/ Donated by bfi Publishing
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/ by Charles Dickens; re-told and edited by C.M. Martin Woodchester, England: Arthur's Press, (193-?).
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newspaper article
in Sunday Herald Sun [Arts and entertainment] (23/8/2015) p.87
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title clippings file
blinky bill the movie in production
in Sunday Herald Sun [Arts & entertainment] (20 Sep 15) p.89
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title clippings file
visit, the (us, m. night shyamalan, 2015)
in Sunday Herald Sun [Arts & entertainment] (20 Sep 1989) p.89
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diary of a teenage girl, the (us, marielle heller, 2015)
in Sunday Herald Sun [Arts & entertainment] (20 Sep 15) p.89
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sicario (us, denis villeneuve, 2015)
in Sunday Herald Sun [Arts & Entertainment] (27/9/15) p.85
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pan (us, joe wright, 2015)
in Sunday Herald Sun [Arts & Entertainment] (27/9/15) p.85
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pan (us, joe wright, 2015)
in Sunday Telegraph [Insider] (27/9/15) p.120
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newspaper article
2 create in Sydney Morning Herald (22/02/2013) p.24
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Interim
book
2nd regional cinema conference : 1 December 1999 program & notes [Australia]: [s.n.], 1999.
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journal article
3:10 to Yuma in Empire (Australian Ed.) (July 2008) iss.88 p.106
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3 screenplays / Paul Cox Sydney: Currency Press, 1998.
Call No: 792 COXAuthor: Cox, Paul, 1941 Place: SydneyPublisher: Currency PressPubDate: 1998PhysDes: ix, 188 p. : ports. ; 21 cmSubject: COX, PAUL ISBN: 0868195472 : $24.95LON: abn98035071; 13657110
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festival catalogue
7th Cleveland international film festival : April 8-24, 1983 / Cleveland international film festival US: [s.n.], 1983.
Call No: FESTIVAL CATALOGUE SHELVESPlace: USPublisher: [s.n.]PubDate: 1983PhysDes: 54 p. : ill. ; 21 cmSubject: FESTIVALS. USA [VARIOUS] ; FOREIGN FILMS
USE: IMPORT OF FILMS Notes: The 7th Cleveland international film festival includes a program dedicated to showing a variety of feature length films from all over the world. The catalogue also includes film summaries and numerous black and white stills.
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16mm distribution / compiled by Judith Trojan & Nadine Covert New York: Educational Film Library Association, c1977.
Call No: 30(-116) TROAuthor: Trojan, Judith ; Covert, Nadine CorpAuthor: Educational Film Library AssociationPlace: New YorkPublisher: Educational Film Library AssociationPubDate: c1977PhysDes: 181 p. ; 23 cmSubject: DISTRIBUTION ; 16 MM FILMS Notes: Based on papers presented at a conference on 16mm film distribution held in Feb. 1976; Bibliography: p. 137-148ISBN: 0875200001 : $6.00LON: 1055509
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20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press,
Call No: 19TWE EYMAuthor: Eyman, Scott Edition: 2021Place: New YorkPublisher: Running PressPhysDes: 296 pages : illustrated ; 24 cmSubject: TWENTIETH CENTURY-FOX ; ZANUCK, DARRYL F. ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; DUNNE, PHILIP ; FORD, JOHN ; HOW GREEN WAS MY VALLEY (US, John Ford, 1941) ; LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962) ; PARAMOUNT STUDIOS ; POWER, TYRONE ; SCHENCK, JOSEPH M. ; SOUND OF MUSIC, THE (US, Robert Wise, 1965) ; TEMPLE, SHIRLEY ; WAYNE, JOHN ; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web siteISBN: 9780762470938
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25 : histories and memories of the Singapore International Film Festival / edited by Ben Slater. Singapore: Singapore International Film Festival Ltd., [2014].
Call No: 151(592.3) SLAAuthor: Slater, Ben Source: SIPlace: SingaporePublisher: Singapore International Film Festival Ltd.PubDate: [2014]PhysDes: 121 pages : illustrations ; 21 cmSubject: SINGAPORE ; FESTIVALS. SINGAPORE Summary: "The first Singapore International Film Festival took place in 1987 and was a ground-breaking event. On the occasion of the 25th edition, this publication takes a look back -- through articles and interviews -- at the Festival's past."--taken from back cover.Notes: Published on the occasion of 25th anniversary of the Singapore International Film Festival in 2014.ISBN: 9789810933234Contents: Foreword; Wahyuni Hadi -- Introduction; 'Years of Plenty, Years of Famine: An Introduction to the Singapore International Film Festival' by Ben Slater -- Articles 'Where They Proffer The Unconventional: The Screening Spaces of the Singapore International Film Festival' by Toh Hun Ping -- 'In Praise of the Quiet Man' by Sandi Tan -- 'The Impact of Silver Screen Short Film Awards on Singapore Cinema' by Jan Uhde and Yvonne Ng Uhde -- 'The Last Singapore International Film Festival' by Ho Tzu Nyen -- Interviews; Skip Whitney -- Lesley Ho -- Nazir and Nisar Keshvani -- Neo Kim Seng -- Lok Meng Chue -- Kong Kam Yoke -- Anisah Aidid -- Vinita Ramani -- Philip Cheah -- Afterword Zhang Wenjie
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Interim
book
The 25th Anniversary of the Bulgarian Film : El 25 aniversario del cine Bulgaro / Film Bulgaria Film Distribution State Enterprise, Sofia, 1969 (approx.).
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The 29th parallel : A South African journey / David Robbins London: Penguin, 1990.
Author: Robbins, David Source: UKPlace: LondonPublisher: PenguinPubDate: 1990PhysDes: 301 p. : 21 cmNotes: First published: Shuter and Shooter, 1986ISBN: 0140133666Donation: donated by the family of Wayne Levy, 2006
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35 up : the book of the Granada TV series / Claire Lewis and Kelly Davis London: Network Books, 1991.
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The 35mm handbook : a complete course from basic techniques to professional applications / Michael Freeman Melbourne: Thomas Nelson Australia, 1981.
Author: Freeman, Michael Source: ATPlace: MelbournePublisher: Thomas Nelson AustraliaPubDate: 1981PhysDes: 24 cm ; 320 p.ISBN: 0170060462Donation: donated by the family of Wayne Levy, 2006
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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60 minutes : the book / compiled by John Burney and John Hallowes ; project co-ordinator Peter Meakin Melbourne: Angus and Robertson Publishers, 1983.
Author: Burney, John ; Hallowes, John Source: ATPlace: Sydney; MelbournePublisher: Angus and Robertson PublishersPubDate: 1983PhysDes: xiv, 314 p. : ill., ports. ; 33 cmISBN: 0207145180Donation: donated by the family of Wayne Levy, 2006
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100 greatest hits of Australian cinema / edited by Scott Hocking Richmond, Vic.: Scribal Publishing, 2006.
Call No: 71(94) HOCAuthor: Hocking, Scott Place: Richmond, Vic.Publisher: Scribal PublishingPubDate: 2006PhysDes: 253 p. : col. ill. ; 29 cm.Subject: FILMOGRAPHIES. AUSTRALIA Summary: From indigenous issues and rites of passge, to sexual repression, mateship,larrikins and more, Australian film provides a cultural snapshot of our sunburnt country, as seen through the lenses of some of the world's finest filmmakers.
This is a pictorial celebration of the very best, in which Australia's leading critics and commentators discuss and dissect the country's most memorable movies - all in one magnificent volume. [Taken from back cover.]ISBN: 0977565602
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100 most important people in film today / complied by Empire London: Empire, 1999.
Call No: 802 ONEPlace: LondonPublisher: EmpirePubDate: 1999PhysDes: 106 p.Notes: Cover title; Stella Screen and Empire present the 100 most important people in fillm today... (p.3)
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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; NATIVE AMERICANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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100 years of Soviet cinema / edited by Daniel Fairfax Melbourne: The LedaTape Organisation, 2019.
Call No: 71(47) FAIAuthor: Fairfax, Daniel Place: MelbournePublisher: The LedaTape OrganisationPubDate: 2019PhysDes: 200 p. : col. ill. ; 24 cm.Series: a senses of cinema bookSubject: USSR Summary: One hundred years of Soviet cinema?
How is this possible, if the USSR itself lasted barely seven decades before its spectacular demise in 1991?
How can we speak of the continued existence of Soviet cinema in the quarter-century since this apocalyptic event?
But from Battleship Potemkin to The Colour of Pomegranates, from Man with a Movie Camera to Stalker, from The Cranes Are Flying to Hard to be a God, cinema from the “sixth of the world” covered by the Soviet Union continues, indefatigably, to exist. Firstly, because films made during the era of Communist rule are still with us, even well after the social and political framework in which they were realised has perished. And secondly, because, even to this day, the history of the USSR looms large in the cinema of Russia and the other former Soviet republics, as contemporary filmmakers engage in the vast project of digesting the tragic history of the Soviet experiment.
The centenary of the October 1917 Russian revolution, when under Lenin’s leadership the Bolsheviks established the world’s first proletarian state, was marked by a major dossier on Soviet cinema in the Australian online film journal Senses of Cinema. This book is an augmented version of that dossier, collecting more than sixty articles on Soviet and post-Soviet films arranged in chronological order, and represents the first collaboration between Senses of Cinema and The Leda Tape Organisation.ISBN: 9780994411266Donation: The LedaTape OrganisationContents: Introduction
The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924)
Aelita (1924)
Strike (1924)
The Death Ray (1925)
Battleship Potemkin (1925)
One Sixth of the World (1926)
Mother (1926)
Stride, Soviet! (1926)
The End of St. Petersburg (1927)
The Girl with the Hatbox (1927)
October (1927)
The Fall of the Romanov Dynasty (1927)
Storm Over Asia (1928)
The House on Trubnaya (1928)
Arsenal (1929)
The New Babylon (1929)
The Old and the New (1929)
Man With a Movie Camera (1929)
Earth (1930)
Salt for Svanetia (1930)
Komsomol: Leader of Electrification (1932)
The Deserter (1933)
Three Songs of Lenin (1934)
A Severe Young Man (1935)
Alexander Nevsky (1948)
Ivan the Terrible Parts I and II (1944)
The Fall of Berlin (1950)
The Cranes Are Flying (1957)
Ballad of a Soldier (1959)
Letter Never Sent (1960)
Alyonka (1961)
Ilich’s Gate / I Am Twenty (1962/65)
The Wild Swans (1962)
Ivan’s Childhood (1962)
Hamlet (1964)
Soy Cuba (1964)
Operation Y and Shurik’s Other Adventures (1965)
Andrei Rublev (1966)
A Long Happy Life (1966)
Wings (1966)
We (1969)
The Colour of Pomegranates (1969)
Trial of the Road (1971)
Solaris (1972)
Mirror (1975)
The Irony of Fate, or I Hope You Have a Nice Bath! (1976)
The Ascent (1977)
Getting to Know the Big Wide World (1978)
Stalker (1979)
The Legend of Suram Fortress (1984)
Come and See (1985)
Days of the Eclipse (1986)
Little Vera (1988)
The Asthenic Syndrome (1989)
The Second Circle (1990)
The Chekist (1992)
Brother (1997)
Mother and Son (1998)
Khrustalyov, My Car! (1998)
Russian Ark (2003)
Blockade (2006)
Cargo (200 (2007)
A Stoker (2010)
Hard to Be a God (2013)
Leviathan (2014)
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101 sci-fi movies you must see before you die / general editor Steven Jay Schneider Sydney: ABC Books, c2009.
Call No: 735.1 ONEAuthor: Schneider ,Steven Jay (ed.) Source: ATPlace: SydneyPublisher: ABC BooksPubDate: c2009PhysDes: 416 pages : illustrations (chiefly colour) ; 16 cmSubject: SCIENCE-FICTION FILMS ; CRITICISM Summary: "Lists "must-see" science fiction movies in a chronological arrangement, providing information on director, producer, screenplay writer, music, and cast members, along with a review of each." -- LIBRARIES AUSTRALIA
"Voyage to the moon -- Metropolis -- Back to the Future -- Things to Come -- The Day the Earth Stood Still -- Forbidden Planet -- Invasion of the Body Snatchers -- The Incredible Shrinking Man -- La Jetée -- Children of Men -- Aelita -- Gojira -- Alphaville -- Planet of the Apes -- 2001: A Space Odyssey -- It Came From Outer Space -- A Clockwork Orange -- Solaris -- Sleeper -- La Planete Sauvage -- The Man Who Fell to Earth -- Star Wars -- Close Encounters of the Third Kind -- Stalker -- Alien -- The Empire Strikes Back -- E.T. the Extra-Terrestrial -- The Thing -- Blade Runner -- Videodrome -- Return of the Jedi -- The Terminator -- Brazil -- The Quiet Earth -- The Fly -- Aliens -- Akira -- Total Recall -- Terminator 2: Judgment Day -- Jurassic Park -- Independence Day -- Tetsuo -- The Matrix -- The Fifth Element -- Gattaca -- Logan's Run -- THX 1138 -- Open your eyes -- Dune -- TRON" -- BOOK BACK COVERNotes: "A Quintessence book" -- Title page verso; Includes index.ISBN: 9780733324956Contents: -- Introduction -- The 1900s -- The 1910s -- The 1920s -- The 1930s -- The 1940s -- The 1950s -- The 1960s -- The 1970s -- The 1980s -- The 1990s -- The 2000s -- Index -- Contributors -- Picture credits --
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newspaper article
300: Rise of an empire in Sunday Herald Sun [SHS-News] (09/03/2014) p.79
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The 400 blows : a film / by Francois Truffaut from a filmscript by Francois Truffaut and Marcel Moussy ; edited by David Denby New York: Grove Press, c1969.
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The 400 Blows / Francois Truffaut & Marcel Moussy Grove Press, 1969.
Author: Truffaut, Francois ; Moussy, Marcel Source: USPublisher: Grove PressPubDate: 1969PhysDes: 255 p. : 18 cm : ill.Donation: donated by the family of Wayne Levy, 2006
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1001 movies you must see before you die / edited by Steven Jay Schneider Hauppauge, New York: Barron's, 2003.
Call No: REFERENCE SECTION; 03 SCH; REFERENCE SECTIONAuthor: Schneider, Steven Jay (ed.) Source: USPlace: Hauppauge, New YorkPublisher: Barron'sPubDate: 2003PhysDes: 960 p. : col. ill. ; 22 cmSubject: FILMOGRAPHIES Summary: A comprehensive collection of films that no one should miss. From art house classics to westerns, this book contains reviews from a team of internationally published critics.ISBN: 0764157019ID2: 55
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1001 tv shows you must watch before you die / general editor Paul Condon; foreword by Steven Moffat London: Quintessence Editions Ltd, 2003.
Call No: REFERENCE SECTION; 03 CON; REFERENCE SECTIONAuthor: Condon, Paul ; Moffatt, Steven Source: USPlace: LondonPublisher: Quintessence Editions LtdPubDate: 2003PhysDes: 960 p. : col. ill. ; 22 cmSubject: FILMOGRAPHIES ISBN: 9780857623423
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1973 - 1974 : le cinema Suisse a un tournant = der Schweizerfilm an einem wendepunkt = Swiss cinema at the crossroads / Claude Vallon
Call No: 71(494) VALAuthor: Vallon, Claude PhysDes: 7 p. ; 30 cmSubject: SWITZERLAND Summary: A snapshot of the Swiss film industry in 1973-1974
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journal article
1985 Academy Award nominees for best picture : Amadeus in American premiere (Winter 1985) vol.6 iss.1 p.10
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journal article
1986 challenges showman in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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The 1987 filmviews catalogue of new films and videos in Australian distribution / compiled by Peter Tapp with assistance from Paul Harris Albert Park, Vic: Filmviews, c1988.
Call No: 027(94) FILAuthor: Harris, Paul (compiled by) ; Tapp, Peter (compiled by) Source: ATPlace: Albert Park, VicPublisher: FilmviewsPubDate: c1988PhysDes: 297p : ill ; 30 cmSubject: AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; FILM ; FILMOGRAPHIES Summary: "The aim of the catalogue is to bring together, from a large number of independent sources, information on the availability of films and videos that went into Australian distribution in 1987, both Australian produced material and programmes brought in from overseas. This includes title produced on 35mm, 16mm, and all video formats, but not titles produced on Super 8. -- page 3ISSN: 1031-4377Contents: -- introduction -- section 1 - features and shorts (including home video releases) -- section 2 - educational, special interest and business oriented programmes -- title index -- director index -- personality index -- distributor's directory (key to distributors' codes) --
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The 1993 to 1994 Australian and New Zealand catalogue of New Films and Videos Australian Catalogue Publishing,
Call No: 029(94 / 931)CorpAuthor: Film Victoria; South Australian Film Corporation; Australian Film CommissionSource: ATPublisher: Australian Catalogue PublishingPhysDes: 470 p. ; 30 cmSubject: AUSTRALIA ; NEW ZEALAND ; DISTRIBUTION. AUSTRALIA ; FILM ; FILMOGRAPHIES Summary: "The 1993-94 Australian and New Zealand Catalogue of New Films and Videos is a guide to films and videos which Australian and New Zealand distributors have listed as available for loan, hire or sale to the general public" -- IntroductionNotes: Pre-1990/91 eds. entitled: Australian catalogue of new films and videos; Produced with the financial assistance and support of the Australian Film Commission and Film Victoria and South Australian Film CorporationISSN: 1035-8005Contents: -- forward and introduction -- category headings -- distributors' codes and addresses -- section 1 feature films -- section 2 educational and special interest programmes -- title index -- director's index --
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2001, a space odyssey / Arthur C. Clarke London: Hutchinson, 1974.
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2004 / edited by Charles Green Melbourne: National Gallery of Victoria, 2004.
Call No: 771(94) TWOSource: ATPlace: MelbournePublisher: National Gallery of VictoriaPubDate: 2004PhysDes: 221 p. : col. ill. ; 17 x 17 cmSubject: EXPERIMENTAL FILMS ; EXPERIMENTAL FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA ; UNDERGROUND FILMS. AUSTRALIA Contents: 2004 : mapping contemporary Australian art and new media / Charles Green -- Surveying the boundaries of nation : from montage to network / Victoria Lynn -- Roundtable. Always turning art back into politics / Philip Brophy ... [et al.] -- Essays. Body: Extreme makeover : the 21st century body / Isobel Crombie ; Boredom : Bored? / Anonda Bell ; Collaboration : The ethics of collaboration / Nikos Papastergiadis ; Critic : The artist, the director, the manager and their critic / Blair French ; Decades : Against pluralism / Rex Butler ; Epic : Slashing and storming and sinning our war across adventure's most violent age / Clare Stewart ; Fashion : Telling tales / Katie Somerville ; Hybrid : Attack of the killer hybrids / Adrian Martin ; Indigenous : Spirit, resonance and innovation : indigenous art 2002-04 / Judith Ryan ; Net : net.bytes / Melinda Rackham ; Painting : Fast-forward painting / Kelly Gellatly ; Reality TV : Beyond the shadow of reality / Catharine Lumby
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newspaper article
Abbott should back media change rules in Australian Financial Review [Editorials] (16/03/2015) p.42
Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIAAuthor: [editorial] PhysDes: Clippings File ArticleSubject: MEDIA AUSTRALIA ; OWNERSHIP TV. AUSTRALIA ; STATE AND TV. AUSTRALIA Summary: Supporting Communications Minister Malcolm Turnbull's push to 'liberate' Australia's media ownership laws, but worries that some established media companies are against the laws as they won't favour them.Notes: in the Media Australia. 2015 clippings file
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The ABC : aunt Sally and the sacred cow / Clement Semmler Carlton, Victoria: Melbourne University Press, 1981.
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ABC has let its audience down in Sydney Morning Herald [General News] (1/05/2017) p.19
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The ABC in review : national broadcasting in the 1980s / reported / by the Committee of Review of the Australian Broadcasting Commission Canberra: Australian Government Publishing Service, 1981.
Call No: 19ABC ABCAuthor: Dix, A. T. (Alexander Thomas), 1927 CorpAuthor: Committee of Review of the Australian Broadcasting CommissionSource: ATPlace: CanberraPublisher: Australian Government Publishing ServicePubDate: 1981PhysDes: 3 v.Subject: STATE AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING COMMISSION ; AUSTRALIAN BROADCASTING CORPORATION ; HISTORY OF TV. AUSTRALIA ; MEDIA AUSTRALIA ; BROADCASTING. AUSTRALIA Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission'Notes: -- Includes bibliographical references.
-- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1ISBN: 0642060568 (pbk. : v. 1) --
0642060576 (pbk. : v. 2) --
0642060584 (pbk. : v. 3) --Donation: donated by M. S. CounihanContents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations
Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments --
Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC
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ABC must step up local content in The Australian [Editorial] (2/05/2017) p.13
Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATIONAuthor: [Editorial] PhysDes: Clippings File ArticleSubject: AUSTRALIAN BROADCASTING CORPORATION ; PRODUCTION, TV. AUSTRALIA Summary: Comment on the recent essay by Kim Dalton on the ABC. This article agrees with Mr Dalton and urges the ABC to spend it's money on creating more Australian content and to move away from it's digital platforms
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The ABC of drama 1975-1990 / Elizabeth Jacka North Ryde, NSW: Australian Film, Television & Radio School, 1991.
Call No: 264(94)ABC JACAuthor: Jacka, Elizabeth CorpAuthor: Australian Film, Television and Radio School; Australian Film CommissionPlace: North Ryde, NSWPublisher: Australian Film, Television & Radio SchoolPubDate: 1991PhysDes: 147 p. ; 21 cmSubject: Australian Broadcasting Corporation. Drama Dept Notes: Commissioned by the Australian Film CommissionISBN: 0642160945LON: abn91061549; 7827571
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newspaper article
ABC of DVD in Courier-Mail (04/09/2004) p.20?
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Fenech, Stephen Subject: DISTRIBUTION. DVD ; DISTRIBUTION. DVD. AUSTRALIA ; DVD, FILMS ON Summary: An overview of the DVD in Australia and it's popularity. Mentions the popularity of special features and director's cuts of films which make the DVD a very attractive option for consumers.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- "Special features are another factor that have catapulted DVD ahead of VHS tape..."In purchase-intent research, 84 per cent of respondents indicated special features are worth spending extra money for," Grant says. "When offered a single-disc feature-only option, 61 per cent indicated that they were interested only in owning the film"
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ABC production : discussion paper on the future of ABC television production / Economic Development Committee [of the] Parliament of Victoria Melbourne: Parliament of Victoria, 1999.
Call No: 210.61(94) ECOAuthor: Economic Development Committee of the Parliament of Victoria Source: ATPlace: MelbournePublisher: Parliament of VictoriaPubDate: 1999PhysDes: 22 pages ; 30 cm + 1 press statement + 1 letterSubject: AUSTRALIAN BROADCASTING CORPORATION ; PRODUCTION TV AUSTRALIA ; PRODUCTION, TV. AUSTRALIA ; TV AND THE STATE. AUSTRALIA Summary: Paper details an inquiry into government funded national broadcasting and the concentration of the ABC's activities in Sydney. It proposes that the majority of the ABC's television production should be be incorporated into a distinct department or unit to be headquartered or run out of Melbourne, as this would provide significant cost savings to the ABC and would be consistent with the Victorian Government strategy of encouraging and developing high-tech exploitation of the State's artistic skillsContents: Chairman's foreword -- Part one: Inquiry overivew and aims of discussion paper -- Part two: Benefits to the ABC of locating non-news and current affairs television production in Melbourne -- Appendix 1: Terms of reference -- Appendix 2: Australian crew rates comparison
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Aboriginal and Torres Strait Islander broadcasting : discussion paper / a discussion paper prepared jointly by the Aboriginal and Torres Strait Islander Commission and the Department of Transport and Communications Aboriginal and Torres Strait Islander Commission and the Department of Transport and Communications, 1991.
Call No: 210.6-054(=995.1)(94) ABOSource: ATPublisher: Aboriginal and Torres Strait Islander Commission and the Department of Transport and CommunicationsPubDate: 1991PhysDes: 66 pages ; 30 cmSubject: ABORIGINAL AUSTRALIANS AND TV ; ABORIGINAL AUSTRALIANS ON TV Summary: Report on the situation of Aboriginal and Torres Strait Islander broadcasting in Australia and how changes in communications technology and funding may impact thisContents: Introduction -- Summary -- Aboriginal and Torres Strait Islander Broadcasting - What is it? -- The case for Aboriginal and Torres Strait Islander Broadcasting -- Historical Review -- Aboriginal and Torres Strait Islander Regional Media Associations -- Broadcasting for remote Aboriginal communities scheme (BRACS) -- Aboriginal and Torres Strait Islander Broadcasting on public radio stations -- Aboriginal and Torres Strait Islander use of national broadcasters -- Aboriginal and Torres Strait Islander involvement in commercial broadcasting -- training needs -- opportunities for Aboriginal and Torres Strait Islander involvement in emerging new services -- where next? -- attachments
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journal article
About 'India Song' and Marguerite Duras in Undercut (Aug 1981) vol.2 p.18-21
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journal article
About "Le Viol" in Melbourne Film Bulletin (April 1968) iss.2 p.26-27
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script
ABRAZOS ROTOS, LOS : Script / Directed by Pedro Almodovar SP:
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Levy Collection
book
Absolute beginners / Colin MacInnes Harmondsworth, Middlesex: Penguin Books, 1964.
Author: MacInnes, Colin Source: UKPlace: Harmondsworth, MiddlesexPublisher: Penguin BooksPubDate: 1964PhysDes: 18 cm; 235 p.ISBN: 0140021426Donation: donated by the family of Wayne Levy, 2006
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book
Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow Cambridge ; Melbourne: Cambridge University Press, 1999.
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Acme! Projecting the 'nineties : a super 8 reader / edited by Shelley Kay Kings Cross, N.S.W.: Sydney Super 8 Film Group, 1989.
Call No: 234.1-108S ACMCopy Management: Copy 1; Copy 2Author: Kay, Shelley Place: Kings Cross, N.S.W.Publisher: Sydney Super 8 Film GroupPubDate: 1989PhysDes: 33 p. : ill., ports. ; 30 cmNotes: Cover title; Available from The Sydney Super 8 Film Group, PO Box 424, Kings Cross NSW 2011; Includes bibliographical referencesISBN: 0731679059 : price unknownLON: abn89175009; 6491120
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Crawford collection
script
Acropolis now : series five. Episode nine. Torn between two lovers / written by Elizabeth Coleman and Peter Herbert AT: c1992.
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Crawford collection
script
Acropolis now : series five. Episode nine. Torn between two lovers / written by Elizabeth Coleman and Peter Herbert AT: c1992.
Call No: SC ACR : 5.09Author: Coleman, Elizabeth ; Herbert, Peter Edition: Blocked scriptPlace: ATPubDate: c1992PhysDes: 33 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes extensive annotations -- Accompanied by timings (2 leaves), rehearsal sheet (1 leaf)Donation: Gift of Crawford Productions
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Crawford collection
script
Acropolis now : series five. Episode eleven. Confessions of a hair gel goddess / written by Mary Coustas AT: c1992.
Call No: SC ACR : 5.11Author: Coustas, Mary Edition: ReleasePlace: ATPubDate: c1992PhysDes: 36 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Three copies -- Duplicate material kept in storageDonation: Gift of Crawford Productions
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Crawford collection
script
Acropolis now : series five. Episode eleven. Confessions of a hair gel goddess / written by Mary Coustas AT: c1992.
Call No: SC ACR : 5.11Author: Coustas, Mary Edition: Shooting scriptPlace: ATPubDate: c1992PhysDes: 39 leaves ; 30 cmSubject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes extensive annotations -- Accompanied by call sheet ( 2 leaves) and 2 duplicate copies, rehearsal sheet (1 leaf), timing sheet (1 leaf) -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew FriedmanDonation: Gift of Crawford Productions
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Crawford collection
still
[Acropolis now: series 1-2 album # 1] / Crawford Productions [1989].
Call No: CRAWFORD STILL ACRSource: ATPubDate: [1989]PhysDes: 40 slides : col. + 11 photographs : b&w. ; 26 X 21 cm.Subject: CRAWFORD PRODUCTIONS ; ACROPOLIS NOW [TV] (AT, 1989) Summary: Photographs and slides relating to Acropolis Now, Series 1-2Notes: Arrangement: Photographs are arranged chronologically by series and episode -- Accompanying each of the images is a 'title page' identifying information about the still, including actor and character names and in most cases episode number -- All slides are mounted in plastic frames' -- Duplicates are stored in the rare books room -- Series 1 includes 28 slides; Series 2 includes 11 x photograph and 12 slidesDonation: Gift of Crawford Productions
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Crawford collection
still
[Acropolis now: series 3-4 album # 2] / Crawford Productions [1989].
Call No: CRAWFORD STILL ACRSource: ATPubDate: [1989]PhysDes: 31 slides : col. + 18 photographs : b&w. 26 X 21 cm.Subject: CRAWFORD PRODUCTIONS ; ACROPOLIS NOW [TV] (AT, 1989) Summary: Photographs and slides relating to Acropolis Now, Series 3-4Notes: Arrangement: Photographs are arranged chronologically by series and episode -- Accompanying each of the images is a 'title page' identifying information about the still, including actor and character names and in most cases episode number -- All slides are mounted in plastic frames' -- Duplicates are stored in the rare books room -- Series 3 includes 15 slides + 18 photographs; Series 4 includes 16 slides.Donation: Gift of Crawford Productions
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book
Across the top : and other places / Malcolm Douglas and David Oldmeadow Adelaide: Rigby, 1972.
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book
Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994.
Call No: 451-01 BINAuthor: Bingham, Dennis, 1954 Place: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 1994PhysDes: x, 271 p. : ill. ; 24 cmSubject: MEN IN FILMS ; GENDER AND THE CINEMA ; WESTERNS ; SADISM / MASOCHISM IN FILMS ; HITCHCOCK, ALFRED ; Stewart, James ; NICHOLSON, JACK ; EASTWOOD, CLINT ; LAST DETAIL, THE (US, Hal Ashby, 1973) ; BEGUILED, THE (US, Don Siegel, 1971) ; CHINATOWN (US, Roman Polanski, 1974) ; DIRTY HARRY (US, Don Siegel, 1971) ; HARVEY (US, Henry Koster, 1950) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; TIGHTROPE (US, Richard Tuggle, 1984) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and indexISBN: 0813520738; 0813520746 (pbk.)LON: 10548892
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serial
Action / Directors Guild of America Hollywood, Calif.: The Guild, 1966-78.
Call No: held v.5, no.1-v.11, no.9 Jan./Feb. 1970-Nov./Dec. 1978 lacks v.7, no.6; v.11, no.4-5; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Directors Guild of America; Action (Hollywood, Calif.)Source: USPlace: Hollywood, Calif.Publisher: The GuildPubDate: 1966-78PhysDes: 11 v. : ill. ; 28 cmSubject: DIRECTORS. USA Notes: Issues for Sept./Oct. 1966- have subtitle "the magazine of the Directors Guild of America."ISSN: 0001-7361Frequency: BimonthlyLON: sn 95006971; 12188595
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Interim
book
Action and adventure cinema / edited by Yvonne Tasker Abingdon, Oxon: Routledge, 2004.
Call No: 730.3 TASAuthor: Tasker, Yvonne Source: UKPlace: Abingdon, OxonPublisher: RoutledgePubDate: 2004PhysDes: 414 p. ; 25 cmSubject: ACTION FILMS ; ADVENTURE FILMS ; STARS ; CHILDREN AND THE CINEMA ; MELODRAMA ; HISTORY OF CINEMA ; GENDER AND THE CINEMA ; VIOLENCE IN FILMS ; WOMEN IN FILMS ; WAR FILMS ; MEN IN FILMS ; MASCULINITY IN FILMS Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow.Notes: Includes note and index.ISBN: 0 415 23507 3Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.
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newspaper article
Actor breaking the mould in Saturday Age [Careers] (23/01/2016) p.15
Call No: PERSONALITY CLIPPINGS FILE; BIRD MATHESON, GEMMAAuthor: Dondio, Karen PhysDes: Clippings File ArticleSubject: BIRD MATHESON, GEMMA Summary: Profile of Australian based actor Gemma Bird Mathieson and her thoughts on her career and opportunities working in Australia's media industries
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newspaper article
Actors, directors plead: don't devastate industry in Sydney Morning Herald [General news] (27/3/2018) p.10
Call No: TITLE CLIPPINGS FILE; NATIONAL CONTENT. AUSTRALIAAuthor: Galvin, Nick PhysDes: Clippings File_ArticleSubject: NATIONAL CONTENT. AUSTRALIA Summary: Short article on the recent open letter to the federal government from film/tv figures
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journal article
'Acts' soundtrack gives insights into afterlife in Encore (October 2007) vol.26 iss.10 p.28, 37
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017.
Call No: 753 ADAAuthor: Kennedy-Karpat, Colleen Place: Cham, SwitzerlandPublisher: Springer International PublishingPubDate: 2017PhysDes: ix, illustrations (colour), 22cmSeries: Palgrave studies in adaptation and visual cultureSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; AUTHORSHIP ; COMIC STRIPS ; CULTURE AND THE CINEMA ; INTERTEXUALITY ; TARANTINO, QUENTIN ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) ; MUSIC IN FILMS ; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site]Notes: Includes indexISBN: 9783319528533Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999.
Call No: 753 ADAAuthor: Cartmell, Deborah ; Whelehan, Imelda Source: US/UKPlace: London New YorkPublisher: RoutledgePubDate: 1999PhysDes: xvii, 247 p. : ill. ; 24 cmSubject: ADAPTATIONS ; ADAPTATIONS. AUSTEN, JANE ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; ANIMATION ; BATMAN IN FILMS ; TELEVISION AND THE CINEMA ; TELEVISION IN FILMS ; CAMPION, JANE ; BATMAN [TV] (US, 1965-67) ; SCARLET LETTER, THE (US, Roland Joffe, 1995) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; EMMA (UK, Douglas McGrath, 1996) ; CLUELESS (US, Amy Heckerling, 1995) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; NAKED LUNCH (CN/UK, David Cronenberg, 1991) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; TRAINSPOTTING (UK, Danny Boyle, 1996) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; BATMAN (US, Tim Burton, 1989) ; [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURBNotes: Includes bibliographical references (p. 226-238) and indexISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)LON: 14255526Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005.
Call No: 753.1 ADAAuthor: Harrison, Stephanie Edition: First editionSource: USPlace: New YorkPublisher: Three Rivers PressPubDate: c2005PhysDes: xix, 619 p. : ill. ; 24 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; SHORT CUTS (US, Robert Altman, 1993) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001) ; MINORITY REPORT (US, Steven Spielberg, 2002) ; FREAKS (US, Tod Browning, 1932) ; FLY, THE (US, Kurt Neumann, 1958) ; RE-ANIMATOR (US, Stuart Gordon, 1985) ; STAGECOACH (US, John Ford, 1939) ; MAN CALLED HORSE, A (US, Elliot Silverstein, 1970) ; SMOKE SIGNALS (US, Chris Eyre, 1998) ; AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003) ; GHOST WORLD (US, Terry Zwigoff, 2001) ; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950) ; MEET JOHN DOE (US, Frank Capra, 1941) ; WILD ONE, THE (US, Laslo Benedek, 1953) ; TOMORROW (US, Joseph Anthony, 1972) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; SWIMMER, THE (US, Frank Perry, 1968) ; KILLERS, THE (US, Robert Siodmak, 1946) ; FALLEN IDOL, THE (UK, Carol Reed, 1948) ; MEMENTO (US, Christopher Nolan, 2000) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; FIELD OF DREAMS (US, Phil Alden Robinson, 1989) ; RASHOMON (JA, Akira Kurosawa, 1950) ; DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960) ; LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987) ; SMOKE (US, Wayne Wang, 1995) ; JESUS' SON (US, Alison Maclean, 1999) ; IN THE BEDROOM (US, Todd Field, 2001) ; [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948) ; MY FRIEND FLICKA (US, Harold D. Schuster, 1943) ; LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954) ; SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.Notes: Also issued onlineISBN: 1400053145Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adaptations in the sound era : 1927-37 / Deborah Cartmell London: UK Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2015.
Call No: 753.1 CARAuthor: Cartmell, Deborah Source: UKPlace: LondonPublisher: UK Bloomsbury Academic, an imprint of Bloomsbury Publishing IncPubDate: 2015PhysDes: vii, 166 pages ; 24 cm.Series: Bloomsbury adaptation historiesSubject: ADAPTATIONS ; HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. TRANSITION SILENT-SOUND ; HISTORY OF CINEMA. SOUND PERIOD Summary: There is no disputing that the coming of sound heralded a new era for adaptations. We take it for granted today that a film is enhanced by sound but it was not a view unanimously held in the early period of sound cinema. While there was a substantial degree of skepticism in the late 1920s and early 30s about the advantages of sound, what we would call technophobia today, the inclusion of speech in screen versions of literary and theatrical works, undeniably revised what it was to be an adaptation: words. Focusing on promotional materials, Adaptations in the Sound Era tracks early attempts to promote sound through the elevation of words in adaptations in the early sound period. The popular appeal of these films clearly stands in opposition to academic regard for them and the book reflects on the presence and marketing of 'words' in a variety of adaptations, from the introduction of sound in the late 1920s to the mid 1930s. This book contextualizes a range of adaptations in relation to debates about 'picturizations' of books in the early sound era, including reactions to the talking adaptation by writers such as, Irwin Panofsky, Aldous Huxley and Graham Greene. Film adaptations of Shakespeare, Dickens, gothic fiction and biopics are also discussed in relation to their use and promotion of sound or, more precisely, words -- TAKEN FROM PUBLISHER'S SITENotes: Formerly CIP.
Includes bibliographical references and index.ISBN: 9781623568788Contents: Machine generated contents note: 1.Introduction: `Singin in the Rain': Adapting Literature to Film, 1927--37 -- 2.Sound Shakespeare -- 3.Sound Dickens -- 4.Gothic Adaptations `Sell It for Its Horror': 1931 Gothic/Horror Adaptations and the Victory of the Shadow -- 5.Biopic Adaptations: Adapting Charles Laughton -- 6.Adaptations for Children: From Pre-Code to Post-Code Hollywood -- 7.Conclusions: Radical Adaptations.
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Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Hsiu-Chuang Deppman Honolulu: University of Hawai'i Press, c2010.
Call No: 753(510) DEPAuthor: Deppman, Hsiu-Chuang Source: USPlace: HonoluluPublisher: University of Hawai'i PressPubDate: c2010PhysDes: viii, 243 p. : ill. ; 23 cmSubject: ADAPTATIONS ; LITERATURE AND THE CINEMA ; LITERATURE AND THE CINEMA. CHINA ; CITY OF SADNESS, A [ ; CHINA IN FILMS ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991) ; RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
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DAHONG DENGLONG GAOGAO GUA ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE
HONG MEI GUI BAI MEI GUI ; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
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FA YEUNG NIN WA ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002)
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BALZAC ET LA PETITE TAILLEUSE CHINOISE ; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986) ; TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986)
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TONG NIEN WANG SHI ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; PERSONALS, THE (TW, Kuo-fu Chen, 1998)
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ZHENG HUN QI SHI ; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998) Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 215-233) and indexISBN: 9780824834548Donation: donated by Senses of Cinema 2013Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --
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Adjust your set for some true blue TV in Daily Telegraph (19/11/2016) p.18
Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIAAuthor: Dunk, Tiffany PhysDes: Clippings File ArticleSubject: PRODUCTION, TV. AUSTRALIA Summary: Report on the large amount of Australian television shows programmed for Australian TV networks in 2017. Quotes are Network Ten's Chief Programming Officer and the ABC's Director of Television
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Adrienne Pickering in Sun Herald [Sunday Life] (16/04/2017) p.1
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The Adventurers, a review in the form of an imaginary interview with Harold Robbins in Interview (1970) vol.1 iss.6 p.16-17
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The adventures of Antoine Doinel : Four screenplays by Francois Truffaut / Francois Truffaut New York: Simon and Schuster, 1971.
Call No: 79ADV TRUAuthor: Truffaut, Francois Source: USPlace: New YorkPublisher: Simon and SchusterPubDate: 1971PhysDes: 320 p. : ill ; 23cm.Subject: SCRIPTS ; TRUFFAUT, FRANCOIS ; BAISERS VOLES (FR, Francois Truffaut, 1968) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; AMOUR A VINGT ANS, L' (FR, Francois Truffaut, 1962) ; DOMICILE CONJUGAL (FR, Francois Truffaut, 1970) Summary: The screenplays of Truffaut's films Love at Twenty, Stolen Kisses and Bed And Board, and first treatment and notes for The 400 Blows.Notes: The 400 Blows, Love at Twenty, Stolen Kisses, Bed and Board, directed by Francois Truffaut and starring Jean Pierre Leaud as Antoine Doinel; Translated by Helen G. ScottISBN: 671211218Donation: donated by the family of Wayne Levy, 2006ID2: 54
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The adventures of Barry Crocker : Bazza / Barry Crocker Sydney: Pan Macmillan, 2003.
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The adventures of Figaro Pho : the fear of becoming a vampire (fledermausvamphobia) / written by Nathan Jurevicius & Dan Fill AT: 2011.
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The adventures of Priscilla queen of the desert / Stephan Elliott Sydney: Currency Press, 1994.
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Advertising as communication / Gillian Dyer New York: Methuen, 1982.
Author: Dyer, Gillian Source: USPlace: New YorkPublisher: MethuenPubDate: 1982PhysDes: 19 cm ; 230 p.ISBN: 041674530XDonation: donated by the family of Wayne Levy, 2006
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The aesthetic pleasures of girl teen film / Samantha Colling New York: Bloomsbury Academic, 2017.
Call No: 451-053.6(73) COLAuthor: Colling, Samantha Place: New YorkPublisher: Bloomsbury AcademicPubDate: 2017PhysDes: vii, 167 pages ; 24 cm.Subject: TEEN FILMS ; YOUNG PEOPLE IN FILMS ; MEAN GIRLS (US, Mark Waters, 2004) ; HAIRSPRAY (US, John Waters, 1988) ; HOUSE BUNNY, THE (US, Fred Wolf, 2008) ; WHAT A GIRL WANTS (US, Dennie Gordon, 2003) Notes: Includes bibliographical references and index.ISBN: 9781501349010Contents: Cinderella's pleasures: the power and pleasures of costume -- Celebrity glamour: space, place and visibility -- Sporting pleasures: the body as aesthetic surface -- Musical address: expansion, confinement and kinaesthetic contagion -- Music video aesthetics: the affects of spectacle -- Conclusions and future research.
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Aesthetics of film / Jacques Aumont ... [et al.] ; translated and revised by Richard Neupert Austin: University of Texas Press, 1992.
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AFC Documentary Fellowship : carving out new territory for the documentary in Encore (24 April-6 May 1987) vol.5 iss.6 p.18-19
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AFC stands on its record, Another $500,000 down the drain in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.2
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AFI Awards answer criticism with change in Filmnews (Australia) (Jun-91) vol.XXI iss.5 p.15
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AFI awards heading in right direction in Filmnews (Australia) (Dec-89) vol.XIX iss.11 p.7
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Africa at the pictures / [edited by Keith Shiri] London: National Film Theatre, 1993.
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African cinema : politics & culture / Manthia Diawara Bloomington: Indiana University Press, 1992.
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African cinema : politics and culture / Manthia Diawara Bloomington IN: Indiana University Press, 1992.
Author: Diawara, Manthia Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 1992PhysDes: 24 cm ; 192 p.ISBN: 0253207070XDonation: donated by the family of Wayne Levy, 2006
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African film and literature : adapting violence to the screen / Lindiwe Dovey New York: Columbia University Press, 2009.
Call No: 730.5.0(6) DOVAuthor: Dovey, Lindiwe Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2009PhysDes: xviii, 334 p. : ill.Series: Film and cultureSubject: AFRICA IN FILMS ; AFRICAN COUNTRIES ; SOUTH AFRICA ; SOUTH AFRICA IN FILMS ; VIOLENCE IN FILMS ; FOOLS (FR/SA/MZ/RH, Ramadan Suleman, 1996) ; TSOTSI (UK/SA, Gavin Hood, 2005) ; WALK IN THE NIGHT, A (SA, Mickey Madoda Dube, 1998) ; CRY THE BELOVED COUNTRY (US, Darrell Roodt, 1995) ; KARMEN GEÏ (SG/FR, Joseph Gaï Ramaka, 2001) ; GENESE, LA (ML/FR, Cheick Oumar Sissoko, 1999) Summary: "Analysing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey idenitifies a specific trend in contemporary African filmmaking - one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence." - TAKEN FROM BACK COVERISBN: 9780231147552Donation: donated by Senses of Cinema, 2012Contents: Cinema and violence in South Africa -- Fools and victims : adapting rationalized rape into feminist film -- Redeeming features : screening HIV/AIDS, screening out rape in Gavin Hood's Tsotsi -- From black and white to "coloured" : racial identity in 1950s and 1990s South Africa in two versions of A walk in the night -- Audio-visualizing "invisible" violence : remaking and reinventing Cry, the beloved country -- Cinema and violence in francophone West Africa -- Losing the plot, restoring the lost chapter : Aristotle in Cameroon -- African incar(me)nation : Joseph Gai¨ Ramaka's Karmen gei¨ -- Humanizing the Old Testament's origins, historicizing genocide's origins : Cheick Oumar Sissoko's La gene`se
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After "happily ever after" : romantic comedy in the post-romantic age / edited by Maria San Filippo; foreword by Tamar Jeffers McDonald Detroit, Michigan: Wayne State University Press, 2021.
Call No: 733.3 AFTEdition: 2021Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2021PhysDes: xviii, 362 pages : illustrated ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: ROMANTIC COMEDY ; ALLEN, WOODY ; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014) ; CRAZY RICH ASIANS (US, Jon M. Chu, 2018) ; HONG SANG-SOO ; LINKLATER, RICHARD ; UP IN SMOKE (US, Lou Adler, 1978) ISBN: 9780814346747
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After taste : cultural value and the moving image / edited by Julia Vassilieva and Constantine Verevis Abingdon: Routledge, 2012.
Call No: 62(04) AFTSource: KPlace: AbingdonPublisher: RoutledgePubDate: 2012PhysDes: viii, 173 pages ; 25 cm.Subject: B-MOVIES ; CRITICISM ; RECEPTION ; AMATEUR FILMS ; LOW BUDGET FILMS ; CULTURE AND THE CINEMA ; SOCIETY AND THE CINEMA ; POPULAR CULTURE AND THE CINEMA Summary: In the wake of the debates over high/low culture distinction spilling into the effective dismantling of the boundary that once separated them, the past decade has seen the explosion of ‘bad taste’ production on screen. Starting with paracinema or ‘badfilm’ – a movement that has grown up around sleazy, excessive, or poorly executed B-movies and has come to encompass disreputable and unworthy films – this trend has been evident in various formats: on television and in video-art, low-budget and straight to TV films, amateur and home movies. The proliferation of trash on screen can be seen as delivering the final blow to the vexed issue of taste.
More importantly, it prompts a reconsideration of some critical issues surrounding production, circulation, understanding and teaching of ‘bad objects’ in the media. This collection of essays, written by international film and television scholars, provides detailed critical analysis of the issues surrounding judgements of cultural value and taste, feeling and affect, cultural morals and politics, research methodologies and teaching strategies in the new landscape of ‘after taste’ media. Addressing global and local developments – from global Hollywood to Australian indigenous film and television, through auteurs Sergei Eisenstein to Jerry Bruckheimer, on to examples such as Twilight to Sukiyaki Western Django – the essays in this book offer a range of critical tools for understanding the recent shifts affecting cultural, aesthetic and political value of the moving image.
This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.Notes: Includes bibliographical references and index.ISBN: 9780415845939Contents: 1. Introduction: after taste: cultural value and the moving image / Julia Vassilieva and Constantine Verevis -- Part I: Critical methods and approaches. 2. `An idleness bordering on the wacky': Paul Cox and the contradictions of an Australian art cinema / Adrian Martin -- 3. Hollywood: bad cinema's bad `other' / Jane Mills -- 4. Cultural value and viscerality in Sukiyaki Western Django: towards a phenomenology of bad film / Jane Stadler -- 5. Sergei Eisenstein's Que viva Mexico! through time: historicizing value judgement / Julia Vassilieva -- Part II: Taste and value. 6. Transitional tastes: teen girls and genre in the critical reception of Twilight / Lisa Bode -- 7. `Flesh dissolved in an acid of light': the B-movie as second sight / Simon Sellars -- 8. Making the commercial personal: the authorial value of Jerry Bruckheimer television / Tom Steward -- 9. Blowing chunks: Fear Factor, reality television and abjection as a disciplinary practice / Scott Wilson -- Part III: Feeling and affect. 10. Labours of love: home movies, paracinema, and the modern work of cinema spectatorship / Minette Hillyer -- 11. Dead time: cinema, Heidegger, and boredom / Richard Misek -- Part IV: Teaching bad objects forum. 12. Teaching bad objects: introduction / Jodi Brooks -- 13. The state of the discipline: film studies as bad object / Jodi Brooks -- 14. Beyond good/should/bad: teaching Australian Indigenous film and television / Therese Davis -- 15. Teaching Australian television studies / Belinda Smaill.
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Against the wind : a Pegasus production in association with the Seven Network / compiled by Brian Courtis, Graham White and Ian Marshall South Melbourne, Vic.: HSV7, c1978.
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L'age d'or : and Un chien andalou / films by Luis Bunuel. Translated from the French by Marianne Alexandre New York: Simon and Schuster, [c1968].
Call No: 792 BUNAuthor: Bunuel, Luis, 1900-1983 ; Dali, Salvador, 1904-1989, joint author ; Bunuel, Luis, 1900-1983. Chien andalou. English Place: New YorkPublisher: Simon and SchusterPubDate: [c1968]PhysDes: 120 p. illus. 21 cmSubject: AGE D'OR, L' (FR, Luis Bunuel, 1930) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Notes: Scripts by L. Bunuel and S. Dali; "Filmography": p. 117-120LON: 1880 1880
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The age of Whedon in Daily Telegraph [Best Weekend] (25/04/2015) p.12
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Agencies cool to new contract push in The Australian (31/10/2016) p.23
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Agnes of God / John Pielmeier & Leonore Fleischer [Seven oaks]: Coronet, 1986.
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Agnes Varda between film, photography, and art / by Rebecca J. DeRoo Oakland, California: University of California Press, c2018.
Call No: 81VAR DERAuthor: DeRoo, Rebecca J. Source: USPlace: Oakland, CaliforniaPublisher: University of California PressPubDate: c2018PhysDes: x, 238 pages : illustrations ; 23 cmSubject: FILM ; CRITICISM ; FEMININITY IN FILMS ; FEMINISM AND THE CINEMA ; NOUVELLE VAGUE ; MOVEMENTS AND STYLES IN FILM HISTORY ; FRANCE ; VARDA, AGNES ; POINTE COURTE, LA (FR, Agnes Varda, 1954) ; BONHEUR, LE (FR, Agnes Varda, 1965) ; ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977) ; DAGUERREOTYPES (FR/G, Agnes Varda, 1978) Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVERNotes: Includes bibliographical references and index; Also issued onlineISBN: 9780520279414Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --
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Aids to teaching and learning / Helen Coppen Oxford: Pergamon Press, 1969.
Author: Coppen, Helen Source: UKPlace: OxfordPublisher: Pergamon PressPubDate: 1969PhysDes: 20 cm ; 230 p.ISBN: 080129048Donation: donated by the family of Wayne Levy, 2006
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Airport in Interview (1970) vol.1 iss.6 p.16-17
Author: Corliss, Richard PhysDes: ArticleSubject: SEATON, GEORGE ; HUNTER, ROSS ; AIRPORT (US, George Seaton, 1970) Summary: An extremely biting review of the film adaptation of Arthur Hailey's novel "Airport" that is at pains to position George Seaton's triumphs as an auteur filmmaker firmly in the past. Corliss also critiques producer Ross Hunter as playing a vital role in creating such a cliche-ridden filmNotes: Review
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Albert and David Maysels : interviews / edited by Keith Beattie Jackson, Miss.: University of Mississippi, 2010.
Call No: 81MAYSLES ALBSource: USPlace: Jackson, Miss.Publisher: University of MississippiPubDate: 2010PhysDes: xxxix, 188 p. ; 24 cmSeries: Conversations with filmmakers seriesSubject: MAYSLES, ALBERT ; MAYSLES, DAVID ; MAYSLES, ALBERT & DAVID ISBN: 9781604733655Contents: Albert and David Maysles / Mark Shivas -- The Maysles Brothers and "direct cinema" / Maxine Haleff -- A discussion with the Maysles Brothers / James Blue -- An interview with the Maysles Brothers / Jonas Mekas -- A interview with Albert and David Maysles / Bob Sitton-- Salesman / Alan Rosenthal -- Circumstantial evidence : an interview with David and Albert Maysles / Robert Phillip Kolker -- Seeking to take the longest journey : a conversation with Albert Maysles / Calvin Pryluck -- Who's who in filmmaking : Albert Maysles / Judith Trojan -- "Doco direct" et al / Jane Castle -- Real artists shoot "real farmers" / Brooke Comer -- The making of concert of wills : making the Getty Center / Ann Hassett -- Man of the people / Brooke Comer -- Albert Maysles : all you need is love / Jackson Pellow -- Stories that tell themselves / Anne S. Lewis -- Albert Maysles / Liz Stubbs -- The force of reality in direct cinema : an interview with Albert Maysles / Sharon Zuber -- Maysles on DIFF, Castro, flies on walls, and the poetic eye / Marty Mapes -- Albert Maysles / Shana Liebman -- "A Bible salesman or the Rolling Stones : they're all just people" / Geoffrey Macnab -- Uncontrolled cinema : Albert Maysles / Williams Cole -- Reel life / Lance Avery Morgan
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Aldous Huxley and film / by Virginia M. Clark Metuchen, N.J.: Scarecrow Press, 1987.
Call No: 81HUX VIRAuthor: Clark, Virginia M. (Virginia Martha) Place: Metuchen, N.J.Publisher: Scarecrow PressPubDate: 1987PhysDes: xii, 155 p., [14] p. of plates : ill. ; 22 cmSubject: HUXLEY, ALDOUS Notes: Includes index; Filmography: p. 131-134; Bibliography: p. 135-141ISBN: 0810820021LON: 87012308; 5331399
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Alex / Tessa Duder Auckland: Penguin Books, 1989, c1987.
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Alexander Dovzhenko: the poet as filmmaker : selected writings / edited and translated by Marco Carynnyk Cambridge, Massachusetts: MIT Press, 1973.
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Alexander Kluge & The occasional work of a female slave / edited by Jan Dawson South Perth, W.A.: Perth Film Festival, 1975.
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Alexander Payne : interviews / edited by Julie Levinson Jackson: University Press of Mississippi, 2014.
Call No: 81PAYN ALESource: USPlace: JacksonPublisher: University Press of MississippiPubDate: 2014PhysDes: xxvii, 231 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: PAYNE, ALEXANDER Summary: "In this first compilation of his interviews, Payne reveals himself as a captivating conversationalist as well. The discussions collected here range from 1996, shortly after the release of his first film, Citizen Ruth, to the debut of his film Nebraska. Over his career, he muses on many subjects including his own creative processes, his commitment to telling character-centered stories, and his abiding admiration for movies and directors from across decades of film history." -- BOOK BLURBNotes: Includes indexISBN: 9781628461091Donation: donated by Senses of Cinema, 2014Contents: Machine generated contents note: Writing and Directing Citizen Ruth: A Talk with Alexander Payne and Jim Taylor / Tod Lippy -- An Interview with Citizen Ruth Director Alexander Payne / Angie Drobnic -- Adapting and Directing Election: A Talk with Alexander Payne and Jim Taylor / Annie Nocenti -- Bringing on the Payne / Rob Blackwelder -- Fresh Air Interview with Alexander Payne / Terry Gross -- About Schmidt Director Alexander Payne Does Have Something Interesting to Say / Walter Chaw -- Interview: Alexander Payne / Jeff Otto -- Interview: Alexander Payne / Scott Tobias -- Alexander Payne: Sideways / Adrian Hennigan -- Alexander Payne / Kate Donnelly -- Alexander Payne: Staying Straight While Making Sideways / Brad Balfour -- Alexander Payne: Sideways Glance at America / Kenneth Turan -- Alexander Payne Talks The Descendants, Clooney, Next Black and White Film, New Trailer / Anne Thompson -- Alexander Payne on The Descendants and Why It's a Minor Work / Eric Kohn --
Contents note continued: Director's Chair: Alexander Payne's The Descendants / Iain Blair -- Filmmaker Alexander Payne on The Descendants / Edward Douglas -- Interview: Alexander Payne / Scott Tobias -- Payne Find His Way to The Descendants / Marshall Fine -- An Interview with Alexander Payne / Glenn Kenny -- Interview: Alexander Payne / Dave Davies -- Alexander Payne Talks The Descendants and His Next Two Projects, Nebraska and Wilson / Christina Radish -- Interview with Alexander Payne / Charlie Rose -- Alexander Payne Prefers Actors Who Can Communicate / Jennelle Riley -- The Lei of the Land: A Few Moments with Alexander Payne / Christy Grosz -- Director of The Descendants, Alexander Payne, Talks Bristling Egos and Putting Life on Film / J. Alanna Lawson -- Omaha and the Perfect Ending: The Alexander Payne Interview / Erich van Dussen -- Film Director Alexander Payne: Greece "Energizes My DNA!" / Demetrios Rhompotis --
Contents note continued: Whittling Birch Bark: A Conversation with Alexander Payne / Julie Levinson -- Director Alexander Payne on Nebraska / Damian Houx.
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Alfred Hitchcock / Filmoteca Nacional de Espana [Madrid]: Filmoteca Nacional de Espana, June 1978.
Call No: 81 HIT HITEdition: [1978]Place: [Madrid]Publisher: Filmoteca Nacional de EspanaPubDate: June 1978PhysDes: 182 p. : illus. ; 28 cmSubject: HITCHCOCK, ALFRED Language: Spanish
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Alfred Hitchcock / Gene D. Phillips London: Columbus Books, 1986.
Call No: 81 HIT PHIAuthor: Phillips, Gene D. Source: UKPlace: LondonPublisher: Columbus BooksPubDate: 1986PhysDes: [212] p. : ill., ports ; 22cmSeries: Columbus filmmakersSubject: HITCHCOCK, ALFRED Notes: Originally published: Boston, Mass. : Twayne, 1984. --Includes bibliography and index.ISBN: 0862872081Donation: Estate of Adrian MilesContents: About the author --Editor's forward --Preface: "Alfred Hitchcock: Prankster of Paradox" --Acknowledgements --Chronology --1. Prologue: The Hitchcock Touch --2. The Twenties: The Silent Years --3. The Thirties: The Early Years of Sound --4. The Thirties: The Peak Years in Britain -- 5. The Forties: The Selznick Years --6. The Fifties: The Peak Years in Hollywood --7. "Alfred Hitchcock Presents": The Television Years --8. The Sixties and Seventies: The Vintage Years --9. Epilogue: The Touch of Class --Notes and References --Selected Bibliography --Filmography --Index
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Algerian cinema / edited by Hala Salmane, Simon Hartog and David Wilson London: British Film Institute, 1976.
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Alice's Restaurant in Interview (1969) vol.1 iss.1 p.11
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Alien / edited by Richard J. Anobile ; screenplay by Dan O'Bannon London: Futura Publications, c1979.
Call No: 79ALI ALIPlace: LondonPublisher: Futura PublicationsPubDate: c1979PhysDes: ca. [200] p. : chiefly col. ill. ; 28 cm.Subject: ALIEN (UK, Ridley Scott, 1979) Notes: A "movie novel" with "over 1,000 full-color photos" -- Cover.ISBN: 0708816886LON: abn86321016; 4911811
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Alien : In space no one can hear you scream / Novelization by Alan Dean Foster ; screenplay by Dan O'Bannon ; story by Dan O'Bannon and Ronald Shusett London: Futura Publications, 1979.
Author: Foster, Alan Dean Source: UKPlace: LondonPublisher: Futura PublicationsPubDate: 1979PhysDes: 253p,[8]p of plates : col ill ; 18cm.Notes: Also published: London : Macdonald and Jane's, 1979ISBN: 0708816789Donation: donated by the family of Wayne Levy, 2006
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Alien : the special effects / Don Shay and Bill Norton London: Titan Books, 1997.
Call No: 236ALI SHAAuthor: Norton, Bill ; Shay, Don Edition: First editionSource: UKPlace: LondonPublisher: Titan BooksPubDate: 1997PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cmSubject: SPECIAL EFFECTS ; CINEMATOGRAPHY ; TECHNOLOGY AND THE CINEMA ; TECHNOLOGICAL DEVELOPMENTS ; COSTUME DESIGNING ; SCIENCE-FICTION FILMS ; MONSTERS IN FILMS ; COMPUTERS AND THE CINEMA ; ALIEN (UK, Ridley Scott, 1979) ; ALIEN 3 (US, David Fincher, 1992) ; ALIENS (US, James Cameron, 1986) Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURBNotes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. versoISBN: 1852866950Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---
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Alien zone : cultural theory and contemporary science fiction cinema / edited by Annette Kuhn London New York: Verso, 1990.
Call No: 735.1 KUHAuthor: Kuhn, Annette Source: UK/USPlace: London New YorkPublisher: VersoPubDate: 1990PhysDes: viii, 231 p. : ill. ; 24 cmSubject: FEMINISM AND THE CINEMA ; POSTMODERNISM AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEX IN FILMS ; TECHNOLOGY IN FILMS ; ALIEN (UK, Ridley Scott, 1979) ; BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes bibliographical references (p. 229-231)ISBN: 0860912787; 0860919935 (pbk.)LON: 6923144Contents: -- Introduction : cultural theory and science fiction cinema / Annette Kuhn -- Visions of the future in science fiction films from 1970 to 1982 / H. Bruce Franklin -- The alien messiah / Hugh Ruppersberg -- Commodity futures / Thomas B. Byers -- Technophobia / Michael Ryan and Douglas Kellner -- Making culture into nature / Michael Stern -- Feminism, humanism and science in Alien / James H. Kavanagh -- Feminism and anxiety in Alien / Judith Newton -- Primal conditions and conventions : the genre of science fiction / Daniel Dervin -- The virginity of astronauts : sex and the science fiction film / Vivian Sobchack -- Time travel, primal scene and the critical dystopia / Constance Penley -- Alien and the monstrous-feminine / Barbara Creed -- The doubles of fantasy and the space of desire / J.P. Telotte -- 'You've got to be fucking kidding!' : knowledge, belief and judgement in science fiction / Steve Neale -- Cataract surgery : cinema in the year 2000 / Paul Virilio -- Ramble city : postmodernism and Blade runner / Giuliana Bruno -- Who programs you? : the science fiction of the spectacle / Scott Bukatman -- Gynesis, postmodernism and the science fiction horror film / Barbara Creed -- Feminist futures : a generic study / Anne Cranny-Francis
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999.
Call No: 735.1 KUHAuthor: Kuhn, Annette Place: London New YorkPublisher: VersoPubDate: 1999PhysDes: 308 p. : ill. ; 20 cmSubject: SCIENCE-FICTION FILMS ; CITIES IN FILMS ; BODY IN FILMS ; DIGITAL TECHNOLOGY ; UTOPIA IN FILMS ; FANS ; INTERNET AND THE CINEMA ; MASCULINITY IN FILMS ; POSTMODERNISM AND THE CINEMA ; RACIAL ISSUES AND THE CINEMA ; SPECTATORSHIP ; ADAPTATIONS. WELLS, H.G. ; VAN DAMME, JEAN-CLAUDE ; SCHWARZENEGGER, ARNOLD ; CREED, BARBARA ; TRUMBULL, DOUGLAS ; JOHNNY MNEMONIC (US, Robert Longo, 1995) ; THINGS TO COME (UK, William Cameron Menzies, 1936) ; BLADE RUNNER (US, Ridley Scott, 1982) ; ALIEN [...] (UK/US, 1979-92) ; ALIEN (UK, Ridley Scott, 1979) ; ALIENS (US, James Cameron, 1986) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BRAZIL (UK, Terry Gilliam, 1985) ; DEMOLITION MAN (US, Marco Brambilla, 1993) ; MAX HEADROOM [TV] (US, 1987-89) ; METROPOLIS (G, Fritz Lang, 1926) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and indexISBN: 1859842593 (paper); 1859847463 (cloth)LON: 20466609
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Alison's birthday / Ian Coughlan Cammeray [N.S.W.]: Castle Books, 1981.
Call No: N79ALI COUAuthor: Coughlan, Ian Source: AustraliaPlace: Cammeray [N.S.W.]Publisher: Castle BooksPubDate: 1981PhysDes: 131 p., [15] p. of plates ; 18 cmSubject: ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) Notes: Cover subtitle: An encounter with evil: a celebration you won't forget.ISBN: 0725511141
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book
All in the family : a critical appraisal / edited by Richard P. Adler New York, N.Y.: Praeger, 1979.
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script
All is true / screenplay by Ben Elton [2018].
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Levy Collection
book
All my yesterdays : an autobiography / Edward G. Robinson; with Leonard Spigelglass New York: Hawthorn Books,
Author: Robinson, Edward G. Source: USPlace: New YorkPublisher: Hawthorn BooksPhysDes: 382p. : ill. ; 18cmISSN: [1973]Donation: donated by the family of Wayne Levy, 2006
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book
All our yesterdays : 90 years of British cinema / edited by Charles Barr London: BFI Pub. In association with The Museum of Modern Art, New York, 1986.
Call No: 71(41) ALLAuthor: Barr, Charles CorpAuthor: Museum of Modern Art (New York, N.Y.); British Film InstitutePlace: LondonPublisher: BFI Pub. In association with The Museum of Modern Art, New YorkPubDate: 1986PhysDes: ix, 446 p. : ill. ; 23 cmSubject: UNITED KINGDOM Notes: Includes index; Filmography: p. 375-431; Bibliography: p. 432-435ISBN: 0851701795 (pbk.) : ª12.95LON: 4277883
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book
All quiet on the western front / Erich Maria Remarque Triad/ Granada Books, 1977.
Author: Remarque, Enrich Maria Source: UKPublisher: Triad/ Granada BooksPubDate: 1977PhysDes: 192 p. ;18 cmISBN: 583112315Donation: donated by the family of Wayne Levy, 2006
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script
All Saints : Skeletons in the Closet, Episode 146 [2001].
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script
All Saints : Give &Take, Episode 6 1998.
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script
All Saints. Ep. 102, Beyond All Praise : script, shooting script / director Scott Feeney [2000].
Call No: S ALLPubDate: [2000]PhysDes: 89 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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script
All Saints. Ep. 108, Twentieth Century Blues : script, shooting script / director Scott Hardford Davis [2000].
Call No: S ALLPubDate: [2000]PhysDes: 94 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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script
All Saints. Ep. 130, A Matter of Choice : script, shooting script / director Rob Stewart [2000].
Call No: S ALLPubDate: [2000]PhysDes: 85 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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script
All Saints. Ep. 132, Blockages : script, second draft / written by Bill Garner; edited by Anthony Ellis [2000].
Call No: S ALLAuthor: Garner, Bill PubDate: [2000]PhysDes: 102 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the Australian Writer's Guild; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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script
All Saints. Ep. 132, Blockages : script, first draft / written by Bill Garner; edited by Anthony Ellis [2000].
Call No: S ALLAuthor: Garner, Bill PubDate: [2000]PhysDes: 110 leavesSubject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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book
All the green year / D.E. Charwood [AT]: Angus and Robertson Publishers, 1965.
Author: Charwood, D.E. Edition: 18Source: ATPlace: [AT]Publisher: Angus and Robertson PublishersPubDate: 1965PhysDes: 183 p. ; 19cmISBN: 0207143978Donation: donated by the family of Wayne Levy, 2006
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book
All the green year / D. E. Charlwood Angus and Robertson, 1980, c1965.
Author: Charlwood, D. E. Source: AustraliaPublisher: Angus and RobertsonPubDate: 1980, c1965PhysDes: 18 cm ; 183 p.ISBN: 0207143978Donation: donated by the family of Wayne Levy, 2006
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newspaper article
All the grunt but no easy way to be home in Australian Financial Review (16/03/2007) p.8
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Davidson, John Subject: BLU-RAY Summary: On the pros and cons of the PS3. Perhaps what is interesting is that this reviewer believes that the PS3 could become a great media centre one day due to PS3 allowing software to be able to be used to alter its operating system but it is far from it now.Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Xbox Mod Chipped; -- Playstation 3
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All the rivers run : episode 3 / written by Colin Free ; edited by Betty Archer AT: c1982.
Call No: SC ALL : 3Author: Free, Colin Place: ATPubDate: c1982PhysDes: 2 v. ; 34 cmSubject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, Pino AmentaDonation: Gift of Crawford ProductionsContents: Two copies of All the Rivers Run, episode 3. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations
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script
All the rivers run : episode 4 / written by Colin Free ; edited by Betty Archer AT: c1982.
Call No: SC ALL : 4Author: Free, Colin Place: ATPubDate: c1982PhysDes: 2 v. ; 34 cmSubject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, Pino AmentaDonation: Gift of Crawford ProductionsContents: Two copies of All the Rivers Run, episode 4. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations
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Crawford collection
script
All the rivers run part two : storyline / Crawford Productions AT: c1984.
Call No: SC ALL : 0Place: ATPubDate: c1984PhysDes: 39 leaves, bound ; 33 cmSubject: ALL THE RIVERS RUN II (AT, John Power, 1990) Notes: Storylines for 6 episodes of All The Rivers Run, part twoDonation: Gift of Crawford Productions
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book
All the stars in heaven : Louis B. Mayer's M-G-M / Gary Carey London: Robson, 1982, c1981.
Call No: 81MAY CARAuthor: Carey, Gary Place: LondonPublisher: RobsonPubDate: 1982, c1981PhysDes: xiv, 320 p., [18] p. of plates : ill., ports ; 24 cmSubject: Metro-Goldwyn-Mayer ; MAYER, LOUIS B. Notes: American cinema films. Production. Mayer, Louis B.. -Biographies (BNB/PRECIS); Originally published: New York : Dutton, 1981; Bibliography: p. 307-309; Includes IndexISBN: 0860511642 : ª7.95 : CIP revLON: bnb86051164; 2151955
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All together now : "Hey Good Lookin'", episode 65, draft 4 / writer: Elizabeth Coleman 1992.
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Allegories of cinema : American film in the sixties / David E. James Princeton, N.J.: Princeton University Press, 1989.
Call No: 771.1(73) JAMAuthor: James, David E., 1945 Place: Princeton, N.J.Publisher: Princeton University PressPubDate: 1989PhysDes: xiii, 388 p. : ill. ; 26 cmSubject: UNDERGROUND FILMS ; POLITICAL FILMS ; BLACK POWER FILMS ; WOMEN AND THE CINEMA ; ART CINEMA. USA ; VIETNAM WAR FILMS ; BRAKHAGE, STAN ; ANGER, KENNETH ; WARHOL, ANDY ; MEKAS, JONAS ; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974) ; EASY RIDER (US, Dennis Hopper, 1969) Notes: Includes index; Bibliography: p. 362-377ISBN: 0691047553 (alk. paper); 0691006040 (pbk.)LON: 5820741Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --
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book
Almost famous / Cameron Crowe London: Faber and Faber, 2000.
Call No: 79ALM CAMAuthor: Crowe, Cameron, 1957 CorpAuthor: Sight and sound; Almost famous (Motion picture)Edition: Limited editionPlace: LondonPublisher: Faber and FaberPubDate: 2000PhysDes: 188 p. : ill., ports. ; 17 cmSeries: Sight and soundSubject: ALMOST FAMOUS (US, Cameron Crowe, 2000) Summary: At the age of fifteen, rock journalist William Miller hits the road with Stillwater, the hot new band he's been asked to write a profile onNotes: "Limited edition supplement to Sight and Sound"ISBN: 057121245XLON: 22704718
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journal article
Alone in the light in Freeze Frame (June 1987) vol.1 iss.3 p.47
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Alphaville / a film by Jean-Luc Godard ; English translation and description of action by Peter Whitehead London: Lorrimer, 1966.
Call No: 79ALP WHIAuthor: Godard, Jean-Luc, 1930 ; Whitehead, Peter Place: LondonPublisher: LorrimerPubDate: 1966PhysDes: 100 p., 24 p. of plates : ill. ; 21 cmSeries: Modern film scripts ; 1Subject: ALPHAVILLE (FR, Jean-Luc Godard, 1965) Notes: Script of the motion picture Alphaville, ou une Getrange aventure de Lemmy Caution, written and directed by Jean-Luc GodardLON: abn85181647; 3904205
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Alternative scriptwriting / Ken Dancyger and Jeff Rush Boston: Focal Press, 1995.
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journal article
I Am A Girl in Australian Cinematographer (December 2012) iss.56 p.30-37
Author: Daly, Nicola PhysDes: ArticleSubject: DOCUMENTARY FILMS ; BARRY, REBECCA ; I AM A GIRL (US, Rebecca Barry, 2013) Summary: Renowned documentary director, Rebecca Barry discusses filming the documentary, 'I am a girl', exploring the stories of seven girls, in seven different countries, including India, Australia, Cambodia and Papua New Guinea
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book
The amazing careers of Bob Hope : from gags to riches / by Joe Morella, Edward Z. Epstein and Eleanor Clark London New York: W. H. Allen, 1974.
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book
America in the dark : Hollywood and the gift of unreality / David Thomson New York: William Morrow & Co., Inc., 1977.
Call No: 747.7 WAGAuthor: Thomson, David Place: New YorkPublisher: William Morrow & Co., Inc.PubDate: 1977PhysDes: 288 p. ; 22 cmNotes: Binding in poor condition, please take care.ISBN: 0688032109
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America's Film Legacy : the authoritative guide to the landmark movies in the National Film Registry / by Daniel Eagan New York : London: Continuum, 2010.
Call No: 71(73) EAGAuthor: Eagan, Daniel Source: USPlace: New York : LondonPublisher: ContinuumPubDate: 2010PhysDes: xxvii, 818 p. : ill. ; 26 cmSubject: BEST FILMS ; BEST FILMS. US ; CRITICISM ; FILM ; HISTORY OF CINEMA ; HISTORY OF CINEMA. USA ; LIBRARY OF CONGRESS ; USA Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.
Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURBNotes: Formerly CIPISBN: 9780826429773Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980.
Call No: 772(73) AMEAuthor: Peary, Gerald ; Peary, Danny, 1949 Edition: 1st edPlace: New YorkPublisher: DuttonPubDate: c1980PhysDes: x, 310 p. : ill. ; 23 cmSubject: ANIMATED FILMS. USA ; ROAD RUNNER ; DAFFY DUCK ; GOOFY ; MICKEY MOUSE ; MIGHTY MOUSE ; POPEYE ; [MISTER] MR MAGOO ; WARNER BROS. ; FLEISCHER STUDIO ; UPA ; DISNEY, WALT ; GRIFFIN, GEORGE ; HUEMER, DICK ; JONES, CHUCK ; CLAMPETT, BOB ; MCCAY, WINSOR ; AVERY, TEX ; BLANC, MEL ; HUBLEY, FAITH & JOHN ; HANNA, WILLIAM ; BAKSHI, RALPH ; BRAY, JOHN RANDOLPH ; LANTZ, WALTER ; HARMAN, HUGH ; WRIGHT, PRESCOTT ; MCKIMSON, ROBERT ; TYTLA, VLADIMIR ; DUMBO (US, Walt Disney, 1941) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and indexISBN: 0525476393 : $10.95LON: 1776676
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American animated films : the silent era, 1897-1929 / Denis Gifford Jefferson, N.C.: McFarland & Co., 1990.
Call No: 772(73) GIFAuthor: Gifford, Denis Place: Jefferson, N.C.Publisher: McFarland & Co.PubDate: 1990PhysDes: pSubject: ANIMATED FILMS. USA Notes: Includes indexesISBN: 0899504604 (lib. bdg. : alk. paper)LON: 7326628
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book
American-Australian cinema : transnational connections / edited by Adrian Danks, Stephen Gaunson and Peter C. Kunze Cham, Switzerland: Palgrave Macmillan, c2018. Available at ProQuest (RMIT login required)
Call No: 408.3 (73/94) AMEAuthor: Danks, Adrian (ed.) ; Gaunson, Stephen (ed.) ; Kunze, Peter C. (ed.) Source: SZ/ATPlace: Cham, SwitzerlandPublisher: Palgrave MacmillanPubDate: c2018PhysDes: xvii, 333 pages : illustrations ; 22 cmSubject: TRANSNATIONAL CINEMA ; TRANSNATIONALISM AND THE CINEMA ; NATIONAL IDENTITY AND THE CINEMA ; NATIONAL CULTURE IN FILMS ; AUSTRALIA ; USA ; GLOBALISATION ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; MAD MAX (AT, George Miller, 1979) ; NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008) ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; PETER PAN (US, P.J. Hogan, 2003) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9783319666754Donation: Stephen GaunsonContents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --
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The American cinema / edited by Donald E. Staples Washington: Voice of America, 1973.
Call No: 71(73) AMEAuthor: Staples, Donald E CorpAuthor: Voice of America (Radio program)Place: WashingtonPublisher: Voice of AmericaPubDate: 1973PhysDes: 420p. : plates ; 21cmSubject: USA LON: 9423130 9423130
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book
The American cinema / Donald E. Staples (ed.) [S.l.]: Voice of America, 1973.
Source: USPlace: [S.l.]Publisher: Voice of AmericaPubDate: 1973PhysDes: 21 cm ; 420 p.Series: Voice of America ForumDonation: donated by the family of Wayne Levy, 2006
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book
American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.1Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; BERKELEY, BUSBY ; BORZAGE, FRANK ; BROWN, CLARENCE ; CAPRA, FRANK ; CHAPLIN, CHARLES ; CUKOR, GEORGE ; CURTIZ, MICHAEL ; DAVES, DELMER ; DEMILLE, CECIL B. ; DWAN, ALLAN ; FLEMING, VICTOR ; FORD, JOHN ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; KING, HENRY ; LA CAVA, GREGORY ; LANG, FRITZ ; LEROY, MERVYN ; LEWIS, JOSEPH H. ; LUBITSCH, ERNST ; MAMOULIAN, ROUBEN ; MANN, ANTHONY ; MCCAREY, LEO ; PREMINGER, OTTO ; SHERMAN, VINCENT ; SIRK, DOUGLAS ; STAHL, JOHN M. ; VON STERNBERG, JOSEF ; STEVENS, GEORGE ; STURGES, PRESTON ; TOURNEUR, JACQUES ; ULMER, EDGAR G. ; VIDOR, KING ; WALSH, RAOUL ; WELLMAN, WILLIAM ; WILDER, BILLY ; WYLER, WILLIAM Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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American Film / [edited by] George Clack [S.l.]: United States Information Agency, 1992.
Author: Clack, George Source: USPlace: [S.l.]Publisher: United States Information AgencyPubDate: 1992PhysDes: 93 p.: col. ill ; 28 cm.Notes: Source of title: Contents page. -- Contents: 100 years of Hollywood / by Richard Schickel -- The cinamatographer's art -- The current scene / by Michael Webb -- Wonders to behold : special effects / by George Turner -- The craft of costume design -- The movie business / by Cameron Stauth -- A Black perspective / by Karen Grigsby Bates -- Women directors / by Richard Schickel -- The starsISBN: ?Donation: donated by the family of Wayne Levy, 2006
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festival catalogue
American Film Festival / American Film Festival New York, N.Y.: Educational Film Library Association, 1963-1984.
Call No: FESTIVAL CATALOGUE SHELVES; held 1963, 1979-1984CorpAuthor: American Film Festival; Educational Film Library AssociationSource: USPlace: New York, N.Y.Publisher: Educational Film Library AssociationPubDate: 1963-1984PhysDes: 7 v. : ill. ; 28 cmSubject: FESTIVALS. USA [VARIOUS] ; FESTIVALS. NEW YORK [VARIOUS] ; DOCUMENTARY FILMS ; ANIMATION ; EDUCATIONAL FILM LIBRARY ASSOCIATION ; SHORT FILMS Notes: The American Film Festival includes a showcase of films ranging from documentary to children's, experimental to educational. The catalogue also contains numerous black and white stills, film synopses and title index.LON: 930252ID2: 103
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book
The American film industry / edited by Tino Balio Madison, Wis.: University of Wisconsin Press, c1985.
Call No: 71(73) AMEAuthor: Balio, Tino Edition: Rev. edPlace: Madison, Wis.Publisher: University of Wisconsin PressPubDate: c1985PhysDes: xi, 664 p. : ill. ; 23 cmSubject: USA ; INDUSTRY, FILM. USA Notes: Includes indexes; Bibliography: p. 633-643ISBN: 0299098745 (pbk.) : $14.95; 0299098702 (hard) : $32.50LON: 3666491 3666491
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Levy Collection
book
The American Film Institute's guide to college film courses 1971-1972 / editorial supervisor Joseph E Despenza; editor Dorothy I. Wells Chicago IL: American Library Association, 1971.
CorpAuthor: The American Film InstsituteSource: USPlace: Chicago ILPublisher: American Library AssociationPubDate: 1971PhysDes: 181p. ; 22cmISBN: 0838901174Donation: donated by the family of Wayne Levy, 2006
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book
American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979.
Call No: 409(73) AMEAuthor: O'Connor, John E ; Jackson, Martin A Place: New YorkPublisher: UngarPubDate: c1979PhysDes: xxix, 290 p. : ill. ; 22 cmSubject: NATIONAL IDENTITY IN FILMS. USA ; NATIONAL CULTURE AND THE CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLACK CINEMA. US ; WORKING CLASS IN FILMS. USA ; COMMUNISM AND THE CINEMA. USA ; HISTORICAL FILMS. USA ; WORLD WAR II FILMS. USA ; HISTORY AND THE CINEMA. USA ; STEAMBOAT ROUND THE BEND (US, John Ford, 1935) ; SCAR OF SHAME, THE (US, Frank Peregini, 1927) ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; WAY DOWN EAST (US, David Wark Griffith, 1920) ; BIG PARADE, THE (US, King Vidor, 1925) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; MISSION TO MOSCOW (US, Michael Curtiz, 1943) ; BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946) ; RED RIVER (US, Howard Hawks, 1948) ; VIVA ZAPATA (US, Elia Kazan, 1952) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95LON: 1282547
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983.
Call No: 45:93 OCOAuthor: O'Connor, John E Source: USPlace: New YorkPublisher: UngarPubDate: c1983PhysDes: xliii, 420 p. : ill. ; 22 cmSeries: Ungar film librarySubject: HISTORY AND TV.USA ; ALLEN, ROBERT ; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53) ; ETHNIC GROUPS AND TV ; BRIAN'S SONG (US, Buzz Kulik, 1971) ; BUSH [GEORGE SNR.] ON TV ; COLD WAR ON TV ; COMEDY PROGRAMMES. USA ; COMMERCIALS.TV.USA ; KENNEDY FAMILY ON TV ; MARTY (US, Delbert Mann, 1954) ; MILTON BERLE SHOW, THE (US, 1954-56) ; NEWS PROGRAMMES.USA ; NIXON [RICHARD M.] ON TV ; POLITICAL PERSONALITIES ON TV.USA ; POLITICS AND TV. USA ; ROOTS [TV] (US, 1977) ; SEE IT NOW [TV] (US, 1951-58) ; SOAP OPERAS. USA ; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95LON: 2795583
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American horrors : essays on the modern American horror film / edited by Gregory A. Waller Urbana: University of Illinois Press, c1987.
Call No: 735.2 WALAuthor: Waller, Gregory A. (Gregory Albert), 1950 Place: UrbanaPublisher: University of Illinois PressPubDate: c1987PhysDes: 228 p., [10] p. of plates : ill. ; 23 cmSubject: HORROR FILMS. USA ; DE PALMA, BRIAN ; POLANSKI, ROMAN ; HALLOWEEN (US, John Carpenter, 1978) ; HELL NIGHT (US, Thomas De Simone, 1981) ; HOWLING, THE (CN, Joe Dante, 1981) ; REPULSION (UK, Roman Polanski, 1965) ; LOCATAIRE, LE (FR, Roman Polanski, 1976) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; ROSEMARY'S BABY (US, Roman Polanski, 1968) ; EXORCIST, THE (US, William Friedkin, 1973) ; EYES OF LAURA MARS (US, Irvin Kershner, 1978) ; EYES OF A STRANGER (US, Ken Wiederhorn, 1981) ; DRESSED TO KILL (US, Brian De Palma, 1980) ; FRIDAY THE 13TH [...] (US, 1980-) Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper)LON: 5194657
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001.
Call No: 71(73) AMEAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: xvii, 283 p. : ill., ports. ; 24 cmSubject: USA ; INDEPENDENT FILMS. USA ; CASSAVETES, JOHN ; BRAKHAGE, STAN ; WARHOL, ANDY ; ETHNIC GROUPS IN FILMS. USA ; BLACK FILMMAKERS. US ; DASH, JULIE ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; RIGGS, MARLON ; TONGUES UNTIED (US, Marlon Riggs, 1989) ; CROOKLYN (US, Spike Lee, 1994) ; FRIDAY (US, F. Gary Gray, 1995) ; CLOCKERS (US, Spike Lee, 1995) ; LEE, SPIKE ; GIRL SIX (US, Spike Lee, 1996) ; GET ON THE BUS (US, Spike Lee, 1996) ; SLAM (US, Marc Levin, 1998) ; HOMOSEXUALITY AND THE CINEMA ; POISON (US, Todd Haynes, 1991) ; MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991) ; VAN SANT, GUS ; SWOON (US, Tom Kalin, 1992) ; GO FISH (US, Rose Troche, 1994) ; TOTALLY F***ED UP (US, Gregg Araki, 1993) ; HAYNES, TODD ; SAFE (US, Todd Haynes, 1995) ; DOOM GENERATION, THE (US, Gregg Araki, 1995) ; PEIRCE, KIMBERLY ; BOYS DON'T CRY (US, Kimberly Peirce, 1999) ; JARMUSCH, JIM ; NIGHT ON EARTH (US, Jim Jarmusch, 1991) ; SLACKER (US, Richard Linklater, 1990) ; SURE FIRE (US, Jon Jost, 1990) ; LINKLATER, RICHARD ; BEFORE SUNRISE (US, Richard Linklater, 1995) ; LIVING IN OBLIVION (US, Tom DiCillo, 1995) ; WALKING AND TALKING (US, Nicole Holofcener, 1996) ; HARTLEY, HAL ; HENRY FOOL (US, Hal Hartley, 1997) ; HAPPINESS (US, Todd Solondz, 1998) ; GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999) ; TIMECODE (US, Mike Figgis, 2000) ; ALTMAN, ROBERT ; SHORT CUTS (US, Robert Altman, 1993) ; ANDERSON, PAUL THOMAS ; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997) ; MAGNOLIA (US, Paul Thomas Anderson, 1999) ; FERRARA, ABEL ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; BLACKOUT, THE (US, Abel Ferrara, 1997) ; ADDICTION, THE (US, Abel Ferrara, 1995) ; FUNERAL, THE (US, Abel Ferrara, 1996) ; JONZE, SPIKE ; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999) ; KORINE, HARMONY ; GUMMO (US, Harmony Korine, 1997) ; JULIEN DONKEY-BOY (US, Harmony Korine, 1999) ; LYNCH, DAVID ; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992) ; LOST HIGHWAY (US, David Lynch, 1996) ; SAYLES, JOHN ; CITY OF HOPE (US, John Sayles, 1991) ; LONE STAR (US, John Sayles, 1996) ; LIMBO (US, John Sayles, 1999) ; HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986) ; ONE FALSE MOVE (US, Carl Franklin, 1991) ; BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993) ; EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993) ; PULP FICTION (US, Quentin Tarantino, 1994) ; Tarantino, Quentin ; USUAL SUSPECTS, THE (US, Bryan Singer, 1995) ; BOUND (US, Larry Wachowski & Andy Wachowski, 1996) ; NORMAL LIFE (US, John McNaughton, 1996) ; THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997) ; JACKIE BROWN (US, Quentin Tarantino, 1997) ; BIG LEBOWSKI, THE (US, Joel Coen, 1998) ; OUT OF SIGHT (US, Steven Soderbergh, 1998) ; LIMEY, THE (US, Steven Soderbergh, 1999) ; SODERBERGH, STEVEN ; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991) ; JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99LON: 20980358
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993.
Call No: 802.25-054(=924) DESAuthor: Desser, David ; Friedman, Lester D Place: UrbanaPublisher: University of Illinois PressPubDate: 1993PhysDes: x, 318 p. : ill. ; 23 cmSubject: ALLEN, WOODY ; BROOKS, MEL ; LUMET, SIDNEY ; MAZURSKY, PAUL ; JEWS AND THE CINEMA. USA ; DIRECTORS. USA ; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and indexISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper)LON: 9606171Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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The American movie / written by William K. Everson ; designed by Everett Aison New York: Atheneum, 1963.
Call No: 71(73) EVEAuthor: Everson, William K Place: New YorkPublisher: AtheneumPubDate: 1963PhysDes: 149 p. : ill. ; 19 cmSubject: USA LON: 1760404
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American nightmare : Essays on the horror film / Edited by Robin Wood and Richard Lippe Toronto: Festival of Festivals, 1979.
Call No: 735.2 WOOAuthor: Wood, Robin ; Lippe, Richard Edition: 1979Place: TorontoPublisher: Festival of FestivalsPubDate: 1979PhysDes: 21 cm ; 100 pagesSubject: NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979) ; ASSAULT ON PRECINCT 13 (US, John Carpenter, 1976) ; SISTERS (US, Brian De Palma, 1972) ; JAWS (US, Steven Spielberg, 1975) ; COHEN, LARRY ; ROMERO, GEORGE ; EXORCIST, THE (US, William Friedkin, 1973)
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Odyssee americaine. English / Elia Kazan ; edited by Michael Ciment London: Bloomsbury, 1988.
Call No: 81KAZ CIMAuthor: Kazan, Elia ; Ciment, Michel, 1938 Place: LondonPublisher: BloomsburyPubDate: 1988PhysDes: 237 p. : ill., ports ; 27cmSubject: KAZAN, ELIA Notes: Translation of: Une odyssee americaineISBN: 0747502412 (pbk) : ª12.95 : CIP revLON: bnb74750241; 5807928
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American silent film / William K. Everson New York: Oxford University Press, 1978.
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American television during a television presidency / edited by Karen McNally Detroit, Michigan: Wayne State University Press, April 2022.
Call No: 49[32](73) AMEAuthor: McNally, Karen Edition: 2022Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: April 2022PhysDes: 336 pages ; 24 cmSeries: Contemporary approaches to film and mediaSubject: TELEVISION. USA ; TRUMP, DONALD ; APPRENTICE, THE [TV] (US, 2004) ; CHERNOBYL [TV] (US/UK, 2019) ; POLITICS AND TV. USA ; GOOD WIFE, THE [TV] (US, 2009) ; BLACKLISTING. USA ; PLOT AGAINST AMERICA (US, 2020) ; SATURDAY NIGHT LIVE [TV] (US, 1975-) ; STAR TREK [ GENERAL] ; AMERICAN HORROR STORY [TV] (US, 2011) Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind.
The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era.
Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web siteISBN: 9780814349359Donation: Senses of Cinema
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The American vein : directors and directions in television / Christopher Wicking and Tise Vahimagi London: Talisman Books, 1979.
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The Americans, baby : a discontinuous narrative of stories and fragments / Frank Moorhouse Sydney: Angus and Robertson, 1972.
Call No: N79AME MOOAuthor: Moorhouse, Frank Source: ATPlace: SydneyPublisher: Angus and RobertsonPubDate: 1972PhysDes: 220 p. ; 20 cmSubject: GIRL WHO MET SIMONE DE BEAUVOIR IN PARIS, THE (AT, Richard Wherrett, 1980) ; GIRL FROM THE FAMILY OF MAN, THE (AT, Michael Thornhill, 1970) ; AMERICAN POET'S VISIT, THE (AT, Michael Thornhill, 1969) ; MACHINE GUN, THE (AT, Michael Thornhill, 1971) ISBN: 0207124914Donation: donated by the family of Wayne Levy, 2006
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journal article
L'amour du cliche in Vertigo (1991) iss.6/7 p.167-169
Author: Daniel Percheron Subject: AESTHETICS Summary: Considers the use of certain directors of cliched visuals or situations. In French.
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newspaper article
Amy in Sunday Herald Sun (28/06/2015) p.83
Call No: TITLE CLIPPINGS FILE; AMY (UK, Asif Kapadia, 2015)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: AMY (UK, Asif Kapadia, 2015) Summary: Review of the documentary AMYRating: 3.5 out of 5 stars
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book
Anarchists in films / by Pietro Ferrua Portland, Or.: P. Ferrua, 1983.
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Anatole Dauman : pictures of a producer / [edited by] Jacques Gerber ; translated by Paul Willemen London: BFI Pub., 1992.
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journal article
Anatomy of a Chase in Lumiere (December, 1972) iss.19 p.10-13
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Anatomy of film / Bernard F. Dick New York -- Hampshire: St Martins Press -- Macmillan Press, 1998.
Call No: 62 DICAuthor: Dick, Bernard F Edition: Third editionSource: US/UKPlace: New York -- HampshirePublisher: St Martins Press -- Macmillan PressPubDate: 1998PhysDes: xv, 302 pages : illustrations ; 23 cmSubject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965) ; ALLEN, WOODY ; BOGART, HUMPHREY ; CAPRA, FRANK ; CITIZEN KANE (US, Orson Welles, 1941) ; HITCHCOCK, ALFRED ; PSYCHO (US, Alfred Hitchcock, 1960) ; WELLES, ORSON ; WILDER, BILLY Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back coverNotes: Previous ed.: 1990 -- Includes bibliographical references and indexISBN: 0312153996Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library
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Anatomy of motion picture art / Eric Elliott Territet, Switzerland: Pool, 1928].
Call No: 623 ELLAuthor: Elliott, Eric Place: Territet, SwitzerlandPublisher: PoolPubDate: 1928]PhysDes: 151 p. ; 20 cmSubject: CINEMATOGRAPHY ; CONTINUITY Notes: Includes indexLON: abn84031927; 3064414
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Anatomy of the movies / edited by David Pirie London: W. H. Smith & Son Ltd, 1981.
Call No: 201(73) ANAAuthor: Pirie, David Source: UKPlace: LondonPublisher: W. H. Smith & Son LtdPubDate: 1981PhysDes: 320 p. : illus. ; 26 cmSubject: INDUSTRY, FILM. USA Summary: Inside the film industry: the money, the power, the people, the craft, the movies.Notes: Includes index.ISBN: 0711200645ID2: 228
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newspaper article
And so farewell Bob the clown, Bob the hero in Weekend Australian [Inquirer] (09/04/2016) p.23
Call No: PERSONALITY CLIPPINGS FILE; ELLIS, BOBAuthor: Craven, Peter PhysDes: Clippings File ArticleSubject: ELLIS, BOB Summary: An article paying homage to writer, critic and commentator Bob Ellis who has recently dies
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journal article
And the losers are... in Filmnews (Australia) (Nov-88) vol.XVIII iss.10 p.07-Oct
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Andre Bazin / Dudley Andrew ; foreword by Francois Truffaut New York: Columbia University Press, 1990.
Call No: 81BAZ ANDAuthor: Andrew, Dudley, 1945 Edition: Morningside edPlace: New YorkPublisher: Columbia University PressPubDate: 1990PhysDes: xxi, 277 p. : ill. ; 22 cmSubject: BAZIN, ANDRE Notes: "Appendix, 'Andre Bazin from 1945 to 1950: the time of struggles and consecration,' by Jean-Charles Tacchella."; Reprint. Originally published: London : Oxford University Press, 1978; Includes bibliographical references (p. 261-272) and indexISBN: 0231073984 (acid-free paper); 0231073992 (pbk. : acid-free paper); 023173984 (cover)LON: 90039363; 7329950
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Andre Bazin / Dudley Andrew ; foreword by Francois Truffaut New York: Oxford University Press, 1978.
Call No: 81BAZ ANDAuthor: Andrew, Dudley, 1945 Place: New YorkPublisher: Oxford University PressPubDate: 1978PhysDes: xi, 253 p. : ill. ; 22 cmSubject: BAZIN, ANDRE Notes: Includes bibliographical references (p. 236-247) and indexISBN: 0195021657 : $11.95LON: 77009409; 861550
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Andrzej Wajda : history, politics, and nostalgia in Polish cinema / by Janina Falkowska New York: Berghahn Books, 2007.
Call No: 81WAJ FALAuthor: Falkowska, Janina Source: USPlace: New YorkPublisher: Berghahn BooksPubDate: 2007PhysDes: viii, 340, [8] p. of plates : ill., plates ; 24 cmSubject: HISTORY AND THE CINEMA. POLAND ; POLITICS AND THE CINEMA. POLAND ; NOSTALGIA IN FILMS ; POLAND ; WAJDA, ANDRZEJ Summary: "The work of Andrzej Wajda, one of the world's most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements such as Socialist Realism, Italian Neorealism, the documentary tradition, French New Wave, Surrealism, the grotesque, the theatre of the absurd, propaganda film, Polish Romantic tradition and many other artistic phenomena (jazz, Polish student subculture). It is the reworking of all these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities."--BOOK JACKET.Notes: Formerly CIP; Includes bibliographical references (p. [294]-304) and index; Filmography: p. [305]-331ISBN: 1845452259Contents: -- acknowledgments -- Introduction : Andrzej Wajda : his words and his archives -- 1. The life and times of Andrzej Wajda -- 2. The birth of a master : films of the fifties -- 3. Fight for perfection : films of the sixties -- 4. Between politics and the themes of life and death : films of the seventies -- 5. Nostalgia and remorse : films of the eighties -- 6. Grande finale : films of the nineties -- conclusion -- illustrations -- endontes bibliography -- filmography -- prizes --
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Andrzej Wajda: Polish cinema / edited by Colin McArthur London: British Film Institute (Education Department), 1970.
Call No: 81WAJ ANDAuthor: McArthur, Colin, 1934 Place: LondonPublisher: British Film Institute (Education Department)PubDate: 1970PhysDes: 60 p. ; 30cmSubject: WAJDA, ANDRZEJ Notes: Cinema films directed by Wajda, Andrzej. Essays (BNB/PRECIS)ISBN: 0851700101 (sd) : ª0.15LON: bnb85170010; 3563676
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Andy Warhol : film factory / edited by Michael O'Pray London: BFI, 1989.
Call No: 81WAR OPRAuthor: O'Pray, Michael, 1945 Place: LondonPublisher: BFIPubDate: 1989PhysDes: 195 p. : ill. ; 24 cmSubject: WARHOL, ANDY Notes: American cinema films. Directing. Warhol, Andy,. 1928- (BNB/PRECIS); Includes index; Bibliography: p. 189-190ISBN: 0851702430 (pbk.) : ª8.95; 0851702503 : ª20.00LON: bnb85170250; 6578081
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An angel at my table : the screenplay from the three volume autobiography of Janet Frame / Laura Jones London Sydney: Pandora, 1990.
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festival catalogue
Los Angeles international film exposition / Filmex Society US: [s.n.], 1984.
Call No: FESTIVAL CATALOGUE SHELVESPlace: USPublisher: [s.n.]PubDate: 1984PhysDes: 28 cmSubject: FESTIVALS. USA [VARIOUS] ; FESTIVALS. LOS ANGELES [VARIOUS] Notes: The 1984 Los Angeles International Film Exposition includes a selection of Hollywood and international films, as well as short films and animation. The catalogue also includes film summaries and numerous black and white stills.
Held: 1972, 1975, 1984
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newspaper article
Anh 'crowes' over film in Herald Sun [Confidential] (05/04/2016) p.18
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newspaper article
Animated falls on Happy Feet in Australian Financial Review (20/01/2007) p.33
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Crayford, Peter Subject: BOX OFFICE ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; ANIMATION Summary: Computer Animated feature films have become incredibly successful over the last five years with phenomenal box office receipts but also because of their unconventionality, inventiveness and Humour
The author states that the real profits begin to accumulate for these films on DVDNotes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: FILMS
1. The Incredibles
2. Toy Story
3. Toy Story 2
4. A Bug’s Life
5. Monsters
6. Finding Nemo
7. Happy Feet
8. Open Season
9. The Wild
10. Ant Bully
11. Flushed Away
12. Ratatouille
13. Casino Royale
14. Shrek 2
FILM SALES
The Incredibles - More $US1billion – ($1.27billion)
Toy Story More - $US1billion – ($1.27billion)
Toy Story 2 - More $US1billion – ($1.27billion)
A Bug’s Life - More $US1billion – ($1.27billion)
Monsters - More $US1billion – ($1.27billion)
Finding Nemo - More $US1billion – ($1.27billion)
FILMS SALES – US CINEMA RELEASE
The Incredibles - $251 million
Finding Nemo - $US339 million
Shrek 2 - $US 436 million in 2006
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journal article
Animated rhythm in Metro (1997) iss.111 p.57-58
Author: Danks, Adrian PhysDes: Review; Bibliography; CreditsSubject: MUSIC FOR ANIMATED FILMS Summary: A program review that examines the relationship between music and animation since the early sound period.
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Animation : the global history / Maureen Furniss London: Thames & Hudson, 2017.
Call No: 772 FURAuthor: Furniss, Maureen Edition: 2017Place: LondonPublisher: Thames & HudsonPubDate: 2017PhysDes: 464 pages : illustrated ; 28 cmSubject: ANIMATION ; PRE-CINEMA HISTORY ; ART AND THE CINEMA ; DISNEY, WALT ; EXPERIMENTAL FILMS ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; STOP-MOTION TECHNIQUE ; JAPAN ; MIYAZAKI, HAYAO ; UPA ; COMIC STRIPS AND THE CINEMA ; COMIC STRIP CHARACTERS IN FILMS ; COMIC STRIP CHARACTERS ON TV ; SVANKMAJER, JAN Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.
Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web siteISBN: 9780500252178
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journal article
The animation festival at Annecy in Film News (1981) vol.38 iss.2 p.28-29
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Animation from script to screen / Shamus Culhane London: Columbus, 1989, c1988.
Call No: 246CULAuthor: Culhane, Shamus Source: UKPlace: LondonPublisher: ColumbusPubDate: 1989, c1988PhysDes: xv, 336 p., [2] p. of plates : ill.(some col.) ; 24 cmSubject: ANIMATION ; ANIMATORS ; CARTOONS. USA ; DIRECTORS. USA ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS Summary: The book covers all areas of animation: the basic mechanics of animation, expressing creativity through animation, writing, recording, acting and dialogue in the area of animation, and finally it deals with managing an animation studio. It contains the work of 130 leading animators, worldwide.Notes: Includes indexISBN: 0862879590
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Animations of mortality / [by] Terry Gilliam [with Lucinda Cowell] London: Eyre Methuen, 1978.
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Anime : a history / by Jonathan Clements Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 772(520) CLEAuthor: Clements, Jonathan Source: UKPlace: Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: vi, 250 pages, 8 pages of plates : illustrations ; 25 cmSubject: ANIMATED FILMS ; ANIMATION ; ANIMATION. JAPAN ; ANIMATORS ; CARTOONS ; HISTORY OF CINEMA ; HISTORY OF CINEMA. JAPAN ; ASTRO BOY [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
SEE
SHIN TETSUWAN ATOM [TV] ; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) Summary: "Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, limked to everything from manga to computer games, Pokemon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirirted Away and beyond." -- BOOK BLURBNotes: Published by Palgrave Macmillan on behalf of the British Film Institute (BFI); Includes bibliography and indexISBN: 9781844573905Contents: -- acknowledgments -- introduction -- What do we talk about when we talk about anime? -- 1: Kid Deko's New Picture Book -- Early cartoons in Japan 1912--21 -- 2: The Film Factories -- Animation technique and technology 1921--37 -- 3: The Shadow Staff -- Japanese animation at war 1931--48 -- 4: The Seeds Of Anime -- Japanese animation industries 1946--62 -- 5: Dreams Of Export -- Toei Doga and MOM Production 1953--67 -- 6.Warrior Business -- Tezuka's anime revolution in context 1961--72 -- 7: The Brown Screen -- Trended change in Japanese animation 1966--83 -- 8: The Third Medium -- The transformation of ownership and access 1977--96 -- 9: the Pokemon Shock -- Anime goes global 1984--97, 1997--2006 -- 10: The Digital Engine -- New technologies and animation 1983--2012 -- Epilogue -- The end of anime's first century -- bibliography -- index --
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The Anime art of Hayao Miyazaki / Dani Cavallaro Jefferson, N. C.: McFarland & Company Inc., 2006.
Call No: 81MIY CAVAuthor: Cavallaro, Dani Source: USPlace: Jefferson, N. C.Publisher: McFarland & Company Inc.PubDate: 2006PhysDes: viii, 204p. ; 26cm.Subject: MANGA ; MIYAZAKI, HAYAO ; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984) ; TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986) ; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988) ; HOTARV NO HAKA (JA, Isao Takahata, 1988) ; GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989) ; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989) ; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993) ; ON YOUR MARK (JA, Hayao Miyaki, 1995) ; MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995) ; MONONOKE HIME (JA, Hayao Miyazaki, 1997) ; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors.Notes: Includes bibliography and index.
Filmography: p. 181-186.ISBN: 0786423692
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Interim
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Anime Explosion! : The What? Why? & Wow! of Japanese Animation / Patrick Drazen Berkeley, Calif.: Stone Bridge Press, 2003.
Call No: 772 (52) DRAAuthor: Drazen, Patrick Source: USPlace: Berkeley, Calif.Publisher: Stone Bridge PressPubDate: 2003PhysDes: 369 p. : ill. ; 23 cmSubject: ANIMATION ; HOMOSEXUALITY IN FILMS. ASIA ; MIYAZAKI, HAYAO ; UTENA: THE MOVIE (JA, Kunihiko Ikuhara, 2000) ; MANGA Summary: Looks at Japanese animation from the inside, from its roots in ancient Japanese culture to its major themes and motifs - war, anti-war, religion, ghosts, and reincarnation, giant robots and mecha, cute gay/girl/fanboy love, samurai, folk heroes, athletes, and mothers, diligence, duty and love of nature. He also probes the influence of manga and the works of leading directors like Hayao Miyazaka and Masamune Shirow, providing detailed commentaries on some of fandom's favourite films, including Escaflowne, Sailor Moon, Ghost in the Shell, and Evangelion.Notes: Afterword: The Future of Anime: p.349-357
Bibliography: p.359-362
Index of Names and Titles: p.363-369
Includes Viewing NotesISBN: 1880656728
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Anime interviews : the first five years of Animerica Anime & Manga Monthly (1992-97) / from the editors of Animerica ; edited by Trish Ledoux San Francisco, California: Cadence Books, 1997.
Call No: 802.46(52) ANISource: USPlace: San Francisco, CaliforniaPublisher: Cadence BooksPubDate: 1997PhysDes: 192 pages : illustrations ; 28 cmSubject: ANIMATION. JAPAN ; ANIMATORS. JAPAN ; MANGA Summary: "In this book you will hear insights directly froi the mouths and minds of the anime and manga creators themselves, in interviews which are often the only ones on record in English. Some of these creatirs are larger-than-life legends in their native Japan, some are up-and-coming young talents, but all have a lot to say on the subject of their work" -- taken from back coverISBN: 1569312206Donation: donated by Alex Gionfriddo0Contents: Introduction/ by the editors of Animerica -- Yoshiyuki Tomino / by James Matsuzaki -- Rumiko Takahashi / by Seiji Horibuchi -- Hayao Miyazaki / by Takashi Oshiguchi -- Masamune Shirow / by Trish Ledoux -- Ryoichi Ikegami / by Satoru Fujii -- Yukito Kishiro / by Seiji Horibuchi -- Yoshiki Takaya / by Takashi Oshiguchi -- Kosuke Fujishima / by Junco Ito -- Yasushiro Imagawa / by Takayuki Karahashi -- Hiroki Hayashi / by Takashi Oshiguchi -- Haruka Takachiho / by Takayuki Karahashi -- Hiroyuki Kitazume / by Takashi Oshiguchi -- Shoji Kawamori / by Takashi Oshiguchi -- Kei Kusunoki / by Takayuki Karahashi -- Buichi Terasawa / by Takayuki Karahashi -- Mamoru Oshii / by Carl Gustav Horn -- Gisaburo Sugii / by Toshifumi Yoshida -- Leiji Matsumoto / by Takayuki Karahashi -- Ryosuke Takahashi / by Takayuki Karahashi -- Nanase Okawa / by Takashi Oshiguchi -- Index -- Contributors
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Annie / Leonore Fleischer London: Sparrow, 1982.
Author: Fleischer, Leonore Source: UKPlace: LondonPublisher: SparrowPubDate: 1982PhysDes: 190 p. : 18 cmISBN: 0099294400Donation: donated by the family of Wayne Levy, 2006
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Annie Hall / Peter Cowie London: British Film Institute, 1996.
Call No: 79ANN COWAuthor: Cowie, Peter CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 1996PhysDes: 62 p. : ill. (some col.) ; 19 cmSeries: BFI film classicsSummary: For an entire generation, Annie Hall embodied the notion of a New York peopled by sophisticated intellectuals - all sent up by the deadpan comedy genius of Woody Allen, writer, director, and of course star. It also confirmed the sparkling acting talent of Diane Keaton as a partner for Woody on screen. The film has survived as a popular comedy, however, by virtue of Allen's inventiveness as a director and the timelessness of his satire. Peter Cowie's study of Annie Hall recaptures the mood of the 70s, and examines the myriad imaginative touches that distinguish the film from other American productions of the period. The book also includes a glossary of the many cultural references which give the film its distinctively 'intellectual' toneNotes: Includes bibliographical referencesISBN: 0851705804LON: 12742199
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Annie's coming out / Rosemary Crossley and Anne McDonald Melbourne: Penguin Books, 1980.
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Old collection
book
Annotated bibliography on Japanese Cinema / Sharon I. Clerke 1980.
Call No: 71(52)(01) CLEAuthor: Clerke, Sharon I. Source: ATPubDate: 1980PhysDes: 18 p. ; 30 cmSubject: JAPAN Summary: A bibliography of different books, and magazines, on Japanese Cinema
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Levy Collection
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Another 48 Hrs. / Deborah Chiel New York: Pocket Books, 1990.
Author: Chiel, Deborah Source: USPlace: New YorkPublisher: Pocket BooksPubDate: 1990PhysDes: 187 p. : 18 cmISBN: 0671725734Donation: donated by the family of Wayne Levy, 2006
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985.
Call No: 408.1(540) ROBAuthor: Roberge, Gaston Source: IIPlace: CalcuttaPublisher: Seagull BooksPubDate: 1985PhysDes: 151p. : ill. ; 22cmSubject: CRITICISM ; HISTORY OF CINEMA. INDIA ; INDUSTRY, FILM. INDIA ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; POLITICS AND THE CINEMA ; SOCIETY AND THE CINEMA ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; RAY, SATYAJIT ; WELLES, ORSON ; BRON, PETER ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; GANDHI (UK/II, Richard Attenborough, 1982) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurbISBN: 0861320751Donation: donated by the family of Wayne Levy, 2006Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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newspaper article
Another Italian masterpiece on love and loss in Sunday Telegraph [Insider] (01/05/2016) p.136
Call No: TITLE CLIPPINGS FILE; MIA MADRE (IT/FR, Nanni Moretti, 2015)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: MIA MADRE (IT/FR, Nanni Moretti, 2015) Summary: Film review of MIA MADRE directed by Nanni MorettiRating: 3.5 out of 5 stars
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The answer is God : the inspiring personal story of Dale Evans and Roy Rogers / by Elise Miller Davis London: P. Davies, 1956.
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newspaper article
Ant-Man in Sunday Telegraph (19/07/2015) p.120
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Anthony Hopkins / Quentin Falk London: Virgin Books, 1992, c1989.
Author: Falk, Quentin Source: UKPlace: LondonPublisher: Virgin BooksPubDate: 1992, c1989PhysDes: 18 cm ; 262 p.ISBN: 0863696325Donation: donated by the family of Wayne Levy, 2006
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Online resource
script
Anthropoid : Version 20 / written by Sean Ellis and Anthony Frewin London: 24/06/2015. Digital clippings file available
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Anthropology-reality-cinema : the films of Jean Rouch / edited by Mick Eaton London: British Film Institute, 1979.
Call No: 81ROU ANTAuthor: Eaton, Mick Place: LondonPublisher: British Film InstitutePubDate: 1979PhysDes: 77 p. ; 21 cmSubject: ROUCH, JEAN Notes: Includes bibliographical referencesISBN: 085170090X (pbk.) : ª1.75LON: 80489661; 1778766
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journal article
Antonio das martes in Interview (1970) vol.1 iss.7 p.22-23
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Levy Collection
book
Antonioni Bergman Resnais / Peter Cowie New York: Tantivy Press, Barnes & Co., 1963.
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book
Aotearoa and the sentimental strine : making films in Australia & New Zealand in the silent period / special consultant & editor of the catalogue, Jonathan Dennis ; film selection by Paora Cherchi Usai & Jonathan Dennis Wellington, N.Z.: Moa Films, 1993.
Call No: 70"01" (9) AOTAuthor: Dennis, Jonathan ; Usai, Paora Cherchi ; Baylis, Ann ; Harris, Witarina CorpAuthor: Associazione Le Giornate del cinema muto; New Zealand Film Commission; Australian Film Commission; National Film and Sound Archive (Australia); New Zealand Film Archive; Giornate del cinema muto (12th : 1993 : Pordenone, Italy)Place: Wellington, N.Z.Publisher: Moa FilmsPubDate: 1993PhysDes: 44 p. : ill., ports ; 26 cmSubject: AUSTRALIA. 1895-1930 ; NEW ZEALAND. 1895-1930 ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: "Le Giornate del cinema muto, 12th Pordenone Silent Film Festival, 9-16 October, 1993 in collaboration with National Film and Sound Archive of Australia, Ann Baylis ... [et al.] ; The New Zealand Film Archive, Witarina Harris ... [et al] ; New Zealand Film Commission ; Australian Film Commission"--T.p. verso; Ports. on inside covers; Includes filmographies bibliographical references (9. 37) and indexISBN: 0473021730 (pbk.) : $15.00LON: zbn93104287; 10665575
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Apa siapa orang film Indonesia, 1926-1978 / disusun oleh Sinematek Indonesia dengan bantuan Badan Penelitian dan Pengembangan Penerangan, Departemen Penerangan R.I. ; [gambar kulit, Syakier] [Jakarta]: Yayasan Artis Film : Sinematik Indonesia, 1979.
Call No: 71(594) SIACorpAuthor: Sinematik Indonesia; Indonesia. Badan Penelitian dan Pengembangan PeneranganEdition: Ed. 1Place: [Jakarta]Publisher: Yayasan Artis Film : Sinematik IndonesiaPubDate: 1979PhysDes: xv, 560 p. : ill. ; 23 cmSubject: INDONESIA Notes: Errata (2 p.) insertedLON: 1823032
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The apartment; and, The fortune cookie : two screenplays / by Billy Wilder and I.A.L. Diamond London: Studio Vista, [1971].
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Ape : monster of the movies / David Annan New York: Bounty Books, 1975.
Call No: 735.2 ANNAuthor: Annan, David Source: USPlace: New YorkPublisher: Bounty BooksPubDate: 1975PhysDes: 93 p., [4] p. of plates : ill. (some col.) ; 26 cmSubject: FANTASTIC FILMS ; KING KONG (NZ/US, Peter Jackson, 2005) ; KING KONG (US, John Guillermin, 1976) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) Summary: "Man has come a long way from his earliest predecessor, the Ape, yet his dreams are still haunted by nightmares of giant gorillas plundering, smashing and destroying. Through two hundred stills, full colour poster reproductions, line drawings, and an intensely researched text, this fascinating volume studies the mass cinema ape-fantasies from pre-history to the amazingly successful "Planet of the Apes" series. It delves deeply into the most famous ape of all- King Kong- and into the split between his nature and man's. What exactly did King Kong represent? Was he a brute or a lover? Was King Kong the personification of destruction and lust, or was he man's hopeless pursuit of the woman in white? By studying such movies as King Kong, Beauty and the Beast, Blonde Venus, The Return of the Ape Man, Circus of Horrors, Gorilla at Large, Morgan and many others, this exciting cinematic history illuminates that dark place where the beast still snarls in man."- BOOK JACKETNotes: Published by Lorrimer under title, Ape; the kingdom of Kong.ISBN: 0517521563Donation: donated by the family of Wayne Levy, 2006Contents: Contents-- Descent of Ape: page 7 -- Making of Kong: page 27 -- Kin of Kong: page:53 -- Ape Dreams: page 77
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The apocalypse in film : dystopias, disasters, and other visions about the end of the world / edited by Karen A. Ritzenhoff, Angela Krewani London: Lanham Rowman & Littlefield, c2016.
Call No: 740.1 APOSource: UKPlace: LondonPublisher: Lanham Rowman & LittlefieldPubDate: c2016PhysDes: xxii, 231 pages : illustrations ; 24 cm.Subject: APOCALYPSE IN FILMS ; DISASTER FILMS ; CIVILISATION (US, Raymond B. West, 1916) ; [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921) ; BED SITTING ROOM, THE (UK, Richard Lester, 1969) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011) ; OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) Summary: We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future.
The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays.
As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science. -- taken from publisher's siteNotes: Includes bibliographical references and indexISBN: 9781442260276Donation: donated by Senses of Cinema, 2016Contents: Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Cle´mentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Kra¨mer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLOITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba.
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Apocalypse postponed / Umberto Eco ; edited by Robert Lumley Bloomington London: Indiana University Press British Film Institute, 1994.
Call No: 403 ECOAuthor: Eco, Umberto ; Lumley, Robert, 1951 Place: Bloomington LondonPublisher: Indiana University Press British Film InstitutePubDate: 1994PhysDes: vii, 227 p. : ill. ; 24 cmSeries: PerspectivesSubject: POPULAR CULTURE AND THE CINEMA ; SOCIETY AND THE CINEMA ; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) ; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) Summary: An erudite and witty collection of Umberto Eco's essays on mass culture from the 1960s through the 1980s, including major pieces which have not been translated into English before. The discussion is framed by opposing characterizations of current intellectuals as apocalyptic and opposed to all mass culture, or as integrated intellectuals, so much a part of mass culture as to be unaware of serving it. Organized in four main parts, "Mass Culture: Apocalypse Postponed," "Mass Media and the Limits of Communication," "The Rise and Fall of Counter-Cultures," and "In Search of Italian Genius," Eco looks at a variety of topics and cultural productions, including the world of Charlie Brown, distinctions between highbrow and lowbrow, the future of literacy, Chinese comic strips, whether countercultures exist, Fellini's Ginger and Fred, and the Italian genius industryNotes: Includes bibliographical references and indexISBN: 0851704468 (pbk.); 0253318513 (U.S. : cloth); 0851704182 (cloth)LON: 10612725
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Approaches to popular film / edited by Joanne Hollows and Mark Jancovich Manchester New York New York: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1995.
Call No: 62 APPAuthor: Hollows, Joanne ; Jancovich, Mark Place: Manchester New York New YorkPublisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's PressPubDate: 1995PhysDes: 203 p. : ill. ; 23 cmSeries: Inside popular filmSubject: GENRES ; AUTEUR THEORY ; FEMINISM AND THE CINEMA ; THEORY ; POPULAR CULTURE AND THE CINEMA ; STARS Notes: Includes bibliographical references (p. [192]-196) and indexISBN: 0719043921; 071904393X (pbk.)LON: 11213175URL status: URL: 'http://-'
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Archaic modernism : queer poetics in the cinema of Pier Paolo Pasolini / Daniel Humphrey Detroit, Michigan: Wayne State University Press, Nov. 2020.
Call No: 749.4 HUMAuthor: Humprey, Daniel Edition: 2020Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: Nov. 2020PhysDes: 172 pages : illustrated ; 24 cmSubject: PASOLINI, PIER PAOLO ; EDIPO RE (IT, Pier Paolo Pasolini, 1967) ; MEDEA (IT/FR/GW, Pier Paolo Pasolini, 1969) Summary: In Archaic Modernism, Daniel Humphrey offers the first book-length, English-language examination of three adaptations of Greek tragedy produced by the gay and Marxist Italian filmmaker Pier Paolo Pasolini: Oedipus Rex (1967), Medea (1969), and Notes Towards an African Orestes (1970/1973). Considering Pasolini’s own theories of a "Cinema of Poetry" alongside Jacques Derrida’s concept of écriture, as well as more recent scholarship by queer theory scholars advocating for an antirelational and antisocial subjectivity, Humphrey maintains that Pasolini’s Greek tragedy films exemplify a paradoxical sense of "archaic modernism" that is at the very heart of the filmmaker’s project. More daringly, he contends that they ultimately reveal the queer roots of Western civilization’s formative texts.
Archaic Modernism is comprised of three chapters. Chapter 1 focuses on Oedipus Rex, assessing both the filmic language employed and the deeply queer mythological source material that haunts the tragedy even as it remains largely at a subtextual yet palpable level. Chapter 2 extends and deepens the concept of queer fate and queer negativity in a scene-by-scene analysis of Medea. Chapter 3 looks at the most obscure of Pasolini’s feature length films, Notes Towards an African Orestes, a film long misunderstood as an unwitting failure, but which could perhaps best be understood as a deliberate, sacrificial act on the filmmaker’s part. Considering the film as the third in an informal, maybe unconscious, trilogy, Humphrey concludes his monograph by arguing that this "trilogy of myth" can best be understood as a deconstruction, gradually more and more severe, of three of the most important origin tales of Western civilization.
Archaic Modernism makes the case that these three films are as essential as those Pasolini films more often studied in the Anglophone world: Mamma Roma, The Gospel According to Matthew, Teorema, The Trilogy of Life, and Salò, and that they are of continuing, perhaps even increasing, value today. This book is of specific interest to scholars, students, and researchers of film and queer studies. -- publisher's web siteISBN: 9780814343104
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Area resource centre : an experiment / Emmeline Garnett; photographs by Roger Bradley London: Edward Arnold, 1972.
Author: Garnett, Emmeline Source: UKPlace: LondonPublisher: Edward ArnoldPubDate: 1972PhysDes: 116p. : ill. ; 22cmISBN: 071311969XDonation: donated by the family of Wayne Levy, 2006
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Argentine cinema / edited by Tim Barnard Toronto: Nightwood Editions, c1986.
Call No: 71(82) ARGAuthor: Barnard, Tim Place: TorontoPublisher: Nightwood EditionsPubDate: c1986PhysDes: 177 p. : ill. ; 23 cmSubject: ARGENTINA Notes: Includes indexes; Bibliography: p. 168-170ISBN: 0889711062LON: 5177145
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journal article
Armand Assante is Mike Hammerin I, the jury : Film preview in Prevue (Dec/Jan 1983) vol.2 iss.10 p.32-37
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newspaper article
The Armstrong Lie in Sunday Herald Sun (09/03/2014) p.79
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Arrows of desire : the films of Michael Powell and Emeric Pressburger / Ian Christie London Boston: Faber and Faber, 1994.
Call No: 802(41) CHRAuthor: Christie, Ian, 1945 Edition: New edPlace: London BostonPublisher: Faber and FaberPubDate: 1994PhysDes: xx, 163 p. : ill. ; 22 cmSubject: PRESSBURGER, EMERIC ; Powell, Michael ; KORDA, ALEXANDER ; ARCHERS, THE Summary: Michael Powell and Emeric Pressburger formed the greatest creative partnership in the history of British Cinema - The Archers. Their films were often controversial: Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form and music. In the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film mastersNotes: Originally published : London : Waterstone, 1985; Includes bibliographical references (p. [117]-119) and index; Filmography (p. [120]-157)ISBN: 0571162711 (pbk)LON: 10846724
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Art and design in the British film : a pictorial directory of British art directors and their work / compiled by Edward Carrick ; with an introduction by Roger Manvell London [England]: Dennis Dobson, 1948.
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Art and organisation : making Australian cultural policy / Deborah Stevenson St. Lucia, Qld.: Queensland University Press, 2000.
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Art in cinema : a symposium on the avantgarde film / Edited by Frank Stauffacher New York: Arno Press, 1968, c1947].
Call No: 771.1 ARTAuthor: Stauffacher, Frank, 1916- ed CorpAuthor: Art in Cinema Society; San Francisco Museum of ArtEdition: Authorized reprint edPlace: New YorkPublisher: Arno PressPubDate: 1968, c1947]PhysDes: 104 p. : ill. ; 23 cmNotes: A description of a film series presented at the San Francisco Museum of Art; Bibliography: p. 96-98LON: 68009243; 696583
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Art in motion : animation aesthetics / Maureen Furniss Sydney: John Libbey, 1998.
Call No: 772 FURAuthor: Furniss, Maureen Place: SydneyPublisher: John LibbeyPubDate: 1998PhysDes: x, 278 p. : ill. (some col.) ; 25 cmSubject: ANIMATION Notes: Includes indexISBN: 1864620382 (hbk.) : $85.00; 1864620390 : $45.00LON: 13833885
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The art of American screen acting : 1960 to today / Dan Callahan Jefferson, North Carolina: McFarland & Company Inc,
Call No: 227(73) CALAuthor: Callahan, Dan Edition: 2019Place: Jefferson, North CarolinaPublisher: McFarland & Company IncPhysDes: x,242 pages ; 23cmSubject: ACTING Summary: Modern screen acting in English is dominated by two key figures: Method acting guru Lee Strasberg—who taught the “the art of experiencing” over “the art of representing”—and English theater titan Laurence Olivier, who once said of the Method’s immersive approach, “try acting, it’s so much easier.”
This book explores in detail the work of such method actors as Al Pacino, Ellen Burstyn, Jack Nicholson and Jane Fonda, and charts the shift away from the more internally focused Strasberg-based acting of the 1970s, and towards the more “external” way of working, exemplified by the career of Meryl Streep in the 1980s. -- publisher's web siteISBN: 9781476676951Contents: Introduction: Method and Meryl -- Jack Nicholson: Dance with the Devil -- Warren Beatty: Take Off Your Clothes -- Al Pacino: Darkness on the Edge of Town -- Dustin Hoffman: Midnight of the Method -- Robert De Niro: Born to Lose -- Harvey Keitel: Body Artist -- Gene Hackman: Keep It Real -- Albert Finney: Married People -- Anthony Hopkins: High, Wide and Handsome -- Daniel ¬Day-Lewis: In Character -- Jeff Bridges: Straight No Chaser -- Nick Nolte: Crucified -- Sean Penn: By Himself -- River Phoenix: Only Once -- Denzel Washington: The Duke in His Domain -- Viggo Mortensen: Set Apart -- Christian Bale: Transparency -- Leonardo DiCaprio: Bad Influence -- Michael Fassbender: Angel Eyes That Old Devil Sent -- Ben Whishaw: Diamond in the Rough -- Jane Fonda: The Search -- Faye Dunaway: Touched to the Quick -- Ellen Burstyn: The Shadow Self -- Gena Rowlands: Love Streams -- Maggie Smith: The Acid Queen -- Julie Christie: Darling -- Glenda Jackson: Tension Clenching -- Diane Keaton: In the Moment -- Sissy Spacek: Down Home -- Debra Winger: Feathers in a Tornado -- Sigourney Weaver: Above It All -- Glenn Close: Command Performances -- Kathleen Turner: Lust for Life -- Alfre Woodard: Wait and See -- Judy Davis: High Anxiety -- Emma Thompson: A Star Danced -- Jennifer Jason Leigh: Hard Knocks -- Julianne Moore: Lying in Wait -- Samantha Morton: Chaos/Control -- Patricia Clarkson: On a Dare -- Conclusion: Chaos Theory -- Bibliography -- Index
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The art of Heavy metal, the movie : animation for the eighties / text, Carl Macek ; research, Christina Miner ; editor, Susan Cohn New York: New York Zoetrope, 1981.
Call No: 79HEA MACAuthor: Macek, Carl ; Miner, Christina ; Cohn, Susan Place: New YorkPublisher: New York ZoetropePubDate: 1981PhysDes: 128 p. : ill. (some col.) ; 24 cmISBN: 0918432383 (pbk.) : $9.95; 0918432391 (hard)LON: 81082982; 2247861
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journal article
The Art of Jerry Lewis in Melbourne Film Bulletin (April 1970) iss.12 p.12-25
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The art of record : a critical introduction to documentary / John Corner Manchester New York, NY,: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1996.
Call No: 761 CORAuthor: Corner, John, 1943 Place: Manchester New York, NY,Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's PressPubDate: 1996PhysDes: 212 p. : ill. ; 24 cmSubject: DOCUMENTARY FILMS ; DOCUMENTARY DRAMAS ; CINEMA VERITE ; LIVING ON THE EDGE (UK, Michael Grigsby, 1987) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; ROGER AND ME (US, Michael Moore, 1989) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; COAL FACE (UK, Alberto Cavalcanti, 1935) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; LOOK IN ON LONDON (UK, 1956) ; CATHY COME HOME (UK, Ken Loach, 1966) ; WHEN THE DOG BITES (UK, Penny Woolcock, 1988) Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURBNotes: Includes bibliographical references (p. [197]-201) and indexISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper)LON: 12095813
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The art of W. C. Fields / by William K. Everson London: Allen & Unwin, 1968.
Call No: 81FIE EVEAuthor: Everson, William K Place: LondonPublisher: Allen & UnwinPubDate: 1968PhysDes: [12], 232 p. illus., ports. 27 cmSubject: FIELDS, W.C. ISBN: 047910178LON: 72396561; 474635
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The art of W.C. Fields / William K. Everson New York: Bonanza Books, c1967.
Call No: 81FIE EVEAuthor: Everson, William K. Source: USPlace: New YorkPublisher: Bonanza BooksPubDate: c1967PhysDes: 232 p. : ill. ; 26 cmSubject: FIELDS, W.C. Donation: donated by the family of Wayne Levy, 2006
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The art of Walt Disney / by Robert D. Feild London: Collins, 1944.
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The art of Walt Disney : from Mickey Mouse to the Magic Kingdoms New York: H. N. Abrams, 1975].
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newspaper article
Arts : Your local entertainment guide SA & NT in The Australian (12/11/2013) p.14
Call No: PERSONALITY CLIPPINGS FILE; MAUBOY, JESSICAAuthor: Dalton, Trent PhysDes: Clippings File ArticleSubject: MAUBOY, JESSICA Summary: Listing for a concert by the popular singer.
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newspaper article
Arts budget hammered in The Age (16/12/2015) p.4
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Arts funding and public culture / Donald Horne Nathan, Qld.: Institute for Cultural Policy Studies, Division of Humanities, Griffith University, 1988.
Call No: 205.3(94) HORAuthor: Horne, Donald, 1921 CorpAuthor: Griffith University. Institute for Cultural Policy StudiesPlace: Nathan, Qld.Publisher: Institute for Cultural Policy Studies, Division of Humanities, Griffith UniversityPubDate: 1988PhysDes: 11 p. ; 30 cmSubject: GOVERNMENT AID. AUSTRALIA ; GRANTS. AUSTRALIA Notes: Includes bibliographical referencesISBN: 0868573132LON: 5923643
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The arts in the Australian corporate environment : a practical guide to the legal obligations of officers of arts organisations / Australia Council for the Arts Redfern, N.S.W.: The Council, c1993.
Call No: 435(94) ARTAuthor: McMahon, Michael, 1953 ; Symons, Marie-Louise CorpAuthor: Arthur Andersen & Co; Australia Council; Arts Law Centre of Australia; Companies Code and the artsPlace: Redfern, N.S.W.Publisher: The CouncilPubDate: c1993PhysDes: 43 p. ; 30 cmSubject: LAW AND THE CINEMA. AUSTRALIA Notes: "Originally published as The Companies Code & the arts: Prepared October 1984. Revised October 1989. This version June 1993" -- Cover verso; "The Guide was produced with the assistance of Arthur Andersen & Co, the Arts Law Centre of Australia, Michael McMahon and Marie-Louise Symons" -- P. 1ISBN: 1862571198LON: 9978708
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Ashes and diamonds / [screenplay by Jerzy Andrzejewski and Andrzej Wajda] [and] Kanal [screenplay by by Jerzy Stefan Stawinski] [and] A generation [screenplay by Bohdan Czeszko]; three films, by Andrzej Wajda [text prepared and translated by Boleshaw Sulik] London: Lorrimer, 1973.
Call No: 792 WAJAuthor: Andrzejewski, Jerzy, 1909 ; Wajda, Andrzej, 1926 ; Stawinski, Jerzy Stefan, 1921- Kanal. English. 1973 ; Czeszko, Bohdan. Pokolenie. English. 1973 Place: LondonPublisher: LorrimerPubDate: 1973PhysDes: 238 p. illus. 21 cmSubject: POKOLENIE (PL, Andrzej Wajda, 1954) ; KANAL (PL, Andrzej Wajda, 1956) ; ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959) Notes: Original Polish films entitled, Pokolenie, Kanal, and Popio i diament; On spine: The Wajda trilogyISBN: 0900855967; 0900855959 (pbk.)LON: 348559 348559
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Aspects of the law on film - copyright : a summary of papers and discussion at a seminar held in Sydney on 5 & 6 August, 1977 / editor: Peter G. Martin North Sydney, N.S.W.: Australian Film Commission, 1979.
Call No: 432.4(94) ASPAuthor: Martin, Peter G. (Peter Graeme) ed CorpAuthor: Australian Film CommissionPlace: North Sydney, N.S.W.Publisher: Australian Film CommissionPubDate: 1979PhysDes: 108p. ; 34cmNotes: Films. Copyright. Law. Australia. Conference proceedings (ANB/PRECIS SIN 034897x)ISBN: 0642906114 (spiral binding) : price unknownLON: anb64290611; 1656933
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Aspects of the law on film - copyright : a summary of papers and discussion at a seminar held in Sydney on 5 & 6 August, 1977 / editor Peter G. Martin Sydney: Australian Film Commission, 1979.
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The assassination of Marilyn Monroe / Donald H. Wolfe London: Little Brown and Company, 1998.
Call No: 81MON WOLAuthor: Wolfe, Donald H. Source: USPlace: LondonPublisher: Little Brown and CompanyPubDate: 1998PhysDes: 532 p. : ill. ; 25 cmSubject: TWENTIETH CENTURY-FOX ; MONROE, MARILYN ; MILLER, ARTHUR ; MONTAND, YVES ; KENNEDY, JOHN F. ; SINATRA, FRANK ; ZANUCK, DARRYL F. ; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957) ; BUS STOP (US, Joshua Logan, 1956) ; LET'S MAKE LOVE (US, George Cukor, 1960) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ISBN: 0316640190
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Interim
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At full speed : Hong Kong cinema in a borderless world / Esther C.M. Yau, editor Minneapolis, Minn.: University of Minnesota Press, 2001.
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At the end of the street in the shadow : Orson Welles and the city / Matthew Asprey Gear New York: Wallflower Press, 2016.
Call No: 81WEL GEAAuthor: Gear, Matthew Asprey Source: USPlace: New YorkPublisher: Wallflower PressPubDate: 2016PhysDes: ix, 292 pages ; 24 cmSubject: EXPRESSIONISM ; FASCISM AND THE CINEMA ; WELLES, ORSON ; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942) ; MR. ARKADIN (FR/SP/IT, Orson Welles, 1955) ; CITIZEN KANE (US, Orson Welles, 1941) Summary: "The films of Orson Welles inhabit the spaces of cities -- from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities -- the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars." -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9780231173414Donation: donated by Senses of Cinema
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At the picture show : small-town audiences and the creation of movie fan culture / Kathryn H. Fuller London: University Press of Virginia, 1996.
Call No: 410.1:465.2 FULAuthor: Fuller, Kathryn H. Source: US/UKPlace: Charlottesville; LondonPublisher: University Press of VirginiaPubDate: 1996PhysDes: 248 p. : 23 cmSubject: AUDIENCE RECEPTION ; AUDIENCES ; AUDIENCES USA ; FAN MAGAZINES ; EXHIBITION ; EXHIBITION. USA ; EXHIBITION OF SILENT FILMS ; NICKELODEON Summary: Although the transformation of the movies into big-time entertainment had multiple sources, Kathryn Fuller argues that ultimately the maturation of the film industry depended on the support of both urban and rural middle-class audiences. Providing the fullest portrait to date of the small-town audience’s hanging habits and desires, At the Picture Show demonstrates for the first time how a fan culture emerged in the United States, and it enriches our understanding of mass media’s relationship to early twentieth-century American society. [Taken from back cover.]ISBN: 0813920825
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Atom Egoyan / Carole Desbarats ... [et al.] Paris: Editions Dis voir, 1993].
Call No: 81EGO ATOAuthor: Desbarats, Carole Place: ParisPublisher: Editions Dis voirPubDate: 1993]PhysDes: 123 p. : ill. (some col.) ; 28 cmSubject: EGOYAN, ATOM Notes: Filmography: p. 118-119; Includes bibliographical references (p. 120)ISBN: 2906571342; 2906571334 : 220FLON: abn94137998; 10856023
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The atomic bomb in Japanese cinema : critical essays / edited by Matthew Edwards Jefferson, N. C.: McFarland & Company Inc, 2015.
Call No: 737.34 EDWAuthor: Edwards, Matthew Source: USPlace: Jefferson, N. C.Publisher: McFarland & Company IncPubDate: 2015PhysDes: viii, 288 pages : illustrations ; 26 cmSubject: NUCLEAR WARFARE IN FILMS ; MONSTERS IN FILMS ; GODZILLA [GOJIRA] (JA/US, Inoshiro Honda & Terry Morse, 1955) ; HIROSHIMA (JA, Hideo Sekigawa, 1953) Summary: "This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included." -- BOOK BLURBISBN: 9780786479122Contents: Prologue: Hiroshima Nagasaki / Matthew Edwards -- Gojira and the bomb. The rhetorical significance of Gojira: equipment for living through trauma / Shannon Stevens -- Japan removed: Godzilla adaptations and erasure of the politics of nuclear experience / Jason C. Jones -- Atomic reaction: Godzilla as metaphor for generational attitudes toward the United States and the bomb / John Vohlidka -- Japanese atomic cinema, 1945-2014. Suppression and censorship: Japanese cinema during the occupation / Matthew Edwards -- Pica-don: Japanese and American reception and promotion of Hideo Sekigawa's Hiroshima / Mick Broderick and Junko Hatori -- The shadow of the bomb in Hiroshi Teshigahara's The face of another / Tony Pritchard -- Nuclear skin: Hiroshima and the critique of embodiment in Affairs within walls / Julia Alekseyeva -- The atomic bomb experience and the Japanese family in Keiji Nakazawa's anime Hadashi no gen (barefoot gen) / Kenji Kaneko -- Yuichi and Jizo in Black rain: Imamura's phenomenological attempt to render a Hiroshima wormhole experience among his audience / Keiko Takioto Miller -- Trauma and witness in Hideo Nakata's Ring- Tienfong ho: the fragile roots of memory / Robert McParland -- Inconceivable anxiety: representation, disease and discrimination in atomic-bomb films / Yuki Miyamoto -- Kazuo Kuroki and Hisashi Inoue's Chichi to Kuraseba: remember, protest and return to ordinary life / Yoshiko Fukushima -- Breaking the silence of the atomic bomb survivors in Japanese graphic novel Town of evening calm, country of cherry blossoms and the film adaptation / Senjo Nakai -- The sound of the bomb: Go Shibata's nn891102 / Johannes Schonherr -- Western perspectives. Hiroshima films: cultural contexts before, during and after the Cold War / Greg Nielsen and Margaret M. Ferrara -- Hiroshima: an interview with director Roger Spottiswoode / Matthew Edwards -- White light/Black rain: the "atomic films" of Steven Okazaki / Matthew Edwards -- A[nime] bomb: an interview with Hibakusha director Steve Nguyen / Matthew Edwards -- Hibakusha: our life to live: an interview with director David Rothauser / Matthew Edwards -- All that remains: an interview with Ian and Dominic Higgins / Matthew Edwards
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Atonement time for Mel in Hollywood in Sunday Telegraph [General News] (08/01/2017) p.13
Call No: PERSONALITY CLIPPINGS FILE; GIBSON, MELAuthor: Crane, Kris PhysDes: ClippingsSubject: GIBSON, MEL Summary: Mel Gibson won best director for his film Hacksaw Ridge At the AACTA International Wards 2017.
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Attenborough returns to the reef in Australian Financial Review (17/03/2015) p.11
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Attention please! : the care and maintenance of films / E.J. Perry [Victoria]: [Visual Education Centre, Education Department],
Author: Perry, E. J. Source: [AT]Place: [Victoria]Publisher: [Visual Education Centre, Education Department]PhysDes: 8p. : ill. ; 21cmDonation: donated by the family of Wayne Levy, 2006
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Attitudes to television : a survey of advertisers / Gillian Appleton Kensington, NSW North Sydney, NSW: Communications Law Centre, University of New South Wales Australian Film Commission, 1989.
Call No: 49[659.1](94) APPAuthor: Appleton, Gillian CorpAuthor: Australian Film Commission; Communications Law Centre (N.S.W.)Place: Kensington, NSW North Sydney, NSWPublisher: Communications Law Centre, University of New South Wales Australian Film CommissionPubDate: 1989PhysDes: 32 pages ; 30 cmSubject: STATISTICS. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA ; ADVERTISING STANDARDS. AUSTRALIA ; ADVERTISING. TV. AUSTRALIA ; COMMERCIALS, TV. AUSTRALIA Summary: "The Australian Film Commission (AFC) commissioned this research report to ascertain how the television advertising system operates, how advertisers, agency media buyers and stations relate to one another, and particularly to survey advertister's attitudes to issues, concerns and practices in the industry" -- from Summary of ReportNotes: A report prepared for the Australian Film Commission by the Communications Law CentreISBN: 0858237679LON: 6585339
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The audience studies reader / edited by Will Brooker and Deborah Jermyn Oxon: Routledge, 2003.
Call No: 412(04)BROAuthor: Brooker, Will ; Jermyn, Deborah Source: UKPlace: OxonPublisher: RoutledgePubDate: 2003PhysDes: xviii, 347 p. ; 25 cmSubject: AUDIENCES ; PSYCHOLOGY AND THE CINEMA Notes: Includes bibliographic references and indexISBN: 9780415254359Language: EnglishContents: The people's choice : how the voter makes up his mind in a presidential campaign / Paul F. Lazarsfeld, Bernard Berelson, Hazel Gaudet -- Mass persuasion : the social psychology of a war bond drive / Robert K. Merton -- Analysis of the film Don't Be a Sucker : a study in communication / Eunice Cooper, Helen Dinerman -- Tendency systems and the effects of a movie dealing with a social problem / Charles Winick -- Culture industry reconsidered / T.W. Adorno -- Seduction of the innocent / Fredric Wertham -- The uses of literacy / Richard Hoggart.
The Newson Report : a case study in 'common sense' / Martin Barker -- The nationwide audience / David Morley -- The practice of everyday life / Michel de Certeau -- Understanding popular culture / John Fiske -- 'We're here, we're queer and we're not going catalogue shopping' / Gregory Woods -- Visual pleasue and narrtive cinema / Laura Mulvey -- Babel and Bablylon : spectatorship in American silent film / Miriam Hansen -- Star gazing : Hollywood cinema and female spectatorship / Jackie Stacey.
Women viewing violence / Philip Schlesinger, Rebecca Dobash, Russell Dobash, C. Kay Weaver -- 'Out of the closet and into the universe' : queers and Star Trek / Henry Jenkins -- Beatlemania : girls just want to have fun / Barbara Ehrenreich, Elizabeth Hess, Gloria Jacobs -- Histories, fictions and Xena : Warrior Princess / Sara Gwenllian-Jones -- Suffering and solace : the genre of pain / Camille Bacon-Smith -- Inside subculture : the postmodern meaning of style / David Muggleton -- Reading the romance : women, patriarchy and popular literature / Janice Radway.
Living room wars : rethinking audiences for a postmodern world / Ien Ang -- Feminism and youth culture / Angela McRobbie -- Girl talk : adolescent magazines and their readers / Dawn H. Currie -- '"Just a book", she said...' : reconfiguring ethnography for the female readers of sexual fiction / Esther Sonnet -- Enlightened racism : The Cosby Show, audiences and the myth of the American dream / Sut Jhally, Justin Lewis -- The export of meaning : cross-cultural readings of Dallas / Tamar Liebes and Elihu Katz.
The color purple : Black women as cultural readers / Jacqueline Bobo -- Television, ethnicity and cultural change / Marie Gillespie.
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Audience viewing and reaction survey / conducted by McNair Anderson Associates Pty. Ltd [Sydney]: Special Broadcasting Service, 1982-.
Call No: 410.3(94) AUDCorpAuthor: Australia. Special Broadcasting Service; McNair Anderson AssociatesPlace: [Sydney]Publisher: Special Broadcasting ServicePubDate: 1982-PhysDes: v. ; 22 cmSubject: CHANNEL 0-28 ; TELEVISION. AUSTRALIA ; AUDIENCE RESEARCH. AUSTRALIA Notes: Ethnic broadcasting services. Television programmes. Attitudes of audiences. Australia. Serials (ANB/PRECIS SIN 0734918); Cover titleISSN: 0813-7242LON: abn84058476; 3100332
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Audiences : defining and researching screen entertainment reception / edited by Ian Christie Amsterdam: Amsterdam University Press, 2012. Available at OAPEN (open access)
Call No: 410.3 AUDPlace: AmsterdamPublisher: Amsterdam University PressPubDate: 2012PhysDes: 332 pages : illustrations ; 23 cm.Series: Key debates ; 3.Subject: AUDIENCE RECEPTION ; AUDIENCE RESEARCH ; AUDIENCES ; SOCIETY AND THE CINEMA ; EXHIBITION ; BOX OFFICE Summary: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.Notes: Includes bibliographical references (p. 279-298) and indexes.ISBN: 9789089643629Contents: Introduction: in search of audiences / Ian Christie -- pt. 1. Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 / Nicholas Hiley The gentleman in the stalls: Georges Melies and spectatorship in early cinema / Frank Kessler Beyond the nickelodeon: cinema going, everyday life and identity politics / Judith Thissen Cinema in the colonial city: early film audiences in Calcutta / Ranita Chatterjee Locating early non-theatrical audiences / Gregory A Waller Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s / John Sedgwick and Clara Pafort-Overduin -- pt. 2. New frontiers in audience research. The aesthetics and viewing regimes of cinema and television, and their dialectics / Annie van den Oever Tapping into our tribal heritage: The lord of the rings and brain evolution / Torben Grodal Cinephilia in the digital age / Laurent Jullier and Jean-Marc Leveratto Spectator, film and the mobile phone / Roger Odin Exploring inner worlds: where cognitive psychology may take us / a dialogue between Tim J. Smith and Ian Christie -- pt. 3. Once and future audiences. Crossing out the audience / Martin Barker The cinema spectator: a special memory / Raymond Bellour Operatic cinematics: a new view from the stalls / Kay Armatiage What do we really know about film audiences? / Ian Christie.URL status: URL: 'https://library.oapen.org/handle/20.500.12657/34451'
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994.
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Audiovisual works, TV formats and multiple markets / edited by Michael Keane, Albert Moran, and Mark Ryan Brisbane: Griffith University, 2003.
Call No: 30 AUDSource: ATPlace: BrisbanePublisher: Griffith UniversityPubDate: 2003PhysDes: 63 p. ; 30 cmSeries: Australian UNESCO Orbicom Working Papers in Communications ; no. 1Subject: FORMATS ; SALE OF FILMS AND PROGRAMMES ; COPYRIGHT TV
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Audrey : an intimate portrait / Diana Maychick London: Pan Books, 1994.
Call No: 81HEP MAYAuthor: Maychick, Diana Source: UKPlace: LondonPublisher: Pan BooksPubDate: 1994PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cmSubject: HEPBURN, AUDREY ; ROMAN HOLIDAY (US, William Wyler, 1953) ; SABRINA (US, Billy Wilder, 1954) ; BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961) ; CHILDREN'S HOUR, THE (US, William Wyler, 1961) ; MY FAIR LADY (US, George Cukor, 1964) ; TWO FOR THE ROAD (UK, Stanley Donen, 1966) ; BLOODLINE (US, Terence Young, 1979) ; THEY ALL LAUGHED (US, Peter Bogdanovich, 1981) ; NUN'S STORY, THE (US, Fred Zinneman, 1958) Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover]Notes: First published ; London; Sidgwick & Jackson, 1993ISBN: 0330333976
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Auntie Mame / Patrick Dennis London: Pan Books, 1959.
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Aural Auteur : sound in the films of Rolf De Heer / David Bruno Starrs Brisbane, Queensland: 2009.
Call No: 81:634DEH STAAuthor: Starrs, David Bruno Source: ATPlace: Brisbane, QueenslandPubDate: 2009PhysDes: 263 p. : ill. ; 30 cmSubject: AUTEUR THEORY ; DIRECTORS. AUSTRALIA ; SOUND ; THEORY ; DE HEER, ROLF ; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998) ; [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007) ; EPSILON (AT/IT, Rolf de Heer, 1995) ; OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000) ; PROPOSITION, THE (AT/UK, John Hillcoat, 2005) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound.
The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films.
The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism.
As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231)Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --
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annual report
[Australia Department of Broadband, Communications and the Digital Economy] Annual report / Department of Broadband, Communications and the Digital Economy Canberra: The Dept., 2008. Digital clippings file available
Call No: ANNUAL REPORT SHELVES; held 2007/8 - 2010/11; DIGITAL FILES; held 2007/08-2012/13 lacks 2011/12CorpAuthor: Australia. Dept. of Broadband, Communications and the Digital EconomySource: ATPlace: CanberraPublisher: The Dept.PubDate: 2008PhysDes: v. ; 25 cmSubject: Department of Broadband, Communications and the Digitial Economy Notes: Continues: Annual report / Department of Communications, Information Technology and the Arts ISSN 1323-3491ISSN: 1443-8275Order Notes: Current
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script
Australia in the 80'S : commerce [1981].
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Australia in the 80'S : legal and political systems [1981].
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Australia in the 80'S : rural industries [1982].
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Australia in the eighties : mining / written by Lawrence Durrant and John Edwards [1982].
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Australia in the eighties : medical and scientific / written by Lawrence Durrant and John Edwards [1982].
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Australia's audiovisual markets : key statistics on Australia's cinema, video, television and interactive media markets / edited by Cathy Gray and Rosemary Curtis Sydney [New South Wales]: Australian Film Commission, 2004.
Call No: 20(94) AUSAuthor: Australian Film Commission Edition: 1st editionSource: ATPlace: Sydney [New South Wales]Publisher: Australian Film CommissionPubDate: 2004PhysDes: 96 pages : colour charts ; 30 cmSeries: Get the pictureSubject: INDUSTRY, FILM. AUSTRALIA ; STATISTICS. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; PRODUCTION. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; EXHIBITION. AUSTRALIA Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover.Notes: Includes an index; Includes a list of abbreviationsISBN: 1920988004ID2: 145
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Australia's censorship crisis / edited by Geoffrey Dutton & Max Harris ; contributors, Anthony Blackshield ... [et al.] Melbourne: Sun Books, 1970.
Call No: 44(94) AUSAuthor: Dutton, Geoffrey, 1922-1998 ; Dutton, Geoffrey, 1922-1998. ed ; Harris, Max, 1921 ; Harris, Max, 1921- ed ; Blackshield, A. R. (Anthony Roland), 1937 Place: MelbournePublisher: Sun BooksPubDate: 1970PhysDes: 224 p. ; 19 cmISBN: 0725101008LON: 72179173; 612359
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Australia's lost films : the loss and rescue of Australia's silent cinema / Ray Edmondson and Andrew Pike Canberra: National Library of Australia, 1982.
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Australia's lost films : the loss and rescue of Australia's silent cinema / Ray Edmonson and Andrew Pike Canberra, Australia: National Library of Australia, 1982.
Author: Edmonson,Ray ; Pike, Andrew Source: ATPlace: Canberra, AustraliaPublisher: National Library of AustraliaPubDate: 1982PhysDes: 20 cm ; 96 p.ISBN: 0642992517Donation: donated by the family of Wayne Levy, 2006
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Australia's lost films : the loss and rescue of Australia's silent cinema / Ray Edmonson and Andrew Pike Canberra, Australia: National Library of Australia, 1982.
Author: Edmonson, Ray ; Pike, Andrew Source: ATPlace: Canberra, AustraliaPublisher: National Library of AustraliaPubDate: 1982PhysDes: 20 cm ; 96 p.ISBN: 0642992517Donation: donated by the family of Wayne Levy, 2006
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Interim
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Australia's oral history collections : a national directory / compiled for Towards Federation 2001 Working group on High Priority Cross-Sectoral Projects ; edited by Martin Woods Canberra: National Library of Australia, 1997.
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Australian animation : an international history / Dan Torre & Lienors Torre Cham, Switzerland: Palgrave Macmillan,
Call No: 246(94) TORAuthor: Torre, Dan ; Torre, Lienors Edition: 2018Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPhysDes: xii, 260 pages : illustrated ; 22 cmSubject: ANIMATED FILMS. AUSTRALIA ; ANIMATION. AUSTRALIA ; FELIX THE CAT ; PORTER, ERIC ; HANNA-BARBERA ; MCLAREN ANGUS ; PETTY, BRUCE ; STITT, ALEX ; TUPICOFF, DENNIS ; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972) ; DOT AND THE KANGAROO (AT, Yoram Goss, 1977) ; GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981) ; LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010) Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web siteISBN: 9783319954912
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Australian Bicentennial Travelling Film Retrospective : feasibility study / consultant: Mike Lynseky Canberra: National Film and Sound Archive, 1985.
Call No: 175(94)AUS(047) LYNSource: ATPlace: CanberraPublisher: National Film and Sound ArchivePubDate: 1985PhysDes: xi, 38 [128] p. ; 30 cmSubject: TRAVELLING EXHIBITION ; STATE AND THE CINEMA. AUSTRALIA Summary: A study on the possibility of a travelling exhibition of Australian film to be shown as part of Australia's 1988 Bicentenial celebrations. Includes older reports and submissions on this topic.Contents: Summary -- Recommendations -- Preface -- Acknowledgements -- Introduction -- Report summary -- Programming -- Administration -- Management structure -- Sponsorship -- Budget -- Demand Analysis -- Schools -- Residual impact -- International -- Appendices: iA/ Gil Appleton Report -- iB / Anne Hutton Report -- ii / Region Itineraries Routes 1 - 6 -- iii / Almost Managing Draft Budget -- iv / Option 5 'The National Film and Sound Show' -- v / Sample Program -- vi / Budget Notes -- vii / ABAs Terms and Conditions for Study
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Australian broadcasting : a rational approach to structure, management and regulation / prepared by the Federation of Australian Commercial Television Stations for the Committee of Inquiry into the Broadcasting Industry Sydney: Federation of Australian Commercial Television Stations, 1976.
Call No: 20(94) AUSCorpAuthor: Federation of Australian Commercial Television StationsSource: ATPlace: SydneyPublisher: Federation of Australian Commercial Television StationsPubDate: 1976PhysDes: 45 pages ; 21 cmSubject: FEDERATION OF AUSTRALIAN COMMERCIAL TELEVISION STATIONS ; COMMERCIAL TV. AUSTRALIA Contents: Part 1: a management appreciation of the broadcasting system -- Part 2: an engineering appreciation of the broadcasting system
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The Australian Broadcasting Tribunal children's television standards report and determination / David Jones, Chairman and Ken Archer, Vice-Chairman...[and four others] [1984].
Call No: 205-053.2(94) AUSAuthor: Jones, David ; Archer, Ken ; Weigall, Catharine ; Armstrong, Mark ; Watterson, Ray ; James Bailey, Julie CorpAuthor: Australian Broadcasting TribunalSource: ATPubDate: [1984]PhysDes: 92 leaves : 31 cmSubject: INDUSTRY, TV. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; LAW AND TV. AUSTRALIA ; AUSTRALIAN BROADCASTING TRIBUNAL ; RATING FOR TV. AUSTRALIA Summary: The report discusses children's television standards, including the amount of time allocated to children's viewing, including pre-school programs, specific time slots for children's programming, requirements for the amount of Australian content and scheduling of programs, restrictions on advertising during children's programs, and the need for quality drama programs for children. The Australian commercial television industry's opposition to the Children's Television Standards and the importance of regulating children's television programming are also covered in the report.Notes: Spiral bound; Includes determination and 3 attachments
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Australian cinema / edited by Scott Murray North Sydney: Allen & Unwin in association with Australian Film Commission, 1994.
Call No: 71(94) AUSAuthor: Murray, Scott, 1951 CorpAuthor: Australian Film CommissionPlace: North SydneyPublisher: Allen & Unwin in association with Australian Film CommissionPubDate: 1994PhysDes: ix, 350 p. ; ill., ports. : 24 cmSubject: AUSTRALIA Notes: Includes index; CIP confirmed; Bibliography p. 337-338ISBN: 1863733116 (pbk.)LON: 11690337
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Australian cinema / edited by Scott Murray North Sydney: Allen & Unwin in association with Australian Film Commission, 1994.
Call No: 71(94) AUSAuthor: Murray, Scott, 1951 CorpAuthor: Australian Film CommissionPlace: North SydneyPublisher: Allen & Unwin in association with Australian Film CommissionPubDate: 1994PhysDes: ix, 350 p. ; ill., ports. : 24 cmSubject: AUSTRALIA Notes: Includes index; CIP confirmed; Bibliography p. 337-338ISBN: 1863733116 (pbk.)LON: 11690337
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004.
Call No: 71(94) COLAuthor: Collins, F. ; Davis, T. Place: Port MelbournePublisher: Cambridge University PressPubDate: 2004PhysDes: vii, 204 p. ; 24 cmSubject: HISTORY AND THE CINEMA. AUSTRALIA ; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; DISH, THE (AT, Rob Sitch, 2000) ; LANTANA (AT, Ray Lawrence, 2001) ; AUSTRALIAN RULES (AT, Paul Goldman, 2002) ; ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS AND THE CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; WALKING ON WATER (AT, Tony Ayres, 2001) ; HEAVEN'S BURNING (AT, Craig Lahiff, 1997) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; HOLY SMOKE (US, Jane Campion, 1999) ; SERENADES (AT, Mojgan Khadem, 2000) ; YOLNGU BOY (AT, Stephen Johnson, 2001) ; MISSING, THE (AT, Manuela Alberti, 1999) ; HEARTLAND [TV] (AT, 1994) ; ABORIGINAL AUSTRALIANS AND TV ; CUNNAMULLA (AT, Dennis O'Rourke, 2000) ; MESSAGE FROM MOREE (AT, Judy Rymer, 2003) ; CASTLE, THE (AT, Rob Sitch, 1997) ; VACANT POSSESSION (AT, Margot Nash, 1995) ; STRANGE PLANET (AT, Emma-Kate Croghan, 1999) ; RADIANCE (AT, Rachel Perkins, 1998) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000) ; HEAD ON (AT, Ana Kokkinos, 1998) ; BENEATH CLOUDS (AT, Ivan Sen, 2001) ; JAPANESE STORY (AT, Sue Brooks, 2003) ; TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)Notes: Index: p.200-204; BibliographyISBN: 0521834805 :
0521542561 (pbk.)Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001.
Call No: 71(94) AUSAuthor: Craven, Ian Place: LondonPublisher: Frank CassPubDate: 2001PhysDes: 239 p. ; 22 cmSubject: AUSTRALIA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; ABORIGINAL AUSTRALIANS ON TV ; GONSKI REPORT ; INDUSTRY, FILM. AUSTRALIA ; LANDSCAPES IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA ; SUBURBS IN FILMS. AUSTRALIA ; SOCIETY AND TV ; DINGO, ERNIE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BABE (AT, Chris Noonan, 1995) ; BIG STEAL, THE (AT, Nadia Tass, 1990) ; CASTLE, THE (AT, Rob Sitch, 1997) ; DEATH IN BRUNSWICK (AT, John Ruane, 1991) ; HEARTBREAK KID, THE (AT, Michael Jenkins, 1993) ; HEARTLAND [TV] (AT, 1994) ; IDIOT BOX (AT, David Caesar, 1996) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LOVE SERENADE (AT, Shirley Barrett, 1996) ; METAL SKIN (AT, Geoffrey Wright, 1994) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliographyISBN: 0714649740; 0714680346(pbk.) : ª16.50LON: 21663632Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda SmithID2: 306
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journal article
Australian cinemas hopefully riding their own "J" curve in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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Australian cultural studies : a reader / edited by John Frow and Meaghan Morris St Leonards, N.S.W.: Allen & Unwin, 1993.
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journal article
Australian distributors storm the Riviera in Encore (May 2000) vol.18 iss.4 p.28
Author: Colbert, Mary PhysDes: Article; Illustration(s)Subject: FESTIVALS. CANNES ; DISTRIBUTION. AUSTRALIA Summary: Beyond Films moves to new Riviera complex at the Cannes Film Festival. It has a number of films to market over the next few months, including "Mallboy", "Chopper" and "Russian Doll".
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Australian documentary : history, practices and genres / Trish FitzSimons, Pat Laughren, Dugald Williamson Port Melbourne, Vic.: Cambridge University Press, 2011.
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The Australian education market for film/ video : a research project for the Australian Film Commission / conducted by Corporate Education Resources, Pty Ltd North Sydney: Corporate Education Resources, 1986.
Call No: 49[37](94) AUSSource: ATPlace: North SydneyPublisher: Corporate Education ResourcesPubDate: 1986PhysDes: 1 v. (various pagings) ; 30 cmSubject: EDUCATION, USE OF FILMS IN. AUSTRALIA ; EDUCATION, USE OF TV IN. AUSTRALIA Summary: This publication is intended as a working document to assist the film industry in Australia to gain greater access to the educational market. While the research was conducted primarily for Film Australia, the information gathered and the results obtained may be of assistance to other film producers and distributors. The main body of the report comprises a comprehensive bank of data gained around Australia through interview and a national survey. -- taken from introductionNotes: date "June, 1986"Contents: 1. Introduction --2. Summary of findings -- 3. The structure of Australian education -- 4. How is the education market made up - 4.1 Commonwealth level - 4.2 State level - 4.3 Institutional level -- 5. Producing film/video for the educational market -- 6. Marketing to the educational sector -- 7. Appendicies
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Australian experimental film : an alternative history / Fiona Hooton Saarbru¨cken, Germany: VDM, 2009.
Call No: 771(94) HOOAuthor: Hooton, Fiona Place: Saarbru¨cken, GermanyPublisher: VDMPubDate: 2009PhysDes: 174 p. : ill. ; 22 cm.Subject: EXPERIMENTAL FILMS. AUSTRALIA ; THOMS, ALBIE ; BERESFORD, BRUCE ; UBU FILM GROUP ; NEWSFRONT (AT, Phillip Noyce, 1978) ; AWARDS. AUSTRALIAN FILM INSTITUTE ; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976) ; CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973) ; MORA, PHILIPPE ; NOYCE, PHIL Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURBNotes: Includes bibliographical references.ISBN: 9783639115932Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- BibliographyID2: 343
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Australian families and their children : a new and challenging audience / Don Edgar Melbourne: Australian Children's Television Foundation, 1985.
Call No: 722-053.2EDGAuthor: Edgar, Don CorpAuthor: Australian Children's Television FoundationSource: ATPlace: MelbournePublisher: Australian Children's Television FoundationPubDate: 1985PhysDes: 20 cm ; 30 p.Series: The Challenge of Kids' TVSubject: AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; CHILDREN AND TV. AUSTRALIA Notes: The Challenge of Kids' TV conference paperISBN: 0864210884Donation: donated by the family of Wayne Levy, 2006
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Old collection
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Australian feature (fiction) films written, directed and produced by women 1970-1995 / Lisa French 1995.
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Australian feature films 1980-1986 / compiled by Sally Jackson Australian Film Institute Research and Information Centre, 1987.
Call No: 023(94) JACPublisher: Australian Film Institute Research and Information CentrePubDate: 1987PhysDes: 6 v. ; 30 cmSubject: AUSTRALIA. 1970s ; AUSTRALIA. 1980's Summary: Listings of Australian feature films made between 1979-1987 which for each film listing includes: key cast, crew, film synopsis, budget, box office, awards won, and whether film was completed and screenedNotes: Research commissioned by Jack Clancy. Contracted to the AFI's Research and Information Centre. Sub-contracted to Sally JacksonContents: v.1: 1979/80-1980-1980/81 -- v.2: 1981-1981/82 -- v. 3: 1982-1982/83 -- v.4: 1984-1984/85 -- v.5: 1985-1985/86 -- 1986-1986/87
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Australian film, 1900-1977 : a guide to feature film production / by Andrew Pike and Ross Cooper Melbourne: Oxford University Press in association with the Australian Film Institute, 1980.
Call No: 71(94) PIK REFCopy Management: Copy 1; Copy 2Author: Pike, Andrew, 1946 ; Cooper, Ross, 1944 CorpAuthor: Australian Film InstitutePlace: MelbournePublisher: Oxford University Press in association with the Australian Film InstitutePubDate: 1980PhysDes: xi, 448 p., [8] p. of col. plates : ill., ports. ; 22 x 28 cmSubject: AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA Notes: Australian cinema films, 1900-1977 (ANB/PRECIS SIN 0422983); Index; Includes bibliographical refererences; 2 copiesISBN: 0195542134 : $75.00 AustLON: anb19554213; 1767086 12436475
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Yet to catalogue
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Australian film, 1900-1977 : a guide to feature film production / Andrew Pike and Ross Cooper Melbourne: Oxford University Press, 1998.
Call No: 71(94) PIKAuthor: Pike, Andrew, 1946 ; Cooper, Ross, 1944 Edition: Rev. edPlace: MelbournePublisher: Oxford University PressPubDate: 1998PhysDes: xiv, 362 p. : ill. ; 30 cmNotes: Includes bibliographical refererences and indexISBN: 0195507843 : $49.95LON: abn98038755; 13659380
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Levy Collection
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Australian film 1900-1977 : a guide to feature film production / by Andrew Pike and Ross Cooper Melbourne: Oxford University Press, 1981.
Author: Pike, Andrew ; Cooper, Ross Source: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1981PhysDes: xi, 448 p. : ill. ; 21 cmNotes: Published in assocation with the Australian Film InstituteISBN: 0195543327Donation: donated by the family of Wayne Levy, 2006
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Levy Collection
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Australian film 1900 - 1977 : a guide to feature film production / by Andrew Pike and Ross Cooper Melbourbe: Oxford University Press, 1983.
Author: Pike, Andrew ; Cooper, Ross Source: ATPlace: MelbourbePublisher: Oxford University PressPubDate: 1983PhysDes: xi, 448 p., [8] p. of col. plates : ill., ports. ; 21 x 27 cmISBN: 0195542134Donation: donated by the family of Wayne Levy, 2006
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Australian film 1978-1992 : a survey of theatrical features / compiled and edited by Scott Murray ; editorial assistant Raffaele Caputo Melbourne: Oxford University Press in association with the Australian Film Commission and Cinema papers, 1993.
Call No: 71(94) MURAuthor: Murray, Scott, 1951 ; Caputo, Raffaele CorpAuthor: Australian Film Commission; Cinema papersPlace: MelbournePublisher: Oxford University Press in association with the Australian Film Commission and Cinema papersPubDate: 1993PhysDes: x, 414 p. : ill. ; 28 cmSubject: AUSTRALIA Notes: Includes index; Filmography: p. 355-381; Bibliography: p. 382-383ISBN: 0195535847LON: 10391416URL status: URL: 'http://-'
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Australian film 1978-1992 : a survey of theatrical features / Compiled and edited by Scott Murray; editorial assistant Raffaele Caputo Melbourne: Oxford University Press, 1993.
Author: Murray, Scott CorpAuthor: Australian Film Commission
Cinema PapersSource: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1993PhysDes: 28 cm; 414 p.ISBN: 0195535847Donation: donated by the family of Wayne Levy, 2006
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Australian film 1978-1994 : a survey of theatrical features / compiled and edited by Scott Murray ; editorial assistants Raffaele Caputo ; Alissa Tanskaya Melbourne: Oxford University Press in association with the Australian Film Commission and Cinema papers, 1995.
Call No: 71(94) MURAuthor: Tanskaya, Alissa ; Murray, Scott, 1951 ; Caputo, Raffaele CorpAuthor: Australian Film Commission; Cinema papers; Australian film 1978-1992Edition: 2nd edPlace: MelbournePublisher: Oxford University Press in association with the Australian Film Commission and Cinema papersPubDate: 1995PhysDes: ix, 448 p. : ill., ports. ; 28 cmSubject: AUSTRALIA Notes: CIP confirmed; Rev. and expanded ed. of: Australian film 1978-1992; Includes index; Bibliography: p. 413-414; Filmography: p. 412ISBN: 0195537777 (pbk.)LON: 12657222
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The Australian film and television companion : over 2400 alphabetical entries / compiled by Tony Harrison East Roseville, N.S.W: Simon & Schuster, 1994.
Call No: REFERENCE SECTION; 03(94) HAR REFAuthor: Harrison, Tony, 1961 Place: East Roseville, N.S.WPublisher: Simon & SchusterPubDate: 1994PhysDes: vi, 530 p. ; 23 cmNotes: CIP confirmedISBN: 0731804554 (pbk.) : $29.95LON: abn94040532; 10694718
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The Australian film and television companion : Over 2400 alphabetical entries / compiled by Tony Harrison East Roseville, NSW: Simon and Schuster Australia, 1994.
Author: Harrison, Tony Source: ATPlace: East Roseville, NSWPublisher: Simon and Schuster AustraliaPubDate: 1994PhysDes: vi, 530 p. : 23 cmISBN: 0731804554Donation: donated by the family of Wayne Levy, 2006
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Australian film index : a guide to Australian feature films since 1900 / consulting editor Sandra Hall Port Melbourne: Thorpe, 1992.
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Australian film index : a guide to Australian feature films since 1900 / consulting editor Sandra Hall Port Melbourne: Thorpe, 1992.
Author: Hall, Sandra Source: ATPlace: Port MelbournePublisher: ThorpePubDate: 1992PhysDes: xi, 258 p. ; 30 cmNotes: Includes bibliographical references (p. ix) and indexesISBN: 1875589120Donation: donated by the family of Wayne Levy, 2006
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The Australian film industry and key films of the 1970's : an annotated bibliography / [compiled by Ken Berryman] Carlton South, Vic.: George Lugg Film Information & Research Centre, Australian Film Institute, 1980.
Call No: 71(94)(01) BERCopy Management: Copy 1; Copy 2; Copy 3Author: Berryman, Ken CorpAuthor: George Lugg Film Information and Research CentrePlace: Carlton South, Vic.Publisher: George Lugg Film Information & Research Centre, Australian Film InstitutePubDate: 1980PhysDes: iii, 95 p. ; 30 cmSubject: AUSTRALIA. 1970's Notes: Cinema industries. Australia. Bibliographies (ANB/PRECIS SIN 0534900); Australian cinema films. Bibliographies (ANB/PRECIS SIN 0534919)ISBN: 0908023030 : $5.50 AustLON: anb90802303; 2049866
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985.
Call No: 71(94) AUSAuthor: Moran, Albert, 1942 ; O'Regan, Tom, 1956 Place: SydneyPublisher: Currency PressPubDate: 1985PhysDes: 391 p. ; 21 cmSeries: Australian screenSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; AVANT-GARDE FILMS. AUSTRALIA ; SUPER-8 MM FILMS. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; BERESFORD, BRUCE ; WEIR, PETER ; CHAUVEL, CHARLES ; Grierson, John ; HALL, KEN G. ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; GALLIPOLI (AT, Peter Weir, 1981) ; SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?) ; FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964) ; BIG COUNTRY, A (AT, 1979) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983) ; INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379ISBN: 086819123X (pbk.) : $24.95 AustLON: anb86819123; 4105507
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journal article
The Australian Film Television and Radio School : Chasm in Filmviews (Winter 1987) vol.32 iss.132 p.32
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The Australian Film Television and Radio School. Reviews : An Australian Summer in Filmviews (Winter 1987) vol.32 iss.132 p.33
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Australian film theory and criticism : volume 1 critical positions / Noel King / Constantine Verevis / Deane Williams Bristol, UK; Chicago: Intellect, 2013-.
Call No: 62(94) KIN (v. 1)Author: King, Noel ; Verevis, Constantine ; Williams, Deane Source: UK/USPlace: Bristol, UK; ChicagoPublisher: IntellectPubDate: 2013-PhysDes: xii, 174 pages ; 24 cmSeries: Australian film theory and criticismSubject: CRITICISM ; THEORY. AUSTRALIA ; FILM Summary: The first part of a planned three-volume work devoted to mapping the transnational history of Australian film studies. Australian Film Theory and Criticism, Volume 1 provides an overview of the period between 1975 and 1990, during which the discipline first became established in the academy. Tracing critical positions, people, and institutions across this influential period, contributors examine a multitude of books and journal articles published in Australia and distributed internationally. They offer important insights about the origins of Australian film theory and its relationship to the related disciplines of art history, performance art, and digital media.Notes: Includes bibliographical references and appendix.ISBN: 9781841505817 (v. 1) -- 9781783200375 (v. 2)Contents: Volume 1 -- Preface / Patrice Petro --
Introduction: Chapter one: Australian Film Theory and Criticism / Noel King, Constantine Verevis and Deane Williams --; Part one: Institutions -- Chapter two: Film Theory Goes to Australia / Constantine Verevis -- Chapter three: Writing the Australian Film Revival / Constantine Verevis --; Part two: Personnel -- Chapter four: Cultural Mobility and Film Studies in Australia 1975-1990 / Noel King --; Part three: Criticism -- Chapter five: Shifts and Interventions: Cultural Materialism and Australian Film History / Deane Williams -- Chapter six: Australian Film Theory and Criticism and Cultural Studies / Deane Williams --; Conclusion -- Chapter seven: Contemporary Australian Film Theory and Criticism / Noel King, Constantine Verevis and Deane Williams. --
Volume Two -- Introduction: Serious film studies and magpies / Noel King and Deane Williams -- Part I: Brisbane -- "From 'pictures' to formats" / Albert Moran interviewed by Noel King -- "Everyone's go their favourite periods of Cunningham's career, and it's always something before the present!" / Stuart Cunningham interiewed by Noel King -- "For a lot of people film became a bridge between literary studies and other kinds of cultural studies" / Graeme Turner interviewed by Noel King -- "The circulation of ideas" / Tom O'Regan interviewed by Deane Williams -- "We just thought we were unstoppable" / Colin and Jane Crisp interviewed by Noel King -- "I loved best when really practical solutions had to be found for artistic problems" / Jonathan Dawson interviewed by Noel King -- Part II: Melbourne -- "Early on I'd been an inveterate attender of Saturday matinees" / Mick Counihan interviewed by Noel King -- "Ye, but it never entered my head that it would ever become a field as such ..." / Barbara Creed interviewed by Deane Williams -- "This is all part of the historical process" / Ina Bertrand interviewed by Deane Williams --
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Australian film theory and criticism : volume 2 interviews / [edited by] Noel King and Deane Williams Bristol; Chicago: Intellect Books, 2014.
Call No: 62(94) KIN (v. 2)Source: UK/USPlace: Bristol; ChicagoPublisher: Intellect BooksPubDate: 2014PhysDes: viii, 411 pages ; 24 cmSubject: CRITICISM. AUSTRALIA ; CRITICISM ; THEORY. AUSTRALIA ; FILM STUDY AND RESEARCH. AUSTRALIA Summary: "A three-volume project tracing critical positions, people, and institutions in Australian film, Australian Film Theory and Criticism interrogates both the the origins of Australian film theory and its relationships to adjacent disciplines and institutions. This second volume gathers interviews with national and international film theorists and critics to chart the development of different discourses in Australian film studies through the decades. Seeking to examine the position of film theoriests and their relationship to film industry practitioners and policy-makers, it looks to assert Australian film's place on the international scholarly agenda." -- BOOK BLURBISBN: 9781783200375Contents: Volume Two -- Introduction: Serious film studies and magpies / Noel King and Deane Williams -- Part I: Brisbane -- [Albert Moran, Stuart Cunningham, Graeme Turner, Tom O'Regan, Colin Crisp and Jane Crisp, Jonathan Dawson / interviewed by Noel King] -- Part II: Melbourne [Mick Counihan / interviewed by Noel King -- Barbara Creed, Ina Bertrand, Sam Rohdie, Lesley Stern, Bill Routt, Adrian Martin / interviewed by Deane Williams] -- Part III: Sydney and Newcastle [Ross Gibson / interviewed by Deane Williams -- Meaghan Morris / interviewed by Lauren Bliss -- David Boyd / interviewed by Noel King] -- Part IV: Adelaide and Perth [Brian Shoesmith, Noel Purdon / interviewed by Noel King -- Toby Miller / interviewed by Deane Williams] -- Part V: UK and USA [Paul Willemen, Dana Polan / interviewed by Deane Williams -- Manuel Alvarado, Colin MacCabe, Edward Buscombe, Michael Eaton, Jim Kitses / interviewed by Noel King]
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serial
Australian film user / The Film Users' Association of Australia Sydney: The Association, 1955.
Call No: held v.10, no.1-v.13, no.3 Jan. 1964-Mar. 1967CorpAuthor: Film Users' Association of AustraliaSource: ATPlace: SydneyPublisher: The AssociationPubDate: 1955LON: abn88298995; 6134419
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Interim
book
Australian films 1959.
Call No: REFERENCE SECTION; 023(94)"year" AUS
held 1948/59-1981CorpAuthor: Commonwealth National LibraryPubDate: 1959Subject: AUSTRALIA ; FILMOGRAPHIES Notes: Catalogue
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Australian genre film / edited by Kelly McWilliam and Mark David Ryan New York: Routledge,
Call No: 730(94) AUSAuthor: McWilliam, Kelly ; Ryan, Mark David Edition: 2021Place: New YorkPublisher: RoutledgePhysDes: 248 pages : illustrated ; 23 cmSeries: Rutledge advances in film studiesSubject: AUSTRALIA ; GENRES ; BIOGRAPHICAL FILMS ; COMEDIES. AUSTRALIA ; CRIME FILMS. AUSTRALIA ; HORROR FILMS. AUSTRALIA ; MUSICALS. AUSTRALIA ; ROAD MOVIES. AUSTRALIA ; TEEN FILMS ; WAR FILMS AUSTRALIA Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.
The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western.
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web siteISBN: 9781138603141Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.
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Australian international pictures (1946-1975) / Adrian Danks and Constantine Verevis Edinburgh: Edinburgh University Press,
Call No: 71(94) DANAuthor: Danks, Adrian ; Verevis, Constantine Edition: 2023Place: EdinburghPublisher: Edinburgh University PressPhysDes: 224 pages ; 24 cmSeries: Traditions in World CinemaSubject: AUSTRALIA ; EALING STUDIOS ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; KANGAROO (AT, Lewis Milestone, 1952) ; ON THE BEACH (US, Stanley Kramer, 1959) ; SUNDOWNERS, THE (US, Fred Zinnemann, 1960) ; KOYA NO TOSEININ (JA, Junya Sato, 1968) ; AGE OF CONSENT (AT, Michael Powell, 1969) ; COLOR ME DEAD (US/AT, Eddie Davis, 1968) ; NED KELLY (UK, Tony Richardson, 1970) ; WALKABOUT (UK, Nicolas Roeg, 1971) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) Summary: Offers an important insight into the formative moments of transnational film culture in Australia
- Provides vibrant textual studies of under-evaluated Australian international pictures
- Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s
- Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival
- Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web siteISBN: 9780748693061Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.
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Australian media ownership / compiled by Allan Brown St. Lucia, Q.: Dept. of Economics, University of Queensland, 1977.
Call No: 203.5(94) BROAuthor: Brown, Allan, 1945 Place: St. Lucia, Q.Publisher: Dept. of Economics, University of QueenslandPubDate: 1977PhysDes: 33p. ; 30cmSubject: PRESS AND TV ; MEDIA. AUSTRALIA Notes: Press. Control & ownership. Australia (ANB/PRECIS SIN 009630x); Bibliography: p.33ISBN: 0909260036 : unpricedLON: anb90926003; 1648157
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Australian Melodrama : Eighty years of popular theatre / Eric Irvin Sydney: Hale & Iremonger, 1981.
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Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980.
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Australian motion picture yearbook 1983 / Edited by Peter Beilby and Ross Lansell Melbourne: 4 Seasons in association with Cinema Papers, c1982.
Call No: 71(94) (058) MOTSource: ATPlace: MelbournePublisher: 4 Seasons in association with Cinema PapersPubDate: c1982PhysDes: 478 p. : ill. ; 24 cmISSN: 0158698X
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Australian motion picture yearbook 1983 / Edited by Peter Beilby and Ross Lansell Melbourne: 4 Seasons, 1983.
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Australian movie world / Federation of Australian Amateur Cine Societies Melbourne: The Federation, 1976.
Call No: held no.2, no.26 Oct. 1976, Dec. 1978/Jan. 1979CorpAuthor: Federation of Australian Amateur Cine SocietiesSource: ATPlace: MelbournePublisher: The FederationPubDate: 1976PhysDes: v. ; 28 cmISSN: 0157-0684LON: abn83030434; 2489595
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Australian movies to the world : the international success of Australian films since 1970 / David White ; profiles of actors and directors by Debi Enker Sydney: Fontana Australia, 1984.
Call No: 71(94) WHIAuthor: White, David, 1940 ; Enker, Debi Place: SydneyPublisher: Fontana AustraliaPubDate: 1984PhysDes: 143 p. : ill., ports. ; 29 cmSubject: AUSTRALIA Notes: Based on a film documentary; Ill. on lining papers; Bibliography: p. 142ISBN: 0006367186LON: abn84227957; 3422115
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Australian movies to the world : the international success of Australian films since 1970 / David White; profiles of Actors and Directors by Debi Enker Sydney: Fontana Australia, 1984.
Author: White David Source: ATPlace: SydneyPublisher: Fontana AustraliaPubDate: 1984PhysDes: 28 cm; 143 p.Notes: also published by Cinema Papers in MelbourneISBN: 0006367186Donation: donated by the family of Wayne Levy, 2006
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"Australian-ness" and the film industry : between rhetorics of business and national culture / by Susan Dermody in collaboration with Elizabeth Jacka Broadway, [NSW]: News South Wales Institute of Technology,
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Australian popular culture / edited by Ian Craven with Martin Gray and Geraldine Stoneham Melbourne, Australia: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association, 1994.
Call No: 408.1(94) CRAAuthor: Craven, Ian ; Gray, Martin ; Stoneham, Geraldine Source: UKPlace: Melbourne, AustraliaPublisher: Cambridge University Press, published in association with Australian Studies and the British Australian Studies AssociationPubDate: 1994PhysDes: 228 pages, 2 folded leaves ; 24 cmSeries: Australian cultural studiesSubject: COPRODUCTION. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, TV. AUSTRALIA ; POPULAR CULTURE AND THE CINEMA. AUSTRALIA ; POPULAR CULTURE AND TV. AUSTRALIA Summary: "Australia's leisure culture is legendary, and as millions of British viewers of Neighbours, fans of Yothu Yindi or drinkers of Castlemaine XXXX would attest, Australian popular culture is popular outside of Australia. Australian Popular Culture is an exciting collection of essays bringing together new perspectives on the nature and meaning of a nation's changing life. The collection also explores the idea of popular culture at large. Leading authors represent a range of approaches, backgrounds and fields to explore subjects of wide interest within the categories of 'the everyday', 'the mass media' and 'critical theory'. Chapters are devoted to the Aussie Back Yard; Vegemite; postage stamps; Australian Rules football; the introduction of television; Crocodile Dundee; The Lindy Chamberlain Affair; Spycatcher; Domesticity, leisure and love and Postmodernism and Australian Culture." -Publisher description.Notes: 2 folded leaves inserted into back of book, entitled "Australian historical studies, style sheet for book reviewers"; Some text highlighted pages 66-76ISBN: 0521466679Contents: Introduction -- Part I. Popular Culture as the Everyday: 1. A brief cultural history of vegemite Robert White -- 2. The Australian back yard George Seddon -- 3. Stamp duty Xavier Pons -- 4. Australian football as secular religion Stephen Alomes -- Part II. Popular Culture and the 'Mass' Media: 5. Controlling the technology of popular culture and the introduction of television to Australia James Walter -- 6. 'Crocodile Dundee': the revival of American virtue Ruth Brown -- 7. The Boys from the Bush: television coproduction in the 1990s Ian Craven -- 8. Patterns of control in Australian crime fiction Stephen Knight -- 9. National fictions and the 'Spycatcher' trial Kevin Foster -- 10. Naturalising 'horror stories': Australian crime news as popular culture Christine Higgins -- Part III. Popular Culture and Critical Theory: 11. How to be a singer though married: domesticity, leisure and modern love Kay Ferres -- 12. The Wild Colonial Boy rides again and again: an Australian legend abroad Grahame Seal -- 13. Shaping the Plain Australian: Social analysis in the 1940s and 1950s Nicholas Brown -- 14. 'On the Beach': Apocalyptic hedonism and the origins of postmodernism Andrew Milner.
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Australian post-war documentary film : an arc of mirrors / Deane Williams Bristol, U.K. ; Chicago, USA: Intellect, 2008.
Call No: 761 WILAuthor: Williams, Deane Source: UKPlace: Bristol, U.K. ; Chicago, USAPublisher: IntellectPubDate: 2008PhysDes: 165 p., [8] p. of plates : ill. ; 24 cmSubject: DOCUMENTARIES. AUSTRALIA ; DOCUMENTARY FILMS. AUSTRALIA ; THREE IN ONE (AT, Cecil Holmes, 1956) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; MIKE AND STEPHANI (AT, Maslyn Williams, 1948-49) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; VALLEY IS OURS, THE (AT, John Heyer, 1948) Summary: "This book is, at one level, a selective history of Australian documentary film in the immediate post-war years. At another level it is a sketch of an internationalist progressive film culture in the same place and period. It examines some landmark films in Australian Film History and places these important works in an international context. In this work of film history Deane Williams proposes that, while these films have been understood as inferior remakes of "overseas" written, theatrical and filmic texts, these films are evidence of an Australian film culture that was a key participant in an international network of documentary practice and criticism."--BOOK JACKET.Notes: Includes bibliographical references (p. [157]-165); Includes filmography: p. [153]-156.ISBN: 9781841502106Contents: A realist film unit and association in Australia -- Cecil Holmes's folk politics : the intertextuality of Thee in one -- John Heyer's international perspective : The overlanders, The valley is ours, The back of beyond -- The neo-realism of Mike and Stefani -- Settler journeys
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journal article
Australian Rules in Empire (Australian Ed.) (September 2002) iss.18 p.43
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The Australian screen / edited by Albert Moran and Tom O'Regan Ringwood, Vic.: Penguin, 1989.
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The Australian Screen : A pictorial history of Australian film making / Eric Reade Melbourne: Lansdowne Press, 1975.
Source: AUPlace: MelbournePublisher: Lansdowne PressPubDate: 1975PhysDes: 27 cm; 308 p.ISBN: 0701803193Donation: donated by the family of Wayne Levy, 2006
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The Australian screen / edited by Albert Moran and Tom O'Regan Ringwood, Vic.: Penguin, 1989.
Source: ATPlace: Ringwood, Vic.Publisher: PenguinPubDate: 1989PhysDes: 304 p. : [16] p. of plates ; 23 cmISBN: 0140110240Donation: donated by the family of Wayne Levy, 2006
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Australian screen education Carlton South, Vic.: Australian Teachers of Media, 1999.
Call No: held 20/21- 1999CorpAuthor: Australian Teachers of Media; Cinemedia (Vic.)Source: ATPlace: Carlton South, Vic.Publisher: Australian Teachers of MediaPubDate: 1999PhysDes: v. : ill. ; 30 cmNotes: Continues: Metro Education; Cover title; A joint venture between Cinemedia and the Australian Teachers of Media (ATOM); "Indexed by Bibliographic Services in Education guidelines." -- T.p. versoISSN: 1443-1629Order Notes: currentFrequency: QuarterlyLON: 21224720AFIRC Location: Reading Room
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Australian screen in the 2000s / edited by Mark David Ryan and Ben Goldsmith Cham, Switzerland: Palgrave Macmillan, Available at ProQuest (RMIT login required)
Call No: 71(94) RYAAuthor: Ryan, Mark David ; Goldsmith, Ben Edition: 2017Place: Cham, SwitzerlandPublisher: Palgrave MacmillanPhysDes: xx, 370 pages ; 22 cmSummary: This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity. -- publisher's web siteISBN: 9783319482989
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Australian soundtrack recordings 1927-1996 : a discography of soundtracks and associated recordings relating to Australian film and televsion productions / compiled by Dennis Way Nicholson Sydney: Australian Music Centre, 1997.
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Australian story one of unfair licence fees in The Australian [Media] (20/03/2017) p.23
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Australian television : programs, pleasures & politics / edited by John Tulloch and Graeme Turner Sydney: Allen & Unwin, 1989.
Call No: 408.1(94) AUSAuthor: Tulloch, John, 1942 ; Turner, Graeme Place: SydneyPublisher: Allen & UnwinPubDate: 1989PhysDes: xv, 204 p. ; 22 cmSeries: Australian cultural studiesSubject: TELEVISION. AUSTRALIA ; NATIONAL CULTURE AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; GAMES SHOWS. AUSTRALIA ; SOAP OPERAS. AUSTRALIA ; DOCUMENTARIES. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; HISTORY OF TV. AUSTRALIA ; PERFECT MATCH [TV] (AT, 1984-89?) ; PRISONER [TV] (AT, 1979-86) ; COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994) ; LAST PLACE ON EARTH, THE [TV] (AT, 1987) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Notes: Includes bibliographies and indexISBN: 0043800300 (pbk.) : price unknownLON: 6398616
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996.
Call No: 203(94) CUNAuthor: Cunningham, Stuart ; Jacka, Elizabeth Place: Cambridge MelbournePublisher: Cambridge University PressPubDate: 1996PhysDes: xix, 284 p. : ill. ; 23 cmSubject: INDUSTRY, TV. AUSTRALIA ; AUSTRALIAN BROADCASTING CORPORATION ; EXPORT AND IMPORT OF TV. AUSTRALIA ; TELEVISION. AUSTRALIA ; PRODUCTION. AUSTRALIA ; VILLAGE ROADSHOW ; NATIONAL CULTURE AND TV. AUSTRALIA ; NEIGHBOURS [TV] (AT, 1985-) ; FLYING DOCTORS, THE [TV] (AT, 1986-91) ; PARADISE BEACH [TV] (AT, 1993-94) ; BEYOND 2000 [TV] (AT, 1985-) ; BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back coverNotes: Includes index; CIP confirmed; Bibliography: p. 254-270ISBN: 052147003X; 0521469740 (pbk.)LON: 11853714Donation: Counihan donation
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Australian TV : the first 25 years / edited by Peter Beilby ; assistant editor: John Tittensor, research: Ross Lansell, picture research: Keith Robertson Melbourne, Vic.: Thomas Nelson Australia, 1981.
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000.
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Australian women's film & video : a catalogue of films and video produced or directed by Australian women / compiled and researched by Chris Brophy; edited by Annette Blonski Melbourne: AFI Distribution Ltd, 1988.
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The Australians / compiled by Tony Stephens and Peter Luck Sydney: Lansdowne Press, 1981.
Call No: 79 AUS LUCAuthor: Luck, Peter Source: ATPlace: SydneyPublisher: Lansdowne PressPubDate: 1981PhysDes: 144 p. : ill. (some col.) ; 29 cm.Subject: AUSTRALIANS, THE [TV] (AT, 1981) Notes: Hard cover. -- Dust jacket. -- From scripts based on the tv series 'The Australians', by Curtis Levy, Bill Bennett, Kerry O'Brien, David Salter and Peter Luck.ISBN: 0701815515Donation: donated by the family of Wayne Levy, 2006
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Australians and the arts : what do the arts mean to Australians? : overview / a report to the Australia Council from Saatchi & Saatchi Australia Surry Hills, N.S.W.: Australia Council, 2000.
Call No: 410(94) COSAuthor: Costantoura, Paul CorpAuthor: Saatchi & Saatchi Australia; Australia CouncilPlace: Surry Hills, N.S.W.Publisher: Australia CouncilPubDate: 2000PhysDes: 100 pSubject: AUSTRALIA COUNCIL Notes: "Researched and written by Paul Costantoura" --T.p. versoISBN: 0642472270LON: 21704424
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Australians at MIPTV and MILIA 2006 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2006.
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journal article
Australians make a smokey mark on world cinema in Encore (Feb 2000) vol.18 iss.1 p.16
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newspaper article
The Australians who ate Cannes in AFR Weekend (21/05/2016) p.43
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. CANNESAuthor: Doggett-Williams, John PhysDes: Clippings File ArticleSubject: FESTIVALS. CANNES Summary: A lengthy article on the Australian prescence at the Cannes Film Festival since the 1970s and it's importance to the exhibition and distribution of Australian films and of films in Australia. A number of filmmakers, producers, and employees of the Australian Film Commission and Screen Australia are quoted including Antony Ginnane, Natalie Miller, Al Clark, Graeme Mason, Dr George Miller, Stephan Elliot, Sue Murray, Phillip Adams.
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Auteurs and authorship : a film reader / edited by Barry Keith Grant Malden, MA: Blackwell Publishing, 2008.
Call No: 621(04) GRAAuthor: Grant, Barry Keith Source: USPlace: Malden, MAPublisher: Blackwell PublishingPubDate: 2008PhysDes: xv, 323p. : ill. ; 25cmSubject: AUTEUR THEORY Summary: Collection of critical essays on film authorship.Notes: Includes bibliographic referencesISBN: 9781405153348Language: EnglishContents: A certain tendency of the French cinema (1954) / Francois Truffaut -- La politique des auteurs (1957) / Andre Bazin -- Films, directors, and auteurs (1962) / Ian Cameron -- Notes on the auteur theory in 1962 (1962) / Andrew Sarris -- Circles and squares (1963) / Pauline Kael -- The auteur theory (1969) (excerpt) / Peter Wollen -- Direction and authorship (1972) (excerpt) / V.F. Perkins -- Ideas of authorship (1973) / Edward Buscombe -- Ideology, genre, auteur (1977) / Robin Wood -- The death of the author (1968) / Roland Barthes -- The English cine-structuralists (1973) / Charles Eckert -- Alternatives to auteurs (1973) / Graham Petrie -- Women's cinema as counter-cinema (1973) / Claire Johnston -- Refocusing authorship in women's cinema (2003) / Angela Martin -- The men with the movie cameras (1972) / Richard Kosarzski -- Notes on a screenwriter's theory, 1973 (1974) / Richard Corliss -- Who makes the movies? (1976) / Gore Vidal -- Script/performance/text : performance theory and auteur theory (1978) / Peter Lehman -- Studio authorship (2006) (excerpt) / Jerome Christensen -- The producer as auteur (2006) / Matthew Bernstein -- Authorship, design, and execution (1987) / Bruce Kawin -- Hitchcock's imagery and art (1977) / Maurice Yacowar -- John Ford's Young Mr. Lincoln (1970) / editors of Cahiers du Cinema -- Towards an analysis of the Sirkian system (1972) / Paul Willeman -- My name is Joseph H. Lewis (1983) / Paul Kerr -- Authorship as a commodity: the art cinema and The cabinet of Dr. Caligari (1984) / Michael Budd -- The place of women in the cinema of Raoul Walsh (1974) / Claire Johnston and Pam Cook -- Female authorship reconsidered (the case of Dorothy Arzner) (1990) / Judith Mayne -- Man's favorite sport?--the action films of Kathryn Bigelow (2004) / Barry Keith Grant -- Todd Haynes and queer authorship (2006) / Michael DeAngelis -- Twoness in the style of Oscar Micheaux (1993) / J. Ronald Green -- Spike's joint (1998) (excerpt) / S. Craig Watkins.
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Authors on film / edited by Harry M. Geduld Bloomington IN: Indiana University Press, 1972.
Call No: 67(049.32) AUTSource: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 1972PhysDes: xiii, 303 p. : 21 cmSubject: CRITICS Summary: Essays and articles by famous authors about filmISBN: 0253201799Donation: donated by the family of Wayne Levy, 2006Contents: Foreward by Harry M. Geduld -- From Silence to Sound -- The Kingdom of Shadows / Maxim Gorky -- McTeague at the movies / Frank Norris -- It may turn out to be a powerful thing / Leo Tolstoy -- Nickelodeons and common shows / Upton Sinclair -- Over the Hill / Upton Sinclair -- Childhood memories / Jean-Paul Sartre -- The Cabinet of Dr. Caligari / Carl Sandburg -- Nosferatu / Andre Gide -- Nosferatu / Jack Kerouac -- On The Gold Rush: "Less security / Bertolt Brecht -- The silliest film: will machinery make robots of men? / H. G. Wells -- Silence is golden / Aldous Huxley -- The Medium and its Messages -- Editor's easy chair / W. D. Howells -- The movies and reality / Virginia Woolf -- Appendix from Moronia / H. L. Mencken -- The message of motion pictures / Jack London -- On the movies / G. K. Chesterton -- About the films / G. K. Chesterton -- On The Blue Angel: Heinrich Mann to Karl Lemke / Heinrich Mann -- The Blue Angel is shown to me / Heinrich Mann -- On the film / Thomas Mann -- Concerining music for the film / Bertolt Brecht -- Three reviews / Graham Greene -- What is art, Jean-Luc Godard? / Louis Aragon -- Authors on Screenwriting -- The dramatist and the photoplay / Henry Arthur Jones -- D'Annunzio and film / Tom Antongini -- On writing for the films / W. Somerset Maugham -- Concerning the film / Bertolt Brecht -- Preface to the film version of Murder in the Cathedral / T. S. Eliot -- The writer and motion pictures / Truman Capote -- The writer and motion pictures / William Faulkner -- The Hollywood Experience -- My Hollywood experience / William Faulkner -- The real sins of Hollywood / Theodore Dreiser -- Letter to his daughter / F. Scott Fitzgerald -- The language of Hollywood / James T. Farrell -- Of Mice and Movie Stars -- Mickey and Minnie / E. M. Forster -- Encounter with Chaplin / Jean Cocteau -- Says Chaplin could play serious drama / Carl Sandburg -- Has the flapper changed? (Interview with F. Scott Fitzgerald) / Margaret Reid -- Appendix from Moronia: Valentino / H. L. Mencken -- Adagio dancer (on Valentino) / John Dos Passos -- A tribute to mamma from Papa Hemingway (on Marlene Dietrich) / Ernest Hemingway -- Sidney Poitier / James Baldwin -- Notes on authors -- index
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Authorship and Hollywood in Wide Angle (1983) vol.5 iss.3 p.16-22
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Autism in film and television : on the island / edited by Murray Pomerance and R. Barton Palmer Austin: University of Texas Press, April 2022.
Call No: 747.77(73) AUTAuthor: Pomerance, Murray ; Palmer, R. Barton Edition: 2022Place: AustinPublisher: University of Texas PressPubDate: April 2022PhysDes: 324 pages ; 23.5 cmSubject: PEOPLE WITH DISABILITIES IN FILMS ; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994) ; LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016) ; RAIN MAN (US, Barry Levinson, 1988) ; GOOD DOCTOR, THE [TV] ( US, 2017 - ) ; BIG SHORT, THE (US, Adam McKay, 2015) ; STRANGER THINGS [TV] (US, 2016) ; SOCIAL NETWORK, THE (US, David Fincher, 2010) ; NIGHTCRAWLER (US, Dan Gilroy, 2014) ; ACCOUNTANT, THE (US, Gavin O'Connor, 2016) ; BEING THERE (US, Hal Ashby, 1979) ; PHANTOM THREAD (US, Paul Thomas Anderson, 2017) ; DAVID AND LISA (US, Frank Perry, 1962) ; MARY POPPINS (US, Robert Stevenson, 1964) Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.
Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web siteISBN: 9781477324912Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.
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The autobiography / Franco Zeffirelli London: Arrow, 1987.
Author: Zeffirelli, Franco Source: UKPlace: LondonPublisher: ArrowPubDate: 1987PhysDes: 358 p. : ill., ports ; 22 cm.Notes: First published by George Weidenfeld & Nicolson 1986.
Includes index.
Arena bookISBN: 009955030XDonation: donated by the family of Wayne Levy, 2006
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Autobiography of a princess, also being the adventures of an American film director in the land of the Maharajas / compiled by James Ivory ; photos. by John Swope and others ; screenplay by Ruth Prawer Jhabvala New York: Harper & Row, c1975.
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The autobiography of Cecil B. DeMille / edited by Donald Hayne London: W.H.Allen, 1960.
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The avant-garde film : a reader of theory and criticism / edited by P. Adams Sitney New York: Anthology Film Archives, 1987.
Call No: 771 SITAuthor: Sitney, P. Adams Source: USPlace: New YorkPublisher: Anthology Film ArchivesPubDate: 1987PhysDes: xlv, 295 pages : illustrations ; 23 cmSeries: Anthology film archives series ; v. 3Subject: EXPERIMENTAL FILMS ; AVANT-GARDE FILMS ; UNDERGROUND FILMS Summary: "This is a comprehensive anthology of writings by and about avant-garde filmmakers, edited with an historical introduction by a noted authority on film. Several theoretical and critical articles appear here for the first time, while many others have been translated into English especially for this collection, making available to the reader the vivid and continuing debate about the essence of cinema which began with the Surrealist, Dadist and Constructivist filmmakers of the 1920s and which is an important and fascinating aspect of the history of the most modern art." - taken from back cover.Notes: Includes index (pp. 291-295). -- c1978ISBN: 0911689087Contents: P. Adams Sitney: Introduction -- Dziga Vertov: Selected Writings -- Sergei Eisenstein: On the Question of a Materialist Approach to Form -- Hans Richter: The Badly Trained Sensibility -- Jean Epstein: The Essence of Cinema -- Jean Epstein: For a New Avant-Garde -- Germaine Dulac: From "Visual and Anti-visual Films" -- Germaine Dulac: The Essence of the Cinema: The Visual idea -- Germaine Dulac: The Avant-Garde Cinema -- Atonin Artaud: Sorcery and the Cinema -- Joseph Cornell: Monsieur Phot -- Maya Deren: Cinematography: The Creative Use of Reality -- Sidney Peterson: Cine Dance and Two Notes -- James Broughton: Two Notes on Mother's Day -- John and James Whitney: Audio-Visual Music -- P. Adams Sitney: Harry Smith Interview -- Harry Smith: On Mahogany -- Carel Rowe: Illuminating Lucifer -- Stan Brakhage: from Metaphors on Vision -- Stan Brakhage: Letter to Yves Kovacs (On Surrealism) -- Stan Brakhage: Letter to Ronna Page (On Music) -- Peter Kubelka: The Theory of Metrical Film -- Stephen Koch: Andy Warhol's Silence -- Annette Michelson: Toward Snow -- Michael Snow: Two Letters and Notes on Films -- Jonas Mekas: The Diary Film -- P. Adams Sitney: Autobiography in Avant-Garde Film -- Ernie Gehr: Program Notes -- Anthony McCall: Two Statements -- Paul Sharits: Hearing:Seeing -- Paul Sharits: from "Words Per Page" -- Tony Conrad: A Few Remarks Before I Begin -- Hollis Frampton: Lecture -- Hollis Frampton: A Pentagram For Conjuring the Narrative
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Avengers: age of ultron in Sunday Herald Sun [Arts & Entertainment] (26/04/2015) p.87
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Aviation Australia [1982].
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990.
Call No: 71(94) STRAuthor: Stratton, David Place: Chippendale, N.S.W.Publisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmSubject: FILMOGRAPHIES. AUSTRALIA ; INDUSTRY, FILM. AUSTRALIA ; AUSTRALIA ; TAXES. AUSTRALIA ; MILLER, GEORGE ; LAWRENCE, RAY ; COX, PAUL ; BENNETT, BILL ; DOBROWOLSKA, GOSIA ; PARKER, DAVID ; SALVAT, KEITH ; SCHEPISI, FRED ; SCHULTZ, CARL ; SULLIVAN, ERROL ; TASS, NADIA ; TURKIEWICZ, SOPHIA ; WEIR, PETER ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; TIME GUARDIAN, THE (AT, Brian Hannant, 1987) ; SILVER CITY (AT, Sophia Turkiewicz, 1984) ; MALCOLM (AT, Nadia Tass, 1986) ; BURKE AND WILLS (AT, Graeme Clifford, 1985) ; BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket]Notes: Includes indexISBN: 0732902509LON: 7520974Donation: Simon WincerID2: 255
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Sydney: Pan Macmillan, 1990.
Author: Stratton, David Source: ATPlace: SydneyPublisher: Pan MacmillanPubDate: 1990PhysDes: xiii, 465 p. : ill. ; 25 cmISBN: 0732902509Donation: donated by the family of Wayne Levy, 2006
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Avontuur met De Flying Doctors / Emily Crawford Kampen: La Riviere & Voorhoeve, 1993.
Author: Crawford, Emily Source: The NetherlandsPlace: KampenPublisher: La Riviere & VoorhoevePubDate: 1993PhysDes: 21 cm ; 224 p.ISBN: 9038405618Language: DutchDonation: donated by the family of Wayne Levy, 2006
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Awake in the dark : an anthology of American film criticism, 1915 to the present / edited by David Denby New York: Vintage Books, 1977.
Call No: 67(04) AWAAuthor: Denby, David Edition: 1st edPlace: New YorkPublisher: Vintage BooksPubDate: 1977PhysDes: xxii, 391 p. ; 21 cmISBN: 0394721942 pbk. : $4.95LON: 76062494; 851761
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B is for bad cinema : aesthetics, politics and cultural value / edited by Claire Perkins and Constantine Verevis Albany, New York: State University of New York Press, c2014.
Call No: 730.2 BISAuthor: Perkins, Claire ; Verevis, Constantine Source: USPlace: Albany, New YorkPublisher: State University of New York PressPubDate: c2014PhysDes: xi, 262 pages : illustrations ; 24 cmSubject: AESTHETICS ; AUTHORSHIP ; B-MOVIES ; CULT FILMS ; CULTURE AND THE CINEMA ; EXPLOITATION FILMS ; POLITICS AND THE CINEMA ; SUBTITLES ; CANDY (AT, Neil Armfield, 2005) ; EVIL DEAD, THE (US, Sam Raimi, 1982 [prod. 1980]) ; MARNIE (US, Alfred Hitchcock, 1964) Summary: B Is For Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad" - that is, aesthetically, morally, or commercially disreputable - cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach badcinema in terms of aesthetics, politics and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic effect, and onto the broader moral and ethical implications of the material. As a result, B Is For Bad Cinema takes an interest in a variety of film examples - overblown Hollywood blockbusters, faux pornographic works, and European art house films - to consider those that lurk on the boundaries of acceptability." -- BOOK BLURBNotes: Includes bibliographical references and index.ISBN: 9781438449951Contents: Introduction: B for bad cinema / Claire Perkins and Constantine Verevis; Part 1: Aesthetics -- Explosive apathy / Jeffrey Sconce -- B-grade subtitles / Tessa Dwyer -- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks -- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer -- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance -- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton; Part 2: Authorship -- Coffee in paradise: the horn blows at midnight / Tom Conley -- The risible: on Jean-Claude Brisseau / Adrian Martin -- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan -- Liking The magus / I.Q. Hunter -- BADaptation: is candy faithful? / Constantine Verevis
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Babe / Dick King-Smith ; illustrated by Mary Rayner. Ringwood, Vic: Puffin, 1995.
Call No: N79BAB KINAuthor: King-Smith, Dick Edition: Tv and film tie-in ed.Source: ATPlace: Ringwood, VicPublisher: PuffinPubDate: 1995PhysDes: 118 p : ill. ; 20 cmSubject: BABE (AT, Chris Noonan, 1995) Notes: Originally published as The sheep-pig c1983. -- Film directed by Chris Noonan and starring James Cromwell and Magda Szubanski-Back Cover.ISBN: 0140381430
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BABY BATH MASSACRE / Warik Lawrence [1994].
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Bachelor boys : the Young Ones book / Elton, Ben / Mayall, Rik / Mayer, Lise United Kingdom: Sphere Books Limited, 1984.
Call No: 79 YOU ELTAuthor: Elton, Ben ; Mayall, Rik ; Mayer, Lise Place: United KingdomPublisher: Sphere Books LimitedPubDate: 1984PhysDes: [124] p. : ill., ports ; 23cmSubject: YOUNG ONES, THE [TV] (UK, 1982-84) ; MAYALL, RIK ; EDMONDSON, ADRIAN ; PLANER, NIGEL Notes: Humour in English,. 1945- - Texts (BNB/ PRECIS)ISBN: 0722157657
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Back in familiar haunts in Sydney Morning Herald [Shortlist] (9/02/2018) p.1
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The back of beyond / a compilation by Eric Else for use in studying John Heyer's film of inland Australia London: Longmans, 1968.
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The back of beyond : a compilation by Eric Else for use in studying John Heyer's film of Inland Australia / Eric Else London: Longmans, 1968.
Author: Eric Else Place: LondonPublisher: LongmansPubDate: 1968PhysDes: 176 p. : ill ; 24 cmDonation: donated by the family of Wayne Levy, 2006
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Back to the future / a novel by George Gipe ; based on a screenplay by Robert Zemeckis and Bob Gale London: Corgi, 1985.
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Back to the future in Sunday Herald Sun [TV Guide] (17/04/2016) p.4
Call No: TITLE CLIPPINGS FILE; TOMORROW WHEN THE WAR BEGAN [TV] (AT, 2016-)Author: Dunk, Tiffany PhysDes: Clippings File ArticleSubject: TOMORROW WHEN THE WAR BEGAN [TV] (AT, 2016-) Summary: Tomorrow When the War Began is a six part drama based ofn the John Marden books stars Sibylla Budd, Debra Mailman and Spencer McLaren.
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Back to the future in Herald Sun (13/06/2018) p.40
Author: Colin Vickery PhysDes: Clippings File ArticleSummary: film interview The addictive nature of technology today helped Leigh Whannell give his new film legs, writes Colin Vickery
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Back to the future part II / Craig Shaw Gardner London: Headline, 1989.
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Backroads in Empire (Australian Ed.) (December 2004) iss.45 p.112
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Backstory : interviews with screenwriters of Hollywood's golden age / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1986.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1986PhysDes: viii, 382 p. : ports. ; 24 cmSubject: BENNETT, CHARLES ; BURNETT, W. R. ; BUSCH, NIVEN ; CAIN, JAMES M ; COFFEE, LENORE ; DUNNE, PHILIP ; EPSTEIN, JULIUS J. ; GOODRICH, FRANCES ; HACKETT, ALBERT ; KRASNA, NORMAN ; MAHIN, JOHN LEE ; MAIBAUM, RICHARD ; ROBINSON, CASEY ; SCOTT, ALLAN ; STEWART, DONALD OGDEN Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work.
The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.Notes: Includes indexes; Bibliography: p. 349-364ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)LON: 85028949; 4218775
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Backstory 2 : interviews with screenwriters of the 1940s and 1950s / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1991.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Place: BerkeleyPublisher: University of California PressPubDate: 1991PhysDes: viii, 417 p. : ill. ; 24 cmSubject: BRACKETT, LEIGH ; BROOKS, RICHARD ; COMDEN, BETTY ; GREEN, ADOLPH ; KANIN, GARSON ; KINGSLEY, DOROTHY ; LAURENTS, ARTHUR ; MADDOW, BEN ; MAINWARING, DANIEL ; REISCH, WALTER ; SIODMAK, CURT ; STERN, STEWART ; TARADASH, DANIEL ; YORDAN, PHILIP Notes: Includes bibliographical references (p. 391-393) and indexesISBN: 0520209087 (pbk.); 0520071697 (alk. paper)LON: 90011172; 7420735
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Backstory 4 : interviews with screenwriters of the 1970s and 1980s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2006.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2006PhysDes: x, 423 p. : ill. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BENTON, ROBERT ; COHEN, LARRY ; EDWARDS, BLAKE ; HILL, WALTER ; JHABVALA, RUTH PRAWER ; KASDAN, LAWRENCE ; LEONARD, ELMORE ; MAZURSKY, PAUL ; MEYERS, NANCY ; MILIUS, JOHN ; RAPHAEL, FREDERIC ; WESTLAKE, DONALD ; SARGENT, ALVIN Summary: "Continuing Patrick McGuilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfull detailed and personal stories from veteran writers of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great films, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and business of screenwriting."-- Back coverNotes: Formerly CIP; Includes bibliographical references (p. 389-396) and indexISBN: 9780520245181; 0520245180 (pbk. : alk. paper)Contents: -- acknowlegments -- introduction -- Robert Benton : the new traditionalist / interview by Christian Keathley -- Larry Cohen : manic energy / interview by Patrick McGilligan -- Blake Edwards : jumping around / interview by Bill Krohn --
Walter Hill : last man standing / interview by Patrick McGilligan -- Ruth Prawer Jhabvala : out of India / interview by Vincent LoBrutto -- Lawrence Kasdan : a humanist in Hollywood / interview by Graham Fuller -- Elmore Leonard : the hot kid / interview by Patrick McGilligan -- Paul Mazursky : a map of the heart / interview by Nat Segaloff -- Nancy Meyers : late bloomer / interview by Fred Topel -- John Milius : the good fights / interview by Nat Segaloff -- Frederic Raphael : renaissance man / interview by John Baxter -- Alvin Sargent : pursuit and destination / interview by Patrick McGilligan -- Donald E. Westlake : the worst that could happen / interview by Patrick McGilligan -- bibliographic notes -- about the contributors -- general index -- index of films, plays, and books --
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Backstory 5 : interviews with screenwriters of the 1990s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2010.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 2010PhysDes: viii, 252 p. ; 23 cmSubject: SCRIPTWRITERS ; SCRIPTWRITERS. USA ; BROOKS, ALBERT ; CARRIERE, JEAN-CLAUDE ; EPHRON, NORA ; HARWOOD, RONALD ; HUGHES, JOHN (US) ; KOEPP, DAVID ; LAGRAVENESE, RICHARD ; LEVINSON, BARRY ; ROTH, ERIC ; SAYLES, JOHN ; STOPPARD, TOM ; TURNER, BARBARA ; WURLITZER, RUDY Summary: "The thirteen featured writers are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan's words, a 'snapshot of a profession in motion.' Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges." -- Back coverNotes: Includes bibliographical references and indexesISBN: 9780520260399Contents: -- acknowledgements -- introduction -- Albert Brooks: me generation everyman / Interview by Gavin Smith -- Jean-Claude Carrie`re: breaking the rules / interview by Mikael Colville-Andersen -- Nora Ephron: feminist with a funny bone / interview by Patrick McGilligan -- Ronald Harwood: imagination / interview by Patrick McGilligan -- John Hughes: straight outta Shermer / interview by William Ham -- David Koepp: sincerity / interview by Patrick McGilligan -- Richard LaGravenese: a writer under the influence / interview by Tom Matthews -- Barry Levinson: the journey / interview by Patrick McGilligan -- Eric Roth: pride of authorship / interview by Patrick McGilligan -- John Sayles: the nonconformist / interview by Nick Dawson -- Tom Stoppard: adventures in movies / interview by Vincent Lobrutto -- Barbara Turner: free spirit / interview by Patrick McGilligan -- Rudy Wurlitzer: questing / interview by Lee Hill -- abiut the contributors -- general index -- index of films, plays, books --
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Bad Boy Bubby / Gabrielle Murray (author) Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013.
Call No: 79 BAD MURAuthor: Murray, Gabriel Source: UKPlace: Houndmills, Basingstoke, HampshirePublisher: Palgrave MacmillanPubDate: 2013PhysDes: 152 pages : illustrations ; 19 cm.Series: controversiesSubject: BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; CENSORSHIP. AUSTRALIA ; CENSORSHIP. UK ; ANIMALS IN FILMS ; PEOPLE WITH DISABILITIES IN FILMS Summary: Bad Boy Bubby focuses on a 35 year-old man-child whose 'mother/keeper' keeps him imprisoned in a windowless hovel. From the moment it entered the festival cycle in 1993, the film has polarized audiences. This volume examines how and why the film produced such conflicting responses, as well as reviewing its current relevance. -- PUBLISHERS WEB SITEISBN: 9780230296769Contents: Introduction -- synopsis -- 1 Somewhere between exploitation and art cinema -- 2 Censorship, film festival classifications and pressure groups -- 3 Animal cruelty and the cinema -- 4 Key scene analysis -- 5 Key themes -- 6 Legacy -- Appendix A Key Details -- Appendix B Notes -- Appendix C References.-- Index
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Bad girl / story by Fin Edquist and Steve Kearney. AT: 2015.
Call No: S BADAuthor: Edquist, Fin ; Kearnery, Steve Edition: 9th draft (shooting)Place: ATPubDate: 2015PhysDes: 86 leaves ; 30 cm.Subject: BAD GIRL (AT, Fin Edquist, 2016) Summary: "Bad girl Amy, 17, is given one last chance by her adoptive parents, who think Amy's friendship with local girl Chloe is a step in the right direction. But when Amy discovers Chloe's secret she finds herself fighting for her life, and for the future of the family she herself tried to destroy." Written by Producers - IMDbNotes: Unpublished scriptDonation: AFI / AACTA
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The bad guys : a pictorial history of the movie villain / by William K. Everson New York: Citadel Press, 1964].
Call No: 451-013 EVEAuthor: Everson, William K Edition: [1st ed.]Place: New YorkPublisher: Citadel PressPubDate: 1964]PhysDes: xiii, 241 p. : ill., ports. ; 29 cmSubject: MEN IN FILMS LON: 64025629; 1531911
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The bad Lord Byron / by Sydney Box and Vivian Cox London: Convoy Publications, 1949.
Call No: 79BAD BOXAuthor: Box, Sydney, 1907 ; Cox, Vivian Place: LondonPublisher: Convoy PublicationsPubDate: 1949PhysDes: 112 p. : ill. ; 19 cmLON: abn86272113; 4827001
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Baker film a Breath of fresh air : shooting begins on Mentalists star's major project in Daily Telegraph [Sydney Confidential] (12/04/2016) p.18
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Baker's delight: time to breathe after 'profound' moment in Sun Herald (29/04/2018) p.18
Author: Garry Maddox PhysDes: Clippings File ArticleSummary: Simon Baker was the star of one of the most successful shows on American television, The Mentalist, when he found himself sobbing as he read a book. A producer had sent him a copy of Tim Winton's Breath and the emotional story about two young surfers growing up in a coastal town felt deeply personal.
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Baker's new film hits messy legal dispute over finance in Sydney Morning Herald (15/08/2017) p.3
Author: Garry Maddox PhysDes: Clippings File ArticleSummary: A film adaptation of Tim Winton's acclaimed novel Breath, directed by The Mentalist star Simon Baker, has run into a messy legal dispute before it has even premiered. One of the financiers of the Australian drama, Arclight Films, is threatening legal action against the production company.
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Ballet for film and television London: Pitman, [1950].
Call No: 751.2 FRAAuthor: Franks, A. H. (Arthur Henry), 1907 Place: LondonPublisher: PitmanPubDate: [1950]PhysDes: ix, 85 p. plates. 23 cmSubject: DANCE FILMS Notes: Bibliography: p. 73-77. "A short catalogue of dance and ballet films": p. 78-82LON: 1335577
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The Baltic business / a novel by Peter Corris Melbourne: Penguin Books, 1988.
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Bambi vs Godzilla : on the nature, purpose, and practice of the movie business / David Mamet New York, NY: Pantheon, 2007.
Call No: 935 MAMAuthor: Mamet, David Source: USPlace: New York, NYPublisher: PantheonPubDate: 2007PhysDes: xii, 250p. : 22cm.Subject: SCRIPTWRITING Summary: Mamet's a veteran screenwriter and director (currently producing The Unit for CBS), but that doesn't mean he has any great love for the industry—his Hollywood is the stereotypically corrupt and cutthroat world where screenwriters willingly change their stories to accommodate every stupid suggestion from producers, who are blatantly lining their own pockets, while stars bicker over who has the bigger trailer.Notes: Includes indexISBN: 97803754422539Language: English
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La Banda Casaroli di Florestano Vancini / a cura di Vincenzo Bassoli [Bologna]: Cappelli Editore, 1962].
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The Bank in Empire (Australian Ed.) (March 2002) iss.12 p.101
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Bank, The : post production draft five [2001].
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Banksy does New York in Sunday Herald Sun (26/04/2015) p.87
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Banned : tales from the bizarre history of Australian obscenity / by James Cockington Sydney: ABC Books for the Australian Broadcasting Corporation, 2005.
Call No: 44 COCAuthor: Cockington, James Source: ATPlace: SydneyPublisher: ABC Books for the Australian Broadcasting CorporationPubDate: 2005PhysDes: ix, 246 p. : ill., ports ; 24 cmSubject: PORNOGRAPHY IN FILMS ; CENSORSHIP ; CENSORSHIP. AUSTRALIA ; ETHICS AND THE CINEMA ; ETHICS AND TV ; ETHICS IN FILMS ; AUSTRALIA Summary: "Banned takes a fearless look at the weird ways of Australian wowserism. It describes landmark legal cases such as the Oz trial in 1964 and the decision to allow full-frontal nudity in the rock opera Hair in 1969. It also tackles more obscure scandals such as police raids on 'immoral' pyjama parties in Surfer's Paradise in the 1950s, the bikini police, the sacking of a 'Romper Room' presenter for wearing too revealing a dress and Gra-Gra's infamous crow call, among many absurd others in the history of polite society. " -- BOOK JACKETISBN: 073331502XContents: Contents: Great moments in obscenity -- Beyond Victoriana -- Taking the waters -- W.J. Chidley's answer -- Dirty dancing and stage kissing -- Backless Betty from Bondi -- Mr Bandparts -- Inversion and perversion -- Boult--upright -- Fun in little Bohemia -- Battle of the bikinis -- Freak show -- Moral devastation -- Sex swaps -- The knight and the witch -- Pyjama parties -- Ruth, Lenny and the Lady Chatterley word -- Toplessness -- Much ado about nothing -- Naughty little boys -- Full frontal -- Grubby gra gra -- How far is too far? -- This is too far -- Morality for the new millennium.
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Banned films : movies, censors, and the First Amendment / Edward de Grazia and Roger K. Newman New York: Bowker, 1982.
Call No: 44(73) DEGAuthor: De Grazia, Edward, 1927 ; Newman, Roger K Place: New YorkPublisher: BowkerPubDate: 1982PhysDes: xxiii, 455 p., [16] p. of plates : ill. ; 25 cmSubject: CENSORSHIP. USA ; BANNED FILMS. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; EXORCIST, THE (US, William Friedkin, 1973) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; CARNAL KNOWLEDGE (US, Mike Nichols, 1971) ; ALIBI (US, Roland West, 1929) Notes: Includes index; Bibliography: p. 391-394ISBN: 0835215091; 0835215113 (soft)LON: 2214260
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Banned films : movies, censors and the First Amendment / Edward de Grazia and Roger K. Newman New York: Bowker, 1982.
Author: De Grazia, Edward ; Newman, Roger K. Source: USPlace: New YorkPublisher: BowkerPubDate: 1982PhysDes: xxiii, 455 p., [16] p. of plates : ill. ; 25 cm.Notes: Includes index.; Bibliography: p. 391-394.ISBN: 0835215091; 0835215113 (soft)Donation: donated by the family of Wayne Levy, 2006
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Barbara Stanwyck / Al DiOrio New York: Berkley Books, 1985, c1983.
Call No: 81STA DIOAuthor: DiOrio, Al Source: USPlace: New YorkPublisher: Berkley BooksPubDate: 1985, c1983PhysDes: 247 p. : ill. ; 18cmSubject: Stanwyck, Barbara ; BROADWAY NIGHTS (US, Jospeph Boyle, 1927) ; LOCKED DOOR, THE (US, George Fitzmaurice, 1929) ; MEXICALI ROSE (US, Erle Kenton, 1929) ; LADIES OF LEISURE (US, Frank Capra, 1930) ; ILLLICIT (US, Archie Mayo, 1931) ; TEN CENTS A DANCE (US, Lionel Barrymore, 1931) ; NIGHT NURSE (US, William Wellman, 1931) ; MIRACLE WOMAN, THE (US, Frank Capra, 1931) ; FORBIDDEN (US, FrankCapra, 1932) ; SHOPWORN (US, Nicholas Grinde, 1932) ; SO BIG (US, William Wellman, 1932) ; PURCHASE PRICE, THE (US, William Wellman, 1932) ; BITTER TEA OF GENERAL YEN, THE (US, Walter Wanger, 1933) ; LADIES THEY TALK ABOUT (US, Howard Bretherton and William Keighley, 1933) ; BABYFACE (US, Alfred Green, 1933) ; EVER IN MY HEART (US, Archie Mayo, 1933) Notes: Filmography and credit listing included of all Stanwycks films.ISBN: 0425094553
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Barbra Streisand : the woman, the myth, the music / Shaun Considine London: Century Hutchinson, 1986.
Call No: 81STR CONAuthor: Considine, Shaun Source: UKPlace: LondonPublisher: Century HutchinsonPubDate: 1986PhysDes: viii, 394 p. : ill. ; 23 cmSubject: STREISAND, BARBRA ; BEATTY, WARREN ; GOULD, ELLIOTT ; KRISTOFFERSON, KRIS ; O'NEAL, RYAN ; PETERS, JON ; FUNNY GIRL (US, William Wyler, 1968) ; HELLO, DOLLY! (US, Gene Kelly, 1969) ; YENTL (US, Barbara Streisand, 1983) ISBN: 0712610820
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Barthes / Jonathan Culler Great Britain: Fontana, 1983.
Call No: 81BAR CULAuthor: Culler, Jonathan, 1944- Place: Great BritainPublisher: FontanaPubDate: 1983PhysDes: 128p ; 18cmSubject: BARTHES, ROLAND Notes: Includes bibliographyISBN: 0006359744LON: abn83075024; 2685113
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Bastard boys / Sue Smith Strawberry Hills, NSW: Currency Press, 2007.
Call No: 79BAS SMIAuthor: Smith, Sue CorpAuthor: Film Finance Corporation Australia; Australian Broadcasting Corporation; New South Wales Film and Television Office; Film Victoria; Flying Cabbage ProductionsSource: AustraliaPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2007PhysDes: viii, 216 p. : ill. ; 24cmSubject: SCRIPTS. AUSTRALIA ; HISTORICAL DRAMAS. AUSTRALIA ; SERIALS. AUSTRALIA ; TRADE UNIONS. AUSTRALIA ; INDUSTRIAL RELATIONS. AUSTRALIA ; RESTRICTIVE PRACTICES. AUSTRALIA ; LABOUR. AUSTRALIA ; COURTROOM DRAMAS ; SOCIAL PROBLEMS ON TV. AUSTRALIA ; CONTROVERSIAL ISSUES ON TV. AUSTRALIA ; POLITICS ON TV. AUSTRALIA ; POLITICAL PERSONALITIES ON TV. AUSTRALIA ; POLITICAL DRAMAS. AUSTRALIA ; STATE AND TV ; BASTARD BOYS (AT, Raymond Quint, 2007) Summary: Script for the 2007 ABC TV mini-series 'Bastard Boys'.
"On 7 April 1998, security guards moved onto Patrick Stevedores docks around Australia and ordered the waterfront workers to stand down immediately. What followed this unprecedented attack on the Maritime Union of Australia (MUA) was an industrial dispute that developed into a campaign for the hearts and minds of all Australians. 'Bastard Boys' tells the story of the fight that stopped the nation.
"A political thriller, war film, buddy movie, love story and courtroom drama all rolled into one, 'Bastard Boys' follows the lives of the key players in one of the most significant events in Australia's recent past.
"Written by Sue Smith ('Brides of Christ', 'The Leaving of Liverpool', 'My Brother Jack', 'The Road from Coorain') and directed by Ray Quint ('The Secret Life of Us', 'McLeod's Daughters', 'Blue Heelers'), 'Bastard Boys' screened on ABC TV in 2007."
Cast includes Jack Thompson, Colin Friels, Geoff Morrell, Daniel Frederiksen, Anthony Hayes, Justin Smith, Rhys Muldoon and Daniel Wyllie.Notes: Includes film end creditsISBN: 9780868198095
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Batman forever / novelisation by Peter David London: Warner Books, 1995.
Call No: N79 BAT DAVAuthor: David, Peter Source: UKPlace: LondonPublisher: Warner BooksPubDate: 1995PhysDes: 356p. : 8p. of plates ; 18cmSubject: BATMAN FOREVER (US, Joel Schumacher, 1995) Notes: Based on a screenplay written by Lee Batchler & Janet Scott Batchler and Akiva Goldsman.ISBN: 0751514209
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Battle for the planet of the apes / David Gerrold; based on the screenplay by John William Corrington and Joyce Hooper Corrington New York: Universal-Award House, 1973.
Author: Gerrold, David Source: USPlace: New YorkPublisher: Universal-Award HousePubDate: 1973PhysDes: 18 cm; 157 p.Series: Planet of the apes series by Award BooksDonation: donated by the family of Wayne Levy, 2006
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The battleship Potemkin / [by] Sergei Eisenstein; translated from the Russian by Gillon R. Aitkin London: Lorrimer Publishing Co., 1968.
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The battleship Potemkin / edited by Herbert Marshall New York: Avon Books, c1978.
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Battleship Potemkin ; October and Alexander Nevsky / by Sergei Eisenstein ; edited by Jay Leyda ; translated by Diana Matias London: Lorrimer Pub., 1974.
Call No: 792 EISAuthor: Eisenstein, Sergei, 1898-1948 ; Leyda, Jay, 1910 Place: LondonPublisher: Lorrimer Pub.PubDate: 1974PhysDes: 189 p. : ill. ; 20 cmSubject: BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928) ; ALEKSANDR NEVSKI [ALEXANDER NEVSKY] (UR, Sergei Eisenstein, 1938) Notes: Director's shooting scriptsISBN: 0856470384; 0856470406(pbk.)LON: 263889
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Baudrillard : critical and fatal theory / Mike Gane London New York, N.Y.: Routledge, 1991.
Call No: 620 BAU GANAuthor: Gane, Mike Place: London New York, N.Y.Publisher: RoutledgePubDate: 1991PhysDes: 243 p. ; 24 cmSubject: Baudrillard, Jean ; POSTMODERNISM AND THE CINEMA Notes: Includes bibliographical references (p. [229]-238) and indexesISBN: 0415037743; 0415037751 (pbk.)LON: 7630732
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The Bay way in Australian Cinematographer (December 2015) iss.68 p.48 - 57
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Baz Luhrmann / Pam Cook London: BFI book published by Palgrave Macmillan, 2010.
Call No: 81LUH COOAuthor: Cook, Pam Source: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2010PhysDes: vii, 208 p., [8] p. of plates : ill. (some col.) ; 20 cmSubject: LUHRMANN, BAZ ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) Summary: Baz Luhrmann's reputation as an innovator rests on the evidence of the three films known as the Red Curtain Trilogy: "Strictly Ballroom" (1992), William Shakespeare's "Romeo + Juliet" (1996) "Moulin Rouge!" (2001) and "Australia" (2008). This title offers a study of the work of this Australian film-maker. It aims to explore the genesis of the Red Curtain aesthetic.Notes: Includes bibliographical references (p. [196]-200) and indexISBN: 9781844571581Donation: donated by Pam Cook, 2010Contents: * Once upon a time in Australia
* Strictly ballroom (1992)
* William Shakespeare's Romeo + Juliet (1996)
* Moulin rouge! (2001)
* No. 5 the film (2004) and Australia (2008)
* DVD, the internet and nostralgia.
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Baz Luhrmann : interviews / edited by Tom Ryan Jackson [Mississippi]: University Press of Mississippi, 2014.
Call No: 81LUH BAZSource: USPlace: Jackson [Mississippi]Publisher: University Press of MississippiPubDate: 2014PhysDes: xxvii, 159 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: LUHRMANN, BAZ ; MARTIN, CATHERINE ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008) ; GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "In this collection of interviews, Baz Luhrmann discusses his methods and his motives, explaining what has been important to him and his collaborators from the start and how he has been able maitain an independence from the studios that have backed his films. He also speaks about his other artistic endeavors, including stage productions of La Boheme and A Midsummer Night's Dream, and his wife and collaborative partner Catherine Martin, who has received two Academy Awards for her work with Luhrmann" - taken from back coverISBN: 9781628461497Contents: Stepping out: behind the scenes of strictly ballroom / Ruth Hessey (1992) -- More than romance colors strictly ballroom / Peter Brunette (1993) -- Romeo + Juliet: "appear thou in the likeness of a sigh . . ." / Mark Mordue (1997) -- Baz Luhrmann's William Shakespeare's Romeo + Juliet / Pauline Adamek (1997) -- Baz on the Bard / Peter Malone (1997) -- Shakespeare in the cinema: a Cineaste interview / Gary Crowdus (1998) -- Baz Luhrmann / Elsie M. Walker (2008) -- Broadly speaking / Sonya Voumard (1997) -- The director: Baz Luhrmann / Bec Smith (2001) -- Moulin rouge! / Serena Donadoni (2001) -- Millennial mambo: Baz Luhrmann messes with the musical because he can-can / Ray Pride (2001) -- The man behind the red curtain / Terry Keefe (2001) -- Baz Luhrmann: the ringmaster / John Lahr (2002) -- Baz Luhrmann / Harvey Kubernik (2006) -- Closing the red curtain with La Boheme / Terry Keefe (2004) -- Australia: Baz Luhrmann interview / Rob Carnevale (2009) -- Strictly Luhrmann: where he leads, we will follow / James Mottram (2010) -- The romantic / Garry Maddox (2013) -- Baz Luhrmann's despair, drive, and gamble behind great Gatsby / Stephen Galloway (2013) -- Past is present in the new Gatsby / Tom Ryan (2013) -- Appendix: notes from John Duigan and Geoffrey Nottage
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The BBC and public service broadcasting / Colin MacCabe, Olivia Stewart, editors Manchester: Manchester University Press, c1986.
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The BBC radiophonic workshop : the first 25 years: the inside story of providing sound and music for television and radio 1958-1983 / remembered by Desmond Briscoe and those whose versatility and unremitting voluntary enthusiasm have made an idea a reality ; realised by Roy Curtis-Bramwell. London: British Broadcasting Corporation, 1983.
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Bean : the script book / Richard Curtis and Robin Driscoll Sydney: HarperCollins Publishers, Inc., 1997.
Author: Curtis, Richard ; Driscoll, Robin Source: ATPlace: SydneyPublisher: HarperCollins Publishers, Inc.PubDate: 1997PhysDes: 24 cm ; 128 p.ISBN: 0732261856Donation: donated by the family of Wayne Levy, 2006
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A Beautiful Mind in Empire (Australian Ed.) (March 2002) iss.12 p.52
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Beautiful story set in horror of war in Sunday Telegraph [Insider] (19/04/2015) p.118
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Becoming unrecognisable in UTS Review (May 1998) vol.4 iss.1 p.169-179
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Becoming visionary : Brian De Palma's cinematic education of the senses / Eyal Peretz, with a foreword by Stanley Cavell Stanford, California: Stanford University Press, 2008.
Call No: 630 PERAuthor: Peretz, Eyal Source: USPlace: Stanford, CaliforniaPublisher: Stanford University PressPubDate: 2008PhysDes: xvii, 224 p. : ill. ; 23 cmSeries: Cultural memory in the presentSubject: CRITICISM ; DE PALMA, BRIAN Summary: "How is one to think about the significance of the art of film for philosophy? What would it mean to introduce film as a question into the heart of the philosophical enterprise? How would this transform our understanding of film, on the one hand, and of philosophy and the philosophical tradition, on the other? These are the questions that guide this project on the hirtherto critically neglected but seminal film director Brian De Palma. Becoming Visionary: Brian De Palma's Cinematic Education of the Senses is located at the intersection of philosophy and film studies, and makes each of these disciplines productive and useful for the other in a new way. It is a concrete examination of the logic governing the work of a major American artist and, at the same time, a general philosophical examination of the logic of meaning governing all the major filmic categories, thus providing a comprehensive theory of film. Becoming Visionary develops a new matrix for thinking about the relationship between philosophy and film and, by extension, betweeen philosophy and the arts. " -- BOOK BLURBNotes: Includes bibliographical references (p. [165]-220) and indexISBN: 9780804756853Contents: Foreword: On Eyal Peretz's Becoming Visionary / Stanley Cavell -- Introduction: The Realm of the Senses and the Vision of the Beyond - Toward a New Thinking of the Image -- 1. Carrie - Film and the Wounding of Representation -- 2. Between Paranoia and Passion - Questioning the Frame and the Screen in The Fury -- 3. Film and the Memory of the Outside: Or, Cinema as Technology, Cinema as Pornography, Cinema as Scream - Blow Out -- Coda: For a New Enlightenment: Femme Fatale, A Paradoxical Happy Ending; or, The Idea of a Future.
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Bedlam : "Barabbas" / Directed by Guy Slater ; Produced by Norman Stone ; Performed by Joss Ackland ; written by Arnold Wesker. UK: [2000].
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Bedlam : "The Centurion" / Directed by Denny Lawrence ; Produced by Norman Stone ; Performed by James Cosmo ; written by Sergio Casci. UK: [2000].
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Bedlam : "The Mourner" / Directed by Norman Stone ; Produced by Norman Stone ; Performed by Eileen Atkins ; written by Murray Watts. UK: [2000].
Call No: S TALAuthor: Watts, Murray Place: UKPubDate: [2000]PhysDes: 19 leavesSubject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000) Summary: A BBC series
The series was released with the title: 'Tales From the Madhouse'
A copy of the script for episode 7.
Stone & Watts revision of Atkins revision - taken from running titleNotes: Unpublished scriptID2: 340
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Bedlam : "The Politician's Wife" / Directed by Morag Fullarton ; Produced by Norman Stone ; Performed by Claire Bloom ; written by Nigel Forde. UK: [2000].
Call No: S TALAuthor: Forde, Nigel Place: UKPubDate: [2000]PhysDes: 18 leavesSubject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000) Summary: A BBC series
The series was released with the title: 'Tales From the Madhouse'
A copy of the script for episode 5 released with the title 'Pilate's Wife'
Revised as shot and editedNotes: Unpublished scriptID2: 340
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Bedlam : "The Servant Girl" / Directed by David Hayman ; Produced by Norman Stone ; Performed by Helen Baxendale ; written by Ann Marie Di Mambro. UK: [2000].
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Bedlam : "Judas" / Directed by Norman Stone ; Produced by Norman Stone ; Performed by Tony Robinson ; written by Tony Robinson. [2000].
Call No: S TALAuthor: Robinson, Tony PubDate: [2000]PhysDes: 19 leavesSubject: TALES FROM THE MADHOUSE (UK, Guy Slater, 2000) Summary: A BBC series
The series was released with the title: 'Tales From the Madhouse'
A copy of the script for episode 2 released with the title 'The Best Friend.'
Version 2Notes: Unpublished scriptID2: 340
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Bedlam : "The Thief" / Directed by Norman Stone ; Produced by Norman Stone ; Performed by Jonathan Pryce ; written by Nigel Forde. UK: [2000].
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Before Mickey : the animated film, 1898-1928 / Donald Crafton Cambridge, Mass.: MIT Press, c1982.
Call No: 772 CRAAuthor: Crafton, Donald Place: Cambridge, Mass.Publisher: MIT PressPubDate: c1982PhysDes: xx, 413 p. : ill. ; 21 cmSubject: ANIMATED FILMS ; MESSMER, OTTO ; MCCAY, WINSOR ; COHL, EMILE ; BRAY, JOHN RANDOLPH ; FELIX THE CAT ; FLEISCHER STUDIO ; HURD, EARL ; LANTZ, WALTER ; STAREVITCH, LADISLAS ; VERTOV, DZIGA ; HAUNTED HOTEL, THE (US, J. Stuart Blackton, 1907) Notes: Includes index; "Sources for early animated films" p. [373]-380; Bibliography: p. [381]-395ISBN: 0262030837LON: 2144183 2144183
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Behind closed dors / Diana Dors London: W H Allen, 1979.
Call No: 81DOR DORAuthor: Dors, Diana Source: UKPlace: LondonPublisher: W H AllenPubDate: 1979PhysDes: 208 p. : ill. ; 23 cmSubject: DORS, DIANA Summary: In this book a seqel to her book, "For adults only" Diana Dors reveals the secrets of such hollywood stars as Paul Newman, Peter Sellers, or Sophia LorenISBN: 0352303352Donation: donated by the family of Wayne Levy, 2006
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Behind the scenes at Don's Party in Video Age (September 1984) vol.3 iss.9 p.8-9
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Behind the scenes at the BBFC : film classification from the silver screen to the digital age / edited by Edward Lamberti ; associate editors Jason Green, David Hyman, Craig Lapper, Karen Myers London: BFI book published by Palgrave Macmillan, 2012.
Call No: 44(410) BEHSource: UKPlace: LondonPublisher: BFI book published by Palgrave MacmillanPubDate: 2012PhysDes: xii, 228 pages : illustrations (some colour) ; 25 cmSubject: CENSORSHIP. UK ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CAPE FEAR (US, J. Lee Thompson, 1961) ; BLOWUP (UK/IT, Michelangelo Antonioni, 1966) ; PANIC IN NEEDLE PARK (US, Jerry Schatzberg, 1971) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; PARASITE MURDERS, THE (CN, David Cronenberg, 1975) ; BLECHTROMMEL, DIE (GW/FR/YU/PL, Volker Schlondorff, 1979) ; CHRISTIANE F [CHRISTIANE F: WIR KINDER VOM BAHNHOF ZOO] (GW, Ulrich Edel, 1981) ; INDIANA JONES AND THE TEMPLE OF DOOM (US, Steven Spielberg, 1984) ; LICENCE TO KILL (UK/US, John Glen, 1989) ; LILO & STITCH (US, Dean DeBlois & Chris Sanders, 2002) ; [NINE] 9 SONGS (UK, Michael Winterbottom, 2004) ; HARRY POTTER AND THE GOBLET OF FIRE (UK/US, Mike Newell, 2005) Summary: "Established by the film industry in 1912 as the nation's only official and independent classifier of the moving image, the British Board of Film Classification (originally the British Board of Film Censors) has long been a source of fascination - and sometimes a bone of contention - for filmgoers, film-makers and industry figures. This new book, published in the BBFC's centenary year, traces the fascinating history of film classification, censorship and controversy in Britain, and marks an unparalleled collaboration between the BBFC and leading film critics, historians and cultural commentators. The book also features unique case studies, written by BBFC staff, focusing on significant films that have provoked debate and controversy both within the BBFC and more widely - Battleship Potemkin, The Snake Pit, A Clockwork Orange, Indiana Jones and the Temple of Doom, and many more." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9781844574766Contents: Introduction: A Centennary Book -- 1.Censorship Under Siege: The BBFC in the Silent Era / Simon Brown -- Case Study: Battleship Potemkin (1925) / Aidan McDowell -- 2.`The People's Amusement': Cinemagoing and the BBFC, 1928-48 / Robert James -- Case Study: Island of Lost Souls (1932) / Karen Myers -- 3.From the Snake Pit to the Garden of Eden: A Time of Temptation for the Board / Steve Chibnall -- Case Study: The Snake Pit (1948) / David Hyman -- Case Study: Caged (1950) / Jason Green -- 4.The Trevelyan Years: British Censorship and 1960s Cinema / Tracy Hargreaves -- Case Study: Cape Fear (1962) / David Hyman -- Case Study: Blowup (1966) / Edward Lamberti -- 5.Wake of the Flood: Key Issues in UK Censorship, 1970-5 / Stevie Simkin -- Case Study: The Panic In Needle Park (1971) / Murray Perkins -- Case Study: WR - Misterije Organizma (WR - Mysteries of the Organism, 1971) / Craig Lapper -- Case Study: A Clockwork Orange (1971) / Karen Myers -- 6.The `Poacher Turned Gamekeeper': James Ferman and the Increasing Intervention of the Law / Alex Sinclair -- Case Study: Shivers (1975) / David Hyman -- Case Study: Die Blechtrommel (The Tin Drum, 1979) / Craig Lapper -- Case Study: Christiane F. - Wir Kinder Vom Bahnhof Zoo (Christiane F.-We Children From Zoo Station, 1981) / Craig Lapper -- 7.More Than Just a `Nasty' Decade: Classifying the Popular in the 1980s / Sian Barber -- Case Study: Indiana Jones and the Temple of Doom (1984) / Edward Lamberti -- Case Study: Licence to Kill (1989) / Edward Lamberti -- 8.Head-On Collisions: The BBFC in the 1990s / Julian Petley -- Case Study: International Guerillas (1990) / Jason Green -- Case Study: Mikey (1992) / Jason Green -- 9.`The Last Days of the Board' / Robin Duval -- Case Study: Ichi the Killer (2001) / Murray Perkins -- Case Study: Lilo & Stitch (2002) / Jason Green -- 10.The Director's Commentary / David Cooke -- Case Study: 9 Songs (2004) / Caitlin O'Brien -- Case Study: Harry Potter and the Goblet of Fire (2005) / Karen Myers -- 11.On the BBFC in the Digital Age -- Censorship and Classification in the Free Society / Gerard Lemos -- Reflections on the 1979 Williams Report / Geoffrey Hawthorn -- Future Technologies and How They Might Impact on Film Classification and Censorship / John Carr -- A Margin of Appreciation / Stephen Sedley -- How the World Has Changed for Children and Parents, 1912-2012 / Ann Phoenix.
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Being there : Bob Ellis from the heart in AFR Weekend [Weekend Fin] (12/09/2015) p.43
Call No: PERSONALITY CLIPPINGS FILE; ELLIS, BOBAuthor: Clark, Andrew PhysDes: Clippings File ArticleSubject: ELLIS, BOB Summary: An artcicle about Bob Ellis, reflections of his life and work.
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Bela Lugosi : dreams and nightmares / Gary D. Rhodes with Richard Sheffield Narberth, PA: Collectables, c2007.
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Belle de jour : a film / English translation [from the French] and description of action by Robert Adkinson London: (47 Dean St., W.1), Lorrimer Publishing Ltd, 1971.
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Ben Hall : an ABC, BBC-tv, 20th Century Fox television drama series / compiled and edited by Clodagh Harrison, Kate Reid and Peter Tranter Sydney: Australian Broadcasting Commission, 1975.
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The bent lens : a world guide to gay & lesbian film / [edited by Claire Jackson and Peter Tapp] Melbourne: Australian Catalogue Company, 1997.
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The bent lens : a world guide to gay & lesbian film / [edited by Claire Jackson and Peter Tapp] Melbourne: Australian Catalogue Company, 1997.
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The Berlin School and its global contexts : a transnational art cinema / edited by Marco Abel and Jaimey Fisher Detroit: Wayne State University Press, 2018.
Call No: 71(430) BERAuthor: Abel, Marco ; Fisher, Jaimey Edition: 2018Place: DetroitPublisher: Wayne State University PressPubDate: 2018PhysDes: viii, 356 pages : illustrated ; 23 cmSeries: Contemporary Approaches to Film and Media SeriesSubject: BERLIN SCHOOL ; ABEL, MARCO ; ADE, MAREN ; WEERASETHAKUL, APICHATPONG ; ARSLAN, THOMAS ; GRISEBACH, VALESKA ; HAUSNER, JESSICA ; HOCHHAUSLER, CHRISTOPH ; KIAROSTAMI, ABBAS ; KOHLER, ULRICH ; PETZOLD, CHRISTIAN ; TARR, BELA Summary: The Berlin School and Its Global Contexts: A Transnational Art-Cinema came about in light of the Museum of Modern Art (MOMA)’s 2013 major exhibition of works by contemporary German directors associated with the so-called Berlin School, perhaps Germany’s most important contemporary filmmaking movement. Christoph Hochhäusler, the movement’s keenest spokesperson, stated that "the Berlin School, despite what the label suggests, is not a specifically German phenomenon. All over the world there are filmmakers exploring related terrain." In response to this "transnational turn," editors Marco Abel and Jaimey Fisher have assembled a group of scholars who examine global trends and works associated with the Berlin School.
The goal of the collection is to understand the Berlin School as a fundamental part of the series of new wave films around the globe, especially those from the traditional margins of world cinema. For example, Michael Sicinski and Lutz Koepnick explore the relation of the Berlin School to cinema of Southeast Asia, including Apichatpong Weerasethakul and Tsai Ming-liang; Ira Jaffe and Roger Cook take a look at Middle Eastern film, with Nuri Bilge Ceylan and Abbas Kiarostami, respectively. The volume, however, also includes essays engaging with North American filmmakers like Kelly Reichardt and Derek Cianfrance as well as European auteurs like Antonioni, Tarr, Porumboiu, McQueen, and the Dardennes. Bringing German cinema into dialogue with this series of global cinemas emphasizes how the Berlin School manifests—whether aesthetically or thematically, politically or historically—a balancing of national particularity with global flows of various sorts. Abel and Fisher posit that since the vast majority of the films are available with English subtitles (and at times also in other languages) and recent publications on the subject have established critical momentum, this exciting filmmaking movement will continue to branch out into new directions and include new voices.
The Berlin School and Its Global Contexts folds German-language cinema back into conversations with international as well as transnational cinema. This volume will be of great interest to scholars of German and global cinema. -- publisher's web siteISBN: 9780814342008
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Berlin showcases 'Frank' and 'Chrissy' in Encore (Apr 2000) vol.18 iss.3 p.16
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Bertrand Tavernier : interviews / edited by Lynn A. Higgins and T. Jefferson Kline Jackson: University Press of Mississippi, 2016.
Call No: 81 TAV TAVAuthor: Tavernier, Bertrand Edition: 2016Place: JacksonPublisher: University Press of MississippiPubDate: 2016PhysDes: xxiv, 205 pages ; 24 cmSeries: Conversations with filmmakers seriesSubject: TAVERNIER, BERTRAND ISBN: 9781496840875
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The best American movie writing 1999 / edited by Peter Bogdanovich New York: St. Martin's, 1999.
Call No: 67(04) BESPlace: New YorkPublisher: St. Martin'sPubDate: 1999PhysDes: 280 p.Subject: WOMEN IN FILMS ; RELIGION AND THE CINEMA ; ADAPTATIONS ; HISTORY OF CINEMA. SOUND PERIOD ; ETHNIC GROUPS IN FILMS ; GAZE IN FILMS ; FAMILY IN FILMS ; WAR FILMS ; BOORMAN, JOHN ; FRANKENHEIMER, JOHN ; SINATRA, FRANK ; FORD, JOHN ; THOMPSON, KAY ; YASUJIRO OZU ; MANGOLD, JAMES ; RISKIN, ROBERT ; SPIELBERG, STEVEN ; SCORSESE, MARTIN ; SARRIS, ANDREW ; MCCAREY, LEO ; BOGDANOVICH, PETER ; CAPRA, FRANK ; VIDAL, GORE ; DOVE, BILLIE ; GRANT, CARY ; BURNETT, CHARLES ; HAPPINESS (US, Todd Solondz, 1998) ; SEARCHERS, THE (US, John Ford, 1956) ; EVE'S BAYOU (US, Kasi Lemons, 1997) ; TOUCH OF EVIL (US, Orson Welles, 1958) ; L.A. CONFIDENTIAL (US, Curtis Hanson, 1997) ; SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957) ; GENERAL, THE (UK, John Boorman, 1998) ; RONIN (US, John Frankenheimer, 1998) ; STARDUST MEMORIES (US, Woody Allen, 1980) ; TROUBLE IN PARADISE (US, Ernst Lubitsch, 1932) ; RED RIVER (US, Howard Hawks, 1948) ; DETOUR (US, Edgar G. Ulmer, ,1946) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LADY EVE, THE (US, Preston Sturges, 1941) ; M (G, Fritz Lang, 1931) ; WOMAN UNDER THE INFLUENCE, A (US, John Cassavetes, 1974) ISBN: 0312244832ID2: 291
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The Best of Modern screen / (compiled by) Mark Bego ; foreword by Debbie Reynolds London: Columbus, 1986.
Call No: 465.2(05) BEGAuthor: Bego, Mark Source: UKPlace: LondonPublisher: ColumbusPubDate: 1986PhysDes: 224 p. : ill., ports ; 27cmSubject: STARS ; ACTORS. USA ; FAN MAGAZINES. USA Notes: California. Los Angeles. Hollywood. Cinema films. Acting. Stars,. ca 1930-1970 (BNB/PRECIS)ISBN: 0862873045 (pbk)LON: 4795627
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Bethune/Doctor woman in Film news (Summer 1981) vol.38 iss.2 p.36-37
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Bethune/Doctor woman in Film news (Summer 81) vol.38 iss.2 p.36-7
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Bette Davis in American Classic Screen (May/June 1981) vol.5 iss.3 p.9-13
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Betty Grable, the reluctant movie queen / Doug Warren New York: St. Martin's Press, 1981.
Call No: 81GRA WARAuthor: Warren, Doug Edition: 1st edPlace: New YorkPublisher: St. Martin's PressPubDate: 1981PhysDes: 237 p., [26] p. of plates : ill. ; 22 cmSubject: GRABLE, BETTY ISBN: 0312077327LON: 2006122
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Between flops : a biography of Preston Sturges / James Curtis New York: Harcourt, Brace, Jovanovich, 1982.
Call No: 81STU CURAuthor: Curtis, James, 1953 Edition: 1st edPlace: New YorkPublisher: Harcourt, Brace, JovanovichPubDate: 1982PhysDes: xi, 339 p., [32] p. of plates : ill., ports. ; 25 cmSubject: STURGES, PRESTON Notes: Includes index; Filmography: p. 299-328ISBN: 0151119325LON: 81048009; 2175225
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Beware of Greeks bearing guns : final draft [1999].
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BEWARE OF GREEKS BEARING GUNS : Fifth draft script [1999].
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Beyond Bollywood : The culture politics of south asian diasporic film New York: Routledge, 2004.
Call No: 408.1(540) DESAuthor: Desai, J. Place: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 280 p. ; ill. ; 23 cmSubject: POLITICS AND THE CINEMA ; INDIA ; HOMOSEXUALITY IN FILMS Summary: “Jigna Desai argues that the language of South Asian diasporic identity is the language of cinema. With its key role in South Asia, film has played a feature role in the formation of South Asian diasporic cultures and social formations and social formations such as gender, race, and sexuality. Beyond Bollywood explores the hybrid cinema of the “Brown Atlantic” through a close look at films in English from and about South Asian diasporas in the United States, Canada, and Britain.” (back cover)Notes: Index: p.273-280; Filmography; Bibliography; Notes
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Beyond document : essays on nonfiction film / edited by Charles Warren Hanover, NH: University Press of New England, 1996.
Call No: 761(04) BEYAuthor: Warren, Charles, 1948 Place: Hanover, NHPublisher: University Press of New EnglandPubDate: 1996PhysDes: xxviii, 366 p. : ports. ; 24 cmSubject: DOCUMENTARY FILMS ; CINEMA VERITE ; DIRECTORS ; DOCUMENTARY DRAMAS ; NEWSREELS ; MEMORY IN FILMS ; ETHNOGRAPHIC FILMS ; BIOGRAPHICAL FILMS ; GENOCIDE IN FILMS ; WORLD WAR II FILMS ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; OPHULS, MARCEL ; RESNAIS, ALAIN ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) ; BOOMERANG (US, Elia Kazan, 1947) ; VERTOV, DZIGA ; MARKER, CHRIS ; FILM PORTAIT (US, Jerome Hill, 1972) ; GARDNER, ROBERT ; MCELWEE, ROSS ; ZERKALO (UR, Andrei Tarkovsky, 1975) Summary: "In essays by eleven of America's foremost writers, critics and filmmakers, Beyond Document explores the full spectrum on nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema verite, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who..., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss.
Representations of reality are increasingly contested, in courtrooms and Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve"; and poet Susan Howe explores structures of mourning in several filmmakers. All of the books essays provide deeply felt understandings of documentary film, and of how we live with, and within, images." -- BOOK BLURBNotes: Includes bibliographical references (p. 345-350) and indexISBN: 0819552879 (cl : alk. paper); 0819562904 (pbk. : alk. paper)LON: 11642141Contents: Words of welcome / Stanley Cavell -- Introduction, with a brief history of nonfiction film / Charles Warren -- Death and the image / Jay Cantor -- Memory's movies / Patricia Hampl -- Eternal Verites / William Rothman -- The toil of thought: on several nonfiction films by women / Helene Keyssar -- The camera people / Eliot Weinberger -- The impulse to preserve / Robert Gardner -- You are there / Maureen Howard -- Earth and beyond: Dusan Makaveyev's WR: Mysteries of the Organism / Charles Warren -- In search of the centaur: the essay film / Phillip Lopate -- Vertov's cinematic transposition of reality / Vlada Petric -- Sorting facts; or, nineteen ways of looking at marker / Susan Howe
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Beyond the bottom line : the producer in film and television studies / edited by Andrew Spicer, A.T. McKenna and Christopher Meir. New York: Bloomsbury, c2014.
Call No: 67(04) BEYSource: USPlace: New YorkPublisher: BloomsburyPubDate: c2014PhysDes: xiii, 289 pages : illustrations ; 24 cm.Subject: PRODUCERS Summary: This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students. --back of the bookNotes: Includes bibliographical references and indexISBN: 9781441172365Contents: Machine generated contents note: 1.Introduction / Christopher Meir -- pt. One Theoretical and Historical Contexts -- 2.'A Judge of Anything and Everything': Charles Urban and the Role of the 'Producer-Collaborator' in Early British Film / Joe Kember -- 3.Mapping a Typology of the Film Producer -- Or, Six Producers in Search of an Author / Jo Sondre Moseng -- 4.The Independent Producer and the State: Simon Relph, Government Policy and the British Film Industry, 1980--2005 / Andrew Spicer -- 5.Producing the Self: The Film Producer's Labour and Professional Identity in the UK Creative Economy / Simon Spink -- 6.Producer and Director? Or, Authorship' in 1950s Italian Cinema / Pauline Small -- 7.The Australian Screen Producer in Transition / Deb Verhoeven -- pt. Two Media and Genre Contexts -- 8.The Producer in Animation: Creativity and Commerce from Bray Studios to Pixar / Donna Kornhaber -- 9.'Trying to Ride a Naughty Horse': British Television Comedy Producers / Sarah Ralph --
Contents note continued: 10.Keith Griffiths' Poetics of Production / Sonia Friel -- 11.The American Independent Producer and the Film Value Chain / James Lyons -- pt. Three National and Transnational Contexts -- 12.Lita Stantic: Auteur Producer/Producer of Auteurs / Constanza Burucua -- 13.Beyond National Humiliation: Han Sanping and China's Post-Olympics Historical Event Blockbusters / A. T. McKenna -- 14.The Producer and Belgian Cinema(s): The Case of Jean (and Jan) Van Raemdonck / Gertjan Willems -- 15.Post-Imperial Co-Producers: Emile Sherman, Iain Canning and Contemporary Anglo-Australian Cinema / Christopher Meir.
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Beyond & UIP announce alliance in Movie Trader (Dec 1999) p.1, 16
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The BFI companion to horror / edited by Kim Newman ; foreword by Ramsey Campbell London: Cassell, 1996.
Call No: 735.2 BFIAuthor: Newman, Kim, 1959 CorpAuthor: British Film InstitutePlace: LondonPublisher: CassellPubDate: 1996PhysDes: 352 p., [4] p. of plates : ill. (some col.) ; 29 cmSubject: HORROR FILMS Summary: In one volume, the BFI Companion to Horror offers a complete concordance to one of the most lasting genres of popular entertainment, focusing of course on the cinema but also taking in literature, television, radio, popular music, history and folklore. Covering great artists like Boris Karloff and Edgar Allan Poe and humble toilers like Edward D. Wood and John Carradine, this book provides a history of the horror genre from its pre-cinema beginnings in the eighteenth-century gothic novel and the Victorian ghost story through a hundred years of fevered activity, spotlighting not only mainstream horror producers such as Hammer Films and Alfred Hitchcock but also less expected names (Franz Kafka and Ingmar Bergman); In addition to entries on actors, directors, writers and technicians associated with horror, and all horror-themed film and television series, there are insightful essays on classic horror characters like Frankenstein and Dracula, on recurrent situations like decapitation and body-snatching, even on often-horrific portions of the body like eyes and brains. Among the experts who have contributed are Mark Ashworth, Anne Billson, Jeremy Clarke, Christopher Frayling, Neil Gaiman, Phil Hardy, Peter Hutchings, Tom Hutchinson, Alan Jones, Stephen Jones, Mark Kermode, Tim Lucas, Maitland McDonagh, David Prothero, Mark Salisbury, Philip Strick, Steve Thrower and Linda Ruth WilliamsISBN: 030433216X (pbk); 0304332135 (cased)LON: 12969787
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The BFI companion to the western / edited by Edward Buscombe ; foreword by Richard Schickel ; consultant editors, Christopher Brookeman ... [et al.] London: A. Deutsch BFI Pub., 1988.
Call No: 736 BUSAuthor: Buscombe, Edward ; Brookeman, Christopher CorpAuthor: British Film InstitutePlace: LondonPublisher: A. Deutsch BFI Pub.PubDate: 1988PhysDes: 432 p. : ill. (some col.) ; 29 cmSubject: WESTERNS Notes: Includes bibliographical referencesISBN: 0233983325 : ª19.95LON: 5805634 5805634
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BFI film handbook / edited by Eddie Dyja London: bfi Publishing, 2004.
Call No: REFERENCE SECTION; 058(41) BRI "2005" REF FRONT DESKSource: UKPlace: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 431 p. ; 25 cmSubject: INDUSTRY, FILM. UK Notes: Index
Formerly compiled in 'BFI Film & Television Handbook'ISBN: 1844570428
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bfi Television Handbook : Essential Guide to UK TV, The / edited by Alistair D. Mcgown London: bfi Publishing, 2004.
Call No: REFERENCE SECTION; 058(41) BRI "2005" REF FRONT DESKSource: UKPlace: LondonPublisher: bfi PublishingPubDate: 2004PhysDes: 287 p. ; ill. ; 25 cmSubject: INDUSTRY, TV. UK Notes: Index; Contains directories; Formerly compiled under 'bfi Film & Television Handbook'
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Bibliografia cinematografica Espanola 1976 / Filmoteca Nacional de Espana [S.l.] : [Filmoteca Nacional de Espana], 1976:
Call No: 71(46)(01) FILPlace: [S.l.] : [Filmoteca Nacional de Espana], 1976PhysDes: 16 leavesSubject: SPAIN LON: 2351781
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Bicycle thieves / a film by Vittorio De Sica ; translated by Simon Hartog London: Lorrimer Publishing, 1968.
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The big combo in Metro (2000) iss.123 p.43-48
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The big heat / Colin McArthur London: BFI Publishing, 1992.
Call No: 79BIG MCAAuthor: McArthur, Colin CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI PublishingPubDate: 1992PhysDes: 80 p. : ill., ports. ; 19 cmSeries: BFI film classicsSubject: BIG HEAT, THE (US, Fritz Lang, 1953) Notes: Bibliography: p 80ISBN: 0851703429 (pbk)LON: bnb85170342; 9219900
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The big picture in Filmnews (Australia) (Jun-90) vol.XX iss.5 p.Aug-13
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The big picture : The fight for the future of movies / Ben Fritz Boston: Eamon Dolan Book/ Houghton Mifflin Harcourt, 2018.
Call No: 210.31(73) FRIAuthor: Fritz, Ben Source: USPlace: BostonPublisher: Eamon Dolan Book/ Houghton Mifflin HarcourtPubDate: 2018PhysDes: xxv, 278 pages ; 24 cm.Subject: SONY CORPORATION ; MARVEL ENTERTAINMENT ; AMAZON ; NETFLIX ; IMAX ; WALT DISNEY PRODUCTIONS ; BUENA VISTA INTERNATIONAL ; WARNER BROS. ; FRANCHISES ; STAR WARS [...] (US, 1977-2015) Summary: "The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film. In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China. Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, IMAX, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with "universes," and how Disney remade itself in Apple's image and reaped enormous profits. But despite the destruction of the studios' traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era." -- Book jacket.Notes: Includes bibliographical references (pages 247-263) and index.ISBN: 9780544789760Contents: A notes on sources ix -- Introduction: Groundhog Day-How franchises killed originality in Hollywood xii -- Part 1: How Hollywood got here -- The Odd Couple: Lynton and Pascal's glory days at Sony -- Reality Bites: How everything went wrong for the movie business -- Inception: The secret origin of the superhero movie -- Revenge of the Nerds: The rise of Marvel Studios -- Spiderman: Homecoming- why Sony gave up its most valuable asset -- Star Wars: The decline of the A-list -- A Star is Born: Netflix, the new home for movie stars -- Frozen: Why studios stopped making mid-budget dramas -- Trading places: How tv stole movies' spot atop Hollywood -- Part 2: Where Hollywood is headed -- The Terminator: Disney, the perfect studio for the franchise age -- The Producers: Creativity meets franchise managment -- The Shop Around the Corner: Amazon saves the indie film business -- Apt Pupil: China's shifting relationship with Hollywood -- Field of Dreams: Studio defectors and the future of nonfranchise films -- The Last Picture Show?
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Big Review TV eyes overseas markets in The Australian (28/07/2015) p.29
Call No: SUBJECT CLIPPINGS FILE; BIG REVIEW TVAuthor: Foreshew, Jennifer PhysDes: Clippings File ArticleSubject: BIG REVIEW TV Summary: Report on Big Review TV's growth during recent quarterly period and the companies focus on aggregating and creating video reviews on various businesses
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Big screen, small screen : a practical guide to writing for film and television in Australia / Coral Drouyn St. Leonards, N.S.W.: Allen & Unwin, 1994.
Call No: 224(94) DROAuthor: Drouyn, Coral Place: St. Leonards, N.S.W.Publisher: Allen & UnwinPubDate: 1994PhysDes: xiii, 167 p. : ill. ; 22 cmSubject: SCRIPTWRITING Notes: Includes index; Bibliography: p. 163ISBN: 1863737324 : $19.95; 1863737324LON: 10836044
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Big screen, small screen : a practical guide to writing for film and television in Australia / Coral Drouyn Sydney: Allen & Unwin, 1994.
Author: Drouyn, Coral Source: ATPlace: SydneyPublisher: Allen & UnwinPubDate: 1994PhysDes: 20 cm ; 167 p.ISBN: 1863737324Donation: donated by the family of Wayne Levy, 2006
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The big sic / Emily V. Gordon & Kumail Nanjiani US:
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The big steal screenplay / David Parker ; with a foreword by David Williamson St. Lucia, Qld.: University of Queensland Press, 1991.
Call No: 79BIG PARAuthor: Parker, David, 1947 Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1991PhysDes: x, 66 p., [8] p. of plates : ill. ; 20 cmSubject: BIG STEAL, THE (AT, Nadia Tass, 1990) ISBN: 0702223727 : price unknownLON: abn90382201; 7679258ID2: 306
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Big switch sees Sydney crowned as Logies host in Sunday Telegraph (07/02/2016) p.3
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Big U : Universal in the silent days / I. G. Edmonds South Brunswick [N.J.]: A. S. Barnes, c1977.
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Bigger than Tina in Movie Trader (Nov 1999) p.20-21
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Bill Collins book of movies Stanmore, N.S.W.: Cassell Australia, 1977.
Call No: 67(04) COLAuthor: Collins, Bill Place: Stanmore, N.S.W.Publisher: Cassell AustraliaPubDate: 1977PhysDes: 236 p. : ill. (part col.) ; 30cmNotes: Cinema films. Encyclopaedias (ANB/PRECIS SIN 0168009); Original Cataloguing-in-Publication entry had ISBN 0 7269 1369 3ISBN: 0726913766 : $12.95 Aust; 0726913693 (Paperback)LON: anb72691376; 1396225 6344800
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Bill Collins' book of movies Stanmore, N.S.W.: Cassell Australia, 1977.
Author: Collins, Bill Source: ATPlace: Stanmore, N.S.W.Publisher: Cassell AustraliaPubDate: 1977PhysDes: 236 p. : ill. (part col.) ; 30cmISBN: 0726913693Donation: donated by the family of Wayne Levy, 2006
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Billy's holiday / Denis Whitburn Sydney: Pan Macmillan, 1995.
Call No: N79BIL WHIAuthor: Whitburn, Denis Source: ATPlace: SydneyPublisher: Pan MacmillanPubDate: 1995PhysDes: 302 p. ; 19 cmSubject: BILLY'S HOLIDAY (AT, Richard Wherrett, 1995) Notes: Based on the motion picture 'Billy's Holiday'ISBN: 033035678XDonation: donated by the family of Wayne Levy, 2006
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Billy's holiday / Denis Whitburn Sydney, NSW: Pan Macmillan Australia, 1995.
Author: Whitburn, Denis Source: ATPlace: Sydney, NSWPublisher: Pan Macmillan AustraliaPubDate: 1995PhysDes: 302 p. ; 18 cm.ISBN: 0033035678XDonation: donated by the family of Wayne Levy, 2006
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Billy Wilder : AFI Souvenir Edition / Edited by Jeffrey Lane and Dougloas Borton [USA]: American Film Institute, [1986?].
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Billy Wilder / Bernard F. Dick Boston: Twayne Publishers, 1980.
Call No: 81WIL DICAuthor: Dick, Bernard F. Source: USPlace: BostonPublisher: Twayne PublishersPubDate: 1980PhysDes: 188 p. : ill. ; 21 cmSeries: Twayne's Theatrical Arts SeriesSubject: WILDER, BILLY ; APARTMENT, THE (US, Billy Wilder, 1960) ; AVANTI (US, Billy Wilder, 1972) ; ACE IN THE HOLE (US, Billy Wilder, 1951) ; DOUBLE INDEMNITY (US, Billy Wilder, 1944) ; FEDORA (GW/FR, Billy Wilder, 1978) ; [FIVE] 5 GRAVES TO CAIRO (US, Billy Wilder, 1943) ; FORTUNE COOKIE, THE (US, Billy Wilder, 1966) ; FRONT PAGE, THE (US, Billy Wilder, 1974) ; IRMA LA DOUCHE (US, Billy Wilder, 1963) ; KISS ME, STUPID (US, Billy Wilder, 1964) ; LOST WEEKEND, THE (US, Billy Wilder, 1945) ; LOVE IN THE AFTERNOON (US, Billy Wilder, 1957) ; MAJOR AND THE MINOR, THE (US, Billy Wilder, 1942) ; ONE, TWO, THREE (US/GW, Billy Wilder, 1961) ; PRIVATE LIFE OF SHERLOCK HOLMES, THE (US/UK, Billy Wilder, 1970) ; SABRINA (US, Billy Wilder, 1954) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SEVEN YEAR ITCH, THE (US, Billy Wilder, 1955) ; SPIRIT OF ST. LOUIS, THE (US, Billy Wilder, 1957) ; STALAG 17 (US, Billy Wilder, 1952) ; SUNSET BOULEVARD (US, Billy Wilder, 1950) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) Notes: Includes index.
Bibliography: p. 173-174.
Filmography: p. 175-183.ISBN: 0805792740Donation: donated by the family of Wayne Levy, 2006
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The Biograph in battle : its story in the South African War related with personal experiences / W.K.-L. Dickson ; with a new introduction by Richard Brown. Madison: Fairleigh Dickinson University Press, 1995.
Call No: 81DIC DICAuthor: Dickson, W. K. L. Edition: Facsim. reprint ed.Source: USPlace: MadisonPublisher: Fairleigh Dickinson University PressPubDate: 1995PhysDes: xix, 300 p. : ill. ; 21 cmSubject: SOUTH AFRICA IN FILMS ; DOCUMENTARY FILMS. AFRICAN COUNTRIES Summary: First published in 1901 and now a rare collector's item, this is cameraman Dickson's diary kept during the Biograph Company's filming on the battlefields of the Boer War. The book is being republished in a facsimile edition, with a specially commissioned introduction from film historian Richard Brown. It tells of one man's absolute determination to bring back - against great odds - a filmed record of war, at a time when the medium itself was in its infancy. Dickson's huge machine, designed by himself, weighed nearly half a ton and had to be transported everywhere in South Africa by horse-drawn cart, requiring the combined efforts of several strong men each time it had to be set up. The book is exceptional among the handful of written accounts produced in the first years of the cinema. It is a human document, written not in a mood of quiet reflection after the event, but as a vital diary recording dangerous and difficult conditions at the Front. [summary taken from Australian Library Collections]ISBN: 083863654
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The bipolar express : manic depression and the movies / Dave Coleman Lanham, Maryland: Rowman & Littlefield, 2014.
Call No: 747.73 COLAuthor: Coleman, Dave Source: UKPlace: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: 2014PhysDes: 367 pages ; 24 cmSubject: MENTAL HEALTH ISSUES IN FILMS ; DEPRESSION IN FILMS Summary: In The Bipolar Express: Manic Depression and the Movies, David Coleman provides an in-depth examination of the entwined natures of mood disorders and movie making. In this volume, Coleman looks at the writers, directors, and actors who have faced the mood swings and behaviour that are hallmarks of this condition. In addition to recognizing the cinematic contributions of manic depressive filmmakers, the author also looks at movies that have portrayed bipolar disorder- with varying degrees of accuracy- including Citizen Kane, Breakfast at Tiffany's, The Aviator, and Silver Linings Playbook.
From early silents of the twentith century through critically acclaimed films of today, this book compares depictions of mood swings on screen with clinical examples of actual manic depression, carefully distinguishing real from stereotypical portrayals. This fascinating study is augmented by a concise filmograohy of more than 400 feature-length films from around the world with themes of characters relating to manic depressive illness. -- Extract taken from the back of the bookNotes: Includes bibliographical references and index.ISBN: 9780810891944Contents: 1.A Brief Overview of Manic Depression and How It Affects Creativity -- 2.The Early Cinema and Mental Illness -- 3.The Golden Age of Silent Films and Manic Depression -- 4.1930s: Bipolar Disorder Speaks at the Movies -- 5.1940s: The Effects of World War II on Bipolar Cinema
6.1950s: Psychological Realism in Bipolar Film Depictions -- 7.1960s: The Liberalization of Manic-Depressive Stereotypes in Cinema -- 8.1970s: The Manic-Depressive Temperament Defines New Hollywood -- 9.1980s
1990s: The Burgeoning Diversity of Depressive Expressionism -- 10.2000s: Bipolar Cinema Fully Emerges from Lingering Shadows --
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The birth of Britain : Volume One : A History of the English speaking peoples / Winston S. Churchill London: Cassell, 1974.
Author: Churchill, Winston S. Edition: Churchill's People editionSource: UKPlace: LondonPublisher: CassellPubDate: 1974PhysDes: xix, 388 p. : 18 cmSeries: A History of the English speaking peoplesNotes: 1st edition : 1956ISBN: 0304295000Donation: donated by the family of Wayne Levy, 2006
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Birth of the binge : serial TV and the end of leisure Detroit, Michigan: Wayne State University Press, 2019.
Author: Dennis Broe Edition: Broe, DennisSource: USPlace: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2019PhysDes: xiii, 297 pages ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: TELEVISION ; CRITICISM Summary: "Broe's book is scholarship that matters: he diagnoses our addictive era of 'binge TV' while highlighting possibilities for resistance. Connecting multiple aspects of the current television industry--from its pumped-up levels of sex and violence to its influence on neural and relational patterns--to the rise of the neoliberal state, Broe dismantles the illusion that television's 'post-network era' offers new freedom to the consumer. The genius of this book comes in its dizzying sweeps from one medium to another: he convinces us that serial narrative is one of the dominant narrative forms in Western mass culture, charts its aesthetic and industrial complexity, and celebrates television auteurs like Joss Whedon, J.J. Abrams, and Jane Campion, whose progressive serial narratives provide us with 'a more social and more coherent representation of an ever more perilous reality." -- BOOK BLURBNotes: Includes bibliography and indexISBN: 9780814345269Language: EnglishDonation: Senses of CinemaContents: Introduction -- 1. Metaseriality -- 2. Serial specificity -- 3. Serial auteurs and the possibilities of industrial resistance
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The birth of the movies / D.J. Wenden London: MacDonald & Janes, 1975.
Call No: 70"0192" WENAuthor: Wenden, D.J. Source: UKPlace: LondonPublisher: MacDonald & JanesPubDate: 1975PhysDes: 192 p. : ill., facsims., ports. ; 24 cmSubject: HISTORY AND THE CINEMA. USA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. 1920's Summary: "The birth of the movies is a fresh and unusual exploration into the early days of world cinema by a professional historian. It opens up a whole new range of insights by considering the silent film in its general social context rather than as an isolated art form in its own right. The book sets out the stages by which the cinema developed from its origins as a music hall novelty at the turn of the century into an individual means of entertainment and thence- at the end of the 1920s- into big business. This transition was reflected in the replacement of converted back rooms by cheap nickelodeans and then by giant picture palaces, when customers were called patrons and full symphony orchestras played in the pit. The California movie rush of the 1920s is compared to the gold rush of 1849; the dominant Hollywood star system and values are discussed from a social and economic viewpoint - trade is shown to follow the movie; early attempts at censorship are described, and the crude propoganda of the patriotic war films of the Firts World War is set alongside the more sophisticated political methods of Eisenstein (who believed that the film was 'as terrible a weapon as the hand grenade') and of the agit-trains that rolled across post-rolled Russia. Nor are the personalities (Mary Pickford, Chaplin, Keaton, D.W Griffith, etc.) or the aesthetics of the early cinema ignored. The book ends with the coming of the talkies, which were to revolutionize the film industry. Chaplin feared that talking would destroy the illusion of cinema; certainly it put an end to the eolquent silence of a very special and well-developed art." -- BOOK JACKETNotes: Includes index.; Bibliography: p. [186]-188.ISBN: 0356045722Donation: donated by the family of Wayne Levy, 2006Contents: -- preface -- 1: the primitive days of cinema -- 2: movies develop style -- 3: movies became an artform -- 4: movies become big business -- 5: movies and society -- 6: movies and politics -- 7: movies become hollywood -- 8: pictures move and talk -- references -- further reading -- index --
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The birth of the talkies : from Edison to Jolson / Harry M. Geduld Bloomington: Indiana University Press, [1975].
Call No: 70"1" GEDAuthor: Geduld, Harry M Place: BloomingtonPublisher: Indiana University PressPubDate: [1975]PhysDes: xiii, 337 p. ; ill. ; 25 cmSubject: HISTORY OF CINEMA. SOUND PERIOD Notes: Includes bibliographical references and indexISBN: 0253107431LON: 443560
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A bit on the side : east-west topographies of desire / Chris Berry Sydney: Empress Publishing, 1994.
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The Bitch / Jackie Collins London: Pan Books, 1979.
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Bitter springs : a novel from the film script / Clifford J. King London: Convoy Publications, 1950.
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Black balloon / by Elissa Down and Jimmy The Exploder AT: 2007 Feb 23.
Call No: S BLAAuthor: Down, Elissa Edition: Final shooting script (reading draft)Place: ATPubDate: 2007 Feb 23PhysDes: 96 leavesSubject: BLACK BALLOON, THE (AT, Elissa Down, 2008) Summary: "Thomas is turning 16. His dad's in the army and they've just moved to a town in New South Wales; his mom is pregnant; his older brother, Charlie, who's autistic, has his own adolescent sexual issues. Thomas finds Charlie an embarrassment in public, so when Thomas is attracted to Jackie, a girl in his swim class, Charlie presents any number of obstacles when she drops by their house, when the three of them go for a walk, and during a family birthday dinner. Can Thomas find a way to enter the world of teen romance and still be his brother's keeper, or is Charlie's disability going to prove more than Thomas can handle? ." - from IMDbNotes: Developed with assistance of Aurora Intensive workshops for Australian Scripts New South Wales Film and Television Office and the Australian Film Commission.-- c2006 Black Balloon ProductionsDonation: Australian Film Institute
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The black book directory : indigenous arts and media directory / Compiled by Rose Perkins and Hope Perkins Rose Bay, NSW: Blackfella Films, 2000.
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Black friday in The Saturday Paper (21/05/2016) p.3
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Black futures by Corroboree Films : six films about survival and hope among Australian Aborigines / by Corroboree Films Randwick, NSW: Corroboree Films, 1986.
Call No: 024.3(=1-81)(94) CORAuthor: Corroboree Films Source: ATPlace: Randwick, NSWPublisher: Corroboree FilmsPubDate: 1986PhysDes: 46 pages ; 31 cmSubject: ABORIGINAL AUSTRALIAN CINEMA ; ABORIGINAL AUSTRALIANS IN FILMS ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; EORA CORROBOREE (AT, Michael le Moignan & Yuri Sokol, 1985) Summary: Details of "BLACK FUTURES" series of which 'Eora' is the first. "In the past, many films on Aboriginal themes have painted a pathetic picture of a race and culture on the brink of extinction. The six films in BLACK FUTURES do not whitewash the past, but reflect the new mood of Aboriginal people in the nineteen eighties and the positive forces for change in Aboriginal life." - INTERIOR BLURBContents: Listing of the six films in the Black Futures series; Eora Corroboree, Building Dreams, Getting Better, Still Time, Reflections on Silver Screens, The Land Owns Us -- Post production script for Eora Corroboree
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The Black Hole / Alan Dean Foster London: New English Library, 1979.
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[Black man's houses : stills file] / David Johns
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 4 photographs : b&w ; 18 x 13 cmSubject: BLACK MAN'S HOUSES (AT, Steve Thomas, 1993) Summary: Four black and white photographs relating to the film Black man's houses
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Black music book pulped ? Guardian Australia partners up ? networks to cut ads in Crikey.com.au (7/03/2018) p.1
Author: Emily Watkins PhysDes: Clippings File ArticleSummary: A book on black women in music has been pulped. Plus other media tidbits of the day.
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Black panther / adapted screenplay written by Ryan Coogler & Joe Robert Cole US: [2018].
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The black stallion picture book / by Walter Farley New York: Scholastic Book Services, c1968.
Call No: N79BLA FARAuthor: Farley, Walter Source: USPlace: New YorkPublisher: Scholastic Book ServicesPubDate: c1968PhysDes: 56 p. : col. ill. ; 29 cmSubject: BLACK STALLION, THE (US, Caroll Ballard, 1979) Summary: Young Alec Ramsay is shipwrecked on a desert island with a horse destined to play an important part in his life. Following their rescue their adventures continue in America.ISBN: 0590315641
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The Black Stallion Returns / Walter Farley Kent: Knight Books, 1973.
Author: Farley, Walter Source: UKPlace: KentPublisher: Knight BooksPubDate: 1973PhysDes: 158 p. : 18 cmISBN: 0340164069Donation: donated by the family of Wayne Levy, 2006
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book
Blackrock / original screenplay by Nick Enright Sydney: Currency Press, 1997.
Call No: 79BLA ENRAuthor: Enright, Nick Source: ATPlace: SydneyPublisher: Currency PressPubDate: 1997PhysDes: x, 89 p. : ill. ; 21 cmSubject: BLACKROCK (AT, Steven Vidler, 1997) ISBN: 0868195316Donation: donated by the family of Wayne Levy, 2006
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book
The Blair Witch project / a dossier compiled by D.A Stern London: Boxtree, 1999.
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newspaper article
Blanchett wickedly good in timeless tale in Sunday Telegraph [Insider] (29/03/2015) p.126
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Levy Collection
book
Bleeding battlers from Ironbark : Australian myths in fiction & films: 1890s - 1980s / Davis Myers Rockhampton, Qld.: University of Queensland Press, 1992.
Call No: 71 (94) MYEAuthor: Myers, David Source: ATPlace: Rockhampton, Qld.Publisher: University of Queensland PressPubDate: 1992PhysDes: 194p. ; ill. ; 22cmISBN: 0908140347Donation: donated by the family of Wayne Levy, 2006
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script
Blinder / written by Scott Didier, Richard Gray, Michele Grey 2012.
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script
The bling ring / Written by Sofia Coppola 2012 Mar. 16.
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Online resource
script
Blinky Bill : post production script / by Fin Edquist Camperdown, NSW: 8/05/2015. Digital clippings file available
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title clippings file
blinky bill the movie in production
Blinky's back and this time he's a bloody beauty in Sunday Telegraph [Insider] (20 Sep 15) p.120
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journal article
Bliss in Filmviews (Summer 1985/86) vol.30 iss.126 p.30
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book
Blockbusters : hit-making, risk-taking, and the big business of entertainment / Anita Elberse New York: Henry Holt and Company, 2013.
Call No: 203 ELBAuthor: Elberse, Anita Source: USPlace: New YorkPublisher: Henry Holt and CompanyPubDate: 2013PhysDes: 307 pages : illustrations ; 25 cmSubject: INDUSTRY, FILM. USA ; INDUSTRY, TV. USA ; WARNER BROS. ; SPORT ON TV ; MARVEL ENTERTAINMENT Summary: Explores "what's behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Entertainment, and the NFL--along with such stars as Jay-Z, Lady Gaga, and LeBron James--[and] which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals"--Dust jacket flapISBN: 9780805094336Contents: Betting on blockbusters -- Launching and managing blockbusters -- Investing in superstars -- How superstars use their powers -- Will digital technology end the dominance of blockbusters? -- Will digital technology threaten powerful producers? -- The future of blockbuster strategies -- No business like show business?
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book
Blond Venus : a life of Marlene Dietrich Lond.: MacGibbon & Kee, 1955.
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script
[Blood money] Softly fell the rain / Screenplay by Chris Fitchett, John Ruan and Ellery Ryan AT: [1979?].
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Interim
book
Blood simple / Joel Coen and Ethan Coen New York: Faber and Faber, 1988.
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journal article
Blood simple in Metro (November 1985) iss.68 p.37-38
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book
Bloodbath : a memoir of Australian television / Patricia Edgar Carlton, Vic.: Melbourne University Publishing, 2006.
Call No: 722-053.2(94) EDGAuthor: Edgar, Patricia Source: ATPlace: Carlton, Vic.Publisher: Melbourne University PublishingPubDate: 2006PhysDes: xiiI, 466 p. : ill. ; 24 cm.Subject: TELEVISION. AUSTRALIA ; CHILDREN AND TV. AUSTRALIA ; CHILDREN, PROGRAMMES FOR. AUSTRALIA ; CHILDREN'S TELEVISION FOUNDATION ; AUSTRALIAN BROADCASTING CORPORATION ; AUSTRALIAN BROADCASTING COMMISSION ; GYNGELL, BRUCE ; EDGAR, PATRICIA ; WINNERS (AT, 1984 -) ; ROUND THE TWIST [TV] (AT, 1988-) Summary: This is a candid memoir written by one of Australian television’s most influential policy makers and regulators. Dr Edgar reminisces about her childhood in Mildura and charts her rise in the television industry, particularly as an innovator in Australian children’s television production. She also gives a detailed account of her position as the first woman appointed to the Australian Broadcasting Control Board, and how for over ten years, she fought for more locally produced children’s television content. As a result of this, Dr Edgar helped to establish the Australian Children’s Television Foundation in the early 1980s, and has since gone on to collaborate with the BBC, Disney and Revcom in a series of co-productions. Bloodbath also takes into account the author’s struggles and triumphs in the Australian Television industry, especially with political and economic change, and the impact of the global marketplace.Notes: Includes index.
Bibliography : p. 431-450.ISBN: 9780522852813Language: English
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newspaper article
Blu-ray format wins strong JB Hi-Fi support in Australian Financial Review (15/02/2007) p.21
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Davidson, John Subject: BLU-RAY ; HIGH DEFINITION DVD ; JB HI-FI LIMITED Summary: Blu Ray format DVD to be released at JB Hi Fi.
Article states that Blu-Ray supported by consumer electronic companies, HD DVD supported by Microsoft and Intel.Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: Scott Browning – Mktg Mgr JB Hi fi
Blu ray is (quote)“manifestly superior for consumers” because eight out of Australia’s nine major film distributors were supporting Blu Ray, and because Sony’s coming PS3 games console could play Blu-ray movies’.(end quote)
“JB Hi-Fi, which on Tuesday reported a record half-year profit of $26.2 millon on strong DVD sales”
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newspaper article
Blu-ray to sting HD-DVD in Herald Sun (28/02/2007)
Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDERAuthor: Familari, Peter Subject: BLU-RAY ; HIGH DEFINITION DVD Summary: The format battle between Blu-ray and HD DVD and how it might be played out ala VHS vs BETA.Notes: accessed from: Herald Sun, News Ltd. RMIT University. (18 May 2007).
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Levy Collection
book
Blue Fin / Colin Thiele ; photographs by David Kynoch Adelaide: Rigby, 1978.
Author: Thiele, Colin Source: ATPlace: AdelaidePublisher: RigbyPubDate: 1978PhysDes: 128 p. : ill. (some col.) ; 21 cm.Notes: Now a South Australian Film Corporation feature filmISBN: 0727009958Donation: donated by the family of Wayne Levy, 2006
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book
Blue fire lady / Jean Dixon Melbourne: Sun Books, 1977.
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still
[Blue fire lady : Peter Cummins and John Ewart at the race track / David Parker
Call No: TITLE STILL AUSTRALIASource: ATPhysDes: 1 photograph : b&w ; 21 X 26 cm.Subject: BLUE FIRE LADY (AT, Ross Dimsey, 1977) Summary: Production still from Blue Fire Lady. Image of Peter Cummins and John Ewart at the race track in conversationNotes: adhesive marks covering the reverse of image; labels on reverse
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still
[Blue fire lady : stills file] / David Parker Australian International Film Corporation Pty. Ltd. (distributor),
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music lp
Blue Hawaii [sound recording] / Elvis Presley and the Jordanaires (Musical group) Australia: RCA Records, [1961].
Call No: LP Blue HawaiiAuthor: Presley, Elvis ; Jordanaires (Musical group) CorpAuthor: RCA RecordsSource: USPlace: AustraliaPublisher: RCA RecordsPubDate: [1961]PhysDes: 1 sound disc (29 min.) : analog, 33 1/3 rpm, stereo. ; 12 inSubject: PRESLEY, ELVIS ; BLUE HAWAII (US, Norman Taurog, 1961) Notes: "14 great songs" from the Hal Wallis production of Blue Hawaii, a Paramount film, sung by Elvis Presley, with the Jordanaires; "An original sound track album."Contents: -- Blue Hawaii (Robin-Rainger) Chappell (2:35) with the Jordanaires -- Almost always true (Wise-Weisman) (2:24) -- Aloha oe (adapted and arranged by Elvis Presley) with the Jordanaires (1:54) -- No more (Robertson-Blair) (2:22) -- Can't help falling in love (Peretti-Creatore-Weiss) (2:59) -- Rock-a-hula baby (Wise-Weisman-Fuller) (1:58) -- Moonlight swim (Dee-Weisman) Aberbach (2:18) -- Ku-u-i-po (Peretti-Creatore-Weiss) (2:20) with the Jordanaires -- Ito eats (Tepper-Bennett) (1:25) with the Jordanaires -- Slicin' sand (Tepper-BGennett) (1:34) with the Jordanaires -- Hawaiian sunset (Tepper-Bennett) (2:30) with the Jordanaires -- Beach boy blues (Tepper-Bennett) (2:00) with the Jordanaires -- Island of love ( Tepper-Bennett) (2:40) -- Hawaiian wedding song (King-Hoffman-Manning) with the Jordanaires (2:48) --Performer: Presley, Elvis; Jordanaires (Musical group)Music Type: Motion Picture MusicPublisher Number: RCA Records: L101174
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script
Blue Heelers : A Bit of Biff, Episode 185 [1998].
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Yet to catalogue
book
Blue Heelers : Maggie's story / Roger Dunn Rydalmere, NSW: Coronet, 1997.
Call No: N79BLU DUNAuthor: Dunn, Roger Source: ATPlace: Rydalmere, NSWPublisher: CoronetPubDate: 1997PhysDes: 290 p. ; 19 cm.Notes: Cover subtitle: From the internationally acclaimed television seriesISBN: 0733604285
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script
Blue heelers : 1997 Bible / compiled by Caroline Stanton ; with contributions from Tony Morphett, Michael Winter and Peter Haddow AT: 1997 Feb.
Call No: S BLUAuthor: Stanton, Caroline [compiler] Place: ATPubDate: 1997 FebPhysDes: 52 leaves ; 30 cmSubject: BLUE HEELERS [TV] (AT, 1994-2006) Summary: Guidelines for script writers of the Blue Heelers television seriesNotes: Unpublished script -- Includes 'Blue Heelers' overview, scripting guidelines, character notes, guide to police procedures
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script
Blue heelers : the Bible 1998 / compiled by Caroline Stanton ; with contributions from Tony Morphett, Michael Winter and Peter Haddow AT: c1997.
Call No: S BLUAuthor: Stanton, Caroline [compiler] Place: ATPubDate: c1997PhysDes: 55 leaves ; 30 cmSubject: BLUE HEELERS [TV] (AT, 1994-2006) Summary: Guidelines for script writers of the Blue Heelers television seriesNotes: Unpublished script -- Includes 'Blue Heelers' overview, scripting guidelines, character notes, guide to police
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script
Blue Heelers. Ep. 196, Blood Ties : script / created by Tony Morphett and Hal McElroy; director Steve Mann [1998].
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book
Blue skies and silver linings : aspects of the Hollywood musical / Bruce Babington and Peter William Evans Manchester [Greater Manchester] Dover, N.H., USA: Manchester University Press, c1985.
Call No: 751(73) BABAuthor: Babington, Bruce ; Evans, Peter William Place: Manchester [Greater Manchester] Dover, N.H., USAPublisher: Manchester University PressPubDate: c1985PhysDes: 258 p. : ill. ; 25 cmSubject: MUSICALS. USA ; BERKELEY, BUSBY ; ASTAIRE, FRED ; ROGERS, GINGER ; KELLY, GENE ; MINNELLI, VINCENTE ; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934) ; SWING TIME (US, George Stevens, 1936) ; JOLSON STORY, THE (US, Alfred E. Green, 1946) ; JOLSON SINGS AGAIN (US, Henry Levin, 1949) ; SUMMER HOLIDAY (US, Rouben Mamoulian, 1948) ; IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955) ; CAROUSEL (US, Henry King, 1956) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; EASTER PARADE (US, Charles Walters, 1948) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; HAIR (US, Milos Forman, 1979) Notes: Bibliography: p. [248]-258ISBN: 0719017394 : $19.00LON: 3592471
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script
bluemurder : part one 1995.
Call No: S BLUAuthor: David, Ian CorpAuthor: Australian Broadcasting Corporation; Southern Star SullivanPubDate: 1995PhysDes: 192 leavesSubject: bluemurder (AT Ian David, 1995) Notes: Unpublished scriptDonation: donated by the Australian Writers Guild
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Crawford collection
script
The bluestone boys : block no 04605. Episodes 18, 19, 20 & 21 / written by Michael Cove (eps. 18 & 19) , Graham Hartley & Graeme Koetsveld (eps. 20 & 21) ; script edited by Graeme Koetsveld (eps. 18 & 19) and Jock Blair (eps. 20 & 21) AT: c1976.
Call No: SC BLU : 5Author: Cove, Michael ; Hartley, Graham ; Koetsveld, Graeme Place: ATPubDate: c1976PhysDes: 148 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes list of characters, sets and locations -- Includes script running order -- Accompanied by employment agreements ( 14 leaves) -- Credits: producer, Jock BlairDonation: Gift of Crawford Productions
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Crawford collection
script
The bluestone boys : block no 04606. Episodes 22, 23, 24 & 25 / written by Colin Eggleston (eps. 22 & 23), Graeme Koetsveld & Graham Hartley (eps. 24 & 25) ; script edited by Graeme Koetsveld (eps. 22 & 23) & Jock Blair (eps. 24 & 25) AT: c1976.
Call No: SC BLU : 6Author: Eggleston, Colin ; Koetsveld, Graeme ; Hartley, Graham Place: ATPubDate: c1976PhysDes: 150 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes list of characters, sets and locations -- Includes script running order -- Accompanied by employment agreements ( 12 leaves) -- Credits: producer, Jock BlairDonation: Gift of Crawford Productions
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script
The bluestone boys : block no 04609. Episodes 34, 35, 36 & 37 / written by Graham Hartley & Graeme Koetsveld from an idea by J. Higgins & T. Purcell (eps. 34, 35), Ray Kolle & Colin Eggleston (ep. 36), Graeme Koetsveld (ep. 37) ; edited by Jock Blair AT: c1976.
Call No: SC BLU : 9Author: Hartley, Graham ; Koetsveld, Graeme ; Kolle, Ray ; Eggleston, Colin Place: ATPubDate: c1976PhysDes: 155 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- Includes list of characters, sets and locations -- Includes script running order -- Accompanied by employment agreements and taxi docket -- Credits: producer, Jock Blair ; directors Marie Trevor and Robert MellionDonation: Gift of Crawford Productions
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Crawford collection
script
The bluestone boys : block no 04610. Episodes 38, 39, 40 & 41 / written by Alan Hardy (eps. 38 & 39), Michael Cove (eps. 40, 41) ; edited by Graham Hartley (eps. 38 & 39), Jock Blair (ep. 40), Graeme Koetsveld (ep. 41) AT: c1976.
Call No: SC BLU : 10Author: Hardy, Alan ; Cove, Michael Place: ATPubDate: c1976PhysDes: 159 leaves ; 34 cmSubject: BLUESTONE BOYS, THE [TV] (AT, 1976) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes list of characters, sets and locations -- Includes script running order -- Accompanied by employment agreements (14 leaves) -- Credits: producer, Jock Blair ; directors "Bud" Tingwell & Mark De FriestDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : Emma / written by John Drew ; script edited by Tom Hegarty AT: c1976.
Call No: SC BLU : 15Author: Drew, John Place: ATPubDate: c1976PhysDes: 64 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes character list -- Accompanied by cast list -- Credits: producer, Tom Hegarty ; director, George T. MillerDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : it's worth the risk / written by John Drew ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 25Author: Drew, John Place: ATPubDate: c1976PhysDes: 86 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Includes character notes -- Accompanied by cast list -- Credits: producer, Tom Hegarty ; director, Graeme ArthurDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : changeling / written by Colin Eggleston ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 26Author: Eggleston, Colin Place: ATPubDate: c1976PhysDes: 71 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character notes, amendments -- Accompanied by cast list -- Credits: producer, Tom Hegarty ; director, Gary ConwayDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : lonely ordeal / written by John Drew ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 34Author: Drew, John Place: ATPubDate: c1976PhysDes: 80 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes character notes, amendments ( 3 leaves) -- Accompanied by cast list (1 leaf), casting call sheet ( 6 leaves), location times and schedules (12 leaves), one liner (13 leaves) -- Credits: producer, Julian Pringle ; director, George T. MillerDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : whole of life / written by Colin Eggleston ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 35Author: Eggleston, Colin Place: ATPubDate: c1976PhysDes: 58 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Three copies -- Duplicate material kept in storage -- Includes character notes -- Accompanied by one liner ( 28 leaves), location times and schedules (11 leaves), cast travel and accommodation (1 leaf), taxi list (2 leaves), flight changes (1 leaf), post sync (1 leaf), memo (2 leaves), cast list (1 leaf), script register (1 leaf), scheduling notes ( 6 envelopes), record of premises used for filming ( 2 leaves), thank you letters (5 leaves) -- Credits: producer, Julian Pringle ; director, Graeme ArthurDonation: Gift of Crawford Productions
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Crawford collection
script
Bluey : a touch of stardust / written by John Drew ; script edited by Denise Morgan AT: c1976.
Call No: SC BLU : 38Author: Drew, John Place: ATPubDate: c1976PhysDes: 77 leaves ; 34 cmSubject: BLUEY [TV] (AT, 1976-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes character notes -- Accompanied by cast list -- Credits: producer, Julian Pringle ; director, Graeme ArthurDonation: Gift of Crawford Productions
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script
Blurred / written by Stephen Davis and Kier Shorey Oxenford, Qld: Pictures in Paradise, 2002.
Call No: S BLUAuthor: Davis, Stephen ; Shorey, Kier Source: ATPlace: Oxenford, QldPublisher: Pictures in ParadisePubDate: 2002PhysDes: 103 leavesSubject: BLURRED (AT, Evan Clarry, 2002) Notes: Unpublished script; Donated by the Australian Film Institute; Script editor: Chris Fitchett; Director: Evan Clarry
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book
Boccaccio '70, di De Sica, Fellini, Monicelli, Visconti / a cura di Carlo di Carlo e Gaio Fratini [Bologna]: Cappelli, [1962].
Call No: 79BOC CARAuthor: De Sica, Vittorio Place: [Bologna]Publisher: CappelliPubDate: [1962]PhysDes: 226pSeries: Dal soggetto al film ; 22LON: flu00042801; 8792895
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journal article
The body in question in Cinema Papers (May 1987) vol.63 p.16-19
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book
The body in the mirror : shapes of history in Italian cinema / Angela Dalle Vacche Princeton, N.J.: Princeton University Press, c1992.
Call No: 71(45) VACAuthor: Dalle Vacche, Angela Place: Princeton, N.J.Publisher: Princeton University PressPubDate: c1992PhysDes: xvii, 306 p. : ill. ; 25 cmSubject: ITALY Notes: Includes bibliographical references (p. [285]-300) and indexISBN: 0691055661 (alk. paper); 0691008728 (pbk. : alk. paper)LON: 8114241
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book
Bodyline / Philip Derriman Fontana, 1984.
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book
Bogart / Allen Eyles London: Macmillan, 1975.
Call No: 81BOG EYLAuthor: Eyles, Allen Place: LondonPublisher: MacmillanPubDate: 1975PhysDes: 128 p. : ill. (some col.) ; 26 cm.Series: The Movie MakersSubject: ACTORS ; BOGART, HUMPHREY ; BACALL, LAUREN ; AFRICAN QUEEN, THE (US, John Huston, 1952) ; CASABLANCA (US, Michael Curtiz, 1942) ; PETRIFIED FOREST, THE (US, Archie L. Mayo, 1935) ; MALTESE FALCON, THE (US, John Huston, 1941) ; HIGH SIERRA (US, Raoul Walsh, 1941) Summary: A study of Humphrey Bogart's acting career from Broadway until his final films, with much reference to his acting atyle and character types.Notes: Includes index.
Bibliography: p. 128.
Filmography: p. 123-127.ISBN: 333180208
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book
"Bold! Daring! Shocking! True!" : a history of exploitation films, 1919-1959 / Eric Schaefer Durham: Duke University Press, 1999.
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Interim
book
Bollywood : A guide to popular Hindi Cinema New York: Routledge, 2004.
Call No: 71(540) GANAuthor: Ganti, Tejaswini Place: New YorkPublisher: RoutledgePubDate: 2004PhysDes: 254 p. ; ill. ; 20 cmSubject: POPULAR CULTURE AND THE CINEMA.INDIA ; INDIA ; INDUSTRY, FILM. INDIA Summary: "In 'Bollywood', anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindii cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Hollywood including composers, directors and stars, as well as material from current filmmakers themselves. " (back cover)Notes: Index: p.242-254; Bibliography
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book
Bollywood : sociology goes to the movies / Rajinder Kumar Dudrah New Delhi: Sage Publications, 2006.
Call No: 408.1 (54) DUDAuthor: Dudrah, Rajinder Kumar Source: IIPlace: New DelhiPublisher: Sage PublicationsPubDate: 2006PhysDes: 210 p. : ill. (b+w) ; 22cm.Subject: SOCIETY AND THE CINEMA ; SOCIOLOGY AND THE CINEMA ; BOLLYWOOD Summary: Replete with memorable examples and penetrating insights, this book:
Provides a comprehensive theoretical and empirical engagement with Bollywood cinema and its audiences
Examines the role and representations of cultural icons in Bollywood films
Discusses the Bollywood film industry as it develops in the era of globalizationISBN: 0761934618Language: English
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book
Bollywood and its other(s) : towards new configurations / edited by Vikrant Kishore, Amit Sarwal and Parichay Patra Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 71(540) BOLAuthor: KIshore, Vikrant (ed.) ; Patra, Parichay (ed.) ; Sarwal, Amit (ed.) Source: US/UK/ATPlace: Houndmills. Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xii, 229 pages ; 23 cmSubject: INDIA ; INDIA IN FILMS ; BOLLYWOOD ; INDIAN CINEMA ; HISTORY OF CINEMA. INDIA ; THEORY ; DIASPORIC CINEMA ; MUSIC AND THE CINEMA ; MUSIC IN FILMS ; SEX IN FILMS ; HOMOSEXUALITY IN FILMS ; HOMOSEXUALITY AND THE CINEMA ; AESTHETICS ; PHILOSOPHY AND THE CINEMA ; SCIENCE-FICTION FILMS Summary: "How do we define the globalized cinema and media cultures of Bollywood in an age when it has become part of the cultural diplomacy of an emerging superpower? Is it still an 'other' industry in a world dominated by American Cinemas? Bollywood and Its Other(s) aims to compensate for the lack of scholarly literature on Bollywood studies by opening up hitherto unexplored sites or sites that are in formation. One of the most comprehensive volumes on Bollywood so far, it focuses on the aesthetic-philosophical questions of the other, Indian diaspora's negotiations with national identity, alternative reading strategies/research methods, marginal genres (sci-fi, horror), marginal characters (flaneuse, vamps), marginal gender (non-normative sexualities), marginal cinema (Hindi avant-garde), marginal language (Hinglish), and marginal regions (the Kashmir valley). It intends to address film scholars, South Asian studies researchers, cinephiles and lay readers alike.- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and indexISBN: 9781137426499Donation: Senses of CinemaContents: -- list of figures -- notes on contributors -- introduction: Vikrant Kishore, Amit Sarwal and Parichay Patra -- Section I Exploring the Other: Cinema, Aesthetics, Philosophy -- 1.Self, Other and Bollywood: The Evolution of the Hindi Film as a Site of Ambivalence / Dibyakusum Ray -- 2.Bombay Cinema's Aesthetic Other: Hindi Shastriya Cinema in Retrospect / Parichay Patra -- Section II Diaspora and the Formation of the Global Bollywood -- 3.Transgressing the Moral Universe: Bollywood and the Terrain of the Representable / Sarah A. Joshi -- 4.A Perfect Match: Entertainment and Excess of Cricket within the Diasporic Experience of Bollywood / Sanchari De and Manas Ghosh -- Section III The Musicality of Bollywood: Possibilities of Alternative Reading(s) -- 5.Hindi Popular Cinema and Its Peripheries: Of Female Singers, Performances and the Presence/Absence of Suraiya / Madhuja Mukherjee -- 6.'Dil Dance Maare Re': Bollywoodisation of the Indian Folk Dance Forms / Vikrant Kishore -- 7.The Systems Model of Creativity and Indian Film: A Study of Two Young Music Directors from Kerala, India / Phillip McIntyre, Bob Davis and Vikrant Kishore -- Section IV Bollywood's Other(s): Sexuality, B Movie, Queerness -- 8.Sugar and Spice: The Golden Age of the Hindi Movie Vamps, 1960s--1970s / Suneeti Rekhari -- 9.Popular Forms, Altering Normativities: Queer Buddies in Contemporary Mainstream Hindi Cinema / Aneeta Rajendran -- 10.Hinglish Cinema: The Confluence of East and West / Amit Sarwal -- 11.The Ramsay Chronicles: Non-normative Sexualities in Purana Mandir and Bandh Darwaza / Mithuraaj Dhusiya -- 12.Bollywood's Encounters with the Third Kind: A Critical Catalogue of Hindi Science Fiction Films / Sami Ahmad Khan -- Section V Bollywood's Other, India's Other -- 13.Death Becomes Her: Bombay Cinema, Nation and Kashmir: In Conversation with the Desire Machine Collective, Guwahati / Kaushik Bhaumik -- afterword: Anupam Sharma -- index --
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Bollywood Babylon : interviews with Shyam Benegal / Edited by William van der Heide Oxford: Berg, c2005.
Call No: 71(540) BENAuthor: Benegal, Shyam Edition: English edPlace: OxfordPublisher: BergPubDate: c2005PhysDes: ix, 229 p. : ill. ; 24 cmNotes: Appendices and indexISBN: 1845204050ID2: 249
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book
Bollywood in Australia : transnationalism and cultural production / edited by Andrew Hassam and Makarand Paranjape Crawley, Western Australia: University of Western Australia Publishing, 2010.
Call No: 408.3 (540/94) BOLAuthor: Hassam, Andrew (ed.) ; Paranjape, Makarand (ed.) Source: ATPlace: Crawley, Western AustraliaPublisher: University of Western Australia PublishingPubDate: 2010PhysDes: 192p. ; 24cmSubject: AUSTRALIA ; BOLLYWOOD ; INDIA ; INDIAN CINEMA ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; SALAAM NAMASTE (II, Siddarth Anand, 2005) ; CHAK DE! INDIA (II, Shimit Amin, 2007) Summary: "The past decade has witnessed a steady increase in Australia’s awareness of India as a strategic and economic partner. Bollywood plays an important role in the increased dialogue between Australia and India.
Bollywood in Australia: Transnationalism and Cultural Production brings together scholars from India and Australia to explore the transnational impact of Bollywood on public spheres in Australia and to assess its contribution to Australian creative industries.
Countries of the West—Switzerland, the USA, Canada, Australia, New Zealand—have gone out of their way to welcome Bollywood production teams, and Singapore and Bangkok are now using Bollywood to showcase an Asian modernity.
In an age when creative, information and services industries propel economic growth, Bollywood and its modalities of production, distribution and reception are seen as important players in global culture-industry networks."
--University of Western Australia webpage http://uwap.uwa.edu.au/books-and-authors/book/bollywood-in-australia-ebook/ISBN: 9781921401084Contents: -- Bollywood in Australia: introduction Andrew Hassam and Makarand Paranjape -- 1: the crossover audience: mediated multiculturalism and the Indian film Adrian Mabbott Athique -- 2: cultural encounters: the use and abuse of Bollywood in Australia Devika Goonewardene -- 3: Salaam Namaste, Melbourne and cosmopolitanism Andrew Hassam -- 4: Chak De! Australia: Bollywood down under Makarand Paranjape -- 5: Cook Cook Hota Hai: Indian cinema, kitchen culture and diaspora Srilata Ravi -- 6: Rangla Punjab in Canberra, Yamla Jatt folk night in Sydney, Oorja nights in Melbourne Anjali Gera Roy -- 7: orbits of desire: Bollywood as creative industry in Australia Debjani Ganguly -- 8: sweet dreams are made of this: Bollywood and Transnational South Asians in Australia Devleena Ghosh -- 9: Interview AK Tareen, senior trade commisioner - india, government of South Australia, 27 February 2008 -- filmography -- image credits -- notes on contributors --
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book
Bolognini / [consisting of an interview with Bolognini by J.A. Gili and ; an essay on his works by G.P. Brunetta] Rome: Istituto Poligrafico dello Stato P.V., 1977.
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newspaper article
Le Bon takes high road in Sunday Herald Sun (11/10/2015) p.84
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Levy Collection
book
The bona book of Julian and Sandy / by Barry Took and Marty Feldman ; illustrations by Arthur Horner London: Robson Books, 1976.
Author: Took, Barry ; Feldman, Marty Source: UKPlace: LondonPublisher: Robson BooksPubDate: 1976PhysDes: 94 p. : ill. ; 20 cmNotes: 'adapted from the award-winning radio show, round the horne'ISBN: 0903895706Donation: donated by the family of Wayne Levy, 2006
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newspaper article
Bond shaken up in hilarious spoof in Sunday Telegraph [Insider] (17/05/2015) p.118
Call No: TITLE CLIPPINGS FILE; SPY (US, Paul Feig, 2015)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: SPY (US, Paul Feig, 2015) Summary: ReviewRating: 3.5 out of 5 stars
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newspaper article
The Bonds of charm, spin and hubris in Canberra Times [TV Guide] (1/05/2017) p.3
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journal article
Bonnie and Clyde in Melbourne Film Bulletin (July 1968) iss.4 p.31-32
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book
The Bonnie & Clyde book / compiled & edited by Sandra Wake & Nicola Hayden London: Lorrimer, 1972.
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book
Bonnie Prince Charlie / Dorothy Middleton London: Convoy Publications, 1948.
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book
The book of movie lists / by Gabe Essoe ; foreword by Ernest Borgnine Westport, Connecticut: Arlington House, 1981.
Call No: REFERENCE SECTION; 03 ESS BOOAuthor: Essoe, Gabe Source: USPlace: Westport, ConnecticutPublisher: Arlington HousePubDate: 1981PhysDes: xiv, 240 p. : 23 cmSubject: BEST FILMS ; CRITICISM ; WORST FILMS ISBN: 0870004964Donation: donated by the family of Wayne Levy, 2006
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Levy Collection
book
The book of movie photography : the complete guide to better moviemaking / David Cheshire West Melbourne, Vic.: Thomas Nelson Australia, 1980, c1979.
Author: Cheshire, David Edition: Australian ed.Source: ATPlace: West Melbourne, Vic.Publisher: Thomas Nelson AustraliaPubDate: 1980, c1979PhysDes: 288 p. : ill (some col.) ; 27 cm.Notes: Hard cover. -- Dust jacket -- "The Book of Movie Photography was conceived, edited and designed by Dorling Kindersley Limited [...] London"-T.p. verso. -- First published: [New York] : Alfred A. Knopf. -- Contents: Introduction -- The history of moviemaking -- The camera and the film -- The elemenmts of film -- Lighting -- Sound -- Making a movie -- Special techniques -- Processing and editing -- Editing sound -- Projecting the movie -- Technical reference. -- Glossary. -- Includes index.ISBN: 017005764XDonation: donated by the family of Wayne Levy, 2006
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journal article
The Book of Revelation in Empire (Australian Ed.) (February 2007) iss.71 p.108
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book
The book of the cinema / foreword by Francois Truffaut; a Chris Milsome book London: Artists House, 1979.
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book
The book of the film and the film of the book : a bibliography of Australian cinema and TV, 1895-1995 / [edited by] Wayne Levy Melbourne: Academia Press, 1995.
Call No: REFERENCE SECTION; 023(94) LEVAuthor: Levy, Wayne Place: MelbournePublisher: Academia PressPubDate: 1995PhysDes: 198, [40] p. : ill. ; 20 cmSubject: FILMOGRAPHIES. AUSTRALIA ; AUSTRALIA Notes: Includes indexISBN: 0958966885LON: 11813333
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Yet to catalogue
book
Bordering on fiction : Chantal Akerman's D'Est / introduction by Kathy Halbreich and Bruce Jenkins ; essays by Chantal Akerman, Catherine David, and Michael Tarantino Minneapolis New York: Walker Art Center Distributed Art Publishers, 1995.
Call No: 79DES BORAuthor: Akerman, Chantal ; David, Catherine, 1954 ; Tarantino, Michael CorpAuthor: Walker Art Center; San Francisco Museum of Modern ArtEdition: 1st edPlace: Minneapolis New YorkPublisher: Walker Art Center Distributed Art PublishersPubDate: 1995PhysDes: 92 p. : ill. (some col.) ; 22 cmNotes: Exhibition held at the San Francisco Museum of Modern Art, Jan. 18-Apr. 30, 1995 and at five other museums and galleries through Nov. 1996; Filmography: p. 73-84; Includes bibliographical references (p. 85-92)ISBN: 0935640444LON: 94043489; 11328215
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newspaper article
Born Scandi devotional in Canberra Times [Panorama] (09/07/2016) p.12
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. AUSTRALIA. SCANDINAVIANAuthor: Craven, Peter PhysDes: Clippings File ArticleSubject: FESTIVALS. AUSTRALIA. SCANDINAVIAN ; DENMARK ; OFTEBRO, JAKOB Summary: Interview with Danish actor Jakob Oftenbro about his career and his thoughts on Danish and Scandanavian film and tvNotes: similar article in: Saturday Age. Title: 'Scandi devotional'. Same date. Section: Spectrum, p. 12.
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book
Born to lose : the gangster film in America / Eugene Rosow New York: Oxford University Press, 1978.
Call No: 734(73) ROSAuthor: Rosow, Eugene Place: New YorkPublisher: Oxford University PressPubDate: 1978PhysDes: xv, 422 p. : ill. ; 24 cmNotes: Includes index; Bibliography: p. [349]-353; Filmography: p. [355]-393ISBN: 019502382X : $19.95LON: 78004942; 1163077
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book
Boro, L'Ile D'Amour : the Films of Walerian Borowczyk / edited by Kamila Kuc, Kuba Mikurda, and Michael Oleszczyk London: Berghahn Books,
Call No: 81 BOR BOREdition: 2015Place: New York; LondonPublisher: Berghahn BooksPhysDes: 212 p. ; illus. ; 23cmSubject: BLANCHE (FR, Walerian Borowczyk, 1971) ; BEAST, THE [BETE, LA] (FR, Walerian Borowczyk, 1975) Notes: There has been a recent revival of interest in the work of Polish film director Walerian Borowczyk, a label-defying auteur and “escape artist” if there ever was one. This collection serves as an introduction and a guide to Borowczyk’s complex and ambiguous body of work, including panoramic views of the director’s output, focused studies of particular movies, and more personal, impressionistic pieces. Taken together, these contributions comprise a wide-ranging survey that is markedly experimental in character, allowing scholars to gain insight into previously unnoticed aspects of Borowczyk’s oeuvre. -- publisher's web siteISBN: 9781782387015Contents: CONTENTS
List of Illustrations
Acknowledgments
Introduction: A Private Universe -- Kamila Kuc, Kuba Mikurda, Michal Oleszczyk
Chapter 1. Boro: Escape Artist -- Kuba Mikurda
Chapter 2. Borowczyk’s Kunstkamera -- Marcin Gizycki
Chapter 3. Animated Bodies: A Conversation Between Kuba Mikurda and Jakub Woynarowski
Chapter 4. Cruel Imagination: Borowczyk’s Post-Traumatic Surrealism -- Iwona Kurz
Chapter 5. The Postcard Never Sent: Guy de Maupassant and Rosalie Prudent’s Cinematic Confession -- Kamila Kuc
Chapter 6. Boro: The Guide for the Perplexed -- Fernando F. Croce
Chapter 7. Borowczyk’s Serial Labyrinth: From Goto, Isle of Love (1968) to Behind Convent Walls (1977) -- James Snazell
Chapter 8. Immoral Toys: On Borowczyk’s A Private Collection (1974) -- Edwin Carels
Chapter 9. The Beast with Two Backs: On Borowczyk’s The Beast (1975) -- Philip Warnell
Chapter 10. Laughter in the Doll House: On Victorian Surrealism in Walerian Borowczyk’s Films -- Kamila Wielebska
Chapter 11. Enjoying Excess: A Bataillean Interpretation of Story of Sin (1975) by Walerian Borowczyk and Stefan Zeromski -- Marta Rabikowska
Chapter 12. The Beach, the Bubble and the Boudoir: The Meeting-Spaces of Walerian Borowczyk and André Pieyre de Mandiargues -- Jonathan Owen
Chapter 13. Sex & the Sacred: The Obstacles to Desire Becoming its Objects -- Jakub Majmurek
Chapter 14. Reflecting on The Strange Case of Doctor Jekyll and Miss Osbourne (1981) -- Budd Wilkins
Chapter 15. The Perils of Emmanuelle: A Conversation between Simon Abrams, Odie Henderson, and Michal Oleszczyk
Chapter 16. Revisiting Love Rites (1988) -- Kevin Lee
Contributors Biographies
Filmography
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book
Both sides of the camera : a souvenir book of television programmes and the people who make them / edited by Marie Donaldson ; designed by Robert Claxton London: Weidenfeld and Nicolson, 1960.
Call No: 71(41) THOAuthor: Donaldson, Marie Place: LondonPublisher: Weidenfeld and NicolsonPubDate: 1960PhysDes: [124] p. : chiefly ill. ; 29 cmSubject: TELEVISION. UK LON: 5182069
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journal article
Boundaries of the heart in Encore (5-18 November 1987) vol.5 iss.20 p.46-47
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The box : block no: 05616 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (eps. 1, 2), Agi Szollos(ep. 3) & Colin Eggleston (ep. 4) ; edited by Ruth Sutton (ep. 1), Graeme Koetsveld (eps. 2, 3), Lyn Ogilvy (eps. 1, 4) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.23Author: Dunn, Roger ; Szollos, Agi ; Eggleston, Colin Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 24 leaves), amendments ( 5 leaves)Donation: Gift of Crawford ProductionsID2: 50
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The box : block no 05617 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 4), Graham Hartley (ep. 2) & Paul Davies (ep. 3) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graeme Koetsveld (ep. 3) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.24Author: Koetsveld, Graeme ; Hartley, Graham ; Davies, Paul Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (8 leaves), videotape artists roll (2 leaves), employment agreements (23 leaves)Donation: Gift of Crawford ProductionsID2: 50
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The box : block no: 05615 [series 3]. Episodes 1, 2, 3, 4 / written by Leonard Grant (ep. 1), Neville Brown (ep. 2) & Paul Davies (eps. 3, 4) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graeme Koetsveld (ep. 3) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.22Author: Grant, Leonard ; Brown, Neville ; Davies, Paul Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 126 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll (1 leaf), employment agreements ( 51 leaves)Donation: Gift of Crawford ProductionsID2: 50
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The box : block no 05627 [series 3]. Episodes 1, 2, 3, 4 / written by David Stevens (ep. 1), Paul Davies (ep. 2), Roger Dunn (ep. 3) & Lyn Ogilvy (ep. 4) ; edited by Denise Morgan AT: Crawford Productions, c1976.
Call No: SC BOX : 3.34Author: Stevens, David ; Davies, Paul ; Dunn, Roger ; Ogilvy, Lyn Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Production script - white; Network code: 63 - 64; David Stevens author of episode 1; Paul Davies author of episode 2
Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), employment agreements ( 45 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford ProductionsID2: 50
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The box : block no 32. Episodes 151, 152, 153, 154, 155 / written by Ken Lord (eps. 151, 155), Ray Kolle (eps. 152, 154) & Roger Dunn (ep. 153) ; edited by Graham Hartley (eps. 151, 153, 155) & Jock Blair (eps. 152, 154) AT: Crawford Productions, c1974.
Call No: SC BOX : 1.32Author: Lord, Ken ; Kolle, Ray ; Dunn, Roger Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 170 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 11 leaves), videotape artists roll (2 leaves), employment agreements ( 66 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 22. Episodes 101, 102, 103, 104, 105 / written by Lee Darin (eps.101, 102, 103) & Alan McCoy (eps. 104, 105) ; edited by Graham Hartley AT: Crawford Productions, c1974.
Call No: SC BOX : 1.22Author: Darin, Lee ; McCoy, Alan Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 151 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 12 leaves), amendments ( 2 leaves), videotape artists roll ( 4 leaves), employment agreements ( 35 leaves)Donation: Gift of Crawford ProductionsID2: 50
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The box : block no 23. Episodes 106, 107, 108, 109, 110 / written by Alan McCoy (ep. 106), Jill Kavalek (eps. 107, 108), Lucy Dyson ( ep. 109) & Jonathan Dawson ( ep. 110) ; edited by Graham Hartley (eps. 106,110) & Tom Hegarty (eps. 107, 108, 109) AT: Crawford Productions, c1974.
Call No: SC BOX : 1.23Author: McCoy, Alan ; Kavalek, Jill ; Dyson, Lucy ; Dawson, Jonathan Place: ATPublisher: Crawford ProductionsPubDate: c1974PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 10 leaves), amendments (2 leaves), videotape artists roll (4 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford ProductionsID2: 50
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The box : block no 10. Episodes 41, 42, 43, 44, 45 / written by Lee Darin (ep. 41), Lynn Bower (eps. 42, 43) and Jonathan Dawson (eps. 44, 45) ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: SC BOX : 1.10Author: Darin, Lee ; Bower, Lynn ; Dawson, Jonathan Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 12 leaves), videotape artists roll (2 leaves), amendments ( 9 leaves)Donation: Gift of Crawford ProductionsID2: 50
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The box : block no 11. Episodes 46, 47, 48, 49, 50 / written by Jim Stapleton (eps. 46, 47), Alan McCoy (eps. 48, 49) and Andrew Scott ep. 50 ; edited by Tom Hegarty AT: Crawford Productions, c1973.
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script
The box : Block no 05636 [series 3]. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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Crawford collection
script
The box : block no 05635 [series 3]. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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The box : block no 05636 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), John Smythe (ep. 2), Wendy Jackson (ep. 3) & Lyn Bower (ep. 4) ; edited by Gwenda Marsh AT: Crawford Productions, c1976.
Call No: SC BOX : 3.43Author: Darling, Sarah ; Smythe, John ; Jackson, Wendy ; Bower, Lyn Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 144 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), amendments ( 4 leaves), casting call sheet ( 8 leaves), employment agreements ( 33 leaves)Donation: Gift of Crawford ProductionsID2: 50
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THE BOX : Block no: 05636 , Episodes 1, 2, 3, 4 / Crawford Productions AT: Crawford Productions, 1976.
Call No: S BOXAuthor: Darling, Sarah ; Smythe, John ; Jackson, Wendy ; Bower, Lyn Place: ATPublisher: Crawford ProductionsPubDate: 1976PhysDes: 137 leavesSubject: BOX, THE [TV] (AT, 1974-77) Notes: Production script - yellow title page; Duplicate script available; Sarah Darling author of Episode 1; John Smythe author of Episode 2; Wendy Jackson author of Episode 3; Lyn Bower author of Episode 4ID2: 50
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The box : Block no 05628. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), David Stevens (ep. 2), Denise Morgan (ep. 3) & Paul Davies (ep. 4) ; edited by Denise Morgan (eps. 1, 2, 4) & Don Battye (ep. 3) AT: Crawford Productions, c1976.
Call No: SC BOX : 3.35Author: Dunn, Roger ; Stevens, David ; Morgan, Denise ; Davies, Paul Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 1 leaf), videotape artists roll ( 3 leaves), employment agreements ( 58 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford ProductionsID2: 50
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The box : block no 05627 [series 3]. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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script
THE BOX : Block no: 05615 Episode 1, 2, 3, 4 / Crawford Productions AT: Crawford Productions, 1976.
Call No: S BOXAuthor: Grant, Leonard ; Brown, Neville ; Davies, Paul Place: ATPublisher: Crawford ProductionsPubDate: 1976PhysDes: 120 leavesSubject: BOX, THE [TV] (AT, 1974-77) Notes: Production script - white; Network Code: 39 -40; Leonard Grant author of episode 1; Neville Brown author of episode 2; Paul Davies author of episode 3 & 4; Duplicate copy available
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The box : Block no 05617 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 4), Graham Hartley (ep. 2) & Paul Davies (ep. 3) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graeme Koetsveld (ep. 3) AT: Crawford Productions, c1976.
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Crawford collection
script
The box : block no 05616[series 3]. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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The box : block no 11. Episode 46, 47, 48, 49, 50 / written by Jim Stapleton (eps. 46, 47), Alan McCoy (eps. 48, 49) and Andrew Scott ep. 50 ; edited by Tom Hegarty AT: Crawford Productions, c1973.
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The box : block no: 10. Episode 41, 42, 43, 44, 45 / written by Lee Darin (ep. 41), Lynn Bower (eps. 42, 43) and Jonathan Dawson (eps. 44, 45) ; edited by Tom Hegarty AT: Crawford Productions, c1973.
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The box : block no 22 .Episodes 101, 102, 103, 104, 105 / written by Lee Darin (eps.101, 102, 103) & Alan McCoy (eps. 104, 105) ; edited by Graham Hartley AT: Crawford Productions, c1974.
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The box : block no 23 .Episode 106, 107, 108, 109, 110 / written by Alan McCoy (ep. 106), Jill Kavalek (eps. 107, 108), Lucy Dyson ( ep. 109) & Jonathan Dawson ( ep. 110) ; edited by Graham Hartley (eps. 106,110) & Tom Hegarty (eps. 107, 108, 109) AT: Crawford Productions, c1974.
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The box : Block no 31 [series 2]. Episode 411, 412, 413, 414, 415 / written by Lynn Bower (ep. 411), Gwenda Marsh (eps. 412, 413), Mark Colbert (ep. 414) & Andrew Scott (ep. 415) ; edited by Chris Smith ( eps. 411, 415), Lyn Ogilvy (eps. 412, 414) & Graham Hartley (ep. 413) AT: Crawford Productions, c1975.
Call No: SC BOX : 2.31Author: Bower, Lyn ; Marsh, Gwenda ; Colbert, Mark ; Scott, Andrew Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 157 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by scene breakdown ( 32 leaves), amendments ( 2 leaves), videotape artists roll ( 2 leaves), additions ( 3 leaves), casting call sheet ( 9 leaves), employment agreements ( 40 leaves), schedule ( 2 leaves), taxi journeys ( 2 leaves), rehearsal schedule ( 7 leaves), extras list (2 leaves)Donation: Gift of Crawford Productions
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The box : Block no 32 [series 2]. Episode 416, 417, 418, 419, 420 / written by Andrew Scott (ep. 416), Roger Dunn (eps. 417, 418), Ray Kolle (ep. 419) & Graeme Koetsveld (ep. 420) ; edited by Graham Hartley (eps. 416, 419), Chris McCourt (eps. 417, 418) & Lyn Ogilvy (ep. 420) AT: Crawford Productions, c1975.
Call No: SC BOX : 2.32Author: Scott, Andrew ; Dunn, Roger ; Kolle, Ray ; Koetsveld, Graeme Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 162 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by additional scenes ( 4 leaves), employment agreements ( 51 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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The box : block no 05602 [series 3]. Episodes 1, 2, 3, 4 / written by Ray Kolle (ep. 1), John Drew (ep. 2), Lynn Bower (ep. 3) & Gwenda Marsh (ep. 4) ; edited by Jock Blair (ep. 1), Ray Kolle (ep. 2), Graham Moore (ep. 3) & Paul Davies (ep. 4) AT: Crawford Productions, c1975.
Call No: SC BOX : 3.9Author: Kolle, Ray ; Bower, Lynn ; Marsh, Gwenda ; Drew, John Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 1 leaf), taxi dockets (2 leaves), casting call sheet ( 9 leaves), employment agreements ( 48 leaves)Donation: Gift of Crawford Productions
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The box : block no 05601 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (eps. 1, 2), Graham Hartley (ep. 3) & Lynn Bower (ep. 4) ; edited by Graham Moore (eps. 1, 4) & Lyn Ogilvy (ep. 2, 3) AT: Crawford Productions, c1975.
Call No: SC BOX : 3.8Author: Dunn, Roger ; Hartley, Graham ; Bower, Lynn Place: ATPublisher: Crawford ProductionsPubDate: c1975PhysDes: 129 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 8 leaves), employment agreements ( 41 leaves)Donation: Gift of Crawford Productions
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The box : block no 13 . Episodes 56, 57, 58, 59 & 60 / written by Phil Freedman ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: SC BOX : 1.13Author: Freedman, Phil Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll (2 leaves), amendments ( 1 leaf), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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The box : block no 12 . Episodes 51, 52, 53, 54, 55 / written by Roger Dunn (eps. 51, 52), Lee Darin (eps. 53, 54) & Judy Colquhoun (ep. 55) ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: SC BOX : 1.12Author: Dunn, Roger ; Darin, Lee ; Colquhoun, Judy Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll (2 leaves)Donation: Gift of Crawford Productions
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The box : Block no 12 . Episodes 51, 52, 53, 54, 55 / written by Roger Dunn (eps. 51, 52), Lee Darin (eps. 53, 54) & Judy Colquhoun (ep. 55) ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: SC BOX : 1.12Author: Dunn, Roger ; Darin, Lee ; Coloquiioun, Judy Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 10 leaves), videotape artists roll (2 leaves)Donation: Gift of Crawford Productions
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The box : block no 13. Episodes 56, 57, 58, 59 & 60 / written by Phil Freedman ; edited by Tom Hegarty AT: Crawford Productions, c1973.
Call No: S BOX : 1.13Author: Freedman, Phil Place: ATPublisher: Crawford ProductionsPubDate: c1973PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll (2 leaves), amendments ( 1 leaf), casting call sheet ( 10 leaves)Donation: Gift of Crawford productions
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The box : block no 05644. Episodes 1, 2, 3, 4 AT: Crawford Productions, c1976.
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The box : block no 05644 [series 3]. Episodes 1, 2, 3, 4 / written by Alison Nisselle (ep. 1), Michael Joshua (ep. 2), Sarah Darling (ep. 3) & John Smythe (ep. 4) ; edited by Gwenda Marsh AT: Crawford Productions, c1976.
Call No: SC BOX : 3.51Author: Nisselle, Alison ; Joshua, Michael ; Darling, Sarah ; Smythe, John Place: ATPublisher: Crawford ProductionsPubDate: c1976PhysDes: 145 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 8 leaves), amendments ( 2 leaves), casting call sheet ( 8 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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The box : block no 05645 [series 3]. Episodes 1, 2 , 3, 4 / Crawford Productions AT: Crawford Productions, c1976.
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THE BOX / Crawford Productions AT: Crawford Productions,
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The box : block no 4. Episodes 11,12,13,14,15 / Edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.04Place: ATPubDate: c1973PhysDes: 173 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by amendments, videotape artists roll ( 4 leaves), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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The box : block no 5. Episodes 16,17,18,19, 20 / written by Phil Freedman ; edited by Jock Blair AT:
Call No: SC BOX : 1.05Author: Freedman, Phil Place: ATPhysDes: 175 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 9 leaves), inserts ( 1 leaf)Donation: Gift of Crawford Productions
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The box : block no 8. Episodes 31, 32, 33, 34 & 35 / written by Jonathon Dawson (ep 31), Jim Stapleton (ep 32), Roger Dunn (ep 33), Alex Abernethy/ Graham Hartley (ep 34), Alan McCoy (ep 35) ; edited by Tom Hegarty AT: c1973.
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The box : block no 9. Episodes 36, 37, 38, 39, 40 / written by Phil Freedman & Terry Stapleton (ep. 39, 40) ; edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.09Author: Freedman, Phil ; Stapleton, Terry Place: ATPubDate: c1973PhysDes: 179 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Accompanied by rehearsal schedule, amendments (two leaves), videotape artists roll ( 3 leaves), casting call sheet ( 12 leaves), contracts (20 leaves)Donation: Gift of Crawford Productions
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The box : block no 14. Episodes 61, 62, 63, 64, 65 / written by Alan McCoy (eps 61, 62) and Lee Darin (eps 63, 64, 65) ; edited by Tom Hegarty AT: c1973.
Call No: SC BOX : 1.14Author: McCoy, Alan ; Darin, Lee Place: ATPubDate: c1973PhysDes: 179 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material held in storage -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 10 leaves), employment agreements ( 77 leaves)Donation: Gift of Crawford Productions
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The box : block no 15. Episodes 66, 67, 68, 69, 70 / written by Roger Dunn (eps 66, 67), Jim Stapleton (eps 68, 69), and Graham Hartley (ep 70) ; edited by Graham Hartley (eps 66, 67) and Tom Hegarty (eps 68, 69, 70) AT: c1974.
Call No: SC BOX : 1.15Author: Dunn, Roger ; Stapleton, Jim ; Hartley, Graham Place: ATPubDate: c1974PhysDes: 167 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 11 leaves), amendments ( 3 leaves), employment agreements ( 23 leaves)Donation: Gift of Crawford Productions
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The box : block no 16. Episodes 71, 72, 73, 74, 75 / written by Graham Hartley (ep 71), Jonathan Dawson (eps 72, 73), Andrew Scott(eps 74, 75) ; edited by Tom Hegarty (eps 71, 74,75), Graham Hartley (eps 72, 73) AT: c1973.
Call No: SC BOX : 1.16Author: Hartley, Graham ; Dawson, Jonathan ; Scott, Andrew Place: ATPubDate: c1973PhysDes: 174 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (10 leaves), employment agreements ( 18 leaves)Donation: Gift of Crawford Productions
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The box : block no 18. Episodes 81, 82, 83, 84, 85 / written by Phil Freedman ; edited by Graham Hartley AT: c1974.
Call No: SC BOX : 1.18Author: Freedman, Phil Place: ATPubDate: c1974PhysDes: 141 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 10 leaves) , videotape artists roll (1 leaf)Donation: Gift of Crawford Productions
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The box : block no 19. Episodes 86, 87, 88, 90 / written by Lee Darin (eps. 86, 87, 88) & Andrew Scott (eps. 89, 90) ; edited by Tom Hegarty (eps. 86, 87) & Graham Hartley (eps 88, 89, 90) AT: c1974.
Call No: SC BOX : 1.19Author: Darin, Lee ; Scott, Andrew Place: ATPubDate: c1974PhysDes: 150 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (10 leaves), rough artists' roll (2 leaves)Donation: Gift of Crawford Productions
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The box : block no 20. Episodes 91, 92, 93, 94, 95 / written by Alan McCoy (eps. 91, 92, 93), Lucy Dyson (ep. 94), Gillian Wadds (ep 95) & Graham Hartley (ep. 95) ; edited by Graham Hartley (eps. 91,92, 93,95) & Tom Hegarty (ep. 94) AT: c1974.
Call No: SC BOX : 1.20Author: McCoy, Alan ; Dyson, Lucy ; Wadds, Gillian ; Hartley, Graham Place: ATPubDate: c1974PhysDes: 156 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet (11 leaves), videotape artists roll (2 leaves), amendments (2 leaves)Donation: Gift of Crawford Productions
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The box : block no 24. Episodes 111, 112, 113, 114, 115 / written by Jonathon Dawson (eps. 111, 112,) & Jim Stapleton ( eps. 113, 114, 115) ; edited by Graham Hartley (eps. 111, 113, 114, 115) & Jeremy Godwin (ep.112) AT: c1974.
Call No: SC BOX : 1.24Author: Dawson, Jonathon ; Stapleton, Jim Place: ATPubDate: c1974PhysDes: 126 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by videotape artists roll ( 5 leaves), casting call sheet ( 10 leaves)Donation: Gift of Crawford Productions
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The box : block no 27. Episodes 126, 127, 128, 129, 130 / written by Jeremy Godwin, (ep. 126), Bani McSpedden (ep. 127), Peter Hepworth (ep. 128), Lucy Dyson (ep. 129), Gillian Woods (ep. 130) ; edited by Graham Hartley (eps. 126, 128, 129) & Tom Hegarty (eps. 127, 130) AT: c1974.
Call No: SC BOX : 1.27Author: Godwin, Jeremy ; McSpedden, Bani ; Hepworth, Peter ; Dyson, Lucy ; Woods, Gillian Place: ATPubDate: c1974PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by cast call sheet (2 leaves), rehearsal schedule (6 leaves), videotape artists roll (2 leaves), casting call sheet (9 leaves), scene breakdown ( 43 leaves), amendments ( 4 leaves)Donation: Gift of Crawford Productions
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The box : block no 34. Episodes 161, 162, 163, 164, 165 / written by Jim Stapleton (ep. 161), Roger Dunn ( eps. 162, 163, 164) & Phil Freedman (ep. 165) ; edited by Graham Hartley (eps. 161 - 164) & Jock Blair (ep. 165) AT: c1974.
Call No: SC BOX : 1.34Author: Stapleton, Jim ; Dunn, Roger ; Freedman, Phil Place: ATPubDate: c1974PhysDes: 162 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 13 leaves), employment agreements ( 69 leaves), inserts ( 1 leaf), film scene breakdown (1 leaf)Donation: Gift of Crawford Productions
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The box : block no 35. Episodes 166, 167, 168, 169, 170 / written by Phil Freedman (ep. 166), Roger Dunn (ep. 167), Alan Cram (ep. 168), Ken Lord (eps. 169, 170) ; edited by Jock Blair (ep. 166), Graham Hartley (eps. 167 - 170), Jenni Mead (ep. 169) AT: c1974.
Call No: SC BOX : 1.35Author: Freedman, Phil ; Dunn, Roger ; Cram, Alan ; Lord, Ken Place: ATPubDate: c1974PhysDes: 136 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (10 leaves), employment agreements ( 30 leaves)Donation: Gift of Crawford Productions
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The box : block no 36. Episodes 171, 172, 173, 174, 175 / written by Lynn Bower (ep. 171), Gillian Wadds (ep. 172), Agi Szollos (ep. 173), John Smythe (ep. 174) & Roger Dunn (ep. 175) ; edited by Jock Blair (ep. 171), Tom Hegarty (ep. 172) & Graham Hartley (eps. 173 - 175) AT: c1974.
Call No: SC BOX : 1.36Author: Bower, Lynn ; Wadds, Gillian ; Szollos, Agi ; Smythe, John ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 154 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 11 leaves), employment agreements ( 54 leaves), amendments (5 leaves), recording order (4 leaves)Donation: Gift of Crawford Productions
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The box : block no 37. Episodes 176, 177, 178,179, 180 / written by Roger Dunn (ep. 176), Ray Kolle (ep. 177), Phil Freedman (eps. 178, 179) & Amanda Spry (ep. 180) ; edited by Graham Hartley (eps. 176, 178 - 180) & Jock Blair (ep. 177) AT: c1974.
Call No: SC BOX : 1.37Author: Dunn, Roger ; Kolle, Ray ; Freedman, Phil ; Spry, Amanda Place: ATPubDate: c1974PhysDes: 165 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by rough artists' roll ( 2 leaves), employment agreements (20 leaves), casting call sheet ( 11 leaves)Donation: Gift of Crawford Productions
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The box : block no 38. Episodes 181, 182, 183, 184, 185 / written by Agi Szollos (ep. 181), Jim Stapleton (ep. 182), Amanda Spry (ep. 183), Roger Dunn (ep. 184), John Smythe (ep. 185) ; edited by Graham Hartley AT: c1974.
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The box : block no 39. Episodes 186, 187, 188, 189, 190 / written by Phil Freedman (ep. 186), Roger Simpson (ep. 187), John Marshall (eps. 188 - 190) ; edited by Graham Hartley (eps 186 - 189) & Lyn Ogilvy (eps 187, 188, 190). AT: c1974.
Call No: SC BOX : 1.39Author: Freedman, Phil ; Simpson, Roger ; Marshall, John Place: ATPubDate: c1974PhysDes: 157 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 11 leaves)Donation: Gift of Crawford Productions
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The box : block no 40. Episodes 191, 192, 193, 194, 195 / written by Charles Stamp (ep. 191), John Marshall (ep. 192), Amanda Sims (ep 193), Agi Szollos (ep. 194) & Roger Dunn (ep. 195) ; edited by Lynn Bower (eps. 191, 193) & Lyn Ogilvy (eps. 192, 194, 195) AT: c1974.
Call No: SC BOX : 1.40Author: Stamp, Charles ; Marshall, John ; Sims, Amanda ; Szollos, Agi ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 152 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Accompanied by videotape artists roll ( 2 leaves), rehearsal schedule ( 6 leaves), rough artists' roll ( 1 leaf), casting call sheet ( 10 leaves), employment agreements ( 49 leaves)Donation: Gift of Crawford Productions
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The box : block no 41. Episodes 196, 197, 198, 199, 200 / written by Roger Dunn (ep. 196), Agi Szollos (ep.197), John Smythe (ep. 198), Amanda Sims (ep. 199), Alan McCoy (ep. 200) ; edited by Lynn Bower (ep. 196), Lyn Ogilvy (eps. 197 - 199) & Alan McCoy (ep. 200) AT: c1974.
Call No: SC BOX : 1.41Author: Dunn, Roger ; Szollos, Agi ; Smythe, John ; Sims, Amanda ; McCoy, Alan Place: ATPubDate: c1974PhysDes: 165 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet ( 11 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford Productions
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The box : block no 42. Episodes 201, 202, 203, 204, 205 / written by Alan McCoy (ep. 201), Amanda Sims (ep. 202), John Smythe (ep. 203), Agi Szollos (ep. 204), Roger Dunn (ep. 205) ; edited by Lyn Ogilvy AT: c1974.
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The box : block no 43. Episodes 206, 207, 208, 209, 210 / written by Roger Dunn (ep. 206), John Smythe (ep. 207), Agi Szollos (ep. 208), Amanda Sims (ep. 209), Alan McCoy (ep. 210) ; edited by Graham Hartley (eps. 206, 208, 209) & Lyn Ogilvy (eps. 207, 208, 210) AT: c1974.
Call No: SC BOX : 1.43Author: Dunn, Roger ; Smythe, John ; Szollos, Agi ; Sims, Amanda ; McCoy, Alan Place: ATPubDate: c1974PhysDes: 146 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by script running order ( 6 leaves), recording order ( 8 leaves), rehearsal schedule ( 6 leaves), amended cast list (1 leaf), casting call sheet ( 12 leaves), employment agreements (35 leaves), videotape artists roll (2 leaves)Donation: Gift of Crawford Productions
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The box : block no 44. Episodes 211, 212, 213, 214, 215 / written by Alan McCoy (ep. 211), Agi Szollos (ep. 212), Roger Dunn (ep. 213), John Smythe (ep. 214), Lynn Bower (ep. 215) ; edited by Lyn Ogilvy AT: c1974.
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The box : block no 53. Episodes 256, 257, 258, 259, 260 / written by Amanda Sims (ep. 256), John Smythe (ep. 257), Andrew Scott (ep. 258), Roger Dunn (ep. 259), Lynn Bower (ep. 260) ; edited by Lyn Ogilvy (eps. 256, 257) & Graham Hartley (eps. 257 - 260) AT: c1974.
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The box : block 1 series 2. Episodes 261, 262, 263, 264, 265 / written by Roger Dunn (ep. 261), Agi Szollos (ep. 262), John Smythe (ep 263), Amanda Sims (ep. 264), Lyn Bower (ep. 265) ; edited by Lyn Ogilvy (eps. 261, 262, 264, 265) & Graham Hartley (ep. 263) AT: c1974.
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The box : block 2 series 2. Episodes 266, 267, 268, 269, 270 / written by Agi Szollos (ep. 266), John Smythe (ep.267), Roger Dunn (ep. 268), Amanda Sims (ep. 269) & Andrew Scott (ep. 270) ; edited by Andrew Scott (eps. 266, 267, 269) & Lyn Ogilvy (eps. 268, 270) AT: c1974.
Call No: SC BOX : 2.2Author: Szollos, Agi ; Smythe, John ; Dunn, Roger ; Sims, Amanda ; Scott, Andrew Place: ATPubDate: c1974PhysDes: 159 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (9 leaves), videotape artists roll (2 leaves), extras list (1 leaf), rehearsal schedule ( 6 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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The box : block 3 series 2. Episodes 271, 272, 273, 274, 275 / written by Andrew Scott (ep. 271), Agi Szollos (ep. 272), Amanda Sims (ep. 273), Lyn Bower (ep. 274) & Roger Dunn (ep. 275) ; edited by Lyn Ogilvy AT: c1974.
Call No: SC BOX : 2.3Author: Scott, Andrew ; Szollos, Agi ; Sims, Amanda ; Bower, Lyn ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 158 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll ( 2 leaves), extra's list (2 leaves), employment agreements ( 35 leaves)Donation: Gift of Crawford Productions
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The box : block 5 series 2. Episodes 281, 282, 283, 284, 285 / written by Lyn Bower (ep. 281), John Smythe (ep. 282), Graham Hartley (ep. 283), Andrew Scott (ep. 284), Roger Dunn (ep. 285) ; edited by Lyn Ogilvy AT: c1974.
Call No: SC BOX : 2.5Author: Bower, Lyn ; Smythe, John ; Hartley, Graham ; Scott, Andrew ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll ( 6 leaves), extras list ( 2 leaves), employment agreements ( 37 leaves)Donation: Gift of Crawford Productions
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The box : block 6 [series 2]. Episodes 286, 287, 288, 289, 290 / written by Graham Hartley (ep. 286), John Smythe (ep. 287), Roger Dunn (ep. 288), C.F. Hegarty (ep. 289), Lynn Bower (ep. 290) ; edited by Lyn Ogilvy (eps. 286, 287, 289) & Andrew Scott (eps. 288, 290) AT: c1974.
Call No: SC BOX : 2.6Author: Hartley, Graham ; Smythe, John ; Dunn, Roger ; Hegarty, C.F ; Bower, Lynn Place: ATPubDate: c1974PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), employment agreements (24 leaves), videotape artists roll ( 2 leaves), amendments (1 leaf)Donation: Gift of Crawford Productions
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The box : block 7 series 2. Episodes 291, 292, 293, 294, 295 / written by Andrew Scott (ep. 291), John Smythe (ep. 292), Agi Szollos (ep. 293), Lynn Bower (ep. 294), Roger Dunn (ep. 295) ; edited by Lyn Ogilvy (eps. 291, 294), Andrew Scott (eps. 292, 293, 295) & Christine Smith (ep. 294) AT: c1974.
Call No: SC BOX : 2.7Author: Scott, Andrew ; Smythe, John ; Szollos, Agi ; Bower, Lynn ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), videotape artists roll ( 2 leaves), employment agreements ( 37 leaves)Donation: Gift of Crawford Productions
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The box : block 8 series 2. Episodes 296, 297, 298, 299, 300 / written by Graham Hartley (ep. 296), Lynn Bower (ep. 297), Agi Azollos (ep. 298), John Smythe (ep. 299), Roger Dunn (ep. 300) ; edited by Lyn Ogilvy ( eps. 296, 298), Graham Hartley (ep. 297) & Andrew Scott (eps. 299, 300) AT: c1974.
Call No: SC BOX : 2.8Author: Hartley, Graham ; Bower, Lynn ; Szollos, Agi ; Smythe, John ; Dunn, Roger Place: ATPubDate: c1974PhysDes: 166 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Accompanied by casting call sheet ( 8 leaves), additions ( 6 leaves), amendments ( 11 leaves), employment agreements ( 33 leaves)Donation: Gift of Crawford Productions
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The box : block 9 series 2. Episodes 301, 302, 303, 304, 305 / written by Lynn Bower (ep. 301), Graham Hartley (ep. 302), John Smythe (ep. 303), Roger Dunn (ep. 304) & Agi Szollos (ep. 305) ; edited by Christine Smith (ep. 301), Lyn Ogilvy (eps. 302 - 304) & Andrew Scott (ep. 305) AT: c1975.
Call No: SC BOX : 2.9Author: Bower, Lynn ; Hartley, Graham ; Smythe, John ; Dunn, Roger ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 147 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by rehearsal schedule ( 6 leaves) with duplicate copies in storage, amended rehearsal schedules ( 9 leaves) with duplicate copies in storage, employment agreements ( 39 leaves), casting call sheet ( 8 leaves), extras list (1 leaf), videotape artists roll ( 2 leaves), rough artists roll ( 4 leaves), memo (1 leaf), schedule (2 leaves) with duplicate copy in storageDonation: Gift of Crawford Productions
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The box : block 10 series 2. Episodes 306, 307, 308, 309, 310 / written by Lynn Bower (ep. 306), Roger Dunn (ep. 307), Agi Szollos (ep. 308), Graham Hartley (ep. 309) & Amanda Sims( ep.310) ; edited by Lyn Ogilvy (ep. 306) & Andrew Scott ( eps. 307 - 310) AT: c1975.
Call No: SC BOX : 2.10Author: Bower, Lynn ; Dunn, Roger ; Szollos, Agi ; Hartley, Graham ; Sims, Amanda Place: ATPubDate: c1975PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amendments (1 leaf), employment agreements ( 53 leaves), casting call sheet( 9 leaves)Donation: Gift of Crawford Productions
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The box : block 11 series 2. Episodes 311, 312, 313, 314, 315 / written by John Smythe (ep. 311), Roger Dunn (ep. 312), Agi Szollos (ep. 313), Ray Kolle (ep. 314) & Lynn Bower (ep. 315) ; edited by Christine Smith (ep. 311), Lyn Ogilvy (eps. 312, 313, 315) & Andrew Scott (ep. 314) AT: c1975.
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The box : block 12 series 2. Episodes 316, 317, 318, 319, 320 / written by Roger Dunn (ep. 316), Amanda Sims (ep. 317), Agi Szollos (ep. 318), Andrew Scott (ep. 319) & Lyn Ogilvy (ep. 320) ; edited by Andrew Scott (eps. 316, 317) , Lyn Ogilvy (eps. 318, 319) & Jock Blair (ep. 320) AT: c1975.
Call No: SC BOX : 2.12Author: Dunn, Roger ; Sims, Amanda ; Szollos, Agi ; Scott, Andrew ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 174 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amended call times (1 leaf), extras list (3 leaves), casting call sheet ( 8 leaves), employment agreements ( 45 leaves)Donation: Gift of Crawford Productions
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The box : block no 13 series 2. Episodes 321, 322, 323, 324, 325 / written by Agi Szollos (ep. 321), Graham Hartley (ep. 322), Keith Hetherington (ep.323), Amanda Sims (ep. 324) & Roger Dunn (ep. 325) ; edited by Lyn Ogilvy (eps. 321, 323, 325) & Andrew Scott (eps. 322, 325) AT: c1975.
Call No: SC BOX : 2.13Author: Szollos, Agi ; Hartley, Graham ; Hetherington, Keith ; Sims, Amanda ; Dunn, Roger Place: ATPubDate: c1975PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), extras list (1 leaf), employment agreements ( 53 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford Productions
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The box : block 14 series 2. Episodes 326, 327, 328, 329, 330 / written by Agi Azollos (ep. 326), Keith Hetherington (ep. 327), Roger Dunn )ep. 328), Graham Hartley (ep. 329) & Andrew Scott (ep. 330) ; edited by Lyn Ogilvy (eps 326, 329, 330), David Stevens (ep. 327) & Andrew Scott (ep. 328) AT: c1975.
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The box : block 15 series 2. Episodes 331, 332, 333, 334, 335 / written by Agi Szollos (ep. 331), Roger Dunn (ep. 332), Amanda Sims (ep. 333), Graham Hartley (ep. 334), Keith Hetherington (ep. 335) ; edited by Lyn Ogilvy (eps. 331, 333, 334) , Christine Smith (ep. 332) & David Stevens (ep. 335) AT: c1975.
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The box : block 16 series 2. Episodes 336, 337, 338, 339, 340 / written by Andrew Scott (ep. 336), Keith Hetherington (ep. 337), Roger Dunn (ep. 338), Amanda Sims (ep. 339), Agi Szollos (ep. 340) ; edited by Lyn Ogilvy (ep. 336), Jock Blair (ep. 337), Christine Smith (ep. 338) & Graham Hartley (eps. 339, 340) AT: c1975.
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The box : block 17 series 2. Episodes 341, 342, 343, 344, 345 / written by Agi Szollos (ep. 341), Graham Hartley (ep. 342), Lyn Bower (ep. 343), Roger Dunn (ep. 344), Andrew Scott (ep. 345) ; edited by Christine Smith (eps. 341, 345), Lyn Ogilvy (eps. 342, 343) & Graham Hartley (ep. 344) AT: c1975.
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The box : block 18 series 2. Episodes 346, 347, 348, 349, 350 / written by Andrew Scott (eps. 346, 348), Roger Dunn (ep. 347), Keith Hetherington (ep. 349) & Agi Szollos (ep. 350) ; edited by Christine Smith (ep. 346), Andrew Scott (eps. 347, 349, 350) & Lyn Ogilvy (ep. 348) AT: c1975.
Call No: SC BOX : 2.18Author: Scott, Andrew ; Dunn, Roger ; Hetherington, Keith ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 161 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), amendments (4 leaves), casting call sheet ( 12 leaves), employment agreements ( 45 leaves)Donation: Gift of Crawford Productions
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The box : block no 20 series 2. Episodes 356, 357, 358, 359, 360 / written by Roger Dunn (eps. 356, 357), Jock Blair (ep. 358), Lynn Bower (ep. 359) & Agi Szollos (ep. 360) ; edited by Christine McCourt (ep. 356), Ray Kolle (eps. 357, 358), Lyn Ogilvy (ep. 356, 359) & Andrew Scott (ep. 360) AT: c1975.
Call No: SC BOX : 2.20Author: Dunn, Roger ; Blair, Jock ; Bower, Lynn ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 155 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 6 leaves), casting call sheet ( 8 leaves), videotape artists roll ( 2 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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The box : block no 22 [series 2]. Episodes 366, 367, 368, 369, 370 / written by Roger Dunn (eps. 366, 367), Amanda Sims (ep. 368), Lyn Ogilvy (ep. 369) & Agi Szollos (ep. 370) ; edited by Christine Smith (eps. 366, 370) & Christine McCourt (eps. 367, 368, 369) AT: c1975.
Call No: SC BOX :2.22Author: Dunn, Roger ; Sims, Amanda ; Ogilvy, Lyn ; Szollos, Agi Place: ATPubDate: c1975PhysDes: 164 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), employment agreements ( 47 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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The box : block no 24 [series 2] . Episodes 376, 377, 378, 379, 380 / written by Lynn Bower (eps. 376, 377), Roger Dunn (eps. 378, 379) & Jock Blair (ep. 380) ; edited by Chris McCourt (ep. 376, 378 - 380), Lyn Ogilvy (ep. 377) AT: c1975.
Call No: SC BOX : 2.24Author: Bower, Lynn ; Dunn, Roger ; Blair, Jock Place: ATPubDate: c1975PhysDes: 167 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet ( 9 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 26 [series 2]. Episodes 386, 387, 388, 389, 390 / written by Roger Dunn (eps. 386, 387), Agi Szollos (eps. 388, 389) & Lyn Ogilvy (ep. 390) ; edited by Chris McCourt (eps. 386, 387), Lyn Ogilvy (eps. 388, 389) & Christine Smith (ep. 390) AT: c1975.
Call No: SC BOX : 2.26Author: Dunn, Roger ; Szollos, Agi ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 166 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), employment agreements ( 40 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 28 [series 2]. Episodes 396, 397, 398, 399, 400 / written by Andrew Scott (eps. 396, 397), Roger Dunn (eps. 398, 399) & Graham Hartley (ep. 400) ; edited by Lyn Ogilvy (eps. 396, 400), Christine Smith (ep. 397) & Chris McCourt (eps. 398, 399) AT: c1975.
Call No: SC BOX : 2.28Author: Scott, Andrew ; Dunn, Roger ; Hartley, Graham Place: ATPubDate: c1975PhysDes: 163 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), extras list ( 1 leaf), casting call sheet ( 9 leaves), employment agreements ( 28 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 34 [series 2]. Episodes 426, 427, 428, 429, 430 / written by Roger Dunn (eps. 426, 427), Andrew Scott (eps. 428, 429) & Graeme Koetsveld (ep. 430) ; edited by Chris McCourt (eps. 426 - 428) & Graham Hartley (eps. 429, 430) AT: c1975.
Call No: SC BOX : 2.34Author: Dunn, Roger ; Scott, Andrew ; Koetsveld, Graeme Place: ATPubDate: c1975PhysDes: 176 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), employment agreements ( 28 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 36 [series 2]. Episodes 436, 437, 438, 439, 440 / written by Lyn Ogilvy (eps. 436, 437), Roger Dunn (eps. 438, 439) & Andrew Scott (ep. 440) ; edited by Graham Hartley AT: c1975.
Call No: SC BOX : 2.36Author: Ogilvy, Lyn ; Dunn, Roger ; Scott, Andrew Place: ATPubDate: c1975PhysDes: 166 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments (1 leaf), extras list (2 leaves), videotape artists roll (2 leaves), employment agreements ( 7 leaves), casting call sheet ( 8 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 38 [series 2]. Episodes 446, 447, 448, 449, 450 / written by Lynn Bower (eps. 446, 447), Roger Dunn (eps. 448, 449) & Lyn Ogilvy (ep. 450) ; edited by Paul Davies (eps. 446, 447), Lyn Ogilvy (eps. 448, 449) & Graham Hartley (ep. 450) AT: c1975.
Call No: SC BOX : 2.38Author: Bower, Lynn ; Dunn, Roger ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 168 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 13 leaves), amendments ( 2 leaves), videotape artists roll ( 1 leaf), employment agreements ( 60 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 42 [ series 2]. Episodes 466, 467, 468, 469, 470 / written by Roger Dunn (eps. 466 - 468), Lorraine Llewellyn (ep. 469) & Gwenda Marsh (ep. 470) ; edited by Paul Davies (ep. 466), Ilma Stuart (ep. 467), Graham Moore (ep. 468) & Graham Hartley (ep. 469) AT: c1975.
Call No: SC BOX : 2.42Author: Dunn, Roger ; Llewellyn, Lorraine ; Marsh, Gwenda Place: ATPubDate: c1975PhysDes: 170 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet (10 leaves), videotape artists roll (1 leaf)Donation: Gift of Crawford Productions
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script
The box : block no A [ series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (eps. 1, 2, 3) & Lyn Ogilvy (ep. 4) ; edited by Paul Ogilvie (ep. 1) , Graham Moore (eps. 2, 3) & Paul Graham (ep. 4) AT: c1975.
Call No: SC BOX : 3.1Author: Dunn, Roger ; Ogilvy, Lyn Place: ATPubDate: c1975PhysDes: 137 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running orderDonation: Gift of Crawford Productions
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script
The box : block no 05597 [series 3]. Episodes 1, 2, 3, 4 / written by Lynn Bower (eps. 1, 2) & John Drew (eps. 3, 4) ; edited by Lyn Ogilvy (ep. 1), Ilma Stuart (ep. 2) & Jock Blair (eps. 3, 4) AT: c1975.
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Crawford collection
script
The box : block no 05598 [series 3]. Episodes 1, 2, 3, 4 / written by Agi Szollos (ep. 1), Roger Dunn (eps. 2, 3) & Graham Hartley (ep. 4) ; edited by Lyn Ogilvy (ep .1, 3) & Paul Davies (eps. 2, 4) AT: c1975.
Call No: SC BOX : 3.5Author: Szollos, Agi ; Dunn, Roger ; Hartley, Graham Place: ATPubDate: c1975PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), rough artists' roll (1 leaf), videotape artists roll (2 leaves), employment agreements ( 17 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05605 [series 3]. Episodes 1, 2, 3, 4 / written by Graham Hartley (ep. 1), Graeme Koetsveld (ep. 2), Agi Szollos (ep. 3) & Roger Dunn (ep. 4) ; edited by Lyn Ogilvy AT: c1975.
Call No: SC BOX : 3.12Author: Hartley, Graham ; Koetsveld, Graeme ; Szollos, Agi ; Dunn, Roger Place: ATPubDate: c1975PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), casting call sheet ( 10 leaves), employment agreements ( 66 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05606 [series 3]. Episodes 1, 2, 3, 4 / written by Graham Hartley (ep. 1), Graeme Koetsveld (ep. 2), Agi Szollos (ep. 3), Paul Davies (ep. 4) ; edited by Graham Moore (eps. 1, 2, 4) & Paul Davies (ep. 3) AT: c1976.
Call No: SC BOX : 3.13Author: Hartley, Graham ; Koetsveld, Graeme ; Szollos, Agi ; Davies, Paul Place: ATPubDate: c1976PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll ( 2 leaves), employment agreements ( 68 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05607 [ series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), Graham Hartley (ep. 2), Graeme Koetsveld (ep. 3) & Agi Szollos (ep. 4) ; edited by Lyn Ogilvy (eps. 1, 4) & Graham Moore (eps. 2, 3) AT: c1976.
Call No: SC BOX : 3.14Author: Dunn, Roger ; Hartley, Graham ; Koetsveld, Graeme ; Szollos, Agi Place: ATPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves),amendments ( 8 leaves), casting call sheet ( 9 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05609 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 2) , Roger Dunn (ep. 3) & Paul Davies (ep. 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.16Author: Koetsveld, Graeme ; Dunn, Roger ; Davies, Paul Place: ATPubDate: c1976PhysDes: 129 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by casting call sheet ( 11 leaves), employment agreements (12 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05610 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), Paul Davies (ep. 2), Lynn Bower (eps. 3, 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.17Author: Dunn, Roger ; Davies, Paul ; Bower, Lynn Place: ATPubDate: c1976PhysDes: 121 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 7 leaves), videotape artists roll (1 leaf)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05612 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (eps. 1, 2) & Roger Dunn (eps. 3, 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.19Author: Davies, Paul ; Dunn, Roger Place: ATPubDate: c1976PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 9 leaves), videotape artists roll (1 leaf), employment agreements ( 75 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05614 [series 3]. Episodes 1, 2, 3, 4 / written by Graeme Koetsveld (eps. 1, 2) & Roger Dunn (eps. 3, 4) ; edited by Lyn Ogilvy (eps. 1, 2, 4) & Graeme Koetsveld (ep. 3) AT: c1976.
Call No: SC BOX : 3.21Author: Koetsveld, Graeme ; Dunn, Roger Place: ATPubDate: c1976PhysDes: 124 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), employment agreements ( 73 leaves), videotape artists roll (1 leaf), additional scene ( 6 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05618 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Roger Dunn (ep. 2), Ray Kolle (ep. 3) & Colin Eggleston (ep. 4) ; edited by Graeme Koetsveld (eps. 1, 2) , Denis Morgan (eps. 1, 2, 4) & Lyn Ogilvy (eps. 3, 4) AT: c1976.
Call No: SC BOX : 3.25Author: Davies, Paul ; Dunn, Roger ; Kolle, Ray ; Eggleston, Colin Place: ATPubDate: c1976PhysDes: 130 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves) , employment agreements ( 55 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 05619 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Roger Dunn (ep. 2), Graham Hartley (ep. 3) & Lyn Bower (ep. 4) ; edited by Graeme Koetsveld ( eps. 1, 2) & Denise Morgan (eps. 3, 4) AT: c1976.
Call No: SC BOX : 3.26Author: Davies, Paul ; Dunn, Roger ; Hartley, Graham ; Bower, Lyn Place: ATPubDate: c1976PhysDes: 131 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 6 leaves), employment permit (1 leaf), employment agreements ( 18 leaves), videotape artists roll ( 2 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 05620 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Graham Hartley (ep. 2), Colin Eggleston (ep. 3), Roger Dunn (ep. 4) ; edited by Graeme Koetsveld (eps. 1, 2) & Colin Eggleston (eps. 3, 4) AT: c1976.
Call No: SC BOX : 3.27Author: Davies, Paul ; Hartley, Graham ; Eggleston, Colin ; Dunn, Roger Place: ATPubDate: c1976PhysDes: 131 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), employment agreements ( 37 leaves), casting call sheet ( 6 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05621 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), Paul Davies (ep. 2), Graham Hartley (ep. 3) & Lyn Ogilvy (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.28Author: Dunn, Roger ; Davies, Paul ; Hartley, Graham ; Ogilvy, Lyn Place: ATPubDate: c1976PhysDes: 131 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 6 leaves), employment agreements (42 leaves), additional scenes (3 leaves), amendments (2 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 05622 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Lyn Ogilvy (ep. 2), Roger Dunn (ep. 3), Lynn Bower (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.29Author: Davies, Paul ; Ogilvy, Lyn ; Dunn, Roger ; Bower, Lynn Place: ATPubDate: c1976PhysDes: 135 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), casting call sheet (7 leaves), employment agreements (39 leaves), amendments( 4 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 05623 [series 3]. Episodes 1, 2, 3, 4 / written by David Stevens (ep. 1), Graeme Koetsveld (ep. 2), Paul Davies (ep. 3) & Roger Dunn (ep. 4) ; edited by Denise Morgan (eps. 1 - 3) & Paul Davies (ep. 4) AT: c1976.
Call No: SC BOX : 3.30Author: Stevens, David ; Koetsveld, Graeme ; Davies, Paul ; Dunn, Roger Place: ATPubDate: c1976PhysDes: 140 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 1 leaf), cast call sheet ( 4 leaves), videotape location sheet ( 4 leaves), taxi dockets (1 leaf), rehearsal schedule ( 5 leaves), employment agreements ( 47 leaves), casting call sheet ( 7 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05624 [series 3]. Episodes 1, 2, 3, 4 / written by Roger Dunn (ep. 1), Graeme Koetsveld (ep. 2), Lynn Bower (ep. 3), Lyn Ogilvy (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.31Author: Dunn, Roger ; Koetsveld, Graeme ; Bower, Lynn ; Ogilvy, Lyn Place: ATPubDate: c1976PhysDes: 132 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll (2 leaves), amendments (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 33 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 05625 / written by Roger Dunn (ep. 1), Lyn Ogilvy (ep. 2), Paul Davies (ep. 3) & Graeme Koetsveld (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.32Author: Dunn, Roger ; Ogilvy, Lyn ; Davies, Paul ; Koetsveld, Graeme Place: ATPubDate: c1976PhysDes: 148 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet ( 8 leaves), employment agreements ( 54 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05626 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Roger Dunn (ep. 2), David Stevens (ep. 3) & Lyn Ogilvy (ep. 4) ; edited by Denise Morgan AT: c1976.
Call No: SC BOX : 3.33Author: Davies, Paul ; Dunn, Roger ; Stevens, David ; Ogilvy, Lyn Place: ATPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), amendments (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 30 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05629 [series 3]. Episodes 1, 2, 3, 4 / written by Everett DeRoche (ep. 1), David Stevens (ep. 2), Paul Davies( ep. 3) & Sarah Darling (ep. 4) ; edited by Denise Morgan (eps. 1-3) & Lyn Ogilvy (ep. 4) AT: c1976.
Call No: SC BOX : 3.36Author: DeRoche, Everett ; Stevens, David ; Davies, Paul ; Darling, Sarah Place: ATPubDate: c1976PhysDes: 150 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet (8 leaves), employment agreements ( 42 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05630 [series 3]. Episodes 1, 2, 3, 4 / written by Everett DeRoche (ep. 1), David Stevens (ep. 2), Paul Davies (ep. 3) & Beverley Phillips (ep. 4) ; edited by Lyn Ogilvy (eps. 1, 4) & Denise Morgan (eps. 2, 3) AT: c1976.
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Crawford collection
script
The box : block no 05631 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), Sarah Darling (ep. 2), John Smythe (ep. 3) & Beverley Phillips (ep. 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.38Author: Davies, Paul ; Darling, Sarah ; Smythe, John ; Phillips, Beverley Place: ATPubDate: c1976PhysDes: 144 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amendments ( 9 leaves), casting call sheet ( 7 leaves), employment agreements ( 44 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05632 [series 3]. Episodes 1, 2, 3, 4 / written by Paul Davies (ep. 1), John Smythe (ep. 2), David Stevens (ep. 3) & Everett DeRoche (ep. 4) ; edited by Lyn Ogilvy (eps. 1, 2) & Gwenda Marsh (eps. 3, 4) AT: c1976.
Call No: SC BOX : 3.39Author: Davies, Paul ; Smythe, John ; Stevens, David ; DeRoche, Everett Place: ATPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by amendments ( 7 leaves), videotape artists roll ( 4 leaves), casting call sheet ( 10 leaves), employment agreements ( 42 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 05633 [series 3]. Episodes 1, 2, 3, 4 / written by Lynn Bower (ep. 1), Paul Davies (ep. 2), Sarah Darling (ep. 3), Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.40Author: Bower, Lynn ; Davies, Paul ; Darling, Sarah ; Phillips, Beverley Place: ATPubDate: c1976PhysDes: 128 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet ( 8 leaves), employment agreements (41 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05634 [series 3]. Episodes 1, 2, 3, 4 / written by John Smythe (ep. 1), Michael Joshua (ep. 2), Sarah Darling (ep. 3) & Beverley Philips (ep. 4) ; edited by Lyn Ogilvy AT: c1976.
Call No: SC BOX : 3.41Author: Smythe, John ; Joshua, Michael ; Darling, Sarah ; Philips, Beverley Place: ATPubDate: c1976PhysDes: 124 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), amendments (14 leaves), casting call sheet ( 7 leaves), employment agreements ( 43 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 05635 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Beverley Phillips (ep. 3) & Colin Eggleston (ep. 4) ; edited by Gwenda Marsh (eps. 1, 3, 4) & Lyn Ogilvy (ep. 2) AT: c1976.
Call No: SC BOX : 3.42Author: Darling, Sarah ; Joshua, Michael ; Phillips, Beverley ; Eggleston, Colin Place: ATPubDate: c1976PhysDes: 139 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 2 leaves), taxi dockets (1 leaf), casting call sheet ( 7 leaves), employment agreements ( 41 leaves)Donation: Gift of Crawford Productions
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script
The box : block no 05637 [series 3]. Episodes 1, 2, 3, 4 / written by Michael Joshua (ep. 1), Colin Eggleston (ep. 2), John Smythe (ep. 3) & Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.44Author: Joshua, Michael ; Eggleston, Colin ; Smythe, John ; Phillips, Beverley Place: ATPubDate: c1976PhysDes: 133 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), amendments ( 11 leaves), casting call sheet ( 8 leaves), employment agreements ( 21 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05638 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Alison Nisselle (ep. 3) & Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
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Crawford collection
script
The box : block no 05639 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), John Smythe (ep. 2), Wendy Jackson (ep. 3) & Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
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Crawford collection
script
The box : block no 05640 [ series 3]. Episodes 1, 2, 3, 4 / written by Colin Eggleston (ep. 1), John Smythe (ep. 2), Michael Joshua (ep. 3) & Zilla Hocking (ep. 4) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.47Author: Eggleston, Colin ; Smythe, John ; Joshua, Michael ; Hocking, Zilla Place: ATPubDate: c1976PhysDes: 138 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), amendments ( 1 leaf), casting call sheet ( 7 leaves), employment agreements ( 40 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05642 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Alison Nisselle (ep. 3) & Beverley Phillips (ep. 4) ; edited by Gwenda Marsh AT: c1976.
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Crawford collection
script
The box : block no 05646 [series 3]. Episodes 1, 2, 3, 4 / written by Alison Nisselle (ep. 1), Michael Joshua (ep. 2), Sarah Darling (ep. 3) & Colin Eggleston (ep. 4) ; edited by Gwenda Marsh (eps. 1, 3) & Karinda Davies (eps 2, 4) AT: c1976.
Call No: SC BOX : 3.53Author: Nisselle, Alison ; Joshua, Michael ; Darling, Sarah ; Eggleston, Colin Place: ATPubDate: c1976PhysDes: 137 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 4 leaves), casting call sheet ( 7 leaves), employment agreements ( 50 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05648 [series 3]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Alison Nisselle (ep. 3) ; edited by Gwenda Marsh AT: c1976.
Call No: SC BOX : 3.55Author: Darling, Sarah ; Joshua, Michael ; Nisselle, Alison Place: ATPubDate: c1976PhysDes: 129 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by videotape artists roll ( 3 leaves), casting call sheet ( 8 leaves), employment agreements ( 41 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05702 [series 4]. Episodes 1, 2, 3, 4 / written by Beverley Phillips (ep. 1), Alison Nisselle (ep. 2), Sarah Darling (ep. 3) & Michael Joshua (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.2Author: Phillips, Beverley ; Nisselle, Alison ; Darling, Sarah ; Joshua, Michael Place: ATPubDate: c1977PhysDes: 123 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Four copies -- Duplicate material in storage -- Includes script running order, extensive annotations -- Accompanied by videotape artists roll (4 leaves), casting call sheet ( 9 leaves), employment agreements ( 37 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05704 [series 4]. Episodes 1, 2, 3, 4 / written by Sarah Darling (ep. 1), Michael Joshua (ep. 2), Alison Nisselle (ep. 3) & David Stevens (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.4Author: Darling, Sarah ; Joshua, Michael ; Nisselle, Alison ; Stevens, David Place: ATPubDate: c1977PhysDes: 122 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Three copies -- Duplicate material in storage -- Includes script running order, annotations -- Accompanied by videotape artists roll ( 4 leaves), casting call sheet ( 9 leaves), employment agreements ( 58 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
The box : block no 05706 [series 4]. Episodes 1, 2, 3, 4 / written by Alison Nisselle (ep. 1), Michael Joshua (ep. 2), Sarah Darling (ep. 3), David Stevens (ep. 4) ; edited by Gwenda Marsh AT: c1977.
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Crawford collection
script
The box : block no 05708 [series 4]. Episodes 1, 2, 3, 4 / written by Galia Hardy (ep. 1), Alison Nisselle (ep. 2), Sarah Darling (ep. 3) & David Stevens (ep. 4) ; edited by Gwenda Marsh AT: c1977.
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Crawford collection
script
The box : block no 05710 [series 4]. Episodes 1, 2, 3, 4 / written by Galia Hardy (ep. 1), Beverley Phillips (ep. 2), Sarah Darling (ep. 3) & Michael Joshua (ep. 4) ; edited by Gwenda Marsh AT: c1977.
Call No: SC BOX : 4.10Author: Hardy, Galia ; Phillips, Beverley ; Darling, Sarah ; Joshua, Michael Place: ATPubDate: c1977PhysDes: 124 leaves ; 34 cmSubject: BOX, THE [TV] (AT, 1974-77) Notes: Unpublished script -- Two copies -- Duplicate material in storage -- Includes script running order -- Accompanied by casting call sheet ( 8 leaves), videotape artist roll (4 leaves), employment agreements ( 44 leaves)Donation: Gift of Crawford Productions
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Boxed in : women and television / edited by Helen Baehr and Gillian Dyer New York: Pandora, 1987.
Call No: 451-02 BOXAuthor: Baehr, Helen ; Dyer, Gillian Place: New YorkPublisher: PandoraPubDate: 1987PhysDes: xi, 233 p. : ill. ; 22 cmSeries: Pandora Press popular cultureSubject: WOMEN ON TV Notes: Includes bibliographies and indexISBN: 0863582168 (pbk.); 0863581129 (hard)LON: 87009113; 5304588
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Yet to catalogue
book
Boy soldiers / Cliff Green Ringwood, Victoria: McPhee Gribble/Penguin Books, 1990.
Call No: 79BOY GREAuthor: Green, Cliff CorpAuthor: Australian Children's Television FoundationSource: ATPlace: Ringwood, VictoriaPublisher: McPhee Gribble/Penguin BooksPubDate: 1990PhysDes: 101 p. ; 20 cmSeries: More winnersISBN: 0140144633
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The boys / by Andrew Frost Sydney: Currency Press, 2010.
Call No: 79 BOY FROAuthor: Frost, Andrew Source: ATPlace: SydneyPublisher: Currency PressPubDate: 2010PhysDes: 72 p. ; 19 cm.Series: Australian screen classicsSubject: GRAHAM, GORDAN ; BOYS, THE (AT, Rowan Woods, 1998) Summary: " Lauded by many as one of the most powerful Australian films made in the past 20 years, Rowan Woods' stunning debut feature The Boys touched off a storm of media controversy upon its release in 1998. The film evoked vivid memories of the 1986 rape and murder of a young Sydney woman named Anita Cobby. Although Woods' film was fictional, The Boys remains inextricably connected to its real-life counterpart in the minds of many viewers. But that connection is only part of the story behind the making of The Boys. In this thoughtful and thought-provoking essay, Andrew Frost contextualises the major thematic concerns of the film onto the broader context of social anxieties about violence, crime and morality. Frost chronicles his own personal journey with the film and its makers from art school to the underground Super 8 filmmaking scene of Sydney in the mid-1980s, from the early short films of director Woods to the multiple award-winning The Boys. Frost discovers new aspects of The Boys even today and wonders if its stinging moral message has been heard among the clamour of everyday suburban life " -- BOOK BLURBNotes: Includes bibliography (p. 69) and filmography (p. 70-71)ISBN: 9780868198620Donation: Donated by Senses Of Cinema, 2009
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newspaper article
Boys take a back seat on ABC's special day in The Australian (8/03/2018) p.5
Author: Darren Davidson PhysDes: Clippings File ArticleSummary: The ABC is booting male television and radio hosts off air again today for International Women's Day despite last year's criticism the move was tokenistic. High-profile presenters of ABC's radio services - including the host of Mornings on ABC Radio Melbourne, Jon Faine, ABC Radio Sydney Drive broadcaster Richard Glover, and ABC Radio Sydney Breakfast anchor Robbie Buck - will be replaced by female guest presenters, with the content centred on specialist programming.
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Bracken's world : Sound Stage / Daoma Winston New York: Paperback Library,
Call No: N79BRA WINAuthor: Winston, Daoma Source: USPlace: New YorkPublisher: Paperback LibraryPhysDes: 160 p. ; 18 cmSeries: Bracken's WorldSubject: BRACKEN'S WORLD [TV] (US, 1969-70) Notes: A dramatic new novel based on NBC TV's hit showDonation: donated by the family of Wayne Levy, 2006
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The brain is the screen : Deleuze and the philosophy of the cinema / Gregory Flaxman, editor. Minneapolis: University of Minnesota Press, 2000.
Call No: 620 DEL FLAAuthor: Flaxman, Gregory Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2000PhysDes: x, 395 pages ; 24 cmSubject: DELEUZE, GILLES ; SPECTATORSHIP ; PERCEPTION Summary: "With this collection, the first to focus solely and extensively on Deleuze's cinematic work, the nature and reach of that work finally become clear. Composed of a substantial introduction, twelve original essays produced for this volume, and a new English translation of a personal, intriguing, and little-known interview with Deleuze on his cinema books, The Brain is the Screen is a sustained engagement with Deleuze's cinematic philosophy that leads to a new view of the larger confrontation of philosophy with cinematic images." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 0816634475Contents: Introduction / Gregory Flaxman -- Approaching Images. 1. Of images and Worlds: Toward a Geology of the Cinema / Jean-Clet Martin. -- 2. Cinema Year Zero / Gregory Flaxman. -- 3. Escape from the Image: Deleuze's Image-Ontology / Martin Schwab. -- 4. The Eye of Montage: Dziga Vertov and Bergsonian Materialism / Francois Zourabichvili -- Mapping Images. -- 5. The Film History of Thought / Andras Balint Kovacs. -- 6. Into the Breach: Between The Movement-Image and The Time-Image / Angelo Restivo. -- 7. Signs of the Time: Deleuze, Peirce, and the Documentary Image / Laura U. Marks. -- 8. The Roots of the Nomadic: Gilles Deleuze and the Cinema of West Africa / Dudley Andrew -- Thinking Images. -- 9. Cinema and the Outside / Gregg Lambert. -- 10. Midday, Midnight: The Emergence of Cine-Thinking / Eric Alliez. -- 11. The Film Event: From Interval to Interstice / Tom Conley. -- 12. The Imagination of Immanence: An Ethics of Cinema / Peter Canning -- After-Image. -- 13. The Brain Is the Screen: An Interview with Gilles Deleuze. -- Contributors
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Levy Collection
book
Brak of day / Cliff Green Sevenoaks: Coronet,, 1977.
Author: Green, Cliff Source: UAKPlace: SevenoaksPublisher: Coronet,PubDate: 1977PhysDes: 160 p. ; 18cm.ISBN: 0340220341 (pbk)Donation: donated by the family of Wayne Levy, 2006
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script
Bran nue dae / written by Reg Cribb, Rachel Perkins & Jimmy Chi AT: [2008].
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Branded to thrill : the delirious cinema of Susuki Seijun / edited by Simon Field and Tony Rayns London: Institute of Contemporary Arts, 1994.
Call No: 81SUZ BRAAuthor: Field, Simon ; Rayns, Tony CorpAuthor: Institute of Contemporary Arts (London, England)Place: LondonPublisher: Institute of Contemporary ArtsPubDate: 1994PhysDes: 48 pSubject: Suzuki, Seijun ISBN: 0905263448 (pbk); 0905263448LON: 11375267
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newspaper article
Brandis snaffles $100m from arts in The Age (14/05/2015) p.8
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Brando / David Shipman London: Macmillan, 1974.
Call No: 81BRA SHIAuthor: Shipman, David Place: LondonPublisher: MacmillanPubDate: 1974PhysDes: 127 p. : ill. (some col.) ; 26 cmSubject: BRANDO, MARLON Notes: Includes index; Filmography: p. 122-125; Bibliography: p. 127ISBN: 0333156579 : ª1.95LON: 74196790; 353945
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newspaper article
Brave women force change in Herald Sun (30/10/2017) p.18
Call No: PERSONALITY CLIPPINGS FILE; BOOTH, EMMAAuthor: Epstein, Jackie & Koha, Nui Te PhysDes: Clippings File ArticleSubject: BOOTH, EMMA ; WORKING CONDITIONS. AUSTRALIA Summary: Emma Booth says the entertainment industry is changing for the better thanks to the brave women coming out with stories of sexual harassment and abuse in the wake of the Harvey Weinstein scandal.
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poster
[Brazen hussies: poster] : The women who started a feministrevolution in Australia / Design: Lin Tobias Australia: 2021.
Call No: P BRAAuthor: Tobias, Lin Place: AustraliaPubDate: 2021PhysDes: 1 poster : colour ; 70 x 100 cmSubject: BRAZEN HUSSIES (AT, Catherine Dwyer, 2021) Summary: Image: Top of poster has a photo showing protesters at International Women's Day. Beneath is a stencil art representation of a woman with the film title superimposed.
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book
Brazilian cinema / edited by Randal Johnson and Robert Stam Austin: University of Texas Press, 1988, c1982.
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book
The breaker / Kit Denton Melbourne: Angus and Robertson, 1973.
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book
Breaker Morant : breaking in the Breaker / Gary Simmons Melbourne: Australian Centre for the Moving Image, 2003.
Call No: 79BRE SIMAuthor: Simmons, Gary Source: ATPlace: MelbournePublisher: Australian Centre for the Moving ImagePubDate: 2003PhysDes: x, 58 p. : ill. ; 21 cmSeries: ACMI Study GuidesSubject: BREAKER MORANT (AT, Bruce Beresford, 1980) Summary: A study guide for VCE Year 12 students, the text has various features: an analysis of the film's context, the use of film language, critical perspective, analyses of key scenes, practical activities, and sample questions based on the English Study Design. [taken from back cover]ISBN: 1920805044
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The Breakfast Club : John Hughes, Hollywood, and the golden age of the teen film / Elissa H. Nelson Oxon: Routledge, 2019.
Call No: 78 BRE NELAuthor: Nelson, Elissa H. Edition: 2019Place: OxonPublisher: RoutledgePubDate: 2019PhysDes: 128 pages : illustrated ; 23cmSubject: BREAKFAST CLUB, THE (US, John Hughes, 1985) Summary: The Breakfast Club is a quintessential teen film. This book analyzes how multiple factors coalesced to solidify the status of The Breakfast Club as one of the most emblematic films of the 1980s and one of the most definitive teen films of the genre. The film brings together genre-defining elements – the conflicts between generations and peer pressure, archetypical characters and breaking down stereotypes, the celebration and survival of adolescence, and the importance of this time in life on the coming-of-age process – and became a significant moment for John Hughes as an auteur and for teen films in the 1980s. More than just embodying these elements of the genre, filmmaker Hughes and the Brat Pack stars helped introduce and popularize multiple generic features that would come to be expected with the teen film formula. The content of the film combined with its context of production in the middle of a boom in teen filmmaking in Hollywood. Meanwhile, the marketing that focused on contemporary music, peer group dynamics, and oppositions between Generation X and baby boomers, merged with an enthusiastic reception by youth audiences. Its endurance speaks to the way the film’s level of importance as a critical, commercial, and influential film with tremendous impact has grown since its initial debut. -- publisher's web siteISBN: 9781138681927Contents: Introduction: The Breakfast Club and the Golden Age of the Teen Film -- Chapter 1: The Right Place at the Right Time: How the Market Was Primed for the Production of The Breakfast Club -- Chapter 2: Rules of the Genre: Creating Iconic Characters while Breaking Down Stereotypes -- Chapter 3: Teen Problems in the 1980s, and Generation X and Baby Boomers Just Don’t Get Along -- Chapter 4: The Synergistic Effects of the Marketing and the Music -- Chapter 5: The Lasting Legacy: Historical Reception, Contemporary Impact, and Hughes as Auteur
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Breaking and entering : land your first job in film production / April Fitzsimmons Los Angeles: Lone Eagle Publishing Co., c1997.
Call No: 209.5 FITAuthor: Fitzsimmons, April Source: USPlace: Los AngelesPublisher: Lone Eagle Publishing Co.PubDate: c1997PhysDes: xx, 204 pages : black and white illustrations : 23 cmSubject: EXTRAS ; FILM WORKERS ; FILMMAKING ; INDUSTRY, FILM ; LABOUR ; PRODUCTION Summary: "BREAKING AND ENTERING is a book designed to give you a general idea about how to break into production and have a good time along the way. With the proper tools and information, your first steps into film production will be a little easier." [TAKEN FROM INTRODUCTION]Notes: includes bibliography and indexISBN: 0945728916Donation: Simon WincerContents: Foreword -- Preface -- Acknowledgements --; Part I -- Chapter 1: the production assistant -- Chapter 2: the production assistant's golden rules --; Part II -- Chapter 3: base camp -- Chapter 4: the set -- Chapter 5: heating and air-conditioning --; Part III -- Chapter 6: a day in the life of a set PA -- Chapter 7: lock ups -- Chapter 8: the shot -- Chapter 9: paperwork --; Part IV -- Chapter 10: the cast -- Chapter 11: the crew -- chapter 12: background (extras) -- Chapter 13: stand-ins (second team) -- Chapter 14: helping out --; Part V -- Chapter 15: communications -- Chapter 16: radios -- Chapter 17: the phone -- Chapter 18: the pager --; Part VI -- Chapter 19: the production kit -- Chapter 20: tools -- Chapter 21: necessities --; Part VII -- Chapter 22: landing your first job in film production -- Chapter 23: future jobs -- Chapter 24: the DGA --; Production forms -- United States film commissions -- Appendix -- Index -- About the author
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Breaking bad / Christopher Sharrett Detroit, Mich: Wayne State University Press, 2021.
Call No: 79 BRE SHAAuthor: Sharett, Christopher Place: Detroit, MichPublisher: Wayne State University PressPubDate: 2021PhysDes: 110 p. : ill. ; 18 cmSeries: TV MilestonesSubject: BREAKING BAD [TV] (US, 2008-2013) Summary: Breaking Bad (2008–2013), a remarkable synthesis of the crime film, the sitcom, the western, and the family melodrama, is a foundational example of new television in the early twenty-first century. Receiving multiple Emmy Awards, it launched the careers of its creators and stars, most notably Bryan Cranston as high school teacher turned drug manufacturer Walter White, whose attempt to grab the American dream results in the destruction of family, home, community, and himself. In this book, Christopher Sharrett examines the innovations of Breaking Bad through a study of its main character, using psychoanalysis, genre study, gender studies, American studies, and the graphic arts to assist an exploration of the supreme danger of modern, postindustrial toxic masculinity embodied in Walter White.
Serving as a fresh start for the American Movie Classics (AMC) cable outlet, Breaking Bad is probably the most uncompromised rendering of the white American male’s rage in early twenty-first-century fiction. Set against a deindustrialized American landscape, its conflicted morality can seem less ambiguous than repugnant when we note the use of humor throughout, particularly as characters are introduced and killed off. Walter’s relationships with his son, who has cerebral palsy, his former student turned business partner, his long-suffering wife, and his DEA brother-in-law are layered on top of the show’s reflection of the very real challenges facing America today, which are not limited to the opioid epidemic, lax gun laws, and racial violence.
Some critics have accused Breaking Bad of inciting a disturbance rather than criticizing, as it relies heavily on the audience’s humor. Sharrett’s argument for why the show is the canniest dramatic insight of our times is worth the price of admission for scholars and students of media studies and superfans alike.-- publisher's blurbISBN: 9780814342565Language: English
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book
Breaking up the ABC / Glyn Davis Sydney: Allen and Unwin, 1988.
Call No: 19ABC DAVAuthor: Davis, Glyn Source: ATPlace: SydneyPublisher: Allen and UnwinPubDate: 1988PhysDes: 150 pages ; 22 cmSubject: AUSTRALIAN BROADCASTING CORPORATION ; FUNDING. AUSTRALIA ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT CONTROL, TV. AUSTRALIA ; GOVERNMENT ORGANIZATIONS. AUSTRALIA ; LAW AND TV. AUSTRALIA ; LEGISLATION. AUSTRALIA ; PROGRAMME CONTENT. AUSTRALIA ; PUBLIC BROADCASTING. AUSTRALIA ; SPECIAL BROADCASTING SERVICE ; STATE AND THE CINEMA. AUSTRALIA Summary: "The life and works of 'Aunty', the Australian Broadcasting Corporation, continue to be the subject of public debate and often heated controversy, but they are seldom analysed in any depth. In this book Glyn Davis sets out to take the ABC apart, layer by layer, to reveal the contradictions in purpose and form which bedevil Australia's public broadcasting network. Emphasising the interplay between the ABC and its social and political context, Breaking Up the ABC subjects the recent internal reforms to careful scrutiny. Will these reforms end 'Aunty's' perennial difficulties? Or is the organisation doomed to permanent crisis? Can the corporation, as David Hill hopes, win back an audience and the political support crucial to its continuing existence? Having broken up the institution, how should the pieces be rearranged? This book offers new combinations to ensure the continuing viability of public broadcasting in Australia."--BOOK BLURBNotes: Includes list of abbreviations, bibliographic references and index -- cover illustration and design by John WindusISBN: 0043370047Donation: Donated by Mike Counihan
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Interim
book
Breathless : A 24-page celebration of French cinema / Edited by Barry McIlheney [s.l.]: [s.n.], [19-?].
Call No: 71(44) BRESource: USPlace: [s.l.]Publisher: [s.n.]PubDate: [19-?]PhysDes: 22 p. ; ills.Subject: FRANCE ; ACTORS. FRANCE ; BARDOT, BRIGITTE ; BIRKIN, JANE ; ARLETTY ; DELON, ALAIN ; BINOCHE, JULIETTE ; KARINA, ANNA ; GIRARDOT, HIPPOLYTE ; MARAIS, JEAN ; DENEUVE, CATHERINE ; BEART, EMMANUELLE ; BELMONDO, JEAN-PAUL ; BOUQUET, CAROLE ; DEPARDIEU, GERARD ; BONNAIRE, SANDRINE ; GABIN, JEAN ; MONTAND, YVES ; AIMEE, ANOUK ; DALLE, BEATRICE Notes: Photobook insert from Premiere Magazine in association with Pernod.
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book
The Bressonians : french cinema and the culture of authorship / Codruta Morari New York; Oxford: Berghahn Books,
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journal article
Brewster McCloud in Interview (1970) vol.1 iss.12 p.8
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Brian De Palma's split-screen : a life in film / Douglas Keesey Jackson [Mississippi]: University Press of Mississippi, 2015.
Call No: 81DEP KEEAuthor: Keesey, Douglas Source: USPlace: Jackson [Mississippi]Publisher: University Press of MississippiPubDate: 2015PhysDes: viii, 348 pages ; 24 cmSubject: DE PALMA, BRIAN Summary: "Douglas Keesey takes a biographical approach to De Palma's cinema, showing how De Palma reworks events from his own life in to his films. Written in an accessible style and including a chapter on every one of his films to date, this book is one for anyone who wants to know more about De Palma's controversial fils or who wants to better understand the man who made them." - TAKEN FROM BACK COVER OF BOOKNotes: Includes bibliographical references and indexISBN: 9781628466973Donation: Senses of CinemaContents: ch. 1 The Wedding Party (1964--65) -- ch. 2 Murder a la Mod (1966) -- ch. 3 Greetings (1968) -- ch. 4 Dionysus in '69 (1970) -- ch. 5 Hi, Mom! (1970) -- ch. 6 Get to Know Your Rabbit (1972) -- ch. 7 Sisters (1973) -- ch. 8 Phantom of the Paradise (1974) -- ch. 9 Obsession (1976) -- ch. 10 Came (1976) -- ch. 11 The Fury (1978) -- ch. 12 Home Movies (1980) -- ch. 13 Dressed to Kill (1980) -- ch. 14 Blow Out (1981) -- ch. 15 Surface (1983) -- ch. 16 Body Double (1984) -- ch. 17 Wise Guys (1986) -- ch. 18 The Untouchables (1987) -- ch. 19 Casualties of War (1989) -- ch. 20 The Bonfire of the Vanities (1990) -- ch. 21 Raising Cain (1992) -- ch. 22 Carlito's Way (1993) -- ch. 23 Mission: Impossible (1996) -- ch. 24 Snake Eyes (1998) -- ch. 25 Mission to Mars (2000) -- ch. 26 Femme Fatale (2002) -- ch. 27 The Black Dahlia (2006) -- ch. 28 Redacted (2007) -- ch. 29 Passion (2012)
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Online resource
script
Bridge of spies / by Matt Chapman and Ethan Coen and Joel Coen [US]: 17/12/2014. Digital clippings file available
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book
The Bridges of Madison County : the film / Claudia Glenn Dowling, Photographs by Ken Regan New York: Warner Books, 1995.
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Online resource
script
Bridget Jones's baby / by Helen Fielding and Dan Mazer and Emma Thompson; based on the characters and story created by Helen Fielding 8/01/2016. Digital clippings file available
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book
Brilliant careers / by AndrGee Wright Sydney: Pan, 1986.
Call No: 462-02(94) WRICopy Management: Copy 1; Copy 2Author: Wright, AndrGee CorpAuthor: Australian Film Commission; Don't call me girliePlace: SydneyPublisher: PanPubDate: 1986PhysDes: [xii], 117 p. : ill. ; 22 x 25 cmSubject: WOMEN AND THE CINEMA. AUSTRALIA ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) Notes: Cover subtitle: Women in Australian cinema; Produced with the assistance of the Australian Film Commission; Includes index; Based on the film Don't call me girlie; Bibliography: p. 113ISBN: 0330270656 : $15.95 AustLON: anb33027065; 4013511
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newspaper article
'Brissie boy' lands title role in Paul Hogan series in Sun Herald (29/05/2016) p.12
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Old collection
book
Britain : world film centre / editor Michael Relph London: Film Production Association of Great Britain, [1976].
Call No: REFERENCE SECTION; 023(41) BRIAuthor: Relph, Michael Source: UKPlace: LondonPublisher: Film Production Association of Great BritainPubDate: [1976]PhysDes: [1], 96 p. : ill. (some col.), ports. (some col.) ; 30 cmSubject: UNITED KINGDOM. 1970's ; INDUSTRY, FILM. UK Summary: Brochure listing the British films films of 1975-76 and also provides a detailed overview of the British film industry itself at the time of publicationLanguage: English, German, French, Italian
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book
Britannia hospital / Gerald Cole London: W.H. Allen, 1982.
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book
British cinema and Thatcherism : fires were started / edited by Lester Friedman London: UCL Press, 1993.
Call No: 71(41) FRIAuthor: Friedman, Lester D Place: LondonPublisher: UCL PressPubDate: 1993PhysDes: xxii, 320 p. : ill. ; 23 cmSubject: UNITED KINGDOM ; STATE AND THE CINEMA. UK Notes: Includes index; Includes bibliographical referencesISBN: 1857280725; 1857280733 (pbk.)LON: 10348852 10348852
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Yet to catalogue
book
The British cinema book / edited by Robert Murphy London: BFI Publishing, 1997.
Call No: 71(41) BRIAuthor: Murphy, Robert, 1947 CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI PublishingPubDate: 1997PhysDes: 279 p. : ill. ; 24 cmNotes: Includes bibliographical references and indexISBN: 0851706401; 085170641X (pbk)LON: abn97198002; 13272522
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Interim
book
The British cinema book / edited by Robert Murphy London: bfi Publishing, 2001.
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book
British cinema history / edited by James Curran and Vincent Porter London: Weidenfeld and Nicolson, 1983.
Call No: 71(41) BRIAuthor: Porter, Vincent ; Curran, James, 1945 Place: LondonPublisher: Weidenfeld and NicolsonPubDate: 1983PhysDes: vi, 445 p. ; 23 cmSubject: UNITED KINGDOM Notes: Also published: Totowa, N.J. : Barnes & Noble, 1983; Bibliography: p. [383]-445ISBN: 0297781863; 0297782231 (pbk.)LON: 2835211 2835211
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British cinema now / edited by Martin [i.e. Martyn] Auty and Nick Roddick London: BFI Pub., 1985.
Call No: 71(41) BRIAuthor: Roddick, Nick ; Auty, Martyn Place: LondonPublisher: BFI Pub.PubDate: 1985PhysDes: iv, 168 p. : ill. ; 21 cmSubject: UNITED KINGDOM Notes: Includes bibliographical references and indexISBN: 0851701310 (pbk.) : ª4.95; 0851701302 (hard) : ª9.95LON: 2833567
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British cinema, past and present / edited by Justine Ashby and Andrew Higson London New York, NY: Routledge, 2000.
Call No: 71(41) BRIAuthor: Higson, Andrew ; Ashby, Justine Source: UKPlace: London New York, NYPublisher: RoutledgePubDate: 2000PhysDes: xx, 385 p. : ill. ; 24 cmSubject: ASKEY, ARTHUR ; ASSOCIATED BRITISH PICTURE CORPORATION ; AUDIENCES. UK ; BAKER, ROY WARD ; BRASSED OFF (UK, Mark Herman, 1996) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOX, BETTY E. ; EALING STUDIOS ; GREENAWAY, PETER ; JARMAN, DEREK ; KEILLER, PATRICK ; PEEPING TOM (UK, Michael Powell, 1960) ; PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933) ; RADIO PARADE OF 1935 (UK, Arthur Woods, 1934) ; UNITED KINGDOM Notes: Includes bibliographical references (p. 354-369) and indexISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper)LON: 21262622
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journal article
British exports expand in Variety (Apr. 11, 2007)
Call No: DVD RESEARCH FOLDERAuthor: Clarke, Steve Subject: UNITED KINGDOM ; DISTRIBUTION. DVD. UK Summary: UK DVD export sales have increased significantly in 2006, mainly due to sales to the USA. In Australia UK sales went up by 12%Notes: accessed from: Variety.com. Reed Business. AFI Research Collection, RMIT University. (14 May 2007).
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The British film catalogue : Volume 1. Fiction film, 1895-1994 / Denis Gifford Chicago IL: Fitzroy Dearborn, 2000.
Call No: REFERENCE SECTION; 023 (41) GIFAuthor: Gifford, Denis Edition: Third editionSource: UKPlace: London; Chicago ILPublisher: Fitzroy DearbornPubDate: 2000PhysDes: xxii, 1097 p. ; 31cmSubject: BRITAIN ; FILM STUDY AND RESEARCH ; FILMOGRAPHIES Summary: This is the first complete catalogue of every British film produced for public entertainment since the invention of cinematography over one hundred years ago. The first edition covered the years 1895-1970. This was updated for a second edition covering the years up to 1985, and now this third edition is further revised and updated to cover the years up to the end of 1994, the first one hundred years of cinema. Over one thousand new entries are included – not just films from the 1980s and 1990s; there are many dating from the years covered in the previous editions and catalogued here for the first time. [Taken from preface.]Notes: Includes indexISBN: 1579581994Language: English
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The British film catalogue : Volume 2. Non-fiction films, 1888-1994 London: Fitzroy Dearborn, 2000.
Call No: REFERENCE SECTION; 023 (41) GIFAuthor: Denis Gifford Edition: Gifford, DenisSource: UKPlace: LondonPublisher: Fitzroy DearbornPubDate: 2000PhysDes: xviii, 625p. 31cmSubject: BRITAIN ; DOCUMENTARY FILMS. UK ; FILMOGRAPHIES ; FILM STUDY AND RESEARCH Summary: This is the first attempt to compile a catalogue of every British non-fiction film produced primarily for cinema showings since the invention of cinematography. It forms a companion to [the author’s] British Film Catalogue of fiction (entertainment) films, first published in 1973 (covering the years 1895-1970), updated in a new edition in 1986 (covering the years up to 1985), and now revised, updated to the end of 1994, and published in a third edition by Fitzroy Dearborn alongside this volume. Between them, the two volumes catalogue virtually the entire history of over one hundred years of British films, separated into two main lines of cinema, fact and fiction. [Taken from preface.]Notes: Includes indexISBN: 1579582001Language: English
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book
The British film industry in the 1980's : the challenge of change / David Docherty, David E. Morrison & Michael Tracey London : Broadcasting Research Unit, [1985?]:
Call No: 71(41) DOCAuthor: Docherty, David Place: London : Broadcasting Research Unit, [1985?]PhysDes: 18 leaves ; 30 cmLON: abn98187947; 13933007
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British Film Institute productions 1951-1976 : a catalogue of films made under the auspices of the Experimental Film Fund, 1951-1966 and the Production Board, 1966-1976 / [edited by John Ellis ; written by John Ellis ... et al.] London: British Film Institute, 1977.
Call No: 71(41) NINAuthor: Ellis, John CorpAuthor: British Film Institute; BFI Production BoardPlace: LondonPublisher: British Film InstitutePubDate: 1977PhysDes: 135 p. : ill. ; 30 cmSubject: UNITED KINGDOM Notes: Includes indexesISBN: 0851700705 (pbk.) : ª1.25LON: 2360979
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British silent cinema and the great war / edited by Michael Hammond and Michael Williams Houndmills. Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2011.
Call No: 737.9[940.3](41) BRISource: US/UKPlace: Houndmills. Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2011PhysDes: xi, 197 p. : ill. 23 cmSubject: WAR FILMS. UK ; WAR IN FILMS Summary: "This book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema and for the way history itself is represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great War continues to fade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s. "--Notes: Formerly CIP -- Includes bibliographical references and indexISBN: 978023.292628Donation: donated by Senses of Cinema, 2013Contents: 1. Goodbye to All That or Business As Usual? History and Memory of the Great War in British Cinema / M. Hammond & M. Williams -- Part I: The War --
2. The Battle of the Somme (1916): an Industrial Process Film that wounds the heart / M.Hammond -- 3. British and Colonial: What the Company Did in the Great War / G. Turvey -- 4. 'Improper Practices' in Great War British Cinemas / P. Moody -- 5. 'Shells, Shots and Shrapnel': Picture-goer Goes to War / J. Bryan -- Part II: Aftermath: Memory and Memorial -- 6. 'A Victory and a Defeat as Glorious as a Victory': The Battles of the Coronel and Falkland Islands (Walter Summers, 1927) / A.Sargeant -- 7. Remembering the Great War in 1920s British Cinema / C. Gledhill -- 8. Remembrance, Re-membering, and Recollection: Walter Summers and the British War Film of the 1920s / L. Napper -- 9. 'Fire, Blood and Steel': Memory and Spectacle in The Guns of Loos (Sinclair Hill, 1928) / M. Williams -- Part III: Notes from the Archive -- 10. Hello to All This: Music, Memory and Re-visiting the Great War / N. Brand -- 11. The Dead, Battlefield Burials and the Unveiling of War Memorials in Films of the Great War Era / T. Haggith -- 12. Anticipating the Blitz Spirit in First World War Propaganda Film: Evidence in the Imperial War Museum Archive / R. Smither -- 13. 'How Shall We Look Again'?: Revisiting the Archive in British Silent Film and the Great War / B. Dixon & L. Porter
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Interim
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British Television Drama : A History / Lez Cooke London: bfi Publishing, 2003.
Call No: 71(41) COOAuthor: Cooke, Lez Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2003PhysDes: 227 p.: ill. ; 23cmSubject: TELEVISION. UK ; DRAMAS. UK Notes: Select Bibliography: p. 211
Index: p. 216
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Old collection
book
British television drama / edited by George W. Brandt Cambridge: Cambridge University Press, 1981.
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Levy Collection
book
Broadcast writing / Daniel E. Garvey and William L. Rivers New York: Longman, 1982.
Author: Garvey, Daniel E. ; Rivers, William L. Source: USPlace: New YorkPublisher: LongmanPubDate: 1982PhysDes: 26 cm ; 280 p.ISBN: 0582281733Donation: donated by the family of Wayne Levy, 2006
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Broadcast writing workbook / Daniel E. Garvey and William L. Rivers New York: Longman, 1982.
Author: Garvey, Daniel E. ; Rivers, William L. Source: USPlace: New YorkPublisher: LongmanPubDate: 1982PhysDes: 26 cm ; 169 p.Donation: donated by the family of Wayne Levy, 2006
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book
Broadcasting glossary / compiled and edited by Pat Alexander Singapore: Asian Mass Communication Research and Information Centre, 1989.
Author: Alexander, Pat Source: SIPlace: SingaporePublisher: Asian Mass Communication Research and Information CentrePubDate: 1989PhysDes: 107 p. : 20 cmISBN: 9971905361Donation: donated by the family of Wayne Levy, 2006
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newspaper article
A broader media landscape in The Australian (24/02/2016) p.11
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still
[Broken highway : stills file] / Elise Lockwood
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The broken melody / Frederick J. Thwaities Sydney: Angus & Robertson, 1984.
Author: Thwaites, Frederick J. Edition: Arkon paperbackSource: ATPlace: SydneyPublisher: Angus & RobertsonPubDate: 1984PhysDes: 311 p. ; 18 cmNotes: First publish in 1930ISBN: 0207147434Donation: donated by the family of Wayne Levy, 2006
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The broken melody / F.J. Thwaites Sydney: Angus & Robertson, 1930.
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Broken screen : 26 conversations with Doug Aitken - expanding the image breaking the narrative / Doug Aitken; edited by Noel Daniel New York: Distributed Art Publishers, 2006.
Call No: 802 AITAuthor: Aitken, Doug Source: USPlace: New YorkPublisher: Distributed Art PublishersPubDate: 2006PhysDes: 302 p. : col. ill. ; 25 cmSubject: AITKEN, DOUG ; AHTILA, EIJA-LIISA ; ALTMAN, ROBERT ; ANGER, KENNETH ; BALDESSARI, JOHN ; BARNEY, MATHEW ; BURDEN, CHRIS ; CONNER, BRUCE ; DENIS, CLAIRE ; DOUGLAS, STAN ; ELIASSON, OLAFUR ; FERRO, PABLO ; FIGGIS, MIKE ; HERZOG, WERNER ; HILL, GARY ; HOLLER, CARSTEN ; HUYGHE, PIERRE ; JODOROWSKY, ALEXANDRO ; KOOLHAAS, REM ; LYNN, GREG ; NICOLAI, CARSTEN ; PRINCE, RICHARD ; RIST, PIPILOTTI ; RONDINONE, UGO ; RUSCHA, ED ; VOGEL, AMOS ; WILSON, ROBERT ; OBRIST, HANS ULRICH Summary: Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 25 carefully chosen artists, filmmakers, designers, and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens, and fragmentary visual planes that define the most progressive moving images today.ISBN: 1933045264
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Bruce Bereford : instincts of the heart / Peter Coleman Pymble, N.S.W.: Angus and Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Source: ATPlace: Pymble, N.S.W.Publisher: Angus and RobertsonPubDate: 1992PhysDes: ix, 158 p. : [16] p. of plates : ill. ; 20 cmSubject: BERESFORD, BRUCE ; FILMMAKING. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) Summary: Peter Coleman has used his friendship with Bruce Beresford, and knowledge of the developing Australian film industry to build up an accurate behind the scenes look at the making of the many films of this most self-critical film director (taken from back of the book)ISBN: 0207175268
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Bruce Beresford : instincts of the heart / Peter Coleman Pymble, NSW, Australia New York, NY, USA: Angus & Robertson, 1992.
Call No: 81BER COLAuthor: Coleman, Peter Place: Pymble, NSW, Australia New York, NY, USAPublisher: Angus & RobertsonPubDate: 1992PhysDes: 158 p., [16] p. of plates : ill. ; 20 cmSeries: Imprint livesSubject: BERESFORD, BRUCE ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986) ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; RICH IN LOVE (US, Bruce Beresford, 1992) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; MONEY MOVERS (AT, Bruce Beresford, 1978) ; CLUB, THE (AT, Bruce Beresford, 1980) ; TENDER MERCIES (US, Bruce Beresford, 1982) ; KING DAVID (US, Bruce Beresford, 1985) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; CRIMES OF THE HEART (US, Bruce Beresford, 1986) ; DRIVING MISS DAISY (US, Bruce Beresford, 1989) ; [MISTER] MR JOHNSON (US, Bruce Beresford, 1990) ISBN: 0207175268LON: abn92179637; 9071070
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Bruce Beresford : an annotated bibliography / compiled by AFI Research & Information Centre Melbourne: Australian Film Institute, Research & Information Centre, 1985.
Call No: 81BER AFICopy Management: Copy 1; Copy 2; Copy 3CorpAuthor: Australian Film Institute. Research & Information CentreSource: ATPlace: MelbournePublisher: Australian Film Institute, Research & Information CentrePubDate: 1985PhysDes: ii, 27 leaves ; 30 cmSubject: BERESFORD, BRUCE Summary: Includes references to books, journals, newspaper articles (Australian and some overseas) as well as to other miscellaneous material such as press booklets and study kitsISBN: 0908023111LON: abn86137856; 4580135
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Bruce Lee : the biography / by Robert Clouse Burbank, CA: Unique Publications, 1988.
Call No: 81LEE CLOAuthor: Clouse, Robert Place: Burbank, CAPublisher: Unique PublicationsPubDate: 1988PhysDes: 194 p. : ill. ; 28 cmSubject: LEE, BRUCE ISBN: 0865681333 : $12.95LON: 88051058; 6425258
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Brush, camera and memories : seventy years in Toowoomba / by Don Featherstone Toowoomba: Darling Downs Institute Press, 1985.
Call No: 81FEA FEAAuthor: Featherstone, Don, 1902-1984 Source: ATPlace: ToowoombaPublisher: Darling Downs Institute PressPubDate: 1985PhysDes: 149 p. : ill., ports. ; 22 cmSubject: FEATHERSTONE, DON ISBN: 0949414018LON: 3471247
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script
Bubble Bath Bay : BBB147: Stormy's big day / Written by Chi-Ren Choong; script producer Gina Roncoli 20/03/2014. Digital clippings file available
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Budd Boetticher: the western : a BFI Education Department dossier / compiled by Jim Kitses [London: BFI Education Dept., 1970?].
Call No: 81BOE KITAuthor: Kitses, Demetrius John Place: [LondonPublisher: BFI Education Dept.PubDate: 1970?]PhysDes: 50 p. ; 26 cmSubject: BOETTICHER, BUDD Notes: Filmography: p. 49-50LON: abn87053802; 5135403
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Buddies [1982?].
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[Buddies : stills file] / David Parker Ken Newton Media Consultants,
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journal article
Build your own city, build your own walls: the person with epilepsy in F.News (Spring 1981) vol.38 iss.1 p.27
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The Bulgarian art feature film : a collection of articles / [Compiled and edited by Margarita Nikolova. Reviewed by Krustyu Goranov. Editor-in-chief: Ivan Stoyanovich Sofia: Editorial Office for Foreign Countries at the Film Distribution Dept., 1973?].
Call No: 71(497.2) BULPlace: SofiaPublisher: Editorial Office for Foreign Countries at the Film Distribution Dept.PubDate: 1973?]PhysDes: 101 p. illus. 24 cmSubject: BULGARIA LON: 404853
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Bulgarian cinematography [Cinemtographia Bulgara] : 1910 - 1961 / Filmbulgaria Sofia: Filmbulgaria, [1961?].
Call No: 71(497.2)FILCorpAuthor: FilmbulgariaPlace: SofiaPublisher: FilmbulgariaPubDate: [1961?]PhysDes: 32 p. ; 23 cmSubject: BULGARIA Language: English / Spanish bilingual
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Bulgarian films Sofia: Razprostranenie na Filmi,
Call No: held May 1957-v.26, no.7 (Oct. 1986) incomplete; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: "Razprostranenie na filmi," DP (Bulgaria); FilmbulgareSource: BUPlace: SofiaPublisher: Razprostranenie na FilmiPhysDes: vSummary: ‘Bulgarian Films’ (1957?-1990). It was produced in Sofia, beginning around 1957 as the trade journal for the People's Republic of Bulgaria (1946-1990) film industry. It was created and distributed by the state for the promotion of Bulgarian cinema beyond the Eastern Bloc. By 1960, it was being distributed around the globe from Sydney to Tokyo in several languages including English. It featured news regarding upcoming productions, new releases, interviews with directors, actors and others in the industry and news of the global reception of Bulgarian films.
Bulgarian cinema began in 1910 with their first feature film Bulgaran is Gallant ( ) and developed slowly before 1946 when Bulgaria became a socialist republic and the film industry fell under the purview of state bodies where the industry thrived. After the collapse of the communist regime the industry fell into a decline, going from dozens of productions a year to only one or even no feature films being produced in a given year. -- AFIRCNotes: Description based on surrogate of: 8, 83; title from coverISSN: 0204-8884 0007-3911LON: sn 90000333; 7583990
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Der bulgarische film : geschichte und gegenwart einer kinematografie / Maria Ratschewa and Klaus Eder Frankfurt: Kommunales Kino, 1977.
Call No: 71(497.2) RATAuthor: Ratschewa, Maria ; Eder, Klaus Source: GGPlace: FrankfurtPublisher: Kommunales KinoPubDate: 1977PhysDes: 174 p. : ill. ; 21 cmSubject: BULGARIA Language: German
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The bumper book of the Two Ronnies : The very best of the news / Compiled and edited by Ian Davidson and Peter Vincent London: Star Books, 1979.
Author: Davidson, Ian ; Vincent, Peter Source: UKPlace: LondonPublisher: Star BooksPubDate: 1979PhysDes: 254 p.; ill ; 18 cmNotes: Reprinted 1979 (twice)ISBN: 0352302496Donation: donated by the family of Wayne Levy, 2006
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newspaper article
A bumper crop makes a rich harvest in Canberra Times [TV Guide] (12/12/2016) p.3
Call No: SUBJECT CLIPPINGS FILE; TELEVISION. AUSTRALIAAuthor: Enker, Debi PhysDes: Clippings File ArticleSubject: TELEVISION. AUSTRALIA ; DRAMAS. AUSTRALIA Summary: Overview of television productions on Australian TV in 2016. The author was largely compliementary of the Australian shows for the year.Notes: similar article in Sydney Morning Herald - TV Guide, same date, and The Age - Green Guide, Dec 8 2016
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journal article
Buoyant trading as video levels off in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.4
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journal article
Burden of dreams in Facets Features (Nov 1982) p.4-5
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journal article
Burden of Dreams in Facets Features (Nov 1982) p.4-5
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Burn the butterflies / Cliff Green Woollahra, N.S.W.: Currency Press, 1979.
Author: Green, Cliff Source: ATPlace: Woollahra, N.S.W.Publisher: Currency PressPubDate: 1979PhysDes: 20.5 cm; 92 p.ISBN: 0868190292Donation: donated by the family of Wayne Levy, 2006
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newspaper article
Burning passion in The Saturday Paper (10/10/2015) p.18
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newspaper article
[Burnt] in Sunday Herald Sun [Arts & Entertainment] (25/10/2015) p.87
Call No: TITLE CLIPPINGS FILE; BURNT (US, John Wells, 2015)Author: Dent, Nick PhysDes: Clippings File ArticleSubject: BURNT (US, John Wells, 2015) Summary: Short film review of BURNTRating: 3.5 out of 5 stars
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Levy Collection
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Burt! : The unauthorized biography / by Marc Eliot New York: Dell, c1982.
Author: Eliot, Marc Source: USPlace: New YorkPublisher: DellPubDate: c1982PhysDes: 224p. : ill. ; 18cmISBN: 044000876XDonation: donated by the family of Wayne Levy, 2006
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book
Burton on Burton / edited by Mark Salisbury London: Faber and Faber, 1997.
Call No: 81BUR BURAuthor: Salisbury, Mark Place: LondonPublisher: Faber and FaberPubDate: 1997PhysDes: xviii, 160 p. : ill. ; 23 cmSubject: BURTON, TIM Notes: Includes index; Bibliography: p. 155ISBN: 0571173934LON: abn97135892; 13174002
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newspaper article
Busienss bites : Apple sours....networks cower...recall towers... in Crikey.com.au (27/01/2016) p.-
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journal article
The business of creativity : what drives the Australian screen content producer in Lumina (Summer 2010) iss.2 p.269-277
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Buster Keaton / David Robinson London: Secker & Warburg in association with the British Film Institute, 1969.
Call No: 81KEA ROBAuthor: Robinson, David, 1930 CorpAuthor: British Film InstitutePlace: LondonPublisher: Secker & Warburg in association with the British Film InstitutePubDate: 1969PhysDes: 199 p. : ill. ; 20 cmSeries: Cinema one ; 10Subject: KEATON, BUSTER ISBN: 0436098814LON: 79392675; 839842
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journal article
Busy year for Colorfilm in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3
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script
Butterfly crush and the dreamguides / by Alan Clay New Zealand: 2009.
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By gaslight in winter : a Victorian family history through the magic lantern / Colin Gordon ; designed by Craig Dodd London: Elm Tree Books, 1980.
Call No: 70"00"(41) GORAuthor: Gordon, Colin Source: UKPlace: LondonPublisher: Elm Tree BooksPubDate: 1980PhysDes: 128 p. : ill. (some col.) ; 24 cmSubject: PRE-CINEMA HISTORY Summary: Reproduction of hand-coloured photographic Victorian lantern slides by the Riley Brothers in Bradford - 'The largest magic lantern outfitters in the world'Notes: Includes bibliographical referencesISBN: 0241104742Donation: donated by the family of Wayne Levy, 2006Contents: Introduction -- Street life -- Life-model -- Excursions, rambles and tours
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Byte me : art + culture + technology, Bendigo Art Gallery, 10 July - 1 August 1999 / Linda Dement ... [et al.] Bendigo, Vic.: Bendigo Art Gallery, 1999.
Call No: 175 BYTAuthor: Dement, Linda Source: ATPlace: Bendigo, Vic.Publisher: Bendigo Art GalleryPubDate: 1999PhysDes: 16 p. : col. ill. ; 21 cmSubject: ART CINEMA. AUSTRALIA Summary: Brochure of the Byte Me exhibition, held at the Bendigo Art Gallery in 1999Notes: Writers: Julie Clarke, Kevin Murray, Darren Tofts. -- Exhibition curator: Anonda Bell. -- Artists: Linda Dement, Pat Hoffie, Troy Innocent, Jon McCormack, Patricia Piccinini, Josephine Starrs, Leon Cmielewski, James VerdonISBN: 09492215228
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C'mon, get happy... / David Cassidy with Chip Deffaa New York, NY: Warner Books, 1994.
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Das Cabinet des Dr. Caligari / David Robinson London: British Film Institute, 1997.
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Caddie : a Sydney barmaid / Caddie; introduction by Dymphna Cusack Melbourne: Sun Books, 1966.
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Yet to catalogue
book
Cahiers du cinema : the politics of representation : an anthology from Cahiers du cinema nos 210-239, March 1969-June 1972 / edited by Nick Browne London: Routledge, 1990.
Call No: 67(44) CAHAuthor: Browne, Nick CorpAuthor: Cahiers du cinemaPlace: LondonPublisher: RoutledgePubDate: 1990PhysDes: ix, 352 p. ; 24cmNotes: Translations from the French; Includes index; Includes bibliographiesISBN: 0415029872 : ª35.00 : CIP revLON: 6254790
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Cahiers du cinema : Neo-realism, Hollywood, new wave / edited by Jim Hillier London: Routledge & Kegan Paul in association with the British Film Institute, 1985.
Call No: 67(44) CAHAuthor: Hillier, Jim CorpAuthor: British Film InstitutePlace: LondonPublisher: Routledge & Kegan Paul in association with the British Film InstitutePubDate: 1985PhysDes: xiii, 312 p. ; 25cmSubject: NEOREALISM ; NOUVELLE VAGUE Notes: Translations from the French; Includes bibliographies and indexLON: 3696097 3696097
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Cahiers du cinema : New Wave, new cinema, re-evaluating Hollywood : an anthology from Cahiers du cinema nos 103-207, January 1960-December 1968 / edited by Jim Hillier London: Routledge & Kegan Paul in association with the British Film Institute, 1986.
Call No: 67(44) CAHAuthor: Hillier, Jim CorpAuthor: British Film InstitutePlace: LondonPublisher: Routledge & Kegan Paul in association with the British Film InstitutePubDate: 1986PhysDes: xiv, 363 p. ; 24 cmSubject: NEOREALISM ; NOUVELLE VAGUE Notes: Translations from the French; Includes index; Bibliography: p. 335-353ISBN: 0710203063 : ª18.95 : CIP revLON: 4501613
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Cahiers du Cinema : volume four, 1973-1978: history, ideology, cultural struggle : an anthology from Cahiers du Cinema nos 248-292, September 1973-September 1978 / edited by David Wilson; with an introduction by Berenice Reynaud London; New York: Routledge, British Film Institute, 2000.
Call No: 67(44) CAHSource: UK/USPlace: London; New YorkPublisher: Routledge, British Film InstitutePubDate: 2000PhysDes: xi, 323 p. ; 24 cmSeries: Cahiers du Cinema selectionsSubject: CULTURE AND THE CINEMA ; POLITICS AND THE CINEMA ; IDEOLOGY AND THE CINEMA ; HISTORY AND THE CINEMA ; THEORY ; CRITICISM ; CAHIERS DU CINEMA ; ALAOUIE, BORHAN ; ALLIO, RENE ; DOUGLAS, JOHN ; FERRO, MARC ; GODARD, JEAN-LUC ; HUILLET, DANIELE ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LITTIN, MIGUEL ; DUPONT LAJOIE (FR/IT, Yves Boisset, 1975) ; DERSU UZALA (UR/JA, Akira Kurosawa, 1975) ; INDIA SONG (FR, Marguerite Duras, 1975) ; KING KONG (US, John Guillermin, 1976) ; KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) ; LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974) ; KAFR KASSEM (LE/SY, Borhan Alaouié, 1973) ; MILESTONES (US, Robert Kramer & John Douglas, 1975) ; MOSES UND ARON (GW/FR/IT, Jean-Marie Straub & Daniele Huillet, 1975) ; NUMERO DEUX (FR, Jean-Luc Godard, 1975) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PORTIERE DI NOTTE, IL (IT, Liliana Cavani, 1974) ; STAR WARS (US, George Lucas, 1977) ; SIX FOIS DEUX (FR, Jean-Luc Godard, 1976) ; TIERRA PROMETIDA, LA (CL, Miguel Littin, 1973) ; XALA (SG, Ousmane Sembene, 1974) Summary: This volume covers the vibrant and turbulent period from 1973 to 1978, in which the issues of theory, history and politics dominated critical debate. The anthology combines essays by critics such as Pascal Bonitzer, Serge Daney and Therese Giraud; round-table discussions; reviews of contemporary films from Star Wars and King Kong to Padre Padrone and Jeanne Dielman; and interviews with leading theorists including Marc Ferro and Michel Foucault, presenting a rich sampler of Cahiers' provocative and indispensible contribution to debates in film and cultural politics. [Taken from back cover.]ISBN: 0415029880Contents: Introduction - Cahiers Du Cinema 1972-1978 - Berenice Reynaud -- Part I - Interventions and Cultural Politics -- Editorial - Cahiers Today - Cahiers du Cinema -- The Critical Function - Serge Daney -- A particular trend in French Cinema - Serge Daney, pascal Kane, Jean-Pierre Oudart, Serge Toubiana -- Round table on Chris Marker's Le Found de l'air est rouge - Jean-Paul Fargier, Therese Giraud, Sege Le Peron, Jean Narboni, Serge Daney -- Part II - Perspectives -- A matter of chance - Serge Toubiana -- Return of the same - Therese Giraud -- Theorize/terrorize - Godardian pedagogy -- On Sur et sous la communication: three questions on Six fois deux - Gilles Deleuze -- Family, history, romance - Louis Seguin -- Round table: Milestones and us - Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge Le Peron, Therese Giraud, Serge Toubiana -- The Aquarium (Milestones) - Serge Daney -- Part III - Theory and History -- Anti-retro - Michel Foucault in interview with Pascal Bonitzer and Serge Toubiana -- I, Pierre Riviere, having slaughtered my mother, my sister and my brother...by Rene Allio - Jean Jourdheuil, Serge Toubiana, Pascal Bonitzer, Rene Allio, Pascal Kane, Michel Foucault -- Defamations (fragments). Pretext: Karl May by H.-J. Syberberg - Jean-Pierre Oudart -- Cinema and history - Marc Ferro in interview with Serge Daney and Ignacio Ramonet -- Deframings - Pascal Bonitzer -- Cold Sex (on pornography and beyond) - Yann Lardeau -- Part IV - Third Cinema -- Our Cinema - Sidney Sokhona -- Interview with Abdelaziz Tolbi - Therese Giraud, Mohand Ben Salama -- The promised land - Serge Toubiana, Pascal Bonitzer -- The feminine eye of the Town (El Chergui) - Abdelwahab Meddeb -- Blood into sign - Jean Narboni -- Xala - Daniele Dubroux -- Part V - Reviews -- On Avanti - Pascale Kane -- An India and its other (India Song) - Pascal Bonitzer -- An uncanny familiarity (Jeanne Dielman) - Daniele Dubroux -- The sign and the ape (King Kong) - Serge Toubiana -- One more bear (Dersu Uzala) - Serge Daney -- Curdled milk (Padre padrone) - Daniele Dubroux -- America without fear or favour (Star Wars) - Serge Le Peron -- Francois Truffaut La Chambre verte - Pascal Bonitzer -- An active fear (The Passion of Joan of Arc) - Jean-Pierre Oudart -- Appendix: Cahiers du Cinema in the 1950s, the 1960s and the early 1970s
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CALendar / Copyright Agency Limited Sydney: Copyright Agency Limited, 1995.
Call No: held no.1- Apr. 1997-CorpAuthor: Copyright Agency Ltd; CALendar (Copyright Agency Limited)Source: ATPlace: SydneyPublisher: Copyright Agency LimitedPubDate: 1995PhysDes: v. : ill. ; 30 cmNotes: Caption title; Selected articles of some issues also available in an electronic version via the Internet at: http://www.copyright.com.au/doc/calendar.html; "The newsletter of the Copyright Agency Limited"ISSN: 1325-7722Order Notes: CurrentFrequency: QuarterlyLON: abn95334706; 11944223
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Caligari's cabinet and other grand illusions : a history of film design / edited by Elliott Stein Boston: New York Graphic society, 1976.
Call No: 635.26 BARAuthor: Barsacq, Leon Edition: 1st English language editionPlace: BostonPublisher: New York Graphic societyPubDate: 1976PhysDes: vii, 264 p. : ill. ; 29 cmSubject: SET DESIGNING ; SET DECORATING Notes: Includes index.
Bibliography: p. 251-253.ISBN: 0821206206Contents: -- Acknowledgements -- photograph credits -- foreword by Rene Clair -- Introduction -- History -- Film perspective and evolution of the set -- 1: Painted Sets -- the French Primitives 1895-1914 -- 2: Constructed Sets: Italy 1910-1915 -- the United States 1915-1920 -- 3: Toward a film aesthetic: Sweden and Germany 1917-1922 -- France 1918-1926 -- 4: Natural Scenery: Russia 1914-1930 -- 5: The triumph of realism: Hollywood after 1920 -- France of 1926 -- Great Britain after 1930 -- The USSR after sound -- 6: Post War trends -- Italy and the influence of Neorealism -- The enrichment of National Traditions: Sweden and Japan -- The New wave and Cinema-Verite -- 7: Researching the set -- Source material -- period films -- historical films -- musicals -- fantastic films -- 8: The use of color -- 9: Creating the set -- the studios-- preparation for filming -- set construction -- 10: Special effects -- Conclusion by Elliott Stein --Filmographies of art directors and producation designers by Elliott Stein -- Two Letters from Wiard Ihnen -- Academy awards for Art direction and set decoration -- selected bibliography -- Index
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Call me lucky / by Bing Crosby as told to Pete Martin New York: Simon and Schuster, 1953.
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Call them irreplaceable / by John Fisher ; drawings by Hirschfeld London: Elm Tree Books, 1976.
Call No: 802.27 FISAuthor: Fisher, John, 1945 Place: LondonPublisher: Elm Tree BooksPubDate: 1976PhysDes: 224 p. : ports. ; 29 cmNotes: Includes index; Bibliography: p. 219-220ISBN: 0241892015 : ª6.95LON: 77352901; 866399
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newspaper article
'Calling all meat puppets, it's time for your martini' in Sydney Morning Herald (8/06/2017) p.22
Author: Garry MaddoxCHECK PhysDes: Clippings File ArticleSummary: Police, doctors and soldiers all have their own shorthand way of talking to each other. So it makes sense that film crews - that strange band who gather to work intensely on a movie then disband in all directions three months later - have their own peculiar language too.
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book
The Cambridge companion to Shakespeare on film / edited by Russell Jackson Cambridge, UK New York: Cambridge University Press, 2000.
Call No: 753SHA CAMAuthor: Jackson, Russell, 1949 Source: UKPlace: Cambridge, UK New YorkPublisher: Cambridge University PressPubDate: 2000PhysDes: xiv, 342 p. ; 24 cmSeries: Cambridge companions to literatureSubject: ADAPTATIONS ; ADAPTATIONS. SHAKESPEARE, WILLIAM ; BRANAGH, KENNETH ; OLIVIER, LAURENCE ; WELLES, ORSON ; ZEFFIRELLI, FRANCO ; HENRY V (UK, Kenneth Branagh, 1989) ; HENRY V (UK, Laurence Olivier, 1944) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967) ; RICHARD III (US, James Keane, 1912) ; RICHARD III (US, Richard Loncraine, 1995) ; RICHARD III (UK, Laurence Olivier, 1955) ; HAMLET (UK, Laurence Olivier, 1948) ; HAMLET (UK/US, Kenneth Branagh, 1996) ; HAMLET (US, Franco Zeffirelli, 1990) ; MACBETH (US, Orson Welles, 1948) ; MACBETH (US/UK, Roman Polanski, 1971) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; THRONE OF BLOOD (JA, Akira Kurosawa, 1957) ; KING LEAR (UK, Peter Brook, 1953) ; RAN (JA/FR, Akira Kurosawa, 1985) ; WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996) Summary: "This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. Leading scholars discuss Shakespearean films from a variety of perspectives - as works of art in their own right, as products of the international movie industry, in relation to cinematic and theatrical genres, and as the work of particular directors from Lawrence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. A guide to further reading and a useful filmography are included." - BOOK BLURBNotes: Filmography: p. 318-324; Includes bibliographical references and index; FilmographyISBN: 0521630231; 0521639751 (pbk.)LON: 21340333Contents: Introduction: Shakespeare, films and the marketplace / Russell Jackson --; Part 1: adaptation and its contexts -- From play-script to screenplay / Russell Jackson -- Video and its paradoxes / Michele Willems -- Critical junctures in Shakespeare screen history: the case of Richard III / Harry Keyishian --; Part 2: genres and plays -- The comedies on film / Michael Hattaway -- Filming Shakespeare's history: three films of Richard III / H.R. Coursen -- Hamlet, Macbeth and King Lear on film / J. Lawrence Guntner -- The tragedies of love on film -- Patricia Tatspaugh --; Part 3: directors -- The Shakespeare films of Lawrence Olivier / Anthony Davies -- Orson Welles and filmed Shakespeare / Pamela Mason -- Grigori Kozintsev's Hamlet and King Lear / Mark Sokolyansky -- Franco Zeffirelli and Shakespeare / Deborah Cartmell -- Flamboyant realist: Kenneth Branagh / Samuel Crowl --; Part 4: critical issues -- Looking at Shakespeare's women on film / Carol Chillington Rutter -- National and racial stereotypes in Shakespeare films / Neil Taylor -- Shakespeare the illusionist: filming the supernatural / Neil Forsyth -- Shakespeare's cinematic offshoots / Tony Howard
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book
A camera actress in the wilds of Togoland : the adventures, observations & experiences of a cinematograph actress in West African forests whilst collecting films depicting native life and when posing as the white woman in Anglo-African cinematograph dramas / by Miss M. Gehrts, with an introduction by Major H. Schomburgk, with 65 illustrations & a map London: Seeley, Service & Co., 1915.
Call No: 81GEH GEHAuthor: Gehrts, Meg Source: UKPlace: LondonPublisher: Seeley, Service & Co.PubDate: 1915PhysDes: xx, [17]-315, [1] p. : front., illus., plates, fold. map. ; 23 cmSubject: AFRICA IN FILMS Language: English
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book
The camera never blinks : adventures of a TV journalist / Dan Rather; with Mickey Herskowitz New York: William Morrow & Co., 1977.
Call No: 81RAT RATAuthor: Rather, Dan ; Herskowitz, Mickey Source: USPlace: New YorkPublisher: William Morrow & Co.PubDate: 1977PhysDes: 320 p. ; 25 cmSubject: MEDIA ; NEWS PROGRAMMES.USA ; RATHER, DAN ; CRONKITE, WALTER ; SEVAREID, ERIC ; WALLACE, MIKE ; WALTERS, BARBARA ; REASONER, HARRY ; BRINKLEY, DAVID ; CHANCELLOR, JOHN ; NIXON [RICHARD M.] ON TV ; JOHNSON, LYNDON ISBN: 0688031846
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journal article
Can transmedia content actually increase tradional TV ratings? in Encore (November 2012) p.8
Author: Gadney, Guy PhysDes: ArticleSubject: AUDIENCES. TV ; SPIN-OFFS ; MOBILE AND ONLINE MEDIA Summary: Gadney has been working on two transmedia projects that tie into long running TV series testing the theory that interactive content is better for upping viewership than social media. One of the projects involves the Underbelly series. The second project revolves around the iconic dutch soap opera known as GTST.
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Interim
book
Canadian feature film index / D.J. Turner 1987.
Call No: REFERENCE SECTION; 023(71)"1913/1985" CANCorpAuthor: Public Archives CanadaSource: CAPubDate: 1987Subject: CANADA ; FILMOGRAPHIES Notes: CatalogueISBN: 0660533642
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Old collection
book
Canadian feature films : 1913 - 1969: Part 1 - 1913 1940 / edited by Peter Morris Ottawa: Canadian Film Institute, 1970.
Call No: 71(71) CANAuthor: Morris, Peter Source: CNPlace: OttawaPublisher: Canadian Film InstitutePubDate: 1970PhysDes: v., 20 p. : ill. ; 28 cmSeries: Canadian filmography series, 6Subject: CANADA Summary: An index of Canadian feature films made between 1913 to 1940
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Old collection
book
Canadian feature films : 1914 - 1964 / complied and edited by Peter Morris and Larry Kardish Ottawa: Canadian Film Institute, 1965.
Call No: 71(71) CANAuthor: Morris, Peter ; Kardish, Larry Source: CNPlace: OttawaPublisher: Canadian Film InstitutePubDate: 1965PhysDes: iv., 57 p. ; 28 cmSeries: Canadian Filmography Series, No 1Subject: CANADA Summary: Listing the feature film production in Canada since its inception; in 1914
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book
Canadian film / David Clandfield Toronto: Oxford University Press, 1987.
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book
Canadian film digest 1975 yearbook : of the Canadian film industry / Editor/advertising sales: Barry Silver Toronto: Canadian Film Digest,
CorpAuthor: Canadian Film DigestPlace: TorontoPublisher: Canadian Film DigestPhysDes: 132 p.; 28 cmSubject: CANADA
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Canadian journal of film studies = Revue canadienne d'etudes cinematographiques North York, Ont.: Film Studies Association of Canada = Association canadienne d'Getudes cinGematographiques, 1990. Available at ProQuest (RMIT login required) Available at ProQuest (RMIT login required)
Call No: held v.1, no.1- 1990-CorpAuthor: Film Studies Association of CanadaSource: CNPlace: North York, Ont.Publisher: Film Studies Association of Canada = Association canadienne d'Getudes cinGematographiquesPubDate: 1990PhysDes: v. : ill. ; 28 cmNotes: Title from cover; Masthead title reverses English and French titles, v. 1, no. 1- : Canadian journal of film studies = Revue canadienne d'Getudes cinGematographiques; Published: Ottawa, Ont., 1993ISSN: 0847-5911Language: English; FrenchOrder Notes: CurrentFrequency: SemiannualLON: 93641016; 9976616URL status: URL: 'https://search-proquest-com.ezproxy.lib.rmit.edu.au/screenstudies/publication/46825/citation/815DD8C082704036PQ/13?accountid=13552'
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book
Canal Plus, a case study in pay television / John Tydeman North Sydney: Australian Film Commission, 1989.
Call No: 261.6(44)Author: Tydeman, John, 1947 CorpAuthor: E.P. Marketing; Australian Film CommissionPlace: North SydneyPublisher: Australian Film CommissionPubDate: 1989PhysDes: 58 p. : ill. ; 30 cmSubject: CANAL PLUS ; PAY TV. FRANCE ; PAY TV. AUSTRALIA Notes: Cover title; "A report prepared for the Australian Film Commission by E.P. Marketing Pty Ltd'; Bibliography: p. 57ISBN: 0642148295LON: 6605904
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book
Canal Plus, a case study in pay television / John Tydeman North Sydney: Australian Film Commission, 1989.
Call No: 261.6(44)Author: Tydeman, John, 1947 CorpAuthor: E.P. Marketing; Australian Film CommissionPlace: North SydneyPublisher: Australian Film CommissionPubDate: 1989PhysDes: 58 p. : ill. ; 30 cmSubject: CANAL PLUS ; PAY TV. FRANCE ; PAY TV. AUSTRALIA Notes: Cover title; "A report prepared for the Australian Film Commission by E.P. Marketing Pty Ltd'; Bibliography: p. 57ISBN: 0642148295LON: 6605904
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newspaper article
The Canberrans to watch in Canberra Times (18/07/2015) p.10
Call No: PERSONALITY CLIPPINGS FILE; LI, CINDYAuthor: Colquhoun, Rebecca PhysDes: Clippings File ArticleSubject: LI, CINDY Summary: Report on Cindy Li, a Canberra based film producer who is setting up film production links between Australian and China with her company JIA Films
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script
Candy / screenplay by Luke Davies and Neil Armfield; script editor, John Collee AT: [2005].
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journal article
Cannery Row in Prevue (April/May 1982) vol.2 iss.7 p.52-53
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book
Canvas Documentaries : panoramic entertainments in nineteenth-century Australia and New Zealand / by Mimi Colligan Carlton South, Vic.: Melbourne University Press, 2002.
Call No: 761(931/94)(097.1) COLAuthor: Colligan, Mimi Source: ATPlace: Carlton South, Vic.Publisher: Melbourne University PressPubDate: 2002PhysDes: xvi, 250 p. : ill. (some col.), ports, plans ; 22 cm x 28 cmSubject: ART AND THE CINEMA ; DOCUMENTARIES ; PRE-CINEMA HISTORY ; AUSTRALIA ; NEW ZEALAND ; ENTERTAINMENT. AUSTRALIA Summary: "Long before cinema was invented, people went to picture shows. In the eighteenth and nineteenth centuries in Britain, Europe and America they were treated to dramatic pictorial spectacles. Audiences might be encircled by vast 360-degree canvases, or seated before continuous images drawn across a proscenium, or gathered in amusement parks to watch painted 3-D structures come 'alive' with the explosion of fireworks overhead. The sense of realism was enhanced by back-lighting, running commentaries and props such as real sand and trees. These spectacular representations of scenery, current events or recent battles abroad were indeed documentaries on canvas-the first travelogues. The phenomenon of complex circular panoramas and dioramas took root in Australia and New Zealand in the 1850s. They drew enthusiastic crowds, brought good work for local artists, and propogated the glories of empire in all the capital cities they toured. Canvas Documentaries captures the artistic, civic and social preoccupations of the times. Generously illustrated with paintings, etchings, engravings, mechanical drawings, architectural plans, photographs and advertising material, this beautiful book is a window on the vibrant popular culture of the Victorian era. " -- BOOK JACKETNotes: Includes bibiographical references and index; Bibliography: p 236-240ISBN: 0522850197Contents: -- acknowledgments -- picture show terminology -- preface -- introduction -- 1. Grand Tours for a Shilling: The English background -- 2. Moving Panoramas: Presenting the world and local exploits -- 3. Panorama Business: Far-off battles and armchair travel -- 4. Across the Stage: Moving panoramas in Australian theatre -- 5. Vesuvius in Melbourne: Outdoor modelled panoramas and fireworks -- 6. Pompeii in Australia: Pain's pyrotechnics and modelled panoramas -- 7. At the Battles: Cycloramas in Australia -- 8. Exhibiting Old Melbourne: The cyclorama of early Melbourne -- 9. Around the Country: The intercolonial cyclorama circuit -- 10. On the Move: The decline of panoramic picture shows -- list of illustrations -- notes -- select bibliography -- index --
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newspaper article
Capital stunning in starring role in Canberra Times (09/09/2016) p.7
Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. CANBERRAAuthor: Doherty, Megan PhysDes: Clippings File ArticleSubject: FESTIVALS. CANBERRA ; BLUE WORLD ORDER (AT, Ché Baker/Dallas Bland, 2017) Summary: Preview of the upcoming Canberra International Film Festival with a focus on the short film BLUE WORLD ORDER, which features the current Chief Minister of the Australian Capital Territory, Andrew Barr who (in the film) acts as a mind controlled commoner
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book
Capra, Cukor, Brown / [by] Allen Estrin South Brunswick New York London: A.S. Barnes Tantivy Press, 1980.
Call No: 802.25(73) ESTAuthor: Estrin, Allen Place: South Brunswick New York LondonPublisher: A.S. Barnes Tantivy PressPubDate: 1980PhysDes: 192p : ill,ports ; 25cmSeries: The Hollywood professionals ; vol.6Subject: CAPRA, FRANK ; CUKOR, GEORGE ; BROWN, CLARENCE Notes: Cinema films directed by Capra, Frank; Cukor, George & Brown, Clarence, b.1890 (BNB/PRECIS); Bibl.: p.188-190. - List of films. - IndexISBN: 0498022374 : ª6.95LON: 1888731
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Yet to catalogue
book
The captive heart : the book of the film / by Arnold Meredith London Sydney: Shakespeare Head, [1946?].
Call No: 79CAP MERAuthor: Meredith, Arnold CorpAuthor: Ealing StudiosPlace: London SydneyPublisher: Shakespeare HeadPubDate: [1946?]PhysDes: 84 p., [2] p. of plates : ill., ports ; 18 cmSeries: Book of the film seriesNotes: At head of title : Ealing studios; "Adapted from the film written by Guy Morgan and Angus Macphail from an original story by Patrick Kirwan."LON: abn86230946; 4775799
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journal article
The career of a great actor : Peter Lorre in Classic Images (November 1980) iss.72 p.12-16
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journal article
Careful dares to succeed in Video Age (August 1984) vol.3 iss.8 p.8
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book
Careful, he might hear you / Sumner Locke Elliot Woollahra, N.S.W.: Pan Books, 1983.
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journal article
Careful he might hear you in Encore (August 1983) vol.7 iss.16 p.35
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Old collection
book
Carl Dreyer : a film director's work / Ebbe Neergaard; translated by Marianne Helweg London: British Film Institute, 1950.
Call No: 81DRE NEEAuthor: Neergaard, Ebbe Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 1950PhysDes: 42 p. : illus. ; 20 cm.Series: New Index SeriesSubject: VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; VREDENS DAG (DK, Carl Th. Dreyer, 1943) ; DREYER, CARL TH. Summary: An index of Dreyer's work including films: The Presentent (1918), The Parson's Widow (1920), Love One Another (1921), Once Upon a Time (1922), Master of the House (Thou Shalt Honor Thy Wife) (1925), The Bride of Glomdal (1925)Language: English
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book
Carl Th. Dreyer: Danish film director. 1889-1968 / Edited by Sren Dyssegaard. English text by Reginald Spink Copenhagen: Ministry of Foreign Affairs, 1969].
Call No: 81DRE CARAuthor: Dyssegaard, Sren, ed Place: CopenhagenPublisher: Ministry of Foreign AffairsPubDate: 1969]PhysDes: 52 p. illus. 17 x 23 cmSubject: DREYER, CARL TH. LON: 71387194; 561261
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book
Carl Theodor Dreyer's Jesus / Carl Theodor Dreyer New York: The Dial Press, 1972.
Call No: 79 JES DREAuthor: Dreyer, Carl Theodor Source: USPlace: New YorkPublisher: The Dial PressPubDate: 1972PhysDes: 312 pages : illustrations ; 24 cmSubject: JESUS CHRIST IN FILMS ; DREYER, CARL TH. Summary: Contains the film manuscript for Dreyer's 'Jesus', as well as essays by Dreyer on religion, and notes on Dreyer by other film makers.Notes: Alternative title for book is 'Jesus'Contents: -- introduction -- Carl Theodor Dreyer, by Ib Monty -- illustrations follow -- Three essays by Carl Dreyer -- who crucified Jesus? -- the roots of anti-semitism -- my only great passion -- Jesus; a film manuscript -- Working with Dreyer / by Preben Thomsen -- Tributes to Dreyer, Dreyer's Sin / by Jean Renoir -- Federico Fellini -- Fancois Truffaut -- editor's note --
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Online resource
script
Carlotta / created by Ric Pellizzeri, Lara Radulovich, David Hannam; written by David Hannam [AT]: 9/04/2013. Digital clippings file available
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book
Carol Reed / Peter William Evans Manchester, UK: Manchester University Press, 2005.
Call No: 81REE EVAAuthor: Evans, Peter William Source: UKPlace: Manchester, UKPublisher: Manchester University PressPubDate: 2005PhysDes: ix, 198 p. : ill. ; 23 cmSeries: British film makersSubject: REED, CAROL ISBN: 9780719063671Contents: Machine derived contents note: Series Editors' Foreword -- Acknowledgements -- Introduction -- Early days: Girls in the news. 'Bank Holiday' (1938), 'A Girl Must Live' (1939), 'Climbing High' (1938) -- The 1940s: Love and death. 'The Stars Look Down' (1940), 'Night Train to Munich' (1940), 'Kipps' (1941), 'The Way Ahead' (1944), 'Odd Man Out' (1947) -- Hearts of the matter: The Graham Greene films. 'The Fallen Idol' (1948), 'The Third Man' (1949), 'Our Man in Havana' (1959) -- The 1950s and characters in-between. 'Outcast of the Islands' (1952), 'The Man Between' (1953), 'A Kid for Two Farthings' (1959) -- An Englishman abroad. 'The Key' (1958), 'The Running Man' (1963), 'The Agony and the Ecstasy' (1965), 'Trapeze' (1956) -- The last hurrah. 'Oliver!' (1968) --Conclusion -- Filmography -- References -- Index
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Crawford collection
script
Carson's law : episode 14 / written by Bob Ellis AT: [1982?].
Call No: SC CAR : 14Author: Ellis, Bob Place: ATPubDate: [1982?]PhysDes: 71 leaves ; 33 cmSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- Includes character list, amendments -- Accompanied by first draft Storyline ( 10 leaves), Storyline and episode research ( 11 leaves), Scene Breakdown ( 15 leaves)Donation: Gift of Crawford Productions
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Crawford collection
script
Carson's law : episode 18 / written by Barry Creyton AT: [1982?].
Call No: SC CAR : 18Author: Creyton, Barry Place: ATPubDate: [1982?]PhysDes: 43 leaves ; 34 cmSubject: CARSON'S LAW [TV] (AT, 1983) Notes: Unpublished script -- Accompanied by first draft of storyline (15 leaves), storyline and episode research (22 leaves), scene breakdown (15 leaves)Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: album # 1 & #4] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 54 photographs : b&w. ; 21 X 26 cm. + 4 photographs : b&w. ; 17 X 26 cm. + 1 contact sheet : b&w. ; 21 X 16 cm. + 2 contact sheets : b&w. 21 X 26 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Photographs and proof sheets relating to Carson's Law.Notes: Arrangement: Album #1 contains photographic prints only-- Photographs are arranged by episode number where known -- Accompanying many of the photographs is a 'title page' identifying information about the image, including actor, character names, episode number and scene breakdownDonation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: album # 2] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 47 slides : col.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Tranparency slides relating to Carson's Law.Notes: Arrangement: Album #1 contains 35mm transparency slides only-- Photographs are arranged by episode number -- Accompanying each photograph is a 'title page' identifying information about the image, including actor, character name, episode number and scene breakdown -- Slide labels are on some of the images -- Duplicate images are stored in the rare books room.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: album # 3] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 25 slides : col.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Tranparency slides relating to Carson's Law.Notes: Arrangement: Album #3 contains transparencies only -- Accompanying each photograph is a 'title page' identifying information about the image, including actor, character namesand scene breakdown (episode number is not identified) -- Duplicate images are stored in the rare books room -- Album 3 also contains a single frame transparency, unmounted 120mm format.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Amy, Tommy, Robert and Godfrey Carson] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Amy (Christine Harris), Thomas (Chris Orchard, Robert (Ross Thompson) and Godfrey Carson (Kevin Miles)Notes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Billy, Jennifer, Amy and Sam Carson] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Billy (Greg Caves), Jennifer (Lorraine Bayly), Amy (Christine Harris) pushing Sam (Edward Upton) on a billy cartNotes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: episode 71-77, movie making] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of production shoot 1920's styleNotes: Large format images are housed in the postage storage unit -- caption reads "Movie making, 1920's style, during the Crawford produced serial Carson's Law"Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Gerard Kent played by Noel Trevarthen] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Gerard the butler holding jewellsNotes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Godfrey and Felicity Carson] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Godfrey (Kevin Miles) and Felicity Carson (Christine Amor).Notes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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poster
[Carson's law: poster] / Crawford Productions, Ten-10 Australia: 1982.
Call No: P CARAuthor: Quinn, B. CorpAuthor: Network 10Place: AustraliaPubDate: 1982PhysDes: 3 Posters : colour ; 66.5 x 98 cmSubject: CARSON'S LAW [TV] (AT, 1983) Summary: Image: in the lower foreground. forming a trainagular shape to the top middle, is a collage of sketches depicting characters and scenes from the tv series. To the upper righthandside of the image, behind the collage, is a mid shot, portrait-style photograph of the two lead characters, Godfrey Carson (Kevin Miles), and Jennifer Carson (Lorraine Bayly). To the lefthandside of the poster is the title of the series, with the tagline "A distinguished landmark of Australian television." In the bottom lefthandside corner is the Ten-10 logo, and in the upper righthandside is the Crawford Productions logo. The poster is in a sepia tone, to evoke the time period where the series is set (1920's).Notes: Relatively good condition with minor tears and folds around edges. 3 copies.Language: EnglishDonation: Crawford Productions
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Crawford collection
still
[Carson's law: Sarah Carson attacked with knife] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Sarah Carson played by Melanie Oppenheimer being attacked by a man with a knife.Notes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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Crawford collection
still
[Carson's law: Tommy Carson with drunk] / Crawford Productions [198?].
Call No: CRAWFORD STILL CARSource: ATPubDate: [198?]PhysDes: 1 photograph : b&w ; 28 x 28 cm.Subject: CRAWFORD PRODUCTIONS ; CARSON'S LAW [TV] (AT, 1983) Summary: Large format photograph of Tommy Carson (Chris Orchard) lying on the ground with drunk vagrantNotes: Large format images are housed in the postage storage unit.Donation: Gift of Crawford Productions
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book
Cartographic cinema / Tom Conley Minneapolis: University of Minnesota Press, 2007.
Call No: 629 CONAuthor: Conley, Tom Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2007PhysDes: viii, 265 p. : ill. ; 23 cmSubject: IMAGE ANALYSIS ; CARTOGRAPHY AND THE CINEMA ; BAZIN, ANDRE ; DELEUZE, GILLES ; RENOIR, JEAN ; BOUDU SAUVE DES EAUX (FR, Jean Renoir, 1932) ; AMANTS, LES (FR, Louis Malle, 1958) ; CASABLANCA (US, Michael Curtiz, 1942) ; CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936) ; DESPERATE JOURNEY (US, Raoul Walsh, 1942) ; [FOUR HUNDRED] 400 BLOWS, THE [ ; GLADIATOR (US, Ridley Scott, 2000) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995) ; HIGH SIERRA (US, Raoul Walsh, 1941) ; MISTONS, LES (FR, François Truffaut, 1957) ; PARIS QUI DORT (FR, Rene Clair, 1923) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; THELMA & LOUISE (US, Ridley Scott, 1991) Summary: Examines the affinites of maps and movies through comparative theory and close analysis of films from the silent era to the French New Wave to Hollywood blockbusters. This reveals that most of the movies we see contain maps of various kinds and almost invariably constitute a projective apparatus similar to cartography.[taken from back cover]ISBN: 0816643571Contents: 1. Icarian cinema : Paris qui dort -- 2. Jean Renoir : cartographies in deep focus -- 3. Maps and theaters of torture : Roma, citta aperta -- 4. A desperate journey : From Casablanca to Indiana Jones -- 5. Juvenile geographies : Les Mistons -- 6. Michelin Tendre : Les Amants -- 7. Paris underground : Les 400 coups -- 8. A road map for a road movie : Thelma and Louise -- 9. Cronos, cosmos, and Polis : La Haine
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Interim
book
Cartoon and puppet films in 1963 / Oldrich Adamec (editor) and Marie Benesova (compiler) 1963.
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book
Casablanca / Edited by Richard J. Anobile London: Picador, 1974.
Call No: 79 CAS ANOEdition: 1974Place: LondonPublisher: PicadorPubDate: 1974PhysDes: 256 p. : illus. ; 28 cmSeries: The Film Classics LibrarySubject: CASABLANCA (US, Michael Curtiz, 1942) ISBN: 0330242148
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journal article
Casanova in Empire (Australian Ed.) (July 2006) iss.64 p.90
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book
Case studies in Australian media management / edited by Elizabeth More, Keith Smith Sydney: Macquarie University, Graduate School of Management, 1992.
Call No: 401(94) CASAuthor: More, Elizabeth ; Smith, Keith (Keith R. A.) CorpAuthor: Australian Film, Television and Radio School; New South Wales Education and Training Foundation; Macquarie University. Graduate School of ManagementPlace: SydneyPublisher: Macquarie University, Graduate School of ManagementPubDate: 1992PhysDes: x, 204 p. : ill., maps ; 21 cmSubject: TELEVISION. AUSTRALIA ; PAY TV. AUSTRALIA ; RATING FOR TV. AUSTRALIA ; MEDIA. AUSTRALIA ; PACKER, KERRY ; BLACK, CONRAD ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) Notes: Published in association with the Australian Film, Television and Radio School and New South Wales Education and Training Foundation; Bibliography: p. 193-204ISBN: 0858377756 (pbk.)LON: 9454276
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book
Case studies in independent production / edited by John Cruthers [North Ryde, N.S.W.]: Australian Film Television & Radio School and the Australian Film Commission, c1988.
Call No: 210.2(94) TAKAuthor: Cruthers, John CorpAuthor: Australian Film Commission; Australian Film, Television and Radio SchoolPlace: [North Ryde, N.S.W.]Publisher: Australian Film Television & Radio School and the Australian Film CommissionPubDate: c1988PhysDes: 107 p. : ill. ; 30 cmSeries: Taking care of businessSubject: INDEPENDENT FILMS. AUSTRALIA ; MELBOURNE SUPER 8 FILM GROUP ; SUPER-8 MM FILMS. AUSTRALIA ; BROPHY, PHILIP ; CALLAS, PETER ; SCOTT, BILL ; RUNNING OUT OF PATIENCE (AT, prod. Chris Brown & Serena Everill, 1987) ; PALISADE (AT, Laurie McInnes, 1987) ; HOW THE WEST WAS LOST (AT, David Noakes, 1987) ; TENDER HOOKS (AT, Mary Callaghan, 1988) ; IN BETWEEN [TV] (AT, Chris Warner & Mandy Smith, 1987) ; WITH TIME TO KILL (AT, James Clayden, 1986) ISBN: 0642139261LON: 6038265 6487289
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book
Cassavetes on Cassavetes / edited by Ray Carney London: Faber, 2001.
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Interim
book
Catalogo Bolaffi del cinema Italiano : Tutti i film Italiani del dopoguerra / edited by Giulio Bolaffi; direzione di Gianni Rondolino; a cura di Ornella Levi Torino, 1967.
Call No: F71(45)(083.8) RONAuthor: Bolaffi, Giulio Source: ITPublisher: TorinoPubDate: 1967PhysDes: xix, 287 p. : ill., ports. ; 26 cmSubject: ITALY ; FILMOGRAPHIES ; FILMOGRAPHIES. ITALY Notes: Includes index; Includes bibliography; Includes filmographyLanguage: Italian
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book
Catalogue / Documentary Division, Film Victoria / Film Victoria Melbourne: Film Victoria, September 1986.
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Interim
book
Catalogue of cartoons [196?].
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Levy Collection
book
Catering for children in prime time television / Virginia Carter and James Davern Melbourne: Australian Children's Television Foundation, 1985.
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book
Cathy's child / Dick Wordley South Yarra, Vic.: Gazelle books, 1979.
Call No: N79CAT WORAuthor: Wordley, Dick Source: ATPlace: South Yarra, Vic.Publisher: Gazelle booksPubDate: 1979PhysDes: 207 p. ; 18 cm.Subject: CATHY'S CHILD (AT, Donald Crombie, 1979) Notes: First published as: A piece of paper, Sydney: Tempo Books, 1973ISBN: 0908132050
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journal article
CATs and madmen in Metro education (1999) iss.17/18 p.12-15
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Levy Collection
book
Cats video : training manual / John, Hoppy and Cliff Glebe, NSW: Tomato Press, December 1974.
Call No: 22 CATAuthor: Hopkins, John ; Herman, Steve ; Evans, Cliff Edition: Revised editionSource: ATPlace: Glebe, NSWPublisher: Tomato PressPubDate: December 1974PhysDes: 20 cm ; 52 p.Notes: Casebound version of booklet. Ex-library markings on last page. Small poster: "Housing Video in London" in pocket on inside back cover.Donation: donated by the family of Wayne Levy, 2006
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Old collection
book
Celebrity : the media as image makers, and, in order of their celebrity / Edited by James Monaco; with contributions from Ingmar Bergman; Norman Mailer et al. New York: Dell Publishing, 1978.
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Interim
book
Celebrity stew : food publicity pioneer shares 50 years of entertaining inside stories of Hollywood royalty / Leo Pearlstein / foreword by Steve Allen Los Angeles CA: Hollywood Circle Press, 2002.
Call No: 411.2(73) PEAAuthor: Pearlstein, Leo Source: USPlace: Los Angeles CAPublisher: Hollywood Circle PressPubDate: 2002PhysDes: 205 p. : ill. ; 26 cm.Subject: ADVERTISING. USA Notes: Includes indexISBN: 0971130612
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poster
[Celine and Julie go boating: poster] / Contemporary Films AT: Ranelagh,
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book
Celluloid Anzacs : the Great War through Australian cinema / Daniel Reynaud Nth Melbourne, Vic.: Australian Scholarly Publishing, 2007.
Call No: 737.0: 408.1(94) REYAuthor: Reynaud, Daniel Place: Nth Melbourne, Vic.Publisher: Australian Scholarly PublishingPubDate: 2007PhysDes: vi, 281 p. ; 21 cm.Subject: WAR AND THE CINEMA. AUSTRALIA ; HISTORY AND THE CINEMA. AUSTRALIA Summary: Of all the ways in which the Anzac legend has been transmitted, cinema, with its emotive power, has been among the most influential. Celluloid Anzacs is the first study of how the Great War Anzac legend has been portrayed in Australian film and television productions over 80 years.
By building the story into the broader Australian context, the book shows how films have both shaped and been shaped by one of Australia's most cherished defining national mythologies. [Taken from back cover.]ISBN: 1740971280
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Celluloid ceiling : women film directors breaking through / edited by Gabrielle Kelly and Cheryl Robson Twickenham: Supernova Books, 2014.
Call No: 802.253 CELSource: UKPlace: TwickenhamPublisher: Supernova BooksPubDate: 2014PhysDes: 383 pages : illustrations ; 20 cmSeries: Women and the artsSubject: WOMEN DIRECTORS ; WOMEN AND THE CINEMA ; FEMINISM AND THE CINEMA Summary: "With Katherine Bigelow making history as the first woman to win an Oscar for directing, is this a new era for female filmmakers? The numbers suggest otherwise. A San Diego University study published last year states that only 9% of Hollywood directors in 2008 were women - the same figure recorded in 1998. Celluloid Ceiling seeks to redress the imbalance in the ratio of male to female film directors by exploring the most inspiring new work appearing in the UK, US and across the globe. Highlighting emerging female directors alongside recognised pioneers (eg. Bigelow, Campion, Coppola), placing all in context and examining their influences, Celluloid Ceiling offers a one-stop guide to the leading female directors of 21st century. With particular attention paid to women making films in traditionally male-dominated areas - such as action movies and films featuring violence or pornography - the author hopes to show all budding filmmakers that women can overcome the challenges within this industry." -- BOOK BLURBNotes: Includes bibliographical referencesISBN: 9780956632906Donation: donated by Senses of Cinema, 2014Contents: Introduction / Gabrielle Kelly and Cheryl Robson --
Africa -- African Women Directors: Edited version of a speech given at the colloquy 'Francophone African Women Filmmakers: 40 years of cinema, Paris (1972-2012)' / Beti Ellerson -- Speak Up! Who's Speaking?: African Female Filmmakers Speak for Themselves / Maria Williams-Hawkins --
Americas -- The home, the body and otherness: Canadian representations of identity and feminism in Mary Harron's American Psycho, Sarah Polley's Away From Her and the Soska Sisters' American Mary / Karen Oughton -- Female Filmmakers in Latin America / Ana Maria Bahiana -- USA: Flouting the System: Lois Weber, Dorothy Arzner and Ida Lupino / Jacqui Miller -- From Hollywood to Indiewood to Chinawood: Women Film Directors in the US / Gabrielle Kelly -- US: Women Film Directors of the Indie World / Nathan Shaw -- Oscar-worthy Women Directors / Patricia Di Risio -- Interview with Kathryn Bigelow / Ana Maria Bahiana --
Asia -- Moving Up: Women Directors and South-east Asian Cinema / Anchalee Chaiworaporn -- Films from an Unknown Woman: Remediating the absence of gender politics in the films of women directors in China, Taiwan and Hong Kong / Pieter Aquilia -- Women Filmmakers of South Korea / Anchalee Chaiworaporn -- 'Why are you making such a big deal just because I am a woman?' Women Directors of Popular Indian Cinema / Coonoor Kripalani -- Cats and Dogs and Wild Berries: New Voices in Japanese Cinema / Adam Bingham -- To Direct Patriarchy / Women Film Directors in Pakistan / Iram Parveen Bilal --
Australia & New Zealand -- Brilliant Careers: Three Waves of Australian, New Zealand and Indigenous Women Film Directors / Pieter Aquilia --
Europe -- Alice Guy-Blache, True Pioneer / Tania Field -- A Century of Madchen: Femmes and Frauen in Facist, New Wave, and Contemporary European Cinema / Heidi Honeycutt -- Hidden Histories on Film: Female Directors from South Eastern Europe / Dina Iordanova -- Iron and Reel: Russian Women Directors Through the Soviet Era and Beyond / Karlanna Lewis -- Where's Britannia / Melody Bridges --
Middle East -- Coming Forth (Day) by Day: Arab Female Filmmakers Making Strides / Ronan Doyle -- In their Own Words: Interviews with Contemporary Women Directors from the Middle East / Elhum Shalerikar -- Voices of Israeli Women Filmmakers / Amy Kronish -- Summary / Gabrielle Kelly
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Celluloid Dreams : a century of film in New Zealand / editor in chief - Geoffrey B. Churchman Wellington: IPL Publishing Services, 1997.
Call No: 71(931) CHUAuthor: Churchman, Geoffrey B. Source: NZPlace: WellingtonPublisher: IPL Publishing ServicesPubDate: 1997PhysDes: 144 p. ; col. and b+w ill. : 29 cmSubject: INDUSTRY, FILM. NEW ZEALAND ; FILMMAKING Summary: Traces the development of cinema exhibition and filmmaking in New Zealand from its beginnings up to the 90s. Includes filmography and synopses.Notes: Includes select bibliographyISBN: 09088776963Language: English
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Celluloid jukebox : popular music and the movies since the 50s / edited by Jonathan Romney and Adrian Wootton London: British Film Institute, 1995.
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newspaper article
Celluloid Rigby in The Saturday Paper [Culture] (20/05/2017) p.18
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Celluloid subjects to digital directors : changing Aboriginialities and Australian dccumentary film, 1901-2017 / Jennifer Debenham Oxford: Peter Lang, 2020.
Call No: 71(94) (=1-81) DEBAuthor: Debenham, Jennifer Edition: 2020Place: OxfordPublisher: Peter LangPubDate: 2020PhysDes: xv, 230 pages : illustratedSeries: Documentary Film Cultures; 2Subject: ABORIGINAL AUSTRALIANS AND THE CINEMA ; DOCUMENTARIES ; ANTHROPOLOGY AND THE CINEMA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; DESERT PEOPLE (AT, Ian Dunlop, 1967) ; NINGLA A-NA (AT, Alessandro Cavadini, 1972) ; MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; LINK-UP DIARY (AT, David MacDougall, 1987) ; WHISPERING IN OUR HEARTS THE MOWLA BLUFF MASSACRE (AT, Mitch Torres, 2001) ; WE DON'T NEED A MAP (AT, Warwick Thornton, 2017) Notes: How did Australia’s Aboriginal and Torres Strait Islander population go from being the objectified subjects of documentary films to the directors and producers in the digital age? What prompted these changes and how and when did this decolonisation of documentary film production occur? Taking a long historical perspective, this book is based on a study of a selection of Australian documentary films produced by and about Aboriginal peoples since the early twentieth century. The films signpost significant shifts in Anglo-Australian attitudes about Aboriginal and Torres Strait Islanders and trace the growth of the Indigenous filmmaking industry in Australia.
Used as a form of resistance to the imposition of colonialism, filmmaking gave Aboriginal people greater control over their depiction on documentary film and the medium has become an avenue to contest widely held assumptions about a peaceful colonial settlement. This study considers how developments in camera and film stock technologies along with filmic techniques influenced the depiction of Aboriginal and Torres Strait Islanders. The films are also examined within their historical context, employing them to gauge how social attitudes, access to funding and political pressures influenced their production values. The book aims to expose the course of race relations in Australia through the decolonisation of documentary film by Aboriginal filmmakers, tracing their struggle to achieve social justice and self-representation. -- publisher's web siteISBN: 9781789974782Contents: Acknowledgements -- Cultural Warning and Acknowledgement -- Abbreviations -- Introduction -- Aboriginalities -- Media Ecology -- The Longue Durée -- Decolonising the Documentary Film in Australia -- Stages of the Journey -- Part I Exotic Subjects, 1901–1966 -- Chapter 1 The Last of Their Kind: Aboriginal Life in Central Australia (1901) -- Chapter 2 Physical Traits: Life in Central Australia (1931) -- Chapter 3 Benign and Iconic: Aborigines of the Sea Coast (1950) -- Chapter 4 The “Last” of Their Kind, Again: Desert People (1967) -- Part II Voices for Change, 1957–1972 -- Chapter 5 Not Dying Out Quietly: Warburton Aborigines (1957) -- Chapter 6 A Discomforting Assimilation: The Change At Groote (1968) -- Chapter 7 Challenging White Indifference: Ningla-A-Na (Hungry for Our Land) (1972) -- Part III Counting the Cost, 1978–1987 -- Chapter 8 Telling My Story My Way: My Survival As An Aboriginal (1978) -- Chapter 9 On Being Stolen: Lousy Little Sixpence (1983) -- Chapter 10 Picking Up the Broken Pieces: Link-Up Diary (1987) -- Part IV Digital Directors: Decolonising Documentary Film, 2002–2017 -- Chapter 11 Setting the Records Straight: Whispering in Our Hearts: The Mowla Bluff Massacre (2002) -- Chapter 12 The Sounds of Spaces Between: Willaberta Jack (2007) -- Chapter 13 Breaking the Drought at the Sydney Film Festival: We Don’t Need a Map (2017), Occupation Native (2017), In My Own Words (2017)and Connecting to Country (2017) -- Bibliography -- Index
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journal article
Celso and Cora in Filmviews (Winter 1985) vol.30 iss.124 p.31-33
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journal article
The Censored and celebrated film festival : the Sydney Underground: Ubu Films 1965-1970 in Practice (Spring/Summer 1997) iss.2 p.67-69
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book
The censorship papers : movie censorship letters from the Hays office, 1934-1968 / by Gerald Gardner New York: Dodd, Mead, 1987.
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Yet to catalogue
book
Censorship: the search for the obscene / by Morris L. Ernst and Alan U. Schwartz. With an introd. by Philip Scharper New York: Macmillan, [1964].
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journal article
Centenary of Douglas Mawson's Expedition in Australian Cinematographer (June 2012) iss.54 p.30-35
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book
Centring the female : the articulation of female experience in the films of Jane Campion / Lisa French [Melbourne]: School of Applied Communication, Design and Social Context, RMIT, June 2007.
Call No: 81 CAM FREAuthor: Frenh, Lisa Place: [Melbourne]Publisher: School of Applied Communication, Design and Social Context, RMITPubDate: June 2007PhysDes: 271 p. ; 30 cmSubject: CAMPION, JANE
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book
A century of Australian cinema / edited by James Sabine for the Australian Film Institute Port Melbourne: Mandarin, 1995.
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Interim
book
A century of Chinese cinema : look back in glory / edited by Po Fung...[et al.] Hong Kong: Leisure and Cultural Services Department, 2001.
Call No: 71(51) CENCorpAuthor: Hong Kong Film ArchiveSource: HKPlace: Hong KongPublisher: Leisure and Cultural Services DepartmentPubDate: 2001PhysDes: 56 p. : b&w ill. ; 25 cmSubject: CITY OF SADNESS, A [ ; CHINA IN FILMS ; TAIWAN Summary: Analytical essays of 25 classic Chinese films from the last century, written by notable film critics and directors such as Gordon Chan, Evans Chan and Eddie Fong; critic Reeve Wong, and Hu Ke. In Chinese and English.
Taken from http://www.lcsd.gov.hk/CE/CulturalService/HKFA/english/newsletter/nl16_2.htmlISBN: 9628050117
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A century of cinema : Australian and French connections / edited by Jane Warren, Colin Nettelbeck and Wallace Kirsop Parkville, Vic.: University of Melbourne, Department of French and Italian Studies in association with the 'Australian journal of French studies', and Institute for the Study of French-Australian Relations, 1996.
Call No: 408.3(94) AUSAuthor: Warren, Jane ; Kirsop, Wallace ; Nettelbeck, Colin W Place: Parkville, Vic.Publisher: University of Melbourne, Department of French and Italian Studies in association with the 'Australian journal of French studies', and Institute for the Study of French-Australian RelationsPubDate: 1996PhysDes: 117 p., [20] p. of plates : ill., ports. ; 25 cmSubject: CENTENARY OF CINEMA. AUSTRALIA ; CENTENARY OF CINEMA. FRANCE ; MELODRAMA ; FRANCE ; AUSTRALIA ; NOUVELLE VAGUE ; CAHIERS DU CINEMA ; PARTIE D'ECARTE (FR, Louis Lumiere, 1895) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; SPENCER, WALTER BALDWIN ; DEPARDIEU, GERARD ; LUMIERE, AUGUSTE & LOUIS Notes: "The various essays in this volume were originally presented as papers at a University of Melbourne conference entitled 'A century of cinema : Australian and French connections. The conference was held in 1995 ..." --Introduction; Includes bibliographical referencesISBN: 0732513561LON: 12653307
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A century of cinema : the life & times of the State Cinema North Hobart: State Cinema, 2013.
Call No: 38(94) CLYAuthor: Clyde, Bill, Source: ATPlace: North HobartPublisher: State CinemaPubDate: 2013PhysDes: 65 pages : illustrations (some colour), facsimiles, plans, portraits ; 18 x 21 cm.Subject: CINEMAS. AUSTRALIA. STATE FILM THEATRE (TAS) Notes: Issued to commemorate the centenary of the State Cinema, North Hobart, Tasmania. Opening as the North Hobart Picture Palace in 1913, it was redeveloped as the Liberty Theatre in 1935, renamed the State Theatre in 1948, and re-opened as the State Cinema in 1976.ISBN: 9780646909677
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CERONOMO : AN AMERICAN LEGEND / Robert J. Conley New York: Pocket Books, 1994.
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music lp
the Chain Reaction [sound recording] : original soundtrack / music by Andrew Thomas Wilson, producer Spencer Lee Australia: 7 Records, 1980?.
Call No: LP The Chain ReactionAuthor: Chopin ; Lee, Spencer ; Mozart ; Wilson, Andrew Thomas Source: ATPlace: AustraliaPublisher: 7 RecordsPubDate: 1980?PhysDes: 1 sound disc (? min): 33 1/3 rpm, 12 inSubject: CHAIN REACTION, THE (AT, Ian Barry, 1980) Contents: -- side one -- awakening / Wilson & Lee -- the beast / Wilson & Lee -- decontamination / Wilson & Lee & & Mozart -- heinrich's theme / Wilson & Lee & Chopin -- waldo / Wilson & Lee -- a swim in the river / Wilson & Lee -- chain reaction / Wilson & Lee -- side two -- once more with feling / Wilson & Lee -- paradise valley / Wilson & Lee -- car chase / Wilson & Lee -- carmel's theme -- Wilson & Lee -- waldo arrives / Wilson & Lee -- the hand at the window / Wilson & Lee -- message to a friend (end titles) / Wilson & Lee --Performer: Andrew Thomas Wilson; Gary Fredericks; Tony Doyle; Paul WheelerMusic Type: Motion Picture MusicPublisher Number: 7 Records: MLF 360
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Challenges and change : Australia's information society / Trevor Barr (ed.) Melbourne: Oxford University Press, 1987.
CorpAuthor: Commission for the FutureSource: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1987PhysDes: 20 cm ; 188 p.ISBN: 0195548558Donation: donated by the family of Wayne Levy, 2006
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journal article
Champignons in Filmviews (Spring 1985) vol.30 iss.125 p.34-35
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The changing face of evil in film and television / edited by Martin F. Norden New York: Rodopi, 2007.
Call No: 626 [216] (04) NORAuthor: Norden, Martin F. Source: USPlace: New YorkPublisher: RodopiPubDate: 2007PhysDes: xxi, 244p. : ill. ; 23cmSeries: At the Interface, vol 41.Subject: EVIL IN FILMS ; SOCIETY AND THE CINEMA ; SOCIETY AND TV Summary: Collection of essays examining the way evil has been represented in both film and television.Notes: Includes bibliographical references and indexISBN: 9789042023246Language: EnglishContents: Introduction / Martin F. Norden -- The bite at the beginning : encoding evil through film title design / Matthew Soar -- Screening evil in history : Rope, Compulsion, Scarface, Richard III / Linda Bradley Salamon -- The radical monism of Alfred Hitchcock / Mike Frank -- Natural evil in the horror film : Alfred Hitchcock's The birds / Cynthia Freeland -- "The devil made me do it" : representing evil and disarticulating mind/body in the supernatural serial killer film / Matt Hills and Steven Jay Schneider -- Virtue, vice, and the Harry Potter universe / Thomas Hibbs -- Training day and The shield : evil cops and the taint of blackness / Robin R. Means Coleman and Jasmine Nicole Cobb -- The "uncanny" relationship of disability and evil in film and television / Martin F. Norden -- Comedy and the Holocaust in Roberto Benigni's Life Is beautiful/La vita e` bella / Carlo Celli -- On the void : the fascinating object of evil in Human remains / Garnet C. Butchart -- The perfidious president and "the beast" : evil in Oliver Stone's Nixon / John F. Stone -- Televising 9/11 and its aftermath : the framing of George W. Bush's faith-based politics of good and evil / Gary R. Edgerton, William B. Hart and Frances Hassencahl
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Interim
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Changing standards for Australian content on TV : Proceedings of a workshop hosted by Network Insight, the Australian Film Commission and Allens Arthur Robinson / Edited by Kirsten Harley St Leonards, N.S.W.: Network Insight, RMIT, 2002.
Call No: 205.36 CHAAuthor: Harley, Kirsten Source: ATPlace: St Leonards, N.S.W.Publisher: Network Insight, RMITPubDate: 2002PhysDes: v. 70p. : 30cm.Subject: TELEVISION. AUSTRALIA Notes: Workshop was held on 15th March 2002 in Sydney.ISBN: 0864592027
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Changing times at NIDA / Chris Puplick Strawberry Hills, N.S.W.: Currency House, October 2012.
Call No: 52[792] PUPAuthor: Puplick, Chris Place: Strawberry Hills, N.S.W.Publisher: Currency HousePubDate: October 2012PhysDes: 80 p. ; 21cmSeries: Platform papers ; no.33Subject: NATIONAL INSTITUTE OF DRAMATIC ART Notes: After 50 years of growth the National Institute of Dramatic Art (NIDA) has come to be recognised as the pre-eminent theatre training school in Australia and one of the finest theatre schools in the world. Its graduates have been the mainstay of our stage, film and TV industries, and in many ways constitute Australia’s most visible export. But in 2007 a new force with a different mission took command, determined to address perceived new challenges for the new century. -- publisher's web site
Includes reader's responses to previous Platform Papers.ISBN: 9780987211422ID2: 183
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Channels of discourse : television and contemporary criticism / edited by Robert C. Allen Chapel Hill: University of North Carolina Press, 1987.
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book
Chaplin : genesis of a clown / [by] Raoul Sobel and David Francis London New York: Quartet Books, 1977.
Call No: 81CHA SOBAuthor: Sobel, Raoul ; Francis, David, 1935- joint author Place: London New YorkPublisher: Quartet BooksPubDate: 1977PhysDes: 253 p. : ill., facsims., ports. ; 23 cmSubject: CHAPLIN, CHARLES Notes: Includes index; Bibliography: p. 223-227; Filmography: p. 229-242ISBN: 070432105X; 0704331349 (pbk.) : ª2.95LON: 80454946; 1235325
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Chaplin : his life and art / David Robinson London: Collins, 1985.
Call No: 81CHA ROBAuthor: Robinson, David, 1930 Place: LondonPublisher: CollinsPubDate: 1985PhysDes: 792 p., [80] p. of plates : ill., facsims., ports. ; 25 cmSubject: CHAPLIN, CHARLES Notes: Includes index; Filmography: p. 699-745; Bibliography: p. 778-782ISBN: 000216387X : ª15.00LON: bnb00216387; 3712863
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Chaplin / Denis Gifford London: Macmillan, 1974.
Call No: 81CHA GIFAuthor: Gifford, Denis Place: LondonPublisher: MacmillanPubDate: 1974PhysDes: 128 p. : ill. (some col.), facsims. (some col.), ports. ; 26 cmSubject: CHAPLIN, CHARLES Notes: Includes index; Bibliography: p. 126-127ISBN: 0333156528 : ª1.95LON: 74196642; 353811
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Interim
book
Chaplin : The dictator and the tramp / edited by Frank Scheide and Hooman Mehran London: British Film Institute, 2004.
Call No: 81CHA SCHAuthor: Scheide, Frank ; Mehran, Hooman CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2004PhysDes: 150 p. ; 23 cmSeries: ChaplinSubject: CHAPLIN, CHARLES ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) Summary: A collection of essays about Charles Chaplin (1899-1977) written by some of the world’s leading authorities on Chaplin and early film comedy. The primary focus of the volume is Chaplin’s 1940 film satire on Nazi Germany, The Great Dictator. This film has recently attracted intense interest during its wide international theatrical and DVD re-release. The Great Dictator is also the subject of a remarkable documentary, The Tramp and the Dictator, by the distinguished historian and film-maker Kevin Brownlow, who serves as adviser to this publication, and has made available research material and interviews gathered in the course of the production. [Taken from back cover]ISBN: 1844570371
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Chaplin / Denis Gifford London: Macmillan, 1974.
Author: Gifford, Denis Source: UKPlace: LondonPublisher: MacmillanPubDate: 1974PhysDes: 128 p ; 26 cmSeries: The Movie MakersISBN: 333156528Donation: donated by the family of Wayne Levy, 2006
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Levy Collection
book
Chaplin : His Life and His Art / David Robinson New York: McGraw-Hill, Inc., 1985.
Author: Robinson, David Source: USPlace: New YorkPublisher: McGraw-Hill, Inc.PubDate: 1985PhysDes: 792 p; 26 cmISBN: 00705318111Donation: donated by the family of Wayne Levy, 2006
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Yet to catalogue
book
Chaplin? [written in Hindi] / Cine Central, Calcutta Calcutta: 1989.
Call No: 81CHASource: IIPlace: CalcuttaPubDate: 1989PhysDes: ; 26 cmNotes: A program booklet dedicated to Chaplin, written entirely in Hindi. Therefore unable to read most of what is written (including title).Language: Hindi ?Donation: donated by the family of Wayne Levy, 2006
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book
Chapliniana : a commentary on Charlie Chaplin's 81 movies / Harry M. Geduld Bloomington IN: Indiana University Press, c1987.
Call No: 81CHA GEDAuthor: Geduld, Harry M. Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: c1987PhysDes: 293 p. ; 22 cmSubject: KEYSTONE ; CHAPLIN, CHARLES Notes: contents: v.1. The keystone films
copy signed
Includes bibliographies and index.ISBN: 0253313368Donation: donated by the family of Wayne Levy, 2006
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still
[Charles Blackman: dreams and shadows : stills file] / Corrie Ancone
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Levy Collection
book
Charles Bronson / David Downing London: W H Allen, 1984.
Author: Downing, David Source: UKPlace: LondonPublisher: W H AllenPubDate: 1984PhysDes: 18 cm ; 156 p.ISBN: 0352314486Donation: donated by the family of Wayne Levy, 2006
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journal article
Charles Chauvel : the last decade in Continuum (1987) vol.1 iss.1 p.26-46
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Yet to catalogue
book
Charles Dickens' Oliver Twist : an adaptation / by Russell Thorndike ; illustrated with scenes from the Cineguild Film Production London: Raphael Tuck, [1943?].
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book
Charles R. Bowers ou Le mariage du slapstick et de l'animation / Louise Beaudet, Raymond Borde Toulouse [France] Montreal: Cinematheque de Toulouse Cinematheque quebecoise, 1980.
Call No: 81BOW BEAAuthor: Beaudet, Louise ; Borde, Raymond CorpAuthor: Cinematheque de Toulouse; Cinematheque quebecoisePlace: Toulouse [France] MontrealPublisher: Cinematheque de Toulouse Cinematheque quebecoisePubDate: 1980PhysDes: 47 p. : ill. ; 28 cmSeries: Les Dossiers de la cinemathequeSubject: Bowers, Charley Notes: Bibliographie: p. 39; Filmographie: p. 45-47ISBN: $3,50LON: 80137870; 1970506
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book
Charlie Chaplin : a centenary celebation / edited by Peter Haining London: Foulsham, c1989.
Call No: 81CHA HAIAuthor: Haining, Peter Place: LondonPublisher: FoulshamPubDate: c1989PhysDes: 144 p. : ill., facsims., ports. ; 25 cmSubject: CHAPLIN, CHARLES ISBN: 0572013183
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book
Charlton Heston : the epic presence / Bruce Crowther London: Columbus Books, 1986.
Call No: 81HES CROAuthor: Crowther, Bruce, 1933 Source: UKPlace: LondonPublisher: Columbus BooksPubDate: 1986PhysDes: 192 p. : ill. ; 25 cmSubject: HESTON, CHARLTON ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; EL CID (US/IT, Anthony Mann, 1961) ; PLANET OF THE APES (US, Franklin J. Schaffner, 1967) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; SOYLENT GREEN (US, Richard Fleischer, 1973) Notes: Includes index; Bibliography: p. 178; Filmography: p. 179-190ISBN: 0862872871 (pbk.) : ª7.95LON: 4409901
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book
Chase through the night / by Max Fatchen ; illustrated by Graham Humphreys Sydney: Methuen Australia, 1976.
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book
The chaser annual / by Charles Firth, et al. Melbourne, Vic.: Text Publishing, 2001.
Call No: 79CHA FIRAuthor: Firth, Charles ; Knight, Dominic ; Morrow, Julian ; Reucassel, Craig ; Taylor, Chris Source: ATPlace: Melbourne, Vic.Publisher: Text PublishingPubDate: 2001PhysDes: 103 p. : ill. ; 28 cmSubject: COMEDIES ; COMEDIES. AUSTRALIA ; COMEDY PROGRAMMES. AUSTRALIA ; COMEDY PROGRAMMES ; COMEDY TV. AUSTRALIA ; COMEDY TV.AUSTRALIA ; CHASER'S WAR ON EVERYTHING, THE [TV] (AT, Mark FitzGerald, Bradley Howard, Craig Melville, 2006) ; CHASER, THE [TV], (AT, 2001-) Notes: Vols. for 2007- cataloged as a serial in LCISBN: 1877008060Contents: -- mandatory joke about John Hopoate -- series of lame fat gags dressed up as satirical piece on Kim Beazley -- weak patch where nothing really happens -- really obvious cheap shot at some dead celebrity -- slightly boring piece about US-Sino relations -- predictable joke about Big Brother -- contrived reference to obscure government agency, to indicate we follow politics -- predictable joke about Big Brother (rerprise) --
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newspaper article
Cheap shots in Saturday Age [Spectrum] (15/04/2017) p.15
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The cheeky monkey : writing narrative comedy / Tim Ferguson Strawberry Hills, NSW: Currency Press, 2010.
Call No: 224:732 FERAuthor: Ferguson, Tim Source: AUPlace: Strawberry Hills, NSWPublisher: Currency PressPubDate: 2010PhysDes: 217 pages ; 23 cmSubject: CHARACTERS ON TV ; COMEDY PROGRAMMES ; COMEDY TV. AUSTRALIA ; HUMOUR ON TV ; SCRIPTS ; SCRIPTWRITING ; SCRIPTWRITING. AUSTRALIA ; SCRIPTWRITING FOR TV ; SITUATION COMEDY ; FERGUSON, TIM Summary: "From one of Australia's most successful comedians comes 'The Cheeky Monkey', a practitioner's guide to the art of comedy writing. Both insightful and practical, 'The Cheeky Monkey' explains the principles of sitcom writing and guides the reader in how to apply them. Seeded with exercises to aid the developing comedy writer, this book will help you to: write jokes; create funny stories; build comic characters; develop a sitcom; sell your sitcom to producers and TV networks. It's comedy writing made simple. Well, simpler. Many of Tim Ferguson's techniques can also be applied to film, stage, stand-up or indeed any form of comedy. You'll make 'em laugh before you know it." - BOOK BLURBNotes: Includes writing exercises with sample answers included in the appendixISBN: 9780868198613Contents: -- introduction: the purpose and function of humour -- gag principles -- gag categories -- designing a sitcom -- designing ongoing characters -- creating an episode -- humour and story -- selling a sitcom -- conclusion -- appendix --
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Chemistry saves romantic scam flick in Canberra Times [Panorama] (07/03/2015) p.29
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Cherry orchard in Bulgarian films (1979) iss.4 p.17-18
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Chicago Joe and the Shopgirl / M. Gaynor Great Britain: New English Library, 1990.
Author: Gaynor, M. Place: Great BritainPublisher: New English LibraryPubDate: 1990PhysDes: 154 p. : 18 cmISBN: 0450534456Donation: donated by the family of Wayne Levy, 2006
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Un chien andalou : (Luis Bun~uel and Salvador Dali, 1929) / Elza Adamowicz London ; New York: I.B. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2010.
Call No: 79CHI ADAAuthor: Adamowicz, Elza Source: US/UKPlace: London ; New YorkPublisher: I.B. Tauris ; New York : Distributed in the USA by Palgrave MacmillanPubDate: 2010PhysDes: 109 p. : ill. ; 22 cmSeries: Cine´-files : the French film guidesSubject: SURREALISM AND THE CINEMA ; DALI, SALVADOR ; BUNUEL, LUIS ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Summary: "In 1929 Dali and Bunuel produced a seventeen-minute film, 'Un chien andalou'. On its first screening, Georges Bataille referred to it as 'that extraordinary film ... penetrating so deeply into horror', while Federico Garcia Lorca described it as 'a tiny little shit of a film'. Produced from a script said to be based on two dream images - a woman's eye slit by a razor, ants emerging from a hole in a man's hand - the film shocked audiences. It continues to fascinate, provoke, attract and alienate its viewers. Its eye-slitting sequence and use of dream like images have influenced filmmakers from Alfred Hitchcock to David Lynch.
Elza Adamowicz's lucid critical guide to this most enigmatic of works offers new approaches to the film, exploring how it can be seen both within and beyond the confines of Surrealism and reviewing its openness to so many readings and interpretations. She reassesses Dali and Bunuel's account of the film as a model of surrealist work and its reception by the surrealist group. She situates the film within the social and cultural contexts of the 1920s, including those of melodramatic film, Spanish culture, surrealist iconography and gender construction. She assesses the film's resistance to a single interpretation and explores the role of the viewer (detective or dreamer?)."-BOOK BLURBNotes: includes film credits; includes selected bibliographyISBN: 9781848850569Contents: -- introduction: it's dangerous to look inside -- Producing Un chien andalou : myths of origin. From scenario to screen : a close collaboration -- Premie`re and reception of Un chien andalou -- A surrealist film? -- Romantic melodrama or magic theatre? Classic film narrative subverted -- A cinema of attractions -- Psychoanalytic readings -- Symbols or material images? -- Contexts and intertexts : between Fanto^mas and the fairground. Spanish contexts -- Surrealist iconography -- A parody of 1920s' films -- Early cinema and fairground intertexts -- Destabilizing gender roles -- conclusion -- Appendix 1. Synopsis -- Appendix 2. Credits -- appendix 3. Selected bibliography --
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Child of paradise : Marcel Carne and the golden age of French cinema / Edward Baron Turk Cambridge, Mass.: London : Harvard University Press, 1989.
Call No: 81CAR TURAuthor: Turk, Edward Baron Place: Cambridge, Mass.Publisher: London : Harvard University PressPubDate: 1989PhysDes: x, 495 p. : ill., ports ; 24cmSubject: CARNE, MARCEL ; FRANCE Notes: Bibliography: p445-446. -Includes indexISBN: 0674114612 (pbk) : ª15.95; 0674114612LON: bnb67411461; 10257244
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Children and screen violence / Patricia Edgar St. Lucia, Qld.: University of Queensland Press, 1977.
Call No: 412-053.2 EDGAuthor: Edgar, Patricia, 1937 Place: St. Lucia, Qld.Publisher: University of Queensland PressPubDate: 1977PhysDes: ix, 275 p. : diagrs. ; 23 cmNotes: Young persons. Effects of violence in cinema films & television programmes. Reports, surveys (ANB/PRECIS SIN 0122564); Indexes; Bibliography: p. 265-270ISBN: 0702214035 : $11.50 AustLON: 1640079 1076115
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Children and screen violence / Patricia Edgar St Lucia, Qld: University of Queensland Press, 1977.
Author: Edgar, Patricia Source: ATPlace: St Lucia, QldPublisher: University of Queensland PressPubDate: 1977PhysDes: 20 cm ; 275 p.ISBN: 0702214035Donation: donated by the family of Wayne Levy, 2006
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Children in Australia / June Factor and Anne Summers Melbourne: Australian Children's Television Foundation, 1985.
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Children of fire mountain / Graeme Farmer and Roger Simpson London: Thames/Magnet, 1983.
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Children of Men / Dan Dinello Leighton Buzzard: Auteur,
Call No: 79 CHI DINAuthor: Dinello, Dan Edition: 2019Place: Leighton BuzzardPublisher: AuteurPhysDes: 132 pages : illustrated ; 20 cmSeries: ConstellationsSubject: CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006) Summary: A mirror of tomorrow, Alfonso Cuarón’s visionary Children of Men (2006) was released to good reviews and poor box office but is now regarded by many as a twenty-first-century masterpiece. Its propulsive story dramatizes a dystopian future when an infertile humanity hurtles toward extinction and an African refugee holds the key to its survival. Cuarón creates a documentary of the near future when Britain’s totalitarian government hunts down and cages refugees like animals as the world descends into violent chaos. In the midst of xenophobia and power abuses that have led to a permanent state of emergency, Children of Men inspires with a story of hope and political resistance. Dan Dinello explicates Children of Men’s politically progressive significance in the context of today’s rise of authoritarianism and white nationalism. Though topical at the time, the film now feels as if it’s been torn from today’s headlines. Examining the film from ideological, psychological, and philosophical perspectives, the book explores the film’s connection to post-9/11 apocalyptic narratives, its evolutionary twist to the nativity story, its warning about the rise of neofascism, and its visual uniqueness as science fiction, delving into the film’s gritty hyper-realistic style and the innovative filmic techniques developed by director Cuarón and his cinematographer, Emmanuel Lubezki. Dinello explores the film’s criticism of the pathologies of a reactionary politics that normalize discriminatory hierarchies and perpetuate vast differences in privilege. Children of Men prods us to imagine an egalitarian alternative with a narrative that urges emotional identification with rebels, outcasts, and racial and ethnic outsiders. -- publisher's web siteISBN: 9781999334024Donation: Senses of CinemaContents: Contents -- 1. Introduction: Clash of Civilizations -- 2. Children of Men in an Era of Apocalyptic Anxiety -- 3. Documenting the Future: Visual Design -- 4. Tyranny in the UK -- 5. The Resistance -- 6. Rise of a New World -- 7. Conclusion: State of Emergency -- Works Cited.
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Children of the revolution / Peter Duncan Sydney: Currency Press, 1996.
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Children of the revolution / Peter Duncan Sydney: Currency Press, 1996.
Author: Duncan, Peter Source: ATPlace: SydneyPublisher: Currency PressPubDate: 1996PhysDes: xii, 97 p. : ill. ; 22 cm.ISBN: 0868195030Donation: donated by the family of Wayne Levy, 2006
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Children's attendance at motion pictures / [by] Edgar Dale. The emotional responses of children to the motion picture situation [by] Wendell S. Dysinger and Christian A. Ruckmick New York: Arno Press, 1970.
Call No: 412-053.2 DALAuthor: Dale, Edgar, 1900 ; Dysinger, Wendell S. (Wendell Stuart), 1897- Emotional responses of children to the motion picture situation. 1970 ; Ruckmick, Christian A. (Christian Alban), 1886-1961. Emotional responses of children to the motion picture situation. 1970 Place: New YorkPublisher: Arno PressPubDate: 1970PhysDes: ix, 81, xiii, 122 p. illus. 23 cmNotes: Reprint of 2 works separately published in 1935 and 1933, respectively. The second work was originally presented as the authors' thesis, University of Iowa, 1933; Includes bibliographical referencesISBN: 0405016433LON: 250731
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Children's novels and the movies / edited by Douglas Street New York: F. Ungar Pub. Co., 1983.
Call No: 753.131-053.2 CHIAuthor: Street, Douglas Place: New YorkPublisher: F. Ungar Pub. Co.PubDate: 1983PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cmSeries: Ungar Film LibrarySubject: ADAPTATIONS ; CHILDREN AND THE CINEMA ; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951) ; ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972) ; CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973) ; CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968) ; FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973) ; HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977) ; HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977) ; ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964) ; KIDNAPPED (UK, Delbert Mann, 1971) ; KIM (US, Victor Saville, 1950) ; LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979) ; LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981) ; LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936) ; LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974) ; LITTLE WOMEN (US, George Cukor, 1933) ; LITTLE WOMEN (US, Mervyn LeRoy, 1948) ; PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940) ; PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969) ; PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969) ; RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970) ; SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949) ; SOUNDER (US, Martin Ritt, 1972) ; TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960) ; TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951) ; TREASURE ISLAND (US, Victor Fleming, 1934) ; TREASURE ISLAND (US, Byron Haskin, 1950) ; TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972) ; WATERSHIP DOWN (UK, Martin Rosen, 1978) ; WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURBNotes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95LON: 83014816; 2808775
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Children's television: an analysis of programming and advertising / Francis Earle Barcus with Rachel Wolkin New York: Praeger, 1977.
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Children's television, the case for regulation / by Patricia Edgar North Melbourne: Australian Children's Television Foundation, 1984.
Call No: 412-053.2(94) EDGAuthor: Edgar, Patricia, 1937 CorpAuthor: Australian Children's Television FoundationPlace: North MelbournePublisher: Australian Children's Television FoundationPubDate: 1984PhysDes: 33 p. ; 30 cmSubject: CHILDREN AND TV. AUSTRALIA Notes: Bibliography: p. 26-27ISBN: 0864210485 : price unknownLON: 3396423
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Chilean cinema / edited and introduced by Michael Chanan London: British Film Institute, 1976.
Call No: 71(83) CHAAuthor: Chanan, Michael Place: LondonPublisher: British Film InstitutePubDate: 1976PhysDes: [7], 102 p. ; 21 cmSubject: CHILE Notes: "Filmography": p. 97-99; Bibliography: p. 100-102ISBN: 0851700586 : ª0.75LON: 1031191
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Chilean cinema in the twenty-first century world / edited by Vania Barraza and Carl Fischer Detroit, Michigan: Wayne State University Press, 2020.
Call No: 11439Author: Barraza, Vania ; Fishcher, Carl Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2020PhysDes: xii,376 pages : ilustrated ; 23cmSeries: Contemporary approaches to film and mediaSubject: CHILE ; FESTIVALS ; HORROR FILMS ; POLITICS AND THE CINEMA Summary: Focusing on films from Chile since 2000 and bringing together scholars from South and North America, Chilean Cinema in the Twenty-First-Century World is the first English-language book since the 1970s to explore this small, yet significant, Latin American cinema. The volume questions the concept of "national cinemas" by examining how Chilean film dialogues with trends in genre-based, political, and art-house cinema around the world, while remaining true to local identities. Contributors place current Chilean cinema in a historical context and expand the debate concerning the artistic representation of recent political and economic transformations in contemporary Chile. Chilean Cinema in the Twenty-First-Century World opens up points of comparison between Chile and the ways in which other national cinemas are negotiating their place on the world stage.
The book is divided into five parts. "Mapping Theories of Chilean Cinema in the World" examines Chilean filmmakers at international film festivals, and political and affective shifts in the contemporary Chilean documentary. "On the Margins of Hollywood: Chilean Genre Flicks" explores on the emergence of Chilean horror cinema and the performance of martial arts in Chilean films. "Other Texts and Other Lands: Intermediality and Adaptation Beyond Chile(an Cinema)" covers the intermedial transfer from Chilean literature to transnational film and from music video to film. "Migrations of Gender and Genre" contrasts films depicting transgender people in Chile and beyond. "Politicized Intimacies, Transnational Affects: Debating (Post)memory and History" analyzes representations of Chile’s traumatic past in contemporary documentary and approaches mourning as a politicized act in postdictatorship cultural production.
Intended for scholars, students, and researchers of film and Latin American studies, Chilean Cinema in the Twenty-First-Century World evaluates an active and emergent film movement that has yet to receive sufficient attention in global cinema studies. -- publisher's web siteISBN: 9780814346822
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China forever : the Shaw Brothers and diasporic cinema / edited by Poshek Fu Urbana: University of Illinois, 2008.
Call No: 71(510) CHIAuthor: Fu, Poshek (editor) Source: USPlace: UrbanaPublisher: University of IllinoisPubDate: 2008PhysDes: 270 p. : ill., maps ; 23 cmSeries: Popular culture and politics in Asia PacificSubject: CITY OF SADNESS, A [ ; SHAW BROTHERS ; HISTORY AND THE CINEMA. CHINA Notes: Includes bibliographical references and index.; Includes filmography: (p. [255]-256)ISBN: 9780252075001Contents: Introduction: The Shaw Brothers diasporic cinema / Poshek Fu -- Shaw cinema enterprise and understanding cultural industries / Lily Kong -- Shaw's Cantonese productions and their interactions with contemporary local and Hollywood cinema / Law Kar -- Embracing glocalization and Hong Kong-made musical film / Siu Leung Li -- Three readings of Hong Kong nocturne / Paul G. Pickowicz -- The black-and-white Wenyi films of Shaws / Wong Ain-Ling -- Territorialization and the entertainment industry of the Shaw Brothers in Southeast Asia / Sai-shing Yung -- The Shaw Brothers' Malay films / Timothy P. Barnard -- Bridging the Pacific with Love eterne / Ramona Curry -- Black audiences, blaxploitation and kung fu films, and challenges to white celluloid masculinity / Sundiata Keita Cha-Jua -- Shaw Brothers cinema and the hip-hop imagination / Fanon Che Wilkins -- Reminiscences of the life of an actress in Shaw Brothers' movietown / Cheng Pei-pei ; translated by Jing Jing Chang and Jeff McClain.
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China is Near in Melbourne Film Bulletin (July 1968) iss.4 p.26
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China on screen : cinema and nation / Chris Berry New York: Columbia University Press, 2006.
Call No: 71(51) BERAuthor: Berry, Chris Place: New YorkPublisher: Columbia University PressPubDate: 2006PhysDes: xi, 313 p. ; 23 cmSeries: Film and CultureSubject: CITY OF SADNESS, A [ ; TAIWAN ; MASCULINITY IN FILMS ; FAMILY IN FILMS ; INDUSTRY, FILM. CHINA ; HISTORICAL FILMS. CHINA ; WOMEN IN FILMS. CHINA ; REALISM IN FILMS. CHINA ; OPERA IN FILMS ; LEE, ANG ; LINGYU, RUAN Summary: Explores Chinese cinema from its beginnings to the present day in relation to how China depicts its national identity.ISBN: 0231137079Contents: 1. Introduction: cinema and the national -- 2. Time and the National: History, Historiology, Haunting -- 3. Operatic Modes: Opera Film, Martial Arts, and Cultural Nationalism -- 4. Realist Modes: Melodrama, Modernity, and Home -- 5. How Should a Chinese Woman Look? Woman and Nation -- 6. How Should Chinese Men Act? Ordering the Nation -- 7. Where Do You Draw the Line? Ethnicity in Chinese Cinemas -- 8. The National in the Transnational
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China's screen [Peking, China: China's Screen Distributed by Guozi Shudian,
Call No: Rare books - held no.2-3 (1980); no.4 (1983)-no. 4 (1987)CorpAuthor: Chung-kuo yin mu. EnglishSource: CHPlace: [Peking, ChinaPublisher: China's Screen Distributed by Guozi ShudianPhysDes: v. : ill. (some col.) ; 32 cmNotes: Publisher: China Film Export and Import Corporation : Distributed by China International Book Trading Corporation, <1986-; Continued by: China Screen; Description based on: 1964, 1; title from coverISSN: 0577-893XFrequency: QuarterlyLON: sn 83010043; 2968131
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Chinatown : (US, Roman Polanski, 1974) / Michael Eaton London: British Film Institute, 1997.
Call No: 79CHI EATAuthor: Eaton, Michael Place: LondonPublisher: British Film InstitutePubDate: 1997PhysDes: 79 p. : ill. ; 19 cmSeries: BFI Film ClassicsSubject: CHINATOWN (US, Roman Polanski, 1974) ISBN: 0851705324Order Received: 1998LON: abn98020478; 13641323
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Chinese cinema : culture and politics since 1949 / Paul Clark Cambridge [Cambridgeshire] New York: Cambridge University Press, 1987.
Call No: 71(51) CLAAuthor: Clark, Paul, 1949 Place: Cambridge [Cambridgeshire] New YorkPublisher: Cambridge University PressPubDate: 1987PhysDes: vii, 243 p. : ill., ports. ; 24 cmSeries: Cambridge studies in filmSubject: CITY OF SADNESS, A [ ; POLITICS AND THE CINEMA. CHINA Notes: Includes index; Bibliography: p. 227-235ISBN: 0521326389LON: 5540259
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The Chinese Cinema book / edited by Song Hwee Lim and Julian Ward London: Palgrave Macmillan on behalf of the British Film Institute, 2011.
Call No: 71(51) CHIAuthor: Lim, Song Hwee (ed.) ; Ward, Julian (ed.) Source: UKPlace: LondonPublisher: Palgrave Macmillan on behalf of the British Film InstitutePubDate: 2011PhysDes: x, 218 p. : ill. ; 25 cmSubject: CITY OF SADNESS, A [ ; HISTORY AND THE CINEMA. CHINA ; HISTORY OF CINEMA. CHINA Summary: "The Chinese Cinema Book provides an essential guide to the cinemas of the People's Republic of China, Hong Kong, Taiwan and the Chinese diaspora, from early cinema to the present day. With contributions from leading international scholars, the book is structured around five thematic sections: Territories, Trajectories, Historiographies; Early Cinema to 1949; the Forgotten Period: 1949-80; The New Waves; and Stars, Auteurs and Genres.
This important collection addresses issues of film production and exhibition and places Chinese cinema in its national and transnational contexts. Individual chapters examine major film movements such as the Shanghai cinema of the 1930s, Fifth Generation film-makers and the Hong Kong New Wave, as well as key issues such as stars and auteurs. The book will be an invaluable resource for students and scholars, as well as for anyone wanting to deepen their understanding of the Cinemas of Greater China." -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references and index; Includes filmographyISBN: 9781844573448Contents: -- Introduction: the Coming of Age of Chinese Cinemas Studies / Song Hwee Lim and Julian Ward -- Territories, Trajectories, Historiographies. Transnational Chinese Cinema Studies / Chris Berry -- National Cinema as Translocal Practice: Reflections on Chinese Film Historiography / Yingjin Zhang -- Cinemas of the Chinese Diaspora / Gina Marchetti -- Six Chinese Cinemas in Search of a Historiography / Song Hwee Lim -- Early Cinema to 1949. Shadow Magic and the Early History of Film Exhibition in China / Xuelei Huang and Zhiwei Xiao -- The Making of a National Cinema: Shanghai Films of the 1930s / Laikwan Pang -- Wartime Cinema: Reconfiguration and Border Navigation / Yiman Wang -- Chinese Film-making on the Eve of the Communist Revolution / Paul G. Pickowicz -- The Forgotten Period: 1949-80. The Remodelling of a National Cinema: Chinese Films of the 17 Years (1949-66) / Julian Ward -- Healthy Realism in Taiwan, 1964-80: Film Style, Cultural Policies, and Mandarin Cinema / Guo-Juin Hong -- The Hong Kong Cantonese Cinema: Emergence, Development and Decline / Stephen Teo -- The New Waves. The Fifth Generation: a Re-assessment / Wendy Larson -- Taiwan New Cinema and Its Legacy / Tonglin Lu -- The Hong Kong New Wave: A Critical Reappraisal / Vivian P. Y. Lee -- Stars, Auteurs and Genres. Dragons Forever: Chinese Martial Arts Stars / Leon Hunt -- The Contemporary Wuxia Revival: Genre Remaking and the Hollywood Transnational Factor / Kenneth Chan -- On the Shoulders of Giants: Tsai Ming-liang, Jia Zhangke, Fruit Chan and the Struggles of Second Generation Auteurism / James Udden -- The Urban Generation: Underground and Independent Films from the PRC / Jason McGrath -- Contemporary Mainstream PRC Cinema / Yomi Braester -- Contemporary Meta Chinese Film Stardom and Transnational Transmedia Celebrity / Anne Ciecko -- Afterword: Liquidity of Being / Rey Chow -- appendix 1: book-length studies of Chinese Cinema in the English language / Wan-Jui Wang, Louise Williams and Song Hwee Lim -- appendix 2: Chinese names / Zou Yijie -- index --
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Chinese connections : critical perspectives on film, identity, and diaspora / edited by Tan See-Kam, Peter X Feng, and Gina Marchetti Philadelphia: Temple University Press, 2009.
Call No: 71(51) CHISource: USPlace: PhiladelphiaPublisher: Temple University PressPubDate: 2009PhysDes: vii, 311 p. : ill. ; 23 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ISBN: 9781592132683Donation: donated by Senses of Cinema, 2012Contents: False consciousness and double consciousness: race, virtual reality, and the assimilation of Hong Kong action cinema in The matrix / Peter X. Feng -- The par-Asian cinematic imaginary in Olivier Assayas's Irma Vep / Grace An -- The HK venture: the Francophone cine-logocentric nexus / Aaron Han Joon Magnan-Park -- Wong Fei-Hung in da house: Hong Kong martial-arts films and hip-hop culture / Frances Gateward -- Same difference: racial masculinity in Hong Kong and cop-buddy "hybrids" / Gayle Wald -- American popular music and neocolonialism in the films of Edward Yang / Emilie Yueh-yu Yeh -- Hollywood and Taiwan: connections, countercurrents, and Ang Lee's Hulk / Gina Marchetti -- Becoming Hollywood? Hong Kong cinema in the new century / Chuck Kleinhans -- "From behind the wall": the representation of gender and sexuality in modern Chinese film / Zhou Xuelin -- Beyond the western gaze: Orientalism, feminism, and the suffering woman in nontransnational Chinese cinema / Andrew Grossman -- Disappearing faces: bisexuality and transvestism in two Hong Kong comedies / Helen Hok-Sze Leung -- Staging gay life in China: Zhang Yuan and East palace, west palace / Chris Berry -- Whose fatal ways: mapping the boundary and consuming the other in border crossing films / Li-Mei Chang -- Asian martial-arts cinema, dance, and the cultural languages of gender / Aaron D. Anderson -- Singapore as a society of strangers: Eric Khoo's Mee pok man, 12 storeys, and Be with me / Tan See-Kam -- Chinese cinema revisits the city: Beijing trilogy and global urbanism of the 1990s / Jenny Kwok-Wah Lau -- Taiwan fever? Tsai Ming-Liang and the everyday postnation / Peter Hitchcock -- The spirits of capital and haunting sounds: translocal historicism in victim (1999) / Esther C.M. Yau -- Zhang Yimou's hero: the temptations of fascism / Evans Chan
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Chinese film : the state of the art in the People's Republic / edited by George Stephen Semsel New York: Praeger, 1987.
Call No: 71(51) CHICopy Management: Copy 1; Copy 2Author: Semsel, George Stephen Place: New YorkPublisher: PraegerPubDate: 1987PhysDes: xvii, 191 p. : ill. ; 25 cmSubject: CITY OF SADNESS, A [ Notes: Includes index; Bibliography: p. 185-186ISBN: 0275926443 (alk. paper) : $34.85 (est.)LON: 5245059
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Chinese films in focus : 25 new takes / Chris Berry ed. London: British Film Institute, 2003.
Call No: 71(51) CHIAuthor: Berry, Chris CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2003PhysDes: viii, 216 p.. ill.. 24 cm.Subject: CITY OF SADNESS, A [ ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; BULLET IN THE HEAD, A (CN, Attila Bertalan, 1990) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: "As Chinese films have stormed the international cinema, they have stimulated a wide range of vigorous debate and insightful scholarship. 'Chinese Films in Focus: 25 New Takes' consists of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and other parts of the diaspora are all included and historical coverage ranges from the 1930s to the present." [Taken from the back cover]Notes: Includes bibliographical references and indexISBN: 0851709869. v. pbk.ID2: 150
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Chinese films in focus II / editged by Chris Berry Basingstoke [England] ; New York: British Film Institute/Palgrave Macmillan, 2008.
Call No: 71(51) CHIAuthor: Berry, Chris Edition: Second EditionSource: UKPlace: Basingstoke [England] ; New YorkPublisher: British Film Institute/Palgrave MacmillanPubDate: 2008PhysDes: 287 pages : illustrations ; 24 cmSubject: CITY OF SADNESS, A [ ; TAIWAN ; CULTURE AND THE CINEMA. CHINA ; [FIFTEEN] 15 (SI, Royston Tan, 2003) ; BIG SHOT'S FUNERAL (HK/CC, Feng Xiaogang, 2002) ; DA WAN (HK/CC, Feng Xiaogang, 2002) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; MANG JING (CC/G/HK, Yang Li, 2003) ; BLIND SHAFT [MANG JING] (CC/GG/HK, Li Yang, 2003) ; BOAT PEOPLE (HK, Ann Hui, 1982) ; TOU-PEN NU-HAI (HK, Ann Hui, 1982) ; CENTER STAGE (HK, Stanley Kwan, 1991) ; RUAN LINGYU (HK, Stanley Kwan, 1991) ; CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987) ; SINNUI YAUMAN (HK, Ching Siu Tung, 1987) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) ; ERMO (HK/CC, Zhou Xiaowen, 1994) ; FAREWELL MY CONCUBINE (HK, Chen Kaige, 1993) ; GODDESS, THE (C, Yonggang Wu, 1934) ; HERO (HK/C, Yimou Zhang, 2002) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YELLOW EARTH (CC, Chen Kaige, 1985) ; WAN ZHONG (CC, Wu Ziniu, 1989) ; FLOATING LIFE (AT, Clara Law, 1996) ; HIBISCUS TOWN [FU RONG ZHEN] (CC, Xie Jin, 1987) ; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000) ; YI GE DOU BU NENG SHAO (C, Zhang Yimou, 1999) ; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986) ; HSIA NU (TZ, King Hu [pseud. of Hu Chin-Chuan], 1969) ; AIQING WANSUI (TZ, Tsai Ming-Liang, 1994) ; HSI YEN (TZ, Ang Lee, 1993) ; HUANG TUDI (CC, Chen Kaige, 1985) ; YI YI (JA/TZ, Edward Yang, 2000) Summary: "Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger, Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focu: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present." -- BOOK BLURBNotes: Includes list of illustrations and index -- includes lists of Chinese names and Chinese film titlesISBN: 9781844572373Contents: Notes on contributors -- Introduction: one film at a time - again / Chris Berry -- 15: The Singapore failure story, 'slanged up' / Song Hwee Lim -- Big Shot's Funeral: Performing a post-modern cinema of attractions / Yingjin Zhang -- Black Cannon Incident: Countering the counter-espionage fantasy / Jason McGrath -- Blind Shaft: Performing the 'underground' on and beyond the screen / Jonathan Noble -- Boat People: Second thoughts on text and context / Julian Springer -- Centre Stage: A shadow in reverse / Berenice Reynaud -- A Chinese Ghost Story: Ghostly counsel and innocent man / John Zou -- Chungking Express: Time and its displacements / Janice Tong -- Crouching Tiger, Hidden Dragon: Cultural migrancy and translatability / Felicia Chan -- Crows and Sparrows: Allegory on a historical threshold / Yiman Wang -- Durian Durian: Defamiliarisation of the 'real' / Esther M. K. Cheung -- Ermo: (Tele)visualising urban/rural transformation / Ping Fu -- Farewell My Concubine: National myth and city memories / Yomi Braester -- Flowers of Shanghai: Visualising ellipses and (colonial) absence / Gary G. Xu -- Formula 17: Mainstream in the margins / Brian Hu -- The Goddess: Fallen woman of Shanghai / Kristine Harris -- Hero: The return of a traditional masculine ideal in China / Kam Louie -- In the Mood for Love: Intersections of Hong Kong modernity / Audrey Yue -- Kekexili: Mountain Patrol: Moral dilemma and a man with a camera / Shuqin Cui -- The Love Eterne: Almost a (heterosexual) love story / Tan See-Kam and Annette Aw -- Not One Less: The fable of a migration / Rey Chow -- The Personals: Backwards glances, knowing looks and the voyuer film / Margaret Hillenbrand -- PTU: Re-mapping the cosmopolitan crime zone / Vivian Lee -- The Red Detachment of Women: Resenting, regendering, remembering / Robert Chi -- Riding Alone for Thousands of Miles: Redeeming the father by way of Japan? / Faye Hui Xiao -- Spring in a Small Town: Gazing at Ruins / Carolyn FitzGerald -- A Time to Live, A Time to Die: A time to grow / Corrado Neri -- A Touch of Zen: Action in martial arts movies / Mary Farquhar -- Vive L'Amour: Eloquent Emptiness / Fran Martin -- Wedding Banquet: A family (melodrama) affair / Chris Berry -- Woman, Demon, Human: The spectral journey home / Haiyan Lee -- Xiao Wu: Watching time go by / Chris Berry -- Yellow Earth: Hesitant apprenticeship and bitter agency / Helen Hok-sze Leung -- Yi Yi: Reflections on modernity in Taiwan / David Leiwei Li
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journal article
Le choix des armes in Unifrance Film (1981) vol.4 p.7-8
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book
Chopper : the screenplay / by Andrew Dominik Strawberry Hills, N.S.W.: Currency Press, 2001.
Call No: 79CHO DOMAuthor: Dominik, Andrew Source: ATPlace: Strawberry Hills, N.S.W.Publisher: Currency PressPubDate: 2001PhysDes: xi, 88 p. : ill., ports. ; 21 cmSubject: CHOPPER (AT, Andrew Dominik, 2000) ISBN: 0868196428 : $19.95; 0868196428; 0868196428LON: 22215790 22215790
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script
Chopper : script, revised draft AT: 1998 Jan. 22.
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book
Christian Metz and the reality of film / George Agis Cozyris New York: Arno Press, 1980.
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book
Christmas at the movies : images of Christmas in American, British and European cinema / edited by Mark Connelly London ; New York: I.B. Tauris, 2000.
Call No: 743 CONPlace: London ; New YorkPublisher: I.B. TaurisPubDate: 2000PhysDes: 242 p. : ill. ; 24 cm.Subject: CHRISTMAS IN FILMS ; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939) ; SCROOGE (UK, Henry Edwards, 1935) ; CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938) ; SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951) ; SCROOGE (UK, Ronald Neame, 1970) ; CHRISTMAS CAROL, A (UK, Clive Donner, 1984) ; SCROOGED (US, Richard Donner, 1988) ; MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941) ; HOLIDAY INN (US, Mark Sandrich, 1942) ; CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941) ; TURKEY TIME (UK, Tom Walls, 1933) ; HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953) ; CHEATERS, THE (US, Joe Kane, 1945) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; MIRACLE ON 34TH STREET (US, George Seaton, 1947) ; SANTA CLAUSE, THE (US, John Pasquin, 1994) ; ERNEST SAVES CHRISTMAS (US, John Cherry, 1988) ; SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985) ; GREMLINS (US, Joe Dante, 1984) ; SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984) ; SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987) ; TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993) ; CHRISTMAS STORY, A (US, Bob Clark, 1983) ; LETHAL WEAPON (US, Richard Donner, 1987) ; DIE HARD (US, John McTiernan, 1988) ; DIE HARD 2 (US, Renny Harlin, 1990) ; HOME ALONE (US, Chris Columbus, 1990) ; HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992) ; LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996) ; JINGLE ALL THE WAY (US, Brian Levant, 1996) ; MERLUSSE (FR, Marcel Pagnol, 1935) ; CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988) ; ELISA (FR, Jean Becker, 1994) ; KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956) ; IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975) ; PLACIDO (SP, Luis Garcia Berlanga, 1961) Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.Notes: Includes bibliographical references and indexes.
Filmography: p. ([223]-232)ISBN: 1860643973Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans
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book
A Christmas carol : being a ghost story of Christmas / by Charles Dickens wih 4 plates in colour and 60 illustrations from the Renown Pictures' film "Scrooge" London: Ward Lock, [192-?].
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book
Christmas in July : the life and art of Preston Sturges / Diane Jacobs Berkeley: University of California Press, 1992.
Call No: 81STU JACAuthor: Jacobs, Diane Place: BerkeleyPublisher: University of California PressPubDate: 1992PhysDes: xiv, 525 p. : ill. ; 24 cmSubject: STURGES, PRESTON Notes: Includes bibliographical references (p. [509]-511) and indexISBN: 0520079264 (alk. paper)LON: 92019690; 9079797
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newspaper article
Christmas stockings very empty for the arts, with $52m more cut in Crikey.com.au (16/12/2015) p.-
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book
Christophe Honore : A critical introduction / David A. Gerstner and Julien Nahmias Detroit, Michigan: Wayne State University Press, 2015.
Call No: 81 HON GERAuthor: Gerstner, David A. ; Nahmias, Julien Edition: 2015Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2015PhysDes: 256, xiv p. ; illus. ; 23 cmSeries: Contemporary approaches to film and media seriesSubject: HONORE, CHRISTOPHE ; DANS PARIS (FR, Christophe Honore, 2006) ; CHANSONS D'AMOUR (FR, Christophe Honore, 2007) ; BELLE PERSONNE, LA (FR, Christophe Honore, 2008) Summary: French filmmaker Christophe Honoré challenges audiences with complex cinematic form, intricate narrative structures, and aesthetically dynamic filmmaking. But the limited release of his films outside of Europe has left him largely unknown to U.S. audiences. In Christophe Honoré: A Critical Introduction, authors David A. Gerstner and Julien Nahmias invite English-speaking scholars and cinéastes to explore Honoré’s three most recognized films, Dans Paris (2006), Les Chansons d’amour (2007), and La Belle personne (2008)—"the trilogy." Gerstner and Nahmias analyze Honoré’s filmmaking as the work of a queer auteur whose cinematic engagement with questions of family, death, and sexual desire represent new ground for queer theory.
Considering each of the trilogy films in turn, the authors take a close look at Honoré’s cinematic technique and how it engages with France’s contemporary cultural landscape. With careful attention to the complexity of Honoré’s work, they consider critically contested issues such as the filmmaker’s cinematic strategies for addressing AIDS, the depth of his LGBTQ politics, his representations of death and sexual desire, and the connections between his films and the New Wave. Anchored by a comprehensive interview with the director, the authors incorporate classical and contemporary film theories to offer a range of cinematic interventions for thinking queerly about the noted film author.
Christophe Honoré: A Critical Introduction reconceptualizes the relationship between film theory and queer theory by moving beyond predominant literary and linguistic models, focusing instead on cinematic technique. Students and teachers of queer film will appreciate this thought-provoking volume. -- publisher's web siteISBN: 9780814338636
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Christopher Nolan : A critical study of the films / Darren Mooney Jefferson, North Carolina: McFarland & Company Inc., Publishers, 2018.
Call No: 81 NOL MOOAuthor: Mooney, Darren Place: Jefferson, North CarolinaPublisher: McFarland & Company Inc., PublishersPubDate: 2018PhysDes: v, 212 pages ; 26 cm.Subject: NOLAN, CHRISTOPHER ; FOLLOWING (UK, Christopher Nolan, 1998) ; MEMENTO (US, Christopher Nolan, 2000) ; INSOMNIA (US, Christopher Nolan, 2002) ; BATMAN BEGINS (US, Christopher Nolan, 2005) ; PRESTIGE, THE (US/UK, Christopher Nolan, 2006) ; DARK KNIGHT, THE (US, Christopher Nolan, 2008) ; INCEPTION (US, Christopher Nolan, 2010) ; DARK KNIGHT RISES, THE (US/UK, Christopher Nolan, 2012) ; INTERSTELLAR (US, Christopher Nolan, 2014) ; DUNKIRK (UK/NE/FR/US, Christopher Nolan, 2017) Summary: "Christopher Nolan is one of the defining directors of the 21st century. His films have a rare ability to transcend audience expectations, ranging from gritty crime thrillers to spectacular blockbusters. They push the boundaries of possibility. This critical history covers his complete filmography, tracing his career from film student to indie darling to Oscar-nominated auteur"Notes: Includes bibliographical references and indexISBN: 9781476674803Contents: Following -- Memento -- Insomnia -- Batman Begins -- The Rrestige -- The Dark Knight -- Inception -- The Dark Knight Rises -- Interstellar -- Dunkirk
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Chroma : a book of colour - June '93 / Derek Jarman London: Century, 1994.
Call No: 81JAR JARAuthor: Jarman, Derek, 1942 Place: LondonPublisher: CenturyPubDate: 1994PhysDes: 151 p. ; 23cmISBN: 0712657541 : ª15.99 : Formerly CIPLON: bnb71265754; 10554136
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journal article
Cienfuites : Cinematons, de Gerard Courant in Vertigo (1991) iss.6/7 p.143-145
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CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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journal article
Cimino in Films Illustrated (August 1981) vol.10 iss.119 p.26-33
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music lp
Cinderella. Hansel and Gretel [sound recording] / story adapted by Richard Holland, background music by Billy Mure, produced and directed by Danny Davis and Jack Grimes Dee Why West, NSW, Australia: MGM Records: Distributed by Summit Records,
Call No: LP Cinderella. Hansel and GretelAuthor: Davis, Danny ; Grimes, Jack ; Holland, Richard CorpAuthor: MGM RecordsSource: ATPlace: Dee Why West, NSW, AustraliaPublisher: MGM Records: Distributed by Summit RecordsPhysDes: 1 sound disc (34 min) : analog, 33 1/3 rpm. ; 12 inSubject: CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950) Notes: At head of title on slipcase: Metro-Goldwyn-Mayer presents a full cast version; This is an audiobook on LPContents: -- side 1 -- Cinderella -- side two -- Hansel and Gretel --Performer: Sybil Trent (Cindarella and Gretel); Rita Lloyd (stepmother); Evelyn Juster (Yatata); Betty Jane Tyker (Yetata); Gwen Davies (Fairy Godmother and the witch); Jackson Beck (The Prince and narrator); Jack Grimes (Narrator and Hansel); Richard Holland (Father); Billy Mure (background music)Music Type: Motion Picture MusicPublisher Number: Flair: FL 2006
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book
Cine Australiano / Debi Enker, Graham Shirley, Scott Murray ; traduccion Denise O'Keeffe Valladolid : Semana Internacional de Cine, 1996:
Call No: 71(94) CINAuthor: Enker, Debi Place: Valladolid : Semana Internacional de Cine, 1996PhysDes: 213 p. ; 24 cmISBN: 8487737161LON: abn98270712; 14065548
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The Cineaste interviews : on the art and politics of the cinema / Dan Georgakas, Lenny Rubenstein Chicago: Lake View Press, c1983.
Call No: 45:32 CINAuthor: Georgakas, Dan ; Rubenstein, Lenny CorpAuthor: CineasteSource: USPlace: ChicagoPublisher: Lake View PressPubDate: c1983PhysDes: xiv, 396 p., [8] p. of plates : ill. ; 23 cmSubject: BERTOLUCCI, BERNARDO ; CANBY, VINCENT ; COSTA-GAVRAS, CONSTANTIN ; CRITICISM ; FASSBINDER, RAINER WERNER ; FEMINISM AND THE CINEMA ; FONDA, JANE ; GUTIERREZ ALEA, TOMAS ; LITTIN, MIGUEL ; MAKAVEJEV, DUSAN ; PARKS, GORDON ; PETRI, ELIO ; POLITICS AND THE CINEMA ; PONTECORVO, GILLO ; Ray, Satyajit ; ROCHA, GLAUBER ; ROSI, FRANCESCO ; ROSSELLINI, ROBERTO ; SARRIS, ANDREW ; SAYLES, JOHN ; SCHRADER, PAUL ; SCRIPTWRITERS ; SEMBENE, OUSMANE ; TAVERNIER, BERTRAND ; WERTMULLER, LINA ; Writers Guild of America ; VARDA, AGNES ; WAJDA, ANDRZEJ ; ZANUSSI, KRZYSZTOF Notes: Includes bibliographical references and indexISBN: 0941702022 : $25.00LON: 2921398
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serial
Cineaste : journal of the University of Queensland Film Group St Lucia, Qld: The Group,
Call No: held 1968 - 1971 incompleteCorpAuthor: University of Queensland Film Group; Cineaste (St Lucia, Qld)Source: ATPlace: St Lucia, QldPublisher: The GroupPhysDes: vNotes: Description based on: June 1970LON: abn89003865; 6157660
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serial
Cinefantastique [Oak Park, Ill.: F. S. Clarke],
Call No: held v.1, no.2- winter 1971- incompleteAuthor: Clarke, Frederick S Source: USPlace: [Oak Park, Ill.Publisher: F. S. Clarke]PhysDes: v. ill. 28 cmSummary: Produced in Chicago from 1970, Cinefantastique differentiated itself from other dedicated genre magazines through a more scholarly approach to speculative fiction films, publication of high-quality colour stills, and its lack of advertising “padding”. Publisher and editor Frederick S. Clarke would feature extensive “retrospective” reviews of older films, and massive “making-of” double issues.
After Clarke’s death in 2000, the magazine changed hands and formats before ceasing print publication in 2006.ISSN: 0145-6032Missing Issues: Vol. 30 No.9 - Vol.31, No.3 (no longer available from publisher)Order Notes: CurrentFrequency: Bimonthly, Oct. 1990; Formerly: Five issues yearly, LON: 72622297; 2985720
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serial
Cineforum [Venezia: Federazione italiana cineforum], Available at ProQuest (RMIT login required)
Call No: held no.35-no.191 May 1964-Jan/Feb 1980 incomplete; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Federazione italiana cineforumSource: ITPlace: [VeneziaPublisher: Federazione italiana cineforum]PhysDes: v. : ill. ; 22 cmNotes: "Revista mensile di cultura cinematografica."ISSN: 0009-7039LON: 72621349; 2640910URL status: URL: 'https://search-proquest-com.ezproxy.lib.rmit.edu.au/screenstudies/publication/27455/citation/815DD8C082704036PQ/18?accountid=13552'
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Interim
book
Cinegate film catalogue UK.
Call No: REFERENCE SECTION; 027(41) CINEGATECorpAuthor: CinegatePubDate: UKSubject: DISTRIBUTORS Notes: catalogue pamphlet
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book
Cineguild's great expectations : the book of the film / based on the novel by Charles Dickens London: World Film Publications, 1946.
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book
Cineliteracy : film amongst the arts / Charles Eidsvik New York: Horizon Press, 1978.
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serial
Cinema Paris: Federation francais des cine-clubs,
Call No: held no.77-no.483 June 1963-Dec. 1992 incompleteCorpAuthor: Cinéma (Paris, France : 1954)Source: FRPlace: ParisPublisher: Federation francais des cine-clubsPhysDes: v. : ill. ; 18-39 cmNotes: Title from captionISSN: 0045-6926Language: FrenchFrequency: Monthly, Dec. 1996; Formerly: Frequency varies, 1954-1996LON: abn83125077; 2835015
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Cinema : Cinema. English / Gilles Deleuze ; translated by Hugh Tomlinson and Barbara Habberjam Minneapolis: University of Minnesota, 1986-c1989.
Call No: 62 DELAuthor: Deleuze, Gilles Place: MinneapolisPublisher: University of MinnesotaPubDate: 1986-c1989PhysDes: 2 v. ; 23 cmSubject: SYMBOLISM IN FILMS ; THEORY ; MONTAGE ; IMAGE ANALYSIS Notes: Translation of: Cinema; Vol. 2 translated by Hugh Tomlinson and Robert Galeta; Includes bibliographies and indexesISBN: 0816616760 (v. 2); 0816616779 (pbk. ; v. 2); 0816613990 (v. 1) : $29.50; 0816614008 (pbk. : v. 1) : $13.95LON: 85028898; 4390071ID2: 343URL status: URL: 'http://-'
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book
The cinema : 1951 / edited by Roger Manvell ; associate editor R.K. Neilson Baxter Harmondsworth, Middlesex: Penguin Books, 1951.
Call No: 67(04) CINAuthor: Manvell, Roger, 1909 ; Gillett, John ; Baxter, R. K. Neilson Place: Harmondsworth, MiddlesexPublisher: Penguin BooksPubDate: 1951PhysDes: 224 p. : ill. ; 17 cmNotes: "The second issue of an annual publication which takes the place of the Penguin film review"--Cover; Includes index of film titles, and index of names; Includes list of foreign feature films, compiled by John GillettLON: 2718939
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book
Le cinema : des origines a nos jours / preface par Henri Fescourt Paris: Aux Editions du Cygne, [1932].
Call No: 70 CINAuthor: Fescourt, Henri, 1886 Place: ParisPublisher: Aux Editions du CygnePubDate: [1932]PhysDes: 366 p., [16] leaves of plates : ill., ports. ; 29 cmSubject: HISTORY OF CINEMA LON: 3018521 1757319
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Old collection
book
The cinema : a British tribute to Sam Eckman London: Cinema Press, 1952.
Call No: 81ECK CINCorpAuthor: Cinema PressSource: UKPlace: LondonPublisher: Cinema PressPubDate: 1952PhysDes: 126p. : ill. ; 29cmSubject: Metro-Goldwyn-Mayer
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book
The cinema : a tribute to Sam Harris London: Cinema Press, [1953].
Call No: 81HAR TRICorpAuthor: Cinema PressSource: UKPlace: LondonPublisher: Cinema PressPubDate: [1953]PhysDes: 101p. ; 28cmLanguage: English
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Cinema 2 : The time-image / Gilles Deleuze / translated by Hugh Tomlinson and Robbert Galeta London: The Athlone Press, 1989.
Call No: 62 DELAuthor: Deleuze, Gilles ; Tomlinson, Hugh ; Galeta, Robert Source: UKPlace: LondonPublisher: The Athlone PressPubDate: 1989PhysDes: xviii, 344 pages : illustrations ; 21 cm.Series: Cinema ; v. 2Subject: SYMBOLISM IN FILMS ; THEORY ; MONTAGE ; IMAGE ANALYSIS Summary: "Cinema II continues the reassessment of cinema begun in Deleuze's 'Cinema I: the movement image'. Each volume can be read on its own as dealing with a separate aspect of cinema: classical and modern, pre- and post-war, movement and time.
In this second volume Deleuze is concerned with the representation of time in film and with the cinematic treatment of memory, thought and speech. Drawing on the philosophy of Henri Bergson, Deleuze provides a theoretical framework within which he analyses and classifies the time-image and traces the history of its emergence, focusing on the cinema of post-war neo-realism." -- BOOK BLURBNotes: (originally in French 'Cinema 2, L'Image-Temps,' 1985); Preface to the English edition; Translators intoductoin; Notes; Glossary; IndexISBN: 0485120704Language: EnglishDonation: Adrian MilesContents: 1. Beyond the Movement-Image -- 2. Recapitulation of Images and Signs -- 3. From Recollections to Dreams: Third Commentary on Bergson -- 4. The Crystals of Time -- 5. Peaks of Present and Sheets of Past: Fourth Commentary on Bergson -- 6. The Powers of the False -- 7. Thought and Cinema -- 8. Cinema, Body and Brain,Thought -- 9. The Components of the Image -- 10. Conclusions.ID2: 343
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The Cinema 1950 / edited by Roger Manvell ; in collaboration with R.K.Neilson-Baxter and H.H.Wollenberg Harmondsworth, Middlesex: Penguin, 1950.
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Levy Collection
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The cinema 1950 / edited by Roger Manvell ; in collaboration with R.K.Neilson-Baxter and H.H.Wollenberg Harmondsworth, Middlesex: Penguin, 1950.
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The cinema 1951 / edited by Roger Manvell ; associate editor R.K. Neilson Baxter Harmondsworth, Middlesex: Penguin, 1951.
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The Cinema 1952 / edited by Roger Manvell ; associate editor R.K. Neilson Baxter Harmondsworth, Middlesex: Penguin, 1952.
Call No: 67(04) CINAuthor: Manvell, Roger, 1909 ; Baxter, R. K. Neilson Place: Harmondsworth, MiddlesexPublisher: PenguinPubDate: 1952PhysDes: 224 p., [60] p. of plates : ill., ports. ; 18 cmNotes: Includes indexesLON: 2718938
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Levy Collection
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The cinema 1952 / edited by Roger Manvell ; associate editor R.K. Neilson Baxter Harmondsworth, Middlesex: Penguin, 1952.
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Online resource
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Cinema against spectacle : technique and ideology revisited / by Jean-Louis Comolli; translated and edited by Daniel Fairfax Amsterdam: Amsterdam University Press, 2015. Available at OAPEN (open access)
Call No: 62(081) COMAuthor: Comolli, Jean-Louis Place: AmsterdamPublisher: Amsterdam University PressPubDate: 2015PhysDes: 345 pages : illustrations ; 24 cm.Series: Film theory in media historySubject: COMOLLI, JEAN-LOUIS ; BAZIN, ANDRE ; EISENSTEIN, SERGEI M. ; GODARD, JEAN-LUC ; GRIFFITH, DAVID WARK ; LUMIERE, AUGUSTE & LOUIS ; MITRY, JEAN ; STRAUB, JEAN-MARIE ; VERTOV, DZIGA ; WELLES, ORSON Notes: Includes bibliographical references and index.ISBN: 9789089645548Contents: Cinema against Spectacle -- I.Opening the Window? -- II.Inventing the Cinema? -- III.Filming the Disaster? -- IV.Cutting the Figure? -- V.Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- I.On a Dual Origin, The ideological place of the "base apparatus", Birth = deferral: The invention of the cinema -- II.Depth of Field: The Double Scene, Bazin's "surplus realism", The work of "transparency", For a materialist history of the cinema, "For the first time..." -- III."Primitive" Depth of Field -- IV.Effacement of Depth/ Advent of Speech -- V.Which Speech?.
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Cinema and colour : the saturated image / Paul Coates London: British Film Institute, 2010.
Call No: 633.22 COAAuthor: Coates, Paul Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2010PhysDes: 178 p. : col. ill. ; 26 cm.Subject: COLOUR ; COLORIZATION ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; STELLET LICHT (MX/FR/NE/G, Carlos Reygadas, 2007) ; BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947) ; EUROPA (DK/FR/GG, Lars Von Trier, 1991) ; THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972) Summary: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell.
Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz. [Taken from publishers website]Notes: Includes bibliographical references and indexISBN: 9781844573141Contents: Vertigo and yellow -- Guillermo del Toro and the dialectics of yellow and green -- Grief and green: Solaris, I lvira Madigan -- Natural camouflage: Joseph Losey's The Boy With Green Hair -- Green unseen: the poetics of absence in The Flight of the Red Ballon -- From yellow to green (via black): The Double Life of Veronique -- From yellow to blue: three Colours: Blue -- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia -- The painter's primaries and totality: le Mepris -- le Mepris 2: the triumph of blue -- Blue angel, blue devil: Goya in Bordeaux -- Trapped in blue: la Religieuse -- C. TOUR/OF FOUR D'AMRIQUE -- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni -- Introduction -- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain -- Coupling and uncoupling colours: Une femme est une femme -- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) -- A note on melodrama and modernism -- Melodrama, realism and All That Heaven Allows -- Modernist melodrama? The Oberwald Mystery
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Cinema and cultural identity : reflections on films from Japan, India, and China / edited by Wimal Dissanayake Lanham, MD: University Press of America, 1988.
Call No: 408.1(5) CINAuthor: Dissanayake, Wimal CorpAuthor: Institute of Culture and Communication (East-West Center)Place: Lanham, MDPublisher: University Press of AmericaPubDate: 1988PhysDes: vii, 214 p. ; 24 cmSubject: INDUSTRY, FILM. ASIAN COUNTRIES ; INDUSTRY, FILM. CHINA ; INDUSTRY, FILM. JAPAN ; INDUSTRY, FILM. INDIA ; WOMEN IN FILMS ; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES ; GENRES ; SAMURAI FILMS ; RAY, SATYAJIT Notes: "Co-published by arrangement with the East-West Center, Institute of Culture and Communication"--T.p. verso; Includes bibliographies and indexISBN: 0819169455 (alk. paper); 0819169463 (pbk.)LON: 5986435Contents: PART I. JAPAN -- 1. Viewing Japanese film: some considerations / Donald Richie -- 2. The destiny of Samurai films / Michitaro Tada -- 3. The multilayered nature of the tradition of acting in Japanese cinema / Tadao Sato -- 4. Japanese film genres / Audie Bock -- 5. Change in the image of mother in Japanese cinema and television / Tadao Sato -- PART 2. INDIA -- 6. Innovation and imitation in the Indian cinema / Mira Reym Binford -- 7. Art, vision, and culture: Satiyajit Ray's Apu trilogy revisited / Wimal Dissanayake -- 8. The woman: myth and reality in Indian cinema / Aruna Vasudev -- 9. The painted face of politics: the actor politicians of South India / Chidananda Das Gupta -- 10. Songs in Hindi films: nature and function / Teri Skillman -- PART 3. CHINA -- 11. The Chinese film in the 1980s: art and industry / Ma Qiang -- 12. The sinification of cinema: the foreignness of film in China / Paul Clark -- 13. The position of women in new Chinese cinema / Tony Rayns -- 14. Chinese films amidst the tide of reform / Shao Mujun
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CinTma et histoire. English / Marc Ferro ; translated by Naomi Greene Detroit: Wayne State University Press, 1988.
Call No: 408.1 FERAuthor: Ferro, Marc Place: DetroitPublisher: Wayne State University PressPubDate: 1988PhysDes: 175 p. : ill. ; 24 cmSeries: Contemporary film studiesNotes: Translation of: CinTma et histoire; Includes index; Bibliography: p. 166-167ISBN: 0814319041 (alk. paper); 081431905X (pbk. : alk. paper)LON: 5727216
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Cinema and language / edited by Stephen Heath and Patricia Mellencamp Frederick, MD: University Publications of America, 1983.
Call No: 623.1 CINAuthor: Heath, Stephen ; Mellencamp, Patricia CorpAuthor: University of Wisconsin--Milwaukee. Center for Twentieth Century StudiesPlace: Frederick, MDPublisher: University Publications of AmericaPubDate: 1983PhysDes: x, 179 p. : ill. ; 24 cmSeries: American Film Institute monograph series ; v. 1Notes: "The papers collected in this volume constitute one record of a conference on 'Cinema and Language' held from March 27 to 30, 1979 by the Center for Twentieth Century Studies of the University of Wisconsin-Milwaukee"--PrefISBN: 0890935831LON: 83017020; 11058417
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Cinema and modernity / edited by Murray Pomerance New Brunswick, N.J.: Rutgers University Press, 2006.
Call No: 61MOD CINSource: USPlace: New Brunswick, N.J.Publisher: Rutgers University PressPubDate: 2006PhysDes: ix, 373 p. : ill. ; 25 cmSubject: MODERNISM AND THE CINEMA Summary: "In Cinema and Modernity, Murray Pomerance brings together new essays by seventeen leading scholars to explore the complexity of the essential connection between film and modernity. Among the many films considered are Detour, Shock Corridor, The Last Laugh, Experiment in Terror, The Great Dictator, Leave Her to Heaven, The Talented Mr. Ripley, Eyes Wide Shut, Sunrise, The Crowd, The Shape of Things to Come, The War of the Worlds, The Day the Earth Stood Still, Scarlet Street, Shadow of a Doubt, Stella Dallas, The Blue Angel, Sullivan's Travels. and Catch Me If You Can" - TAKEN FROM BACK COVERISBN: 9780813538167Contents: Dark Utopia -- "The shock of the new" : electrification, illumination, urbanization, and the cinema / Lucy Fischer -- The endless embrace of Hell: hopelessness and betrayal in film noir / Wheeler Winston Dixon -- Mass Murder, Modernity, and the Alienated Gaze / Steven Alan Carr -- Modernity and the crisis in truth : Fritz Lang and Alfred Hitchcock / Walter Metz -- Capital advances -- Performing modernity and gender in the 1930s / Gwendolyn Audrey Foster -- The capital shape of science fiction heroes to come / Rebecca Bell-Metereau / False criticism: cinema, bourgeois society, and the conservative complaint / Christopher Sharrett -- Strange personality -- Miles Davis and the Soundtrack of Modernity / Krin Gabbard -- Experiment in Terror: Dystopian Modernism, the Police Procedural, and the Space of Anxiety / William Luhr and Peter Lehman -- Fuller, Foucault, and Forgetting: The Eye of Power in Shock Corridor / David Sterritt -- Nothing Sacred: Modernity and performance in Catch Me If You Can / Murray Pomerance -- On the move -- Legacies of Weimar Cinema / Patrice Petro -- Getting lost on the waterways of L'Atalante / Tom Conley -- Fast Talk: Preston Sturges and the Speed of Language / Joe McElhaney -- Modern Thoughts -- Modernity and Cinema: A Culture of Shocks and Flows / Tom Gunning -- Film, Modernity, Cavell / William RothmanID2: 84
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Cinema and nation / [edited by] Mette Hjort and Scott MacKenzie London New York: Routledge, 2000.
Call No: 408.1 CINAuthor: Hjort, Mette ; MacKenzie, Scott, 1967 Place: London New YorkPublisher: RoutledgePubDate: 2000PhysDes: xvi, 332 p., ill., 25 cmSubject: NATIONAL IDENTITY AND THE CINEMA ; COPRODUCTION. EUROPEAN COUNTRIES ; UNITED KINGDOM : SCOTLAND ; INDONESIA ; POLAND ; TURKEY ; INDIA ; GERMANY ; STATE AND THE CINEMA ; CAPRA, FRANK Summary: Leading film scholars, philosophers and sociologists consider the ways in which film production and reception are shaped by ideas of national identity and belonging. The contributors discuss a wide range of cinemas, in Europe, Asia and the Americas, exploring the relationship between nation states for both the concept and the reality of national cinema.
In the book’s first three sections, contributors explore sociological approaches to national identity, challenge established ideas about ‘national cinema’, and consider the ways in which national states – from the former Soviet Union to Contemporary Scotland – use cinema in their efforts to create a national cinema, and consider how images of the nation are understood by audiences both at home and abroad.
Taken from back cover.Notes: Includes bibliographical references and indexISBN: 0415208629 (alk. paper); 0415208637 (pbk. : alk. paper); 0415208629; 0415208637(pbk.) : ¦14.99; 0415208629(cased) : No price; 0415208637(pbk.) : No priceLON: 21459338
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Cinema and social change in Latin America : conversations with filmmakers / edited by Julianne Burton Austin: University of Texas Press, 1986.
Call No: 802.25(8=6) CINAuthor: Burton, Julianne Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1986PhysDes: xvi, 302 p. : ports. ; 24 cmSubject: LATIN AMERICAN COUNTRIES ; DOCUMENTARY FILMS. LATIN AMERICAN COUNTRIES ; BOLIVIA ; CHILE ; NICARAGUA ; MEXICO ; CUBA ; BIRRI, FERNANDO ; SANJINES, JORGE ; GUZMAN, PATRICIO ; ROCHA, GLAUBER ; ALEA, TOMAS GUTIERREZ ; SANTOS, NELSON PEREIRA DOS ; SOLAS, HUMBERTO ; DIEGUES, CARLOS ; RUIZ, RAUL ; GUMUCIO DAGRON, ALFONZO ; HANDLER, MARIO ; SILVA, JORGE ; RODRIGUEZ, MARTA ; VAZQUEZ, EMILIO RODRIGUEZ ; IBARRA, CARLOS VICENTE ; SOLBERG-LADD, HELENA ; EGUINO, ANTONIO ; VILLAGRA, NELSON ; FERNANDEZ VIOLANTE, MARCELA ; ACHUGAR, WALTER ; COLINA, ENRIQUE ; GARCIA ESPINOSA, JULIO Notes: Includes indexes; Bibliography: p. [285]-286ISBN: 0292724535; 0292724543 (pbk.)LON: 4568383
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Cinema and soft power : configuring the national and transnational in geo-politics / edited by Stephanie Dennison and Rachel Dwyer Edinburgh: Edinburgh University Press, 2021.
Call No: 411.11 CINAuthor: Dennison, Stephanie ; Dwyer, Rachel Edition: 2021Place: EdinburghPublisher: Edinburgh University PressPubDate: 2021PhysDes: xiv,242 pages : illustrated ; 25 cmSubject: MASHA AND THE BEAR [TV] (RU, 2007-) ; ANIMATED FILMS ; BRAZIL ; RUSSIA ; INDIA ; CITY OF SADNESS, A [ ; SOUTH AFRICA ; BRICS COUNTRIES ; SCIENCE FICTION DRAMAS ; BOLLYWOOD ; VIKING (RU, Andrey Kravchuk, 2016) ; SKYFALL (UK/US, Sam Mendes, 2012) Summary: The apparent shift in power relations between the developed and developing world, along with the increasing emphasis that national and transnational organisations place on the role of ‘soft power’ in global foreign policy, has profound implications for global film culture. Focusing primarily on the BRICS countries (Brazil, Russia, India, China and South Africa), this innovative collection examines the diverse and often competing ways the group as a whole engages with film as a medium of artistic expression, and as a ‘soft power’ resource.
The contributors explore the wider implications for world cinema of its members’ differing and dynamic positions in the global media landscape, and the book includes a comparative analysis by examining the post-imperial soft power of the UK at the time of Brexit. -- publisher's web siteISBN: 9781474456272Contents: Preface -- Introduction: Film as Soft Power / Stephanie Dennison -- 1. Soft Power and Cinema: A Methodological Reflection and Some Chinese Inflections / Song Hwee Lim -- 2. Building BRICS: soft power and audio-visual relations in transnational context / Stephanie Dennison -- 3. The Global Animation Market: Opportunities for Developing Countries / Alessandra Meleiro -- 4. (Masha and) the Bear Diplomacy: Russian Soft Power and Non-Governmental Agency / Vlad Strukov -- 5. The Limits of Hollywood as an Instrument of Chinese Public Diplomacy and Soft Power / Chris Homewood -- 6. The Second World War, Soviet Sports, and Furious Space Walks: Soft Power and Nation Branding in the Putin 2.0 Era / Stephen M. Norris -- 7. Popular Geopolitics, Soft Power and Strategic Narratives in Viking (2016) and Guardians (2017) / Robert A. Saunders -- 8. Challenging Imagined Communities: ‘Reversing the Gaze’ of Soft Power and Community Film Culture: the Case of South Africa / Paul Cooke -- 9. New Myths for an Old Nation: Bollywood, Soft Power and Hindu Nationalism / Rachel Dwyer -- 10. Soft Power and National Cinema: James Bond, Great Britain and Brexit / Andrew Higson -- Notes on Contributors
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The cinema and television / by Stuart Legg and Robert Fairthorne ; Edited by Arthur Elton London New York [etc.]: Longmans, Green and co., [1939].
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Cinema and the invention of modern life / edited by Leo Charney, Vanessa R. Schwartz Berkeley, California: University of California Press, 1995.
Call No: 403 CINAuthor: Charney, Leo ; Schwartz, Vanessa R. Source: USPlace: Berkeley, CaliforniaPublisher: University of California PressPubDate: 1995PhysDes: vii, 409 pages : illustrations ; 24 cmSubject: BENJAMIN, WALTER ; KRACAUER, SIEGFRIED ; LUMIERE, AUGUSTE & LOUIS ; PATHE Summary: "Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reasses the relationship between the emergence of film and the broader culture of modernity. The cultural developments and historical transformations that became known as "modernity" were themselves cinematic, according to these leading scholars in film and cultural studies.They link the popularity of cinema in the later nineteenth century to emerging cultural phenomena such as window shopping, mail-order catalogs, and wax museums and show how film was uniquely prepared to reflect the new ways of seeing, thinking, and experiencing." -- taken from back coverNotes: Includes bibliographical references and index.ISBN: 0520201124Contents: Introduction / Leo Charney and Vanessa R. Schwartz -- 1. Tracing the Individual Body: Photography, Detectives, and Early Cinema / Tom Gunning -- 2. Unbinding Vision: Manet and the Attentive Observer in the Late Nineteenth Century / Jonathan Crary -- 3. Modernity, Hyperstimulus, and the Rise of Popular Sensationalism / Ben Singer -- 4. The Poster in Fin-de-Siecle Paris: "That Mobile and Degenerate Art" / Marcus Verhagen -- 5. "A New Era of Shopping": The Promotion of Women's Pleasure in London's West End, 1909-1914 / Erika D. Rappaport -- 6. Disseminations of Modernity: Representation and Consumer Desire in Early Mail-Order Catalogs / Alexandra Keller -- 7. The Perils of Pathe, or the Americanization of the American Cinema / Richard Abel -- 8. Panoramic Literature and the Invention of Everyday Genres / Margaret Cohen -- 9. Moving Pictures: Photography, Narrative, and the Paris Commune of 1871 / Jeannene M. Przyblyski. -- 10. In a Moment: Film and the Philosophy of Modernity / Leo Charney -- 11. Cinematic Spectatorship before the Apparatus: The Public Taste for Reality in Fin-de-Siecle Paris / Vanessa R. Schwartz -- 12. Effigy and Narrative: Looking into the Nineteenth-Century Folk Museum / Mark B. Sandberg -- 13. America, Paris, the Alps: Kracauer (and Benjamin) on Cinema and Modernity / Miriam Bratu Hansen. -- Contributors -- Index
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Cinema approaching reality : locating Chinese film theory / Victor Fan Minneapolis: University of Minnesota Press, 2015.
Call No: 626(51) FANAuthor: Fan, Victoria Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: 2015PhysDes: xii, 277 pages : illustrations ; 22 cmSubject: POLITICS AND THE CINEMA ; CRITICISM. CHINA ; THEORY ; HISTORY OF CINEMA. CHINA ; HISTORY OF CINEMA. HONG KONG ; BAZIN, ANDRE Summary: Examines ways in which Chinese and Euro-American film theorists conceptualize reality and cinema. In Cinema Approaching Reality, Victor Fan brings together, for the first time, Chinese and Euro-American film theories and theorists to engage in critical debates about film in Shanghai and Hong Kong from the 1920s through the 1940s. The result is an eye-opening exploration of the potentialities in approaching cinema anew, especially in the photographic materiality following its digital turn. -- taken from the publisher's siteNotes: Includes bibliographical references, filmography (253-255) and index.ISBN: 9780816693573Contents: Introduction -- Approaching reality: Chinese ontology and the potentiality of time -- Cinema of thought: directed consciousness in Chinese Marxist film theory -- Soft film theory: life in all its presence and concreteness -- Fey Mou: the presence of an absence -- Cinema of ideation, cinema of play: the early Cantonese sound film -- Conclusion
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Cinema architecture / Chris van Uffelen [Salenstein]: Braun Publishing AG, 2009.
Call No: 38 VANAuthor: van Uffelen, Chris Source: GGPlace: [Salenstein]Publisher: Braun Publishing AGPubDate: 2009PhysDes: 253 pages : illustrations ; 30 cmSubject: CINEMAS ; CINEMA BUILDINGS ; MOBILE CINEMAS Summary: Movie theater architecture is an architecture of night. Evening screenings take place in buildings that seek out the attention of passersby using their form and light. The interiors of this less-than-a-century-old building type are also very manifold. The range of design is especially evident in the execution of foyers, which span everything from the strict, modern and refined to the opulent, voluminous and luxurious. Next to classical, individual cinemas, large multiplex centers have appeared in recent years, becoming an integral component of large amusement parks. The current book explores these developments with the help of 60 contemporary buildings from around the worldDonation: donated by Michael Smith
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The cinema as art / Ralph Stephenson & J. R. Debrix Harmondsworth: Penguin, 1969.
Call No: 63 STEAuthor: Stephenson, Ralph ; Debrix, J. R. CorpAuthor: PenguinEdition: Revised edition, reprintPlace: HarmondsworthPublisher: PenguinPubDate: 1969PhysDes: 270 p., [32] p. of plates ; 18 cmSubject: AESTHETICS ; ART AND THE CINEMA ; ART CINEMA ; EDITING ; CINEMATOGRAPHY ; SOUND ; COSTUMES ; MAKE-UP ; COLORIZATION ; LIGHTING Summary: “The cinema as art”, to those brought up on the “movie show and bubblegum” image, must look like a pretentious contradiction in terms. As this book demonstrates, however, the cinema stands for an art form which is almost unique in immediacy and scope. The authors explain, with over 300 examples taken from films of every country and period, the stages by which a director isolates what is mentally and emotionally significant in a situation. The reader is shown, from the inside, how the director may achieve this end by exploiting any or all of the cinematic techniques from script-planning to final editing, from camera movement to costume from sound to soft-focus. [Taken from back cover.]Notes: Illustrated. Includes index.Donation: Donated by La Trobe University Library
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Cinema at the periphery / edited by Dina Iordanova, David Martin-Jones, and Belen Vidal Detroit: Wayne State University Press, 2010.
Call No: 756 CINSource: USPlace: DetroitPublisher: Wayne State University PressPubDate: 2010PhysDes: vii, 268 p. : ill. ; 23 cmSubject: PLACE IN FILMS Notes: Includes bibliographical references and indexISBN: 9780814333884Donation: donated by Senses of Cinema, 2013Contents: Introduction : a peripheral view of world cinema / Dina Iordanova, David Martin-Jones, Bele´n Vidal -- Peripheral positions : (re-)drawing industries and markets. Rise of the fringe : global cinema's long tail / Dina Iordanova -- Affinitive and milieu-building transnationalism : the Advance Party initiative / Mette Hjort -- Cinema in a settler society : brand New Zealand / Duncan Petrie -- Peripheral visions : Blak screens and cultural citizenship / Faye Ginsburg -- Emerging from underground and the periphery : Chinese independent cinema at the turn of the twenty-first century / Sheldon H. Lu -- New spaces of empire : Quebec cinema's centers and peripheries / Bill Marshall -- Peripheral visions : (re-)conceiving identities and histories. The Palestinian road (block) movie : everyday geographies of second Intifada cinema / Kay Dickinson -- Islands at the edge of history : landscape and the past in recent Scottish-Gaelic films / David Martin-Jones -- Filming the times of Tangier : nostalgia, postcolonial agency, and preposterous history / Patricia Pisters -- Back to the margins in search of the core : Foreign land's geography of exclusion / Lu´cia Nagib -- Memories of underdevelopment : Torremolinos 73, cinephilia, and filiation at the margins of Europe / Bele´n Vidal -- Experience-information-image : a historiography of unfolding in Arab cinema / Laura U. Marks
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Interim
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Le Cinema Au Service De La Foi / Charles Ford Paris: Librairie Plon, 1953.
Call No: 768 FORAuthor: Ford, Charles Source: FRPlace: ParisPublisher: Librairie PlonPubDate: 1953PhysDes: v. 252 p., [16] p. of plates : ill ; 21 cmSubject: MOTION PICTURES - FRANCE Language: French
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The Cinema book / edited by Pam Cook London: BFI, 1985.
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The cinema book / edited by Pam Cook and Mieke Bernink London: British Film Institute, 1999.
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Cinema by design : Art nouveau, modernism, & film history / Fischer, Lucy New York: Columbia University Press, 2017.
Author: Fischer, Lucy Place: New YorkPublisher: Columbia University PressPubDate: 2017PhysDes: xvi, 265 pages, 16 unnumbered pages of plates ; 24 cm.Subject: MODERNISM AND THE CINEMA ; MOVEMENTS AND STYLES IN FILM HISTORY ; FILM HISTORY ; RACIAL ISSUES AND THE CINEMA ; ARCHITECTURE AND THE CINEMA ; ART AND THE CINEMA Summary: Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish director Segundo de Chomon; the elite dress and decor design choices in Cecil B. DeMille's The Affairs of Anatol (1921); and the mise-en-sc ne of fantasy in Raoul Walsh's The Thief of Bagdad (1924). Reading Salome (1923), Fischer shows how the cinema offered an engaging frame for adapting the risque works of Oscar Wilde and Aubrey Beardsley.Notes: Includes bibliographical references and index.ISBN: 9780231175036Contents: Introduction
Art Nouveau and the age of attractions
Art nouveau and American film of the 1920s: prestige, class, fantasy, and the exotic
Architecture and the city: Barcelona, Gaudi´, and the cinematic imaginary
Art nouveau, chambers of horror, and "the Jew in the text"
Art nouveau, patrimony, and the art world
Epilogue: the 1960s and the Art nouveau revival.
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journal article
Cinema, community and policy : contexts and pretexts for the Regional Cinema Program in New South Wales, Australia in Studies in Australasian cinema (2007) vol.1 iss.3 p.377-394
Author: Crowe, Karen PhysDes: ArticleSubject: REGIONAL EXHIBITION. AUSTRALIA ; CINEMAS. AUSTRALIA. STATE (NSW) ; AUDIENCES. AUSTRALIA ; STATE AND THE CINEMA. AUSTRALIA. NEW SOUTH WALES Summary: This article examines developments relating to regional cinema-going in the Australian state of New South Wales (NSW). It draws on research whose primary case studies comprise four campaigns to revitalize historic cinema spaces in country towns in NSW and the introduction in the late 1990s of a Regional Cinema Program (RCP) designed to promote and support such activity in that state. It examines some of the historic and political contexts that precipitated these projects and the adoption of their concerns by the NSW state government and will consider how claims for the social importance of cinema-going have been reflected and constructed through the practices and discourses of policy-making and place-making. In particular, the essay traces the adoption of regional cinema access as a policy concern of the NSW state government and the aspirations and operations of a ‘community cinema’ in the south-western NSW town of Tumut. In focusing on this case study the article explores the interconnected relationship between trends in social and cultural policy-making, rural revitalization, the social experience of cinema-going and their various roles in the complex and contested construction of a sense of ‘community’. -- Abstract
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Cinema, cross-cultural collaboration, and criticism : filming on an uneven field / Davinia Thornley Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2014.
Call No: 451-054(=1=81)(71):(93):(94) THOAuthor: Thornley, Davinia Source: UK/USPlace: Houndmills, Basingstoke, Hampshire ; New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: xi, 134 pages : illustrations ; 23 cmSeries: Palgrave pivotSubject: INDIGENOUS PEOPLE'S CINEMA. CANADA ; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA ; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND ; DOCUMENTARIES ; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008) ; LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983) ; TATTOOIST, THE (NZ/SI, Peter Berger, 2007) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; NO. 2 (NZ, Toa Fraser, 2006) ; APRON STRINGS (NZ, Sima Urale, 2008) Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studiesNotes: Formerly CIP -- Includes bibliographical references and index -- Also issued onlineContents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?
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Cinema de Belgique / [par] Paul Davay Gembloux, Belgium: Duculot, 1973.
Call No: 71(493) DAVAuthor: Davay, Paul Place: Gembloux, BelgiumPublisher: DuculotPubDate: 1973PhysDes: 199 p, 16 p. of plates ; 21 cmNotes: Bibliography: p. 167-168LON: 6387511
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Le cinema de vouzotres : Films et recontres: Cinema Judeite Belgique / Editeur responsable: Jean-Pierre Hubin Brussels: Institut de la memoire audiovisuelle juive, [2006].
Call No: 71(493)-054(=924)Author: Hubin, Jean-Pierre Edition: [2006]Place: BrusselsPublisher: Institut de la memoire audiovisuelle juivePubDate: [2006]PhysDes: 108 p. ; 14cm; 52 p. ; 14cm; 1 DVD (66 min) : colour, stereo; All in box 15 x 15 x 2 cmSubject: BELGIUM ; JEWS AND THE CINEMA ; AKERMAN, CHANTAL ; DARDENNE, JEAN-PIERRE & LUC Notes: Title translates as: Your cinema: Cinema, Jewishness, Belgium. Films and encounters.; 108 page paperback book in French, 52 page booklet with English translation, with 67 min. DVD of six short documentary films.Language: French / English
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The cinema effect Cambridge, MA: Massachusetts Institute of Technology, 2004.
Call No: 633 CUBAuthor: Cubitt, Sean Source: USPlace: Cambridge, MAPublisher: Massachusetts Institute of TechnologyPubDate: 2004PhysDes: 456 p. ; 24 cmSubject: IMAGE ANALYSIS ; SPECIAL EFFECTS ; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS ; PHILOSOPHY AND THE CINEMA ; MOTION CONTROL Summary: It has been said that all cinema is an effect. In this highly original examination of time in film Sean Cubitt tries to get at the root of the uncanny effect produced by images and sounds that don’t quite align with reality. What is it that cinema does? Cubitt proposes a history of images in motion from a digital perspective, for a digital audience. [Taken from inside book jacket].ISBN: 0262033127
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Cinema examined : selections from Cinema journal / Richard Dyer MacCann, Jack C. Ellis New York: Dutton, 1982.
Call No: 67(04) CINAuthor: MacCann, Richard Dyer ; Ellis, Jack C., 1922 CorpAuthor: Cinema JournalEdition: 1st edPlace: New YorkPublisher: DuttonPubDate: 1982PhysDes: xiii, 300 p., [1] leaf of plates : ill. ; 21 cmSubject: INDUSTRY, FILM. USSR ; SAMURAI FILMS ; CHAPLIN, CHARLES ; VISCONTI, LUCHINO ; HITCHCOCK, ALFRED ; INDUSTRY, TV. USA ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; CET OBSCUR OBJET DU DESIR (FR/SP, Luis Bunuel, 1977) Notes: Includes bibliographical referencesISBN: 0525474641 (pbk.) : $9.95LON: abn83062603; 2630261
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Cinema futures : Cain, Abel or cable?: the screen arts in the digital age / edited by Thomas Elsaesser and Kay Hoffmann Amsterdam: Amsterdam University Press, 1998.
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Cinema futures: Cain, Abel or cable? : The screen arts in the digital age / Thomas Elsaesser
Kay Hoffmann Amsterdam: Amsterdam University Press, 1998.
Call No: 202 CINAuthor: Elsaesser, Thomas
Hoffmann, Kay Place: AmsterdamPublisher: Amsterdam University PressPubDate: 1998PhysDes: 312 pages : ill. ; 25 cmSeries: Film culture and translationSubject: DIGITAL CINEMA ; DIGITAL DISTRIBUTION ; DIGITAL MEDIA AND THE CINEMA ; DIGITAL TELEVISION ; COMPUTERS AND THE CINEMA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE ARTS ; TELEVISION, FILMS SHOWN ON ; VIRTUAL REALITY Summary: "Cinema Futures: Cain, Abel or Cable? presents a careful and forceful argument about predictions that tend to be made when new technologies appear. Examining the complex dynamics of convergence and divergence among the audio-visual media, the authors are realistic in their estimate of the future of the cinema's aesthetic identity, and robustly optimistic that the different social needs audiences bring to the public and domestic media will ensure their distinctiveness, as well as the necessary openness of cultural meaning and creative input" -- BlurbNotes: Includes bibliographical references, notes and indexISBN: 9053563121Donation: Adrien MilesContents: 1. Preface / Thomas Elsaesser and Kay Hoffmann -- Introduction -- 2. Cinema futures: Convergence, divergence, difference / Thomas Elsaesser -- Sectio one: Media archaeologies -- 3. Towards an archaeology of the computer screen / Lev Manovich -- 4. Louis Lumiere - the cinema's first virtualist? / Thomas Elsaesser -- 5. Speed is the mother of cinema / Edgar Reitz -- 6. Fin de Siecle of television / Siegfried Zielinski -- 7. Theseus and Ariadne: For a counter-history of the cinema-television relationship? / Vito Zagarrio -- Section two: Cinema and television -- 8. Scanning the horizon: A film is a film is a film / Conrad Schoeffter -- 9. Television and the close-up: Interference or correspondence? / Pierre Sorlin -- 10. Cinema and television: Laios and Oedipus / John Ellis -- 11. Cinema and television: From Eden to the land of nod? / Michael Eaton -- 12. Fantasy island: Dream logic as production logic / Thomas Elsaesser -- Section three: Documentary: the digital age's first casualty -- 13. 'I See, if I Believe it' - Documentary and the digital / Kay Hoffmann. -- 14. Theatrical and Television Documentary: The sound of one hand clapping / Brian Winston -- 15. On the big screen every doctor gets a Starring Role / Joyce Roodnat -- 16. From butterflies and bees to Roger and me / Stan Lapinski and Rene van Uffelen -- 17. To lie and to act: Cinema and telepresence / Ley Manovich -- Section four: Digital futures for cinema -- 18. Digital cinema: Delivery, event, time / Thomas Elsaesser
19. The television screen: from spoil-sport to game-maker / Ed Tan
20. Random access rules / Grahame Weinbren
21. Electronic cinema: On the way to the digital / Kay Hoffmann
22. The assault of computer-generated worlds on the rest of time / Martin Emele
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Cinema histories, cinema practices / edited by Patricia Mellencamp and Philip Rosen Frederick, MD: University Publications of America, c1984.
Call No: 70 CINAuthor: Rosen, Philip ; Mellencamp, Patricia Place: Frederick, MDPublisher: University Publications of AmericaPubDate: c1984PhysDes: xvi, 150 p. ; 24 cmSeries: American Film Institute monograph series ; v. 4Subject: HISTORY OF CINEMA Notes: Includes bibliographical referencesISBN: 0890935920; 0890935971 (pbk.)LON: 2976535
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The cinema house and the world : the Cahiers du Cinema years, 1962-1981 / Serge Daney; edited by Patrice Rollet, with Jean-Claude Biette and Christophe Manon; introduction by A.S. Hamrah; translated by Christine Pichini Pasedena: Semiotext(e), 2022.
Call No: 62 DANAuthor: Daney, Serge ; Rollet, Patrice ; Biette, Jean-Claude ; Pichini, Christine Edition: 2022Place: PasedenaPublisher: Semiotext(e)PubDate: 2022PhysDes: xiv, 616 pages : illustrated ; 23 cmSubject: CAHIERS DU CINEMA Summary: One of the greatest film critics of his generation on topics ranging from the auteur approach of the French New Wave to a more structural examination of film.
One of the greatest film critics of his generation, Serge Daney wrote for Cahiers du Cinéma before becoming a journalist for the daily newspaper Libération. The writings collected in this volume reflect Daney's evolving interests, from the auteur approach of the French New Wave to a more structural examination of film, psychoanalysis, and popular culture.
Openly gay throughout his lifetime, Daney rarely wrote explicitly about homosexuality but his writings reflect a queer sensibility that would influence future generations. In regular intellectual exchanges with Gilles Deleuze, Félix Guattari, and Roland Barthes, Daney wrote about cinema autobiographically, while lyrically analyzing the transition from modern cinema to postmodern media. A noted polymath, Daney also published books about tennis and Haiti's notorious Duvalier regime. His criticism is open and challenging, polyvocal and compulsively readable. -- publisher's web siteISBN: 9781635901610
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Cinema in Australia : a documentary history / general editor, Ina Bertrand Kensington, N.S.W.: NSWU Press, 1989.
Call No: 71(94) CINAuthor: Bertrand, Ina, 1939 Place: Kensington, N.S.W.Publisher: NSWU PressPubDate: 1989PhysDes: xviii, 422 p. : ill., facsims., ports. ; 25 cmSubject: AUSTRALIA ; JEDDA (AT, Charles Chauvel, 1955) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; AFTER SUNDOWN (AT, W.J. Lincoln, 1911) ; SILENCE OF DEAN MAITLAND, THE (AT, Raymond Longford, 1914) Notes: Includes index; Bibliography: p. [389]-411ISBN: 0868400750LON: 5839881
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Cinema in Australia : a documentary history / Edited by Ina Bertrand Kensington, N.S.W.: New South Wales University Press, 1989.
Author: Ina Bertrand Place: Kensington, N.S.W.Publisher: New South Wales University PressPubDate: 1989PhysDes: 422 p. : ill. ; 24 cm.Notes: Bibliography, contains IndexISBN: 0868400750Donation: donated by the family of Wayne Levy, 2006
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Cinema in Australia : an industry profile / written and researched by Jock Given, Rosemary Curtis and Mary McCutcheon Hawthorn, Victoria: Swinburne University of Technology, June 2013.
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The cinema in Denmark Copenhagen: Danish Government Film Foundation, [1970].
Call No: 71(489) CINCorpAuthor: Danish Government Film FoundationSource: DKPlace: CopenhagenPublisher: Danish Government Film FoundationPubDate: [1970]PhysDes: 35 p. ; 21 cmSubject: DENMARK ; INDUSTRY, FILM. DENMARK Summary: A summary of the Danish film industry at the time of publication.
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The Cinema in education : being the report of the psychological investigation conducted by the Cinema Commission of enquiry established by the National Council of Public Morals / Edited by Sir James Marchant, K.B.E., LL.D. General Secretary London: George Allen & Unwin Ltd., 1925.
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The cinema in education : a handbook for teachers / D. Charles Ottley London: George Routledge and Sons, 1935.
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Cinema in Finland : an introduction / edited by Jim Hillier London: British Film Institute, 1975.
Call No: 71(480) HILAuthor: Hillier, Jim Place: LondonPublisher: British Film InstitutePubDate: 1975PhysDes: vii, 67 p. ; 21 cmSubject: FINLAND LON: 187179
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The cinema in France : after the new wave / Jill Forbes Basingstoke, England: Macmillan, 1992.
Call No: 71(44) FORAuthor: Forbes, Jill Place: Basingstoke, EnglandPublisher: MacmillanPubDate: 1992PhysDes: xiv, 337 p. : ill. ; 22 cmSeries: British Film Institute cinema seriesNotes: Includes index; Bibliography: p. 283-285 ; filmography: p. 286-327ISBN: 0333414306 (pbk.) : ª12.99; 0333414292 (hbk.)LON: bnb33341430; 9205677
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Cinema in revolution : the heroic era of the Soviet film / edited by Luda and Jean Schnitzer and Marcel Martin; translated [from the French] and with additional material by David Robinson London: Secker & Warburg, 1973.
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book
Cinema index : Melbourne cinemas, suburban cinemas, Victorian drive-ins / Cinema and Theatre Historical Society, Victoria Inc [Bentleigh, Vic.: The Society, 1997].
Call No: 382(94) CINCorpAuthor: Cinema & Theatre Historical Society VictoriaPlace: [Bentleigh, Vic.Publisher: The SocietyPubDate: 1997]PhysDes: 9 leaves ; 30 cmNotes: Cover titleLON: abn98042610; 13680749
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Cinema is 100 years old / Emmanuelle Toulet, translated by Susan Emanuel London: Thames and Hudson, 1995.
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The cinema of Andrei Tarkovsky / Mark Le Fanu London: BFI Pub., 1987.
Call No: 81TAR LEFAuthor: Le Fanu, Mark Place: LondonPublisher: BFI Pub.PubDate: 1987PhysDes: viii, 156 p. : ill. ; 23 cmSubject: TARKOVSKY, ANDREI Notes: Includes bibliographical references and index; Filmography: p. 147-150ISBN: 0851701930; 0851701949 (pbk.)LON: bnb85170193; 5689633
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The cinema of Australia and New Zealand / edited by Geoff Mayer & Keith Beattie. London: Wallflower, 2007.
Call No: 71(93) CINSource: UKPlace: LondonPublisher: WallflowerPubDate: 2007PhysDes: xiii, 259 p. : ill. ; 24 cm.Series: 24 FramesSubject: AUSTRALIA ; NEW ZEALAND ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. NEW ZEALAND ; STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906) ; WOMAN SUFFERS, THE (AT, Raymond Longford, 1918) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; PHANTOM STOCKMAN, THE (AT, Lee Robinson, 1953) ; BACK OF BEYOND, THE (AT, John Heyer, 1954) ; JEDDA (AT, Charles Chauvel, 1955) ; FREE RADICALS (NZ, Len Lye, 1958) ; RUNAWAY (NZ, John O'Shea, 1964) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) ; SLEEPING DOGS (NZ, Roger Donaldson, 1977) ; VIGIL (NZ, Vincent Ward, 1984) ; IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984) ; PIANO, THE (AT, Jane Campion, 1993) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; AFTER MABO (AT, Richard Frankland, 1997) ; CHOPPER (AT, Andrew Dominik, 2000) ; GODDESS OF 1967, THE (AT, Clara Law, 2000) ; MOULIN ROUGE (AT/US, Baz Luhrmann, 2001) ; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001) ; TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: A collection of essays celebrating the commercially successful narrative feature films from Australia and New Zealand, including key documentaries, shorts and independent films. This coverage also invokes issues of national identity, race, history and the ability of two small film cultures to survive the economic and cultural threat from Hollywood.Notes: Includes filmography.
Includes bibliography and index.ISBN: 9781904764960
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The cinema of East Germany : 2003 / 2004 catalog / DEFA Film Library, University of Massachusetts Amherst, Massachusetts: University of Massachusetts,
Call No: 027(430.2)CorpAuthor: DEFA Film Library, University of MassachusettsEdition: 2003/2004Place: Amherst, MassachusettsPublisher: University of MassachusettsPhysDes: 40 p. ; ill. ; 19cmSubject: GERMAN DEMOCRATIC REPUBLIC
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The cinema of Eisenstein / David Bordwell Cambridge, Mass.: Harvard University Press, 1993.
Call No: 81EIS BORAuthor: Bordwell, David, 1947 Place: Cambridge, Mass.Publisher: Harvard University PressPubDate: 1993PhysDes: xv, 316 p. : ill. ; 27 cmNotes: Includes filmography: p. [289]-292; Includes bibliographical references (p. 292-309) and indexISBN: 0674131371 (cloth : alk. paper); 067413138X (pbk. : alk. paper)LON: 92045678; 9735084
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The cinema of Ettore Scola / edited by Remi Lanzoni and Edward Bowen Detroit, Michigan: Wayne State University Press, 2020.
Call No: 81 SCO LANAuthor: Lanzoni, Remi ; Bowen, Edward Edition: 2020Place: Detroit, MichiganPublisher: Wayne State University PressPubDate: 2020PhysDes: 336 pages : illustrated ; 24 cmSubject: Scola, Ettore Summary: The Cinema of Ettore Scola offers contemporary perspectives on Ettore Scola (1931–2016), one of the premier filmmakers of Italian cinema. Scola was a crucial figure in postwar Italy as a screenwriter of comedies in the 1950s and 1960s who later became one of the country’s most beloved directors in the 1970s and 1980s with his bittersweet comedies and dramas on history, politics, and social customs. While Scola has received extensive attention from scholars based in Italy and France, Rémi Lanzoni and Edward Bowen’s edited volume is the first English-language book on Scola’s cinematographic career.
The volume (containing fourteen chapters) is organized in four parts, the first two of which focus both on Scola’s contributions to Comedy Italian Style—as a screenwriter and director—and his commentaries on the history of Italy, Rome, and the film industry. The second half of the book is divided into sections on Scola’s relationship to and use of place, politics, and legacy. Mariapia Comand’s chapter begins the volume with an exploration of the development of Scola’s narrative methods by examining his early work as an illustrator, ghostwriter, and screenwriter. Later, Brian Tholl approaches one of Scola’s best-known and most frequently studied films, Una giornata particolare, from a less-explored perspective, namely its commentary on surveillance and internal exile, or confino, during the fascist period. At the close of the volume is a broad-sweeping tribute to and reflection on Scola’s filmmaking by Gian Piero Brunetta, a leading historian of Italian cinema who developed a close relationship with Scola over the years, who reveals the varied narrative strategies linked to food that the director utilized for character development and social commentary.
The Cinema of Ettore Scola makes Scola accessible to English-reading audiences and helps readers better understand his film style, the major themes of his work, and the representations of twentieth-century Italian history in his films. -- publisher's web siteISBN: 9780814343791
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Cinema of flames : Balkan film, culture and the media / Dina Iordanova London: British Film Institute, 2001.
Call No: 71(497) IORAuthor: Iordanova, Dina Place: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 320p. : ill. ; 24 cmSubject: BALKAN WAR IN FILMS ; BALKAN COUNTRIES ; SARAJEVO IN FILMS ; VLEMMA TOU ODYSSEA, TO (GR/FR/IT, Theo Angelopoulos, 1995) ; WELCOME TO SARAJEVO (UK/US, Michael Winterbottom, 1997) ; UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995) ; BEFORE THE RAIN (UK/FR/ME, Milcho Manchevski, 1994) ; LEPA SELA LEPO GORE (YU, Srdjan Dragojevic, 1996) ISBN: 085170848X; 0851708471(pbk.) : ¦16.99LON: 22285910
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The cinema of Hal Hartley : flirting with formalism / edited Steven Rybin New York: Wallflower Press published by Columbia University Press, 2017.
Call No: 81HAR THESource: USPlace: New YorkPublisher: Wallflower Press published by Columbia University PressPubDate: 2017PhysDes: x, 197 pages ; illustrations ; 24 cmSeries: Directors' cutsSubject: HARTLEY, HAL ; POSEY, PARKER ; AMATEUR (US, Hal Hartley, 1994) ; FLIRT (US/GG/JA, Hal Hartley, 1995) ; HENRY FOOL (US, Hal Hartley, 1997) Summary: This collection explores Hartley's work from a variety of aesthetic, cultural, and econimic contexts, while also looking closely at his collaborations with actors, the contexts of his authorial reputaion, his reworking of the romantic comedy and other genres, and the shifting economics of his filmmaking -- Taken from back coverISBN: 9780231176170Donation: Senses of CinemaContents: Machine generated contents note: 1.Up Close and Impersonal: Hal Hartley and the Persistence of Tradition / David Bordwell -- 2.`Young. Middle-Class. College-Educated. Unskilled': Hal Hartley in 1991 / Mark L. Berrettini -- 3.`Some Things Shouldn't Be Fixed': Frameworks of Critical Reception and the Early Career of Hal Hartley / Jason Davids Scott -- 4.The Locality of Hal Hartley: The Aesthetics and Business of Smallness / Steven Rawle -- 5.Hal Hartley's Romantic Comedy / Sebastian Manley -- 6.A New Man: The Logic of the Break in Hal Hartley's Amateur / Daniel Varndell -- 7.Not Getting It: Flirt as Anti-Puzzle Film / Steven Rybin -- 8.Poiesis and Media in The Book of Life and No Such Thing / Fernando Gabriel Pagnoni Berns -- 9.Bodies, Space and Theatre in The Unbelievable Truth (and its American Precursors) / Zachary Tavlin -- 10.Parker Posey as Hal Hartley's `Captive Actress' / Jennifer O'Meara -- 11.The Figure Who Writes: On the Henry Fool Trilogy / Steven Rybin.
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The Cinema of Hong Kong : history, arts, identity / edited by Poshek Fu and David Desser Cambridge: Cambridge University Press, 2000.
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The cinema of Louis Malle : transatlantic auteur / edited by Philippe Met London ; New York: Wallflower Press, 2018.
Call No: 81 MAL METAuthor: Met, Phillipe Edition: 2018Place: London ; New YorkPublisher: Wallflower PressPubDate: 2018PhysDes: x, 314 pages : illustrated ; 24cmSeries: Director's cutsSubject: MALLE, LOUIS Summary: Arguably a pioneer of the French New Wave (with Ascenseur pour l’échafaud, 1957) Louis Malle went on to enjoy an acclaimed yet provocative and versatile transatlantic career. This collection of original essays proposes to reassess his richly eclectic and boldly subversive oeuvre and redress the surprising critical neglect it has suffered over the years. It does so through a combination of transversal and monographic analyses that use a variety of critical lenses and theoretical tools in order to examine Malle’s documentaries as well as his fiction features (and, more importantly, the constant shuttling and uniquely persistent cross-pollination between those two cinematic approaches), illuminate the profound, lasting dialogue his films entertained with literature and theater, bring to the fore their sustained, albeit often oblique autobiographical thrust along with their scathing sociopolitical critique, and scrutinize the alternating use of stars and non-professional actors.
In addition, the volume features an exclusive interview with the acclaimed playwright John Guare (a close friend and collaborator of Louis Malle’s who scripted Atlantic City) and is bookended by a foreword by Volker Schlöndorff and an afterword by Wes Anderson, two renowned filmmakers who articulate their admiration for, and the seminal influence of, their predecessor. -- publisher's web siteISBN: 9780231188715Contents: Acknowledgements -- Notes on Contributors -- Foreword / Volker Schlöndorff -- Introduction / Philippe Met -- Transversal Studies -- 1. Malle Before Malle / Guillaume Soulez -- 2. The Art of Silence: From Documentary to Fiction / Caroline Eades -- 3. No Comment: Direct Cinema in Humain, trop humain and Place de la République / Derek Schilling -- 4. Louis Malle’s Nonfiction: Tradition, Rebellion and Authorial Voice / Alan Williams -- 5. Louis Malle’s 1960s ‘Star’ Films / Sue Harris -- 6. Experimentation and Automation in Zazie dans le métro and Black Moon / Ian Fleishman -- 7. Louis Malle and ‘His’ Writers (Drieu La Rochelle, Nimier, Modiano) / Michel Ciment -- 8. A Gendered Geography of Death: Louis Malle’s Orphic Voyage / T. Jefferson Kline -- 9. The Figure of the Mother in May Fools, Au revoir les enfants and Murmur of the Heart / Justine Malle -- 10. Jazz as Counterpoint in Elevator to the Gallows, Murmur of the Heart and Pretty Baby / Jean-Louis Pautrot -- Monographic Essays -- 11. The Fire Within: Touching / Elisabeth Cardonne-Arlyck -- 12. Le Voleur: (Self-)Portrait of the Filmmaker as a Thief / Philippe Met -- 13. Absorbtion and Reflectivity in Phantom India / Ludovic Cortade -- 14. Fog of War: Lacombe Lucien and Its Afterlives / Steven Ungar -- 15. Memory, Friendship and History in Au revoir les enfants / Sandy Flitterman-Lewis -- 16. Atlantic City: When Sound Meets Utopia / Francesca Cinelli -- 17. Between Conversation and Conversion: My Dinner with André / Tom Conley -- 18. Vanya on 42nd Street: Inventing a Space of Creation / Sébastien Rongier -- Interview -- Truth and Poetry: An Interview with John Guare / Philippe Met -- Varia (previously unpublished material) -- Notes for a Lecture on the Queen Elizabeth 2 / Louis Malle -- ‘The Loner’: Treatment suggested by H. James’ What Maisie Knew / Louis Malle (with introduction by Philippe Met) -- Afterword / Wes Anderson -- Filmography -- Index
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The cinema of Luis Bunuel / Freddy Buache New York: Tantivy Press, A.S. Barnes & Co., 1973.
Author: Buache, Freddy ; Graham, Peter (trans.) Source: UK/USPlace: London; New YorkPublisher: Tantivy Press; A.S. Barnes & Co.PubDate: 1973PhysDes: 17 cm ; 207 p.Series: International Film GuideISBN: 90073048X; 0498013022Donation: donated by the family of Wayne Levy, 2006
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Cinema of outsiders : the rise of American independent film / Emanuel Levy New York: New York University Press, c1999.
Call No: 71(73) LEVAuthor: Levy, Emanuel, 1947 Source: USPlace: New YorkPublisher: New York University PressPubDate: c1999PhysDes: xiii, 601 p. : ill. ; 24 cmSubject: INDEPENDENT FILMS. USA ; HOMOSEXUALITY AND THE CINEMA. USA ; OUTSIDERS IN FILMS ; MEN IN FILMS ; FILM NOIR ; FEMINISM AND THE CINEMA. USA ; TYPE CHARACTERS IN FILMS ; COMEDIES. USA ; BLACK CINEMA. US ; ETHNIC GROUPS IN FILMS. USA ; YOUNG PEOPLE AND THE CINEMA ; FESTIVALS. PARK CITY. SUNDANCE ; ARAKI, GREGG ; NUNEZ, VICTOR ; BROOKS, ALBERT ; SMITH, KEVIN ; COEN, JOEL & ETHAN ; FERRARA, ABEL ; WATERS, JOHN (US) ; HARTLEY, HAL ; HAYNES, TODD ; JARMUSCH, JIM ; JOST, JON ; LEE, SPIKE ; LINKLATER, RICHARD ; LYNCH, DAVID ; MAMET, DAVID ; NAIR, MIRA ; SAYLES, JOHN ; CASSAVETES, NICK ; SODERBERGH, STEVEN ; SOLONDZ, TODD ; SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989) ; BLOOD SIMPLE (US, Joel Coen, 1984) ; BOYZ N THE HOOD (US, John Singleton, 1991) ; IN THE COMPANY OF MEN (US, Neil Labute, 1997) ; GAS FOOD LODGING (US, Allison Anders, 1992) ; PULP FICTION (US, Quentin Tarantino, 1994) ; RESERVOIR DOGS (US, Quentin Tarantino, 1992) ; MEAN STREETS (US, Martin Scorsese, 1973) Summary: "Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarantino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style."--BOOK JACKETNotes: Includes bibliographical references (p. 539-571) and indexISBN: 0814751237 (alk. paper)LON: 20253533
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The cinema of Spain and Portugal / edited by Alberto Mira Great Britain: Wallflower Press, 2005.
Call No: 71(46:469) CINSource: UKPlace: Great BritainPublisher: Wallflower PressPubDate: 2005PhysDes: xi, 268 p. : ill. ; 24 cm.Series: 24 FramesSubject: SPAIN ; PORTUGAL ; HISTORY AND THE CINEMA Notes: Formerly CIP.
Includes bibliographical references (p. 256-263) and index.
Includes filmography: p. 248-255.Contents: Preface / Roman Gubern -- Introduction / Alberto Mira -- La aldea maldita The cursed village / Agustin Sanchez Vidal -- A cancao de Lisboa Song of Lisbon / Lisa Shaw -- La verbena de la paloma Fair of the dove / Alberto Mira -- Aniki-Bobo / Randal Johnson -- Los ultimos de Filipinas Last stand in the Philippines / Isabel Santaolalla -- Lola la piconera Lola the coalgirl / Alberto Mira -- Marcelino pan y vino The miracle of Marcelino / Ryan Prout -- Calle Mayor Main street / Mark Allinson -- El ultimo cuple The last torch song / Chris Perriam -- Viridiana / Peter Evans -- El verdugo The executioner El extrano viaje Strange journey / Alberto Mira -- La noche de walpurgis Shadow of the werewolf / Antonio La´zaro-Reboll -- El espiritu de la colmena Spirit of the beehive / Xon de Ros -- Cria cuervos Raise ravens / Ryan Prout -- El diputado Confessions of a congressman / Ryan Prout -- Arrebato Rapture / Vicente Sa´nchez Biosca -- Los santos inocentes The holy innocents / Elena Carrera -- Joa~o de deus trilogy Trilogy of John of God / Lucia Nagib -- Belle epoque / Alberto Mira -- Viagem ao principio do mundo Journey to the beginning of the world / Randal Johnson -- Torrente: el brazo tonto de la ley Torrente: the dumb arm of the law Torrente 2: mision en Marbella Torrente 2: mission in Marbella / Antonio Lazaro-Reboll -- Todo sobre mi madre All about my mother / Mark Allinson -- Lucia y el sexo Sex and Lucia / Paul Julian Smith.
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The cinema of Wes Anderson : bringing nostalgia to life / by Whitney Crothers Dilley London New York: Wallflower Press, c2017.
Call No: 81AND DILAuthor: Dilley, Whitney Crothers Source: US/UKPlace: London New YorkPublisher: Wallflower PressPubDate: c2017PhysDes: vii, 246 pages ; 24 cmSeries: Directors' cutsSubject: CRITICISM ; ANDERSON, WES ; RUSHMORE (US, Wes Anderson, 1998) ; BOTTLE ROCKET (US, Wes Anderson, 1996) ; ROYAL TENENBAUMS, THE (US, Wes Anderson, 2001) ; LIFE AQUATIC WITH STEVE ZISSOU, THE (US, Wes Anderson, 2004) ; DARJEELING LIMITED, THE (US, Wes Anderson, 2007) ; FANTASTIC MR FOX (US/UK, Wes Anderson, 2009) ; MOONRISE KINGDOM (US, Wes Anderson, 2012) ; GRAND BUDAPEST HOTEL, THE (UK/G, Wes Anderson, 2014) Summary: "Wes Anderson is considered one of the most important directors of the post-Baby Boom generation, making films such as Rushmore (1998) and The Royal Tenenbaums (2001) in a style so distinctive that his films are often recognizable from a single frame. Through the travelogue The Darjeeling Limited (2007) and the stop-motion animation of Fantastic Mr. Fox (2009), his films examine issues of gender, race, and class through dysfunctional family dynamics, with particular focus on masculinity and male bonding. Anderson's auteur status is enriched by his fascination with Truffaut and the French New Wave, as well as his authorship of every one of his screenplays, drawing on influences as diverse as Mark Twain, J. D. Salinger, Roald Dahl, and Stefan Zweig. Works such as Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014) continue to fascinate with their postmodern, hyper-nostalgic attention to detail. This book explores the filmic and literary influences that have helped make Anderson a major voice in 21st century "indie" culture, and reveals why Wes Anderson is one of the most inventive filmmakers working in cinema today." -- BOOK BACK COVERNotes: Includes bibliographical references and indexISBN: 9780231180696Contents: -- acknowledgments -- 1 Introduction: Wes Anderson as Auteur -- A History -- 2 Wes Anderson: His Position in American Cinema and Culture -- 3 Gender, Youth, and the Exploration of Masculinity in Bottle Rocket -- 4 "Sic Transit Gloria": Transgressing the Boundaries of Adolescence in Rushmore -- 5 The Interplay of Narrative Text, Language, and Film: Literary Influence and Intertextuality in The Royal Tenenbaums -- 6 Opposition and Resolution: The Dissonance of Celebrity in The Life Aquatic with Steve Zissou -- 7 Fragmentary Narratives/Incomplete Identities in The Darjeeling Limited -- 8 Adaptation and Homage: The World of Roald Dahl and Fantastic Mr. Fox -- 9 Reconstitution of the "Family" and Construction of Normalized Gender in Moonrise Kingdom -- 10 Literary Influence and Memory: Stefan Zweig and The Grand Budapest Hotel -- 11 Wes Anderson's Short Films and Commercial Work -- conclusion : memory and narrative in the works of Wes Anderson -- filmography -- bibliography -- index --
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The cinema of Wim Wenders : image, narrative, and the postmodern condition / edited by Roger F. Cook and Gerd Gemnnden Detroit, Mich.: Wayne State University Press, 1997.
Call No: 81WEN CINAuthor: Cook, Roger F., 1948 ; Gemnnden, Gerd, 1959 Place: Detroit, Mich.Publisher: Wayne State University PressPubDate: 1997PhysDes: 284 p. : ill. ; 23 cmSeries: Contemporary film and television seriesSubject: Wenders, Wim Notes: Filmography: p. 257-262; Includes bibliographical references (p. 263-279) and indexISBN: 0814325785 (pbk. : alk. paper)LON: 12489365
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Cinema one / English Department, Adelaide College of Advanced Education Adelaide: English Department, Adelaide College of Advanced Education, 1977.
Call No: 64GEN CINCorpAuthor: Adelaide College of Advanced Education. English DeptPlace: AdelaidePublisher: English Department, Adelaide College of Advanced EducationPubDate: 1977PhysDes: iv, 109 p. : ill. ; 30 cmSeries: Cinema ; 1Subject: GENRES Notes: Bibliography: p.90LON: 2931776
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Yet to catalogue
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Cinema, politics and society in America / edited by Philip Davies and Brian Neve Manchester: Manchester University Press, 1981.
Call No: 45:32(73) CINAuthor: Davies, Philip, 1948- ; Neve, Brian Place: ManchesterPublisher: Manchester University PressPubDate: 1981PhysDes: 266 p. ; 22cmNotes: American cinema films. Sociopolitical aspects (BNB/PRECIS); Includes indexISBN: 0719018544 (pbk) : ª4.95 : CIP revLON: bnb71901854; 4276651
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Le cinema selon Hitchcock / F. Truffaut avec la collaboration de Helen Scott Paris: Laffont, 1966.
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Cinema Sewer : the adults only guide to history's sickest and sexiest movies! / edited by Robin Bougie Surrey, England: FAB Press, 2016.
Call No: 722.81 CINAuthor: Bougie, Robin (ed.) Edition: Fourth editionSource: UKPlace: Surrey, EnglandPublisher: FAB PressPubDate: 2016PhysDes: 1 volume : illustrations (black and white) ; 25 cmSeries: Cinema Sewer; 1Subject: PORNOGRAPHIC FILMS ; EROTIC FILMS ; HORROR FILMS ; SEX IN FILMS ; COMIC STRIPS AND THE CINEMA ; CRITICISM Summary: "A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, 'Cinema Sewer' joyously celebrates the sleaziest aspects of the moviegoing experience, whilst delving deep into bizarre cinematic history. Author and artist Robin Bougie dives deep to the bottom of the cesspool of horror and sexploitation , doing so in a distinctive manner that has made him infamous amongst a loyal following of cult film fans. The best of the first 12 long-out-of-print issues of the magazine have been exhaustively revised and collated here, along with almost 100 pages of never-before-seen material. " -- BOOK BACK COVERNotes: Includes bibliographical references and index.ISBN: 9781903254455
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Cinema / sound : Studies by members of the French Department of Yale University / Edited by Albert Feuillerat [New York: AMS Press, 1973].
Call No: 634 CINAuthor: Feuillerat, Albert, 1874-1953. ed CorpAuthor: Yale University. Dept. of FrenchEdition: Decennial volume. New Haven, Yale University Press, 1941Place: [New YorkPublisher: AMS PressPubDate: 1973]PhysDes: 353 p. ; 23 cmNotes: Original ed. issued in series: Yale Romanic studies, 18; Includes bibliographical referencesISBN: 0404532187LON: 72001658; 569598
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Old collection
book
Le cinema Suisse / Freddy Buache Lausanne, Switzerland: Editions L'age D'homme, 1974.
Call No: 71(494) BUAAuthor: Buache, Freddy Source: SWPlace: Lausanne, SwitzerlandPublisher: Editions L'age D'hommePubDate: 1974Subject: SWITZERLAND Summary: +Language: French
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Online resource
serial
Cinema (Switzerland) Zurich: Arbeitsgemeinschaft Cinema, Available at ProQuest (RMIT login required)
Call No: held 1974, no.3-1982, no.4 lacks 1976, no.2; -- IN STORAGE. OVERNIGHT RETRIEVALCorpAuthor: Cinema (Zurich, Switzerland)Source: SZPlace: ZurichPublisher: Arbeitsgemeinschaft CinemaPhysDes: v. : ill. ; 17-22 cmNotes: Published: Basel : Stroemfeld/Roter Stern, <1988-; "UnabhFangige schweizerische Filmzeitschrift."ISSN: 1010-3627Language: French or GermanFrequency: Annual, 1983; Formerly: Quarterly, <, 1982LON: 77640094; 1124810URL status: URL: 'https://search-proquest-com.ezproxy.lib.rmit.edu.au/publication/25359?accountid=13552'
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Levy Collection
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The cinema to-day / D. A. Spencer and H. D. Waley London: Oxford University Press, 1939.
Author: Spencer, D.A. ; Waley, H.D. Source: UKPlace: LondonPublisher: Oxford University PressPubDate: 1939PhysDes: 21 cm ; 191 p.Donation: donated by the family of Wayne Levy, 2006
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serial
Cinema (UK) Cambridge [Cambridgeshire?]: 1968.
Call No: held no.5-7 Feb.-Aug. 1970. -- LOOK IN C compilation BOXCorpAuthor: Cinema (1968)Source: UKPlace: Cambridge [Cambridgeshire?]PubDate: 1968PhysDes: vNotes: A quarterly magazine; Description based on : No. 5 (Feb. 1970); No. 6 & 7 (Aug. 1970) published from London, in association with Greengage Productions (London) and Rostrum Publications (Cambridge); No. 8 [(1971)]- published from London by Cinema Rising Ltd., in association with Rostrum Publications (Cambridge)LON: abn86028782; 4298714 6157668
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