personality clippings file
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2007 Heroes of the year : Kodi Smit-McPhee in Empire (Australian Ed.) (February 2008) iss.83 p.98
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AND WHEN DID YOU LAST SEE YOUR FATHER ? : (UK/IE, Anand Tucker, 2007)
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[And when did you last see your father : poster]
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APA [FATHER] : (HU, Istvan Szabo, 1966)
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BLOOD FATHER : (FR, Jean - Francois Richet, 2016) Digital clippings file available
Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILEPhysDes: Clippings; Press kitSubject: BLOOD FATHER (FR, Jean - Francois Richet, 2016) URL status: URL: 'http://file://Q:/T/BLOOD_FATHER.zip'
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BONANNO: A GOD FATHER'S STORY : (US/C, Michael Poulette, 1999)
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CHINA: LAND OF MY FATHER : US, Felicia Lowe, 1979
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journal article
The courthship of Eddie's father in Movie (June 1963) iss.10 p.29-32
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Damien
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Epic remake is no big deal in Weekend Australian [Review] (03/09/2016) p.15
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FATHER : (AT, John Power, 1990)
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script
Father : Final Draft [1989].
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FATHER BROWN [TV] : (UK, 2013-)
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FATHER FIGURES : (US, Lawrence Sher, 2017)
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FATHER HOOD : (US, Darrell Roodt, 1993)
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newspaper article
Father knows best in Sunday Age [M] (28/08/2016) p.12
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Father Knows Best / By Mary R. Desjardins Detroit, Mich: Wayne State University Press, 2015.
Call No: 79 FAT DESAuthor: Desjardins, Mary Place: Detroit, MichPublisher: Wayne State University PressPubDate: 2015PhysDes: 118 p. : ill. ; 18 cmSeries: TV MilestonesSubject: FATHER KNOWS BEST [TV] (US, 1954-60) Summary: Although the iconic television series Father Knows Best (CBS 1954–55; NBC 1955–58; CBS 1958–60) has enjoyed a long history in rerun syndication and an enduring fan base, it is often remembered as cultural shorthand for 1950s-era conformism and authoritarianism. In this study of Father Knows Best, author Mary R. Desjardins examines the program, its popularity, and its critical position within historical, industrial, and generic contexts to challenge oversimplified assumptions about the show’s use of comedy and melodrama in exploring the place of family in mid-twentieth-century American society.
Desjardins begins by looking at Father Knows Best within media and production contexts, including its origin on radio, its place in the history of Screen Gems telefilm production, and its roots in the backgrounds and creative philosophies of co-producer Eugene Rodney and star-producer Robert Young. She goes on to examine the social contexts for the creation and reception of the series, especially in the era’s emphasis on family togetherness, shared parenting by both father and mother, and generational stages of the life cycle. Against this background, Desjardins also discusses several Father Knows Best episodes in-depth to consider their treatment of conflicts over appropriate gender roles for women. She concludes by exploring how the series’ cast participated in reevaluations of the Anderson family’s meaning in relation to "real families" of the fifties, through television specials, talk show appearances, magazine and book interviews, and documentaries.
Blending melodrama and comedy, naturalistic acting, and stylized cinematic visuals, Father Knows Best dramatized ideological tensions in the most typical situations facing the American family. Scholars of mid-century American popular culture and film history as well as fans of the show will appreciate Desjardin’s measured analysis.-- publisher's blurbISBN: 9780814338186Language: English
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FATHER OF THE BRIDE : (US, Charles Shyer, 1991)
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FATHER OF THE BRIDE PART II : (US, Charles Shyer, 1995)
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FATHER OF THE BRIDE THREE : (US, Nancy Meyers, 2020) Digital clippings file available
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FATHER OF THE PRIDE : [TV](US, 2004)
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FATHER'S DAY : (US, Ivan Reitman, 1997)
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Father's Estate in News (Svenska filminstitutet) (May 1981) vol.3 iss.64 p.1-2
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FATHER'S REVENGE, A : [TV] (US, John Herzfeld, 1988)
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[Father : stills file] / Bill Bachman Transcontinental Films Ltd.,
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FATHER TED [TV] : (UK, 1995 - 1998)
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FATHER, THE : (UK/FR, Florian Zeller, 2020) Digital clippings file available
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Featuring film 2 : the sequel / by Peter Cox, Fred Goldsworthy Melbourne: Oxford University Press, 1997.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Source: ATPlace: MelbournePublisher: Oxford University PressPubDate: 1997PhysDes: viii, 215 p. : ill. ; 26 cmSubject: TEACHING MATERIALS ; BABE (AT, Chris Noonan, 1995) ; BRAVEHEART (US, Mel Gibson, 1995) ; CASABLANCA (US, Michael Curtiz, 1942) ; CIRCLE OF FRIENDS (US, Pat O'Connor, 1995) ; CITE DES` ENFANTS PERDUS, LA (FR/SP/GG, Jean-Pierre Jeunet & Marc Caro, 1995) ; CRIMES AND MISDEMEANORS (US, Woody Allen, 1989) ; DAD AND DAVE ON OUR SELECTION (AT, George Whaley, 1995) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; EDUCATING RITA (UK, Lewis Gilbert, 1983) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990) ; HIGH NOON (US, Fred Zinnemann, 1952) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; LORENZO'S OIL (US, George Miller, 1992) ; MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994) ; METROPOLIS (G, Fritz Lang, 1926) ; MUCH ADO ABOUT NOTHING (UK/US, Kenneth Branagh, 1993) ; MURIEL’S WEDDING (AT, P.J. Hogan, 1994) ; NELL (US, Michael Apted, 1994) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975) ; OUTBREAK (US, Wolfgang Petersen, 1995) ; PIANO, THE (AT, Jane Campion, 1993) ; PROOF (AT, Jocelyn Moorhouse, 1991) ; PSYCHO (US, Alfred Hitchcock, 1960) ; ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990) ; SAINT OF FORT WASHINGTON, THE (US, Tim Hunter, 1993) ; SEARCHING FOR BOBBY FISCHER (US, Steven Zaillian, 1993) ; SENSE AND SENSIBILITY (US, Ang Lee, 1995) ; SHAWSHANK REDEMPTION, THE (US, Frank Darabont, 1994) ; SUM OF US, THE (AT, Kevin Dowling & Geoff Burton, 1994) ; SWING KIDS (US, Thomas Carter, 1993) ; THAT EYE THE SKY (AT, John Ruane, 1994) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; WHAT'S EATING GILBERT GRAPE (US, Lasse Hallstrom, 1993) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; HEIDI CHRONICLES, THE [TV] (US, Peter Bogart, 1995) Notes: Includes indexISBN: 0195540190 : $24.95LON: 12914277
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FIRST THEY KILLED MY FATHER : (CB/ US, Angelina Jolie, 2017)
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journal article
The Good father in Cinema Papers (May 1988) p.55-56
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GOOD FATHER, THE : (UK, Mike Newell, 1986)
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A history of the New Zealand fiction feature film / Bruce Babington Manchester: Manchester University Press, 2007.
Call No: 71(93) BABAuthor: Babington, Bruce Source: UKPlace: ManchesterPublisher: Manchester University PressPubDate: 2007PhysDes: x, 290 p. : ill. ; 24 cmSubject: TORR, OLIVER ; DONALDSON, ROGER ; REID, JOHN ; PRESTON, GAYLENE ; CAMPION, JANE ; WARD, VINCENT ; JACKSON, MICHAEL ; JACKSON, PETER (NZ) ; CARO, NIKI ; ADVENTURES IN MAORILAND: ALEXANDER MACKEY AND THE MAKING OF 'HEI TIKI' (NZ, Geoff Steven, 1981) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; BAD BLOOD (NZ, Mike Newell, 1981) ; BRAINDEAD (NZ, Peter Jackson, 1992) ; BROKEN BARRIER (NZ, Roger Mirams & John O'Shea, 1952) ; CAME A HOT FRIDAY (NZ, Ian Mune, 1985) ; FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; IN MY FATHER'S DEN (NZ/UK, Brad McGann, 2004) ; JACK BE NIMBLE (NZ, Garth Maxwell, 1993) ; LORD OF THE RINGS, THE ( US, PETER JACKSON, 2001) ; NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988) ; ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; SOLO (NZ/AT, Tony Williams, 1978) ; WHALE RIDER (NZ/GG, Niki Caro, 2002) ; XENA: WARRIOR PRINCESS [TV] (US, 1995-) Summary: The is a comprehensive account of the New Zealand feature film from its beginnings, in 1912 to now, when New Zealand films are recognised internationally [Taken from the back of the book.]Notes: Bibliography: p 279-282; Filmography: p.272-278; Includes indexISBN: 9780719075414(hbk.); 9780719075421(pbk.)Contents: 1 -- Introduction: the New Zealand fiction feature film: the history, theory, practice -- 2. Forgotten nitrate: feature film-making in New Zealand 1912-1940 -- 3. Fifty years a pioneer: the cinema of Rudall Hayward 1921-1972 -- 4. Sustaining the dream: the age of O'Shea -- 5. Living white males: New Zealand cinema 1975-1985 -- 6. 'World famous in New Zealand': contemporary cinema 1986-2005 -- 7. Wandering stars: New Zealand cinema on the world screen - Vincent Ward, Peter Jackson, Jane Campion
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Immortal, invisible : lesbians and the moving image / edited by Tamsin Wilton London New York: Routledge, 1995.
Call No: 749.4 IMMAuthor: Wilton, Tamsin Place: London New YorkPublisher: RoutledgePubDate: 1995PhysDes: xvi, 235 p. : ill. ; 24 cmSubject: HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; AIDS IN FILMS ; CAMP ; LANG, K.D. ; SCHILLER, GRETA ; TREUT, MONIKA ; WEAVER, SIGOURNEY ; WEISS, ANDREA ; ANNE TRISTER (CN, Lea Pool, 1986) ; DESERT HEARTS (US, Donna Deitch, 1985) ; INTERNAL AFFAIRS (US, Mike Figgis, 1990) ; MY FATHER IS COMING (US/GG, Monika Treut, 1991) ; ORANGES ARE NOT THE ONLY FRUIT [TV] (UK, Beeban Kidron, 1990) ; PORTRAIT OF A MARRIAGE [TV] (UK, Stephen Whittaker, 1990) ; PUMPING IRON II ; THE WOMEN (US, George Butler, 1984) ; RED SONJA (US, Richard Fleischer, 1985) ; VERFURUNG - DIE GRAUSAME FRAU (GW, Elfi Mikesch & Monika Treut, 1985) ; TINY AND RUBY : HELL DIVIN' WOMEN (US, Greta Schiller & Andrea Weiss, 1988) ; JUNGFRAUENMASCHINE, DIE (GW, Monika Treut, 1989) ; LIVING END, THE (US, Gregg Araki, 1992) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; ALIEN [...] (UK/US, 1979-92) Notes: Filmography: p. 225-227; Includes bibliographical references and indexISBN: 0415107245; 0415107253 (pbk)LON: 10899929
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IN MY FATHER'S DEN : (NZ/UK, Brad McGann, 2004)
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journal article
In Person: David Wenham in Empire (Australian Ed.) (August 2002) iss.17 p.32-33
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IN THE NAME OF THE FATHER : (IE/UK/US, Jim Sheridan, 1993)
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newspaper article
Insider : Brad and Ange still share one thing - new film releases in Sunday Telegraph (25/09/2016) p.113
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book
Irish film : the emergence of a contemporary cinema / Martin McLoone London: British Film Institute, 2000.
Call No: 71(417) MCLAuthor: McLoone, Martin CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2000PhysDes: 234 p. : ill. ; 24 cmSubject: REPUBLIC OF IRELAND ; NATIONAL IDENTITY AND THE CINEMA. REPUBLIC OF IRELAND ; LANDSCAPES IN FILMS ; BUTCHER BOY, THE (US, Neil Jordan, 1997) ; POLITICAL FILMS ; POLITICS AND THE CINEMA ; FLAHERTY, ROBERT ; HUSH-A-BYE-BABY (UK, Margo Hakin, 1990) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; JORDAN, NEIL ; MAEVE (UK/IE, Pat Murphy & John Davies, 1981) ; MAN OF ARAN (UK, Robert Flaherty, 1934) ; NOTHING PERSONAL (UK/IE, Thaddeus O'Sullivan, 1995) ; OUR BOYS (IE, Cathal Black, 1981) ; PATRIOT GAMES (US, Philip Noyce, 1992) ; QUIET MAN, THE (US, John Ford, 1952) ; SHERIDAN, JIM ; THIS IS MY FATHER (US, Paul Quinn, 1998) ; TITANIC (US, James Cameron, 1997) Notes: Includes bibliographical references and indexISBN: 0851707920(cased) : ¦45.00; 0851707939(pbk.) : ¦14.99; 0851707920; 0851707939 (pbk.); 0851707920 (cased); 0851707939 (pbk.); 0851707920 (cased) : ¦45.00; 0851707939 (pbk.) : ¦14.99LON: 21663034 21663034
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LIES MY FATHER TOLD ME : (CN, Jan Kadar, 1973)
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LIKE FATHER : (US, Lauren Miller Rogen, 2018) Digital clippings file available
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LIKE FATHER LIKE SUN : (US, Rod Daniel, 1987)
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Living room lectures : the fifties family in film and television / Nina C. Leibman Austin: University of Texas Press, 1995.
Call No: 451-058.81 LEIAuthor: Leibman, Nina C. (Nina Clare), 1957 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: 338 p. : ill. ; 23 cmSeries: Texas film studies seriesSubject: FAMILY IN FILMS ; FAMILY ON TV ; MARRIAGE IN FILMS ; MARRIAGE ON TV ; IMITATION OF LIFE (US, Douglas Sirk, 1959) ; ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66) ; BLUE DENIM (US, Philip Dunne, 1959) ; CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958) ; COURTSHIP OF EDDIE'S FATHER, THE (US, Vincente Minnelli, 1963) ; DONNA REED SHOW, THE [TV] (1958-65) ; EAST OF EDEN (US, Elia Kazan, 1955) ; FATHER KNOWS BEST [TV] (US, 1954-60) ; SUMMER PLACE, A (US, Delmer Davies, 1959) ; FEAR STRIKES OUT (US, Robert Mulligan, 1957) ; GIANT (US, George Stevens, 1956) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; LEAVE IT TO BEAVER [TV] (US, 1957-63) ; MY THREE SONS [TV] (US, 1960-72) ; NO DOWN PAYMENT (US, Martin Ritt, 1957) ; PEYTON PLACE (US, Mark Robson, 1957) ; REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955) ; SPLENDOR IN THE GRASS (US, Elia Kazan, 1961) Notes: Filmography: p. [321]-329; Includes bibliographical references (p. [309]-320) and indexISBN: 0292746849 (paper : alk. paper); 0292746830 (cloth : alk. paper)LON: 11213012
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The lost child complex in Australian film : Jung, story and playing beneath the past / Terrie Waddell Abingdon, Oxon : New York: Routledge, 2019. Available at ProQuest (RMIT login required)
Call No: 11378Author: Waddell, Terrie Edition: 2019Place: Abingdon, Oxon : New YorkPublisher: RoutledgePubDate: 2019PhysDes: vii, 162 pages ; 24 cmSubject: AUSTRALIA ; BABADOOK , THE (AT, Jennifer Kent, 2014) ; BEAUTIFUL KATE (AT, Rachel Ward, 2009) ; CHILD ABUSE ; CHILDREN AND THE CINEMA ; FRAN (AT, Glenda Hambly, 1985) ; LION (AT, Garth Davis, 2016) ; MANGANINNIE (AT, John Honey, 1980) ; ORANGES AND SUNSHINE (UK/AT, Jim Loach, 2011) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007) ; SOUND OF ONE HAND CLAPPING, THE (AT, Richard Flanagan, 1998) ; WINFREY, OPRAH Summary: Waddell explores ‘the lost child’ in its many manifestations, as an element of the individual and collective psyche, historically related to the trauma of colonisation and war, and as key theme in Australian cinema from the industry’s formative years to the present day. The films discussed in textual depth transcend literal lost in the bush mythologies, or actual cases of displaced children, to focus on vulnerable children renderedlost through government and institutional practices, and adult/parental characters developmentally arrested by comforting or traumatic childhood memories. The victory/winning fixation governing the USA – diametrically opposed to the lost child motif – is also discussed as a comparative example of the mesmerising nature of the cultural complex. Examining iconic characters and events, such as the Gallipoli Campaign and Trump’s presidency, and films such as The Babadook, Lion, and Predestination, this book scrutinises the way in which a culture talks to itself, about itself. This analysis looks beyond the melancholy traditionally ascribed to the lost child, by arguing that the repetitive and prolific imagery that this theme stimulates, can be positive and inspiring.
The Lost Child Complex in Australian Film is a unique and compelling work which will be highly relevant for academics and students of Jungian and post-Jungian ideas, cultural studies, screen and media studies. It will also appeal to Jungian psychotherapists and analytical psychologists as well as readers with a broader interest in Australian history and politics. -- publisher's web siteISBN: 9781138939691
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newspaper article
I lvoed taking the mickey out of Mel in Sunday Telegraph (28/08/2016) p.120
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Mel Gibson delivers thrills and redemption to the max in Sunday Telegraph (28/08/2016) p.118
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MOLOKAI: THE STORY OF FATHER DAMIEN : (DT/BL, Paul Cox, 1999)
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Molokai: the story of Father Damien in Empire (Australian Ed.) (July 2002) iss.16 p.55
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[Molokai : the story of Father Damien : stills file]
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 3 photographs : col. ; 17 x 13 - 22 x 31 cm ; 1 flyer : col. ; 30 x 21 cmSubject: WENHAM, DAVID ; YOUNG, ADEN ; MOLOKAI: THE STORY OF FATHER DAMIEN (DT/BL, Paul Cox, 1999) Summary: 3 black and white photographs of David Wenham, Aden Young, and Director Paul Cox. Colour film flyer with photographs of other stars: Derek Jacobi, Alice Krige, Kris Kristofferson, Leo McKern, Sam Neill, Peter O'Toole, and Tom Wilkinson.
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MY FATHER, CHE: A DOCUMENTARY WITH ALDEIDA GUEVARA : (AT/CU, Prod: Aleida Guevara & Alex Keeble, 2002)
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MY FATHER IS COMING : (US/GG, Monika Treut, 1991)
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MY FATHER, MY COUNTRY : (AT, Peter Butt, 1989)
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MY FATHER, MY SON : [TV] (US, Jeff Bleckner, 1988)
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MY FATHER, THE HERO : (US, Steve Miner, 1994)
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journal article
Nigel Buesst spends days and nights in the forest of Melbourne student filmmaking in Filmnews (January/February 1985) vol.15 iss.1 p.19
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ODYSSEY CHRONICLES: MY FATHER MY COUNTRY
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PADRE PADRONE : (IT, Paolo Taviani & Vittorio Taviani, 1977)
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Private screenings : television and the female consumer / Lynn Spigel and Denise Mann, editors Minneapolis: University of Minnesota Press, 1992.
Call No: 722-02 PRIAuthor: Spigel, Lynn ; Mann, Denise Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1992PhysDes: xiii, 293 p. : ill. ; 24 cmSeries: Camera obscura bookSubject: WOMEN AND TV ; WOMEN, PROGRAMMES FOR ; CONSUMERS AND TV ; SITUATION COMEDY ; POSTMODERNISM AND TV/VIDEO ; MELODRAMA ; SOAP OPERAS ; RACIAL STEREOTYPES ON TV ; FAMILY ON TV ; MARRIAGE ON TV ; STARS ; BLACKS ON TV ; CLASS AND TV ; FEMINISM AND TV ; TELEVISION AND THE CINEMA ; HOMOSEXUALITY ON TV ; GENDER AND TV ; GLESS, SHARON ; FOSTER, MEG ; DALY, TYNE ; CARROLL, DIAHANN ; KANTNER, HAL ; RAYE, MARTHA ; MARTHA RAYE SHOW, THE [TV] (US, 195?-55) ; JULIA [TV] (US, 1968-71) ; CAGNEY AND LACY [TV] (US, 1982-88) ; KATE AND ALLIE [TV] (US, 1984-88) ; GENERAL HOSPITAL [TV] (US, 1963-) ; GOLDBERGS, THE [TV] (1949-55?) ; LEAVE IT TO BEAVER [TV] (US, 1957-63) ; FATHER KNOWS BEST [TV] (US, 1954-60) ; ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66) Notes: An expanded version of issue no. 16, winter 1988, of Camera obscura; Includes bibliographical references and indexISBN: 0816620520 (hc : acid-free paper); 0816620539 (pb : acid-free paper)LON: 91040919; 8544849
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Proved innocent / Gerry Conlon London: Penguin, 1993, c1990.
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father brown [tv] (uk, 2013-)
Quaint, charming and deadly in Weekend Australian [Review] (24/12/2016) p.20
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Queering teen cultures : all-American boys and same-sex desire in film and television / Jeffery P. Dennis Binghampton, NY: Harrington Park Press,
Call No: 749.4-053.6 DENAuthor: Dennis, Jeffery P. Edition: 2018Place: Binghampton, NYPublisher: Harrington Park PressPhysDes: 222 pages : illustrated ; 22 cmSubject: TEEN FILMS ; HOMOSEXUALITY AND TV ; HOMOSEXUALITY AND THE CINEMA ; BEACH MOVIES ; BUDDY FILMS ; HAPPY DAYS [TV] (US, 1974 - 1984) ; FATHER KNOWS BEST [TV] (US, 1954-60) ; LEAVE IT TO BEAVER [TV] (US, 1957-63) ; EASY RIDER (US, Dennis Hopper, 1969) Notes: Why did Fonzie hang around with all those high school boys?
Is the overwhelming boy-meets-girl content of popular teen movies, music, books, and TV just a cover for an undercurrent of same-sex desire? From the 1950s to the present, popular culture has involved teenage boys falling for, longing over, dreaming about, singing to, and fighting over, teenage girls. But Queering Teen Culture analyzes more than 200 movies and TV shows to uncover who Frankie Avalon's character was really in love with in those beach movies and why Leif Garrett became a teen idol in the 1970s. -- book jacketISBN: 9781560233480Contents: Preface -- Devil on wheels: the rise of teen culture -- Father knows best: learning girl-craziness on TV -- Sal Mineo and friends: the juvenile delinquent films -- Teenage zombies from outer space: monster movies -- Heartbreak Hotel: the teen idols -- How to stuff a wild bikini: the beach movies -- Easy rider: the love generation -- American graffiti: 1950's nostalgia and teenage androgyny -- Real men and psycho-slashers -- The brat pack: teen nerds and operators -- Teencoms and teensoaps.
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book
Reel justice : the courtroom goes to the movies / Paul Bergman and Michael Asimow Kansas City: Andrews and McMeel, c1996.
Call No: 734.4 BERAuthor: Bergman, Paul, 1943 ; Asimow, Michael Place: Kansas CityPublisher: Andrews and McMeelPubDate: c1996PhysDes: xix, 338 p. : ill. ; 23 cmSubject: TRIALS IN FILMS ; ACCUSED, THE (US, Jonathan Kaplan, 1988) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; INHERIT THE WIND (US, Stanley Kramer, 1960) ; MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966) ; ONION FIELD, THE (US, Harold Becker, 1979) ; REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; BILLY BUDD (UK, Peter Ustinov, 1962) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; CAINE MUTINY, THE (US, Edward Dmytryk, 1954) ; FEW GOOD MEN, A (US, Rob Reiner, 1992) ; PATHS OF GLORY (US, Stanley Kubrick, 1957) ; ADAM'S RIB (US, George Cukor, 1949) ; [MISTER] MR. DEEDS GOES TO TOWN (US, Frank Capra, 1936) ; MY COUSIN VINNY (US, Jonathan Lynn, 1992) ; ...AND JUSTICE FOR ALL (US, Norman Jewison, 1979) ; COMPULSION (US, Richard Fleischer, 1959) ; IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993) ; LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937) ; PHILADELPHIA (US, Jonathan Demme, 1993) ; SOMMERSBY (US, Jon Amiel, 1993) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; YOUNG MR. LINCOLN (US, John Ford, 1939) ; MUSIC BOX (US, Constantin Costa-Gavras, 1989) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) ; BOOMERANG (US, Elia Kazan, 1947) ; PRESUMED INNOCENT (US, Alan J. Pakula, 1990) ; THEY WON'T FORGET (US, Mervyn LeRoy, 1937) ; WRONG MAN, THE (US, Jim McBride, 1993) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; M (G, Fritz Lang, 1931) ; STAR CHAMBER, THE (US, Peter Hyams, 1983) ; SUSPECT (US, Peter Yates, 1987) ; TRIAL BY JURY (US, Heywood Gould, 1994) ; [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956) ; CLASS ACTION (US, Michael Apted, 1991) ; LOSING ISAIAH (US, Stephen Gyllenhaal, 1995) ; MIRACLE ON 34TH STREET (US, Les Mayfield, 1994) ; NUTS (US, Martin Ritt, 1987) ; VERDICT, THE (US, Sidney Lumet, 1982) ; WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981) ; ALL THAT MONEY CAN BUY (US, William Dieterle, 1941) ; BLOOD OATH (AT, Stephen Wallace, 1990) ; HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993) ; YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959) ; LIBEL (UK, Anthony Asquith, 1959) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; OX-BOW INCIDENT, THE (US, William Wellman, 1943) ; ON TRIAL (US, Terry Morse, 1939) ; I WANT TO LIVE! (US, Robert Wise, 1958) ; JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961) ; LET HIM HAVE IT (UK, Peter Medak, 1991) ; [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971) ; COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955) ; BANANAS (US, Woody Allen, 1971) ; MURDER IN THE FIRST (US, Marco Rocco, 1995) ; TRIAL (US, Mark Robson, 1955) ; GUILTY AS SIN (US, Sidney Lumet, 1993) ; JAGGED EDGE (US, Richard Marquand, 1985) ; LETTER, THE (US, William Wyler, 1940) ; KNOCK ON ANY DOOR (US, Nicholas Ray, 1949) ; WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957) ; ACT OF MURDER, AN (US, Michael Gordon, 1948) ; FURY (US, Fritz Lang, 1936) ; I CONFESS (US, Alfred Hitchcock, 1953) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; THEY WON'T BELIEVE ME (US, Irving Pichel, 1947) Notes: Includes bibliographical references (p. [321]-326) and indexISBN: 0836210352 (pbk.)LON: 11957271
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book
Reel meals set meals : food in film and theatre / [by] Gaye Poole Sydney: Currency Press, 1999.
Call No: 45:641 POOAuthor: Poole, Gaye Place: SydneyPublisher: Currency PressPubDate: 1999PhysDes: xiv, 280p. : ill., ports. ; 21 cmSubject: FOOD IN FILMS ; SEX IN FILMS ; LEIGH, MIKE ; NOWRA, LOUIS ; DAMAGE (UK/FR, Louis Malle, 1992) ; DIMBOOLA (AT, John Duigan, 1979) ; FATHER (AT, John Power, 1990) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; FRIED GREEN TOMATOES (US, John Avnet, 1991) ; HOTEL SORRENTO (AT, Richard Franklin, 1995) ; LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992) ; LIFE IS SWEET (UK, Mike Leigh, 1990) ; COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992) Summary: CannibalismNotes: Includes index; Includes bibliographical references: p. 265-269ISBN: 0868195782 : $24.95LON: 14096514
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personality clippings file
RICHARD, LEONARD, FATHER
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newspaper article
Road to redemption for fallen angel in Sydney Morning Herald [Spectrum] (03/09/2016) p.11
Call No: TITLE CLIPPINGS FILE; BLOOD FATHER (FR, Jean - Francois Richet, 2016)Author: Wilson, Jake PhysDes: Clippings File ArticleSubject: BLOOD FATHER (FR, Jean - Francois Richet, 2016) Summary: Review of the film BLOOD FATHER, starring Mel GibsonNotes: similar article in Saturday Age, same date, p. 13. Title: The road to redemptionRating: 3 out of 5 stars
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title clippings file
ROMULUS, MY FATHER : (AT, Richard Roxburgh, 2007)
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script
Romulus, my father : final shooting script / screenplay by Nick Drake; based on the novel Romulus, my father by Raimond Gaita AT: [2006].
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book
Romulus, my father : : the screenplay / screenplay by Nick Drake ; based on the book by Raimond Gaita Sydney: Currency Press, 2007.
Call No: 79ROM DRAAuthor: Drake, nick Place: SydneyPublisher: Currency PressPubDate: 2007PhysDes: xxviii, 100 p., [8] p. of plates : ill. (chiefly col.), ports. ; 21 cm.Subject: ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007) Summary: Based on Raimond Gaita's critically acclaimed memoir. It tells the story of Romulus, his beautiful wife, Christina, and their struggle in the face of great adversity to bring up their son, Raimond. It is a story of impossible love that ultimately celebrates the unbreakable bond between father and son, which is central to this story.ISBN: 9780868198101
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journal article
Romulus, My Father in Empire (Australian Ed.) (December 2007) iss.81 p.119
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poster
[Romulus, my father : poster]
Call No: P ROMPhysDes: 1 poster : col. ; 100 X 69 cm.Subject: ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007) Summary: image: Has a photo of Eric Bana on a motorbike and Kodi Smit-McPhee on it.Notes: 2 copies; 1 copy has dog ear crease in upper right corner
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title clippings file
SINS OF THE FATHER, THE : [TV] (AT, Wendy Page, 1997)
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title clippings file
SOSHITE CHICHI NI NARU : (JA, Hirokazu Koreeda, 2013)
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title clippings file
STATIONS OF THE CROSS : (AT, Father Franco Cavarra, 2008)
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journal article
Subtle post keeps family saga in the main frame in Encore (Feb 2007) vol.25 iss.2 p.48, 45
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title clippings file
THIS IS MY FATHER : (US, Paul Quinn, 1998)
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title clippings file
VATER : (G, Dani Levy, 2002)
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newspaper article
A Voyage Around My Father in Canberra Times (14/10/2013) p.21
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title clippings file
VOYAGE ROUND MY FATHER, A : (UK, Alvin Rakoff, 1982)
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title clippings file
WAIT 'TIL YOUR FATHER GETS HOME : (AT, Martin Wilson, 2001)
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still
[Wait til your father gets home : stills file]
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