which has created competition within the industry
– Warner brothers and Paramount are releasing discs with both formats.
– MGM, 20th Century Fox and Sony Pictures are all releasing their material exclusively on Blu-ray.
– Universal has opted for exclusive release on HD–DVD
– Sony’s Playstation 3 has Blu-ray drives
– Microsoft Xbox 360 system has H-DVD; accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996. Call No: 67(04) BAZ Author: Bazin, Andre, 1918-1958; Cardullo, Bert Place: New York Publisher: Routledge PubDate: 1996 PhysDes: xvi, 252 p. : ill. ; 24 cm Subject: STALIN [J.] IN FILMS; RELIGIOUS FILMS; SPECIAL EFFECTS; SUPERNATURAL IN FILMS; CINEMASCOPE; MARXISM AND THE CINEMA; USSR; ADAPTATIONS; WYLER, WILLIAM; PAGNOL, MARCEL; CAYATTE, ANDRE; FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); SCARFACE (US, Howard Hawks, 1932); STRADA, LA (IT, Federico Fellini, 1954); DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948); M. RIPOIS (FR, Rene Clemont, 1954); DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951); TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951); WHY WE FIGHT SERIES (US, 1942-44); BATTLE OF THE RAILS [; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956); BIDONE, IL (IT, Federico Fellini, 1955); BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); CITIZEN KANE (US, Orson Welles, 1941); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and index ISBN: 0415900174 (hb); 0415900182 (pb) LON: 12242179 Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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BC & C centralise operations in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.2 More info |
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Before the interval : Australian mythology and feature films, 1930-1960 / Bruce Molloy St. Lucia, Qld.: University of Queensland Press, 1990. Call No: 408.1(94) MOL Author: Molloy, Bruce Place: St. Lucia, Qld. Publisher: University of Queensland Press PubDate: 1990 PhysDes: xviii, 244 p., [32] p. of plates : ill., ports. ; 22 cm Subject: AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; FAMILY IN FILMS. AUSTRALIA; MYTH AND THE CINEMA; CINESOUND STUDIOS; CHAUVEL, CHARLES; BITTER SPRINGS (AT, Ralph Smart, 1950); HERITAGE (AT, Charles Chauvel, 1935); ON OUR SELECTION (AT, Ken G. Hall, 1932); SQUATTER'S DAUGHTER, THE (AT, Ken G. Hall, 1933); DAD RUDD M.P. (AT, Ken G. Hall, 1940); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); IT ISN'T DONE (AT, Ken G. Hall, 1937); JEDDA (AT, Charles Chauvel, 1955); OVERLANDERS, THE (UK, Harry Watt, 1946); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); SHIRALEE, THE (AT, Leslie Norman, 1957); SONS OF MATTHEW (AT, Charles Chauvel, 1949) Notes: Includes index; Bibliography: p. [219]-229 ISBN: 0702222690 (pbk.) LON: 6791823 Contents: Charles Chauvel, p101-164 -- Bitter Springs, p189-194 -- Dad Rudd, p60-65 -- Forty Thousand Horsemen, p144-152 -- Heritage, p107-114 -- It isn't done, p87-92 -- Jedda, p203-208 -- On Our Selection, p48-53 -- The Overlanders, p165-171 -- The Rats of Tobruk, p152-161 -- The Shiralee, p178-181 -- Sons of Matthew, p114-124 -- The Squatter's Daughter, p65-69
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012. Call No: 44(410) BEH Source: UK Place: London Publisher: BFI book published by Palgrave Macmillan PubDate: 2012 PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cm Subject: CENSORSHIP. UK; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); SNAKE PIT (US, Anatole Litvak, 1948); CAPE FEAR (US, J. Lee Thompson, 1961); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971); WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); PARASITE MURDERS, THE (CN, David Cronenberg, 1975); BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979); CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981); INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984); LICENCE TO KILL (UK/US, John Glen, 1989); LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002); [NINE] 9 SONGS (UK, Michael Winterbottom, 2004); HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover. Notes: Includes bibliographical references and index. ISBN: 9781844574766 Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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Being connected : the studio in the networked age : The Australian Film Commission's Multimedia Conference, 9-11 July 1998. Program and abstracts [Sydney]: Australian Film Commission, 1998. More info |
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Bereaved first lady and the mourning after in Weekend Australian [Review] (07/01/2017) p.13 More info |
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The best film I never made : and other stories about a life in the arts / by Bruce Beresford Melbourne, Victoria: The Text Publishing Company, 2017. Call No: 81BER BER Author: Beresford, Bruce Source: AT Place: Melbourne, Victoria Publisher: The Text Publishing Company PubDate: 2017 PhysDes: 281 pages ; 24 cm Subject: INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; PRODUCERS; DIRECTORS; AUSTRALIA; BERESFORD, BRUCE Summary: "This entertaining collection of stories by the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer includes memoirs, brief lives and revealing accounts of the film world and beyond.
Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay." -- BOOK BACK COVER ISBN: 9781925603101 Contents: -- I -- family, journeys, memories -- family tree -- my parents -- out of Toongabbie -- the end of the Roxy -- the lure of the EH -- in Guatemala -- pass the passport -- the age of memoirs -- inadvertant meetings - and premonitions -- II -- making and not making movies -- stumbling towards directing -- a career of sorts -- thoughts about actors and acting -- financing movies -- the Hubert Opperman saga -- the best film i never made -- III -- behind the screen -- the two Barrys -- memories of Horton Foote -- John Simon on film: an introduction -- Dino De Laurentiis, producer -- Tony Scott, director -- Robert Krasker: a sketch -- Sven Nykvist: an appreciation -- Don McAlpine, cameraman -- Ken Adam: a personal memoir -- Georges Delerue, composer -- Erich Korngold: a sketch -- IV-- opera, painters, writers -- a brief guide to American opera -- smart lessons -- a memory of Margaret Olley -- forgotten - and in Mildura -- Caravaggio and the cinema -- remembering B.S, Johnson -- Madeleine and me -- a remarkable man -- Australian literature and Film --
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The best of Luck : fifth column / Peter Luck Port Melbourne: William Heinemann Australia, 1990. Call No: 802.281.3 LUC Author: Luck, Peter Source: AT Place: Port Melbourne Publisher: William Heinemann Australia PubDate: 1990 PhysDes: 292 p. : ill. ; 20 cm Subject: TELEVISION JOURNALISM. AUSTRALIA; TELEVISION JOURNALISTS; INDUSTRY, TV. AUSTRALIA Summary: "... One of the country's top producers and presenters, Luck also writes the wise and witty '5th Column', which has graced the pages of the Sydney Morning Herald for more than five years.
The Best of Luck comprises Luck's most entertaining television articles fromthe '5th Column'. Luck gives a colourful and humourous view of the people and programmes that make up the Aussie brand of TV."-BOOK BLURB Notes: cartoons by Jenny Coopes ISBN: 0535613483 Donation: donated by the family of Wayne Levy, 2006 ID2: 91
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Bette Davis black and white / Julia A. Stern Chicago: University of Chicago Press, 2021. Call No: 81 DAV STE Author: Stern, Julia A. Edition: 2021 Place: Chicago Publisher: University of Chicago Press PubDate: 2021 PhysDes: xi, 266 pages : illustrated Subject: DAVIS, BETTE; ANDERSON, ERNIE; BALDWIN, JAMES; CRAWFORD, JOAN; IN THIS OUR LIFE (US, John Huston, 1942); JEZEBEL (US, William Wyler, 1938); LITTLE FOXES, THE (US, William Wyler, 1941); MCDANIEL, HATTIE; RACIAL ISSUES AND THE CINEMA; WHATEVER HAPPENED TO BABY JANE? (US, Robert Aldrich, 1962); WYLER, WILLIAM Summary: Bette Davis’s career becomes a vehicle for a deep examination of American race relations.
Bette Davis was not only one of Hollywood’s brightest stars, but also one of its most outspoken advocates on matters of race. In Bette Davis Black and White, Julia A. Stern explores this largely untold facet of Davis’s brilliant career.
Bette Davis Black and White analyzes four of Davis’s best-known pictures—Jezebel (1938), The Little Foxes (1941), In This Our Life (1942), and What Ever Happened to Baby Jane? (1962)—against the history of American race relations. Stern also weaves in memories of her own experiences as a young viewer, coming into racial consciousness watching Davis’s films on television in an all-white suburb of Chicago.
Davis’s egalitarian politics and unique collaborations with her Black costars offer Stern a window into midcentury American racial fantasy and the efforts of Black performers to disrupt it. This book incorporates testimony from Davis’s Black contemporaries, including James Baldwin and C. L. R. James, as well as the African American fans who penned letters to Warner Brothers praising Davis’s work. A unique combination of history, star study, and memoir, Bette Davis Black and White allows us to contemplate cross-racial spectatorship in new ways. -- publisher's web site ISBN: 9780226813868 Contents: Historical Note -- Chapter 1 Introduction: Black and White -- Chapter 2 Little Foxes and Little Brown Wrens -- Chapter 3 The Poetics of Color in Jezebel -- Chapter 4 Melodramas of Blood in In This Our Life -- Chapter 5 The Whiteness of What Ever Happened to Baby Jane? -- Chapter 6 Bette Davis Black and White -- Acknowledgments -- Notes – Index.
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Beyond the multiplex : cinema, new technologies, and the home / Barbara Klinger Berkeley: University of California Press, 2006. Call No: 386.5 KLI Author: Klinger, Barbara Source: US Place: Berkeley Publisher: University of California Press PubDate: 2006 PhysDes: xii, 310 pages : illustrations ; 24 cm Subject: CABLE TV; DVD, FILMS ON; HOME EXHIBITION; INTERNET AND THE CINEMA; PRIVATE CINEMAS; TECHNOLOGICAL DEVELOPMENTS Summary: "Since the mid-1980s, more audiences have been watching Hollywood movies at home than at movie theatersm yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media - from cable television and VHS to DVD and the Internet - shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today's cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues - especially the home."--BOOK BLURB Notes: Formerly CIP.; Includes bibliographical references (p. 281-287) and index ISBN: 9780520245860 Contents: The new media aristocrats: home theater and the film experience -- The contemporary cinephile: film collecting after the VCR -- Remembrance of films past: cable television and classic Hollywood cinema -- Once is not enough: the functions and pleasures of repeat viewings -- To infinity and beyond: the Web short, parody, and remediation -- Conclusion: of fortresses and film cultures
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Beyond the silver screen : a history of women, filmmaking and film culture in Australia 1920-1990 / Mary Tomsic Carlton, Victoria: Melbourne University Press, 2017. Call No: 71-02(94) TOM Author: Tomsic, Mary Edition: 2017 Place: Carlton, Victoria Publisher: Melbourne University Press PubDate: 2017 PhysDes: vii, 254 pages : 22 cm Series: MUP Academic Subject: WOMEN FILMMAKERS. AUSTRALIA; WOMEN, FILMS MADE BY. AUSTRALIA; GRAIL FILM GROUP, THE; SYDNEY FILMMAKERS CO-OPERATIVE; INDONESIA CALLING (AT, Joris Ivens, 1948); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); FRAN (AT, Glenda Hambly, 1985) Summary: Beyond the Silver Screen tells the history of women's engagement with filmmaking and film culture in twentieth-century Australia. In doing so, it explores an array of often hidden ways women in Australia have creatively worked with film. Beyond the Silver Screen examines film in a broad sense, considering feature filmmaking alongside government documentaries and political films. It also focuses on women's work regulating films and supporting film culture through organising film societies and workshops to encourage female filmmakers. As such, it tells a new narrative of Australian film history.
Beyond the Silver Screen reveals the variety of roles film has in Australian society. It presents film as a medium of creative and political expression, which women have engaged with in diverse ways throughout the twentieth century. Gender roles and gendered ideologies operating within society at large have influenced women's opportunities to work with film and how their filmwork is… -- publisher's web site ISBN: 9780522871227
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BFI film and television handbook London: British Film Institute, c1992. Call No: REFERENCE SECTION; 058(41) BRI "1999"; 058(41) BRI "2001"; 058(41) BRI "2002"; 058(41) BRI "2004" CorpAuthor: British Film Institute Place: London Publisher: British Film Institute PubDate: c1992 PhysDes: v. : ill. ; 25 cm Subject: INDUSTRY, FILM. UK Frequency: Annual LON: 10454500
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BFI film handbook / edited by Eddie Dyja London: bfi Publishing, 2004. Call No: REFERENCE SECTION; 058(41) BRI "2005" REF FRONT DESK Source: UK Place: London Publisher: bfi Publishing PubDate: 2004 PhysDes: 431 p. ; 25 cm Subject: INDUSTRY, FILM. UK Notes: Index
Formerly compiled in 'BFI Film & Television Handbook' ISBN: 1844570428
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bfi Television Handbook : Essential Guide to UK TV, The / edited by Alistair D. Mcgown London: bfi Publishing, 2004. Call No: REFERENCE SECTION; 058(41) BRI "2005" REF FRONT DESK Source: UK Place: London Publisher: bfi Publishing PubDate: 2004 PhysDes: 287 p. ; ill. ; 25 cm Subject: INDUSTRY, TV. UK Notes: Index; Contains directories; Formerly compiled under 'bfi Film & Television Handbook'
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Big Brother helps again! : New tax guidlines in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1 PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; TAXES. AUSTRALIA Summary: Brief article on the recent amendments to Division 10BA. New amendments will make international resources (directors, actor,s etc.) harder to use, and will also abolish the '12-month rule', allowing filmmakers two years to complete a feature.
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Big city, big potential : Sydney's creative industry in Encore (June 2012) p.29-37 More info |
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A big country in Lumiere (January/February, 1974) iss.31 p.12-13 More info |
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The big picture : managing your own career in television / writing and research by Leonie Morgan Woolloomooloo, NSW: Australian Film Commission, c2003. Call No: 462-02(94) MOR Author: Morgan, Leonie Source: AT Place: Woolloomooloo, NSW Publisher: Australian Film Commission PubDate: c2003 PhysDes: 64 pages : portraits ; 30 cm Series: Women working in television Subject: INDUSTRY, TV. AUSTRALIA; WOMEN AND TV. AUSTRALIA Summary: "This booklet aims to provide you with the tools to more effectively get the most out of the hours you spend at work and to manage your own career according to what is important to you. It includes practical advice, hints and stories from women working in the industry about how they manage their careers in Australian television." -book introduction. Contents: Foreword -- Introduction -- Starting from here -- Working out where you are now -- Assessing your strengths and weaknesses -- Looking at the things that impact on your work/life -- Working out where you want to go from here -- Making opportunities work for you -- Building your confidence -- Developing your negotiation and assertiveness skills -- Developing your networks - and using them effectively -- Developing your personal style -- Becoming more visible -- Projecting a successful image -- Identifying your transferable skills -- Getting help along the way -- Finding a mentor -- Would a career coach work for you? -- Accessing skills development and training programs -- How does succession planning work? -- Living within the culture of television -- Surviving the 70-hour week -- Balancing work and family -- What if you have to travel for work? -- Strategies for getting past the barriers -- Resolving conflicts -- Working in the male domain -- Dealing with office politics -- Managing up -- Taking some time out -- Where to next? -- putting it all together -- Looking at all the options -- Getting ready for your next step -- Turning it all into success -- Useful contacts and resources -- The assistance that might be available in your workplace -- Resources and further reading
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The big rupture : David Lynch, Richard Kelly, and the new cinematic gestalt in Film Comment (Jan 2007) vol.43 iss.1 p.54-9 More info |
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Big screen small picture in Encore (Apr 2000) vol.18 iss.3 p.18-19 More info |
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Billy Wilder / Bernard F. Dick Boston: Twayne Publishers, 1980. Call No: 81WIL DIC Author: Dick, Bernard F. Source: US Place: Boston Publisher: Twayne Publishers PubDate: 1980 PhysDes: 188 p. : ill. ; 21 cm Series: Twayne's Theatrical Arts Series Subject: WILDER, BILLY; APARTMENT, THE (US, Billy Wilder, 1960); AVANTI (US, Billy Wilder, 1972); ACE IN THE HOLE (US, Billy Wilder, 1951); DOUBLE INDEMNITY (US, Billy Wilder, 1944); FEDORA (GW/FR, Billy Wilder, 1978); [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943); FORTUNE COOKIE, THE (US, Billy Wilder, 1966); FRONT PAGE, THE (US, Billy Wilder, 1974); IRMA LA DOUCHE (US, Billy Wilder, 1963); KISS ME, STUPID (US, Billy Wilder, 1964); LOST WEEKEND, THE (US, Billy Wilder, 1945); LOVE IN THE AFTERNOON (US, Billy Wilder, 1957); MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970); SABRINA (US, Billy Wilder, 1954); SOME LIKE IT HOT (US, Billy Wilder, 1959); SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955); SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957); STALAG 17 (US, Billy Wilder, 1952); SUNSET BOULEVARD (US, Billy Wilder, 1950); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) Notes: Includes index.
Bibliography: p. 173-174.
Filmography: p. 175-183. ISBN: 0805792740 Donation: donated by the family of Wayne Levy, 2006
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Bitter sweet in Weekend Australian [Magazine] (18/02/2017) p.22 More info |
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The black book directory : indigenous arts and media directory / Compiled by Rose Perkins and Hope Perkins Rose Bay, NSW: Blackfella Films, 2000. More info |
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Black face, white noise : the Jewish jazz singer finds his voice in Critical inquiry vol.18 iss.3 p.417-453 Call No: TITLE CLIPPINGS FILE; JAZZ SINGER, THE (US, Alan Crosland, 1927) Author: Rogin, Michael PhysDes: Article Subject: JAZZ SINGER, THE (US, Alan Crosland, 1927); RACIAL ISSUES AND THE CINEMA Summary: "The Jazz Singer," a film famous for being the first motion picture with sound, is discussed. The film gives equal weight to three stories: the conversion to sound, the conversion of the Jews and the conversion by blackface. As mass culture, the film announced old-world, patriarchal defeat to obfuscate new world power and appropriated an imaginary blackness to Americanize the immigrant son.
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Blacks and the Blue Screen in Lumiere (November, 1973) iss.29 p.7 More info |
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The Blair witch project in If magazine (Dec 1999-Jan 2000) iss.20 p.28-30 More info |
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'Bliss' official Oz entry at Cannes Festival in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1 More info |
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[Bliss : stills files] More info |
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Blockbusters : hit-making, risk-taking, and the big business of entertainment / Anita Elberse New York: Henry Holt and Company, 2013. Call No: 203 ELB Author: Elberse, Anita Source: US Place: New York Publisher: Henry Holt and Company PubDate: 2013 PhysDes: 307 pages : illustrations ; 25 cm Subject: INDUSTRY, FILM. USA; INDUSTRY, TV. USA; WARNER BROS.; SPORT ON TV; MARVEL ENTERTAINMENT Summary: Explores "what's behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Entertainment, and the NFL--along with such stars as Jay-Z, Lady Gaga, and LeBron James--[and] which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals"--Dust jacket flap ISBN: 9780805094336 Contents: Betting on blockbusters -- Launching and managing blockbusters -- Investing in superstars -- How superstars use their powers -- Will digital technology end the dominance of blockbusters? -- Will digital technology threaten powerful producers? -- The future of blockbuster strategies -- No business like show business?
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Blood cinema : the reconstruction of national identity in Spain / by Marsha Kinder Berkeley: University of California Press, 1993. Call No: 408.1(46) KIN Author: Kinder, Marsha Place: Berkeley Publisher: University of California Press PubDate: 1993 PhysDes: xi, 553 p. : ill. ; 24 cm Subject: SPAIN; INDUSTRY, FILM. UK; NATIONAL CULTURE AND THE CINEMA. SPAIN; NATIONAL IDENTITY IN FILMS. SPAIN; SPAIN: CATALONIA; VIOLENCE IN FILMS. SPAIN; DIRECTORS. USA; ERICE, VICTOR; SAURA, CARLOS; ALMODOVAR, PEDRO; BUNUEL, LUIS; SURCOS (SP, Jose Antonio Nieves Conde, 1951); MUERTE DE UN CICLISTA (SP, Juan Antonio Bardem, 1955); GOLFOS, LOS (SP, Carlos Saura, 1959); COCHECITO, EL (SP, Marco Ferreri, 1959); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); RIO ABAJO (SP, Jose Luis Borau, 1984) Notes: "A Centennial book."; Includes bibliographical references (p. 507-522) and index ISBN: 0520081536 (alk. paper); 0520081579 (pbk. : alk. paper) LON: 9293143
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Blu-ray format wins strong JB Hi-Fi support in Australian Financial Review (15/02/2007) p.21 Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER Author: Davidson, John Subject: BLU-RAY; HIGH DEFINITION DVD; JB HI-FI LIMITED Summary: Blu Ray format DVD to be released at JB Hi Fi.
Article states that Blu-Ray supported by consumer electronic companies, HD DVD supported by Microsoft and Intel. Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: Scott Browning – Mktg Mgr JB Hi fi
Blu ray is (quote)“manifestly superior for consumers” because eight out of Australia’s nine major film distributors were supporting Blu Ray, and because Sony’s coming PS3 games console could play Blu-ray movies’.(end quote)
“JB Hi-Fi, which on Tuesday reported a record half-year profit of $26.2 millon on strong DVD sales”
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Blue skies and silver linings : aspects of the Hollywood musical / Bruce Babington and Peter William Evans Manchester [Greater Manchester] Dover, N.H., USA: Manchester University Press, c1985. Call No: 751(73) BAB Author: Babington, Bruce; Evans, Peter William Place: Manchester [Greater Manchester] Dover, N.H., USA Publisher: Manchester University Press PubDate: c1985 PhysDes: 258 p. : ill. ; 25 cm Subject: MUSICALS. USA; BERKELEY, BUSBY; ASTAIRE, FRED; ROGERS, GINGER; KELLY, GENE; MINNELLI, VINCENTE; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934); SWING TIME (US, George Stevens, 1936); JOLSON STORY, THE (US, Alfred E. Green, 1946); JOLSON SINGS AGAIN (US, Henry Levin, 1949); SUMMER HOLIDAY (US, Rouben Mamoulian, 1948); IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955); CAROUSEL (US, Henry King, 1956); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); EASTER PARADE (US, Charles Walters, 1948); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); HAIR (US, Milos Forman, 1979) Notes: Bibliography: p. [248]-258 ISBN: 0719017394 : $19.00 LON: 3592471
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The body in the mirror : shapes of history in Italian cinema / Angela Dalle Vacche Princeton, N.J.: Princeton University Press, c1992. Call No: 71(45) VAC Author: Dalle Vacche, Angela Place: Princeton, N.J. Publisher: Princeton University Press PubDate: c1992 PhysDes: xvii, 306 p. : ill. ; 25 cm Subject: ITALY Notes: Includes bibliographical references (p. [285]-300) and index ISBN: 0691055661 (alk. paper); 0691008728 (pbk. : alk. paper) LON: 8114241
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Bollywood : A guide to popular Hindi Cinema New York: Routledge, 2004. Call No: 71(540) GAN Author: Ganti, Tejaswini Place: New York Publisher: Routledge PubDate: 2004 PhysDes: 254 p. ; ill. ; 20 cm Subject: POPULAR CULTURE AND THE CINEMA.INDIA; INDIA; INDUSTRY, FILM. INDIA Summary: "In 'Bollywood', anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindii cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Hollywood including composers, directors and stars, as well as material from current filmmakers themselves. " (back cover) Notes: Index: p.242-254; Bibliography
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Bollywood : the Indian cinema story / Nasreen Munni Kabir London: Channel 4 Books, 2001. Call No: 71(540) KAB Author: Kabir, Nasreen Munni Source: UK Place: London Publisher: Channel 4 Books PubDate: 2001 PhysDes: 230 p., [8] p. of plates ; 24 cm Subject: BOLLYWOOD; HEROS IN FILMS; HEROINES IN FILMS; MYTH AND THE CINEMA. INDIA; TELEVISION AND THE CINEMA; VILLAINS IN FILMS; AKHTAR, JAVED; ANAND, DEV; BACHCHAN, AMITABH; BHANSALI, SANJAY LEELA; BURMAN, S.D; DARSHAN, DHARMESH; DESAI, MANMOHAN; DIXIT, MADHURI; DUTT, GURU; JOHAR, KARAN; KAPOOR, RAJ; KHAN, MENBOOB; KHAN, SHAHRUKH; KUMAR, DILIP; ROY, BIMAL; SIPPY, RAMESH; AAN (II, Menboob, 1952); BHARAT MATA (II, Mehboob, 1957); PYASSA (II, Guru Dutt, 1957); RAMAYAMA (II, Ramanand Sagar, 1987-); RAJA HINDUSTANI (II, Dharmesh Darshan, 1996); SHOLAY (II, Ramesh Sippy, 1975) ISBN: 075221943X
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Bonanza Year in Australasian Cinema (16/07/1982) vol.11 iss.12 p.4 More info |
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Bond and beyond : the political career of a popular hero / Tony Bennett and Janet Woollacott Houndmills, Basingstoke, Hampshire: Macmillan Education, 1987. Call No: 451BON BEN Author: Bennett, Tony; Woollacott, Janet Place: Houndmills, Basingstoke, Hampshire Publisher: Macmillan Education PubDate: 1987 PhysDes: xi, 315 p. : ill. ; 23 cm Subject: JAMES BOND IN FILMS Notes: Includes bibliographical references (p. 296-309) ISBN: 0333286219 (pbk.); 0333286200 LON: bnb33328620; 4272135
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The box office rip-off in Lumiere (September, 1973) iss.27 p.10-11 More info |
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Breaker sold to China in Australasian Cinema (28/1/1983) vol.12 iss.1 p.1 More info |
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Breaking and entering : land your first job in film production / April Fitzsimmons Los Angeles: Lone Eagle Publishing Co., c1997. Call No: 209.5 FIT Author: Fitzsimmons, April Source: US Place: Los Angeles Publisher: Lone Eagle Publishing Co. PubDate: c1997 PhysDes: xx, 204 pages : black and white illustrations : 23 cm Subject: EXTRAS; FILM WORKERS; FILMMAKING; INDUSTRY, FILM; LABOUR; PRODUCTION Summary: "BREAKING AND ENTERING is a book designed to give you a general idea about how to break into production and have a good time along the way. With the proper tools and information, your first steps into film production will be a little easier." [TAKEN FROM INTRODUCTION] Notes: includes bibliography and index ISBN: 0945728916 Donation: Simon Wincer Contents: Foreword -- Preface -- Acknowledgements --; Part I -- Chapter 1: the production assistant -- Chapter 2: the production assistant's golden rules --; Part II -- Chapter 3: base camp -- Chapter 4: the set -- Chapter 5: heating and air-conditioning --; Part III -- Chapter 6: a day in the life of a set PA -- Chapter 7: lock ups -- Chapter 8: the shot -- Chapter 9: paperwork --; Part IV -- Chapter 10: the cast -- Chapter 11: the crew -- chapter 12: background (extras) -- Chapter 13: stand-ins (second team) -- Chapter 14: helping out --; Part V -- Chapter 15: communications -- Chapter 16: radios -- Chapter 17: the phone -- Chapter 18: the pager --; Part VI -- Chapter 19: the production kit -- Chapter 20: tools -- Chapter 21: necessities --; Part VII -- Chapter 22: landing your first job in film production -- Chapter 23: future jobs -- Chapter 24: the DGA --; Production forms -- United States film commissions -- Appendix -- Index -- About the author
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The Bredin report : on the future of the French cinema / BFI London: BFI Publishing, c1982. Call No: 71(44) BRE Author: Bredin, Jean-Denis CorpAuthor: British Film Institute Place: London Publisher: BFI Publishing PubDate: c1982 PhysDes: 87 p ; 29 cm Subject: FRANCE; INDUSTRY, FILM. FRANCE Notes: Translation of the French Bredin report, jointly commissioned by the Association of Cinematograph and Television Technicians, the British Film Institute, the National Film Finance Corporation and the Scottish Film Council, from the Department of Trade.. LON: 4399957
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Breeding In Captivity in Australian Cinematographer (March 2013) iss.57 p.26-37 More info |
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Brian Casey hosts Vic. Cinema Pioneers in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.23 More info |
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Brian Griffin appointed programme manager of Ace Theatres in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2 More info |
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Brian Griffin elected president. W.A.M.P.E.A. in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.2 More info |
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Bridge of light : Yiddish films between two worlds / by J. Hoberman New York: Schocken Books, 1991. Call No: 451-054(=924) HOB Author: Hoberman, J. Source: US Place: New York Publisher: Schocken Books PubDate: 1991 PhysDes: 401p. : illus. : 24cm. Subject: HISTORY AND THE CINEMA; JEWS AND THE CINEMA Notes: Includes appendix, glossary, bibliography and index. ISBN: 0805241078
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A brief history of the Italian Cinema in Metro (2000) iss.121/122 p.101-112 More info |
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Bright light on the horizon in The Australian (15/10/2005) p.23 Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER Author: Zion, Lawrie Subject: AUSTRALIA 2000s; BOX OFFICE. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; CONNOLLY, ROBERT; LANTANA (AT, Ray Lawrence, 2001); LOOK BOTH WAYS (AT, Sarah Watt, 2005); BANK, THE (AT/IT, Robert Connolly, 2001) Summary: Mainly about the fortunes of the Australian film industry in 2005, in comparison to the earlier years in the decade. Some interesting stats on The Bank which shine a light on the importance of DVD sales and TV sales on top of Box Office. Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Assessing the precise value of these additional revenue streams is difficult, but they are important. The experience of the 2001 film The Bank is instructive. Like several of this year's movies, this financial thriller earned about $2.6 million during its original box-office run, which means that about 260,000 Australians saw it on the big screen. But after being released on home formats, and screen on pay and free-to-air TV, its total audience has built to more than 3 million, according to director Robert Connolly.; -- This "accured interest" suggests that the theatrical release can account for less than 10 per cent of a film's eventual audience reach. "My suspicion is that because of the cost of a movie ticket people are increasingly going to the the cinema to see spectable and choosing to see Australian films at home," says Connolly, who also directed Three Dollars. Still, for most films it is the success, however measured, of the theatrical release that largely determines its subsequent fate in other formats, making a strong splash in cinemas just as critical as ever.
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"BRIGHT LIGHTS, BIG CITY: NEW YORK AND THE MOVIES" 1994. More info |
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Bring on the stuntman! / Ian B. Jamieson Adelaide: Rigby, 1981. Call No: 227.5(092) JAM Author: Jamieson, Ian B. Source: AT Place: Adelaide Publisher: Rigby PubDate: 1981 PhysDes: 88 p. : ill., ports. ; 29 cm Subject: STUNTS. AUSTRALIA; JAMIESON, IAN ISBN: 0727014854 Donation: donated by the family of Wayne Levy, 2006; donated by the family of Wayne Levy, 2006
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Britain : world film centre / editor Michael Relph London: Film Production Association of Great Britain, [1976]. Call No: REFERENCE SECTION; 023(41) BRI Author: Relph, Michael Source: UK Place: London Publisher: Film Production Association of Great Britain PubDate: [1976] PhysDes: [1], 96 p. : ill. (some col.), ports. (some col.) ; 30 cm Subject: UNITED KINGDOM. 1970's; INDUSTRY, FILM. UK Summary: Brochure listing the British films films of 1975-76 and also provides a detailed overview of the British film industry itself at the time of publication Language: English, German, French, Italian
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British $75 million prod. programmes in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.1 Subject: GOLDCREST FILMS; INDUSTRY, FILM. UK; REVOLUTION (UK/NO, Hugh Hudson, 1985); MISSION, THE (UK, Roland Joffe, 1986); ABSOLUTE BEGINNERS (UK, Julien Temple, 1986); HUDSON, HUGH; JOFFE, ROLAND Summary: Article on Goldcrest's future planes for British film from directors Hugh Hudson, Roland Joffee and Marek Kanievska.
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British Cinema Now in National Film Theatre (Jan 1984) p.8 More info |
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British cinema, past and present / edited by Justine Ashby and Andrew Higson London New York, NY: Routledge, 2000. Call No: 71(41) BRI Author: Higson, Andrew; Ashby, Justine Source: UK Place: London New York, NY Publisher: Routledge PubDate: 2000 PhysDes: xx, 385 p. : ill. ; 24 cm Subject: ASKEY, ARTHUR; ASSOCIATED BRITISH PICTURE CORPORATION; AUDIENCES. UK; BAKER, ROY WARD; BRASSED OFF (UK, Mark Herman, 1996); BRIEF ENCOUNTER (UK, David Lean, 1945); BOX, BETTY E.; EALING STUDIOS; GREENAWAY, PETER; JARMAN, DEREK; KEILLER, PATRICK; PEEPING TOM (UK, Michael Powell, 1960); PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933); RADIO PARADE OF 1935 (UK, Arthur Woods, 1934); UNITED KINGDOM Notes: Includes bibliographical references (p. 354-369) and index ISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper) LON: 21262622
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The British film industry : a report on its history and present organisation, with special reference to the economic problems of British feature film production. London: P E P (Political & Economic Planning), 1952. Call No: 201(41) PEP CorpAuthor: PEP (Political & Economic Planning) Source: UK Place: London Publisher: P E P (Political & Economic Planning) PubDate: 1952 PhysDes: 307 p. : graphs ; 24 cm Subject: INDUSTRY, FILM. UK Notes: Includes Chronological table of main events and Index.
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The British Film Industry in Montage (1962) vol.1 iss.1 p.12-13 More info |
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British Film Industry : Derek Todd talks with John Boulting in Lumiere (June 1970) vol.1 iss.1 p.33-35 Author: Todd, Derek PhysDes: Article Subject: INDUSTRY, FILM. UK; BOULTING, JOHN Summary: Interview between Derek Todd and British filmmaker John Boulting on the state of the British film industry. Boulting believes that Britain has become too influenced by the American funding and production model.
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British national cinema / Sarah Street London New York: Routledge, 1997. More info |
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Broadband in Australia : Tales from the frontier / by Marion Jacko Sydney, N.S.W.: Australian Film Commission, Creative Industries Research and Applications Centre, Australian Key Centre for Cultural and Media Policy, 2001. More info |
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Broadcasting : draft report Melbourne: Productivity Commission, 1999. More info |
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Broadcasting bounces back ; A financial evaluation of Australian commercial metropolitan television : Part 1 Industry Overview June 1993 / Principal author : Bob Peters; Co-author and research co-ordinator : Peter Leigh Melbourne: ANZ McCaughan, 1993. Call No: 203(94) PET Author: Peters, Bob -- Leigh, Peter Source: AT Place: Melbourne Publisher: ANZ McCaughan PubDate: 1993 PhysDes: 78, A-11.2 pages Subject: ADVERTISING. TV. AUSTRALIA; COMMERCIAL TV. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; INVESTING. AUSTRALIA; PAY TV. AUSTRALIA Summary: Report on the Australian commercial television industry that suggests strong financial growth. Considers advertising volitility and the arrival of pay tv Contents: Executive summary -- Introduction -- Industry description -- Ratings, programming, and strategies -- Financial performance -- Corporate profiles -- Future prospects -- Appendices -- Australian advertising expenditures sector shares of total expenditure 1961-1991 -- Metroploitan commercial television analysis of top 25 product categories 1981-1991 -- Regression analysis summary and projections total and television advertising expenditure growth versus gross domestic product growth 1962-1991 -- Metropolitan television ratings shares by market and channel 1983 to 1992 -- Metropolitan commercial television analysis of programming by type and origin: all Sydney commercial stations during 1991 -- Metropolitan commercial television stations ultimate or effective owners or controllers from 1 January 1983 to 1 June 1993 -- Metropolitan commercial television comparison of advertising revenue growth and gross domestic product growth 1970/71 to 1991/92 -- Metropolitan commercial television summary of financial performance 1970/71-1991/92 -- Australian commercial television historical profit margins 1957/58 to 1991/92 -- Metropolitan commercial television summary of network financial performance on a four market basis 1987/88 to 1991/92 -- Metropolitan commercial television network's share ofd revenue on a four market basis 1987/88 to 1991/92
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Broadcasting in Australia 1989 : the second annual review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992. Call No: 201(94) AUS "1989" CorpAuthor: Australian Broadcasting Tribunal Place: North Sydney, N.S.W. Publisher: Australian Broadcasting Tribunal PubDate: 1988-1992 PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cm Subject: BROADCASTING. AUSTRALIA; TELEVISION. AUSTRALIA; INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MEDIA AUSTRALIA; COMMERCIAL TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees. Notes: Subtitle varies ISSN: 1034-8689 LON: abn89174413; 6490748 6176346 Donation: Jock Given Contents: Foreward / Peter Westerway -- Issues in broadcasting: a turbulent end to the eighties -- The Tribunal: guardian of the public interest -- Programming: the anatomy of the nation -- Financial results: who made the money? -- Ownership and control: the media baron's -- Location of services: covering the country -- Licensing: the sitting tenants -- The national broadcasters - The ABC and SBS
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Broadcasting in Australia 1990 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992. More info |
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Broadcasting in Australia 1992 : the ... yearly review of the industry by the Australian Broadcasting Tribunal North Sydney, N.S.W.: Australian Broadcasting Tribunal, 1988-1992. Call No: 260(94) AUS "1992" CorpAuthor: Australian Broadcasting Tribunal Place: North Sydney, N.S.W. Publisher: Australian Broadcasting Tribunal PubDate: 1988-1992 PhysDes: 4 v. : ill. (some col.), maps ; 25-35 cm Subject: BROADCASTING. AUSTRALIA; TELEVISION. AUSTRALIA; INDUSTRY, TELEVISION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; MEDIA AUSTRALIA; COMMERCIAL TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; PAY TV. AUSTRALIA; RADIO AND TV. AUSTRALIA Summary: Overarching report by the Australian Broadcasting Tribunal on Australia's broadcasting industries in 1989. Includes: statistical analysis of television and radio programming and audiences, financial results of tv and radio in the commercial and public sectors, owners of Australia's media groups, broadcaster locations and licensees. Notes: Subtitle varies ISSN: 1034-8689 LON: abn89174413; 6490748 6176346 Contents: Foreward / Peter Webb-- Broadcasting issues: the banks take 7 & 10 -- The Tribunal: the broadcasting regulator -- Television Programming: entertainment information and relaxation -- Children's television: Kidz TV -- Radio programming: Gold format dominates again -- Financial results: TV and radio both post losses -- Ownership and control: Black, Packer, Tourang & Fairfax -- Location of services: across this wide brown land -- Licensing: providing a service-- the national broadcasters: The ABC and SBS -- Index of tables and illustrations
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Broccoli, producer of James Bond films receives Thalberg Award in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2 More info |
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Broken screen : 26 conversations with Doug Aitken - expanding the image breaking the narrative / Doug Aitken; edited by Noel Daniel New York: Distributed Art Publishers, 2006. Call No: 802 AIT Author: Aitken, Doug Source: US Place: New York Publisher: Distributed Art Publishers PubDate: 2006 PhysDes: 302 p. : col. ill. ; 25 cm Subject: AITKEN, DOUG; AHTILA, EIJA-LIISA; ALTMAN, ROBERT; ANGER, KENNETH; BALDESSARI, JOHN; BARNEY, MATHEW; BURDEN, CHRIS; CONNER, BRUCE; DENIS, CLAIRE; DOUGLAS, STAN; ELIASSON, OLAFUR; FERRO, PABLO; FIGGIS, MIKE; HERZOG, WERNER; HILL, GARY; HOLLER, CARSTEN; HUYGHE, PIERRE; JODOROWSKY, ALEXANDRO; KOOLHAAS, REM; LYNN, GREG; NICOLAI, CARSTEN; PRINCE, RICHARD; RIST, PIPILOTTI; RONDINONE, UGO; RUSCHA, ED; VOGEL, AMOS; WILSON, ROBERT; OBRIST, HANS ULRICH Summary: Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 25 carefully chosen artists, filmmakers, designers, and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens, and fragmentary visual planes that define the most progressive moving images today. ISBN: 1933045264
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Brothers in laughs together again in Herald Sun (3/06/2017) p.26 More info |
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Brown Brown Brown & Brown in Lumiere (June 1970) vol.1 iss.1 p.28-31 Author: Byrne, T.A. PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA; HISTORY OF CINEMA. AUSTRALIA Summary: Article on the Brown family's involvement in the Australian film industry with members being on the first film cesnorship board, producing features for RKO and Warner Bros., making patriotic films in World War I, and pioneering early cinematography.
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Brutal vision : the neorealist body in postwar Italian cinema / Karl Schoonover Minneapolis: University of Minnesota Press, 2012. Call No: 64NEO SCH Author: Schoonover, Karl Source: US Place: Minneapolis Publisher: University of Minnesota Press PubDate: 2012 PhysDes: xxxiii, 283 pages : illustrations ; 23 cm Subject: NEOREALISM; ITALIAN CINEMA Summary: "Film history identifies Italian neorealism as the exempler of national cinema, a specificially domestic response to wartime atrocities. Brutal Vision challenges this orthodoxy by arguing that neorealist films -- including such classics as Rome Open City, Paisan, Shoeshine, and Bicycle Thieves -- should be understood less as national products and more as complex agents of a postwar reorganization of global politics. In his readings on crucial films and newly discovered documents from the archives of neorealism's international distribution, Karl Schoonover reveals how these movies use images of the imperiled body to reconstitute the concept of the human and to recalibrate the scale of human community. Brutal Vision fundamentally revises ideas of cinematic specificity, the human, and geopolitical scale that we inherit from neorealism and its postwar milieu -- ideas that continue to set the terms for political filmmaking today." -- BOOK BLURB Notes: Includes bibliographical references and index. ISBN: 9780816675548 Contents: Introduction -- An inevitably obscene cinema: Bazin and neorealism -- The North Atlantic ballyhoo of liberal humanism -- Rossellini's exemplary corpse and the sovereign bystander -- Spectacular suffering: De Sica's bodies and charity's gaze -- Neorealism undone: the resistant physicalities of the second generation -- Conclusion
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Building a National Cinema : Soviet Film Education, 1918-1934 in Wide Angle (1987) vol.9 iss.3 p.4-20 More info |
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Buoyant trading as video levels off in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.4 More info |
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Burning Man in Australian Cinematographer (March 2012) iss.53 p.29-33 More info |
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The business of understanding Japan and the United States in today's world : as seen through 'The Japanese Film' a PBS television series; produced by KQED, San Francisco / by Michael Berger Berkeley, California: Pacific Film Archive, University of California, Berkeley, 1974. Call No: 71(52) BER Author: Berger, Michael Source: US Place: Berkeley, California Publisher: Pacific Film Archive, University of California, Berkeley PubDate: 1974 PhysDes: 32 p. : ill. ; 28 cm Subject: JAPAN; NATIONAL CULTURE AND THE CINEMA. JAPAN Summary: Based around a thriteen week series on the American Public Broadcasting System, this guide comments on the Japanese films shown in the series and the various shared themes presented by the films in a way to help American's in business with the Japanese to understand their culture better.; The films shown are: Sanjuro (Akira Kurosawa), Ugetsu (Kenji Mizoguchi), Harp of Burma (Kon Ichikawa), Double Suicide (Masahiro Shinoda), Harakiri (Masaki Kobayashi), Boy (Nagisa Oshima), Night Drum (Tadashi Imai), Ikuru (Akira Kurosawa), When a Woman Ascends the Stairs (Mikio Naruse), Sansho the Bailiff (Kenji Mizoguchi), Twenty-Four Eyes (Keisuke Kinoshita), Gate of Hell (Teinosuke Kinugasa), Early Summer (Yasujiro Ozu).
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Busting out TV hits : NSW boom in filming of shows in Sunday Telegraph [General News] (1/11/2015) p.39 More info |
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Busy year for Colorfilm in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3 More info |
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Cable Television, CTV or RSTV, to be $300 mill. or $500 mill.- or not to be? in Australasian Cinema (24/9/1982) vol.11 iss.17 p.3 More info |
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Cagney / John McCabe London: Aurum, 1998. Call No: 81CAG MCC Author: McCabe, John Edition: 1st ed Source: UK Place: London Publisher: Aurum PubDate: 1998 PhysDes: xvi, 439 p. : ports. ; 24 cm Subject: WARNER BROS.; CAGNEY PRODUCTIONS; CAGNEY, JAMES; DAY, DORIS; JOHNNY COME LATELY (US, William K. Howard, 1943); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WHITE HEAT (US, Raoul Walsh, 1949); YANKEE DOODLE DANDY (US, Michael Curtiz, 1941) Notes: Includes bibliographical references (p. 425-429) and index.
Filmography: p. 397-422 ISBN: 1854105450 Donation: donated by the family of Wayne Levy, 2006
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Cairns Coral Twin Drive-In opens in Australasian Cinema (18/6/1982) vol.11 iss.10 p.3 More info |
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Call for an Australian Game of Thrones to boost screen industry in Sydney Morning Herald [Arts & Entertainment] (30/10/2015) p.19 Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TV. AUSTRALIA. 2010s Author: Maddox, Garry PhysDes: Clippings File Article Subject: INDUSTRY, TV. AUSTRALIA; DRAMAS. AUSTRALIA; PRODUCTION Summary: Article discusses the benefits of producing tv programmes that sell internationally. It also discusses the current state of the Australian film and televisin industries
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Call for tax breaks to put us on the big screen in The Australian (05/01/2016) p.17 Call No: SUBJECT CLIPPINGS FILE; TAXES. AUSTRALIA Author: Shanahan, Leo PhysDes: Clippings File Article Subject: BANKS, ANDREW; TAXES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA Summary: Australian movie producer Andrew Banks comments about the tax rebate for films made in Australia, stating that it should be far higher than the current 16.5 percent. Other issues he comments on are about the quality of Australian screenplays, and the complex formula used to state the Australian quota of a film for tax purposes
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Came the dawn : memories of a film pioneer ... / illus. with drawings by the author London: Phoenix House, 1951. More info |
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The camera and I New York: International Publishers, 1969]. Call No: 81IVE IVE Author: Ivens, Joris, 1898 Place: New York Publisher: International Publishers PubDate: 1969] PhysDes: 279 p. illus., ports. 19 cm Subject: IVENS, JORIS LON: 75010169; 385881
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Camera mart rental catalogue 1972 New York: [Camera Mart Inc.], 1972. Call No: F(017)(73)291CAM CorpAuthor: [Camera Mart Inc.] Edition: 1972 Place: New York Publisher: [Camera Mart Inc.] PubDate: 1972 PhysDes: 52 p. ; 29 cm Subject: CAMERAS; EQUIPMENT; INDUSTRY, FILM
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The camera never blinks : adventures of a TV journalist / Dan Rather; with Mickey Herskowitz New York: William Morrow & Co., 1977. Call No: 81RAT RAT Author: Rather, Dan; Herskowitz, Mickey Source: US Place: New York Publisher: William Morrow & Co. PubDate: 1977 PhysDes: 320 p. ; 25 cm Subject: MEDIA; NEWS PROGRAMMES.USA; RATHER, DAN; CRONKITE, WALTER; SEVAREID, ERIC; WALLACE, MIKE; WALTERS, BARBARA; REASONER, HARRY; BRINKLEY, DAVID; CHANCELLOR, JOHN; NIXON [RICHARD M.] ON TV; JOHNSON, LYNDON ISBN: 0688031846
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Camera politica : the politics and ideology of contemporary Hollywood film / by Michael Ryan and Douglas Kellner Bloomington, Ind.: Indiana University Press, 1988. Call No: 409(73) RYA Copy Management: Copy 1; Copy 2 Author: Ryan, Michael, 1951; Kellner, Douglas, 1943 Place: Bloomington, Ind. Publisher: Indiana University Press PubDate: 1988 PhysDes: xiii, 328 p. : ill. ; 25 cm Subject: DISASTERS IN FILMS. USA; SOCIAL PROBLEMS IN FILMS. USA; WORKING CLASS IN FILMS. USA; ETHNIC GROUPS IN FILMS. USA; SOUTH IN FILMS. USA; WOMEN IN FILMS. USA; BUDDY FILMS. USA; FAMILY IN FILMS. USA; VIETNAM WAR IN FILMS; HORROR FILMS. USA; VIETNAM WAR FILMS; POLITICS AND THE CINEMA. USA; FANTASY FILMS. USA; UTOPIA IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; TECHNOLOGY AND THE CINEMA. USA; CONSPIRACY FILMS. USA; SPIELBERG, STEVEN; COPPOLA, FRANCIS FORD; BORDEN, LIZZIE; CIMINO, MICHAEL; Peckinpah, Sam; Reagan, Ronald; ROMERO, GEORGE; SCORSESE, MARTIN; HOOPER, TOBE; FRIEDKIN, WILLIAM; BROOKS, JAMES L.; DE PALMA, BRIAN; LUCAS, GEORGE; KUBRICK, STANLEY; MILIUS, JOHN; PAKULA, ALAN J.; SCOTT, RIDLEY; STAR WARS (US, George Lucas, 1977); CARNAL KNOWLEDGE (US, Mike Nichols, 1971); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); DEATH WISH (US, Michael Winner, 1974); DEER HUNTER, THE (US, Michael Cimino, 1978); DRESSED TO KILL (US, Brian De Palma, 1980); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FRENCH CONNECTION, THE (US, William Friedkin, 1971); JAWS (US, Steven Spielberg, 1975); TERMS OF ENDEARMENT (US, James L. Brooks, 1983); UNDER FIRE (US, Roger Spottiswoode, 1983); SHINING, THE (UK, Stanley Kubrick, 1980); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER, THE (US, Francis Ford Coppola, 1972); KLUTE (US, Alan J. Pakula, 1971); BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes index; Bibliography: p. 321-324 ISBN: 0253313341 LON: 5193671
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Can-did Camera in Empire (Australian Ed.) (September 2006) iss.66 p.40 More info |
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Cannes Film Festival report in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.5 More info |
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Cannon Group picks up Germany's Ewert circuit in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.1 More info |
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Cannon's 'Invasion USA' underway in Australasian Cinema (Friday, 26/4-2/5/1985) vol.14 iss.7 p.2 More info |
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Care factor in Weekend Australian [Review] (21/03/2015) p.13 More info |
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Career peaks in Weekend Australian [Review] (26/03/2016) p.12 More info |
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Carl Theodor Dreyer's Jesus / Carl Theodor Dreyer New York: The Dial Press, 1972. Call No: 79 JES DRE Author: Dreyer, Carl Theodor Source: US Place: New York Publisher: The Dial Press PubDate: 1972 PhysDes: 312 pages : illustrations ; 24 cm Subject: JESUS CHRIST IN FILMS; DREYER, CARL TH. Summary: Contains the film manuscript for Dreyer's 'Jesus', as well as essays by Dreyer on religion, and notes on Dreyer by other film makers. Notes: Alternative title for book is 'Jesus' Contents: -- introduction -- Carl Theodor Dreyer, by Ib Monty -- illustrations follow -- Three essays by Carl Dreyer -- who crucified Jesus? -- the roots of anti-semitism -- my only great passion -- Jesus; a film manuscript -- Working with Dreyer / by Preben Thomsen -- Tributes to Dreyer, Dreyer's Sin / by Jean Renoir -- Federico Fellini -- Fancois Truffaut -- editor's note --
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Cast of "No. 96" come to Brisbane in Australasian Cinema (Thursday, 17/10/1974) vol.2 iss.20 p.7 More info |
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Cast tower above the material in this children's tale for adults in The Age (13/10/2016) p.26 More info |
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Catalogo Bolaffi del cinema Italiano : Tutti i film Italiani del dopoguerra / edited by Giulio Bolaffi; direzione di Gianni Rondolino; a cura di Ornella Levi Torino, 1967. Call No: F71(45)(083.8) RON Author: Bolaffi, Giulio Source: IT Publisher: Torino PubDate: 1967 PhysDes: xix, 287 p. : ill., ports. ; 26 cm Subject: ITALY; FILMOGRAPHIES; FILMOGRAPHIES. ITALY Notes: Includes index; Includes bibliography; Includes filmography Language: Italian
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Cecil Holmes' Man Alone in Lumiere (December, 1973) iss.30 p.4-8 More info |
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Celluloid Dreams : a century of film in New Zealand / editor in chief - Geoffrey B. Churchman Wellington: IPL Publishing Services, 1997. Call No: 71(931) CHU Author: Churchman, Geoffrey B. Source: NZ Place: Wellington Publisher: IPL Publishing Services PubDate: 1997 PhysDes: 144 p. ; col. and b+w ill. : 29 cm Subject: INDUSTRY, FILM. NEW ZEALAND; FILMMAKING Summary: Traces the development of cinema exhibition and filmmaking in New Zealand from its beginnings up to the 90s. Includes filmography and synopses. Notes: Includes select bibliography ISBN: 09088776963 Language: English
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'Centrespread' movie hits Adelaide with a bang! in Australasian Cinema (16/7/1982) vol.11 iss.12 p.32 More info |
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A certain tendency of the Hollywood cinema, 1930-1980 / Robert B. Ray Princeton, N.J.: Princeton University Press, 1985. Call No: 71(73) RAY Author: Ray, Robert B. (Robert Beverley), 1943 Place: Princeton, N.J. Publisher: Princeton University Press PubDate: 1985 PhysDes: x, 411 p. : ill. ; 25 cm Subject: WESTERNS; WORLD WAR II FILMS. USA; CULT FILMS. USA; FILM NOIR. USA; MUSICALS. USA; CASABLANCA (US, Michael Curtiz, 1942); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); GODFATHER, THE (US, Francis Ford Coppola, 1972); TAXI DRIVER (US, Martin Scorsese, 1976) Notes: Includes index; Bibliography: p. [389]-397 ISBN: 0691047278 (alk. paper); 0691101744 (pbk.) LON: 3400531
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Change of Identity in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2 More info |
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Changes to TVW management- senior executive resigns in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.1 PhysDes: Article Subject: INDUSTRY, FILM. AUSTRALIA Summary: Report on re-shuffling after TVW Enterprises loose their secretary and corporation lawyer, general manager of finance and administration, and a group engineer.
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Charles Chauvel : the last decade in Continuum (1987) vol.1 iss.1 p.26-46 More info |
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Charles de Salis appointed NSW sales manager, Roadshow in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2 More info |
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Chasing the runaways : foreign film production and film studio development in Australia 1988-2002 / Nick Herd Sydney: Currency House, 2004. More info |
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Chauvel and the centring of Aboriginal male in Australian film in Continuum (1987) vol.1 iss.1 p.47-56 More info |
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Chief film censor resigns in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.14 More info |
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The child in film : tears, fears and fairy tales / Karen Lury New Brunswick, N.J.: Rutgers University Press, 2010. Call No: 747.2-053.2 Author: Lury, Karen Edition: 2010 Place: New Brunswick, N.J. Publisher: Rutgers University Press PubDate: 2010 PhysDes: 210 p. : illustrations ; 22cm Series: Rutgers Series in Childhood Studies Subject: CHILDREN AND THE CINEMA; TEMPLE, SHIRLEY; IVANOVO DETSTVO (UR, Andrei Tarkovsky, 1962); GRUDGE, THE (US/JA, Takashi Shimizu, 2004); HONOGURAI MIZUNO SOKOKARA (JA, Hideo Nakata, 2001); LOLITA (US, Stanley Kubrick, 1962); TAXI DRIVER (US, Martin Scorsese, 1976); MAN ON FIRE (US, Tony Scott, 2004); ZERKALO (UR, Andrei Tarkovsky, 1975); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); EMPIRE OF THE SUN (US, Stephen Spielberg, 1987); PAN'S LABYRINTH (MX/SP/US, Guillermo del Toro, 2006); BELLISSIMA (IT, Luchino Visconti, 1951) Summary: Ghastly and ghostly children, "dirty little white girls," and the child as witness and as victim have always played an important part in the history of cinema, as have child performers. Yet the disruptive power of the child in films made for an adult audience has been a neglected topic. The Child in Film examines popular films including Taxi Driver, Man on Fire, and contemporary Japanese horror, as well as "art house" productions such as Mirror, La Jeté, and Pan's Labyrinth, and questions why the figure of the child has such a significant impact on the visual aspects and storytelling potential of cinema.
Karen Lury argues that the child as a liminal yet powerful agent has allowed filmmakers to play adventurously with cinema's formal conventions, with far-reaching consequences. She reveals how a child's relationship to time allows it to disturb conventional master-narratives and explores how the concern for and investment in the child actor conceals the reality of film acting and the skills of the child performer. She addresses the expression of child sexuality, and questions existing assumptions as to who children "really are." -- pulisher's web site ISBN: 9780813548968
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Childhood and cinema / Vicky Lebeau London: Reaktion Books, 2008. Call No: 720-053 LEB Author: Lebeau, Vicky Place: London Publisher: Reaktion Books PubDate: 2008 PhysDes: 222 p. : illustrated ; 17 cm Series: Locations Subject: CHILDREN IN FILMS; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973); ENFANT SAUVAGE, L' (FR, Francois Truffaut, 1970); [FOUR HUNDRED] 400 BLOWS, THE [; LOLITA (US, Adrian Lyne, 1997); LOLITA (US, Stanley Kubrick, 1962); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); TARNATION (US, Jonathan Caouette, 2003); WOODSMAN, THE (US, Nicole Kassell, 2004); COME AND SEE [IDI I SMOTRI] (UR, Elem Klimov, 1985) Summary: Since its inception the world of cinema has embraced the image of the child and both extended and challenged its representations. Vicky Lebeau explores the complex and ongoing adventure of childhood on screen and examines how the child in film has been used to embody the aspirations and anxieties of modern life. Moving from early to contemporary cinema – a process that includes discussions of films such as Victorian ‘Child Pictures’, The Spirit of the Beehive, L'Enfant sauvage, 400 Blows, Lolita, The Enigma of Kaspar Hauser, Tarnation and The Woodsman – she uncovers the compulsion of film-makers to visualize the child and their need to use childhood as a way of reflecting on sexuality, language, death and difference. By bringing together childhood and cinema as two institutions of modern culture, this book ultimately uses the figure of the child – as image, as narrative, and as myth – to reflect on the form and significance of cinema itself.
Thought-provoking and engaging, Childhood and Cinema is an original and challenging contribution to studies in childhood and visual culture that will be of interest to readers in the fields of literature, film and cultural studies. -- publisher's web site ISBN: 9781861893529
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Children's novels and the movies / edited by Douglas Street New York: F. Ungar Pub. Co., 1983. Call No: 753.131-053.2 CHI Author: Street, Douglas Place: New York Publisher: F. Ungar Pub. Co. PubDate: 1983 PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cm Series: Ungar Film Library Subject: ADAPTATIONS; CHILDREN AND THE CINEMA; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951); ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972); CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973); HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977); HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977); ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964); KIDNAPPED (UK, Delbert Mann, 1971); KIM (US, Victor Saville, 1950); LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979); LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981); LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936); LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Mervyn LeRoy, 1948); PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940); PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969); PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969); RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970); SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949); SOUNDER (US, Martin Ritt, 1972); TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960); TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951); TREASURE ISLAND (US, Victor Fleming, 1934); TREASURE ISLAND (US, Byron Haskin, 1950); TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972); WATERSHIP DOWN (UK, Martin Rosen, 1978); WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971); WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURB Notes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290 ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95 LON: 83014816; 2808775
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China! : Max Keogh interviews Don Kennedy about his recent China trip in Lumiere (January/February, 1974) iss.31 p.4-7 More info |
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China loses the force in film market battle in The Australian (21/07/2016) p.25 Call No: SUBJECT CLIPPINGS FILE; CHINA Author: Lin, Lilian PhysDes: Clippings File Article Subject: INDUSTRY, FILM. CHINA; CITY OF SADNESS, A [; EXHIBITION. CHINA Summary: Report on the slowdown to box office growth in China. Speculation was that heavy discounts in previous years boosted box office sales but with the discounting over the attendences and box office has stablised. Chinese companies are looking to purchase Hollywood businesses and the USA are looking to get their film's shown in China
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China on screen : cinema and nation / Chris Berry New York: Columbia University Press, 2006. Call No: 71(51) BER Author: Berry, Chris Place: New York Publisher: Columbia University Press PubDate: 2006 PhysDes: xi, 313 p. ; 23 cm Series: Film and Culture Subject: CITY OF SADNESS, A [; TAIWAN; MASCULINITY IN FILMS; FAMILY IN FILMS; INDUSTRY, FILM. CHINA; HISTORICAL FILMS. CHINA; WOMEN IN FILMS. CHINA; REALISM IN FILMS. CHINA; OPERA IN FILMS; LEE, ANG; LINGYU, RUAN Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity. ISBN: 0231137079 Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational
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China's cinema today in Australasian Cinema (16/07/1982) vol.11 iss.12 p.12 More info |
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China's influence on Hollywood growing in Weekend Australian (16/07/2016) p.34 More info |
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Chinese Film in Wide Angle (1989) vol.11 iss.2 p.[whole issue] More info |
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Chinese film archivists in Australia in Australasian Cinema (22/7/1983) vol.12 iss.13 p.1 More info |
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Chinese national cinema / Yingjin Zhang New York: Routledge, 2004. Call No: 71(51) ZHA Author: Zhang, Yingjin Source: US Place: New York Publisher: Routledge PubDate: 2004 PhysDes: 328 p. ; ill. ; 24 cm Subject: CITY OF SADNESS, A [; INDUSTRY, FILM. CHINA; INDUSTRY, FILM. HONG KONG; HISTORY OF CINEMA; NATIONAL CULTURE AND THE CINEMA. CHINA Summary: ‘This introduction to Chinese national cinema, by a leading critic, covers three ‘Chinas’: mainland China, Hong Kong and Taiwan. It traces the formation, negotiation and problematization of the national on the Chinese screen over ninety years. Historical and comparative perspectives bring out the parallel developments in the three Chinas, while critical analysis explores thematic and stylistic changes over time…’ (Back cover) ISBN: 041517290 Contents: 1. Introduction: National cinema and China -- 2. Cinema and national traditions, 1896-1929 -- 3. Cinema and the nation-people, 1930-49 -- 4. Cinematic reinvention of the national in Taiwan, 1896-1978 -- 5. Cinematic revival of the regional in Hong Kong, 1945-78 -- 6. Cinema and the nation-state in the PRC, 1949-78 -- 7. Cinema and national/regional cultures, 1979-89 -- 8. Cinema and the transnational imaginary, 1990-2002
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Chinese workers flex market muscle in Australian Financial Review (19/03/2007) p.63 Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER Author: Gronow, Nick Subject: CITY OF SADNESS, A [; INDUSTRY, VIDEO Summary: Starts of article mentions how Chinese mass production reduced the price of DVD players dropped 73% to $US 27in 2005. But now China’s prosperity will drive manufacturing prices upwards. Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007).
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Chris Marker / Nora M. Alter Urbana: University of Illinois Press, 2006. Call No: 81MAR ACT Author: Alter, Nora M. Source: US Place: Urbana Publisher: University of Illinois Press PubDate: 2006 PhysDes: xv, 205 p. : ill., ports, ; 21 cm Series: Contemporary film directors Subject: MARKER, CHRIS; NUIT ET BROUILLARD (FR, Alain Resnais, 1955); JETEE, LA (FR, Chris Marker, 1963); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); LOIN DU VIETNAM (FR, Joris Ivens & William Klein, 1967); PRIME TIME IN THE CAMPS (FR, Chris Marker, 1994) Summary: Alter's careful study includes previously uncollected and untranslated interviews with the director and investigates the core themes and motivations behind an often unpredictable and transnational cinematic practice that defies easy classification [taken from back cover] Notes: Formerly CIP.
Includes bibliographical references and index ISBN: 0252073169
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Chris Marker : Silent movie, starring Catherine Belkhodja Ohio: Wexner Center for the Arts, Ohio State University, 1995. Call No: 79 SIL MAR Author: Marker, Chris Place: Ohio Publisher: Wexner Center for the Arts, Ohio State University PubDate: 1995 PhysDes: 40 pages : illustrations ; 18 x 24 cm. Subject: SILENT MOVIE (FR?, Chris Marker, 1995); INSTALLATIONS; MARKER, CHRIS; ART CINEMA Notes: Catalog of the video installation, Silent movie, held at the Wexner Center for the Arts and other venues from Jan. 26, 1995-Jan. 12, 1997.
Organized by William Horrigan; edited by Ann Bremner.
Includes bibliographical references. ISBN: 9781881390107 Donation: Adrian Miles
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Chris Marker and "La Jetee" / by Ronco Yaobing Liem Michigan: University Microfilms International, 1983. Call No: 79 JET LIE Author: Liem, Ronco Yaobing Source: US Place: Michigan Publisher: University Microfilms International PubDate: 1983 PhysDes: 172 pages : illustrations ; 22 cm Subject: SCIENCE-FICTION FILMS; TIME TRAVEL IN FILMS; TIME IN FILMS; MARKER, CHRIS; JETEE, LA (FR, Chris Marker, 1963) Notes: Includes bibliographic references and appendix. ISBN: N/A Contents: Introduction -- Chapter 1-Introduction to Chris Marker -- Chapter II-Chris Marker: Biographical Information -- Chapter III-Individual films of Chris Marker -- Chapter IV-Chris Marker and Collective Film-Making -- Chapter V-Additional Film Work by Chris Marker -- Chapter VI-Introduction to La Jetee -- Chapter VII-Science Fiction Film -- Chapter VIII-Still Photographs in Motion Pictures -- Chapter IX-Credits and Narration of La Jetee -- Chapter X-Description and analysis of La Jetee -- Chapter XI-Discussion of La Jetee -- Chapter XII-Concluding Remarks -- References -- Appendix-Selected Source Listings
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Christmas at the movies : images of Christmas in American, British and European cinema / edited by Mark Connelly London ; New York: I.B. Tauris, 2000. Call No: 743 CON Place: London ; New York Publisher: I.B. Tauris PubDate: 2000 PhysDes: 242 p. : ill. ; 24 cm. Subject: CHRISTMAS IN FILMS; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939); SCROOGE (UK, Henry Edwards, 1935); CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); CHRISTMAS CAROL, A (UK, Clive Donner, 1984); SCROOGED (US, Richard Donner, 1988); MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941); HOLIDAY INN (US, Mark Sandrich, 1942); CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941); TURKEY TIME (UK, Tom Walls, 1933); HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953); CHEATERS, THE (US, Joe Kane, 1945); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); MIRACLE ON 34TH STREET (US, George Seaton, 1947); SANTA CLAUSE, THE (US, John Pasquin, 1994); ERNEST SAVES CHRISTMAS (US, John Cherry, 1988); SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985); GREMLINS (US, Joe Dante, 1984); SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984); SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987); TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993); CHRISTMAS STORY, A (US, Bob Clark, 1983); LETHAL WEAPON (US, Richard Donner, 1987); DIE HARD (US, John McTiernan, 1988); DIE HARD 2 (US, Renny Harlin, 1990); HOME ALONE (US, Chris Columbus, 1990); HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992); LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996); JINGLE ALL THE WAY (US, Brian Levant, 1996); MERLUSSE (FR, Marcel Pagnol, 1935); CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988); ELISA (FR, Jean Becker, 1994); KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956); IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975); PLACIDO (SP, Luis Garcia Berlanga, 1961) Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century. Notes: Includes bibliographical references and indexes.
Filmography: p. ([223]-232) ISBN: 1860643973 Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans
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Christopher Nolan : A critical study of the films / Darren Mooney Jefferson, North Carolina: McFarland & Company Inc., Publishers, 2018. Call No: 81 NOL MOO Author: Mooney, Darren Place: Jefferson, North Carolina Publisher: McFarland & Company Inc., Publishers PubDate: 2018 PhysDes: v, 212 pages ; 26 cm. Subject: NOLAN, CHRISTOPHER; FOLLOWING (UK, Christopher Nolan, 1998); MEMENTO (US, Christopher Nolan, 2000); INSOMNIA (US, Christopher Nolan, 2002); BATMAN BEGINS (US, Christopher Nolan, 2005); PRESTIGE, THE (US/UK, Christopher Nolan, 2006); DARK KNIGHT, THE (US, Christopher Nolan, 2008); INCEPTION (US, Christopher Nolan, 2010); DARK KNIGHT RISES, THE (US/UK, Christopher Nolan, 2012); INTERSTELLAR (US, Christopher Nolan, 2014); DUNKIRK (UK/NE/FR/US, Christopher Nolan, 2017) Summary: "Christopher Nolan is one of the defining directors of the 21st century. His films have a rare ability to transcend audience expectations, ranging from gritty crime thrillers to spectacular blockbusters. They push the boundaries of possibility. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur" Notes: Includes bibliographical references and index ISBN: 9781476674803 Contents: Following -- Memento -- Insomnia -- Batman Begins -- The Rrestige -- The Dark Knight -- Inception -- The Dark Knight Rises -- Interstellar -- Dunkirk
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Chuck Jones : a flurry of drawings / Hugh Kenner Berkeley: University of California Press, 1994. Call No: 81JON KEN Author: Kenner, Hugh; Jones, Chuck, 1912 Place: Berkeley Publisher: University of California Press PubDate: 1994 PhysDes: xiv, 114 p. : ill. ; 21 cm Series: Portraits of American genius Subject: JONES, CHUCK Summary: Creator of the monomaniacal Wile E. Coyote and his endlessly elusive prey, the Road Runner, Chuck Jones has been responsible for many classics of animation featuring Bugs Bunny, Daffy Duck, Porky Pig, and Elmer Fudd. Hugh Kenner, master wordsmith and technophile, reveals in cartoon-like sequences the irrepressible humor and profound reflection that shape Chuck Jones's work. Kenner also x-rays the inner world of cartooning, from its beginnings as a technological innovation, through its heyday as six-minute full-animation shorts for the movies, to its eventual shift to television, where Jones animated features such as The Grinch Who Stole Christmas and Rikki Tikki Tavi; Unlike Walt Disney, Chuck Jones and his fellow animators at Warner Bros. were not interested in cartoons that mimicked reality. Instead, they pursued the reality of the imagination, the Toon world where believability is more important than realism and where movement is the ultimate aesthetic arbiter. By describing the erudition and kinetic humor in great works like What's Opera, Doc? and Duck Dodgers in the 24 1/2 century, Hugh Kenner offers a new understanding not only of cartooning culture but also of art's relationship to technology, criticism, freedom, and imagination Notes: Includes bibliographical references and index ISBN: 0520087976 (alk. paper) LON: 93048418; 10647450
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CIBF of Vic. tables 47th annual report in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.5 More info |
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CIC's Victor Hoare to retire in Australasian Cinema (Friday, 5-11/7/1985) vol.14 iss.11 p.2 Subject: INDUSTRY, FILM. AUSTRALIA Summary: Announcment of the retirement of Victor Hoare, exectuive director of Cinema International Corporation and president of CIC's theatre division
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CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?]. Call No: 675.1(94) LAW Author: Lawrence, Denny Source: AT Place: [North Ryde, NSW?] Publisher: Australian Film and Television School PubDate: [1980?] PhysDes: 60 leaves : 30 cm Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each. Notes: Reprinted October 1980 Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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Cinderella Promotion in Queensland in Australasian Cinema (23/7/1982) vol.11 iss.13 p.2 More info |
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The Cine-sentimental Bloke in Lumiere (October, 1972) iss.17 p.16-18 More info |
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Cinema in Lumiere (January-February, 1972) iss.13 p.12 Author: Timms, Peter PhysDes: Article Subject: STORK (AT, Tim Burstall, 1971); DEEP END (GW/US, Jerzy Skolimowski, 1970); JOE (US, John G. Avildsen, 1970); KLUTE (US, Alan J. Pakula, 1971) Summary: Reviewof Stork and discussion of recent R-Rated films including Klute, Deep End and Joe
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Cinema and cultural identity : reflections on films from Japan, Ind |