Search Catalogue

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ADAMS, AMY

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit
Subject: AMY (AT, Nadia Tass, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: AMY! (UK, Laura Mulvey & Peter Wollen, 1980)

Call No: S AMY
Author: Parker, D.
PubDate: [1996]
PhysDes: 94 leaves
Subject: AMY (AT, Nadia Tass, 1998)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE; AMY (UK, Asif Kapadia, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: AMY (UK, Asif Kapadia, 2015)
Summary: Review of the documentary AMY
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: AMY (UK, Asif Kapadia, 2015)
URL status: URL: 'http://file://Q:/T/AMY.zip' Checked: 31/08/2021 1:37:02 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANTIGONE/RITES OF PASSION [ANTIGONE/RITES FOR THE DEAD] (US, Amy Greenfield, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAD BABY AMY (AT, Anthony Lucas, 2001)

PhysDes: Article
Subject: YENTL (US, Barbara Streisand, 1983); STREISAND, BARBRA; IRVING, AMY; PATINKIN, MANDY
Summary: Synopsis and crew list of 'Yentl' which has begun filming.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BECAUSE THE DAWN (US, Amy Goldstein, 1988)

Call No: SUBJECT CLIPPINGS FILE
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: SCHUMER, AMY; TRAINWRECK (US, Judd Apatow, 2015)
Summary: Interview with Amy Schumer discussing her success, the role of women comedians and acting and her new film TRAINWRECK

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BRENNEMAN, AMY

Call No: 71(41) SAR
Author: Sargeant, Amy
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2005
PhysDes: 374 p. ; 24 cm
Subject: BRITAIN; UNITED KINGDOM; UNITED KINGDOM : SCOTLAND; UNITED KINGDOM. 1960's; UNITED KINGDOM. 1970's; SARGEANT, AMY
Summary: Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinating and elusive national cinema. Amy Sargeant’s personal and entertaining history of British cinema aims to fill this gap. With its insightful decade by decade analysis British cinema is brought alive for a new generation of students and the general reader alike. [Taken from back cover.]
ISBN: 1844570665

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity; Press kit
Subject: CHASING AMY (US, Kevin Smith, 1997)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: CLUELESS (US, Amy Heckerling, 1995)
URL status: URL: 'http://file://Q:/T/CLUELESS.zip' Checked: 31/08/2021 12:54:16 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 79 CLU SPE
Author: Speed, Lesley
Edition: 2018
Place: Abingdon, Oxon, UK
Publisher: Routledge
PubDate: 2018
PhysDes: 118 pages : illustrated ; 23 cm
Series: cinema and youth cultures
Subject: CLUELESS (US, Amy Heckerling, 1995); TEEN FILMS
Summary: Clueless: American Youth in the 1990s is a timely contribution to the increasingly prominent academic field of youth film studies. The book draws on the social context to the film’s release, a range of film industry perspectives including marketing, audience reception and franchising, as well as postmodern theory and feminist film theory to assert the cultural and historical significance of Amy Heckerling’s film and reaffirm its reputation as one of the defining teen films of the 1990s. Lesley Speed examines how the film channels aspects of Anita Loos’ 1925 novel Gentlemen Prefer Blondes, the 1960s television series Gidget and Jane Austen’s Emma, to present a heightened, optimistic view of contemporary American teenage life. Although seemingly apolitical, Speed makes the case for Clueless as a feminist exploration of relationships between gender, comedy and consumer culture, centring on a contemporary version of the ‘dumb blonde’ type. The film is also proved to embrace diversity in its depiction of African American characters and contributing to an increase in gay teenagers on screen. Lesley Speed concludes her analysis by tracking the rise of the Clueless franchise and cult following. Both helped to cement the film in popular consciousness, inviting fans to inhabit its fantasy world through spinoff narratives on television and in print, public viewing rituals, revivalism and vintage fashion. -- publisher's web site
ISBN: 9781138681217
Contents: Preface to the series.-- Acknowledgements. -- Introduction.-- 1. Building a fantasy that you could live in: production history and initial reception, Director and writer Amy Heckerling. -- Development and Production. -- Clueless sources. -- Production. -- Release and reception. -- 2. ‘A way normal life’: Clueless as a teen film of the 1990s. -- Clueless, the 1990s and youth culture. -- Youth, adulthood and history. -- ‘It looks like the best-tasting bubble gum’: the world of Clueless. -- 3. All the young girls and dudes: gender and sexuality. -- Girls in teen film. -- Feminism, consumer culture and girls. -- Ethnicity. -- Sexuality. -- 4. ‘It’s, like, a famous quote’: Adaptation, franchise and cult film. -- Clueless as adaptation. -- The Clueless franchise. -- Inhabiting the storyworld: Clueless as a cult film. -- Conclusion: Clueless in the popular cultural landscape. -- Bibliography. -- Appendix: The Clueless novelisations. -- Index

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: COURTSHIP [COURTSHIP, A] (US, Amy Kohn, 2015)
Cross Reference: COURTSHIP [COURTSHIP, A]

Call No: TITLE CLIPPINGS FILE; AMY (UK, Asif Kapadia, 2015)
Author: Bunbury, Stephanie
PhysDes: Clippings File Article
Subject: STARS; CELEBRITIES; AMY (UK, Asif Kapadia, 2015)
Summary: Article about the documentary Amy, which is the story of deceased singer Amy Winehouse, as well as looking at the perils of stardom for entertainers

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DELIVER US FROM EVIL (US, Amy Berg, 2006)

Call No: 71(73) BIS
Author: Biskind, Peter
Place: New York, NY
Publisher: Simon & Schuster
PubDate: 1998
PhysDes: 506 p. : ill. ; 25 cm
Subject: USA. 1970's; COLUMBIA PICTURES; PARAMOUNT STUDIOS; TWENTIETH CENTURY-FOX; UNIVERSAL PICTURES; WARNER BROS.; ZOETROPE STUDIOS; ALTMAN, ROBERT; ASHBY, HAL; BEATTY, WARREN; BEGELMAN, DAVID; BLATTY, WILLIAM PETER; BOGDANOVICH, PETER; BRANDO, MARLON; BROWN, DAVID; BURSTYN, ELLEN; CALLEY, JOHN; CHRISTIE, JULIE; COPPOLA, ELEANOR; COPPOLA, FRANCIS FORD; DE NIRO, ROBERT; DE PALMA, BRIAN; DILLER, BARRY; EVANS, ROBERT; FONDA, PETER; FRIEDKIN, WILLIAM; GEFFEN, DAVID; HAWKS, HOWARD; HOPPER, DENNIS; IRVING, AMY; KAEL, PAULINE; KIDDER, MARGOT; LUCAS, GEORGE; LUCAS, MARCIA; MILIUS, JOHN; NEWMAN, DAVID; NICHOLSON, JACK; PENN, ARTHUR; PHILLIPS, JULIA; PLATT, POLLY; POLANSKI, ROMAN; RAFELSON, BOB; SCHNEIDER, BERT; SCHRADER, LEONARD; SCHRADER, PAUL; SCORSESE, MARTIN; SHEPHERD, CYBILL; SIMPSON, DON; SPIELBERG, STEVEN; SYLBERT, RICHARD; TANEN, NED; TOWNE, ROBERT; WEINTRAUB, SANDRA; YABLANS, FRANK; ZANUCK, RICHARD; AMERICAN GRAFFITI (US, George Lucas, 1973); EASY RIDER (US, Dennis Hopper, 1969); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BONNIE AND CLYDE (US, Arthur Penn, 1967); CHINATOWN (US, Roman Polanski, 1974); CLOSE ENCOUNTERS OF THE THIRD KIND (US, Steven Spielberg, 1977); EXORCIST, THE (US, William Friedkin, 1973); GODFATHER, THE (US, Francis Ford Coppola, 1972); HEAVEN'S GATE (US, Michael Cimino, 1980); JAWS (US, Steven Spielberg, 1975); LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); MCCABE AND MRS MILLER (US, Robert Altman, 1971); M*A*S*H (US, Robert Altman, 1969); MEAN STREETS (US, Martin Scorsese, 1973); PAPER MOON (US, Peter Bogdanovich, 1973); PERSONAL BEST (US, Robert Towne, 1982); RAGING BULL (US, Martin Scorsese, 1980); REDS (US, Warren Beatty, 1981); SHAMPOO (US, Hal Ashby, 1975); SORCERER (US, William Friedkin, 1977); STAR WARS (US, George Lucas, 1977); SUGARLAND EXPRESS, THE (US, Steven Spielberg, 1974); TAXI DRIVER (US, Martin Scorsese, 1976)
Notes: Includes bibliographical references (p. [449]-482) and index; Filmography: p. [447]-448
ISBN: 0684809966
LON: 98002919; 13698645

Call No: 451-058.6 KIN
Author: King, James
Source: UK
Place: London
Publisher: Constable
PubDate: 2018
PhysDes: xi, 452 pages, 16 unnumbered pages of plates : illustrations, portraits ; 24 cm
Subject: TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; HISTORY OF CINEMA; HISTORY OF CINEMA. USA; HISTORY OF CINEMA. 1980's; BACON, KEVIN; COPPOLA, FRANCIS FORD; BRODERICK, MATTHEW; CROWE, CAMERON; CRUISE, TOM; DILLON, MATT; ESTEVEZ, EMILIO; FOSTER, JODIE; HECKERLING, AMY; HUGHES, JOHN (US); LEE, SPIKE; LOWE, ROB; MUSIC TELEVISION; PENN, SEAN; RINGWALD, MOLLY; TRAVOLTA, JOHN; ZEMECKIS, ROBERT; BACK TO THE FUTURE (US, Robert Zemeckis, 1985); FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982); GREASE (US, Randal Kleisner, 1978); GREMLINS (US, Joe Dante, 1984); LOST BOYS, THE (US, Joel Schumacher, 1987); OUTSIDERS, THE (US, Francis Ford Coppola, 1983); PRETTY IN PINK (US, Howard Deutch, 1986); RISKY BUSINESS (US, Paul Brickman, 1983); RIVER'S EDGE (US, Tim Hunter, 1986); SATURDAY NIGHT FEVER (US, John Badham, 1977); SIXTEEN CANDLES (US, John Hughes, 1984)
Summary: "Take a trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap and Ridgemont High; of MTV, VHS and 'Axel F'; of outsiders, lost boys and dead poets; of Bill and Ted, Brooke Shields and the Brat Pack; of three Porky's, two Coreys and one summer when everyone called her Baby . . . Fast Times and Excellent Adventures goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers and where ambitious future superstars Sean, Demi and Tom all got their big break. Music, comedy and politics - all play a part in the surprisingly complex history of the '80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain a magnet to all ages. Time of your life, huh kid? From a late '70s Hollywood in flux to an early '90s indie scene that gave youth cinema a timely reboot, respected film expert James King smartly highlights the personal struggles, the social changes and the boardroom shake-ups that produced an iconic time in movie history" -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9781472123725

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings
Subject: FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982)

Author: Wollen, Peter
PhysDes: Article
Subject: SYMBOLIC ORDER; PATRIARCHAL DISCOURSE; SEMIOTICS; LANGUAGE AND THE CINEMA; GENDER AND THE CINEMA; WOMEN IN FILMS; AMY! (UK, Laura Mulvey & Peter Wollen, 1980); PENTHESILEA (UK, Laura Mulvey & Peter Wollen, 1974); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977)
Summary: A lengthy essay/article by Peter Wollen on semiotics and its relationship to a dominant patriarchal symbolic order within film. He explores the problematic of filmmakers attempting to counter patriarchal discourse. Wollen notes that one cinematic path is to avoid verbal language altogether and instead focus on icons, indices, images, and traces. However, Wollen rejects this option as ineffective as he places both verbal and visual language as crucial to the composition of films, in terms of both signifier and signified. Wollen also comments that in his counter-language projects with Laura Mulvey ("Amy!", "Penthesilea", and "Riddles of the Sphinx"), films where women's voices predominate in various modes, a fractured body of language has resulted

Call No: 753 FIL
Author: Naremore, James
Source: US
Place: New Brunswick, N.J
Publisher: Rutgers University Press
PubDate: c2000
PhysDes: x, 258 p. : ill. ; 23 cm.
Series: Rutgers depth of field series
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. DOSTOEVSKIJ, FEDOR MIHAJLOVIC; ADAPTATIONS. SHAKESPEARE, WILLIAM; CENSORSHIP; LITERATURE AND THE CINEMA; KUROSAWA AKIRA; RENOIR, JEAN; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); CLUELESS (US, Amy Heckerling, 1995); DAVID COPPERFIELD (US, George Cukor, 1935); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); EMMA (UK, Douglas McGrath, 1996); HOW TASTY WAS MY LITTLE FRENCHMAN (BL, Nelson Pereira dos Santos, 1971)
Summary: "The essays in this volume, most of which have never before been published, raise fundamental questions about cinema and adaptation: what is the nature of the "literary" and the "cinematic"? Why do so many of the films described as adaptations seem to derive from canonical literature rather than from other sources? How do the different media affect the ways stories are told? Film Adaptation offers fresh approaches to the art, theory, and cultural politics of movie adaptations, even challenging what is meant by the term "adaptation" itself. Contributors examine the process of adaptation in both theory and practice, discussing a wide variety of films. James Naremore's introduction provides an accessible historical overview of the field and reveals the importance of adaptation study to the many different academic disciplines now attracted to the analysis of film as commodity, document, and cultural artifact." -- BOOK BLURB (Contributors are André Bazin, Dudley Andrew, Robert B. Ray, Robert Stam, Richard Maltby, Guerric DeBona, O. M. B., Gilberto Perez, Michael Anderegg, Matthew Bernstein, Darlene J. Sadlier, Jonathan Rosenbaum, and Lesley Stern.)
Notes: Includes bibliographical references (p. 239-243) and index
ISBN: 0813528135
Contents: -- introduction: film and the reign of adaptation -- adaptation, or the cinema as digest -- adaptation -- The field of "literature and film" -- The dialogics of adaptation -- "to prevent the prevalent type of book" Censorship and adaptation in Hollywood, 1924-1934 -- Dickens, the Depression and MGM's David Copperfield -- Landscape and fiction: A day in the country -- Welles/Shakespeare/film an overview -- high and low: Art cinema and pulp fiction in Yokohama -- The politics of adaptation: how tasty was my little frenchman -- Two forms of adaptation: housekeeping and naked lunch -- Emma in Los Angeles: remaking the book and the city -- annotated bibliography -- contributors -- index --
ID2: 291

Call No: 512.1 PAR
Author: Partridge, Dinah; Hughes, Peter, 1949
Edition: 2nd ed
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1998
PhysDes: viii, 248 p. : ill., ports. ; 26 cm
Subject: TEACHING MATERIALS; PRINCESS BRIDE, THE (US, Rob Reiner, 1987); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BLADE RUNNER (US, Ridley Scott, 1982); CITIZEN KANE (US, Orson Welles, 1941); CHARACTERIZATION IN FILMS; CLUELESS (US, Amy Heckerling, 1995); COOLBAROO CLUB, THE (AT, Roger Scholes, 1996); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EMMA (UK, Douglas McGrath, 1996); FRONTLINE [TV] (AT, 1994- ); GALLIPOLI (AT, Peter Weir, 1981); GENRES; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); HOUSEKEEPING (US, Bill Forsyth, 1987); MITT LIV SOM HUND (SW, Lass Hallestrom, 1985); MURIEL'S WEDDING (AT, P.J. Hogan, 1994); NARRATIVE IN FILMS; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); POLICE ON TV; PROOF (AT, Jocelyn Moorhouse, 1991); REALISM IN FILMS; SCHINDLER'S LIST (US, Steven Spielberg, 1993); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SEINFELD [TV] (US, 1990-98); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAME (AT, Steve Jodrell, 1988); SHINE (AT/UK, Scott Hicks, 1996); SITUATION COMEDY; STAR WARS (US, George Lucas, 1977); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Notes: Bibliography
ISBN: 0195506774 : $26.95; 0195506774 (pbk.)
LON: 13455821
ID2: 290

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: GEBHARDT, AMY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUERRILLAS IN OUR MIDST (US, Amy Harrison, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GUITAR, THE (US, Amy Redford, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAL (US, Amy Scott, 2018)
Notes: Simon import_04/07/19

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: HECKERLING, AMY

PhysDes: Article
Subject: HOYTS; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); PARADISE (CN, Stuart Gillard, 1982); ONE FROM THE HEART (US, Francis Ford Coppola, 1982); BARBAROSA (US, Fred Schepisi, 1982); STARSTRUCK (AT, Gillian Armstrong, 1982); ON GOLDEN POND (US, Mark Rydell, 1981); VICE SQUAD (US, Gary Sherman, 1982); INSIDE MOVES (US, Richard Donner, 1980); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); MOONLIGHTING (UK, Jerzy Skolimowski, 1982); BRIMSTONE AND TREACLE (UK, Richard Loncraine, 1982); GINGER MEGGS (AT, Jonathan Dawson, 1982); WHO DARES WIN (UK, Ian Sharp, 1982); SLUMBER PARTY MASSACRE, THE (US, Amy Jones, 1982); BEACH GIRLS, THE (US, Pat Townsend, 1982); SOLDIER, THE (US, James Glickenhaus, 1982); ESCAPE ARTIST, THE (US, Caleb Deschanel, 1982); HAMMETT (US, Wim Wenders, 1982); ZAPPED ! (US, Robert J. Rosenthal, 1982); ENIGMA (UK/FR, Jeannot Szwarc, 1983); HUMONGOUS (CN, Paul Lynch, 1982); PHAR LAP (AT, Simon Wincer, 1983)
Summary: List of current and coming Hoyts productions.

Author: Danino, Nina; Moy-Thomas, Lucy
PhysDes: Article
Subject: MULVEY, LAURA; AMY! (UK, Laura Mulvey & Peter Wollen, 1980); PENTHESILEA (UK, Laura Mulvey & Peter Wollen, 1974); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); CRYSTAL GAZING (UK, Laura Mulvey and Peter Wollen, 1982); BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983); FRIDA KAHLO AND TINA MODOTTI (AT, Laura Mulvey / Peter Wollen, 1982)
Summary: Interview with Laura Mulvey discussing the creative progression of her works with Peter Wollen.
Notes: Ill.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: IRVING, AMY

Call No: 753AUS JAN
Author: Greenfield, Sayre N., 1956; Troost, Linda, 1957
Source: US
Place: Lexington
Publisher: University Press of Kentucky
PubDate: c1998
PhysDes: 202 p., [16] p. of plates : ill. ; 24 cm
Subject: ADAPTATIONS. AUSTEN, JANE; FEMINISM AND THE CINEMA; MASCULINITY IN FILMS; WOMEN AND THE CINEMA; MEN IN FILMS; WOMEN IN FILMS; THOMPSON, EMMA; EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); PRIDE AND PREJUDICE [TV] (UK/US, Simon Langton, 1995); PERSUASION (UK, Roger Michell, 1995)
Summary: "In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced - an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millenium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siècle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notions and reshape the Austenian hero to make him conform to modern expectations. Linda Troost and Sayre Greenfield present fourteen essays examining the phenomenon of Jane Austen as cultural icon, providing thoughtful and sympathetic insights on the films through a variety of critical approaches. The contributors debate whether these productions enhance or undercut the subtle feminism that Austen promoted in her novels." - BOOK JACKET
Notes: Includes bibliographical references (p. 186-187) and index
ISBN: 0813120845 (alk. paper)
LON: 13891695
Contents: Introduction: watching ourselves watching / Linda Troost and Sayre Greenfield -- Out of the drawing room, onto the lawn / Rachel M. Brownstein -- Balancing the courtship hero: masculine emotional display in film adaptation of Austen's novels / Cheryl L. Nixon -- Misrepresenting Jane Austen's ladies: revising texts (and history) to sell films / Rebecca Dickson -- Austen, class and the American market / Carol M. Dole -- Jane Austen, film, and the pitfalls of postmodern nostalgia / Amanda Collins -- "A correct taste in landscape": Pemberley as fetish and commodity / H. Elisabeth Ellington -- Mr. Darcy's body: privileging the female gaze / Lisa Hopkins -- Emma becomes Clueless / Suzanne Ferriss -- "As if!": translating Austen's ironic narrator to film / Nora Nachumi -- Emma Thompson's Sense and Sensibility as gateway to Austen's novel / M. Casey Diana -- "Piracy is our only option": postfeminist intervention in Sense and Sensibility / Kristin Flieger Samuelian -- Feminist implications of the silver screen Austen / Devoney Looser -- Mass marketing Jane Austen: men, women, and courtship in two film adaptations / Deborah Kaplan

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JANIS: LITTLE GIRL BLUE (US, Amy J. Berg, 2015)
URL status: URL: 'http://file://Q:/T/JANIS.zip' Checked: 31/08/2021 1:49:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY DANGEROUSLY (US, Amy Heckerling, 1984)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: JONES, AMY

Call No: PERSONALITY CLIPPINGS FILE; ADAMS, AMY
Author: Cummings, Pip
PhysDes: Clippings File Article
Subject: ADAMS, AMY; BIG EYES (US/CN, Tim Burton, 2014)
Summary: Interview with Amy Adams in relation to the relaes of the fil Big Eyes

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: LOOK WHO'S TALKING (US, Amy Heckerling, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: LOOK WHO'S TALKING TOO (US, Amy Heckerling, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LOSER (US, Amy Heckerling, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LOVE LETTERS (US, Amy Holden-Jones, 1983)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MADIGAN, AMY

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAID TO ORDER (US, Amy Jones, 1987)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MOXIE (US, Amy Poehler, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NATIONAL LAMPOON'S EUROPEAN VACATION (US, Amy Heckerling, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW ARRIVAL, THE [MM] (US, Amy Talkington, 2000)

Author: Harris, Paul
PhysDes: Article
Subject: LOVE LETTERS (US, Amy Holden-Jones, 1983)

Author: Dent, Nick
PhysDes: Clippings File Article
Subject: TRAINWRECK (US, Judd Apatow, 2015); APATOW, JUDD; SCHUMER, AMY
Summary: Review of the comedy, Trainwreck, directed by Judd Apatow
Rating: 3 out of 5 stars

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ON THE RECORD (US, Kirby Dick, Amy Ziering, 2020)
Cross Reference: ON THE RECORD (US, Kirby Dick, Amy Ziering, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OPEN SECRET, AN (US, Amy Berg, 2014)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: PASCAL, AMY

Call No: 81JAC LEO
Author: Leotta, Alfio
Source: UK
Place: London
Publisher: London Bloomsbury Academic
PubDate: 2016
PhysDes: xi, 285 pages ; 23 cm.
Series: The Bloomsbury companions to contemporary filmmakers.
Subject: WETA WORKSHOP; JACKSON, PETER (NZ); BAD TASTE (NZ, Peter Jackson, 1988); BRAINDEAD (NZ, Peter Jackson, 1992); DISTRICT 9 (US/NZ, Neill Blomkamp, 2009); FORGOTTEN SILVER (NZ, Peter Jackson & Costa Botes, 1996); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); HOBBIT, THE: AN UNEXPECTED JOURNEY (US/NZ, Peter Jackson, 2012); HOBBIT, THE: THE DESOLATION OF SMAUG (US/NZ, Peter Jackson, 2013); HOBBIT, THE: THE BATTLE OF THE FIVE ARMIES (US/NZ , Peter Jackson, 2014); JACK BROWN GENIUS (NZ, Tony Hiles, 1996); KING KONG (NZ/US, Peter Jackson, 2005); LOVELY BONES, THE (US/UK/NZ, Peter Jackson, 2008); LORD OF THE RINGS, THE (US, Peter Jackson, 2001-2003); MEET THE FEEBLES (NZ, Peter Jackson, 1990); WEST OF MEMPHIS (NZ, Amy Berg, 2012)
Summary: Combines examination of Jackson's career with critical analysis of his films, providing readers with comprehensive study of New Zealand film-maker's body of work. Further examines his work at level of production, reception and textuality, along with key collaborative relationships and significant themes associated with films.
Notes: Includes bibliographical references and index.
ISBN: 9781623566531
Contents: Introduction / Biography / Context -- Key Collaborative Relationships -- Critical Essay 1: Peter Jackson and Film Landscape -- Critical Essay 2: Peter Jackson and Global Dispersal of Film Production -- A - Z Films / Themes / Key Concepts -- Conclusion.

Author: Colacello, Bob; Warhol, Andy
PhysDes: Article
Subject: FAST TIMES AT RIDGEMONT HIGH (US, Amy Heckerling, 1982)

Call No: 730(73) BIA
Author: Bianculli, David
Source: US
Place: New York
Publisher: Anchor Books ; a Division of Penguin Random House LLC
PubDate: [2016]
PhysDes: xiv, 576 pages : illustrations ; 25 cm
Subject: TELEVISION; GROENING, MATT; BROOKS, MEL; BURNETT, CAROL; SMOTHERS, TOM; SCHUMER, AMY; BOCHCO, STEVEN; Chase, David; SPACEY, KEVIN; KELLEY, DAVID E.; LEAR, NORMAN; BROOKS, JAMES L.; SHANDLING, GARRY; REINER, CARL; NEWHART, BOB; C.K., LOUIS; APATOW, JUDD; SORKIN, AARON; WEINER, MATTHEW; BURNS, KEN
Summary: "Television today is better than ever. From The Sopranos to Breaking Bad, Sex and the City to Girls, and Modern Family to Louie, never has so much quality programming dominated our screens. Exploring how we got here, acclaimed TV critic David Bianculli traces the evolution of the classic TV genres, among them the sitcom, the crime show, the miniseries, the soap opera, the Western, the animated series, the medical drama, and the variety show. In each genre he selects five key examples of the form to illustrate its continuities and its dramatic departures. Drawing on exclusive and in-depth interviews with many of the most famed auteurs in television history, Bianculli shows how the medium has evolved into the premier form of visual narrative art." - taken from back cover.
Notes: Includes bibliographical references (pages [553]-555) and index.
ISBN: 9781101911327
Contents: Introduction -- 1. Children's programs -- 2. Animation -- Profile: Matt Groening -- 3. Variety/ sketch -- Profile : Mel Brooks -- Profile : Carol Burnett -- Profile : Tom Smothers -- Profile : Amy Schumer -- 4. Soap operas -- 5. Crime -- Profile : Steven Bochco -- Profile : David Chase -- Profile : Kevin Spacey -- Profile : Vince Gilligan -- 6. Legal -- Profile : David E. Kelley -- Profile : Robert and Michelle King -- 7. Medical -- 8. Family sitcoms -- Profile : Norman Lear -- 9. Workplace sitcoms -- Profile : James L. Brooks -- Profile : Garry Shandling -- 10. Splitcoms -- Profile : Carl Reiner -- Profile : Bob Newhart -- Profile : Larry David -- Profile : Louis C.K. -- 11. Single working women sitcoms -- Profile : Judd Apatow -- 12. Sci-fi/ fantasy/ horror -- 13. Westerns -- Profile : David Milch -- 14. Spies -- 15. General drama -- Profile : David Simon -- Profile : Aaron Sorkin -- Profile : Matthew Weiner -- 16. War -- 17. Miniseries -- Profile : Ken Burns -- 18. Topical comedy -- Profile : Larry Wilmore -- Conclusion.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: POEHLER, AMY

Call No: TITLE CLIPPINGS FILE; AMY (UK, Asif Kapadia, 2015)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: AMY (UK, Asif Kapadia, 2015)
Summary: Review of the documentary AMY
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE; AMY (UK, Asif Kapadia, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: AMY (UK, Asif Kapadia, 2015)
Summary: Review of the documentary AMY
Rating: 4 out of 5 stars

Call No: 802 PRO v.10
Author: Figgis, Michael
Place: London
Publisher: Faber
PubDate: 1999
PhysDes: 304 p. : ill., ports. ; 22 cm
Subject: FIGGIS, MIKE; SHUE, ELISABETH; CALLEY, JOHN; MAZURSKY, PAUL; ANDERSON, PAUL THOMAS; FOSTER, JODIE; Gibson, Mel; ARQUETTE, ROSANNA; SHEEDY, ALLY; STALLONE, SYLVESTER; BRUCKHEIMER, JERRY; SCOTT, TONY; ROURKE, MICKEY; HAYEK, SALMA; MING-NA, WEN; KINSKI, NASTASSJA; SHIELDS, BROOKE; DOWNEY, ROBERT, Jr.; KAYE, TONY; RAFELSON, BOB; DELPY, JULIE; TURAN, KENNETH; BENEIX, JEAN-JACQUES; NEWMAN, ROBERT; YORN, JULIE; BERKELEY, XANDER; LOWE, ELIZABETH; GRAHAM, AMY
ISBN: 0571193579(pbk.) : ª12.99
LON: 20092428

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: REDFORD, AMY

Call No: TITLE CLIPPINGS FILE; TRAINWRECK (US, Judd Apatow, 2015)
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: SCHUMER, AMY; TRAINWRECK (US, Judd Apatow, 2015)
Summary: Interview of Amy Schumer where she discusses her career and the film TRAINWRECK

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RICH MAN'S WIFE, THE (US, Amy Holden Jones, 1996)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: RYAN, AMY

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: SCHUMER, AMY

Call No: TITLE CLIPPINGS FILE
Author: Hall, Sandra
PhysDes: Clippings File Article
Subject: TRAINWRECK (US, Judd Apatow, 2015); APATOW, JUDD; SCHUMER, AMY; SWINTON, TILDA
Summary: A review of the film Trainwreck, directed by Judd Apatow, written by and starring Amy Schumer.
Rating: 4 out of 5 stars

Author: Martin, Margaret [compiler]
PhysDes: Article
Subject: AMY! (UK, Laura Mulvey & Peter Wollen, 1980)
Summary: Article provides a synopsis of Laura Mulvey and Peter Wollen's film "Amy!". The article then moves onto a more critical review, with adjectives like laboured, unfocused, and aimless being used. The article candidly concludes that "Amy!" may be considered Mulvey and Wollen's most accessible film to date but it is far from the most satisfying
Notes: Synopsis. - review. - credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SLUMBER PARTY MASSACRE, THE (US, Amy Jones, 1982)

Call No: 753 SYD
CorpAuthor: University of Sydney. Dept. of English; English Association. Sydney Branch
Place: Sydney, N.S.W.
Publisher: University of Sydney
PubDate: 1975/76
PhysDes: v. ; 21 cm
Subject: INDUSTRY, FILM. AUSTRALIA; ADAPTATIONS; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); TEMPEST (US, Paul Mazursky, 1982); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE DORRIT (UK, Christine Edzard, 1987); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); X-FILES, THE [TV] (US, 1993-)
Notes: "Jointly sponsored by the Department of English, University of Sydney and the English Association (Sydney Branch)"
ISSN: 0156-5419
LON: abn84028394; 3052804

Call No: 451-053.6 KAV
Author: Kaveney, Roz
Source: US/UK
Place: London ; New York
Publisher: I.B. Tauris
PubDate: copyright 2006
PhysDes: viii, 191 p. ; 24 cm.
Subject: DRUGS IN FILMS; FAMILY IN FILMS; RACIAL ISSUES AND THE CINEMA; SEXUALITY AND THE CINEMA; TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; CLUELESS (US, Amy Heckerling, 1995); HEATHERS (US, Michael Lehmann, 1989); VERONICA MARS [TV] (US, 2004)
Summary: "Starting with the groundbreaking John Hughes movies of the 1980s, and with Lehman and Waters' sardonic comedy Heathers, Kaveney discusses the evolution of themes like the Mean Girl and the loss of virginity. She examines the metamorphosis of Jane Austen's novel Emma into the Beverly Hills comedy Clueless and the way the American Pie trilogy has subverted the gross-out sex comedy into a lesson in sexual manners. She looks at the link between these films and some of the most innovative teen television of the last two decades, including Popular, Buffy the Vampire Slayer and the teen detective show Veronica Mars. In the process, she demonstrates how teen films and tv series deal with the tragic and comic undersides of the American dream."--BOOK JACKET.
Notes: Includes indexes.
ISBN: 9781845111847
Contents: Teen dreams: the critic at the prom -- John Hughes and the creation of a genre -- The friends who are bad for you: Heathers -- The heirs of Heather: Cordelia, Nicole and other mean girls -- The canon as teen dream: Clueless and others -- The trouble with boys -- On being good at things: female competence and sexuality -- Watching the teen detective: Veronica Mars.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WEST OF MEMPHIS (NZ, Amy Berg, 2012)

Call No: 771-02 WOM
Author: Blaetz, Robin
Source: US
Place: Durham
Publisher: Duke University Press
PubDate: 2007
PhysDes: viii, 421 p. : ill., ports. ; 24 cm
Subject: WOMEN, FILMS MADE BY; WOMEN, FILMS FOR; EXPERIMENTAL FILMS; CRITICISM; BLAETZ, ROBIN; RAGONA, MELISSA; ARTHUR, PAUL; MENKEN, MARIE; WIELAND, JOYCE; HOLMLUND, CHRIS; NELSON, GUNVOR; CARROLL, NOEL; SERRA, M.M; RAMEY, KATHRYN; SCHNEEMANN, CAROLEE; OSTERWEIL, ARA; RUBIN, BARBARA; HALLER, ROBERT; GREENFIELD, AMY; KLEINHANS, CHUCK; HAMMER, BARBARA; PRAMAGGIORE, MARIA; STRAND, CHICK; KELLER, MARJORIE; DOANE, MARY ANN; THORNTON, LESLIE; TURIM, MAUREEN; CHILD, ABIGAIL; WEES, WILLIAM C; CUTLER, JANET; FRIEDRICH, SU; MCHUGH, KATHLEEN; MACDONALD, SCOTT
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780822340447
Contents: Swing and sway / Melissa Ragona -- Different/same/both/neither / Paul Arthur -- Excavating visual fields, layering auditory frames / Chris Holmlund -- Moving and moving / Noel Carroll -- Eye/body / M. M. Serra and Kathryn Ramey -- 'Absently enchanted' / Ara Osterweil -- Amy Greenfield / Robert A. Haller -- Barbara Hammer / Chuck Kleinhans -- Chick Strand's experimental ethnography / Maria Pramaggiore -- Amnesis time / Robin Blaetz -- In the ruins of the image / Mary Ann Doane -- Sounds, intervals, and startling images in the films of Abigail Child / Maureen Turim -- Peggy's playhouse / William C. Wees -- Su Friedrich / Janet Cutler -- The experimental 'dunyementary' / Kathleen McHugh -- Women's experimental cinema / Scott MacDonald.
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