Search Catalogue

Call No: 62(04) AFT
Source: K
Place: Abingdon
Publisher: Routledge
PubDate: 2012
PhysDes: viii, 173 pages ; 25 cm.
Subject: B-MOVIES; CRITICISM; RECEPTION; AMATEUR FILMS; LOW BUDGET FILMS; CULTURE AND THE CINEMA; SOCIETY AND THE CINEMA; POPULAR CULTURE AND THE CINEMA
Summary: In the wake of the debates over high/low culture distinction spilling into the effective dismantling of the boundary that once separated them, the past decade has seen the explosion of ‘bad taste’ production on screen. Starting with paracinema or ‘badfilm’ – a movement that has grown up around sleazy, excessive, or poorly executed B-movies and has come to encompass disreputable and unworthy films – this trend has been evident in various formats: on television and in video-art, low-budget and straight to TV films, amateur and home movies. The proliferation of trash on screen can be seen as delivering the final blow to the vexed issue of taste. More importantly, it prompts a reconsideration of some critical issues surrounding production, circulation, understanding and teaching of ‘bad objects’ in the media. This collection of essays, written by international film and television scholars, provides detailed critical analysis of the issues surrounding judgements of cultural value and taste, feeling and affect, cultural morals and politics, research methodologies and teaching strategies in the new landscape of ‘after taste’ media. Addressing global and local developments – from global Hollywood to Australian indigenous film and television, through auteurs Sergei Eisenstein to Jerry Bruckheimer, on to examples such as Twilight to Sukiyaki Western Django – the essays in this book offer a range of critical tools for understanding the recent shifts affecting cultural, aesthetic and political value of the moving image. This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.
Notes: Includes bibliographical references and index.
ISBN: 9780415845939
Contents: 1. Introduction: after taste: cultural value and the moving image / Julia Vassilieva and Constantine Verevis -- Part I: Critical methods and approaches. 2. `An idleness bordering on the wacky': Paul Cox and the contradictions of an Australian art cinema / Adrian Martin -- 3. Hollywood: bad cinema's bad `other' / Jane Mills -- 4. Cultural value and viscerality in Sukiyaki Western Django: towards a phenomenology of bad film / Jane Stadler -- 5. Sergei Eisenstein's Que viva Mexico! through time: historicizing value judgement / Julia Vassilieva -- Part II: Taste and value. 6. Transitional tastes: teen girls and genre in the critical reception of Twilight / Lisa Bode -- 7. `Flesh dissolved in an acid of light': the B-movie as second sight / Simon Sellars -- 8. Making the commercial personal: the authorial value of Jerry Bruckheimer television / Tom Steward -- 9. Blowing chunks: Fear Factor, reality television and abjection as a disciplinary practice / Scott Wilson -- Part III: Feeling and affect. 10. Labours of love: home movies, paracinema, and the modern work of cinema spectatorship / Minette Hillyer -- 11. Dead time: cinema, Heidegger, and boredom / Richard Misek -- Part IV: Teaching bad objects forum. 12. Teaching bad objects: introduction / Jodi Brooks -- 13. The state of the discipline: film studies as bad object / Jodi Brooks -- 14. Beyond good/should/bad: teaching Australian Indigenous film and television / Therese Davis -- 15. Teaching Australian television studies / Belinda Smaill.

Call No: 410.1:465.2 FUL
Author: Fuller, Kathryn H.
Source: US/UK
Place: Charlottesville; London
Publisher: University Press of Virginia
PubDate: 1996
PhysDes: 248 p. : 23 cm
Subject: AUDIENCE RECEPTION; AUDIENCES; AUDIENCES USA; FAN MAGAZINES; EXHIBITION; EXHIBITION. USA; EXHIBITION OF SILENT FILMS; NICKELODEON
Summary: Although the transformation of the movies into big-time entertainment had multiple sources, Kathryn Fuller argues that ultimately the maturation of the film industry depended on the support of both urban and rural middle-class audiences. Providing the fullest portrait to date of the small-town audience’s hanging habits and desires, At the Picture Show demonstrates for the first time how a fan culture emerged in the United States, and it enriches our understanding of mass media’s relationship to early twentieth-century American society. [Taken from back cover.]
ISBN: 0813920825

Call No: 410(94)(048) ATT
CorpAuthor: Australian Broadcasting Control Board
Source: AT
Place: [Melbourne]
Publisher: Australian Broadcasting Control Board
PubDate: 1971
PhysDes: 33 p. ; 25 cm
Subject: AUDIENCE RECEPTION. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; AUSTRALIAN BROADCASTING CONTROL BOARD; TELEVISION. AUSTRALIA

Call No: 414(94) ABT
Source: AT
Place: [s.l]
Publisher: [s.n]
PubDate: 1990
PhysDes: 74 p : ill ; 30 cm
Subject: AUDIENCES. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA
Summary: A report on the attitudes to the television service provided to residents in southern NSW. The topics covered include: interest in locally produced programs, viewers' attitudes to a television local news service, the perception of localism in the television service, viewers' perception of change in the television service, viewers' satisfaction with the market's television service. Includes survey results and questions asked

Call No: 414(93) ATT
Source: NZ
Publisher: Broadcasting Standards Authority
PubDate: c2001
PhysDes: 22 p. : ill. ; 30 cm
Subject: AUDIENCE RECEPTION. NEW ZEALAND
Notes: In English, with foreword in Ma¯ori, and executive summary in English and Ma¯ori
Language: Maori -- English

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUDIENCE RECEPTION

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: AUDIENCE RECEPTION. AUSTRALIA

Call No: 410.3 AUD
Place: Amsterdam
Publisher: Amsterdam University Press
PubDate: 2012
PhysDes: 332 pages : illustrations ; 23 cm.
Series: Key debates ; 3.
Subject: AUDIENCE RECEPTION; AUDIENCE RESEARCH; AUDIENCES; SOCIETY AND THE CINEMA; EXHIBITION; BOX OFFICE
Summary: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
Notes: Includes bibliographical references (p. 279-298) and indexes.
ISBN: 9789089643629
Contents: Introduction: in search of audiences / Ian Christie -- pt. 1. Reassessing historic audiences. "At the picture palace": the British cinema audience, 1895-1920 / Nicholas Hiley The gentleman in the stalls: Georges Melies and spectatorship in early cinema / Frank Kessler Beyond the nickelodeon: cinema going, everyday life and identity politics / Judith Thissen Cinema in the colonial city: early film audiences in Calcutta / Ranita Chatterjee Locating early non-theatrical audiences / Gregory A Waller Understanding audience behavior through statistical evidence: London and Amsterdam in the mid-1930s / John Sedgwick and Clara Pafort-Overduin -- pt. 2. New frontiers in audience research. The aesthetics and viewing regimes of cinema and television, and their dialectics / Annie van den Oever Tapping into our tribal heritage: The lord of the rings and brain evolution / Torben Grodal Cinephilia in the digital age / Laurent Jullier and Jean-Marc Leveratto Spectator, film and the mobile phone / Roger Odin Exploring inner worlds: where cognitive psychology may take us / a dialogue between Tim J. Smith and Ian Christie -- pt. 3. Once and future audiences. Crossing out the audience / Martin Barker The cinema spectator: a special memory / Raymond Bellour Operatic cinematics: a new view from the stalls / Kay Armatiage What do we really know about film audiences? / Ian Christie.
URL status: URL: 'https://library.oapen.org/handle/20.500.12657/34451' Checked: 31/08/2021 1:29:06 PM Status: Live Details: HTTP status 200 - Usual success response

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Zion, Lawrie
Subject: AUDIENCE RECEPTION. AUSTRALIA; DVD, FILMS ON; BOX OFFICE. AUSTRALIA; ZECCOLA, ANTONIO; COULTER, PAUL; KIELY, CHRIS
Summary: The global slump in box office returns has cinema owners and film distributors worried. Some speculation is that the downturn is due to the rise of DVD, home entertainment systems, and other recreational devices (ipods), coupled with the tightening of the film to dvd to pay tv release window. There is some talk that the older multiplex cinemas are in need of upgrading as they may no longer be up to standard for a modern cinemagoing audience.
Notes: -- accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. (put date - 14 May 2007).
Quotations: -- Lots of stats (too many to list here)

Call No: CRAWFORD PUBLICITY CAR
PhysDes: 1 folder ; 35 cm. + 1 plastic pocket (43 cm.)
Subject: CRAWFORD PRODUCTIONS; AUDIENCE RECEPTION. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; BAYLY, LORRAINE; AMOR, CHRISTINE; HARRIS, CHRISTINE; CARSON'S LAW [TV] (AT, 1983)
Summary: Publicity and media clippings about Crawford Productions series Carson's Law. Australian newspaper and magazine clippings are arranged in date order. Promotional material inculdes a press kit and Yorkshire Television promotional newspaper clippings.
Donation: Gift of Crawford Productions
Contents: 1 blue folder containing press cuttings from Australian newspapers and magazines from 1 January 1984 to 31 May 1984 arranged in date order (253 leaves) plus two loose clippings , one dated 17 Octobeer 1985 and one undated -- 1 large plastic pocket containing the Carsons's Law press book (66 leaves) in a manila folder ; a promotional folder and flyer ; a manila folder containing Yorkshire Television promotional newspaper clippings from 5 British newspapers dated September 12 1885

Call No: 410-053.2(94) CHI
CorpAuthor: Screen Australia
Source: AT
PubDate: 2013
PhysDes: ca. 150 p. : ill. ; 30cm
Subject: AUDIENCE RECEPTION; AUDIENCES; AUDIENCE RESEARCH. AUSTRALIA; CHILDREN AND TV; CHILDREN AND THE MEDIA. AUSTRALIA; CHILDREN AND TV. AUSTRALIA; CHILDREN, EFFECTS OF TV ON; CHILDREN, EFFECTS OF TV ON. AUSTRALIA; CHILDREN, PROGRAMMES FOR; CHILDREN, PROGRAMMES FOR. AUSTRALIA; PROGRAMME CONTENT; PROGRAMME CONTENT. AUSTRALIA; PROGRAMMING. AUSTRALIA; FINANCING; FINANCING. AUSTRALIA; PRODUCTION; PRODUCTION, TV. AUSTRALIA; PRODUCTION. AUSTRALIA
Summary: 'Screen Australia and the Australian Children's Television Foundation have undertaken this project to increase understanding of how children engage with screen content, and the unique challenges involved in financing, producing and scheduling childrens' programs in today's rapidly evolving media landscape. The project draws together previously availalable data and insights from new research, building on issues raised in the Screen Australia publications Beyond the Box Office, What to watch? and Convergence 2011: Australian Content State of Play." -- Introduction
Notes: This report is a summary of three briefing papers which can be accessed at www.screenaustralia.gov.au/childsplay
ISBN: 9781920998257
Contents: -- introduction -- key findings -- focus 1: the audience -- child audience attitudes and behaviours: What's On survey -- viewing patterns: ratings analysis -- focus 2: the broadcasters -- broadcaster programming strategies: schedule analysis -- on-air promotion of children's programs: Program breaks analysis -- focus 3: the producers -- Financing and production of children's content: Data from Screen Australia's Drama Report -- Challenges and opportunities for producers: Producers' survey -- conclusion -- appendicies -- appendix A: Children's Television Standards (CTS) -- appendix B: International context --

Call No: 632.2 AFF
Author: Affron, Charles
Place: Chicago
Publisher: University of Chicago Press
PubDate: 1982
PhysDes: xi, 202 p. : ill. ; 24 cm
Subject: AUDIENCE RECEPTION; PSYCHOLOGICAL EFFECTS OF FILMS
Notes: Includes indexes; Bibliography: p. 187-191
ISBN: 0226008207 : $20.00
LON: 82002687; 2192178

Author: Ogilive, George
PhysDes: Article
Subject: COMEDIES; COMEDIES. AUSTRALIA; THEATRE AND THE CINEMA; AUDIENCE RECEPTION; FIELDS, W.C.; LEWIS, JERRY; Keaton, Buster; LAUREL, STAN; HARDY, OLIVER; CHAPLIN, CHARLES
Summary: Transcript of a talk given by George Ogilive of the Melbourne Theatre Company, where he discusses basic aspects of comedy including rhythm and timing, as well as criticising the work of Jerry Lewis in his films "Three on a Couch" and "The Patsy.

Call No: 201 (41) KEL
Author: Kelly, Terence; Norton, Graham; Perry, George
Source: UK
Place: London
Publisher: Institute of Economic Affairs
PubDate: 1966
PhysDes: 204 p. : 23 cm
Subject: INDUSTRY, FILM. UK; GOVERNMENT AID. UK; NATIONAL CONTENT. UNITED KINGDOM; EXHIBITION. UK; BOX OFFICE; DISTRIBUTION; AUDIENCE RECEPTION; AUDIENCES; SOCIETY AND THE CINEMA. UK; EDUCATION, FILM. UK; ECONOMICS AND THE CINEMA. UK; POLITICS AND THE CINEMA. UK; BRITISH LION; NATIONAL FILM FINANCE CORPORATION
Notes: Includes bibliography and index

Call No: 203.1(94) BUR
Author: Bureau of Transport and Communications Economics
Source: AT
Place: Canberra
Publisher: Australian Government Publishing Service
PubDate: 1993
PhysDes: 239 p. ; 25 cm
Series: Report (Australia. Bureau of Transport and Communications Economics) ; 83
Subject: ADVERTISING. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; BROADCASTING. AUSTRALIA; ECONOMICS AND TV. AUSTRALIA; PROGRAMME CONTENT. AUSTRALIA; PUBLIC BROADCASTING. AUSTRALIA; RADIO BROADCASTING. AUSTRALIA; SPECIAL BROADCASTING SERVICE
Summary: "This report is part of an extensive Bureau program of research to study the operational performance of the [broadcasting] industry and the effects of the substantial technological and structural changes facing it. This report concentrates on the general economic aspects of broadcasting and the performance of commercial radio." - FROM INTRODUCTION
ISBN: 0644324546
ISSN: 1034-4152
Donation: donated by Mick Counihan
Contents: Foreword -- Abstract -- Summary -- Introduction -- Advertising and media competition -- Broadcasters and market behaviour -- Provision of broadcasting services -- The Australian Broadcasting Corporation -- The Special Broadcasting Service -- Community broadcasting -- Commerical Radio: ownership and competition -- Financial performance of coimmercial radio -- Appendix I / empirical analysis of relationship between advertising expenditure and some makjor economic indicators -- Appendix II / a chronology of national broadcasting services in Australia -- Appendix III / characteristics of commercial radio services -- Appendix IV / data sources used in assessing the financial performance of commercial radio -- Glossary -- References -- Abbreviations

Call No: 630.5 KUH
Author: Kuhn, Annette
Source: UK / US
Place: London; New York
Publisher: I.B. Tauris
PubDate: 2002
PhysDes: 273 p. : 24 cm
Series: Cinema and Society
Subject: THEORY; SPECTATORSHIP; AUDIENCE RECEPTION; AUDIENCES; CULTURE AND THE CINEMA; KUHN, ANNETTE
Summary: An Everyday Magic: Cinema and Cultural Memory explores cinemagoing and cinema culture in the 1930s, when ‘going to the pictures’ was everybody’s favourite spare-time activity. From the familiar and magical surroundings of the picture houses themselves to the action and romance on the screen, Annette Kuhn draws on extensive interviews with picturegoers, research in cultural history, and readings of popular films of the day to discover how cinema brought a special magic to the daily lives of a generation of young men and women growing up in an austere climate of making-do. And from Nelson Eddy and Jeanette MacDonald to Fred and Ginger, she shows how audiences looked to their screen heroines and heroes for inspiration, and at the importance of cinemagoing in make-believe, play, friendship and growing up. This fascinating book throws new light on such issues as cinema spectatorship, childhood, adolescence, ageing and film reception, and provides a major contribution to understandings of both the role of cinema in its heyday and the nature of popular memory. [Taken from back cover.]
ISBN: 1860648673

Author: Huggett, Nancy
PhysDes: Article
Subject: AUDIENCES. AUSTRALIA; PSYCHOLOGICAL EFFECTS OF FILMS; NARRATIVE IN FILMS. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; HISTORY OF CINEMA
Summary: This article considers the different ways in which strategies of selective self-presentation on behalf of both interviewee and interviewer structure the oral history narrative, using, as an example. the ways in which embarrassment and shame function in narratives of cinema-going in Australia. The essay explores when and how embarrassment and shame feature in cinema-going narratives and also the way in which some issues, such as the recollection of segregation in rural cinemas, disrupt the easy conversational flow of a narrative and cause discomfort, bordering on embarrassment and shame for both interviewee and interviewer. Drawing on oral histories and autobiographical accounts from New South Wales cinema-goers, this article delves into the public/private and past/present functions of embarrassment and shame in order to better understand cinema-going practices and recollection strategies. It takes into account how critical oral history and cultural theory can assist cinema studies to examine how practices of cinema-going are situated within wider cultural attidudes and discourses. -- Abstract

Call No: 414(94) EXP
Place: [Sydney?
Publisher: Frank Small & Associates]
PubDate: 1992
PhysDes: 109 p. : ill. ; 30 cm
Subject: AUDIENCE RECEPTION. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA; LANGUAGE AND TV; LANGUAGE AND THE CINEMA; CENSORSHIP. AUSTRALIA; SEX AND THE CINEMA; CENSORSHIP TV. AUSTRALIA; SEX ON TV; CLASSIFICATION. AUSTRALIA; RATING FOR FILMS. AUSTRALIA; RATING FOR TV. AUSTRALIA
Summary: A study attempting to understand the underlying attitudes held by members of the community to the depiction of sex, nudity, language, and violence on film, television and video. Survey was done with members of the public from Sydney and Dubbo, and includes questions regarding the context and viewing environment and classifications of films and tv shows and videos

Call No: 408 TUR
Author: Graeme Turner (ed.)
Place: London; New York
Publisher: Routledge
PubDate: 2002
PhysDes: 524 p. ; 24 cm
Subject: CULTURE AND THE CINEMA; GENRES; AESTHETICS; WOMEN AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; AUDIENCE RECEPTION; AUDIENCE RESEARCH; SOUND; THEORY; CREED, BARBARA; KUHN, ANNETTE; NATIONAL CULTURE AND THE CINEMA; POSTMODERNISM AND THE CINEMA; GLOBALISATION; USA; MONROE, MARILYN; SEX IN FILMS; HORROR FILMS; ACTION FILMS; HOMOSEXUALITY IN FILMS; THRILLERS; COLOR PURPLE, THE (US, Steven Spielberg, 1985); PIANO, THE (AT, Jane Campion, 1993); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); TECHNOLOGY AND THE CINEMA; INDUSTRY, FILM
Summary: This companion reader to Film as Social Practice brings together key writings on contemporary cinema, exploring film as a social and cultural phenomenon. Key features of the reader include: thematic sections, each with an introduction by the editor; a general introduction by Graeme Turner; sections on understanding film, film technology, film industries, meanings and pleasures, identities, audiences and consumption.
ISBN: 0415252822

Call No: 79FIL BAX
Author: Baxter, John
Source: AT
Place: Sydney
Publisher: ABC Enterprises
PubDate: 1986
PhysDes: 160 p. : ill. (some col.), facsims. (some col.), ports. ; 29 cm
Subject: CULTURE AND THE CINEMA. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; AUDIENCES. AUSTRALIA; HISTORY AND THE CINEMA. AUSTRALIA
Notes: At head of title: From the ABC TV series
Donation: donated by the family of Wayne Levy, 2006

Author: Hurley, Andrew W
PhysDes: Article
Subject: ABORIGINAL AUSTRALIANS IN FILMS; AUDIENCE RECEPTION; GERMANY; INDUSTRY, FILM. AUSTRALIA; URAN GEHOERT DER REGENBOGENSCHLANGE, DAS (GW, Nina Gladitz, 1978); WO DIE GRUNEN AMEISEN TRAUMEN (GW, Werner Herzog, 1984); BIS ANS ENDE DER WELT (GG/FR/AT, Wim Wenders, 1991)
Summary: This article examines some aspects of the West German reception of a series of Australian films about Aborigines including Peter Weir's The Last Wave (1977), Phillip Noyce's Backroads (1977) and Michael Edols' Lalai and Floating (1973 and 1975) which were shown in Germany and elsewhere in Europe in 1978 and 1979. It explains how these films came to be shown in Europe, how and why they caught the imagination of German reviewers and film-makers at the time, and how they themselves contributed to the begetting of several German films on Aboriginal themes including Nina Gladitz's documentary Das Uran gehrt der Regenbogenschlange (The Uranium Belongs to the Rainbow Serpent) (1979), Werner Herzog's Where the Green Ants Dream (1984) and Wim Wenders' Until the End of the World (1991).

Call No: 79LOR FRO
Author: Mathijs, Ernest and Pomerance, Murray (eds.)
Source: US
Place: Amsterdam, NY
Publisher: Rodopi B.V.
PubDate: 2006
Series: Contemporary Cinema, no.3
Subject: AUDIENCE RECEPTION; ADAPTATIONS. TOLKEIN, J.R.R.; MERCHANDISING; ADVERTISING FOR FILMS; SOCIAL ISSUES IN FILMS; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003)
Summary: Collected essays on Peter Jackson's film adapatations of Tolkein's Lord of the Rings trilogy.
Notes: includes index and bibliography
ISBN: 9789042020627
ISSN: 15723070
Language: English

Call No: 412 MUR
Author: Murray, John P. -- Kippax, Susan
Edition: Draft
Source: AT
Place: North Ryde, NSW
Publisher: School of Behavioural Sciences, Macquarie University
PubDate: April 1978
PhysDes: 135 pages : diagrams ; 30 cm
Series: Television and socialisation research reports
Subject: ADVERTISING. CHILDREN; ADVERTISING. TV; AUDIENCE RECEPTION; AUDIENCE RESEARCH; AUDIENCES. TV. AUSTRALIA; CHILDREN AND TV; CHILDREN AND TV. AUSTRALIA; CHILDREN, EFFECTS OF TV ON; CHILDREN, EFFECTS OF TV ON. AUSTRALIA; EFFECTS OF TV; VIOLENCE ON TV
Summary: "This paper is designed to evaluate television's influence within the social context in which the medium is used. The inclusion of context variables is important because it emphasizes the notion that television does not affect the individual in isolation, but rather, television's influence must be seen in terms of the audience member's construal of the televised message. How the audience will interpret what it views will depend not only upon the content of the programs but also on the nature of the viewer and the context in which the viewing occurs." - INTRODUCTION
Notes: Draft version for comments only, prepared for Berkowitz, L. (Ed.) Advances in social psychology. New York: Academic Press -- Includes references
Contents: Introduction -- Television's culture context -- Television's impact on daily life -- Impact of televised violence -- Other aspects of television's impact -- Understanding television -- Functions of Television -- Television and the "real" world -- Conclusions, implications and research priorities -- References

Author: Hall, Jeanne (ed)
PhysDes: Article
Subject: HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; AUDIENCE RECEPTION; JOHANNA D'ARC OF MONGOLIA (GW, Ulrike Ottinger, 1989); OTTINGER, ULRIKE
Summary: Wide Angle issue on gay and Lesbian representation in films. Articles on Stag Films of the 1920-40s, an interview with Ulrike Ottinger's and their film 'Johanna d'Arc of Mongolia', an analysis of the photography of Rotimi Fani-Kayode, and an analysis of spectatorship in relation to 'My Hustler'.

Call No: 41(73) SEL
Author: Seldes, Gilbert
Source: US
Place: Westport, Conn
Publisher: Greenwood Press
PubDate: [1970, c1950]
PhysDes: viii, 299 p. ; 23 cm
Subject: AUDIENCES; AUDIENCES, US; AUDIENCE RECEPTION; AUDIENCE RESEARCH. USA; USA. 1940's; USA. 1950's; INDUSTRY, TV. USA; INDUSTRY, FILM. USA
Summary: The author describes mass media in the USA in 1950 (film, radio, and television) as creative arts and examines how they operate and how they interact with the audience and society.
ISBN: 0837128021

Call No: 410 HOL
Author: Stokes, Melvyn; Maltby, Richard
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: 183 p. ; ill. ; 24 cm
Subject: AUDIENCES; AUDIENCE RECEPTION; HISTORY OF CINEMA
Summary: Examines the reaction of non-American audiences to Hollywood movies. Integrates work by a number of scholars assessing the reaction of audiences from Britain, Japan, France, Belgium, Turkey, Australia, India, Japan and Central Africa. Asserts that audience reaction is a “…complex adoption of ‘Hollywood’ into non American host cultures”.
Notes: Includes notes and index.
ISBN: 1 84457051 7

Call No: 410 HOL
Author: Maltby, Richard, 1952; Stokes, Melvyn
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: 240p. ; 24 cm
Subject: AUDIENCES; SPECTATORSHIP; AUDIENCE RECEPTION; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); FANTASIA (US, Walt Disney, 1940); CENSORSHIP. USA; RELIGION AND THE CINEMA. USA; ON THE BEACH (US, Stanley Kramer, 1959); ETHNIC GROUPS IN FILMS; CINEPHILIA
ISBN: 0851708110; 0851708102(pbk.) : ¦15.99
LON: 21774778

Call No: 732(5-011) HUM
Author: Revi, Gayatri (ed.); Rahman, Najat (ed.)
Source: US
Place: Detroit
Publisher: Wayne State University Press
PubDate: c2014
PhysDes: 282 pages ; 23 cm
Series: Contemporary approaches to film and media
Subject: AFGHANISTAN; ARAB COUNTRIES; AUDIENCE RECEPTION; BOLLYWOOD; CENSORSHIP; COMEDIES. MIDDLE EASTERN COUNTRIES; CULTURAL IMPERIALISM. US; EGYPT; HUMOUR IN FILMS; INDIA; IRAN; IRAQ; ISRAEL; IRONY IN FILMS; NATIONAL CULTURE AND THE CINEMA; PALESTINE; POLITICAL FILMS; ETHNIC GROUPS IN FILMS; SATIRE IN FILMS; TYPE CHARACTERS IN FILMS; PAKISTAN; CHAHINE, YOUSSEF; DHOUIB, MONCEF; KIAROSTAMI, ABBAS; ZARHIN, SHEMI; AMERIKALI (TU, Serif Gören, 1993); BAD MA RA KHAHAD BORD (IR/FR, Abbas Kiarostami, 1999); DIVINE INTERVENTION (FR/MR/G/PA, Elia Suleiman, 2002); ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978); ALEXANDRIA... WHY? [ISKANDARIYA....LEEH?] (UA/AE, Youssef Chahine, 1978); TELE ARRIVE, LA (TI, Moncef Dhouib, 2006); TERE BIN LADEN (II, Abhishek Sharma, 2010); TV IS COMING, THE (TI, Moncef Dhouib, 2006)
Summary: "While Middle Eastern culture does not tend to be associated with laughter and levity in the global imagination, humor—often satirical—has long been a staple of mainstream Arabic film. In Humor in Middle Eastern Cinema, editors Gayatri Devi and Najat Rahman shed light on this tradition, as well as humor and laughter motivated by other intent—including parody, irony, the absurd, burlesque, and dark comedy. Contributors trace the proliferation of humor in contemporary Middle Eastern cinema in the works of individual directors and from the perspectives of genre, national cinemas, and diasporic cinema. Humor in Middle Eastern Cinema explores what humor theorists have identified as an “emancipatory,” “liberatory,” even “revolutionary” function to humor. Among the questions contributors ask are: How does Middle Eastern cinema and media highlight the stakes and place of humor in art and in life? What is its relation to the political? Can humor in cinematic art be emancipatory? What are its limits for its intervention or transformation? Contributors examine the region’s masterful auteurs, such as Abbas Kiarostami, Youssef Chahine, and Elia Suleiman and cover a range of cinematic settings, including Egypt, Iran, Israel, Lebanon, Palestine, Syria, Tunisia, and Turkey. They also trace diasporic issues in the distinctive cinema of India and Pakistan. This insightful collection will introduce readers to a variety of contemporary Middle Eastern cinema that has attracted little critical notice. Scholars of cinema and media studies as well as Middle Eastern cultural history will appreciate this introduction to a complex and fascinating cinema." -- GOOGLE BOOKS
Notes: Contains bibliography and filmography -- contains index -- contains list of contributors
ISBN: 9780814339374
Contents: Introduction / Gayatri Devi and Najat Rahman -- Humor, loss, and the possibility for politics in recent Palestinian cinema / Najat Rahman -- Strategies of subversion in Ben Ali's Tunisia: allegory and satire in Moncef Dhouib's TV Is Coming / Robert Lang -- Satiric traversals in the comedy of Mehran Modiri: space, irony, and national allegory on Iranian television / Cyrus Ali Zargar -- Ethnic humor, stereotypes, and cultural power in Israeli cinema / Elise Burton -- The laughter of Youssef Chahine / Najat Rahman -- Comedic meditations: war and genre in The Outcasts / Somy Kim -- Humor and the cinematic sublime in Kiarostami's The Wind Will Carry Us / Gayatri Devi -- America the oppressively funny: humor and anti-americanisms in modern Turkish cinema / Perin Gurel -- Laughter across borders: the case of the Bollywood film Tere Bin Laden / Mara Matta

Call No: TITLE CLIPPINGS FILE; HISTOIRE D'O : (FR, Just Jaeckin, 1975)
Author: Holland, Norman N.
PhysDes: Article
Subject: PERCEPTION; SPECTATORSHIP; AUDIENCE RECEPTION; STORY OF O, THE [HISTOIRE D'O, L'] (FR, Just Jaeckin, 1975)
ID2: 273

Call No: 412 TUR
Author: Turnock, Robert
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: v, 138 p. ; 24 cm
Subject: AUDIENCE RECEPTION; AUDIENCE RESEARCH. UK; AUDIENCES. UK; DEATH ON TV; ROYALTY AND TV
Notes: Includes bibliographical references and index
ISBN: 0851707890 (pbk.) : ¦12.99; 0851707882(cased) : ¦40.00; 0851707882; 0851707890 (pbk.)
LON: 21901833 21445647

Call No: 410.3(94) MAX
Source: AT
Place: [Southbank, VIC
Publisher: Bergent
PubDate: 2008
Subject: INDUSTRY, FILM. AUSTRALIA; PRODUCTION. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA
Summary: The report's objectives are to: understand hnow audiences perceive Australian movies, provide a clear picture of Australian brand image in movies, and measure the handicap Australian movies suffer from compared with US movies
Notes: Report taken from website - http://www.ffc.gov.au/about/ffc_research_results.pdf

Call No: 395 STA
Author: Staiger, Janet
Source: UK
Place: New York
Publisher: New York University Press
PubDate: c2005
PhysDes: ix, 251p. ; 24 cm
Subject: AUDIENCES THEORY; AUDIENCES; MEDIA STUDIES; RECEPTION
Summary: A book on the ways that audiences take meaning out of mass media from films and televisions as communication media. Different theories and approaches are used to discuss the complex relationships between films and their audiences, TV shows and viewers. The effects that film has upon the audience is also discussed to understand the effects of mass media. (Taken from book cover)
Notes: Includes bibliographical references and index.
ISBN: 0814781357

Call No: 67(049.32) MOV
Source: UK
Place: [S.l.]
Publisher: EMAP Metro
PubDate: 1995
PhysDes: 123 p. ; 18 cm
Subject: AUDIENCE RECEPTION; PSYCHOLOGICAL EFFECTS OF FILMS
Notes: compiled and edited by Philip Thomas
Contents: foreward -- Oklahoma!: the Shittums and the Henley Regal / by Tom Hibbert -- Tales of the overeducated underemployed: learning to write about films for money / by Kim Newman -- Casablanca's not Casablanca: searching for movie locations / by Gerald Kaufman -- We are the ABC minors!: Maidenhead Saturdays / by Nick Hornby -- Napalm in the morning: notes on the making of Apocalypse Now / by Eleanor Coppola -- Nimbostatus, chicken moghlai and Taxi Driver: the day movies made me sick / by Chris Heath -- Drifting into the arena of the unwell: the majesty of Withnail and I / by Mark Ellen -- Halfway to paradise / by Barry McIlheney -- Alien Heart: Close Encounters of the Third Kind / by Philip Ridley -- Big boys don't cry: (or how I stopped worrying love the Poseidon Adventure) / by Andrew Collins -- Viddy well, little brother!: A Clockwork Orange / by Tony Parsons -- Beyond belief: the shooting of Schindler's List / by David Gritten -- A matter of life and death: Michael Powell and Emeric Pressburger / by David Cavanagh

Call No: 409 ROS
Author: Rosenbaum, Jonathan
Place: Chicago
Publisher: A Capella
PubDate: 2000
PhysDes: v, 234 p. ; 24 cm
Subject: DISTRIBUTION; EXHIBITION; GLOBALISATION; AUDIENCES; American Film Institute; FESTIVALS; AUDIENCE RECEPTION; FESTIVALS. CANNES; NATIONAL IDENTITY AND THE CINEMA. US; MIRAMAX FILMS; BEST FILMS; BEST FILMS. US; CRITICISM; PERIODICALS, FILM; WELLES, ORSON; DANTE, JOE; BRESSON, ROBERT; EBERT, ROGER; WEINSTEIN, HARVEY; KIAROSTAMI, ABBAS; MASLIN, JANET; SMALL SOLDIERS (US, Joe Dante, 1998); MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); STARSHIP TROOPERS (US, Paul Verhoeven, 1997); STAR WARS : EPISODE I - THE PHANTOM MENACE (US, George Lucas, 1999); TOUCH OF EVIL (US, Orson Welles, 1958)
Notes: Includes index
ISBN: 1556524064
LON: 21468355

Call No: 630.5 STA
Author: Staiger, Janet
Source: US
Place: New York
Publisher: New York University Press
PubDate: c2000
PhysDes: vi, 242 p. ; 24 cm
Subject: AUDIENCE RESEARCH; AUDIENCE RECEPTION; PERCEPTION; AUDIENCES THEORY; AESTHETICS; GENRES; VIOLENCE IN FILMS; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982)
Summary: A book on film studies, with interpretation on films using different theories. The history of film is provided and the role media plays in culture and in the world today. Different topics in films are discussed with the descpition of various films that are applied to those certain topics.
ISBN: 081478139X

Author: Durgnat, Raymond
PhysDes: Article
Subject: AUTEUR THEORY; AUTHORSHIP; AESTHETICS; STAR SYSTEM; FANS; CINEPHILIA; SPECTATORSHIP; AUDIENCE RECEPTION; AUDIENCES
Summary: Essay discusses the star system with regard to audience spectatorship: why some actors become stars and attract fanbases, in the cinema.

Call No: 441.1 AUS
Source: AT
Place: Melbourne
Publisher: Australian Broadcasting Tribunal, Research Branch
PubDate: 1983
PhysDes: 88, 14 p. ; 26 cm
Series: Australian Broadcasting Tribunal research report
Subject: RATING FOR TV. AUSTRALIA; PROGRAMMING. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. TV. AUSTRALIA
Summary: Survey of television viewers in Melbourne and Swan Hill about the classification rating given of various types/genres of shows and about the shows that they felt were suitable/unsuitable for viewing by children and young people.
Contents: Introduction -- Explanaory notes -- Description of the sample -- Summary -- Discussion and conclusions -- Acceptability of material -- Suitability of programs for young audiences -- Knowledge and use of the symbols -- Special issues; the news; program promotions; late night explicit programming -- Television use and attitudes -- Appendices -- Method -- Description of programs and movies -- Questionnaire

Call No: 190(94) OPE WHI
Author: White, Peter B.
Source: AT
Place: Fitzroy, Vic.
Publisher: Open Channel Co-operative assisted by William Buckland Foundation
PubDate: 1982
PhysDes: 72 pages ; 25 cm
Subject: PUBLIC BROADCASTING. AUSTRALIA; OPEN CHANNEL; STATE AND TV. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. TV. AUSTRALIA
Summary: "An evaluation of the first public television preview broadcasts undertaken in Australia...by using both qualitative and quantitative methods as a means of examining community responses to this unique form of television"
Notes: Includes appendices
Contents: Public television and Open Channel -- The evaluation project described -- The preview broadcasts described -- Who watched the broadcasts and what did they watch? -- Responses to programming -- The future of public television: the views of individuals -- State and local government: trends favoring participation -- Institutional participation in public television: demand and uses -- Conclusions and recommendations -- References and directories -- Appendices

Call No: 410(94)(038) AUS
CorpAuthor: Spectrum Research Pty Ltd
Source: AT
Place: North Sydney, N.S.W.
Publisher: Spectrum Research (NSW) Pty Ltd
PubDate: [1985]
PhysDes: 29, 64 leaves ; 30 cm
Subject: AUDIENCE RECEPTION. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCES. AUSTRALIA
Summary: Results of a survey regarding Australians perception of attending cinemas to watch movies. This is in relation to to watching movies on video and the difference between video and cinema. Questions around film promotion and advertising, types of Australian films, and the mini-series television genre are investigated.
Contents: Introduction and background -- Research objectives -- Methodology -- Summary and conclusions -- Detailed findings

Call No: 410 (41/73/94) BAL
Author: Balnaves, Mark; O'Regan, Tom; Goldsmith, Ben
Source: UK/US
Place: London ; New York
Publisher: Bloomsbury
PubDate: 2011
PhysDes: xvi, 272 p. : ill. ; 24 cm
Subject: MEDIA; AUDIENCE RECEPTION; AUDIENCE RESEARCH; AUDIENCES; AUDIENCES THEORY; AUDIENCES USA; AUDIENCES. AUSTRALIA; AUDIENCES. UK; RATING FOR TV; RATING FOR TV. AUSTRALIA; RATINGS. AUSTRALIA; RATINGS. USA
Summary: "Knowing, measuring and understanding media audiences has become a multi-billion dollar business. But the convention that underpins that business, audience ratings, is in crisis. Rating the Audience is the first book to show why and how audience ratings research became a convention, an agreement, and the first to interrogate the ways that agreement is now under threat. Taking a historical approach, the book looks at the evolution of audience ratings and the survey industry. It goes on to analyse today's media environment, looking at the role of the internet and the the increased difficulties it presents for measuring audiences. The book covers all the major players and controversies, such as Facebook's privacy rulings and Google's alliance with Nielson. Offering the first real comparative study, Rating the Audience is critical reading for media students and professionals." -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9781849663410
Donation: Donated by Senses of Cinema, 2013
Contents: -- list of figures -- list of tables -- preface -- acknowledgments -- 1.Why the Ratings Are Important -- Introduction -- The Single Number -- Summary -- 2.The Convention -- `The Crossleys' - Archibald Crossley -- Arthur C. Nielsen (and the Black Box) -- Bill McNair and George Anderson -- New Forms of Knowledge about Audiences -- Theorizing the Convention -- Summary -- 3.The Panel and the Survey -- The Ratings Intellectuals -- Lazarsfeld -- The Very Idea of Measurement -- Single Source: `The Holy Grail' -- Summary -- 4.The Audit -- Taming Error -- Invisible Audiences -- The BBC: Robert Silvey's Thermometer and Barometer -- Summary -- 5.The Technologies of Counting -- The Diffusion of Ratings Technology -- Proliferation of Channels and Measurement -- Neuroscience, Neuromarketing and New Technologies of Measurement -- Timeshifting and Technologies of Counting -- The Increasing Technical Complexity of Audience Measurement -- Calls for Harmonization -- Summary -- 6.The Ratings Provider -- The Official Truth -- The Silent Revolution -- `Superior Technology': ATR-OzTAM and ACNielsen Controversy in Australia -- `Superior Technology': Nielsen versus Hooper, Nielsen versus Arbitron -- Summary -- 7.The Networks (and Other Media Providers) -- TV Economics -- Standardization -- Small Audiences and Set-top Boxes -- United Kingdom -- Summary -- 8.Advertisers and Media Planners -- The Dual Persona of the Advertiser -- The Media Planner -- Cost Efficiency and the Curve of Experience -- The Competent User -- Summary -- 9.The Audience -- The Modem Audience -- The Average Household and the Representative Individual -- Home Studies and the Public -- Audience Consent -- The Knowledge Aggregators -- Summary -- 10.The Critics -- The Broader Context -- The Bogart Persona -- Objections to Ratings -- Setting Limits to Statistics -- Problems with Increases in Scale -- Impersonal Secondary Data -- Deprofessionalization of Media Research -- Summary -- 11.The Future of Ratings -- bibliography -- index --

Author: Kirihara, Donald
PhysDes: Article
Subject: SPECTATORSHIP; AUDIENCE RECEPTION; AVANT-GARDE FILMS; NOW, VOYAGER (US, Irving Rapper, 1942)
Summary: Wide Angle edition on spectatorship and audience reception to film.

Call No: 30(94)(094.3) REF
Source: AT
Place: Canberra
Publisher: The Committee
PubDate: 1991
PhysDes: p. 93-244 ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; EXPORT OF FILMS. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; ADVERTISING FOR FILMS. AUSTRALIA
Summary: Committee members present are: Jeanette McHugh (Chair), Peter Fisher, Mr Webster, Mr Dobe. Witnesses to the committee are: Paul Cox, Bruno Doring, Alan Finney, Alastair Inglis, John Kearney, Matthew Lovering, William Marshall, John McKenzie, and Susan Wood
Notes: "Official Hansard report, Melbourne, Thursday, 23 May 1991."
Contents: Examination of John McKenzie -- examination of Alan Finney -- examination of Paul Cox -- examination of Bruno Doring, Alastair Inglis, Matthew Lovering -- examination of John Kearney, Susan Wood

Call No: NEW HOLDINGS SHELVES; 935 SEE
Author: Breakwell, Ian; Hammond, Paul
Source: UK
Place: London
Publisher: Serpent's Tail
PubDate: 1990
PhysDes: 166 p. : ill. ; 24 cm
Subject: CINEMAS; AUDIENCES; AUDIENCE RECEPTION
Summary: "For a generation of cinemagoers, food was sweet popcorn, sex began in double seats and post-modernism was reels played in the wrong order. The hundred contributors to Seeing in the Dark illuminate the picture palace with a bizarre, funny collection of movie tales. Contributors include: Angus Calder, Kevin Coyne, Ivor Cutler, Janice Eidus, Nicole Ward Jouve, James Kelman, Deborah Moggach, Daniel Moyano, Tom Raworth, Carolee Schneeman, Lynne Tillman, David Toop, and Haifa Zangana." -- BOOK BLURB
ISBN: 1852421665
Donation: donated by Senses of Cinema, 2010

Call No: SUBJECT CLIPPINGS FILE; SEVEN NETWORK
Author: Hyland, Anne
PhysDes: Clippings File Article
Subject: SEVEN NETWORK; SEVEN WEST MEDIA; AUDIENCE RECEPTION. AUSTRALIA; WOMEN AND TV. AUSTRALIA
Summary: Figures show that women are switching channels away from the Seven Network in comparison to last year, though Seven still has more female viwers than the other commercial networks

Call No: 440(94) PAT
Author: Paterson, Kathryn; Loncar, Milica
CorpAuthor: Australian Broadcasting Tribunal
Source: AT
Place: North Sydney
Publisher: Australian Broadcasting Tribunal
PubDate: 1991
PhysDes: 44 pages ; 25 cm
Series: Research Monograph Series (Australian Broadcasting Tribunal) ; No. 2
Subject: AUDIENCE RESEARCH. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; BROADCASTING. AUSTRALIA; CENSORSHIP TV. AUSTRALIA; CODES OF PRACTICE. AUSTRALIA; GOVERNMENT CONTROL, TV. AUSTRALIA; LEGISLATION FOR CHILDREN. AUSTRALIA; LEGISLATION. AUSTRALIA; PORNOGRAPHY ON TV; RATING FOR TV. AUSTRALIA; SEX AND TV; VIOLENCE ON TV. AUSTRALIA
Summary: "Program classification issues have long been at the core of a heated public debate focusing on what can be shown on television. Because television is readily accessible to nearly all people of all ages, it is accepted that program standards are required to regulate what we are able to watch on television. However, any government regulation of television programs still raises sensitive issues. On the one hand, there is concern that even the most indirect intrusion into programming can destroy artistic intention and creativity. On the other hand, community opinion indicates that television and broadcasting in general, should maintain certain social objectives [...] This monograph is concerned principally with public attitudes to classification issues: namely, sex, violence and offensive language and knowledge of the classification system" - FROM INTRODUCTION
ISBN: 0642168857

Call No: 46 MAY
Author: Mayer, J. P. (Jacob Peter), 1903-1992
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 1946
PhysDes: 328 pages. : illustrations. ; 23 cm
Subject: CHILDREN AND THE CINEMA; AUDIENCE RECEPTION; THEATRE AND THE CINEMA; POLITICS AND THE CINEMA. UK; SOCIOLOGY AND THE CINEMA; AUDIENCE RESEARCH. UK
Summary: A sociological study on the effects of film on audience reactions and society more broadly. Investigates the influence that feature films have on British society
Notes: "First published in Mcmxlvi." Includes bibliographical references and index
Donation: donated from the estate of Adrian Miles
Contents: Perspectives of a sociology of film -- On theatre [i.e., theater] and cinema ; Universal audiences ; Political philosophy -- The Elizabethan theatre and the modern cinema -- Impressions and reflections on children's cinema clubs -- Children and adolescents and the cinema -- Movies and conduct -- The content of films -- The adult and the cinema -- Conclusions. Appendixes: 1: Some observations on the drama among democratic nations -- 2: Children's cinemas and films in the Soviet Union -- 3: A modern psychologist on films -- 4: The new middle classes -- 5: Report to film research

Call No: 20(94)(048) SUR
CorpAuthor: The Roy Morgan Research Centre Pty Ltd
Source: AT
PubDate: 1985
PhysDes: 45 pages ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; TAXES. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; INVESTING. AUSTRALIA; TOURISM AND THE CINEMA
Summary: Survey on Australian film industry, with a range of questions about cinema exhibition, film production, audience attendence, and Australian film culture and its impact on the world. -- Q1A/B - In your opinion, should the federal government continue to give financial support to the Australian film industry or stop it? If continue: in your opinion, which line best describes how you believe the federal government should give financial support to the Australian film industry, only by direct grants to government film bodies, or only by tax concessions to the people or companies who invest in Australian films, or by both direct grants and tax concessions -- Q1C - and about films made in Australia. In your opinion, do you think Australian films increase international awareness of Australia? -- Q1D - In your opinion, do you think Australian films help Australia's export trade, by making people overseas more aware of Australia? -- Q1E - and in your opinion, do you think Australian films help increase the number of tourists and other visitors to Australia? --

Author: Haag, Oliver
PhysDes: Article
Subject: AUDIENCE RECEPTION; HISTORICAL FILMS. AUSTRALIA; ETHNIC GROUPS IN FILMS. AUSTRALIA; AUSTRALIA (UK/AT/US, Baz Luhrmann, 2008); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001)
Summary: Haag presents results of empirical research on the reception of 'Rabbit-proof fence' and 'Australia' within German-speaking countries, noting differences in marketing and the effects of broader discourses on their levels of success.

Call No: 161(94)TEL APP
Author: Appleton, Gillian
Source: AT
Place: Sydney
Publisher: Communications Law Centre
PubDate: 1995
PhysDes: 16 p ; 30 cm
Subject: ETHNIC GROUPS ON TV. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA
Summary: a report on the Television and the Multicultual Audience conference
Notes: a conference organised by the Communications Law Centre for the Department of Immigration and Ethnic Affairs. Friday 22 September 1995. Taronga Centre Sydney

Call No: CRAWFORD PUBLICITY FLY
Place: AT
PhysDes: 3 boxes ; 39 x 17 x 27 cm
Subject: CRAWFORD PRODUCTIONS; AUDIENCE RECEPTION. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: VICTORIA; SOAP OPERAS. AUSTRALIA; LEE, SOPHIE; DIPIERDOMENICO, ROBERT; SMITH, LENORE; JELLAY, VAL; FIELDS, MAURIE; MCFARLANE, ANDREW; GRUBB, ROBERT; KAPINIARIS, GEORGE; GIBNEY, REBECCA; O'BRIEN, PETER; PAPPS, ALEX; MACINTOSH, TAMMY; FLYING DOCTORS, THE [TV] (AT, 1986-91)
Summary: Publicity, media clippings and periodicals about Crawford Productions' series The flying doctors. Material is organised primarily in date order. Additional files cover production and location shooting. Where possible Crawford Productions' original ordering system has been retained.
Notes: Annotations on some clippings -- Labels follow Crawfords designations unless provided by cataloguer
Donation: Donation of Crawford Productions
Contents: 3 archive boxes containing material from Australia, New Zealand and the Netherlands Folders as listed: Box 1: Locations; Production publicity; Show-Series; Series generally; [March 1991]; [April 1991]; Press cuttings July [1991]; Press cuttings Mar-Oct 1991 -- Press cuttings Jan-Mar 1991 -- Press clippings Mar Apr May 1991 -- [April 1991] file has attached memo card -- Also contains periodicals: TV soap (July 1991); Margriet (30 Apr 1991); The Flying Doctors Story; Additional photocopies of press clippings -- Royal Flying Doctor Service of Australia Fanclub Germany n. 16, June 2003 [79 leaves]; n. 17, December 2003 [85 leaves]; n. 18, June 2004 [66 leaves]; n. 19, December 2004 [74 leaves] Box 2: Press clippings Originals 1988 -- Original press clippings Jan-June 1989 -- Press clippings originals July-Dec 1989 -- Press clippings, originals Jan-May 1990 -- Press cuttings May-Dec 1990 -- [Press clippings April 1990, photocopies] --Also contains: TV Week (Feb 13 1988); Humo (Maart 31 1988; Mei 12 1988); TV magazine (Mei 14 1988); TV week (June 4 1988); Dag (n. 230 April 9 1989); TV Guide (August 14 1989); Woman's own (April 10 1989); Star! (Summer 1989); Australia now (v. 13 n. 4 1989); Stars of Oz (August 1990) -- Additional photocopies of Australian press clippings -- Clippings from Dutch language magazines Box 3: Photocopies of press cuttings 1982-1990 covering location, general production, notable guests and publicity for individual actors -- Facsimile copies of press from UK -- (17 leaves) Fan produced materials -- Fan produced Reserapport [Trip report] 1988 (39 leaves) -- Telegrams (6 leaves)

Author: Ryan, Tom
PhysDes: Article
Subject: SEX IN FILMS; GET TO KNOW YOUR RABBIT (US, Brian De Palma, 1972); AUDIENCE RECEPTION. AUSTRALIA
Summary: Tom Ryan discusses the success of BEDROOM MAZURKA- which has continuously run in Melbourne for over a year- and the failing of the similair-Genred GET TO KNOW YOUR RABBIT.

Call No: 734 TUR
Author: Turnbull, Sue
Source: UK
Place: [Edinburgh]
Publisher: Edinburgh University Press
PubDate: c2014
PhysDes: vii, 216 pages : illustrations ; 22 cm
Series: TV genres
Subject: ADAPTATIONS. DOYLE, ARTHUR CONAN; AUDIENCE RECEPTION; CRIME DRAMAS; CRIME DRAMAS. AUSTRALIA; CRIME ON TV; CRITICISM, TV.; DETECTIVES ON TV; POLICE ON TV; PROGRAMME GENRES; PSYCHOLOGICAL EFFECTS OF TV; RATINGS. USA; TELEVISION; TELEVISION. UK; TELEVISION. USA; WOMEN ON TV; CSI: CRIME SCENE INVESTIGATION [TV] (US/CA, 2000-); DRAGNET [TV] (US, 1951-59, 1967-70); HILL STREET BLUES [TV] (US, 1980-87); LAW AND ORDER [TV] (US, 1990-); POLICE STORY: COP KILLER [TV] (US, Larry Shaw, 1988); SOPRANOS, THE [TV] (US, 1999-)
Summary: "What are the characteristic features of the crime drama as a television genre? What is the relationship between crime in the real world and the representation of crime on television? What are the merits of TV crime drama as a genre? The TV Crime Drama offers a genealogical account of the television crime drama, from its origins in popular culture of the 19th and 20th century to its most recent manifestations, as a genre enjoying transnational circulation and popularity. Exploring the key features of this genre in terms of format and style, it pays particular attention to the role of the investigators, the police, the private investigators and the specialists in forensic science and psychology, as well as the debates which have circulated about the role and representation of women. Covering classic series such as The Sweeney and Dragnet as well as contemporary crime dramas including The Wire, The Killing and Luther, this book is an essential read for students and scholars in television studies." -- BOOK BLURB
Notes: Includes bibliographical references (pages 195-209) and index
ISBN: 9780748640874

Call No: 76(94):759(94) MUR
Author: Murphy, Kerrie
Source: AT
Place: Milton, Qld
Publisher: John Wiley & Sons,
PubDate: 2006
PhysDes: xii, 260 p., [8] p. of plates : ill., ports. ; 24 cm
Subject: REALITY TV. AUSTRALIA; REALITY TV; PROGRAMME GENRES; HISTORY OF TV. AUSTRALIA; AUDIENCE RECEPTION; PERSONALITIES ON TV; BIG BROTHER [TV] (AT, 2001-); AUSTRALIAN IDOL [TV] (AT, 2003-); SURVIVOR [TV]
Summary: You may not realise it, but reality television has been around longer than you think. Looks at the country's love/hate relationship with reality TV. Explores our viewing habits and our favourite programs.
Notes: Includes bibliographical references and index
ISBN: 9781740311380 (ISBN 13); 1740311388 (ISBN 10)
ID2: 128

Call No: 410.3(94) ACN
CorpAuthor: ACNielsen Media
Source: AT
Place: [Sydney]
Publisher: [Nielsen in association with B& T Weekly]
PubDate: 1998
PhysDes: 27 pages : colour illustrations ; 30 cm
Series: TV trends
Subject: ADVERTISING. TV. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; BROADCASTING. AUSTRALIA; ECONOMICS AND TV. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; INTERNET AND TV. AUSTRALIA; RATINGS. AUSTRALIA; TELEVISION. AUSTRALIA
Summary: "The 1998 TV Trends again looks at the free-to-air TV market and at general viewing habits as well as free-to-air Network Shares and the Top Programmes of 1997." - INTERIOR COVER
Notes: Publication information sourced from Trove
Contents: The Australian television market -- People meter coverage -- viewing trends -- TV and VCR ownership -- Games and computers -- The Internet -- Network shares -- Top rating programmes -- Television advertising

Call No: 414.1 STA
Author: Stafford, Roy
Place: London
Publisher: British Film Institute
PubDate: 2007
PhysDes: viii, 192 p. ; 24 cm
Series: Understanding the moving image
Subject: AUDIENCE RECEPTION; AUDIENCE RESEARCH; AUDIENCES; EXHIBITION; DISTRIBUTION
Summary: "Understanding Audiences and the Film Industry brings together an introduction to academic study of audiences as 'readers' of films and an investigation into how the film industry perceives audiences as part of its industrial practices. The approach draws on ideas from film, media, and cultural studies in order to present new insights into a range of puzzling questions: What makes the biggest box office films attractive to audiences? Why do films that work well with audiences sometimes suffer poor distribution? What is a 'cult film' and how do such films gain thier status? Case studies of films such as Donnie Darko, Ringu, and Hero are included alongside discussion of film distribution and exhibition and the growing importance of audience comments and discussion via internet forums. This book will help film and media students with their studies and will provide the general reader with an accessible introduction to the international film industry."
Notes: Includes bibliographical references and index
ISBN: 9781844571413
Contents: --Preface -- Acknowledgements -- Introduction -- 1: Agenda setting -- 2: How the Film Industry Perceives Audiences -- 3: Distribution, Exhibition and Critical Commentary -- 4: How do Audiences Read Films? -- 5: The attraction of stars and genres -- 6: Theorising audience behaviour -- 7: Researching audiences and the film market -- 8: The culture of Film viewing -- Endpiece -- Glossary -- Resources -- Index

Call No: 512.1 PHI
Author: Phillips, Patrick
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: xiii, 158 p. : ill. ; 24 cm
Subject: AESTHETICS; METHODOLOGY OF FILM CRITICISM; AUDIENCE RECEPTION; COSTUMES; DIALOGUE; EDITING; EXHIBITION; NARRATIVE IN FILMS; PERCEPTION; REALISM IN FILMS; SPECTATORSHIP; VIRTUAL REALITY; DICAPRIO, LEONARDO; MUNSTERBERG, HUGO; AFTER LIFE (JA, Hirokazu Kore-eda, 1998); AMERICAN BEAUTY (US, Sam Mendes, 1999); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FESTEN (DK, Thomas Vinterberg, 1998); JACKIE BROWN (US, Quentin Tarantino, 1997); LOLA RENNT (G, Tom Tykwer, 1998); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PSYCHO (US, Alfred Hitchcock, 1960); SECRETS & LIES (FR/UK, Mike Leigh, 1996); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SLIDING DOORS (US, Peter Howitt, 1998); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
ISBN: 085170798X; 0851707998(pbk.)
LON: 21445642

Call No: 62 DOU
Author: Doughty, Ruth; Etherington-Wright, Christine
Edition: Second edition
Source: UK
Place: [England]
Publisher: Palgrave Macmillan
PubDate: 2018
PhysDes: xiv, 325 pages : illustrations ; 26 cm
Subject: FILM; THEORY; AUTEUR THEORY; ADAPTATIONS; GENRES; FORMALISM; MOVEMENTS AND STYLES IN FILM HISTORY; MOVEMENTS IN FILM HISTORY; STRUCTURALISM; MARXISM AND THE CINEMA; REALISM IN FILMS; POSTMODERNISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; FEMINISM AND THE CINEMA; MASCULINITY IN FILMS; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; RACIAL ISSUES AND THE CINEMA; POSTCOLONIALISM AND THE CINEMA; TRANSNATIONAL CINEMA; STARS; AUDIENCE RESEARCH; AUDIENCE RECEPTION; HUNGER GAMES, THE (US, Gary Ross, 2012); RUN LOLA RUN (G, Tom Tykwer, 1998); LOLA RENNT (G, Tom Tykwer, 1998); ONCE UPON A TIME IN THE WEST (IT/FR, Sergio Leone, 1968) SEE C`ERA UNA VOLTA IL WEST; LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014); ACT OF KILLING, THE (DK/NO/UK, Joshua Oppenheimer, (2012); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); OLDBOY (KO, Park Chan-wook, 2003); OLDEUBOI (KO, Park Chan-wook, 2003); FROZEN (US, Chris Buck & Jennifer Lee, 2013); BLUE IS THE WARMEST COLOR (FR/BE/SP, Abdellatif Kechiche, 2013); DJANGO UNCHAINED (US, Quentin Tarantino, 2012); AVATAR (US, James Cameron, 2009)
Summary: -- "Film theory has a reputation for being challenging. Often requiring time and effort to fully grasp it and seeming rather old-fashioned, it can be difficult to approach the subject with enthusiasm and appreciate its relevance to modern day. Understanding Film Theory aims to disassociate theory from these connotations and bring a fresh, contemporary and accessible approach to the discipline. Now comprehensively updated in a second edition, the book’s sixteen chapters - including a new chapter on Adaptations - continue to provide an insight into the main areas of debate. Taking the application of theory as its central theme, the text incorporates a number of innovative features: ‘Reflect and Respond’ sections encourage readers to engage critically with theoretical concepts, while seminal texts are concisely summarised without oversimplifying key points. Throughout the book the authors illustrate why theory is important and demonstrate how it can be applied in a meaningful way, with relevant case studies drawn from both classic and contemporary cinema including: Once Upon a Time in the West (1968), Run Lola Run (1998), The Hunger Games (2012), Blue is the Warmest Colour (2013) and The Lego Movie (2014). Additional case studies address key genres (the British Gangster film and the musical), film movements (Dogme 95), individual actors (Ryan Gosling, Judi Dench and Amitabh Bachchan) and directors (Alfred Hitchcock and Guillermo del Toro). Understanding Film Theory is an approachable and extensive introduction to film theory. It is the ideal entry point for any student studying film, using clear definitions and explaining complex ideas succinctly. " -- BOOK BACK COVER
Notes: Includes index; Includes bibliographical references, filmography and index
ISBN: 9781137528230
Contents: -- List of illustrations -- Acknowledgements -- Introduction -- 1 Auteur Theory Case study: Alfred Hitchcock -- Case study: Guillermo del Toro -- 2 Adaptations Case study: The Hunger Games (Gary Ross, 2012) -- 3 Genre Theory -- Case study: The British Gangster Film -- Case study: The Musical -- 4 Formalism Case study: Lola Rennt/Run Lola Run (Tom Tykwer, 1998) -- 5 Structuralism and Post-Structuralism -- Case study: Once Upon a Time in the West (Sergio Leone, 1968) -- 6 Marxism -- Case study: The Lego Movie (Phil Lord & Christopher Miller, 2014) -- 7 Realism -- Case study: Dogme 95 -- Case study: The Act of Killing (Joshua Oppenheimer, 2012) -- 8 Postmodernism -- Case study: Moulin Rouge! (Baz Luhrmann, 2001) -- 9 Psychoanalysis -- Case study: Oldboy (Chan-Wook Park, 2003) -- 10 Feminism -- Case study: Frozen (Chris Buck and Jennifer Lee, 2013) -- 11 Masculinity -- Case study: Ryan Gosling -- 12 Queer Theory -- Case study: Blue is the Warmest Colour (Abdellatif Kechiche, 2013) -- 13 Race and Ethnicity -- Case study: Django Unchained (Quentin Tarantino, 2012) -- 14 Postcolonial and Transnational Cinemas -- Case study: Avatar (James Cameron, 2009) -- 15 Stars -- Case study: Amitabh Bachchan -- Case study: Dame Judi Dench -- 16 Audience -- Research and Reception -- Case study: Tartan Video -- Conclusion -- filmography -- Index --

Call No: 410.81 WAT
Author: Aveyard, Karina (ed.); Moran, Albert (ed.)
Source: UK
Place: Bristol, UK ; Chicago
Publisher: Intellect
PubDate: 2013
PhysDes: 418 p. ; 23 cm
Subject: THEORY; CINEMAS; CINEMAS. UK; NEWSREELS; AUDIENCE RECEPTION; AUDIENCES; AUDIENCES THEORY; AUDIENCE RESEARCH; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCE RESEARCH. UK; AUDIENCE RESEARCH. USA; AUDIENCE RECEPTION. NEW ZEALAND; AUDIENCE RECEPTION. AUSTRALIA; ITALY; NETHERLANDS; INDIA; BELGIUM; PORNOGRAPHY; INDEPENDENT FILMS
Summary: With a focus on the social, economic, and cultural factors that influence how we watch and think about movies, this volume centres its investigations on four areas of inquiry: Who watches films? Under what circumstances? What consequences and effects follow? And what do these acts of consumption mean? Responding to these questions, the contributors provide both historical perspective and fresh insights into the ways in which new viewing arrangements and technologies influence how films are watched around the world.
Notes: Includes bibliographical references and index.
ISBN: 9781841505114
Contents: Foreword : Richard Maltby -- Introduction : New perspectives on movie-going, exhibition and reception --; Part one: Theoretical perspectives -- Chapter one: Cinema, modernity and audiences: Revisiting and expanding the debate: Daniel Biltereyst -- Chapter two: What is a cinema? Death, closure and the database: Deb Verhoeven -- Chapter three: A poetics of film-audience reception? Barbara Deming goes to the movies: Albert Moran -- Chapter four: The porous boundaries of newsreel memory research: Louise Anderson -- Chapter five: Why are children the most important audience for pornography in Australia?: Alan McKee --; Part two: The film industry - systems and practices -- Chapter six: Local promotion of a 'Picture Personality': a case study of the vitagraph girl: Kathryn Fuller-Seeley -- Chapter seven: 'Calamity howling': the advent of television and Australian cinema exhibition: Mike Walsh -- Chapter eight: A nation of film-goers: audiences, exhibition and distribution in New Zealand: Geoff Lealand -- Chapter nine: The critical reception of 'Certified Copy': original art or copy of a rom-com?: Eylem Akatav; Part three: Moview theatres - from Picture Palace to the Multiplex -- Chapter ten: Movie-going in the Shenandoah Valley of Virginia: A case study of place, transportation, audiences, racism, censorship and Sunday showings: Douglas Gomery -- Chapter eleven: From Mom-and-Pop to Paramount Publix: selling the community on the benefits of national theatre chains: Jeffrey Klenotic -- Chapter twelve: A progressive city and its cinemas: technology, modernity and the spectacle of abundance: Mark Jancovich and Lucy Faire with Sarah Stubbings -- Chapter thirteen: 'They don't need me in heaven...there are no cinemas there, ye know': cinema culture in Antwerp (Belgium) and the Empire of Georges Heylen, 1945-75: Kathleen Lotze and Philippe Meers -- Chapter fourteen: from out-of-town to the edge and back to the centre: multiplexes in Britain from the 1990s: Stuart Hanson --; Part four: on the margins -- Chapter fifteen: The place of rural exhibition: makeshift cinema-going and the Highlands and Islands Film Guild (Scotland): Ian Goode -- Chapter sixteen: 'A Popcorn-free zone': distinctions in independent film exhibition in Wellington, New Zealand: Ian Huffer -- Chapter seventeen: getting to see women's cinema: Julia Knight -- Chapter eighteen: Shifting fandoms of film, community and family: Tom Phillips --; Part five: Just watching movies? -- Chapter nineteen: watching popular films in the Netherlands, 1934-36: Clara Pafort-Overduin -- Chapter twenty: Contemporary Italian film-goers and their critics: Alan O'Leary and Catherine O'Rawe -- Chapter twenty one: Imagining a 'decent crowd' at the Indian multiplex: Adrian Mabbott Athique -- Chapter twenty two: The VHS generation and their movie experiences: Janna Jones --

Call No: 79LOR WAT
Author: Barker, Martin and Mathijs, Ernest
Source: US
Place: New York, NY
Publisher: Peter Lang Publishing
PubDate: 2008
PhysDes: xiv, 297 p. : 23 cm
Subject: AUDIENCE RECEPTION; AUDIENCE RESEARCH; AUDIENCES THEORY; ADVERTISING FOR FILMS; LORD OF THE RINGS: FELLOWSHIP OF THE RING, THE (US, Peter Jackson, 2001); LORD OF THE RINGS: THE TWO TOWERS, THE (US, Peter Jackson, 2002); LORD OF THE RINGS: THE RETURN OF THE KING, THE (US, Peter Jackson, 2003)
Summary: Analysis on global audience response to film adaptation of Tolkein's Lord of the Rings trilogy.
Notes: includes bibliographical references and index
ISBN: 9780820663964
Language: English

Author: Rosenthal, Newman
PhysDes: Article
Subject: AUDIENCE RECEPTION. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; INDUSTRY, TV. AUSTRALIA; PROGRAMME COMPLAINTS; PROGRAMME CONTENT. AUSTRALIA; PROGRAMME POLICY. AUSTRALIA; TELEVISION. AUSTRALIA
Summary: Lamentation on the state of Australian television and its overdependence on overseas program supplies

Call No: 414 NUG
Author: Nugent, Stephen
Source: AT
Place: North Sydney
Publisher: Australian Broadcasting Tribunal
PubDate: c1992
PhysDes: viii, 36 pages : illustrations ; 25 cm
Series: Monograph series / Australian Broadcasting Tribunal ; no. 4
Subject: PROGRAMMING. AUSTRALIA; AUDIENCE RESEARCH. AUSTRALIA; AUDIENCE RECEPTION. AUSTRALIA; AUDIENCES. AUSTRALIA
Summary: An exploration into various topics related to the Australian public's viewing habits and beliefs. Topics covered include: satisfaction with current programming. Program preferences and areas of perceived programming under supply and over supply. Viewing attitudes and behaviours regarding various types of programs. Attitudes towards future services, specifically pay television -- taken from conclusion section of book
ISBN: 0642180709
Contents: Foreword - Peter Westerway -- How satisfied are we? -- What do we like to watch? -- What are we currently watching? -- How likely are we to subscribe to Pay TV?

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: AUDIENCE RECEPTION. AUSTRALIA; BOX OFFICE. AUSTRALIA; PRODUCTION. AUSTRALIA
Summary: A look at why 2015 was such a strong year at the box office for Australian made films

Call No: 410-053.6(4) AUS
Author: Agardy, Susanna; Heath, David; Burke, Jacinta; Berry, Maria; Toshner, Linda
Edition: 1985
Place: Melbourne
Publisher: Research Branch, Australian Broadcasting Tribunal
PubDate: 1985
PhysDes: 124, 24 pages : illustrations ; 25 cm
Subject: AUDIENCE RECEPTION; AUDIENCE RESEARCH. AUSTRALIA; YOUNG PEOPLE, EFFECTS OF FILMS ON; YOUNG PEOPLE, EFFECTS OF TV ON; YOUNG PEOPLE, PROGRAMMES FOR