Search Catalogue

Author: Quinlivan, Beth
PhysDes: Article
Subject: MCKIMMIE, JACKIE; AUSTRALIAN DREAM (AT, Jack McKimmie, 1986); STATIONS (AT, Jackie McKimmie, 1983)
Summary: Interview with Jackie McKimmie on her first feature film directorial debut in "Australian Dream". McKimmie, who also wrote the film script, categorises "Australian Dream" as a bizarre comedy but that her main directorial focus was in creating a layered approach to filmmaking
Notes: Interview

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: AMELIA ROSE TOWERS (AT, Jackie Farkas, 1991)

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: 71(512.317) ATF
Author: Yau, Ching-Mei Esther
Source: US
Place: Minneapolis, Minn.
Publisher: University of Minnesota Press
PubDate: 2001
PhysDes: vii, 342 p., ill. ; 25 cm
Subject: TSUI, HARK; ACTION FILMS. HONG KONG; WONG KAR-WAI; CHAN, JACKIE; HUI, ANN; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989)
Notes: Includes bibliographical references and index
ISBN: 0816632359 (PB : alk. paper)
ID2: 291

Call No: TITLE CLIPPINGS FILE; NURSE JACKIE [TV] (US, 2009-)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: FALCO, EDIE; NURSE JACKIE [TV] (US, 2009-)
Summary: Review of the replay of the US drama series NURSE JACKIE. The reviewer is very positive regarding Edie Falco's gritty portrayal of the show's heroine

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEING, THE (US, Jackie Kong, 1983)

Call No: TITLE CLIPPINGS FILE; JACKIE (CL/FR/US, Pablo Larrain, 2016)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: JACKIE (CL/FR/US, Pablo Larrain, 2016)
Summary: Review of the film JACKIE
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD DINER (US, Jackie Kong, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BREAKER UPPERERS, THE (NZ, Madeleine Sami & Jackie van Beek, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BREAKING THROUGH (AT, Jackie McKimmie, 1991)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CHAN, JACKIE

Call No: 802.273 ZIE
Author: Zierold, Norman J.
Source: US
Place: New York
Publisher: Coward-McCann, Inc.
PubDate: 1965
PhysDes: 250 pages : illustrations ; 22 cm
Subject: STARS; STARS. USA; CHILD ACTORS; COOGAN, JACKIE; BABY LEROY; TEMPLE, SHIRLEY; WITHERS, JANE; GARLAND, JUDY; BARTHOLOMEW, FREDDIE; DURBIN, DEANNA; ROONEY, MICKEY; COOPER, JACKIE
Summary: A look at successful child actors, their working lives, and their lives when they became adults
Levy Notes: AFI R&I book not yet catalogued - AG 23/10/2017
Contents: The trials of Jackie Coogan -- Baby Leroy -- What was Shirley Temple really like? -- Jane Withers: Dixie's dainty dewdrop -- The true Judy -- Little Lord Bartholomew -- Edna Mae Durbin, alias Deanna -- The Mick -- Jackie Cooper -- Where are they now?

Call No: 81TAR BRA
Author: Brancati, Simona
Edition: English
Source: US
Place: Washington, DC
Publisher: New Academia Publishing
PubDate: 2014
PhysDes: x, 186 pages : color facsimiles ; 23 cm.
Subject: TARANTINO, QUENTIN; PULP FICTION (US, Quentin Tarantino, 1994); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); INGLORIOUS BASTARDS (US/G, Quentin Tarantino, 2009); DJANGO UNCHAINED (US, Quentin Tarantino, 2012); RESERVOIR DOGS (US, Quentin Tarantino, 1992); TRUE ROMANCE (US, Tony Scott, 1993); NATURAL BORN KILLERS (US, Oliver Stone, 1994); [FOUR] 4 ROOMS (US, Allison Anders & Alexandre Rockwell & Robert Rodriguez & Quentin Tarantino, 1995); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); JACKIE BROWN (US, Quentin Tarantino, 1997); DEATH PROOF (US, Quentin Tarantino, 2007)
Notes: Translated from: Quentin Tarantino : asfalto nero e acciaio rosso sangue, ©2014.; Includes bibliographical references (pages 182-186); Includes filmography (pages 173-181)
ISBN: 9780989916981
Contents: The event -- A survey of what borders the "Postmodern" -- Metamorphosis of a murder -- The interrogation : reality or 35 mm.? -- The most powerful weapon: Writing -- The find.

Call No: 71(512.317) STO
Author: Stokes, Lisa Odham; Hoover, Michael
Place: New York
Publisher: Verso
PubDate: 1999
PhysDes: p. cm
Subject: FOOD IN FILMS; CHAN, JACKIE; CHAN, PETER; CHOW, YUN-FAT; CHIAU, STEPHEN; DOYLE, CHRISTOPHER; HUI, ANN; KWAN, STANLEY; LAM, RINGO; LAW, CLARA; TSUI, HARK; WONG KAR-WAI; TONG, STANLEY [pseud. of Tony Kwei Lai]; WOO, JOHN [pseud. of Wu Yusen]; Yeoh, Michelle; Yu, Ronnie; YINGXIONG BENSE II (HK, John Woo [pseud. of Wu Yusen], 1988); BALLISTIC KISS [SAT SAT YAN, TIU TIU MO / SHA SHA REN TIAO TIAO MIU] (HK, Donnie Yen, 1998); ASHES OF TIME [DUNG CHE SAI DUK] (HK, Wong Kar-Wai, 1994); GAMYUK MUNTONG (HK, Tsui Hark, 1996); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); TIAN MIMI (HK, Peter Chan, 1997); CHEUN GWONG TSA SIT (HK, Wong Kar-Wai, 1997); HAPPY TOGETHER [CHUNGUANG ZHAXIE] (HK, Wong Kar-Wai, 1997); LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992); DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989)
Notes: Includes bibliographical references and index
ISBN: 1859847161 (cloth); 1859842038 (pbk.)
LON: 20214722
ID2: 291

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: COLLINS, JACKIE

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CURTIS, JACKIE

Author: Harty, Jason
PhysDes: Production report; Credits; Illustration(s)
Subject: WHO AM I? (HK, Benny Chan/Jackie Chan, 1998)
Summary: Gold Coast-based visual effects company, Photon Stockman, and Melbourne based sound facility, Soundfirm, have completed post production work on the latest Jackie Chan feature "Who am I?"

Call No: TITLE CLIPPINGS FILE; JACKIE (CL/FR/US, Pablo Larrain, 2016)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: JACKIE (CL/FR/US, Pablo Larrain, 2016)
Summary: Review of the film JACKIE
Rating: 4 out of 5 stars

Call No: 771 ROS
Author: Rosenbaum, Jonathan
Place: Denver, Colo.
Publisher: Arden
PubDate: 1983
PhysDes: 238 p. : ill. ; 24 cm
Subject: EXPERIMENTAL FILMS; MEKAS, JONAS; AKERMAN, CHANTAL; B, BETH & SCOTT; BENNING, JAMES; GIDAL, PETER; JOST, JON; OTTINGER, ULRIKE; RAINER, YVONNE; RAPPAPORT, MARK; RIVETTE, JACQUES; SNOW, MICHAEL; STRAUB, JEAN-MARIE; HUILLET, DANIELE; BREER, ROBERT; DE LANDA, MANUEL; DRIVER, SARA; HOCK, LOUIS; RAYNAL, JACKIE; THORNTON, LESLIE; GIDAL, PETER
Notes: Includes indexes
ISBN: 0912869038
LON: 3461214

Call No: 753 FIL
Author: Vincendeau, Ginette, 1948
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: 284p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. LEONARD, ELMORE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. THOMPSON, JIM; HISTORICAL FILMS; LITERATURE AND THE CINEMA; ARMSTRONG, GILLIAN; BASS, RON; TARANTINO, QUENTIN; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); AMERICAN PSYCHO (US, Mary Harron, 1999); BEACH, THE (US, Danny Boyle, 1999); BELLE EPOQUE (SP/PO/FR, Fernando Trueba, 1992); BOSSU, LE (FR/IT/GG, Philippe de Broca, 1997); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); CARRINGTON (UK/FR, Christopher Hampton, 1995); COMO AGUA PARA CHOCOLATE (MX, Alfonso Arau, 1992); CRASH (CN, David Cronenberg, 1996); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); DEAD AGAIN (US, Kenneth Branagh, 1991); EDWARD II (UK, Derek Jarman, 1991); ELIZABETH (UK, Shekhar Kapur, 1998); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); GERMINAL (FR, Claude Berri, 1993); GRIFTERS, THE (US, Stephen Frears, 1990); HOWARDS END (UK, James Ivory, 1992); JACKIE BROWN (US, Quentin Tarantino, 1997); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LITTLE WOMEN (US, Gillian Armstrong, 1994); LOLITA (US, Adrian Lyne, 1997); MADAME BOVARY (FR, Claude Chabrol, 1991); MADNESS OF KING GEORGE, THE (US, Nicholas Hytner, 1994); MAESTRO DE ESGRIMA, EL (SP, Pedro Olea, 1992); MANSFIELD PARK (UK/US, Patricia Rozema, 1999); MARY SHELLEY'S FRANKENSTEIN (US, Kenneth Branagh, 1994); MASK OF ZORRO (US, Martin Campbell, 1998); MISERABLES, LES (FR, Claude Lelouch, 1995); MRS BROWN (UK, John Madden, 1997); MRS DALLOWAY (US, Marleen Gorris, 1997); NAKED LUNCH (CN/UK, David Cronenberg, 1991); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); OUT OF SIGHT (US, Steven Soderbergh, 1998); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); REINE MARGOT, LA (FR/GG/IT, Patrice Chereau, 1994); REMAINS OF THE DAY, THE (UK/US, James Ivory, 1993); RIDICULE (FR, Patrice Leconte, 1996); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAKESPEARE IN LOVE (UK, John Madden, 1998); SHORT CUTS (US, Robert Altman, 1993); TALENTED MR. RIPLEY, THE (US, Anthony Minghella, 1999); TEA WITH MUSSOLINI (IT, Franco Zeffirelli, 1997); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); THREE MUSKETEERS, THE (US, Stephen Herek, 1993); TITUS (US, Julie Taymor, 1999); TRAINSPOTTING (UK, Danny Boyle, 1996); WILDE (UK/US/JA/GG, Brian Gilbert, 1997); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Summary: "Period costume dramas are major box office commodities, exploiting the lucrative gap between the blockbuster and art film with their mixture of rich visuals, popular sensibility and literary association. But 'heritage cinema' is all too often discussed from literary (not cinematic) perspectives, and criticism of the films has long been overshadowed by the question of a film's fidelity to the original text. This volume of essays, reviews, and interviews seeks to redress this imbalance, by examining the often antagonistic relationship between literature and film - presenting both sides of the argument about whether heritage cinema's elaborate aesthetics owe more to nostalgia than to historical accuracy. In her challenging introduction to the volume, Ginette Vincendeau sketches the terms of the debate, arguing that the genre is an important, but often critically neglected, form of popular cinema. Film/Literature/Heritage, the latest in a series of 'Sight and Sound Readers', embraces a wide range of literary adaptation, from William Shakespeare to William Burroughs, covering films from Orlando to LA Confidential, and directors from Martin Scorcese to Peter Greenaway." - BOOK BLURB
ISBN: 0851708420; 0851708412(pbk.) : ¦13.99
LON: 22285912

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: POLICE STORY [GING CHAT GOO SI] (HK, Jackie Chan & Chi-Hwa Chen, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GINO (AT, Jackie McKimmie, 1994)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GLEASON, JACKIE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HALEY, JACKIE EARLE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: HILARY AND JACKIE (UK, Anand Tucker, 1998)

Call No: 802.273 SER
Author: Serra Cary, Diana
Source: US
Place: Boston
Publisher: Houghton Mifflin
PubDate: 1979
PhysDes: vii, 290 p. : ill. ; 24 cm
Subject: CHILD ACTORS; SERRA CARY, DIANA; MONTGOMERY, MARIAN; GARLAND, JUDY; TEMPLE, SHIRLEY; ROONEY, MICKEY; DURBIN, DEANNA; COOGAN, JACKIE
ISBN: 0395270952

Call No: 736.35(512.317) LOG
Author: Logan, Bey
Place: London
Publisher: Titan Books
PubDate: 1995
PhysDes: 191 p. ; ill. (some col.) ; 28cm
Subject: ACTION FILMS. HONG KONG; WOMEN IN FILMS. HONG KONG; CHAN, JACKIE; WOO, JOHN [pseud. of Wu Yusen]; CHOW, YUN-FAT; LEE, BRUCE; LAU KAR LEUNG; HUNG, SAMO; CHENG PEI PEI; ROTHROCK, CYNTHIA; PENN, KIM MAREE; CRAWFORD, SOPHIA; ACES GO PLACES (HK, Tsang Chi Wai, 1982); ARMOUR OF GOD, THE [; JINGCHA GUSHI (HK, Jackie Chan [pseud. of Cheng Long], 1985); [BIG BOSS, THE] (HK, Lo Wei, 1971); [FIST OF FURY] (HK, Lo Wei, 1972); LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); [CITY ON FIRE] (HK, Ringo (Ling-Tung) Lam, 1987); [DRUNKEN MASTER, THE] (HK, Yuen Woo-Ping, 1978); [EASTERN CONDORS] (HK, Samo Hung, 1987); [PEDICAB DRIVER] (HK, Samo Hung, 1990); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); WAY OF THE DRAGON, THE (HK, Bruce Lee, 1973); YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986); [BULLET IN THE HEAD] (HK, John Woo [pseud. of Wu Yusen], 1990); DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989)
Notes: Includes index; Bibliography: p. 188
ISBN: 1852865407 (pbk)
LON: 11245180

Call No: 71(512.317) DAN
Author: Dannen, Fredric; Long, Barry
Place: London
Publisher: Faber and Faber
PubDate: 1997
PhysDes: 412 p. : ill. ; 24 cm
Subject: WOO, JOHN [pseud. of Wu Yusen]; CHAN, JACKIE; CHAN, PETER; CHANG, SYLVIA; CHEUNG, LESLIE; CHOW, YUN-FAT; DOYLE, CHRISTOPHER; LAM, RINGO; LAW, CLARA; FONG, EDDIE [pseud. of Fong Ling-Ching]; SIAO, JOSEPHINE [pseud. of Siao Fong-Fong]; TSUI, HARK; WONG KAR-WAI
Notes: Includes filmographies and index
ISBN: 0571190405
Order Received: 1997
LON: abn97301453; 13417324
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: HOTEL NEW YORK (US, Jackie Raynal, 1984)

Call No: 81GLE BAC
Author: Bacon, James
Source: US
Place: New York
Publisher: St. Martin's Press
PubDate: 1985
PhysDes: xvi, 214 p., [32] p. of plates : ill., ports. ; 22cm
Subject: GLEASON, JACKIE; HUSTLER, THE (US, Robert Rossen, 1961); SKIDOO (US, Otto Preminger, 1968); DON'T DRINK THE WATER [TV] (US, Woody Allen, 1994); SMOKEY AND THE BANDIT (US, Hal Needham, 1977); SMOKEY AND THE BANDIT - PART III (US, Dick Lowry, 1983); SMOKEY AND THE BANDIT II (US, Hal Needham, 1980); TOY, THE (US, Richard Donner, 1982); STING II, THE (US, Jeremy Paul Kagan, 1983); HELLZAPOPPIN' (US, H.C. Potter, 1941)
Summary: The book deals with Jackie Gleason's success as a movie and tv star; his story is told by such people as Paul Newman, Burt Reynolds, and Bob Hope
Notes: Includes index
ISBN: 0312902298

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ILLUSTRATED AUSCHWITZ (AT, Jackie Farkas, 1992)
URL status: URL: 'http://file://Q:/T/ILLUSTRATED_AUSCHWITZ.zip' Checked: 31/08/2021 1:09:48 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JACKIE (CL/FR/US, Pablo Larrain, 2016)
URL status: URL: 'http://file://Q:/T/JACKIE.zip' Checked: 31/08/2021 1:49:13 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: DIGITAL FILE
Author: Oppenheim, Noah
PhysDes: 92 leaves
Subject: JACKIE (CL/FR/US, Pablo Larrain, 2016)
Notes: Unpublished script
Donation: AFI/AACTA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JACKIE BROWN (US, Quentin Tarantino, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JACKIE ROBINSON STORY, THE (US, Alfred E. Green, 1950)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LOEB, JACKIE

Call No: 736.35(512.317) HON
Source: HK
Place: Hong Kong
Publisher: Hong Kong Film Archive
PubDate: 1999
PhysDes: 96 p. : col. ill. ; 25 cm
Subject: LEE, BRUCE; CHAN, JACKIE; Yeoh, Michelle; LI, JET; CHENG PEI PEI
Summary: Contains two levels of significance. First, it is the reappearance of many veterans of our film industry to relate their memories; and second, it retrospects on the development of martial arts films through extracts of video interviews whereby veterans speak about the martial arts genre and the pictures. The veterans that the Hong Kong Film Archive has managed to interview span from Chin Tsi-ang, Hong Kong's first lady martial arts star (the grandmother of Sammo Hung), to Michelle Yeoh, who has now carried her fame and talent into Hollywood. Among them are prominent stars and directors who have long retired as well as those up-and-coming talents still working in the industry. In English and Chinese. Taken from http://www.lcsd.gov.hk/CE/CulturalService/HKFA/english/publication/pub05_preface.html
ISBN: 9628050060
Language: Chinese; English

Call No: 736.35 RAN
Author: Rance, P.T.J
Source: UK
Place: London
Publisher: Virgin Books
PubDate: 2005
PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cm
Subject: HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949); TU-PEI TAO (HK, Chang Cheh, 1967); LUNG-MEN K'O CHAN (TZ, King Hu, 1966); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977); A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983); WONG FEI-HUNG (HK, Tsui Hark, 1991); WO HU ZANG LONG (HK, Ang Lee, 2000); YING XIONG (HK/C, Yimou Zhang, 2002); HERO (HK/C, Yimou Zhang, 2002); SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004); HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004); KARATE KID, THE (US, John G. Avildsen, 1984); KICKBOXER (US, Mark DiSalle & David Worth, 1989); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967); HWASAN GO (KO, Kim Tae-Gyun, 2002); ONG-BAK (TH, Prachya Pinkaew, 2003); GREEN HORNET, THE (US, Norman Foster, 1966); WATER MARGIN, THE (TV) (JP/C, 1976-78); SAIYUKI (TV) (JA, 1978-80); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.
Notes: Includes, bibliographic references, index and index of quotations ERATA: ISBN on verso not correct. See back cover.
ISBN: 0753510782
ID2: 150

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: MCKIMMIE, JACKIE

Call No: PERSONALITY STILL
Source: AT
PhysDes: 1 photograph : b&w ; 25 X 20 cm.
Subject: MCKIMMIE, JACKIE
Summary: Informal portrait of the director Jackie McKimmie taken outdoors. Subject is looking directly at the camera smiling, wearing a woollen jacket.
Notes: Remnants of what appears to be a sticker or sticky tape on the front of the photograph in the top half of the image above the subjects head.; A small part of the photograph on the right hand side is ripped where the sticky tape/sticker has been removed; The words 'Jackie McKimmie are written on the reverse of the photograph in black pen.

Call No: PERSONALITY STILL
Source: AT
Publisher: Ronin films
PubDate: [1987?]
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: AUSTRALIAN DREAM (AT, Jack McKimmie, 1986); MCKIMMIE, JACKIE
Summary: Jacki Mc Kimme sits In what appears to be either a helicoptor or aeroplane cockpit . She has a bandana holding her hair in place and a set of headphones around her neck, she smiles at the photographer.
Notes: Blu-tac marks on reverse corners; White border surrounds image; Two adhesive labels on reverse of photograph

Subject: TUFF TURF (US, Fritz Kiersch, 1984); AVENGING ANGEL (US, Robert Vincent O'Neil, 1985); NIGHT PATROL (US, Jackie Kong, 1985)
Summary: Article on New World' heighest grossing weekend at the box office and the takings for the top three films

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NEW YORK STORY (US, Jackie Raynal, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NGO HAI SUI (HK, Benny Chan & Jackie Chan, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NIGHT PATROL (US, Jackie Kong, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NURSE JACKIE [TV] (US, 2009-2015)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: O'Sullivan, Jackie

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OIJI (HK, Jackie Chan [psued. of Cheng Long], 1989)

Call No: TITLE CLIPPINGS FILE; RAILROAD TIGERS (CC, Ding Sheng, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: CHAN, JACKIE; RAILROAD TIGERS (CC, Ding Sheng, 2016)
Summary: Review of the film RAILROAD TIGERS, as well as commentary on the lead actor Jackie Chan
Notes: same article in Canberra Times, The Age, same date
Rating: 2.5 out of 5 stars

Author: Bright, Greg
PhysDes: Article
Subject: MCKIMMIE, JACKIE; MCKIMMIE, CHRIS; WILD, SUE; AUSTRALIAN DREAM (AT, Jack McKimmie, 1986)
Summary: Location report on Jackie McKimmie's first feature film directorial debut in "Australian Dream" including finance and shoot details. Reporter Greg Bright notes the film is based on a song written by the director's husband Chris McKimmie, who is also the film's production designer. Bright also provides some filmographic details on both Jackie McKimmie and the film's producer/production manager Sue Wild, as well as brief quotations from actress Noni Hazlehurst
Notes: Location report on "Australian Dream". - photographs by Grant Deardon. - credits

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: 71(512.317) BOR
Author: Bordwell, David
Place: Cambridge, Mass.
Publisher: Harvard University Press
PubDate: 2000
PhysDes: p. cm
Subject: LEE, BRUCE; CHAN, JACKIE; WOO, JOHN [pseud. of Wu Yusen]; TSUI, HARK; LAU KAR LEUNG; HU, KING; WONG JING; CHANG, CHEH; CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994); CHUNGKING EXPRESS [CHONGQING SENLIN] (HK, Wong Kar-Wai, 1994)
Notes: Includes bibliographical references and index
ISBN: 067400213X (alk. paper); 0674002148 (pbk. : alk. paper)
LON: 20989172

Call No: 81COO COO
Author: Cooper, Jackie, 1922; Kleiner, Dick, 1921
Edition: Book Club ed
Place: New York
Publisher: Morrow
PubDate: 1981
PhysDes: 301 p. : ill., ports. ; 25 cm
Subject: Cooper, Jackie, 1922
LON: abn98225644; 13987018

Call No: 802.22(73) MAR
Author: Marc, David; Thompson, Robert J., 1959
Edition: 1st Syracuse University Press ed
Place: Syracuse, N.Y.
Publisher: Syracuse University Press
PubDate: 1995
PhysDes: 340 p. : ill. ; 24 cm
Series: The Television series
Subject: DRAMAS; SOAP OPERAS; GAMES SHOWS; DOCUMENTARIES; BROOKS, JAMES L.; BURNS, KEN; WOLPER, DAVID; SPELLING, AARON; RICH, LEE; MARTIN, QUINN; MARSHALL, GARRY; LINK, WILLIAM; CHAYEFSKY, PADDY; CANNELL, STEPHEN J.; BOCHCO, STEVEN; BARRIS, CHUCK; ARNAZ, DESI; WERNER, TOM; WEBB, JACK; SCHWARTZ, SHERWOOD; PHILLIPS, IRNA; NIXON, AGNES ECKHARDT; LEVINSON, RICHARD; LEAR, NORMAN; LARSON, GLEN; HUGGINS, ROY; HENNING, PAUL; HARRIS, SUSAN; GOODSON, MARK; GLEASON, JACKIE; ENGLISH, DIANE; MANN, MICHAEL; MARY TYLER MOORE SHOW, THE [TV] (US, 1970-77?); MIAMI VICE [TV] (US, 1984-90); ALAS SMITH AND JONES [TV] (US, 1971-73?); ALL IN THE FAMILY [TV] (US, 1971-?); BEVERLY HILLBILLIES, THE [TV] (US, 1962-71); DRAGNET [TV] (US, 1951-59, 1967-70); GILLIGAN'S ISLAND [TV] (US, 1964-66); GOLDEN GIRLS, THE [TV] (US, 1985-93); HAPPY DAYS [TV] (US, 1974-1984); HILL STREET BLUES [TV] (US, 1980-87); L.A. LAW [TV] (US, 1986-94); I LOVE LUCY [TV] (US, 1951-57)
Notes: Originally published: Boston : Little, Brown, 1992; Includes bibliographical references (p. [313]-318) and index
ISBN: 0815603118 (paper : acid-free paper)
LON: 95001812; 11442893

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PROJECT A (PART II) (HK, Jackie Chan [pseud. of Cheng Long], 1987)

Call No: 71(943) QUE
Copy Management: Copy 1; Copy 2
Author: Dawson, Jonathan; Molloy, Bruce
Place: St. Lucia, Qld.
Publisher: University of Queensland Press
PubDate: 1990
PhysDes: xii, 180 p., [16] p. of plates : ill., ports. ; 22 cm
Subject: INDEPENDENT PRODUCTION. AUSTRALIA: QUEENSLAND; COMMERCIALS, TV. AUSTRALIA: QUEENSLAND; MYTH AND THE CINEMA. AUSTRALIA: QUEENSLAND; DOCUMENTARIES. AUSTRALIA QUEENSLAND; INDUSTRY, FILM. AUSTRALIA : QUEENSLAND; SOCIETIES, FILM. AUSTRALIA: QUEENSLAND; QUEENSLAND; AUSTRALIAN BROADCASTING CORPORATION; QUEENSLAND FILM CORPORATION; MCKIMMIE, JACKIE; BURNE, GEORGE; BANNAH, MAX; MORRIS, MONTY; MARKS, DICK; BUDDIES (AT, Arch Nicholson, 1983); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984); MISSION: IMPOSSIBLE [TV] (US, 1966-73, 1988-); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); SONS OF MATTHEW (AT, Charles Chauvel, 1949)
Notes: Bibliography: p. [177]-180
ISBN: 070222331X (pbk.) : $24.95
LON: abn90164773; 7319368

Author: Kraszewski, Jon
PhysDes: Article
Subject: BLAXPLOITATION FILMS; ETHNIC GROUPS IN FILMS; ADVERTISING FOR FILMS; BLACULA (US, William Crain, 1972); I'M GONNA GIT YOU SUCKA (US, Keenen Ivory Wayans, 1988); JACKIE BROWN (US, Quentin Tarantino, 1997); SHAFT (US, Gordon Parks Jr., 1971); SHAFT (US, John Singleton, 2000); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971)
Summary: This is a study of blaxploitation advertisements and the genre, examing the complex relationship between blaxpoitaton text and spectator. The heterogeneous identity at play within blaxploitation's black spectators is examined. Class becomes important to studying blaxploitation and its audience not because it demarcates a subgenre that diverged in interest from other films concerned with violence and ultrasexuality but because class - specifically the way in functions in blaxploitation advertisements - can help reconceptualize the blackness of blaxploitation and its spectators in more dynamic ways. The genre is situated in a complex historical moment where three relatively autonomous influences on black identity operated simultaneously.

Call No: 462-02(94) BAI
Author: James Bailey, Julie
Place: Sydney
Publisher: Australian Film, Television and Radio School
PubDate: 1999
PhysDes: xii, 408 p. : ports. ; 21 cm
Subject: WOMEN FILM WORKERS. AUSTRALIA; KENNY, JAN; THORNBURN, GRETCHEN; COCKSEDGE, ANNIE; BILCOCK, JILL; PRYOR, SALLY; DEVINE, KIT; ARMSTRONG, GILLIAN; MCKIMMIE, JACKIE; BROWNE, DINA; PHILLIPSON, MARGOT; MURPHY, BRONWYN; KERR, SUE; SHEEHAN, ANNABELLE; TYSON-CHEW, NERIDA; COOPER, DANY; SMITH, MANDY; GAYNOR, HELEN; REID, CAROLYN; WOOD, SUSAN; BENNETT, SARA; CARTWRIGHT, LYNNE; RUDD, CAMILLA; GIL, GLENYS
Notes: Includes bibliographical references (p. [391]-394) and index
ISBN: 1876351047
LON: 20169058

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROSIE: THE ROSEMARY CLOONEY STORY (US, Jackie Cooper, 1982)

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: [1995?]
PhysDes: 1 photograph : b&w ; 18 x 13 cm.
Subject: HUNG FAN KUI (HK, Stanley Tong [pseud. of Tony Kwei Lai], 1995); CHAN, JACKIE
Summary: Jackie Chan stands with fists clentched, wearing jeans and a denim jacket. A bikie gang behind him. Superimposed in the background is an arial view of Manhattan in NYC
Notes: Adhesive label on reverse of image Printed on kodak paper

Call No: 71(512.317) HAM
Author: Hammond, Stefan; Wilkins, Mike
Place: London
Publisher: Titan Books
PubDate: 1997
PhysDes: 272 p. : ill., ports. ; 19 cm
Subject: SHAW BROTHERS; WOO, JOHN [pseud. of Wu Yusen]; TSUI, HARK; CHAN, JACKIE; LAM, RINGO; HUNG, SAMO; ARMOUR OF GOD, THE [; DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989); SHENG GANG QI BING (HK, Johnny Mak, 1985)
Notes: Includes index
ISBN: 1852867752 (pbk.)
LON: 13257301

Call No: TITLE CLIPPINGS FILE; NURSE JACKIE [TV] (US, 2009-)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: NURSE JACKIE [TV] (US, 2009-)
Summary: Blundell reviews US TV series Nurse Jackie staring Edie Falco.

Call No: CRAWFORD STILL SPE
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 81 slides : col. + 23 transparencies : b&w ; 120 mm + 1 transparency : col. ; 120 mm + 9 negatives : b&w ; 35 mm
Subject: HAWKINS, ANTHONY; CASSELL, ALAN; DIEDRICH, JOHN; GILLING, REBECCA; MORTIMER, IAN; BANNISTER, KERRIE; WINCHESTER, ARNA-MARIA; UPJOHN, WILLIAM; GILL, VINCE; MCKAY, KERRY; CHILVERS, SIMON; ANDREWS, GAEL; LOBEZ, SUSANNA; LESLEY, LORNA; DUNCAN, CARMEN; SMILLIE, JIM; HAGAN, JENNIFER; WOODBURNE, JACKIE; OLIVER, TOM; CRAWFORD, ANNA; ALDENHOVEN, LISA; MAGUIRE, GERARD; QUAST, PHILIP; TAYLOR, GRIGOR; ARNOLD, RONNIE; ABIGAIL; HANNAN, JOHN; SALTMARSH, KIER; DEANS, JUDITH; DAHLSEN , PETER; SCOTT, RENEE; GALLACHER, FRANK; BISLEY, STEVE; GREGG, JOHN; HAYWOOD, CHRIS; FURNESS, DEBORRA-LEE; MCLUSKIE, KASSIE; SPECIAL SQUAD [TV](AT, 1984-1985)
Summary: Photographs, slides and negatives relating to the series 'Special Squad'
Notes: Images are arranged in groupings as received by Crawford Productions with their accompanying promotional sheets
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE -- AFI DISTRIBUTION CLIPPINGS FILE: RESTRICTED ACCESS
PhysDes: Clippings; Publicity; Stills
Subject: STATIONS (AT, Jackie McKimmie, 1983)

Call No: P STA
PhysDes: 1 poster ; b&w ; 60 X 43 cm.
Subject: STATIONS (AT, Jackie McKimmie, 1983)
Summary: Image: photo of men and women dancing. Text:' a tribute to the vulnerabilities and strengths of women of the 1950's.'

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 20 x 26 cm.
Subject: STATIONS (AT, Jackie McKimmie, 1983)
Summary: Black and white photograph relating to the film Stations

Call No: REFERENCE SECTION; 036 -02 STR
Author: Esteban, Jose de; Thomas, Wendy
Source: UK
Place: London
Publisher: BFI National Library
PubDate: c2003
PhysDes: 14 p. ; 30 cm
Series: 16+ Source guides
Subject: WOMEN IN FILMS; GENDER AND THE CINEMA; FEMINISM AND THE CINEMA; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); JACKIE BROWN (US, Quentin Tarantino, 1997); OTHERS, THE (US/SP, Alejandro Amenabar, 2001); PANIC ROOM (US, David Fincher, 2002); BEND IT LIKE BECKHAM (UK, Gurinda Chadha, 2002)
Donation: Donated by Senses Of Cinema, 2009

Call No: TITLE CLIPPINGS FILE in production; BLEEDING STEEL [in production]
Author: Rawthorne, Sally -- Domjen, Briana -- Moran, Jonathon -- Sharp, Annette -- Halliwell, Elle
PhysDes: Clippings File Article
Subject: LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES; CHAN, JACKIE; BLEEDING STEEL (CC, Lijia Zhang, 2017)
Summary: Report on press conference in Sydney to promote the shooting of Jackie Chan film BLEEDING STEEL, which is said to be the biggest budget Chinese film to be shot in Australia

Call No: N79 TOP DAB
Author: Dabbs, Jennifer
Source: Australia
Place: Melbourne
Publisher: McPhee Gribble
PubDate: 1988
PhysDes: 21 cm ; 287 p.
Subject: TOUCH THE SUN: TOP ENDERS [TV] (AT, Jackie McKimmie, 1988)
ISBN: 0140110607

Call No: 81COL COL
Author: Collins, Joe
Source: UK
Place: London
Publisher: Headline Book Publishing
PubDate: 1986
PhysDes: 235 p. : ill. ; 18 cm
Subject: COLLINS, JACKIE; COLLINS, JOAN; COLLINS, JOE
ISBN: 0747230082
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 13 x 19 cm.-21 x 26 cm.
Subject: TOUCH THE SUN: TOP ENDERS [TV] (AT, Jackie McKimmie, 1988); LEWIS, TOMMY; SAUNDERS, JUSTINE
Summary: Black and white photographs relating to the TV movie Touch the Sun: Top Enders
Notes: There are some duplicate photographs

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: TOUCH THE SUN [TV] (AT, 1988); TOUCH THE SUN: DEVIL'S HILL [TV] (AT, Esben Storm, 1988); TOUCH THE SUN: GIFT, THE [TV] (AT, Paul Cox, 1988); TOUCH THE SUN: TOP ENDERS [TV] (AT, Jackie McKimmie, 1988); TOUCH THE SUN: CAPTAIN JOHNNO [TV] (AT, Mario Andreacchio, 1988)

Call No: 512.1 PHI
Author: Phillips, Patrick
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: xiii, 158 p. : ill. ; 24 cm
Subject: AESTHETICS; METHODOLOGY OF FILM CRITICISM; AUDIENCE RECEPTION; COSTUMES; DIALOGUE; EDITING; EXHIBITION; NARRATIVE IN FILMS; PERCEPTION; REALISM IN FILMS; SPECTATORSHIP; VIRTUAL REALITY; DICAPRIO, LEONARDO; MUNSTERBERG, HUGO; AFTER LIFE (JA, Hirokazu Kore-eda, 1998); AMERICAN BEAUTY (US, Sam Mendes, 1999); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); C`EST ARRIVE PRES DE CHEZ VOUS (BE, Remy Belvaux & Andre Bonzel & Benoit Poelvoorde, 1992); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FESTEN (DK, Thomas Vinterberg, 1998); JACKIE BROWN (US, Quentin Tarantino, 1997); LOLA RENNT (G, Tom Tykwer, 1998); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); PSYCHO (US, Alfred Hitchcock, 1960); SECRETS & LIES (FR/UK, Mike Leigh, 1996); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); SLIDING DOORS (US, Peter Howitt, 1998); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
ISBN: 085170798X; 0851707998(pbk.)
LON: 21445642

Call No: 721.210.4 VIS
CorpAuthor: Australian Film Institute
Edition: 1984
Place: Sydney
Publisher: Australian Film Institute
PubDate: 1984
PhysDes: 28 p. : illus. ; 21 cm
Subject: INDEPENDENT FILMS; OUT (US, Eli Hollander, 1982); PROSTITUTE (UK, Tony Garnett, 1980); STATIONS (AT, Jackie McKimmie, 1983); THIS WOMAN IS NOT A CAR (AT, Margaret Dodd, 1982); CHAN IS MISSING (US, Wayne Wang, 1982); NIGHT OF SHADOWS (AT, Brian Thompson, 1983); ON GUARD (AT, Susan Lambert, 1984); GREETINGS FROM WOLLONGONG (AT, Mary Callaghan, 1982); GIRL'S OWN STORY, A (AT, Jane Campion, 1983); GHOST DANCE (UK/GW, Ken Mullen, 1983); IMPOSTORS (GW/US, Mark Rappaport, 1979); LAST NIGHT AT THE ALAMO (US, Eagle Pennell, 1983); BUCKEYE AND PINTO (AT, Phil Pinder, 1979); DOZENS, THE (US, Christine Dall and Randall Conrad, 1980); EVERY DAY, EVERY NIGHT (AT, Kathy Mueller, 1984); FORDS ON WATER (UK, Barry Bliss, 1983); KILLER OF SHEEP (US, Charles Burnett, 1978); SLOW MOVES (US, Jon Jost, 1984); ASHES AND EMBERS (US, Haile Gerima, 1982); JOE'S BED-STUY AND BARBERSHOP: WE CUT HEADS (US, Spike Lee, 1983); QUEENSLAND (AT, John Ruane, 1975); BROTHERS AND SISTERS (UK, Richard Woolley, 1980); KING BLANK (US, Michael Oblowitz, 1982); CAFE OF LOVE (AT, Jinks Dulhunty, 1982); EMERALD CITIES (US, Richard R. Schmidt, 1983); VOICE OVER (UK, Chris Monger, 1981); SHADOWPLAY (UK, Oliver Stapleton, 1980); EXITS (AT, Paul Davies & Pat Laughren & Carolyn Howard, 1980); FILLETING MACHINE, THE (UK, Murray Martin, 1981); OUTSIDE IN (UK/GW/NE, Stephen Dwoskin, 1981); PLAINS OF HEAVEN, THE (AT, Ian Pringle, 1982); SMITHEREENS (US, Susan Seidelman, 1982); GOING DOWN (AT, Haydn Keenan, 1982); RETURN OF THE SECAUCUS SEVEN (US, John Sayles, 1980); AGAINST THE GRAIN (AT, Tim Burns, 1980); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981); PURE S (AT, Bert Deling, 1976); GAL YOUNG UN (US, Victor Nunez, 1979); BURNING AN ILLUSION (UK, Menelik Shabazz, 1981); HEARTLAND (US, Richard Pearce, 1979); LOOKS AND SMILES (UK, Kenneth Loach, 1981)
Notes: Programme for a season of international independent films supporting the 'visions of independence' conference held in Sydney, 29 August - 1 September 1984.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: WAITING (AT, Jackie McKimmie, 1990)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 5 photographs : b&w ; 21 x 26 cm
Subject: BERNSTEIN, NOGA; WHITTEN, FRANK; MCKIMMIE, JACKIE; FURNESS, DEBORRA-LEE; PRESS, FIONA; WAITING (AT, Jackie McKimmie, 1990)
Summary: 5 black and white photographs of scenes from the film.

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WEAVER, JACKIE

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: WINTER TAN, A (CN, Louise Clark, Jackie Burroughs, John Frizzell, John Walker & Aerlyn Weissman, 1987)

PhysDes: Article
Subject: GREATER UNION; WOMEN AND THE CINEMA. AUSTRALIA; SHORT FILMS. AUSTRALIA; DANCE OF DEATH (AT, Dennis Tupicoff, 1983); PEEL (AT, Jane Campion, 1982); STATIONS (AT, Jackie McKimmie, 1983); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); FIRST CONTACT (AT, Bob Connolly & Robin Anderson, 1983); LION IN THE DOORWAY, THE (AT, John Pradhubodh Walker, 1983); MORE TRICKS THAN WE HAVE (AT, Cinemedia, 1982); THREE HORSEMEN (AT, David & Judith MacDougall, 1982)
Summary: Article on the films nominated for the Greater Union Awards for Australian Short Films, with a high percentage being dircted by women.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: WOODBURNE, JACKIE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: YOUNG MASTER, THE (HK, Jackie Chan [pseud. of Cheng Long, 1980)

Call No: 771(44) SHA
Author: Shafto, Sally
Place: New York NY
Publisher: Zanzibar USA
PubDate: 2000
PhysDes: 63 p; 21 cm
Subject: ZANZIBAR FILMS; GARREL, PHILIPPE; FRANCE; EXPERIMENTAL FILMS; RAYNAL, JACKIE; PRODUCTION. EUROPEAN COUNTRIES
Summary: The first English-language account of this little-known chapter in French cinema history. Between 1968 and 1970, Sylvina Boissonnas, a young French heiress and patroness of the arts, financed the production of some fifteen films that would prove highly influential while remaining largely unknown outside of France. Under the banner of “Zanzibar Films” (a name taken from the Maoist island nation in East Africa), a decidely informal collective of about a dozen artists, writers, and students began to make their first films. While the New Wave filmmakers had been in their late twenties and early thirties when they began filmmaking, the Zanzibar directors were younger (Philippe Garrel, one of the key figures, was just twenty) and were inspired by the heady spirit and times of May 1968. These filmmakers quickly became the darlings of Henri Langlois, who often showed their films at the Cinémathèque Française in late-night screenings. Despite their diversity, the Zanzibar films were marked by minimal scripts, the use of nonactors and improvisation, and strong ties to both the art world and the world of fashion. (Several of the Zanzibar participants spent time in Warhol’s Factory in the mid-1960s.) Their films represented the French equivalent of the American underground, and these young cinéastes quickly became the radical dandies of May 1968.
ISBN: 0970240201
Donation: Donated by author