Interim
book
At full speed : Hong Kong cinema in a borderless world / Esther C.M. Yau, editor Minneapolis, Minn.: University of Minnesota Press, 2001.
More info
title clippings file
CHING SE : (HK, Tsui Hark, 1993)
More info
book
City on fire : Hong Kong cinema / Lisa Odham Stokes and Michael Hoover New York: Verso, 1999.
Call No: 71(512.317) STOAuthor: Stokes, Lisa Odham ; Hoover, Michael Place: New YorkPublisher: VersoPubDate: 1999PhysDes: p. cmSubject: HONG KONG ; FOOD IN FILMS ; CHAN, JACKIE ; CHAN, PETER ; CHOW, YUN-FAT ; CHIAU, STEPHEN ; DOYLE, CHRISTOPHER ; HUI, ANN ; KWAN, STANLEY ; LAM, RINGO ; LAW, CLARA ; TSUI, HARK ; WONG KAR-WAI ; TONG, STANLEY [pseud. of Tony Kwei Lai] ; WOO, JOHN [pseud. of Wu Yusen] ; Yeoh, Michelle ; Yu, Ronnie ; YINGXIONG BENSE II (HK, John Woo [pseud. of Wu Yusen], 1988) ; SATSAT YAN, TIUTIU MO (HK, Donnie Yen, 1998) ; DUNG CHE SAI DUK (HK, Wong Kar-Wai, 1994) ; GAMYUK MUNTONG (HK, Tsui Hark, 1996) ; CHONGQING SENLIN (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS (HK, Wong Kar-Wai, 1994) ; TIAN MIMI (HK, Peter Chan, 1997) ; CHEUN GWONG TSA SIT (HK, Wong Kar-Wai, 1997) ; HAPPY TOGETHER (HK, Wong Kar-Wai, 1997) ; LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992) ; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) Notes: Includes bibliographical references and indexISBN: 1859847161 (cloth); 1859842038 (pbk.)LON: 20214722ID2: 291
More info
title clippings file
DAO : (HK, Tsui Hark, 1996)
More info
title clippings file
DI RENJIE : SHEN DU LONG WANG : (CC, Tsui Hark, 2013)
More info
title clippings file
DO MA DAN : (HK, Tsui Hark, 1986)
More info
title clippings file
DOUBLE TEAM : (US, Tsui Hark, 1997)
More info
book
Film analysis : a Norton reader / edited by Jeffrey Geiger and R.L. Rutsky New York : London: W. W. Norton & Company, Inc.,
Call No: 66(049.3)Author: Geiger, Jeffrey ; Rutsky, R.L. Edition: 2013Place: New York : LondonPublisher: W. W. Norton & Company, Inc.PhysDes: 1152 pp ; 23 cmSubject: VOYAGE A PAIMPOL, LE (FR, John Berry, 1985) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; NANIWA EREJI NANIWA HIKA (JA, Kenji Mizoguchi, 1936) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920) ; TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953) ; SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; QUATRE CENTS COUPS, LES (FR, Francois Truffaut, 1959) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; ANGST ESSEN SEELE AUF (GW, Rainer Werner Fassbinder, 1974) ; ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976) ; DO MA DAN (HK, Tsui Hark, 1986) ; NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990) ; DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991) ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) ; FA YEUNG NIN WA (HK, Wong Kar-Wai, 2000) Notes: Fifty essays on fifty films—by a who’s-who of film studies. Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms. -- publisher's web site.ISBN: 9780393923247Contents: Preface -- Introduction -- Arrival of a Train at La Ciotat (1895-1897), Lumière Brothers / Karin Littau -- A Trip to the Moon (1902), Georges Méliès / Tom Gunning -- The Birth of a Nation (1915), D. W. Griffith / Daniel Bernardi -- The Cabinet of Dr. Caligari (1920), Robert Wiene / Paul Coates -- Nanook of the North (1922), Robert J. Flaherty / Jeffrey Geiger -- Sherlock, Jr. (1924), Buster Keaton / Hal Gladfelder -- Battleship Potemkin (1926), Sergei Eisenstein / Bill Nichols -- Metropolis (1927), Fritz Lang / R. L. Rutsky -- Un chien andalou (1929), Luis Buñuel and Salvador Dalí / Tom Conley -- It Happened One Night (1934), Frank Capra / Richard Maltby -- Modern Times (1936), Charlie Chaplin / Charles J. Maland -- Osaka Elegy (1936), Mizoguchi Kenji / Joanne Bernardi -- Bringing Up Baby (1938), Howard Hawks / S. I. Salamensky -- The Rules of the Game (1939), Jean Renoir / Christopher Faulkner -- Stagecoach (1939), John Ford / Matthew Bernstein -- Citizen Kane (1941), Orson Welles / James Naremore -- Casablanca (1942), Michael Curtiz / Dana Polan -- Meshes of the Afternoon (1943), Maya Deren and Alexander Hammid / Juan A. Suarez -- Double Indemnity (1944), Billy Wilder / Gaylyn Studlar -- Rome Open City (1945), Roberto Rossellini / Marcia Landy -- Bicycle Thieves (1948), Vittorio De Sica / Geoffrey Nowell-Smith -- The Red Shoes (1948), Michael Powell and Emeric Pressburger / Ian Christie -- Rashomon (1950), Kurosawa Akira / Aaron Kerner -- Singin’ in the Rain (1952), Stanley Donen and Gene Kelly / Jane Feuer -- Tokyo Story (1953), Ozu Yasujiro / David Desser -- Rear Window (1954), Alfred Hitchcock / Elizabeth Cowie -- Seven Samurai (1954), Kurosawa Akira / Mitsuhiro Yoshimoto -- Pather Panchali (1955), Satyajit Ray / Neepa Majumdar -- The Seventh Seal (1956), Ingmar Bergman / Marilyn Johns Blackwell -- The 400 Blows (1959), François Truffaut / Alastair Phillips -- Breathless (1960), Jean-Luc Godard / Richard Neupert -- 8 1/2 (1963), Federico Fellini / Kriss Ravetto-Biagioli -- 2001: A Space Odyssey (1968), Stanley Kubrick / Robert Kolker -- The Godfather (1972), Francis Ford Coppola / Jon Lewis -- Ali: Fear Eats the Soul (1974), Rainer Werner Fassbinder / Shohini Chaudhuri -- Chinatown (1974), Roman Polanski / Steve Neale -- The Last Supper (1976), Tomás Gutiérrez Alea / Gilberto M. Blasini -- Taxi Driver (1976), Martin Scorsese / Cynthia Fuchs -- Ceddo (1977), Ousmane Sembene / Philip Rosen -- Peking Opera Blues (1986), Tsui Hark / Jenny Kwok Wah Lau -- Yeelen (1987), Souleymane Cissé / N. Frank Ukadike -- Do the Right Thing (1989), Spike Lee / Sharon Willis -- Close-up (1989), Abbas Kiarostami / Hamid Naficy -- To Sleep with Anger (1990), Charles Burnett / Valerie Smith -- Raise the Red Lantern (1991), Zhang Yimou / Shuqin Cui -- Daughters of the Dust (1991), Julie Dash / Anna Everett -- Pulp Fiction (1994), Quentin Tarantino / A. J. Haynes -- All About My Mother (1999), Pedro Almodóvar / Paul Julian Smith -- In the Mood for Love (2000), Wong Kar Wai / Gina Marchetti -- Caché (Hidden) (2005), Michael Haneke / Kevin Sherman -- / Film Analysis: Approaches and Strategies -- Glossary of Critical TermsID2: 182
More info
title clippings file
GAMYUK MUNTONG : (HK, Tsui Hark, 1996)
More info
book
Hong Kong : culture and the politics of disappearance / Ackbar Abbas Minneapolis: University of Minnesota Press, 1997.
Call No: 408.1(512.317) ABBAuthor: Abbas, M. A. (M. Ackbar) Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1997PhysDes: vii, 155 p. : ill. ; 24 cmSeries: Public worlds ; v. 2Subject: HONG KONG ; NATIONAL CULTURE AND THE CINEMA. HONG KONG ; NATIONAL IDENTITY AND THE CINEMA. HONG KONG ; ORIENTAL ACTION FILMS ; WONG KAR-WAI ; KWAN, STANLEY ; TSUI, HARK ; HUI, ANN Summary: The Culture of Hong Kong encompasses Jackie Chan and John Woo, British colonial architecture and postmodern skyscrapers. Ironically, it was not until they were faced with the imposition of Mainland power - with the signing of the Sino-British Joint Agreement in 1984 - that the denizens of the colony began the search for a Hong Kong identity. According to Abbas, Hong Kong's peculiar lack of identity is due to its status as "not so much a place as a space of transit," whose residents think of themselves as transients and migrants on their way from China to somewhere else. In this intriguing and provocative exploration of its cinema, architecture, photography, and literature, Ackbar Abbas considers what Hong Kong, with its unique relations to decolonization and disappearance, can teach us about the future of both the colonial city and the global cityNotes: Includes bibliographical references (p. 147-150) and indexISBN: 0816629242 (hard : alk. paper); 0816629250 (pbk. : alk. paper)LON: 12802637 12802637ID2: 291
More info
book
Hong Kong Babylon : an insider's guide to the Hollywood of the East / Fredric Dannen and Barry Long London: Faber and Faber, 1997.
Call No: 71(512.317) DANAuthor: Dannen, Fredric ; Long, Barry Place: LondonPublisher: Faber and FaberPubDate: 1997PhysDes: 412 p. : ill. ; 24 cmSubject: HONG KONG ; WOO, JOHN [pseud. of Wu Yusen] ; CHAN, JACKIE ; CHAN, PETER ; CHANG, SYLVIA ; CHEUNG, LESLIE ; CHOW, YUN-FAT ; DOYLE, CHRISTOPHER ; LAM, RINGO ; LAW, CLARA ; FONG, EDDIE [pseud. of Fong Ling-Ching] ; SIAO, JOSEPHINE [pseud. of Siao Fong-Fong] ; TSUI, HARK ; WONG KAR-WAI Notes: Includes filmographies and indexISBN: 0571190405Order Received: 1997LON: abn97301453; 13417324ID2: 291
More info
title clippings file
JOURNEY TO THE WEST: THE DEMONS STRIKE BACK : (CC, Tsui Hark, 2016)
More info
title clippings file
KNOCK OFF : (US, Tsui Hark, 1998)
More info
title clippings file
LEUNG JUK : (HK, Tsui Hark, 1994)
More info
title clippings file
LIANG ZHU : (HK, Tsui Hark, 1994)
More info
book
Martial arts : virgin film / P.T.J. Rance London: Virgin Books, 2005.
Call No: 736.35 RANAuthor: Rance, P.T.J Source: UKPlace: LondonPublisher: Virgin BooksPubDate: 2005PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cmSubject: MARTIAL ARTS FILMS ; HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949) ; TU-PEI TAO (HK, Chang Cheh, 1967) ; LUNG-MEN K'O CHAN (TZ, King Hu, 1966) ; ENTER THE DRAGON (US/HK, Robert Clouse, 1973) ; SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977) ; A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983) ; WONG FEI-HUNG (HK, Tsui Hark, 1991) ; WO HU ZANG LONG (HK, Ang Lee, 2000) ; YING XIONG (HK/C, Yimou Zhang, 2002) ; HERO (HK/C, Yimou Zhang, 2002) ; SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004) ; HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004) ; KARATE KID, THE (US, John G. Avildsen, 1984) ; KICKBOXER (US, Mark DiSalle & David Worth, 1989) ; KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003) ; KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004) ; ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967) ; HWASAN GO (KO, Kim Tae-gyun, 2002) ; ONG-BAK (TH, Prachya Pinkaew, 2003) ; GREEN HORNET, THE (US, Norman Foster, 1966) ; WATER MARGIN, THE (TV) (JP/C, 1976-78) ; SAIYUKI (TV) (JA, 1978-80) ; CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000) Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.Notes: Includes, bibliographic references, index and index of quotations
ERATA: ISBN on verso not correct. See back cover.ISBN: 0753510782ID2: 150
More info
book
New Chinese cinemas : forms, identities, politics / edited by Nick Browne,etc Cambridge University Press, 1995.
Call No: 71(51) NEWAuthor: Browne, Nick Edition: New edPublisher: Cambridge University PressPubDate: 1995PhysDes: [275] p. : ill. ; 23 cmSubject: CHINA ; HONG KONG ; TAIWAN ; POLITICS AND THE CINEMA. CHINA ; MELODRAMA. CHINA ; XIE, JIN ; HOU, HSIAO-HSIEN ; HUANG, JIANXIN ; NILOUHE NUER (TZ, Hou Hsiao-Hsien, 1988) ; CUO WEI (CC, Huang Jianxin, 1987) ; SI SHUI LIU NIAN (HK/CC, Yim Ho, 1984) ; TIANYUNSHAN CHUANQI (CC, Xie Jin, 1980) ; SHENG GANG QI BING (HK, Johnny Mak, 1985) ; K'UNG-PU FEN-TZU (TZ/HK, Edward Yang [pseud. of Yang Teh-Chang], 1986) ; LUN HUI (CC, Huang Jianxin, 1989) ; DO MA DAN (HK, Tsui Hark, 1986) ; HEI PAO SHI JIAN (CC, Huang Jianxin, 1986) ; BLACK CANNON INCIDENT, THE (CC, Huang Jianxin, 1986) ; FU RONG ZHEN (CC, Xie Jin, 1986) Notes: I. FILM IN THE PEOPLE'S REPUBLIC: 1. Spatiality and subjectivity in Xie Jin's film melodrama of the new period -- 2. Society and subjectivity: on the political evonomy of Chinese melodrama -- 3. Huang Jianxin and the notion of postsocialism -- 4. Neither one thing nor another: toward a study of the viewing subject and Chinese cinema of the 1980s -- II. FILM IN TAIWAN AND HONG KONG: 5. Remapping Taipei -- 6. The ideology of initiation: the films of Hou Hsiao-hsien -- 7. The return of the father: Hong Kong new wave and its Chinese context in the 1980s -- 8. Border crossing: mainland China's presence in Hong Kong cinema -- 9. Two films from Hong Kong: parody and allegoryISBN: 0521448778 (pbk)LON: 11806054
More info
newspaper article
On a whim and a prayer as travellers battle demons in enjoyable sequel in Sydney Morning Herald (02/02/2017) p.16
More info
book
Planet Hong Kong : popular cinema and the art of entertainment / David Bordwell Cambridge, Mass.: Harvard University Press, 2000.
Call No: 71(512.317) BORAuthor: Bordwell, David Place: Cambridge, Mass.Publisher: Harvard University PressPubDate: 2000PhysDes: p. cmSubject: HONG KONG ; LEE, BRUCE ; CHAN, JACKIE ; WOO, JOHN [pseud. of Wu Yusen] ; TSUI, HARK ; LAU KAR LEUNG ; HU, KING ; WONG JING ; CHANG, CHEH ; CHONGQING SENLIN (HK, Wong Kar-Wai, 1994) ; CHUNGKING EXPRESS (HK, Wong Kar-Wai, 1994) Notes: Includes bibliographical references and indexISBN: 067400213X (alk. paper); 0674002148 (pbk. : alk. paper)LON: 20989172
More info
title clippings file
SEUNG LUNG WUI : (HK, Tsui Hark & Ringo Lam, 1992)
More info
title clippings file
SEUNLAU NGAKLAU : (HK, Tsui Hark, 2000)
More info
book
Sex and Zen & a bullet in the head : the essential guide to Hong Kong's mind-bending movies / Stefan Hammond & Mike Wilkins London: Titan Books, 1997.
Call No: 71(512.317) HAMAuthor: Hammond, Stefan ; Wilkins, Mike Place: LondonPublisher: Titan BooksPubDate: 1997PhysDes: 272 p. : ill., ports. ; 19 cmSubject: HONG KONG ; SHAW BROTHERS ; WOO, JOHN [pseud. of Wu Yusen] ; TSUI, HARK ; CHAN, JACKIE ; LAM, RINGO ; HUNG, SAMO ; LONG XIONG HU DI (HK, Jackie Chan [pseud. of Cheng Long], 1986) ; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) ; SHENG GANG QI BING (HK, Johnny Mak, 1985) Notes: Includes indexISBN: 1852867752 (pbk.)LON: 13257301
More info
title clippings file
SHANG HAI ZHI YEN : (HK, Tsui Hark, 1984)
More info
title clippings file
SHU SHAN- XIN SHU SHAN JIAN KE : (HK, Tsui Hark, 1983)
More info
title clippings file
SHUANGLONG HUI : (US/HK, Tsui Hark & Ringo Lam Ling-Tung, 1993)
More info
Interim
book
The swordsman and his jiang hu : Tsui Hark and Hong Kong film / Ho, Sam (ed.) Hong Kong: Hong Kong Film Archive, 2002.
Call No: 81TSU SWOAuthor: Sam Ho (ed.) CorpAuthor: Hong Kong Film ArchiveSource: Hong KongPlace: Hong KongPublisher: Hong Kong Film ArchivePubDate: 2002PhysDes: 267 p ; 27 cmSubject: TSUI, HARK ; HONG KONG ; ORIENTAL ACTION FILMS Summary: Tsui Hark is best known for his martial arts films. From his very first feature, The Butterfly Murders (1979), he has been making films regularly in the wuxia genre and many of them are importnt re-definitions of the genre. [Taken from introduction].ISBN: 962805015XLanguage: Chinese and English
More info
title clippings file
TIEH PIEN : (HK/TZ, Tsui Hark, 1979)
More info
personality microfilm collection
TSUI, HARK
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: TSUI, HARK
More info
title clippings file
WONG FEI-HUNG : (HK, Tsui Hark, 1991)
More info
title clippings file
WONG FEI-HUNG II : (HK, Tsui Hark, 1992)
More info
title clippings file
YINGXIONG BENSE III : (HK, Tsui Hark, 1990)
More info
