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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: AMERICAN ROSSO (IT, Alessandro D'Alatri, 1991?)

Call No: 81ANT CAM
Author: Cameron, Ian, 1937; Wood, Robin, 1931- joint author
Place: London
Publisher: Studio Vista
PubDate: 1968
PhysDes: [144] p. : illus. ; 17 x 18 cm
Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); VINTI, I (IT/FR/UK, Michelangelo Antonioni, 1951); CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966)
Notes: Bibliography: p. 144; "Filmography": p. 141- [144]
ISBN: 0289795982
LON: 70397126; 63651

Call No: 81ANT ROH
Author: Rohdie, Sam, 1939
Place: London
Publisher: BFI Pub.
PubDate: 1990
PhysDes: 213 p. : ill., ports. ; 24 cm
Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHUNG KUO-CINA (IT, Michelangelo Antonioni, 1973); CRONACA DI UN AMORE (IT, Michelangelo Antonioni, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); CRY, THE [GRIDO, IL] (US/IT, Michelangelo Antonioni, 1957); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); SIGNORA SENZA CAMELIE, LA (IT, Michelangelo Antonioni, 1953); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970)
Summary: A study of Antonioni's career and the development of his unique style. Antonioni's films overthrow conventional narrative, place characters at cross purposes with themselves and with others, dissolve figure into ground. This study aims to interpret the films of Antonioni without reducing them to fixed meanings that they so carefully refuse.
Notes: Includes index; Bibliography: p. [191]- 207; Filmography: p. [208]- 210
ISBN: 0851702740 (pbk.); 0851702732
LON: bnb85170273; 7278793

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BABYLON (UK, Franco Rosso, 1980)

Call No: 633.22 COA
Author: Coates, Paul
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2010
PhysDes: 178 p. : col. ill. ; 26 cm.
Subject: COLOUR; COLORIZATION; FRENCH CANCAN (FR/IT, Jean Renoir, 1955); [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); SOLARIS (UR, Andrei Tarkovsky, 1972); STELLET LICHT (MX/FR/NE/G, Carlos Reygadas, 2007); BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); EUROPA (DK/FR/GG, Lars Von Trier, 1991); THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972)
Summary: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell. Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz. [Taken from publishers website]
Notes: Includes bibliographical references and index
ISBN: 9781844573141
Contents: Vertigo and yellow -- Guillermo del Toro and the dialectics of yellow and green -- Grief and green: Solaris, I lvira Madigan -- Natural camouflage: Joseph Losey's The Boy With Green Hair -- Green unseen: the poetics of absence in The Flight of the Red Ballon -- From yellow to green (via black): The Double Life of Veronique -- From yellow to blue: three Colours: Blue -- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia -- The painter's primaries and totality: le Mepris -- le Mepris 2: the triumph of blue -- Blue angel, blue devil: Goya in Bordeaux -- Trapped in blue: la Religieuse -- C. TOUR/OF FOUR D'AMRIQUE -- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni -- Introduction -- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain -- Coupling and uncoupling colours: Une femme est une femme -- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) -- A note on melodrama and modernism -- Melodrama, realism and All That Heaven Allows -- Modernist melodrama? The Oberwald Mystery

Call No: 61[929:7] VAC
Author: Vacche, Angela Dalle
Source: US
Place: Austin, Texas
Publisher: University of Texas Press
PubDate: 1996
PhysDes: xi, 303 pages : illustrations ; 23 cm
Subject: ART AND THE CINEMA; AMERICAN IN PARIS, AN (US, Vincente Minnelli, 1951); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); ANDREI RUBLEV (UR, Andrei Tarkovsky, 1969); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); THERESE (FR, Alain Cavalier, 1986)
Summary: "The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity." - taken from back cover.
Notes: Includes index -- Includes bibliographical references (p. [267]-292)
ISBN: 0292715838
Contents: Introduction: A Thematic and Intertextual Approach -- Ch. 1. Vincente Minnelli's An American in Paris: Painting as Psychic Upheaval -- Ch. 2. Michelangelo Antonioni's Red Desert: Painting as Ventriloquism and Color as Movement -- Ch. 3. Eric Rohmer's The Marquise of O: Painting Thoughts, Listening to Images -- Ch. 4. Jean-Luc Godard's Pierrot le Fou: Cinema as Collage against Painting -- Ch. 5. Andrei Tarkowsky's Andrei Rublev: Cinema as the Restoration of Icon Painting -- Ch. 6. F. W. Murnau's Nosferatu: Romantic Painting as Horror and Desire in Expressionist Cinema -- Ch. 7. Kenji Mizoguchi's Five Women around Utamaro: Film between Woodblock Printing and Tattooing -- Ch. 8. Alain Cavalier's Therese: Still Life and the Close-Up as Feminine Space
ID2: 343

Call No: 81MIY ROB
Author: Robinson, Jeremy Mark
Edition: Second edition
Source: UK
Place: Maidstone, Kent
Publisher: Crescent Moon Publishing
PubDate: 2011
PhysDes: 514 pages ; 24 cm
Subject: ANIMATED FILMS; ANIMATION; ANIMATION. JAPAN; ANIMATORS; STUDIO GHIBLI; MIYAZAKI, HAYAO; ISAO TAKAHATA; LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979); RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979); NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984) SEE KAZE NO TANI NO NAUSHIKA; KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987); CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986); MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988) SEE TONARI NO TOTORO; TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989) SEE MAJO NO TAKK YUBIN; MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); PORCO ROSSO (JA, Hayao Miyazaki, 1993) SEE KURENAI NO BUTA; KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997) SEE MONONOKE HIME; MONONOKE HIME (JA, Hayao Miyazaki, 1997); SPIRITED AWAY (JA, Hayao Miyazaki, 2001) SEE SEN TO CHIHIRO NO KAMIKAKUSHI; SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); HOWL'S MOVING CASTLE (JA, Hayao Miyazaki, 2004) SEE HAURU NO UGOKU SHIRO; PONYO (JP, Hayao Miyazaki, 2008) SEE GAKE NO EU NO PONYO; GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); ONLY YESTERDAY (JA, Isao Takahata, 1991); OMOHIDE PORO PORO (JA. Isao Takhata, 1991)
Summary: Born on January 5, 1941 in Tokyo, Hayao Miyazaki is known as the ‘Japanese Disney’, a filmmaker as revered - and as popular - as Walt Disney or Steven Spielberg. Miyazaki, in short, is a true phenomenon in contemporary animation and in world cinema. Hayao Miyazaki's movies include Princess Mononoke, Spirited Away, Howl's Moving Castle, Laputa: Castle In the Sky and My Neighbor Totoro. Hayao Miyazaki may be the most talented fantasy filmmaker of his generation: not even the finest filmmakers of Hollywood can rival his films when it comes to creating fantasy worlds, and fantastical characters and events. Miyazaki has millions of fans around the world, not least among fellow animators and filmmakers, for whom he is a genius. What Hayao Miyazaki’s films do is to bring you completely into a fantasy world that is actually instantly recognizable and familiar. It’s as if these fantasy realms have always existed - very much like J.R.R. Tolkien’s Middle-earth or Ursula Le Guin’s Earthsea (both influences on Miyazaki). The visionary and magical elements are fused with the domestic and familial and social elements , so that it seems completely ordinary and believable that, say, flying machines soar overhead which have flapping wings like an insect, or that little white creatures pop up out of trees. To write one hit animation movie is amazing, to write seven is remarkable. To write and direct one spectacular animated picture is very impressive, to write and direct seven features is almost unheard-of in the world of contemporary commercial animation. This new study of Hayao Miyazaki considers all of his films and TV shows (and his manga work). It also includes chapters on Studio Ghibli; on fellow director Isao Takahata; Miyazaki's influences; his contemporaries and colleagues; his characters; his movies' relation to Western animation (including Disney); his unmade films; and his themes and motifs. The Cinema of Hayao Miyazaki also explores Japanese animation, its production and style, some classics of anime, and digital animation. Includes quotes by Miyazaki; fans on Miyazaki; and resources. Fully illustrated. With filmography, bibliography and notes. -- PUBLISHERS WEB SITE
Notes: Need to add the folowing subject terms: ponpoko, my neighboursa the yamadas
ISBN: 9781861713902
Contents: ONE: HAYAO MIYAZAKI -- The Cinema of Hayao Miyazaki -- Hayao Miyazaki's Movies and the Japanese Animation Industry -- Aspects of Hayao Miyazaki's Cinema -- Illustrations -- TWO: THE MOVIES -- The Castle of Cagliostro -- Nausicaa of the Valley of the Wind -- Laputa: Castle In the Sky -- My Neighbor Totoro -- Kiki's Delivery Service -- Porco Rosso -- Princess Mononoke -- Spirited Away -- Howl's Moving Castle -- Ponyo On the Cliff By the Sea -- The Cinema of Isao Takahata -- Studio Ghibli's Other Movies -- Appendix -- Quotes / Hayao Miyazaki -- Thirty Best Moments in Hayao Miyazaki's Cinema -- Resource -- Filmography -- Bibliography

Call No: 633.22 COL
Author: Dalle Vacche, Angela; Brian Price
Source: US
Place: New York, London
Publisher: Routledge
PubDate: 2006
PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cm
Series: In focus - Routledge film readers
Subject: COLOUR; AESTHETICS; CINEMATOGRAPHY; TECHNICOLOR; BAZIN, ANDRE; ARNHEIM, RUDOLF; ROHMER, ERIC; BATCHELOR, JOHN; OSHIMA, NAGISA; BRAKHAGE, JANE; HITCHCOCK, ALFRED; ANDERSON, PAUL THOMAS; HOU HSIAO-HSIEN; GODARD, JEAN-LUC; ANTONIONI, MICHELANGELO; JARMAN, DEREK; MAMOULIAN, ROUBEN; SIRK, DOUGLAS; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); GIGI (US, Vincente Minnelli, 1958); IMITATION OF LIFE (US, Douglas Sirk, 1959); REBECCA (US, Alfred Hitchcock, 1940); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]
Notes: Bibliography: (p [202]-205); Includes index
ISBN: 0415324424; 9780415324427

Call No: 62 ORR
Author: Orr, John, 1943
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c1998
PhysDes: xi,243 p. : ill. ; 24 cm
Subject: CANADA; CITY OF SADNESS, A [; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995)
Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0748608362(pbk.) : No price
LON: 13772409
ID2: 291

Call No: 79DEE KAN
Author: Kannas, Alexia
Source: US
Place: New York
Publisher: Wallflower Press
PubDate: 2017
PhysDes: 114 pages ; illustrations (black & white) ; 18cm
Series: Cultogrophies
Subject: ARGENTO, DARIO; DEEP RED [PROFONDO ROSSO] (IT, Dario Argento, 1975)
Summary: A critical evaluation of director Dario Argento's 1975 giallo cult classic Profondo rosso (Deep red).
ISBN: 9780231181211
Contents: 1.Production, Promotion, Initial Reception -- 2.The Cultification of Deep Red -- 3.Reading Deep Red -- 4.Intermittent Transcendence: The Place of Deep Red

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964)

Author: Wood, Robin
PhysDes: Article
Subject: DESSERO ROSSO (IT, Michaelangelo Antonioni 1964)
Summary: In-depth review

Call No: 71(480)FIL
Author: Astala, Erkki
CorpAuthor: Suomen elokuvasaatio; Finnish Film Foundation
Source: FI
Place: Helsinki, Finland
Publisher: Suomen elokuvasaatio; Finnish Film Foundation
PubDate: 1986
PhysDes: 55 p. : ill. ; 28 cm
Subject: FINLAND; NATIONAL CULTURE AND THE CINEMA; TRAVEL IN FILMS; DONNER, JORN; ENGSTROM, INGEMO; HALLSTROM, ARTO AF; HARTZELL, PAIVI; HONKASALO, PIRJO; HUMANLOJA, TIMO; KASSILA, MATTI; KAURISMAKI, AKI; KAURISMAKI, MIKA; KURKVAARA, MAUNU; KYRONSEPPA, KARI; LEHMUSKALLIO, MARKKU; LEHTINEN, VIRKE; MANTTARI, ANSSI; MOLLBERG, RAUNI; NISKANEN, MIKKO; NISKANEN, TUIJA-MAIJA; PAKKASVIRTA, JAAKKO; PARTANEN, HEIKKI; PEIPPO, ANTTI; PYHALA, JAAKKO; ROSMA, JUHA; TORHONEN, LAURI; VAANANEN, KARI; TUNTEMATON SOTILAS (FI, Rauni Mollberg, 1986); SININEN IMETTAJA (FI, Markku Lehmuskallio, 1986); FLUCHT IN DEN NORDEN (FI, Ingemo Engstrom, 1986); NYKYTAITEEN MUSEO (FI, Antti Peippo, 1986); MORENA (FI, Anssi Manttari, 1986); YLOSNOUSEMUS (FI, Anssi Manttari, 1985); RIISUMINEN (FI, Lauri Torhonen, 1986); ROSSO (FI, Mika Kaurismaki, 1985); HUOMENNA (FI, Juha Rosma, 1986); HARMAGEDON (FI, Juha Rosma, 1986); VALKOINEN KAAPIO (FI, Timo Humanloja, 1986); DA CAPO (FI, Pirjo Honkasalo, 1985); SUURI ILLUSIONI (FI, Tuija-Maija Niskanen, 1985); LAULU (FI, Arto af Hallstrom, 1986); PERHOSEN UNI (FI, Maunu Kurkvaara, 1986); NISKAVUORI (FI, Matti Kassila, 1984); CALAMARI UNION (FI, Aki Kaurismaki, 1985); PESSI JA ILLUSIA (FI, Heikki Partanen, 1983); En SMUTSIG HISTORIA (FI, Jorn Donner, 1984); KLAANI TARINA SAMMAKOITTEN SUVUSTA (FI, Mika Kaurismaki, 1984); JON - KERTOMUS MAAILMAN LOPUSTA (FI, Jaakko Pyhala, 1983); RIKOS JA RANGAISTUS (FI, Aki Kaurismaki, 1983); ARVOTTOMAT (FI, Mika Kaurismaki, 1982); SKIERRI, VAIVAISKOIVUJEN MAA (FI, Markku Lehmuskallio, 1982); RAKKAUSELOKUVA (FI, Anssi Manttari, 1984); KUNINGAS JOLLA EI OLLUT SYDANTA (FI, Paivi Hartzell, 1982); KOLME MIESTA (FI, Virke Lehtinen, 1984); LINNA (FI, Jaakko Pakkasvirta, 1986); KUNINGAS LAHTEE RANSKAAN (FI, Anssi Manttari, 1986); LUMIKUNINGATAR (FI, Paivi Hartzell, 1986); URSULA (FI, Jaakko Pyhala, 1986); JAAN KAABTOPIIRI (FI, Lauri Torhonen, 1987); VARJOJA PARATIISISSA (FI, Aki Kaurismaki, 1986); ELAMAN VONKAMIES (FI, Mikko Niskanen, 1986); V.Y. VIHDOINKIN YHDESSA (FI, Kari Kyronseppa, 1986)
Notes: Translation: Ukka and Mark Shackleton
ISBN: 9519349421

Call No: 81ANT BRU
Author: Brunette, Peter
Place: Cambridge, MA
Publisher: Cambridge University Press
PubDate: 1998
PhysDes: 186 p; 21 cm
Series: Cambridge Film Classics
Subject: ANTONIONI, MICHELANGELO; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966)
Summary: "The Films of Michaelangelo Antonioni" provides an overview of the Italian director's life and work and examines six of his most important and intellectually challenging films. "L'avventura", "La notte" and "L'eclisse" form the trilogy that first brought the director to international attention. "Red Desert" was his first film in colour. "Blow Up", shot in English and set in swinging London, became one of the best-known (and notorious) films of its era. "The Passenger", starring Jack Nicholson, is the greatest work of Antonioni's maturity. Rather than emphasising the angst and alienation of Antonioni's characters, Peter Brunette places the films in the context of the director's ongoing social and political analysis of the Italy of the great postwar economic boom and demonstrates how they depend on painterly abstraction for their expressive efforts.[Taken from back cover]
ISBN: 0521389925

Call No: 735.2(450) KAN
Author: Kannas, Alexia
Edition: 2021
Place: New York
Publisher: State University of New York Press
PhysDes: 168 pages : illustrated ; 23 cm
Series: Horizons of cinema
Subject: ARGENTO, DARIO; BAVA, MARIO; DEEP RED [PROFONDO ROSSO] (IT, Dario Argento, 1975)
Summary: Italian giallo films have a peculiar allure. Taking their name from the Italian for “yellow”— reflecting the covers of pulp crime novels—these genre movies were principally produced between 1960 and the late 1970s. These cinematic hybrids of crime, horror, and detection are characterized by elaborate set-piece murders, lurid aesthetics, and experimental soundtracks. Using critical frameworks drawn from genre theory, reception studies, and cultural studies, Giallo! traces this historically marginalized genre’s journey from Italian cinemas to the global cult-film canon. Through close textual analysis of films including The Girl Who Knew Too Much (1963), Blood and Black Lace (1964), The Bird with the Crystal Plumage (1970), The Black Belly of the Tarantula (1971), and The Case of the Bloody Iris (1972), Alexia Kannas considers the rendering of urban space in the giallo and how it expresses a complex and unsettling critique of late modernity.
Notes: List of Illustrations -- Acknowledgments -- Introduction -- 1. The Problem of Genre -- 2. The Cultification of the Italian Giallo -- 3. No Place like Home: The Late-Modern City -- 4. Those Who Wait: Tourists, Detectives, and Urban Experience in the Giallo City-- 5. The Most Unnatural Kind of Death -- Conclusion -- Works Cited -- Filmography -- Index
ISBN: 9781438480329

Call No: 64NEO MAR
Author: Marcus, Millicent Joy
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1986
PhysDes: xix, 443 p. : ill. ; 23 cm
Subject: NEOREALISM; HISTORY OF CINEMA. ITALY; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); RISO AMARO (IT, Guiseppe de Santis, 1949); UMBERTO D. (IT, Vittorio De Sica, 1952); STRADA, LA (IT, Federico Fellini, 1954); SENSO (IT, Luchino Visconti, 1954); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); TEOREMA (IT, Pier Paolo Pasolini, 1968); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); FILM D'AMORE E D'ANARCHIA (IT/FR, Lina Wertmuller, 1973); CRISTO SI E FERMATO A EBOLI (IT, Francesco Rosi, 1979); NOTTE DI SAN LORENZO, LA (IT, Paolo Taviani & Vittorio Taviani, 1982); C'ERAVAMO TANTO AMATI (IT, Ettore Scola, 1974)
Notes: Includes index; Bibliography: p. [423]-436
ISBN: 0691054894 (alk. paper) : $48.00; 0691102082 (pbk.) : $17.50
LON: 86091473; 4757222

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MERRICK & ROSSO UNPLANNED [TV] (AT, 2003-)

Author: Hibberd, Jack
PhysDes: Article Review
Subject: DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); ANTONIONI, MICHELANGELO; VITTI, MONICA; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); HARRIS, RICHARD
Summary: Essay about Antonioni's "Red Desert" discusses the unbalanced character of Guiliana throughout the film, focusing on her mental state and how she reacts to characters and events.

Author: Newsome, John
PhysDes: Article
Subject: DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); ANTONIONI, MICHELANGELO; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962); JULIET OF THE SPIRITS [GIULIETTA DEGLI SPIRITI] (IT, Federico Fellini, 1965)
Summary: Essay discusses Antonioni's "Red Desert" with regard to how the characters relate to each other within their industrial environment.

Call No: 81ANT POM
Author: Pomerance, Murray
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 2011
PhysDes: xviii, 300 p., [12] p. of plates : col. ill. ; 23 cm
Subject: ANTONIONI, MICHELANGELO; BEYOND THE CLOUDS [PAR-DELA LES NUAGES] (FR/IT/GG, Michelangelo Antonioni, 1995); IDENTIFICAZIONE DI UNA DONNA (IT, Michelangelo Antonioni, 1982); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); MISTERO DI OBERWALD, IL (IT, Michelangelo Antonioni, 1980); EROS (US/IT/HK/FR/LU/UK, Michelangelo Antonioni / Steven Soderbergh / Wong Kar-Wai, 2004)
Summary: Focusing on Antonioni's works in colour, arguing that these were his greatest films and investigating the effects and feelings with his usage of colour in films
ISBN: 9780520266865
Contents: Introduction -- Beyond the clouds -- Identification of a woman -- The Red Desert -- The dangerous thread of things -- The mystery of Oberwald -- Zabriskie Point -- The passenger -- Blow-up

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEEP RED [PROFONDO ROSSO] (IT, Dario Argento, 1975)

Call No: 67(04) REN
Author: Bellone, Julius, comp
Place: [New York]
Publisher: Collier Books
PubDate: [1970]
PhysDes: xi, 366 p. illus. 21 cm
Subject: Ray, Satyajit; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); BONNIE AND CLYDE (US, Arthur Penn, 1967); CITIZEN KANE (US, Orson Welles, 1941); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); GERTRUD (DK, Carl Th. Dreyer, 1964); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); LOLA (FR/IT, Jacques Demy, 1961); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); ORDET (DK, Carl Th. Dreyer, 1955); RASHOMON (JA, Akira Kurosawa, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); STRADA, LA (IT, Federico Fellini, 1954); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); UMBERTO D. (IT, Vittorio De Sica, 1952); JUNGFRAUENMASCHINE, DIE (GW, Monika Treut, 1989); VIRIDIANA (SP/MX, Luis Bunuel, 1961); TYSTNADEN (SW, Ingmar Bergman, 1963); SERVANT, THE (UK, Joseph Losey, 1963); THIS SPORTING LIFE (UK, Lindsay Anderson, 1963); KUMONOSU-JO (JA, Akira Kurosawa, 1957); THRONE OF BLOOD (JA, Akira Kurosawa, 1957); TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960); FROKEN JULIE (SW, Alf Sjoberg, 1950); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MARNIE (US, Alfred Hitchcock, 1964); AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964)
Notes: Bibliography: p. [349]-353
LON: 102599

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEGRETO DEL VESTITO ROSSO, IL (IT/SP/FR, Silvio Amadio, 1965); ASSASSINATION IN ROME (IT/SP/FR, Silvio Amadio, 1965)

Call No: 802.25(520) ODE
Author: Odell, Colin; Le Blanc, Michelle
Source: UK
Place: Harpenden, Herts, UK
Publisher: Kamera
PubDate: 2009
PhysDes: 157 p., [8] p. of plates : col. ill. ; 20 cm
Series: Kamera Books series
Subject: ANIMATION; ANIMATION. JAPAN; ANIMATORS; JAPAN; STUDIO GHIBLI; MIYAZAKI, HAYAO; ISAO TAKAHATA; NAUSICAA OF THE VALLEY OF THE WIND (JA, Hayao Miyazaki, 1984); KAZE NO TANI NO NAUSHIKA (JA, Hayao Miyazaki, 1984); CASTLE IN THE SKY (JA, Hayao Miyazaki, 1986); TENKU NO SHIRO RAPYUTA (JA, Hayao Miyazaki, 1986); TENKU NO SHIRO LAPUTA (JA, Hayao Miyazaki, 1987); LUPIN III: THE CASTLE OF CAGLIOSTRO (JA, Hayao Miyazaki, 1979); RUPAN SANSEI: KARIOSUTORO NO SHIRO (JA, Hayao Miyazaki, 1979); GRAVE OF THE FIREFLIES (JA, Isao Takahata, 1989); HOTARV NO HAKA (JA, Isao Takahata, 1988); MY NEIGHBOUR TOTORO (JA, Hayao Miyazaki, 1988); TONARI NO TOTORO (JA, Hayao Miyazaki, 1988); KIKI'S DELIVERY SERVICE (JA, Hayao Miyazaki, 1989); MAJO NO TAKKYUBIN (JA, Hayao Miyazaki, 1989); ONLY YESTERDAY [OMOHIDE PORO PORO] (JA. Isao Takhata, 1991); OMOHIDE PORO PORO (JA. Isao Takhata, 1991); PORCO ROSSO (JA, Hayao Miyazaki, 1993); KURENAI NO BUTA (JA, Hayao Miyazaki, 1993); PRINCESS MONONOKE (JA, Hayao Miyazaki, 1997); MONONOKE HIME (JA, Hayao Miyazaki, 1997); SPIRITED AWAY (JA, Hayao Miyazaki, 2001); SEN TO CHIHIRO NO KAMIKAKUSHI (JA, Hayao Miyazaki, 2001); GEDO SENKI (JA, Goro Miyazaki, 2006); PONYO (JP, Hayao Miyazaki, 2008); GAKE NO EU NO PONYO (JP, Hayao Miyazaki, 2008); STORY OF THE YANAGAWA CANALS, THE (JA, Takahata Isao, 1987); YANAGAWA HORIWARI MONOGATARI (JA, Takahata Isao, 1987)
Summary: "This Kamera Book examines all their major works such as Laputa: Castle in the Sky, Grave of the Fireflies, My Neighbor Totoro, Kiki's Delivery Service, Only Yesterday, Porco Rosso, Pom Poko, Whisper of the Heart, Princess Mononoke and My Neighbours the Yamadas, as well as the critically acclaimed Spirited Away and Howl's Moving Castle. The authors examine the early output of Hayao Miyazaki and Isao Takahata, exploring the cultural and thematic threads that bind these films together. " -- BOOK BLURB
Notes: Includes index Includes bibliographical references: (p. 153)
ISBN: 9781842432792
Contents: -- 1: introduction -- 2 the pre-Ghibli works of Takahata Isao and Miyazaki Hayao -- 3 the films of Studio Ghibli -- 4: other projects -- bibliography -- index --