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/ Donated by bfi Publishing More info |
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/ by Charles Dickens; re-told and edited by C.M. Martin Woodchester, England: Arthur's Press, (193-?). More info |
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in Sunday Herald Sun [Arts and entertainment] (23/8/2015) p.87 More info |
 title clippings file
blinky bill the movie in production |
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in Sunday Herald Sun [Arts & entertainment] (20 Sep 15) p.89 More info |
 title clippings file
visit, the (us, m. night shyamalan, 2015) |
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in Sunday Herald Sun [Arts & entertainment] (20 Sep 1989) p.89 More info |
 diary of a teenage girl, the (us, marielle heller, 2015) |
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in Sunday Herald Sun [Arts & entertainment] (20 Sep 15) p.89 More info |
 sicario (us, denis villeneuve, 2015) |
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in Sunday Herald Sun [Arts & Entertainment] (27/9/15) p.85 More info |
 pan (us, joe wright, 2015) |
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in Sunday Herald Sun [Arts & Entertainment] (27/9/15) p.85 More info |
 pan (us, joe wright, 2015) |
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in Sunday Telegraph [Insider] (27/9/15) p.120 More info |
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2 create in Sydney Morning Herald (22/02/2013) p.24 More info |
Interim  book |
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2nd regional cinema conference : 1 December 1999 program & notes [Australia]: [s.n.], 1999. More info |
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3:10 to Yuma in Empire (Australian Ed.) (July 2008) iss.88 p.106 More info |
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3 screenplays / Paul Cox Sydney: Currency Press, 1998. Call No: 792 COX Author: Cox, Paul, 1941 Place: Sydney Publisher: Currency Press PubDate: 1998 PhysDes: ix, 188 p. : ports. ; 21 cm Subject: COX, PAUL ISBN: 0868195472 : $24.95 LON: abn98035071; 13657110
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7th Cleveland international film festival : April 8-24, 1983 / Cleveland international film festival US: [s.n.], 1983. Call No: FESTIVAL CATALOGUE SHELVES Place: US Publisher: [s.n.] PubDate: 1983 PhysDes: 54 p. : ill. ; 21 cm Subject: FESTIVALS. USA [VARIOUS]; FOREIGN FILMS
USE: IMPORT OF FILMS Notes: The 7th Cleveland international film festival includes a program dedicated to showing a variety of feature length films from all over the world. The catalogue also includes film summaries and numerous black and white stills.
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16mm distribution / compiled by Judith Trojan & Nadine Covert New York: Educational Film Library Association, c1977. Call No: 30(-116) TRO Author: Trojan, Judith; Covert, Nadine CorpAuthor: Educational Film Library Association Place: New York Publisher: Educational Film Library Association PubDate: c1977 PhysDes: 181 p. ; 23 cm Subject: DISTRIBUTION; 16 MM FILMS Notes: Based on papers presented at a conference on 16mm film distribution held in Feb. 1976; Bibliography: p. 137-148 ISBN: 0875200001 : $6.00 LON: 1055509
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20th Century Fox : Darryl F. Zanuck and the creation of the modern film studio / Scott Eyman New York: Running Press, Call No: 19TWE EYM Author: Eyman, Scott Edition: 2021 Place: New York Publisher: Running Press PhysDes: 296 pages : illustrated ; 24 cm Subject: TWENTIETH CENTURY-FOX; ZANUCK, DARRYL F.; BORZAGE, FRANK; CHAPLIN, CHARLES; DUNNE, PHILIP; FORD, JOHN; HOW GREEN WAS MY VALLEY (US, John Ford, 1941); LONGEST DAY, THE (US, Ken Annakin & Andrew Marton & Bernhard Wicki, 1962); PARAMOUNT STUDIOS; POWER, TYRONE; SCHENCK, JOSEPH M.; SOUND OF MUSIC, THE (US, Robert Wise, 1965); TEMPLE, SHIRLEY; WAYNE, JOHN; TAYLOR, ELIZABETH Summary: From New York Times bestselling author Scott Eyman, this is the story of one of the most legendary and influential studios in film history, from its inception up to its demise in 2019.
March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood. One man, a legendary producer named Darryl F. Zanuck, is the heart of the story. This narrative tells the complete tale of Zanuck and the films, stars, intrigue, and innovations of the iconic studio that was. -- publisher's web site ISBN: 9780762470938
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25 : histories and memories of the Singapore International Film Festival / edited by Ben Slater. Singapore: Singapore International Film Festival Ltd., [2014]. Call No: 151(592.3) SLA Author: Slater, Ben Source: SI Place: Singapore Publisher: Singapore International Film Festival Ltd. PubDate: [2014] PhysDes: 121 pages : illustrations ; 21 cm Subject: SINGAPORE; FESTIVALS. SINGAPORE Summary: "The first Singapore International Film Festival took place in 1987 and was a ground-breaking event. On the occasion of the 25th edition, this publication takes a look back -- through articles and interviews -- at the Festival's past."--taken from back cover. Notes: Published on the occasion of 25th anniversary of the Singapore International Film Festival in 2014. ISBN: 9789810933234 Contents: Foreword; Wahyuni Hadi -- Introduction; 'Years of Plenty, Years of Famine: An Introduction to the Singapore International Film Festival' by Ben Slater -- Articles 'Where They Proffer The Unconventional: The Screening Spaces of the Singapore International Film Festival' by Toh Hun Ping -- 'In Praise of the Quiet Man' by Sandi Tan -- 'The Impact of Silver Screen Short Film Awards on Singapore Cinema' by Jan Uhde and Yvonne Ng Uhde -- 'The Last Singapore International Film Festival' by Ho Tzu Nyen -- Interviews; Skip Whitney -- Lesley Ho -- Nazir and Nisar Keshvani -- Neo Kim Seng -- Lok Meng Chue -- Kong Kam Yoke -- Anisah Aidid -- Vinita Ramani -- Philip Cheah -- Afterword Zhang Wenjie
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Interim  book |
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The 25th Anniversary of the Bulgarian Film : El 25 aniversario del cine Bulgaro / Film Bulgaria Film Distribution State Enterprise, Sofia, 1969 (approx.). More info |
Levy Collection  book |
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The 29th parallel : A South African journey / David Robbins London: Penguin, 1990. Author: Robbins, David Source: UK Place: London Publisher: Penguin PubDate: 1990 PhysDes: 301 p. : 21 cm Notes: First published: Shuter and Shooter, 1986 ISBN: 0140133666 Donation: donated by the family of Wayne Levy, 2006
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35 up : the book of the Granada TV series / Claire Lewis and Kelly Davis London: Network Books, 1991. More info |
Levy Collection  book |
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The 35mm handbook : a complete course from basic techniques to professional applications / Michael Freeman Melbourne: Thomas Nelson Australia, 1981. Author: Freeman, Michael Source: AT Place: Melbourne Publisher: Thomas Nelson Australia PubDate: 1981 PhysDes: 24 cm ; 320 p. ISBN: 0170060462 Donation: donated by the family of Wayne Levy, 2006
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50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975. Call No: 802.25 FIF Author: Cowie, Peter Place: South Brunswick, N.J. Publisher: A. S. Barnes PubDate: c1975 PhysDes: 287 p. : ill. ; 29 cm Subject: ANDERSON, LINDSAY; ANTONIONI, MICHELANGELO; BERGMAN, INGMAR; BERTOLUCCI, BERNARDO; BONDARCUK, SERGEJ; BRESSON, ROBERT; BROOKS, RICHARD; BUNUEL, LUIS; CHABROL, CLAUDE; DEMY, JACQUES; DONNER, JORN; DONSKOJ, MARK; FELLINI, FEDERICO; FORMAN, MILOS; FRANJU, GEORGES; FRANKENHEIMER, JOHN; HAANSTRA, BERT; HITCHCOCK, ALFRED; ICHIKAWA, JUN; IVENS, JORIS; JANCSO, MIKLOS; KAZAN, ELIA; KOZINCEV, GRIGORIJ; KUBRICK, STANLEY; KUROSAWA AKIRA; LOSEY, JOSEPH; LUMET, SIDNEY; MAKAVEJEV, DUSAN; MALLE, LOUIS; MELVILLE, JEAN-PIERRE; NEMEC, JAN; OSHIMA NAGISA; PASOLINI, PIER PAOLO; PENN, ARTHUR; POLANSKI, ROMAN; RAY, SATYAJIT; RESNAIS, ALAIN; ROHMER, ERIC; ROSI, FRANCESCO; SCHLESINGER, JOHN; SCHORM, EVALD; SKOLIMOWSKI, JERZY; TATI, JACQUES; TORRE NILSSON, LEOPOLDO; TROELL, JAN; TRUFFAUT, FRANCOIS; VISCONTI, LUCHINO; WAJDA, ANDRZEJ; WELLES, ORSON; WIDERBERG, BO Notes: Includes filmographies and index ISBN: 0498012557 : $20.00 LON: 723676 ID2: 291
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60 minutes : the book / compiled by John Burney and John Hallowes ; project co-ordinator Peter Meakin Melbourne: Angus and Robertson Publishers, 1983. Author: Burney, John; Hallowes, John Source: AT Place: Sydney; Melbourne Publisher: Angus and Robertson Publishers PubDate: 1983 PhysDes: xiv, 314 p. : ill., ports. ; 33 cm ISBN: 0207145180 Donation: donated by the family of Wayne Levy, 2006
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100 greatest hits of Australian cinema / edited by Scott Hocking Richmond, Vic.: Scribal Publishing, 2006. Call No: 71(94) HOC Author: Hocking, Scott Place: Richmond, Vic. Publisher: Scribal Publishing PubDate: 2006 PhysDes: 253 p. : col. ill. ; 29 cm. Subject: FILMOGRAPHIES. AUSTRALIA Summary: From indigenous issues and rites of passge, to sexual repression, mateship,larrikins and more, Australian film provides a cultural snapshot of our sunburnt country, as seen through the lenses of some of the world's finest filmmakers.
This is a pictorial celebration of the very best, in which Australia's leading critics and commentators discuss and dissect the country's most memorable movies - all in one magnificent volume. [Taken from back cover.] ISBN: 0977565602
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100 most important people in film today / complied by Empire London: Empire, 1999. Call No: 802 ONE Place: London Publisher: Empire PubDate: 1999 PhysDes: 106 p. Notes: Cover title; Stella Screen and Empire present the 100 most important people in fillm today... (p.3)
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100 westerns / Edward Buscombe London: British Film Institute, 2006. Call No: 736.1 BUS Author: Buscombe, Edward CorpAuthor: BFI Source: UK Place: London Publisher: British Film Institute PubDate: 2006 PhysDes: 248 p. : 17 cm Series: BFI Screen Guides Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.] ISBN: 1844571122
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100 years of Soviet cinema / edited by Daniel Fairfax Melbourne: The LedaTape Organisation, 2019. Call No: 71(47) FAI Author: Fairfax, Daniel Place: Melbourne Publisher: The LedaTape Organisation PubDate: 2019 PhysDes: 200 p. : col. ill. ; 24 cm. Series: a senses of cinema book Subject: USSR Summary: One hundred years of Soviet cinema?
How is this possible, if the USSR itself lasted barely seven decades before its spectacular demise in 1991?
How can we speak of the continued existence of Soviet cinema in the quarter-century since this apocalyptic event?
But from Battleship Potemkin to The Colour of Pomegranates, from Man with a Movie Camera to Stalker, from The Cranes Are Flying to Hard to be a God, cinema from the “sixth of the world” covered by the Soviet Union continues, indefatigably, to exist. Firstly, because films made during the era of Communist rule are still with us, even well after the social and political framework in which they were realised has perished. And secondly, because, even to this day, the history of the USSR looms large in the cinema of Russia and the other former Soviet republics, as contemporary filmmakers engage in the vast project of digesting the tragic history of the Soviet experiment.
The centenary of the October 1917 Russian revolution, when under Lenin’s leadership the Bolsheviks established the world’s first proletarian state, was marked by a major dossier on Soviet cinema in the Australian online film journal Senses of Cinema. This book is an augmented version of that dossier, collecting more than sixty articles on Soviet and post-Soviet films arranged in chronological order, and represents the first collaboration between Senses of Cinema and The Leda Tape Organisation. ISBN: 9780994411266 Donation: The LedaTape Organisation Contents: Introduction
The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks (1924)
Aelita (1924)
Strike (1924)
The Death Ray (1925)
Battleship Potemkin (1925)
One Sixth of the World (1926)
Mother (1926)
Stride, Soviet! (1926)
The End of St. Petersburg (1927)
The Girl with the Hatbox (1927)
October (1927)
The Fall of the Romanov Dynasty (1927)
Storm Over Asia (1928)
The House on Trubnaya (1928)
Arsenal (1929)
The New Babylon (1929)
The Old and the New (1929)
Man With a Movie Camera (1929)
Earth (1930)
Salt for Svanetia (1930)
Komsomol: Leader of Electrification (1932)
The Deserter (1933)
Three Songs of Lenin (1934)
A Severe Young Man (1935)
Alexander Nevsky (1948)
Ivan the Terrible Parts I and II (1944)
The Fall of Berlin (1950)
The Cranes Are Flying (1957)
Ballad of a Soldier (1959)
Letter Never Sent (1960)
Alyonka (1961)
Ilich’s Gate / I Am Twenty (1962/65)
The Wild Swans (1962)
Ivan’s Childhood (1962)
Hamlet (1964)
Soy Cuba (1964)
Operation Y and Shurik’s Other Adventures (1965)
Andrei Rublev (1966)
A Long Happy Life (1966)
Wings (1966)
We (1969)
The Colour of Pomegranates (1969)
Trial of the Road (1971)
Solaris (1972)
Mirror (1975)
The Irony of Fate, or I Hope You Have a Nice Bath! (1976)
The Ascent (1977)
Getting to Know the Big Wide World (1978)
Stalker (1979)
The Legend of Suram Fortress (1984)
Come and See (1985)
Days of the Eclipse (1986)
Little Vera (1988)
The Asthenic Syndrome (1989)
The Second Circle (1990)
The Chekist (1992)
Brother (1997)
Mother and Son (1998)
Khrustalyov, My Car! (1998)
Russian Ark (2003)
Blockade (2006)
Cargo (200 (2007)
A Stoker (2010)
Hard to Be a God (2013)
Leviathan (2014)
Index
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101 sci-fi movies you must see before you die / general editor Steven Jay Schneider Sydney: ABC Books, c2009. Call No: 735.1 ONE Author: Schneider ,Steven Jay (ed.) Source: AT Place: Sydney Publisher: ABC Books PubDate: c2009 PhysDes: 416 pages : illustrations (chiefly colour) ; 16 cm Subject: SCIENCE-FICTION FILMS; CRITICISM Summary: "Lists "must-see" science fiction movies in a chronological arrangement, providing information on director, producer, screenplay writer, music, and cast members, along with a review of each." -- LIBRARIES AUSTRALIA
"Voyage to the moon -- Metropolis -- Back to the Future -- Things to Come -- The Day the Earth Stood Still -- Forbidden Planet -- Invasion of the Body Snatchers -- The Incredible Shrinking Man -- La Jetée -- Children of Men -- Aelita -- Gojira -- Alphaville -- Planet of the Apes -- 2001: A Space Odyssey -- It Came From Outer Space -- A Clockwork Orange -- Solaris -- Sleeper -- La Planete Sauvage -- The Man Who Fell to Earth -- Star Wars -- Close Encounters of the Third Kind -- Stalker -- Alien -- The Empire Strikes Back -- E.T. the Extra-Terrestrial -- The Thing -- Blade Runner -- Videodrome -- Return of the Jedi -- The Terminator -- Brazil -- The Quiet Earth -- The Fly -- Aliens -- Akira -- Total Recall -- Terminator 2: Judgment Day -- Jurassic Park -- Independence Day -- Tetsuo -- The Matrix -- The Fifth Element -- Gattaca -- Logan's Run -- THX 1138 -- Open your eyes -- Dune -- TRON" -- BOOK BACK COVER Notes: "A Quintessence book" -- Title page verso; Includes index. ISBN: 9780733324956 Contents: -- Introduction -- The 1900s -- The 1910s -- The 1920s -- The 1930s -- The 1940s -- The 1950s -- The 1960s -- The 1970s -- The 1980s -- The 1990s -- The 2000s -- Index -- Contributors -- Picture credits --
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300: Rise of an empire in Sunday Herald Sun [SHS-News] (09/03/2014) p.79 More info |
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The 400 blows : a film / by Francois Truffaut from a filmscript by Francois Truffaut and Marcel Moussy ; edited by David Denby New York: Grove Press, c1969. More info |
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The 400 Blows / Francois Truffaut & Marcel Moussy Grove Press, 1969. Author: Truffaut, Francois; Moussy, Marcel Source: US Publisher: Grove Press PubDate: 1969 PhysDes: 255 p. : 18 cm : ill. Donation: donated by the family of Wayne Levy, 2006
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1001 movies you must see before you die / edited by Steven Jay Schneider Hauppauge, New York: Barron's, 2003. Call No: REFERENCE SECTION; 03 SCH; REFERENCE SECTION Author: Schneider, Steven Jay (ed.) Source: US Place: Hauppauge, New York Publisher: Barron's PubDate: 2003 PhysDes: 960 p. : col. ill. ; 22 cm Subject: FILMOGRAPHIES Summary: A comprehensive collection of films that no one should miss. From art house classics to westerns, this book contains reviews from a team of internationally published critics. ISBN: 0764157019 ID2: 55
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1001 tv shows you must watch before you die / general editor Paul Condon; foreword by Steven Moffat London: Quintessence Editions Ltd, 2003. Call No: REFERENCE SECTION; 03 CON; REFERENCE SECTION Author: Condon, Paul; Moffatt, Steven Source: US Place: London Publisher: Quintessence Editions Ltd PubDate: 2003 PhysDes: 960 p. : col. ill. ; 22 cm Subject: FILMOGRAPHIES ISBN: 9780857623423
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1973 - 1974 : le cinema Suisse a un tournant = der Schweizerfilm an einem wendepunkt = Swiss cinema at the crossroads / Claude Vallon Call No: 71(494) VAL Author: Vallon, Claude PhysDes: 7 p. ; 30 cm Subject: SWITZERLAND Summary: A snapshot of the Swiss film industry in 1973-1974
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1985 Academy Award nominees for best picture : Amadeus in American premiere (Winter 1985) vol.6 iss.1 p.10 More info |
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1986 challenges showman in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6 More info |
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The 1987 filmviews catalogue of new films and videos in Australian distribution / compiled by Peter Tapp with assistance from Paul Harris Albert Park, Vic: Filmviews, c1988. Call No: 027(94) FIL Author: Harris, Paul (compiled by); Tapp, Peter (compiled by) Source: AT Place: Albert Park, Vic Publisher: Filmviews PubDate: c1988 PhysDes: 297p : ill ; 30 cm Subject: AUSTRALIA; DISTRIBUTION. AUSTRALIA; FILM; FILMOGRAPHIES Summary: "The aim of the catalogue is to bring together, from a large number of independent sources, information on the availability of films and videos that went into Australian distribution in 1987, both Australian produced material and programmes brought in from overseas. This includes title produced on 35mm, 16mm, and all video formats, but not titles produced on Super 8. -- page 3 ISSN: 1031-4377 Contents: -- introduction -- section 1 - features and shorts (including home video releases) -- section 2 - educational, special interest and business oriented programmes -- title index -- director index -- personality index -- distributor's directory (key to distributors' codes) --
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The 1993 to 1994 Australian and New Zealand catalogue of New Films and Videos Australian Catalogue Publishing, Call No: 029(94 / 931) CorpAuthor: Film Victoria; South Australian Film Corporation; Australian Film Commission Source: AT Publisher: Australian Catalogue Publishing PhysDes: 470 p. ; 30 cm Subject: AUSTRALIA; NEW ZEALAND; DISTRIBUTION. AUSTRALIA; FILM; FILMOGRAPHIES Summary: "The 1993-94 Australian and New Zealand Catalogue of New Films and Videos is a guide to films and videos which Australian and New Zealand distributors have listed as available for loan, hire or sale to the general public" -- Introduction Notes: Pre-1990/91 eds. entitled: Australian catalogue of new films and videos; Produced with the financial assistance and support of the Australian Film Commission and Film Victoria and South Australian Film Corporation ISSN: 1035-8005 Contents: -- forward and introduction -- category headings -- distributors' codes and addresses -- section 1 feature films -- section 2 educational and special interest programmes -- title index -- director's index --
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2001, a space odyssey / Arthur C. Clarke London: Hutchinson, 1974. More info |
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2004 / edited by Charles Green Melbourne: National Gallery of Victoria, 2004. Call No: 771(94) TWO Source: AT Place: Melbourne Publisher: National Gallery of Victoria PubDate: 2004 PhysDes: 221 p. : col. ill. ; 17 x 17 cm Subject: EXPERIMENTAL FILMS; EXPERIMENTAL FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; UNDERGROUND FILMS. AUSTRALIA Contents: 2004 : mapping contemporary Australian art and new media / Charles Green -- Surveying the boundaries of nation : from montage to network / Victoria Lynn -- Roundtable. Always turning art back into politics / Philip Brophy ... [et al.] -- Essays. Body: Extreme makeover : the 21st century body / Isobel Crombie ; Boredom : Bored? / Anonda Bell ; Collaboration : The ethics of collaboration / Nikos Papastergiadis ; Critic : The artist, the director, the manager and their critic / Blair French ; Decades : Against pluralism / Rex Butler ; Epic : Slashing and storming and sinning our war across adventure's most violent age / Clare Stewart ; Fashion : Telling tales / Katie Somerville ; Hybrid : Attack of the killer hybrids / Adrian Martin ; Indigenous : Spirit, resonance and innovation : indigenous art 2002-04 / Judith Ryan ; Net : net.bytes / Melinda Rackham ; Painting : Fast-forward painting / Kelly Gellatly ; Reality TV : Beyond the shadow of reality / Catharine Lumby
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Abbott should back media change rules in Australian Financial Review [Editorials] (16/03/2015) p.42 Call No: SUBJECT CLIPPINGS FILE; MEDIA. AUSTRALIA Author: [editorial] PhysDes: Clippings File Article Subject: MEDIA AUSTRALIA; OWNERSHIP TV. AUSTRALIA; STATE AND TV. AUSTRALIA Summary: Supporting Communications Minister Malcolm Turnbull's push to 'liberate' Australia's media ownership laws, but worries that some established media companies are against the laws as they won't favour them. Notes: in the Media Australia. 2015 clippings file
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The ABC : aunt Sally and the sacred cow / Clement Semmler Carlton, Victoria: Melbourne University Press, 1981. More info |
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ABC has let its audience down in Sydney Morning Herald [General News] (1/05/2017) p.19 More info |
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The ABC in review : national broadcasting in the 1980s / reported / by the Committee of Review of the Australian Broadcasting Commission Canberra: Australian Government Publishing Service, 1981. Call No: 19ABC ABC Author: Dix, A. T. (Alexander Thomas), 1927 CorpAuthor: Committee of Review of the Australian Broadcasting Commission Source: AT Place: Canberra Publisher: Australian Government Publishing Service PubDate: 1981 PhysDes: 3 v. Subject: STATE AND TV. AUSTRALIA; AUSTRALIAN BROADCASTING COMMISSION; AUSTRALIAN BROADCASTING CORPORATION; HISTORY OF TV. AUSTRALIA; MEDIA AUSTRALIA; BROADCASTING. AUSTRALIA Summary: A report by the Committee of Review of the Australian Broadcasting Commission into the functions and activites of the ABC. Volume 1 is a brief report into the findings of the Committee of Review, Volume 2 holds the detailed reportage in relation to the functions and the history and future of the ABC, Volume 3 holds 'a detailed analysis of Australian attitudes to the Australian Broadcasting Commission' Notes: -- Includes bibliographical references.
-- Volume 1. Summary report and principal recommendations of the Committee of Review of the ABC --Volume 2.: The ABC in review: report. -- V. 3: population and program policy studies -- Chairman: A.T. Dix -- A.G.P.S. cat. no.: 81 1253 1 ISBN: 0642060568 (pbk. : v. 1) --
0642060576 (pbk. : v. 2) --
0642060584 (pbk. : v. 3) -- Donation: donated by M. S. Counihan Contents: Volume 1 -- Preface -- Part 1: Our General Conclusions -- National broadcasting in the 1980s-- Questions Australians would like answered about the ABC -- 1. Do we need an ABC? -- 2 Is the ABC used by only a minority of Australians? -- 3. Has the ABC's performance declined -- 4. How important is the ABC's independence? -- 5. Is the ABC ready for the challenge of broadcasting in the 1980s? -- 6. Why a National Broadcasting Organisation as well as an ABC? -- 7. Is the ABC's independence eroded by external controls? 8. Is there a morale problem in the ABC? -- 9. The ABC's internal problems: is it too bureaucratic? -- 10. The ABC's internal problems: is its organisation effective? -- 11. Should the ABC get more public money? -- 12. Should the ABC accept advertising? -- 13. Should the ABC make more money from marketing? -- 14. How much money can the ABC get from these other sources? -- 15. How appropriate is the ABC's financial management? -- 16. Is the ABC still the appropriate body to run schools broadcasts, symphony orchestras and Radio Australia? -- 17. Should he ABC have a second television channel? -- 18. Does the ABC take any notice of audience comments? 19. How much will the proposed changes cost? -- 20. Will the Committee of Review's recommendations be implemented? -- Part 2: Summary of principal recommendations -- Part 3: Our legislative recommendations
Volume 2 -- 1. Introduction -- 2. Summary of recommendations -- 3. The national broadcasting service: its place in the system -- 4. the origins and growth of national broadcasting in Australia -- 5. ABC independence and the public interest -- 6. The management of national broadcasting -- 7. The ABC and the audience -- 8. Development of the ABC'S radio networks -- 9. Development of the ABC's television network -- 10. Informing Australia: the ABC's primary role -- 11. Programming and programs -- 12. Some special program issues -- 13. The ABC and Australian content -- 14. The ABC and music -- 15. The ABC and education -- 16. Radio Australia -- 17. The ABC's archives and records -- 18. Merchandising -- 19. The funding of national broadcasting -- 20. Financial management and planning -- 21. Training -- 22. Personnel mnanagement and industrial relations -- 23. The oversea visits committee -- 24. Property and buildings -- 25. The national service transmitters and the planning of development -- 26. The structure of the organisation -- 27. Future issues for the ABC -- Attachments --
Volume 3 -- Part 1: National population study -- 1. Introduction to the report -- 2. Profiling the ABC audiences -- 3. The relationship between ABC and commerical audiences -- 4. Profiling other relevant media audience(s) -- 5. Awareness and knowledge of the ABC -- 6. The 'image' and 'position' of the ABC -- 7. ABC funding and relationship to government -- 8. The concept of sponsorship on ABC Television -- 9. Attitudes towards ABC radio and television program types -- 10. ABC ancillary services -- Part Two: ABC program policy study -- 1. Introduction -- 2. Overview of key findings -- 3. The ABC audience(s): contact, composition, targeting -- 4. Programming: development, evaluation, research and promotion -- 5: Commissioners and management: perceptions of role and effectiveness -- Part 3: The role of the ABC in the Australian community: an overview of results of two research studies -- 1. Introduction -- 2. Fact and fiction about ABC audiences -- 3. The image of the ABC -- 4. The measurement of audiences -- 5. Some future marketing and management issues for the ABC
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ABC must step up local content in The Australian [Editorial] (2/05/2017) p.13 Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION Author: [Editorial] PhysDes: Clippings File Article Subject: AUSTRALIAN BROADCASTING CORPORATION; PRODUCTION, TV. AUSTRALIA Summary: Comment on the recent essay by Kim Dalton on the ABC. This article agrees with Mr Dalton and urges the ABC to spend it's money on creating more Australian content and to move away from it's digital platforms
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The ABC of drama 1975-1990 / Elizabeth Jacka North Ryde, NSW: Australian Film, Television & Radio School, 1991. Call No: 264(94)ABC JAC Author: Jacka, Elizabeth CorpAuthor: Australian Film, Television and Radio School; Australian Film Commission Place: North Ryde, NSW Publisher: Australian Film, Television & Radio School PubDate: 1991 PhysDes: 147 p. ; 21 cm Subject: Australian Broadcasting Corporation. Drama Dept Notes: Commissioned by the Australian Film Commission ISBN: 0642160945 LON: abn91061549; 7827571
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ABC of DVD in Courier-Mail (04/09/2004) p.20? Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER Author: Fenech, Stephen Subject: DISTRIBUTION. DVD; DISTRIBUTION. DVD. AUSTRALIA; DVD, FILMS ON Summary: An overview of the DVD in Australia and it's popularity. Mentions the popularity of special features and director's cuts of films which make the DVD a very attractive option for consumers. Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- "Special features are another factor that have catapulted DVD ahead of VHS tape..."In purchase-intent research, 84 per cent of respondents indicated special features are worth spending extra money for," Grant says. "When offered a single-disc feature-only option, 61 per cent indicated that they were interested only in owning the film"
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ABC production : discussion paper on the future of ABC television production / Economic Development Committee [of the] Parliament of Victoria Melbourne: Parliament of Victoria, 1999. Call No: 210.61(94) ECO Author: Economic Development Committee of the Parliament of Victoria Source: AT Place: Melbourne Publisher: Parliament of Victoria PubDate: 1999 PhysDes: 22 pages ; 30 cm + 1 press statement + 1 letter Subject: AUSTRALIAN BROADCASTING CORPORATION; PRODUCTION TV AUSTRALIA; PRODUCTION, TV. AUSTRALIA; TV AND THE STATE. AUSTRALIA Summary: Paper details an inquiry into government funded national broadcasting and the concentration of the ABC's activities in Sydney. It proposes that the majority of the ABC's television production should be be incorporated into a distinct department or unit to be headquartered or run out of Melbourne, as this would provide significant cost savings to the ABC and would be consistent with the Victorian Government strategy of encouraging and developing high-tech exploitation of the State's artistic skills Contents: Chairman's foreword -- Part one: Inquiry overivew and aims of discussion paper -- Part two: Benefits to the ABC of locating non-news and current affairs television production in Melbourne -- Appendix 1: Terms of reference -- Appendix 2: Australian crew rates comparison
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Aboriginal and Torres Strait Islander broadcasting : discussion paper / a discussion paper prepared jointly by the Aboriginal and Torres Strait Islander Commission and the Department of Transport and Communications Aboriginal and Torres Strait Islander Commission and the Department of Transport and Communications, 1991. Call No: 210.6-054(=995.1)(94) ABO Source: AT Publisher: Aboriginal and Torres Strait Islander Commission and the Department of Transport and Communications PubDate: 1991 PhysDes: 66 pages ; 30 cm Subject: ABORIGINAL AUSTRALIANS AND TV; ABORIGINAL AUSTRALIANS ON TV Summary: Report on the situation of Aboriginal and Torres Strait Islander broadcasting in Australia and how changes in communications technology and funding may impact this Contents: Introduction -- Summary -- Aboriginal and Torres Strait Islander Broadcasting - What is it? -- The case for Aboriginal and Torres Strait Islander Broadcasting -- Historical Review -- Aboriginal and Torres Strait Islander Regional Media Associations -- Broadcasting for remote Aboriginal communities scheme (BRACS) -- Aboriginal and Torres Strait Islander Broadcasting on public radio stations -- Aboriginal and Torres Strait Islander use of national broadcasters -- Aboriginal and Torres Strait Islander involvement in commercial broadcasting -- training needs -- opportunities for Aboriginal and Torres Strait Islander involvement in emerging new services -- where next? -- attachments
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About 'India Song' and Marguerite Duras in Undercut (Aug 1981) vol.2 p.18-21 More info |
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About "Le Viol" in Melbourne Film Bulletin (April 1968) iss.2 p.26-27 More info |
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ABRAZOS ROTOS, LOS : Script / Directed by Pedro Almodovar SP: More info |
Levy Collection  book |
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Absolute beginners / Colin MacInnes Harmondsworth, Middlesex: Penguin Books, 1964. Author: MacInnes, Colin Source: UK Place: Harmondsworth, Middlesex Publisher: Penguin Books PubDate: 1964 PhysDes: 18 cm; 235 p. ISBN: 0140021426 Donation: donated by the family of Wayne Levy, 2006
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Accounting for tastes : Australian everyday cultures / Tony Bennett, Michael Emmison, John Frow Cambridge ; Melbourne: Cambridge University Press, 1999. More info |
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Acme! Projecting the 'nineties : a super 8 reader / edited by Shelley Kay Kings Cross, N.S.W.: Sydney Super 8 Film Group, 1989. Call No: 234.1-108S ACM Copy Management: Copy 1; Copy 2 Author: Kay, Shelley Place: Kings Cross, N.S.W. Publisher: Sydney Super 8 Film Group PubDate: 1989 PhysDes: 33 p. : ill., ports. ; 30 cm Notes: Cover title; Available from The Sydney Super 8 Film Group, PO Box 424, Kings Cross NSW 2011; Includes bibliographical references ISBN: 0731679059 : price unknown LON: abn89175009; 6491120
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Crawford collection  script |
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Acropolis now : series five. Episode nine. Torn between two lovers / written by Elizabeth Coleman and Peter Herbert AT: c1992. More info |
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Acropolis now : series five. Episode nine. Torn between two lovers / written by Elizabeth Coleman and Peter Herbert AT: c1992. Call No: SC ACR : 5.09 Author: Coleman, Elizabeth; Herbert, Peter Edition: Blocked script Place: AT PubDate: c1992 PhysDes: 33 leaves ; 30 cm Subject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes extensive annotations -- Accompanied by timings (2 leaves), rehearsal sheet (1 leaf) Donation: Gift of Crawford Productions
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Acropolis now : series five. Episode eleven. Confessions of a hair gel goddess / written by Mary Coustas AT: c1992. Call No: SC ACR : 5.11 Author: Coustas, Mary Edition: Release Place: AT PubDate: c1992 PhysDes: 36 leaves ; 30 cm Subject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Three copies -- Duplicate material kept in storage Donation: Gift of Crawford Productions
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Acropolis now : series five. Episode eleven. Confessions of a hair gel goddess / written by Mary Coustas AT: c1992. Call No: SC ACR : 5.11 Author: Coustas, Mary Edition: Shooting script Place: AT PubDate: c1992 PhysDes: 39 leaves ; 30 cm Subject: ACROPOLIS NOW [TV] (AT, 1989) Notes: Unpublished script -- Two copies -- Duplicate material kept in storage -- Includes extensive annotations -- Accompanied by call sheet ( 2 leaves) and 2 duplicate copies, rehearsal sheet (1 leaf), timing sheet (1 leaf) -- Credits: producer, Charles "Bud" Tingwell ; director, Andrew Friedman Donation: Gift of Crawford Productions
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[Acropolis now: series 1-2 album # 1] / Crawford Productions [1989]. Call No: CRAWFORD STILL ACR Source: AT PubDate: [1989] PhysDes: 40 slides : col. + 11 photographs : b&w. ; 26 X 21 cm. Subject: CRAWFORD PRODUCTIONS; ACROPOLIS NOW [TV] (AT, 1989) Summary: Photographs and slides relating to Acropolis Now, Series 1-2 Notes: Arrangement: Photographs are arranged chronologically by series and episode -- Accompanying each of the images is a 'title page' identifying information about the still, including actor and character names and in most cases episode number -- All slides are mounted in plastic frames' -- Duplicates are stored in the rare books room -- Series 1 includes 28 slides; Series 2 includes 11 x photograph and 12 slides Donation: Gift of Crawford Productions
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[Acropolis now: series 3-4 album # 2] / Crawford Productions [1989]. Call No: CRAWFORD STILL ACR Source: AT PubDate: [1989] PhysDes: 31 slides : col. + 18 photographs : b&w. 26 X 21 cm. Subject: CRAWFORD PRODUCTIONS; ACROPOLIS NOW [TV] (AT, 1989) Summary: Photographs and slides relating to Acropolis Now, Series 3-4 Notes: Arrangement: Photographs are arranged chronologically by series and episode -- Accompanying each of the images is a 'title page' identifying information about the still, including actor and character names and in most cases episode number -- All slides are mounted in plastic frames' -- Duplicates are stored in the rare books room -- Series 3 includes 15 slides + 18 photographs; Series 4 includes 16 slides. Donation: Gift of Crawford Productions
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Across the top : and other places / Malcolm Douglas and David Oldmeadow Adelaide: Rigby, 1972. More info |
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Acting male : masculinities in the films of James Stewart, Jack Nicholson, and Clint Eastwood / Dennis Bingham New Brunswick, N.J.: Rutgers University Press, 1994. Call No: 451-01 BIN Author: Bingham, Dennis, 1954 Place: New Brunswick, N.J. Publisher: Rutgers University Press PubDate: 1994 PhysDes: x, 271 p. : ill. ; 24 cm Subject: MEN IN FILMS; GENDER AND THE CINEMA; WESTERNS; SADISM / MASOCHISM IN FILMS; HITCHCOCK, ALFRED; Stewart, James; NICHOLSON, JACK; EASTWOOD, CLINT; LAST DETAIL, THE (US, Hal Ashby, 1973); BEGUILED, THE (US, Don Siegel, 1971); CHINATOWN (US, Roman Polanski, 1974); DIRTY HARRY (US, Don Siegel, 1971); HARVEY (US, Henry Koster, 1950); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); SHINING, THE (UK, Stanley Kubrick, 1980); TIGHTROPE (US, Richard Tuggle, 1984); UNFORGIVEN (US, Clint Eastwood, 1992); WHITE HUNTER, BLACK HEART (US, Clint Eastwood, 1990) Notes: Includes bibliographical references (p. [253]-263) and index ISBN: 0813520738; 0813520746 (pbk.) LON: 10548892
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Action / Directors Guild of America Hollywood, Calif.: The Guild, 1966-78. Call No: held v.5, no.1-v.11, no.9 Jan./Feb. 1970-Nov./Dec. 1978 lacks v.7, no.6; v.11, no.4-5; -- IN STORAGE. OVERNIGHT RETRIEVAL CorpAuthor: Directors Guild of America; Action (Hollywood, Calif.) Source: US Place: Hollywood, Calif. Publisher: The Guild PubDate: 1966-78 PhysDes: 11 v. : ill. ; 28 cm Subject: DIRECTORS. USA Notes: Issues for Sept./Oct. 1966- have subtitle "the magazine of the Directors Guild of America." ISSN: 0001-7361 Frequency: Bimonthly LON: sn 95006971; 12188595
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Action and adventure cinema / edited by Yvonne Tasker Abingdon, Oxon: Routledge, 2004. Call No: 730.3 TAS Author: Tasker, Yvonne Source: UK Place: Abingdon, Oxon Publisher: Routledge PubDate: 2004 PhysDes: 414 p. ; 25 cm Subject: ACTION FILMS; ADVENTURE FILMS; STARS; CHILDREN AND THE CINEMA; MELODRAMA; HISTORY OF CINEMA; GENDER AND THE CINEMA; VIOLENCE IN FILMS; WOMEN IN FILMS; WAR FILMS; MEN IN FILMS; MASCULINITY IN FILMS Summary: Traces the history of the action genre from its silent era beginnings. Examines action’s definition and how it works as well as critical reaction to the genre. Considers the social and political context (national identity, culture, gender, class, race and ethnicity) extending beyond Hollywood to Greece, Italy and Japan. Themes include aesthetics, industry and ideology. Examines individual films and serials The Hazards of Helen, The Wild Bunch, Dirty Dozen, Die Hard, Lara Croft: Tomb Raider and individual directors, including D.W. Griffith, Akira Kurosawa, Sam Peckinpah and Katherine Bigelow. Notes: Includes note and index. ISBN: 0 415 23507 3 Contents: Part 1. History, criticism and style -- 'Trauma thrills': notes on early action cinema -- The 'culture war' of sensational melodrama, 1910-14 -- 'Child of commerce! bastard of art!': early film melodrama -- Action-adventure as Hollywood genre -- 'Dwight MacDonald and the historical epic' -- Part 2. Theorising action aesthetics -- 'Get ready for rush hour': the chronotope in action -- The colapse of reality and illusion in "The matrix" -- Guns and gas: investigating the 1970s car chase -- "Saving Private Ryan's" 'special affect' -- Part 3. Gender, stars, bodies -- Ready for action: "G.I. Jane", Demi Moore's body and the female combat movie -- Mas Macha: the new Latina action hero -- Beauty in motion: gender, spectacle and action babe cinema -- "Breakdown": what masculinity, class and US action-adventure films -- Maximus melodramaticus: masculinity, masochism and white male paranoia in contemporary Hollywood cinema -- The family in action -- Part 4. Nation, ethnicity and stardom -- The Hong Kong/Hollywood connection: stardom and spectacle in transnational action cinema -- Europeans in action! -- Greek war film as melodrama: women, female stars, and the nation as vicim -- Spaghetti western, genre criticism and national cinema: re-defining the frame of reference -- Part 5. Action, authorship and industry -- Genre and violence in the work of Kurosawa and Peckinpah -- "The dirty dozen": the contradictory nature of screen violence -- 'It's aimed at kids - the kid in everybody': George Lucas, "Star wars" and children's entertainment -- Man's favourite sport?: the action films of Kathryn Bigelow -- 'They call me "action woman": the marketing of Mimi Leder as a new concept in the high concept 'action' film.
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Actor breaking the mould in Saturday Age [Careers] (23/01/2016) p.15 Call No: PERSONALITY CLIPPINGS FILE; BIRD MATHESON, GEMMA Author: Dondio, Karen PhysDes: Clippings File Article Subject: BIRD MATHESON, GEMMA Summary: Profile of Australian based actor Gemma Bird Mathieson and her thoughts on her career and opportunities working in Australia's media industries
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Actors, directors plead: don't devastate industry in Sydney Morning Herald [General news] (27/3/2018) p.10 Call No: TITLE CLIPPINGS FILE; NATIONAL CONTENT. AUSTRALIA Author: Galvin, Nick PhysDes: Clippings File_Article Subject: NATIONAL CONTENT. AUSTRALIA Summary: Short article on the recent open letter to the federal government from film/tv figures
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'Acts' soundtrack gives insights into afterlife in Encore (October 2007) vol.26 iss.10 p.28, 37 More info |
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Adaptation, awards culture, and the value of prestige / Edited by Colleen Kennedy-Karpat and Eric Sandberg Cham, Switzerland: Springer International Publishing, 2017. Call No: 753 ADA Author: Kennedy-Karpat, Colleen Place: Cham, Switzerland Publisher: Springer International Publishing PubDate: 2017 PhysDes: ix, illustrations (colour), 22cm Series: Palgrave studies in adaptation and visual culture Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; AUTHORSHIP; COMIC STRIPS; CULTURE AND THE CINEMA; INTERTEXUALITY; TARANTINO, QUENTIN; ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); MUSIC IN FILMS; WOLF HALL [TV] (UK, 2015) Summary: This book explores the intersection between adaptation studies and what James F. English has called the “economy of prestige,” which includes formal prize culture as well as less tangible expressions such as canon formation, fandom, authorship, and performance. The chapters explore how prestige can affect many facets of the adaptation process, including selection, approach, and reception. The first section of this volume deals directly with cycles of influence involving prizes such as the Pulitzer, the Man Booker, and other major awards. The second section focuses on the juncture where adaptation, the canon, and awards culture meet, while the third considers alternative modes of locating and expressing prestige through adapted and adaptive intertexts. This book will be of interest to students and scholars of adaptation, cultural sociology, film, and literature. -- [taken from publishers site] Notes: Includes index ISBN: 9783319528533 Contents: 1.Adaptation and Systems of Cultural Value / Eric Sandberg -- 2.The Pulitzers Go to Hollywood / Thomas Leitch -- 3.Beware of Imitations: All about Eve (1950) / Laurence Raw -- 4.Hilary Mantel's Wolf Hall(s) and the Circulation of Cultural Prestige / Eric Sandberg -- 5.Adapting Queerness, Queering Adaptation: Fun Home on Broadway / Joanna Mansbridge -- 6.Oliver's Auteurs: The Cases of Lean and Polanski / Jeffrey E. Jackson -- 7.Origins, Fidelity, and the Auteur: The Bengali Films of Tapan Sinha / Priyanjali Sen -- 8.The Fortunes of Jane Austen as Chick Lit and Chick Flick / Anne-Marie Scholz -- 9.Jazz, Prestige, and Five Great Gatsby Film Adaptations / Michael Saffle -- 10.Trash Cinema and Oscar Gold: Quentin Tarantino, Intertextuality, and Industry Prestige / Colleen Kennedy-Karpat -- 11.The Hollywood Remake Massacre: Adaptation, Reception, and Value / Laura Mee -- 12."How do I act so well?" The British "Shakespearean" Actor and Cultural Cachet / Anna Blackwell.
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Adaptations : from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan London New York: Routledge, 1999. Call No: 753 ADA Author: Cartmell, Deborah; Whelehan, Imelda Source: US/UK Place: London New York Publisher: Routledge PubDate: 1999 PhysDes: xvii, 247 p. : ill. ; 24 cm Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996) Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB Notes: Includes bibliographical references (p. 226-238) and index ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper) LON: 14255526 Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan
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Adaptations: from short story to big screen : 35 great stories that have inspired great films / edited by Stephanie Harrison New York: Three Rivers Press, c2005. Call No: 753.1 ADA Author: Harrison, Stephanie Edition: First edition Source: US Place: New York Publisher: Three Rivers Press PubDate: c2005 PhysDes: xix, 619 p. : ill. ; 24 cm Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985) Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET. Notes: Also issued online ISBN: 1400053145 Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --
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Adaptations in the sound era : 1927-37 / Deborah Cartmell London: UK Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, 2015. Call No: 753.1 CAR Author: Cartmell, Deborah Source: UK Place: London Publisher: UK Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc PubDate: 2015 PhysDes: vii, 166 pages ; 24 cm. Series: Bloomsbury adaptation histories Subject: ADAPTATIONS; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. SOUND PERIOD Summary: There is no disputing that the coming of sound heralded a new era for adaptations. We take it for granted today that a film is enhanced by sound but it was not a view unanimously held in the early period of sound cinema. While there was a substantial degree of skepticism in the late 1920s and early 30s about the advantages of sound, what we would call technophobia today, the inclusion of speech in screen versions of literary and theatrical works, undeniably revised what it was to be an adaptation: words. Focusing on promotional materials, Adaptations in the Sound Era tracks early attempts to promote sound through the elevation of words in adaptations in the early sound period. The popular appeal of these films clearly stands in opposition to academic regard for them and the book reflects on the presence and marketing of 'words' in a variety of adaptations, from the introduction of sound in the late 1920s to the mid 1930s. This book contextualizes a range of adaptations in relation to debates about 'picturizations' of books in the early sound era, including reactions to the talking adaptation by writers such as, Irwin Panofsky, Aldous Huxley and Graham Greene. Film adaptations of Shakespeare, Dickens, gothic fiction and biopics are also discussed in relation to their use and promotion of sound or, more precisely, words -- TAKEN FROM PUBLISHER'S SITE Notes: Formerly CIP.
Includes bibliographical references and index. ISBN: 9781623568788 Contents: Machine generated contents note: 1.Introduction: `Singin in the Rain': Adapting Literature to Film, 1927--37 -- 2.Sound Shakespeare -- 3.Sound Dickens -- 4.Gothic Adaptations `Sell It for Its Horror': 1931 Gothic/Horror Adaptations and the Victory of the Shadow -- 5.Biopic Adaptations: Adapting Charles Laughton -- 6.Adaptations for Children: From Pre-Code to Post-Code Hollywood -- 7.Conclusions: Radical Adaptations.
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Adapted for the screen : the cultural politics of modern Chinese fiction and film / by Hsiu-Chuang Deppman Honolulu: University of Hawai'i Press, c2010. Call No: 753(510) DEP Author: Deppman, Hsiu-Chuang Source: US Place: Honolulu Publisher: University of Hawai'i Press PubDate: c2010 PhysDes: viii, 243 p. : ill. ; 23 cm Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; LITERATURE AND THE CINEMA. CHINA; CITY OF SADNESS, A [; CHINA IN FILMS; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000); WO HU ZANG LONG (HK, Ang Lee, 2000); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991); RAISE THE RED LANTERN (CC/HK/TZ, Zhang Yimou, 1991)
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DAHONG DENGLONG GAOGAO GUA; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); RED ROSE WHITE ROSE (HK/TZ, Stanley Kwan, 1994) SEE
HONG MEI GUI BAI MEI GUI; HONG MEI GUI BAI MEI GUI (HK/TZ, Stanley Kwan, 1994); IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); IN THE MOOD FOR LOVE (HK, Wong Kar-Wai, 2000)
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FA YEUNG NIN WA; IN THE MOOD FOR LOVE [FA YEUNG NIN WA] (HK, Wong Kar-Wai, 2000); LITTLE CHINESE SEAMSTRESS (FR, Dai Sijie, 2002)
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BALZAC ET LA PETITE TAILLEUSE CHINOISE; BALZAC ET LA PETITE TAILLEUSE CHINOISE (FR, Dai Sijie, 2002); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986); TIME TO LIVE, THE TIME TO DIE, THE (TZ, Hou Hsiao-Hsien, 1986)
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TONG NIEN WANG SHI; TONG NIEN WANG SHI (TZ, Hou Hsiao-Hsien, 1986); PERSONALS, THE (TW, Kuo-fu Chen, 1998)
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ZHENG HUN QI SHI; ZHENG HUN QI SHI (TW, Kuo-fu Chen, 1998) Summary: "This book is the first to put these landmark films in the context of their literary origins and explore how the best Chinese directors adapt fictional narratives and styles for film. Delving equally into the individual approaches of directors and writers, Hsiu-Chuang Deppman initiates readers into the exciting possibilities emanating from the world of Chinese cinema. The seven in-depth studies include a diverse array of forms (cinematic adaptation of literature, literary adaptation of film, auto-adaptation, and non-narrative adaptation) and a variety of genres (martial arts, melodrama, romance, autobiography, documentary drama). Complementing this formal diversity is a geographical range that far exceeds the cultural, linguistic, and physical boundaries of China. The directors represented here also work in the U.S. and Europe and reflect the growing international resources of Chinese-language cinema." -- BOOK BLURB Notes: Formerly CIP; Includes bibliographical references (p. 215-233) and index ISBN: 9780824834548 Donation: donated by Senses of Cinema 2013 Contents: -- acknowledgments -- introduction -- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon -- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern -- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose -- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love -- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress -- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die -- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals -- conclusion -- notes -- bibliography -- selected filmography -- index --
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Adjust your set for some true blue TV in Daily Telegraph (19/11/2016) p.18 Call No: SUBJECT CLIPPINGS FILE; PRODUCTION, TV. AUSTRALIA Author: Dunk, Tiffany PhysDes: Clippings File Article Subject: PRODUCTION, TV. AUSTRALIA Summary: Report on the large amount of Australian television shows programmed for Australian TV networks in 2017. Quotes are Network Ten's Chief Programming Officer and the ABC's Director of Television
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Adrienne Pickering in Sun Herald [Sunday Life] (16/04/2017) p.1 More info |
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The Adventurers, a review in the form of an imaginary interview with Harold Robbins in Interview (1970) vol.1 iss.6 p.16-17 More info |
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The adventures of Antoine Doinel : Four screenplays by Francois Truffaut / Francois Truffaut New York: Simon and Schuster, 1971. Call No: 79ADV TRU Author: Truffaut, Francois Source: US Place: New York Publisher: Simon and Schuster PubDate: 1971 PhysDes: 320 p. : ill ; 23cm. Subject: SCRIPTS; TRUFFAUT, FRANCOIS; BAISERS VOLES (FR, Francois Truffaut, 1968); [FOUR HUNDRED] 400 BLOWS, THE [; AMOUR A VINGT ANS, L' (FR, Francois Truffaut, 1962); DOMICILE CONJUGAL (FR, Francois Truffaut, 1970) Summary: The screenplays of Truffaut's films Love at Twenty, Stolen Kisses and Bed And Board, and first treatment and notes for The 400 Blows. Notes: The 400 Blows, Love at Twenty, Stolen Kisses, Bed and Board, directed by Francois Truffaut and starring Jean Pierre Leaud as Antoine Doinel; Translated by Helen G. Scott ISBN: 671211218 Donation: donated by the family of Wayne Levy, 2006 ID2: 54
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The adventures of Barry Crocker : Bazza / Barry Crocker Sydney: Pan Macmillan, 2003. More info |
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The adventures of Figaro Pho : the fear of becoming a vampire (fledermausvamphobia) / written by Nathan Jurevicius & Dan Fill AT: 2011. More info |
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The adventures of Priscilla queen of the desert / Stephan Elliott Sydney: Currency Press, 1994. More info |
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Advertising as communication / Gillian Dyer New York: Methuen, 1982. Author: Dyer, Gillian Source: US Place: New York Publisher: Methuen PubDate: 1982 PhysDes: 19 cm ; 230 p. ISBN: 041674530X Donation: donated by the family of Wayne Levy, 2006
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The aesthetic pleasures of girl teen film / Samantha Colling New York: Bloomsbury Academic, 2017. Call No: 451-053.6(73) COL Author: Colling, Samantha Place: New York Publisher: Bloomsbury Academic PubDate: 2017 PhysDes: vii, 167 pages ; 24 cm. Subject: TEEN FILMS; YOUNG PEOPLE IN FILMS; MEAN GIRLS (US, Mark Waters, 2004); HAIRSPRAY (US, John Waters, 1988); HOUSE BUNNY, THE (US, Fred Wolf, 2008); WHAT A GIRL WANTS (US, Dennie Gordon, 2003) Notes: Includes bibliographical references and index. ISBN: 9781501349010 Contents: Cinderella's pleasures: the power and pleasures of costume -- Celebrity glamour: space, place and visibility -- Sporting pleasures: the body as aesthetic surface -- Musical address: expansion, confinement and kinaesthetic contagion -- Music video aesthetics: the affects of spectacle -- Conclusions and future research.
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Aesthetics of film / Jacques Aumont ... [et al.] ; translated and revised by Richard Neupert Austin: University of Texas Press, 1992. More info |
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AFC Documentary Fellowship : carving out new territory for the documentary in Encore (24 April-6 May 1987) vol.5 iss.6 p.18-19 More info |
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AFC stands on its record, Another $500,000 down the drain in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.2 More info |
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AFI Awards answer criticism with change in Filmnews (Australia) (Jun-91) vol.XXI iss.5 p.15 More info |
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AFI awards heading in right direction in Filmnews (Australia) (Dec-89) vol.XIX iss.11 p.7 More info |
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Africa at the pictures / [edited by Keith Shiri] London: National Film Theatre, 1993. More info |
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African cinema : politics & culture / Manthia Diawara Bloomington: Indiana University Press, 1992. More info |
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African cinema : politics and culture / Manthia Diawara Bloomington IN: Indiana University Press, 1992. Author: Diawara, Manthia Source: US Place: Bloomington IN Publisher: Indiana University Press PubDate: 1992 PhysDes: 24 cm ; 192 p. ISBN: 0253207070X Donation: donated by the family of Wayne Levy, 2006
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African film and literature : adapting violence to the screen / Lindiwe Dovey New York: Columbia University Press, 2009. Call No: 730.5.0(6) DOV Author: Dovey, Lindiwe Source: US Place: New York Publisher: Columbia University Press PubDate: 2009 PhysDes: xviii, 334 p. : ill. Series: Film and culture Subject: AFRICA IN FILMS; AFRICAN COUNTRIES; SOUTH AFRICA; SOUTH AFRICA IN FILMS; VIOLENCE IN FILMS; FOOLS (FR/SA/MZ/RH, Ramadan Suleman, 1996); TSOTSI (UK/SA, Gavin Hood, 2005); WALK IN THE NIGHT, A (SA, Mickey Madoda Dube, 1998); CRY THE BELOVED COUNTRY (US, Darrell Roodt, 1995); KARMEN GEÏ (SG/FR, Joseph Gaï Ramaka, 2001); GENESE, LA (ML/FR, Cheick Oumar Sissoko, 1999) Summary: "Analysing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey idenitifies a specific trend in contemporary African filmmaking - one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence." - TAKEN FROM BACK COVER ISBN: 9780231147552 Donation: donated by Senses of Cinema, 2012 Contents: Cinema and violence in South Africa -- Fools and victims : adapting rationalized rape into feminist film -- Redeeming features : screening HIV/AIDS, screening out rape in Gavin Hood's Tsotsi -- From black and white to "coloured" : racial identity in 1950s and 1990s South Africa in two versions of A walk in the night -- Audio-visualizing "invisible" violence : remaking and reinventing Cry, the beloved country -- Cinema and violence in francophone West Africa -- Losing the plot, restoring the lost chapter : Aristotle in Cameroon -- African incar(me)nation : Joseph Gai¨ Ramaka's Karmen gei¨ -- Humanizing the Old Testament's origins, historicizing genocide's origins : Cheick Oumar Sissoko's La gene`se
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After "happily ever after" : romantic comedy in the post-romantic age / edited by Maria San Filippo; foreword by Tamar Jeffers McDonald Detroit, Michigan: Wayne State University Press, 2021. Call No: 733.3 AFT Edition: 2021 Place: Detroit, Michigan Publisher: Wayne State University Press PubDate: 2021 PhysDes: xviii, 362 pages : illustrated ; 23 cm Series: Contemporary approaches to film and media series Subject: ROMANTIC COMEDY; ALLEN, WOODY; DON'T GO BREAKING MY HEART 2 [DAAN GYUN NAAM YU 2] (HK/C, Johnnie To, 2014); CRAZY RICH ASIANS (US, Jon M. Chu, 2018); HONG SANG-SOO; LINKLATER, RICHARD; UP IN SMOKE (US, Lou Adler, 1978) ISBN: 9780814346747
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After taste : cultural value and the moving image / edited by Julia Vassilieva and Constantine Verevis Abingdon: Routledge, 2012. Call No: 62(04) AFT Source: K Place: Abingdon Publisher: Routledge PubDate: 2012 PhysDes: viii, 173 pages ; 25 cm. Subject: B-MOVIES; CRITICISM; RECEPTION; AMATEUR FILMS; LOW BUDGET FILMS; CULTURE AND THE CINEMA; SOCIETY AND THE CINEMA; POPULAR CULTURE AND THE CINEMA Summary: In the wake of the debates over high/low culture distinction spilling into the effective dismantling of the boundary that once separated them, the past decade has seen the explosion of ‘bad taste’ production on screen. Starting with paracinema or ‘badfilm’ – a movement that has grown up around sleazy, excessive, or poorly executed B-movies and has come to encompass disreputable and unworthy films – this trend has been evident in various formats: on television and in video-art, low-budget and straight to TV films, amateur and home movies. The proliferation of trash on screen can be seen as delivering the final blow to the vexed issue of taste.
More importantly, it prompts a reconsideration of some critical issues surrounding production, circulation, understanding and teaching of ‘bad objects’ in the media. This collection of essays, written by international film and television scholars, provides detailed critical analysis of the issues surrounding judgements of cultural value and taste, feeling and affect, cultural morals and politics, research methodologies and teaching strategies in the new landscape of ‘after taste’ media. Addressing global and local developments – from global Hollywood to Australian indigenous film and television, through auteurs Sergei Eisenstein to Jerry Bruckheimer, on to examples such as Twilight to Sukiyaki Western Django – the essays in this book offer a range of critical tools for understanding the recent shifts affecting cultural, aesthetic and political value of the moving image.
This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies. Notes: Includes bibliographical references and index. ISBN: 9780415845939 Contents: 1. Introduction: after taste: cultural value and the moving image / Julia Vassilieva and Constantine Verevis -- Part I: Critical methods and approaches. 2. `An idleness bordering on the wacky': Paul Cox and the contradictions of an Australian art cinema / Adrian Martin -- 3. Hollywood: bad cinema's bad `other' / Jane Mills -- 4. Cultural value and viscerality in Sukiyaki Western Django: towards a phenomenology of bad film / Jane Stadler -- 5. Sergei Eisenstein's Que viva Mexico! through time: historicizing value judgement / Julia Vassilieva -- Part II: Taste and value. 6. Transitional tastes: teen girls and genre in the critical reception of Twilight / Lisa Bode -- 7. `Flesh dissolved in an acid of light': the B-movie as second sight / Simon Sellars -- 8. Making the commercial personal: the authorial value of Jerry Bruckheimer television / Tom Steward -- 9. Blowing chunks: Fear Factor, reality television and abjection as a disciplinary practice / Scott Wilson -- Part III: Feeling and affect. 10. Labours of love: home movies, paracinema, and the modern work of cinema spectatorship / Minette Hillyer -- 11. Dead time: cinema, Heidegger, and boredom / Richard Misek -- Part IV: Teaching bad objects forum. 12. Teaching bad objects: introduction / Jodi Brooks -- 13. The state of the discipline: film studies as bad object / Jodi Brooks -- 14. Beyond good/should/bad: teaching Australian Indigenous film and television / Therese Davis -- 15. Teaching Australian television studies / Belinda Smaill.
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Against the wind : a Pegasus production in association with the Seven Network / compiled by Brian Courtis, Graham White and Ian Marshall South Melbourne, Vic.: HSV7, c1978. More info |
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L'age d'or : and Un chien andalou / films by Luis Bunuel. Translated from the French by Marianne Alexandre New York: Simon and Schuster, [c1968]. Call No: 792 BUN Author: Bunuel, Luis, 1900-1983; Dali, Salvador, 1904-1989, joint author; Bunuel, Luis, 1900-1983. Chien andalou. English Place: New York Publisher: Simon and Schuster PubDate: [c1968] PhysDes: 120 p. illus. 21 cm Subject: AGE D'OR, L' (FR, Luis Bunuel, 1930); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) Notes: Scripts by L. Bunuel and S. Dali; "Filmography": p. 117-120 LON: 1880 1880
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The age of Whedon in Daily Telegraph [Best Weekend] (25/04/2015) p.12 More info |
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Agencies cool to new contract push in The Australian (31/10/2016) p.23 More info |
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Agnes of God / John Pielmeier & Leonore Fleischer [Seven oaks]: Coronet, 1986. More info |
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Agnes Varda between film, photography, and art / by Rebecca J. DeRoo Oakland, California: University of California Press, c2018. Call No: 81VAR DER Author: DeRoo, Rebecca J. Source: US Place: Oakland, California Publisher: University of California Press PubDate: c2018 PhysDes: x, 238 pages : illustrations ; 23 cm Subject: FILM; CRITICISM; FEMININITY IN FILMS; FEMINISM AND THE CINEMA; NOUVELLE VAGUE; MOVEMENTS AND STYLES IN FILM HISTORY; FRANCE; VARDA, AGNES; POINTE COURTE, LA (FR, Agnes Varda, 1954); BONHEUR, LE (FR, Agnes Varda, 1965); ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977); DAGUERREOTYPES (FR/G, Agnes Varda, 1978) Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVER Notes: Includes bibliographical references and index; Also issued online ISBN: 9780520279414 Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --
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Aids to teaching and learning / Helen Coppen Oxford: Pergamon Press, 1969. Author: Coppen, Helen Source: UK Place: Oxford Publisher: Pergamon Press PubDate: 1969 PhysDes: 20 cm ; 230 p. ISBN: 080129048 Donation: donated by the family of Wayne Levy, 2006
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Airport in Interview (1970) vol.1 iss.6 p.16-17 Author: Corliss, Richard PhysDes: Article Subject: SEATON, GEORGE; HUNTER, ROSS; AIRPORT (US, George Seaton, 1970) Summary: An extremely biting review of the film adaptation of Arthur Hailey's novel "Airport" that is at pains to position George Seaton's triumphs as an auteur filmmaker firmly in the past. Corliss also critiques producer Ross Hunter as playing a vital role in creating such a cliche-ridden film Notes: Review
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Albert and David Maysels : interviews / edited by Keith Beattie Jackson, Miss.: University of Mississippi, 2010. Call No: 81MAYSLES ALB Source: US Place: Jackson, Miss. Publisher: University of Mississippi PubDate: 2010 PhysDes: xxxix, 188 p. ; 24 cm Series: Conversations with filmmakers series Subject: MAYSLES, ALBERT; MAYSLES, DAVID; MAYSLES, ALBERT & DAVID ISBN: 9781604733655 Contents: Albert and David Maysles / Mark Shivas -- The Maysles Brothers and "direct cinema" / Maxine Haleff -- A discussion with the Maysles Brothers / James Blue -- An interview with the Maysles Brothers / Jonas Mekas -- A interview with Albert and David Maysles / Bob Sitton-- Salesman / Alan Rosenthal -- Circumstantial evidence : an interview with David and Albert Maysles / Robert Phillip Kolker -- Seeking to take the longest journey : a conversation with Albert Maysles / Calvin Pryluck -- Who's who in filmmaking : Albert Maysles / Judith Trojan -- "Doco direct" et al / Jane Castle -- Real artists shoot "real farmers" / Brooke Comer -- The making of concert of wills : making the Getty Center / Ann Hassett -- Man of the people / Brooke Comer -- Albert Maysles : all you need is love / Jackson Pellow -- Stories that tell themselves / Anne S. Lewis -- Albert Maysles / Liz Stubbs -- The force of reality in direct cinema : an interview with Albert Maysles / Sharon Zuber -- Maysles on DIFF, Castro, flies on walls, and the poetic eye / Marty Mapes -- Albert Maysles / Shana Liebman -- "A Bible salesman or the Rolling Stones : they're all just people" / Geoffrey Macnab -- Uncontrolled cinema : Albert Maysles / Williams Cole -- Reel life / Lance Avery Morgan
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Aldous Huxley and film / by Virginia M. Clark Metuchen, N.J.: Scarecrow Press, 1987. Call No: 81HUX VIR Author: Clark, Virginia M. (Virginia Martha) Place: Metuchen, N.J. Publisher: Scarecrow Press PubDate: 1987 PhysDes: xii, 155 p., [14] p. of plates : ill. ; 22 cm Subject: HUXLEY, ALDOUS Notes: Includes index; Filmography: p. 131-134; Bibliography: p. 135-141 ISBN: 0810820021 LON: 87012308; 5331399
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Alex / Tessa Duder Auckland: Penguin Books, 1989, c1987. More info |
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Alexander Dovzhenko: the poet as filmmaker : selected writings / edited and translated by Marco Carynnyk Cambridge, Massachusetts: MIT Press, 1973. More info |
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Alexander Kluge & The occasional work of a female slave / edited by Jan Dawson South Perth, W.A.: Perth Film Festival, 1975. More info |
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Alexander Payne : interviews / edited by Julie Levinson Jackson: University Press of Mississippi, 2014. Call No: 81PAYN ALE Source: US Place: Jackson Publisher: University Press of Mississippi PubDate: 2014 PhysDes: xxvii, 231 pages ; 24 cm Series: Conversations with filmmakers series Subject: PAYNE, ALEXANDER Summary: "In this first compilation of his interviews, Payne reveals himself as a captivating conversationalist as well. The discussions collected here range from 1996, shortly after the release of his first film, Citizen Ruth, to the debut of his film Nebraska. Over his career, he muses on many subjects including his own creative processes, his commitment to telling character-centered stories, and his abiding admiration for movies and directors from across decades of film history." -- BOOK BLURB Notes: Includes index ISBN: 9781628461091 Donation: donated by Senses of Cinema, 2014 Contents: Machine generated contents note: Writing and Directing Citizen Ruth: A Talk with Alexander Payne and Jim Taylor / Tod Lippy -- An Interview with Citizen Ruth Director Alexander Payne / Angie Drobnic -- Adapting and Directing Election: A Talk with Alexander Payne and Jim Taylor / Annie Nocenti -- Bringing on the Payne / Rob Blackwelder -- Fresh Air Interview with Alexander Payne / Terry Gross -- About Schmidt Director Alexander Payne Does Have Something Interesting to Say / Walter Chaw -- Interview: Alexander Payne / Jeff Otto -- Interview: Alexander Payne / Scott Tobias -- Alexander Payne: Sideways / Adrian Hennigan -- Alexander Payne / Kate Donnelly -- Alexander Payne: Staying Straight While Making Sideways / Brad Balfour -- Alexander Payne: Sideways Glance at America / Kenneth Turan -- Alexander Payne Talks The Descendants, Clooney, Next Black and White Film, New Trailer / Anne Thompson -- Alexander Payne on The Descendants and Why It's a Minor Work / Eric Kohn --
Contents note continued: Director's Chair: Alexander Payne's The Descendants / Iain Blair -- Filmmaker Alexander Payne on The Descendants / Edward Douglas -- Interview: Alexander Payne / Scott Tobias -- Payne Find His Way to The Descendants / Marshall Fine -- An Interview with Alexander Payne / Glenn Kenny -- Interview: Alexander Payne / Dave Davies -- Alexander Payne Talks The Descendants and His Next Two Projects, Nebraska and Wilson / Christina Radish -- Interview with Alexander Payne / Charlie Rose -- Alexander Payne Prefers Actors Who Can Communicate / Jennelle Riley -- The Lei of the Land: A Few Moments with Alexander Payne / Christy Grosz -- Director of The Descendants, Alexander Payne, Talks Bristling Egos and Putting Life on Film / J. Alanna Lawson -- Omaha and the Perfect Ending: The Alexander Payne Interview / Erich van Dussen -- Film Director Alexander Payne: Greece "Energizes My DNA!" / Demetrios Rhompotis --
Contents note continued: Whittling Birch Bark: A Conversation with Alexander Payne / Julie Levinson -- Director Alexander Payne on Nebraska / Damian Houx.
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Alfred Hitchcock / Filmoteca Nacional de Espana [Madrid]: Filmoteca Nacional de Espana, June 1978. Call No: 81 HIT HIT Edition: [1978] Place: [Madrid] Publisher: Filmoteca Nacional de Espana PubDate: June 1978 PhysDes: 182 p. : illus. ; 28 cm Subject: HITCHCOCK, ALFRED Language: Spanish
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Alfred Hitchcock / Gene D. Phillips London: Columbus Books, 1986. Call No: 81 HIT PHI Author: Phillips, Gene D. Source: UK Place: London Publisher: Columbus Books PubDate: 1986 PhysDes: [212] p. : ill., ports ; 22cm Series: Columbus filmmakers Subject: HITCHCOCK, ALFRED Notes: Originally published: Boston, Mass. : Twayne, 1984. --Includes bibliography and index. ISBN: 0862872081 Donation: Estate of Adrian Miles Contents: About the author --Editor's forward --Preface: "Alfred Hitchcock: Prankster of Paradox" --Acknowledgements --Chronology --1. Prologue: The Hitchcock Touch --2. The Twenties: The Silent Years --3. The Thirties: The Early Years of Sound --4. The Thirties: The Peak Years in Britain -- 5. The Forties: The Selznick Years --6. The Fifties: The Peak Years in Hollywood --7. "Alfred Hitchcock Presents": The Television Years --8. The Sixties and Seventies: The Vintage Years --9. Epilogue: The Touch of Class --Notes and References --Selected Bibliography --Filmography --Index
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Algerian cinema / edited by Hala Salmane, Simon Hartog and David Wilson London: British Film Institute, 1976. More info |
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Alice's Restaurant in Interview (1969) vol.1 iss.1 p.11 More info |
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Alien / edited by Richard J. Anobile ; screenplay by Dan O'Bannon London: Futura Publications, c1979. Call No: 79ALI ALI Place: London Publisher: Futura Publications PubDate: c1979 PhysDes: ca. [200] p. : chiefly col. ill. ; 28 cm. Subject: ALIEN (UK, Ridley Scott, 1979) Notes: A "movie novel" with "over 1,000 full-color photos" -- Cover. ISBN: 0708816886 LON: abn86321016; 4911811
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Alien : In space no one can hear you scream / Novelization by Alan Dean Foster ; screenplay by Dan O'Bannon ; story by Dan O'Bannon and Ronald Shusett London: Futura Publications, 1979. Author: Foster, Alan Dean Source: UK Place: London Publisher: Futura Publications PubDate: 1979 PhysDes: 253p,[8]p of plates : col ill ; 18cm. Notes: Also published: London : Macdonald and Jane's, 1979 ISBN: 0708816789 Donation: donated by the family of Wayne Levy, 2006
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Alien : the special effects / Don Shay and Bill Norton London: Titan Books, 1997. Call No: 236ALI SHA Author: Norton, Bill; Shay, Don Edition: First edition Source: UK Place: London Publisher: Titan Books PubDate: 1997 PhysDes: 144 p. : ill. (some col.), ports. (some col.) ; 21 x 23 cm Subject: SPECIAL EFFECTS; CINEMATOGRAPHY; TECHNOLOGY AND THE CINEMA; TECHNOLOGICAL DEVELOPMENTS; COSTUME DESIGNING; SCIENCE-FICTION FILMS; MONSTERS IN FILMS; COMPUTERS AND THE CINEMA; ALIEN (UK, Ridley Scott, 1979); ALIEN 3 (US, David Fincher, 1992); ALIENS (US, James Cameron, 1986) Summary: "Discover how the amazing special effects in Alien, Aliens, and Alien3 were achieved in this inside, in-depth, look behind the scenes. All the secrets of these visually stunning and innovative blockbuster films are contained in this first, exciting, collaboration between Titan books and respected special effects magazine Cinefex. " -- BOOK BLURB Notes: "This collection comprises three articles originally published in Cinefex magazine" - t.p. verso ISBN: 1852866950 Contents: -- alien: creating an alien ambience by Don Shay -- aliens: this time it's war by Don Shay -- alien3: zealots and xenomorphs by Bill Norton ---
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Alien zone : cultural theory and contemporary science fiction cinema / edited by Annette Kuhn London New York: Verso, 1990. Call No: 735.1 KUH Author: Kuhn, Annette Source: UK/US Place: London New York Publisher: Verso PubDate: 1990 PhysDes: viii, 231 p. : ill. ; 24 cm Subject: FEMINISM AND THE CINEMA; POSTMODERNISM AND THE CINEMA; SCIENCE-FICTION FILMS; SEX IN FILMS; TECHNOLOGY IN FILMS; ALIEN (UK, Ridley Scott, 1979); BLADE RUNNER (US, Ridley Scott, 1982) Notes: Includes bibliographical references (p. 229-231) ISBN: 0860912787; 0860919935 (pbk.) LON: 6923144 Contents: -- Introduction : cultural theory and science fiction cinema / Annette Kuhn -- Visions of the future in science fiction films from 1970 to 1982 / H. Bruce Franklin -- The alien messiah / Hugh Ruppersberg -- Commodity futures / Thomas B. Byers -- Technophobia / Michael Ryan and Douglas Kellner -- Making culture into nature / Michael Stern -- Feminism, humanism and science in Alien / James H. Kavanagh -- Feminism and anxiety in Alien / Judith Newton -- Primal conditions and conventions : the genre of science fiction / Daniel Dervin -- The virginity of astronauts : sex and the science fiction film / Vivian Sobchack -- Time travel, primal scene and the critical dystopia / Constance Penley -- Alien and the monstrous-feminine / Barbara Creed -- The doubles of fantasy and the space of desire / J.P. Telotte -- 'You've got to be fucking kidding!' : knowledge, belief and judgement in science fiction / Steve Neale -- Cataract surgery : cinema in the year 2000 / Paul Virilio -- Ramble city : postmodernism and Blade runner / Giuliana Bruno -- Who programs you? : the science fiction of the spectacle / Scott Bukatman -- Gynesis, postmodernism and the science fiction horror film / Barbara Creed -- Feminist futures : a generic study / Anne Cranny-Francis
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Alien zone II : the spaces of science-fiction cinema / edited by Annette Kuhn London New York: Verso, 1999. Call No: 735.1 KUH Author: Kuhn, Annette Place: London New York Publisher: Verso PubDate: 1999 PhysDes: 308 p. : ill. ; 20 cm Subject: SCIENCE-FICTION FILMS; CITIES IN FILMS; BODY IN FILMS; DIGITAL TECHNOLOGY; UTOPIA IN FILMS; FANS; INTERNET AND THE CINEMA; MASCULINITY IN FILMS; POSTMODERNISM AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; SPECTATORSHIP; ADAPTATIONS. WELLS, H.G.; VAN DAMME, JEAN-CLAUDE; SCHWARZENEGGER, ARNOLD; CREED, BARBARA; TRUMBULL, DOUGLAS; JOHNNY MNEMONIC (US, Robert Longo, 1995); THINGS TO COME (UK, William Cameron Menzies, 1936); BLADE RUNNER (US, Ridley Scott, 1982); ALIEN [...] (UK/US, 1979-92); ALIEN (UK, Ridley Scott, 1979); ALIENS (US, James Cameron, 1986); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); BRAZIL (UK, Terry Gilliam, 1985); DEMOLITION MAN (US, Marco Brambilla, 1993); MAX HEADROOM [TV] (US, 1987-89); METROPOLIS (G, Fritz Lang, 1926); TOTAL RECALL (US, Paul Verhoeven, 1990); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) Notes: Filmography: p. [276]-284; Includes bibliographical references (p. [285]-298) and index ISBN: 1859842593 (paper); 1859847463 (cloth) LON: 20466609
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Alison's birthday / Ian Coughlan Cammeray [N.S.W.]: Castle Books, 1981. Call No: N79ALI COU Author: Coughlan, Ian Source: Australia Place: Cammeray [N.S.W.] Publisher: Castle Books PubDate: 1981 PhysDes: 131 p., [15] p. of plates ; 18 cm Subject: ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979) Notes: Cover subtitle: An encounter with evil: a celebration you won't forget. ISBN: 0725511141
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All in the family : a critical appraisal / edited by Richard P. Adler New York, N.Y.: Praeger, 1979. More info |
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All is true / screenplay by Ben Elton [2018]. More info |
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All my yesterdays : an autobiography / Edward G. Robinson; with Leonard Spigelglass New York: Hawthorn Books, Author: Robinson, Edward G. Source: US Place: New York Publisher: Hawthorn Books PhysDes: 382p. : ill. ; 18cm ISSN: [1973] Donation: donated by the family of Wayne Levy, 2006
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All our yesterdays : 90 years of British cinema / edited by Charles Barr London: BFI Pub. In association with The Museum of Modern Art, New York, 1986. Call No: 71(41) ALL Author: Barr, Charles CorpAuthor: Museum of Modern Art (New York, N.Y.); British Film Institute Place: London Publisher: BFI Pub. In association with The Museum of Modern Art, New York PubDate: 1986 PhysDes: ix, 446 p. : ill. ; 23 cm Subject: UNITED KINGDOM Notes: Includes index; Filmography: p. 375-431; Bibliography: p. 432-435 ISBN: 0851701795 (pbk.) : ª12.95 LON: 4277883
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All quiet on the western front / Erich Maria Remarque Triad/ Granada Books, 1977. Author: Remarque, Enrich Maria Source: UK Publisher: Triad/ Granada Books PubDate: 1977 PhysDes: 192 p. ;18 cm ISBN: 583112315 Donation: donated by the family of Wayne Levy, 2006
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All Saints : Skeletons in the Closet, Episode 146 [2001]. More info |
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All Saints : Give &Take, Episode 6 1998. More info |
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All Saints. Ep. 102, Beyond All Praise : script, shooting script / director Scott Feeney [2000]. Call No: S ALL PubDate: [2000] PhysDes: 89 leaves Subject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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All Saints. Ep. 108, Twentieth Century Blues : script, shooting script / director Scott Hardford Davis [2000]. Call No: S ALL PubDate: [2000] PhysDes: 94 leaves Subject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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All Saints. Ep. 130, A Matter of Choice : script, shooting script / director Rob Stewart [2000]. Call No: S ALL PubDate: [2000] PhysDes: 85 leaves Subject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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All Saints. Ep. 132, Blockages : script, second draft / written by Bill Garner; edited by Anthony Ellis [2000]. Call No: S ALL Author: Garner, Bill PubDate: [2000] PhysDes: 102 leaves Subject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the Australian Writer's Guild; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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All Saints. Ep. 132, Blockages : script, first draft / written by Bill Garner; edited by Anthony Ellis [2000]. Call No: S ALL Author: Garner, Bill PubDate: [2000] PhysDes: 110 leaves Subject: ALL SAINTS [TV] (AT, 1998-) Notes: Unpublished script; Donated by the AWG; Copyright 2000 Network 7; Amalgamated Television Services Pty Ltd
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All the green year / D.E. Charwood [AT]: Angus and Robertson Publishers, 1965. Author: Charwood, D.E. Edition: 18 Source: AT Place: [AT] Publisher: Angus and Robertson Publishers PubDate: 1965 PhysDes: 183 p. ; 19cm ISBN: 0207143978 Donation: donated by the family of Wayne Levy, 2006
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All the green year / D. E. Charlwood Angus and Robertson, 1980, c1965. Author: Charlwood, D. E. Source: Australia Publisher: Angus and Robertson PubDate: 1980, c1965 PhysDes: 18 cm ; 183 p. ISBN: 0207143978 Donation: donated by the family of Wayne Levy, 2006
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All the grunt but no easy way to be home in Australian Financial Review (16/03/2007) p.8 Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER Author: Davidson, John Subject: BLU-RAY Summary: On the pros and cons of the PS3. Perhaps what is interesting is that this reviewer believes that the PS3 could become a great media centre one day due to PS3 allowing software to be able to be used to alter its operating system but it is far from it now. Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: -- Xbox Mod Chipped; -- Playstation 3
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All the rivers run : episode 3 / written by Colin Free ; edited by Betty Archer AT: c1982. Call No: SC ALL : 3 Author: Free, Colin Place: AT PubDate: c1982 PhysDes: 2 v. ; 34 cm Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, Pino Amenta Donation: Gift of Crawford Productions Contents: Two copies of All the Rivers Run, episode 3. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations
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All the rivers run : episode 4 / written by Colin Free ; edited by Betty Archer AT: c1982. Call No: SC ALL : 4 Author: Free, Colin Place: AT PubDate: c1982 PhysDes: 2 v. ; 34 cm Subject: ALL THE RIVERS RUN (AT, George T. Miller & Pino Amenta, 1983) Notes: Unpublished script -- Two copies -- Includes character list, script running order -- Credits: director, Pino Amenta Donation: Gift of Crawford Productions Contents: Two copies of All the Rivers Run, episode 4. One copy contains amendments and has many leaves with large crosses on them which appear to indicate scenes have been completed. The second copy has no amendments or annotations
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All the rivers run part two : storyline / Crawford Productions AT: c1984. Call No: SC ALL : 0 Place: AT PubDate: c1984 PhysDes: 39 leaves, bound ; 33 cm Subject: ALL THE RIVERS RUN II (AT, John Power, 1990) Notes: Storylines for 6 episodes of All The Rivers Run, part two Donation: Gift of Crawford Productions
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All the stars in heaven : Louis B. Mayer's M-G-M / Gary Carey London: Robson, 1982, c1981. Call No: 81MAY CAR Author: Carey, Gary Place: London Publisher: Robson PubDate: 1982, c1981 PhysDes: xiv, 320 p., [18] p. of plates : ill., ports ; 24 cm Subject: Metro-Goldwyn-Mayer; MAYER, LOUIS B. Notes: American cinema films. Production. Mayer, Louis B.. -Biographies (BNB/PRECIS); Originally published: New York : Dutton, 1981; Bibliography: p. 307-309; Includes Index ISBN: 0860511642 : ª7.95 : CIP rev LON: bnb86051164; 2151955
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All together now : "Hey Good Lookin'", episode 65, draft 4 / writer: Elizabeth Coleman 1992. More info |
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Allegories of cinema : American film in the sixties / David E. James Princeton, N.J.: Princeton University Press, 1989. Call No: 771.1(73) JAM Author: James, David E., 1945 Place: Princeton, N.J. Publisher: Princeton University Press PubDate: 1989 PhysDes: xiii, 388 p. : ill. ; 26 cm Subject: UNDERGROUND FILMS; POLITICAL FILMS; BLACK POWER FILMS; WOMEN AND THE CINEMA; ART CINEMA. USA; VIETNAM WAR FILMS; BRAKHAGE, STAN; ANGER, KENNETH; WARHOL, ANDY; MEKAS, JONAS; FILM ABOUT A WOMAN WHO... (US, Yvonne Rainer, 1974); EASY RIDER (US, Dennis Hopper, 1969) Notes: Includes index; Bibliography: p. 362-377 ISBN: 0691047553 (alk. paper); 0691006040 (pbk.) LON: 5820741 Contents: Stan Brakage, p29-57 -- Andy Warhol, p58-84 -- Jonas Mekas, p100-118 -- "Film that cannot be one: Kenneth Anger" p149-155 -- "Yvonne Rainer: Film about a woman who...", p326-334 -- "Allegories of production: Easy rider", p12-17 -- "Cinema and black liberation", p177-194 -- "Film and the war: representing Vietnam", p195-212 --
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Almost famous / Cameron Crowe London: Faber and Faber, 2000. Call No: 79ALM CAM Author: Crowe, Cameron, 1957 CorpAuthor: Sight and sound; Almost famous (Motion picture) Edition: Limited edition Place: London Publisher: Faber and Faber PubDate: 2000 PhysDes: 188 p. : ill., ports. ; 17 cm Series: Sight and sound Subject: ALMOST FAMOUS (US, Cameron Crowe, 2000) Summary: At the age of fifteen, rock journalist William Miller hits the road with Stillwater, the hot new band he's been asked to write a profile on Notes: "Limited edition supplement to Sight and Sound" ISBN: 057121245X LON: 22704718
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Alone in the light in Freeze Frame (June 1987) vol.1 iss.3 p.47 More info |
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Alphaville / a film by Jean-Luc Godard ; English translation and description of action by Peter Whitehead London: Lorrimer, 1966. Call No: 79ALP WHI Author: Godard, Jean-Luc, 1930; Whitehead, Peter Place: London Publisher: Lorrimer PubDate: 1966 PhysDes: 100 p., 24 p. of plates : ill. ; 21 cm Series: Modern film scripts ; 1 Subject: ALPHAVILLE (FR, Jean-Luc Godard, 1965) Notes: Script of the motion picture Alphaville, ou une Getrange aventure de Lemmy Caution, written and directed by Jean-Luc Godard LON: abn85181647; 3904205
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Alternative scriptwriting / Ken Dancyger and Jeff Rush Boston: Focal Press, 1995. More info |
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I Am A Girl in Australian Cinematographer (December 2012) iss.56 p.30-37 Author: Daly, Nicola PhysDes: Article Subject: DOCUMENTARY FILMS; BARRY, REBECCA; I AM A GIRL (US, Rebecca Barry, 2013) Summary: Renowned documentary director, Rebecca Barry discusses filming the documentary, 'I am a girl', exploring the stories of seven girls, in seven different countries, including India, Australia, Cambodia and Papua New Guinea
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The amazing careers of Bob Hope : from gags to riches / by Joe Morella, Edward Z. Epstein and Eleanor Clark London New York: W. H. Allen, 1974. More info |
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America in the dark : Hollywood and the gift of unreality / David Thomson New York: William Morrow & Co., Inc., 1977. Call No: 747.7 WAG Author: Thomson, David Place: New York Publisher: William Morrow & Co., Inc. PubDate: 1977 PhysDes: 288 p. ; 22 cm Notes: Binding in poor condition, please take care. ISBN: 0688032109
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America's Film Legacy : the authoritative guide to the landmark movies in the National Film Registry / by Daniel Eagan New York : London: Continuum, 2010. Call No: 71(73) EAG Author: Eagan, Daniel Source: US Place: New York : London Publisher: Continuum PubDate: 2010 PhysDes: xxvii, 818 p. : ill. ; 26 cm Subject: BEST FILMS; BEST FILMS. US; CRITICISM; FILM; HISTORY OF CINEMA; HISTORY OF CINEMA. USA; LIBRARY OF CONGRESS; USA Summary: "America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, Casablanca, The Godfather, and Toy Story. Others are more obscure - Blacksmithing Scene, Mom and Dad, Chulas Fronteras, and Free Radicals. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.
Each of the 500 titles in the National Film Registry is covered in a detailed essay that includes cast, credits, and major awards, as well as screening information. With over 100 illustrations and frame enlargements. " -- BOOK BLURB Notes: Formerly CIP ISBN: 9780826429773 Contents: -- acknowledgments -- introduction -- how to read the entries -- the 500 films, in chronological order -- an alphabetical list of the films -- the 500 films --
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The American animated cartoon : a critical anthology / edited by Danny Peary and Gerald Peary New York: Dutton, c1980. Call No: 772(73) AME Author: Peary, Gerald; Peary, Danny, 1949 Edition: 1st ed Place: New York Publisher: Dutton PubDate: c1980 PhysDes: x, 310 p. : ill. ; 23 cm Subject: ANIMATED FILMS. USA; ROAD RUNNER; DAFFY DUCK; GOOFY; MICKEY MOUSE; MIGHTY MOUSE; POPEYE; [MISTER] MR MAGOO; WARNER BROS.; FLEISCHER STUDIO; UPA; DISNEY, WALT; GRIFFIN, GEORGE; HUEMER, DICK; JONES, CHUCK; CLAMPETT, BOB; MCCAY, WINSOR; AVERY, TEX; BLANC, MEL; HUBLEY, FAITH & JOHN; HANNA, WILLIAM; BAKSHI, RALPH; BRAY, JOHN RANDOLPH; LANTZ, WALTER; HARMAN, HUGH; WRIGHT, PRESCOTT; MCKIMSON, ROBERT; TYTLA, VLADIMIR; DUMBO (US, Walt Disney, 1941); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); BAMBI (US, David Hand, 1942) Notes: Includes bibliographies and index ISBN: 0525476393 : $10.95 LON: 1776676
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American animated films : the silent era, 1897-1929 / Denis Gifford Jefferson, N.C.: McFarland & Co., 1990. Call No: 772(73) GIF Author: Gifford, Denis Place: Jefferson, N.C. Publisher: McFarland & Co. PubDate: 1990 PhysDes: p Subject: ANIMATED FILMS. USA Notes: Includes indexes ISBN: 0899504604 (lib. bdg. : alk. paper) LON: 7326628
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American-Australian cinema : transnational connections / edited by Adrian Danks, Stephen Gaunson and Peter C. Kunze Cham, Switzerland: Palgrave Macmillan, c2018. Available at ProQuest (RMIT login required) Call No: 408.3 (73/94) AME Author: Danks, Adrian (ed.); Gaunson, Stephen (ed.); Kunze, Peter C. (ed.) Source: SZ/AT Place: Cham, Switzerland Publisher: Palgrave Macmillan PubDate: c2018 PhysDes: xvii, 333 pages : illustrations ; 22 cm Subject: TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; NATIONAL CULTURE IN FILMS; AUSTRALIA; USA; GLOBALISATION; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); MAD MAX (AT, George Miller, 1979); NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008); BABADOOK , THE (AT, Jennifer Kent, 2014); PETER PAN (US, P.J. Hogan, 2003); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013) Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVER Notes: Includes bibliographical references and index ISBN: 9783319666754 Donation: Stephen Gaunson Contents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --
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The American cinema / edited by Donald E. Staples Washington: Voice of America, 1973. Call No: 71(73) AME Author: Staples, Donald E CorpAuthor: Voice of America (Radio program) Place: Washington Publisher: Voice of America PubDate: 1973 PhysDes: 420p. : plates ; 21cm Subject: USA LON: 9423130 9423130
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The American cinema / Donald E. Staples (ed.) [S.l.]: Voice of America, 1973. Source: US Place: [S.l.] Publisher: Voice of America PubDate: 1973 PhysDes: 21 cm ; 420 p. Series: Voice of America Forum Donation: donated by the family of Wayne Levy, 2006
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American directors : volume 1 / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983. Call No: 802.25(73) COU vol.1 Author: Coursodon, Jean-Pierre; Sauvage, Pierre Place: New York Publisher: McGraw-Hill PubDate: c1983 PhysDes: 2 v. ; 24 cm Subject: DIRECTORS. USA; BERKELEY, BUSBY; BORZAGE, FRANK; BROWN, CLARENCE; CAPRA, FRANK; CHAPLIN, CHARLES; CUKOR, GEORGE; CURTIZ, MICHAEL; DAVES, DELMER; DEMILLE, CECIL B.; DWAN, ALLAN; FLEMING, VICTOR; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; HUSTON, JOHN; KING, HENRY; LA CAVA, GREGORY; LANG, FRITZ; LEROY, MERVYN; LEWIS, JOSEPH H.; LUBITSCH, ERNST; MAMOULIAN, ROUBEN; MANN, ANTHONY; MCCAREY, LEO; PREMINGER, OTTO; SHERMAN, VINCENT; SIRK, DOUGLAS; STAHL, JOHN M.; VON STERNBERG, JOSEF; STEVENS, GEORGE; STURGES, PRESTON; TOURNEUR, JACQUES; ULMER, EDGAR G.; VIDOR, KING; WALSH, RAOUL; WELLMAN, WILLIAM; WILDER, BILLY; WYLER, WILLIAM Notes: Includes filmographies and indexes ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95 LON: 2198273
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American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983. Call No: 802.25(73) COU vol.2 Author: Coursodon, Jean-Pierre; Sauvage, Pierre Place: New York Publisher: McGraw-Hill PubDate: c1983 PhysDes: 2 v. ; 24 cm Subject: DIRECTORS. USA; ALDRICH, ROBERT; ALLEN, WOODY; ALTMAN, ROBERT; BOETTICHER, BUDD; BOGDANOVICH, PETER; BROOKS, RICHARD; CASSAVETES, JOHN; CASTLE, WILLIAM; COPPOLA, FRANCIS FORD; CORMAN, ROGER; DASSIN, JULES; DE PALMA, BRIAN; DMYTRYK, EDWARD; DONEN, STANLEY; EASTWOOD, CLINT; EDWARDS, BLAKE; FLEISCHER, RICHARD; FRANKENHEIMER, JOHN; FULLER, SAMUEL; HARRINGTON, CURTIS; KAZAN, ELIA; KELLY, GENE; KERSHNER, IRVIN; KUBRICK, STANLEY; LEWIS, JERRY; LOGAN, JOSHUA; LOSEY, JOSEPH; LUMET, SIDNEY; Lupino, Ida; MANKIEWICZ, JOSEPH L.; MINNELLI, VINCENTE; PARRISH, ROBERT; Peckinpah, Sam; PENN, ARTHUR; POLLACK, SYDNEY; POLONSKY, ABRAHAM; RAFELSON, BOB; RAFELSON, BOB; RAY, NICHOLAS; RITCHIE, MICHAEL; ROSSEN, ROBERT; SCORSESE, MARTIN; SIDNEY, GEORGE; SIEGEL, DON; SPIELBERG, STEVEN; STURGES, JOHN; TASHLIN, FRANK; WELLES, ORSON; WISE, ROBERT; ZINNEMANN, FRED Notes: Includes filmographies and indexes ISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95 LON: 2198273
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American Film / [edited by] George Clack [S.l.]: United States Information Agency, 1992. Author: Clack, George Source: US Place: [S.l.] Publisher: United States Information Agency PubDate: 1992 PhysDes: 93 p.: col. ill ; 28 cm. Notes: Source of title: Contents page. -- Contents: 100 years of Hollywood / by Richard Schickel -- The cinamatographer's art -- The current scene / by Michael Webb -- Wonders to behold : special effects / by George Turner -- The craft of costume design -- The movie business / by Cameron Stauth -- A Black perspective / by Karen Grigsby Bates -- Women directors / by Richard Schickel -- The stars ISBN: ? Donation: donated by the family of Wayne Levy, 2006
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American Film Festival / American Film Festival New York, N.Y.: Educational Film Library Association, 1963-1984. Call No: FESTIVAL CATALOGUE SHELVES; held 1963, 1979-1984 CorpAuthor: American Film Festival; Educational Film Library Association Source: US Place: New York, N.Y. Publisher: Educational Film Library Association PubDate: 1963-1984 PhysDes: 7 v. : ill. ; 28 cm Subject: FESTIVALS. USA [VARIOUS]; FESTIVALS. NEW YORK [VARIOUS]; DOCUMENTARY FILMS; ANIMATION; EDUCATIONAL FILM LIBRARY ASSOCIATION; SHORT FILMS Notes: The American Film Festival includes a showcase of films ranging from documentary to children's, experimental to educational. The catalogue also contains numerous black and white stills, film synopses and title index. LON: 930252 ID2: 103
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The American film industry / edited by Tino Balio Madison, Wis.: University of Wisconsin Press, c1985. Call No: 71(73) AME Author: Balio, Tino Edition: Rev. ed Place: Madison, Wis. Publisher: University of Wisconsin Press PubDate: c1985 PhysDes: xi, 664 p. : ill. ; 23 cm Subject: USA; INDUSTRY, FILM. USA Notes: Includes indexes; Bibliography: p. 633-643 ISBN: 0299098745 (pbk.) : $14.95; 0299098702 (hard) : $32.50 LON: 3666491 3666491
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The American Film Institute's guide to college film courses 1971-1972 / editorial supervisor Joseph E Despenza; editor Dorothy I. Wells Chicago IL: American Library Association, 1971. CorpAuthor: The American Film Instsitute Source: US Place: Chicago IL Publisher: American Library Association PubDate: 1971 PhysDes: 181p. ; 22cm ISBN: 0838901174 Donation: donated by the family of Wayne Levy, 2006
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American history/American film : interpreting the Hollywood image / edited by John E. O'Connor and Martin A. Jackson ; foreword by Arthur M. Schlesinger, Jr New York: Ungar, c1979. Call No: 409(73) AME Author: O'Connor, John E; Jackson, Martin A Place: New York Publisher: Ungar PubDate: c1979 PhysDes: xxix, 290 p. : ill. ; 22 cm Subject: NATIONAL IDENTITY IN FILMS. USA; NATIONAL CULTURE AND THE CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLACK CINEMA. US; WORKING CLASS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; HISTORICAL FILMS. USA; WORLD WAR II FILMS. USA; HISTORY AND THE CINEMA. USA; STEAMBOAT ROUND THE BEND (US, John Ford, 1935); SCAR OF SHAME, THE (US, Frank Peregini, 1927); PUBLIC ENEMY, THE (US, William Wellmen, 1931); WAY DOWN EAST (US, David Wark Griffith, 1920); BIG PARADE, THE (US, King Vidor, 1925); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); MISSION TO MOSCOW (US, Michael Curtiz, 1943); BEST YEARS OF OUR LIVES, THE (US, William Wyler, 1946); RED RIVER (US, Howard Hawks, 1948); VIVA ZAPATA (US, Elia Kazan, 1952); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); BONNIE AND CLYDE (US, Arthur Penn, 1967); ROCKY (US, John G. Avildsen, 1976) Notes: Includes index; Bibliography p. 279-282 ISBN: 0804422635 : $12.50; 0804466165(pbk. :) $3.95 LON: 1282547
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American history, American television : interpreting the video past / edited by John E. O'Connor ; foreword by Erik Barnouw New York: Ungar, c1983. Call No: 45:93 OCO Author: O'Connor, John E Source: US Place: New York Publisher: Ungar PubDate: c1983 PhysDes: xliii, 420 p. : ill. ; 22 cm Series: Ungar film library Subject: HISTORY AND TV.USA; ALLEN, ROBERT; AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); ETHNIC GROUPS AND TV; BRIAN'S SONG (US, Buzz Kulik, 1971); BUSH [GEORGE SNR.] ON TV; COLD WAR ON TV; COMEDY PROGRAMMES. USA; COMMERCIALS.TV.USA; KENNEDY FAMILY ON TV; MARTY (US, Delbert Mann, 1954); MILTON BERLE SHOW, THE (US, 1954-56); NEWS PROGRAMMES.USA; NIXON [RICHARD M.] ON TV; POLITICAL PERSONALITIES ON TV.USA; POLITICS AND TV. USA; ROOTS [TV] (US, 1977); SEE IT NOW [TV] (US, 1951-58); SOAP OPERAS. USA; YOU ARE THERE [TV] (US, Sydney Lumet, 1953-55) Notes: Includes index; Bibliography: p. 395-405 ISBN: 0804426686 : $13.50; 0804466211 (pbk.) : $7.95 LON: 2795583
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American horrors : essays on the modern American horror film / edited by Gregory A. Waller Urbana: University of Illinois Press, c1987. Call No: 735.2 WAL Author: Waller, Gregory A. (Gregory Albert), 1950 Place: Urbana Publisher: University of Illinois Press PubDate: c1987 PhysDes: 228 p., [10] p. of plates : ill. ; 23 cm Subject: HORROR FILMS. USA; DE PALMA, BRIAN; POLANSKI, ROMAN; HALLOWEEN (US, John Carpenter, 1978); HELL NIGHT (US, Thomas De Simone, 1981); HOWLING, THE (CN, Joe Dante, 1981); REPULSION (UK, Roman Polanski, 1965); LOCATAIRE, LE (FR, Roman Polanski, 1976); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); EXORCIST, THE (US, William Friedkin, 1973); EYES OF LAURA MARS (US, Irvin Kershner, 1978); EYES OF A STRANGER (US, Ken Wiederhorn, 1981); DRESSED TO KILL (US, Brian De Palma, 1980); FRIDAY THE 13TH [...] (US, 1980-) Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219 ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper) LON: 5194657
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American independent cinema : a sight and sound reader / edited by Jim Hillier London: British Film Institute, 2001. Call No: 71(73) AME Author: Hillier, Jim Place: London Publisher: British Film Institute PubDate: 2001 PhysDes: xvii, 283 p. : ill., ports. ; 24 cm Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992) ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99 LON: 20980358
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American-Jewish filmmakers : traditions and trends / David Desser and Lester D. Friedman Urbana: University of Illinois Press, 1993. Call No: 802.25-054(=924) DES Author: Desser, David; Friedman, Lester D Place: Urbana Publisher: University of Illinois Press PubDate: 1993 PhysDes: x, 318 p. : ill. ; 23 cm Subject: ALLEN, WOODY; BROOKS, MEL; LUMET, SIDNEY; MAZURSKY, PAUL; JEWS AND THE CINEMA. USA; DIRECTORS. USA; JEWS IN FILMS. USA Notes: "An Illini book"--Cover; Includes bibliographical references (p. [297]-307) and index ISBN: 0252015649 (cl : acid-free paper); 0252063015 (pb : acid-free paper) LON: 9606171 Contents: Woody Allen, p36-104 -- Mel Brooks, p105-159 -- Sidney Lumet, p160-223 -- Paul Mazursky, p224-279
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The American movie / written by William K. Everson ; designed by Everett Aison New York: Atheneum, 1963. Call No: 71(73) EVE Author: Everson, William K Place: New York Publisher: Atheneum PubDate: 1963 PhysDes: 149 p. : ill. ; 19 cm Subject: USA LON: 1760404
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American nightmare : Essays on the horror film / Edited by Robin Wood and Richard Lippe Toronto: Festival of Festivals, 1979. Call No: 735.2 WOO Author: Wood, Robin; Lippe, Richard Edition: 1979 Place: Toronto Publisher: Festival of Festivals PubDate: 1979 PhysDes: 21 cm ; 100 pages Subject: NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NOSFERATU: PHANTOM DER NACHT (GW/FR, Werner Herzog, 1979); ASSAULT ON PRECINCT 13 (US, John Carpenter, 1976); SISTERS (US, Brian De Palma, 1972); JAWS (US, Steven Spielberg, 1975); COHEN, LARRY; ROMERO, GEORGE; EXORCIST, THE (US, William Friedkin, 1973)
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Odyssee americaine. English / Elia Kazan ; edited by Michael Ciment London: Bloomsbury, 1988. Call No: 81KAZ CIM Author: Kazan, Elia; Ciment, Michel, 1938 Place: London Publisher: Bloomsbury PubDate: 1988 PhysDes: 237 p. : ill., ports ; 27cm Subject: KAZAN, ELIA Notes: Translation of: Une odyssee americaine ISBN: 0747502412 (pbk) : ª12.95 : CIP rev LON: bnb74750241; 5807928
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American silent film / William K. Everson New York: Oxford University Press, 1978. More info |
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American television during a television presidency / edited by Karen McNally Detroit, Michigan: Wayne State University Press, April 2022. Call No: 49[32](73) AME Author: McNally, Karen Edition: 2022 Place: Detroit, Michigan Publisher: Wayne State University Press PubDate: April 2022 PhysDes: 336 pages ; 24 cm Series: Contemporary approaches to film and media Subject: TELEVISION. USA; TRUMP, DONALD; APPRENTICE, THE [TV] (US, 2004); CHERNOBYL [TV] (US/UK, 2019); POLITICS AND TV. USA; GOOD WIFE, THE [TV] (US, 2009); BLACKLISTING. USA; PLOT AGAINST AMERICA (US, 2020); SATURDAY NIGHT LIVE [TV] (US, 1975-); STAR TREK [ GENERAL]; AMERICAN HORROR STORY [TV] (US, 2011) Summary: In American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind.
The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors - an international group of scholars from a variety of academic disciplines- illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era.
Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection. -- publisher's web site ISBN: 9780814349359 Donation: Senses of Cinema
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The American vein : directors and directions in television / Christopher Wicking and Tise Vahimagi London: Talisman Books, 1979. More info |
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The Americans, baby : a discontinuous narrative of stories and fragments / Frank Moorhouse Sydney: Angus and Robertson, 1972. Call No: N79AME MOO Author: Moorhouse, Frank Source: AT Place: Sydney Publisher: Angus and Robertson PubDate: 1972 PhysDes: 220 p. ; 20 cm Subject: GIRL WHO MET SIMONE DE BEAUVOIR IN PARIS, THE (AT, Richard Wherrett, 1980); GIRL FROM THE FAMILY OF MAN, THE (AT, Michael Thornhill, 1970); AMERICAN POET'S VISIT, THE (AT, Michael Thornhill, 1969); MACHINE GUN, THE (AT, Michael Thornhill, 1971) ISBN: 0207124914 Donation: donated by the family of Wayne Levy, 2006
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L'amour du cliche in Vertigo (1991) iss.6/7 p.167-169 Author: Daniel Percheron Subject: AESTHETICS Summary: Considers the use of certain directors of cliched visuals or situations. In French.
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Amy in Sunday Herald Sun (28/06/2015) p.83 Call No: TITLE CLIPPINGS FILE; AMY (UK, Asif Kapadia, 2015) Author: Dent, Nick PhysDes: Clippings File Article Subject: AMY (UK, Asif Kapadia, 2015) Summary: Review of the documentary AMY Rating: 3.5 out of 5 stars
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Anarchists in films / by Pietro Ferrua Portland, Or.: P. Ferrua, 1983. More info |
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Anatole Dauman : pictures of a producer / [edited by] Jacques Gerber ; translated by Paul Willemen London: BFI Pub., 1992. More info |
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Anatomy of a Chase in Lumiere (December, 1972) iss.19 p.10-13 More info |
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Anatomy of film / Bernard F. Dick New York -- Hampshire: St Martins Press -- Macmillan Press, 1998. Call No: 62 DIC Author: Dick, Bernard F Edition: Third edition Source: US/UK Place: New York -- Hampshire Publisher: St Martins Press -- Macmillan Press PubDate: 1998 PhysDes: xv, 302 pages : illustrations ; 23 cm Subject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965); ALLEN, WOODY; BOGART, HUMPHREY; CAPRA, FRANK; CITIZEN KANE (US, Orson Welles, 1941); HITCHCOCK, ALFRED; PSYCHO (US, Alfred Hitchcock, 1960); WELLES, ORSON; WILDER, BILLY Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back cover Notes: Previous ed.: 1990 -- Includes bibliographical references and index ISBN: 0312153996 Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library
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Anatomy of motion picture art / Eric Elliott Territet, Switzerland: Pool, 1928]. Call No: 623 ELL Author: Elliott, Eric Place: Territet, Switzerland Publisher: Pool PubDate: 1928] PhysDes: 151 p. ; 20 cm Subject: CINEMATOGRAPHY; CONTINUITY Notes: Includes index LON: abn84031927; 3064414
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Anatomy of the movies / edited by David Pirie London: W. H. Smith & Son Ltd, 1981. Call No: 201(73) ANA Author: Pirie, David Source: UK Place: London Publisher: W. H. Smith & Son Ltd PubDate: 1981 PhysDes: 320 p. : illus. ; 26 cm Subject: INDUSTRY, FILM. USA Summary: Inside the film industry: the money, the power, the people, the craft, the movies. Notes: Includes index. ISBN: 0711200645 ID2: 228
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And so farewell Bob the clown, Bob the hero in Weekend Australian [Inquirer] (09/04/2016) p.23 Call No: PERSONALITY CLIPPINGS FILE; ELLIS, BOB Author: Craven, Peter PhysDes: Clippings File Article Subject: ELLIS, BOB Summary: An article paying homage to writer, critic and commentator Bob Ellis who has recently dies
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And the losers are... in Filmnews (Australia) (Nov-88) vol.XVIII iss.10 p.07-Oct More info |
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Andre Bazin / Dudley Andrew ; foreword by Francois Truffaut New York: Columbia University Press, 1990. Call No: 81BAZ AND Author: Andrew, Dudley, 1945 Edition: Morningside ed Place: New York Publisher: Columbia University Press PubDate: 1990 PhysDes: xxi, 277 p. : ill. ; 22 cm Subject: BAZIN, ANDRE Notes: "Appendix, 'Andre Bazin from 1945 to 1950: the time of struggles and consecration,' by Jean-Charles Tacchella."; Reprint. Originally published: London : Oxford University Press, 1978; Includes bibliographical references (p. 261-272) and index ISBN: 0231073984 (acid-free paper); 0231073992 (pbk. : acid-free paper); 023173984 (cover) LON: 90039363; 7329950
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Andre Bazin / Dudley Andrew ; foreword by Francois Truffaut New York: Oxford University Press, 1978. Call No: 81BAZ AND Author: Andrew, Dudley, 1945 Place: New York Publisher: Oxford University Press PubDate: 1978 PhysDes: xi, 253 p. : ill. ; 22 cm Subject: BAZIN, ANDRE Notes: Includes bibliographical references (p. 236-247) and index ISBN: 0195021657 : $11.95 LON: 77009409; 861550
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Andrzej Wajda : history, politics, and nostalgia in Polish cinema / by Janina Falkowska New York: Berghahn Books, 2007. Call No: 81WAJ FAL Author: Falkowska, Janina Source: US Place: New York Publisher: Berghahn Books PubDate: 2007 PhysDes: viii, 340, [8] p. of plates : ill., plates ; 24 cm Subject: HISTORY AND THE CINEMA. POLAND; POLITICS AND THE CINEMA. POLAND; NOSTALGIA IN FILMS; POLAND; WAJDA, ANDRZEJ Summary: "The work of Andrzej Wajda, one of the world's most important filmmakers, shows remarkable cohesion in spite of the wide ranging scope of his films, as this study of his complete output of feature films shows. Not only do his films address crucial historical, social and political issues; the complexity of his work is reinforced by the incorporation of the elements of major film and art movements such as Socialist Realism, Italian Neorealism, the documentary tradition, French New Wave, Surrealism, the grotesque, the theatre of the absurd, propaganda film, Polish Romantic tradition and many other artistic phenomena (jazz, Polish student subculture). It is the reworking of all these different elements by Wajda, as the author shows, which give his films their unique visual and aural qualities."--BOOK JACKET. Notes: Formerly CIP; Includes bibliographical references (p. [294]-304) and index; Filmography: p. [305]-331 ISBN: 1845452259 Contents: -- acknowledgments -- Introduction : Andrzej Wajda : his words and his archives -- 1. The life and times of Andrzej Wajda -- 2. The birth of a master : films of the fifties -- 3. Fight for perfection : films of the sixties -- 4. Between politics and the themes of life and death : films of the seventies -- 5. Nostalgia and remorse : films of the eighties -- 6. Grande finale : films of the nineties -- conclusion -- illustrations -- endontes bibliography -- filmography -- prizes --
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Andrzej Wajda: Polish cinema / edited by Colin McArthur London: British Film Institute (Education Department), 1970. Call No: 81WAJ AND Author: McArthur, Colin, 1934 Place: London Publisher: British Film Institute (Education Department) PubDate: 1970 PhysDes: 60 p. ; 30cm Subject: WAJDA, ANDRZEJ Notes: Cinema films directed by Wajda, Andrzej. Essays (BNB/PRECIS) ISBN: 0851700101 (sd) : ª0.15 LON: bnb85170010; 3563676
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Andy Warhol : film factory / edited by Michael O'Pray London: BFI, 1989. Call No: 81WAR OPR Author: O'Pray, Michael, 1945 Place: London Publisher: BFI PubDate: 1989 PhysDes: 195 p. : ill. ; 24 cm Subject: WARHOL, ANDY Notes: American cinema films. Directing. Warhol, Andy,. 1928- (BNB/PRECIS); Includes index; Bibliography: p. 189-190 ISBN: 0851702430 (pbk.) : ª8.95; 0851702503 : ª20.00 LON: bnb85170250; 6578081
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An angel at my table : the screenplay from the three volume autobiography of Janet Frame / Laura Jones London Sydney: Pandora, 1990. More info |
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Los Angeles international film exposition / Filmex Society US: [s.n.], 1984. Call No: FESTIVAL CATALOGUE SHELVES Place: US Publisher: [s.n.] PubDate: 1984 PhysDes: 28 cm Subject: FESTIVALS. USA [VARIOUS]; FESTIVALS. LOS ANGELES [VARIOUS] Notes: The 1984 Los Angeles International Film Exposition includes a selection of Hollywood and international films, as well as short films and animation. The catalogue also includes film summaries and numerous black and white stills.
Held: 1972, 1975, 1984
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Anh 'crowes' over film in Herald Sun [Confidential] (05/04/2016) p.18 More info |
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Animated falls on Happy Feet in Australian Financial Review (20/01/2007) p.33 Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER Author: Crayford, Peter Subject: BOX OFFICE; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; ANIMATION Summary: Computer Animated feature films have become incredibly successful over the last five years with phenomenal box office receipts but also because of their unconventionality, inventiveness and Humour
The author states that the real profits begin to accumulate for these films on DVD Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (14 May 2007). Quotations: FILMS
1. The Incredibles
2. Toy Story
3. Toy Story 2
4. A Bug’s Life
5. Monsters
6. Finding Nemo
7. Happy Feet
8. Open Season
9. The Wild
10. Ant Bully
11. Flushed Away
12. Ratatouille
13. Casino Royale
14. Shrek 2
FILM SALES
The Incredibles - More $US1billion – ($1.27billion)
Toy Story More - $US1billion – ($1.27billion)
Toy Story 2 - More $US1billion – ($1.27billion)
A Bug’s Life - More $US1billion – ($1.27billion)
Monsters - More $US1billion – ($1.27billion)
Finding Nemo - More $US1billion – ($1.27billion)
FILMS SALES – US CINEMA RELEASE
The Incredibles - $251 million
Finding Nemo - $US339 million
Shrek 2 - $US 436 million in 2006
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Animated rhythm in Metro (1997) iss.111 p.57-58 Author: Danks, Adrian PhysDes: Review; Bibliography; Credits Subject: MUSIC FOR ANIMATED FILMS Summary: A program review that examines the relationship between music and animation since the early sound period.
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Animation : the global history / Maureen Furniss London: Thames & Hudson, 2017. Call No: 772 FUR Author: Furniss, Maureen Edition: 2017 Place: London Publisher: Thames & Hudson PubDate: 2017 PhysDes: 464 pages : illustrated ; 28 cm Subject: ANIMATION; PRE-CINEMA HISTORY; ART AND THE CINEMA; DISNEY, WALT; EXPERIMENTAL FILMS; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS; STOP-MOTION TECHNIQUE; JAPAN; MIYAZAKI, HAYAO; UPA; COMIC STRIPS AND THE CINEMA; COMIC STRIP CHARACTERS IN FILMS; COMIC STRIP CHARACTERS ON TV; SVANKMAJER, JAN Summary: Maureen Furniss surveys the cultural, political and economic context of how this dynamic industry evolved, emphasizing both artistic and technical achievements from around the world – from Hollywood to Tokyo, from Moscow to Sydney. Featuring a timeline for each of its six parts, Animation: The Global History provides readers with a clear and accessible chronology of events. A ‘Global Storyline’, highlighting the major themes of the era, opens each chapter, and an end-of-book glossary defines key terms used throughout the book.
Topics include: Development of animation; Growth of the studio system; Stylistic differences between the major studios; Modernist animation; Animation in World War II; International animation; Experimental animation; Television animation; Animation in art and video games. -- publisher's web site ISBN: 9780500252178
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The animation festival at Annecy in Film News (1981) vol.38 iss.2 p.28-29 More info |
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Animation from script to screen / Shamus Culhane London: Columbus, 1989, c1988. Call No: 246CUL Author: Culhane, Shamus Source: UK Place: London Publisher: Columbus PubDate: 1989, c1988 PhysDes: xv, 336 p., [2] p. of plates : ill.(some col.) ; 24 cm Subject: ANIMATION; ANIMATORS; CARTOONS. USA; DIRECTORS. USA; COMPUTERIZED ANIMATION AND SPECIAL EFFECTS Summary: The book covers all areas of animation: the basic mechanics of animation, expressing creativity through animation, writing, recording, acting and dialogue in the area of animation, and finally it deals with managing an animation studio. It contains the work of 130 leading animators, worldwide. Notes: Includes index ISBN: 0862879590
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Animations of mortality / [by] Terry Gilliam [with Lucinda Cowell] London: Eyre Methuen, 1978. More info |
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Anime : a history / by Jonathan Clements Basingstoke, Hampshire: Palgrave Macmillan, 2013. Call No: 772(520) CLE Author: Clements, Jonathan Source: UK Place: Basingstoke, Hampshire Publisher: Palgrave Macmillan PubDate: 2013 PhysDes: vi, 250 pages, 8 pages of plates : illustrations ; 25 cm Subject: ANIMATED FILMS; ANIMATION; ANIMATION. JAPAN; ANIMATORS; CARTOONS; HISTORY OF CINEMA; HISTORY OF CINEMA. JAPAN; ASTRO BOY [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1)
SEE
SHIN TETSUWAN ATOM [TV]; SHIN TETSUWAN ATOM [TV] (JA, Noboru Ishiguro & Osamu Tezuko, 1980-1) Summary: "Japanese animation is at the nexus of an international multimedia industry worth over $6.5 billion a year, limked to everything from manga to computer games, Pokemon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirirted Away and beyond." -- BOOK BLURB Notes: Published by Palgrave Macmillan on behalf of the British Film Institute (BFI); Includes bibliography and index ISBN: 9781844573905 Contents: -- acknowledgments -- introduction -- What do we talk about when we talk about anime? -- 1: Kid Deko's New Picture Book -- Early cartoons in Japan 1912--21 -- 2: The Film Factories -- Animation technique and technology 1921--37 -- 3: The Shadow Staff -- Japanese animation at war 1931--48 -- 4: The Seeds Of Anime -- Japanese animation industries 1946--62 -- 5: Dreams Of Export -- Toei Doga and MOM Production 1953--67 -- 6.Warrior Business -- Tezuka's anime revolution in context 1961--72 -- 7: The Brown Screen -- Trended change in Japanese animation 1966--83 -- 8: The Third Medium -- The transformation of ownership and access 1977--96 -- 9: the Pokemon Shock -- Anime goes global 1984--97, 1997--2006 -- 10: The Digital Engine -- New technologies and animation 1983--2012 -- Epilogue -- The end of anime's first century -- bibliography -- index --
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The Anime art of Hayao Miyazaki / Dani Cavallaro Jefferson, N. C.: McFarland & Company Inc., 2006. Call No: 81MIY CAV Author: Cavallaro, Dani Source: US Place: Jefferson, N. C. Publisher: McFarland & Company Inc. PubDate: 2006 PhysDes: viii, 204p. ; 26cm. Subject: MANGA; MIYAZAKI, HAYAO; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); HOTARV NO HAKA (JA, Isao Takahata, 1988); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); ON YOUR MARK (JA, Hayao Miyaki, 1995); MIMI WO SUMASEBA (JA, Yoshifumi Kondo, 1995); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001) Summary: This critical study of Miyazaki’s work begins with an analysis of the visual conventions of manga, Japanese comic books, and animé; an overview of Japanese animated films; and a consideration of the techniques deployed by both traditional cel and computer animation. This section also details Miyazaki’s early forays into comic books and animation, and his output prior to his founding of Studio Ghibli. Part Two concentrates on the Studio Ghibli era, outlining the company’s development and analyzing the director’s productions between 1984 and 2004, including Castle in the Sky, My Neighbor Totoro and his newest film, Howl’s Moving Castle. The second section also discusses other productions involving Studio Ghibli, including Grave of the Fireflies and The Cat Returns. Appendices supply additional information about Studio Ghibli’s merchandise production, Miyazaki’s global fan base, and the output of other Ghibli directors. Notes: Includes bibliography and index.
Filmography: p. 181-186. ISBN: 0786423692
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Anime Explosion! : The What? Why? & Wow! of Japanese Animation / Patrick Drazen Berkeley, Calif.: Stone Bridge Press, 2003. Call No: 772 (52) DRA Author: Drazen, Patrick Source: US Place: Berkeley, Calif. Publisher: Stone Bridge Press PubDate: 2003 PhysDes: 369 p. : ill. ; 23 cm Subject: ANIMATION; HOMOSEXUALITY IN FILMS. ASIA; MIYAZAKI, HAYAO; UTENA: THE MOVIE (JA, Kunihiko Ikuhara, 2000); MANGA Summary: Looks at Japanese animation from the inside, from its roots in ancient Japanese culture to its major themes and motifs - war, anti-war, religion, ghosts, and reincarnation, giant robots and mecha, cute gay/girl/fanboy love, samurai, folk heroes, athletes, and mothers, diligence, duty and love of nature. He also probes the influence of manga and the works of leading directors like Hayao Miyazaka and Masamune Shirow, providing detailed commentaries on some of fandom's favourite films, including Escaflowne, Sailor Moon, Ghost in the Shell, and Evangelion. Notes: Afterword: The Future of Anime: p.349-357
Bibliography: p.359-362
Index of Names and Titles: p.363-369
Includes Viewing Notes ISBN: 1880656728
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Anime interviews : the first five years of Animerica Anime & Manga Monthly (1992-97) / from the editors of Animerica ; edited by Trish Ledoux San Francisco, California: Cadence Books, 1997. Call No: 802.46(52) ANI Source: US Place: San Francisco, California Publisher: Cadence Books PubDate: 1997 PhysDes: 192 pages : illustrations ; 28 cm Subject: ANIMATION. JAPAN; ANIMATORS. JAPAN; MANGA Summary: "In this book you will hear insights directly froi the mouths and minds of the anime and manga creators themselves, in interviews which are often the only ones on record in English. Some of these creatirs are larger-than-life legends in their native Japan, some are up-and-coming young talents, but all have a lot to say on the subject of their work" -- taken from back cover ISBN: 1569312206 Donation: donated by Alex Gionfriddo0 Contents: Introduction/ by the editors of Animerica -- Yoshiyuki Tomino / by James Matsuzaki -- Rumiko Takahashi / by Seiji Horibuchi -- Hayao Miyazaki / by Takashi Oshiguchi -- Masamune Shirow / by Trish Ledoux -- Ryoichi Ikegami / by Satoru Fujii -- Yukito Kishiro / by Seiji Horibuchi -- Yoshiki Takaya / by Takashi Oshiguchi -- Kosuke Fujishima / by Junco Ito -- Yasushiro Imagawa / by Takayuki Karahashi -- Hiroki Hayashi / by Takashi Oshiguchi -- Haruka Takachiho / by Takayuki Karahashi -- Hiroyuki Kitazume / by Takashi Oshiguchi -- Shoji Kawamori / by Takashi Oshiguchi -- Kei Kusunoki / by Takayuki Karahashi -- Buichi Terasawa / by Takayuki Karahashi -- Mamoru Oshii / by Carl Gustav Horn -- Gisaburo Sugii / by Toshifumi Yoshida -- Leiji Matsumoto / by Takayuki Karahashi -- Ryosuke Takahashi / by Takayuki Karahashi -- Nanase Okawa / by Takashi Oshiguchi -- Index -- Contributors
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Annie / Leonore Fleischer London: Sparrow, 1982. Author: Fleischer, Leonore Source: UK Place: London Publisher: Sparrow PubDate: 1982 PhysDes: 190 p. : 18 cm ISBN: 0099294400 Donation: donated by the family of Wayne Levy, 2006
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Annie Hall / Peter Cowie London: British Film Institute, 1996. Call No: 79ANN COW Author: Cowie, Peter CorpAuthor: British Film Institute Place: London Publisher: British Film Institute PubDate: 1996 PhysDes: 62 p. : ill. (some col.) ; 19 cm Series: BFI film classics Summary: For an entire generation, Annie Hall embodied the notion of a New York peopled by sophisticated intellectuals - all sent up by the deadpan comedy genius of Woody Allen, writer, director, and of course star. It also confirmed the sparkling acting talent of Diane Keaton as a partner for Woody on screen. The film has survived as a popular comedy, however, by virtue of Allen's inventiveness as a director and the timelessness of his satire. Peter Cowie's study of Annie Hall recaptures the mood of the 70s, and examines the myriad imaginative touches that distinguish the film from other American productions of the period. The book also includes a glossary of the many cultural references which give the film its distinctively 'intellectual' tone Notes: Includes bibliographical references ISBN: 0851705804 LON: 12742199
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Annie's coming out / Rosemary Crossley and Anne McDonald Melbourne: Penguin Books, 1980. More info |
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Annotated bibliography on Japanese Cinema / Sharon I. Clerke 1980. Call No: 71(52)(01) CLE Author: Clerke, Sharon I. Source: AT PubDate: 1980 PhysDes: 18 p. ; 30 cm Subject: JAPAN Summary: A bibliography of different books, and magazines, on Japanese Cinema
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Another 48 Hrs. / Deborah Chiel New York: Pocket Books, 1990. Author: Chiel, Deborah Source: US Place: New York Publisher: Pocket Books PubDate: 1990 PhysDes: 187 p. : 18 cm ISBN: 0671725734 Donation: donated by the family of Wayne Levy, 2006
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Another cinema for another society / Gaston Roberge Calcutta: Seagull Books, 1985. Call No: 408.1(540) ROB Author: Roberge, Gaston Source: II Place: Calcutta Publisher: Seagull Books PubDate: 1985 PhysDes: 151p. : ill. ; 22cm Subject: CRITICISM; HISTORY OF CINEMA. INDIA; INDUSTRY, FILM. INDIA; NATIONAL CULTURE AND THE CINEMA. ASIAN COUNTRIES; POLITICS AND THE CINEMA; SOCIETY AND THE CINEMA; BAZIN, ANDRE; EISENSTEIN, SERGEI M.; RAY, SATYAJIT; WELLES, ORSON; BRON, PETER; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GANDHI (UK/II, Richard Attenborough, 1982); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NAPOLEON (FR, Abel Gance, 1927) Summary: "Father Gaston Roberge, Director of Chitrabani, a Calcutta-based institution involved in development communication, and a media critic in his own right, with five title to his credit already, proposes, in his latest work, a militant programme... for another cinema committed to the building up of another society.' He offers revaluations of the established systems of film aesthetics, with fresh insights into the thoughts and works of Eisenstein, Bazin, Welles, and Ray; before analysing the Indian social scene in depth and detail, to suggest a comprehensive model for a parallel Indian cinema, complete with a new scheme for film and media education for the new cinema" -Book blurb ISBN: 0861320751 Donation: donated by the family of Wayne Levy, 2006 Contents: Preface -- Part one: cinema -- Introduction: a militant programme -- What is it in cinema that makes it cinema -- Montage: the formative principle -- An anthropology of the cinema -- An exercise in film appreciation or the magnificent Andre Bazin -- Author-ity, text-uality and read-in(g) -- Part two: society -- The end of a film era -- Nine and one facts and not a few illusions -- Of many movies and some words to talk about them -- Films for social change -- Politics in film -- The politics of non-political cinema -- The cultural and social influence of foreign films -- History through films and filmed history -- Conclusion -- Film education for a new movie-man -- index
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Another Italian masterpiece on love and loss in Sunday Telegraph [Insider] (01/05/2016) p.136 Call No: TITLE CLIPPINGS FILE; MIA MADRE (IT/FR, Nanni Moretti, 2015) Author: Dent, Nick PhysDes: Clippings File Article Subject: MIA MADRE (IT/FR, Nanni Moretti, 2015) Summary: Film review of MIA MADRE directed by Nanni Moretti Rating: 3.5 out of 5 stars
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The answer is God : the inspiring personal story of Dale Evans and Roy Rogers / by Elise Miller Davis London: P. Davies, 1956. More info |
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Ant-Man in Sunday Telegraph (19/07/2015) p.120 More info |
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Anthony Hopkins / Quentin Falk London: Virgin Books, 1992, c1989. Author: Falk, Quentin Source: UK Place: London Publisher: Virgin Books PubDate: 1992, c1989 PhysDes: 18 cm ; 262 p. ISBN: 0863696325 Donation: donated by the family of Wayne Levy, 2006
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Anthropoid : Version 20 / written by Sean Ellis and Anthony Frewin London: 24/06/2015. Digital clippings file available More info |
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Anthropology-reality-cinema : the films of Jean Rouch / edited by Mick Eaton London: British Film Institute, 1979. Call No: 81ROU ANT Author: Eaton, Mick Place: London Publisher: British Film Institute PubDate: 1979 PhysDes: 77 p. ; 21 cm Subject: ROUCH, JEAN Notes: Includes bibliographical references ISBN: 085170090X (pbk.) : ª1.75 LON: 80489661; 1778766
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Antonio das martes in Interview (1970) vol.1 iss.7 p.22-23 More info |
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Antonioni Bergman Resnais / Peter Cowie New York: Tantivy Press, Barnes & Co., 1963. More info |
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Aotearoa and the sentimental strine : making films in Australia & New Zealand in the silent period / special consultant & editor of the catalogue, Jonathan Dennis ; film selection by Paora Cherchi Usai & Jonathan Dennis Wellington, N.Z.: Moa Films, 1993. Call No: 70"01" (9) AOT Author: Dennis, Jonathan; Usai, Paora Cherchi; Baylis, Ann; Harris, Witarina CorpAuthor: Associazione Le Giornate del cinema muto; New Zealand Film Commission; Australian Film Commission; National Film and Sound Archive (Australia); New Zealand Film Archive; Giornate del cinema muto (12th : 1993 : Pordenone, Italy) Place: Wellington, N.Z. Publisher: Moa Films PubDate: 1993 PhysDes: 44 p. : ill., ports ; 26 cm Subject: AUSTRALIA. 1895-1930; NEW ZEALAND. 1895-1930; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) Notes: "Le Giornate del cinema muto, 12th Pordenone Silent Film Festival, 9-16 October, 1993 in collaboration with National Film and Sound Archive of Australia, Ann Baylis ... [et al.] ; The New Zealand Film Archive, Witarina Harris ... [et al] ; New Zealand Film Commission ; Australian Film Commission"--T.p. verso; Ports. on inside covers; Includes filmographies bibliographical references (9. 37) and index ISBN: 0473021730 (pbk.) : $15.00 LON: zbn93104287; 10665575
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Apa siapa orang film Indonesia, 1926-1978 / disusun oleh Sinematek Indonesia dengan bantuan Badan Penelitian dan Pengembangan Penerangan, Departemen Penerangan R.I. ; [gambar kulit, Syakier] [Jakarta]: Yayasan Artis Film : Sinematik Indonesia, 1979. Call No: 71(594) SIA CorpAuthor: Sinematik Indonesia; Indonesia. Badan Penelitian dan Pengembangan Penerangan Edition: Ed. 1 Place: [Jakarta] Publisher: Yayasan Artis Film : Sinematik Indonesia PubDate: 1979 PhysDes: xv, 560 p. : ill. ; 23 cm Subject: INDONESIA Notes: Errata (2 p.) inserted LON: 1823032
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The apartment; and, The fortune cookie : two screenplays / by Billy Wilder and I.A.L. Diamond London: Studio Vista, [1971]. More info |
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Ape : monster of the movies / David Annan New York: Bounty Books, 1975. Call No: 735.2 ANN Author: Annan, David Source: US Place: New York Publisher: Bounty Books PubDate: 1975 PhysDes: 93 p., [4] p. of plates : ill. (some col.) ; 26 cm Subject: FANTASTIC FILMS; KING KONG (NZ/US, Peter Jackson, 2005); KING KONG (US, John Guillermin, 1976); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933) Summary: "Man has come a long way from his earliest predecessor, the Ape, yet his dreams are still haunted by nightmares of giant gorillas plundering, smashing and destroying. Through two hundred stills, full colour poster reproductions, line drawings, and an intensely researched text, this fascinating volume studies the mass cinema ape-fantasies from pre-history to the amazingly successful "Planet of the Apes" series. It delves deeply into the most famous ape of all- King Kong- and into the split between his nature and man's. What exactly did King Kong represent? Was he a brute or a lover? Was King Kong the personification of destruction and lust, or was he man's hopeless pursuit of the woman in white? By studying such movies as King Kong, Beauty and the Beast, Blonde Venus, The Return of the Ape Man, Circus of Horrors, Gorilla at Large, Morgan and many others, this exciting cinematic history illuminates that dark place where the beast still snarls in man."- BOOK JACKET Notes: Published by Lorrimer under title, Ape; the kingdom of Kong. ISBN: 0517521563 Donation: donated by the family of Wayne Levy, 2006 Contents: Contents-- Descent of Ape: page 7 -- Making of Kong: page 27 -- Kin of Kong: page:53 -- Ape Dreams: page 77
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The apocalypse in film : dystopias, disasters, and other visions about the end of the world / edited by Karen A. Ritzenhoff, Angela Krewani London: Lanham Rowman & Littlefield, c2016. Call No: 740.1 APO Source: UK Place: London Publisher: Lanham Rowman & Littlefield PubDate: c2016 PhysDes: xxii, 231 pages : illustrations ; 24 cm. Subject: APOCALYPSE IN FILMS; DISASTER FILMS; CIVILISATION (US, Raymond B. West, 1916); [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921); BED SITTING ROOM, THE (UK, Richard Lester, 1969); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); MELANCHOLIA (DK/SW/FR/G, Lars von Trier, 2011); OFFRET [SACRIFICE, THE] (SW/FR, Andrei Tarkovsky, 1986) Summary: We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future.
The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays.
As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science. -- taken from publisher's site Notes: Includes bibliographical references and index ISBN: 9781442260276 Donation: donated by Senses of Cinema, 2016 Contents: Introduction / Karen A. Ritzenhoff and Angela Krewani -- THE EARLY DEPICTIONS OF DISASTER. World War One and Hollywood's First Modern Armageddon: Understanding Wartime and Post-Conflict Representations of a Global Cataclysm in Civilization (1916) and The Four Horsemen of the Apocalypse (1921) / Cle´mentine Tholas-Disset -- The end of the world: loss and redemption in Four horsemen of the apocalypse / Karen Randell -- GLOBAL DEMISE AND COLD WAR. "Radiation's rising, but one mustn't grumble too much": nuclear apocalypse played as farce in Richard Lester's The bed-sitting room / Thomas Prasch -- The legacy of Dr. Strangelove: Stanley Kubrick, science fiction blockbusters and the future of humanity / Peter Kra¨mer -- "Gentleman, you can't fight in here": gender symbolism and the end of the world in Dr. Strangelove and Melancholia / Catriona Mcavoy -- MELANCHOLIA AND OTHER REPRESENTATIONS OF THE APOCALYSPE. Is there an end to it? fictional shelters and shelter-fiction / Solvejg Nitzke -- Melancholia and the apocalypse within / Pierre Floquet -- Eco apocalypse: environmentalism, political alienation and therapeutic agency / Philip Hammond and Hugh Ortega Breton --POLOITICS OF SHOWING THE UNTHINKABLE. Disaster films: the end of the world and the risk society hero / Frederick Wasser -- The (gender) politics of disaster in 2012 / Charles Antoine Courcoux -- Tarkovsky's The sacrifice: a religious humanist apocalypse / Tatjana Ljuji -- Dead narratives: defining humanity through stories / A. Fiona Pearson and Scott Ellis -- MOVING BEYOND THE END OF THE WORLD. Opposing Thatcherism: filmic apocalypse as a political strategy in 1980s Britain / Angela Krewani -- Painting in time: on the use of digital visual effects in Melancholia / Andreas Kirchner -- The corporate and corporeal: min(d)ing the body conscience and consumption in early 21st century Hollywood dystopia / Wendy Sterba.
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Apocalypse postponed / Umberto Eco ; edited by Robert Lumley Bloomington London: Indiana University Press British Film Institute, 1994. Call No: 403 ECO Author: Eco, Umberto; Lumley, Robert, 1951 Place: Bloomington London Publisher: Indiana University Press British Film Institute PubDate: 1994 PhysDes: vii, 227 p. : ill. ; 24 cm Series: Perspectives Subject: POPULAR CULTURE AND THE CINEMA; SOCIETY AND THE CINEMA; GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986); GINGER AND FRED [GINGER E FRED] (IT/FR/GW, Federico Fellini, 1986) Summary: An erudite and witty collection of Umberto Eco's essays on mass culture from the 1960s through the 1980s, including major pieces which have not been translated into English before. The discussion is framed by opposing characterizations of current intellectuals as apocalyptic and opposed to all mass culture, or as integrated intellectuals, so much a part of mass culture as to be unaware of serving it. Organized in four main parts, "Mass Culture: Apocalypse Postponed," "Mass Media and the Limits of Communication," "The Rise and Fall of Counter-Cultures," and "In Search of Italian Genius," Eco looks at a variety of topics and cultural productions, including the world of Charlie Brown, distinctions between highbrow and lowbrow, the future of literacy, Chinese comic strips, whether countercultures exist, Fellini's Ginger and Fred, and the Italian genius industry Notes: Includes bibliographical references and index ISBN: 0851704468 (pbk.); 0253318513 (U.S. : cloth); 0851704182 (cloth) LON: 10612725
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Approaches to popular film / edited by Joanne Hollows and Mark Jancovich Manchester New York New York: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1995. Call No: 62 APP Author: Hollows, Joanne; Jancovich, Mark Place: Manchester New York New York Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press PubDate: 1995 PhysDes: 203 p. : ill. ; 23 cm Series: Inside popular film Subject: GENRES; AUTEUR THEORY; FEMINISM AND THE CINEMA; THEORY; POPULAR CULTURE AND THE CINEMA; STARS Notes: Includes bibliographical references (p. [192]-196) and index ISBN: 0719043921; 071904393X (pbk.) LON: 11213175 URL status: URL: 'http://-'
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Archaic modernism : queer poetics in the cinema of Pier Paolo Pasolini / Daniel Humphrey Detroit, Michigan: Wayne State University Press, Nov. 2020. Call No: 749.4 HUM Author: Humprey, Daniel Edition: 2020 Place: Detroit, Michigan Publisher: Wayne State University Press PubDate: Nov. 2020 PhysDes: 172 pages : illustrated ; 24 cm Subject: PASOLINI, PIER PAOLO; EDIPO RE (IT, Pier Paolo Pasolini, 1967); MEDEA (IT/FR/GW, Pier Paolo Pasolini, 1969) Summary: In Archaic Modernism, Daniel Humphrey offers the first book-length, English-language examination of three adaptations of Greek tragedy produced by the gay and Marxist Italian filmmaker Pier Paolo Pasolini: Oedipus Rex (1967), Medea (1969), and Notes Towards an African Orestes (1970/1973). Considering Pasolini’s own theories of a "Cinema of Poetry" alongside Jacques Derrida’s concept of écriture, as well as more recent scholarship by queer theory scholars advocating for an antirelational and antisocial subjectivity, Humphrey maintains that Pasolini’s Greek tragedy films exemplify a paradoxical sense of "archaic modernism" that is at the very heart of the filmmaker’s project. More daringly, he contends that they ultimately reveal the queer roots of Western civilization’s formative texts.
Archaic Modernism is comprised of three chapters. Chapter 1 focuses on Oedipus Rex, assessing both the filmic language employed and the deeply queer mythological source material that haunts the tragedy even as it remains largely at a subtextual yet palpable level. Chapter 2 extends and deepens the concept of queer fate and queer negativity in a scene-by-scene analysis of Medea. Chapter 3 looks at the most obscure of Pasolini’s feature length films, Notes Towards an African Orestes, a film long misunderstood as an unwitting failure, but which could perhaps best be understood as a deliberate, sacrificial act on the filmmaker’s part. Considering the film as the third in an informal, maybe unconscious, trilogy, Humphrey concludes his monograph by arguing that this "trilogy of myth" can best be understood as a deconstruction, gradually more and more severe, of three of the most important origin tales of Western civilization.
Archaic Modernism makes the case that these three films are as essential as those Pasolini films more often studied in the Anglophone world: Mamma Roma, The Gospel According to Matthew, Teorema, The Trilogy of Life, and Salò, and that they are of continuing, perhaps even increasing, value today. This book is of specific interest to scholars, students, and researchers of film and queer studies. -- publisher's web site ISBN: 9780814343104
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Area resource centre : an experiment / Emmeline Garnett; photographs by Roger Bradley London: Edward Arnold, 1972. Author: Garnett, Emmeline Source: UK Place: London Publisher: Edward Arnold PubDate: 1972 PhysDes: 116p. : ill. ; 22cm ISBN: 071311969X Donation: donated by the family of Wayne Levy, 2006
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Argentine cinema / edited by Tim Barnard Toronto: Nightwood Editions, c1986. Call No: 71(82) ARG Author: Barnard, Tim Place: Toronto Publisher: Nightwood Editions PubDate: c1986 PhysDes: 177 p. : ill. ; 23 cm Subject: ARGENTINA Notes: Includes indexes; Bibliography: p. 168-170 ISBN: 0889711062 LON: 5177145
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Armand Assante is Mike Hammerin I, the jury : Film preview in Prevue (Dec/Jan 1983) vol.2 iss.10 p.32-37 More info |
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The Armstrong Lie in Sunday Herald Sun (09/03/2014) p.79 More info |
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Arrows of desire : the films of Michael Powell and Emeric Pressburger / Ian Christie London Boston: Faber and Faber, 1994. Call No: 802(41) CHR Author: Christie, Ian, 1945 Edition: New ed Place: London Boston Publisher: Faber and Faber PubDate: 1994 PhysDes: xx, 163 p. : ill. ; 22 cm Subject: PRESSBURGER, EMERIC; Powell, Michael; KORDA, ALEXANDER; ARCHERS, THE Summary: Michael Powell and Emeric Pressburger formed the greatest creative partnership in the history of British Cinema - The Archers. Their films were often controversial: Churchill tried to suppress the release of The Life and Death of Colonel Blimp. Later, The Red Shoes and The Tales of Hoffman startled and enchanted cinema audiences with their use of colour, form and music. In the last ten years the magic, poetry and passion of their work has been acknowledged around the world and they are firmly in the pantheon of film masters Notes: Originally published : London : Waterstone, 1985; Includes bibliographical references (p. [117]-119) and index; Filmography (p. [120]-157) ISBN: 0571162711 (pbk) LON: 10846724
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Art and design in the British film : a pictorial directory of British art directors and their work / compiled by Edward Carrick ; with an introduction by Roger Manvell London [England]: Dennis Dobson, 1948. More info |
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Art and organisation : making Australian cultural policy / Deborah Stevenson St. Lucia, Qld.: Queensland University Press, 2000. More info |
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Art in cinema : a symposium on the avantgarde film / Edited by Frank Stauffacher New York: Arno Press, 1968, c1947]. Call No: 771.1 ART Author: Stauffacher, Frank, 1916- ed CorpAuthor: Art in Cinema Society; San Francisco Museum of Art Edition: Authorized reprint ed Place: New York Publisher: Arno Press PubDate: 1968, c1947] PhysDes: 104 p. : ill. ; 23 cm Notes: A description of a film series presented at the San Francisco Museum of Art; Bibliography: p. 96-98 LON: 68009243; 696583
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Art in motion : animation aesthetics / Maureen Furniss Sydney: John Libbey, 1998. Call No: 772 FUR Author: Furniss, Maureen Place: Sydney Publisher: John Libbey PubDate: 1998 PhysDes: x, 278 p. : ill. (some col.) ; 25 cm Subject: ANIMATION Notes: Includes index ISBN: 1864620382 (hbk.) : $85.00; 1864620390 : $45.00 LON: 13833885
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The art of American screen acting : 1960 to today / Dan Callahan Jefferson, North Carolina: McFarland & Company Inc, Call No: 227(73) CAL Author: Callahan, Dan Edition: 2019 Place: Jefferson, North Carolina Publisher: McFarland & Company Inc PhysDes: x,242 pages ; 23cm Subject: ACTING Summary: Modern screen acting in English is dominated by two key figures: Method acting guru Lee Strasberg—who taught the “the art of experiencing” over “the art of representing”—and English theater titan Laurence Olivier, who once said of the Method’s immersive approach, “try acting, it’s so much easier.”
This book explores in detail the work of such method actors as Al Pacino, Ellen Burstyn, Jack Nicholson and Jane Fonda, and charts the shift away from the more internally focused Strasberg-based acting of the 1970s, and towards the more “external” way of working, exemplified by the career of Meryl Streep in the 1980s. -- publisher's web site ISBN: 9781476676951 Contents: Introduction: Method and Meryl -- Jack Nicholson: Dance with the Devil -- Warren Beatty: Take Off Your Clothes -- Al Pacino: Darkness on the Edge of Town -- Dustin Hoffman: Midnight of the Method -- Robert De Niro: Born to Lose -- Harvey Keitel: Body Artist -- Gene Hackman: Keep It Real -- Albert Finney: Married People -- Anthony Hopkins: High, Wide and Handsome -- Daniel ¬Day-Lewis: In Character -- Jeff Bridges: Straight No Chaser -- Nick Nolte: Crucified -- Sean Penn: By Himself -- River Phoenix: Only Once -- Denzel Washington: The Duke in His Domain -- Viggo Mortensen: Set Apart -- Christian Bale: Transparency -- Leonardo DiCaprio: Bad Influence -- Michael Fassbender: Angel Eyes That Old Devil Sent -- Ben Whishaw: Diamond in the Rough -- Jane Fonda: The Search -- Faye Dunaway: Touched to the Quick -- Ellen Burstyn: The Shadow Self -- Gena Rowlands: Love Streams -- Maggie Smith: The Acid Queen -- Julie Christie: Darling -- Glenda Jackson: Tension Clenching -- Diane Keaton: In the Moment -- Sissy Spacek: Down Home -- Debra Winger: Feathers in a Tornado -- Sigourney Weaver: Above It All -- Glenn Close: Command Performances -- Kathleen Turner: Lust for Life -- Alfre Woodard: Wait and See -- Judy Davis: High Anxiety -- Emma Thompson: A Star Danced -- Jennifer Jason Leigh: Hard Knocks -- Julianne Moore: Lying in Wait -- Samantha Morton: Chaos/Control -- Patricia Clarkson: On a Dare -- Conclusion: Chaos Theory -- Bibliography -- Index
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The art of Heavy metal, the movie : animation for the eighties / text, Carl Macek ; research, Christina Miner ; editor, Susan Cohn New York: New York Zoetrope, 1981. Call No: 79HEA MAC Author: Macek, Carl; Miner, Christina; Cohn, Susan Place: New York Publisher: New York Zoetrope PubDate: 1981 PhysDes: 128 p. : ill. (some col.) ; 24 cm ISBN: 0918432383 (pbk.) : $9.95; 0918432391 (hard) LON: 81082982; 2247861
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The Art of Jerry Lewis in Melbourne Film Bulletin (April 1970) iss.12 p.12-25 More info |
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The art of record : a critical introduction to documentary / John Corner Manchester New York, NY,: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press, 1996. Call No: 761 COR Author: Corner, John, 1943 Place: Manchester New York, NY, Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press PubDate: 1996 PhysDes: 212 p. : ill. ; 24 cm Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; CINEMA VERITE; LIVING ON THE EDGE (UK, Michael Grigsby, 1987); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); ROGER AND ME (US, Michael Moore, 1989); HANDSWORTH SONGS (UK, John Akomfrah, 1986); COAL FACE (UK, Alberto Cavalcanti, 1935); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); LOOK IN ON LONDON (UK, 1956); CATHY COME HOME (UK, Ken Loach, 1966); WHEN THE DOG BITES (UK, Penny Woolcock, 1988) Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURB Notes: Includes bibliographical references (p. [197]-201) and index ISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper) LON: 12095813
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The art of W. C. Fields / by William K. Everson London: Allen & Unwin, 1968. Call No: 81FIE EVE Author: Everson, William K Place: London Publisher: Allen & Unwin PubDate: 1968 PhysDes: [12], 232 p. illus., ports. 27 cm Subject: FIELDS, W.C. ISBN: 047910178 LON: 72396561; 474635
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The art of W.C. Fields / William K. Everson New York: Bonanza Books, c1967. Call No: 81FIE EVE Author: Everson, William K. Source: US Place: New York Publisher: Bonanza Books PubDate: c1967 PhysDes: 232 p. : ill. ; 26 cm Subject: FIELDS, W.C. Donation: donated by the family of Wayne Levy, 2006
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The art of Walt Disney / by Robert D. Feild London: Collins, 1944. More info |
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The art of Walt Disney : from Mickey Mouse to the Magic Kingdoms New York: H. N. Abrams, 1975]. More info |
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Arts : Your local entertainment guide SA & NT in The Australian (12/11/2013) p.14 Call No: PERSONALITY CLIPPINGS FILE; MAUBOY, JESSICA Author: Dalton, Trent PhysDes: Clippings File Article Subject: MAUBOY, JESSICA Summary: Listing for a concert by the popular singer.
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Arts budget hammered in The Age (16/12/2015) p.4 More info |
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Arts funding and public culture / Donald Horne Nathan, Qld.: Institute for Cultural Policy Studies, Division of Humanities, Griffith University, 1988. Call No: 205.3(94) HOR Author: Horne, Donald, 1921 CorpAuthor: Griffith University. Institute for Cultural Policy Studies Place: Nathan, Qld. Publisher: Institute for Cultural Policy Studies, Division of Humanities, Griffith University PubDate: 1988 PhysDes: 11 p. ; 30 cm Subject: GOVERNMENT AID. AUSTRALIA; GRANTS. AUSTRALIA Notes: Includes bibliographical references ISBN: 0868573132 LON: 5923643
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The arts in the Australian corporate environment : a practical guide to the legal obligations of officers of arts organisations / Australia Council for the Arts Redfern, N.S.W.: The Council, c1993. Call No: 435(94) ART Author: McMahon, Michael, 1953; Symons, Marie-Louise CorpAuthor: Arthur Andersen & Co; Australia Council; Arts Law Centre of Australia; Companies Code and the arts Place: Redfern, N.S.W. Publisher: The Council PubDate: c1993 PhysDes: 43 p. ; 30 cm Subject: LAW AND THE CINEMA. AUSTRALIA Notes: "Originally published as The Companies Code & the arts: Prepared October 1984. Revised October 1989. This version June 1993" -- Cover verso; "The Guide was produced with the assistance of Arthur Andersen & Co, the Arts Law Centre of Australia, Michael McMahon and Marie-Louise Symons" -- P. 1 ISBN: 1862571198 LON: 9978708
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Ashes and diamonds / [screenplay by Jerzy Andrzejewski and Andrzej Wajda] [and] Kanal [screenplay by by Jerzy Stefan Stawinski] [and] A generation [screenplay by Bohdan Czeszko]; three films, by Andrzej Wajda [text prepared and translated by Boleshaw Sulik] London: Lorrimer, 1973. Call No: 792 WAJ Author: Andrzejewski, Jerzy, 1909; Wajda, Andrzej, 1926; Stawinski, Jerzy Stefan, 1921- Kanal. English. 1973; Czeszko, Bohdan. Pokolenie. English. 1973 Place: London Publisher: Lorrimer PubDate: 1973 PhysDes: 238 p. illus. 21 cm Subject: POKOLENIE (PL, Andrzej Wajda, 1954); KANAL (PL, Andrzej Wajda, 1956); ASHES AND DIAMONDS [POPIOL I DIAMENT] (PL, Andrzej Wajda, 1959) Notes: Original Polish films entitled, Pokolenie, Kanal, and Popio i diament; On spine: The Wajda trilogy ISBN: 0900855967; 0900855959 (pbk.) LON: 348559 348559
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Aspects of the law on film - copyright : a summary of papers and discussion at a seminar held in Sydney on 5 & 6 August, 1977 / editor: Peter G. Martin North Sydney, N.S.W.: Australian Film Commission, 1979. Call No: 432.4(94) ASP Author: Martin, Peter G. (Peter Graeme) ed CorpAuthor: Australian Film Commission Place: North Sydney, N.S.W. Publisher: Australian Film Commission PubDate: 1979 PhysDes: 108p. ; 34cm Notes: Films. Copyright. Law. Australia. Conference proceedings (ANB/PRECIS SIN 034897x) ISBN: 0642906114 (spiral binding) : price unknown LON: anb64290611; 1656933
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Aspects of the law on film - copyright : a summary of papers and discussion at a seminar held in Sydney on 5 & 6 August, 1977 / editor Peter G. Martin Sydney: Australian Film Commission, 1979. More info |
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The assassination of Marilyn Monroe / Donald H. Wolfe London: Little Brown and Company, 1998. Call No: 81MON WOL Author: Wolfe, Donald H. Source: US Place: London Publisher: Little Brown and Company PubDate: 1998 PhysDes: 532 p. : ill. ; 25 cm Subject: TWENTIETH CENTURY-FOX; MONROE, MARILYN; MILLER, ARTHUR; MONTAND, YVES; KENNEDY, JOHN F.; SINATRA, FRANK; ZANUCK, DARRYL F.; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957); BUS STOP (US, Joshua Logan, 1956); LET'S MAKE LOVE (US, George Cukor, 1960); SOME LIKE IT HOT (US, Billy Wilder, 1959) ISBN: 0316640190
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At full speed : Hong Kong cinema in a borderless world / Esther C.M. Yau, editor Minneapolis, Minn.: University of Minnesota Press, 2001. More info |
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At the end of the street in the shadow : Orson Welles and the city / Matthew Asprey Gear New York: Wallflower Press, 2016. Call No: 81WEL GEA Author: Gear, Matthew Asprey Source: US Place: New York Publisher: Wallflower Press PubDate: 2016 PhysDes: ix, 292 pages ; 24 cm Subject: EXPRESSIONISM; FASCISM AND THE CINEMA; WELLES, ORSON; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); MR. ARKADIN (FR/SP/IT, Orson Welles, 1955); CITIZEN KANE (US, Orson Welles, 1941) Summary: "The films of Orson Welles inhabit the spaces of cities -- from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities -- the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars." -- BOOK BLURB Notes: Includes bibliographical references and index ISBN: 9780231173414 Donation: donated by Senses of Cinema
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At the picture show : small-town audiences and the creation of movie fan culture / Kathryn H. Fuller London: University Press of Virginia, 1996. Call No: 410.1:465.2 FUL Author: Fuller, Kathryn H. Source: US/UK Place: Charlottesville; London Publisher: University Press of Virginia PubDate: 1996 PhysDes: 248 p. : 23 cm Subject: AUDIENCE RECEPTION; AUDIENCES; AUDIENCES USA; FAN MAGAZINES; EXHIBITION; EXHIBITION. USA; EXHIBITION OF SILENT FILMS; NICKELODEON Summary: Although the transformation of the movies into big-time entertainment had multiple sources, Kathryn Fuller argues that ultimately the maturation of the film industry depended on the support of both urban and rural middle-class audiences. Providing the fullest portrait to date of the small-town audience’s hanging habits and desires, At the Picture Show demonstrates for the first time how a fan culture emerged in the United States, and it enriches our understanding of mass media’s relationship to early twentieth-century American society. [Taken from back cover.] ISBN: 0813920825
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Atom Egoyan / Carole Desbarats ... [et al.] Paris: Editions Dis voir, 1993]. Call No: 81EGO ATO Author: Desbarats, Carole Place: Paris Publisher: Editions Dis voir PubDate: 1993] PhysDes: 123 p. : ill. (some col.) ; 28 cm Subject: EGOYAN, ATOM Notes: Filmography: p. 118-119; Includes bibliographical references (p. 120) ISBN: 2906571342; 2906571334 : 220F LON: abn94137998; 10856023
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The atomic bomb in Japanese cinema : critical essays / edited by Matthew Edwards Jefferson, N. C.: McFarland & Company Inc, 2015. Call No: 737.34 EDW Author: Edwards, Matthew Source: US Place: Jefferson, N. C. Publisher: McFarland & Company Inc PubDate: 2015 PhysDes: viii, 288 pages : illustrations ; 26 cm Subject: NUCLEAR WARFARE IN FILMS; MONSTERS IN FILMS; GODZILLA [GOJIRA] (JA/US, Inoshiro Honda & Terry Morse, 1955); HIROSHIMA (JA, Hideo Sekigawa, 1953) Summary: "This collection of new essays explores the cultural aftermath of the bombings and its expression in Japanese cinema. The contributors take on a number of complex issues, including the suffering of the survivors (hibakusha), the fear of future holocausts and the danger of nuclear warfare. Exclusive interviews with Go Shibata and critically acclaimed directors Roger Spottiswoode (Hiroshima) and Steven Okazaki (White Light/Black Rain) are included." -- BOOK BLURB ISBN: 9780786479122 Contents: Prologue: Hiroshima Nagasaki / Matthew Edwards -- Gojira and the bomb. The rhetorical significance of Gojira: equipment for living through trauma / Shannon Stevens -- Japan removed: Godzilla adaptations and erasure of the politics of nuclear experience / Jason C. Jones -- Atomic reaction: Godzilla as metaphor for generational attitudes toward the United States and the bomb / John Vohlidka -- Japanese atomic cinema, 1945-2014. Suppression and censorship: Japanese cinema during the occupation / Matthew Edwards -- Pica-don: Japanese and American reception and promotion of Hideo Sekigawa's Hiroshima / Mick Broderick and Junko Hatori -- The shadow of the bomb in Hiroshi Teshigahara's The face of another / Tony Pritchard -- Nuclear skin: Hiroshima and the critique of embodiment in Affairs within walls / Julia Alekseyeva -- The atomic bomb experience and the Japanese family in Keiji Nakazawa's anime Hadashi no gen (barefoot gen) / Kenji Kaneko -- Yuichi and Jizo in Black rain: Imamura's phenomenological attempt to render a Hiroshima wormhole experience among his audience / Keiko Takioto Miller -- Trauma and witness in Hideo Nakata's Ring- Tienfong ho: the fragile roots of memory / Robert McParland -- Inconceivable anxiety: representation, disease and discrimination in atomic-bomb films / Yuki Miyamoto -- Kazuo Kuroki and Hisashi Inoue's Chichi to Kuraseba: remember, protest and return to ordinary life / Yoshiko Fukushima -- Breaking the silence of the atomic bomb survivors in Japanese graphic novel Town of evening calm, country of cherry blossoms and the film adaptation / Senjo Nakai -- The sound of the bomb: Go Shibata's nn891102 / Johannes Schonherr -- Western perspectives. Hiroshima films: cultural contexts before, during and after the Cold War / Greg Nielsen and Margaret M. Ferrara -- Hiroshima: an interview with director Roger Spottiswoode / Matthew Edwards -- White light/Black rain: the "atomic films" of Steven Okazaki / Matthew Edwards -- A[nime] bomb: an interview with Hibakusha director Steve Nguyen / Matthew Edwards -- Hibakusha: our life to live: an interview with director David Rothauser / Matthew Edwards -- All that remains: an interview with Ian and Dominic Higgins / Matthew Edwards
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Atonement time for Mel in Hollywood in Sunday Telegraph [General News] (08/01/2017) p.13 Call No: PERSONALITY CLIPPINGS FILE; GIBSON, MEL Author: Crane, Kris PhysDes: Clippings Subject: GIBSON, MEL Summary: Mel Gibson won best director for his film Hacksaw Ridge At the AACTA International Wards 2017.
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Attenborough returns to the reef in Australian Financial Review (17/03/2015) p.11 More info |
Levy Collection  book |
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Attention please! : the care and maintenance of films / E.J. Perry [Victoria]: [Visual Education Centre, Education Department], Author: Perry, E. J. Source: [AT] Place: [Victoria] Publisher: [Visual Education Centre, Education Department] PhysDes: 8p. : ill. ; 21cm Donation: donated by the family of Wayne Levy, 2006
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Attitudes to television : a survey of advertisers / Gillian Appleton Kensington, NSW North Sydney, NSW: Communications Law Centre, University of New South Wales Australian Film Commission, 1989. Call No: 49[659.1](94) APP Author: Appleton, Gillian CorpAuthor: Australian Film Commission; Communications Law Centre (N.S.W.) Place: Kensington, NSW North Sydney, NSW Publisher: Communications Law Centre, University of New South Wales Australian Film Commission PubDate: 1989 PhysDes: 32 pages ; 30 cm Subject: STATISTICS. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; ADVERTISING STANDARDS. AUSTRALIA; ADVERTISING. TV. AUSTRALIA; COMMERCIALS, TV. AUSTRALIA Summary: "The Australian Film Commission (AFC) commissioned this research report to ascertain how the television advertising system operates, how advertisers, agency media buyers and stations relate to one another, and particularly to survey advertister's attitudes to issues, concerns and practices in the industry" -- from Summary of Report Notes: A report prepared for the Australian Film Commission by the Communications Law Centre ISBN: 0858237679 LON: 6585339
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The audience studies reader / edited by Will Brooker and Deborah Jermyn Oxon: Routledge, 2003. Call No: 412(04)BRO Author: Brooker, Will; Jermyn, Deborah Source: UK Place: Oxon Publisher: Routledge PubDate: 2003 PhysDes: xviii, 347 p. ; 25 cm Subject: AUDIENCES; PSYCHOLOGY AND THE CINEMA Notes: Includes bibliographic references and index ISBN: 9780415254359 Language: English Contents: The people's choice : how the voter makes up his mind in a presidential campaign / Paul F. Lazarsfeld, Bernard Berelson, Hazel Gaudet -- Mass persuasion : the social psychology of a war bond drive / Robert K. Merton -- Analysis of the film Don't Be a Sucker : a study in communication / Eunice Cooper, Helen Dinerman -- Tendency systems and the effects of a movie dealing with a social problem / Charles Winick -- Culture industry reconsidered / T.W. Adorno -- Seduction of the innocent / Fredric Wertham -- The uses of literacy / Richard Hoggart.
The Newson Report : a case study in 'common sense' / Martin Barker -- The nationwide audience / David Morley -- The practice of everyday life / Michel de Certeau -- Understanding popular culture / John Fiske -- 'We're here, we're queer and we're not going catalogue shopping' / Gregory Woods -- Visual pleasue and narrtive cinema / Laura Mulvey -- Babel and Bablylon : spectatorship in American silent film / Miriam Hansen -- Star gazing : Hollywood cinema and female spectatorship / Jackie Stacey.
Women viewing violence / Philip Schlesinger, Rebecca Dobash, Russell Dobash, C. Kay Weaver -- 'Out of the closet and into the universe' : queers and Star Trek / Henry Jenkins -- Beatlemania : girls just want to have fun / Barbara Ehrenreich, Elizabeth Hess, Gloria Jacobs -- Histories, fictions and Xena : Warrior Princess / Sara Gwenllian-Jones -- Suffering and solace : the genre of pain / Camille Bacon-Smith -- Inside subculture : the postmodern meaning of style / David Muggleton -- Reading the romance : women, patriarchy and popular literature / Janice Radway.
Living room wars : rethinking audiences for a postmodern world / Ien Ang -- Feminism and youth culture / Angela McRobbie -- Girl talk : adolescent magazines and their readers / Dawn H. Currie -- '"Just a book", she said...' : reconfiguring ethnography for the female readers of sexual fiction / Esther Sonnet -- Enlightened racism : The Cosby Show, audiences and the myth of the American dream / Sut Jhally, Justin Lewis -- The export of meaning : cross-cultural readings of Dallas / Tamar Liebes and Elihu Katz.
The color purple : Black women as cultural readers / Jacqueline Bobo -- Television, ethnicity and cultural change / Marie Gillespie.
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Audience viewing and reaction survey / conducted by McNair Anderson Associates Pty. Ltd [Sydney]: Special Broadcasting Service, 1982-. Call No: 410.3(94) AUD CorpAuthor: Australia. Special Broadcasting Service; McNair Anderson Associates Place: [Sydney] Publisher: Special Broadcasting Service PubDate: 1982- PhysDes: v. ; 22 cm Subject: CHANNEL 0-28; TELEVISION. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA Notes: Ethnic broadcasting services. Television programmes. Attitudes of audiences. Australia. Serials (ANB/PRECIS SIN 0734918); Cover title ISSN: 0813-7242 LON: abn84058476; 3100332
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Audiences : defining and researching screen entertainment reception / edited by Ian Christie Amsterdam: Amsterdam University Press, 2012. Available at OAPEN (open access) Call No: 410.3 AUD Place: Amsterdam Publisher: Amsterdam University Press PubDate: 2012 PhysDes: 332 pages : illustrations ; 23 cm. Series: Key debates ; 3. Subject: AUDIENCE RECEPTION; AUDIENCE RESEARCH; AUDIENCES; SOCIETY AND THE CINEMA; EXHIBITION; BOX OFFICE Summary: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website. Notes: Includes bibliographical references (p. 279-298) and indexes. ISBN: 9789089643629 Contents: Introduction: in search of audiences / Ian Christie -- pt. 1. Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 / Nicholas Hiley The gentleman in the stalls: Georges Melies and spectatorship in early cinema / Frank Kessler Beyond the nickelodeon: cinema going, everyday life and identity politics / Judith Thissen Cinema in the colonial city: early film audiences in Calcutta / Ranita Chatterjee Locating early non-theatrical audiences / Gregory A Waller Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s / John Sedgwick and Clara Pafort-Overduin -- pt. 2. New frontiers in audience research. The aesthetics and viewing regimes of cinema and television, and their dialectics / Annie van den Oever Tapping into our tribal heritage: The lord of the rings and brain evolution / Torben Grodal Cinephilia in the digital age / Laurent Jullier and Jean-Marc Leveratto Spectator, film and the mobile phone / Roger Odin Exploring inner worlds: where cognitive psychology may take us / a dialogue between Tim J. Smith and Ian Christie -- pt. 3. Once and future audiences. Crossing out the audience / Martin Barker The cinema spectator: a special memory / Raymond Bellour Operatic cinematics: a new view from the stalls / Kay Armatiage What do we really know about film audiences? / Ian Christie. URL status: URL: 'https://library.oapen.org/handle/20.500.12657/34451'
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Audiovisual industries in Australia : a discussion paper / [Graeme Taylor, Peter Dempster] Canberra: Bureau of Industry Economics, 1994. More info |
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Audiovisual works, TV formats and multiple markets / edited by Michael Keane, Albert Moran, and Mark Ryan Brisbane: Griffith University, 2003. Call No: 30 AUD Source: AT Place: Brisbane Publisher: Griffith University PubDate: 2003 PhysDes: 63 p. ; 30 cm Series: Australian UNESCO Orbicom Working Papers in Communications ; no. 1 Subject: FORMATS; SALE OF FILMS AND PROGRAMMES; COPYRIGHT TV
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Audrey : an intimate portrait / Diana Maychick London: Pan Books, 1994. Call No: 81HEP MAY Author: Maychick, Diana Source: UK Place: London Publisher: Pan Books PubDate: 1994 PhysDes: xii, 238p, [16]p of plates : ill., ports ; 18cm Subject: HEPBURN, AUDREY; ROMAN HOLIDAY (US, William Wyler, 1953); SABRINA (US, Billy Wilder, 1954); BREAKFAST AT TIFFANY'S (US, Blake Edwards, 1961); CHILDREN'S HOUR, THE (US, William Wyler, 1961); MY FAIR LADY (US, George Cukor, 1964); TWO FOR THE ROAD (UK, Stanley Donen, 1966); BLOODLINE (US, Terence Young, 1979); THEY ALL LAUGHED (US, Peter Bogdanovich, 1981); NUN'S STORY, THE (US, Fred Zinneman, 1958) Summary: The book deals with the films of Audrey Hepburn, and her leading men; it talks about her work with the Dutch Resistance, during the Second World War, and her two marriages, and five miscarriages. The book looks at her work with UNICEF, helping needy children. She is presented as a person of grace and elegance, but also, as a very determined, and courageous woman. [taken from back cover] Notes: First published ; London; Sidgwick & Jackson, 1993 ISBN: 0330333976
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Auntie Mame / Patrick Dennis London: Pan Books, 1959. More info |
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Aural Auteur : sound in the films of Rolf De Heer / David Bruno Starrs Brisbane, Queensland: 2009. Call No: 81:634DEH STA Author: Starrs, David Bruno Source: AT Place: Brisbane, Queensland PubDate: 2009 PhysDes: 263 p. : ill. ; 30 cm Subject: AUTEUR THEORY; DIRECTORS. AUSTRALIA; SOUND; THEORY; DE HEER, ROLF; DANCE ME TO MY SONG (AT, Rolf de Heer, 1998); [DOCTOR] DR PLONK (AT, Rolf de Heer, 2007); EPSILON (AT/IT, Rolf de Heer, 1995); OLD MAN WHO READ LOVE STORIES (AT/SP/FR/NL, Rolf de Heer, 2000); PROPOSITION, THE (AT/UK, John Hillcoat, 2005); TRACKER, THE (AT, Rolf de Heer, 2002) Summary: "An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of his or her films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-makers' body of work, neglecting the potentially significant role played by sound.
The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed Rolf de Heer, asking the question, "Does his use of sound make Rolf de Heer and aural auteur?" In so far as the term 'aural' encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films.
The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scene (i.e. visuals) is productive and worthwhile as an interpretative response to film. De Heer's use of the aural point of view and binaural sound recording, his interest in providing a 'voice' for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound desinger Jim Currie, his 'hands-on' approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer's aural auteurism.
As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and internatiional conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer's films which, when considered as a whole, support the thesis' overall argument and serve as comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural. " -- ABSTRACT Notes: Presented to the Creative Industries Faculty, Queensland University of Technology. Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009; Includes bibliographical references (p. 213-231) Contents: -- part one: introduction -- chapter 1: the research problem, objective/aims, subject and methodologies -- chapter 2: the literature and contextual review -- part two: the seven refereed and published papers of the thesis -- chapter 3: a paper utilising genre analysis and signalling an interest in the auteurism of Rolf de Heer -- chapter 4: the first of two papers utilising standard auteur analysis -- chapter 5: the second of two papers utilising standard auteur analysis -- chapter 6: a paper arguing for the methodological innovation of the thesis: aural auteur analysis -- chapter 7: the first of three papers utilising aural auteur analysis -- chapter 8: the second of three papers utilising aural auteur analysis -- chapter 9: the third of three papers utilising aural auteur analysis -- part three: conclusion -- chapter 10: the unifying essay -- 11: references/bibliography and filmography -- 12: appendicies -- list of figures --
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[Australia Department of Broadband, Communications and the Digital Economy] Annual report / Department of Broadband, Communications and the Digital Economy Canberra: The Dept., 2008. Digital clippings file available Call No: ANNUAL REPORT SHELVES; held 2007/8 - 2010/11; DIGITAL FILES; held 2007/08-2012/13 lacks 2011/12 CorpAuthor: Australia. Dept. of Broadband, Communications and the Digital Economy Source: AT Place: Canberra Publisher: The Dept. PubDate: 2008 PhysDes: v. ; 25 cm Subject: Department of Broadband, Communications and the Digitial Economy Notes: Continues: Annual report / Department of Communications, Information Technology and the Arts ISSN 1323-3491 ISSN: 1443-8275 Order Notes: Current
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Australia in the 80'S : commerce [1981]. More info |
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Australia in the 80'S : legal and political systems [1981]. More info |
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Australia in the 80'S : rural industries [1982]. More info |
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Australia in the eighties : mining / written by Lawrence Durrant and John Edwards [1982]. More info |
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Australia in the eighties : medical and scientific / written by Lawrence Durrant and John Edwards [1982]. More info |
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Australia's audiovisual markets : key statistics on Australia's cinema, video, television and interactive media markets / edited by Cathy Gray and Rosemary Curtis Sydney [New South Wales]: Australian Film Commission, 2004. Call No: 20(94) AUS Author: Australian Film Commission Edition: 1st edition Source: AT Place: Sydney [New South Wales] Publisher: Australian Film Commission PubDate: 2004 PhysDes: 96 pages : colour charts ; 30 cm Series: Get the picture Subject: INDUSTRY, FILM. AUSTRALIA; STATISTICS. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; PRODUCTION. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA Summary: Australia's Audiovisual Markets is the first of a new series of publications which feature key data from Get the Picture Online, the Australian Film Commission's comprehensive web-based statistics collection. Its graphic style and short chunks of information complement the detailed data available online to provide a unique perspective on the state of Australia's cinema, video, television and interactive media markets. -Taken from back cover. Notes: Includes an index; Includes a list of abbreviations ISBN: 1920988004 ID2: 145
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Australia's censorship crisis / edited by Geoffrey Dutton & Max Harris ; contributors, Anthony Blackshield ... [et al.] Melbourne: Sun Books, 1970. Call No: 44(94) AUS Author: Dutton, Geoffrey, 1922-1998; Dutton, Geoffrey, 1922-1998. ed; Harris, Max, 1921; Harris, Max, 1921- ed; Blackshield, A. R. (Anthony Roland), 1937 Place: Melbourne Publisher: Sun Books PubDate: 1970 PhysDes: 224 p. ; 19 cm ISBN: 0725101008 LON: 72179173; 612359
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Australia's lost films : the loss and rescue of Australia's silent cinema / Ray Edmondson and Andrew Pike Canberra: National Library of Australia, 1982. More info |
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Australia's lost films : the loss and rescue of Australia's silent cinema / Ray Edmonson and Andrew Pike Canberra, Australia: National Library of Australia, 1982. Author: Edmonson,Ray; Pike, Andrew Source: AT Place: Canberra, Australia Publisher: National Library of Australia PubDate: 1982 PhysDes: 20 cm ; 96 p. ISBN: 0642992517 Donation: donated by the family of Wayne Levy, 2006
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Australia's lost films : the loss and rescue of Australia's silent cinema / Ray Edmonson and Andrew Pike Canberra, Australia: National Library of Australia, 1982. Author: Edmonson, Ray; Pike, Andrew Source: AT Place: Canberra, Australia Publisher: National Library of Australia PubDate: 1982 PhysDes: 20 cm ; 96 p. ISBN: 0642992517 Donation: donated by the family of Wayne Levy, 2006
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Australia's oral history collections : a national directory / compiled for Towards Federation 2001 Working group on High Priority Cross-Sectoral Projects ; edited by Martin Woods Canberra: National Library of Australia, 1997. More info |
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Australian animation : an international history / Dan Torre & Lienors Torre Cham, Switzerland: Palgrave Macmillan, Call No: 246(94) TOR Author: Torre, Dan; Torre, Lienors Edition: 2018 Place: Cham, Switzerland Publisher: Palgrave Macmillan PhysDes: xii, 260 pages : illustrated ; 22 cm Subject: ANIMATED FILMS. AUSTRALIA; ANIMATION. AUSTRALIA; FELIX THE CAT; PORTER, ERIC; HANNA-BARBERA; MCLAREN ANGUS; PETTY, BRUCE; STITT, ALEX; TUPICOFF, DENNIS; MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); DOT AND THE KANGAROO (AT, Yoram Goss, 1977); GRENDEL, GRENDEL, GRENDEL (AT, Alexander Stitt, 1981); LOST THING, THE (AT/UK, Andrew Ruhemann/Shaun Tan, 2010) Summary: This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history. -- publisher's web site ISBN: 9783319954912
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Australian Bicentennial Travelling Film Retrospective : feasibility study / consultant: Mike Lynseky Canberra: National Film and Sound Archive, 1985. Call No: 175(94)AUS(047) LYN Source: AT Place: Canberra Publisher: National Film and Sound Archive PubDate: 1985 PhysDes: xi, 38 [128] p. ; 30 cm Subject: TRAVELLING EXHIBITION; STATE AND THE CINEMA. AUSTRALIA Summary: A study on the possibility of a travelling exhibition of Australian film to be shown as part of Australia's 1988 Bicentenial celebrations. Includes older reports and submissions on this topic. Contents: Summary -- Recommendations -- Preface -- Acknowledgements -- Introduction -- Report summary -- Programming -- Administration -- Management structure -- Sponsorship -- Budget -- Demand Analysis -- Schools -- Residual impact -- International -- Appendices: iA/ Gil Appleton Report -- iB / Anne Hutton Report -- ii / Region Itineraries Routes 1 - 6 -- iii / Almost Managing Draft Budget -- iv / Option 5 'The National Film and Sound Show' -- v / Sample Program -- vi / Budget Notes -- vii / ABAs Terms and Conditions for Study
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Australian broadcasting : a rational approach to structure, management and regulation / prepared by the Federation of Australian Commercial Television Stations for the Committee of Inquiry into the Broadcasting Industry Sydney: Federation of Australian Commercial Television Stations, 1976. Call No: 20(94) AUS CorpAuthor: Federation of Australian Commercial Television Stations Source: AT Place: Sydney Publisher: Federation of Australian Commercial Television Stations PubDate: 1976 PhysDes: 45 pages ; 21 cm Subject: FEDERATION OF AUSTRALIAN COMMERCIAL TELEVISION STATIONS; COMMERCIAL TV. AUSTRALIA Contents: Part 1: a management appreciation of the broadcasting system -- Part 2: an engineering appreciation of the broadcasting system
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The Australian Broadcasting Tribunal children's television standards report and determination / David Jones, Chairman and Ken Archer, Vice-Chairman...[and four others] [1984]. Call No: 205-053.2(94) AUS Author: Jones, David; Archer, Ken; Weigall, Catharine; Armstrong, Mark; Watterson, Ray; James Bailey, Julie CorpAuthor: Australian Broadcasting Tribunal Source: AT PubDate: [1984] PhysDes: 92 leaves : 31 cm Subject: INDUSTRY, TV. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; LAW AND TV. AUSTRALIA; AUSTRALIAN BROADCASTING TRIBUNAL; RATING FOR TV. AUSTRALIA Summary: The report discusses children's television standards, including the amount of time allocated to children's viewing, including pre-school programs, specific time slots for children's programming, requirements for the amount of Australian content and scheduling of programs, restrictions on advertising during children's programs, and the need for quality drama programs for children. The Australian commercial television industry's opposition to the Children's Television Standards and the importance of regulating children's television programming are also covered in the report. Notes: Spiral bound; Includes determination and 3 attachments
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Australian cinema / edited by Scott Murray North Sydney: Allen & Unwin in association with Australian Film Commission, 1994. Call No: 71(94) AUS Author: Murray, Scott, 1951 CorpAuthor: Australian Film Commission Place: North Sydney Publisher: Allen & Unwin in association with Australian Film Commission PubDate: 1994 PhysDes: ix, 350 p. ; ill., ports. : 24 cm Subject: AUSTRALIA Notes: Includes index; CIP confirmed; Bibliography p. 337-338 ISBN: 1863733116 (pbk.) LON: 11690337
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Australian cinema / edited by Scott Murray North Sydney: Allen & Unwin in association with Australian Film Commission, 1994. Call No: 71(94) AUS Author: Murray, Scott, 1951 CorpAuthor: Australian Film Commission Place: North Sydney Publisher: Allen & Unwin in association with Australian Film Commission PubDate: 1994 PhysDes: ix, 350 p. ; ill., ports. : 24 cm Subject: AUSTRALIA Notes: Includes index; CIP confirmed; Bibliography p. 337-338 ISBN: 1863733116 (pbk.) LON: 11690337
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Australian Cinema after Mabo Port Melbourne: Cambridge University Press, 2004. Call No: 71(94) COL Author: Collins, F.; Davis, T. Place: Port Melbourne Publisher: Cambridge University Press PubDate: 2004 PhysDes: vii, 204 p. ; 24 cm Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002) Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover) Notes: Index: p.200-204; Bibliography ISBN: 0521834805 :
0521542561 (pbk.) Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion. URL status: URL: 'http://-'
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Australian cinema in the 1990s / editor, Ian Craven London: Frank Cass, 2001. Call No: 71(94) AUS Author: Craven, Ian Place: London Publisher: Frank Cass PubDate: 2001 PhysDes: 239 p. ; 22 cm Subject: AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; ABORIGINAL AUSTRALIANS ON TV; GONSKI REPORT; INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; SUBURBS IN FILMS. AUSTRALIA; SOCIETY AND TV; DINGO, ERNIE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BABE (AT, Chris Noonan, 1995); BIG STEAL, THE (AT, Nadia Tass, 1990); CASTLE, THE (AT, Rob Sitch, 1997); DEATH IN BRUNSWICK (AT, John Ruane, 1991); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); HEARTLAND [TV] (AT, 1994); IDIOT BOX (AT, David Caesar, 1996); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LOVE SERENADE (AT, Shirley Barrett, 1996); METAL SKIN (AT, Geoffrey Wright, 1994); MONKEY GRIP (AT, Ken Cameron, 1982); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) Notes: Includes index and bibliography ISBN: 0714649740; 0714680346(pbk.) : ª16.50 LON: 21663632 Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda Smith ID2: 306
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Australian cinemas hopefully riding their own "J" curve in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.3 More info |
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Australian cultural studies : a reader / edited by John Frow and Meaghan Morris St Leonards, N.S.W.: Allen & Unwin, 1993. More info |
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Australian distributors storm the Riviera in Encore (May 2000) vol.18 iss.4 p.28 Author: Colbert, Mary PhysDes: Article; Illustration(s) Subject: FESTIVALS. CANNES; DISTRIBUTION. AUSTRALIA Summary: Beyond Films moves to new Riviera complex at the Cannes Film Festival. It has a number of films to market over the next few months, including "Mallboy", "Chopper" and "Russian Doll".
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Australian documentary : history, practices and genres / Trish FitzSimons, Pat Laughren, Dugald Williamson Port Melbourne, Vic.: Cambridge University Press, 2011. More info |
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The Australian education market for film/ video : a research project for the Australian Film Commission / conducted by Corporate Education Resources, Pty Ltd North Sydney: Corporate Education Resources, 1986. Call No: 49[37](94) AUS Source: AT Place: North Sydney Publisher: Corporate Education Resources PubDate: 1986 PhysDes: 1 v. (various pagings) ; 30 cm Subject: EDUCATION, USE OF FILMS IN. AUSTRALIA; EDUCATION, USE OF TV IN. AUSTRALIA Summary: This publication is intended as a working document to assist the film industry in Australia to gain greater access to the educational market. While the research was conducted primarily for Film Australia, the information gathered and the results obtained may be of assistance to other film producers and distributors. The main body of the report comprises a comprehensive bank of data gained around Australia through interview and a national survey. -- taken from introduction Notes: date "June, 1986" Contents: 1. Introduction --2. Summary of findings -- 3. The structure of Australian education -- 4. How is the education market made up - 4.1 Commonwealth level - 4.2 State level - 4.3 Institutional level -- 5. Producing film/video for the educational market -- 6. Marketing to the educational sector -- 7. Appendicies
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Australian experimental film : an alternative history / Fiona Hooton Saarbru¨cken, Germany: VDM, 2009. Call No: 771(94) HOO Author: Hooton, Fiona Place: Saarbru¨cken, Germany Publisher: VDM PubDate: 2009 PhysDes: 174 p. : ill. ; 22 cm. Subject: EXPERIMENTAL FILMS. AUSTRALIA; THOMS, ALBIE; BERESFORD, BRUCE; UBU FILM GROUP; NEWSFRONT (AT, Phillip Noyce, 1978); AWARDS. AUSTRALIAN FILM INSTITUTE; GOD KNOWS WHY, BUT IT WORKS (AT, Phil Noyce, 1976); CRYSTAL VOYAGER (AT, David Elfick & Albert Falzon, 1973); MORA, PHILIPPE; NOYCE, PHIL Summary: In Australia art cinema no decade can rival the importace of the 1960s, yet little is still known of it's significance. This book attempempts to fill a current void of research about early Australian Experimental film. This is a significant gap given it was a national movemenent with many international connections. - BLURB Notes: Includes bibliographical references. ISBN: 9783639115932 Contents: Introductoin -- 1. Undergound histories -- 2. It droppeth as the gentle rain -- 3. U bu and the counterculture -- 4. The impact of experimental film on mainstream Australian cinema -- Conclusion -- Timeline - Viewing menu -- List of illistrations -- Bibliography ID2: 343
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Australian families and their children : a new and challenging audience / Don Edgar Melbourne: Australian Children's Television Foundation, 1985. Call No: 722-053.2EDG Author: Edgar, Don CorpAuthor: Australian Children's Television Foundation Source: AT Place: Melbourne Publisher: Australian Children's Television Foundation PubDate: 1985 PhysDes: 20 cm ; 30 p. Series: The Challenge of Kids' TV Subject: AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION; CHILDREN AND TV. AUSTRALIA Notes: The Challenge of Kids' TV conference paper ISBN: 0864210884 Donation: donated by the family of Wayne Levy, 2006
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Australian feature (fiction) films written, directed and produced by women 1970-1995 / Lisa French 1995. More info |
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Australian feature films 1980-1986 / compiled by Sally Jackson Australian Film Institute Research and Information Centre, 1987. Call No: 023(94) JAC Publisher: Australian Film Institute Research and Information Centre PubDate: 1987 PhysDes: 6 v. ; 30 cm Subject: AUSTRALIA. 1970s; AUSTRALIA. 1980's Summary: Listings of Australian feature films made between 1979-1987 which for each film listing includes: key cast, crew, film synopsis, budget, box office, awards won, and whether film was completed and screened Notes: Research commissioned by Jack Clancy. Contracted to the AFI's Research and Information Centre. Sub-contracted to Sally Jackson Contents: v.1: 1979/80-1980-1980/81 -- v.2: 1981-1981/82 -- v. 3: 1982-1982/83 -- v.4: 1984-1984/85 -- v.5: 1985-1985/86 -- 1986-1986/87
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Australian film, 1900-1977 : a guide to feature film production / by Andrew Pike and Ross Cooper Melbourne: Oxford University Press in association with the Australian Film Institute, 1980. Call No: 71(94) PIK REF Copy Management: Copy 1; Copy 2 Author: Pike, Andrew, 1946; Cooper, Ross, 1944 CorpAuthor: Australian Film Institute Place: Melbourne Publisher: Oxford University Press in association with the Australian Film Institute PubDate: 1980 PhysDes: xi, 448 p., [8] p. of col. plates : ill., ports. ; 22 x 28 cm Subject: AUSTRALIA; FILMOGRAPHIES. AUSTRALIA Notes: Australian cinema films, 1900-1977 (ANB/PRECIS SIN 0422983); Index; Includes bibliographical refererences; 2 copies ISBN: 0195542134 : $75.00 Aust LON: anb19554213; 1767086 12436475
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Australian film, 1900-1977 : a guide to feature film production / Andrew Pike and Ross Cooper Melbourne: Oxford University Press, 1998. Call No: 71(94) PIK Author: Pike, Andrew, 1946; Cooper, Ross, 1944 Edition: Rev. ed Place: Melbourne Publisher: Oxford University Press PubDate: 1998 PhysDes: xiv, 362 p. : ill. ; 30 cm Notes: Includes bibliographical refererences and index ISBN: 0195507843 : $49.95 LON: abn98038755; 13659380
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Australian film 1900-1977 : a guide to feature film production / by Andrew Pike and Ross Cooper Melbourne: Oxford University Press, 1981. Author: Pike, Andrew; Cooper, Ross Source: AT Place: Melbourne Publisher: Oxford University Press PubDate: 1981 PhysDes: xi, 448 p. : ill. ; 21 cm Notes: Published in assocation with the Australian Film Institute ISBN: 0195543327 Donation: donated by the family of Wayne Levy, 2006
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Australian film 1900 - 1977 : a guide to feature film production / by Andrew Pike and Ross Cooper Melbourbe: Oxford University Press, 1983. Author: Pike, Andrew; Cooper, Ross Source: AT Place: Melbourbe Publisher: Oxford University Press PubDate: 1983 PhysDes: xi, 448 p., [8] p. of col. plates : ill., ports. ; 21 x 27 cm ISBN: 0195542134 Donation: donated by the family of Wayne Levy, 2006
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Australian film 1978-1992 : a survey of theatrical features / compiled and edited by Scott Murray ; editorial assistant Raffaele Caputo Melbourne: Oxford University Press in association with the Australian Film Commission and Cinema papers, 1993. Call No: 71(94) MUR Author: Murray, Scott, 1951; Caputo, Raffaele CorpAuthor: Australian Film Commission; Cinema papers Place: Melbourne Publisher: Oxford University Press in association with the Australian Film Commission and Cinema papers PubDate: 1993 PhysDes: x, 414 p. : ill. ; 28 cm Subject: AUSTRALIA Notes: Includes index; Filmography: p. 355-381; Bibliography: p. 382-383 ISBN: 0195535847 LON: 10391416 URL status: URL: 'http://-'
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Australian film 1978-1992 : a survey of theatrical features / Compiled and edited by Scott Murray; editorial assistant Raffaele Caputo Melbourne: Oxford University Press, 1993. Author: Murray, Scott CorpAuthor: Australian Film Commission
Cinema Papers Source: AT Place: Melbourne Publisher: Oxford University Press PubDate: 1993 PhysDes: 28 cm; 414 p. ISBN: 0195535847 Donation: donated by the family of Wayne Levy, 2006
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Australian film 1978-1994 : a survey of theatrical features / compiled and edited by Scott Murray ; editorial assistants Raffaele Caputo ; Alissa Tanskaya Melbourne: Oxford University Press in association with the Australian Film Commission and Cinema papers, 1995. Call No: 71(94) MUR Author: Tanskaya, Alissa; Murray, Scott, 1951; Caputo, Raffaele CorpAuthor: Australian Film Commission; Cinema papers; Australian film 1978-1992 Edition: 2nd ed Place: Melbourne Publisher: Oxford University Press in association with the Australian Film Commission and Cinema papers PubDate: 1995 PhysDes: ix, 448 p. : ill., ports. ; 28 cm Subject: AUSTRALIA Notes: CIP confirmed; Rev. and expanded ed. of: Australian film 1978-1992; Includes index; Bibliography: p. 413-414; Filmography: p. 412 ISBN: 0195537777 (pbk.) LON: 12657222
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The Australian film and television companion : over 2400 alphabetical entries / compiled by Tony Harrison East Roseville, N.S.W: Simon & Schuster, 1994. Call No: REFERENCE SECTION; 03(94) HAR REF Author: Harrison, Tony, 1961 Place: East Roseville, N.S.W Publisher: Simon & Schuster PubDate: 1994 PhysDes: vi, 530 p. ; 23 cm Notes: CIP confirmed ISBN: 0731804554 (pbk.) : $29.95 LON: abn94040532; 10694718
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The Australian film and television companion : Over 2400 alphabetical entries / compiled by Tony Harrison East Roseville, NSW: Simon and Schuster Australia, 1994. Author: Harrison, Tony Source: AT Place: East Roseville, NSW Publisher: Simon and Schuster Australia PubDate: 1994 PhysDes: vi, 530 p. : 23 cm ISBN: 0731804554 Donation: donated by the family of Wayne Levy, 2006
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Australian film index : a guide to Australian feature films since 1900 / consulting editor Sandra Hall Port Melbourne: Thorpe, 1992. More info |
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Australian film index : a guide to Australian feature films since 1900 / consulting editor Sandra Hall Port Melbourne: Thorpe, 1992. Author: Hall, Sandra Source: AT Place: Port Melbourne Publisher: Thorpe PubDate: 1992 PhysDes: xi, 258 p. ; 30 cm Notes: Includes bibliographical references (p. ix) and indexes ISBN: 1875589120 Donation: donated by the family of Wayne Levy, 2006
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The Australian film industry and key films of the 1970's : an annotated bibliography / [compiled by Ken Berryman] Carlton South, Vic.: George Lugg Film Information & Research Centre, Australian Film Institute, 1980. Call No: 71(94)(01) BER Copy Management: Copy 1; Copy 2; Copy 3 Author: Berryman, Ken CorpAuthor: George Lugg Film Information and Research Centre Place: Carlton South, Vic. Publisher: George Lugg Film Information & Research Centre, Australian Film Institute PubDate: 1980 PhysDes: iii, 95 p. ; 30 cm Subject: AUSTRALIA. 1970's Notes: Cinema industries. Australia. Bibliographies (ANB/PRECIS SIN 0534900); Australian cinema films. Bibliographies (ANB/PRECIS SIN 0534919) ISBN: 0908023030 : $5.50 Aust LON: anb90802303; 2049866
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An Australian film reader / edited by Albert Moran and Tom O'Regan Sydney: Currency Press, 1985. Call No: 71(94) AUS Author: Moran, Albert, 1942; O'Regan, Tom, 1956 Place: Sydney Publisher: Currency Press PubDate: 1985 PhysDes: 391 p. ; 21 cm Series: Australian screen Subject: FEMINISM AND THE CINEMA. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; AVANT-GARDE FILMS. AUSTRALIA; SUPER-8 MM FILMS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; BERESFORD, BRUCE; WEIR, PETER; CHAUVEL, CHARLES; Grierson, John; HALL, KEN G.; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); GALLIPOLI (AT, Peter Weir, 1981); SCHOOL IN THE MAILBOX (AT, Stanley Haews, 1946?); FROM THE TROPICS TO THE SNOW (AT, Richard Mason and Jack Lee, 1964); BIG COUNTRY, A (AT, 1979); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); INDONESIA CALLING (AT, Joris Ivens, 1948) Notes: Includes index; Bibliography: p. 376-379 ISBN: 086819123X (pbk.) : $24.95 Aust LON: anb86819123; 4105507
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The Australian Film Television and Radio School : Chasm in Filmviews (Winter 1987) vol.32 iss.132 p.32 More info |
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The Australian Film Television and Radio School. Reviews : An Australian Summer in Filmviews (Winter 1987) vol.32 iss.132 p.33 More info |
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Australian film theory and criticism : volume 1 critical positions / Noel King / Constantine Verevis / Deane Williams Bristol, UK; Chicago: Intellect, 2013-. Call No: 62(94) KIN (v. 1) Author: King, Noel; Verevis, Constantine; Williams, Deane Source: UK/US Place: Bristol, UK; Chicago Publisher: Intellect PubDate: 2013- PhysDes: xii, 174 pages ; 24 cm Series: Australian film theory and criticism Subject: CRITICISM; THEORY. AUSTRALIA; FILM Summary: The first part of a planned three-volume work devoted to mapping the transnational history of Australian film studies. Australian Film Theory and Criticism, Volume 1 provides an overview of the period between 1975 and 1990, during which the discipline first became established in the academy. Tracing critical positions, people, and institutions across this influential period, contributors examine a multitude of books and journal articles published in Australia and distributed internationally. They offer important insights about the origins of Australian film theory and its relationship to the related disciplines of art history, performance art, and digital media. Notes: Includes bibliographical references and appendix. ISBN: 9781841505817 (v. 1) -- 9781783200375 (v. 2) Contents: Volume 1 -- Preface / Patrice Petro --
Introduction: Chapter one: Australian Film Theory and Criticism / Noel King, Constantine Verevis and Deane Williams --; Part one: Institutions -- Chapter two: Film Theory Goes to Australia / Constantine Verevis -- Chapter three: Writing the Australian Film Revival / Constantine Verevis --; Part two: Personnel -- Chapter four: Cultural Mobility and Film Studies in Australia 1975-1990 / Noel King --; Part three: Criticism -- Chapter five: Shifts and Interventions: Cultural Materialism and Australian Film History / Deane Williams -- Chapter six: Australian Film Theory and Criticism and Cultural Studies / Deane Williams --; Conclusion -- Chapter seven: Contemporary Australian Film Theory and Criticism / Noel King, Constantine Verevis and Deane Williams. --
Volume Two -- Introduction: Serious film studies and magpies / Noel King and Deane Williams -- Part I: Brisbane -- "From 'pictures' to formats" / Albert Moran interviewed by Noel King -- "Everyone's go their favourite periods of Cunningham's career, and it's always something before the present!" / Stuart Cunningham interiewed by Noel King -- "For a lot of people film became a bridge between literary studies and other kinds of cultural studies" / Graeme Turner interviewed by Noel King -- "The circulation of ideas" / Tom O'Regan interviewed by Deane Williams -- "We just thought we were unstoppable" / Colin and Jane Crisp interviewed by Noel King -- "I loved best when really practical solutions had to be found for artistic problems" / Jonathan Dawson interviewed by Noel King -- Part II: Melbourne -- "Early on I'd been an inveterate attender of Saturday matinees" / Mick Counihan interviewed by Noel King -- "Ye, but it never entered my head that it would ever become a field as such ..." / Barbara Creed interviewed by Deane Williams -- "This is all part of the historical process" / Ina Bertrand interviewed by Deane Williams --
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Australian film theory and criticism : volume 2 interviews / [edited by] Noel King and Deane Williams Bristol; Chicago: Intellect Books, 2014. Call No: 62(94) KIN (v. 2) Source: UK/US Place: Bristol; Chicago Publisher: Intellect Books PubDate: 2014 PhysDes: viii, 411 pages ; 24 cm Subject: CRITICISM. AUSTRALIA; CRITICISM; THEORY. AUSTRALIA; FILM STUDY AND RESEARCH. AUSTRALIA Summary: "A three-volume project tracing critical positions, people, and institutions in Australian film, Australian Film Theory and Criticism interrogates both the the origins of Australian film theory and its relationships to adjacent disciplines and institutions. This second volume gathers interviews with national and international film theorists and critics to chart the development of different discourses in Australian film studies through the decades. Seeking to examine the position of film theoriests and their relationship to film industry practitioners and policy-makers, it looks to assert Australian film's place on the international scholarly agenda." -- BOOK BLURB ISBN: 9781783200375 Contents: Volume Two -- Introduction: Serious film studies and magpies / Noel King and Deane Williams -- Part I: Brisbane -- [Albert Moran, Stuart Cunningham, Graeme Turner, Tom O'Regan, Colin Crisp and Jane Crisp, Jonathan Dawson / interviewed by Noel King] -- Part II: Melbourne [Mick Counihan / interviewed by Noel King -- Barbara Creed, Ina Bertrand, Sam Rohdie, Lesley Stern, Bill Routt, Adrian Martin / interviewed by Deane Williams] -- Part III: Sydney and Newcastle [Ross Gibson / interviewed by Deane Williams -- Meaghan Morris / interviewed by Lauren Bliss -- David Boyd / interviewed by Noel King] -- Part IV: Adelaide and Perth [Brian Shoesmith, Noel Purdon / interviewed by Noel King -- Toby Miller / interviewed by Deane Williams] -- Part V: UK and USA [Paul Willemen, Dana Polan / interviewed by Deane Williams -- Manuel Alvarado, Colin MacCabe, Edward Buscombe, Michael Eaton, Jim Kitses / interviewed by Noel King]
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Australian film user / The Film Users' Association of Australia Sydney: The Association, 1955. Call No: held v.10, no.1-v.13, no.3 Jan. 1964-Mar. 1967 CorpAuthor: Film Users' Association of Australia Source: AT Place: Sydney Publisher: The Association PubDate: 1955 LON: abn88298995; 6134419
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Australian films 1959. Call No: REFERENCE SECTION; 023(94)"year" AUS
held 1948/59-1981 CorpAuthor: Commonwealth National Library PubDate: 1959 Subject: AUSTRALIA; FILMOGRAPHIES Notes: Catalogue
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Australian genre film / edited by Kelly McWilliam and Mark David Ryan New York: Routledge, Call No: 730(94) AUS Author: McWilliam, Kelly; Ryan, Mark David Edition: 2021 Place: New York Publisher: Routledge PhysDes: 248 pages : illustrated ; 23 cm Series: Rutledge advances in film studies Subject: AUSTRALIA; GENRES; BIOGRAPHICAL FILMS; COMEDIES. AUSTRALIA; CRIME FILMS. AUSTRALIA; HORROR FILMS. AUSTRALIA; MUSICALS. AUSTRALIA; ROAD MOVIES. AUSTRALIA; TEEN FILMS; WAR FILMS AUSTRALIA Summary: Australian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop.
The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western.
This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology. -- publisher's web site ISBN: 9781138603141 Contents: 1. Australian Film Genre Studies / Mark David Ryan and Kelly McWilliam -- 2. The Action Genre and the ‘International Turn’ in Australian Cinema / Amanda Howell -- 3. ‘Beethoven had his Critics, too…’: The Australian Biopic in the Twenty-First Century / Adrian Danks -- 4. A Seamless Wedding: Comedy, Diversity, and the International / Lesley Speed -- 5. New Australian Crime Drama / Greg Dolgopolov -- 6. A Monstrous Landscape Filled with Killer Animals and Madmen: Tropes of Contemporary Australian Horror Movies / Mark David Ryan -- 7. The Musical in Australia: Moving Minorities into the Mainstream / Liz Giuffre -- 8. Traversing Genre: The Australian Road Movie / Deborah Thomas -- 9. Courting the Romance / Kelly McWilliam -- 10. Looking to the Future: Three Tendencies in Australian Science Fiction Cinema since 2008 / Andrew James Couzens -- 11. ‘Growing Up Was Never Easy’: Coming of Age in the Teen Film / Kelly McWilliam -- 12. Sun-lit Noir: Australian Thrillers / Jonathan Rayner -- 13. A Wider Angle: Australia’s War Films of the New Millenia / Daniel Reynaud -- 14. Questioning the Australian Western / Grayson Cooke.
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Australian international pictures (1946-1975) / Adrian Danks and Constantine Verevis Edinburgh: Edinburgh University Press, Call No: 71(94) DAN Author: Danks, Adrian; Verevis, Constantine Edition: 2023 Place: Edinburgh Publisher: Edinburgh University Press PhysDes: 224 pages ; 24 cm Series: Traditions in World Cinema Subject: AUSTRALIA; EALING STUDIOS; OVERLANDERS, THE (UK, Harry Watt, 1946); KANGAROO (AT, Lewis Milestone, 1952); ON THE BEACH (US, Stanley Kramer, 1959); SUNDOWNERS, THE (US, Fred Zinnemann, 1960); KOYA NO TOSEININ (JA, Junya Sato, 1968); AGE OF CONSENT (AT, Michael Powell, 1969); COLOR ME DEAD (US/AT, Eddie Davis, 1968); NED KELLY (UK, Tony Richardson, 1970); WALKABOUT (UK, Nicolas Roeg, 1971); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) Summary: Offers an important insight into the formative moments of transnational film culture in Australia
- Provides vibrant textual studies of under-evaluated Australian international pictures
- Develops an understanding of international film production in the years following WWII and before the Australian film revival of the 1970s
- Corrects the perception that there was no significant feature film production in Australia after the 1930s and before the revival
- Offers background and important precedents for the more recent practices of global co-productions and ‘Hollywood Down-under’
Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946–75. -- publisher's web site ISBN: 9780748693061 Contents: Acknowledgements -- 1. Australian International Pictures (1946–75) -- 2. The Overlanders (1946) and Ealing Down Under -- 3. Kangaroo (1952) -- 4. On the Beach (1959) -- 5. The Sundowners (1960) -- 6. The Drifting Avenger (1968) -- 7. Age of Consent (1969) -- 8. Color Me Dead (1970) -- 9. Ned Kelly (1970) -- 10. Walkabout (1971) -- 11. Wake in Fright (1971) -- 12. The Man from Hong Kong (1975) -- References.
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Australian media ownership / compiled by Allan Brown St. Lucia, Q.: Dept. of Economics, University of Queensland, 1977. Call No: 203.5(94) BRO Author: Brown, Allan, 1945 Place: St. Lucia, Q. Publisher: Dept. of Economics, University of Queensland PubDate: 1977 PhysDes: 33p. ; 30cm Subject: PRESS AND TV; MEDIA. AUSTRALIA Notes: Press. Control & ownership. Australia (ANB/PRECIS SIN 009630x); Bibliography: p.33 ISBN: 0909260036 : unpriced LON: anb90926003; 1648157
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Australian Melodrama : Eighty years of popular theatre / Eric Irvin Sydney: Hale & Iremonger, 1981. More info |
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Australian motion picture yearbook 1980 / edited by Peter Beilby ; associate editor: Scott Murray North Melbourne, Victoria: Cinema Papers Pty Ltd, 1980. More info |
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Australian motion picture yearbook 1983 / Edited by Peter Beilby and Ross Lansell Melbourne: 4 Seasons in association with Cinema Papers, c1982. Call No: 71(94) (058) MOT Source: AT Place: Melbourne Publisher: 4 Seasons in association with Cinema Papers PubDate: c1982 PhysDes: 478 p. : ill. ; 24 cm ISSN: 0158698X
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Australian motion picture yearbook 1983 / Edited by Peter Beilby and Ross Lansell Melbourne: 4 Seasons, 1983. More info |
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Australian movie world / Federation of Australian Amateur Cine Societies Melbourne: The Federation, 1976. Call No: held no.2, no.26 Oct. 1976, Dec. 1978/Jan. 1979 CorpAuthor: Federation of Australian Amateur Cine Societies Source: AT Place: Melbourne Publisher: The Federation PubDate: 1976 PhysDes: v. ; 28 cm ISSN: 0157-0684 LON: abn83030434; 2489595
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Australian movies to the world : the international success of Australian films since 1970 / David White ; profiles of actors and directors by Debi Enker Sydney: Fontana Australia, 1984. Call No: 71(94) WHI Author: White, David, 1940; Enker, Debi Place: Sydney Publisher: Fontana Australia PubDate: 1984 PhysDes: 143 p. : ill., ports. ; 29 cm Subject: AUSTRALIA Notes: Based on a film documentary; Ill. on lining papers; Bibliography: p. 142 ISBN: 0006367186 LON: abn84227957; 3422115
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Australian movies to the world : the international success of Australian films since 1970 / David White; profiles of Actors and Directors by Debi Enker Sydney: Fontana Australia, 1984. Author: White David Source: AT Place: Sydney Publisher: Fontana Australia PubDate: 1984 PhysDes: 28 cm; 143 p. Notes: also published by Cinema Papers in Melbourne ISBN: 0006367186 Donation: donated by the family of Wayne Levy, 2006
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"Australian-ness" and the film industry : between rhetorics of business and national culture / by Susan Dermody in collaboration with Elizabeth Jacka Broadway, [NSW]: News South Wales Institute of Technology, More info |
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Australian popular culture / edited by Ian Craven with Martin Gray and Geraldine Stoneham Melbourne, Australia: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association, 1994. Call No: 408.1(94) CRA Author: Craven, Ian; Gray, Martin; Stoneham, Geraldine Source: UK Place: Melbourne, Australia Publisher: Cambridge University Press, published in association with Australian Studies and the British Australian Studies Association PubDate: 1994 PhysDes: 228 pages, 2 folded leaves ; 24 cm Series: Australian cultural studies Subject: COPRODUCTION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; POPULAR CULTURE AND THE CINEMA. AUSTRALIA; POPULAR CULTURE AND TV. AUSTRALIA Summary: "Australia's leisure culture is legendary, and as millions of British viewers of Neighbours, fans of Yothu Yindi or drinkers of Castlemaine XXXX would attest, Australian popular culture is popular outside of Australia. Australian Popular Culture is an exciting collection of essays bringing together new perspectives on the nature and meaning of a nation's changing life. The collection also explores the idea of popular culture at large. Leading authors represent a range of approaches, backgrounds and fields to explore subjects of wide interest within the categories of 'the everyday', 'the mass media' and 'critical theory'. Chapters are devoted to the Aussie Back Yard; Vegemite; postage stamps; Australian Rules football; the introduction of television; Crocodile Dundee; The Lindy Chamberlain Affair; Spycatcher; Domesticity, leisure and love and Postmodernism and Australian Culture." -Publisher description. Notes: 2 folded leaves inserted into back of book, entitled "Australian historical studies, style sheet for book reviewers"; Some text highlighted pages 66-76 ISBN: 0521466679 Contents: Introduction -- Part I. Popular Culture as the Everyday: 1. A brief cultural history of vegemite Robert White -- 2. The Australian back yard George Seddon -- 3. Stamp duty Xavier Pons -- 4. Australian football as secular religion Stephen Alomes -- Part II. Popular Culture and the 'Mass' Media: 5. Controlling the technology of popular culture and the introduction of television to Australia James Walter -- 6. 'Crocodile Dundee': the revival of American virtue Ruth Brown -- 7. The Boys from the Bush: television coproduction in the 1990s Ian Craven -- 8. Patterns of control in Australian crime fiction Stephen Knight -- 9. National fictions and the 'Spycatcher' trial Kevin Foster -- 10. Naturalising 'horror stories': Australian crime news as popular culture Christine Higgins -- Part III. Popular Culture and Critical Theory: 11. How to be a singer though married: domesticity, leisure and modern love Kay Ferres -- 12. The Wild Colonial Boy rides again and again: an Australian legend abroad Grahame Seal -- 13. Shaping the Plain Australian: Social analysis in the 1940s and 1950s Nicholas Brown -- 14. 'On the Beach': Apocalyptic hedonism and the origins of postmodernism Andrew Milner.
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Australian post-war documentary film : an arc of mirrors / Deane Williams Bristol, U.K. ; Chicago, USA: Intellect, 2008. Call No: 761 WIL Author: Williams, Deane Source: UK Place: Bristol, U.K. ; Chicago, USA Publisher: Intellect PubDate: 2008 PhysDes: 165 p., [8] p. of plates : ill. ; 24 cm Subject: DOCUMENTARIES. AUSTRALIA; DOCUMENTARY FILMS. AUSTRALIA; THREE IN ONE (AT, Cecil Holmes, 1956); BACK OF BEYOND, THE (AT, John Heyer, 1953); MIKE AND STEPHANI (AT, Maslyn Williams, 1948-49); OVERLANDERS, THE (UK, Harry Watt, 1946); VALLEY IS OURS, THE (AT, John Heyer, 1948) Summary: "This book is, at one level, a selective history of Australian documentary film in the immediate post-war years. At another level it is a sketch of an internationalist progressive film culture in the same place and period. It examines some landmark films in Australian Film History and places these important works in an international context. In this work of film history Deane Williams proposes that, while these films have been understood as inferior remakes of "overseas" written, theatrical and filmic texts, these films are evidence of an Australian film culture that was a key participant in an international network of documentary practice and criticism."--BOOK JACKET. Notes: Includes bibliographical references (p. [157]-165); Includes filmography: p. [153]-156. ISBN: 9781841502106 Contents: A realist film unit and association in Australia -- Cecil Holmes's folk politics : the intertextuality of Thee in one -- John Heyer's international perspective : The overlanders, The valley is ours, The back of beyond -- The neo-realism of Mike and Stefani -- Settler journeys
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Australian Rules in Empire (Australian Ed.) (September 2002) iss.18 p.43 More info |
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The Australian screen / edited by Albert Moran and Tom O'Regan Ringwood, Vic.: Penguin, 1989. More info |
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The Australian Screen : A pictorial history of Australian film making / Eric Reade Melbourne: Lansdowne Press, 1975. Source: AU Place: Melbourne Publisher: Lansdowne Press PubDate: 1975 PhysDes: 27 cm; 308 p. ISBN: 0701803193 Donation: donated by the family of Wayne Levy, 2006
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The Australian screen / edited by Albert Moran and Tom O'Regan Ringwood, Vic.: Penguin, 1989. Source: AT Place: Ringwood, Vic. Publisher: Penguin PubDate: 1989 PhysDes: 304 p. : [16] p. of plates ; 23 cm ISBN: 0140110240 Donation: donated by the family of Wayne Levy, 2006
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Australian screen education Carlton South, Vic.: Australian Teachers of Media, 1999. Call No: held 20/21- 1999 CorpAuthor: Australian Teachers of Media; Cinemedia (Vic.) Source: AT Place: Carlton South, Vic. Publisher: Australian Teachers of Media PubDate: 1999 PhysDes: v. : ill. ; 30 cm Notes: Continues: Metro Education; Cover title; A joint venture between Cinemedia and the Australian Teachers of Media (ATOM); "Indexed by Bibliographic Services in Education guidelines." -- T.p. verso ISSN: 1443-1629 Order Notes: current Frequency: Quarterly LON: 21224720 AFIRC Location: Reading Room
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Australian screen in the 2000s / edited by Mark David Ryan and Ben Goldsmith Cham, Switzerland: Palgrave Macmillan, Available at ProQuest (RMIT login required) Call No: 71(94) RYA Author: Ryan, Mark David; Goldsmith, Ben Edition: 2017 Place: Cham, Switzerland Publisher: Palgrave Macmillan PhysDes: xx, 370 pages ; 22 cm Summary: This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films’ preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women’s filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity. -- publisher's web site ISBN: 9783319482989
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Australian soundtrack recordings 1927-1996 : a discography of soundtracks and associated recordings relating to Australian film and televsion productions / compiled by Dennis Way Nicholson Sydney: Australian Music Centre, 1997. More info |
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Australian story one of unfair licence fees in The Australian [Media] (20/03/2017) p.23 More info |
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Australian television : programs, pleasures & politics / edited by John Tulloch and Graeme Turner Sydney: Allen & Unwin, 1989. Call No: 408.1(94) AUS Author: Tulloch, John, 1942; Turner, Graeme Place: Sydney Publisher: Allen & Unwin PubDate: 1989 PhysDes: xv, 204 p. ; 22 cm Series: Australian cultural studies Subject: TELEVISION. AUSTRALIA; NATIONAL CULTURE AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; GAMES SHOWS. AUSTRALIA; SOAP OPERAS. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; HISTORY OF TV. AUSTRALIA; PERFECT MATCH [TV] (AT, 1984-89?); PRISONER [TV] (AT, 1979-86); COUNTRY PRACTICE, A [TV] (AT, 1981-1993, 1994); LAST PLACE ON EARTH, THE [TV] (AT, 1987); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Notes: Includes bibliographies and index ISBN: 0043800300 (pbk.) : price unknown LON: 6398616
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996. Call No: 203(94) CUN Author: Cunningham, Stuart; Jacka, Elizabeth Place: Cambridge Melbourne Publisher: Cambridge University Press PubDate: 1996 PhysDes: xix, 284 p. : ill. ; 23 cm Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover Notes: Includes index; CIP confirmed; Bibliography: p. 254-270 ISBN: 052147003X; 0521469740 (pbk.) LON: 11853714
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Australian television and international mediascapes / Stuart Cunningham and Elizabeth Jacka Cambridge Melbourne: Cambridge University Press, 1996. Call No: 203(94) CUN Author: Cunningham, Stuart; Jacka, Elizabeth Place: Cambridge Melbourne Publisher: Cambridge University Press PubDate: 1996 PhysDes: xix, 284 p. : ill. ; 23 cm Subject: INDUSTRY, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; EXPORT AND IMPORT OF TV. AUSTRALIA; TELEVISION. AUSTRALIA; PRODUCTION. AUSTRALIA; VILLAGE ROADSHOW; NATIONAL CULTURE AND TV. AUSTRALIA; NEIGHBOURS [TV] (AT, 1985-); FLYING DOCTORS, THE [TV] (AT, 1986-91); PARADISE BEACH [TV] (AT, 1993-94); BEYOND 2000 [TV] (AT, 1985-); BRIDES OF CHRIST [TV] (AT, Ken Cameron, 1991) Summary: "Describes the origins and operation of the Australian industry and the increasing globalisation of the television marketplace. Their book examines the television cultures of the countries importing Australian programs, and assesses the reasons for the success of failure of various programs" - taken from back cover Notes: Includes index; CIP confirmed; Bibliography: p. 254-270 ISBN: 052147003X; 0521469740 (pbk.) LON: 11853714 Donation: Counihan donation
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Australian TV : the first 25 years / edited by Peter Beilby ; assistant editor: John Tittensor, research: Ross Lansell, picture research: Keith Robertson Melbourne, Vic.: Thomas Nelson Australia, 1981. More info |
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The Australian TV book / edited by Graeme Turner and Stuart Cunningham St. Leonards, N.S.W.: Allen & Unwin, 2000. More info |
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Australian women's film & video : a catalogue of films and video produced or directed by Australian women / compiled and researched by Chris Brophy; edited by Annette Blonski Melbourne: AFI Distribution Ltd, 1988. More info |
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The Australians / compiled by Tony Stephens and Peter Luck Sydney: Lansdowne Press, 1981. Call No: 79 AUS LUC Author: Luck, Peter Source: AT Place: Sydney Publisher: Lansdowne Press PubDate: 1981 PhysDes: 144 p. : ill. (some col.) ; 29 cm. Subject: AUSTRALIANS, THE [TV] (AT, 1981) Notes: Hard cover. -- Dust jacket. -- From scripts based on the tv series 'The Australians', by Curtis Levy, Bill Bennett, Kerry O'Brien, David Salter and Peter Luck. ISBN: 0701815515 Donation: donated by the family of Wayne Levy, 2006
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Australians and the arts : what do the arts mean to Australians? : overview / a report to the Australia Council from Saatchi & Saatchi Australia Surry Hills, N.S.W.: Australia Council, 2000. Call No: 410(94) COS Author: Costantoura, Paul CorpAuthor: Saatchi & Saatchi Australia; Australia Council Place: Surry Hills, N.S.W. Publisher: Australia Council PubDate: 2000 PhysDes: 100 p Subject: AUSTRALIA COUNCIL Notes: "Researched and written by Paul Costantoura" --T.p. verso ISBN: 0642472270 LON: 21704424
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Australians at MIPTV and MILIA 2006 / Australian Film Commission Woolloomooloo, NSW: Australian Film Commission, 2006. More info |
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Australians make a smokey mark on world cinema in Encore (Feb 2000) vol.18 iss.1 p.16 More info |
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The Australians who ate Cannes in AFR Weekend (21/05/2016) p.43 Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. CANNES Author: Doggett-Williams, John PhysDes: Clippings File Article Subject: FESTIVALS. CANNES Summary: A lengthy article on the Australian prescence at the Cannes Film Festival since the 1970s and it's importance to the exhibition and distribution of Australian films and of films in Australia. A number of filmmakers, producers, and employees of the Australian Film Commission and Screen Australia are quoted including Antony Ginnane, Natalie Miller, Al Clark, Graeme Mason, Dr George Miller, Stephan Elliot, Sue Murray, Phillip Adams.
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Auteurs and authorship : a film reader / edited by Barry Keith Grant Malden, MA: Blackwell Publishing, 2008. Call No: 621(04) GRA Author: Grant, Barry Keith Source: US Place: Malden, MA Publisher: Blackwell Publishing PubDate: 2008 PhysDes: xv, 323p. : ill. ; 25cm Subject: AUTEUR THEORY Summary: Collection of critical essays on film authorship. Notes: Includes bibliographic references ISBN: 9781405153348 Language: English Contents: A certain tendency of the French cinema (1954) / Francois Truffaut -- La politique des auteurs (1957) / Andre Bazin -- Films, directors, and auteurs (1962) / Ian Cameron -- Notes on the auteur theory in 1962 (1962) / Andrew Sarris -- Circles and squares (1963) / Pauline Kael -- The auteur theory (1969) (excerpt) / Peter Wollen -- Direction and authorship (1972) (excerpt) / V.F. Perkins -- Ideas of authorship (1973) / Edward Buscombe -- Ideology, genre, auteur (1977) / Robin Wood -- The death of the author (1968) / Roland Barthes -- The English cine-structuralists (1973) / Charles Eckert -- Alternatives to auteurs (1973) / Graham Petrie -- Women's cinema as counter-cinema (1973) / Claire Johnston -- Refocusing authorship in women's cinema (2003) / Angela Martin -- The men with the movie cameras (1972) / Richard Kosarzski -- Notes on a screenwriter's theory, 1973 (1974) / Richard Corliss -- Who makes the movies? (1976) / Gore Vidal -- Script/performance/text : performance theory and auteur theory (1978) / Peter Lehman -- Studio authorship (2006) (excerpt) / Jerome Christensen -- The producer as auteur (2006) / Matthew Bernstein -- Authorship, design, and execution (1987) / Bruce Kawin -- Hitchcock's imagery and art (1977) / Maurice Yacowar -- John Ford's Young Mr. Lincoln (1970) / editors of Cahiers du Cinema -- Towards an analysis of the Sirkian system (1972) / Paul Willeman -- My name is Joseph H. Lewis (1983) / Paul Kerr -- Authorship as a commodity: the art cinema and The cabinet of Dr. Caligari (1984) / Michael Budd -- The place of women in the cinema of Raoul Walsh (1974) / Claire Johnston and Pam Cook -- Female authorship reconsidered (the case of Dorothy Arzner) (1990) / Judith Mayne -- Man's favorite sport?--the action films of Kathryn Bigelow (2004) / Barry Keith Grant -- Todd Haynes and queer authorship (2006) / Michael DeAngelis -- Twoness in the style of Oscar Micheaux (1993) / J. Ronald Green -- Spike's joint (1998) (excerpt) / S. Craig Watkins.
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Authors on film / edited by Harry M. Geduld Bloomington IN: Indiana University Press, 1972. Call No: 67(049.32) AUT Source: US Place: Bloomington IN Publisher: Indiana University Press PubDate: 1972 PhysDes: xiii, 303 p. : 21 cm Subject: CRITICS Summary: Essays and articles by famous authors about film ISBN: 0253201799 Donation: donated by the family of Wayne Levy, 2006 Contents: Foreward by Harry M. Geduld -- From Silence to Sound -- The Kingdom of Shadows / Maxim Gorky -- McTeague at the movies / Frank Norris -- It may turn out to be a powerful thing / Leo Tolstoy -- Nickelodeons and common shows / Upton Sinclair -- Over the Hill / Upton Sinclair -- Childhood memories / Jean-Paul Sartre -- The Cabinet of Dr. Caligari / Carl Sandburg -- Nosferatu / Andre Gide -- Nosferatu / Jack Kerouac -- On The Gold Rush: "Less security / Bertolt Brecht -- The silliest film: will machinery make robots of men? / H. G. Wells -- Silence is golden / Aldous Huxley -- The Medium and its Messages -- Editor's easy chair / W. D. Howells -- The movies and reality / Virginia Woolf -- Appendix from Moronia / H. L. Mencken -- The message of motion pictures / Jack London -- On the movies / G. K. Chesterton -- About the films / G. K. Chesterton -- On The Blue Angel: Heinrich Mann to Karl Lemke / Heinrich Mann -- The Blue Angel is shown to me / Heinrich Mann -- On the film / Thomas Mann -- Concerining music for the film / Bertolt Brecht -- Three reviews / Graham Greene -- What is art, Jean-Luc Godard? / Louis Aragon -- Authors on Screenwriting -- The dramatist and the photoplay / Henry Arthur Jones -- D'Annunzio and film / Tom Antongini -- On writing for the films / W. Somerset Maugham -- Concerning the film / Bertolt Brecht -- Preface to the film version of Murder in the Cathedral / T. S. Eliot -- The writer and motion pictures / Truman Capote -- The writer and motion pictures / William Faulkner -- The Hollywood Experience -- My Hollywood experience / William Faulkner -- The real sins of Hollywood / Theodore Dreiser -- Letter to his daughter / F. Scott Fitzgerald -- The language of Hollywood / James T. Farrell -- Of Mice and Movie Stars -- Mickey and Minnie / E. M. Forster -- Encounter with Chaplin / Jean Cocteau -- Says Chaplin could play serious drama / Carl Sandburg -- Has the flapper changed? (Interview with F. Scott Fitzgerald) / Margaret Reid -- Appendix from Moronia: Valentino / H. L. Mencken -- Adagio dancer (on Valentino) / John Dos Passos -- A tribute to mamma from Papa Hemingway (on Marlene Dietrich) / Ernest Hemingway -- Sidney Poitier / James Baldwin -- Notes on authors -- index
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Authorship and Hollywood in Wide Angle (1983) vol.5 iss.3 p.16-22 More info |
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Autism in film and television : on the island / edited by Murray Pomerance and R. Barton Palmer Austin: University of Texas Press, April 2022. Call No: 747.77(73) AUT Author: Pomerance, Murray; Palmer, R. Barton Edition: 2022 Place: Austin Publisher: University of Texas Press PubDate: April 2022 PhysDes: 324 pages ; 23.5 cm Subject: PEOPLE WITH DISABILITIES IN FILMS; STAR TREK - THE NEXT GENERATION [TV] (US, 1987-1994); LIFE, ANIMATED (FR/US, Roger Ross Williams, 2016); RAIN MAN (US, Barry Levinson, 1988); GOOD DOCTOR, THE [TV] ( US, 2017 - ); BIG SHORT, THE (US, Adam McKay, 2015); STRANGER THINGS [TV] (US, 2016); SOCIAL NETWORK, THE (US, David Fincher, 2010); NIGHTCRAWLER (US, Dan Gilroy, 2014); ACCOUNTANT, THE (US, Gavin O'Connor, 2016); BEING THERE (US, Hal Ashby, 1979); PHANTOM THREAD (US, Paul Thomas Anderson, 2017); DAVID AND LISA (US, Frank Perry, 1962); MARY POPPINS (US, Robert Stevenson, 1964) Summary: Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.
Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions. -- publisher's web site ISBN: 9781477324912 Contents: -- -- Preface: Two Meditations: Who Am I? (Murray Pomerance) Before Neurodiversity (R. Barton Palmer) -- 1. Autistic Android? The Curious Instance of Star Trek’s Data (Ina Rae Hark) -- 2. Life, Animated: Adapting a Book about a Hero with Autism (Rebecca Bell-Metereau) -- 3. Where Is the Autism in Rain Man? (Daniel Sacco ) -- 4. The Good Doctor: Images of Autism and Augmented Intelligence (Burke Hilsabeck) -- 5. Oddity and Catastrophe in The Big Short (Jason Jacobs) -- 6. Diagnosing the Detective: Sherlock Holmes and Autism in Contemporary Television (Christina Wilkins) -- 7. She’s So Unusual: The Autist in Stranger Things (Brenda Austin-Smith) -- 8. Autism, Performance, and Sociality: Isolated Attention in The Social Network (Elliott Logan) -- 9. Hidden Worlds of Female Autism (Daniel Varndell) -- 10. Eye Contact in Juárez: Borderline Empathy and the Autistic Detective (Douglas McFarland) -- 11. The Creative Evolution and Reception of Netflix’s Atypical (Christine Becker) -- 12. Community’s Human Laugh Track: Neurodiversity in a Metamodern Sitcom (Joshua Schulze) -- 13. Portrait of the Autist as a Young Man (Fincina Hopgood) -- 14. Due Diligence: Exploring ASD in Nightcrawler and The Accountant (Dominic Lennard) -- 15. Mind the Gap: Autistic Viewpoint in Film (Alex Clayton) -- 16. Performative Restraint and the Challenges of Empathy in Being There and Phantom Thread (Matthew Cipa) -- 17. “A Spoonful of Sugar”: Watching Movies Autistically (Mark Osteen) -- 18. David and Lisa: The Healing Power of the Group (R. Barton Palmer) -- 19. Jesse: Torture That Autist (Murray Pomerance) -- Works Cited and Consulted -- Photo Captions and Credits -- Contributors -- Index.
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The autobiography / Franco Zeffirelli London: Arrow, 1987. Author: Zeffirelli, Franco Source: UK Place: London Publisher: Arrow PubDate: 1987 PhysDes: 358 p. : ill., ports ; 22 cm. Notes: First published by George Weidenfeld & Nicolson 1986.
Includes index.
Arena book ISBN: 009955030X Donation: donated by the family of Wayne Levy, 2006
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Autobiography of a princess, also being the adventures of an American film director in the land of the Maharajas / compiled by James Ivory ; photos. by John Swope and others ; screenplay by Ruth Prawer Jhabvala New York: Harper & Row, c1975. More info |
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The autobiography of Cecil B. DeMille / edited by Donald Hayne London: W.H.Allen, 1960. More info |
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The avant-garde film : a reader of theory and criticism / edited by P. Adams Sitney New York: Anthology Film Archives, 1987. Call No: 771 SIT Author: Sitney, P. Adams Source: US Place: New York Publisher: Anthology Film Archives PubDate: 1987 PhysDes: xlv, 295 pages : illustrations ; 23 cm Series: Anthology film archives series ; v. 3 Subject: EXPERIMENTAL FILMS; AVANT-GARDE FILMS; UNDERGROUND FILMS Summary: "This is a comprehensive anthology of writings by and about avant-garde filmmakers, edited with an historical introduction by a noted authority on film. Several theoretical and critical articles appear here for the first time, while many others have been translated into English especially for this collection, making available to the reader the vivid and continuing debate about the essence of cinema which began with the Surrealist, Dadist and Constructivist filmmakers of the 1920s and which is an important and fascinating aspect of the history of the most modern art." - taken from back cover. Notes: Includes index (pp. 291-295). -- c1978 ISBN: 0911689087 Contents: P. Adams Sitney: Introduction -- Dziga Vertov: Selected Writings -- Sergei Eisenstein: On the Question of a Materialist Approach to Form -- Hans Richter: The Badly Trained Sensibility -- Jean Epstein: The Essence of Cinema -- Jean Epstein: For a New Avant-Garde -- Germaine Dulac: From "Visual and Anti-visual Films" -- Germaine Dulac: The Essence of the Cinema: The Visual idea -- Germaine Dulac: The Avant-Garde Cinema -- Atonin Artaud: Sorcery and the Cinema -- Joseph Cornell: Monsieur Phot -- Maya Deren: Cinematography: The Creative Use of Reality -- Sidney Peterson: Cine Dance and Two Notes -- James Broughton: Two Notes on Mother's Day -- John and James Whitney: Audio-Visual Music -- P. Adams Sitney: Harry Smith Interview -- Harry Smith: On Mahogany -- Carel Rowe: Illuminating Lucifer -- Stan Brakhage: from Metaphors on Vision -- Stan Brakhage: Letter to Yves Kovacs (On Surrealism) -- Stan Brakhage: Letter to Ronna Page (On Music) -- Peter Kubelka: The Theory of Metrical Film -- Stephen Koch: Andy Warhol's Silence -- Annette Michelson: Toward Snow -- Michael Snow: Two Letters and Notes on Films -- Jonas Mekas: The Diary Film -- P. Adams Sitney: Autobiography in Avant-Garde Film -- Ernie Gehr: Program Notes -- Anthony McCall: Two Statements -- Paul Sharits: Hearing:Seeing -- Paul Sharits: from "Words Per Page" -- Tony Conrad: A Few Remarks Before I Begin -- Hollis Frampton: Lecture -- Hollis Frampton: A Pentagram For Conjuring the Narrative
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Avengers: age of ultron in Sunday Herald Sun [Arts & Entertainment] (26/04/2015) p.87 More info |
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Aviation Australia [1982]. More info |
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Chippendale, N.S.W.: Pan Macmillan, 1990. Call No: 71(94) STR Author: Stratton, David Place: Chippendale, N.S.W. Publisher: Pan Macmillan PubDate: 1990 PhysDes: xiii, 465 p. : ill. ; 25 cm Subject: FILMOGRAPHIES. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIA; TAXES. AUSTRALIA; MILLER, GEORGE; LAWRENCE, RAY; COX, PAUL; BENNETT, BILL; DOBROWOLSKA, GOSIA; PARKER, DAVID; SALVAT, KEITH; SCHEPISI, FRED; SCHULTZ, CARL; SULLIVAN, ERROL; TASS, NADIA; TURKIEWICZ, SOPHIA; WEIR, PETER; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); TIME GUARDIAN, THE (AT, Brian Hannant, 1987); SILVER CITY (AT, Sophia Turkiewicz, 1984); MALCOLM (AT, Nadia Tass, 1986); BURKE AND WILLS (AT, Graeme Clifford, 1985); BLISS (AT, Ray Lawrence, 1985) Summary: "Film? Or avocados? During the heady years of tax incentives and 10BA it didn't much matter to Australian investors where they put their surplus funds. For the Australian film industry, booming after the creative revival of the 1970s, the next decade became one of confusion and controversy. In THE AVOCADO PLANTATION, David Stratton gives us a comprehensive look at the making of 270 film features between 1980 and 1990. He discusses the big name attractions - GALLIPOLI, THE MAN FROM SNOWY RIVER, MAD MAX 2, CROCODILE DUNDEE, MAN OF FLOWERS, SWEETIE - and a host of lesser known films. Adventure films, horror films, love stories, comedies, they're all here: the smash hits, the turkets and the quality movies appreciated by discerning audiences. Stratton tells the behind-the-scenes stories of how the films were made - or in some casxes, un-made. He talks with directors such as Peter Weir, George Miller and Paul Cox, as well as producers, writers, actors, and crew members. Their reflections and revelations form a major part of THE AVOCADO PLANTATION." [Taken from book jacket] Notes: Includes index ISBN: 0732902509 LON: 7520974 Donation: Simon Wincer ID2: 255
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The avocado plantation : boom and bust in the Australian film industry / David Stratton Sydney: Pan Macmillan, 1990. Author: Stratton, David Source: AT Place: Sydney Publisher: Pan Macmillan PubDate: 1990 PhysDes: xiii, 465 p. : ill. ; 25 cm ISBN: 0732902509 Donation: donated by the family of Wayne Levy, 2006
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Avontuur met De Flying Doctors / Emily Crawford Kampen: La Riviere & Voorhoeve, 1993. Author: Crawford, Emily Source: The Netherlands Place: Kampen Publisher: La Riviere & Voorhoeve PubDate: 1993 PhysDes: 21 cm ; 224 p. ISBN: 9038405618 Language: Dutch Donation: donated by the family of Wayne Levy, 2006
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Awake in the dark : an anthology of American film criticism, 1915 to the present / edited by David Denby New York: Vintage Books, 1977. Call No: 67(04) AWA Author: Denby, David Edition: 1st ed Place: New York Publisher: Vintage Books PubDate: 1977 PhysDes: xxii, 391 p. ; 21 cm ISBN: 0394721942 pbk. : $4.95 LON: 76062494; 851761
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B is for bad cinema : aesthetics, politics and cultural value / edited by Claire Perkins and Constantine Verevis Albany, New York: State University of New York Press, c2014. Call No: 730.2 BIS Author: Perkins, Claire; Verevis, Constantine Source: US Place: Albany, New York Publisher: State University of New York Press PubDate: c2014 PhysDes: xi, 262 pages : illustrations ; 24 cm Subject: AESTHETICS; AUTHORSHIP; B-MOVIES; CULT FILMS; CULTURE AND THE CINEMA; EXPLOITATION FILMS; POLITICS AND THE CINEMA; SUBTITLES; CANDY (AT, Neil Armfield, 2005); EVIL DEAD, THE (US, Sam Raimi, 1982 [prod. 1980]); MARNIE (US, Alfred Hitchcock, 1964) Summary: B Is For Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad" - that is, aesthetically, morally, or commercially disreputable - cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach badcinema in terms of aesthetics, politics and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic effect, and onto the broader moral and ethical implications of the material. As a result, B Is For Bad Cinema takes an interest in a variety of film examples - overblown Hollywood blockbusters, faux pornographic works, and European art house films - to consider those that lurk on the boundaries of acceptability." -- BOOK BLURB Notes: Includes bibliographical references and index. ISBN: 9781438449951 Contents: Introduction: B for bad cinema / Claire Perkins and Constantine Verevis; Part 1: Aesthetics -- Explosive apathy / Jeffrey Sconce -- B-grade subtitles / Tessa Dwyer -- Being in two places at the same time: the forgotten geography of rear-projection / Adrian Danks -- Redeeming cruising: tendentiously offensive, coherently incoherent, strangely pleasurable / R. Barton Palmer -- The villain we love: notes on the dramaturgy of screen evil / Murray Pomerance -- From bad to good and back to bad again? cult cinema and its unstable trajectory / Jamie Sexton; Part 2: Authorship -- Coffee in paradise: the horn blows at midnight / Tom Conley -- The risible: on Jean-Claude Brisseau / Adrian Martin -- The evil dead DVD commentaries, amateurishness and "bad film" discourse / Kate Egan -- Liking The magus / I.Q. Hunter -- BADaptation: is candy faithful? / Constantine Verevis
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Babe / Dick King-Smith ; illustrated by Mary Rayner. Ringwood, Vic: Puffin, 1995. Call No: N79BAB KIN Author: King-Smith, Dick Edition: Tv and film tie-in ed. Source: AT Place: Ringwood, Vic Publisher: Puffin PubDate: 1995 PhysDes: 118 p : ill. ; 20 cm Subject: BABE (AT, Chris Noonan, 1995) Notes: Originally published as The sheep-pig c1983. -- Film directed by Chris Noonan and starring James Cromwell and Magda Szubanski-Back Cover. ISBN: 0140381430
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BABY BATH MASSACRE / Warik Lawrence [1994]. More info |
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Bachelor boys : the Young Ones book / Elton, Ben / Mayall, Rik / Mayer, Lise United Kingdom: Sphere Books Limited, 1984. Call No: 79 YOU ELT Author: Elton, Ben; Mayall, Rik; Mayer, Lise Place: United Kingdom Publisher: Sphere Books Limited PubDate: 1984 PhysDes: [124] p. : ill., ports ; 23cm Subject: YOUNG ONES, THE [TV] (UK, 1982-84); MAYALL, RIK; EDMONDSON, ADRIAN; PLANER, NIGEL Notes: Humour in English,. 1945- - Texts (BNB/ PRECIS) ISBN: 0722157657
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Back in familiar haunts in Sydney Morning Herald [Shortlist] (9/02/2018) p.1 More info |
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The back of beyond / a compilation by Eric Else for use in studying John Heyer's film of inland Australia London: Longmans, 1968. More info |
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The back of beyond : a compilation by Eric Else for use in studying John Heyer's film of Inland Australia / Eric Else London: Longmans, 1968. Author: Eric Else Place: London Publisher: Longmans PubDate: 1968 PhysDes: 176 p. : ill ; 24 cm Donation: donated by the family of Wayne Levy, 2006
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Back to the future / a novel by George Gipe ; based on a screenplay by Robert Zemeckis and Bob Gale London: Corgi, 1985. More info |
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Back to the future in Sunday Herald Sun [TV Guide] (17/04/2016) p.4 Call No: TITLE CLIPPINGS FILE; TOMORROW WHEN THE WAR BEGAN [TV] (AT, 2016-) Author: Dunk, Tiffany PhysDes: Clippings File Article Subject: TOMORROW WHEN THE WAR BEGAN [TV] (AT, 2016-) Summary: Tomorrow When the War Began is a six part drama based ofn the John Marden books stars Sibylla Budd, Debra Mailman and Spencer McLaren.
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Back to the future in Herald Sun (13/06/2018) p.40 Author: Colin Vickery PhysDes: Clippings File Article Summary: film interview The addictive nature of technology today helped Leigh Whannell give his new film legs, writes Colin Vickery
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Back to the future part II / Craig Shaw Gardner London: Headline, 1989. More info |
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Backroads in Empire (Australian Ed.) (December 2004) iss.45 p.112 More info |
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Backstory : interviews with screenwriters of Hollywood's golden age / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1986. Call No: 802.24(73) BAC Author: McGilligan, Patrick Source: US Place: Berkeley Publisher: University of California Press PubDate: 1986 PhysDes: viii, 382 p. : ports. ; 24 cm Subject: BENNETT, CHARLES; BURNETT, W. R.; BUSCH, NIVEN; CAIN, JAMES M; COFFEE, LENORE; DUNNE, PHILIP; EPSTEIN, JULIUS J.; GOODRICH, FRANCES; HACKETT, ALBERT; KRASNA, NORMAN; MAHIN, JOHN LEE; MAIBAUM, RICHARD; ROBINSON, CASEY; SCOTT, ALLAN; STEWART, DONALD OGDEN Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work.
The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket. Notes: Includes indexes; Bibliography: p. 349-364 ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper) LON: 85028949; 4218775
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Backstory 2 : interviews with screenwriters of the 1940s and 1950s / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1991. Call No: 802.24(73) BAC Author: McGilligan, Patrick Place: Berkeley Publisher: University of California Press PubDate: 1991 PhysDes: viii, 417 p. : ill. ; 24 cm Subject: BRACKETT, LEIGH; BROOKS, RICHARD; COMDEN, BETTY; GREEN, ADOLPH; KANIN, GARSON; KINGSLEY, DOROTHY; LAURENTS, ARTHUR; MADDOW, BEN; MAINWARING, DANIEL; REISCH, WALTER; SIODMAK, CURT; STERN, STEWART; TARADASH, DANIEL; YORDAN, PHILIP Notes: Includes bibliographical references (p. 391-393) and indexes ISBN: 0520209087 (pbk.); 0520071697 (alk. paper) LON: 90011172; 7420735
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Backstory 4 : interviews with screenwriters of the 1970s and 1980s / edited and with an introduction by Patrick McGilligan Berkeley: University of California Press, 2006. Call No: 802.24(73) BAC Author: McGilligan, Patrick Source: US Place: Berkeley Publisher: University of California Press PubDate: 2006 PhysDes: x, 423 p. : ill. ; 23 cm Subject: SCRIPTWRITERS; SCRIPTWRITERS. USA; BENTON, ROBERT; COHEN, LARRY; EDWARDS, BLAKE; HILL, WALTER; JHABVALA, RUTH PRAWER; KASDAN, LAWRENCE; LEONARD, ELMORE; MAZURSKY, PAUL; MEYERS, NANCY; MILIUS, JOHN; RAPHAEL, FREDERIC; WESTLAKE, DONALD; SARGENT, ALVIN Summary: "Continuing Patrick McGuilligan's highly acclaimed series on Hollywood screenwriters, these engrossing, informative, provocative interviews give wonderfull detailed and personal stories from veteran writers of the seventies and eighties focusing on their craft, their lives, and their profession. Backstory 4 is a riveting insider's look at how movies get made; a rich perspective on many of the great films, directors, and actors of the seventies and eighties; and an articulate, forthright commentary on the art and business of screenwriting."-- Back cover Notes: Formerly CIP; Includes bibliographical references (p. 389-396) and index ISBN: 9780520245181; 0520245180 (pbk. : alk. paper) Contents: -- acknowlegments -- introduction -- Robert Benton : the new traditionalist / interview by Christian Keathley -- Larry Cohen : manic energy / interview by Patrick McGilligan -- Blake Edwards : jumping around / interview by Bill Krohn --
Walter Hill : last man standing / interview by Patrick McGilligan -- Ruth Prawer Jhabvala : out of India / interview by Vincent LoBrutto -- Lawrence Kasdan : a humanist in Hollywood / interview by Graham Fuller -- Elmore Leonard : the hot kid / interview by Patrick McGilligan -- Paul Mazursky : a map of the heart / interview by Nat Segaloff -- Nancy Meyers : late bloomer / interview by Fred Topel -- John Milius : the good fights / interview by Nat Segaloff -- Frederic Raphael : renaissance man / interview by John Baxter -- Alvin Sargent : pursuit and destination / int
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